[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-linea-light-arte-e-culto-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":872},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":867,"matched_pages":868,"match_count":869,"two_pages":870,"show_text":871},21172,"Arte e Culto 2023","linea-light-arte-e-culto-2023","\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Ffe\u002F720bc8eafaa82cac4250dddcdac87f-28d05a23da.pdf","Linea Light",143,"linea-light","71.1 MB",[14,17,20,24,27,30,34,38,42,46,50,54,58,62,66,69,73,77,81,85,89,93,97,101,105,109,112,115,119,123,127,131,135,139,143,147,150,153,157,161,165,169,173,177,181,185,189,193,196,199,203,207,211,215,219,223,227,231,235,239,243,247,251,255,259,263,267,271,275,279,283,287,290,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,408,411,415,419,423,426,430,434,438,442,446,450,454,458,462,466,470,474,478,482,486,490,494,498,502,506,510,514,517,521,525,529,533,537,541,545,549,552,556,560,564,567,571,574,578,582,586,590,594,598,602,606,610,613,617,621,625,628,632,636,640,644,648,652,656,660,664,668,672,676,680,684,688,692,696,699,703,707,711,715,719,723,727,731,735,739,743,747,751,755,759,763,767,771,775,779,783,787,791,794,798,802,806,810,814,818,822,826,830,834,838,842,846,850,854,858,862,865],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.3.png","LIGHT UP NEW IDEAS!\n",3,{"image":25,"text":15,"number":26},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.4.png",4,{"image":28,"text":15,"number":29},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.5.png",5,{"image":31,"text":32,"number":33},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.6.png","4\nArte & Culto | The best lighting\nThe best lighting\n‘Art illuminates the mind, \nlight illuminates art’\nThere is a close relationship between light and art; Linea Light Group \ninterprets it by making available its know-how. It isn’t just lighting that we \nprovide, but also the highly reliable expertise gained from many years of \nexperience in the fi eld. We work alongside designers providing tailored \nsolutions that satisfy even the most specifi c creative needs. Our aim is to \nmake readable art, museums, sculptures, paintings, frescoes, architectural \nforms, the artistic treasures stored in holy places, in churches, cathedrals, \nshrines and even small places of worship that are often rich in hidden \nartworks. We believe in enhancing and improving the benefi ts off ered by \ncultural heritage. We have to rethink light as a tool enhancing visitors’ \nappreciation and thorough enjoyment of a work of art.\nLeft photo:\nMadonna del Fiore\nGirolamo il Vecchio from Treviso\n1450-1496, Italy\nRight photo:\nMalchiostro Chapel\nCathedral of Treviso\n",6,{"image":35,"text":36,"number":37},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.7.png","5\n",7,{"image":39,"text":40,"number":41},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.8.png","6\n50\n60\n60\n70\n80\n90\n100\n110\n120\n130\n140\n1\n70\nFidelity Index, Rf\nGamut Index, Rg\n80\n90\n100\n2\n2\n1 Approx. limits for\nsources on the\nPlankian Iocus.\nIncrease\nfidelity\nDecreasing\nsaturation\nIncreasing\nsaturation\nApprox. limits for\npractical light\nsources.\nC.E.S. Color Evaluation Samples\nTrade off Rf & Rg\nArte & Culto | The best lighting\nShining\nwith true light\nThe new TM-30-15 method \nof evaluating colour rendering, \ndeveloped by the American \nstandardisers of the IES (Illuminating \nEngineering Society), represents \na development of the CRI (Colour \nRendering Index) standard. This \nnew method is now used both by \nprofessionals to choose the right \nlight source and by manufacturers \nto develop new spectra for their light \nsources. \nCompared to the older CRI, which \nstill remains the reference standard, \nTM-30-15 uses 99 CES (Colour \nEvaluation Samples) – as opposed \nto the CRI’s 15.\nThe 99 samples used in the TM-30 method were selected logarithmically from the \n105,000 colours visible to the human eye. \nBy analysing the values, the TM-\n30-15 method extrapolates an \nevaluation consisting of the following \ntwo parameters:\n• Rf (where f stands for Fidelity, \ncolour fidelity) refers to the \naverage colour reproduction \nfidelity value of all 99 CES \nsamples, with a maximum value of \n100.\n• Rg (where g stands for gamut, \ncolour extension) is used to \nassess colour saturation; the \nfigure obtained can fluctuate \nbelow (desaturated colour, up \nto 60) or above (oversaturated \ncolour, up to 140) the ideal value \nof 100.\n",8,{"image":43,"text":44,"number":45},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.9.png","7\n60\n70\n80\n90\n100\n110\n120\n130\n140\n50\n60\n70\n80\n90\n100\nGamut (Rg)\nFidelity (Rf)\nColor vector graphic\nWhen analysing a graph showing \nRf and Rg, the light source tested \nshould be as close as possible to \nthe centre of the vertical Rg axis \nand shifted to the right on the \nhorizontal Rf axis. The position of \nthe Fidelity LED sources is a sign of \ntheir very high faithfulness of colour \nreproduction.\nThanks to the collaboration between \nCREE and Linea Light Group, \nthe new ‘Fidelity’ light source has \nbeen perfected to guarantee the \nbest possible faithfulness of colour \nreproduction.\nWherever works of high artistic value \nneed to be illuminated, Fidelity LEDs \ncombined with Linea Light Group’s \nhigh-performance products allow \ncolours to be depicted in all their \nnuances with a remarkable degree \nof realism and very high colour \nrendering, in accordance with the \nparameters set by the Illuminating \nEngineering Society (IES).\nColour saturation is visually represented by \nmeans of the CVG - Colour Vector Graphic, \nwhich allows us to analyse the deviations in 16 \ndiff erent portions of colour space between the \nideal saturation (in the graphic, a perfect circle) \nand the saturation of the tested sources, in this \ncase the Linea Light Group’s Fidelity model.\nColour \ncorrelate \ntemperature \n(K) \n2700 K 3000 K 4000 K\nIES\n TM-30\nRf\n96\n94\n92\nRg\n101\n99\n99\nCRI\nRa\n98\n98\n97\nR9\n93\n88\n95\nStep \nSDCM\n2\n2\n2\nFidelity \nauthentic colours\n",9,{"image":47,"text":48,"number":49},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.10.png","8\nArte & Culto | The best lighting\nOn the left, the lighting prior to \nrelamping planned for the Musèe \nLes Arts Décoratifs in Paris \nconsisted of a QR-CBC51 50W \n12V dichroic halogen source. \nOn the right, the work is illuminated \nwith new ArrayLED Fidelty 2700k \n16W sources. \nNormally, the spectrum of a halogen \nsource is considered to be very \nhigh-performance when it comes \nto colour: this makes the new and \nimproved colour perception off ered \nby the Fidelity LED source even \nmore impressive. \nThe Betrothal of Jason and Medea\nBiagio d’Antonio Tucci\n1486, Italy\nOil painting on panel\n",10,{"image":51,"text":52,"number":53},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.11.png","9\n",11,{"image":55,"text":56,"number":57},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.12.png","10\nArte & Culto | The best lighting\nLighting places of worship involves many aspects of perceptual and \nfunctional order. Lighting has contributed through times to positive but \nalso negative characterization of interiors with a rich artistic heritage that \nsometimes become difficult to visit and understand. The new design themes, \nassociated with different approaches on how to use the space , are geared \nto comprehensively enhance the spiritual and cultural experience through \narchitecture, art and liturgical function in a harmonious integration through \nthe different times of the day, week and months. \nThe control of a lighting scenario is a capital gain that allows people to play \nwith ever-changing atmospheres in order to shape the perception of the \nLighting serves\nfaith\nMadonna del Prato Church | Gubbio (Italy)\nLighting project: Arch. F. Raschi\nPhoto: Matteo Canestraro\nProduct: Navata_Optus\n",12,{"image":59,"text":60,"number":61},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.13.png","11\nenvironment and the pieces of art contained therein.