[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-magis-collection-book-2025":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":1036},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":1031,"matched_pages":1032,"match_count":1033,"two_pages":1034,"show_text":1035},25775,"Collection Book 2025","magis-collection-book-2025","\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fc0\u002F6571599991bfd2976d1dbe3e16dcbb-2905f6cfb9.pdf","Magis",1300,"magis","52.3 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453,457,461,465,469,473,477,481,485,489,493,497,501,505,509,513,517,521,525,529,533,537,541,545,549,553,557,561,565,569,573,577,581,585,589,593,597,601,605,609,613,617,621,625,629,633,637,641,645,649,653,657,661,665,669,673,677,681,685,689,693,697,701,705,709,713,717,721,725,729,733,737,741,745,749,753,757,761,765,769,773,777,781,785,789,793,797,801,805,809,813,817,821,825,829,833,837,841,845,849,853,857,861,865,869,873,877,881,885,889,893,897,901,905,909,913,917,921,925,929,933,937,941,945,949,953,957,961,965,969,973,977,981,985,989,993,997,1001,1005,1009,1013,1017,1021,1025,1029],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.2.png","Pushing the boundaries \nof design since 1976.\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.3.png","2\n3\nMagis \nPushing the boundaries of design, since 1976. Ci spingiamo oltre i confini del \ndesign dal 1976. \nUna storia di progetti, creatività e sperimentazione. Nata nel Nord Italia nel \n1976, Magis è diventata un grande laboratorio di progettazione per la casa, \nl’outdoor, l’ufficio e il contract e un player del design mondiale.\nMagis è una locuzione latina che significa “di più”. Ed è proprio da qui che \nnasce la spinta propulsiva alla sperimentazione. Per essere e fare di più. Un’idea \nconcreta del design, senza paura di osare, perché la spinta verso idee, linguaggi \ne sistemi produttivi sempre nuovi ci porta verso un design senza compromessi. \nL’attenzione è tutta rivolta alla progettazione, alla scelta dei materiali, delle \ntecnologie e dei processi di produzione, che guardano al passato con uno \nsguardo al futuro, sostenibile e senza tempo. \nUna storia di Made in Italy. Un’idea non deve essere solo una “buona” idea, \nma deve soddisfare l’estetica, la funzionalità e raccontare una storia. Magis da \nsempre produce in Italia, per conservare il patrimonio artigianale del territorio e \nrispondere agli standard di qualità più elevati.\nPushing the boundaries of design, since 1976.\nA story of ideas, creativity and experimentation. Established in Northern Italy \nin 1976, Magis has become a great design laboratory for home, outdoor, office \nand contract furniture, and a global player in the design field. \nMagis is a Latin word meaning “more”. And this is precisely the origin of the \npropulsive drive for experimentation. To be and do more. A concrete view of \ndesign, unafraid to dare, because the drive towards ever new ideas, codes and \nproduction systems leads this company towards an uncompromising design.\nThe focus is on design, the choice of materials, technologies and production \nprocesses, which look to the past with an eye to the future, sustainable and \ntimeless.\nA story of Made in Italy. An idea must not only be “good”, it must also satisfy \nthe criteria of aesthetics and functionality and tell a story. Magis has always \nmanufactured in Italy, in order to preserve the local tradition of craftsmanship and \nmeet the most exacting standards with Italian-made quality. \nit\nen\n“We are people with our heads in the clouds \nand our hands busy experimenting”\n2024\n2022\n2020\n2014\n2011\n2008\nMagis\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.4.png","4\n5\nThe Magis mule\nBecause it’s humble, it’s not conceited, it doesn’t \nshow off, because it’s a tireless worker, because \nit never gives up, when it falls it picks itself up, \nbecause it doesn’t look for the easy way out, be-\ncause it loves a challenge, because it’s innately, \nintensely curious and therefore continuously ex-\nplores new paths.\nPrecisely, perfectly in line with Magis’s essence, \ncourage and spirit, which is why a mule has for \nyears been the emblem of our company.\nThat mule has a name: Ettore (Hector), like the \nHomeric hero, the invincible warrior that only a de-\nmigod could defeat.\nIl mulo di Magis\nPerché è umile, non è vanesio, non si dà arie, per-\nché è un instancabile lavoratore, perché non molla \nmai, quando cade sa rialzarsi, perché non cerca \nfacili scorciatoie, perché ama le salite, perché vi \nè in lui un’innata, spiccata curiosità che lo porta a \nesplorare in continuazione nuove strade.\nUna corrispondenza precisa e perfetta con l’es-\nsenza, la tempra e lo spirito di Magis ed è per que-\nsto che il mulo da anni è assurto a emblema della \nnostra azienda.\nIl mulo ha un nome: Ettore, come l’eroe omerico, \ninvincibile guerriero che solo un semideo è riuscito \na sconfiggere.\nLe mulet de Magis\nParce qu’il est humble, il n’est pas vaniteux il ne \ncrâne pas, parce que c’est un travailleur infati-\ngable, parce qu’il ne lâche jamais prise, quand il \ntombe il sait se relever, parce qu’il ne cherche pas \nd’échappatoires, parce qu’il aime les montées, \nparce qu’il y a en lui une curiosité innée et mar-\nquée qui le conduit à explorer en permanence de \nnouvelles voies.\nUne correspondance précise et parfaite avec l’es-\nsence, le courage et l’esprit de Magis et c’est pour \ncela que le mulet est depuis des années l’em-\nblème de notre entreprise.\nLe mulet a un nom : Ettore (Hector), comme le \nhéros d’Homère, guerrier invincible que seul un \ndemi-dieu est parvenu à battre.\nit\nen\nfr\nDas Maultier von Magis\nWeil es demütig ist, nicht eitel, sich nicht aufspielt, \nweil es ein unermüdlicher Arbeiter ist, weil es nie \naufgibt, wenn es niederfällt, steht es wieder auf, \nweil es nie die leichte Abkürzung sucht, weil es \nsteile Pfade liebt, weil die angeborene, große Neu-\ngierde es dazu treibt, immer neue Wege zu erfor-\nschen.\nDas entspricht genau dem Naturell, der Veran-\nlagung und dem Charakter von Magis. Deshalb \nhaben wir das Maultier schon lange zum Ma-\nskottchen unseres Hauses erhoben.\nDas Maultier hat einen Namen: Ettore (Hektor), wie \nHomers heroischer, unbesiegbarer Krieger, den \nerst der Sohn einer Göttin bezwingen konnte.\nMagis 骡子\n因为它很卑微，这不是自大，它不炫耀，因为它是一\n个不知疲倦的工人，因为它从不放弃，当它摔倒时，\n它会自己爬起来， 因为它不寻求简单的出路，\n因为它喜欢挑战，因为它天生就有强烈的好奇心，因\n此不断探索新的道路。\n准确地说，这完全符合Magis的精髓、勇气和精神，\n这就是为什么多年来骡子一直是我们公司的标志。\n那匹骡子有一个名字：埃托雷（赫克托），就像荷马英\n雄一样，是一个只有半神才能打败的无敌战士。\nEl mulo de Magis\nPorque es humilde, no es vanidoso, no es jactan-\ncioso, porque es un trabajador incansable, porque \nnunca se da por vencido, cuando cae, sabe levan-\ntarse, porque no busca atajos fáciles, porque ama \nlas subidas, porque posee una curiosidad natural \ne irresistible que lo lleva a explorar continuamente \nnuevos caminos.\nUna correspondencia precisa y perfecta con la \nesencia, el temperamento y el espíritu de Magis, \ny es por esto que, desde hace años, el mulo es el \nemblema de nuestra empresa.\nEl mulo tiene un nombre: Ettore (Héctor), como el \nhéroe homérico, guerrero indomable que solo un \nsemidiós pudo vencer.\nマジスのラバ\nうぬぼれず、\n見栄をはらない。\n疲れ知らずの働き者。\n決して諦めない。\n失敗しても、自分の力で立ち上がる。\n逃げ道を捜さない。\nチャレンジすることが大好き。\n根っからの好奇心旺盛。\n新しい道を恐れない。\nそんなラバは、ずっとマジスの象徴でした。\nそして、\nそのラバに名前をつけました。\n誰もが崇高するギリシャ神話の無敵の戦士 ヘクトール \n＝ エットレ【伊】\nde\nzh\nes\nja\nEttore\nEttore\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.5.png","6\n7\n008\n010\n012\n016\n018\n027\nsustainability\ndesigners\nawards\nmuseums\nproducts overview\nchairs\nindex          \n145\n179\n191\n257\n273\n351\nstools\nbenches\nlounge\nottomans\ntables\nside and coffee tables\n447\n451\n491\n503\n504\nAnimal Factory\nMagis Me Too \nfabrics\nstores\ncredits\n373\n391\n399\n417\n431\n437\nstorage and shelving systems\ncoat stands \u002F hangers\naccessories\nmirrors\ncarpets\nlighting\nindex\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.6.png","8\n9\nsustainability\nIQNet International \nCertification Network\nInternational \nCertification\nISO 9001:2000\nISO 14001:2004\nFSC Certification \n(Forest Stewardship \nCouncil)\nGreenGuard Gold \nCertification\nEnvironmental Product \nDeclaration\nMagis, un mondo di qualità certificata.\nSperimentazione, innovazione, benessere e sostenibilità: sono questi alcuni dei principi alla base \ndel nostro modo di fare che considera il progetto nel rispetto totale delle persone e dell’ambiente. \nUna consapevolezza che si rispecchia nella ricerca di materiali riciclabili e alternativi e nella \nscelta di tecnologie che riducono gli scarti e il materiale utilizzato e puntano ad un design \nsostenibile e senza tempo.\nFare ricerca e sviluppo non significa solo sperimentare nuovi materiali ma anche recuperare i \nvecchi, in un’ottica di economia circolare che comprende nuovi processi industriali a basso \nimpatto ambientale. Promuovere questo tipo di economia vuol dire anche mantenere rapporti \nduraturi e di fiducia con collaboratori e partners, fare sviluppo insieme. \nPer Magis qualità e Made in Italy sono valori concreti e sinonimi di responsabilità, come si evince \ndalle numerose certificazioni acquisite negli anni. Siamo un’azienda certificata ISO 9001:2000 dal \n2004 e ISO 14001:2004 dal 2007, i nostri prodotti hanno superato i test di resistenza, sicurezza \ne durabilità previsti dalle normative europee (EN) e statunitensi (ANSI\u002FBIFMA) e abbiamo ottenuto \ndiverse certificazioni internazionali (come il marchio di qualità TÜV SÜD, la certificazione FSC, la \ncertificazione GreenGuard Gold e la EPD®).\nMagis, a world of certified quality.\nExperimentation, innovation, well-being, and sustainability: these \nare some of the core principles that define our approach—one that \nrespects both people and the environment throughout the design \nprocess. This awareness is reflected in our pursuit of recyclable and \nalternative materials, and in our choice of technologies that reduce \nwaste and material usage, aiming for a sustainable and timeless design. \n \nResearch and development doesn’t only mean experimenting with \nnew materials, but also reviving existing ones, within a circular \neconomy mindset that includes new, low-impact industrial processes. \nPromoting this kind of economy also means building lasting, trustworthy \nrelationships with collaborators and partners—developing together. \n \nFor Magis, quality and Made in Italy are concrete values and \nsynonymous with responsibility, as demonstrated by the numerous \ncertifications we’ve obtained over the years. We have been an ISO \n9001:2000 certified company since 2004 and ISO 14001:2004 certified \nsince 2007. Our products have passed resistance, safety, and durability \ntests in accordance with European (EN) and American (ANSI\u002FBIFMA) \nstandards, and we have received various international certifications \n(including TÜV SÜD quality mark, FSC certification, GreenGuard Gold \ncertification, and EPD®).\nit\nen\nsustainability\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.7.png","10\n11\nEero Aarnio \nTorbjørn Anderssen & Espen Voll\nRon Arad\nEdward Barber & Jay Osgerby\nMarc Berthier\nBig-Game\nLuca Boscardin\nRonan & Erwan Bouroullec\nBrogliatoTraverso\nPaul Cocksedge\nStefan Diez\nBlaise Drummond\nFrom Industrial Design\nNaoto Fukasawa\nStefano Giovannoni\nKonstantin Grcic\nDenis Guidone\nJaime Hayón\nThomas Heatherwick\nFloris Hovers\nGiulio Iacchetti \nHella Jongerius\nEnzo Mari\nJavier Mariscal\nRogier Martens\nDavid Mellor\nAlessandro Mendini\nBenedetta Mori Ubaldini\nJasper Morrison\nMarc Newson\nPierre Paulin\nGuglielmo Poletti\nBeba Restelli\nInga Sempé \nJerszy Seymour\nAlessandro Stabile\nPhilippe Starck\nOiva Toikka\nAndries & Hiroko Van Onck \nMarcel Wanders\ndesigners\n“we are a factory of artists because we know how \nto use courage, intuition and creativity”\nDa quasi 50 anni Magis crede nei talenti \nemergenti ed è con molti di loro, ormai diventati \nfamosi nel panorama internazionale, che è \ncresciuta e ha sperimentato a quattro mani. \nGrazie a tutte queste collaborazioni abbiamo \nformato una squadra che oggi è parte integrante \ndella nostra famiglia e con la quale siamo sempre \nalla ricerca di nuove idee, nuovi linguaggi, nuovi \nmateriali e metodi innovativi per rispondere a \nquel “di più” che ci caratterizza come azienda.\nFor nearly 50 years, Magis has believed in \nemerging talents, and it is with many of them—\nnow internationally renowned—that the company \nhas grown and experimented hand in hand. \n \nThanks to all these collaborations, we have built a \nteam that is now an integral part of our family, and \nwith whom we are constantly seeking new ideas, \nnew languages, new materials, and innovative \nmethods to respond to that “something more” \nthat defines us as a company.\nit\nen\ndesigners\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.8.png","12\n13\n2025\nSelezione ADI Design Index 2025\n\u002F In-Side, design Thomas Heatherwick\n\u002F Twain, design Konstantin Grcic\nIF Design Award 2025\n\u002F Twain, design Konstantin Grcic\n2024\nArchiproducts Design Awards \n(furniture category)\n\u002F Twain, design Konstantin Grcic\nSelezione ADI Design Index 2024\n\u002F South, design Konstantin Grcic\n\u002F Trave, design BrogliatoTraverso\nCompasso d’Oro ADI 2024\n\u002F Costume, design Stefan Diez\nIF Design Award 2024\n\u002F AKA, design Konstantin Grcic\n\u002F RE Air-Chair, design Jasper Morrison\n2023\nArchiproducts Design Awards \n(furniture category)\n\u002F AKA, design Konstantin Grcic\nSelezione ADI Design Index 2023 \n\u002F AKA, design Konstantin Grcic\nBest of Design Schöner Wohnen 2023\n\u002F South, design Konstantin Grcic\nThrophy ArchDaily 2023\nTop Brands- most referenced by Architects \nMagis: 11th position - Furniture category\nIF Design Award 2023\n\u002F Alpina, design Barber & Osgerby\n\u002F Bouquet, design BrogliatoTraverso\n2022\nStylepark Selected Award 2022\n\u002F Bouquet, design BrogliatoTraverso\nSelezione ADI Design Index 2022\n\u002F Costume, design Stefan Diez\nCompasso d’Oro ADI 2022\n\u002F Plato, design Jasper Morrison\nBest of Design Schöner Wohnen 2022\n\u002F Costume, design Stefan Diez\nIF Design Award 2022\n\u002F Costume, design Stefan Diez\n\u002F Troy, low chair, design Marcel Wanders\n2021\nArchiproducts Design Awards \n(category furniture \u002F 2021 special \nmention for sustainability)\n\u002F Costume, design Stefan Diez\nGood Design Award - Japan\n\u002F Costume, design Stefan Diez\nSelezione ADI Design Index 2021\n\u002F Bell Chair, design Konstantin Grcic\nEDIDA (Elle Deco International Design \nAwards) 2021\nSeating Category\n\u002F Bell Chair, design Konstantin Grcic\nBest of Design Schöner Wohnen 2021\n\u002F Bell Chair, design Konstantin Grcic\nIF Design Award 2021\n\u002F Linnut, design Oiva Toikka\nWallpaper Design Award \n(Best Use of Material)\n\u002F Bell Chair, design Konstantin Grcic\n2020\nIF Gold Award 2020\n\u002F Plato, design Jasper Morrison\nGood Design Award “Best in Class”, \nAustralia\n\u002F Vela, design Gilli Kuchik & Ran Amitai\nCompasso d’Oro ADI 2020 alla Carriera\n\u002F Eugenio Perazza - Founder\nSelezione ADI Design Index 2020\n\u002F Plato, design Jasper Morrison\nArchiproducts Design Awards \n(furniture category)\n\u002F Bell Chair, design Konstantin Grcic\n2019\nWallpaper Design Award \n(Best Shape Shifters)\n\u002F Vitrail, design Inga Sempé\nIF Design Award 2019\n\u002F Brut, design Konstantin Grcic\nStylepark Selected Award Salone del \nMobile 2019\n\u002F Costume, design Stefan Diez\n\u002F Vela, design Gilli Kuchik & Ran Amitai\nAZ (Azure Magazine) Awards\n\u002FOfficina (sofa), design Ronan & Erwan \nBouroullec \nSelezione ADI Design Index 2019\n\u002F Brut, design Konstantin Grcic\n\u002F The Roof Chair, design Spalvieri & Del \nCiotto\nDezeen Awards \n(Longlisted product)\n\u002F Vela, design Gilli Kuchik & Ran Amitai\nArchiproducts Design Awards \n(furniture category)\n\u002F Plato, design Jasper Morrison\n2018\nArchiproducts Design Awards\n\u002F Brut, design Konstantin Grcic\nSalone del Mobile.Milano Award 2018\n\u002F Stand Magis 2018\nSpecial Mention to German Design \nAward 2018\n\u002F Stanley, design Philippe Starck\nGerman Design Award 2018\n\u002F Cyborg Daisy, design Marcel Wanders\n2017\nNomination to German Design Award \n2017\n\u002F Substance, design Naoto Fukasawa\nGerman Design Award 2017\n\u002F Officina (chair), design Ronan & Erwan \nBouroullec\nRadical Green Award 2017\n\u002F Magis, for the merits acquired in terms of \nsustainability and green thinking\nSelezione ADI Design Index 2017\n\u002F Milà, design Jaime Hayón\nArchiproducts Design Awards\n\u002F Officina (sofa), design Ronan & Erwan \nBouroullec\n2016\nNomination to German Design Award \n2016\n\u002F Traffic table, design Konstantin Grcic\n\u002F Cyborg, design Marcel Wanders\nGerman Design Award 2016\n\u002F Sam Son, design Konstantin Grcic\nMuuz International Awards 2016 \n\u002F Officina (chair), design Ronan & Erwan \nBouroullec\nMenzione d’Onore Compasso d’Oro ADI \n2016\n\u002F Traffic, design Konstantin Grcic\n\u002F Tibu, design Anderssen&Voll\nSelezione ADI Design Index 2016\n\u002F Officina (tables), design Ronan & Erwan \nBouroullec\n2015\nSpecial Mention to German Design \nAward 2015\n\u002F Spike - The Wild Bunch, design \nKonstantin Grcic\nGerman Design Award 2015\n\u002F Tuffy - The Wild Bunch, design Konstantin \nGrcic\nSelezione ADI Design Index 2015\n\u002F Spike - The Wild Bunch, design \nKonstantin Grcic\n\u002F Tibu, design Andressen&Voll\nBrands&Signs Award \nLubjiana Month of Design 2015\n\u002F Folly, design Ron Arad\n2014\nSelezione ADI Design Index 2014\n\u002F Traffic, design Konstantin Grcic \nMuuz International Awards 2014\nOutdoor category\n\u002F Folly, design Ron Arad\n \nMenzione d’Onore Compasso d’Oro ADI \n2014\n\u002F S.S.S.S., design Philippe Starck with the \ntechnical collaboration of Luigi Barei\n\u002F Venice, design Konstantin Grcic\nCompasso d’Oro ADI 2014\n\u002F Spun, design Thomas Heatherwick\nEDIDA (Elle Deco International \nDesign Awards) 2014 \nOutdoor category\n\u002F Folly, design Ron Arad\nSpecial Mention to German Design \nAward 2014\n\u002F Magis Stand Salone del Mobile Milano \n2013, design Konstantin Grcic\n\u002F Folly, design Ron Arad\n\u002F Tyke - The Wild Bunch, design Konstantin \nGrcic\n2013\nSelezione ADI Design Index 2013\n\u002F S.S.S.S., design Philippe Starck with the \ntechnical collaboration of Luigi Barei\n\u002F Venice, design Konstantin Grcic\nChina Home Trends Award 2013\n\u002F Bunky, design Marc Newson\n100% Design Product Guide 2013 \nSelected by Frame\n\u002F Cyborg, design Marcel Wanders\nDesignpreis der Bundesrepublik \nDeutschland 2013\n\u002F Flux, design Jerszy Seymour\n\u002F Tom and Jerry - The Wild Bunch, design \nKonstantin Grcic\nNomination to Designpreis der \nBundesrepublik Deutschland 2013\n\u002F Piña, design Jaime Hayón\n2012\nSelezione ADI Design Index 2012\n\u002F Raviolo, design Ron Arad\n2011\nSelezione ADI Design Index 2011\n\u002F Spun, design Thomas Heatherwick\nCompasso d’Oro ADI 2011\n\u002F Steelwood Chair, design Ronan & Erwan \nBouroullec\nMenzione d’Onore Compasso d’Oro ADI \n2011\n\u002F Piggyback, design Thomas Heatherwick\n2010\nSelezione ADI Design Index 2010\n\u002F Trattoria, design Jasper Morrison\nNomination to Designpreis der \nBundesrepublik Deutschland 2010\n\u002F Steelwood Chair, design Ronan & Erwan \nBouroullec \n\u002F Trioli, design Eero Aarnio\n2009\nICFF Editors Awards 2009 - Best Seating\n\u002F Pipe chair, design Jasper Morrison\nDesignpreis der Bundesrepublik \nDeutschland 2009\n\u002F First chair, design Stefano Giovannoni\nNomination to Designpreis der \nBundesrepublik Deutschland 2009\n\u002F Steelwood Chair, design Ronan & Erwan \nBouroullec\nSelezione ADI Design Codex ‘06\u002F’08\n\u002F Steelwood Chair, design Ronan & Erwan \nBouroullec\n2008\nSelezione ADI Design Index 2008\n\u002F Steelwood Chair, design Ronan & Erwan \nBouroullec\n\u002F Piggyback, design Thomas Heatherwick\nSegnalazione Compasso d’Oro ADI 2008\n\u002F First chair, design Stefano Giovannoni\n\u002F Striped collection, design Ronan & Erwan \nBouroullec\nCompasso d’Oro ADI 2008\n\u002F Trioli, design Eero Aarnio\nICFF Editors Awards 2008\nSeating category\n\u002F Steelwood Chair, design Ronan & Erwan \nBouroullec\nNomination to Designpreis der Bundesre-\npublik Deutschland 2008\n\u002F Voido, design Ron Arad\n\u002F Déjà-vu chair, design Naoto Fukasawa\nInterior Innovation Award IMM Cologne \n2008 (Best Detail)\n\u002F Steelwood Chair, design Ronan & Erwan \nBouroullec\nawards\nawards\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.9.png","14\n15\nInterior Innovation Award IMM Cologne \n2008 (Best Item)\n\u002F First chair, design Stefano Giovannoni\n2007\nNeueKlassiker2007 Schöner Wohnen\n\u002F Steelwood Chair, design Ronan & Erwan \nBouroullec\nNomination to Designpreis der \nBundesrepublik Deutschland 2007\n\u002F Trioli, design Eero Aarnio\nInterior Innovation Award IMM Cologne \n2007 (Best Item)\n\u002F Voido, design Ron Arad\n\u002F Déjà-vu chair, design Naoto Fukasawa\n2006\nSelezione ADI Design Index 2006\n\u002F Striped collection, design Ronan & Erwan \nBouroullec\nPremio Oderzo Azienda e Design\n\u002F Trioli, design Eero Aarnio\nDesignpreis der Bundesrepublik \nDeutschland 2006 Silber\n\u002F Chair_One, design Konstantin Grcic\nInterior Innovation Award IMM Cologne \n2006 (Best Item)\n\u002F Trioli, design Eero Aarnio\n2005\nNeueKlassiker2005 Schöner Wohnen\n\u002F Air-Chair, design Jasper Morrison\nSelection for the 100% Design \u002F \nBlueprint Award - London\n\u002F Trioli, design Eero Aarnio\nSelezione ADI Design Index 2005\n\u002F Easy chair, design Jerszy Seymour\n\u002F Trioli, design Eero Aarnio\nPremio Oderzo Azienda e Design 2005\nPremio Speciale Azienda Magis\n2004\nSelection for the 100% Design \u002F \nBlueprint Award - London\n\u002F Sussex, design Robin Day\nSegnalazione Compasso d’Oro ADI 2004\n\u002F Peteca, design Fernando \n& Humberto Campana\n\u002F Chair_One, design Kostantin Grcic\n\u002F Sussex, design Robin Day\n\u002F Plus Unit, design Werner Aisslinger\nChicago Athenaeum, Good Design\nAward\n\u002F Chair_One, design Konstantin Grcic\nICFF Editors Awards Body of Work\n2003\nSelezione ADI Design Index 2003\n \u002F Peteca, design Fernando \n& Humberto Campana\n\u002F Chair_One, design Kostantin Grcic\n\u002F Sussex, design Robin Day\n\u002F Nimrod, design Marc Newson\nSelection for the 100% Design \u002F \nBlueprint Award - London\n\u002F Chair_One, design Konstantin Grcic\n2002\nSelection for the 100% Design \u002F \nBlueprint Award - London\n\u002F Tam Tam, design Matteo Thun\nReddot Award\n\u002F Plus Unit, design Werner Aisslinger\nICFF Editors Awards, Multiple \nProduction - New York\nSelezione ADI Design Index 2002\n\u002F Bird Table, design Jasper Morrison\n\u002F Plus Unit, Werner Aisslinger\n2001\nSegnalazione d’Onore Compasso d’Oro \n2001\n\u002F Ypsilon, design Enzo Mari\n\u002F Centomila, design James Irvine\nObserveur du Design\n\u002F Air-Chair, design Jasper Morrison\nCentre George Pompidou - Carrefour \nde la Création \n\u002F Air-Chair, design Jasper Morrison\nChicago Athenaeum, Good Design\nAward\n\u002F Magis Dog House, design Jasper \nMorrison\n2000\nPremio CATAS 2000 - Udine\n\u002F Air-Chair, design Jasper Morrison\nBlueprint 100% Design Awards London \n(Manufacturer’s Award)\nCentre George Pompidou - Carrefour \nde la Création \n\u002F Air-Chair, design Jasper Morrison\n\u002F Pipe Dreams - Jerszy Seymour\nAccent of Design – New York Gift Show\nBio 2000 - 17th Biennal of Industrial \nDesign - Ljubljana\n\u002F Ypsilon, design Enzo Mari\n1999\nNomination Prix d’Excellance - Marie \nClaire Maison\n\u002F O’Azar, design Jean Marie Massaud\nICFF Editors Awards Accessories – New \nYork\nSelezione ADI Design Index 1998-1999\n\u002F Centomila, James Irvine\nIF Product Design Award - Hannover\n\u002F Magò, design Stefano Giovannoni\n1998\nSelezione d’Onore Compasso d’Oro ADI \n1998\n\u002F Aida, design Richard Sapper\n\u002F O’Azar, design Jean Marie Massaud\n\u002F Magò, design Stefano Giovannoni\n1997\nPremio Top Ten - Promosedia - Udine\n\u002F Sedi, design Arne Vehovar\n\u002F Flik, design James Irvine\n1996\nPremio Top Ten and Chair of the Year - \nPromosedia - Udine\n\u002F O’Azar, design Jean Marie Massaud\nInterior Designex 1996 Product Awards \nAustralia\u002FNew Zealand\n\u002F Oboe, design Jean Marie Massaud\nPrix d’Excellance - Marie Claire Maison\n\u002F Bottle, design Jasper Morrison\n\u002F Canale 33, design Galli & Perico\n\u002F Virgola, design Raul Barbieri\nPremio Design Plus - Internationale \nFrankfurter Messe\n\u002F Bottle, design Jasper Morrison\n1995\nPremio Top Ten - Promosedia - Udine\nTop Ten Prize Research and Design\n\u002F Aida, design Richard Sapper\n\u002F Cappuccino, design Galli & Perico\n1994\nSelezione per Compasso d’Oro ADI 1994\n\u002F Dunkan I, design Jean Marie Massaud\n\u002F Piccolo Giardino, design Dorota \nDobrowska\n\u002F Schizo, design Jean Marie Massaud\n\u002F Bottle, design Jasper Morrison\nCertificate for Excellence in Design - \nHigh Point USA\n\u002F Rondine, design Toshiyuki Kita\nPremio Top Ten - Promosedia - Udine\nTop Ten Prize Research and Design\n\u002F Lyra, design Group Italia\n\u002F Schizo, design Jean Marie Massaud\n\u002F Oboe, design Jean Marie Massaud\n1993\nPremio Top Ten - Promosedia - Udine\nTop Ten Prize Research and Design\n\u002F Jolly, design Marc Berthier\n\u002F Rondine, design Toshiyuky Kita\nSpecial prize of Promosedia\n\u002F Garçon, design Raul Barbieri\n1992\nNuovo Bel Design - Salone del Mobile di \nMilano\n\u002F Tavolino, design Galli & Perico\n\u002F Giostra, design Paolo Pagani\n\u002F Domino, design Paolo Pagani\n\u002F Girotondo, design Paolo Pagani\n\u002F Lizard, design Dagmar Trinks\n1991\nSelection for Compasso d’Oro ADI 1991\n\u002F Rack and Ciak, design Marc Berthier\n\u002F Scalo, design Rodolfo Bonetto\n\u002F Amleto, design Group Italia\nPremio Top Ten - Promosedia - Udine\nTop Ten Prize Research and Design\n\u002F Rondine, design Toshiyuki Kita\n\u002F Marabù, design Archap\n1989\nDesign Auswahl - Stuttgart\n\u002F Giano, design Fausto Boscariol\n1988\nBio 12 - Ljubjana\n\u002F Wing, design Andries & Hiroko Van Onck\nSelection Sidi - Valencia\n\u002F Rack, design Marc Berthier\n1987\nSelezione per Compasso d’Oro ADI 1987\n\u002F Wing, design Andries & Hiroko Van Onck\n1986\n1st Prize Promosedia - Udine\n\u002F Lem, design Andries & Hiroko Van Onck\n1984\nBio 10 - Ljubjana\n\u002F Rack Trio, design Roberto Lucci \n& Paolo Orlandini\n\u002F Totem, design Andries Van Onck\nSelezione per Compasso d’Oro ADI 1984 \n\u002F Totem, design Andries Van Onck\n1981\nSelezione per Compasso d’Oro ADI 1981\n\u002F Trio, design Roberto Lucci \n& Paolo Orlandini\nawards\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.10.png","16\n17\nmuseums\n2024\nCollezione Storica Compasso d’Oro -\nMilan \n\u002F Costume\n2023\nMusée des Arts Decoratifs et du Design\n- Bordeaux\n\u002F RE Air-Chair \u002F Déjà-vu chair \u002F Pipe chair\n\u002F Bell Chair\n2022\nCollezione Storica Compasso d’Oro - \nMilan \n\u002F Plato\nMAKK, Cologne\n\u002F Bell Chair\n2021\nDesign Museum Bruxelles\n\u002F Mariolina \u002F Bombo \u002F Trotter \u002F Officina stool\n\u002F 360° chair \u002F Trattoria  \u002F Eur \u002F Nuovastep \nMuseum August Kestner, Hannover\n\u002F Puppy L \n2019\nMuseum Für Angewandte Kunst - Wien \n\u002F Spun\nGroninger Museum - Groningen\n\u002F Magis Proust\n2018\nVitra Design Museum - Weil am Rhein\n\u002F  Traffic armchair \u002F Chair_One (concrete \nbase) \u002F 360° stool\n2017\nMusée des Arts Décoratifs - Paris \n\u002F Bunky\nMusee National d’art Moderne Centre \nGeorges Pompidou - Paris\n\u002F Zartan\nVitra Design Museum - Weil am Rhein\n\u002F Sam Son \u002F Spun\nMuseum Für Kunst und Gewerbe - \nHamburg\n\u002F Puppy M \u002F Dodo \u002F Le Chien Savant\n2016\nFonds Régional d’Art Contemporain \nBretagne - Rennes \n\u002F Officina chair \u002F Officina stool \u002F Officina \ntable \u002F Officina bistrot \u002F Officina gueridon \n\u002FTheca \u002F Pila \u002F Tambour \u002F Central \u002F Baguette \n\u002F Steelwood Shelving System \u002F Steelwood \nCoat Stand \u002F Steelwood Stool \u002F Steelwood \nChair \u002F Striped chaise longue \u002F Striped chair \n\u002F La Valise\nDie Neue Sammlung - München \n\u002F Chair_One \u002F Chair_One 4Star \u002F Stool_One\n\u002F Sam Son \u002F 360° container \u002F 360° stool \u002F \nTraffic armchair \u002F Tom and Jerry\nCollezione Storica Compasso d’Oro - \nMilan \n\u002F Tibu \u002F Traffic\nDesign Museum - London\n\u002F Spun \u002F Magis Proust \u002F Voido \u002F Chair_One\n2015\nDie Neue Sammlung - München  \n\u002F Spun\nSFMoMA - The Museum of Modern Art - \nSan Francisco\n\u002F Steelwood Chair \u002F Déjà-vu stool\nPinacoteca Agnelli - Turin\n\u002F Alma \u002F Linus \u002F Tuttifrutti\nCentre d’innovation et de design au \nGrand-Hornu - Belgium\n\u002F Air-Chair \u002F Folding Air-Chair \u002F Air-Armchair\n\u002F Pipe chair \u002F Trash \u002F XX \u002F Box \u002F Bottle \u002F A, \nB, C \u002F 1, 2, 3\n2014\nVitra Design Museum - Weil am Rhein\n\u002F Chair_One (concrete base) \u002F Chair_One \n4Star \u002F Stool_One \u002F Table_One \u002F Table_One \nbistrot \u002F 360° stool \u002F 360° chair \u002F 360° table\n\u002F 360° container \u002F Venice \u002F Tom And Jerry\n\u002F Topsy \u002F Butch \u002F Tyke\nCollezione Storica Compasso d’Oro - \nMilan \n\u002F Spun \u002F S.S.S.S. \u002F Venice\nMusée des Arts Décoratifs - Paris\n\u002F Pila\nMuseum Für Angewandte Kunst - Wien\n\u002F Air-Chair\n\u002F Chair_One (concrete base)\n2013\nMusée des Arts Décoratifs - Paris\n\u002F Baguette \u002F Tambour \u002F Rocky\nIndianapolis Museum  of Art - \nIndianapolis\n\u002F 360° stool \u002F 360° container \u002F Voido\n\u002F Chair_One \u002F Flux  \u002F Steelwood Chair\n2012\nMusee National d’art Moderne Centre \nGeorges Pompidou -  Paris\n\u002F Air-Chair\nVitra Design Museum - Weil am Rhein\n\u002F Chair_One (concrete base)\nMuseum Für Kunst und Gewerbe - \nHamburg\n\u002F Magis Proust\nMuseum Für Angewandte Kunst - Wien\n\u002F Magis Proust\n2011\nTriennale Design Museum, 4nd Edition \n- Milan\n\u002F Bombo stool \u002F Magis Dog House \u002F Bottle\n\u002F Nuovastep \u002F Sparkling \u002F Trattoria chair\n\u002F Chair_One \u002F Puppy \u002F Bridge\nArc En Rêve Centre d’architecture - \nBordeaux\n\u002F Steelwood Chair\nCollezione Storica Compasso d’Oro - \nMilan \n\u002F Steelwood Chair \u002F Piggyback\nMuseum Für Kunst und Gewerbe - \nHamburg\n\u002F Spun\nSFMoMA -The Museum of Modern Art - \nSan Francisco\n\u002F La Valise\n2010\nTriennale Design Museum, 3nd Edition \n- Milan\n\u002F 360° stool \u002F Easy Chair\nThe Chicago Art Institute - Chicago\n\u002F Chair_One \u002F Chair_One (concrete base)\n\u002F 360° stool \u002F 360° chair \u002F 360° container\nMoMA - The Museum of Modern Art -\nNew York\n\u002F 360° stool \u002F 360° chair\nMusée des Arts Décoratifs - Paris\n\u002F Steelwood Table \u002F Steelwood Shelving \n\u002F System \u002F 360° stool\nMoMA - The Museum of Modern Art - \nNew York\n\u002F Spun\n2009\nTriennale Design Museum, 2nd Edition - \nMilan\n\u002F Bombo stool \u002F Chair First\nIndianapolis Museum of Art - Indianapolis\n\u002F Easy Chair\nMusee National d’art Moderne Centre \nGeorges Pompidou - Paris\n\u002F Voido\nKunstverein Medienturm - Graz\n\u002F Chair_One\nMuseum Für Kunst und Gewerbe - \nHamburg\n\u002F Pipe chair\nVictoria & Albert Museum of Childhood - \nLondon\n\u002F Mico\n2008\nIstituto Italiano di Cultura - Los Angeles\n\u002F Seggiolina Pop\nMuseo Del Design Italiano - Fondazione \nAnna Querci - Calenzano (Firenze)\n\u002F Tosca\nCollezione Storica Compasso d’Oro - \nMilan \n\u002F Trioli \u002F Chair First \u002F Striped collection\nVitra Design Museum - Weil am Rhein\n\u002F Chair_One\nDie Neue Sammlung - Pinakothek der \nModerne - München\n\u002F Déjà-vu chair \u002F Déjà-vu stool\nMuseum Für Angewandte Kunst - Köln\n\u002F Chair_One (concrete base) \u002F Easy Chair\n\u002F Bombo stool\nMuseum Für Kunst und Gewerbe - \nHamburg\n\u002F Chair_One (concrete base)\n2007\nVictoria & Albert Museum - London\n\u002F Chair_One\nDecorative Arts Museum - Barcelona\n\u002F Mico\nThe Chicago Art Institute - Chicago\n\u002F Voido\nMoMA - The Museum of Modern Art - \nNew York\n\u002F Mico \u002F Easy Table\nTriennale Design Museum, 1st Edition - \nMilan\n\u002F Air-Chair \u002F Tosca \u002F Chair First \u002F Chair_One\n\u002F Yuyu \u002F Bottle \u002F Box\nMuseum of Arts and Design - New York\n\u002F Pebbles\n2006\nMUDAC - Musée de design et d’arts \nappliqués - Lausanne\n\u002F Puppy XL \u002F Bird table \u002F Magis Dog House\nMOCA -Museum of Contemporary Art, \nZurich\n\u002F Chair_One\nMuseo Del Design Italiano - Fondazione \nAnna Querci - Calenzano (Firenze)\n\u002F Magò \u002F Chair_One \u002F Air-Chair\n2005\nMusee d’art Moderne de Saint Etienne\n\u002F Flò\nPhiladelphia Museum of Art\n\u002F Seggiolina Pop\n2004\nKestner Museum - Hannover\n\u002F Air-Chair\nDie Neue Sammlung - Pinakothek Der \nModerne - München \n\u002F Butterfly \u002F Kase \u002F Air-Chair \u002F Plus Unit\n\u002F Alo chair\nCollezione Storica Compasso d’Oro - \nMilan \n\u002F Chair_One \u002F Sussex \u002F Plus Unit \u002F Peteca\nGroninger Museum - Groningen\n\u002F Numbers & Letters\nDesign Museum - London\n\u002F Folding Air-Chair \u002F Yogi Family\n2003\nFNAC - Fondation National pour l’Art \nContemporain - Paris\n\u002F Amleto \u002F Rondine \u002F Lem \u002F Pipe Dreams \n\u002F Captain Lovertray \u002F Flò\n2002\nDesign Center - Philadelphia University\n\u002F Joystick\n2001\nDesign Museum - London\n\u002F Magis Dog House \u002F Air-Chair \u002F Pipe \nDreams\nMusee National d’art Moderne Centre \nGeorges Pompidou - Paris\n\u002F Magis Dog House\n2000\nDie Neue Sammlung - Nürnberg\n\u002F Bombo table \u002F Dish Doctor \u002F XX\nMusee National d’art Moderne Centre \nGeorges Pompidou - Paris\n\u002F Magò \u002F Pipe Dreams \u002F Air-Chair\n1998\nMaterial Innovation Gallery - New York\n\u002F O’azar chair\nMoMA – The Museum of Modern Art -\nNew York\n\u002F Bottle\nMusee d’art Moderne de Saint Etienne\n\u002F Rondine table \u002F Rondine chair\n1997\nVictoria & Albert Museum - London\n\u002F Bottle\nMusee National d’art Moderne Centre \nGeorges Pompidou - Paris\n\u002F O’azar chair\n1996\nMuseum Fuer Gestaltung Zürich - Zurich\n\u002F Bottle\n1984\nStedelijk Museum - Amsterdam\n\u002F Cricket chair\nmuseums\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.11.png","18\n19\noverview\n360°\np 28\nTroy, sledge\np 120-123\nSubstance\np 106\nTroy, sledge\np 120-123\nSubstance\np 104\nBell Chair\np 42\nTroy, wireframe\np 136-139\nCyborg Lord\np 56\nBureaurama\np 152\nMotta\np 70\nPipe\np 158\nPipe\np 158\nPiña\np 84\nTroy, 4 legs\np 170\nPlato\np 94\nChair_One PSS\np 182\nAviva\np 40\nTroy, wireframe\np 136-139\nCyborg Lady\np 54\nAl Bombo\np 150\nMilà\np 68\nOfficina\np 156\nPila\np 82\nJerry - TWB\np 168\nPipe\np 92\nBrut\np 180\nBishop\np 44\nTuffy - TWB\np 140\nCyborg Stick\np 58\nBureaurama\np 152\nMotta\np 72\nSequoia\np 160\nPiña\np 86\nTroy, sledge\np 172\nPlato\np 94\nFolly\np 184\nChair_One\np 46\nVenice\np 142\nDéjà-vu\np 60\nBureaurama\np 152\nMotta\np 74\nSteelwood Stool\np 162\nPiña\np 88\nTroy, sledge\np 172\nSouth\np 96\nOfficina\np 186\nChair_One\np 48\nFirst\np 62\nDéjà-vu\np 154\nOfficina\np 76\nStool_One\np 164\nPipe\np 90\nTroy, wireframe\np 174\nStanley\np 98\nChair_One_4Star\np 50\nAKA\np 146\nMariolina\np 64\nDéjà-vu\np 154\nOfficina\np 78\nTibu\np 166\nPipe\np 90\nYuyu\np 176\nSteelwood Chair\np 100\nCyborg Club\np 52\nBombo\np 148\nMilà\np 66\nDéjà-vu\np 154\nOfficina\np 80\nTom - TWB\np 168\nPipe\np 92\nSubstance\np 102\nAir-Armchair\np 34\nTroy, 4 star\np 124-127\nSubstance\np 108\nRE Air-Armchair\np 36\nTroy, 4 star\np 124-127\nTrave\np 110\nAir-Chair\np 30\nTroy, 4 star wheels\np 128-131\nTroy, 4 star wheels\np 128-131\nTroy, 5 star wheels\np 132-135\nTroy, 4 legs\np 112-115\nRE Air-Chair\np 32\nTroy, 4 legs\np 112-115\nAlpina\np 38\nTroy, wooden legs\np 116-119\nchairs\nstools\nbenches\nTraffic_2\np 188\noverview\noverview \n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.12.png","20\n21\nlounge\nottomans\ntables\nside and \ncoffee tables\nBrut\np 298\nBrut\np 192\nFirst\np 308\nIn-Side\np 206\nOfficina\np 322\nOfficina\np 220\nPilo\np 332\nSpun\np 240\nTopsy - TWB\np 344\nTwain\np 252\nMotta\np 356\nTraffic_2\np 266\nAncora\np 282\nBrut\np 294\nCuckoo - TWB\np 306\nIn-Side\np 204\nOfficina\np 316\nOfficina\np 218\nPied-à-terre\np 330\nSouth\np 234\nSouth\np 236\nSouth\np 238\nTwain\np 250\nIn-Side\np 354\nPiña\np 264\nAll-Round\np 278\nBrut\np 292\nBrut\np 194\nOfficina\np 320\nMagis Proust\np 208\nPiña\np 222\nSouth\np 334\nTraffic_2\np 242\nXZ3\np 348\nVoido\np 254\nTwain\np 268\nAncora\np 280\nBrut\np 296\nCostume\np 196\nCostume Lounge\np 200\nCostume Lounge\np 200\nCostume Lounge\np 200\nOfficina\np 318\nNimrod\np 210\nPasse-partout\np 326\nPiña\np 224\nSouth\np 336\nTraffic_2\np 244\nXZ3\np 346\nTwain\np 270\nBaguette\np 286\nBureaurama\np 300\nCostume\np 196\nOfficina\np 312\nOfficina\np 212\nRaviolo\np 226\nSteelwood Table\np 338\nTraffic_2\np 246\nCostume \np 258\nBaguette\np 284\nButch - TWB\np 302\nOfficina\np 314\nOfficina\np 214\nPasse-partout\np 324\nRiace\np 228\nRiace\np 228\nStriped\np 340\nTroy, low chair\np 248\nAncora\np 352\nOfficina\np 260\n360°\np 274\nBig Will\np 290\nCentral\np 304\nCostume\np 196\nOfficina\np 310\nOfficina\np 216\nPied-à-terre\np 328\nSam Son\np 232\nTable_One Bistrot\np 342\nTroy, low chair\np 248\nPiña\np 262\nAir-Table\np 276\nBig Will\np 288\noverview \noverview\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.13.png","22\n23\nVolentieri\np 434\nTambour\np 368\nLinnut - Sulo L\np 440\nSteelwood\np 382\nFour Leaves\np 392\nArchetoys\np 400\nCoves\np 418\nVitrail\np 428\nVolentieri\np 434\nTambour\np 368\nLinnut - Sulo S\np 440\nTraffic\np 370\nSpike - TWB\np 380\nOfficina\np 426\nTambour\np 368\nLost - Table\np 442\n360°\np 374\nTacito\np 384\nFour Leaves\np 392\nCoves\np 418\nMorphed Mirror\np 422\nVitrail\np 428\nBouquet\np 438\nTambour\np 368\nLost - Floor S\np 443\n360°\np 374\nTacito\np 384\nGlobo\np 393\nCoves\np 418\nMorphed Mirror\np 422\nVitrail\np 428\nLinnut - Kirassi\np 440\nTambour\np 368\nLost - Floor M\np 443\nElysée\np 376\nTheca\np 386\nOfficina\np 395\nDéjà-vu\np 420\nMorphed Mirror\np 422\nVitrail\np 428\nLinnut - Palturi\np 440\nTraffic\np 370\nLost - Floor L\np 443\nOfficina\np 378\nTheca\np 386\nOfficina\np 394\nDéjà-vu\np 420\nMorphed Mirror\np 424\nLinnut - Siiri\np 440\nTraffic\np 370\nLost - \nSuspension S L\np 444\nLost - Wall and \nCeiling S L\np 445\nOfficina\np 378\nTyke\np 388\nSteelwood Coat Stand\np 396\nMorphed Mirror\np 424\nSouth\np 432\nstorage \nand \nshelving\nsystems\ncoat \nstands \u002F \nhangers\nmirrors\ncarpets\nlighting\nTambour\np 366\nTambour\np 366\nTambour\np 366\nTambour\np 368\nSouth\np 364\nPoppins\np 408\nSouth\np 362\nTrash\np 413\nTubby\np 414\nMemo\np 406\nSouth\np 362\nNuovastep\np 407\nTambour\np 368\nMotta\np 356\nTempo\np 409\nCu-Clock\np 402\nMotta\np 356\nSouth\np 410\nDish Doctor\np 403\nOfficina\np 358\nSouth\np 411\nEttore\np 404\nPiña\np 360\nTransit\np 412\nEttore\np 405\nAnimal \nFactory\nCoccodrillo\np 448\nGorilla\np 448\nDinosauro\np 448\nGiraffa\np 448\nacces-\nsories\noverview \noverview\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.14.png","legend\nshows that the chair\u002Fstool\u002Fsmall table is stackable and specifies the maximum number of stacked units\nshows that the product is suitable for outdoor use with regular care and maintenance\nn\n24\n25\nLittle Big\np 473\nPuppy\np 480\nTree\np 469\nLittle Big\np 472\nPuppy\np 478\nLittle Flare\np 471\nPuppy XS\np 482\nMoments of Ingenuity \np 474\nPuppy XS\np 484\nTrioli\np 488\nNido\np 475\nRocky\np 486\nTrotter\np 489\nParadise Tree\np 476\nSeggiolina Pop\np 487\nPingy\np 477\nLadrillos\np 466\nJulian\np 463\nLeaves\np 468\nLinus\np 470\nAlma\np 452\nBirds\np 453\nBunky\np 456\nCARtools\np 457\nClouds\np 454\nDodo\np 458\nEl Baúl\np 460\nDowntown\np 459\nEur\np 461\nFish\np 455\nFrottage\np 462\nHappy Bird\np 464\nHappy Bird\np 465\noverview \noverview\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.15.png","26\n27\nchairs\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.16.png","63\n63\n47\u002F56\n69\u002F78\n28\n29\n360°\ndesign Konstantin Grcic, 2009\nEN Swivel chair on 5 \nwheels, adjustable in \nheight with gas piston. \nFor domestic and con-\ntract use.\nMaterial: frame in steel \npainted in epoxy resin. \nFoot-rest in die-cast alu-\nminium. Seat in integral \nself-bearing for domestic \nand contract use.\nDE Stuhl, auf 5 Rollen,\ndrehbar, pneumatisch\nhöhenverstellbar. Für \nHaus- und Objektge-\nbrauch.\nMaterial: Gestell aus \nStahl, epoxylackiert. \nFussstütze aus Alumi-\nnium-Druckguss. Sitz aus \nPolyurethan- Integral-\nschaum, selbsttraggend. \nFR Chaise pivotante sur\n5 roulettes, réglable en \nhauteur avec piston à \ngaz. Pour la maison et \npour la collectivité.\nMatériaux: structure \nen acier verni en résine \népoxy. Repose-pieds en \nfonte d’aluminium. Assise \nen polyuréthane intégral \nautoportant. \nIT Sedia girevole su 5 \nruote regolabile in altezza \ncon pistone a gas. Per \nuso domestico e con-\ntract.\nMateriali: struttura in ac-\nciaio verniciato in resina \nepossidica. Poggiapiedi \nin pressofusione di allumi-\nnio. Sedile in poliuretano \nintegrale autoportante.\nES Silla giratoria sobre\n5 ruedas, regulable en \naltura con pistón de gas. \nPara uso dómestico y \ncontract.\nMaterial: estructura en \nacero barnizado epoxi. \nReposapiés en aluminio \nfundido a presión. Asiento \nen poliuretano integral \nautoportante.\nblack\nFinishes\nchairs \n360°\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.17.png","49\n51\n47\n77,5\n10\n30\n31\nAir-Chair\nwhite\nbeige\norange\nblack\nFinishes\nEN Stacking chair for \ndomestic and contract \nuse.\nMaterials: polypropylene \nwith glass fibre added. \nSuitable for outdoor \nuse. Linking PVC device \navailable.\nDE Stapelbarer Stuhl für \nHaus- und Objektge-\nbrauch.\nMaterialien: Polypropylen \nmit Glasfaser verstärkt. \nAuch für den Aussenbe-\nreich geeignet. Reihen-\nverbindungspaar aus \nPVC erhältlich.\nFR Chaise empilable \npour la maison et pour la \ncollectivité.\nMatériaux: polypropylène \nchargé avec fibre de \nverre. Conçue pour \nl’extérieur. Disponible \naussi avec couple d’ailet-\ntes d’attache en PVC.\nIT Sedia impilabile per \nuso domestico e con-\ntract.\nMateriali: polipropilene \ncaricato di fibra di vetro. \nAdatta anche per esterni. \nDisponibili alette di ag-\ngancio in PVC.\nES Silla apilabile para uso \ndómestico y contract.\nMateriales: polipropileno \nreforzado con fibra de \nvidrio. Adaptada para el \nexterior.\nDisponibles también gan-\nchos de unión de PVC.\nred\ndark green\ncream\ndesign Jasper Morrison, 2000\nAir-Chair\nchairs \n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.18.png","49\n51\n47\n77,5\n10\n32\n33\nRE Air-Chair\nEN Stacking chair for do-\nmestic and contract use.\nMaterials: recycled \npolyolefins obtained from \nthe recycling of polylami-\nnates and single-use food \npackaging, with glass fibre \nadded. 100% recyclable. \nSuitable for outdoor use.\nDE Stapelbarer Stuhl für \nHaus- und Objektge-\nbrauch.\nMaterialien: recycelte \nPolyolefinen, die aus dem \nRecycling von Polylami-\nnaten und Einweg-Le-\nbensmittelverpackungen \ngewonnen werden. Mit \nGlasfaser verstärkt. 100% \nrecycelbar. Auch für den \nAussenbereich geeignet.\nFR Chaise empilable \npour la maison et pour la \ncollectivité.\nMatériaux: polyoléfines \nrecyclées provenant de la \ncollecte sélective de com-\nplexes multimatériaux et \nd’emballages alimentaires \nà usage unique, chargées \navec fibre de verre. 100% \nrecyclable. Conçue pour \nl’extérieur.\nIT Sedia impilabile per uso \ndomestico e contract.\nMateriali: poliolefine rici-\nclate ottenute da raccolta \ndifferenziata di poliaccop-\npiati e imballi alimentari \nmonouso, caricate di \nfibra di vetro. Riciclabile al \n100%. Adatta anche per \nesterni.\nES Silla apilable para uso \ndómestico y contract.\nMateriales: en poliolefinas \nrecicladas obtenidas del \nreciclado de polilaminados \ny envases alimentarios \nde un solo uso, reforzada \ncon fibra de vidrio.100% \nreciclable. Apta para el \nexterior.\ndesign Jasper Morrison, 2000\u002F2023\nFinishes\ngrey\nRE Air-Chair\nchairs \n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.19.png","53\n50,5\n45\n68\n72,5\n10\n34\n35\nAir-Armchair\nwhite\nbeige\norange\ngrey anthracite\nred\ndark green\ncream\nEN Stacking chair with \narms, for domestic and \ncontract use. \nMaterials: polypropylene \nwith glass fibre added. \nSuitable for outdoor use.\nDE Stapelbarer Stuhl mit \nArmlehnen, für Haus- \nund Objektgebrauch.\nMaterialien: Polypropylen \nmit Glasfaser verstärkt. \nAuch für den Aussenbe-\nreich geeignet.\nFR Chaise empilable \navec accoudoirs, pour \nla maison et pour la \ncollectivité.\nMatériaux: polypropylène \nchargé avec fibre de \nverre. Conçue pour \nl’extérieur.\nIT Sedia impilabile con \nbraccioli, per uso dome-\nstico e contract.\nMateriali: polipropilene \ncaricato di fibra di vetro. \nAdatta anche per esterni.\nES Silla apilable con bra-\nzos, para uso dómestico y \ncontract.\nMateriales: polipropileno \nreforzado con fibra de \nvidrio. Adaptada para el \nexterior.\nFinishes\ndesign Jasper Morrison, 2006\nAir-Armchair\nchairs \n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.20.png","53\n50,5\n45\n68\n72,5\n10\n36\n37\nRE Air-Armchair\nEN Stacking chair with \narms, for domestic and \ncontract use.\nMaterials: recycled \npolyolefins obtained from \nthe recycling of polylami-\nnates and single-use food \npackaging, with glass fibre \nadded. 100% recyclable. \nSuitable for outdoor use.\nDE Stapelbarer Stuhl mit \nArmlehnen, für Haus- \nund Objektgebrauch.\nMaterialien: recycelte \nPolyolefinen, die aus dem \nRecycling von Polylami-\nnaten und Einweg-Le-\nbensmittelverpackungen \ngewonnen werden. Mit \nGlasfaser verstärkt. 100% \nrecycelbar. Auch für den \nAussenbereich geeignet.\nFR Chaise empilable avec \naccoudoirs, pour la mai-\nson et pour la collectivité.\nMatériaux: polyoléfines \nrecyclées provenant de la \ncollecte sélective de com-\nplexes multimatériaux et \nd’emballages alimentaires \nà usage unique, chargées \navec fibre de verre. 100% \nrecyclable. Conçue pour \nl’extérieur.\nIT Sedia impilabile con \nbraccioli per uso domesti-\nco e contract.\nMateriali: poliolefine rici-\nclate ottenute da raccolta \ndifferenziata di poliaccop-\npiati e imballi alimentari \nmonouso, caricate di \nfibra di vetro. Riciclabile al \n100%. Adatta anche per \nesterni.\nES Silla apilable con bra-\nzos, para uso dómestico y \ncontract.\nMateriales: en poliolefinas \nrecicladas obtenidas del \nreciclado de polilaminados \ny envases alimentarios \nde un solo uso, reforzada \ncon fibra de vidrio.100% \nreciclable. Apta para el \nexterior.\ndesign Jasper Morrison, 2006\u002F2023\nFinishes\ngrey\nRE Air-Armchair\nchairs \n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.21.png","45\n42\n39,3\n52\n45\n39,8\n81\ncushion\n38\n39\nEN Chair for domestic \nand contract use.\nMaterials: seat and legs \nin solid ash, back in \nbio-based polypropylene. \nSeat cushion in expan-\nded polyurethane cove-\nred in fabric available.\nDE Stuhl für Haus- und \nObjektgebrauch.\nMaterialien: Sitz und \nBeine aus massiver \nEsche, Rückenlehne \naus biobasiertem \nPolypropylen. Kissen aus \ngeschäumtem Polyu-\nrethan mit Stoffbezug \nseparat erhätlich.\nFR Chaise pour la mai-\nson et pour la collectivité.\nMatériaux: assise et \npieds en frêne massif, \ndossier en polypropylène \nbiosourcé. Disponi-\nble aussi coussin en \npolyuréthane expansé, \navec revêtment en tissu.\nIT Sedia per uso dome-\nstico e contract.\nMateriali: sedile e gambe \nin massello di frassino, \nschienale in polipropilene \nbio-based. Disponibile \ncuscino seduta in poliu-\nretano espanso rivestito \nin tessuto.\nES Silla para uso dómesti-\nco y contract.\nMateriales: asiento y \npatas de madera maciza \nde fresno, respaldo de \npolipropileno bio-based. \nDisponible también cojín \nde poliuretano expandido \ntapizado en tejido.\nnatural \u002F \nolive green\nnatural \u002F\nbeige\nblack \u002F \nblack\nFinishes\nAlpina\ndesign Edward Barber & Jay Osgerby, 2022\nCushions\nTorri Lana Rico\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Divina 3\nAlpina\nchairs \n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.22.png","39\n47\n42\n5\n46\n80\n87\n40\n41\nEN Folding chair for do-\nmestic and contract use.\nMaterials: solid beech, \nnatural or stained.\nDE Klappstuhl für Haus- \nund Objektgebrauch.\nMaterialien: massive \nBuche, naturfarben oder \ngebeizt.\nFR Chaise pliante pour \nla maison et pour la \ncollectivité.\nMatériaux: hêtre massif, \nnaturel ou teinté.\nIT Sedia pieghevole \nper uso domestico e \ncontract.\nMateriali: massello di \nfaggio naturale o tinto.\nES Silla plegable para uso \ndómestico y contract.\nMateriales: madera \nmaciza de haya natural o \nbarnizada.\nnatural\nblack\ncoral red\nlight green\nFinishes\nAviva\ndesign Marc Berthier, 1979\u002F2010\nAviva\nchairs \n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.23.png","55\n53,5\n45\n78\n16\n42\n43\nEN Stacking chair with \narms for domestic and \ncontract use.\nMaterials: 100% recycled \npolypropylene from in-\ndustrial waste with glass \nfibre. Suitable for outdoor \nuse.\nDE Stuhl mit Armlehnen, \nstapelbar für Haus- und \nObjektgebrauch.\nMaterialien: 100% \nrecyceltes Polypropylen \naus Industrieabfällen mit \nGlasfaser. Auch für den \nAussenbereich geeignet.\nFR Chaise empilable \navec accoudoirs, pour \nla maison et pour la \ncollectivité.\nMatériaux: 100% \npolypropylène recyclé à \npartir de déchets indu-\nstriels avec fibre de verre. \nConçue pour l’extérieur.\nIT Sedia impilabile con \nbraccioli per uso dome-\nstico e contract.\nMateriali: 100% polipro-\npilene riciclato da scarti \nindustriali con fibra di \nvetro. Adatta anche per \nesterni.\nES Silla apilable con bra-\nzos para uso dómestico y \ncontract.\nMateriales: 100% poli-\npropileno reciclado de \nresiduos industriales con \nfibra de vidrio. Apta para \nel exterior.\nsunrise\nhigh noon\nmidnight\ndawn\nFinishes\nBell Chair\ndesign Konstantin Grcic, 2020\nBell Chair\nchairs \n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.24.png","50\n49\n43\n45\n46\n78\ncushion\n44\n45\nred\nblack brown\ngreen\norange\nFinishes\nBishop\ndesign Konstantin Grcic, 2025\nEN Chair for domestic \nand contract use.\nMaterials: steel plate \npainted in polyester \npowder. Seat cushion \navailable.\nDE Stuhl für Haus- und \nObjektgebrauch.\nMaterialien: Stahlblech, \npolyesterlackiert. Sitzkis-\nsen auch erhältlich.\nFR Chaise pour la mai-\nson et pour la collectivité.\nMatériaux: tôle d’acier \nverni en polyester. Dispo-\nnible coussin assise.\nIT Sedia per uso dome-\nstico e contract.\nMateriali: lamiera di \nacciaio verniciata\npoliestere. Disponibile \ncuscino seduta.\nES Silla para uso dómesti-\nco y contract.\nMateriales: chapa de \nacero barnizado poliéster. \nCojin asiento también \ndisponible.\nCushion\nNatural leather\nBishop\nchairs \n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.25.png","55\n59\n38\ncushions\n37\n41\n45\n37\n36\n75\n82\n8\n46\n47\nEN Stacking chair for \ndomestic and contract \nuse.\nMaterial: legs in anodised \naluminium black or in \npainted aluminium; seat \nin die-cast aluminium \ntreated with sputtered \nfluorinated titanium and \npainted in polyester \npowder. Suitable for \noutdoor use. Flame-\nretardant. Also available \ncushions for indoor and \noutdoor use.\nDE Stapelbarer Stuhl für \nHaus- und Objektge-\nbrauch.\nMaterial: Beine aus \neloxiertem Profilaluminium \nschwarz oder aus lackier-\ntem Profilaluminium; Sitz \naus Aluminium-Druckguss \nOberflächenbehandlung \nmit fluoriertem Titan und \nPolyesterlackierung. Auch \nfür den Aussenbereich \ngeeignet. Feuerbe-\nständig. Kissen für den \nInnenbereich und für den \nAussenbereich separat \nerhaltlich.\nFR Chaise empilable \npour la maison et pour la \ncollectivité.\nMatériaux: pieds en alu-\nminium anodisé noir ou \nen aluminium verni; assi-\nse en fonte d’aluminium \ntraité au titane fluoré \net verni en polyester. \nConçue pour l’extérieur. \nNon feu. Disponible aussi\navec coussins pour l’inte-\nrieur et pour l’extérieur.\nIT Sedia impilabile per \nuso domestico e con-\ntract.\nMateriali: gambe in profi-\nlato di alluminio anodiz-\nzato nero o verniciato; \nsedile in pressofusione di \nalluminio con trattamento \ndi fluotitanizzazione ver-\nniciato poliestere. Adatta \nanche per esterni. Pro-\ndotto ignifugo. Disponibili \ncuscini per uso interno \ned esterno.\nES Silla apilabile para uso \ndómestico y contract.\nMaterial: patas de perfiles \nde aluminio anodizado \nnegro o de aluminio \nbarnizado; asiento de \naluminio fundido a presión \no con tratamiento de \nfluotitanización barnizado \nen poliéster. Apta para el \nexterior. Producto ignífu-\ngo. Disponibles también \ncojines para el interior y \npara el exterior.\nblack\nwhite\nred\nmint\nblush\npurple\nFinishes\nChair_One\ndesign Konstantin Grcic, 2003\nCushions\nKvadrat Steelcut Trio 533 \u002F orange\nKvadrat Steelcut Trio 983 \u002F light blue\nKvadrat Steelcut Trio 205 \u002F beige\nKvadrat Steelcut Trio 953 \u002F green\nKvadrat Steelcut Trio 453 \u002F yellow\nKvadrat Steelcut Trio 133 \u002F light grey\nKvadrat Steelcut Trio 383 \u002F dark brown\nKvadrat Steelcut 3 190 \u002F black\nBrown leather\nBlack leather\nPolyurethane \u002F white\nPolyurethane \u002F black\nChair_One\nchairs \n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.26.png","ø 35\n59\n46,5\n80\n55\n38\ncushions\n37\n41\n37\n36\n75\n48\n49\nEN Chair for domestic \nand contract use. Also \nswivel version available \nwith selfreturning me-\nchanism.\nMaterial: concrete base \npainted transparent clear \nor black; seat in die-cast \naluminium treated with \nsputtered fluorinated \ntitanium and painted \nin polyester powder. \nSuitable for outdoor use. \nFlame-retardant. Also \navailable cushions for \nindoor and outdoor use.\nDE Stuhl für Haus- und \nObjektgebrauch. Auch mit \ndrehbar gelagertem Sitz\n(Rückkehrmechanismus)\nlieferbar.\nMaterial: Sockel aus \nfarblos oder schwarz im-\nprägniertem Zement; Sitz \naus Aluminium-Druckguss \nOberflächenbehandlung \nmit fluoriertem Titan und \nPolyesterlackierung. \nAuch für den Aussenbe-\nreich geeignet. Feuerbe-\nständig. Kissen für den \nInnenbereich und für den \nAussenbereich separat \nerhaltlich.\nFR Chaise pour la mai-\nson et pour la collectivité. \nVersion fixe ou version pi-\nvotante avec mécanisme \nà mémoire de position.\nMatériaux: base en béton \nverni transparente inco-\nlore ou noir; assise en \nfonte d’aluminium traité \nau titane fluoré et verni \nen polyester. Conçue \npour l’extérieur. Non feu. \nDisponible aussi avec \ncoussins pour l’interieur \net pour l’extérieur.\nIT Sedia per uso dome-\nstico e contract. Disponi-\nbile versione girevole con \nmeccanismo di ritorno \ndella seduta.\nMateriali: base in cemen-\nto verniciato trasparente \nnaturale o nero; sedile in \npressofusione di alluminio \ncon trattamento di fluo-\ntitanizzazione verniciato \npoliestere. Adatta anche \nper esterni. Prodotto \nignifugo. Disponibili \ncuscini per uso interno e \nesterno.\nES Silla para uso dómesti-\nco y contract. Disponible \ntambién versión giratoria \ncon mecanismo de retor-\nno del asiento.\nMaterial: base de cemento \nbarnizado transparente \nneutro o negro; asiento de \naluminio fundido a presión \no con tratamiento de \nfluotitanización barnizado \nen poliéster. Apta para el \nexterior. Producto ignífu-\ngo. Disponibles también \ncojines para el interior y \npara el exterior.\nnatural \u002F \nblack\nblack \u002F \nblack\nnatural \u002F\nwhite\nblack \u002F \nwhite\nnatural \u002F\nred\nblack \u002F \nred\nnatural \u002F\nmint\nblack \u002F \nmint\nnatural \u002F\nblush\nblack \u002F \nblush\nnatural \u002F\npurple\nblack \u002F \npurple\nFinishes\nChair_One\ndesign Konstantin Grcic, 2004\nCushions\nKvadrat Steelcut Trio 533 \u002F orange\nKvadrat Steelcut Trio 983 \u002F light blue\nKvadrat Steelcut Trio 205 \u002F beige\nKvadrat Steelcut Trio 953 \u002F green\nKvadrat Steelcut Trio 453 \u002F yellow\nKvadrat Steelcut Trio 133 \u002F light grey\nKvadrat Steelcut Trio 383 \u002F dark brown\nKvadrat Steelcut 3 190 \u002F black\nBrown leather\nBlack leather\nPolyurethane \u002F white\nPolyurethane \u002F black\nChair_One\nchairs \n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.27.png","51\n51\n45\n84\n55\n38\ncushions\n37\n41\n37\n36\n75\n50\n51\nEN Swivel chair on 4 star\nbase for domestic and \ncontract use.\nMaterial: base and seat \nin die-cast aluminium \ntreated with sputtered \nfluorinated titanium and \npainted in polyester \npowder. Suitable for \noutdoor use. Flame-\nretardant. Also available \ncushions for indoor and \noutdoor use.\nDE Drehbarer Stuhl mit\nVierfusskreuz für Haus- \nund Objektgebrauch.\nMaterial: Gestell und Sitz \naus Aluminium-Druckguss \nOberflächenbehandlung \nmit fluoriertem Titan und \nPolyesterlackierung. Auch \nfür den Aussenbereich \ngeeignet. Feuerbe-\nständig. Kissen für den \nInnenbereich und für den \nAussenbereich separat \nerhaltlich.\nFR Chaise pivotante sur\npiétement à 4 branches \npour la maison et pour la \ncollectivité.\nMatériaux: base et assise \nen fonte d’aluminium \ntraité au titane fluoré \net verni en polyester. \nConçue pour l’extérieur. \nNon feu. Disponible aussi \navec coussins pour l’inte-\nrieur et pour l’extérieur.\nIT Sedia girevole su 4 \nrazze per uso domestico \ne contract.\nMateriali: base e sedile in \npressofusione di alluminio \ncon trattamento di fluo-\ntitanizzazione verniciato \npoliestere. Adatta anche \nper esterni. Prodotto \nignifugo. Disponibili \ncuscini per uso interno e \nesterno.\nES Silla giratoria sobre\n4 rayos para uso dómesti-\nco y contract.\nMaterial: base y asiento \nde aluminio fundido a pre-\nsión o con tratamiento de \nfluotitanización barnizado \nen poliéster. Apta para el \nexterior. Producto ignífu-\ngo. Disponibles también \ncojines para el interior y \npara el exterior.\nblack\nwhite\nFinishes\nChair_One_4Star\ndesign Konstantin Grcic, 2008\nCushions\nKvadrat Steelcut Trio 533 \u002F orange\nKvadrat Steelcut Trio 983 \u002F light blue\nKvadrat Steelcut Trio 205 \u002F beige\nKvadrat Steelcut Trio 953 \u002F green\nKvadrat Steelcut Trio 453 \u002F yellow\nKvadrat Steelcut Trio 133 \u002F light grey\nKvadrat Steelcut Trio 383 \u002F dark brown\nKvadrat Steelcut 3 190 \u002F black\nBrown leather\nBlack leather\nPolyurethane \u002F white\nPolyurethane \u002F black\nChair_One_4Star\nchairs \n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.28.png","49\n49\n46\n67\n75\n52\n56\n41\ncushion\n42\n52\n53\nEN Armchair for dome-\nstic use and contracts.\nMaterials: frame in \npolycarbonate, back \nin wicker. Also available \ncushion in expanded \npolyurethane covered in \nfabric.\nDE Sessel für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nPolykarbonat, Rü-\nckenlehne aus Peddi-\ngrohr. Kissen aus ge-\nschäumtem Polyurethan \nmit Stoffbezug separat \nerhätlich.\nFR Petit fauteuil pour \nla maison et pour la \ncollectivité.\nMatériaux: structure en \npolycarbonate, dossier \nen osier. Disponible aus-\nsi coussin en polyuré-\nthane expansé, avec \nrevêtment en tissu.\nIT Poltroncina per uso \ndomestico e contract.\nMateriali: struttura in \npolicarbonato, schienale \nin midollino. Disponibile \ncuscino in poliuretano \nespanso e rivestito in \ntessuto.\nES Sillón para uso dóme-\nstico y contract.\nMateriales: estructura de \npolicarbonato, respaldo \nde mimbre. Disponible \ntambién cojín de poliure-\ntano expandido tapizado \nen tejido.\nwhite \u002F \nnatural\nFinishes\nCyborg Club\ndesign Marcel Wanders, 2012\nCushions\nKvadrat Divina MD 613 \u002F pink\nKvadrat Divina MD 813 \u002F light blue\nKvadrat Divina MD 943 \u002F green\nKvadrat Divina MD 203 \u002F beige\nKvadrat Divina Mélange 180 \u002F dark grey\nKvadrat Remix 143 \u002F grey\nKvadrat Remix 612 \u002F pink\nKvadrat Remix 933 \u002F green\nKvadrat Remix 433 \u002F ocher\nCyborg Club\nchairs \n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.29.png","49\n49\n48\n68\n81\n55\n60\n54\n55\nKvadrat Remix\n143 \u002F grey\nKvadrat Remix\n612 \u002F pink\nKvadrat Remix\n933 \u002F green\nKvadrat Remix\n433 \u002F ocher\nFinishes\nCyborg Lady\ndesign Marcel Wanders, 2014\nEN Armchair for dome-\nstic use and contracts.\nMaterial: frame in \npolycarbonate. Seat and \nback in polyurethane \nfoam covered in fabric.\nDE Sessel für Haus- und \nObjektgebrauch.\nMaterial: Gestell aus \nPolykarbonat. Sitz \nund Rückenlehne aus \nPolyurethanschaum mit \nStoffbezug.\nFR Petit fauteuil pour \nla maison et pour la \ncollectivité.\nMatériaux: structure en \npolycarbonate. Assise \net dossier en mousse \nde polyuréthane avec \nrevêtement en tissu.\nIT Poltroncina per uso \ndomestico e contract.\nMateriali: struttura in \npolicarbonato, sedile e \nschienale in poliuretano \nschiumato rivestito in \ntessuto.\nES Sillón para uso dóme-\nstico y contract.\nMateriales: estructura de \npolicarbonato, asiento y \nrespaldo en espuma de \npoliuretano tapizado en \ntejido.\nCyborg Lady\nchairs \n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.30.png","49\n49\n48\n70\n80\n59\n70\n56\n57\nKvadrat \nDivina MD \n613 \u002F pink\nKvadrat \nDivina MD \n813 \u002F sky blue\nKvadrat \nDivina MD \n943 \u002F green\nKvadrat \nDivina MD \n203 \u002F beige\nKvadrat Divina\nMélange \n180 \u002F dark grey\nFinishes\ndesign Marcel Wanders, 2014\nEN Armchair for dome-\nstic use and contracts.\nMaterial: frame in \npolycarbonate. Seat and \nback in polyurethane \nfoam covered in fabric.\nDE Sessel für Haus- und \nObjektgebrauch.\nMaterial: Gestell aus \nPolykarbonat. Sitz \nund Rückenlehne aus \nPolyurethanschaum mit \nStoffbezug.\nFR Petit fauteuil pour \nla maison et pour la \ncollectivité.\nMatériaux: structure en \npolycarbonate. Assise \net dossier en mousse \nde polyuréthane avec \nrevêtement en tissu.\nIT Poltroncina per uso \ndomestico e contract.\nMateriali: struttura in \npolicarbonato, sedile e \nschienale in poliuretano \nschiumato rivestito in \ntessuto.\nES Sillón para uso dóme-\nstico y contract.\nMateriales: estructura de \npolicarbonato, asiento y \nrespaldo en espuma de \npoliuretano tapizado en \ntejido.\nCyborg Lord\nCyborg Lord\nchairs \n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.31.png","49\n49\n46\n72\n78,5\n53\n58\n41\ncushion\n42\n58\n59\nFinishes\nwhite \u002F \nnatural\nEN Armchair for domestic \nand use.\nMaterials: frame in \npolycarbonate, back in \nsolid natural ash. Also \navailable cushion in \nexpanded polyurethane \ncovered in fabric.\nDE Sessel für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nPolykarbonat, Rü-\nckenlehne aus massiver \nEsche naturfarben. Kis-\nsen aus geschäumtem \nPolyurethan mit Stoffbe-\nzug separat erhätlich.\nFR Petit fauteuil pour \nla maison et pour la \ncollectivité.\nMatériaux: structure en \npolycarbonate, dossier \nen frêne massif natu-\nrel. Disponible aussi \ncoussin en polyuréthane \nexpansé, avec revêtment \nen tissu.\nIT Poltroncina per uso \ndomestico e contract.\nMateriali: struttura in \npolicarbonato, schienale \nin massello di frassino na-\nturale. Disponibile cuscino \nin poliuretano espanso \nrivestito in tessuto.\nES Sillón para uso dóme-\nstico y contract.\nMateriales: estructura de \npolicarbonato, respaldo en \nmadera maciza de fresno \nnatural. Disponible tam-\nbién cojín de poliuretano \nexpandido tapizado en \ntejido.\nCyborg Stick\ndesign Marcel Wanders, 2013\nCushions\nKvadrat Divina MD 613 \u002F pink\nKvadrat Divina MD 813 \u002F light blue\nKvadrat Divina MD 943 \u002F green\nKvadrat Divina MD 203 \u002F beige\nKvadrat Divina Mélange 180 \u002F dark grey\nKvadrat Remix 143 \u002F grey\nKvadrat Remix 612 \u002F pink\nKvadrat Remix 933 \u002F green\nKvadrat Remix 433 \u002F ocher\nCyborg Stick\nchairs \n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.32.png","40\n44\n46\n79\n60\n61\nFinishes\npolished\ndesign Naoto Fukasawa, 2007\nEN Chair for domestic \nand contract use.\nMaterials: legs in extru-\nded aluminium. Seat and \nback in die-cast alumi-\nnium. Flame retardant.\nDE Stuhl für Haus- und \nObjektgebrauch.\nMaterialien: Beine aus \nProfilaluminium. Sitz \nund Rückenlehne aus \nAluminium-Druckguss. \nFeuerhemmend.\nFR Chaise pour la mai-\nson et pour la collectivité.\nMatériaux: pieds en alu-\nminium. Assise et dossier \nen fonte d’aluminium. \nProduit ignifuge.\nIT Sedia per uso dome-\nstico e contract.\nMateriali: gambe in profi-\nlato di alluminio estruso. \nSedile e schienale in \npressofusione di allumi-\nnio. Prodotto ignifugo.\nES Silla para uso dóme-\nstico y contract.\nMateriales: patas en perfi-\nles de aluminio. Asiento y \nrespaldo en aluminio fun-\ndido a presión. Producto \nignífugo.\nDéjà-vu\nDéjà-vu\nchairs \n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.33.png","50\n52\n46\n77,5\n10\n62\n63\nbeige\nwhite\nolive green\nlight blue\nblack\norange\ndesign Stefano Giovannoni, 2007\nEN Stacking chair for \ndomestic and contract \nuse.\nMaterials: polypropylene \nwith glass fibre added. \nSuitable for outdoor use.\nDE Stuhl, stapelbar für \nHaus- und Objektge-\nbrauch.\nMaterialien: Polypropylen \nmit Glasfaser verstärkt. \nAuch für den Aussenbe-\nreich geeignet.\nFR Chaise empilable \npour la maison et pour la \ncollectivité.\nMatériaux: polypropylène \nchargé avec fibre de \nverre. Conçue pour \nl’extérieur.\nIT Sedia impilabile per \nuso domestico e con-\ntract.\nMateriali: polipropile-\nne caricato di fibra di \nvetro. Adatta anche per \nesterni.\nES Silla apilable para uso \ndómestico y contract.\nMateriales: polipropile-\nno reforzado con fibra \nde vidrio. Apta para el \nexterior.\nFirst\nFinishes\nFirst\nchairs \n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.34.png","46\n48\n48\n85\n12\n64\n65\nFinishes\nchromed \u002F\norange\nchromed \u002F\nwhite\nchromed \u002F\ngrey anthracite\nwhite \u002F\nwhite\ngrey anthracite \n\u002F grey antracite\nwhite \u002F light \nblue\ngrey anthracite \n\u002F light blue\nwhite \u002F red \nbordeaux\ngrey anthracite \n\u002F red bordeaux\ndesign Enzo Mari, 2002\nEN Stacking chair for \ndomestic and contract \nuse.\nMaterials: frame in \nchromed or painted steel \ntube. Seat and back in \npolypropylene.\nDE Stapelbarer Stuhl, \nfür Haus- und Objektge-\nbrauch. \nMaterialien: Gestell \naus verchromtem oder \nlackiertem Stahlrohr. Sitz \nund Rückenlehne aus \nPolypropylen.\nFR Chaise empilable \npour la maison et pour la \ncollectivité.\nMatériaux: structure en \ntube d’acier chromé ou \nverni. Assise et dossier \nen polypropylène.\nIT Sedia impilabile per \nuso domestico e con-\ntract.\nMateriali: struttura in \ntubo d’acciaio cromato \no verniciato. Sedile e \nschienale in polipropilene.\nES Silla apilable para uso \ndómestico y contract .\nMateriales: estructura en \ntubo de acero cromado \no barnizado. Asiento y \nrespaldo de polipropileno. \nMariolina\nMariolina\nchairs \n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.35.png","55\n54\n46\n67\n84,5\n6\n66\n67\ndesign Jaime Hayón, 2016\nEN Stacking chair with \narms for domestic and \ncontract use.\nMaterials: polypropylene \nwith glass fibre added, \nwith silky touch finish. \nSuitable for outdoor use. \nDE Stapelbarer Stuhl mit \nArmlehnen für Haus- und \nObjektgebrauch.\nMaterialien: Polypropylen \nmit Glasfaser verstärkt. \nOberfläche mit “Silky-\nTouch” Technologie \nveredelt. Auch für den \nAussenbereich geeignet.\nFR Chaise empilable avec \naccoudoirs pour la maison \net pour la collectivité.\nMatériaux: polypropylène \nchargé avec fibre de verre \navec finition effet soie. \nConçue pour l’extérieur.\nIT Sedia con braccioli \nimpilabile per uso dome-\nstico e contract.\nMateriali: polipropile-\nne caricato di fibra di \nvetro con finitura effetto \nseta. Adatta anche per \nesterni. \nES Silla apilable con bra-\nzos para uso dómestico y \ncontract.\nMateriales: polipropileno \nreforzado con fibra de \nvidrio. Con acabado efecto \nseda. Apta para el exterior.\nMilà\ndark green\nwhite\nblack\nlight blue\norange\ndark brown\nFinishes\nMilà\nchairs \n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.36.png","55\n55\n54\n54\n47\n47\n67\n67\n84,5\n84,5\nseat and back upholstered\nseat upholstered\n68\n69\ndesign Jaime Hayón, 2016\nMilà\nEN Chair with arms \nwith covered seat\u002Fback \ncushions for domestic and \ncontract use.\nMaterials: polypropylene \nwith glass fibre added, \nwith silky touch finish. \nSeat\u002Fback cushions in \nexpanded polyurethane \ncovered in fabric. Only for \nindoor use.\nDE Stuhl mit Armlehnen \nmit bezogenen Sitz\u002FRü-\nckenkissen für Haus- und \nObjektgebrauch.\nMaterialien: Polypropylen \nmit Glasfaser ver-\nstärkt. Oberfläche mit \n“Silky-Touch” Techno-\nlogie veredelt. Sitz- und \nRückenkissen aus \nPolyurethanschaum mit \nStoffbezug. Nur für den \nInnenbereich geeignet.\nFR Chaise avec ac-\ncoudoirs avec coussins \nassise\u002Fdossier revetus \npour la maison et pour la \ncollectivité.\nMatériaux: polypropylène \nchargé avec fibre de verre \navec finition effet soie. \nCoussins assise\u002Fdossier \nen polyuréthane expansé, \nrevêtu en tissu. Conçu \nseulement pour l’interiéur.\nIT Sedia con braccioli \ncon seduta\u002Fschienale \nrivestiti. Per uso dome-\nstico e contract.\nMateriali: polipropilene \ncaricato di fibra di vetro \ncon finitura effetto seta. \nCuscini sedile\u002Fschienale \nin poliuretano espanso \nrivestito in tessuto. Solo \nper uso interno.\nES Silla con brazos con \nasiento\u002Frespaldo tapizado \npara uso dómestico y \ncontract.\nMateriales: polipropileno \nreforzado con fibra de \nvidrio. Con acabado efecto \nseda. Cojínes asiento\u002F\nrespaldo de poliuretano \nexpandido tapizado en \ntela. Sólo para el interior.\ndark green\n\u002F imNativ \nSolleone \nReverse 809 (A)\nwhite\n\u002F imNativ \nSolleone \nReverse 600 (A)\nblack\n\u002F imNativ \nSolleone \nReverse 300 (A)\nlight blue\n\u002F imNativ \nSolleone \nReverse 704 (A)\norange\n\u002F imNativ \nSolleone \nReverse 301 (A)\ndark brown\n\u002F imNativ \nSolleone \nReverse 406 (A)\nFinishes\nMilà\nchairs \n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.37.png","42\n45\n45\n76\n70\n71\ndesign Jasper Morrison, 2025\nEN Chair for domestic and \ncontract use.\nMaterials: frame in steel \ntube glossy painted. Seat \nand back in recycled \npolypropylene. \nDE Stuhl für Haus- und \nObjektgebrauch. \nMaterialien: Gestell \naus Stahlrohr lackiert, \nglänzend. Sitz und \nRückenlehne aus recycel-\ntem Polypropylen.\nFR Chaise pour la mai-\nson et pour la collectivité.\nMatériaux: structure en \ntube d’acier verni poli. \nAssise et dossier en \npolypropylène recyclé.\nIT Sedia per uso domesti-\nco e contract.\nMateriali: struttura in tubo \ndi acciaio verniciato lucido. \nSeduta e schienale in\npolipropilene riciclato.\nES Silla para uso dóme-\nstico y contract.\nMateriales: estructura de \ntubo de acero barniza-\ndo brillante. Asiento y \nrespaldo de polipropileno \nreciclado.\nMotta\nblue \u002F blue\nbrown \u002F brown\nred \u002F red\ngreen \u002F green\nFinishes\nMotta\nchairs \n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.38.png","42\n45\n45,5\n76\n72\n73\ndesign Jasper Morrison, 2025\nMotta\nnatural oak \u002F\nblue\nnatural oak \u002F\nbrown\nnatural oak \u002F\nred\nnatural oak \u002F\ngreen\nFinishes\nEN Chair for domestic and \ncontract use.\nMaterials: frame in steel \ntube glossy painted in \npolyester powder. Seat \nand back in natural oak \nplywood.\nDE Stuhl für Haus- und \nObjektgebrauch. \nMaterialien: Gestell \naus Stahlrohr lackiert, \nglänzend. Sitz und Rü-\nckenlehne aus Eichen-\nschichtholz, naturfarben.\nFR Chaise pour la mai-\nson et pour la collectivité.\nMatériaux: structure en \ntube d’acier verni poli. \nAssise et dossier en \nchêne multiplis naturel.\nIT Sedia per uso domesti-\nco e contract.\nMateriali: struttura in \ntubo di acciaio verniciato \nlucido. Seduta e schienale \nin multistrato di rovere \nnaturale.\nES Silla para uso dóme-\nstico y contract.\nMateriales: estructura de \ntubo de acero barniza-\ndo brillante. Asiento y \nrespaldo en multiestrato \nde roble, natural.\nMotta\nchairs \n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.39.png","42\n45\n47\n77,5\n74\n75\ndesign Jasper Morrison, 2025\nMotta\nFinishes\nblue \u002F\n Gabriel Mood \n4102\nred \u002F\nGabriel Mood \n3102\nbrown \u002F\n Gabriel Mood \n2102\ngreen \u002F\n Gabriel Mood \n6101\nEN Chair for domestic and \ncontract use.\nMaterials: frame in steel \ntube glossy painted in \npolyester powder. Uphol-\nstered seat and back \ncovered in fabric.\nDE Stuhl stapelbar, für \nHaus- und Objektge-\nbrauch. \nMaterialien: Gestell \naus Stahlrohr lackiert, \nglänzend. Gepolsterte \nSitz und Rückenlehne mit \nStoffbezug.\nFR Chaise pour la mai-\nson et pour la collectivité.\nMatériaux: structure \nen tube d’acier verni \npoli. Assise et dossier \nrembourrés et revetus en \ntissu.\nIT Sedia per uso domesti-\nco e contract.\nMateriali: struttura in tubo \ndi acciaio verniciato lucido. \nSeduta e schienale imbot-\ntiti, rivestiti in tessuto.\nES Silla apilable para uso \ndómestico y contract.\nMateriales: estructura de \ntubo de acero barniza-\ndo brillante. Asiento y \nrespaldo acolchados y \ntapizados en tejido.\nMotta\nchairs \n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.40.png","58\n54\n46\n80\n41,5\ncushion\n41\n76\n77\ndesign Ronan & Erwan Bouroullec, 2016\nEN Chair for domestic and \ncontract use.\nMaterials: frame in \nwrought iron, galvanized \nor cataphoretically treated \nand painted in polyester \npowder. Seat and back \nin polypropylene (suitable \nfor outdoor use). Seat \ncushion also available.\nDE Stuhl für Haus- und \nObjektgebrauch.\nMaterial: Gestell aus \nSchmiedeeisen, verzinkt \noder rostschutzbehandelt \nund polyesterlackiert. Sitz \nund Rückenlehne aus \nPolypropylen (auch für den \nAussenbereich geeignet). \nSitzkissen auch erhältlich. \nFR Chaise pour la maison \net pour la collectivité.\nMatériaux: structure en fer \nforgé galvanisé ou traité \nen cataphorèse et verni \nen polyester. Assise et \ndossier en polypropylène \n(conçu pour l’extérieur). \nCoussin d’assise aussi \ndisponible.\nIT Sedia per uso domesti-\nco e contract.\nMateriali: struttura in ferro \nforgiato, zincato a caldo o \ntrattato cataforesi e verni-\nciato poliestere. Sedile e \nschienale in polipropilene \n(adatta per esterni). Dispo-\nnibile cuscino seduta.\nES Silla para uso dómesti-\nco y contract.\nMateriales: estructura de \nhierro forjado, zincado \nen caliente o tratado con \ncataforesis y barnizado en \npoliéster. Asiento y respal-\ndo en polipropileno (apta \npara el exterior). Disponible \ntambién cojin asiento.\nOfficina\ngalvanized \u002F \ngrey\ngrey anthracite \n\u002F black\ngalvanized \u002F \nblack\ngrey anthracite \n\u002F dark green\ngalvanized \u002F \ndark green\ngrey anthracite \n\u002F brown\ngalvanized \u002F \nwhite\ngalvanized \u002F \nbrown\ngrey anthracite \n\u002F grey\nFinishes\nbrown \u002F brown\nbrown \u002F grey\nbrown \u002F dark \ngreen\ngrey anthracite \n\u002F white\nbrown \u002F white\nbrown \u002F black\nFabrics\nKvadrat Divina Mélange 120 \u002F light grey\nKvadrat Divina MD 193 \u002F dark grey\nOfficina\nchairs \n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.41.png","58\n54\n46\n80\n41,5\ncushion\n41\nFabrics\nKvadrat Divina Mélange 120 \u002F light grey\nKvadrat Divina MD 193 \u002F dark grey\n78\n79\ndesign Ronan & Erwan Bouroullec, 2016\nOfficina\ngalvanized \u002F \nbeech plywood \nblack\ngrey anthracite \u002F \nbeech plywood \nnatural\ngrey anthracite \u002F \nbeech plywood \nblack\ngalvanized \u002F \nbeech plywood \nnatural\nFinishes\nEN Chair for domestic and \ncontract use.\nMaterials: frame in \nwrought iron, galvanized \nor cataphoretically treated \nand painted in polyester \npowder. Seat and back in \nbeech plywood, natural or \nstained. Seat cushion also \navailable.\nDE Stuhl für Haus- und \nObjektgebrauch.\nMaterial: Gestell aus Sch-\nmiedeeisen, verzinkt oder \nrostschutzbehandelt und \npolyesterlackiert. Sitz und \nRückenlehne aus Buchen-\nschichtholz, naturfarben \noder gebeizt. Sitzkissen \nauch erhältlich. \nFR Chaise pour la maison \net pour la collectivité.\nMatériaux: structure en fer \nforgé galvanisé ou traité \nen cataphorèse et verni \nen polyester. Assise et \ndossier en hêtre multiplis, \nnaturel ou teinté. Coussin \nd’assise aussi disponible.\nIT Sedia per uso domesti-\nco e contract.\nMateriali: struttura in ferro \nforgiato, zincato a caldo o \ntrattato cataforesi e verni-\nciato poliestere. Sedile e \nschienale in multistrato di \nfaggio naturale o tinto. Di-\nsponibile cuscino seduta. \nES Silla para uso dómesti-\nco y contract.\nMateriales: estructura de \nhierro forjado, zincado \nen caliente o tratado con \ncataforesis y barnizado en \npoliéster. Asiento y respal-\ndo en multiestrato de haya \nnatural o teñido. Disponible \ntambién cojin asiento.\nOfficina\nchairs \n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.42.png","58\n54\n46\n80\n41,5\ncushion\n41\nFabrics\nKvadrat Divina Mélange 120 \u002F light grey\nKvadrat Divina MD 193 \u002F dark grey\n80\n81\ndesign Ronan & Erwan Bouroullec, 2016\nOfficina\nFinishes\ngalvanized \u002F \nnatural leather\ngrey anthracite \n\u002F natural leather\ngalvanized \u002F \nblack leather\ngrey anthracite  \n\u002F Kvadrat \nDivina MD 193\ngalvanized \u002F \nKvadrat Divina \nMélange 120\ngrey anthracite \n\u002F Kvadrat Divina \nMélange 120\ngrey anthracite \n\u002F black leather\ngalvanized \u002F \nKvadrat Divina \nMD 193\nEN Chair for domestic and \ncontract use.\nMaterials: frame in \nwrought iron, galvanized \nor cataphoretically treated \nand painted in polyester \npowder. Seat and back \nin polypropylene covered \nin premium-grade leather \nor in fabric. Seat cushion \nalso available.\nDE Stuhl für Haus- und \nObjektgebrauch.\nMaterial: Gestell aus \nSchmiedeeisen, verzinkt \noder rostschutzbehandelt \nund polyesterlackiert. Sitz \nund Rückenlehne aus \nPolypropylen mit Vollleder- \noder mit Stoffbezug. \nSitzkissen auch erhältlich. \nFR Chaise pour la maison \net pour la collectivité.\nMatériaux: structure en fer \nforgé galvanisé ou traité \nen cataphorèse et verni \nen polyester. Assise et \ndossier en polypropylène \navec revêtement en cuir \npleine-fleur ou en tissu. \nCoussin d’assise aussi \ndisponible.\nIT Sedia per uso domesti-\nco e contract.\nMateriali: struttura in ferro \nforgiato, zincato a caldo o \ntrattato cataforesi e verni-\nciato poliestere. Sedile e \nschienale in polipropilene \nrivestito in cuoio primo fio-\nre o in tessuto. Disponibile \ncuscino seduta. \nES Silla para uso dómesti-\nco y contract.\nMateriales: estructura de \nhierro forjado, zincado \nen caliente o tratado con \ncataforesis y barnizado \nen poliéster. Asiento y \nrespaldo en polipropileno \ntapizado en cuero de \ngrano superior o en tejido. \nDisponible también cojin \nasiento.\nOfficina\nchairs \n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.43.png","55,5\n55,5\n48\n48\n45\n46\n77,5\n77,5\nupholstered seat\n4\n4\n82\n83\nEN Stacking chair for do-\nmestic and contract use.\nMaterials: seat and back \nin ash plywood, natural or \npainted; legs in solid ash, \nnatural or painted; joining \nelement in sanded or pain-\nted die-cast aluminium. \nVersion with cushion in \npolyurethane foam cove-\nred in fabric also available.\nDE Stuhl stapelbar, für \nHaus- und Objektge-\nbrauch.\nMaterialien: Sitz und Rü-\nckenlehne aus \nEschenschichtholz, \nnaturfarben oder lackiert; \nBeine aus massiver Esche, \nnaturfarben oder lackiert; \nVerbindungselement aus \nAluminium-Druckguss, \nsandgestrahlt oder lackiert. \nVersion mit Zubehör-\nKissen aus Polyurethan-\nschaum mit Stoffbezug \nauch verfügbar.\nFR Chaise empilable, \npour la maison et pour la \ncollectivité.\nMatériaux: assise et \ndossier en frêne multiplis, \nnaturel ou teinté; pieds en \nfrêne massif, naturel ou \nteinté; élément de jonction \nen fonte d’aluminium \nsablé ou verni. Version \navec coussin en mousse \nde polyuréthane revêtu en \ntissu, aussi disponible.\nIT Sedia impilabile per uso \ndomestico e contract.\nMateriali: sedile e schiena-\nle in multistrato di frassino \nnaturale o verniciato; gam-\nbe in massello di frassino \nnaturale o verniciato; \nelemento di connessione \nin pressofusione di allumi-\nnio sabbiato o verniciato. \nDisponibile anche versione \ncon cuscino in poliureta-\nno schiumato rivestito in \ntessuto.\nES Silla apilable, para uso \ndómestico y contract.\nMateriales: asiento y \nrespaldo en multiestrato de \nfresno, natural o barni-\nzado; patas en madera \nmaciza de fresno, natural \no barnizado; elemento de \nconexión en aluminio are-\nnado o barnizado fundido \na presión. Versión con cojín \nen espuma de poliuretano \ntapizado en tejido, también \ndisponible.\ngrey\ndark brown\nnatural\nred\nblack\nFinishes\nPila\ndesign Ronan & Erwan Bouroullec, 2013\nFabrics (upholsered seat version)\nKvadrat Divina 3 \u002F orange 552\nKvadrat Divina 3 \u002F white 106\nKvadrat Divina 3 \u002F dark brown 393\nKvadrat Divina 3 \u002F green 984\nKvadrat Divina 3 \u002F black 191\nKvadrat Divina MD \u002F dark blue 783\nKvadrat Divina MD \u002F grey 713\nKvadrat Divina MD \u002F pink 613\nPila\nchairs \n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.44.png","53\n53\n53\n53\n47\n47\n65\n65\n81\n81\n84\n85\nPiña\ndesign Jaime Hayón, 2011\nEN Armchair for domestic \nand contract use.\nMaterials: legs in solid ash, \nnatural or stained walnut. \nSeat in steel rod painted \nin polyester powder. Seat\u002F\nback cushion in polyure-\nthane foam with remova-\nble cover in fabric.\nDE Sessel für Haus- und \nObjektgebrauch.\nMaterialien: Beine aus \nmassiver Esche, naturfar-\nben oder nussbaumfarben \ngebeizt. Sitz aus polye-\nsterlackiertem Stahldraht. \nSitz- und Rückenlehne-\nkissen aus Polyurethan-\nschaum mit abnehmba-\nrem Stoffbezug.\nFR Petit fauteuil pour la \nmaison et pour la collec-\ntivité.\nMatériaux: pieds en frêne \nmassif naturel ou teinté \nnoyer. Assise en fil d’acier \nverni en polyester. Coussin \nassise\u002Fdossier en polyuré-\nthane, déhoussable et \nrevêtu en tissu.\nIT Poltroncina per uso \ndomestico e contract.\nMateriali: gambe in mas-\nsello di frassino naturale o \ntinto noce. Sedile in ton-\ndino di acciaio verniciato \npoliestere. Cuscino sedile\u002F\nschienale in poliuretano \nespanso sfoderabile, \nrivestito in tessuto.\nES Sillón para uso dóme-\nstico y contract.\nMateriales: patas de \nmadera maciza de fresno, \nnatural o teñido nogal. \nAsiento de barra de acero, \nbarnizado poliéster. Cojín\nasiento\u002Frespaldo de poliu-\nretano expandido tapizado \nen tela desenfundable.\nFabrics\nBeige velvet\nTerracotta velvet\nBronze velvet\nBlack velvet\nsolid ash \nnatural \u002F white \n\u002F beige velvet\nsolid ash \nstained walnut \u002F \nwhite \u002F beige \nvelvet\nsolid ash \nnatural \u002F grey\n \u002F beige velvet\nsolid ash \nstained walnut \n\u002F grey \u002F beige \nvelvet\nsolid ash \nnatural \u002F\nterracotta \u002F \nterracotta velvet\nsolid ash \nstained walnut \n\u002F terracotta \u002F \nterracotta velvet\nsolid ash \nnatural \u002F \nbronze \u002F \nbronze velvet\nsolid ash \nstained walnut \n\u002F bronze \u002F \nbronze velvet\nsolid ash \nnatural \u002F black \n\u002F black velvet\nsolid ash stained \nwalnut \u002F black \u002F \nblack velvet\nFinishes\nPiña\nchairs \n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.45.png","53\n53\n47\n65\n81\n86\n87\nPiña\ndesign Jaime Hayón, 2014\nEN Armchair for domestic \nand contract use.\nMaterials: legs in steel \ntube, cataphoretically-\ntreated and painted in \npolyester powder. Seat in \nsteel rod cataphoretically-\ntreated and painted in \npolyester powder. Seat\u002F\nback cushion in polyure-\nthane foam with remo-\nvable cover in fabric. \nSuitable for outdoor use.\nDE Sessel für Haus- und \nObjektgebrauch.\nMaterial: Beine aus \nrostschutzbehandel-\ntem, polyesterlackier-\ntem Stahlrohr. Sitz aus \nrostschutzbehandeltem, \npolyesterlackiertem \nStahldraht. Sitz- und \nRückenlehnekissen aus \nPolyurethanschaum mit \nabnehmbarem Stoffbezug. \nFür den Aussenbereich \ngeeignet. \nFR Petit fauteuil pour la \nmaison et pour la collec-\ntivité.\nMatériaux: pieds en \ntube d’acier traité en \ncataphorèse et verni en \npolyester. Assise en fil d’a-\ncier traité en cataphorèse \net verni en polyester. \nCoussin assise\u002Fdossier en \npolyuréthane dehoussable \net revêtu en tissu. Conçue \npour l’extérieur. \nIT Poltroncina per uso \ndomestico e contract.\nMateriali: gambe in tubo di \nacciaio trattato cataforesi \ne verniciato poliestere. \nSedile in tondino di acciaio \ntrattato cataforesi e verni-\nciato poliestere. Cuscino \nsedile\u002Fschienale in poliure-\ntano espanso sfoderabile, \nrivestito in tessuto. Adatta \nper esterni.\nES Sillón para uso dóme-\nstico y contract.\nMateriales: patas de tubo \nde acero tratado anti-\nóxido y barnizado poliéster. \nAsiento de barra de acero, \ntratado anti-óxido y bar-\nnizado poliéster. Cojínes \nasiento\u002Frespaldo de poliu-\nretano expandido tapizado \nen tela desenfundable. \nApta para el exterior.\nFabrics\nimNativ - Maestrale 102\nFinishes\nwhite \u002F \nMaestrale 102\nPiña\nchairs \n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.46.png","53\n73\n46\n64\n78\n88\n89\nPiña\ndesign Jaime Hayón, 2011\nEN Rocking chair for do-\nmestic and contract use.\nMaterials: legs in steel \ntube painted in polyester \npowder. Seat in steel \nrod painted in polyester \npowder. Rockers in solid \nash, natural or stained \nwalnut. Seat\u002Fback cushion \nin expanded polyurethane \ncovered in fabric.\nDE Schaukelstuhl für \nHaus- und Objektge-\nbrauch.\nMaterialien: Beine aus \npolyesterlackiertem \nStahlrohr. Sitzschale \naus polyesterlackiertem \nStahldraht. Kufen aus \nmassiver Esche, naturfar-\nben oder nussbaumfar-\nben gebeizt. Sitz- und \nRückenlehnekissen aus \ngeschäumtem Polyurethan \nmit Stoffbezug. \nFR Chaise à bascule \npour la maison et pour la \ncollectivité.\nMatériaux: pieds en tube \nd’acier verni en polyester. \nAssise en fil d’acier verni \nen polyester. Rockers \nen frêne massif naturel \nou teinté noyer. Coussin \nassise\u002Fdossier en polyuré-\nthane expansé, revêtu en \ntissu.\nIT Sedia a dondolo per \nuso domestico e contract.\nMateriali: gambe in tubo di \nacciaio verniciato polieste-\nre. Sedile in tondino di ac-\nciaio verniciato poliestere. \nPattini in massello di fras-\nsino naturale o tinto noce. \nCuscino sedile\u002Fschienale \nin poliuretano espanso \nrivestito in tessuto. \nES Silla mecedora para \nuso dómestico y contract.\nMateriales: patas de tubo \nde acero barnizado polié-\nster. Asiento de barra de \nacero, barnizado poliéster. \nBalancines de madera \nmaciza de fresno, natural o \nteñido nogal. Cojín asiento\u002F\nrespaldo de poliuretano \nexpandido tapizado en \ntela.\nFabrics\nBeige velvet\nTerracotta velvet\nBronze velvet\nBlack velvet\nsolid ash \nnatural \u002F white \n\u002F beige velvet\nsolid ash \nstained walnut  \n\u002F white \u002F beige \nvelvet\nsolid ash \nnatural \u002F grey\n \u002F beige velvet\nsolid ash \nstained walnut \n\u002F grey \u002F beige \nvelvet\nsolid ash \nnatural \u002F \nterracotta \u002F \nterracotta velvet\nsolid ash \nstained walnut \n\u002F terracotta \u002F \nterracotta velvet\nsolid ash \nnatural \u002F \nbronze \u002F \nbronze velvet\nsolid ash \nstained walnut \n\u002F bronze \u002F \nbronze velvet\nsolid ash \nnatural \u002F black \n\u002F black velvet\nsolid ash \nstained walnut \n\u002F black \u002F black \nvelvet\nFinishes\nPiña\nchairs \n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.47.png","45\n56\n50\n50\n46\n46\n80\n67\n80\n2\n2\n90\n91\nPipe\ndesign Jasper Morrison, 2009\nwhite\nblack\nEN Stacking chair (with or \nwithout arms) for domestic \nand contract use.\nMaterials: frame in alu-\nminum tube, painted in \npolyester powder. Seat \nand back in punched \naluminium plate painted in \npolyester powder (suitable \nfor outdoor use). Flame-\nretardant.\nDE Stapelbarer Stuhl (mit \noder ohne Armlehnen) für \nHaus- und Objektgebrauch.\nMaterial: Gestell aus Alumi-\nniumrohr polyesterlackiert, \nSitz und Rückenlehne aus \nAluminiumblech, polye-\nsterlackiert (auch für den \nAussenbereich geeignet). \nFeuerbeständig.\nFR Chaise empilable \n(avec ou sans accoudoirs) \npour la maison et pour la \ncollectivité.\nMatériaux: structure en \ntube d’aluminium verni en \npolyester, assise et dossier \nen tôle d’aluminium percé \nverni en polyester (conçue \npour l’extérieur). Non-feu.\nIT Sedia impilabile (con o \nsenza braccioli) per uso \ndomestico e contract.\nMateriali: struttura in tubo \ndi alluminio verniciato \npoliestere, sedile e schie-\nnale in lamiera di alluminio \nforata verniciata poliestere. \nAdatta anche per esterni. \nProdotto ignifugo.\nES Silla apilable (con y sin \nbrazos) para uso dómesti-\nco y contract.\nMateriales: estructura en \ntubo de aluminio barnizado \npoliéster, asiento y respal-\ndo en chapa de aluminio \nperforada y barnizada \npoliéster (versión apta \npara el exterior). Producto \nignifugo.\nFinishes\nPipe\nchairs \n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.48.png","45\n56\n50\n50\n46\n46\n80\n67\n80\n2\n2\n92\n93\nPipe\ndesign Jasper Morrison, 2009\nwhite \u002F \nlight beech \nplywood\nblack \u002F \ndark beech \nplywood\nEN Stacking chair (with or \nwithout arms) for domestic \nand contract use.\nMaterials: frame in \naluminum tube, painted \nin polyester powder. \nSeat and back in beech \nplywood. \nDE Stapelbarer Stuhl (mit \noder ohne Armlehnen)für \nHaus- und Objektgebrauch.\nMaterial: Gestell aus Alumi-\nniumrohr polyesterlackiert. \nSitz und Rückenlehne aus \nBuchenschichtholz. \nFR Chaise empilable \n(avec ou sans accoudoirs) \npour la maison et pour la \ncollectivité.\nMatériaux: structure en \ntube d’aluminium verni en \npolyester, assise et dossier \nen hêtre multiplis. \nIT Sedia impilabile (con o \nsenza braccioli) per uso \ndomestico e contract.\nMateriali: struttura in tubo \ndi alluminio verniciato po-\nliestere, sedile e schienale \nin impiallacciato di faggio.\nES Silla apilable (con y sin \nbrazos), para  uso dóme-\nstico y contract.\nMateriales: estructura en \ntubo de aluminio barnizado \npoliéster. Asiento y respal-\ndo en chapado haya. \nFinishes\nPipe\nchairs \n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.49.png","51\n58\n51,5\n51,5\n46\n46\n79\n67\n79\n42\ncushion\n36\n6\n6\n94\n95\nPlato\ndesign Jasper Morrison, 2019\nCompasso d’Oro 2022\nEN Stacking chair with or \nwithout arms, for domestic \nand contract use.\nMaterials: legs in alumi-\nnium painted in polyester \npowder. Seat in die-cast \naluminium painted in \npolyester powder. Suitable \nfor outdoor use. Seat \ncushion also available.\nDE Stapelbarer Stuhl auch \nmit Armlehnen lieferbar, für \nHaus- und Objektgebrauch.\nMaterialien: Beine aus \nlackiertem Profilaluminium. \nSitz aus Aluminium-\nDruckguss, polyester-\nlackiert. Auch für den \nAussenbereich geeignet. \nSitzkissen auch erhältlich. \nFR Chaise empilable \navec ou sans accoudoirs, \npour la maison et pour la \ncollectivité.\nMatériaux: pieds en alu-\nminium verni en polyester. \nAssise en fonte d’alumi-\nnium verni en polyester. \nConçue pour l’extérieur. \nCoussin d’assise aussi \ndisponible.\nIT Sedia impilabile, con o \nsenza braccioli, per uso \ndomestico e contract.\nMateriali: gambe in profi-\nlato di alluminio verniciato \npoliestere. Sedile in \npressofusione di alluminio \nverniciato poliestere. \nAdatta anche per esterni. \nDisponibile cuscino \nseduta.\nES Silla apilable con o sin \nbrazos, para uso dómesti-\nco y contract.\nMateriales: patas en \naluminio barnizado \npoliéster. Asiento de \naluminio fundido a presión \nbarnizado poliéster. Apta \npara el exterior. Disponible \ntambién cojin asiento.\nlight blue\nwhite\nblack\nred\ngreen\nFinishes\nCushions\nKvadrat Divina MD 193 \u002F dark grey\nKvadrat Divina MD 713 \u002F grey\nKvadrat Divina MD 613 \u002F pink\nKvadrat Divina MD 783 \u002F dark blue\nKvadrat Divina 3 106 \u002F white\nKvadrat Divina 3 552 \u002F orange\nKvadrat Divina 3 984 \u002F green\nKvadrat Divina 3 393 \u002F dark brown\nKvadrat Divina 3 191 \u002F black\nPlato\nchairs \n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.50.png","woven matting\n56\n68\n45\n66\n77\n6\n084987.O\nCENTROCOT\n96\n97\norange\norange \u002F \nred\u002Forange\nbordeaux \u002F \nred\u002Forange\nbordeaux\nlight blue \u002F\nblue\u002Flight blue\nnight blue \u002F\nblue\u002Flight blue\nlight blue\nnight blue\nFinishes\nWoven matting\n40\n92\nSouth\nEN Stacking armchair \nfor domestic use and \ncontracts.\nMaterials: steel tube and \nsteel wire, cataphoreti-\ncally treated and painted \nin polyester powder. \nPivoting feet. Suitable \nfor outdoor use. Woven \nmatting also available.\nDE Stapelbarer Stuhl für \nHaus- und Objektge-\nbrauch.\nMaterialien: Stahlroh und \n– draht, rostschutzbe-\nhandelt und polyesterla-\nckiert. Verstellbare Füße. \nAuch für den Aussenbe-\nreich geeignet. Geflochte-\nne Sitzmatte lieferbar.\nFR Petit fauteuil empi-\nlable pour la maison et \npour la collectivité.\nMatériaux: tube d’acier \net fil d’acier, traité en \ncataphorèse et verni \nen polyester. Pieds \npivotants. Conçus pour \nl’extérieur. Disponible \nnatte tressée.\nIT Poltroncina impilabile \nper uso domestico e \ncontract.\nMateriali: tubo e tondino \ndi acciaio trattato catafo-\nresi e verniciato polie-\nstere. Piedini orientabili. \nAdatta per esterni. Dispo-\nnibile stuoia intrecciata.\nES Sillón apilable para \nuso domestico y contract.\nMateriales: tubo y barra \nde acero, tratado anti-óxi-\ndo y barnizado poliéster. \nPies pivotantes. Aptos \npara el exterior. Disponible \nestera entrelazada.\ndesign Konstantin Grcic, 2023\nSouth\nchairs \n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.51.png","63\n56\n26\n50\n69\n84,5\n98\n99\nStanley\nEN Folding director’s chair \nfor domestic and contract \nuse. \nMaterials: polypropylene \nwith glass fibre added. \nSeat and back in fabric \n(suitable for outdoor use) \nor in leather. \nDE Regiestuhl, klappbar \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Polypropylen \nmit Glasfaser verstärkt. \nSitz und Rückenlehne \naus Stoff (auch für den \nAussenbereich geeignet) \noder aus Leder.