\nUsing less bulky systems and small-sized sources, we can achieve capillary \nlight distribution, with luminous fluxes reaching remote spots or surfaces that \nare otherwise too far from the lighting fixtures and technical systems. \nModern, technologically advanced luminaires ensure that the conservation \ncriteria for works of art are fully respected, which is especially important for \npaintings on canvas or wood, all whilst highlighting architectural details and \nintricate mouldings.\nSharjah Mosque | Sharjah (UAE)\nLighting project: Light Concept\n",13,{"image":63,"text":64,"number":65},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.14.png","12\nArte & Culto | The best lighting\nHöchberg Chapel | Hochberg (Poland)\nLighting project: ANPA Techniki Oświetleniowe \nSp. z o.o.\nPhoto: Szymon Aleksandrowicz\nProduct: Xenia\n",14,{"image":67,"text":15,"number":68},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.15.png",15,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.16.png","14\nArte & Culto | Custom projects\nAchieving the best results and do justice to the marvels of artistic and \narchitectural heritage is our mission, and it is accomplished by building a \nstrong collaborative relationship with the designer. Linea Light Group firmly \nbelieves in this relationship and is ready to add its know-how and technology \nto the creative process. We develop new customised solutions by working in \nclose collaboration to satisfy even the most ambitious creative requirements. \nWe firmly believe that it is thanks to these collaborations that we can create \nthe ideal solutions.\nBespoke \ndesign\nSt. George Church | Piacenza (Italy)\nPhoto: Fabio Gambina\nProduct: custom projector\n",16,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.17.png","15\n",17,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.18.png","16\nArte & Culto | Custom projects\nThe Magi Chapel is a well-kept \nsecret located on the main floor \nof the Palazzo Medici-Riccardi \nin Florence. With no windows or \nfaçades, the Chapel is reminiscent \nof a treasure chest of artworks. \nIndeed, this 40 square metre space \nis brimming with 15th-century art, \nincluding the frescoes of Benozzo \nGozzoli, a pupil of Beato Angelico. \nOn three walls of the Chapel, visitors \ncan admire his depictions of the \nProject study: \nMagi Chapel\ncavalcade of the Magi, which bears \nsimilarities to the procession of Pope \nPius II Piccolomini, who arrived in \nFlorence in April 1458.\nThe aim of the project, promoted \nby the Metropolitan City of Florence \nand implemented in collaboration \nwith MUS.E, was to design an \nillumination system that would, quite \nliterally, shed new light on the Magi \nChapel. Right from the start of the \ninitial assessment phase, Linea \nLight Group was able to rely on its \nexpertise to take this internationally \nrenowned masterpiece to the next \nlevel. The project features a system \nof seven custom-made turrets \nat different heights, each holding \nfour Optus projectors, positioned \nthroughout the space and controlled \nvia Bluetooth and smartphone apps. \nLamps and housing structures were \npainted to match the colours of the \nflooring. \nPromoted by the Metropolitan City of Florence \nand implemented by the MUS.E Association \nand Linea Light Group\nPhoto: © Lungimirante | Visual studio\nProduct: Optus Tower (custom)\nThe previous lights, which hindered \nthe works being enjoyed, have \nbeen substituted with smaller units \noffering the ability to adjust the \ndirection and strength of the lighting \nin addition to controlling the staging \nthrough scene planning.\n",18,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.19.png","17\n314,21\n314,21\n",19,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.20.png","18\nArte & Culto | Custom projects\nProduct: Optus Tower (custom)\n",20,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.21.png","19\n3\n3\n3\n1\n2\n2\nOPTUS TOWER\nCustom made\nThe special shape, with openings \n‘cut’ diagonally, allows the luminaires \nto be hidden from view, while the \ncasing underneath houses the \npower supply unit, which therefore \nalso remains hidden.\nProduct positioning scheme\nIn each turret, four Optus \nprojectors with diff erent lighting \ncontrol accessories can rotate \nindependently into diff erent \npositions. \n",21,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.22.png","20\nArte & Culto | Custom projects\n",22,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.23.png","21\nProduct: Optus Tower (custom) \nwall\u002Fceiling emission\n",23,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.24.png","22\nArte & Culto | Lighting in places of worship\nThe relationship between lighting and places of worship is \nconfi rmed even when the sacred place is a mosque.\nFor Muslims, the mosque is a reproduction of Muhammad’s \nArab home. It is characterized by highly symbolic \narchitectural elements including the “minaret” (meaning \n“lighthouse”), which embodies the oneness of God: the refl ected metallic \nlight is the light of heaven and earth. In Arabic, minaret means “place of \nlight”, from which emanates the word that illuminates the soul, like the light \nthat dispels darkness. Similarly, the many domes that characterise Islamic \narchitecture let the light fi ll the room evenly and without contrasts, creating a \nserene atmosphere which deepens the feeling of a “divine light” that reaches \nthe faithful. \nThe concept of light is therefore extremely important for Islam and for the \nplaces where it is professed. A true awareness of all religious aspects and \ntheir symbolic values allows us to off er optimal lighting solutions, tailored to \nsupport the ritual activities and highlight the historical and artistic value of the \nbuilding.\nLighting becomes \nprophetic\nMajlis Oman | Muscat (Oman)\nLighting project: Visual Energy\nProducts: custom outdoor linear fi xtures\nMosque general lighting scheme | Longitudinal section\n",24,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.25.png","23\n",25,{"image":110,"text":15,"number":111},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.26.png",26,{"image":113,"text":15,"number":114},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.27.png",27,{"image":116,"text":117,"number":118},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.28.png","26\nArte & Culto | Lighting in places of worship\nIn the northern UAE city of Sharjah, \na majestic mosque dominates the \nskyline. Emphasising its enormous \ndimensions – a staggering 190,000 \nm2 – and its Turkish-inspired \narchitecture is an equally impressive \nlighting system designed by Light \nConcept using Linea Light Group \nluminaires. The functionality of the \nmosque was a key focus of the \nproject and was guaranteed by \nusing products with indirect light \nemissions and a colour temperature \nof 2700K. Outside the mosque, \nBond_PRO bollards and Shaker \nprojectors provide lighting effects \nProject study: \nSharjah Mosque\nthat enhance the areas around the \nbuilding, along with linear elements \nthat illuminate and emphasise the \nunique details of the mosque’s \nArabic architecture. Orma adjustable \nuplights illuminate the columns \nat the main entrance, providing a \ndramatic upward distribution of \nlight. Indoor areas are suitably lit by \na variety of downlights with high-\nlevel lighting performance.  