\nFR Chaise réalisateur \npliante, pour la maison et \npour la collectivité.\nMatériaux: polypropylène \nchargé avec fibre de verre. \nAssise et dossier en tissu \n(conçue pour l’extérieur) \nou en cuir.\nIT Sedia da regista pie-\nghevole per uso domesti-\nco e contract. \nMateriali: polipropilene \ncaricato di fibra di vetro. \nSedile e schienale in \ntessuto (adatto per esterni) \no in pelle. \nES Silla de director plega-\nble para uso dómestico y \ncontract.\nMateriales: polipropileno \nreforzado con fibra de vi-\ndrio. Asiento y respaldo en \ntejido (apto para el exterior) \no en piel. \ndesign Philippe Starck, 2017\nblack \u002F Thinny \nNew York black \n0400\nwhite \u002F Thinny \nNew York white \n0104\nblack \u002F Crevin \nDolce 53\nwhite \u002F Crevin \nDolce 07\nbeige \u002F Crevin \nDolce 75\nblack \u002F Panama  \nleather 5300\nFinishes\nStanley\nchairs \n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.52.png","55\n46\n45\n68\n76\nCompasso d’Oro 2011\n100\n101\nSteelwood Chair\nEN Chair with arms for \ndomestic use and con-\ntracts.\nMaterials: seat and legs \nin solid beech, natural, \npainted or stained, or in \nsolid American walnut. \nBack in steel plate painted \nin polyester powder.\nDE Stuhl mit Armlehnen \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Sitz und Beine \naus massiver Buche, \nnaturfarben, lackiert \noder gebeizt, oder aus \nmassiver amerikanischen \nNussbaum. Rückenlehne \naus polyesterlackiertem \nStahlblech.\nFR Chaise avec accou-\ndoirs pour la maison et \npour la collectivité.\nMatériaux: assise et pieds \nen hêtre massif naturel, \nverni ou teinté, ou en \nnoyer américan massif. \nDossier en tôle d’acier \nverni en polyèster.\nIT Sedia con braccioli per \nuso domestico e contract.\nMateriali: sedile e gambe \nin massello di faggio \nnaturale verniciato o tinto, \no in massello di noce \namericano. Schienale in \nlamiera di acciaio vernicia-\nto poliestere.\nES Silla con brazos para \nuso dómestico y contract.\nMateriales: asiento y patas \nde madera maciza de haya \nnatural, barnizada o teñida, \no de madera maciza de \nnogal americano. Respaldo \nde chapa de acero barniza-\ndo poliester.\ndesign Ronan & Erwan Bouroullec, 2008\nbeech \nnatural \u002F white\nbeech \nnatural \u002F black\nbeech natural \u002F \nbrick red\nAmerican \nwalnut \u002F black\nbeech white \u002F \nwhite\nbeech black \u002F \nblack\nbeech brick \nred \u002F \nbrick red\nFinishes\nSteelwood Chair\nchairs \n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.53.png","42\n50\n44\n80\n37\ncushion\n36\n102\n103\nSubstance\nEN Chair for domestic and \ncontract use.\nMaterials: frame in ash \nplywood, natural or pain-\nted. Seat in polypropyle-\nne. Seat cushion also \navailable.\nDE Stuhl für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nEschenschichtholz, natur-\nfarben oder lackiert. Sitz \naus Polypropylen. Sitzkis-\nsen auch erhältlich. \nFR Chaise pour la maison \net pour la collectivité.\nMatériaux: structure en \nfrêne multiplis, natu-\nrel ou verni. Assise en \npolypropylène. Coussin \nd’assise aussi disponible.\nIT Sedia per uso domesti-\nco e contract.\nMateriali: struttura in \nmultistrato di frassino na-\nturale o verniciato. Sedile \nin polipropilene. Disponibi-\nle cuscino seduta.\nES Silla para uso dómesti-\nco y contract.\nMateriales: estructura en \nmultiestrato de fresno na-\ntural o barnizado. Asiento \nde polipropileno. Disponible \ntambién cojin asiento.\ndesign Naoto Fukasawa, 2016\nnatural \u002F \nwhite\nblack \u002F\n white\nnatural \u002F \nblack\nblack \u002F \nblack\nnatural \u002F \ngrey beige\nnatural \u002F\n light blue\nblack \u002F light \nblue\nnatural \u002F red \nbordeaux\nblack \u002F red \nbordeaux\nblack \u002F \ngrey beige\nFinishes\nCushions\nTorri Lana Rico\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Divina 3\nSubstance\nchairs \n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.54.png","48\n50\n44\n80\n37\ncushion\n36\n6\n104\n105\nSubstance\nEN Stacking chair for do-\nmestic and contract use.\nMaterials: frame in steel \ntube. Seat in polypropyle-\nne. Seat cushion also \navailable.\nDE Stapelbarer Stuhl \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Gestell \naus Stahlrohr. Sitz aus \nPolypropylen. Sitzkissen \nauch erhältlich. \nFR Chaise empilable, \npour la maison et pour la \ncollectivité.\nMatériaux: structure en \ntube d’acier. Assise en \npolypropylène. Coussin \nd’assise aussi disponible.\nIT Sedia impilabile per uso \ndomestico e contract.\nMateriali: struttura in \ntubo di acciaio. Sedile in \npolipropilene. Disponibile \ncuscino seduta.\nES Silla apilable, para uso \ndómestico y contract.\nMateriales: estructura de \ntubo de acero. Asiento de \npolipropileno. Disponible \ntambién cojin asiento.\ndesign Naoto Fukasawa, 2016\nwhite \u002F\nwhite\nblack \u002F\n white\nwhite \u002F \nblack\nblack \u002F \nblack\nwhite \u002F \ngrey beige\nwhite\u002F\n light blue\nblack \u002F light \nblue\nwhite \u002F red \nbordeaux\nblack \u002F red \nbordeaux\nblack \u002F \ngrey beige\nFinishes\nCushions\nTorri Lana Rico\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Divina 3\nSubstance\nchairs \n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.55.png","57\n51\n44\n68\n80\n37\ncushion\n36\n106\n107\nSubstance\nEN Armchair for domestic \nand contract use.\nMaterials: frame in ash \nplywood, natural or pain-\nted. Seat in polypropyle-\nne. Seat cushion also \navailable.\nDE Sessel für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nEschenschichtholz, natur-\nfarben oder lackiert. Sitz \naus Polypropylen. Sitzkis-\nsen auch erhältlich. \nFR Petit fauteuil pour la \nmaison et pour la collec-\ntivité.\nMatériaux: structure en \nfrêne multiplis, natu-\nrel ou verni. Assise en \npolypropylène. Coussin \nd’assise aussi disponible.\nIT Poltroncina per uso \ndomestico e contract.\nMateriali: struttura in \nmultistrato di frassino na-\nturale o verniciato. Sedile \nin polipropilene. Disponibi-\nle cuscino seduta.\nES Sillón para uso dóme-\nstico y contract.\nMateriales: estructura en \nmultiestrato de fresno na-\ntural o barnizado. Asiento \nde polipropileno. Disponible \ntambién cojin asiento.\ndesign Naoto Fukasawa, 2016\nnatural \u002F \nwhite\nblack \u002F\n white\nnatural \u002F \nblack\nblack \u002F \nblack\nnatural \u002F \ngrey beige\nnatural \u002F \nmustard\nnatural \u002F\n light blue\nblack \u002F light \nblue\nblack \u002F \nmustard\nnatural \u002F red \nbordeaux\nblack \u002F red \nbordeaux\nblack \u002F \ngrey beige\nFinishes\nCushions\nTorri Lana Rico\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Divina 3\nSubstance\nchairs \n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.56.png","57\n51\n44\n68\n80\n37\ncushion\n36\n108\n109\nSubstance\nEN Armchair with arms \nfor domestic and contract \nuse.\nMaterials: frame in steel \ntube. Seat in polypropyle-\nne. Seat cushion also \navailable.\nDE Sessel mit Armlehnen \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Gestell \naus Stahlrohr. Sitz aus \nPolypropylen. Sitzkissen \nauch erhältlich. \nFR Petit fauteil avec \naccoudoirs pour la maison \net pour la collectivité.\nMatériaux: structure en \ntube d’acier. Assise en \npolypropylène. Coussin \nd’assise aussi disponible.\nIT Poltroncina con brac-\ncioli per uso domestico e \ncontract.\nMateriali: struttura in \ntubo di acciaio. Sedile in \npolipropilene. Disponibile \ncuscino seduta.\nES Sillón con brazos para \nuso dómestico y contract.\nMateriales: estructura de \ntubo de acero. Asiento de \npolipropileno. Disponible \ntambién cojin asiento.\ndesign Naoto Fukasawa, 2016\nwhite \u002F\nwhite\nblack \u002F\n white\nwhite \u002F \nblack\nblack \u002F \nblack\nwhite \u002F \ngrey beige\nwhite \u002F \nmustard\nblack \u002F \nmustard\nwhite\u002F\n light blue\nblack \u002F light \nblue\nwhite \u002F red \nbordeaux\nblack \u002F red \nbordeaux\nblack \u002F \ngrey beige\nFinishes\nCushions\nTorri Lana Rico\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Divina 3\nSubstance\nchairs \n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.57.png","46,5\n55,5\n49,5\n81,7\n110\n111\nnatural\nstained oak\nstained black\nFinishes \u002F structure\nTrave\nEN Chair for domestic \nand contract use.\nMaterials: Steam-bent \nbar and legs in solid ash \nnatural, stained black or \nstained oak; upholstered \nseat and back covered in \nremovable fabric.\nDE Stuhl für Haus- und \nObjektgebrauch.\nMaterialien: Balken aus \ngebogener massiver \nEsche. Beine aus mas-\nsiver Esche naturfarben, \nschwarz oder Eichen \ngebeizt. Gepolsterte Sitz \nund Rückenlehne mit \nStoffbezug, abnehmbar.\nFR Chaise pour la mai-\nson et pour la collectivité.\nMatériaux: Poutre cou-\nrbée et pieds en frêne \nmassif naturel, teinté noir \nou teinté chêne. Assise \net dossier rembourrés \nrecouverts de tissu \ndéhoussable.\nIT Sedia per uso dome-\nstico e contract.\nMateriali: Trave portante \ncurvata e gambe in mas-\nsello di frassino naturale, \ntinto nero o tinto rovere; \nsedile e schienale imbot-\ntiti e rivestiti in tessuto \nsfoderabile.\nES Silla para uso dómesti-\nco y contract.\nMateriales: viga de so-\nporte curvada y patas en \nmadera maciza de fresno \nnatural, teñido negro o \nteñido roble; asiento y \nrespaldo acolchados y \ntapizados en tejido desen-\nfundables.\ndesign BrogliatoTraverso, 2023\nFabrics\nFidivi Torino\nKvadrat Reflect\nTorri Lana Parallel\nRubelli Spritz\nRubelli Fabthirty\nTrave\nchairs \n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.58.png","56,5\n61\n51\n51\n46,5\n80\n6\n6\n46,5\n69\n80\n112\n113\nTroy, 4 legs\ndesign Marcel Wanders, 2010\u002F2014\nEN Stacking chair (also \nwith arms) for domestic \nand contract use.\nMaterials: frame in steel \ntube cataphoretically-\ntreated and painted in \npolyester powder, seat \nin polypropylene. Frame \nin steel tube painted in \npolyester powder, seat in \nbeech plywood. Outdoor \nversion available.\nDE Stapelbare Stuhl (auch \nmit Armlehnen) für Haus- \nund Objektgebrauch.\nMaterialien: Gestell aus \nrostschutzbehandel-\ntem, polyesterlackier-\ntem Stahlrohr. Sitz aus \nPolypropylen. Gestell \naus polyesterlackiertem \nStahlrohr, Sitz aus Buchen-\nschichtholz. Version für den \nAußenbereich erhältlich.\nFR Chaise empilable \n(aussi avec accoudoirs)  \npour la maison et pour la \ncollectivité.\nMatériaux: structure en \ntube d’acier traité par \ncataphorèse et verni en \npolyester et assise en \npolypropylène. Structure \nen tube d’acier verni en \npolyester et assise en \nhêtre multiplis. Version \npour l’extérieur disponible. \nIT Sedia impilabile (anche \ncon braccioli) per uso \ndomestico e contract.\nMateriali: struttura in tubo \ndi acciaio trattato catafo-\nresi e verniciato poliestere \ncon sedile in polipropilene. \nStruttura in tubo di acciaio \nverniciato poliestere con \nsedile in multistrato di fag-\ngio. Disponibile versione \nper esterno.\nES Silla apilable (también \ncon brazos) para uso \ndómestico y contract.\nMateriales: estructura en \ntubo de acero tratado con \ncataforesis y barniza-\ndo poliéster, asiento de \npolipropileno. Estructura en \ntubo de acero barnizado \npoliéster, asiento de multie-\nstrato de haya. Disponible \nversion para exteriores.\nwhite \u002F white \npolypropylene\nblack \u002F white \npolypropylene\nwhite \u002F black \npolypropylene\nblack \u002F black \npolypropylene\nblack \u002F dark green \npolypropylene\nwhite \u002F dark green \npolypropylene\nwhite \u002F natural \nbeech\nblack \u002F black \nbeech\nwhite \u002F brown \npolypropylene\nwhite \u002F beige\npolypropylene\nwhite \u002F pink \npolypropylene\nFinishes\nblack \u002F brown \npolypropylene\nblack \u002F beige\npolypropylene\nblack \u002F pink \npolypropylene\nTroy, 4 legs\nchairs \n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.59.png","56,5\n56,5\n51\n51\n47,5\n47\n80\n80,5\nfront covered\nfully covered\n61\n61\n51\n51\n47,5\n47\n69\n69\n80\n80,5\n114\n115\nTroy, 4 legs\ndesign Marcel Wanders, 2010\u002F2014\nFinishes\nKvadrat Divina 3\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Steelcut\nKvadrat Steelcut Trio\nKvadrat Hero\nKvadrat Vidar\nBlack Boxland leather (front covered version only)\nFabrics\nEN Chair (also with arms) \nfor domestic and contract \nuse.\nMaterials: frame in steel \ntube painted in polye-\nster powder. Seat in \npolypropylene or beech \nplywood with front side \ncovered in fabric or leather \nor in polypropylene fully \ncovered in fabric. \nDE Stuhl (auch mit \nArmlehnen) für Haus- und \nObjektgebrauch.\nMaterialien: Gestell \naus polyesterlackier-\ntem Stahlrohr. Sitz \naus Polypropylen oder \nBuchenschichtholz mit \nStoff- oder Ledergepol-\nsterter Vorderseite oder \nPolypropylen, vollständig \nmit Stoff bezogen. \nFR Chaise (aussi avec ac-\ncoudoirs) pour la maison \net pour la collectivité.\nMatériaux: structure \nen tube d’acier verni \nen polyester. Assise en \npolypropylène ou en hêtre \nmultiplis avec façade \nrecouverte de tissu ou de \ncuir ou en polypropylène, \nentièrement recouvert de \ntissu. \nIT Sedia (anche con brac-\ncioli) per uso domestico e \ncontract.\nMateriali: struttura in tubo \ndi acciaio verniciato polie-\nstere. Sedile in polipropi-\nlene o multistrato di faggio \ncon fronte anteriore rivesti-\nto in tessuto o in pelle o in \npolipropilene interamente \nrivestito in tessuto.\nES Silla (también con bra-\nzos) para uso dómestico y \ncontract.\n \nMateriales: estructura en \ntubo de acero barnizado \npoliéster, asiento de poli-\npropileno o multiestrato de \nhaya con frente revestido \nde tela o piel o polipro-\npileno, completamente \nrevestido de tela.   \nblack \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nwhite \u002F covered \nin fabric\nblack \u002F covered \nin fabric\nTroy, 4 legs\nchairs \n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.60.png","48\n50\n46,5\n80,5\n116\n117\nTroy, wooden legs\ndesign Marcel Wanders, 2016\nEN Chair for domestic and \ncontract use\nMaterials: legs in solid \nbeech, natural or stained, \nseat in polypropylene or \nbeech plywood. Joining \nelement in die-cast alumi-\nnium, sanded or painted in \nepoxy resin.\nDE Stuhl für Haus- und \nObjektgebrauch.\nMaterialien: Beine aus \nmassiver Buche, natur \noder gebeizt, Sitz aus \nPolypropylen oder \nBuchenschichtholz. \nVerbindungselement aus \nsandgestrahltem oder \nepoxidbeschichtetem \nAluminiumdruckguss.\nFR Chaise pour la maison \net pour la collectivité.\nMatériaux: pieds en hêtre \nmassif, naturel ou teinté, \nassise en polypropylène \nou en hêtre multiplis. \nÉlément de liaison en fon-\nte d’ aluminium sablé ou \nverni en resine époxy.\nIT Sedia per uso domesti-\nco e contract.\nMateriali: gambe in \nmassello di faggio naturale \no tinto, sedile in polipro-\npilene o in multistrato \ndi faggio. Elemento di \nconnessione in pressofu-\nsione di alluminio sabbiato \no verniciato in resina \nepossidica.\nES Silla para uso dómesti-\nco y contract.\nMateriales: patas de haya \nmaciza, natural o teñida, \nasiento de polipropileno o \nmultiestrato de haya. Ele-\nmento de unión de aluminio \nfundido a presión arenado \no revestido de epoxi.\nnatural \u002F white \npolypropylene\nblack \u002F black \npolypropylene\nnatural \u002F black \npolypropylene\nnatural \u002F\ndark green \npolypropylene\nnatural \u002F natural \nbeech\nblack \u002F black \nbeech\nnatural \u002F black \nbeech\nnatural \u002F brown \npolypropylene\nnatural \u002F beige\npolypropylene\nnatural \u002F pink \npolypropylene\nFinishes\nTroy, wooden legs\nchairs \n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.61.png","48\n48\n50\n50\n47,5\n47\n80,5\n81\nfront covered\nfully covered\n118\n119\nTroy, wooden legs\ndesign Marcel Wanders, 2016\nEN Chair for domestic and \ncontract use.\nMaterials: legs in solid \nbeech, natural or stained. \nSeat in polypropylene or in \nbeech plywood with front \nside covered in fabric or in \nleather or in polypropylene \nfully covered in fabric. \nJoining element in die-cast \naluminium, sanded or \npainted in epoxy resin.\nDE Stuhl für Haus- und \nObjektgebrauch.\nMaterialien: Beine aus \nmassiver Buche, natur-\nfarben oder gebeizt. Sitz \naus Polypropylen oder \nBuchenschichtholz mit \nStoff- oder Ledergepolster-\nter Vorderseite oder aus \nPolypropylen, vollstän-\ndig mit Stoff bezogen. \nVerbindungselement aus \nsandgestrahltem oder \nepoxidbeschichtetem \nAluminiumdruckguss. \nFR Chaise pour la maison \net pour la collectivité.\nMatériaux: pieds en hêtre \nmassif, naturel ou teinté. \nAssise en polypropylène \nou en hêtre multiplis \navec façade recouverte \nen tissu ou en cuir ou en \npolypropylène, entière-\nment recouvert en tissu. \nÉlément de liaison en \nfonte d’ aluminium sablé \nou verni en resine époxy.\nIT Sedia per uso domesti-\nco e contract.\nMateriali: gambe in \nmassello di faggio naturale \no tinto. Sedile in polipro-\npilene o in multistrato di \nfaggio con fronte anteriore \nrivestito in tessuto o in pel-\nle o in polipropilene intera-\nmente rivestito in tessuto. \nElemento di connessione \nin pressofusione di allumi-\nnio sabbiato o verniciato in \nresina epossidica.\nES Silla para uso dómesti-\nco y contract.\nMateriales: patas de haya \nmaciza, natural o teñida. \nAsiento de polipropileno o \nmultiestrato de haya con \nfrente revestido de tela o \npiel o polipropileno, com-\npletamente revestido de \ntela. Elemento de unión de \naluminio fundido a presión \narenado o revestido de \nepoxi.\nFinishes\nnatural \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nnatural \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F black\npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nnatural \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nnatural \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nnatural \u002F covered \nin fabric\nblack \u002F covered \nin fabric\nFabrics\nKvadrat Divina 3\nKvadrat Divina MD\nKvadart Divina Mélange\nKvadrat Steelcut\nKvadrat Steelcut Trio\nKvadrat Hero\nKvadrat Vidar\nBlack Boxland leather (front covered version only)\nTroy, wooden legs\nchairs \n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.62.png","56,5\n51\n46,5\n80\n63,5\n51\n46,5\n68\n80\n6\n6\n120\n121\nTroy, sledge\ndesign Marcel Wanders, 2010\u002F2014\nEN Stackable chair on \nsledge (also with arms) \nfor domestic and contract \nuse.\nMaterials: frame in steel \nrod chromed or catapho-\nretically-treated and pain-\nted in polyester powder. \nSeat in polypropylene. \nFrame in steel rod \nchromed or painted in \npolyester powder. Seat in \nbeech plywood. Folding \ntablet and pair of feet \nconnecting one chair to \nanother available. Outdoor \nversions also available.\nDE Stapelbare Stuhl auf \nKufen (auch mit Armlehnen) \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Gestell aus ver-\nchromtem oder rostschutz-\nbehandeltem, polyester-\nlackiertem Stahldraht. \nSitz aus Polypropylen. \nGestell aus verchromtem \noder polyesterlackiertem \nStahldraht. Sitz aus Bu-\nchenschichtholz. Klappba-\nres Tablett und ein Paar \nFüße, die einen Stuhl mit \neinem anderen verbinden, \nerhältlich. Versionen für den \nAußenbereich erhältlich.\nFR Chaise luge empilable \n(aussi avec accoudoirs)   \npour la maison et pour la \ncollectivité.\nMatériaux: structure en fil \nd’acier chromé ou traité \nen cataphorèse et verni \nen polyester. Assise en \npolypropylène. Structu-\nre en fil d’acier chromé \nou verni en polyester. \nAssise en hêtre multiplis. \nTablette pliante et paire de \npieds permettant de relier \nune chaise à une autre \ndisponibles. Versions pour \nl’extérieur disponibles.\nIT Sedia impilabile su  \nslitta (anche con braccio-\nli) per uso domestico e \ncontract.\nMateriali: struttura in \ntondino di acciaio cromato \no trattato cataforesi e ver-\nniciato poliestere. Sedile in \npolipropilene. Struttura in \ntondino di acciaio cromato \no verniciato poliestere. Se-\ndile in multistrato di faggio. \nDisponibile tavoletta pie-\nghevole e coppia di piedini \nche collegano tra loro una \nsedia a un’altra. Disponibili \nversioni per esterno.\nES Silla trineo apilable \n(también con brazos) para \nuso dómestico y contract.\nMateriales: estructura en \nvarilla de acero cromado o \ntratado con cataforesis y \nbarnizado poliéster. Asiento \nde polipropileno. Estructura \nen varilla de acero cromado \no barnizado poliéster. \nAsiento de multiestrato de \nhaya. Tableta plegable y \npar de pies que conectan \nuna silla a otra disponibles. \nVersiones para exterior \ndisponibles.\nwhite \u002F white \npolypropylene\nblack \u002F white \npolypropylene\nwhite \u002F black \npolypropylene\nblack \u002F black \npolypropylene\nblack \u002F dark green \npolypropylene\nwhite \u002F dark green \npolypropylene\nwhite \u002F brown \npolypropylene\nwhite \u002F beige\npolypropylene\nwhite \u002F pink \npolypropylene\nFinishes\nblack \u002F brown \npolypropylene\nblack \u002F beige\npolypropylene\nchromed \u002F white \npolypropylene\nchromed \u002F brown \npolypropylene\nchromed \u002F black \npolypropylene\nchromed \u002F pink \npolypropylene\nchromed \u002F \ndark green \npolypropylene\nchromed \u002F \nnatural beech\nchromed \u002F beige\npolypropylene\nchromed \u002F black \nbeech\nblack \u002F pink \npolypropylene\nwhite \u002F natural \nbeech\nblack \u002F black \nbeech\nTroy, sledge\nchairs \n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.63.png","56,5\n51\n47\n80,5\nfront covered\nfully covered\n63,5\n51\n47\n68\n80,5\n56,5\n51\n47,5\n80\n63,5\n51\n47,5\n68\n80\n122\n123\nTroy, sledge\ndesign Marcel Wanders, 2010\u002F2014\nEN Chair on sledge (also \nwith arms) for domestic \nand contract use.\nMaterials: frame in steel \nrod chromed or painted in \npolyester powder. Seat in \npolypropylene, in beech \nplywood with front side \ncovered in fabric or leather \nor in polypropylene fully \ncovered in fabric. Folding \ntablet and pair of feet \nconnecting one chair to \nanother available. \nDE Stuhl (auch mit \nArmlehnen) für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nverchromtem oder polye-\nsterlackiertem Stahldraht. \nSitz aus Polypropylen, aus \nBuchenschichtholz mit \nStoff- oder Ledergepolster-\nter Vorderseite oder aus \nPolypropylen, vollstän-\ndig mit Stoff bezogen. \nKlappbares Tablett und ein \nPaar Füße, die einen Stuhl \nmit einem anderen verbin-\nden, erhältlich. \nFR Chaise luge (aussi \navec accoudoirs) pour la \nmaison et pour la collec-\ntivité.\nMatériaux: structure en fil \nd’acier chromé ou verni \nen polyester. Assise en \npolypropylène, en hêtre \nmultiplis avec façade \nrecouverte de tissu ou \ncuir ou en polypropylène, \nentièrement recouvert de \ntissu. Tablette pliante et \npaire de pieds permettant \nde relier une chaise à une \nautre disponibles.\nIT Sedia su slitta (anche \ncon braccioli) per uso \ndomestico e contract.\nMateriali: struttura in \ntondino di acciaio cromato \no verniciato poliestere. \nSedile in polipropilene, in \nmultistrato di faggio con \nfronte anteriore rivestito \nin tessuto, in pelle o in \npolipropilene interamente \nrivestito in tessuto. Dispo-\nnibile tavoletta pieghevole \ne coppia di piedini che \ncollegano tra loro una \nsedia a un’altra. \nES Silla trineo (también con \nbrazos) para uso dómesti-\nco y contract.\nMateriales: estructura en \nvarilla de acero cromado o \nbarnizado poliéster. Asiento \nde polipropileno, de multie-\nstrato de haya con frente \nrevestido de tela o piel o \nde polipropileno, comple-\ntamente revestido de tela. \nTableta plegable y par de \npies que conectan una silla \na otra disponibles. \nFinishes\nKvadrat Divina 3\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Steelcut\nKvadrat Steelcut Trio\nKvadrat Hero\nFabrics\nblack \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nchromed \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nchromed \u002F \ncovered in fabric\nwhite \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nwhite \u002F covered \nin fabric\nblack \u002F covered \nin fabric\nchromed \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nchromed \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nchromed \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nKvadrat Vidar\nBlack Boxland leather (front covered version only)\nTroy, sledge\nchairs \n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.64.png","47\n50\n46,5\n80\n63,5\n50\n46,5\n68\n80\n124\n125\nTroy, 4 star\ndesign Marcel Wanders, 2013\u002F2014\nEN Chair on 4 star base \n(also with arms) for dome-\nstic and contract use.\nMaterials: frame in steel \ntube painted in polye-\nster powder. Seat in \npolypropylene or beech \nplywood. \nDE Stuhl mit Vierfusskreuz \n(auch mit Armlehnen) \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Gestell \naus polyesterlackier-\ntem Stahlrohr. Sitz aus \nPolypropylen oder aus \nBuchenschichtholz.\nFR Chaise sur piètement \nà 4 branches (aussi avec \naccoudoirs) pour la mai-\nson et pour la collectivité.\nMatériaux: structure \nen tube d’acier verni \nen polyester. Assise en \npolypropylène ou en hêtre \nmultiplis. \nIT Sedia su 4 razze (anche \ncon braccioli) per uso \ndomestico e contract.\nMateriali: struttura in \ntubo di acciaio verniciato \npoliestere. Sedile in poli-\npropilene o in multistrato \ndi faggio.\nES Silla sobre 4 rayos tam-\nbién con brazos) para uso \ndómestico y contract.\nMateriales: estructura en \ntubo de acero barniza-\ndo poliéster. Asiento de \npolipropileno o multiestrato \nde haya.\nwhite \u002F white \npolypropylene\nblack \u002F white \npolypropylene\nwhite \u002F black \npolypropylene\nblack \u002F black \npolypropylene\nblack \u002F dark green \npolypropylene\nwhite \u002F dark green \npolypropylene\nwhite \u002F natural \nbeech\nblack \u002F black \nbeech\nwhite \u002F brown \npolypropylene\nwhite \u002F beige\npolypropylene\nwhite \u002F pink \npolypropylene\nFinishes\nblack \u002F brown \npolypropylene\nblack \u002F beige\npolypropylene\nblack \u002F pink \npolypropylene\nTroy, 4 star\nchairs \n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.65.png","front covered\nfully covered\n47\n48\n50\n51\n47,5\n47,5\n80\n81\n63,5\n64\n50\n50,5\n47,5\n47,5\n68\n68,5\n80\n81\n126\n127\nFinishes\nKvadrat Divina 3\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Steelcut\nKvadrat Steelcut Trio\nKvadrat Hero\nKvadrat Vidar\nBlack Boxland leather (front covered version only)\nFabrics\nblack \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nwhite \u002F covered \nin fabric\nblack \u002F covered \nin fabric\nTroy, 4 star\ndesign Marcel Wanders, 2013\u002F2014\nEN Chair on 4 star base \n(also with arms) for dome-\nstic and contract use.\nMaterials: frame in steel \ntube painted in polye-\nster powder. Seat in \npolypropylene or beech \nplywood with front side \ncovered in fabric or leather \nor in polypropylene fully \ncovered in fabric.\nDE Stuhl mit Vierfusskreuz \n(auch mit Armlehnen) \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Gestell \naus polyesterlackier-\ntem Stahlrohr. Sitz aus \nPolypropylen oder Bu-\nchenschichtholz mit Stoff- \noder Ledergepolsterter \nVorderseite oder aus \nPolypropylen, vollständig \nmit Stoff bezogen. \nFR Chaise sur piètement \nà 4 branches (aussi avec \naccoudoirs) pour la mai-\nson et pour la collectivité.\nMatériaux: structure \nen tube d’acier verni \nen polyester. Assise en \npolypropylène ou en hêtre \nmultiplis avec façade \nrecouverte de tissu ou de \ncuir ou en polypropylène, \nentièrement recouvert de \ntissu. \nIT Sedia su 4 razze (anche \ncon braccioli) per uso \ndomestico e contract.\nMateriali: struttura in tubo \ndi acciaio verniciato polie-\nstere. Sedile in polipropi-\nlene o multistrato di faggio \ncon fronte anteriore rivesti-\nto in tessuto o in pelle o in \npolipropilene interamente \nrivestito in tessuto.\nES Silla sobre 4 rayos \n(también con brazos) para \nuso dómestico y contract.\nMateriales: estructura en \ntubo de acero barnizado \npoliéster. Asiento de poli-\npropileno o multiestrato de \nhaya con frente revestido \nde tela o piel o de poli-\npropileno, completamente \nrevestido de tela.\nTroy, 4 star\nchairs \n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.66.png","50\n50\n46,5\n80\n63,5\n50\n46,5\n68\n80\n128\n129\nTroy, 4 star wheels\ndesign Marcel Wanders, 2013\u002F2014\nEN Seat on 4 star base \nand wheels (also with \narms) for domestic and \ncontract use.\nMaterials: frame in steel \ntube painted in polye-\nster powder. Seat in \npolypropylene or beech \nplywood. \nDE Stuhl mit Vierfusskreuz \nund Rollen (auch mit \nArmlehnen) für Haus- und \nObjektgebrauch.\nMaterialien: Gestell \naus polyesterlackier-\ntem Stahlrohr. Sitz aus \nPolypropylen oder Bu-\nchenschichtholz. \nFR Chaise sur piètement \nà 4 branches et roulettes \n(aussi avec accoudoirs) \npour la maison et pour la \ncollectivité.\nMatériaux: structure \nen tube d’acier verni \nen polyester. Assise en \npolypropylène ou en hêtre \nmultiplis. \nIT Sedia su 4 razze e \nruote (anche con brac-\ncioli) per uso domestico e \ncontract.\nMateriali: struttura in \ntubo di acciaio verniciato \npoliestere. Sedile in poli-\npropilene o in multistrato \ndi faggio. \nES Silla sobre 4 rayos y \nruedas (también con bra-\nzos) para uso dómestico y \ncontract.\nMateriales: estructura en \ntubo de acero barniza-\ndo poliéster. Asiento de \npolipropileno o multiestrato \nde haya. \nwhite \u002F white \npolypropylene\nblack \u002F white \npolypropylene\nwhite \u002F black \npolypropylene\nblack \u002F black \npolypropylene\nblack \u002F dark green \npolypropylene\nwhite \u002F dark green \npolypropylene\nwhite \u002F natural \nbeech\nblack \u002F black \nbeech\nwhite \u002F brown \npolypropylene\nwhite \u002F beige\npolypropylene\nwhite \u002F pink \npolypropylene\nFinishes\nblack \u002F brown \npolypropylene\nblack \u002F beige\npolypropylene\nblack \u002F pink \npolypropylene\nTroy, 4 star wheels\nchairs \n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.67.png","front covered\nfully covered\n50\n50\n50\n50\n47,5\n47\n80\n80,5\n63,5\n64\n50\n50,5\n47,5\n47\n68\n68,5\n80\n80,5\n130\n131\nTroy, 4 star wheels\ndesign Marcel Wanders, 2013\u002F2014\nEN Chair on 4 star base \nand wheels (also with \narms) for domestic and \ncontract use.\nMaterials: frame in steel \ntube painted in polye-\nster powder. Seat in \npolypropylene or beech \nplywood with front side \ncovered in fabric or leather \nor in polypropylene fully \ncovered in fabric. \nDE Stuhl mit Vierfusskreuz \nund Rollen (auch mit \nArmlehnen) für Haus- und \nObjektgebrauch.\nMaterialien: Gestell \naus polyesterlackier-\ntem Stahlrohr. Sitz aus \nPolypropylen oder Bu-\nchenschichtholz mit Stoff- \noder Ledergepolsterter \nVorderseite oder aus \nPolypropylen, vollständig \nmit Stoff bezogen. \nFR Chaise sur piètement \nà 4 branches et roulettes  \n(aussi avec accoudoirs) \npour la maison et pour la \ncollectivité.\nMatériaux: structure \nen tube d’acier verni \nen polyester. Assise en \npolypropylène ou en hêtre \nmultiplis avec façade \nrecouverte de tissu ou de \ncuir ou en polypropylène, \nentièrement recouvert de \ntissu. \nIT Sedia su 4 razze e \nruote (anche con brac-\ncioli) per uso domestico e \ncontract.\nMateriali: struttura in tubo \ndi acciaio verniciato polie-\nstere. Sedile in polipropi-\nlene o multistrato di faggio \ncon fronte anteriore rivesti-\nto in tessuto o in pelle o in \npolipropilene interamente \nrivestito in tessuto.\nES Silla sobre 4 rayos y \nruedas (también con bra-\nzos) para uso dómestico y \ncontract.\nMateriales: estructura en \ntubo de acero barnizado \npoliéster. Asiento de poli-\npropileno o multiestrato de \nhaya con frente revestido \nde tela o piel o polipro-\npileno, completamente \nrevestido de tela. \nFinishes\nFabrics\nblack \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nwhite \u002F covered \nin fabric\nblack \u002F covered \nin fabric\nKvadrat Divina 3\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Steelcut\nKvadrat Steelcut Trio\nKvadrat Hero\nKvadrat Vidar\nBlack Boxland leather (front covered version only)\nTroy, 4 star wheels\nchairs \n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.68.png","63\n61\n42\u002F50\n68\n77,5\u002F85,5\n132\n133\nTroy, 5 star wheels\ndesign Marcel Wanders, 2012\u002F2014\nEN Swivel chair on 5 \nwheels with arms in \npolypropylene.\nMaterials: frame in steel \ntube painted in polye-\nster powder. Seat in \npolypropylene or beech \nplywood. Adjustable in \nheight with gas piston.\nDE Drehbarer Stuhl auf \nRollen mit Armlehnen \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Gestell \naus polyesterlackier-\ntem Stahlrohr. Sitz aus \nPolypropylen oder Bu-\nchenschichtholz. Pneuma-\ntisch höhenverstellbar.\nFR Chaise pivotante avec \naccoudoirs sur 5 roulettes \npour la maison et pour la \ncollectivité.\nMatériaux: structure \nen tube d’acier verni \nen polyester. Assise en \npolypropylène ou en hêtre \nmultiplis. Réglable en hau-\nteur avec piston à gaz.\nIT Sedia girevole su 5 \nruote con braccioli per uso \ndomestico e contract.\nMateriali: struttura in \ntubo di acciaio verniciato \npoliestere. Sedile in poli-\npropilene o in multistrato \ndi faggio. Regolabile in \naltezza con pistone a gas.\nES Silla giratoria sobre 5 \nruedas con brazos para \nuso dómestico y contract.\nMateriales: estructura en \ntubo de acero barnizado \npoliéster. Asiento de poli-\npropileno o multiestrato de \nhaya. Regulable en altura \ncon pistón a gas.\nblack \u002F dark green \npolypropylene\nwhite \u002F white \npolypropylene\nblack \u002F white \npolypropylene\nwhite \u002F black \npolypropylene\nblack \u002F black \npolypropylene\nwhite \u002F dark green \npolypropylene\nwhite \u002F natural \nbeech\nblack \u002F black \nbeech\nwhite \u002F brown \npolypropylene\nwhite \u002F beige\npolypropylene\nwhite \u002F pink \npolypropylene\nFinishes\nblack \u002F brown \npolypropylene\nblack \u002F beige\npolypropylene\nblack \u002F pink \npolypropylene\nTroy, 5 star wheels\nchairs \n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.69.png","front covered\nfully covered\n63\n63\n61\n61\n43\u002F51\n42\u002F50\n68\n68\n77,5\u002F85,5\n78\u002F86\n134\n135\nTroy, 5 star wheels\ndesign Marcel Wanders, 2012\u002F2014\nEN Swivel chair on 5 \nwheels with arms in \npolypropylene.\nMaterials: frame in steel \ntube painted in polye-\nster powder. Seat in \npolypropylene or beech \nplywood with front side \ncovered in fabric or leather \nor in polypropylene fully \ncovered in fabric Adju-\nstable in height with gas \npiston.\nDE Drehbarer Stuhl auf \nRollen mit Armlehnen \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Gestell \naus polyesterlackier-\ntem Stahlrohr. Sitz aus \nPolypropylen oder Bu-\nchenschichtholz mit Stoff- \noder Ledergepolsterter \nVorderseite oder aus \nPolypropylen, vollständig \nmit Stoff bezogen.  Pneu-\nmatisch höhenverstellbar.\nFR Chaise pivotante avec \naccoudoirs sur 5 roulettes \npour la maison et pour la \ncollectivité.\nMatériaux: structure \nen tube d’acier verni \nen polyester. Assise en \npolypropylène ou en hêtre \nmultiplis avec façade \nrecouverte de tissu ou de \ncuir ou en polypropylène, \nentièrement recouvert de \ntissu. Réglable en hauteur \navec piston à gaz.\nIT Sedia girevole su 5 \nruote con braccioli per uso \ndomestico e contract.\nMateriali: struttura in \ntubo di acciaio verniciato \npoliestere. Sedile in poli-\npropilene o multistrato di \nfaggio con fronte anteriore \nrivestito in tessuto o in pel-\nle o in polipropilene intera-\nmente rivestito in tessuto. \nRegolabile in altezza con \npistone a gas.\nES Silla giratoria sobre 5 \nruedas con brazos para \nuso dómestico y contract.\nMateriales: estructura en \ntubo de acero barnizado \npoliéster. Asiento de poli-\npropileno o multiestrato de \nhaya con frente revestido \nde tela o piel o polipro-\npileno, completamente \nrevestido de tela. Regulable \nen altura con pistón a gas.\nFinishes\nFabrics\nblack \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nwhite \u002F covered \nin fabric\nblack \u002F covered \nin fabric\nKvadrat Divina 3\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Steelcut\nKvadrat Steelcut Trio\nKvadrat Hero\nKvadrat Vidar\nBlack Boxland leather (front covered version only)\nTroy, 5 star wheels\nchairs \n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.70.png","47\n69\n50\n50\n46,5\n46,5\n80,5\n67,5\n80,5\n136\n137\nTroy, wireframe\ndesign Marcel Wanders, 2016\nEN Chair (also with arms)  \nfor domestic and contract \nuse.\nMaterial: frame in steel \nrod painted in polyester \npowder. Seat in beech \nplywood or in polypropyle-\nne. \nDE Stuhl (auch mit \nArmlehnen) für Haus- und \nObjektgebrauch.\nMaterial: Gestell aus \nStahldraht polyesterla-\nckiert. Sitz aus Buchen-\nschichtholz oder aus \nPolypropylen. \nFR Chaise (aussi avec ac-\ncoudoirs) pour la maison \net pour la collectivité.\nMatériaux: structure en fil \nacier verni en polyester. \nAssise en hêtre multiplis \nou en polypropylène. \nIT Sedia (anche con brac-\ncioli) per uso domestico e \ncontract.\nMateriali: struttura in \ntondino di acciaio verni-\nciato poliestere. Sedile in \nmultistrato di faggio o in \npolipropilene. \nES Silla (también con bra-\nzos) para uso dómestico y \ncontract.\nMaterial: estructura en \nbarra de acero barniza-\ndo poliéster. Asiento en \nmultiestrato de haya o en \npolipropileno. \nblack \u002F dark green \npolypropylene\nwhite \u002F white \npolypropylene\nblack \u002F white \npolypropylene\nwhite \u002F black \npolypropylene\nblack \u002F black \npolypropylene\nwhite \u002F dark green \npolypropylene\nwhite \u002F natural \nbeech\nblack \u002F black \nbeech\nwhite \u002F brown \npolypropylene\nwhite \u002F beige\npolypropylene\nwhite \u002F pink \npolypropylene\nFinishes\nblack \u002F brown \npolypropylene\nblack \u002F beige\npolypropylene\nblack \u002F pink \npolypropylene\nTroy, wireframe\nchairs \n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.71.png","front covered\nfully covered\n47\n47\n69\n69\n50\n50\n50\n50\n47,5\n47\n47,5\n47\n80,5\n81\n67,5\n67,5\n80,5\n81\n138\n139\nFinishes\nFabrics\nblack \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nwhite \u002F covered \nin fabric\nblack \u002F covered \nin fabric\nTroy, wireframe\ndesign Marcel Wanders, 2016\nEN Chair also with arms)  \nfor domestic and contract \nuse.\nMaterial: frame in steel \nrod painted in polyester \npowder. Seat in beech \nplywood or in polypropyle-\nne with front side covered \nin fabric or leather or in \npolypropylene fully cove-\nred in fabric. \nDE Stuhl (auch mit \nArmlehnen) für Haus- und \nObjektgebrauch.\nMaterial: Gestell aus \nStahldraht polyesterla-\nckiert. Sitz aus Buchen-\nschichtholz oder aus \nPolypropylen mit Stoff- \noder Ledergepolsterter \nVorderseite oder aus \nPolypropylen, vollständig \nmit Stoff bezogen. \nFR Chaise (aussi avec ac-\ncoudoirs) pour la maison \net pour la collectivité.\nMatériaux: structure en fil \nacier verni en polyester. \nAssise en polypropylène \nou en hêtre multiplis avec \nfaçade recouverte de \ntissu ou de cuir ou en \npolypropylène, entière-\nment recouvert de tissu. \nIT Sedia (anche con brac-\ncioli) per uso domestico e \ncontract.\nMateriali: struttura in \ntondino di acciaio verni-\nciato poliestere. Sedile in \nmultistrato di faggio o in \npolipropilene con fronte \nanteriore rivestito in tessu-\nto o in pelle o in polipropi-\nlene interamente rivestito \nin tessuto.\nES Silla (también con bra-\nzos) para uso dómestico y \ncontract.\nMaterial: estructura en \nbarra de acero barniza-\ndo poliéster. Asiento en \nmultiestrato de haya o en \npolipropileno con frente \nrevestido de tela o piel o \npolipropileno, completa-\nmente revestido de tela. \nKvadrat Divina 3\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Steelcut\nKvadrat Steelcut Trio\nKvadrat Hero\nKvadrat Vidar\nBlack Boxland leather (front covered version only)\nTroy, wireframe\nchairs \n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.72.png","42\n47\n42\u002F61\n71\u002F90\n140\n141\nTuffy - The Wild Bunch\nEN Swivel chair adjusta-\nble in height for domestic \nand contract use.\nMaterials: seat and frame \nin solid beech, natural or \nstained; back, joint and \nscrew in polypropylene \nwith glass fibre added.\nDE Drehbarer Stuhl, \nhöhenverstellbar. Für \nHaus- und Objektge-\nbrauch.\nMaterialien: Sitz und \nGestell aus massiver \nBuche naturfarben oder \ngebeizt; Rückenlehne, \nVerbindungsgelement und \nSchraube aus Polypropylen \nmit Glasfaser verstärkt.\nFR Chaise pivotante \net réglable en hauteur \npour la maison et pour la \ncollectivité.\nMatériaux: assise et \nstructure en hêtre \nmassif naturel ou teinté; \ndossier, joint et vis en \npolypropylène chargé \nfibre de verre.\nIT Sedia girevole e rego-\nlabile in altezza per uso \ndomestico e contract.\nMateriali: sedile e strut-\ntura in massello di faggio \nnaturale o tinto; schienale, \ngiunto e vite in polipro-\npilene caricato di fibra di \nvetro.\nES Silla giratoria con \naltura regulable, para uso \ndómestico y contract.\nMateriales: asiento y \nestructura en madera \nmaciza de haya natural o \nteñida; respaldo, junta y \ntornillo en polipropileno \ncon fibra de vidrio.\ndesign Konstantin Grcic, 2014\nnatural \u002F \norange\nnatural \u002F \nwhite\nnatural \u002F \nblack\nnatural \u002F \nred\nnatural \u002F \ngreen\nblack \u002F \nblack\nFinishes\nTuffy - The Wild Bunch\nchairs \n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.73.png","54\n45\n45\n69\n85\n142\n143\npolished \u002F \nnatural\ndark bronze \u002F \nnatural\npolished \u002F \nblack\npolished \u002F \nsage\ndark bronze \u002F \nsage\ndark bronze \u002F \nblack\nVenice\nEN Chair with arms for \ndomestic and contract \nuse.\nMaterials: seat in die-cast \naluminium, polished \nor painted in polyster \npowder. Legs in extruded \naluminium polished \nor painted in polyster \npowder. Seat and back in \nleather. \nDE Stuhl mit Armlehnen, \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Sitz aus \nDruckguss Alumiunium, \npoliert oder polyesterla-\nckiert. Beine aus Profi-\nlaluminium, poliert oder \npolyesterlackiert. Sitz und \nRückenlehne aus Leder.\nFR Chaise avec accou-\ndoirs pour la maison et \npour la collectivité.\nMatériaux: assise en fon-\nte d’aluminium verni en \npolyester ou poli. Pieds \nen aluminium verni en \npolyester ou poli. Assise \net dossier en cuir.\nIT Sedia con braccioli \nper uso domestico e \ncontract.\nMateriali: sedile in pres-\nsofusione di alluminio \nverniciato poliestere o \nlucido. Gambe in profilato \ndi alluminio verniciato \npoliestere o lucido. Sedile \ne schienale in pelle. \nES Silla con brazos para \nuso dómestico y contract.\nMateriales: asiento de \naluminio fundido a pre-\nsión, barnizado poliéster o \nbrillante. Patas de perfiles \nde aluminio barnizado po-\nliéster o brillante. Asiento \ny respaldo de piel.\ndesign Konstantin Grcic, 2012\u002F2023\nVenice\nFinishes\nchairs \n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.74.png","144\n145\nstools\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.75.png","146\n147\n47\n57\n46\n74\nnatural\nstained petrol \nblue\nstained black\nAKA\nEN Stool for domestic \nand contract use.\nMaterials: beech plywo-\nod, natural or stained.\nDE Hocker für Haus- und \nObjektgebrauch.\nMaterialien: Buchen-\nschichtholz, naturfarben \noder gebeizt.\nFR Tabouret pour la mai-\nson et pour la collectivité.\nMatériaux: hêtre multiplis, \nnaturel ou teinté.\nIT Sgabello per uso do-\nmestico e contract.\nMateriali: multistrato di \nfaggio, naturale o tinto.\nES Taburete para uso \ndoméstico y contract.\nMateriales: Multiestrato de \nhaya, natural o teñido.\ndesign Konstantin Grcic, 2022\nFinishes\nstools\nAKA\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.76.png","37,5\n37,5\n50\u002F74\n61\u002F85\n37\n44\n148\n149\nchromed \u002F \ngrey anthracite\nchromed \u002F \nwhite\nBombo \nEN Swivel bar stool adju-\nstable in height with\ngas piston. For domestic \nand contract use.\nMaterials: base, column, \nfoot-rest and handle in \nchromed steel with seat \nin ABS.\nDE Hocker, drehbar. \nPneumatisch höhenver-\nstellbar. Für Haus- und \nObjektgebrauch.\nMaterialien: Gestell, Säu-\nle, Fussstütze und Hebel \naus verchromtem Stahl. \nSitz aus ABS. \nFR Tabouret pivotant \nréglable en hauteur avec \npiston à gaz. Pour la mai-\nson et pour la collectivité.\nMatériaux: base, co-\nlonne, repose-pieds et \npoignée en acier chromé. \nAssise en ABS.\nIT Sgabello girevole e \nregolabile in altezza con \npistone a gas. Per uso \ndomestico e contract.\nMateriali: base, colonna, \npoggiapiedi e maniglia in \nacciaio cromato. Sedile \nin ABS.\nES Taburete giratorio \nregulable en altura con \npistón de gas. Para uso \ndómestico y contract.\nMateriales: base, colum-\nna, reposapiés y manilla \nde acero cromado. Asien-\nto de ABS.\ndesign Stefano Giovannoni, 1997\nFinishes\nstools\nBombo\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.77.png","37,5\n37,5\n50\u002F74\n61\u002F85\n37\n44\n150\n151\npolished\nAl Bombo\nEN Swivel bar stool adju-\nstable in height with\ngas piston. For domestic \nand contract use.\nMaterials: base, frame, \nfoot-rest and handle in \nstainless steel. Seat in \npolished die-cast alumi-\nnium.\nDE Hocker, drehbar. \nPneumatisch höhenver-\nstellbar. Für Haus- und \nObjektgebrauch.\nMaterialien: Gestell, \nFussstütze und Hebel \naus Edelstahl. Sitz aus \nAluminium-Druckguss, \npoliert.\nFR Tabouret pivotant \nréglable en hauteur avec \npiston à gaz. Pour la mai-\nson et pour la collectivité.\nMatériaux: base, colon-\nne, repose-pieds et poi-\ngnée en acier inoxydable. \nAssise en fonte d’alumi-\nnium poli. \nIT Sgabello girevole e \nregolabile in altezza con \npistone a gas. Per uso \ndomestico e contract.\nMateriali: base, colonna, \npoggiapiedi e maniglia \nin acciaio inossidabile. \nSedile in pressofusione di \nalluminio lucido.\nES Taburete giratorio \nregulable en altura con \npistón de gas. Para uso \ndómestico y contract.\nMateriales: base, colum-\nna, reposapiés y manilla \nde acero inoxidable con \nasiento de aluminio bril-\nlante fundido a presión.\ndesign Stefano Giovannoni, 2002\nFinishes\nAl Bombo\nstools\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.78.png","36,5\n36,5\n31\n31\n31\n28\n16\n50\n42,5\n40\n36\n36,5\n74\n62\n152\n153\nblack splattered \nwhite\nyellow\nblue\nfluorescent \norange\nBureaurama\nEN Stool for domestic \nand contract use.\nMaterials: aluminum pain-\nted in polyester powder. \nSuitable for outdoor use. \nFlame-retardant.\nDE Hocker für Haus- und \nObjektgebrauch.\nMaterial: polyesterlackier-\nter Aluminium. Auch für \nden Aussenbereich geei-\ngnet. Feuerbeständig.\nFR Tabouret pour la mai-\nson et pour la collectivité.\nMatériaux: aluminium \nverni en polyester. Conçu \npour l’extérieur. Non-feu.  \nIT Sgabello per uso \ndomestico e contract.\nMateriali: alluminio verni-\nciato poliestere. Adatto \nanche per l’esterno. \nProdotto ignifugo.\nES Taburete para uso \ndómestico y contract.\nMateriales: aluminium \nbarnizado poliéster. Apto \npara el exterior. Producto \nignífugo.\ndesign Jerszy Seymour, 2017\nFinishes\nstools\nBureaurama\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.79.png","ø 33\nø 33\nø 33\n50\n47\n42,5\n76\n66\n50\n154\n155\npolished \nblack\nDéjà-vu\nEN Bar stool for dome-\nstic and contract use.\nMaterials: legs in extru-\nded aluminium, polished \nor painted. Seat and \nfoot-rest in die-cast alu-\nminium, polished or pain-\nted. Suitable for outdoor \nuse (painted version). \nFlame-retardant.\nDE Hocker für Haus- und \nObjektgebrauch.\nMaterialien: Beine aus \nProfilaluminium, poliert \noder lackiert. Sitz und \nFussstützte aus Alumi-\nnium-Druckguss, poliert \noder lackiert. Auch für \nden Aussenbereich geei-\ngnet (lackierte Version). \nFeuerbeständig.\nFR Tabouret pour la mai-\nson et pour la collectivité.\nMatériaux: pieds en \naluminium, poli ou verni. \nAssise et repose-pieds \nen fonte d’aluminium, \npoli ou verni. Conçu \npour l’extérieur (version \nvernie). Non-feu.  \nIT Sgabello per uso do-\nmestico e contract.\nMateriali: gambe in pro-\nfilato di alluminio, lucido \no verniciato; sedile e \npoggiapiedi in pressofu-\nsione di alluminio, lucido \no verniciato. Adatto \nanche per esterni (versio-\nne verniciata). Prodotto \nignifugo. \nES Taburete para uso \ndómestico y contract.\nMateriales: Patas de alu-\nminio, brillante o barniza-\ndo. Asiento y reposapiés \nde aluminio fundido a pre-\nsión, brillante o barnizado. \nTambién apto para el \nexterior (versión barniza-\nda). Producto ignífugo.\ndesign Naoto Fukasawa, 2005\nFinishes\nstools\nDéjà-vu\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.80.png","45\n45\n21\n37\n21\n37\n75\n65\n156\n157\ngalvanized \n\u002F grey \npolypropylene\ngalvanized \n\u002F black \npolypropylene\ngalvanized \u002F \ndark green \npolypropylene\ngrey anthracite \n\u002F grey \npolypropylene\ngrey anthracite \n\u002F black \npolypropylene\ngrey anthracite \n\u002F dark green \npolypropylene\ngalvanized \u002F \nblack leather\ngalvanized \u002F \nnatural leather\ngrey anthracite \n\u002F natural leather\ngrey anthracite \n\u002F black leather\ngalvanized \u002F \nnatural beech \nplywood\ngrey anthracite  \n\u002F natural beech \nplywood\ngalvanized \u002F \nblack beech \nplywood\ngrey anthracite \n\u002F black beech \nplywood\ngrey anthracite \n\u002F dark grey \nfabric\ngrey anthracite \n\u002F light grey \nfabric\ngalvanized \u002F \ndark grey fabric\ngalvanized \u002F \nlight grey \nfabric\nstools\nOfficina\nOfficina\nEN Stool for domestic \nand contract use.\nMaterials: frame in \nwrought iron, galvani-\nzed or cataphoretically \ntreated and painted in \npolyester powder. Seat \nin polypropylene, in \npolypropylene covered in \npremium-grade leather \nor in fabric or in beech \nplywood, natural or \nstained.\nDE Hocker für Haus- und \nObjektgebrauch.\nMaterial: Gestell aus \nSchmiedeeisen, verzinkt \noder rostschutzbehandelt \nund polyesterlackiert. Sitz \naus Polypropylen, aus \nPolypropylen mit Vollle-\nder- oder mit Stoffbezug \noder aus Buchenschich-\ntholz, naturfarben oder \ngebeizt.\nFR Tabouret pour la mai-\nson et pour la collectivité.\nMatériaux: structure en \nfer forgé galvanisé ou \ntraité en cataphorèse \net verni en polyester. \nAssise en polypropylène, \nen polypropylène avec \nrevêtement en cuir \npleine-fleur ou en tissu, \nou en hêtre multiplis, \nnaturel ou teinté.\nIT Sgabello per uso do-\nmestico e contract. \nMateriali: struttura in \nferro forgiato, zincato a \ncaldo o trattato cataforesi \ne verniciato poliestere. \nSedile in polipropilene, \nin polipropilene rivestito \nin cuoio primo fiore o in \ntessuto, in multistrato di \nfaggio naturale o tinto.\nES Taburete para uso \ndómestico y contract.\nMateriales: estructura de \nhierro forjado, zincado \nen caliente o tratado con \ncataforesis y barnizado en \npoliéster. Asiento en poli-\npropileno, en polipropileno \ntapizado en cuero de \ngrano superior o en tejido, \no en multiestrato de haya \nnatural o teñido.\ndesign Ronan & Erwan Bouroullec, 2016\nFinishes\nKvadat Divina Mélange 120 \u002F light grey\nKvadrat Divina MD 193 \u002F dark grey\nFabrics\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.81.png","46\n45\n47\n45\n77\n67\n94\n84\n50\n50\n158\n159\nFinishes\nwhite\nblack\nwhite \u002F light \nbeech plywood\nblack \u002F dark \nbeech plywood\nstools\nPipe\nPipe\nEN Stool, for domestic \nand contract use.\nMaterials: frame in \naluminum tube, seat \nin punched aluminium \nplate painted in polye-\nster powder (suitable for \noutdoor use) or in beech \nplywood. The aluminium \nplate version is flame-\nretardant.\nDE Hocker, für Haus- \nund Objektgebrauch.\nMaterial: Gestell aus \nAluminiumrohr, Sitz aus \nAluminiumblech, polye-\nsterlackiert (auch für den \nAussenbereich geeignet) \noder aus Buchenschich-\ntholz. Die Ausführung \naus Aluminiumblech ist \nfeuerbeständig.\nFR Tabouret, pour la mai-\nson et pour la collectivité.\nMatériaux: structure en \ntube d’aluminium, assise \nen tôle d’aluminium \npercé verni en polyester \n(conçue pour l’extérieur) \nou en hêtre multiplis. La \nversion en tôle d’alumi-\nnium est non-feu.\nIT Sgabello, per uso \ndomestico e contract.\nMateriali: struttura in \ntubo di alluminio, sedile \nin lamiera di alluminio fo-\nrata verniciata poliestere \n(adatta per l’esterno) o in \nimpiallacciato di faggio. \nLa versione in lamiera è \nignifuga.\nES Taburete, para uso \ndómestico y contract.\nMateriales: estructura en \ntubo de aluminio, asiento \nen chapa de aluminio \nperforada y barnizada po-\nliéster (versión apta para \nel exterior) o chapado \nhaya. La versión en chapa \nbarnizada es ignífuga.\ndesign Jasper Morrison, 2009\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.82.png","39,5\n39,5\n21,5\n21,5\n76\n66\n38\n38\n38\ncushion\n20\n160\n161\nSequoia\nEN Stool for domestic \nand contract use.\nMaterials: steel painted in \npolyester powder. Flame-\nretardant. Cushion also \navailable.\nDE Hocker für Haus- und \nObjektgebrauch.\nMaterial: polyesterla-\nckierter Stahl. Feuer-\nbeständig. Kissen auch \nerhältlich.\nFR Tabouret pour la mai-\nson et pour la collectivité.\nMatériaux: acier verni en \npolyester. Non-feu. Cous-\nsin aussi disponible.\nIT Sgabello per uso \ndomestico e contract.\nMateriali: acciaio verni-\nciato poliestere. Prodotto \nignifugo. Disponibile \ncuscino.\nES Taburete para uso \ndómestico y contract.\nMateriales: acero barni-\nzado poliéster. Producto \nignífugo. Disponible tam-\nbién cojin.\ndesign Anderssen & Voll, 2017\nFinishes\nivory\nblack\ncoral red\ndark green\nCushions\nKvadrat Divina MD 193 \u002F dark grey\nKvadrat Divina MD 713 \u002F grey\nKvadrat Divina MD 613 \u002F pink\nKvadrat Divina MD 783 \u002F dark blue\nKvadrat Divina 3 106 \u002F white\nKvadrat Divina 3 552 \u002F orange\nKvadrat Divina 3 984 \u002F green\nKvadrat Divina 3 393 \u002F dark brown\nKvadrat Divina 3 191 \u002F black\nstools\nSequoia\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.83.png","30\n30\n78\n68\n39\n39\n29\ncushion\n29\n162\n163\nSteelwood Stool\nEN Stool for domestic and \ncontract use.\nMaterial: seat and foot-\nrest in steel plate painted \nin polyester powder. Legs \nin solid beech, natural, \npainted or stained, or in \nsolid American walnut. \nAlso available cushion in \nexpanded polyurethane \ncovered in fabric.\nDE Hocker für Haus- und \nObjektgebrauch.\nMaterial: Sitz und \nFussstütze aus polyester-\nlackiertem Stahlblech. aus \nmassiver Buche, naturfar-\nben, lackiert oder gebeizt, \noder aus massiver ame-\nrikanischen Nussbaum. \nKissen aus geschäumtem \nPolyurethan mit Stoffbe-\nzug auch erhältlich.\nFR Tabouret pour la mai-\nson et pour la collectivité.\nMatériaux: assise et \nrepose-pieds en tôle \nd’acier verni en polyester. \nPieds en hêtre massif \nnaturel, verni ou teinté, ou \nen noyer américan massif.\nDisponible aussi coussin \nen polyuréthane expansé \navec revêtment en tissu.\nIT Sgabello per uso do-\nmestico e contract.\nMateriali: seduta e \npoggiapiedi in lamiera di \nacciaio verniciato polieste-\nre, gambe in massello di \nfaggio naturale, verniciato \no tinto, o in massello di \nnoce americano. Disponi-\nbile cuscino in poliuretano \nespanso e rivestito in \ntessuto.\nES Taburete para uso \ndómestico y contract.\nMaterial: asiento y repo-\nsapiés de chapa de acero \nbarnizado poliéster. de \nmadera maciza de haya \nnatural, barnizada o teñida, \no de madera maciza de no-\ngal americano. Disponible \ntambién cojín de poliureta-\nno expandido tapizado en \ntejido.\ndesign Ronan & Erwan Bouroullec, 2010\nbeech natural \n\u002F white\nbeech natural \n\u002F black\nbeech natural \n\u002F brick red\namerican \nwalnut \u002F black\nbeech white \n\u002F white\nbeech black \n\u002F black\nbeech brick \nred \u002F \nbrick red\nFinishes\nCushions\nKvadrat Divina MD 193 \u002F dark grey\nKvadrat Divina MD 713 \u002F grey\nKvadrat Divina MD 613 \u002F pink\nKvadrat Divina MD 783 \u002F dark blue\nKvadrat Divina 3 106 \u002F white\nKvadrat Divina 3 552 \u002F orange\nKvadrat Divina 3 984 \u002F green\nKvadrat Divina 3 393 \u002F dark brown\nKvadrat Divina 3 191 \u002F black\nstools\nSteelwood Stool\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.84.png","56\n53,5\n47,5\n46\n36\ncushion\n77\n67\n25\n84\n74\n4\n4\n164\n165\nEN Stacking stool for do-\nmestic and contract use.\nMaterials: legs in anodised \naluminium or painted in \npolyester powder. Seat in \ndie-cast aluminium treated \nwith sputtered fluorinated \ntitanium and painted in \npolyester powder. Suitable \nfor outdoor use. Cushion \nalso available.\nDE Stapelbare Hocker \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Beine aus \neloxiertem oder polyester-\nlackiertem Profilaluminium. \nSitz aus Aluminium-\nDruckguss, Oberflächenbe-\nhandlung mit fluoriertem \nTitan und Polyesterlackie-\nrung. Auch für den Aus-\nsenbereich geeignet. \nKissen auch erhältlich.\nFR Tabouret empilable \npour la maison et pour la \ncollectivité.\nMatériaux: pieds en \naluminium anodisé ou \nverni en polyester. Assise \nen aluminium injecté traité \nau titane fluoré et verni \nen polyester. Conçu pour \nl’extérieur. Coussin aussi \ndisponible.\nIT Sgabello impilabile per \nuso domestico e contract.\n \nMateriali: gambe in profila-\nto di alluminio anodizzato \no verniciato poliestere. \nSedile in pressofusione di \nalluminio con trattamen-\nto di fluotitanizzazione \nverniciato poliestere. \nAdatto anche per esterni. \nDisponibile cuscino.\nES Taburete aplilable para \nuso dómestico y contract.\nMateriales: patas de perfi-\nles de aluminio anodizado \no barnizado en poliéster. \nAsiento de aluminio  fundi-\ndo a presión con trata-\nmiento de fluotitanización y \nbarnizado poliéster. Aptos \npara el exterior. Disponible \ntambién cojin.\nblack\nwhite\nred\nmint\nblush\npurple\nFinishes\nStool_One\nCushions\nKvadrat Steelcut Trio 533 \u002F orange\nKvadrat Steelcut Trio 983 \u002F light blue\nKvadrat Steelcut Trio 205 \u002F beige\nKvadrat Steelcut Trio 953 \u002F green\nKvadrat Steelcut Trio 453 \u002F yellow\nKvadrat Steelcut Trio 133 \u002F light grey\nKvadrat Steelcut Trio 383 \u002F dark brown\nKvadrat Steelcut 3 190 \u002F black\nNatural leather\nBlack leather\ndesign Konstantin Grcic, 2006\nstools\nStool_One\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.85.png","37\n37\n18\u002F35\n60\u002F77\n166\n167\nbeige \u002F beige\n red bordeaux \u002F  \nred bordeaux\n red bordeaux \u002F \nKvadrat \nSteelcut Trio \n686\nlime \u002F lime\nlime \u002F Kvadrat \nSteelcut Trio \n446\nlight green \u002F \nlight green\nlight green \u002F \nKvadrat \nSteelcut Trio \n906\nblack \u002F black\nblack \u002F Kvadrat \nSteelcut 3 190\npink \u002F pink\npink \u002F Kvadrat \nSteelcut 3 605\nbeige \u002F Kvadrat \nSteelcut 3 240\ncoral red \u002F \ncoral red\ncoral red \u002F \nKvadrat \nSteelcut Trio \n533\nolive green \u002F \nolive green\nolive green \u002F \nKvadrat \nSteelcut 3 985\nFinishes\nFabrics\nKvadrat Steelcut 3 240 \u002F beige\nKvadrat Steelcut Trio 446 \u002F lime\nKvadrat Steelcut 3 190 \u002F black\nKvadrat Steelcut 3 605 \u002F pink\nKvadrat Steelcut Trio 533 \u002F coral red\nKvadrat Steelcut Trio 686 \u002F bordeaux\nTibu\ndesign Anderssen & Voll, 2014\nEN Swivel stool, adju-\nstable in height with gas \npiston. For domestic and \ncontract use.\nMaterials: frame in \nsteel painted in polyester \npowder. Seat in polyure-\nthane or in polyurethane \ncovered in fabric. Flame-\nretardant.\nDE Drehbarer, pneuma-\ntisch höhenverstellbarer \nHocker. Für Haus- und \nObjektgebrauch.\nMaterialien: Gestell \naus polysterlackiertem \nStahlrohr. Sitz aus Polyu-\nrethan oder aus Polyure-\nthan mit Bezug aus Stoff. \nFeuerbeständig.\nFR Tabouret pivotant et \nréglable en hauteur avec \npiston à gaz. Pour la mai-\nson et pour la collectivité.\nMatériaux: structure en \nacier verni en polyester. \nAssise en polyuréthane ou \nen polyuréthane revêtu en \ntissu. Non-feu.\nIT Sgabello girevole e \nregolabile in altezza con \npistone a gas. Per uso \ndomestico e contract.\nMateriali: struttura in ac-\nciaio verniciato poliestere; \nsedile in poliuretano o in \npoliuretano rivestito in tes-\nsuto. Prodotto ignifugo.\nES Taburete giratorio regu-\nlable en altura con pistón \nde gas. Para uso dómesti-\nco y contract.\nMateriales: estructura de \nacero lacado poliéster. \nAsiento de poliuretano o \nde poliuretano tapizado en \ntela. Producto ignífugo.\nKvadrat Steelcut Trio 906 \u002F light green\nKvadrat Steelcut 3 985 \u002F olive green\nstools\nTibu\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.86.png","Tom\nJerry\n51\n48\n34\n34\n34\n34\n26\n70\u002F86\n50\u002F66\n45\n42\n168\n169\nTom and Jerry - \nThe Wild Bunch\ndesign Konstantin Grcic, 2012\nEN Swivel stools, adjusta-\nble in height for domestic \nand contract use.\nMaterials: seat and legs \nin solid beech, natural or \nstained; joint and screw in \npolypropylene with glass \nfibre added.\nDE Drehbare pneumatisch \nhöhenverstellbare Hocker \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Sitz und \nBeine aus massiver \nBuche, naturfarben oder \ngebeizt; Verbingungsele-\nment und Schraube aus \nPolypropylen mit Glasfaser \nverstärkt.\nFR Tabourets pivotants \nréglables en hauteur \npour la maison et pour la \ncollectivité.\nMatériaux: assise et pieds \nen hêtre massif, naturel \nou teinté; joint et vis en \npolypropylène chargé \navec fibre de verre.\nIT Sgabelli girevoli, rego-\nlabili in altezza per uso \ndomestico e contract.\nMateriali: seduta e gambe \nin massello di faggio na-\nturale o tinto; giunto e vite \nin polipropilene caricato di \nfibra di vetro.\nES Taburetes giratorios con \naltura regulable para uso \ndoméstico y contract.\nMateriales: asiento y patas \nen madera maciza de haya \nnatural o teñida. Junta y \ntornillo en polipropileno re-\nforzado con fibra de vidrio.\nnatural \u002F \norange\nnatural \u002F \nlight blue\nnatural \u002F \norange\nnatural \u002F \nlight blue\nnatural \u002F \nwhite\nnatural \u002F \nwhite\nnatural \u002F \nblack\nnatural \u002F \nblack\nnatural \u002F \nred\nnatural \u002F \nred\nnatural \u002F \ngreen\nnatural \u002F \ngreen\nblack \u002F \nblack\nblack \u002F \nblack\nFinishes \u002F Jerry\nFinishes \u002F Tom\nstools\nTom and Jerry - The Wild Bunch\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.87.png","48\n46\n50\n49\n34\n24\n77,5\n67,5\n102\n92\n50\n48,5\n4\n4\n170\n171\nTroy, 4 legs\ndesign Marcel Wanders, 2014\nEN Stacking stool for do-\nmestic and contract use.\nMaterials: frame in \nsteel tube cataphoretically-\ntreated and painted in \npolyester powder or in \nsteel tube painted in \npolyester powder. Seat in \npolypropylene or beech \nplywood; in polypropylene \nor beech plywood with \nfront side covered in fabric \nor leather; in polypropyle-\nne fully covered in fabric. \nOutdoor version available.\nDE Stapelbare Hocker für \nHaus- und Objektgebrauch.\nMaterialien: Gestell aus \nrostschutzbehandel-\ntem, polyesterlackiertem \nStahlrohr oder aus polye-\nsterlackiertem Stahlrohr.\nSitz aus Polypropylen oder \nBuchenschichtholz; aus \nPolypropylen oder Buchen-\nschichtholz mit Stoff- oder \nLedergepolsterter Vorder-\nseite; aus Polypropylen, voll-\nständig mit Stoff bezogen. \nVersion für den Außenbereich \nerhältlich.\nFR Tabouret empilable \npour la maison et pour la \ncollectivité.\nMatériaux: structure en \ntube d’acier traité par \ncataphorèse et verni en \npolyester ou en tube d’acier \nverni en polyester. Assise en \npolypropylène ou en hêtre \nmultiplis; en polypropylène \nou en hêtre multiplis \navec façade recouverte \nde tissu ou de cuir; en \npolypropylène, entièrement \nrecouvert de tissu.  Version \npour l’extérieur disponible. \nIT Sgabello impilabile per \nuso domestico e contract.\nMateriali: struttura in tubo \ndi acciaio trattato cataforesi \ne verniciato poliestere o in \ntubo di acciaio verniciato \npoliestere. Sedile in poli-\npropilene o in multistrato \ndi faggio; in polipropilene \no multistrato di faggio con \nfronte anteriore rivestito \nin tessuto o in pelle; in \npolipropilene interamente \nrivestito in tessuto. Disponi-\nbile versione per esterno.\nES Taburete apilable para \nuso doméstico y contract.\nMateriales: estructura en \ntubo de acero tratado con \ncataforesis y barnizado \npoliéster o en tubo de \nacero barnizado poliéster. \nAsiento de polipropileno o \nmultiestrato de haya; de po-\nlipropileno o multiestrato de \nhaya con frente revestido de \ntela o piel; de polipropileno, \ncompletamente revestido de \ntela. Disponible version para \nexteriores.\nwhite \u002F white \npolypropylene\nwhite \u002F natural \nbeech\nwhite \u002F black \npolypropylene\nwhite \u002F coral red \npolypropylene\nblack \u002F black \npolypropylene\nblack \u002F white \npolypropylene\nblack \u002F coral red \npolypropylene\nFinishes\nblack \u002F black \nbeech\nblack \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F white \npolypropylene + front \ncovered in fabric\u002Fleather\nwhite \u002F covered \nin fabric\nblack \u002F covered \nin fabric\nKvadrat Divina 3\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Steelcut\nKvadrat Steelcut Trio\nKvadrat Hero\nKvadrat Vidar\nBlack Boxland leather (front covered version only)\nFabrics\nstools\nTroy, 4 legs\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.88.png","47\n45,5\n47\n45,5\n50\n49\n50\n49\n58\n58\n34\n25\n77,5\n69\n98\n89\n102\n93\n4\n4\n172\n173\nTroy, sledge\ndesign Marcel Wanders, 2014\nEN Stacking stool on \nsledge (also with arms) for \ndomestic and contract use.\nMaterials: frame in \nsteel rod, cataphoretically-\ntreated and painted in \npolyester powder or \nin steel rod painted in \npolyester powder. Seat in \npolypropylene or beech \nplywood; in polypropylene \nor beech plywood with \nfront side covered in fabric \nor leather; in polypropyle-\nne fully covered in fabric. \nOutdoor version available.\nDE Stapelbarer Hocker auf \nKufen (auch mit Armlehnen) \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \nrostschutzbehandel-\ntem, polyesterlackiertem \nStahldraht oder aus polye-\nsterlackiertem Stahldraht. \nSitz aus Polypropylen oder \nBuchenschichtholz; aus \nPolypropylen oder Buchen-\nschichtholz mit Stoff- oder \nLedergepolsterter Vorder-\nseite; aus Polypropylen, voll-\nständig mit Stoff bezogen. \nVersion für den Außenbe-\nreich erhältlich.\nFR Tabouret luge empilable \n(aussi avec accoudoirs) \npour la maison et pour la \ncollectivité.\nMatériaux: structure en fil \nd’acier traité en cataphorèse \net  verni en polyester ou en \nfil d’acier verni en polyester. \nAssise en polypropylène \nou en hêtre multiplis; en \npolypropylène ou en hêtre \nmultiplis avec façade recou-\nverte de tissu ou de cuir; en \npolypropylène, entièrement \nrecouvert de tissu.  Version \npour l’extérieur disponible. \nIT Sgabello impilabile su slit-\nta (anche con braccioli) per \nuso domestico e contract.\nMateriali: struttura in tondino \ndi acciaio trattato cataforesi \ne verniciato poliestere o in \ntondino di acciaio verni-\nciato poliestere. Sedile in \npolipropilene o in multistrato \ndi faggio; in polipropilene \no multistrato di faggio con \nfronte anteriore rivestito in \ntessuto o in pelle; in polipro-\npilene interamente rivestito \nin tessuto. Disponibile ver-\nsione per esterno.\nES Taburete apilable trineo \n(también con brazos) para \nuso doméstico y contract.\nMateriales: estructura en \nvarilla de acero tratado con \ncataforesis y barnizado \npoliéster o en varilla de acero \ntratado barnizado poliéster. \nAsiento de polipropileno o \nmultiestrato de haya; de po-\nlipropileno o multiestrato de \nhaya con frente revestido de \ntela o piel; de polipropileno, \ncompletamente revestido de \ntela. Disponible version para \nexteriores.\nwhite \u002F white \npolypropylene\nwhite \u002F natural \nbeech\nwhite \u002F black \npolypropylene\nwhite \u002F coral red \npolypropylene\nblack \u002F black \npolypropylene\nblack \u002F white \npolypropylene\nblack \u002F coral red \npolypropylene\nFinishes\nblack \u002F black \nbeech\nblack \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F covered \nin fabric\nblack \u002F covered \nin fabric\nFabrics\nKvadrat Divina 3\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Steelcut\nKvadrat Steelcut Trio\nKvadrat Hero\nKvadrat Vidar\nBlack Boxland leather (front covered version only)\nwhite \u002F white \npolypropylene + front \ncovered in fabric\u002Fleather\nstools\nTroy, sledge\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.89.png","42\n39\n38\n37\n39,5\n38\n42\n34\n24\n77,5\n67,5\n102\n92\n174\n175\nTroy, wireframe\ndesign Marcel Wanders, 2018\nEN Stool for domestic and \ncontract use.\nMaterials: frame in steel \nrod painted in polye-\nster powder. Seat in \npolypropylene or beech \nplywood; in polypropylene \nor beech plywood with \nfront side covered in fabric \nor leather; in polypropylene \nfully covered in fabric. \nDE Hocker für Haus- und \nObjektgebrauch.\nMaterialien: Gestell \naus polyesterlackier-\ntem Stahldraht. Sitz \naus Polypropylen oder \nBuchenschichtholz; aus \nPolypropylen oder Buchen-\nschichtholz mit Stoff- oder \nLedergepolsterter Vorder-\nseite; aus  Polypropylen, \nvollständig mit Stoff \nbezogen. \nFR Tabouret pour la mai-\nson et pour la collectivité.\nMatériaux: structure en fil \nd’acier verni en polyester. \nAssise en polypropylène \nou en hêtre multiplis; en \npolypropylène ou en hêtre \nmultiplis avec façade \nrecouverte de tissu ou de \ncuir; en polypropylène, \nentièrement recouvert de \ntissu.  \nIT Sgabello per uso dome-\nstico e contract.\nMateriali: struttura in ton-\ndino di acciaio verniciato \npoliestere. Sedile in poli-\npropilene o in multistrato \ndi faggio; in polipropilene \no multistrato di faggio con \nfronte anteriore rivestito \nin tessuto o in pelle; in \npolipropilene interamente \nrivestito in tessuto.\nES Taburete para uso \ndoméstico y contract.\nMateriales: estructura en \nvarilla de acero barniza-\ndo poliéster. Asiento de \npolipropileno o multiestra-\nto de haya o asiento de \npolipropileno o multiestrato \nde haya con frente revestido \nde tela o piel o polipropileno, \ncompletamente revestido \nde tela. \nwhite \u002F white \npolypropylene\nwhite \u002F natural \nbeech\nwhite \u002F black \npolypropylene\nwhite \u002F coral red \npolypropylene\nblack \u002F black \npolypropylene\nblack \u002F white \npolypropylene\nblack \u002F coral red \npolypropylene\nFinishes\nblack \u002F black \nbeech\nblack \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F black \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F white \npolypropylene + \nfront covered \nin fabric\u002Fleather\nblack \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F natural \nbeech + front \ncovered in fabric\n\u002Fleather\nwhite \u002F covered \nin fabric\nblack \u002F covered \nin fabric\nFabrics\nKvadrat Divina 3\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Steelcut\nKvadrat Steelcut Trio\nKvadrat Hero\nKvadrat Vidar\nBlack Boxland leather (front covered version only)\nwhite \u002F white \npolypropylene + front \ncovered in fabric\u002Fleather\nstools\nTroy, wireframe\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.90.png","42,5\n44\n50\n60\n5\n176\n177\nYuyu\ndesign Stefano Giovannoni, 2000\nEN Stacking stool for do-\nmestic and contract use.\nMaterials: polypropylene \nwith glass fibre added. \nSuitable for outdoor use.\nDE Hocker, stapelbar \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Polypropylen \nmit Glasfaser verstärkt. \nAuch für den Aussenbe-\nreich geeignet.\nFR Tabouret empilable \npour la maison et pour la \ncollectivité.\nMatériaux: polypropylène \nchargé avec fibre de verre. \nConçu pour l’extérieur.\nIT Sgabello impilabile per \nuso domestico e contract.\nMateriali: polipropilene \ncaricato di fibra di vetro. \nAdatto anche per esterni.\nES Taburete apilable para \nuso dómestico y contract.\nMateriales: polipropileno re-\nforzado con fibra de vidrio. \nApto para el exterior.\norange\nbeige\nFinishes\nstools\nYuyu\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.91.png","178\n179\nbenches\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.92.png","166\n182\n48\n48\n35\n63\n220\n220\n180\n181\nBrut\ndesign Konstantin Grcic, 2017\nEN Bench for domestic \nand contract use.\nMaterials: frame in cast \niron painted in polyester \npowder. Seat in natural \nsolid oak.\nDE Bank für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nGusseisen, polyesterla-\nckiert. Sitz aus massiver \nEiche, naturfarben.\nFR Banc pour la maison \net pour la collectivité.\nMateriaux: structure en \nfonte verni en polyester. \nAssise en chêne massif \nnaturel.\nIT Panca per uso dome-\nstico e contract.\nMateriali: struttura in ghi-\nsa verniciata poliestere.\nSeduta in massello di \nrovere naturale.\nES Banco para uso \ndómestico y contract.\nMateriales: estructura de \nfundición de hierro barni-\nzado poliéster. Asiento en \nmadera maciza de roble \nnatural.\ngreen \u002F natural \nsolid oak\nred \u002F natural \nsolid oak\ngrey anthracite \n\u002F  natural solid \noak\nFinishes\nbenches\nBrut\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.93.png","190\n265\n335\n39\n59\n46,5\n80\nexamples of composition\n182\n183\nChair_One Public Seating \nSystem\ndesign Konstantin Grcic, 2005\nEN Seating system on bar \nfor domestic and contract \nuse.\nMaterial: concrete bases \npainted transparent clear, \nsuitable for floor-fixing. Bar \nin anodised aluminium. \nSeat in die-cast aluminium \ntreated with sputtered \nfluorinated titanium and \npainted in polyester \npowder. Concrete small \ntable painted transparent \nclear. Cushions also avai-\nlable. Suitable for outdoor \nuse. Flame-retardant.\nDE Sitzsystem auf Schiene \nfür Haus- und Objektge-\nbrauch.\nMaterial: Sockel aus farblos \nimprägniertem Zement, mit \nVorrichtung für die feste \nBodenmontage. Schiene \naus naturfarben eloxier-\ntem Aluminium. Sitze aus \nAluminium-Druckguss, \nOberflächenbehandlung \nmit fluoriertem Titan und \nPolyesterlackierung. Kleiner \nTisch aus farblos im-\nprägniertem Zement. Kis-\nsen separat erhältlich. Auch \nfür den Aussenbereich \ngeeignet. Feuerbeständig. \nFR Système d’assises sur \npoutre pour la maison et \npour la collectivité.\nMatériaux: bases en \nbéton verni transparente \nincolore, conçues pour la \nfixation au sol. Poutre en \naluminium anodisé. Assise \nen fonte d’aluminium traité \nau titane fluoré et verni en \npolyéster. Petit table en \nbéton verni transparente \nincolore. Disponible aussi \navec coussins. Conçu \npour l’extérieur. Non feu. \nIT Sistema di sedute su \nbarra per uso domestico e \ncontract.\nMateriali: basi in cemento \nverniciato trasparente \nneutro, predisposte per \nil fissaggio a pavimento, \nbarra di appoggio e sedu-\nte in alluminio anodizzato \nnaturale lucido, sedili in \npressofusione di alluminio, \ntrattamento di fluotitaniz-\nzazione verniciato polie-\nstere. Tavolino in cemento \nverniciato trasparente \nneutro. Disponibili cuscini. \nAdatto anche per esterni. \nProdotto ignifugo.\nES Sistema de asiento \nsobre barra para uso \ndómestico y contract.\nMaterial: bases en cemento \nbarnizado transparente \nneutro, preparadas para su \nfi jación al suelo. Barra de \napoyo del asiento en alumi-\nnio anodizado. Asiento de \naluminio fundido a presión \ncon tratamiento de fluo-\ntitanización barnizado en \npoliéster. Mesita en cemen-\nto barnizado transparente \nneutro. Cojínes también \ndisponibles. Adaptado \npara el exterior. Producto \nignífugo.\nnatural concrete \n\u002F white\nFinishes\nbenches\nChair_One Public Seating System\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.94.png","360\n95\n37\n83\n110\n184\n185\nFolly\ndesign Ron Arad, 2013\nEN Bench for domestic \nand contract use.\nMaterials: polyethylene. \nSuitable for outdoor use. \nKit for floor fixing also \navailable.\nDE Bank für Haus - und \nObjektgebrauch.\nMaterialien: Polyäthylen.\nAuch für den Aussenbe-\nreich geeignet. Kit für die \nfeste Bodenmontage auch \nlieferbar.\nFR Banc pour la maison \net pour la collectivité.\nMatériaux: polyéthylène. \nConçue pour l’extérieur. \nKit pour la fixation au sol \naussi disponible.\nIT Panca per uso dome-\nstico e contract.\nMateriali: polietilene. \nAdatta per esterni. Dispo-\nnibile kit per fissaggio a \npavimento.\nES Banco para uso dóme-\nstico y contract.\nMateriales: polietileno.\nAdaptado para el exterior. \nKit de fijación al suelo \ntambien disponible.\nrust brown\nFinishes\nbenches\nFolly\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.95.png","120\n160\n200\n33\n43,5\n40,5\n186\n187\nOfficina \ndesign Ronan & Erwan Bouroullec, 2019\nEN Bench for domestic \nand contract use.\nMaterials: frame in \nwrought iron, galvanized \nor painted in polyester \npowder. Seat in beech \nplywood.\nDE Bank für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nSchmiedeeisen, verzinkt \noder polyesterlackiert. Sitz \naus Buchenschichtholz.\nFR Banc pour la maison \net pour la collectivité.\nMatériaux: structure en fer \nforgé galvanisé ou verni en \npolyester. Assise en hêtre \nmultiplis.\nIT Panca per uso dome-\nstico e contract.\nMateriali: struttura in ferro \nforgiato, zincato a caldo o \nverniciato poliestere. Sedi-\nle in multistrato di faggio. \nES Banco para uso dóme-\nstico y contract.\nMateriales: estructura de \nhierro forjado, zincado o \nbarnizado poliéster. Asiento \nen multiestrato de haya.\ngalvanized \u002F \nnatural beech \ngalvanized \u002F \nblack beech\ngrey anthracite \n\u002F natural beech\ngrey anthracite \n\u002F black beech\nFinishes\nbenches\nOfficina\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.96.png","88\n94\n39\n57\n94\n188\n189\nTraffic_2\ndesign Konstantin Grcic, 2013\nEN Platform for domestic \nand contract use.\nMaterials: frame in steel \nrod, painted in polyester \npowder; cushions in \nexpanded polyurethane \nwith cover in leather or \nin removable fabric. Also \navailable tablet in acrylic \nstone.\nDE Sofa-Sitzinsel für Haus \n- oder Objektgebrauch.\nMaterial: Gestell aus \npolyesterlackiertem \nStahldraht; Sitzkissen \naus Polyurethanschaum, \nBezug aus Leder oder aus \nStoff (abziehbar).  Ablage \naus Acrylstein auch \nerhältlich. \nFR Petit-relax pour la \nmaison et la collectivité.\nMatériaux: structure en fil \nd’acier verni en polyester; \ncoussins en polyuréthane \nexpansé en cuir ou en tis-\nsu dehoussable. Tablette \nen pierre acrylique aussi \ndisponible.\nIT Piattaforma-seduta per \nuso domestico e contract.\nMateriali: struttura in \ntondino di acciaio verni-\nciato poliestere; cuscini \nin poliuretano espanso \nrivestiti in pelle o in tessuto \nsfoderabile. Disponibile \ntavoletta in pietra acrilica.\nES Plataforma para uso \ndómestico y contract.\nMateriales: estructura en \nbarra de acero barniza-\ndo poliéster; cojines en \nespuma de poliuretano, \ntapizados en piel ou en \ntela desenfundable. Tableta \nen piedra acrílica también \ndisponible.\nwhite \nsteel rod\nblack \nsteel rod\nFinishes \u002F frame\nFabrics\nVelvet\nKvadrat Tonus\nKvadrat Tonica\nKvadrat Coda\nBoxland leather brown\nBoxland leather black\n13,5\n31\ntablet\nbenches\nTraffic_2\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.97.png","190\n191\nlounge\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.98.png","61,5\n58\n41\n61,5\n68,5\n78,5\n77\n192\n193\ndesign Konstantin Grcic, 2017\nEN Armchair for domestic \nand contract use.\nMaterials: frame in cast \niron painted in polyester \npowder. Cushions in ex-\npanded polyurethane with \nremovable cover in fabric. \nDE Sessel für Haus- oder \nObjektgebrauch.\nMaterial: Gestell aus Gus-\nseisen polyesterlackiert. \nKissen aus geschäumtem \nPolyurethan mit Stoffbe-\nzug, abziehbar. \nFR Fauteuil pour la mai-\nson et pour la collectivité.\n \nMatériaux: structure en \nfonte verni en polyester. \nCoussins déhoussables \nen polyuréthane expansé, \navec revêtment en tissu.\nIT Poltrona per uso dome-\nstico e contract. \nMateriali: struttura in \nghisa verniciata polieste-\nre. Cuscini in poliuretano \nespanso rivestiti in tessu-\nto, sfoderabili.\nES Sillón para uso dóme-\nstico y contract.\nMateriales: estructura \nen fundición de hierro \nbarnizado poliéster. Cojínes \nen poliuretano expandido, \ntapizados en tejido, desen-\nfundables.\ngrey anthracite \ncast iron\nFinishes \u002F frame\nFabrics\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Hero\nKvadrat Vidar\nTorri Lana Rico\nVelvet\nBrut\nBrut\nlounge\n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.99.png","116,5\n171\n58\n58\n41\n41\n61,5\n61,5\n68,5\n68,5\n133,5\n188\n77\n77\n194\n195\ndesign Konstantin Grcic, 2017\nEN Two or three-seater \nsofa for domestic and \ncontract use.\nMaterials: frame in cast \niron painted in polyester \npowder. Cushions in ex-\npanded polyurethane with \nremovable cover in fabric. \nDE Zwei- oder Dreisitzer- \nSofa für Haus- oder \nObjektgebrauch.\nMaterial: Gestell aus Gus-\nseisen, polyesterlackiert. \nKissen aus geschäumtem \nPolyurethan mit Stoffbe-\nzug, abziehbar. \nFR Canapé à deux ou \ntrois places  pour la mai-\nson et pour la collectivité. \nMatériaux: structure en \nfonte verni en polyester. \nCoussins déhoussables \nen polyuréthane expansé, \navec revêtment en tissu.\nIT Divano a due o tre \nposti per uso domestico e \ncontract. \nMateriali: struttura in \nghisa verniciata polieste-\nre. Cuscini in poliuretano \nespanso rivestiti in tessu-\nto, sfoderabili.\nES Sofá de tres o dos \nplazas para uso dómestico \ny contract.\nMateriales: estructura \nen fundición de hierro \nbarnizado poliéster. Cojínes \nen poliuretano expandido, \ntapizados en tejido, desen-\nfundables.\nBrut\ngrey anthracite \ncast iron\nFinishes \u002F frame\nFabrics\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Hero\nKvadrat Vidar\nTorri Lana Rico\nVelvet\nBrut\nlounge\n",99,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.100.png","Compasso d’Oro 2024\n196\n197\ndesign Stefan Diez, 2021\nCostume\nEN Modular sofa for do-\nmestic and contract use.\nMaterials: structure in \nrecycled and recyclable \npolyethylene. Cover in \nremovable fabric.\nDE Modulares Sofa für \nHaus- oder Objektge-\nbrauch.\nMaterialien: Struktur aus \nrecyceltem und recycelba-\nrem Polyäthylen. Abnehm-\nbarer Stoffbezug.\nFR Canapé modulable \npour la maison et pour la \ncollectivité. \nMatériaux: structure en \npolyéthylène recyclé et \nrecyclable. Revêtement en \ntissu déhoussable.\nIT Divano modulare per \nuso domestico e contract.\nMateriali: struttura in polie-\ntilene riciclato e riciclabile. \nRivestimento in tessuto \nsfoderabile.\nES Sofa modular para uso \ndómestico y contract.\nMateriales: estructura \nen polietileno reciclado y \nreciclable. Tapizamiento en \ntejido desenfundable.\nCostume\nlounge\n",100,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.101.png","84\n168\n252\n86\n84\n84\n42\n42\n84\n34,6\n34,6\n76\n256,5\n168\n35,4\n80,3\n78\n80,3\n71,7\n79,8\n98,5\n98,5\n256,5\n252\n340,5\n86\n58\n42\n28\n60\n76\n93\n177\n261\nmodule + linear compositions\nside tables\nexamples of composition\ncushion\nottoman\nmodule w\u002F armrests + linear compositions\n198\n199\norange\nblack\nblue\nwhite\nblack\nFinishes \u002F connectors for modularity\nFinishes \u002F side tables\nFabrics\nFidivi One\nTorri Lana Dato\nKvadrat Uniform Mélange\nexample of composition\nintermediate and floor \nconnectors\nside table\ncorner side table\nottoman\nmodule\nmodule w\u002F right armrest\nmodule w\u002F left armrest\nmodule w\u002F right and left \narmrests\nlounge\nCostume\n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.102.png","200\n201\ndesign Stefan Diez, 2024\nCostume Lounge\nEN Modular sofa for do-\nmestic and contract use.\nMaterials: structure in \nrecycled and recyclable \npolyethylene. Cover in re-\nmovable fabric. Version for \noutdoor use also available.\nDE Modulares Sofa für \nHaus - und Objektge-\nbrauch.\nMaterialien: Struktur aus \nrecyceltem und recycel-\nbarem Polyäthylen. \nAusführung für den Aus-\nsenbereich auch erhältlich.\nFR Canapé modulable \npour la maison et pour la \ncollectivité.\nMatériaux: structure en \npolyéthylène recyclé et \nrecyclable. Revêtement en \ntissu déhoussable. Version \npour l’éxterieur aussi \ndisponible\nIT Divano modulare per \nuso domestico e contract.\nMateriali: struttura in \npolietilene riciclato e \nriciclabile. Rivestimento \nin tessuto sfoderabile. \nDisponibile anche versione \nper esterno.\nES Sistema modular para \nuso dómestico y contract.\nMateriales: estructura \nen polietileno reciclado y \nreciclable. Tapizamiento \nen tejido desenfundable. \nVersión para el exterior \ntambién disponible\nCostume Lounge\nlounge\n",102,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.103.png","50\n45\n58\n50\n45\n28\n84\n168\n252\n279\n111\n70\n84\n84\n84\n27\n42\n50\n42\n60\n279\n34,6\n34,6\n60\n195\n111\n35,4\n80,3\n77,8\n80,3\n71,7\n79,8\n98,5\n98,5\n252\n287,5\n455,5\ncushions\nside tables\nottoman\nbackrest\nlinear compositions\nback support cushion\nexamples of composition\n202\n203\nblack\nwhite\nFinishes \u002F side tables\nFabrics\nLimonta Java\nTorri Lana Contichi\nFidivi One\nLimonta Volpe\nTorri Lana Rico\nTorri Lana Ombra\nTorri Lana Dato\nKvadrat Recheck\nKvadrat Mélange Nap\nKvadrat Hero\nKvadrat Uniform Mélange\nRubelli Vines\nRubelli Cork\nlinear floor \nconnector\ncorner floor connector\nside table\ncorner side table\nottoman\nbackrest \u002F armrest\nback support cushion\nexample of composition\nCostume Lounge\nlounge\n",103,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.104.png","82,8\n90,8\n156\n43\n86,8\n75\nseat cushion\n204\n205\ndesign Thomas Heatherwick, 2024\nIn-Side\nEN Armchair for domestic \nand contract use.\nMaterials: polyethylene \ncontaining post-consu-\nmer recycled material. \nMulticolored side flakes \nin recycled polyethylene \nobtained from industrial \nwaste. Suitable for outdo-\nor use. Cushion available.\nDE Sessel für Haus- und \nObjektgebrauch.\nMaterialien: Polyäthylen \nmit einem Anteil an \nrecyceltem Post-Consu-\nmer Material. Mehrfarbige \nSeitenchips aus recycel-\ntem Polyäthylen aus der \nPost-Industrie. Auch \nfür den Aussenbereich \ngeeignet. Kissen auch \nerhältlich.\nFR Fauteuil pour la mai-\nson et pour la collectivité.\nMatériaux: polyéthylène \ncontenant matériaux \nrecyclés post-consomma-\ntion. Flocons latéraux mul-\nticolores en polyéthylène \nrecyclé post-industriel. \nConçu pour l’extérieur. \nCoussin disponible.\nIT Poltrona per uso dome-\nstico e contract. \nMateriali: polietilene \ncontenente materiale \nriciclato post-consumo. \nChips laterali multicolore \nin polietilene riciclato \npost- industriale. Adatto \nper esterni. Disponibile \ncuscino.\nES Sillón para uso dóme-\nstico y contract.\nMateriales: polietileno que \ncontiene material recicla-\ndo posconsumo. Fichas \nlaterales multicolores \nen polietileno reciclado \npostindustrial. Apta para el \nexterior. Cojin disponible.\nFinishes\nCushions\nwhite\nsage\nterracotta\nAbitex Vortice Natté 301  \nAbitex Vortice Natté 801\nIn-Side\nlounge\n",104,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.105.png","181\n90,8\n156\n43\n86,8\n176\nseat cushion\n206\n207\ndesign Thomas Heatherwick, 2024\nIn-Side\nEN Sofa for domestic and \ncontract use.\nMaterials: polyethylene \ncontaining post-consu-\nmer recycled material. \nMulticolored side flakes \nin recycled polyethylene \nobtained from industrial \nwaste. Suitable for outdo-\nor use. Cushion available.\nDE Sofa für Haus- und \nObjektgebrauch.\nMaterialien: Polyäthylen \nmit einem Anteil an \nrecyceltem Post-Consu-\nmer Material. Mehrfarbige \nSeitenchips aus recycel-\ntem Polyäthylen aus der \nPost-Industrie. Auch \nfür den Aussenbereich \ngeeignet. Kissen auch \nerhältlich.\nFR Canapé pour la mai-\nson et pour la collectivité.\nMatériaux: polyéthylène \ncontenant matériaux \nrecyclés post-consomma-\ntion. Flocons latéraux mul-\nticolores en polyéthylène \nrecyclé post-industriel. \nConçu pour l’extérieur. \nCoussin disponible.\nIT Divano per uso dome-\nstico e contract. \nMateriali: polietilene \ncontenente materiale \nriciclato post-consumo. \nChips laterali multicolore \nin polietilene riciclato \npost- industriale. Adatto \nper esterni. Disponibile \ncuscino.\nES Sofá para uso dómesti-\nco y contract.\nMateriales: polietileno que \ncontiene material recicla-\ndo posconsumo. Fichas \nlaterales multicolores \nen polietileno reciclado \npostindustrial. Apta para el \nexterior. Cojin disponible.\nFinishes\nCushions\nwhite\nsage\nterracotta\nAbitex Vortice Natté 301 \nAbitex Vortice Natté 801\nIn-Side\nlounge\n",105,{"image":434,"text":435,"number":436},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.106.png","39\n67\n105\n60\n90\n104\n208\n209\ndesign Alessandro Mendini, 2011\nMagis Proust\nEN Armchair for domestic \nand contract use.\nMaterials: polyethylene. \nSuitable for outdoor use.\nDE Sessel für Haus- und \nObjektgebrauch.\nMaterialien: Polyäthylen. \nAuch für den Aussenbe-\nreich geeignet.\nFR Fauteuil pour la mai-\nson et pour la collectivité.\nMatériaux: polyéthylène. \nConçue pour l’extérieur.\nIT Poltrona per uso dome-\nstico e contract.\nMateriali: polietilene. Adat-\nta per esterni.\nES Sillon para uso dóme-\nstico y contract.\nMateriales: polietileno. \nAdaptado para el exterior.\norange\nblue\nwhite\nblack\nmulticolour\nred\nFinishes\nMagis Proust\nlounge\n",106,{"image":438,"text":439,"number":440},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.107.png","40\n80,5\n62\n86\n210\n211\ndesign Marc Newson, 2009\nNimrod\nEN Low chair for domestic \nand contract use.\nMaterials: frame in \npolyethylene. Seat and \nback cushions in expan-\nded polyurethane covered \nin fabric.\nDE Niedriger Stuhl für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \nPolyäthylen. Sitz- und \nRückenlehnekissen aus \nPolyurethanschaum mit \nStoffbezug.\nFR Chauffeuse pour la \nmaison et pour la collec-\ntivité.\nMateriaux: structure en \npolyéthylène. Coussins \n(assise et dossier) en \npolyurethane revetu en \ntissu.\nIT Poltroncina per uso \ndomestico e contract.\nMateriali: struttura in \npolietilene. Cuscini sedile \ne schienale in poliure-\ntano espanso rivestiti in \ntessuto.\nES Butaca para uso dóme-\nstico y contract.\nMateriales: estructura en \npolietileno. Cojín asiento \ny respaldo en poliuretano \ntapizado con tejido.\nwhite \u002F Kvadrat \nDivina 3 542 \norange\nwhite \u002F Kvadrat \nDivina 3 963 \ngreen\nwhite \u002F Kvadrat \nDivina 3 666 \npurple\nwhite \u002F Kvadrat \nDivina 3 426 \nyellow\nwhite \u002F Kvadrat \nSteelcut 3 110 \nwhite\nwhite \u002F Kvadrat \nSteelcut 3 775 \nblue\nwhite \u002F Kvadrat \nSteelcut 3 190 \nblack\nwhite \u002F Kvadrat \nSteelcut 3 140 \ngrey\nwhite \u002F Kvadrat \nSteelcut 3 550 \ncoral red\nwhite \u002F Torri \nLana Brionne \n040\nFinishes\nNimrod\nlounge\n",107,{"image":442,"text":443,"number":444},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.108.png","39\n51\n75\n76\n67\n54\nseat cushion\n212\n213\ndesign Ronan & Erwan Bouroullec, 2017\nOfficina\nEN Low chair for domestic \nand contract use.\nMaterials: frame in \nwrought iron painted in \npolyester powder. Seat \nand back covered in \npremium-grade leather or \nin fabric. Cushion in polyu-\nrethane foam covered in \nfabric also available.\nDE Niedriger Stuhl für \nHaus- und Objektge-\nbrauch.\nMaterial: Gestell aus \nSchmiedeeisen, polye-\nsterlackiert. Sitz und \nRückenlehne mit Vollleder- \noder Stoffbezug. Kissen \naus Polyurethanschaum \nmit Stoffbezug auch \nerhältlich.\nFR Chauffeuse pour la \nmaison et pour la collec-\ntivité.\nMatériaux: structure en fer \nforgé verni en polyester. \nAssise et dossier recou-\nverts de cuir pleine fleur \nou de tissu. Coussin en \nmousse de polyuréthane \navec revetement en tissu \naussi disponible.\nIT Poltroncina bassa per \nuso domestico e contract.\nMateriali: struttura in ferro \nforgiato verniciato polie-\nstere. Sedile e schienale \nrivestiti in cuoio primo \nfiore oppure in tessuto. \nDisponibile cuscino in po-\nliuretano espanso rivestito \nin tessuto.\nES Sillón para uso dóme-\nstico y contract.\nMateriales: estructura de \nhierro forjado barnizado \nen poliéster. Asiento y \nrespaldo tapizado en cuero \nde grano superior o en \ntejido. Cojín en poliuretano \ntapizado con tejido tambien \ndisponible.\ngrey \nanthracite \u002F \nKvadrat Divina \nMélange 120 \nlight grey\ngrey \nanthracite \u002F \nnatural leather\ngrey \nanthracite \u002F \nblack leather\ngrey \nanthracite \u002F \nKvadrat Divina \nMD 193 dark \ngrey\nFinishes \nCushions\nKvadrat Divina Mélange 120 \u002F light grey\nKvadrat Divina MD 193 \u002F dark grey\nOfficina\nlounge\n",108,{"image":446,"text":447,"number":448},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.109.png","45\n16\n115\n45\n81\n125\n57\n214\n215\ndesign Ronan & Erwan Bouroullec, 2017\nOfficina\nEN Bench for domestic \nand contract use.\nMaterials: frame in \nwrought iron painted in \npolyester powder. Seat \nand back covered in \nfabric.\nDE Bank für Haus- und \nObjektgebrauch.\nMaterial: Gestell aus \nSchmiedeeisen polye-\nsterlackiert. Sitz und Rü-\nckenlehne mit Stoffbezug. \nFR Banc pour la maison \net pour la collectivité.\nMatériaux: structure en fer \nforgé verni en polyester. \nAssise et dossier avec \nrevetement en tissu.\nIT Panca per uso dome-\nstico e contract.\nMateriali: struttura in ferro \nforgiato verniciato polie-\nstere. Sedile e schienale \nrivestito in tessuto.\nES Banco para uso dóme-\nstico y contract.\nMateriales: estructura de \nhierro forjado barnizado en \npoliéster. Asiento y respal-\ndo tapizado en tejido.\ngrey \nanthracite \u002F \nKvadrat Divina \nMélange 120 \nlight grey\ngrey \nanthracite \u002F \nKvadrat Divina \nMD 193 dark \ngrey\nFinishes\nOfficina\nlounge\n",109,{"image":450,"text":451,"number":452},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.110.png","41\n40\n18\n89,5\n61,5\n77\n50,5\n47\n70,5\nottoman\nloinrest\ncushion\n216\n217\ndesign Ronan & Erwan Bouroullec, 2017\nOfficina\ngrey anthracite\nFinishes \u002F frame\nFabrics\nIT Poltrona per uso dome-\nstico e contract. \nMateriali: struttura in ferro \nforgiato verniciato polie-\nstere. Cuscini in poliureta-\nno espanso rivestiti in pelle \no in tessuto sfoderabile. \nDisponibili cuscino poggia-\nreni e ottomana.\nDE Sessel für Haus- oder \nObjektgebrauch.\nMaterial: Gestell aus \nSchmiedeeisen polye-\nsterlackiert. Kissen aus \ngeschäumtem Polyurethan \nmit Leder- oder Stoffbe-\nzug, abziehbar. Nierenkis-\nsen und Ottoman auch \nerhältlich.\nFR Fauteuil pour la mai-\nson et pour la collectivité. \nMatériaux: structure en \nfer forgé verni polyester. \nCoussins en polyuréthane \nexpansé, avec revête-\nment en cuir ou en tissu \ndéhoussable. Coussin \nappui-reins et ottoman \naussi disponibles.