Last but \nby no means least, the beautiful \nterraces overlooking the landscape \nof the architectural complex are \nilluminated by built-in Paseo linear \nluminaires with asymmetrical optics.\nLighting project: Light Concept\nProducts:\nsmall photo - Archiline\nlarge photo - Loro, LV54, Quantum \n",28,{"image":120,"text":121,"number":122},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.29.png","27\n",29,{"image":124,"text":125,"number":126},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.30.png","28\nArte & Culto | Lighting in places of worship\nLighting gives definition to shapes, \nemphasises silhouettes and – \nespecially in nocturnal contexts – \ndefines what is visible. It can create \ndifferent moods to suit a variety of \noccasions, thus providing a useful \nway to alter the outward appearance \nof an architectural structure. Below, \ntwo different light renderings show \nhow the appearance of the domes, \nminarets and arches of the Sharjah \nMosque can change after adjusting \ndifferent sets of luminaires. During \nthe design phase it is important to \nalways produce simulations whose \nobjective – attention!  – is not to \nprovide a visually pleasing realistic \nimage, but to enable the end user \nto understand the behaviour of \nlights and lighting systems in a given \nenvironment.\nRenderings - examples of lighting scenarios\nProducts:\nlarge photo - Bond PRO, Shaker (landscape)\nXenia, Archiline, Suelo (building)\nOrma, Vedette (minarets)\n",30,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.31.png","29\n",31,{"image":132,"text":133,"number":134},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.32.png","30\nArte & Culto | Lighting in places of worship\n",32,{"image":136,"text":137,"number":138},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.33.png","31\nProduct: Paseo\nPaseo’s opal diffuser allows for \nan even diffusion of light onto the \nmosque’s architectural surfaces, \nensuring an optimal amount of \nlight to enjoy the building itself \nand also, maintaining low levels \nof glare.\n",33,{"image":140,"text":141,"number":142},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.34.png","32\nArte & Culto | Lighting for historic buildings\nHistoric buildings require special lighting systems that can give prominence \nto their features, while ensuring full compliance with architectural standards, \nwhether highlighting the external façade, emphasizing decorative and \naesthetic aspects or enhancing the interiors making them accessible and \nsuitable for the activities that will take place in them, including in terms of \nsafety. For these reasons, historic building lighting must strike the proper \nbalance between aesthetic and functional aspects: only a fruitful relationship \nbetween the designer and the manufacturer of lighting systems can produce \nthe right solution.\nLighting \nfor historic buildings\nKrujë Castle | Krujë (Albania)\nLighting project: Fulvio Baldeschi\nPhoto: Pietro Savorelli\nProducts:\nsmall photo - Iris67\nlarge photo - Prolamp\nLuminaires with various optics \nand wattage combinations were \npositioned at different points along \nthe walls in order to maintain \nconsistent illumination. \n",34,{"image":144,"text":145,"number":146},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.35.png","33\n",35,{"image":148,"text":15,"number":149},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.36.png",36,{"image":151,"text":15,"number":152},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.37.png",37,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.38.png","36\nArte & Culto | Lighting of historic buildings\nLighting project: ESA Engineering\nPhoto: Antonio Buonsante\nProduct: Xenia Wall\nIn undertaking the recent restoration \nof the Palazzo Broletto, a site dating \nback to the end of the 8th century and \nsituated on the corner between streets \nBroletto and Porrone in the historic \ncentre of Milan, the architectural studio \nQuattroassociati has redefined the \nstructure and shape of the building \nby linking the stylistic influences of \nthe past with modern solutions. The \naddition of creative lighting, made \npossible by ESA Engineering with \nproducts supplied by Linea Light \nGroup, brings the architectural details \nof the palace and the successful union \nof tradition and modernity into focus. \nFor the face of the building, built in \nthe stile umbertino and punctuated \nwith window cornices, balusters \nand pilasters, whilst also featuring \ntympanums and friezes, Xenia linear \nlighting with optical wall-grazing \nhave been used. These fittings \nsuccessfully bring definition to the \nvertical elements of the structure by \nevoking their considerable prominence \nand depth. To highlight the distinctive \ndecorative elements of the new fully \nglazed façade, the lighting has been \npositioned at the base of structure \nwith a very narrow lens. This produces \npowerful beams of light along the \nentire height of the palace. \nProject study: \nPalazzo Broletto\n",38,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.39.png","37\n",39,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.40.png","38\nArte & Culto | Lighting of historic buildings\n",40,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.41.png","39\nXENIA WALL\nThe optics used in these linear luminaires \nare specially designed to give uniform \ndefi nition to the pilasters. The special \nwall-grazing eff ect does not interfere with \nthe rest of the architecture but rather \nsupports the visual alignment of the \nlighting.\nThe lengths of the Xenia luminaires have \nbeen customised to perfectly match the \ndiff erent widths of the pilasters.\n",41,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.42.png","40\nArte & Culto | Lighting of historic buildings\nThe Imperial Hall and its entry \nstaircase, both located in the \nmagnificent Austrian National \nLibrary, a Viennese temple of \nculture since the 18th century, \nunderwent a major lighting \noverhaul which was designed \nby Helmut Regvart, founder of \nStudio LDA, in collaboration with \nLinea Light Group. The project \ninvolved replacing and revamping \nall the lighting fixtures and related \nelectrical components with the \naim of creating ‘theatrical lighting’. \nHigh-performance solutions were \ninstalled and seamlessly integrated \ninto the building’s architecture. In \nparticular, Navata_Optus articulated \nProject study: \nAustrian National Library\nspotlights with integrated base and \ntargeted spotlighting were chosen \nto illuminate the bookshelves, ceiling \nfrescoes and various architectural \nfeatures. Completing the project are \nPeriskop spotlights for busts and \nstatues; Optus_W2 wall-mounted \nspotlights as replacements for the \npreviously fitted PAR 64s; and High \nProtection tubular luminaires for \nthe spiral staircase. To comply with \nthe requirements of the restoration \ndepartment, all light levels for the \n300 plus luminaires used were \ncorrectly adjusted in order to create \na sustainable, energy-efficient \nsystem.\nLighting project: Helmut Regvart, \nLighting Design Austria\nPhoto: We Feel\nProducts:\nsmall photo - Navata_Optus\nlarge photo - Navata_Optus, Optus, Periskop \nThe indirect lighting of the \nNavata_Optus projectors provides \nexcellent light distribution without \ncompromising the works, while at \nthe same time enhancing many \ndetails that have long been ignored, \nsuch as the golden details in many \nfrescoes.