\nES Sillón para uso dóme-\nstico y contract.\nMateriales: estructura en \nhierro forjado barniza-\ndo poliéster. Cojínes en \npoliuretano expandido, \ntapizados en piel o en \ntejido desenfundable. Cojín \napoya riñones y otomana \ntambién disponibles.\nEN Armchair for domestic \nand contract use.\nMaterials: frame in \nwrought iron painted \nin polyester powder. \nCushions in expanded \npolyurethane covered in \nleather or in removable fa-\nbric. Loinrest cushion and \nottoman also available.\nVelvet\nLimonta Indianskop\nTorri Lana Rico\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Hero\nKvadrat Vidar\nFlorida leather\nOfficina\nlounge\n",110,{"image":454,"text":455,"number":456},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.111.png","41\n41\n62\n62\n151\n213\n77\n77\n70,5\n70,5\n40\n61,5\n50,5\nloinrest cushion\n18\n47\n218\n219\ndesign Ronan & Erwan Bouroullec, 2017\nOfficina\nIT Divano a due o tre \nposti per uso domestico e \ncontract.\n \nMateriali: struttura in ferro \nforgiato verniciato polie-\nstere. Cuscini in poliureta-\nno espanso rivestiti in pelle \no in tessuto sfoderabile. \nDisponibili cuscino poggia-\nreni e ottomana.\nDE Zwei- oder Dreisitzer- \nSofa für Haus- oder \nObjektgebrauch.\nMaterial: Gestell aus \nSchmiedeeisen polye-\nsterlackiert. Kissen aus \ngeschäumtem Polyurethan \nmit Leder- oder Stoffbe-\nzug, abziehbar. Nierenkis-\nsen und Ottoman auch \nerhältlich.\nFR Canapé à deux ou \ntrois places pour la maison \net pour la collectivité. \nMatériaux: structure en \nfer forgé verni polyester. \nCoussins en polyuréthane \nexpansé, avec revête-\nment en cuir ou en tissu \ndéhoussable. Coussin \nappui-reins et ottoman \naussi disponibles.\nES Sofá de tres o dos \nplazas para uso dómestico \ny contract.\nMateriales: estructura en \nhierro forjado barniza-\ndo poliéster. Cojínes en \npoliuretano expandido, \ntapizados en piel o en \ntejido desenfundable. Cojín \napoya riñones y otomana \ntambién disponibles.\nEN Two or three-seater \nsofa for domestic and \ncontract use.\nMaterials: frame in \nwrought iron painted \nin polyester powder. \nCushions in expanded \npolyurethane covered in \nleather or in removable fa-\nbric. Loinrest cushion and \nottoman also available.\ntwo seaters\nthree seaters\ngrey anthracite\nFinishes \u002F frame\nottoman\nFabrics\nVelvet\nLimonta Indianskop\nTorri Lana Rico\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Hero\nKvadrat Vidar\nFlorida leather\nOfficina\nlounge\n",111,{"image":458,"text":459,"number":460},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.112.png","89,5\n89\n41,5\n99\n40\n61,5\n50,5\nottoman\n18\n47\nloinrest\ncushion\n220\n221\nOfficina \ndesign Ronan & Erwan Bouroullec, 2020\ngrey anthracite\nFinishes \u002F frame\nIT Poltrona con schienale \nalto per uso domestico e \ncontract. \nMateriali: struttura in ferro \nforgiato verniciato polie-\nstere. Cuscini in poliureta-\nno espanso rivestiti in pelle \no in tessuto sfoderabile. \nDisponibili cuscino poggia-\nreni e ottomana.\nDE Sessel mit höher Rü-\nckenlehne für Haus- oder \nObjektgebrauch.\nMaterial: Gestell aus \nSchmiedeeisen polye-\nsterlackiert. Kissen aus \ngeschäumtem Polyurethan \nmit Leder- oder Stoffbe-\nzug, abziehbar. Nierenkis-\nsen und Ottoman auch \nerhältlich.\nFR Fauteuil avec dossier \nhaut pour la maison et \npour la collectivité. \nMatériaux: structure en \nfer forgé verni polyester. \nCoussins en polyuréthane \nexpansé, avec revête-\nment en cuir ou en tissu \ndéhoussable. Coussin \nappui-reins et ottoman \naussi disponibles.\nES Sillón con respaldo \nalto para uso dómestico y \ncontract.\nMateriales: estructura en \nhierro forjado barniza-\ndo poliéster. Cojínes en \npoliuretano expandido, \ntapizados en piel o en \ntejido desenfundable. Cojín \napoya riñones y otomana \ntambién disponibles.\nEN Armchair with high \nback for domestic and \ncontract use.\nMaterials: frame in \nwrought iron painted \nin polyester powder. \nCushions in expanded \npolyurethane covered in \nleather or in removable fa-\nbric. Loinrest cushion and \nottoman also available.\nFabrics\nVelvet\nLimonta Indianskop\nTorri Lana Rico\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Hero\nKvadrat Vidar\nFlorida leather\nlounge\nOfficina\n",112,{"image":462,"text":463,"number":464},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.113.png","78\n75\n48\n59\n80\n45\n22\n67\n55\n45\nottoman\ncushion\n222\n223\nPiña\ndesign Jaime Hayón, 2014\nEN Armchair for domestic \nand contract use.\nMaterials: legs in solid ash, \nnatural or stained walnut. \nSeat in steel rod painted \nin polyester powder. Seat\u002F\nback cushion in polyure-\nthane foam with remova-\nble cover in fabric. Loinrest \ncushion and ottoman also \navailable.\nDE Niedriger Sessel für \nHaus- und Objektge-\nbrauch.\nMaterialien: Beine aus \nmassiver Esche, naturfar-\nben oder nussbaumfar-\nben gebeizt. Sitz aus \npolyesterlackiertem \nStahldraht. Sitz- und \nRückenlehnekissen aus \nPolyurethanschaum mit \nabnehmbarem Stoffbezug.\nNierenkissen und Ottoman \nauch erhältlich.\nFR Chauffeuse pour la \nmaison et pour la collec-\ntivité.\nMatériaux: pieds en frêne \nmassif naturel ou teinté \nnoyer. Assise en fil d’acier \nverni en polyester. Coussin \nassise\u002Fdossier en polyuré-\nthane, déhoussable et \nrevêtu en tissu. Coussin \nappui-reins et ottoman \naussi disponibles.\nIT Poltroncina bassa per \nuso domestico e contract.\nMateriali: gambe in mas-\nsello di frassino naturale o \ntinto noce. Sedile in ton-\ndino di acciaio verniciato \npoliestere. Cuscino sedile\u002F\nschienale in poliuretano \nespanso sfoderabile, \nrivestito in tessuto. Dispo-\nnibili cuscino poggiareni e \nottomana.\nES Butaca para uso \ndómestico y contract.\nMateriales: patas de \nmadera maciza de fresno, \nnatural o teñido nogal. \nAsiento de barra de acero, \nbarnizado poliéster. Cojín\nasiento\u002Frespaldo de poliu-\nretano expandido tapizado \nen tela desenfundable.\nCojín apoya riñones y oto-\nmana también disponibles.\nFabrics\nBeige velvet\nTerracotta velvet\nBronze velvet\nBlack velvet\nsolid ash \nnatural \u002F \nwhite \u002F beige \nvelvet\nsolid ash \nstained walnut \u002F \nwhite \u002F beige \nvelvet\nsolid ash \nnatural \u002F grey\n \u002F beige velvet\nsolid ash \nstained walnut \n\u002F grey \u002F beige \nvelvet\nsolid ash \nnatural  \u002F \nterracotta \u002F \nterracotta velvet\nsolid ash \nstained walnut \n\u002F terracotta \u002F \nterracotta velvet\nsolid ash \nnatural \u002F \nbronze \u002F \nbronze velvet\nsolid ash \nstained walnut \n\u002F bronze \u002F \nbronze velvet\nsolid ash \nnatural \u002F black \n\u002F black velvet\nsolid ash \nstained walnut \n\u002F black \u002F black \nvelvet\nFinishes\nlounge\nPiña\n",113,{"image":466,"text":467,"number":468},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.114.png","78\n75\n48\n59\n80\n45\n67\n55\nottoman\n22\n45\ncushion\n224\n225\nPiña\nEN Armchair for domestic \nand contract use.\nMaterials: legs in steel \ntube, cataphoretically-\ntreated and painted in \npolyester powder. Seat in \nsteel rod cataphoretically-\ntreated and painted in \npolyester powder. Seat\u002F\nback cushion in polyure-\nthane foam with remo-\nvable cover in fabric. \nSuitable for outdoor use. \nLoinrest cushion and otto-\nman also available.\nDE Niedriger Sessel für \nHaus- und Objektge-\nbrauch.\nMaterial: Beine aus \nrostschutzbehandel-\ntem, polyesterlackier-\ntem Stahlrohr. Sitz aus \nrostschutzbehandeltem, \npolyesterlackiertem \nStahldraht. Sitz- und \nRückenlehnekissen aus \nPolyurethanschaum mit \nabnehmbarem Stoffbezug. \nFür den Aussenbereich \ngeeignet. Nierenkissen \nund Ottoman auch \nerhältlich.\nFR Chauffeuse pour la \nmaison et pour la collec-\ntivité.\nMatériaux: pieds en \ntube d’acier traité en \ncataphorèse et verni en \npolyester. Assise en fil d’a-\ncier traité en cataphorèse \net verni en polyester. \nCoussin assise\u002Fdossier en \npolyuréthane dehoussable \net revêtu en tissu. Conçue \npour l’extérieur. Coussin \nappui-reins et ottoman \naussi disponibles.\nIT Poltroncina bassa per \nuso domestico e contract.\nMateriali: gambe in tubo di \nacciaio trattato cataforesi \ne verniciato poliestere. \nSedile in tondino di acciaio \ntrattato cataforesi e verni-\nciato poliestere. Cuscino \nsedile\u002Fschienale in poliure-\ntano espanso sfoderabile \nrivestito in tessuto. Adatta \nper esterni. Disponibili \ncuscino poggiareni e \nottomana.\nES Butaca para uso \ndómestico y contract.\nMateriales: patas de tubo \nde acero tratado anti-\nóxido y barnizado poliéster. \nAsiento de barra de acero, \ntratado anti-óxido y bar-\nnizado poliéster. Cojínes \nasiento\u002Frespaldo de poliu-\nretano expandido tapizado \nen tela desenfundable.\nApta para el exterior. Cojín \napoya riñones y otomana \ntambién disponibles.\ndesign Jaime Hayón, 2014\nFabrics\nimNativ - Maestrale 102\nFinishes\nwhite \u002F imNativ \nMaestrale 102\nlounge\nPiña\n",114,{"image":470,"text":471,"number":472},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.115.png","69,5\n56,5\n44,5\n77\n226\n227\nRaviolo\ndesign Ron Arad,  2011\nIT Poltroncina per uso \ndomestico e contract.\nMateriali: polietilene. Adat-\nta per esterni.\nDE Niedriger Stuhl, für \nHaus- und Objektge-\nbrauch.\nMaterialien: Polyäthylen. \nAuch für den Aussenbe-\nreich geeignet. \nFR Chauffeuse pour la \nmaison et pour la collec-\ntivité.\nMatériaux: polyéthylène. \nConçue pour l’extérieur.\nES Butaca para uso dóme-\nstico y contract.\nMateriales: polietileno. \nAdaptado para el exterior.\nEN Low chair for domestic \nand contract use.\nMaterials: polyethylene. \nSuitable for outdoor use.\norange\nyellow\nred\nolive green\ngreen \npistacchio\npurple\nrust brown\nwhite\nFinishes\nlounge\nRaviolo\n",115,{"image":474,"text":475,"number":476},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.116.png","228\n229\nRiace\ndesign Ronan Bouroullec, 2023\u002F2024\nIT Divano a quattro o tre \nposti per uso domestico e \ncontract. \nMateriali: struttura in \nbronzo bianco con finitura \nburattata. Cuscino sedile\u002F\nschienale in poliuretano \nespanso, rivestito in tessu-\nto sfoderabile. Disponibile \ncuscino poggiareni.\nDE Vier- oder Dreisitzer-\nSofa für Haus- oder \nObjektgebrauch.\nMaterialien: Gestell \naus weißer Bronze mit \ngetrommelter Oberfläche. \nSitz - und Rückenlehne \nKissen aus Polyurethan-\nschaum mit Stoffbezug, \nabziehbar. Nierenkissen \nauch erhältlich. \nFR Canapé à quatre ou \ntrois places pour la mai-\nson et pour la collectivité. \nMatériaux: structure \nen bronze blanc avec \npolissage au tonneau. \nCoussin assise\u002Fdossier \nen polyuréthane expansé, \navec revêtement en tissu \ndéhoussable. Coussin \naussi disponible.\nES Sofá de cuatro o tres \nplazas para uso dómestico \ny contract.\nMateriales: estructura de \nbronce blanco con acaba-\ndo en tambor. Cojín asien-\nto\u002Frespaldo de espuma \nde poliuretano, tapizado \nen tejido (desenfundable). \nCojín apoya riñones tam-\nbién disponible.\nEN Four or three-seater \nsofa for domestic and \ncontract use.\nMaterial: frame in tumbled \nwhite bronze. Seat\u002F\nback cushion in expan-\nded polyurethane, with \nremovable cover in fabric. \nLoinrest cushion also \navailable.\nlounge\nRiace\n",116,{"image":478,"text":479,"number":480},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.117.png","43\n43\n83,5\n83,5\n96,7\n220\n342\n300\n97,5\n115\n40\n70\nthree seaters\nfour seaters (curved)\nlumbar cushion\n230\n231\nwhite bronze\nFinishes \u002F frame\nFabrics\nTorri Lana Rella\nLimonta Indianskop\nKvadrat Vidar\nKvadrat Alle\nRiace\nlounge\n",117,{"image":482,"text":483,"number":484},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.118.png","33\n62\n70\n111\n77\n232\n233\nSam Son\ndesign Konstantin Grcic, 2016\nIT Poltroncina bassa per \nuso domestico e contract. \nMateriali: polietilene. Adat-\nta anche per esterni.\nDE Sessel für Haus- und \nObjektgebrauch.\nMaterialien: Polyäthylen. \nAuch für den Aussenbe-\nreich geeignet.\nFR Fauteuil pour la mai-\nson et pour la collectivité.\nMatériaux: polyéthyène. \nConçu pour l’extérieur.\nES Butaca para uso dóme-\nstico y contract.\nMateriales: polietileno. \nTambién apta para el \nexterior.\nEN Low chair for domestic \nand contract use.\nMaterials: polyethylene. \nSuitable for outdoor use.\nwhite\ngrey \nanthracite\nred\npetrol blue\ncurry\nFinishes\nlounge\nSam Son\n",118,{"image":486,"text":487,"number":488},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.119.png","68\n81\n38\n56\n70\n6\nwoven matting\n51\n104\nwoven matting\n51\n084987.O\nCENTROCOT\n234\n235\nSouth\nEN Stacking armchair for \ndomestic and contract \nuse.\nMaterials: steel tube and \nsteel wire, cataphoreti-\ncally treated and painted \nin polyester powder. \nPivoting feet. Suitable \nfor outdoor use. Woven \nmatting also available.\nDE Niedriger Sessel, \nstapelbar für Haus- und \nObjektgebrauch.\nMaterialien: Stahlrohr und \n– draht, rostschutzbe-\nhandelt und polyesterla-\nckiert. Verstellbare Füße. \nAuch für den Aussenbe-\nreich geeignet. Geflochte-\nne Sitzmatte lieferbar.\nFR Petit fauteuil empi-\nlable pour la maison et \npour la collectivité.\nMatériaux: tube d’acier \net fil d’acier, traité en \ncataphorèse et verni \nen polyester. Pieds \npivotants. Conçu pour \nl’extérieur. Disponible \nnatte tressé.\nIT Poltroncina bassa \nimpilabile per uso dome-\nstico e contract .\nMateriali: tubo e tondino \ndi acciaio trattato catafo-\nresi e verniciato polie-\nstere. Piedini orientabili. \nAdatta per esterni. Dispo-\nnibile stuoia intrecciata.\nES Sillón apilable para \nuso domestico y contract.\nMateriales: tubo y barra \nde acero, tratado anti-\nóxido y barnizado polié-\nster. Pies pivotantes. Apto \npara el exterior. Disponible \nestera etrelazada.\ndesign Konstantin Grcic, 2023\norange\nbordeaux\nlight blue\nnight blue\nFinishes\nWoven matting\norange \u002F \nred\u002Forange\nbordeaux \u002F \nred\u002Forange\nlight blue \u002F\nblue\u002Flight blue\nnight blue \u002F\nblue\u002Flight blue\nlounge\nSouth\n",119,{"image":490,"text":491,"number":492},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.120.png","woven matting\n120\n68\n45\n66\n77\n103\n92\n6\n084987.O\nCENTROCOT\n236\n237\nSouth\ndesign Konstantin Grcic, 2023\nEN Stacking bench for \ndomestic and contract \nuse.\nMaterials: steel tube and \nsteel wire, cataphoretically \ntreated and painted in \npolyester powder. Pivoting \nfeet. Suitable for outdoor \nuse. Woven matting also \navailable.\nDE Bank, stapelbar für \nHaus- und Objektge-\nbrauch.\nMaterialien: Stahlrohr und \n– draht, rostschutzbehan-\ndelt und polyesterlackiert. \nVerstellbare Füße. Auch \nfür den Aussenbereich \ngeeignet. Geflochtene \nSitzmatte lieferbar.\nFR Banc empilable pour \nla maison et pour la col-\nlectivité.\nMatériaux: tube d’acier \net fil d’acier, traité en \ncataphorèse et verni en \npolyester. Pieds pivotants. \nConçu pour l’extérieur. \nDisponible natte tressé.\nIT Panca impilabile per \nuso domestico e contract.\nMateriali: tubo e tondino di \nacciaio trattato cataforesi \ne verniciato poliestere.\nPiedini orientabili. Adatta \nper esterni. Disponibile \nstuoia intrecciata.\nES Banco apilable para \nuso domestico y contract.\nMateriales: tubo y barra de \nacero, tratado anti-óxido \ny barnizado poliéster. Pies \npivotantes. Apto para el \nexterior. Disponible estera \netrelazada.\norange\nbordeaux\nlight blue\nnight blue\nFinishes\nWoven matting\norange \u002F \nred\u002Forange\nbordeaux \u002F \nred\u002Forange\nlight blue \u002F\nblue\u002Flight blue\nnight blue \u002F\nblue\u002Flight blue\nSouth\nlounge\n",120,{"image":494,"text":495,"number":496},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.121.png","woven matting\n120\n81\n38\n56\n70\n103\n104\n6\n084987.O\nCENTROCOT\n238\n239\nSouth\ndesign Konstantin Grcic, 2023\nEN Stacking low bench \nfor domestic and contract \nuse.\nMaterials: steel tube and \nsteel wire, cataphoretically \ntreated and painted in \npolyester powder. Pivoting \nfeet. Suitable for outdoor \nuse. Woven matting also \navailable.\nDE Niedrige Bank, \nstapelbar für Haus- und \nObjektgebrauch.\nMaterialien: Stahlrohr und \n– draht, rostschutzbehan-\ndelt und polyesterlackiert. \nVerstellbare Füße. Auch \nfür den Aussenbereich \ngeeignet. Geflochtene \nSitzmatte lieferbar.\nFR Banc bas empilable \npour la maison et pour la \ncollectivité.\nMatériaux: tube d’acier \net fil d’acier, traité en \ncataphorèse et verni en \npolyester. Pieds pivotants. \nConçu pour l’extérieur. \nDisponible natte tressé.\nIT Panca bassa impila-\nbile per uso domestico e \ncontract.\nMateriali: tubo e tondino di \nacciaio trattato cataforesi \ne verniciato poliestere. \nPiedini orientabili. Adatta \nper esterni. Disponibile \nstuoia intrecciata.\nES Banco bajo apilable \npara uso domestico y \ncontract.\nMateriales: tubo y barra de \nacero, tratado anti-óxido \ny barnizado poliéster. Pies \npivotantes. Apto para el \nexterior. Disponible estera \netrelazada.\nSouth\norange\nbordeaux\nlight blue\nnight blue\nFinishes\nWoven matting\norange \u002F \nred\u002Forange\nbordeaux \u002F \nred\u002Forange\nlight blue \u002F\nblue\u002Flight blue\nnight blue \u002F\nblue\u002Flight blue\nlounge\n",121,{"image":498,"text":499,"number":500},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.122.png","44\n65\n78\n91\nCompasso d’Oro 2014\n240\n241\nSpun\ndesign Thomas Heatherwick, 2010\nIT Poltroncina roteante per \nuso domestico e contract. \nMateriali: polietilene. Adat-\nta anche per esterni.\nDE Rotierender Kreisses-\nsel für Haus- und Objekt-\ngebrauch.\nMaterialien: Polyäthylen. \nAuch für den Aussenbe-\nreich geeignet.\nFR Fauteuil tournant \npour la maison et pour la \ncollectivité.\nMatériaux: polyéthyène. \nConçue pour l’extérieur.\nES Butaca rodante para \nuso dómestico y contract.\nMateriales: polietileno. Apta \npara el exterior.\nEN Rotating chair for do-\nmestic and contract use.\nMaterials: polyethylene. \nSuitable for outdoor use.\nwhite\nred\ndark purple\ngreen\nbicolour (grey \nanthracite \u002F light grey)\ngrey \nanthracite\nFinishes\nlounge\nSpun\n",122,{"image":502,"text":503,"number":504},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.123.png","52\n80\n41\n55\n72\n82\n41\n13,5\n67\n52\n31\nottoman\ntablet\n242\n243\nTraffic_2\ndesign Konstantin Grcic, 2013\nIT Poltrona per uso dome-\nstico e contract.\nMateriali: struttura in \ntondino di acciaio verni-\nciato poliestere; cuscini \nin poliuretano espanso \nrivestito in pelle o in tessu-\nto sfoderabile. Disponibili \ntavoletta in pietra acrilica e \nottomana.\nDE Sessel für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \npolyesterlackiertem \nStahldraht; Kissen aus \nPolyurethanschaum mit \nBezug aus Leder oder aus \nStoff, abziehbar. Ablage \naus Acrylstein und Otto-\nman auch erhältlich. \nFR Fauteuil pour la mai-\nson et la collectivité.\nMatériaux: structure en fil \nd’acier verni en polyester; \ncoussins déhoussables \nen polyuréthane expansé \nrevetus en cuir ou en tissu \ndehoussable. Tablette en \npierre acrylique et ottoman \naussi disponibles.\nES Sillón para uso dóme-\nstico y contract.\nMateriales: estructura en \nbarra de acero barniza-\ndo poliéster; cojines en \nespuma de poliuretano \ntapizados en piel o en tela, \ndesenfundable. Tableta en \npiedra acrílica y otomana \ntambién disponibles.\nEN Armchair for domestic \nand contract use.\nMaterials: frame in steel \nrod, painted in polyester \npowder; cushions in \nexpanded polyurethane \nwith cover in leather or \nin removable fabric. Also \navailable tablet in acrylic \nstone and ottoman.\nwhite \nsteel rod\nblack \nsteel rod\nFinishes \u002F frame\nFabrics\nVelvet\nKvadrat Tonus\nKvadrat Colline\nKvadrat Tonica\nKvadrat Coda\nBoxland leather brown\nBoxland leather black\nlounge\nTraffic_2\n",123,{"image":506,"text":507,"number":508},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.124.png","41\n41\n55\n55\n103\n155\n80\n80\n72\n72\n134\n186\n41\n13,5\n67\n52\n31\n244\n245\nTraffic_2\ndesign Konstantin Grcic, 2013\nIT Divano a due o tre \nposti per uso domestico e \ncontract.\nMateriali: struttura in \ntondino di acciaio verni-\nciato poliestere; cuscini \nin poliuretano espanso \nrivestito in pelle o in tessu-\nto sfoderabile. Disponibili \ntavoletta in pietra acrilica e \nottomana.\nDE Zwei- oder Dreisitzer-\nSofa für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \npolyesterlackiertem \nStahldraht; Kissen aus \nPolyurethanschaum mit \nBezug aus Leder oder aus \nStoff, abziehbar. Ablage \naus Acrylstein und otto-\nman auch erhältlich. \nFR Canapé à deux ou \ntrois places pour la maison \net la collectivité.\nMatériaux: structure en fil \nd’acier verni en polyester; \ncoussins déhoussables \nen polyuréthane expansé \nrevetus en cuir ou en tissu \ndehoussable. Tablette en \npierre acrylique et ottoman \naussi disponibles.\nES Sofá de tres o dos \nplazas para uso dómestico \ny contract.\nMateriales: estructura en \nbarra de acero barniza-\ndo poliéster; cojines en \nespuma de poliuretano \ntapizados en piel o en tela, \ndesenfundable. Tableta en \npiedra acrílica y otomana \ntambién disponibles.\nEN Two or three-seater \nsofa for domestic and \ncontract use.\nMaterials: frame in steel \nrod, painted in polyester \npowder; cushions in \nexpanded polyurethane \nwith cover in leather or \nin removable fabric. Also \navailable tablet in acrylic \nstone and ottoman.\nwhite \nsteel rod\nblack \nsteel rod\nFinishes \u002F frame\ntwo seaters\nthree seaters\nottoman\ntablet\nFabrics\nVelvet\nKvadrat Tonus\nKvadrat Colline\nKvadrat Tonica\nKvadrat Coda\nBoxland leather brown\nBoxland leather black\nlounge\nTraffic_2\n",124,{"image":510,"text":511,"number":512},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.125.png","18\n155\n49\n94\n49\n70\n246\n247\nTraffic_2 \ndesign Konstantin Grcic, 2013\nIT Chaise Longue per uso \ndomestico e contract.\nMateriali: struttura in \ntondino di acciaio verni-\nciato poliestere; cuscini \nin poliuretano espanso \nrivestito in pelle o in tessu-\nto sfoderabile. Tavoletta in \npietra acrilica.\nDE Chaise Longue für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \npolyesterlackiertem \nStahldraht; Kissen aus \nPolyurethanschaum mit \nBezug aus Leder oder aus \nStoff, abziehbar. Ablage \naus Acrylstein.\nFR Chaise Longue pour la \nmaison et la collectivité.\nMatériaux: structure en fil \nd’acier verni en polyester; \ncoussins en polyuréthane \nexpansé revetus en cuir \nou en tissu dehoussa-\nble. Tablette en pierre \nacrylique.\nES Chaise Longue para \nuso dómestico y contract.\nMateriales: estructura en \nbarra de acero barniza-\ndo poliéster; cojines en \nespuma de poliuretano \ntapizados en piel o en tela, \ndesenfundables. Tableta en \npiedra acrílica.\nEN Chaise Longue for do-\nmestic and contract use.\nMaterials: frame in steel \nrod, painted in polyester \npowder; cushions in \nexpanded polyurethane \nwith cover in leather or in \nremovable fabric. Tablet in \nacrylic stone.\nwhite \nsteel rod\nblack \nsteel rod\nFinishes \u002F frame\nFabrics\nVelvet\nKvadrat Tonus\nKvadrat Colline\nKvadrat Tonica\nKvadrat Coda\nBoxland leather brown\nBoxland leather black\nlounge\nTraffic_2\n",125,{"image":514,"text":515,"number":516},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.126.png","71\n94\n79\n79\n47\n47\n78\n65\n78\n248\n249\nTroy, low chair\ndesign Marcel Wanders, 2019\nIT Poltroncina bassa, con \no senza braccioli, per uso \ndomestico e contract.\nMateriali: struttura in ton-\ndino di acciaio verniciato \npoliestere. Cuscini in poliu-\nretano espanso sfoderabi-\nle, rivestiti in tessuto.\nDE Niedriger Sessel, auch \nmit Armlehnen, für Haus- \nund Objektgebrauch.\nMaterialien: Gestell aus \npolyesterlackiertem \nStahldraht. Kissen aus \nPolyurethanschaum. Be-\nzug aus Stoff, abziehbar.\nFR Chauffeuse, avec ou \nsans accoudoirs, pour la \nmaison et pour la collec-\ntivité.\nMatériaux: structure en fil \nd’acier verni en polyester. \nCoussins déhoussables \nen polyuréthane expansé \navec revêtement en tissu.\nES Butaca con o sin bra-\nzos, para uso dómestico y \ncontract.\nMateriales: estructura de \nbarra de acero barniza-\ndo poliéster. Cojines en \nespuma de poliuretano \ntapizados en tejido, desen-\nfundable.\nEN Low chair with or \nwithout arms, for domestic \nuse and contract.\nMaterials: frame in steel \nrod painted in polyester \npowder. Cushions in ex-\npanded polyurethane with \nremovable cover in fabric.\nwhite \nsteel rod\nblack \nsteel rod\nFinishes \u002F frame\nFabrics\nVelvet Dama\nKvadrat Divina MD\nKvadrat Divina Mélange\nlounge\nTroy, low chair\n",126,{"image":518,"text":519,"number":520},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.127.png","67\n67\n39\n64\n83\n39\n67\n57\nottoman\n250\n251\nTwain\ndesign Konstantin Grcic, 2024\nIT Poltroncina bassa con \nbraccioli per uso domesti-\nco e contract.\nMateriali: struttura in \nmassello di faggio, tinto \nnaturale o all’anilina nero. \nSedile e schienale in \ntessuto autoportante. \nCuscino seduta e rivesti-\nmento schienale in tessuto \nsfoderabile. Braccioli in \ncuoio pieno fiore. Cinghia \ndi tensionamento in \npoliammide. Disponibile \nanche ottomana.\nDE Niedriger Sessel mit \nArmlehnen für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nmassiver Buche, naturfar-\nben gebeizt oder schwarz \nanilingefärbt. Sitz und Rü-\nckenlehne aus selbsttra-\ngendem Stoff. Sitzkissen \nund Rückenlehnenbezug \naus abnehmbarem Stoff. \nArmlehnen aus Vollnar-\nbenleder. Spanngurt aus \nPolyamid. Ottoman auch \nerhältlich.\nFR Chauffeuse avec \naccoudoirs pour la maison \net pour la collectivité.\nMatériaux : structure en \nhêtre massif, teinté naturel \nou aniline noir. Assise et \ndossier en tissu autopor-\ntant. Coussin assise et re-\nvetement dossier en tissu \ndehoussable. Accoudoirs \nen cuir pleine fleur. Sangle \nde tension en polyamide. \nOttoman aussi disponible.\nES Butaca baja con brazos \npara uso dómestico y \ncontract.\nMaterial: estructura de \nmadera maciza de haya, \nteñido natural o anilina \nnegro. Asiento y respaldo \nde tejido autoportante, con \ncojín asiento y tapizamien-\nto de respaldo de tejido \ndesenfundable. Reposa-\nbrazos de piel plena flor. \nCorrea tensora de polia-\nmida. Otomana también \ndisponible.\nEN Low chair with arms \nfor domestic and contract \nuse.\nMaterials: frame in solid \nbeech, stained natural or \naniline dyed black. Seat \nand back in self-bearing \nfabric. Seat cushion and \nback cover in removable \nfabric. Arms in premium \ngrade leather. Tension belt \nin polyamide. Ottoman \nalso available.\nnatural \u002F light \nblue\nnatural \u002F\nsage\nblack \u002F\nblack & white\nblack \u002F \nbordeaux\nblack \u002F \nyellow\nblack \u002F\n“pop”\nnatural \u002F\n“pop”\nnatural \u002F \npink\nFinishes\nlounge\nTwain\n",127,{"image":522,"text":523,"number":524},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.128.png","67\n67\n39\n64\n83\n39\n67\n57\nottoman\n252\n253\nnatural \u002F \nHella A\nblack \u002F \nHella B\nFinishes\nTwain\ndesign Konstantin Grcic in partnership with Hella Jongerius, 2024\nIT Poltroncina bassa con \nbraccioli per uso domesti-\nco e contract.\nMateriali: struttura in \nmassello di faggio, tinto \nnaturale o all’anilina nero. \nSedile e schienale in tes-\nsuto autoportante (nero) \ncon cuscino seduta in \ntessuto sfoderabile (nero). \nCoperta a drappo per \nsedile e schienale. Brac-\ncioli in cuoio pieno fiore. \nCinghia di tensionamento \nin poliammide. Disponibile \nanche ottomana.\nDE Niedriger Sessel mit \nArmlehnen für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nmassiver Buche, naturfar-\nben gebeizt oder schwarz \nanilingefärbt. Sitz und \nRückenlehne aus selbst-\ntragendem Stoff (schwarz). \nSitzkissen aus abnehmba-\nrem Stoff (schwarz). Dra-\npierter Bezug für Sitz und \nRückenlehne. Armlehnen \naus Vollnarbenleder. \nSpanngurt aus Polyamid. \nOttoman auch erhältlich.\nFR Chauffeuse avec \naccoudoirs pour la maison \net pour la collectivité.\nMatériaux : structure en \nhêtre massif, teinté naturel \nou aniline noir. Assise et \ndossier en tissu autopor-\ntant (noir). Coussin assise \nen tissu dehoussable \n(noir). Coverture drapée \npour assise et dossier. \nAccoudoirs en cuir pleine \nfleur. Sangle de tension en \npolyamide. Ottoman aussi \ndisponible. \nES Butaca baja con brazos \npara uso dómestico y \ncontract.\nMaterial: estructura de \nmadera maciza de haya, \nteñido natural o anilina ne-\ngro. Asiento y respaldo de \ntejido autoportante (negro) \ncon cojín asiento de tejido \ndesenfundable (negro). \nCobija por asiento y respal-\ndo. Reposabrazos de piel \nplena flor. Correa tensora \nde poliamida. Otomana \ntambién disponible.\nEN Low chair with arms \nfor domestic and contract \nuse.\nMaterials: frame in solid \nbeech, stained natural \nor aniline dyed black. \nSeat and back in self-\nbearing fabric (black). Seat \ncushion in removable fa-\nbric (black). Draped cover \nfor seat and back. Arms \nin premium grade leather. \nTension belt in polyamide. \nOttoman also available.\nlounge\nTwain\n",128,{"image":526,"text":527,"number":528},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.129.png","50\n78\n58\n114\n254\n255\nIT Poltrona a dondolo per \nuso domestico e contract. \nMateriali: polietilene. Adat-\nta anche per esterni.\nDE Schaukelsessel für \nHaus- und Objektge-\nbrauch.\nMaterialien: Polyäthylen. \nAuch für den Aussenbe-\nreich geeignet.\nFR Chaffeuse à bascule \npour la maison et pour la \ncollectivité.\nMatériaux: polyéthyène. \nConçue pour l’extérieur.\nES Sillón mecedora para \nuso dómestico y contract.\nMateriales: polietileno. Apta \npara el exterior.\nEN Rocking chair for do-\nmestic and contract use.\nMaterials: polyethylene. \nSuitable for outdoor use.\nred\nlight grey\nrust brown\nwhite\nFinishes\nVoido\ndesign Ron Arad, 2006\nlounge\nVoido\n",129,{"image":530,"text":531,"number":532},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.130.png","256\n257\nottomans\n",130,{"image":534,"text":535,"number":536},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.131.png","84\n84\n42\nCompasso d’Oro 2024\n258\n259\ndesign Stefan Diez, 2021\u002F2024\nEN Ottoman \u002F Modular \nseating system for dome-\nstic use and contract.\nMaterials: structure in \nrecycled and recyclable \npolyethylene. Cover in re-\nmovable fabric. Version for \noutdoor use also available \n(Costume Lounge).\nDE Ottomane \u002F Modu-\nlares Sofasystem für den \nprivaten Einsatz sowie im \nöffentlichen Raum.\nMaterialien: Struktur aus \nrecyceltem und recycel-\nbarem Polyäthylen. \nAbnehmbarer Stoffbezug. \nAusführung für den Aus-\nsenbereich auch erhältlich \n(Costume Lounge).\nFR Ottoman \u002F Système \nd’assise modulaire pour \nla maison et pour la col-\nlectivité. \nMatériaux: structure en \npolyéthylène recyclé et \nrecyclable. Revêtement \nen tissu déhoussable. \nVersion pour l’éxterieur \naussi disponible (Costume \nLounge). \nIT Ottomana \u002F Sistema di \nsedute modulari per uso \ndomestico e contract.\nMateriali: struttura in polie-\ntilene riciclato e riciclabile. \nRivestimento in tessuto \nsfoderabile. Disponibile \nanche versione per ester-\nno (Costume Lounge).\nES Otomana \u002F Sistema \nmodular para uso dómesti-\nco y contract.\nMateriales: estructura \nen polietileno reciclado y \nreciclable. Tapizamiento \nen tejido desenfundable. \nVersión para el exterior \ntambién disponible (Costu-\nme Lounge).\nCostume \u002F Costume Lounge \nFabrics \u002F Costume\nFidivi One\nTorri Lana Dato\nKvadrat Uniform Mélange\nFabrics \u002F Costume Lounge\nLimonta Java\nTorri Lana Contichi\nFidivi One\nLimonta Volpe\nTorri Lana Rico\nTorri Lana Ombra\nTorri Lana Dato\nKvadrat Recheck\nKvadrat Mélange Nap\nKvadrat Hero\nKvadrat Uniform Mélange\nRubelli Vines\nRubelli Cork\nCostume \u002F Costume Lounge\nottomans\n",131,{"image":538,"text":539,"number":540},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.132.png","40\n61,5\n50,5\n260\n261\ndesign Ronan & Erwan Bouroullec, 2017\nOfficina\nIT Ottomana per uso \ndomestico e contract. \nMateriali: struttura in ferro \nforgiato verniciato polie-\nstere. Cuscino in poliureta-\nno espanso rivestiti in pelle \no in tessuto sfoderabile.\nDE Ottomane für Haus- \noder Objektgebrauch.\nMaterial: Gestell aus \nSchmiedeeisen polye-\nsterlackiert. Kissen aus \ngeschäumtem Polyure-\nthan mit Leder- oder mit \nStoffbezug, abziehbar. \nFR Ottoman pour la mai-\nson et pour la collectivité.\n \nMatériaux: structure en \nfer forgé verni polyester. \nCoussin en polyuréthane \nexpansé, avec revête-\nment en cuir ou en tissu \ndéhoussable.\nES Otomana para uso \ndómestico y contract.\nMateriales: estructura en \nhierro forjado barnizado \npoliéster. Cojín en poliure-\ntano expandido, tapizados \nen piel o en tejido desen-\nfundable.\nEN Ottoman for domestic \nand contract use.\nMaterials: frame in \nwrought iron painted in \npolyester powder. Cushion \nin expanded polyurethane \ncovered in leather or with \nremovable cover in fabric. \ngrey anthracite\nFinishes \u002F frame\nFabrics\nVelvet\nLimonta Indianskop\nTorri Lana Rico\nKvadrat Divina MD\nKvadrat Divina Mélange\nKvadrat Hero\nKvadrat Vidar\nFlorida leather\nOfficina\nottomans\n",132,{"image":542,"text":543,"number":544},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.133.png","45\n67\n55\n262\n263\nPiña\ndesign Jaime Hayón, 2014\nEN Ottoman for domestic \nand contract use.\nMaterials: legs in solid ash, \nnatural or stained walnut. \nSeat in steel rod painted in \npolyester powder. Cushion \nin polyurethane foam with \nremovable cover in fabric.\nDE Ottomane für Haus- \nund Objektgebrauch.\nMaterialien: Beine aus \nmassiver Esche, naturfar-\nben oder nussbaumfarben \ngebeizt. Sitz aus polye-\nsterlackiertem Stahldraht. \nKissen aus Polyurethan-\nschaum mit Stoffbezug, \nabziehbar.\nFR Ottoman pour la mai-\nson et pour la collectivité.\nMatériaux: pieds en frêne \nmassif naturel ou teinté \nnoyer. Assise en fil d’acier \nverni en polyester. Coussin \nen polyuréthane déhous-\nsable, revetu en tissu.\nIT Ottomana per uso \ndomestico e contract.\nMateriali: gambe in mas-\nsello di frassino naturale \no tinto noce. Sedile in \ntondino di acciaio verni-\nciato poliestere. Cuscino \nin poliuretano espanso \nsfoderabile, rivestito in \ntessuto.\nES Otomana para uso \ndómestico y contract.\nMateriales: patas de \nmadera maciza de fresno, \nnatural o teñido nogal. \nAsiento de barra de acero, \nlacado poliéster. Cojín de \npoliuretano expandido \ntapizado en tela desenfun-\ndable.\nFabrics\nBeige velvet\nTerracotta velvet\nBronze velvet\nBlack velvet\nFinishes\nsolid ash \nnatural \u002F \nwhite \u002F beige \nvelvet\nsolid ash \nstained walnut \u002F \nwhite \u002F beige \nvelvet\nsolid ash \nnatural \u002F grey\n \u002F beige velvet\nsolid ash \nstained walnut \n\u002F grey \u002F beige \nvelvet\nsolid ash \nnatural  \u002F \nterracotta \u002F \nterracotta velvet\nsolid ash \nstained walnut \n\u002F terracotta \u002F \nterracotta velvet\nsolid ash \nnatural \u002F \nbronze \u002F \nbronze velvet\nsolid ash \nstained walnut \n\u002F bronze \u002F \nbronze velvet\nsolid ash \nnatural \u002F black \n\u002F black velvet\nsolid ash \nstained walnut \n\u002F black \u002F black \nvelvet\nPiña\nottomans\n",133,{"image":546,"text":547,"number":548},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.134.png","45\n67\n55\n264\n265\nPiña\nEN Ottoman for domestic \nand contract use.\nMaterials: seat in steel rod \ncataphoretically-treated \nand painted in polyester \npowder. Legs in steel \ntube, cataphoretically-\ntreated and painted in \npolyester powder. Cushion \nin expanded polyurethane \ncovered in fabric. Suitable \nfor outdoor use.\nDE Ottomane für Haus- \nund Objektgebrauch.\nMaterial: Sitz aus rost-\nschutzbehandeltem, \npolyesterlackiertem \nStahldraht. Beine aus \nrostschutzbehandeltem, \npolyesterlackiertem \nStahlrohr. Kissen aus \ngeschäumtem Polyure-\nthan, mit Stoffbezug. Auch \nfür den Aussenbereich \ngeeignet.\nFR Ottoman pour la mai-\nson et pour la collectivité.\nMatériaux: assise en fil \nd’acier traité en ca-\ntaphorèse et verni en \npolyester. Pieds en \ntube d’acier traité en \ncataphorèse et verni en \npolyester. Coussin en \npolyuréthane expansé \nrevêtu en tissu. Conçu \npour l’extérieur. \nIT Ottomana per uso \ndomestico e contract.\nMateriali: sedile in tondino \ndi acciaio trattato catafo-\nresi e verniciato poliestere. \nGambe in tubo di acciaio \ntrattato cataforesi e verni-\nciato poliestere. Cuscino \nin poliuretano espanso \nrivestito in tessuto. Adatta \nper esterni.\nES Otomana para uso \ndómestico y contract.\nMateriales: asiento de \nbarra de acero, tratado \nanti-óxido y barnizado \npoliéster. Patas de tubo de \nacero tratado anti-óxido y \nbarnizado poliéster. Cojín \nde poliuretano expandido \ntapizado en tela. Apta para \nel exterior.\ndesign Jaime Hayón, 2014\nFabrics\nimNativ - Maestrale 102\nFinishes\nwhite \u002F imNativ \nMaestrale 102\nPiña\nottomans\n",134,{"image":550,"text":551,"number":552},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.135.png","41\n67\n52\n266\n267\nTraffic_2\ndesign Konstantin Grcic, 2013\nIT Ottomana per uso \ndomestico e contract.\nMateriali: struttura in \ntondino di acciaio verni-\nciato poliestere; cuscini in \npoliuretano espanso, rive-\nstito in pelle o in tessuto \nsfoderabile.\nDE Ottomane für Haus - \noder Objektgebrauch.\nMaterial: Gestell aus \npolyesterlackiertem \nStahldraht; Kissen aus \nPolyurethanschaum mit \nBezug aus Leder oder aus \nStoff, abziehbar.\nFR Ottoman pour la mai-\nson et la collectivité.\nMatériaux: structure en fil \nd’acier verni en polyester; \ncoussins en polyuréthane \nexpansé revetus en cuir \nou en tissu déhoussable.\nES Otomana para uso \ndómestico y contract.\nMateriales: estructura en \nbarra de acero barniza-\ndo poliéster; cojines en \nespuma de poliuretano \ntapizados en piel o en tela  \ndesenfundable.\nEN Ottoman for domestic \nand contract use.\nMaterials: frame in steel \nrod, painted in polyester \npowder; cushions in \nexpanded polyurethane \nwith cover in leather or in \nremovable fabric.\nwhite \nsteel rod\nblack \nsteel rod\nFinishes \u002F frame\nFabrics\nVelvet\nKvadrat Tonus\nKvadrat Colline\nKvadrat Tonica\nKvadrat Coda\nBoxland leather brown\nBoxland leather black\nottomans\nTraffic_2\n",135,{"image":554,"text":555,"number":556},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.136.png","39\n67\n57\n268\n269\nTwain\ndesign Konstantin Grcic, 2024\nIT Ottomana per uso \ndomestico e contract.\nMateriali: struttura in \nmassello di faggio, tinto \nnaturale o all’anilina nero. \nSedile in tessuto auto-\nportante, cuscino seduta \nin tessuto sfoderabile. \nCinghia di tensionamento \nin poliammide.\nDE Ottoman für Haus - \noder Objektgebrauch.\nMaterialien: Gestell aus \nmassiver Buche, naturfar-\nben gebeizt oder schwarz \nanilingefärbt. Sitz aus \nselbsttragendem Stoff, \nSitzkissen aus abnehmba-\nrem Stoff. Spanngurt aus \nPolyamid.\nFR Ottoman pour la mai-\nson et la collectivité.\nMatériaux : structure en \nhêtre massif, teinté naturel \nou aniline noir. Assise en \ntissu autoportant, coussin \nassise en tissu dehoussa-\nble. Sangle de tension en \npolyamide. \nES Otomana para uso \ndomestico y contract.\nMaterial: estructura de \nmadera maciza de haya, \nteñido natural o anilina \nnegro. Asiento de tejido \nautoportante, con cojín \nasiento de tejido desenfun-\ndable. Correa tensora de \npoliamida. \nEN Ottoman for domestic \nand contract use.\nMaterials: frame in solid \nbeech, stained natural or \naniline dyed black. Seat \nin self-bearing fabric, seat \ncushion in removable \nfabric. Tension belt in \npolyamide. \nnatural \u002F light \nblue\nnatural \u002F\nsage\nblack \u002F\nblack & white\nblack \u002F \nbordeaux\nblack \u002F \nyellow\nblack \u002F\n“pop”\nnatural \u002F\n“pop”\nnatural \u002F \npink\nFinishes\nottomans\nTwain\n",136,{"image":558,"text":559,"number":560},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.137.png","39\n67\n57\n270\n271\nTwain\ndesign Konstantin Grcic in partnership with Hella Jongerius, 2024\nnatural \nblack \nFinishes\nIT Ottomana per uso \ndomestico e contract.\nMateriali: struttura in \nmassello di faggio, tinto \nnaturale o all’anilina nero. \nSedile in tessuto auto-\nportante, cuscino seduta \nin tessuto sfoderabile. \nCinghia di tensionamento \nin poliammide.\nDE Ottoman für Haus - \noder Objektgebrauch.\nMaterialien: Gestell aus \nmassiver Buche, naturfar-\nben gebeizt oder schwarz \nanilingefärbt. Sitz aus \nselbsttragendem Stoff, \nSitzkissen aus abnehmba-\nrem Stoff. Spanngurt aus \nPolyamid.\nFR Ottoman pour la mai-\nson et la collectivité.\nMatériaux : structure en \nhêtre massif, teinté naturel \nou aniline noir. Assise en \ntissu autoportant, coussin \nassise en tissu dehoussa-\nble. Sangle de tension en \npolyamide. \nES Otomana para uso \ndomestico y contract.\nMaterial: estructura de \nmadera maciza de haya, \nteñido natural o anilina \nnegro. Asiento de tejido \nautoportante, con cojín \nasiento de tejido desenfun-\ndable. Correa tensora de \npoliamida. \nEN Ottoman for domestic \nand contract use.\nMaterials: Frame in solid \nbeech, stained natural or \naniline dyed black. Seat \nin self-bearing fabric, seat \ncushion in removable \nfabric. Tension belt in \npolyamide. \nottomans\nTwain\n",137,{"image":562,"text":563,"number":564},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.138.png","272\n273\ntables\n",138,{"image":566,"text":567,"number":568},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.139.png","Ø70\n73\u002F95\nØ140\n274\n275\n360°\ndesign Konstantin Grcic, 2010\nEN Table adjustable in \nheight for domestic and \ncontract use.\nMaterials: base in die-cast \naluminium, frame in alumi-\nnium, crosspiece in steel. \nTop in steel sheet painted \nin polyester powder.\nDE Tisch, höhenverstell-\nbar für Haus- und Objekt-\ngebrauch.\nMaterialien: Fuss aus \nDruckguss-Aluminium, \nGestell aus Aluminium, \nQuerstrebe aus Stahl. \nTischplatte aus polyester-\nlackiertem Stahlblech.\nFR Table réglable en \nhauteur pour la maison et \npour la collectivité.\nMatériaux: base en fonte \nd’aluminium, structure en \naluminium, traverse en \nacier. Plateau en tôle d’a-\ncier verni en polyester.\nIT Tavolo regolabile in \naltezza per uso domestico \ne contract.\nMateriali: base in pressofu-\nsione di alluminio, struttura \nin profilato di alluminio, \ncrociera in acciaio. Piano in \nlamiera di acciaio verniciato \npoliestere.\nES Mesa regulable en \naltura para uso dómestico \ny contract.\nMateriales: base en alu-\nminio fundido a presión, \nestructura de perfiles de \naluminio, travesaño en \nacero. Tablero en chapa de \nacero barnizada poliéster.\nblack\nFinishes\ntables\n360°\n",139,{"image":570,"text":571,"number":572},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.140.png","65\n65\n69,5\n5\n276\n277\nAir-Table\nwhite\nFinishes\nEN Stacking table for do-\nmestic use and contracts.\nMaterial: polypropylene \nwith glass fibre added. \nSuitable for outdoor use.\nDE Tisch, stapelbar, für \nHaus- und Objektge-\nbrauch.\nMaterialien: Polypropylen \nmit Glasfaser verstärkt. \nAuch für den Aussenbe-\nreich geeignet.\nFR Table empilable pour \nla maison et pour la col-\nlectivité.\nMatériaux: polypropylène \nchargé avec fibre de verre. \nConçue pour l’extérieur.\nIT Tavolo impilabile per \nuso domestico e contract.\nMateriali: polipropilene \ncaricato di fibra di vetro. \nAdatto anche per esterni.\nES Mesa apilable para uso \ndómestico y contract.\nMateriales: polipropileno \ncargado con fibra de vidrio. \nApta para el exterior.\ndesign Jasper Morrison, 2001\ntables\nAir-Table\n",140,{"image":574,"text":575,"number":576},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.141.png","Ø37,8\n74,4\nØ130\n278\n279\nAll-Round\ndesign From Industrial Design, 2024\nEN Table for domestic and \ncontract use.\nMaterial: base in steel \nplate painted in polye-\nster powder. Top in steel \nplate painted in polyester \npowder or in MDF venee-\nred oak, natural.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \npolyesterlackiertem \nStahlblech. Tischplatte \naus polyesterlackiertem \nStahlblech oder aus \neichenfurniertem MDF, \nnaturfarben.\nFR Table pour la maison \net pour la collectivité.\nMatériau: base en tôle \nd’acier verni en polyester.\nPlateau en tôle d’acier ver-\nni en polyester ou en MDF \nplaqué chêne, naturel.\nIT Tavolo per uso domesti-\nco e contract.\nMateriale: base in lamiera di \nacciaio verniciato polie-\nstere. Piano in lamiera di \nacciaio verniciato poliestere \no in MDF impiallacciato \nrovere naturale.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: base de chapa \nde acero barnizado polié-\nster. Tablero de chapa de \nacero barnizado poliéster \no de MDF contrachapado \nroble natural.\ngrey\ndark bronze\nbrown copper\n\u002F oak\ndark bronze\n\u002F oak\ngrey \u002F\noak\nbrown copper\nFinishes\ntables\nAll-Round\n",141,{"image":578,"text":579,"number":580},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.142.png","50\n42\n74,5\nØ130\nØ130\n280\n281\nAncora\ndesign Ronan Bouroullec, 2025\nEN Table for domestic and \ncontract use.\nMaterials: base in concre-\nte. Top in tempered glass, \nor in MDF veneered oak. \nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nBeton. Tischplatte aus \ngehärtetem Glas oder aus \neichenfurniertem MDF. \nFR Table pour la maison \net pour la collectivité.\nMatériaux: base en béton. \nPlateau en verre trempé \nou en MDF plaqué chêne. \nIT Tavolo per uso domesti-\nco e contract.\nMateriali: base in cemento. \nPiano in vetro temperato \no in MDF impiallacciato \nrovere.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: base de \ncemento. Tablero de vidrio \ntemplado o de MDF chapa-\ndo roble. \nconcrete \u002F \nMDF \nveneered oak\nconcrete \u002F\ntempered clear\nglass\nconcrete \u002F\ntempered smoked \nglass \nFinishes\ntables\nAncora\n",142,{"image":582,"text":583,"number":584},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.143.png","52\n86\n42\n42\n74,5\n74,5\n180\n220\n90\n90\n282\n283\nAncora\ndesign Ronan Bouroullec, 2025\nEN Tables for domestic \nand contract use.\nMaterials: base in con-\ncrete. Top in concrete \n(suitable also for outdoor), \nin tempered glass, or in \nMDF veneered oak. \nDE Tische für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nBeton. Tischplatte aus \nBeton (auch für den Aus-\nsenbereich geeignet), aus \ngehärtetem Glas oder aus \neichenfurniertem MDF. \nFR Tables pour la maison \net pour la collectivité.\nMatériaux: base en béton. \nPlateau en béton (conçu \npour l’extérieur), en verre \ntrempé ou en MDF plaqué \nchêne. \nIT Tavoli per uso domestico \ne contract.\nMateriali: base in cemento. \nPiano in cemento (adatto \nanche per esterni), in vetro \ntemperato o in MDF impial-\nlacciato rovere.\nES Mesas para uso \ndoméstico y contract. \nMateriales: base de ce-\nmento. Tablero de cemento \n(apto también para exterio-\nres), de vidrio templado o \nde MDF chapado en roble. \nconcrete \u002F concrete\nconcrete \u002F MDF veneered oak\nconcrete \u002F tempered clear\nglass\nFinishes\nconcrete \u002F tempered smoked \nglass \ntables\nAncora\n",143,{"image":586,"text":587,"number":588},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.144.png","74\n74\n151,5\n131,5\n200x90\n160x90\n284\n285\nBaguette\nEN Table for domestic and \ncontract use.