\n",42,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.43.png","41\n",43,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.44.png","42\nArte & Culto | Lighting of historic buildings\nOPTUS WALL\nThe shielding system of Optus Wall \nincreases the angle of glare reduction to \nensure that all visitors to the library have \na pleasant experience. \nPERISKOP\nThe projector’s small size \ncombined with its high \nperformance allow Periskop to \nintegrate seamlessly into the \nspace and illuminate statues \nwithout being obtrusive.\nVisitors level\nProducts\n",44,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.45.png","43\nHIGH PROTECTION\nThe High Protection linear light is \nequipped with a topLED circuit \nwith a 180° diff usion system to \nensure that light is distributed \nevenly across the staircase \nconnecting the various fl oors of the \nlibrary.\nNAVATA OPTUS\nThe unique articulated \nsystem and optical \ndiff usion of Navata \nOptus ensure that \nevery detail in the room \nis illuminated in the \noptimal way.\nGalerie\nProducts\n",45,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.46.png","44\nArte & Culto | Lighting of historic buildings\nProducts: \nthese pages - Navata_Optus\nnext pages - Navata_Optus, Optus, Periskop\n",46,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.47.png","45\n",47,{"image":194,"text":15,"number":195},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.48.png",48,{"image":197,"text":15,"number":198},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.49.png",49,{"image":200,"text":201,"number":202},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.50.png","48\nArte & Culto | Lighting of historic buildings\nProject study: \nRozafa Castle\nPerched atop a rocky hill between \nthree rivers, Rozafa Castle is the \nsymbol of the city of Shkodër \nin northern Albania. In order \nto emphasise the architectural \nfeatures of the building, the strategy \nadopted by Fulvio Baldeschi of \nLight Company – the studio in \ncharge of the lighting design –  was, \nparadoxically, to make use of the \ndarkness by playing with the effects \nof light and shadow. To bring this \nambitious project to life, Prolamp \nand Periskop projectors, both \nrobust, highly efficient and high \ncolour rendering, were used to \nemphasise the depth and three-\ndimensionality of the exterior and \ninterior walls and to highlight the \narchitectural details by means of \naccent lighting. Special fixtures were \nused for these luminaires in order \nto position them at different heights \nand orient them in the best possible \nway. A focus was also placed \non light control to minimise light \npollution.\nTo illuminate certain areas of the \ninterior wall, however, the Maxi Tube \nand Xenia, both with linear profiles, \nwere chosen. Finally, minimalist \nEnvelope path markers were \nbuilt into the wall to illuminate the \nentrance and create an atmospheric \npath of light steeped in history.\n",50,{"image":204,"text":205,"number":206},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.51.png","49\nLighting project: Fulvio Baldeschi\nPhoto: Pietro Savorelli\nProducts:\nright photo - Envelope\nbottom photo - Prolamp, Periskop\n",51,{"image":208,"text":209,"number":210},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.52.png","50\nArte & Culto | Lighting of historic buildings\nPROLAMP\nProlamp projectors are oriented to produce \nlight beams laterally to the walls. By diagonally \nilluminating the wall, the distribution of light on \nthe surface is softer and more diluted along its \nlength.\nPERISKOP\nHigh-performance, precise and small \nin size, Periskop projectors – installed \non fi xtures of diff erent heights – allow \nwall lighting to be incorporated in \nthose areas where dedicated accent \nlighting is needed to emphasise \narchitectural details.\nProduct positioning scheme\nXENIA WALL\nA product with multiple variations and \nconfi gurations to suit every lighting \nrequirement, here it is used in a wall-\nmounted version to illuminate the \nbarbican entrance.\n",52,{"image":212,"text":213,"number":214},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.53.png","51\nMAXI TUBE\nInstalled on the wall almost \nat ground level, the linear \nMaxi Tube – as simple as it is \neff ective – creates a back light \nby playing with shadows.\nENVELOPE\nThe entrance area is \nilluminated by Envelope, \na versatile path marker \nawarded the IF Design \nAward in recognition of its \nfusion of aesthetics and \nfunctionality. Here it is used \nin a single-emission version.\n",53,{"image":216,"text":217,"number":218},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.54.png","52\nArte & Culto | Lighting of historic buildings\n",54,{"image":220,"text":221,"number":222},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.55.png","53\nProducts:\ntop photo - Maxi Tube\nleft photo - Prolamp\n",55,{"image":224,"text":225,"number":226},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.56.png","54\nArte & Culto | Lighting for statues and monuments\nThe night-time illumination of statues, monuments and commemorative \nbuildings serves not only to display – and therefore make usable – what is to \nall intents and purposes part of the architectural\u002Fartistic heritage of a given \nplace, but also to enhance their beauty. At nightfall, it becomes possible to \nconsciously use shadows and the interplay of light and darkness created by \nartificial lighting to give depth and importance to the entire building. Statues \nappear to ‘emerge’ from the darkness and their physicality is emphasised \nthrough the juxtaposition of light and shadow. The shapes and details of \nstatues and symbolic monuments cannot be enhanced without properly \nunderstanding the material they are made from, their relationship to the \ngeneral\u002Fenvironmental lighting, and the desired scenic effect. \nLighting\nfor statues and monuments\nParque Norte | Madrid (Spain)\nArtist\u002FLighting project: Arturo Berned\nPhoto: Marek Jarosz\nProduct: Orma\n",56,{"image":228,"text":229,"number":230},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.57.png","55\n",57,{"image":232,"text":233,"number":234},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.58.png","56\nArte & Culto | Lighting of statues and monuments\nProject study: \nLoggia de’ Lanzi\nThere is a key place in a city of \nart like Florence that does not go \nunnoticed. Close to the Galleria degli \nUffizi in Piazza della Signoria, next to \nPalazzo Vecchio and in front of the \nFountain of Neptune. It is the Loggia \ndei Lanzi, or Loggia della Signoria \nor dei Priori, built between 1376 \nand 1382 by the two artists Benci \ndi Cione and Simone Talenti.  The \nexterior is made up of three arches \nresting on pillars, with two marble \nlions at each side of the staircase, \nthe right one an original ancient \nGreek sculpture, and the other the \nwork of Flaminio Vacca. Inside is \nthe triumphant Perseus, majestically \nlooking downwards towards the \nviewer and holding the severed \nhead of Medusa in one hand and \na sword in the other. It is a bronze \nmasterpiece by artist Benvenuto \nCellini. On the opposite side you can \nadmire Giambologna’s sculptural \nmasterpieces the Rape of the Sabine \nWomen and Hercules and the \nCentaur Nessus. The structure of the \nLoggia is a perfect example of the \nGothic style of the time, although the \nuse of the round arches anticipates \nthe Renaissance style. The building \nhouses many more works of art, \nincluding ancient Roman sculptures \nsuch as Menelaus supporting \nthe body of Patroclus, a Flavian-\nera copy of a Greek original from \n230-240 BC, donated by Pius V to \nCosimo I, and the six female figures \nnear the back wall.