\nMaterials: frame in die-\ncast aluminium polished or \npainted. Top in transparent \nor smoke grey glass; in \nFenix laminate; in oak \nveneered MDF; in Carrara \nmarble or in Italian ardesia \nslate. \nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nAluminium-Druckguss \npoliert oder lackiert. Ti-\nschplatte aus transparen-\ntem Glas oder Rauchglas; \naus Fenix-Laminat, aus \neichenfurniertem MDF; \naus Carrara Marmor oder \naus italienischem Schleifer.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure en \nfonte d’aluminium poli ou \nverni. Plateau en verre \ntransparent ou gris fumé; \nen laminé Fenix; en MDF \nplaqué chêne ; en marbre \nde Carrare ou en ardoise \nitalienne. \nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \npressofusione di alluminio \nlucido o verniciato. Piano \nin vetro extrachiaro o \nfumè; in laminato Fenix; in \nMDF impiallacciato rovere; \nin ardesia o in marmo di \nCarrara.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura de \naluminio fundido a presión, \nbrillante o barnizado. Table-\nro en cristal transparente \no gris fumé; en laminado \nFenix; en MDF chapado en \nroble; en mármol de Carra-\nra o en pizarra italiana.\ndesign Ronan & Erwan Bouroullec, 2011\nwhite \u002F clear \nglass\nwhite \u002F \nsmoked glass\nwhite \u002F\nwhite Fenix\nblack \u002F\nblack Fenix\nwhite \u002F\nblack Fenix\nwhite \u002F natural \noak veneered \nMDF\nwhite \u002F dark \noak veneered \nMDF\nwhite \u002F Carrara \nmarble\nwhite \u002F \nardesia\nblack \u002F \nsmoked glass\nblack \u002F clear \nglass\nblack \u002F\nwhite Fenix\nblack \u002F natural \noak veneered \nMDF\nblack \u002F dark \noak veneered \nMDF\npolished \u002F\nwhite Fenix\npolished \u002F\nblack Fenix\npolished \nCarrara \u002F \nmarble\npolished \u002F \nnatural oak \nveneered MDF\npolished \u002F dark \noak veneered \nMDF\npolished \u002F \nardesia\npolished \u002F \nsmoked glass\npolished \u002F clear \nglass\nblack \u002F \nardesia\nblack \u002F Carrara \nmarble\nFinishes\ntables\nBaguette\n",144,{"image":590,"text":591,"number":592},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.145.png","130x65\n74\n286\n287\nBaguette\nEN Table for domestic and \ncontract use.\nMaterials: frame in die-\ncast aluminium painted. \nTop in Fenix laminate with \nedges in painted ABS.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nAluminium-Druckguss \nlackiert. Tischplatte aus \nFenix-Laminat mit Kanten \naus lackiertem ABS.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure en \nfonte d’aluminium verni. \nPlateau en laminé Fenix \navec bords en ABS verni.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \npressofusione di alluminio \nverniciato. Piano in lamina-\nto Fenix con bordi in ABS \nverniciato.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura de \naluminio fundido a presión, \nbarnizado. Tablero de \nlaminado Fenix con bordes \nde ABS barnizado.\ndesign Ronan & Erwan Bouroullec, 2021\nwhite \u002F beige \u002F\nwhite edges\nblack \u002F red \u002F \nblack edges\nblack \u002F grey \u002F \nblack edges\nFinishes\ntables\nBaguette\n",145,{"image":594,"text":595,"number":596},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.146.png","75\n75\n75\n240x110\n200x100\n280x120\n250\n210\n290\n288\n289\nBig Will\ndesign Philippe Starck, 2015\nEN Table for domestic and \ncontract use.\nMaterials: legs in die-cast \naluminium, polished or \npainted. Crosspieces in \naluminium, polished or \npainted. Tops in etched \ntempered glass glossy \nor matt finish or in solid \nAmerican walnut (only for \ntop 200x100 cm). Wheels \nand feet in rubber. \nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Beine aus \nDruckguss-Aluminium, \npoliert oder lackiert. Quer-\nstreben aus Aluminium, \npoliert oder lackiert. Ti-\nschplatten aus gehärtetem \nGlas, glänzend oder matt, \naus massiver amerikani-\nscher Walnuss, (nur für \nTischplatte 200x100 cm). \nRollen und Füsse aus \nKautschuk.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: pieds en fonte \nd’aluminium poli ou verni. \nTraverses en aluminium \npoli ou verni. Plateaux \nen verre trempé dépoli, \nbrillant ou opaque, ou en \nnoyer américain massif \n(seulement pour la version \n200x100 cm). Roulettes et \npatins en caoutchouc.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: gambe in \npressofusione di alluminio \nlucido o verniciato. Traver-\nsi in profilato di alluminio \nlucido o verniciato. Piani in \ncristallo temperato acidato \nlucido o opaco o in mas-\nsello di noce americano \n(solo piano 200x100 cm). \nRuote e piedini in gomma.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: patas de alu-\nminio fundido a presión bril-\nlante o barnizado. largueros \nen perfiles de aluminio bril-\nlante o barnizado. Tablero \nen vidrio teplado brillante o \nmate o en madera maciza \nde nogal americano (sólo \npara tablero 200x100 cm). \nRuedas y piés en goma.\npolished \u002F \ntempered glass \nglossy white\nwhite \u002F \ntempered glass \nmatt white\nblack \u002F \ntempered glass \nmatt black\nblack \u002F American \nwalnut \n(for 200x100 version only)\nFinishes\ntables\nBig Will\n",146,{"image":598,"text":599,"number":600},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.147.png","75\n200x100\n250x100\n300x100\n290\n291\nBig Will\ndesign Philippe Starck, 2015\nEN Extending table for do-\nmestic and contract use.\nMaterials: legs in die-cast \naluminium, polished or \npainted. Crosspieces in \naluminium, polished or \npainted. Tops in etched \ntempered glass glossy or \nmatt finish, in solid Ame-\nrican walnut, in bleached \noak or in Gres (Calacatta, \nMarquinia). Leaf in MDF \nlaminate, painted matt or \nglossy. Wheels and feet in \nrubber.\nDE Ausziehbarer Tisch für \nHaus- und Objektgebrauch.\nMaterialien: Beine aus \nDruckguss-Aluminium, po-\nliert oder lackiert. Querstre-\nben aus Aluminium, poliert \noder lackiert. TTischplatten \naus gehärtetem Glas, \nglänzend oder matt, aus \nmassiver amerikanischer \nWalnuss, aus gebleichter \nEiche oder aus Steinzeug \n(Calacatta und Marquinia)  \nAuszugsplatten aus lackier-\ntem MDF (glänzend oder \nmatt). Rollen und Füsse\naus Kautschuk.\nFR Table à rallonges \npour la maison et pour la \ncollectivité.\nMatériaux: pieds en fonte \nd’aluminium verni ou poli. \nTraverses en aluminium \nverni. Plateaux en verre \ntrempé dépoli opaque ou \nbrillant, en noyer américain  \nmassif, en chêne blanchi \nou en grès marbre (Cala-\ncatta, Marquinia). Rallonge \nen MDF laminé verni \nopaque ou poli. Roulettes \nen caoutchouc.\nIT Tavolo allungabile per \nuso domestico e contract.\nMateriali: gambe in \npressofusione di alluminio \nlucido o verniciato. Traver-\nsi in profilato di alluminio \nlucido o verniciato. Piani in \ncristallo temperato acidato \nlucido o opaco, in mas-\nsello di noce americano, \nin rovere sbiancato o in \ngres (Calacatta e Marqui-\nnia). Prolunghe in MDF, \nverniciato lucido o opaco. \nRuote e piedini in gomma.\nES Mesa extensible para \nuso dómestico y contract.\nMateriales: patas de \naluminio fundido a presión \nbrillante o barnizado. Lar-\ngueros en perfiles de alu-\nminio brillante o barnizado. \nTablero en vidrio teplado \nbrillante o mate, en madera \nmaciza de nogal America-\nno, en roble blanqueado \no en Gres (Calacatta, \nMarquinia) Extensiones en \nMDF laminado barnizado \n(brillante o mate). Ruedas y \npiés en goma.\npolished \u002F \ntempered glass \nglossy white\nwhite \u002F \ntempered glass \nmatt white\nwhite \u002F \nbleached oak\nwhite \u002F gres \nmarble white \nCalacatta\nblack \u002F \ntempered glass \nmatt black\nblack \u002F \nAmerican \nwalnut\nblack \u002F gres \nmarble black \nMarquinia\nFinishes\ntables\nBig Will\n",147,{"image":602,"text":603,"number":604},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.148.png","75\n75\n196\n141\n260x90\n200x90\n292\n293\nBrut\ndesign Konstantin Grcic, 2017\nEN Table for domestic and \ncontract use.\nMaterials: frame in cast \niron painted in polyester \npowder. Joining element \nin natural solid oak. Top in \ntempered glass, in tempe-\nred glass smoke grey and \nin veneered oak.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nGusseisen, polyesterla-\nckiert. Verbindungsele-\nment aus massiver Eiche, \nnaturfarben. Tischplatte \naus gehärtetem Glas, aus \ngehärtetem Rauchglas \nund aus furnierter Eiche.\nFR Table pour la maison \net pour la collectivité.\nMateriaux: structure en \nfonte verni en polyester. \nÉlément de jonction en \nchêne massif naturel. \nPlateau en verre trempé, \nen verre trempé gris fumé \net en chêne plaqué.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \nghisa verniciata poliestere. \nElemento di connessio-\nne in massello di rovere \nnaturale. Piano in vetro \ntemperato, in vetro fumè \ntemperato e in rovere \nimpiallacciato.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura de \nfundición de hierro barni-\nzado poliéster. Larguero de \nconexión en madera maci-\nza de roble natural. Tablero \nen vidrio templado, en \nvidrio ahumado templado y \nen roble contrachapado.\ngreen \u002F \ntempered clear \nglass\ngrey anthracite  \n\u002F tempered \nclear glass\nred \u002F \ntempered clear \nglass\ngreen \u002F \nveneered oak\ngrey anthracite \n\u002F veneered \noak\nred \u002F \nveneered \noak\ngreen \u002F \ntempered \nsmoked glass\ngrey anthracite             \n\u002F tempered \nsmoked glass\nred \u002F \ntempered \nsmoked glass\nFinishes\ntables\nBrut\n",148,{"image":606,"text":607,"number":608},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.149.png","72\u002F73\nØ38\nØ60\n294\n295\nBrut\ndesign Konstantin Grcic, 2017\nEN Table for domestic and \ncontract use.\nMaterials: base in cast iron \nand column in steel, both \ncataphoretically treated \nand painted in polyester \npowder. Top in HPL, in \nCarrara marble or in Mar-\nquinia marble. Suitable for \noutdoor use.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Fuss aus \nGusseisen und Gestell aus \nStahl, rostschutzbehan-\ndelt und polyesterlackiert. \nTischplatte aus HPL, aus \nCarrara-Marmor, oder aus \nMarquinia-Marmor. Auch \nfür den Aussenbereich \ngeeignet.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: base en fonte \net colonne en acier, traités \nen cataphorèse et vernis \nen polyester. Plateau \nen HPL, en marbre de \nCarrare ou en marbre \nMarquinia. Conçue pour \nl’extérieur.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: base in ghisa e \ncolonna in acciaio, trattate \ncataforesi e verniciate \npoliestere. Piano in HPL, \nin marmo di Carrara o in \nmarmo Marquinia. Adatto \nper l’esterno.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: base de fundi-\nción de hierro y columna en \nacero, tratadas anti óxido \ny barnizadas poliéster. \nTablero en HPL, en mármol \nde Carrara o en mármol \nMarquinia. Apta para el \nexterior.\nFinishes\ngreen \u002F \nblack HPL\nred \u002F \nblack HPL\ngrey anthracite  \n\u002F black HPL\ngreen \u002F \nwhite HPL\nred \u002F \nwhite HPL\ngrey anthracite \n\u002F white HPL\ngreen \u002F black \nMarquinia \nmarble\nred \u002F black \nMarquinia \nmarble\ngrey anthracite  \n\u002F black \nMarquinia \nmarble\ngreen \u002F white \nCarrara marble\nred \u002F \nwhite Carrara \nmarble\ngrey anthracite  \n\u002F white Carrara \nmarble\ntables\nBrut\n",149,{"image":610,"text":611,"number":612},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.150.png","40\n40\n40\n72\n87\n102\n72\u002F102\n72\u002F102\n280x95\n260x90\n200x90\n296\n297\nBrut\ndesign Konstantin Grcic, 2017\nEN Table \u002F pair of trestles \nadjustable in height for do-\nmestic and contract use.\nMaterials: trestles in cast \niron painted in polyester \npowder. Top in electro-gal-\nvanized steel plate, pain-\nted in polyester powder, or \nin veneered oak, natural.\nDE Tisch \u002F ein Paar \nhöhenverstellbare Böcke \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Böcke aus \npolyesterlackiertem \nGusseisen. Tischplatte aus \nStahlblech, elektro-verzin-\nkt und polyesterlackiert, \noder aus furnierter Eiche, \nnaturfarben.\nFR Table \u002F pair de tréteaux \nréglables en hauteur \npour la maison et pour la \ncollectivité.\nMatériaux: tréteaux en \nfonte vernis en polyester. \nPlateau en tôle d’acier \nelectro-galvanisé verni en \npolyester, ou en chêne \nplaqué, naturel.\nIT Tavolo \u002F coppia di \ncavalletti regolabili in \naltezza per uso domestico \ne contract.\nMateriali: cavalletti in ghisa \nverniciata poliestere. Piano \nin lamiera elettrozincata \ne verniciata poliestere o \nin rovere impiallacciato \nnaturale.\nES Mesa \u002F par de cabal-\nletes con altura regulable \npara uso dómestico y \ncontract.\nMateriales: caballetes en \nfundición de hierro barni-\nzado poliéster. Tablero en \nchapa de acero electro-\ngalvanizada y barnizada \nen poliéster, o en roble \ncontrachapado natural.\ngreen \u002F \nveneered oak\nred \u002F \nblack steel \nplate\nwhite \u002F \nveneered oak\ngreen \u002F black \nsteel plate\ngrey anthracite \n\u002F veneered \noak\nwhite \u002F \nblack steel \nplate\ngrey anthracite  \n\u002F black steel \nplate\nred \u002F \nveneered oak\nFinishes\ntables\nBrut\n",150,{"image":614,"text":615,"number":616},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.151.png","74\nØ64\nØ130\n298\n299\nBrut\ndesign Konstantin Grcic, 2017\nEN Table for domestic \nand contract use.\nMaterials: frame in cast \niron painted in polyester \npowder. Top in Carrara \nmarble or in Marquinia \nmarble.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nGusseisen polyesterla-\nckiert. Tischplatte aus \nCarrara-Marmor oder aus\nMarquinia-Marmor.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure en \nfonte verni en polyester. \nPlateau en marbre de \nCarrare ou en marbre \nMarquinia.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \nghisa verniciata polie-\nstere. Piano in marmo \ndi Carrara o in marmo \nMarquinia.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura de \nfundición de hierro barni-\nzado poliéster. Tablero en \nmármol de Carrara o en \nmármol Marquinia.\ngreen \u002F \nMarquinia \nmarble\nred \u002F Carrara \nmarble\ngreen \u002F \nCarrara marble\ngrey anthracite \n\u002F Marquinia \nmarble\ngrey anthracite  \n\u002F Carrara \nmarble\nred \u002F Marquinia \nmarble\nFinishes\ntables\nBrut\n",151,{"image":618,"text":619,"number":620},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.152.png","74,5\n126,5\n75\n102,5\n330\n420\n435\nexamples of composition\nA\nB\nC\n300\n301\nblack \nsplattered \nwhite\nBureaurama\nEN Table for domestic \nand contract use.\nMaterials: aluminum pain-\nted in polyester powder. \nSuitable for outdoor use. \nDE Tisch für Haus- und \nObjektgebrauch.\nMaterial: Aluminium \npolyesterlackiert. Auch \nfür den Aussenbereich \ngeeignet. \nFR Table pour la maison \net pour la collectivité.\nMatériaux: aluminium \nverni en polyester.\nConçue pour l’extérieur.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: alluminio verni-\nciato poliestere. Adatto \nper uso esterno. \nES Mesa para uso dóme-\nstico y contract.\nMateriales: aluminium \nbarnizado poliéster. Apta \npara el exterior. \ndesign Jerszy Seymour, 2017\nFinishes\ntables\nBureaurama\n",152,{"image":622,"text":623,"number":624},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.153.png","73\n73\n89\n139\n129x75\n180x90\nnatural \u002F white \nversion only\n302\n303\nButch - The Wild Bunch\nEN Table for domestic \nand contract use.\nMaterials: frame (legs \nand crosspiece) in natural \nsolid beech; joints in \npolypropylene with glass \nfibre added; top in HPL.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell \n(Beine und Querstreben) \naus massiver Buche. \nVerbindungselement aus \nPolypropylen mit Glasfa-\nser verstärkt. Tischplatte \naus HPL. \nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure \n(pieds et traverse) en \nhêtre massif naturel; \njoints en polypropylène \nchargé avec fibre de \nverre; plateau en HPL.\nIT Tavoli per uso dome-\nstico e contract.\nMateriali: struttura (gam-\nbe e traverso) in mas-\nsello di faggio naturale; \ngiunti in polipropilene \ncaricato di fibra di vetro; \npiano in HPL.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura (pa-\ntas y larguero) en madera \nmaciza de haya natural; \njuntas en polipropileno \nreforzado con fibra de \nvidrio; tablero en HPL.\ndesign Konstantin Grcic, 2013\nnatural \u002F \nblack\nnatural \u002F \nwhite\nblack \u002F \nblack\nFinishes\ntables\nButch - The Wild Bunch\n",153,{"image":626,"text":627,"number":628},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.154.png","45\n45\n51\n51\n72\n72\n104\n99\nØ60\n55x55\nround\nsquare (polished version not available)\n304\n305\nCentral\ndesign Ronan & Erwan Bouroullec, 2011\nEN Table for domestic and \ncontract use.\nMaterials: legs in die-cast \naluminium, polished \nor painted in polyester \npowder. Top in polished \naluminium or in HPL.\nDE Stuhl für Haus- und \nObjektgebrauch.\nMaterialien: Beine aus \nAluminium-Druckguss po-\nliert oder polyesterlackiert. \nTischplatte aus poliertem \nAluminium oder aus HPL.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: pieds en fonte \nd’aluminium poli ou verni \nen polyester. Plateau en \naluminium poli ou en HPL.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: gambe in pres-\nsofusione di alluminio luci-\ndo o verniciato poliestere. \nPiano in alluminio lucido o \nin HPL.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: patas de alu-\nminio fundido a presión bril-\nlante o barnizado poliéster. \nTablero de aluminio brillante \no de HPL.\nwhite \u002F white \nHPL\npolished \u002F \npolished \naluminium\nblack \u002F black \nHPL\nFinishes\ntables\nCentral\n",154,{"image":630,"text":631,"number":632},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.155.png","74,5\n75\nØ120\n306\n307\nCuckoo - The Wild Bunch\ndesign Konstantin Grcic, 2016\nEN Table for domestic \nand contract use.\nMaterials: frame in natural \nor painted solid beech; \njoint in polypropylene with \nglass fibre added; top in \nFenix laminate.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell \naus massiver Buche, \nnaturfarben oder lackiert.\nVerbindungselement aus \nPolypropylen mit Glasfaser \nverstärkt. Tischplatte aus \nFenix-Laminat.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure \nen hêtre massif natu-\nrel ou verni; joint en \npolypropylène chargé avec \nfibre de verre; plateau en \nlaminé Fenix.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \nmassello di faggio naturale \no verniciato; giunto in po-\nlipropilene caricato di fibra \ndi vetro; piano in laminato \nFenix.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura en \nmadera maciza de haya \nnatural o barnizada; junta \nen polipropileno moldeado \npor inyección estándar, re-\nforzado con fibra de vidrio; \ntablero de laminado Fenix.\nnatural \u002F \nblack\nnatural \u002F \nwhite\nblack \u002F \nblack\nFinishes\ntables\nCuckoo - The Wild Bunch\n",155,{"image":634,"text":635,"number":636},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.156.png","139x79,2\nØ120\n79,2x79,2\nØ79,2\n73,2\n73,2\n73,2\n73,2\n308\n309\nFirst\ndesign Stefano Giovannoni, 2007\nEN Table for domestic \nand contract use.\nMaterials: legs in \npolypropylene with glass \nfibre added, top in HPL.\nDE Tisch, für Haus- und \nObjektgebrauch.\nMaterialien: Beine aus \nPolypropylen, mit Glasfa-\nser verstärkt. Tischplatte \naus HPL.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: pieds en \npolypropylène chargé avec \nfibre de verre, plateau en \nHPL.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: gambe in poli-\npropilene caricato di fibra \ndi vetro, piano in HPL.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: patas de poli-\npropileno cargado de fibra \nde vidrio, tablero de HPL.\nFinishes\nblack \u002F \nblack HPL\nwhite \u002F \nwhite HPL\ntables\nFirst\n",156,{"image":638,"text":639,"number":640},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.157.png","173\n69\n74,5\n74,5\n200x90\n90x90\n310\n311\nOfficina\ndesign Ronan & Erwan Bouroullec, 2015\nEN Table for domestic \nand contract use.\nMaterials: frame in \nwrought iron painted in \npolyester powder. Top in \nsolid American walnut.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nSchmiedeeisen, polye-\nsterlackiert. Tischplatte \naus massivem amerikani-\nschem Nussbaum.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure en fer \nforgé verni en polyester. \nPlateaux en noyer ameri-\ncain massif.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in ferro \nforgiato verniciato polie-\nstere. Piano in massello di \nnoce americano.\nES Mesas para uso dóme-\nstico y contract.\nMateriales: estructura de \nhierro forjado barnizado \nen poliéster. Tablero en \nmadera maciza de nogal \namericano.\nFinishes\ngrey anthracite \n\u002F American \nwalnut\ntables\nOfficina\n",157,{"image":642,"text":643,"number":644},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.158.png","90\n74\nØ120\n312\n313\nOfficina\ndesign Ronan & Erwan Bouroullec, 2015\nEN Table for domestic \nand contract use.\nMaterials: frame in \nwrought iron painted in \npolyester powder. Top in \nsolid American walnut or \nin tempered glass.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nSchmiedeeisen, polyester-\nlackiert. Tischplatte aus \nmassivem amerikanischen \nNussbaum oder aus \ngehärtetem Glas.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure en fer \nforgé verni en polyester. \nPlateaux en noyer ame-\nricain massif ou en verre \ntrempé.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in ferro \nforgiato verniciato polie-\nstere. Piano in massello \ndi noce americano o in \ncristallo temperato. \nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura de \nhierro forjado barnizado \nen poliéster. Tablero en \nmadera maciza de nogal \namericano o en vidrio \ntemplado.\nFinishes\ngrey anthracite \n\u002F American \nwalnut\ngrey anthracite \n\u002F smoked glass\ntables\nOfficina\n",158,{"image":646,"text":647,"number":648},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.159.png","88\n88\n30\n30\n74,5\n111\n120x60\n120x60\n314\n315\nFinishes\ngrey anthracite \n\u002F American \nwalnut\ngrey anthracite \n\u002F black steel \nsheet\ngalvanized \u002F \nblack steel \nsheet\nOfficina\ndesign Ronan & Erwan Bouroullec, 2015\nEN Table for domestic \nand contract use.\nMaterials: frame in \nwrought iron, galvanized \nor cataphoretically-treated \nand painted in polyester \npowder. Top in steel \nplate electro-galvanized \nand painted in polyester \npowder or in solid Ameri-\ncan walnut.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nSchmiedeeisen, verzinkt \noder rostschutzbehandelt \nund polyesterlackiert. \nTischplatte aus Stahl-\nblech, elektro-verzinkt und \npolyesterlackiert oder aus \nmassivem amerikanischen \nNussbaum.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure en fer \nforgé galvanisé ou traité \nen cataphorèse et verni en \npolyester. Plateaux en tôle \nd’acier electro-galvanisé \net verni en polyester ou en \nnoyer americain massif. \nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in ferro \nforgiato, zincato a caldo \no trattato cataforesi e \nverniciato poliestere. Piano \nin lamiera elettrozincata \ne verniciata poliestere \no in massello di noce \namericano.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura de \nhierro forjado, galvaniza-\ndo o tratado anti-oxido \ny barnizado en poliéster. \nTablero en chapa de \nacero electro-galvanizada y \nbarnizada en poliéster o en \nmadera maciza de nogal \namericano.\ntables\nOfficina\n",159,{"image":650,"text":651,"number":652},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.160.png","134\n30\n74\n200x65\n316\n317\nOfficina\ndesign Ronan & Erwan Bouroullec, 2015\nFinishes\nEN Table for domestic \nand contract use.\nMaterials: frame in \nwrought iron, galvanized \nor cataphoretically-\ntreated and painted in \npolyester powder. Top in \nCarrara marble.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nSchmiedeeisen, verzinkt \noder rostschutzbehan-\ndelt und polyesterla-\nckiert. Tischplatte aus \nCarrara Marmor.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure en \nfer forgé galvanisé ou \ntraité en cataphorèse \net verni en polyester. \nPlateau en marbre de \nCarrara.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \nferro forgiato, zincato a \ncaldo o trattato catafore-\nsi e verniciato polieste-\nre. Piano in marmo di \nCarrara.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura de \nhierro forjado, galvanizado \no tratado anti-oxido y bar-\nnizado en poliéster. Tablero \nen mármol de Carrara. \ngrey anthracite \n\u002F Carrara \nmarble\ngalvanized \u002F \nCarrara \nmarble\ntables\nOfficina\n",160,{"image":654,"text":655,"number":656},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.161.png","67\n59\n74,5\n74,5\nØ100\nØ80\n318\n319\nOfficina\ndesign Ronan & Erwan Bouroullec, 2015\nEN Table for domestic \nand contract use.\nMaterials: frame in \nwrought iron, galvanized \nor cataphoretically-\ntreated and painted in \npolyester powder. Top \nin steel plate electro-\ngalvanized and painted \nin polyester powder, in \nsolid American walnut or \nin Carrara marble. \nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell \naus Schmiedeeisen, \nverzinkt oder rostschutz-\nbehandelt und polye-\nsterlackiert. Tischplat-\nte aus Stahlblech, \nelektro-verzinkt und \npolyesterlackiert, aus \nmssivem amerikanischen \nNussbaum oder aus \nCarrara Marmor. \nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure en \nfer forgé galvanisé ou \ntraité en cataphorèse \net verni en polyester. \nPlateau en tôle d’acier \nelectro-galvanisé et verni \nen polyester, en noyer \namericain massif ou en \nmarbre de Carrare.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \nferro forgiato, zincato a \ncaldo o trattato catafore-\nsi e verniciato poliestere. \nPiano in lamiera elet-\ntrozincata e verniciata \npoliestere, in massello \ndi noce americano o in \nmarmo di Carrara. \nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura de \nhierro forjado, galvaniza-\ndo o tratado anti-oxido \ny barnizado en poliéster.  \nTablero en chapa de ace-\nro electro-galvanizada y \nbarnizada en poliéster, en \nmadera maciza de nogal \namericano y en mármol \nde Carrara. \nFinishes\ngrey anthracite \n\u002F black steel \nsheet\ngrey anthracite \n\u002F Carrara \nmarble\ngrey anthracite \n\u002F American \nwalnut\ngalvanized \u002F \nCarrara marble\ngalvanized \u002F \nblack steel \nsheet\ntables\nOfficina\n",161,{"image":658,"text":659,"number":660},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.162.png","54\n74,5\nØ55\n320\n321\nFinishes\ngrey anthracite \n\u002F Carrara \nmarble\ngrey anthracite \n\u002F American \nwalnut\ngalvanized \u002F \nCarrara marble\nOfficina\ndesign Ronan & Erwan Bouroullec, 2015\nEN Table for domestic \nand contract use.\nMaterials: frame in \nwrought iron, galvanized \nor cataphoretically-\ntreated and painted in \npolyester powder. Top in \nsolid American walnut or \nin Carrara marble. \nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nSchmiedeeisen, verzinkt \noder rostschutzbehan-\ndelt und polyesterla-\nckiert. Tischplatte aus \nmassivem amerikani-\nschen Nussbaum oder \naus Carrara Marmor. \nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure en \nfer forgé galvanisé ou \ntraité en cataphorèse et \nverni en polyester. Pla-\nteau en noyer americain \nmassif ou en marbre de \nCarrare.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \nferro forgiato, zincato a \ncaldo o trattato catafore-\nsi e verniciato poliestere. \nPiano in massello di \nnoce americano o in \nmarmo di Carrara. \nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura de \nhierro forjado, galvanizado \no tratado anti-oxido y bar-\nnizado en poliéster. Tablero \nen madera maciza de \nnogal americano y en \nmármol de Carrara. \ntables\nOfficina\n",162,{"image":662,"text":663,"number":664},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.163.png","162\n74,2\n220x90\n322\n323\nOfficina\ndesign Ronan & Erwan Bouroullec, 2024\nEN Table for domestic \nand contract use.\nMaterials: frame in \nwrought iron, galvani-\nzed or cataphoretically \ntreated and painted in \npolyester powder. Top \nin concrete. Suitable for \noutdoor use.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nSchmiedeisen, verzinkt \noder rostschutzbehan-\ndelt und polyesterla-\nckiert. Tischplatte aus \nBeton. Für den Aus-\nsenbereich geeignet. \nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure en \nfer forgé, galvanisé ou \ntraité en cataphorèse et \nverni en polyester. Pla-\nteau en béton. Conçue \npour l’extérieur.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \nferro forgiato, zincato a \ncaldo o trattato catafore-\nsi e verniciato poliestere. \nPiano in cemento. Adatto \nper esterni.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura en \nhierro forjado, galvaniza-\nda o tratado anti óxido \ny barnizado poliéster. \nTablero de cemento. Apta \npara el exterior. \ngrey anthracite \n\u002F light grey \nconcrete\ngrey anthracite \n\u002F dark grey \nconcrete\nbrown \u002F light \ngrey concrete\nbrown \u002F dark \ngrey concrete\ngalvanized \n\u002F dark grey \nconcrete\ngalvanized \n\u002F light grey \nconcrete\nFinishes\ntables\nOfficina\n",163,{"image":666,"text":667,"number":668},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.164.png","280x110\n240x100\n180x90\n75\n75\n75\n324\n325\nPasse-partout\ndesign Magis, 2014\nEN Tables for domestic \nand contract use.\nMaterials: legs in extru-\nded aluminium painted \nin polyester powder. \nSelf-bearing top in steel \nplate painted in polyester \npowder. Suitable for \noutdoor use. \nDE Tische für Haus- und \nObjektgebrauch.\nMaterialien: Beine aus \npolyesterlackiertem \nAluminium. Selbestra-\ngende Tischplatte aus \npolyesterlackiertem \nStahlblech. Auch für den \nAussenbereich geeignet.\nFR Tables pour la mai-\nson et pour la collecti-\nvité.\nMatériaux: pieds en alu-\nminium verni en polye-\nster. Plateau autoportant \nen tôle d’acier verni en \npolyester. Conçues pour\nl’extérieur.\nIT Tavoli per uso dome-\nstico e contract.\nMateriali: gambe in \nalluminio estruso verni-\nciato poliestere. Piano \nautoportante in lamiera \ndi acciaio verniciato \npoliestere. Adatti per \nesterno.\nES Mesas para uso \ndómestico y contract.\nMateriales: patas en \naluminio extruido barni-\nzado poliéster. Tablero \nautoportante en chapa de \nacero barnizado poliéster. \nAptas para el exterior.\nblack\nwhite\nFinishes\ntables\nPasse-partout\n",164,{"image":670,"text":671,"number":672},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.165.png","Ø40\nØ40\nØ40\nØ47\nØ47\nØ47\n73\n73\n73\n73\n73\n110\n47x47\nØ47\nØ60\n70x70\nØ70\nØ60\n326\n327\nPasse-partout\ndesign Magis, 2014\nEN Tables for domestic \nand contract use.\nMaterials: base and fra-\nme in satined stainless \nsteel. Top in HPL. Suita-\nble for outdoor use. \nDE Tische für Haus- und \nObjektgebrauch.\nMaterialien: Fuss und \nGestell aus Edelstahl \nsatiniert. Tischplatte aus \nHPL. Auch für den Aus-\nsenbereich geeignet.\nFR Tables pour la mai-\nson et pour la collecti-\nvité.\nMatériaux: base et struc-\nture en acier inoxydable \nsatiné. Plateau en HPL. \nConçues pour l’extérieur. \nIT Tavoli per uso dome-\nstico e contract.\nMateriali: base e colonna \nin acciaio inox satinato. \nPiano in HPL. Adatti per \nesterno.\nES Mesas para uso \ndómestico y contract.\nMateriales: base y colum-\nna en acero inoxidable \nsatinado. Tablero en HPL. \nAptas para el exterior.\nblack\nwhite\nFinishes\ntables\nPasse-partout\n",165,{"image":674,"text":675,"number":676},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.166.png","75\n64,5\n15\n74\nØ120\nØ120\n328\n329\nPied-à-terre\ndesign BrogliatoTraverso, 2025\nbrick red \u002F \nblack Portoro\nblack \u002F black \nPortoro\nwhite \u002F black \nPortoro\nFinishes\nEN Table for domestic \nand contract use.\nMaterials: frame in \npainted steel. Base in \nrecycled marble (black \nPortoro). Top in Fenix \nlaminate.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nlackiertem Stahl. Sockel \naus recyceltem Mar-\nmor (schwarz Portoro). \nTischplatte aus Fenix-\nLaminat.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure \nen acier verni. Base en \nmarbre récycle (noir Por-\ntoro). Plateau en Fenix \nlaminé.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \nacciaio verniciato. Base \nin marmo riciclato (nero \nPortoro). Piano in lami-\nnato Fenix.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura en \nacero barnizado. Base de \nmármol reciclado (negro \nPortoro). Tablero en lami-\nnado Fenix.\ntables\nPied-à-terre\n",166,{"image":678,"text":679,"number":680},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.167.png","75\n64,5\n15\n74\n125\u002F175\n125\n330\n331\nPied-à-terre\ndesign BrogliatoTraverso, 2025\nEN Extending table for \ndomestic and contract \nuse.\nMaterials: frame in \npainted steel. Base in \nrecycled marble (black \nPortoro). Top and leaves \nin Fenix laminate.\nDE Ausziehbarer Tisch \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Gestell \naus lackiertem Stahl. \nSockel aus recycel-\ntem Marmor (schwarz \nPortoro). Tischplatte \nund Auszugsplatten aus \nFenix-Laminat.\nFR Table à rallonges \npour la maison et pour la \ncollectivité.\nMatériaux: structure \nen acier verni. Base \nen marbre récycle noir \nPortoro). Plateau et ral-\nlonges en Fenix laminé.\nIT Tavolo allungabile \nper uso domestico e \ncontract.\nMateriali: struttura in \nacciaio verniciato. Base \nin marmo riciclato (nero \nPortoro). Piano e prolun-\nghe in laminato Fenix.\nES Mesa extensible para \nuso dómestico y contract.\nMateriales: estructura en \nacero barnizado. Base \nde mármol reciclado \n(negro Portoro). Tablero y \nextensiones en laminado \nFenix.\nFinishes\nbrick red \u002F \nblack Portoro\nblack \u002F black \nPortoro\nwhite \u002F black \nPortoro\ntables\nPied-à-terre\n",167,{"image":682,"text":683,"number":684},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.168.png","143\n103\n200x90\n160x90\n74\n74\n332\n333\nPilo\ndesign Ronan & Erwan Bouroullec, 2013\nEN Table for domestic \nand contract use.\nMaterials: legs in solid \nash, natural or painted; \ncrosspieces in steel tube \npainted in epoxy resin; \njoints in die-cast alumi-\nnium sanded or painted \nin epoxy resin; top in \nHPL or in veneered oak \nMDF.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Beine aus \nmassiver Esche natur-\nfarben oder lackiert; \nTraverse aus Stahlrohr \nepoxydlackiert; Ver-\nbindungselement aus \nAluminium-Druckguss \nsandgestrahlt oder \nepoxydlackiert; Ti-\nschplatte aus HPL oder \naus MDF, eichenfurniert.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: Pieds en \nfrêne massif, naturel ou \nteinté; traverses en tube \nd’acier verni en résine \népoxy; joints en fonte \nd’aluminium sablé ou \nverni en résine époxy; \nplateau en HPL ou en \nMDF plaqué chêne.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: gambe in mas-\nsello di frassino naturale \no verniciato; traversi in \ntubo di acciaio verniciato \nin resina epossidica; \ngiunti in pressofusione \ndi alluminio sabbiato o \nverniciato in resina epos-\nsidica; piano in HPL, o \nin MDF impiallacciato \nrovere.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: patas de \nmadera maciza de fresno \nnatural o barnizado; \nlargueros de perfiles de \nacero barnizado epoxi; \njuntas de aluminio fundi-\ndo a presión, arenado o \nbarnizado epoxi; tablero \nen HPL o en MDF chapa-\ndo roble.\nblack \u002F MDF \nveneered \nnatural oak\nblack \u002F MDF \nveneered dark \noak\nblack \u002F black \nHPL\nnatural \u002F white \nHPL\nFinishes\ntables\nPilo\n",168,{"image":686,"text":687,"number":688},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.169.png","200x120\n75\n334\n335\nSouth\ndesign Konstantin Grcic, 2023\nEN Table for domestic \nand contract use.\nMaterials: frame in steel \ntube, cataphoretically \ntreated and painted in \npolyester powder. Top \nin teak. Adjustable and \npivoting feet. Suitable for \noutdoor use.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nrostschutzbehandeltem, \npolyesterlackiertem \nStahlrohr. Tischplatte \naus Teakholz. Stellfüße, \ndrehbar. Auch für den \nAussenbereich geeignet.\nFR Table pour la maison \net pour la collectivité.\nMatériaux : structure \nen tube d’acier traité en \ncataphorèse et verni en \npolyester. Plateau en \nteck. Pieds réglables et \npivotants. Conçue pour \nl’extérieur.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \ntubo di acciaio trattato \ncataforesi e verniciato \npoliestere. Piano in \nteak. Piedini regolabili e \norientabili. Adatto anche \nper esterni.\nES Mesa para uso dome-\nstico y contract.\nMateriales: estructura en \ntubo de acero tratado \nanti-óxido y barnizado \npoliéster. Tablero de \nteca. Patas regulables y \ngiratorias. Apto para el \nexterior.\nnight blue \u002F\nteak\nbordeaux \u002F\nteak\nFinishes\ntables\nSouth\n",169,{"image":690,"text":691,"number":692},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.170.png","200x90\n160x90\n90x90\n75\n75\n75\n336\n337\nSouth\ndesign Konstantin Grcic, 2023\nEN Table for domestic \nand contract use.\nMaterials: frame in steel \ntube, cataphoretically \ntreated and painted in \npolyester powder. Top in \nsteel sheet. Adjustable \nand pivoting feet. Suita-\nble for outdoor use.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nrostschutzbehandeltem, \npolyesterlackiertem \nStahlrohr. Tischplat-\nte aus Stahlblech. \nStellfüße, drehbar. Auch \nfür den Aussenbereich \ngeeignet.\nFR Table pour la maison \net pour la collectivité.\nMatériaux : structure \nen tube d’acier traité en \ncataphorèse et verni en \npolyester. Plateau en tôle \nd’acier. Pieds réglables \net pivotants. Conçue \npour l’extérieur.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \ntubo di acciaio trattato \ncataforesi e verniciato \npoliestere. Piano in \nlamiera di acciaio. Pie-\ndini regolabili e orien-\ntabili. Adatto anche per \nesterni.\nES Mesa para uso dome-\nstico y contract.\nMateriales: estructura en \ntubo de acero tratado \nanti-óxido y barnizado \npoliéster. Tablero de \nchapa de acero. Patas \nregulables y giratorias. \nApto para el exterior.\nnight blue \nbordeaux \nFinishes\ntables\nSouth\n",170,{"image":694,"text":695,"number":696},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.171.png","180x90\n145x145\n90x90\nØ120\n76\n76\n76\n76\n76\n135x90\n280x90\n338\n339\nSteelwood Table\ndesign Ronan & Erwan Bouroullec, 2009\nEN Table for domestic \nand contract use.\nMaterials: frame (legs \nand crosspieces) in solid \nbeech, natural or pain-\nted; top in HPL; joints \nin steel plate painted in \npolyester powder.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell \n(Beine und Querstreben) \naus massiver Buche, na-\nturfarben oder lackiert; \nTischplatte aus HPL; \nVerbindungsgelenke aus \nStahlblech, polyesterla-\nckiert.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure \n(pieds et traverses) en \nhêtre massif naturel ou \nteinté; plateau en HPL; \njoints en tôle d’acier \nverni polyester.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura (gam-\nbe e traversi) in massello \ndi faggio naturale o \nverniciato; piano in HPL; \ngiunti in lamiera di accia-\nio verniciato poliestere.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura \n(patas y travesaños) de \nmadera maciza de haya \nnatural o barnizada; \ntablero de HPL; juntas de \nchapa de acero barniza-\ndo poliestere.\nblack \u002F \nblack HPL\nnatural \u002F \nwhite HPL\nFinishes\nbasic module \nintermediate module\ntables\nSteelwood Table\n",171,{"image":698,"text":699,"number":700},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.172.png","159x79\nØ70\n74\n74\n340\n341\nStriped\ndesign Ronan & Erwan Bouroullec, 2005\nEN Table for domestic \nand contract use.\nMaterial: frame in steel \ntube, cataphoretically-\ntreated and painted in \npolyester powder, top in \nHPL. Suitable for outdo-\nor use. \nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nrostschutzbehandel-\ntem, polyesterlackierten \nStahlrohr, Tischplatte \naus HPL. Auch für den \nAussenbereich geeignet. \nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure en \ntube d’acier traité en \ncataphorése et verni \nen polyester, plateau \nen HPL. Conçue pour \nl’extérieur. \nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \ntubo di acciaio trattato \ncataforesi e vernicia-\nto poliestere, piano in \nHPL. Adatto anche per \nesterni. \nES Mesa para uso dóme-\nstico y contract.\nMaterial: estructura de \nacero tubular tratado \nanti-óxido y barnizado \npoliester, tablero de HPL.\nApta para el exterior.\nwhite\nblack\nFinishes\ntables\nStriped\n",172,{"image":702,"text":703,"number":704},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.173.png","Ø35\nØ35\nØ35\n72\n72\n110\nØ79\n79x79\nØ60\n342\n343\nTable_One Bistrot\ndesign Konstantin Grcic, 2006\nEN Tables for domestic \nand contract use.\nMaterial: concrete base; \nframe in anodised alumi-\nnium polished or black \n(suitable for outdoor \nuse); top in HPL.\nDE Tische für Haus- und \nObjektgebrauch.\nMaterialien: Sockel aus \nBeton; Gestell aus Profi-\nlaluminium, poliert oder \nschwarz eloxiert (auch \nfür den Aussenbereich \ngeeignet); Tischplatte \naus HPL.\nFR Tables pour la mai-\nson et pour la collecti-\nvité.\nMatériaux: base en \nbéton; structure en \naluminium anodisé poli \nou noir (conçue pour \nl’extérieur); plateau en \nHPL.\nIT Tavoli per uso dome-\nstico e contract.\nMateriali: base in cemen-\nto; struttura in profilato \ndi alluminio anodizzato \nlucido oppure nero \nopaco (adatto anche per \nesterni); piano in HPL. \nES Mesas para uso \ndómestico y contract.\nMaterial: base en cemen-\nto; estructura en perfil \nde aluminio anodizado \nbrillante o negro (apto \npara el exterior); tablero \nen HPL.\nFinishes\nblack \u002F natural \nconcrete\nblack \u002F black \nconcrete\nwhite \u002F black \nconcrete\nwhite \u002F natural \nconcrete\ntables\nTable_One Bistrot\n",173,{"image":706,"text":707,"number":708},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.174.png","Ø60\n64,5\u002F80,5\n344\n345\nTopsy - The Wild Bunch\ndesign Konstantin Grcic, 2012\nFinishes\nblack \u002F \nblack\nnatural \u002F \nblack\nnatural \u002F \nwhite\nEN Table adjustable in \nheight for domestic and \ncontract use.\nMaterials: frame in \nnatural or painted solid \nbeech; joint and screw \nin polypropylene; top in \nHPL.\nDE Höhenverstellbarer \nTisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nmassiver Buche natur-\nfarben oder lackiert; \nVerbindungsgelement \nund Schraube aus \nPolypropylen. Tischplatte \naus HPL.\nFR Table reglable en \nhauteur pour la maison \net pour la collectivité.\nMatériaux: structure \nen hêtre massif naturel \nou verni, joint et vis en \npolypropylène; plateau \nen HPL.\nIT Tavolo regolabile in \naltezza per uso domesti-\nco e contract.\nMateriali: struttura in \nmassello di faggio natu-\nrale o verniciato; giunto \ne vite in polipropilene; \npiano in HPL.\nES Mesa regulable en \naltura para uso dómesti-\nco y contract.\nMateriales: estructura en \nmadera maciza de haya \nnatural o barnizada; junta \ny tornillo en polipropileno; \ntablero en HPL.\ntables\nTopsy - The Wild Bunch\n",174,{"image":710,"text":711,"number":712},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.175.png","125\n75\n200x119\n346\n347\nXZ3\ndesign Magis, 1990\u002F2003\nEN Table for domestic \nand contract use.\nMaterials: frame in steel \nrod, painted in epoxy \nresin or chromed, top in \nFenix laminate.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nStahldraht, epoxyla-\nckiert oder verchromt, \nTischplatte aus Fenix-\nLaminat.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure en \nfil d’acier, verni en resine \nepoxy ou chromé, plate-\nau en laminé Fenix.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in ton-\ndino di acciaio verniciato \nin resina epossidica o \ncromato, piano in lami-\nnato Fenix.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura de \ntubo redondo de acero \nbarnizado epoxi o croma-\ndo, tablero de laminado \nFenix.\nFinishes\nwhite \u002F white \nFenix\nblack \u002F white \nFenix\nwhite \u002F black \nFenix\nblack \u002F black \nFenix\nchromed \u002F \nblack Fenix\nchromed \u002F \nwhite Fenix\ntables\nXZ3\n",175,{"image":714,"text":715,"number":716},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.176.png","63\n74,5\nØ120\n348\n349\nXZ3\ndesign Magis, 1990\u002F2003\nFinishes\nchromed \u002F \nblack Fenix\nblack \u002F black \nFenix\nwhite \u002F black \nFenix\nchromed \u002F \nCarrara marble\nblack \u002F Carrara \nmarble\nwhite \u002F Carrara \nmarble\nchromed \u002F \nAmerican \nwalnut\nblack \u002F \nAmerican \nwalnut\nwhite \u002F \nAmerican \nwalnut\nchromed \u002F \nwhite Fenix\nwhite \u002F white \nFenix\nblack \u002F white \nFenix\nEN Table for domestic \nand contract use.\nMaterials: frame in steel \nrod, painted in epoxy \nresin or chromed, top in \nFenix laminate, in white \nCarrara marble or in \nsolid American walnut.\nDE Tisch für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nStahldraht, epoxyla-\nckiert oder verchromt, \nTischplatte aus Fenix-\nLaminat, aus weißem \nCarrara-Marmor oder \naus massiver amerikani-\nscher Nussbaum.\nFR Table pour la maison \net pour la collectivité.\nMatériaux: structure en \nfil d’acier, verni en resine \nepoxy ou chromé, pla-\nteau en laminé Fenix, en \nmarbre blanc de Carrare \nou en noyer américain \nmassif.\nIT Tavolo per uso dome-\nstico e contract.\nMateriali: struttura in \ntondino di acciaio verni-\nciato in resina epossi-\ndica o cromato, piano \nin laminato Fenix, in \nmarmo bianco di Carrara \no in massello di noce \namericano.\nES Mesa para uso dóme-\nstico y contract.\nMateriales: estructura de \nbarra de acero barnizado \nepoxi o cromado, tablero \nde laminado Fenix, de \nmármol blanco de Carra-\nra o de madera maciza de \nnogal americano.\ntables\nXZ3\n",176,{"image":718,"text":719,"number":720},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.177.png","350\n351\nside and\ncoffee tables\n",177,{"image":722,"text":723,"number":724},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.178.png","Ø35\nØ28,5\n38,5\n32,5\n47\n42,5\n35,5\n29,5\n352\n353\nAncora\ndesign Ronan Bouroullec, 2025\nEN Low tables for dome-\nstic and contract use.\nMaterials: base in con-\ncrete. Top in levigated \nconcrete (suitable also \nfor outdoor). \nDE Niedrige Tische für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \nBeton. Tischplatten aus \npoliertem Beton (auch \nfür den Aussenbereich \ngeeignet).\nFR Tables basses pour \nla maison et pour la \ncollectivité.\nMatériaux: base en \nbéton. Plateau en béton \nlisse (conçues aussi pour \nl’extérieur).\nIT Tavolini bassi per uso \ndomestico e contract.\nMateriali: base in ce-\nmento. Piani in cemento \nlevigato (adatti anche per \nesterni). \nES Mesitas bajas para \nuso doméstico y contract.\nMateriales: base de \ncemento. Tableros de \ncemento pulido (aptas \ntambién para exteriores).\nFinishes\nnatural \nconcrete\nside and coffee tables\nAncora\n",178,{"image":726,"text":727,"number":728},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.179.png","59,3\n50,6\n41,5\n354\n355\nIn-Side\ndesign Thomas Heatherwick, 2024\nEN Low table for domestic \nand contract use.\nMaterials: polyethylene \ncontaining post-consu-\nmer recycled material. \nMulticolored side flakes \nin recycled polyethylene \nobtained from industrial \nwaste. Suitable for outdo-\nor use.\nDE Niedriger Tisch für \nHaus- und Objektge-\nbrauch.\nMaterialien: Polyäthylen \nmit einem Anteil an \nrecyceltem Post-Consu-\nmer Material. Mehrfarbige \nSeitenchips aus recycel-\ntem Polyäthylen aus der \nPost-Industrie. Auch \nfür den Aussenbereich \ngeeignet.\nFR Table basse pour la \nmaison et pour la collec-\ntivité.\nMatériaux: polyéthylène \ncontenant matériaux \nrecyclés post-con-\nsommation. Flocons \nlatéraux multicolores \nen polyéthylène recyclé \npost-industriel. Conçue \npour l’extérieur.\nIT Tavolino per uso dome-\nstico e contract.\nMateriali: polietilene \ncontenente materiale \nriciclato post-consumo. \nChips laterali multicolo-\nre in polietilene riciclato \npost-industriale. Adatto \nper esterni.\nES Mesita para uso dóme-\nstico y contract.\nMateriales: polietileno que \ncontiene material recicla-\ndo posconsumo. Fichas \nlaterales multicolores \nen polietileno reciclado \npostindustrial. Apta para el \nexterior.\nFinishes\nwhite\nsage\nterracotta\nIn-Side\nside and coffee tables\n",179,{"image":730,"text":731,"number":732},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.180.png","Ø50\nØ70\nØ100\n24\n40\n36\n50\n356\n357\nMotta\ndesign Jasper Morrison, 2025\nEN Low tables for dome-\nstic and contract use. \nMaterials: frame in steel \ntube, glossy painted. Top \nin veneered oak, natural. \nAvailable extra top (ø41,5) \nfor ø50 cm low table.\nDE Niedrieger Tische \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \nStahlrohr, lackiert glän-\nzend. Eichenfurnierte \nTischplatte, naturfarben.\nExtra-Platte (ø41,5) für \nTisch ø50 cm erhältlich.\nFR Table basses pour \nla maison et pour la \ncollectivité.\nMatériaux : structure en \ntube d’acier, verni poli. \nPlateau plaqué chêne \nnaturel. Disponible pla-\nteau extra (ø41,5) pour la \ntable ø50 cm. \nIT Tavolini per uso domesti-\nco e contract.\nMateriali: struttura in tubo \ndi acciaio verniciato lucido. \nPiano impiallacciato rovere \nnaturale. Disponibile ripiano \naggiuntivo (ø41,5) per \ntavolino ø50 cm.\nES Mesitas para uso \ndomestico y contract.\nMateriales: estructura en \ntubo de acero barnizado \nbrillante. Tablero contra-\nchapado roble natural. \nDisponible tablero extra \n(ø41,5) por la mesita ø50 \ncm.\nFinishes\nnatural \nveneered oak \u002F\nblue\nnatural \nveneered oak \u002F\nbrown\nnatural \nveneered oak \u002F \nred\nnatural \nveneered oak \u002F\ngreen\nMotta\nside and coffee tables\n",180,{"image":734,"text":735,"number":736},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.181.png","55\nØ42\n43\n358\n359\nOfficina\ndesign Ronan & Erwan Bouroullec, 2015\nFinishes\ngrey anthracite \n\u002F American \nwalnut\ngrey anthracite \n\u002F Carrara \nmarble\nEN Low table for domestic \nand contract use.\nMaterials: frame in \nwrought iron, cataphore-\ntically-treated and pain-\nted in polyester powder. \nTop in solid American \nwalnut or in Carrara \nmarble. \nDE Niedriger Tisch für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell \naus Schmiedeeisen, \nrostschutzbehandelt \nund polyesterlackiert. \nTischplatte aus mas-\nsivem amerikanischen \nNussbaum oder aus \nCarrara Marmor.\nFR Table basse pour la \nmaison et pour la collec-\ntivité.\nMatériaux: structure \nen fer forgé traité en \ncataphorèse et verni \nen polyester. Plateaux \nen noyer americain \nmassif ou en marbre de \nCarrare.\nIT Tavolino per uso dome-\nstico e contract. \nMateriali: struttura in ferro \nforgiato trattato cataforesi \ne verniciato poliestere. \nPiano in massello di noce \namericano o in marmo di \nCarrara.  \nES Mesita para uso dóme-\nstico y contract.\nMateriales: estructura de \nhierro forjado, tratado con \ncataforesis y barnizado \nen poliéster. Tablero en \nmadera maciza de nogal \namericano y en mármol \nde Carrara. \nOfficina\nside and coffee tables\n",181,{"image":738,"text":739,"number":740},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.182.png","47\nØ32\nØ40\n360\n361\nPiña\ndesign Jaime Hayón, 2014\nwhite \u002F white \nsolid ash\nwhite \u002F white \nHPL\nblack \u002F black \nsolid ash\nblack \u002F black \nHPL\nFinishes\nEN Low table for dome-\nstic and contract use.\nMaterials: frame in steel \nrod painted in polyester \npowder or cataphoreti-\ncally-treated and painted \nin polyester powder \n(outdoor version). Top \nin solid ash or in HPL \n(outdoor version).\nDE Niedriger Tisch für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \npolysterlackiertem oder \naus rostschutzbehandel-\ntem, polyesterlackiertem \nStahldraht (Version für \nden Aussenbereich). \nTischplatte aus massiver \nEsche oder aus HPL-\n(Version für den\nAussenbereich).\nFR Table basse pour la \nmaison et pour la collec-\ntivité.\nMatériaux: structure en fil \nd’acier verni en polyester \nou traité en cataphorese \net verni en polyester \n(version pour l’extérieur). \nPlateau en frêne massif \nou en HPL (version pour \nl’extérieur).\nIT Tavolino per uso do-\nmestico e contract.\nMateriali: struttura in ton-\ndino di acciaio verniciato \npoliestere o verniciato \npoliestere e trattato cata-\nforesi (versione per ester-\nno). Piano in massello di \nfrassino oppure in HPL \n(versione per esterno).\nES Mesita para uso \ndómestico y contract.\nMateriales: estructura de \nbarra de acero barniza-\ndo poliéster o tratado \nanti-óxido y barnizado \npoliéster (versión para \nel exterior). Tablero en \nmadera maciza de fresno \no en HPL (versión para el \nexterior).\nPiña\nside and coffee tables\n",182,{"image":742,"text":743,"number":744},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.183.png","120x120\n38\n362\n363\nSouth\ndesign Konstantin Grcic, 2023\nEN Low table, for dome-\nstic and contract use.\nMaterials: frame in steel \ntube, cataphoretically \ntreated and painted in \npolyester powder. Top \nin teak or lava stone. \nAdjustable and pivoting \nfeet. Suitable for outdoor \nuse.\nDE Niedrieger Tisch für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \nrostschutzbehandeltem, \npolyesterlackiertem \nStahlrohr. Tischplatte \naus Teakholz oder Lava-\nstein. Stellfüße, drehbar. \nAuch für den Aussenbe-\nreich geeignet.\nFR Table basse pour la \nmaison et pour la collec-\ntivité.\nMatériaux : structure \nen tube d’acier traité \nen cataphorèse et verni \nen polyester. Plateau \nen teck, ou pierre de \nlave. Pieds réglables et \npivotants. Conçue pour \nl’extérieur.\nIT Tavolino per uso do-\nmestico e contract.\nMateriali: struttura in \ntubo di acciaio trattato \ncataforesi e verniciato \npoliestere. Piano in teak \no pietra lavica. Piedini \nregolabili e orientabili. \nAdatto per uso esterno.\nES Mesita para uso do-\nmestico y contract.\nMateriales: estructura en \ntubo de acero tratado \nanti-óxido y barnizado \npoliéster. Tablero de teca \no piedra de lava. Patas \nregulables y giratorias. \nApto para el exterior.\nnight blue \u002F\nteak\nnight blue \u002F\nlava stone blue\nbordeaux \u002F\nlava stone red\nbordeaux \u002F\nteak\nFinishes\nSouth\nside and coffee tables\n",183,{"image":746,"text":747,"number":748},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.184.png","90x90\n38\n364\n365\nSouth\ndesign Konstantin Grcic, 2023\nnight blue \nbordeaux\nFinishes\nEN Low table, for dome-\nstic and contract use.\nMaterials: frame in steel \ntube, cataphoretically \ntreated and painted in \npolyester powder. Top in \nsteel sheet. Adjustable \nand pivoting feet. Suita-\nble for outdoor use.\nDE Niedrieger Tisch für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \nrostschutzbehandeltem, \npolyesterlackiertem \nStahlrohr. Tischplat-\nte aus Stahlblech. \nStellfüße, drehbar. Auch \nfür den Aussenbereich \ngeeignet.\nFR Table basse pour la \nmaison et pour la collec-\ntivité.\nMatériaux : structure \nen tube d’acier traité en \ncataphorèse et verni en \npolyester. Plateau en tôle \nd’acier. Pieds réglables \net pivotants. Conçue \npour l’extérieur.\nIT Tavolino per uso do-\nmestico e contract.\nMateriali: struttura in \ntubo di acciaio trattato \ncataforesi e verniciato \npoliestere. Piano in la-\nmiera di acciaio. Piedini \nregolabili e orientabili. \nAdatto per uso esterno.\nES Mesita para uso do-\nmestico y contract.\nMateriales: estructura en \ntubo de acero tratado \nanti-óxido y barnizado \npoliéster. Tablero de \nchapa de acero. Patas \nregulables y giratorias. \nApto para el exterior.\nSouth\nside and coffee tables\n",184,{"image":750,"text":751,"number":752},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.185.png","36\n65\n65\nØ50\nØ50\nØ50\n366\n367\nTambour\ndesign Ronan & Erwan Bouroullec, 2012 \nEN Low tables for dome-\nstic and contract use.\nMaterials: frame in po-\nlished die-cast alumi-\nnium. Tops in polished \naluminium.\nDE Niedrige Tische für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \npoliertem Aluminium- \nDruckguss. Tischplatten \naus poliertem Alumi-\nnium.\nFR Guéridons pour la \nmaison et pour la col-\nlectivité.\nMatériaux: structure en \nfonte d’aluminium poli. \nPlateaux en fonte d’alu-\nminium poli.\nIT Tavolini per uso do-\nmestico e contract.\nMateriali: struttura \nin pressofusione di \nalluminio lucido. Piani in \nalluminio lucido.\nES Mesitas para uso \ndómestico y contract.\nMateriales: estructura en \naluminio brillante fundido \na presion. Tablero en \naluminio brillante.\npolished\nFinishes\nTambour\nside and coffee tables\n",185,{"image":754,"text":755,"number":756},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.186.png","36\n36\n36\n65\n65\n65\n65\n38x44\n73x45\n70x31\n43x37,5\n72x44,5\n69,5x30,5\n138,5x33\n368\n369\nTambour\ndesign Ronan & Erwan Bouroullec, 2012\u002F2022 \nEN Low tables for dome-\nstic and contract use.\nMaterials: frame in die-\ncast aluminium, polished \nor painted in polyester \npowder (outdoor ver-\nsion). Tops in concrete \nliquid painted glossy \nfinish.\nDE Niedrige Tische für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \nAluminium Druckguss \npoliert oder oder polye-\nsterlackiert (Ausführung \nfür den Aussenbe-\nreich). Tischplatten aus \nnasslackiertem Zement, \nglänzendes Finish.\nFR Guéridons pour la \nmaison et pour la col-\nlectivité.\nMatériaux: structure en \nfonte d’aluminium poli \nou verni en polyester \n(version pour l’extérieu-\nre). Plateaux en fonte \nd’aluminium poli et en \nbéton verni liquide, fini-\ntion brillante.\nIT Tavolini per uso do-\nmestico e contract.\nMateriali: struttura in \npressofusione di allumi-\nnio lucido o in alluminio \nverniciato poliestere (ver-\nsione per esterni). Piani \nin cemento verniciato a \nliquido, finitura lucida.\nES Mesitas para uso \ndómestico y contract.\nMateriales: estructura en \naluminio fundido a pre-\nsion brilante o barnizado \npoliéster (versión para \nel exterior). Tablero en a \ncemento barnizado en \nlíquido, acabado brillante.\npolished \u002F \nwhite\nwhite \u002F \nwhite\npolished \u002F \ngreen\nwhite \u002F\n green\npolished \u002F \nlight blue\nwhite \u002F \nlight blue\nFinishes\nTambour\nside and coffee tables\n",186,{"image":758,"text":759,"number":760},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.187.png","81x26\n60x60\n45x30\n50\n35\n35\n28\n64\n370\n371\nTraffic\ndesign Konstantin Grcic, 2014\nEN Low tables for dome-\nstic and contract use.\nMaterials: frame in steel \nrod, painted in polyester \npowder. Top in acrylic \nstone or in veneered \noak. \nDE Niedrige Tische, für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \npolyesterlackiertem \nStahldraht. Tischplatte \naus Acrylstein oder aus \nfurnierter Eiche.\nFR Tables basses pour \nla maison et pour la \ncollectivité.\nMatériaux: structure en \nfil d’acier verni en polye-\nster. Plateau en pierre \nacrylique ou en chêne \nplaqué.\nIT Tavolini bassi per uso \ndomestico e contract.\nMateriali: struttura in \ntondino di acciaio verni-\nciato poliestere. Piano in \npietra acrilica o in rovere \nimpiallacciato.\nES Mesitas bajas para \nuso dómestico y contract.\nMateriales: estructura en \nbarra de acero barniza-\ndo poliéster. Tablero en \npiedra acrílica o en roble \nchapado.\nblack \u002F black \nveneered oak\nblack \u002F grey \nanthracite \nacrylic stone\nFinishes\nTraffic\nside and coffee tables\n",187,{"image":762,"text":763,"number":764},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.188.png","372\n373\nstorage and\nshelving systems\n",188,{"image":766,"text":767,"number":768},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.189.png","115\n60\n32\n32\n42\n42\n35\n35\n46\n46\n127\n72\n374\n375\n360°\ndesign Konstantin Grcic, 2010\nEN Drawer units on \nwheels for domestic and \ncontract use.\nMaterials: glossy ABS. \nJoining tube in stainless \nsteel. Available in two \nheights.\nDE Schubkasten auf \nRollen für Haus- und \nObjektgebrauch.\nMaterialien: ABS glän-\nzend. Verbindungsrohr \naus Edelstahl. In zwei \nHöhen erhältlich.\nFR Rangement à tiroirs \nsur roulettes pour la \nmaison et pour la col-\nlectivité.\nMatériaux: ABS brillant. \nTube de liaison en acier \ninoxydable. Disponible \nen deux hauteurs.\nIT Cassettiera su ruote \nper uso domestico e \ncontract.\nMateriali: ABS lucido. \nTubo di collegamento in \nacciaio inossidabile. Di-\nsponibile in due altezze.\nES Cómoda sobre ruedas \npara uso dómestico y \ncontract.\nMateriales: ABS brillante. \nTubo de conexíon en ace-\nro inoxidable. Disponible \nen dos alturas.\nyellow\ngreen\nbordeaux\npink\nblue\nwhite\nlight grey\nblack\nFinishes\nstorage and shelving systems\n360°\n",189,{"image":770,"text":771,"number":772},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.190.png","58\n58\n35\n35\n302\n302\n242\n181,5\n38,5\n38,5\n81\n160\n160\n160\n60,5\n60,5\n41,5\n39,5\n376\n377\nElysée\ndesign Pierre Paulin, 2009\nEN Shelving system for \ndomestic and contract \nuse.\nMaterial: maple plywood \nnatural, oak plywood, \npainted and American \nwalnut plywood. Sta-\ncking and adjoining.\nDE Modulares Regalsy-\nstem für Haus- und \nObjektgebrauch.\nMaterial: Ahornschich-\ntholz naturfarben, Ei-\nchenschichtholz lackiert \nund amerikanischer \nNussbaumschichtholz. \nStapelbar und addierbar.\nFR Etagère modulable \npour la maison et pour la \ncollectivité.\nMatériaux : érable \nmultiplis, naturel, chêne \nmultiplis verni et noyer \naméricain multiplis. Em-\npilable et adjacente.\nIT Libreria modulare \nper uso domestico e \ncontract.\nMateriali: multistrato di \nacero naturale, multistra-\nto di rovere verniciato e \nmultistrato di noce ame-\nricano. Modulo impilabile \ne accostabile.\nES Librería modular para \nuso dómestico y contract.\nMaterial: contrachapado \nde arce natural, contra-\nchapado de roble barni-\nzado y contrachapado de \nnogal americano. Apilable \ny arrimable.\nnatural \nmaple\nAmerican\nwalnut\npainted \nblack oak\npainted \nred oak\nFinishes\nbasic module\nstacking module\nexamples of composition\nElysée\nstorage and shelving systems\n",190,{"image":774,"text":775,"number":776},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.191.png","200\n100\n100\n35\n35\n17\n35\n35\n35\n75,2\n199\n199\n199\n35\n55\n378\n379\nOfficina\ndesign Ronan & Erwan Bouroullec, 2022\nEN Wall bookcase for \ndomestic and contract \nuse.\nMaterials: Uprights in \npolyester powder-coated \nforged iron. Shelves and \ndesk in walnut veneered \nor black painted MDF.\nDE Wandregal für Haus- \nund Objektgebrauch.\nMaterialien: Pfeiler aus \nSchmiedeisen, polye-\nsterlackiert. Regale und \nSchreibtisch aus MDF \nNussbaumfurniert oder \nschwarz lackiert.\nFR Bibliothèque murale \npour la maison et pour la \ncollectivité.\nMatériaux : Montants en \nfer forgé verni en polye-\nster. Étagères et bureau \nen MDF plaqué noyer ou \nverni noir.\nIT Libreria da parete \nper uso domestico e \ncontract.\nMateriali: Montanti in \nferro forgiato verniciato \npoliestere. Ripiani e \nscrittoio in MDF impial-\nlacciato noce o vernicia-\nto nero.\nES Librería de pared para \nuso dómestico y contract.\nMateriales: Montantes de \nhierro forjado barnizado \nen poliéster. Estantes y \nescritorio en MDF chapa-\ndo en nogal o barnizado \nnegro.\ngrey anthracite \n\u002F walnut \nveneered MDF\ngrey anthracite \n\u002F painted black \nMDF\nFinishes\nVersion with desk\nOfficina\nstorage and shelving systems\n",191,{"image":778,"text":779,"number":780},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.192.png","120x25\n90x25\nØ34\n14\n28\n14\n28\n14\n37\n27\n27\n27\n380\n381\nSpike - The Wild Bunch\ndesign Konstantin Grcic, 2014\nEN Wall shelving system \nfor domestic and con-\ntract use.\nMaterials: clamps in \npolypropylene with glass \nfibre added. Shelves in \nsolid stained beech or in \nCarrara marble. \nDE Wandregalsystem, \nfür Haus- und Objektge-\nbrauch.\nMaterialien: Klemmen \naus Polypropylen mit \nGlasfaser verstärkt. \nAblagen aus massiver \nBuche, gebeizt oder aus \nCarrara Marmor. \nFR Système d’étagères \nmurale pour la maison et \npour la collectivité.\nMatériaux: pinces en \npolypropylène chargé \navec fibre de verre. \nÉtagères en hêtre massif \nteinté ou en marbre de \nCarrare. \nIT Sistema libreria a pa-\nrete per uso domestico e \ncontract.\nMateriali: morsetto in \npolipropilene caricato di \nfibra di vetro. Ripiani in \nmassello di faggio tinto o \nmarmo di Carrara. \nES Librería de pared para \nuso dómestico y contract.\nMateriales: soportes en \npolipropileno reforzado \ncon fibra de vidrio. Estan-\ntes disponibles: madera \nmaciza de haya  teñida o \nmármol de Carrara.\nwhite \u002F \nCarrara marble\n(for Ø34 version \nonly)\nwhite \u002F \nblack beech\n(for 120x25 \u002F 90x25 \nversions only)\nyellow \u002F \nCarrara marble\n(for Ø34 version \nonly)\nyellow \u002F \nblack beech\n(for 120x25 \u002F 90x25 \nversions only)\nblack \u002F \nCarrara marble\n(for Ø34 version \nonly)\nblack \u002F \nblack beech\n(for 120x25 \u002F 90x25 \nversions only)\norange \u002F \nCarrara marble\n(for Ø34 version \nonly)\norange \u002F\nblack beech\n(for 120x25 \u002F 90x25 \nversions only)\nFinishes\nSpike - The Wild Bunch\nstorage and shelving systems\n",192,{"image":782,"text":783,"number":784},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.193.png","92\n40\n269,5\n181\n181\n35\n93\n171\n54\n54\nbasic module\nexamples of composition\n382\n383\nSteelwood Shelving System\ndesign Ronan & Erwan Bouroullec, 2009\nEN Shelving system for \ndomestic and contract \nuse.\nMaterials: frame \n(uprights and crosspie-\nces) in solid beech, \nnatural or painted; joints \nin steel plate painted in \npolyester powder; shel-\nves in painted MDF.\nDE Modulares Regalsy-\nstem für Haus- und \nObjektgebrauch.\nMaterialien: Gestell \n(Pfeiler und Querstreben) \naus massiver Buche, na-\nturfarben oder lackiert; \nVerbindungsgelenke aus \nStahlblech, polyester-\nlackiert; Bretter aus \nlackiertem MDF.\nFR Étagère modulable \npour la maison et pour la \ncollectivité.\nMatériaux: structure \n(montants et traverses) \nen hêtre massif naturel \nou teinté; joints en tôle \nd’acier verni en polye-\nster; plateaux en MDF \nverni.\nIT Libreria modulare \nper uso domestico e \ncontract.\nMateriali: struttura \n(montanti e traversi) in \nmassello di faggio natu-\nrale o verniciato; giunti in \nlamiera di acciaio verni-\nciato poliestere; ripiani in \nMDF verniciato.\nES Librería modular para \nuso domestico y contract.\nMateriales: estructura \n(montantes y largueros) \nde madera maciza de \nhaya natural o barniza-\nda; juntas de chapa de \nacero barnizado polie-\nster; estantes de MDF \nbarnizado.\nblack solid \nbeech \u002F \nblack\nnatural solid \nbeech \u002F \nwhite\nFinishes\nSteelwood Shelving System\nstorage and shelving systems\n",193,{"image":786,"text":787,"number":788},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.194.png","68\n129\n38\n38\n85\n55\n107\n77\n100\n180\n48\n48\n384\n385\nTacito\ndesign Alessandro Stabile, 2024 \nEN Storage unit for do-\nmestic and contract use.\nMaterials: frame\n(sides, back and shelves) \nin painted MDF, doors \nin felt, feet in anodized \naluminum.\nDE Behältnismöbel für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell (Sei-\ntenflächen, Rückwand \nund Einlegeböden) aus \nlackiertem MDF, Türen \naus Filz, Füße aus elo-\nxiertem Aluminium.\nFR Unité de rangement \npour la maison et pour la \ncollectivité.\nMatériaux : structu-\nre (côtés, dossier et \nétagères) en MDF verni, \nportes en feutre, pieds \nen aluminium anodisé.\nIT Mobile contenitore \nper uso domestico e \ncontract.\nMateriali: struttura (fian-\nchi, schiena e ripiani) in \nMDF verniciato, ante in \nfeltro, gambe in alluminio \nanodizzato.\nES Mueble de almacenaje \npara uso doméstico y \ncontract.\nMateriales: estructura \n(laterales, trasera y repi-\nsas) en MDF barnizado, \npuertas en fieltro, patas \nen aluminio anodizado.\ndark purple \u002F \norange\nbordeaux \u002F \nlight green\nblush \u002F \nyellow\nFinishes\nTacito\nstorage and shelving systems\n",194,{"image":790,"text":791,"number":792},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.195.png","123\n123\n93\n93\n43\n43\n43\n43\n57\n57\n36\n36\n78\n78\n55\n55\n386\n387\nTheca\ndesign Ronan & Erwan Bouroullec, 2014\nEN Sideboard for dome-\nstic and contract use.\nMaterials: frame (sides, \nback and sliding doors) \nin anodised aluminium \nplate. Tops in MDF \nveneered cherry, walnut \nor ash. \nDE Sideboard für Haus- \nund Objektgebrauch.\nMaterialien: Gestell (Sei-\ntenwände, Rückwand \nund Schiebetüren) aus \neloxiertem Aluminium-\nblech. Einlegeböden \naus MDF furniert \nKirschbaum, Nussbaum \noder Esche. \nFR Meuble containeur \npour la maison et pour la \ncollectivité.\nMatériaux: structure \n(côtés, fond et portes \ncoulissantes) en tôle \nd’aluminium anodisé. \nÉtagères en MDF plaqué \ncerisier, noyer ou frêne. \nIT Mobile contenitore \nper uso domestico e \ncontract.\nMateriali: struttura (fian-\nchi, schiena ed ante) in \nlamiera di alluminio ano-\ndizzato. Ripiani in MDF \nimpiallacciato ciliegio, \nnoce o frassino.\nES Mueble contenedor \npara uso doméstico y \ncontract.\nMateriales: estructura, \ntrasera y puertas de \naluminio anodizado. \nEstantes de MDF contra-\nchapado (cerezo, fresno \no nogal). \nnatural \u002F cherry \nveneered \nMDF\nblack \u002F \nash veneered\nMDF\nblack \u002F \nwalnut \nveneered MDF\nFinishes\nTheca\nstorage and shelving systems\n",195,{"image":794,"text":795,"number":796},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.196.png","50\n63\n63\n63\n63\n75\n105\n225\n212\n212\n212\n212\nexamples of composition\n388\n389\nTyke - The Wild Bunch\ndesign Konstantin Grcic, 2013\nEN Shelving system for \ndomestic and contract \nuse.\nMaterials: uprights in \nsteel tube painted in \npolyester powder; shel-\nves in steel plate painted \nin polyester powder; feet \nand caps in polypropyle-\nne. \nDE Modulares Regalsy-\nstem, für Haus- und \nObjektgebrauch.\nMaterialien: Pfeiler aus \npolyesterlackiertem \nStahlrohr; Ablagen aus \npolyesterlackiertem \nStahlblech; Stellfüsse \nund Abschlusszapfen \naus Polypropylen.\nFR Étagère modulable, \npour la maison et pour la \ncollectivité.\nMatériaux: montants \nen tube d’acier verni \nen polyester; étagères \nen tôle d’acier verni en \npolyester; pieds et bou-\nchons en polypropylène. \nIT Libreria modulare, \nper uso domestico e \ncontract.\nMateriali: montanti in \ntubo di acciaio vernicia-\nto poliestere; ripiani in \nlamiera di acciaio verni-\nciato poliestere; piedini e \ntappi in polipropilene. \nES Librería modular para \nuso dómestico y contract.\nMateriales: montantes en \nperfiles de acero barniza-\ndo poliéster; estantes en \nchapa de acero barni-\nzados poliéster; pies y \ntapas en polipropileno. \nwhite\nblack\nFinishes\nTyke - The Wild Bunch\nstorage and shelving systems\n",196,{"image":798,"text":799,"number":800},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.197.png","390\n391\ncoat stands \u002F \nhangers\n",197,{"image":802,"text":803,"number":804},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.198.png","Ø35\nØ35\n7\n8,5\n160\n50\n160\n13,5\n392\n393\norange \nlight blue\nlight yellow\ngrey\ngreen\nwhite\nFinishes\nEN Coat stand for dome-\nstic and contract use.\nMaterials: base in die-\ncast aluminium, frame \nin aluminium tube, coat \nhanger in die-cast \naluminium. Version with \numbrella stand available.\nDE Kleiderständer für \nHaus- und Objektge-\nbrauch.\nMaterialien: Fuss aus \nAluminium-Druckguss, \nGestell aus Alumi-\nniumrohr, Kleiderha-\nken aus Aluminium-\nDruckguss. Version mit \nSchirmständer erhältlich.\nFR Porte-manteaux \npour la maison et pour la \ncollectivité.\nMatériaux: base en fonte \nd’aluminium, structure \nen tube d’aluminium, \ncrochets en fonte \nd’aluminium. Version \navec porte-parapluie \ndisponible.\nIT Appendiabiti per uso \ndomestico e contract.\nMateriali: base in pres-\nsofusione di alluminio, \nstruttura in tubo di allu-\nminio, attaccapanni in \npressofusione di allumi-\nnio. Disponibile versione \ncon porta ombrelli.\nES Percha para uso \ndómestico y contract.\nMateriales: base de alu-\nminio fundido a presión, \nestructura de tubo de \naluminio, colgador de alu-\nminio fundido a presión. \nDisponible versión con \nparagüero.\npolished\nblack\nFinishes\nEN Wall coat hanger for \ndomestic and contract \nuse.\nMaterials: polypropylene. \nHook in stainless steel.\nDE Wandgarderobe für \nHaus- und Objektge-\nbrauch.\nMaterialien: Polypropylen.\nHaken aus rostfreiem \nStahl.\nFR Porte-manteaux mural \npour la maison et pour la \ncollectivité.\nMatériaux: polypropylène.\nCrochet en acier inoxyda-\nble.\nIT Appendiabiti a muro \nper uso domestico e \ncontract.\nMateriali: polipropilene. \nGancio in acciaio inossi-\ndabile.\nES Colgador de pared \npara uso dómestico y \ncontract.\nMateriales: polipropileno. \nGancho en acero inoxi-\ndable.\nFour Leaves\nGlobo\ndesign E Barber & J Osgerby, 2010\ndesign Enzo Mari, 2001\ncoat stands \u002F hangers\nFour Leaves \u002F Globo\n",198,{"image":806,"text":807,"number":808},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.199.png","55\n48\n6\n19\n164\n37\n394\n395\ngrey\n anthracite \u002F \nblack\nFinishes\nEN Coat stand for dome-\nstic use and contracts.\nMaterials: frame in \nwrought iron, painted in \npolyester powder, hooks \nin rubber. \nDE Kleiderständer für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \nSchmiedeeisen, polye-\nsterlackiert. Haken aus \nKautschuk.\nFR Porte-manteaux \npour la maison et pour la \ncollectivité.\nMatériaux: structure \nen fer forgé verni en \npolyester. Crochets en \ncaoutchouc.\nIT Appendiabiti per uso \ndomestico e contract.\nMateriali: struttura in \nferro forgiato vernicia-\nto poliestere. Ganci in \ngomma. \nES Perchero de pie para \nuso dómestico y contract.\nMateriales: estructura de \nhierro forjado, barnizado \nen poliéster. Ganchos de \ngoma.\ngrey\n anthracite \u002F \nblack\nFinishes\nEN Wall coat hanger for \ndomestic and contract \nuse.\nMaterials: structure in \nwrought iron, painted in \npolyester powder. Hooks \nin rubber.\nDE Wandgarderobe für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \nSchmiedeeisen, polye-\nsterlackiert. Haken aus \nKautschuk.\nFR Porte-manteaux \nmural pour la maison et \npour la collectivité.\nMatériaux: structure \nen er forgé verni en \npolyester. Crochets en \ncaoutchouc.\nIT Appendiabiti a muro \nper uso domestico e \ncontract.\nMateriali: struttura in \nferro forgiato vernicia-\nto poliestere. Ganci in \ngomma.\nES Colgador de pared \npara uso dómestico y \ncontract.\nMateriales: estructura de \nhierro forjado, barnizado \nen poliéster. Ganchos de \ngoma.\nOfficina\ndesign Ronan & Erwan Bouroullec, 2016\ncoat stands \u002F hangers\nOfficina\n",199,{"image":810,"text":811,"number":812},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.200.png","40\n57\n160\n396\n397\nSteelwood Coat Stand\nEN Coat stand for dome-\nstic and contract use.\nMaterials: frame in solid \nbeech, natural painted or \nstained, or in solid Ameri-\ncan walnut. Joints in steel \nplate painted in polyester \npowder.\nDE Kleiderständer für \nHaus- und Objektge-\nbrauch.\nMaterialien: Gestell aus \nmassiver Buche, naturfar-\nben lackiert oder gebeizt \noder aus massiver ame-\nrikanischen Nussbaum. \nVerbindungsgelenke \naus polyesterlackiertem \nStahlblech.\nFR Porte-Manteaux \npour la maison et pour la \ncollectivité.\nMatériaux: structure en \nhêtre massif naturel verni \nou teinté, ou en noyer \namérican massif. Joints \nen tôle d’acier verni en \npolyèster.\nIT Appendiabiti per uso \ndomestico e contract.\nMateriali: struttura in \nmassello di faggio natu-\nrale verniciato o tinto, o in \nmassello di noce america-\nno. Elementi di giunzione \nin lamiera di acciaio \nverniciato poliestere.\nES Perchero para uso \ndómestico y contract.\nMateriales: estructura de \nmadera maciza de haya \nnatural, barnizada o teñida, \no de madera maciza de \nnogal americano natural. \nJuntas de chapa de acero \nbarnizado poliester.\ndesign Ronan & Erwan Bouroullec, 2010\nbeech natural \u002F \nwhite\nbeech natural \u002F \nblack\nbeech natural \u002F \nbrick red\namerican \nwalnut \u002F black\nbeech black \u002F \nblack\nbeech brick \nred \u002F \nbrick red\nFinishes\ncoat stands \u002F hangers\nSteelwood Coat Stand\n",200,{"image":814,"text":815,"number":816},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.201.png","398\n399\naccessories\n",201,{"image":818,"text":819,"number":820},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.202.png","400\n401\nArchetoys\ndesign Floris Hovers, 2013\nEN Car models.\nMaterials: steel profiles \npainted in epoxy resin.\nDE Fahrzeugminiaturen.\nMaterialien: Stahlprofile \nepoxylackiert.\nFR Maquettes de véhi-\ncules.\nMateriaux: profilés en \nacier verni en résine \népoxy.\nIT Modellini di vetture. \nMateriali: profilati di ac-\nciaio verniciato in resina \nepossidica.\nES Modelos de vehículos.\nMateriales: perfiles de \nacero barnizado epoxi.\n Car 1\nSport car\nPolice car\nUS\ntruck\nNew York \ntaxi\nLondon \ntaxi\nHearse\nLondon \nbus\nSchool\nbus\nDump\ntruck\nBulldozer\nTow\ntruck\nArmy Jeep +\ncannon\nArmoured \nvehicle\nAmerican \ncar\nMilk\ntruck\nSmall\ntruck\nGarbage\ntruck\nModels\nArchetoys\naccessories\n",202,{"image":822,"text":823,"number":824},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.203.png","18\n9\n28,5\n23\n46\n39\n402\n403\nEN Cuckoo clock.\nMaterials: ABS.\nDE Kuckucksuhr.\nMaterialien: ABS.\nFR Horloge à coucou.\nMatériaux: ABS.\nIT Orologio a cucù.\nMateriali: ABS.\nES Reloj de cuclillo.\nMateriales: ABS.\nwhite \u002F\norange\nwhite \u002F \nwhite\nFinishes\nEN Dish-rack.\nMaterials: polypropylene.\nDE Abtropfgestell.\nMaterialien: Polypropylen. \nFR Égouttoir.\nMatériaux: polypropylène.\nIT Scolapiatti.\nMateriali: polipropilene.\nES Escurreplatos.\nMateriales: polipropileno.\norange \u002F \ngreen\nwhite \u002F\nblue\nclear \u002F\nclear\ngreen \u002F\norange\nFinishes\nCu-Clock\nDish Doctor\ndesign Naoto Fukasawa, 2011\ndesign Marc Newson, 1998\naccessories\nCu-Clock \u002F Dish Doctor\n",203,{"image":826,"text":827,"number":828},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.204.png","4,5\n3,5\n25\n18\n404\n405\ngrey \nanthracite\nFinishes\nFinishes\nEN Key ring.\nMateriali: stainless steel. \nDE Schlüsselanhänger. \nMaterialien: rostfreier \nStahl.\nFR Porte-clés. \nMatériaux: acier inoxyda-\nble.\nIT Portachiavi.\nMateriali: acciaio inox. \nES Llavero. \nMateriales: acero inoxi-\ndable.\nblack wash\nEttore\nEttore\ndesign Konstantin Grcic, 2016\ndesign Konstantin Grcic, 2019\nEN Ornament \u002F door-\nstop.\nMaterials: cast-iron pain-\nted in polyester powder. \nDE Ornament \u002F Türstop-\nper.\nMaterialien: Gusseisen, \npolyesterlackiert. \nFR Ornement \u002F butoir.\nMatériaux: fonte verni en \npolyester. \nIT Soprammobile \u002F fer-\nmaporta.\nMateriali: fusione di ghi-\nsa verniciata poliestere.\nES Ornamento \u002F sujeta-\npuertas.\nMateriales: fundición de \nhierro barnizado poliéster. \nEttore\naccessories\n",204,{"image":830,"text":831,"number":832},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.205.png","71\n50\n43,5\n65\n6\n60\n87,5\n406\n407\nMemo\nNuovastep\ndesign Enzo Mari, 2003\ndesign Andries & Hiroko Van \nOnck, 1984\u002F2003\nEN Notice board.\nMaterials: metal sheet \npainted in epoxy resin. \nFrame in ABS. Supplied \nwith 6 shapes in ABS, in-\ncluding hidden magnets.\nDE Magnettafel.\nMaterialien: epoxydla-\nckiertes Stahlblech. \nGestell aus ABS. Kom-\nplett mit 6 Magneten aus \nABS.\nFR Panneau de notes.\nMatériaux: tôle d’acier \nverni en résine époxy. \nStructure en ABS. Fourni \nde 6 figures en ABS, \nmunies de aimants.\nIT Pannello notes.\nMateriali: lamiera ver-\nniciata in resina epos-\nsidica. Profili in ABS. \nCompleto di 6 segni in \nABS, muniti di calamita.\nES Panel de notas.\nMateriales: chapa de \nacero barnizada epoxi. \nPerfiles en ABS. Equipa-\ndo con 6 señales en ABS, \ncon iman.\nFinishes\nFinishes\nwhite \u002F\ngrey\nEN Folding step-ladder.\nMaterials: frame in steel \ntube painted in epoxy \nresin or chromed. Steps \nin ABS, lock in die-cast \naluminium. \nDE Klappbarer Stufenlei-\nter.\nMaterialien: Gestell aus \nStahlrohr epoxydlackiert \noder verchromt. Stufen \naus ABS. Verschluss aus \nAluminium-Druckguss.\nFR Escabeau pliant.\nMatériaux: structure en \ntube d’acier verni en \nrésine époxy ou chro-\nmé. Marches en ABS, \nverrouillage en fonte \nd’aluminium. \nIT Scaletta pieghevole.\nMateriali: struttura in \ntubo di acciaio verniciata \nin resina epossidica o \ncromata. Gradini in ABS, \nbloccaggio in pressofu-\nsione di alluminio.\nES Escalera plegable.\nMateriales: estructura en \ntubo de acero barnizada \nepoxi o cromada. Pel-\ndaños en ABS, bloqueo \nde aluminio fundido a \npresión.\nchromed \u002F \nblack\nwhite \u002F \nwhite\nMemo \u002F Nuovastep\naccessories\n",205,{"image":834,"text":835,"number":836},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.206.png","33\n30\n30\nØ30\n408\n409\nPoppins\nTempo\ndesign Edward Barber & Jay Osgerby, 2010\nEN Umbrella stand.\nMaterials: glossy ABS.\nDE Schirmständer.\nMaterialien: ABS glän-\nzend.\nFR Porte-parapluies.\nMatériaux: ABS brillant.\nIT Portaombrelli.\n \nMateriali: ABS lucido.\nES Paragüero.\nMateriales: ABS brillante.\nyellow\ndark blue\nblack\nwhite\ndesign Naoto Fukasawa, 2011\nEN Clock.\nMaterials: ABS.\nDE Wanduhr.\nMaterialien: ABS.\nFR Horloge.\nMatériaux: ABS.\nIT Orologio da parete.\nMateriali: ABS.\nES Reloj de pared.\nMateriales: ABS.\nFinishes\nFinishes\nwhite \u002F orange\nwhite \u002F grey\nwhite \u002F black\nPoppins \u002F Tempo\naccessories\n",206,{"image":838,"text":839,"number":840},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.207.png","50\n40\n40\n30\n50\n40\n160\n110\n410\n411\nSouth\ndesign Konstantin Grcic, 2023\nEN Baskets.\nMaterials: 100% polyole-\nfin. Suitable for outdoor \nuse.\nDE Körbe.\nMaterialien: 100% \nPolyolefin. Auch für den \nAussenbereich geeignet.\nFR Corbeilles.\nMatériaux : 100 % \npolyoléfine. Conçues \npour l’extérieur.\nIT Cesti.\nMateriali: 100% polio-\nlefina. Adatti per uso \nesterno.\nES Cestas.\nMateriales: 100% po-\nliolefina. Aptas para el \nexterior.\nFinishes\nFinishes\nred \u002F \norange\nblue \u002F\n light blue\npink \u002F \ngrey\nlight blue \u002F\nwhite\nEN Plaid.\nMaterials: 100% polyole-\nfin. Suitable for outdoor \nuse.\nDE Plaids.\nMaterialien: 100% \nPolyolefin. Auch für den \nAussenbereich geeignet.\nFR Plaid.\nMatériaux : 100 % \npolyoléfine. Conçu pour \nl’extérieur.\nIT Plaid.\nMateriali: 100% polio-\nlefina. Adatto per uso \nesterno.\nES Plaids.\nMateriales: 100% poliole-\nfina. Apto para el exterior.\nSouth\naccessories\n",207,{"image":842,"text":843,"number":844},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.208.png","75x45\n13,5\n89\nØ22\n30,5\n24\nØ17\n36\n28\n412\n413\nTransit\ndesign David Mellor, 1998\nEN Folding trolley.\nMaterials: frame in chro-\nmed steel tube, shelves \nin polypropylene, handle \nin polished die-cast \naluminium.\nDE Rollwagen, klappbar.\nMaterialien: Gestell aus \nverchromtem Stahlrohr. \nAblageflächen aus \nPolypropylen. Griff aus \nAluminium-Druckguss, \npoliert.\nFR Chariot pliant.\nMatériaux: structure en \ntube d’acier chromé, pla-\nteaux en polypropylène, \npoignée en fonte d’alu-\nminium poli.\nIT Carrello pieghevole.\nMateriali: struttura in \ntubo di acciaio cromato, \nripiani in polipropilene, \nmaniglia lucida in pres-\nsofusione di alluminio.\nES Carro plegable.\nMateriales: estructura en \ntubo de acero cromado, \nsobre en polipropileno. \nMango en profusión de \naluminio brillante.\nchromed \u002F \nwhite\nFinishes\nFinishes\nEN Waste-paper bin.\nMaterials: polypropylene. \nComplete with lid and \nbin-liner holder.\nDE Papierkorb.\nMaterialien: Polypropylen.\nKomplett mit Deckel und \nHaltering für Müllbeutel.\nFR Corbeille.\nMatériaux: polypropylène. \nAvec couvercle et bague \npour le fixage du sac.\nIT Cestino.\nMateriali: polipropilene. \nCompleto di coperchio \ne anello ferma sacchetto.\nES Papelera.\nMateriales: polipropileno. \nDotado de tapadera y \nanilla de sujeción.\nTrash\ndesign Jasper Morrison, 2005\nbeige\nwhite\nblack\nTransit \u002F Trash\naccessories\n",208,{"image":846,"text":847,"number":848},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.209.png","Ø61,5\nØ45\n85x36,5\nØ27,5\n65\n45\n45\n100\nØ80\nØ60\n100x52\nØ47\nTubby 01\nTubby 02\nTubby 03\nTubby 04\n414\n415\nTubby\ndesign Marc Newson, 2012\nEN Plant pots, pot-hol-\nders on wheels (except \nTubby 04). \nMaterials: polyethylene. \nSuitable for outdoor use.\nDE Vasen, Blumenvasen \nauf Rollen (ausser Tubby \n04).\nMaterialien: Polyäthylen. \nAuch für den Aussenbe-\nreich geeignet.\nFR Pots, cache-pots sur \nroulettes (sauf Tubby 04).\nMatériaux: polyéthylène. \nConçus pour l’extérieur.\nIT Vasi, portavasi su ruo-\nte (eccetto Tubby 04).\nMateriali: polietilene. \nAdatti anche per esterni.\nES Macetas, porta mace-\ntas con ruedas (excepto \nTubby 04).\nMateriales: polietileno.\nAptas para el exterior.\nwhite\nFinishes\nTubby\naccessories\n",209,{"image":850,"text":851,"number":852},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.210.png","416\n417\nmirrors\n",210,{"image":854,"text":855,"number":856},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.211.png","60\n60\n80\n9\n9\n9\n80\n60\n60\n418\n419\nCoves\ndesign Guglielmo Poletti, 2024\nEN Mirrors for domestic \nand contract use.\nMaterials: frame in \nextruded ceramic cold \npainted. Mirror with pro-\ntective back aluminium \npanel. Mirrors can be \nhung on either the long \nor short side.\nDE Spiegel für Haus- \nund Objektgebrauch.\nMaterialien: Rahmen aus \nKeramikprofil, kaltla-\nckiert. Spiegelglas mit \nSicherheitsfolie aus Alu-\nminium auf der Rücksei-\nte. Die Spiegel können \nsowohl an der langen als \nauch an der kurzen Seite \naufgehängt werden.\nFR Miroirs pour la mai-\nson et la collectivité.\nMatériaux: cadre en \ncéramique éxtrudée \nverni à froid. Miroir avec \npanneau de protection \nsur le dos en aluminium. \nLes miroirs peuvent être \naccrochés soit sur le \ncôté long que sur le côté \ncourt.\nIT Specchi per uso do-\nmestico e contract.\nMateriali: cornice in \nestruso di ceramica \nverniciata a freddo. Vetro \ncon pannello posteriore \nin alluminio. Gli specchi \npossono essere appesi \nsia sul lato lungo che sul \nlato corto.\nES Espejos para uso \ndoméstico y contract.\nMateriales: Estructura de \ncerámica extrusionada \npintada en frío. Vidrio con \npanel trasero de aluminio. \nLos espejos se pueden \ncolgar tanto en el lado \nlargo como en el corto. \nsage\naubergine\nterracotta\nFinishes\nCoves\nmirrors\n",211,{"image":858,"text":859,"number":860},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.212.png","105\n73\n73\n105\n137\n10,5\n10,5\n10,5\n10,5\n10,5\n105\n137\n190\n190\n190\nwall mirrors\nfloor mirrors\n420\n421\nDéjà-vu\ndesign Naoto Fukasawa, 2011\u002F2021\nEN Mirrors for domestic \nand contract use.\nMaterials: frame in \nextruded aluminium po-\nlished. Joints in die-cast \naluminium. Mirror with \nprotective back film.\nDE Spiegel für Haus- \nund Objektgebrauch.\nMaterialien: Rahmen aus \nProfilaluminium poliert. \nVerbindungsecken aus \nAluminium-Druckguss. \nSpiegelglas mit Si-\ncherheitsfolie auf der \nRückseite. \nFR Miroirs pour la mai-\nson et la collectivité.\nMatériaux: cadre en \naluminium extrudé poli. \nJoints en fonte d’alu-\nminium. Miroir avec \npellicule de protection \nsur le dos. \nIT Specchi per uso do-\nmestico e contract.\nMateriali: cornice in \nestruso di alluminio \nlucido; giunti in pressofu-\nsione di alluminio; vetro \nretropellicolato. \nES Espejos para uso \ndoméstico y contract.\nMateriales: marco de \nperfiles de aluminio bril-\nlante ; juntas de aluminio \nfundido a presión, cristal \ncon lámina adhesiva de \nplástico posterior. \npolished\nFinishes\nDéjà-vu\nmirrors\n",212,{"image":862,"text":863,"number":864},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.213.png","89,2\n89,2\n89,2\n4\n4\n4\n104\n104\n104\n422\n423\nMorphed Mirror\ndesign Paul Cocksedge, 2025\nEN Mirrors for domestic \nand contract use.\nMaterials: frame in extru-\nded steel, painted. Mirror \nwith protective back film.\nThe mirrors can be fixed \non 4 sides.\nDE Spiegel für Haus- \nund Objektgebrauch.\nMaterialien: Rahmen \naus lackiertem Profil-\nstahl. Spiegelglas mit \nSicherheitsfolie auf der \nRückseite. Die Spiegel \nkönnen an allen 4 Seiten \nbefestigt werden.\nFR Miroirs pour la mai-\nson et la collectivité.\nMatériaux: cadre en \nacier éxtrudé verni. \nMiroir avec pellicule de \nprotection sur le dos. \nLes miroirs peuvent être \nfixés sur 4 côtés.\nIT Specchi per uso do-\nmestico e contract.\nMateriali: cornice in \nestruso di acciaio \nverniciato. Vetro retro-\npellicolato. Gli specchi \npossono essere fissati \nsu tutti i 4 lati.\nES Espejos para uso \ndoméstico y contract.\nMateriales: marco de \nacero extruido barnizado. \nCristal con lámina adhe-\nsiva de plástico posterior. \nLos espejos se pueden \nfijar por los 4 lados.\nblack frame \u002F\nmirror\nFinishes\nMorphed Mirror\nmirrors\n",213,{"image":866,"text":867,"number":868},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.214.png","55\n40\n40\n20\n20\n81,8\n81,8\n106\n131\n73\n38\n141\n108\n141\n1 shelf\n2 shelves\n424\n425\nMorphed Mirror\ndesign Paul Cocksedge, 2025\nEN Mirrors for domestic \nand contract use.\nMaterials: shelves in \nsolid black ash. Mirror \nwith protective back film. \nThe mirror with one shelf \ncan be hung on both \nshort sides.\nDE Spiegel für Haus- \nund Objektgebrauch.\nMaterialien: Ablagen \naus massiver Esche, \nschwarz. Spiegelglas mit \nSicherheitsfolie auf der \nRückseite. Der Spie-\ngel mit einer einzelnen \nAblage kann an beiden \nkurzen Seiten befestigt \nwerden.\nFR Miroirs pour la mai-\nson et la collectivité.\nMatériaux: étagères en \nfrêne massif noir. Miroir \navec pellicule de protec-\ntion sur le dos. Le miroir \navec une seule étagère \npeut être fixé sur les \ndeux côtés courts.\nIT Specchi per uso do-\nmestico e contract.\nMateriali: mensole in \nmassello di frassino \nnero. Vetro retropellicola-\nto. Lo specchio con una \nsola mensola può essere \nfissato su entrambi i lati \ncorti.\nES Espejos para uso \ndoméstico y contract.\nMateriales: estantes de \nfresno macizo negro. Cri-\nstal con lámina adhesiva \nde plástico posterior. El \nespejo con un solo estan-\nte puede colgarse por los \ndos lados cortos.\nblack solid \nash \u002F mirror\nFinishes\nmirrors\nMorphed Mirror\n",214,{"image":870,"text":871,"number":872},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.215.png","50\n44\n134\n171\n426\n427\nOfficina\ndesign Ronan & Erwan Bouroullec, 2016\nEN Double sided floor \nmirror with adjustable \ninclination. For domestic \nand contract use.\nMaterials: frame in \nwrought iron painted in \npolyester powder, mirror \nwith protective back film. \nDE Doppelseitiges Bo-\ndenspiegel, neigungsver-\nstellbar. Für Haus- und \nObjektgebrauch.\nMaterialien: Gestell aus \nSchmiedeeisen, polye-\nsterlackiert. Spiegelglas \nmit Sicherheitsfolie auf \nder Rückseite. \nFR Miroir de plancher \nbifrontal avec inclinaison \nréglable. Pour la maison \net pour la collectivité.\nMatériaux: structure en \nfer forgé verni en polye-\nster, miroir avec pellicule \nde protection sur le dos. \nIT Specchio da terra \nbifacciale a inclinazione \nregolabile per uso dome-\nstico e contract.\nMateriali: struttura in \nferro forgiato verniciato \npoliestere. Vetro retro-\npellicolato. \nES Espejos de pie bifron-\nte con inclinación ajusta-\nble. Para uso dómestico y \ncontract.\nMateriales: estructura de \nhierro forjado barnizado \nen poliéster. Cristal con \nlamina adhesiva de plásti-\nco posterior.\ngrey \nanthracite\nFinishes\nOfficina\nmirrors\n",215,{"image":874,"text":875,"number":876},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.216.png","50\nØ50\n70\n50\n1,6\n1,6\n1,6\n1,6\n50\n50\n50\n60\n428\n429\nVitrail\ndesign Inga Sempé, 2018\nEN Mirrors for domestic \nand contract use.\nMaterials: frame in \nrubber. Mirror with \nprotective back film and \ncoloured stripes.\nThey can be fixed on 4 \nsides.\nDE Spiegel für Haus- \nund Objektgebrauch.\nMaterialien: Rahmen aus \nKautschuk. Spiegelglas \nmit Sicherheitsfolie auf \nder Rückseite und farbi-\ngen Streifen. Die Spiegel \nkönnen an allen 4 Seiten \nbefestigt werden.\nFR Miroirs pour la mai-\nson et la collectivité.\nMatériaux: cadre en \ncaoutchouc. Miroir avec \npellicule de protection \nsur le dos et bandes \ncolorées. Les miroirs \npeuvent être fixés sur 4 \ncôtés.\nIT Specchi per uso do-\nmestico e contract.\nMateriali: cornice in \ngomma, vetro retro-\npellicolato con fasce \ncolorate. Gli specchi \npossono essere fissati \nsu tutti i 4 lati.\nES Espejos para uso \ndoméstico y contract.\nMateriales: marco de \ngoma, cristal con lamina \nadhesiva de plástico \nposterior y bandas \ncoloradas. Los espejos \nse pueden fijar por los 4 \nlados.\nlight grey \u002F\ngold + \nextraclear +\nbronze\nlight grey \u002F\ngreen + \nextraclear +  \npink\nlight grey \u002F\npink + green \n+ extraclear + \ngold + blue\ngreen \u002F\ngrey + \nextraclear +\nbronze\ngreen \u002F\ngrey + \nextraclear +\npink\ngreen \u002F\nextraclear + \ngrey + blue + \ndark blue + \ndark grey \ngreen \u002F\ngrey + \nextraclear + \nblue\nlight grey \u002F\ngold + \nextraclear + \nblue\nFinishes\nmirrors\nVitrail\n",216,{"image":878,"text":879,"number":880},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.217.png","430\n431\ncarpets\n",217,{"image":882,"text":883,"number":884},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.218.png","200\n300\n200\n200\n432\n433\nSouth\ndesign Konstantin Grcic, 2023\nEN Carpets.\nMaterials: 100% polyole-\nfin. Suitable for outdoor \nuse.\nDE Teppiche.\nMaterialien: 100% \nPolyolefin. Auch für den \nAussenbereich geeignet.\nFR Tapis.\nMatériaux: 100 % \npolyoléfine. Conçus pour \nl’extérieur.\nIT Tappeti.\nMateriali: 100% polio-\nlefina. Adatti per uso \nesterno.\nES Alfombras.\nMateriales: 100% po-\nliolefina. Aptos para el \nexterior.