\nLighting project: Arch. Claudio Dini \nSponsor: Stefano Ricci\nPhoto: Fabio Gambina\nProducts: custom projectors\n",58,{"image":236,"text":237,"number":238},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.59.png","57\nAccent lighting\nIndirect general lighting\n",59,{"image":240,"text":241,"number":242},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.60.png","58\nArte & Culto | Lighting of statues and monuments\n",60,{"image":244,"text":245,"number":246},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.61.png","59\n",61,{"image":248,"text":249,"number":250},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.62.png","60\nArte & Culto | Lighting of statues and monuments\nThe artistic and architectural lighting \nproject for the Loggia was designed \nby architect Claudio Dini, Professor \nof Architecture at the University of \nFlorence, thanks to the contribution \nof the Florentine fashion designer \nStefano Ricci. \nThe project enhances the gallery of \nsculptural masterpieces housed in \nthe building,\nEmphasizing lights and shadows \nallows the viewer to properly \nappreciate artistic and architectural \ndetails that are otherwise hidden \nto view; to enjoy the harmonious \nplasticity of the marble decorations \nas well as the monumentality of \nthe cross vaults. The new, artistic \nlighting project was implemented \nusing Linea Light Group’s cutting \nedge LED technology. A software is \nable to handle a countless number \nof light combinations. For example, \nthe programme can be set to select \ndiff erent lighting in some hours of \nthe day, or give the Loggia greater \nvisibility or even plunge it into \ndarkness for special events and \nexhibitions.\nCompared to traditional lighting \nfi xtures, our system allows energy \nsavings of around 75% while \nproviding the same illuminance. \nMaintenance costs are almost \nabsent. \nThe increase in LED light points \nfrom 4 to 91 was realized by Società \nIlluminazione Firenze  S.p.A. (Silfi ).\nLuminance simulation with off set colours\n",62,{"image":252,"text":253,"number":254},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.63.png","61\n",63,{"image":256,"text":257,"number":258},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.64.png","62\nArte & Culto | Lighting of statues and monuments\nProject study: \nMausoleum of Khoja Ahmed Yasawi\nCommissioned in 1389 by the \ncommander and emir Timur, to \nthis day the mausoleum remains \nvirtually intact. This majestic \nbuilding, rectangular in shape and \ncrowned by the largest dome ever \nbuilt in Central Asia, is the symbol \nof the city of Hazrat-e Turkestan \n(modern-day Turkistan) in southern \nKazakhstan. In 2002, it became the \nfirst Kazakh site to be listed as a \nUNESCO World Heritage Site.\nGiven the impossibility of \npositioning the luminaires next to \nthe mausoleum, in order to achieve \nuniform wall washer lighting of \nthe walls, which are more than 15 \nmetres tall, it was decided to use \nArchiline RGBW linear luminaires \nwith asymmetric optics at a distance \nof 2.5 metres, in combination with \nVuelta projectors. Archiline PRO \nRGBW luminaires create a striking \nwall-grazing effect inside the main \narchway, which stands out as a \nprominent feature of the entire \narchitectural complex.\nIlluminating the structures on the \nupper level are Arcada RGBW and \nXenia RGBW linear luminaires, \nmeanwhile a Prolamp RGBW \nprojector highlights the dome.  \nCustomised attachment points were \ncreated for all luminaires as it is \nforbidden to drill or cut into the walls \nof the monument.\nIn total, more than 200 DMX fixtures \nare used which are controlled by \na single SLESA DMX controller.   \nThe lighting fixtures can also be \ncontrolled via a PC with remote \naccess.\nLighting project: Media agency\nPlastdekor LLP\nProducts:\nsmall photo - Archiline RGBW\nlarge photo - Archiline RGBW, Archiline PRO RGBW\n",64,{"image":260,"text":261,"number":262},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.65.png","63\n",65,{"image":264,"text":265,"number":266},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.66.png","64\nArte & Culto | Lighting of statues and monuments\nThe lighting concept developed \nby media agency Plastdekor \nLLP and Linea Light Group uses \nRGBW luminaires to create different \ncolour effects depending on the \noccasion: warm light on ordinary \ndays, colourful lighting during the \nmain Muslim holidays. In this case, \ncolour, normally rarely used for the \nillumination of historical buildings, \nbecomes the protagonist and \ntakes on highly symbolic meanings, \nexploiting the mausoleum’s \nimpressive architecture.\nLighting renderings with examples of\nRGBW scenarios\n",66,{"image":268,"text":269,"number":270},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.67.png","65\n",67,{"image":272,"text":273,"number":274},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.68.png","66\nArte & Culto | Lighting of statues and monuments\nProducts:\nArchiline RGBW, Archiline PRO RGBW (façade lighting)\nXenia RGBW, Arcada RGBW, Prolamp (upper structure, dome)\n",68,{"image":276,"text":277,"number":278},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.69.png","67\n",69,{"image":280,"text":281,"number":282},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.70.png","68\nArte & Culto | Exhibitions and museums\nNowadays, museums can be divided into different categories: first of all, \nthose housed in modern or historical buildings, both of which pose their own \nchallenges in terms of installations. \nSecondly, not all buildings start out as museums, but can be transformed \ninto one for various reasons: for example, the birthplace of a great artist, or \nlibraries, exhibition centres, temporary exhibition spaces. Furthermore, the role \nthat churches play as a treasure chest of artworks – comparable to genuine \nmuseums – must be considered.\nLast but not least, the use of museums and\u002For exhibition spaces themselves \nhas evolved over the years. Today, it is essential to thoroughly study the routes \nproposed to visitors and the related multisensory experiences, which inevitably \nrequire customised lighting schemes.\nExhibitions and museums\norientation and perception\nLuxembourg Pavilion\nBiennale 2018 | Venice (Italy)\nProducts: Ribbon, Pound\n",70,{"image":284,"text":285,"number":286},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.71.png","69\n",71,{"image":288,"text":15,"number":289},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.72.png",72,{"image":291,"text":15,"number":292},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.73.png",73,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.74.png","72\nArte & Culto | Exhibitions and museums\nProject study: \nMusèe Les Arts Décoratifs\nLocated inside the Louvre Palace, \nthe Museum of Decorative Arts \nhouses thousands of objects and \nworks from collectors, offering a \ncomplete picture of the decorative \narts from the Middle Ages to \nthe 21st century. Within a highly \nprestigious setting, Linea Light \nGroup has brought back to life the \nmost difficult element to preserve \nin a work of art, namely colour, by \nreplacing the old luminaires – now \nobsolete – with new technologically \nadvanced luminaires equipped with \nFidelity LED sources, which offer \nvery high colour reproduction fidelity.\nThe entire project, undertaken \nby Emmanuel Clair (Light Cibles), \nsaw the customisation of various \nproducts to fit the existing structure, \nso as to minimise the impact on \nthe space. The greatest challenge \nwas to consider the specific details \nof each individual work, along with \nthe not-so-easy task of illuminating \nunique decorative pieces of different \nsizes and finishes, all within a single \nenvironment that itself needs to be \nsuitably lit to provide an enjoyable \nvisitor experience. \nLighting project: Emmanuel Clair - Light Cibles\nPhoto: Nicolas Cardin\nProducts:\nbottom photo - Warp\nright photo - Optus WallWasher\nnext pages - custom projectors\n",74,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.75.png","73\nThe Optus WallWasher projector allows the focus of the light beam and the zoom to be \nadjusted using dedicated dials. This patented technology makes precise contouring possible \nat any distance, even extremely close, thus rewriting the rules of lighting technology. The \nsimulation with staggered colours illustrates the perfect distribution of light even though the \nluminaires are close to the wall and the works to be illuminated.\nThe project required lighting \nnumerous works of diff erent (also \nimportant) sizes, evenly and at \ndiff erent distances from the wall, \nusing the existing track. \nLighting uniformity was achieved \nthrough the lower and upper \nprofi ling system of the Optus \nWallWasher luminaire.\n",75,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.76.png","74\n",76,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.77.png","75\n",77,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.78.png","76\nArte & Culto | Exhibitions and museums\nProducts:\nstripLEDs | three highly colour-efficient strips are combined with different \nCCTs to achieve the optimal colour temperature and illuminate the row of \nworks placed close to the ceiling.\n",78,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.79.png","77\n",79,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.80.png","78\nArte & Culto | Exhibitions and museums\nExhibition devised and produced \nby Aboca in collaboration with the \nMunicipality of Florence and MUS.E \nLighting project: Fulvio Baldeschi\nPhoto: © Lungimirante | Visual studio\nProducts:\nbottom photo - Clivo\nright photo - Navata Pound\nProject study: \nLeonardo’s Botany \nIn 2019, for the 500th anniversary of \nLeonardo da Vinci’s death, Aboca – \nin collaboration with the Municipality \nof Florence and Association \nMUS.E. – designed and produced a \ntemporary exhibition that illustrates \nand explores Leonardo’s botanical \ndiscoveries through his original \ndrawings, multimedia installations, \nreproductions and the symbolic \ninstallation of a large dodecahedron. \nThis green invasion in the evocative \nspaces of the Monumental Complex \nof Santa Maria Novella, in the \nDormitory and the Chiostro Grande, \nwas curated by the architecture \nstudio Guicciardini & Magni in \ncollaboration with lighting designer \nFulvio Baldeschi. The lighting \nconcept is twofold: lively and \ndynamic ambient lighting and static \nspotlighting with beams to highlight \nthe exhibits. In order to recreate \nthe contrasts of a living natural \nenvironment, a series of Navata \nprojectors and strips, controlled via \nDALI, work together to create an \ninterplay of lightness and darkness \nwith varying intensities. The cyclical \nfluctuation of lighting intensities \nmakes it possible to obtain waves of \nlight, for an effect that evokes \nthe vibrancy of the forest. Small \nprojectors have been positioned \non the vases around the perimeter \nof the exhibition and inside the \ndisplays; wall-mounted linear Xenia \nluminaires and Periskop projectors \nalso feature in the project.  At the \nend of the route, the dodecahedron \nis dramatically illuminated by LED \nstrips built into the structure and \nfacing inwards. \n",80,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.81.png","79\n",81,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.82.png","80\nArte & Culto | Exhibitions and museums\nProduct: stripLED on \ndodecahedron-shaped installation\n",82,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.83.png","81\n",83,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.84.png","82\nArte & Culto | Exhibitions and museums\nThe House of Giorgione Museum in \nCastelfranco Veneto allows visitors \nto discover the history and art of the \nVeneto region in the house where \nthe Maestro was born. The famous \nworks on display – by Giorgione, \nbut also Titian, Lotto, Jacopo da \nBassano, Veronese and Tiepolo – \nare given a new lease of life with \nlight and colour thanks to state-of-\nthe-art LED technology from Linea \nLight Group, the museum’s \ntechnical sponsor. \nThe exhibition route winds its way \nthrough the diff erent rooms of the \nhouse. The lighting, kept soft but \nwith a theatrical eff ect on the works, \nis only directed where needed \nto give centre stage to the most \nbeautiful paintings. \nProjectors from the Optus and \nPound range, installed in a track \nbetween the original wooden \nbeams of the old ceilings, are \nused to create this eff ect. Smaller \nworks are illuminated with accent \nlighting, which is precisely projected \nby shaping the light beam and \nadjusting its intensity. \nExhibition “Le Trame di Giorgione” curated by \nDanila Dal Pos\nProducts: \nright photo and next pages - Pound Focus\nProject study: \nHouse of Giorgione Museum\n",84,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.85.png","83\nThe illumination of the oil paintings, dating back to a range of periods \n(from the end of the 15th century to the 18th century), was handled with \ngreat care: measurements were taken on site using a luxometer to create \nspecially dimmed illuminations to preserve the works. The staggered \ncolours in the simulation denote the diff erent diameters of the light beams, \nwhich are obtained by adjusting the focal aperture of the versatile Pound \nFocus projector.\n",85,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.86.png","84\nArte & Culto | Exhibitions and museums\n",86,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.87.png","85\n",87,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.88.png","86\nArte & Culto | Lighting of artworks\nLED lighting is the ideal solution to avoid damaging the paintings displayed \nin the rooms. The use of special light sources allows the natural colour of the \nwork to be faithfully reproduced, just as the artist imagined and created it. The \ntones, colours and three-dimensionality of the brushstrokes are all extremely \nimportant details that emerge from the depths of each painting – sometimes \nrediscovered after many years! – when they are correctly illuminated.\nCarefully adjusted accent lighting and profile spots highlight the work with \nprecise, well-defined beams, helping it to stand out from the background, \nwhich is deliberately kept in darkness. \nAs for wall-mounted sculptural works, such as three-dimensional paintings, \nhigh-reliefs or bas-reliefs, LED technology has the extraordinary ability to wrap \naround them, creating chiaroscuro effects and reinventing perceptions of the \nart. This is also a useful technique for emphasising decorative frames, which \nare often part of the artwork itself.