\ndark red\ndark blue\nFinishes\ncarpets\nSouth\n",218,{"image":886,"text":887,"number":888},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.219.png","200\n200\n200\n200\n300\n300\n240\n240\n170\n170\n200\n200\n300\n340\n400\n440\n240\n240\n230\n270\nVolentieri Cornice\nVolentieri Finestra\n434\n435\nVolentieri\nEN Carpets.\nTechnique: tufting.\nYarn: natural linen 97%, \n3-ply twisted viscose \nfilament 3% (model Cor-\nnice); natural linen\n25%, 3-ply twisted \nviscose filament 75% \n(model Finestra). \nDE Teppiche.\nTechnik: Tufting.\nGarn: Naturleinen 97%, \ndreifacher Viskose-Zwirn \n3% (Modell Cornice); \nNaturleinen 25%,\ndreifacher Viskose-Zwirn \n75% (Modell Finestra). \nFR Tapis.\nTechnique : tuftage.\nFilé : lin naturel 97 %, re-\ntors de viscose à 3 brins \n3 % (modèle Cornice) ; \nlin naturel 25 %,\nretors de viscose à 3 \nbrins 75 % (modèle \nFinestra). \nIT Tappeti.\nTecnica: tufting.\nFilato: lino naturale 97%, \nviscosa ritorta a 3 capi \n3% (modello Cornice); \nlino naturale 25%,\nviscosa ritorta a 3 capi \n75% (modello Finestra). \nES Alfombras.\nTécnica: empenachado \n(tufting).\nHilado: lino natural 97%, \nviscosa retorcida de 3 ca-\npas 3% (modelo Cornice); \nlino natural 25%, viscosa \nretorcida de 3 capas 75% \n(modelo Finestra). \nFinishes\ncornice \u002F\nbeige\nfinestra \u002F \nbordeaux\nfinestra \u002F light \ngrey\ncornice \u002F cold \ngrey\nfinestra \u002F ivory\ncornice \u002F \nblack\nfinestra \u002F royal \nblue\ncornice \u002F\n ice white\ncornice \u002F sky\nblue\nfinestra \u002F \nhazelnut\ndesign Inga Sempé, 2019\ncarpets\nVolentieri\n",219,{"image":890,"text":891,"number":892},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.220.png","436\n437\nlighting\n",220,{"image":894,"text":895,"number":896},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.221.png","8,2\n22\n438\n439\nBouquet\nEN Rechargeable table \nlamp.\nMaterials: ABS. LED \ntechnology, push button \nwith dimmer function.\nDE Wiederaufladbare \nTischlampe \nMaterialien: ABS. LED-\nTechnologie, Schalter \nmit Dimmfunktion. \nFR Appareil d’éclairage \nde table rechargeable. \nMatériaux: ABS. Techno-\nlogie LED, interrupteur \navec fonction gradateur. \nIT Apparecchio di \nilluminazione da tavolo \nricaricabile. \nMateriali: ABS. Tecno-\nlogia LED, pulsante con \nfunzione dimmer.\nES Dispositivo de ilumina-\nción de mesa recargable. \nMateriales: ABS. Tec-\nnología LED, botón con \nregulador de luz. \ndesign BrogliatoTraverso, 2022\nbordeaux\nlight blue\nblack brown\nbeige\ncaramel\nolive green\nFinishes\nlighting\nBouquet\n",221,{"image":898,"text":899,"number":900},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.222.png","23\n32\n16,5\n31\n13,5\n46\n31,5\n28\n31\n13,5\n27\n35\n19\n50\n21,5\nKirassi\nPalturi\nSiiri\nSulo S\nSulo L\n440\n441\nLinnut\nEN Rechargeable table \nlighting device.\nMaterials: base in \nABS. Body in coloured \npolycarbonate. LED \ntechnology, touch switch \nwith dimmer function.\nDE Wiederaufladbare \nTischbeleuchtung. \nMaterialien: Sockel \naus ABS. Körper aus \nfarbigem Polykarbonat. \nLED-Technologie, Touch-\nSchalter mit Dimmer- \nFunktion. \nFR Appareil d’éclairage \nde table rechargeable. \nMatériaux: base en ABS. \nCorps en policarbonate \ncoloré. Technologie LED, \ninterrupteur tactile avec \nfonction gradateur. \nIT Apparecchio di \nilluminazione da tavolo \nricaricabile. \nMateriali: base in ABS. \nCorpo in policarbonato \ncolorato. Tecnologia \nLED, interruttore touch \ncon funzione dimmer.\nES Dispositivo de ilumina-\nción de mesa recargable. \nMateriales: base de ABS. \nCuerpo de policarbona-\nto de color. Tecnología \nLED, interruptor táctil con \nfunción de regulador de \nintensidad.\ndesign Oiva Toikka + Iittala, 2019\nlighting\nLinnut\nKirassi\nSulo L\nPalturi\nSulo S\nSiiri\nFinishes\n",222,{"image":902,"text":903,"number":904},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.223.png","17,5\n17,5\nØ33\nØ33\n21,5\n21,5\n10,5\nØ15\n10,5\nØ22\n36\n36\n40,5\n111\n140\n170\nLost table\nLost floor S\u002FM\u002FL\n442\n443\nLost\ndesign BrogliatoTraverso, 2021\nEN Table lamp. \nPainted ABS body. \nBase in painted die-cast \naluminium. Multi-LED \nboard with PMMA diffu-\nser. Touch switch with \ndimmer function. \nEN Floor lamp. \nPainted ABS body. \nBase in painted die-cast \naluminium. Multi-LED \nboard with PMMA diffu-\nser. Touch switch with \ndimmer function. \nDE Tischlampe. \nKörper aus lackier-\ntem ABS. Sockel aus \nlackiertem Aluminium-\nDruckguss. Multi-LED-\nPlatine mit PMMA-Diffu-\nsor. Berührungsschalter \nmit Dimmerfunktion. \nDE Stehlampe. \nKörper aus lackier-\ntem ABS. Sockel aus \nlackiertem Aluminium-\nDruckguss. Multi-LED-\nPlatine mit PMMA-Diffu-\nsor. Berührungsschalter \nmit Dimmerfunktion. \nFR Lampe de table. \nCorps en ABS verni. \nBase en fonte d’alu-\nminium verni. Carte \nmulti-LED avec diffuseur \nen PMMA. Interrupteur \ntactile avec fonction \ngradateur. \nFR Lampe sur pied. \nCorps en ABS verni. \nBase en fonte d’alu-\nminium verni. Carte \nmulti-led avec diffuseur \nen PMMA. Interrupteur \ntactile avec fonction \ngradateur. \nIT Lampada da tavolo. \nCorpo in ABS verniciato. \nBase in pressofusione \ndi alluminio verniciato. \nScheda multi-LED con \ndiffusore in PMMA. \nInterruttore touch con \nfunzione dimmer. \nIT Lampada da terra. \nCorpo in ABS verniciato. \nBase in pressofusione \ndi alluminio verniciato. \nScheda multi-LED con \ndiffusore in PMMA. \nInterruttore touch con \nfunzione dimmer. \nES Lámpara de mesa.\nCuerpo de ABS barni-\nzado. Base en fusión de \naluminio barnizado. Tarje-\nta multi-LED con difusor \nde PMMA. Interruptor \ntáctil con función de re-\ngulación de intensidad. \nES Lámpara de pie.\nCuerpo de ABS barni-\nzado. Base en fusión \nde aluminio barnizado. \nTarjeta multi-led con difu-\nsor de PMMA. Interruptor \ntáctil con función de \nregulación de intensidad. \nblack\nblack\nFinishes\nFinishes\nlighting\nLost\n",223,{"image":906,"text":907,"number":908},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.224.png","12,5\n22\n14,5\n40,5\n21,5\n21,5\n10,5\n10,5\n18\n17,5\n37\n36\nLost suspension S\u002FL\nLost wall and ceiling S\u002FL\n17,5\n36\n444\n445\nLost\ndesign BrogliatoTraverso, 2021\nblack\nblack\nFinishes\nFinishes\nEN Suspension lamp.\nPainted ABS body. Multi-\nLED board with PMMA \ndiffuser. \nEN Wall \u002F ceiling lamp.\nPainted ABS body. Multi-\nLED board with PMMA \ndiffuser. \nDE Hängelampe. \nKörper aus lackiertem \nABS. Multi-LED-Platine \nmit PMMA-Diffusor.\nDE Wand- \u002F Decken-\nlampe.\nKörper aus lackiertem \nABS. Multi-LED-Platine \nmit PMMA-Diffusor.\nFR Lampe à suspension. \nCorps en ABS verni. \nCarte multi-led avec \ndiffuseur en PMMA.\nFR Lampe de mur \u002F \nplafond. \nCorps en ABS laqué. \nCarte multi-led avec \ndiffuseur en PMMA.\nIT Lampada a sospen-\nsione. \nCorpo in ABS verniciato.\nScheda multi-led con \ndiffusore in PMMA.\nIT Lampada da parete \u002F \nsoffitto.\nCorpo in ABS verniciato.\nScheda multi-led con \ndiffusore in PMMA.\nES Lámpara de suspen-\nsión.\n \nCuerpo de ABS pintado. \nTarjeta multi-led con \ndifusor de PMMA.\nES Lampara de pared \u002F \ntecho.\n \nCuerpo de ABS pintado. \nTarjeta multi-led con \ndifusor de PMMA.\nlighting\nLost\n",224,{"image":910,"text":911,"number":912},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.225.png","446\n447\nAnimal Factory\n",225,{"image":914,"text":915,"number":916},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.226.png","382\n443\n114\n137\n71\n71\n71\n155\n78\n148,5\n298\n148,5\nCoccodrillo\nDinosauro\nGiraffa\nGorilla\n448\n449\nAnimal Factory\ndesign Luca Boscardin, 2025\nAnimal Factory\nAnimal Factory\nEN Animals. Stylised \nsculptures \u002F toys for \nchildren, for domestic \nand contract use. \nMaterials: steel tube with \nzinc primer treatment \nand painted in polyester \npowder. Suitable for \noutdoor use.\nDE Tiere. Stilisierte \nSkulpturen \u002FSpielfiguren \nfür Kinder für Haus- und \nObjektgebrauch.\nMaterialien: Stahlrohr, \nbehandelt mit Zinkprimer \nund polyesterlackiert. \nFür den Aussenbereich \ngeeignet.\nFR Animaux. Sculptures \n\u002F jeux pour enfants de \nforme stylisée pour la \nmaison et la collectivité.\nMatériaux : tube d’acier \navec traitement primaire \nau zinc et verni en-\npolyester. Conçu pour \nl’exterieur.\nIT Animali. Sculture \u002F\ngiochi per bambini dalla \nforma stilizzata, per uso \ndomestico e contract.\nMateriali: tubo di acciaio \ncon trattamento di pri-\nmer zincante e verniciato \npoliestere. Adatto per \nesterni.\nES Animales. Escultu-\nras \u002F juegos infantil de \nforma estilizada para uso \ndoméstico y contract.\nMateriales: tubo de acero \ncon tratamiento de impri-\nmación de zinc y pintura \nde poliéster. Apto para \nuso exterior.\nCoccodrillo \u002F\ngreen\nDinosauro \u002F\nred\nGiraffa \u002F\nyellow\nGorilla \u002F\ndark blue\nFinishes\n",226,{"image":918,"text":919,"number":920},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.227.png","450\n451\nMe too è una collezione di arredi e complementi per bambini nata nel 2004 da \nun’idea di Eugenio Perazza, fondatore di Magis, che voleva regalare un tavolo \nda disegno alla nipotina Anna che allora aveva 3 anni. Si rese presto conto \nche non esistevano sul mercato prodotti per bambini pensati per stimolare \nl’immaginazione, il gioco e la creatività e decise, quindi, di creare una collezione \ndi prodotti di design pensata per i più piccoli.\nMe too, anch’io… è la voce del bambino che reclama forte gli oggetti a misura \ndel suo mondo e che da il nome alla collezione. Non si tratta di una semplice \nriduzione in scala dei mobili di design per adulti, ma di un’operazione che porta \nMagis e alcuni grandi designer come Eero Aarnio, Oiva Toikka, Enzo Mari, Javier \nMariscal e tanti altri a vedere il mondo con gli occhi dei bambini. \nMe too is a collection of furniture and accessories for children born in 2004 \nfrom an idea by Eugenio Perazza, founder of Magis, who wanted to give a \ndrawing table to his granddaughter Anna, who was 3 years old at the time. He \nsoon realised that there were no products on the market designed to stimulate \nchildren’s imagination, play and creativity, so he decided to create a collection of \ndesign products for the little ones. \nMe too... is the voice of children demanding to have their own design objects \nand gives the name to the collection. This is not a simply scaled-down designer \nfurniture, but an operation that brings Magis and several great designers such as \nEero Aarnio, Oiva Toikka, Enzo Mari, Javier Mariscal and many others to see the \nworld through the eyes of children.\nit\nen\n“Me too, yo tambien, moi aussi, ich auch, \nanch’io...the voice of children demanding to \nhave their own design objects”\n",227,{"image":922,"text":923,"number":924},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.228.png","39\n40\n32\n58\n70 10\n8\n53\n46\n35\n20\n452\n453\nAlma\nBirds\ndesign Javier Mariscal, 2006\ndesign Benedetta Mori Ubaldini, 2012\nyellow\ngreen\nwhite\nFinishes\ngrey\nFinishes\nEN Stacking children’s \nchair.\nMaterials: polypropylene \nwith glass fibre added. \nSuitable for outdoor use.\nDE Kinderstuhl, stapel-\nbar.\nMaterialien: Polypropylen \nmit Glasfaser verstärkt. \nAuch für den Aussenbe-\nreich geeignet. \nFR Chaise empilable-\npour les enfants.\nMateriaux: polypropylène \nchargé avec fibre de \nverre. Conçue pour \nl’extérieur. \nIT Sedia impilabile per \nbambini.\nMateriali: polipropilene \ncaricato con fibra di \nvetro. Adatta anche per \nesterni. \nES Silla para niños \napilable.\nMateriales: polipropileno \nreforzado con fibra de vi-\ndrio. Apta para el exterior. \nEN Birds. Sculptures.\nMaterial: metal mesh \npainted in epoxy resin. \nDE Vögel. Skulpturen.\nMaterialien: Maschen-\ndraht, epoxydlackiert. \nFR Oiseaux. Sculptures.\nMatériaux: haie métal-\nlique vernie en résine \népoxy.\nIT Uccelli. Sculture.\nMateriali: rete metalli-\nca verniciata in resina \nepossidica. \nES Pájaros. Esculturas.\nMaterial: malla de alam-\nbre barnizada con pintura \nepoxi.\nMagis Me Too\nAlma \u002F Birds\n",228,{"image":926,"text":927,"number":928},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.229.png","30\n34\n30\n40\n35\n43,5\n45\n48\n53\n55x40\n50\n70x55\n65\n90x60\n80\n454\n455\nClouds\nFish\ndesign Benedetta Mori Ubaldini, 2012\ndesign Benedetta Mori Ubaldini, 2016\nfluorescent\nred\nwhite\nFinishes\nFinishes\nEN Clouds. Sculptures.\nMaterial: metal mesh \npainted in epoxy resin. \nDE Wolken. Skulpturen.\nMaterialien: Maschen-\ndraht, epoxydlackiert. \nFR Nuages. Sculptures.\nMatériaux: haie métal-\nlique vernie en résine \népoxy. \nIT Nuvole. Sculture.\nMateriali: rete metalli-\nca verniciata in resina \nepossidica. \nES Nubes. Esculturas.\nMaterial: malla de alam-\nbre barnizada con pintura \nepoxi.\nEN Fishes. Sculptures.\nMaterial: metal mesh \npainted in epoxy resin. \nDE Fische. Skulpturen.\nMaterialien: Maschen-\ndraht, epoxydlackiert. \nFR Poissons. Sculptures.\nMatériaux: haie métal-\nlique vernie en résine \népoxy. \nIT Pesci. Sculture.\nMateriali: rete metalli-\nca verniciata in resina \nepossidica. \nES Peces. Esculturas.\nMaterial: malla de alam-\nbre barnizada con pintura \nepoxi.\nMagis Me Too\nClouds \u002F Fish\n",229,{"image":930,"text":931,"number":932},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.230.png","49\n49\n147\n10\n5,8\n3,5\n101\n45,5\n27\n17\n191\n191\nbunk bed\nbed\n456\n457\nBunky\nCARtools\ndesign Marc Newson, 2012\ndesign Floris Hovers, 2015\nEN Bed\u002Fbunk bed.\nMaterials: polyethylene. \nEN Set of 26 elements in \nwood for compositions \nof vehicles.\nMaterials: solid beech \npainted with non-toxic \npaints. \nDE Bett\u002FEtagenbett.\nMaterialien: Polyäthylen.\nDE Set von 26 Ele-\nmenten aus Holz für \nZusammensetzungen \nvon Fahrzeugen.\nMaterialien: massive \nBuche mit ungiftigen \nFarben lackiert. \nFR Lit\u002Flit superposé.\nMatériaux: polyéthylène. \nFR Ensemble de 26 \néléments en bois pour \ndes compositions de \nvéhicules.\nMatériaux: hêtre massif, \nteinté avec peintures non \ntoxiques. \nIT Letto\u002Fletto a castello.\nMateriali: polietilene.\nIT Set di 26 elementi in \nlegno per composizioni \ndi veicoli.\nMateriali: massello di \nfaggio verniciato con \nvernici atossiche.\nES Cama\u002Flitera.\nMateriales: polietileno. \nES Conjunto de 26 ele-\nmentos de madera para \nlas composiciones de \nvehículos.\nMateriales: madera maci-\nza de haya barnizada con \npinturas no tóxicas. \norange\ncolours\nblue\nFinishes\nFinishes\nBunky \u002F CARtools\nMagis Me Too\n",230,{"image":934,"text":935,"number":936},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.231.png","58,5\n183\n41,5\n54\n86\n51\n458\n459\nDodo\nDowntown\ndesign Oiva Toikka, 2009\ndesign Oiva Toikka, 2011\nEN Rocking bird.\nMaterials: polyethylene. \nSuitable for outdoor use.\nEN Bookcase.\nMaterials: polyethylene. \nDE Schaukelvogel.\nMaterialien: Polyäthylen. \nAuch für den Aussenbe-\nreich geeignet.\nDE Regalsystem.\nMaterialien: Polyäthylen. \nFR Oiseau à bascule.\nMateriaux: polyéthylène.\nConçu pour l’extérieur.\nFR Bibliothèque.\nMateriaux: polyéthylène.\nIT Uccello a dondolo.\nMateriali: polietilene. \nAdatta anche per \nesterni.\nIT Libreria.\nMateriali: polietilene.\nES Pájaro de balancín.\nMateriales: polietileno.\nApto para el exterior.\nES Libreria.\nMateriales: polietileno.\nwhite\nwhite\nyellow\nturquoise\ngreen\npink\nFinishes\nFinishes\nDodo \u002F Downtown\nMagis Me Too\n",231,{"image":938,"text":939,"number":940},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.232.png","56\n40\n20\n20\n5\n91\n40\n40\n40\n5\n61\n30\n30\n30\n30\n43,5\n40\n460\n461\nEl Baúl\nEur\ndesign Javier Mariscal, 2005\ndesign Giulio Iacchetti, 2013\nEN Trunk\u002Fcontainer.\nMaterials: polyethylene.\nEN Children’s shelving \nsystem, stacking and \nadjoining. \nMaterials: sintered ex-\npanded polypropylene.\nDE Box.\nMaterialien: Polyäthylen. \nDE Modulares Regalsy-\nstem für Kinder, stapel-\nbar und addierbar. \nMaterialien: gesin-\ntertes geschäumtes \nPolypropylen.\nFR Coffre.\nMateriaux: polyéthylène. \nFR Étagère modulable et \nempilable pour enfants. \nMateriaux: polypropylène \nexpansé sintérisé.\nIT Baule contenitore. \nMateriali: polietilene.\nIT Libreria modulare per \nbambini, impilabile ed \naccostabile. \nMateriali: polipropilene \nespanso sinterizzato.\nES Baul\u002Fcontenedor.\nMateriales: polietileno.\nES Librería modular, \napilable y arrimable para \nniños. \nMateriales: polipropileno \nexpandido sinterizado.\nwhite\nblue\nFinishes\nFinishes\nEl Baúl \u002F Eur\nMagis Me Too\n",232,{"image":942,"text":943,"number":944},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.233.png","30,7\n22,6\n22\n30\n36\n49\n55\n462\n463\nFrottage\nJulian\ndesign Beba Restelli & Denis Guidone, 2021\ndesign Javier Mariscal, 2005\nwhite\nyellow\nturquoise\ngreen\npink\nFinishes\nEN Rubbing kit.\nComprising 5 boards in \nembossed silicone\nsuitable for use with foo-\nstuffs and 1 activity\nbook.\nEN Children’s chair.\nMaterials: polyethylene. \nSuitable for outdoor use.\nDE Zeichenset.\nInklusive 5 doppelseiti-\ngen Tafeln mit geprägten \nMustern aus lebensmit-\ntelechtem Silikon und 1 \nWorkshop Buch.\nDE Kinderstuhl.\nMaterialien: Polyäthylen. \nAuch für den Aussenbe-\nreich geeignet.\nFR Kit de frottage.\nComposé de 5 tablet-\ntes en silicone gaufré à \nusage alimentaire et d’un \nlivre-lab actif.\nFR Chaise pour enfants. \nMatériaux: polyéthylene. \nConçue pour l’extérieur.\nIT Kit per frottage.\nComposto da 5 tavolette \na rilievo in silicone ad \nuso alimentare, 1 libro-\nlab attivo.\nIT Sedia per bambini.\nMateriali: polietilene.\nAdatta anche per esterni.\nES Kit de frotamiento.\nIncluye 5 tableros con \npatrones de doble cara \nen silicona gofrada para \nuso alimentario y 1 libro \nde laboratorio activo.\nES Silla para niños.\nMateriales: polietileno. \nApta para el exterior.\nFrottage \u002F Julian\nMagis Me Too\n",233,{"image":946,"text":947,"number":948},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.234.png","48,5\n32,5\n57\n38\n70\n46,5\n66,5\n44,5\n464\n465\nHappy Bird\ndesign Eero Aarnio, 2015\nEN Abstract bird.\nMaterials: polyethylene. \nPaws in natural solid \nash.\nEN Abstract bird.\nMaterials: polyethylene. \nSuitable for outdoor use.\nDE Abstrakter Vogel.\nMaterialien: Polyäthylen.\nPfote aus massiver \nEsche naturfarben.\nDE Abstrakter Vogel.\nMaterialien: Polyäthylen. \nAuch für den Aussenbe-\nreich geeignet.\nFR Oiseau abstrait.\nMateriaux: polyéthylène. \nPattes en frêne massif \nnaturel.\nFR Oiseau abstrait.\nMateriaux: polyéthylène. \nConçu pour l’extérieur. \nIT Uccello astratto.\nMateriali: polietilene. \nZampe in massello di \nfrassino naturale.\nIT Uccello astratto.\nMateriali: polietile-\nne. Adatto anche per \nesterni.\nES Ave abstracto.\nMateriales: polietileno.\nPatas en madera maciza \nde fresno natural.\nES Ave abstracto.\nMateriales: polietileno. \nApto para el exterior.\norange\nwhite \u002F \nyellow\nyellow\nwhite\nFinishes\nFinishes\nHappy Bird\nMagis Me Too\n",234,{"image":950,"text":951,"number":952},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.235.png","40\n36,8\n35\n35\n35\n35\n25\n23\n18\n10\n35\n35\n10\n12\n34\n34\n200\n34\n12\n12\n34\n34\nSino\nNosi\nshelf\nNolu\nNomi\nNomo\nNono\nNik\n25\n466\n467\nLadrillos\ndesign Javier Mariscal, 2005\nEN Shelving system.\nMaterial: shelf supports \nin polyethylene. Shelves \nin HPL white with black \nedge.\nDE Regalsystem.\nMaterial: Abstandshalter \naus Polyäthylen. Ablagen \naus HPL weiss mit \nschwarzer Kante.\nFR Système d’étagère.\nMatériaux: briques en \npolyéthylène. Plateaux \nen HPL blanc avec bord \nnoir. \nIT Libreria componibile.\nMateriali: mattoni in \npolietilene. Piani in HPL \nbianco con bordo nero.\nES Libreria modular.\nMaterial: ladrillos en \npolietileno. Estantes en \nlaminado HPL blanco, \nborde negro.\nSino \u002F \ndark green\nNosi \u002F\nblue\nshelf \u002F \nwhite HPL with \nblack edge\nNono \u002F\nlight blue\nNolu \u002F\nPink\nNik \u002F \nfuchsia\nNomo \u002F\nyellow\nNomi \u002F \norange\nFinishes\nLadrillos \nMagis Me Too\n",235,{"image":954,"text":955,"number":956},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.236.png","70\n70\n100\n90\n468\n469\nLeaves\nTree\ndesign Blaise Drummond, 2017\ndesign Blaise Drummond, 2018\nEN Set of art seri-\ngraphies.\nTwo colours art seri-\ngraphy printed on Fa-\nbriano Rosapina 285 gr. \npaper, 60% cotton, 40% \nhigh quality cellulose. \nSigned by their artist.\nEN Set of serigraphies.\nArt serigraphy printed on \nFabriano Rosapina 285 \ngr. paper, 60% cotton, \n40% high quality cellulo-\nse. Signed by their artist.\nDE Serie von Seri-\ngraphien.\nZweifarbige Kunstseri-\ngraphie, auf Fabriano \nRosaspina 285 gr. \nPapier gedruckt, 60% \nBaumwolle, 40% Qua-\nlitätszellulose. Handsi-\ngniert von dem Künstler.\nDE Serie von Seri-\ngraphien.\nKunstserigraphie, auf \nFabriano Rosaspina 285 \ngr. Papier gedruckt, 60% \nBaumwolle, 40% Qua-\nlitätszellulose. Handsi-\ngniert von dem Künstler.\nFR Série de séraphies.\nSéraphie d’art à 2 \ncouleurs imprimée \nsur papier Fabriano \nRosaspina 285 gr., 60% \ncoton, 40% cellulose de \nhaute qualité. Signée par \nleur créateur.\nFR Série de séraphies.\nSéraphie d’art imprimée \nsur papier Fabriano \nRosaspina 285 gr., 60% \ncoton, 40% cellulose de \nhaute qualité. Signée par \nleur créateur.\nIT Serie di serigrafie.\nSerigrafia d’arte a due \ncolori stampata su carta \nFabriano Rosaspina 285 \ngr. 60% cotone, 40% \ncellulosa di alta qualità. \nAutografata dall’artista.\nIT Serie di serigrafie.\nSerigrafia d’arte stam-\npata su carta Fabriano \nRosaspina 285 gr. 60% \ncotone, 40% cellulosa di \nalta qualità. Autografata \ndall’artista.\nES Serie de serigrafias.\nSerigrafía de arte en \n2 colores impresos en \npapel Fabriano Rosaspina \n285 gr., 60% algodón, \n40% celulosa de alta \ncalidad. Autografiada por \nel artista.\nES Serie de serigrafias.\nSerigrafía de arte im-\npreso en papel Fabriano \nRosaspina 285 gr., 60% \nalgodón, 40% celulosa de \nalta calidad. Autografiada \npor el artista.\nCastanea sativa\nSpring\nJuglans nigra\nSummer\nPaulownia tomentosa\nAutumn\nJuglans\nWinter\nLeaves \u002F Tree \nMagis Me Too\n",236,{"image":958,"text":959,"number":960},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.237.png","120x75\n100x75\n100\n100\n75x55\n75x75\n52\n54\n75\n75\n52\n52\ntop circle\ntop salad\n470\n471\nLinus\nLittle Flare\ndesign Javier Mariscal, 2006\ndesign Marcel Wanders, 2005\nEN Children’s table.\nMaterials: legs in \npolypropylene with glass \nfibre added. Top in MDF \nwith polymeric cover.\nDE Kindertisch.\nMaterialien: Gestell aus \nPolypropylen mit Glasfa-\nser verstärkt. Tischplatte \naus MDF mit polymerer \nFolie überzogen.\nDE Kindertische.\nMaterialien: Tischbei-\nne aus transparentem \nPolykarbonat, farblos. \nTischplatten mit Dekoren \naus MDF mit polymerer \nFolie überzogen. Stiftbox \naus ABS. \nFR Table pour enfants.\nMateriaux: pieds en \npolypropylène chargé \navec fibre de verre. \nPlateau en MDF avec \nrevêtement en polymère.\nFR Table pour enfants.\nMatériaux: pieds en \npolycarbonate transpa-\nrent. Plateaux décorés en \nMDF avec revêtement en \npolymère. Porte-plumes \nen ABS. \nIT Tavolo per bambini.\nMateriali: gambe in \npolipropilene caricato \ndi fibra di vetro. Piano \nin MDF rivestito di foglia \npolimerica.\nIT Tavolo per bambini.\nMateriali: gambe in po-\nlicarbonato trasparente \nneutro, piani in MDF rive-\nstito di foglia polimerica, \ncon decori. Vaschette \nportapenne in ABS.  \nEN Children’s table.\nMaterials: legs in \npolycarbonate tran-\nsparent clear. Patter-\nned tops in MDF with \npolymeric cover. Pen \nholders in ABS. \nES Mesa para niños.\nMateriales: patas en po-\nlipropileno reforzado con \nfibra de vidrio. Tablero \nen MDF cubierto de hoja \npolimerica.\nES Mesa para niños.\nMateriales: patas en po-\nlicarbonato transparente \nneutro. Tableros decora-\ndos en MDF recubierto \ncon lámina polimérica.\nPorta-lapices en ABS.\nwhite\nwhite \u002F orange \u002F \ntop salad\nFinishes\nwhite \u002F orange \u002F \ntop circle\nFinishes\nLinus \u002F Little Flare\nMagis Me Too\n",237,{"image":962,"text":963,"number":964},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.238.png","34\n73\n73\n73\n34\n34\n35\n54\n54\n54\n35\n35\nheight 01\nheight 01\nheight 02\nheight 02\nheight 03\nheight 03\n26\n46\n53\n59\n31\n35\n46,5\n51,5\n55,5\n472\n473\nLittle Big\ndesign Big-Game, 2017\u002F2018\nEN Children’s chair, \nadjustable in height.\nMaterials: frame in solid \nash, natural. Seat in \npolypropylene.\nEN Children’s table, \nadjustable in height.\nMaterials: legs in solid \nash, natural. Frame in \nsteel, painted in polye-\nster powder. Top in HPL.\nDE Kinderstuhl, höhen-\nverstellbar.\nMaterialien: Gestell \naus massiver Esche \nnaturfarben. Sitz aus \nPolypropylen.\nDE Kindertisch, höhen-\nverstellbar.\nMaterialien: Beine \naus massiver Esche \nnaturfarben. Gestell aus \nStahl, polyesterlackiert. \nTischplatte aus HPL.\nFR Chaise réglable en \nhauteur pour les enfants.\nMateriaux: structure en \nfrêne massif, naturel. \nAssise en polypropylène.\nFR Table pour enfants \nréglable en hauteur.\nMateriaux: pieds en \nfrêne massif, naturel. \nStructure en acier verni \nen polyester. Plateau en \nHPL.\nIT Sedia per bambini \nregolabile in altezza.\nMateriali: struttura in \nmassello di frassino na-\nturale. Sedile in polipro-\npilene.\nIT Tavolo per bambini \nregolabile in altezza.\nMateriali: gambe in mas-\nsello di frassino naturale. \nStruttura in acciaio ver-\nniciato poliestere. Piano \nin HPL.\nES Silla para niños con \naltura regulable.\nMateriales: estructura \nen madera maciza de \nfresno natural, asiento en \npolipropileno.\nES Mesa para niños con \naltura regulable.\nMateriales: patas en \nmadera maciza de fresno \nnatural. Estructura de \nacero barnizado. Tablero \nde HPL.\nnatural \u002F\norange\nnatural \u002F\nwhite\nnatural \u002F\nlight blue\nnatural \u002F\nwhite\nFinishes\nFinishes\nLittle Big\nMagis Me Too\n",238,{"image":966,"text":967,"number":968},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.239.png","100\n104\n150\n70\n83\n474\n475\nMoments of \nIngenuity\nNido\ndesign Oiva Toikka, 2011\ndesign Javier Mariscal, 2005\nEN Serigraphy.\nFive or seven colours art \nserigraphy, printed on \nFabriano Rosaspina 285 \ngr paper and mounted \non a MDF support.\nEN Nest\u002Fcave.\nMaterials: polyethylene. \nFloor with grass style \npattern and graffiti on \nunderside of roof. Suita-\nble for outdoor use.\nDE Serigraphie.\nFünffarbige oder sieben-\nfarbige Kunstserigraphie,\nauf Fabriano Rosaspina \n285 gr. Papier gedruckt \nund auf ein MDF Tafel \ngeklebt.\nDE Höhle.\nMaterialien: Polyäthylen. \nFussboden mit \ngrasähnlichem Dekor, \nDecke mit Graffiti. Auch \nfür den Außenbereich \ngeeignet.\nFR Sérigraphie.\nSérigraphie d’art à 5 ou \nà 7 couleurs imprimée su \npapier Fabriano Rosa-\nspina 285 gr et montée\nsur support en MDF.\nFR Nid\u002Frepaire.\nMateriaux: polyéthylène. \nSol avec décoration \nherbe et plafond avec \ngraffiti. Conçu pour \nl’extérieur.\nIT Serigrafia.\nSerigrafia d’arte a 5 o 7 \ncolori stampata su carta \nFabriano Rosaspina 285 \ngr e montata su suppor-\nto di MDF.\nIT Tana.\nMateriali: polietilene. \nPavimento con dise-\ngno erba e soffitto con \ngraffiti. Adatta anche per \nesterni.\nES Serigrafía.\nSerigrafía de arte en 5 o \nen 7 colores impreso en \npapel Fabriano Rosaspina \nde 285 gr y montado en \nun soporte de MDF.\nES Madriguera.\nMateriales: polietileno.\nSuelo con diseño de \nhierba y techo con grafiti. \nApta para el exterior.\nyellow \u002F\n green\nFinishes\nThe Camel and the Ostrich\nThe Elephants\nMoments Of Ingenuity \u002F Nido\nMagis Me Too\n",239,{"image":970,"text":971,"number":972},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.240.png","Ø55\n67,5\n189\n67\n40\n70\n477\n476\nParadise Tree\nPingy\ndesign Oiva Toikka, 2009\ndesign Eero Aarnio, 2011\nParadise Tree \u002F Pingy\nMagis Me Too\nEN Coat stand.\nMaterials: polyethylene. \nWeight and inner frame \nin galvanized steel. \nEN Penguin.\nMaterials: polyethylene.\nDE Kleiderständer.\nMaterialien: Polyäthylen. \nInnengewicht und Gestell \naus verzinktem Stahl.\nDE Pinguin.\nMaterialien: Polyäthylen. \nFR Porte-manteaux.\nMatériaux: polyéthylène. \nLest et structure intérièu-\nre en acier galvanisé.\nFR Pingouin.\nMateriaux: polyéthylène.\nIT Appendiabiti.\nMateriali: polietilene, \nzavorra e struttura \ninterna in acciaio zincato \na freddo. \nIT Pinguino.\nMateriali: polietilene.\nES Percha de pié.\nMateriales: polietileno, \nlastre y estructura interior \nen acero zincado. \nES Pingüino.\nMateriales: polietileno.\ncolours\nFinishes\nwhite \u002F black\nFinishes\n",240,{"image":974,"text":975,"number":976},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.241.png","42\n26\n61,5\n34\n69,5\n42,5\n102\n56,5\nPuppy L\nPuppy S\nPuppy XL\nPuppy M\n37,5\n23,5\n55\n30,5\n55,5\n34,5\n81\n45\n478\n479\nPuppy\ndesign Eero Aarnio, 2005\nEN Abstract dog.\nMaterials: polyethylene.\nSuitable for outdoor use.\nDE Abstrakter Hund.\nMaterialien: Polyäthylen.\nAuch für den Aussenbe-\nreich geeignet.\nFR Chien abstrait.\nMateriaux: polyéthylène. \nConçu pour l’extérieur.\nIT Cane astratto. \nMateriali: polietilene.\nAdatto anche per \nesterni.\nES Perro abstracto .\nMateriales: polietileno. \nApta para el exterior. \ndalmatian\norange\ngreen\nwhite\nFinishes\nPuppy\nMagis Me Too\n",241,{"image":978,"text":979,"number":980},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.242.png","42\n26\n61,5\n34\n69,5\n42,5\n102\n56,5\nPuppy L\nPuppy S\nPuppy XL\nPuppy M\n37,5\n23,5\n55\n30,5\n55,5\n34,5\n81\n45\n480\n481\nPuppy\ndesign Eero Aarnio, 2023\nFinishes\nblue\niridescent\norange \niridescent\nturquoise \u002F \nviolet\nviolet \u002F \nfuchsia\nfuchsia \u002F\norange\nyellow \niridescent\nEN Abstract plastic dog \nwith velvet surface.\nMaterials: polyethylene \ncovered with a polyami-\nde layer. \nDE Abstrakter Hund mit \nsamtartiger Oberfläche. \nMaterial: Polyäthylen mit \nOberfläche aus Polyamid.\nFR Chien abstrait avec \nsurface effet velours.\nMatériaux : polyethylène \navec couche superficielle \nen polyamide. \nIT Cane astratto con \nsuperficie effetto velluto. \nMateriali: polietilene con \nstrato superficiale in \npoliammide. \nES Perro abstracto con \nsuperficie efecto tercio-\npelo. \nMateriales: polietileno \ncon capa superficial de \npoliamida. \nPuppy\nMagis Me Too\n",242,{"image":982,"text":983,"number":984},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.243.png","11\n18,5\n14,5\n482\n483\nPuppy XS\ndesign Eero Aarnio, 2019\nEN Abstract dog. \nMaterials: polypropylene. \nDE Abstrakter Hund.\nMaterialien: Polypropylen. \nFR Chien abstrait.\nMateriaux: polypropylène.\nIT Cane astratto.\n \nMateriali: polipropilene.\nES Perro abstracto. \nMateriales: polipropileno.\nwhite\nblack\nmustard\nturquoise\ngreen\nyellow\ncoral red\nFinishes\nPuppy XS\nMagis Me Too\n",243,{"image":986,"text":987,"number":988},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.244.png","11\n18,5\n14,5\n485\n484\ndesign Eero Aarnio, 2024\nblue\niridescent\norange \niridescent\nturquoise \u002F \nviolet\nviolet \u002F \nfuchsia\nfuchsia \u002F\norange\nyellow \niridescent\nEN Abstract plastic dog \nwith velvet surface.\nMaterials: polypropylene \ncovered with a polyami-\nde layer. \nDE Stilisierter mit samtar-\ntiger Oberfläche. \nMaterial: Polypropylen, \nmit Oberfläche aus \nPolyamid.\nFR Chien abstrait avec \nsurface effet velours. \nMatériaux: polypropylene \navec couche superficielle \nen polyamide. \nIT Cane astratto con \nsuperficie effetto velluto.\nMateriali: polipropilene \ncon strato superficiale in \npoliammide. \nES Perro abstracto con \nsuperficie efecto tercio-\npelo.\nMateriales: polipropileno-\ncon capa superficial de \npoliamida. \nPuppy XS\nFinishes\nPuppy XS\nMagis Me Too\n",244,{"image":990,"text":991,"number":992},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.245.png","95\n30\n50,5\n33\n47\n30\n71,5\n55\n486\n487\nRocky\nSeggiolina Pop\ndesign Marc Newson, 2012\ndesign Enzo Mari, 2004\nEN Rocking horse.\nMaterials: polyethylene. \nRein in 100% polyester \nfibre.\nEN Children’s chair.\nMaterials: expanded \npolypropylene.\nDE Schaukelpferd.\nMaterialien: Polyäthylen. \nZügel aus 100 % Polye-\nsterfaser.\nDE Kinderstuhl.\nMaterialien: geschäumtes \nPolypropylen.\nFR Cheval à bascule.\nMatériaux: polyéthylène. \nRêne en fibre 100% \npolyester.\nFR Chaise pour enfants.\nMateriaux: polypropylène \nexpansé.\nIT Cavallo a dondolo.\nMateriali: polietilene. \nRedini in fibra 100% \npoliestere.\nIT Sedia per bambini. \nMateriali: polipropilene \nespanso.\nES Caballo balancín.\nMateriales: polietileno. \nRienda en fibra 100% \npoliéster.\nES Silla para niños.\nMateriales: polipropileno \nexpandido.\nbrown\norange\nwhite\nblue\norange\ngreen\nFinishes\nFinishes\nRocky \u002F Seggiolina Pop\nMagis Me Too\n",245,{"image":994,"text":995,"number":996},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.246.png","49,5\n77\n49,5\n49,5\n45\n40\n45\n58\n37\n31\n45\n27\n58\n54\n58\nCompasso d’Oro 2008\n488\n489\nTrioli\nTrotter\ndesign Eero Aarnio, 2005\ndesign Rogier Martens, 2015\nEN Children’s chair.\nMaterials: polyethylene. \nTwo different seat \nheights. It can also be \nused as a rocker. Suita-\nble for outdoor use.\nEN Chair \u002F toy for \nchildren.\nMaterials: steel rod pain-\nted in polyester powder. \nWheel and handles in \npolypropylene.\nDE Kinderstuhl.\nMaterialien: Polyäthylen. \nZwei verschiedene \nSitzhöhen. Der Stuhl \nkann auch als Wippe \nbenutzt werden. Auch \nfür den Aussenbereich \ngeeignet.\nDE Stuhl \u002F Spielzeug für \nKinder.\nMaterialien: polyester-\nlackierter Stahldraht. \nRad und Griffen aus \nPolypropylen. \nFR Chaise pour enfants.\nMateriaux: polyéthylène. \nDeux différentes \nhauteurs d’assise. La \nchaise peut être utilisée \naussi comme cheval à \nbascule. Conçue pour \nl’extérieur.\nFR Chaise \u002F jouet pour \nenfants.\nMateriaux: fil d’acier \nverni en polyester. \nRoue et poignées en \npolypropylène. \nIT Sedia per bambini.\nMateriali: polietilene. Due \ndiverse altezze di seduta: \nalta, bassa. Può essere \nusato anche come ca-\nvallo a dondolo. Adatta \nanche per esterni.\nIT Sedia \u002F gioco per \nbambini.\n \nMateriali: tondino di ac-\nciaio verniciato polieste-\nre. Ruota e manopole in \npolipropilene. \nES Silla para niños.\nMateriales: polietileno. \nSilla con dos diferentes \nalturas, también se puede \nusar como balancín. Apta \npara el exterior. \nES Silla \u002F juguete para \nniños.\nMateriales: barra de \nacero barnizado polié-\nster. Rueda y perillas de \npolipropileno. \nblue\ngreen \u002F \norange\nyellow\nyellow \u002F \norange\nred\nFinishes\nFinishes\nTrioli \u002F Trotter\nMagis Me Too\n",246,{"image":998,"text":999,"number":1000},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.247.png","490\n491\nfabrics\n",247,{"image":1002,"text":1003,"number":1004},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.248.png","492\n493\nVortice Natté (In-Side)\nDolce (Stanley)\nEnea Check (Twain)\nLino Froissé (Twain)\nOne (Costume, Costume Lounge)\nMood (Motta)\nSolleone Reverse Side A (Milà)\nMaestrale (Piña)\nAcca Stripe (Twain)\nAlle (Riace)\nCoda (Traffic_2)\nColline (Traffic_2)\nDivina 3 (Alpina cushion, Nimrod, Pila, Plato\u002FSequoia\u002FSteelwood\u002FSubstance cushion, Troy)\nDivina MD (Alpina cushion, Brut, Cyborg cushion, Cyborg Lord, Officina, Pila, Plato\u002FSequoia\u002FSteelwood Stool\u002FSubstance cushion, Troy)\nDivina Mélange (Alpina cushion, Brut, Cyborg cushion, Cyborg Lord, Officina,Substance cushion, Troy)\nTorino (Trave)\nAbitex\nCrevin\nHome Decor\nFidivi\nGabriel\nimNativ\nKvadrat\n301\n1506\n2102\n300\n0731\n0462\n743\n0691\n0936\n217\n0106\n193\n0120\n9201\n102\n737\n0246\n433\n0280\n0626\n943\n0793\n4566\n0552\n813\n0742\n0984\n704\n784\n347\n0181\n343\n0227\n9616\n103\n362\n610\n0376\n653\n0467\n0666\n0856\n801\n2519\n3102\n301\n134\n0526\n753\n0692\n0944\n147\n0154\n203\n0147\n9212\n787\n0334\n453\n0367\n0636\n973\n0826\n07\n010\n8504\n0562\n843\n0756\n809\n984\n397\n0191\n353\n0237\n9717\n116\n382\n632\n0384\n673\n0471\n0671\n0876\n4037\n4102\n406\n194\n0536\n773\n0696\n0956\n177\n0171\n213\n0170\n9302\n797\n0346\n613\n0427\n0652\n0836\n53\n657\n0224\n363\n0260\n0584\n873\n0782\n182\n410\n642\n0393\n683\n0517\n0676\n0886\n4503\n6101\n600\n564\n0542\n783\n0712\n0966\n227\n0173\n293\n0180\n9404\n108\n100\n962\n242\n987\n0356\n633\n0457\n0662\n0846\n75\n9111\n677\n0236\n413\n0277\n0623\n913\n0791\n222\n422\n722\n0426\n713\n0527\n0684\n0893\n232\n442\n762\n0444\n733\n0547\n0686\n0922\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nDivina MD\n193\n203\n213\n293\n343\n353\n363\n413\n433\n453\n613\n633\n653\n673\n683\n713\n733\n743\n753\n773\n783\n813\n843\n873\n913\n943\n973\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nColline\n217\n147\n177\n227\n347\n397\n657\n677\n737\n787\n797\n987\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nColline\n217\n147\n177\n227\n347\n397\n657\n677\n737\n787\n797\n987\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nColline\n217\n147\n177\n227\n347\n397\n657\n677\n737\n787\n797\n987\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nColline\n217\n147\n177\n227\n347\n397\n657\n677\n737\n787\n797\n987\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nColline\n217\n147\n177\n227\n347\n397\n657\n677\n737\n787\n797\n987\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nColline\n217\n147\n177\n227\n347\n397\n657\n677\n737\n787\n797\n987\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nColline\n217\n147\n177\n227\n347\n397\n657\n677\n737\n787\n797\n987\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nColline\n217\n147\n177\n227\n347\n397\n657\n677\n737\n787\n797\n987\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nColline\n217\n147\n177\n227\n347\n397\n657\n677\n737\n787\n797\n987\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nColline\n217\n147\n177\n227\n347\n397\n657\n677\n737\n787\n797\n987\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nColline\n217\n147\n177\n227\n347\n397\n657\n677\n737\n787\n797\n987\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nColline\n217\n147\n177\n227\n347\n397\n657\n677\n737\n787\n797\n987\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nCoda\n100\n103\n116\n182\n222\n232\n242\n362\n382\n410\n422\n442\n610\n632\n642\n722\n762\n962\nfabrics\nfabrics\n",248,{"image":1006,"text":1007,"number":1008},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.249.png","494\n495\n0912\n0645\n832\n0622\n0691\n0985\n0983\n0917\n0557\n0655\n0476\n713\n0806\n0677\n0772\n0991\n0975\n0746\n962\n0732\n0791\n0562\n0436\n633\n0597\n0695\n0533\n743\n0916\n0757\n0912\n0922\n0666\n0686\n873\n0652\n0711\n0996\n0535\n0383\n612\n0937\n0567\n0662\n0506\n723\n0865\n0687\n0782\n0985\n0756\n0742\n0871\n0605\n0446\n643\n0617\n0732\n0553\n763\n0946\n0777\n0932\n0932\n0713\n923\n0662\n0751\n0545\n0416\n613\n0967\n0571\n0672\n0515\n732\n0883\n0731\n0862\n0612\n0453\n672\n0776\n0620\n0752\n0911\n0742\n0576\n773\n0953\n0787\n0942\n0962\n0716\n933\n0672\n0771\n0552\n0426\n623\n0977\n0581\n0682\n0526\n733\n0906\n0747\n0882\n0652\n0466\n693\n0796\n0647\n0951\n0775\n0616\n813\n0966\n0821\n0962\n0780\n0636\n831\n0976\n0871\nHero (Brut, Costume Lounge, Officina, Troy, Twain)\nMélange Nap (Costume Lounge, Twain)\nRecheck (Costume Lounge, Twain)\nReflect (Trave)\nRemix (Cyborg cushion, Cyborg Lady)\n0102\n0111\n0115\n124\n143\n0352\n0351\n0645\n0202\n0221\n0165\n564\n0432\n0461\n0775\n0152\n0171\n0125\n184\n433\n0372\n0371\n0725\n0212\n0241\n0455\n924\n0512\n0491\n0785\n0162\n0191\n0145\n434\n612\n0392\n0411\n0745\n0242\n0271\n0565\n0542\n0521\n0845\n0182\n0192\n0211\n444\n933\n0422\n0441\n0765\n0312\n0321\n0625\n0552\n0551\n0875\n0582\n0651\n0965\nSteelcut 3 (Chair_One cushion, Nimrod, Stool_One cushion, Tibu, Troy, Twain)\nSteelcut Trio (Chair_One cushion, Stool_One cushion, Tibu, Troy)\nTonica (Traffic_2)\nTonus (Traffic_2)\n0120\n0113\n123\n118\n0220\n0205\n233\n132\n0402\n0253\n511\n224\n0140\n0124\n132\n125\n0240\n0213\n353\n135\n0445\n0266\n523\n240\n0155\n0133\n171\n128\n0252\n0226\n383\n207\n0452\n0276\n531\n244\n0110\n0105\n111\n100\n0522\n0376\n611\n0190\n0195\n223\n131\n0160\n0153\n182\n129\n0265\n0236\n411\n210\n0502\n0283\n533\n364\n0180\n0176\n192\n130\n0365\n0246\n443\n216\n0512\n0336\n543\n374\n394\n605\n464\n613\n424\n608\n474\n615\n440\n609\n508\n619\n454\n610\n554\n631\n634\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonica\n111\n123\n132\n171\n182\n192\n223\n233\n353\n383\n411\n443\n511\n523\n531\n533\n543\n611\n612\n613\n623\n633\n643\n672\n693\n713\n723\n732\n733\n743\n763\n773\n813\n831\n832\n873\n923\n933\n962\nfabrics\nfabrics\n",249,{"image":1010,"text":1011,"number":1012},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.250.png","496\n497\n0932\n0542\n636\n0676\n914\n02\n46\n0323\n963\n105\n1062\n0146\n583\n101\n0622\n690\n0743\n974\n06\n0386\n0943\n0123\n960\n153\n0554\n654\n0693\n934\n03\n150\n0333\n993\n106\n1511\n0152\n623\n102\n0633\n754\n0772\n07\n0443\n0956\n0133\n193\n0556\n664\n0723\n954\n04\n151\n0353\n0653\n764\n1880\n12\n0182\n683\n103\n0786\n15\n0456\n0972\n0143\n293\n0582\n684\n0733\n964\n05\n0363\n0656\n854\n0222\n793\n104\n0872\n16\n0472\n0913\n31\n0526\nUniform Mélange (Costume, Costume Lounge)\nPersiano (Twain)\nVolpe (Costume Lounge, Twain)\nVidar (Brut, Officina, Riace, Troy)\nZade (Twain)\n103\n209\n0106\n570\nAgamotto (Twain)\nBlackwood (Twain)\nIndianskop (Officina, Riace)\nLimonta\n021\n02\n22\n19\n23\n20\n24\n114\n115\n21\nJava (Costume Lounge)\n02\n08\n13\n109\n03\n09\n14\n110\n04\n10\n15\n111\n01\n18\n07\n05\n11\n107\n16\n112\n06\n12\n108\n17\n113\nCork (Costume Lounge)\nNew York (Stanley)\nSpritz (Trave)\nFabthirty (Trave)\nVines (Costume Lounge)\nRubelli\nThinny\n06\n0104\n10\n27\n02\n10\n58\n07\n08\n07\n0400\n13\n34\n03\n11\n08\n18\n39\n04\n09\n22\n47\n06\n20\n01\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nTonus\n100\n118\n125\n128\n129\n130\n131\n132\n135\n207\n210\n216\n224\n240\n244\n364\n374\n394\n424\n440\n454\n464\n474\n508\n554\n605\n608\n609\n610\n613\n615\n619\n631\n634\n636\n654\n664\n684\n690\n754\n764\n854\n914\n934\n954\n964\n974\nfabrics\nfabrics\n",250,{"image":1014,"text":1015,"number":1016},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.251.png","498\n499\nBaghera (Twain)\nBrionne (Nimrod)\nContichi (Costume Lounge)\nTorri Lana\n023\n002\n021\n030\n003\n022\n010\n031\n034\n001\n040\n005\n024\n012\n038\n006\n025\n014\n039\n007\n026\n015\n004\n023\n011\n037\n008\n027\n016\n009\n028\n032\n020\n029\n284\n090\n012\n003\n263\n021\n006\n041\n302\n130\n071\n004\n282\n071\n007\n047\n000\n304\n150\n006\n283\n080\n009\n002\n306\n240\n007\n008\nDato (Costume, Costume Lounge)\nRico (Alpina cushion, Costume Lounge, Brut, Officina, Substance cushion)\nParallel (Trave)\nRella (Riace)\nOmbra (Costume Lounge)\n087\n000\n004\n003\n420\n250\n490\n300\n460\n270\n510\n320\n470\n280\n360\n480\n290\n380\n400\nVelvet (Brut, Piña, Officina, Traffic_2)\nFelt (Tacito)\nLeather (Twain “pop” version)\nBoxland (Traffic_2, Troy)\nDama (Troy, low chair)\nVelvet\nFelt\nLeather\n100\ndark \npurple \u002F \norange\nbordeaux \n\u002F light \ngreen\nblush \u002F\nyellow\n01\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nAzimut\n100\n101\n102\n104\n105\n200\n201\n202\n300\n301\n302\n303\n304\n400\n401\n500\n501\n502\n503\n505\n600\n601\n602\n605\n606\n700\n701\n702\n704\n705\n707\n709\n710\n800\n801\n802\n803\n804\n806\n807\n901\n902\n903\n904\n905\n906\n909\n910\n502\n135\n801\n133\n300\n174\n700\n03\n903\n58\n105\n34\n601\n66\n806\n28\n304\n49\n705\n63\n909\n47\n101\n44\n503\n116\n802\n123\n301\n84\n701\n183\n904\n17\n200\n14\n602\n46\n807\n168\n7150\n400\n144\n707\n53\n910\n147\n127\n102\n04\n505\n26\n803\n48\n302\n154\n702\n139\n905\n57\n201\n54\n605\n176\n901\n08\n7750\n401\n35\n709\n173\n104\n24\n600\n16\n804\n38\n303\n164\n704\n79\n906\n37\n202\n64\n606\n02\n902\n108\n7260\n500\n105\n710\n23\n501\n125\n800\n153\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nBoxland\n7000\n7010\n7020\n7030\n7040\n7050\n7060\n7070\n7080\n7090\n7100\n7110\n7120\n7130\n7140\n7150\n7160\n7170\n7200\n7210\n7220\n7230\n7240\n7250\n7260\n7270\n7280\n7290\n7300\n7310\n7732\n7733\n7734\n7735\n7736\n7737\n7738\n7739\n7744\n7748\n7750\n7757\n7759\n7761\n7763\n7764\n7766\n7767\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nBoxland\n7000\n7010\n7020\n7030\n7040\n7050\n7060\n7070\n7080\n7090\n7100\n7110\n7120\n7130\n7140\n7150\n7160\n7170\n7200\n7210\n7220\n7230\n7240\n7250\n7260\n7270\n7280\n7290\n7300\n7310\n7732\n7733\n7734\n7735\n7736\n7737\n7738\n7739\n7744\n7748\n7750\n7757\n7759\n7761\n7763\n7764\n7766\n7767\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nBoxland\n7000\n7010\n7020\n7030\n7040\n7050\n7060\n7070\n7080\n7090\n7100\n7110\n7120\n7130\n7140\n7150\n7160\n7170\n7200\n7210\n7220\n7230\n7240\n7250\n7260\n7270\n7280\n7290\n7300\n7310\n7732\n7733\n7734\n7735\n7736\n7737\n7738\n7739\n7744\n7748\n7750\n7757\n7759\n7761\n7763\n7764\n7766\n7767\nfabrics\nfabrics\n",251,{"image":1018,"text":1019,"number":1020},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.252.png","500\n501\n(South)\n(South)\n(Twain)\n(South)\nBaskets \u002F Woven mattings\nCarpets\nPlaids\nTwain blanket\nred \u002F \norange\nSide A\nSide B\nblue \u002F light \nblue \npink \u002F \ngrey\ndark \nred\nlight blue \n\u002F white\ndark\nblue\n2072\n2228\n2054\n2202\n2282\n2098\n2248\n2082\n2236\n2046\n2188\n2274\n2062\n2212\n2256\n2074\n2230\n2232\n2040\n2182\n2268\n2056\n2204\n2284\n2100\n2250\n2088\n2240\n2048\n2190\n2276\n2064\n2214\n2258\n2076\n2042\n2184\n2270\n2058\n2206\n2285\n2102\n2252\n2050\n2192\n2278\n2090\n2242\n2066\n2216\n2108\n2260\n2080\n2234\n2044\n2186\n2272\n2060\n2210\n2106\n2254\n2052\n2194\n2280\n2096\n2244\n2068\n2222\n2110\n2262\n2070\n2226\n2112\n2264\nFlorida (Officina)\n2001\n2116\n2014\n2128\n2026\n2140\n2002\n2118\n2016\n2130\n2028\n2170\n2004\n2120\n2018\n2132\n2032\n2172\n2000\n2114\n2038\n2178\n2266\n2012\n2126\n2006\n2122\n2020\n2134\n2034\n2174\n2008\n2124\n2024\n2138\n2036\n2176\nMagis Leather (Bishop cushion, Chair_One \u002F Stool_One cushions, Officina, Venice)\nPanama (Stanley)\nL-0091\nnatural\nL-0110\nnatural\n5300\nL-0059\nblack\nL-0120\nblack\nsage\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nThe printing ink and the screen visualization cannot exactly reproduce the colours. For higher accuracy we suggest inspecting the colour samples.\nFlorida\n2000\n2001\n2002\n2004\n2006\n2008\n2012\n2014\n2016\n2018\n2020\n2024\n2026\n2028\n2032\n2034\n2036\n2038\n2040\n2042\n2044\n2046\n2048\n2050\n2052\n2054\n2056\n2058\n2060\n2062\n2064\n2066\n2068\n2070\n2072\n2074\n2076\n2080\n2082\n2088\n2090\n2096\n2098\n2100\n2102\n2106\n2108\n2110\n2112\n2114\n2116\n2118\n2120\n2122\n2124\n2126\n2128\n2130\n2132\n2134\n2138\n2140\n2170\n2172\n2174\n2176\n2178\n2182\n2184\n2186\n2188\n2190\n2192\n2194\n2202\n2204\n2206\n2210\n2212\n2214\n2216\n2222\n2226\n2228\n2230\n2232\n2234\n2236\n2240\n2242\n2244\n2248\n2250\n2252\n2254\n2256\n2258\n2260\n2262\n2264\n2266\n2268\n2270\n2272\n2274\n2276\n2278\n2280\n2282\n2284\n2285\nfabrics\nfabrics\n",252,{"image":1022,"text":1023,"number":1024},"\u002Fmedia\u002Fimages\u002Fc3\u002F64445ffe09c06ebdacb7c94c0894b0-2905f744da.253.png","502\n503\nstores\nMagis Spa\nVia Triestina, Accesso E Z.I. 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