\nLighting\nfor artworks\nLeft photo:\nThe Virgin with Child and Saints\nAntonio from Pavia\n1500-1525 approx., Mantua (Italy)\nRight photo:\nPietà between Saints Francis and George\nBottega dei Buglioni\n1520 approx., Florence (Italy)\n",88,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.89.png","87\n",89,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.90.png","88\nArte & Culto | Lighting of artworks\nMusèe Les Arts Décoratifs | Paris (France)\nLighting project: Emmanuel Clair - Light Cibles \nPhoto: Nicolas Cardin\nProducts: custom projectors\n",90,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.91.png","89\n",91,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.92.png","90\nArte & Culto | Lighting of artworks\nThe Fidelity LED, designed for \nLinea Light Group by CREE, \nwhich has very high TM30 values \nwas combined with Pound track-\nmounted projectors with varying \noptical apertures to illuminate, in \na high-quality and soft yet almost \ntheatrical way, the canvases \nexhibited at the temporary exhibition \nentitled ‘A new gesture, a new \nmaterial’ curated by Luca Massimo \nBarbero and held at Palazzo \nPellegrini, Verona. The works \ndisplayed in this small treasure chest \nof art were illuminated by precise \nand focussed lighting, which was \ncombined with more diffuse lighting \nin the rest of the room. This allowed \nthe public to admire the many works \non display by masters such as \nLucio Fontana, Emilio Vedova and \nTancredi, which were selected from \nthe prestigious private collection of \nthe Cariverona Foundation.\nProject study: \nCariverona Foundation\nCariverona Foundation | Verona (Italy)\nExhibition “A new gesture, a new material” \ncurated by Luca Massimo Barbero\nProduct: Pound\n",92,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.93.png","91\n",93,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.94.png","92\nArte & Culto | Lighting of artworks\nLighting project: Studio Tecnico Ing. Carlo \nChiodin, Arch. Alessandro Chiodin\nSponsor: Rotary Club Treviso\nPhoto: The Studio\nProduct: Navata_Optus\nThis work by Titian – as confi rmed \nby the signature revealed following \nits recent restoration – is an oil \npainting on panel dated 1520 and \nkept in the chapel of the same \nname inside Treviso Cathedral. \nHighlighted by an elegant marble \nframe, it lacked adequate lighting \nto bring out its distinctive features, \nsuch as the faces of the fi gures \ndepicted, the bright colours of their \nrobes, the imposing architectural \nbackdrops and the perspective of \nthe chequered fl oor.\nThe concept (which would later \nevolve into a lighting project for the \nentire chapel and vestibule) was set \ninto motion by the Treviso Rotary \nClub and was implemented by the \nStudio Tecnico Ing. Carlo Chiodin, \nArch. Alessandro Chiodin and Linea \nLight Group. Two Navata_Optus \nprojectors with clean and precise \nlight beams illuminate the painting \nand are positioned on top of the \nwooden tables bordering the chapel \nnext to Titian’s masterpiece. The \nposition of the luminaires and the \nintensity of their light beams were \ncarefully considered to allow the \nwork to be enjoyed without any risk \nof casting shadows or disturbance \nfrom refl ections caused by the \nmaterial of the painting.\nProject study: \nMalchiostro Annunciation\nArtwork fruition | Accent lighting | \nNavata_Optus\n",94,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.95.png","93\n",95,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.96.png","94\nArte & Culto | Lighting of artworks\nThe Cathedral of Desenzano, \ndedicated to Saint Mary Magdalene, \nhouses several important works. \nParticularly striking is the piece \nentitled ‘The Resurrection of Christ’ \nby the Venetian painter Andrea \nCelesti, which stands above the \nmain door and is complemented \nby two further oil paintings located \nto the left and right of the same \nentrance. To fully illuminate this \nimpressive triptych, the Optus \nWallWasher projector was chosen \nwhich is perfect for emphasising \nlarge portions of the wall from very \nclose distances. Along the nave, in \nthe spaces between the arches and \nthe cornice, Celesti painted sixteen \ncanvases depicting the apostles \nand the symbols of the evangelists. \nThey are illuminated by dedicated \nprojectors with 15° optics. The \nworks above the entrance doors to \nthe Sacristy are also illuminated with \ncustomised lighting. Such works \ninclude the altarpiece depicting \nSaint Michael the Archangel with a \nflaming sword as he drives Lucifer \nand the rebel angels out of hell, a \nwork created in 1595 by the painter \nAndrea Bertanza. Thanks to the \nshaped beam of the Navata_Pound \nShaper projectors, the blades \nappear to shine with their own light. \nIn fact, they almost appear to be \nrising out of the painting. Finally, \nto emphasise the breath-taking \naltarpiece by Gianbettino Cignaroli \ndepicting Saint Angela Merici, Saint \nAnthony of Padua and Saint Luigi \nGonzaga, the free-standing version \nof the Cell WallWasher luminaire was \nused.\nPhoto: Andrea Martiradonna - Blue Duck\nProducts:\nsmall photo - Cell WallWasher\nlarge photo - Navata_Optus\nnext pages - Navata_Pound Shaper\nProject study: \nCathedral of Saint Mary Magdalene\n",96,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.97.png","95\n",97,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.98.png","96\nArte & Culto | Lighting of artworks\n",98,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.99.png","97\n",99,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.100.png","98\nArte & Culto | Lighting of artworks\nLighting project: Arch. F. Raschi\nPhoto: Matteo Canestraro\nProduct: Navata_Optus\nThis church, located outside \nthe city walls of Gubbio (PG), \nwas originally referred to as a \n‘picciola chiesuola’ in Italian. The \nconstruction of the Baroque-style \nchurch began in 1662 for the \npurpose of housing the image of \nOur Lady of the Meadow, which \nwas believed to be miraculous. \nThe project was entrusted to Carlo \nPerugini and probably also involved \nFrancesco Borromini. The façade \nis the work of Palmerino Muccianti \nand his pupil Biagio Vantaggi, \nboth from Gubbio. Inside the \nbuilding, the dome was frescoed \nby Francesco Allegrini and Louis \nDorigny. The church also houses \naltarpieces by Ciro Ferri, Gaetano \nLapis and Domenico Maria Viani.  \nThe new lighting system was \ncreated using LED technology from \nLinea Light Group. The dome is \nshowcased in all its glory by the \nlinear Xenia, positioned at the base \nof the stringcourse that borders \nthe base of the vault. The altar \narea and the interior frescoes are \nbrought to life by the Navata_Optus \nprojectors which, thanks to their \ndifferent optics, provide excellent \nillumination without glare. Finally, \nOrma recessed spotlights were built \ninto the floor to create dramatic \nlighting from below to highlight the \narchitecture of the work.\nProject study: \nMadonna del Prato Church\n",100,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.101.png","99\n",101,{"image":406,"text":15,"number":407},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.102.png",102,{"image":409,"text":15,"number":410},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.103.png",103,{"image":412,"text":413,"number":414},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.104.png","102\nArte & Culto | Lighting scenarios\nCatholic church, general lighting \nscheme | Longitudinal section\nCatholic church, general lighting \nscheme | Floor plan\nWith its versatile potential for expression, lighting lends itself to the \ninterpretation of symbolic and emotional values. In order to correctly \napproach the lighting design of a place of worship – specifi cally, a Catholic \nChurch – it is important to take into account certain fundamental elements \nsuch as the role and signifi cance of natural light in the sacred space, \nthe necessary integration between natural and artifi cial light, and, fi nally, \nthe liturgical ceremonies that take place there and the areas where it is \nappropriate to make dynamic use of the lighting design (switch-on, intensity \nvariation, etc.) while avoiding using it in an ostentatious manner.  \nThe design of diff erent lighting set-ups managed in succession is now \nbecoming an important way to alternate between moments of visual \ncontemplation and those of spiritual recollection in a crescendo of \ncomplexities and casuistries that multiply with the so-called primary events in \nthe Christian Faith, such as the Sacraments or solemn Masses, whilst always \nrespecting the history and symbolic value of the church. \nScenography \nwith calibrated lighting\n",104,{"image":416,"text":417,"number":418},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.105.png","103\nChurch of St. John the Baptist | Annicco (Italy)\n",105,{"image":420,"text":421,"number":422},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.106.png","104\nArte & Culto | Lighting scenarios\nChurch of St. John the Baptist | Annicco (Italy)\nProduct: Navata_Optus\n",106,{"image":424,"text":15,"number":425},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.107.png",107,{"image":427,"text":428,"number":429},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.108.png","106\nArte & Culto | Lighting scenarios\nLighting project: Studio Tecnico\nIng. Carlo Chiodin, Arch. Alessandro Chiodin\nSponsor: Rotary Club Treviso\nPhoto: The Studio\nProducts: Archicove, Navata_Optus\nProject study: \nMalchiostro Chapel, \nCathedral of Saint Peter the Apostle\nThe aim of this lighting project, \ninitiated by the Treviso Rotary \nClub and overseen by the Studio \nTecnico Ing. Carlo Chiodin and \nArch. Alessandro Chiodin, was \nto create a full-scale experience \nusing a path of light. Right from the \nentrance, (the Malchiostro Chapel is \nlocated in front of the side entrance \nto the Cathedral of Saint Peter \nthe Apostle, better known as the \nCathedral of Treviso), the project put \nthe spotlight on Titian’s magnificent \nAnnunciation in the chapel where it \nis located –  which is also frescoed \nby Pordenone, and also emphasised \nthe vestibule and the paintings on \ndisplay. Having decided on the \nlighting for the altarpiece (described \nabove), the question of how best \nto enhance the architecture and \nthe artistic heritage of the entire \nchapel was then considered. The \nlarge frescoes along the sides of \nthe chapel are accentuated by the \ncrossed beams of the Navata_Optus \nprojectors placed above the cornice. \nThe niches along the sides of the \naltarpiece, frescoed with the full \nfigures of Saints Peter and Paul, \nfeature lighting inspired by the \npaintings themselves: the saints, in \nfact, cast a shadow behind them that \n",108,{"image":431,"text":432,"number":433},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.109.png","107\nProject study: \nMalchiostro Chapel, \nCathedral of Saint Peter the Apostle\nthe grazing light from the Archicove \nlinear bars helps to ‘justify’. Indirect \nlighting of the apse is provided by \nlinear bars inserted in the cornices.  \nThe lighting design also included \nthe vestibule. The cross vaults, \nilluminated by linear bars, can be \nseen from the side entrance of the \ncathedral and entice visitors towards \nthis breath-taking work of art. Each \noil painting displayed on either \nside of the vestibule is illuminated \nwith a dedicated Navata_Optus \nprojector which is placed on the \ncornice opposite and never in front \nof the work but rather to the side. \nThe projectors are positioned in \nthis way to avoid irritating visitors \n(who normally stand in front of the \nartworks) with an unsightly reflection \nfrom the illuminated oil paintings.\n",109,{"image":435,"text":436,"number":437},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.110.png","108\nArte & Culto | Lighting scenarios\nNAVATA_OPTUS\nSmall dimensions, extreme arm fl exibility, \nstable aiming, compact and discreet base, \nwide optical range: Navata_Optus lends \nitself perfectly to illuminating the paintings \ndisplayed in the Chapel’s vestibule and is \nideal for highlighting the main artwork, the \nMalchiostro Annunciation.\nARCHICOVE\nThe slim and versatile Archicove indoor \nlinear system allows the colours and \n‘materiality’ of the frescoes of Saints \nPeter and Paul in the lateral niches to \nbe enhanced with wall-grazing. It also \nilluminates the apse of the chapel with \nindirect light, concealing itself discreetly in \nthe cornices.\nProduct positioning scheme\n",110,{"image":439,"text":440,"number":441},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.111.png","109\n",111,{"image":443,"text":444,"number":445},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.112.png","110\nArte & Culto | Lighting scenarios\nExhibition scenery | Accent light on Pala \nand side works | Navata_Optus\nReligious function | Indirect light on back \nwall | Archicove\n",112,{"image":447,"text":448,"number":449},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.113.png","111\n",113,{"image":451,"text":452,"number":453},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.114.png","112\nArte & Culto | Lighting scenarios\nProject study: \nChurch of Saints Victor and Corona\nThe ancient church of Cendon di \nSilea (TV), dedicated to Saints Victor \nand Corona and located on the \ntowpath of the River Sile, is a perfect \nexample of a lighting project carried \nout within a small sacred building \nas part of a larger-scale restoration \nprogramme. This case history is \nquite diff erent from those involving \nmore imposing structures such as \ncathedrals, basilicas or cathedrals, \nbut is extremely common in the \nregion. The parish has ancient \norigins (1050 - 1060): starting from a \nhumble mortuary shrine, the building \nwas gradually expanded over the \nyears, then rebuilt in 1727 and \nconsecrated in 1859. Today, this \nlighting project provides a solution to \nthe poor combination of natural light \nand artifi cial halogen light, which \npreviously resulted in an unclear \nview of the works.\nLinea Light Group helped to equip \nthe church with an eff ective lighting \nsystem by giving it a complete \nmakeover and introducing lighting \nthat is no longer static but scenic \nand well-adapted to its purpose. All \nNavata Optus projectors used are \nlocated in the horizontal ledges of \nthe cornicing. There was therefore \nno need for costly and intrusive \nworks; at the same time, it was \npossible to create dynamic lighting \nthat can be adjusted depending \nNave lighting | Direct and indirect light | Navata_Optus + Archicove\nARCHICOVE\nThe Archicove indoor linear \nsystem illuminates the vault of \nthe church whilst concealing \nitself discreetly in the cornicing.\nProduct positioning scheme\n",114,{"image":455,"text":456,"number":457},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.115.png","113\non whether, during celebrations or \nat various times of day, the goal is \nto accentuate the general indirect \nlighting – emphasising the vault and \nthe central fresco – or to directly \nilluminate the ambo, altar, baptismal \nfont and\u002For organ.\nLight on Side Altars | Navata_Optus\n",115,{"image":459,"text":460,"number":461},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.116.png","114\nArte & Culto | Lighting scenarios\nNAVATA_OPTUS\nNavata_Optus is permanently located in the church’s \ncornicing to precisely illuminate\nits most important features: the altar, ambo, nave, \nbaptismal font, and organ.\nProduct positioning scheme\nLight on Altar and Ambo | Navata_Optus\n",116,{"image":463,"text":464,"number":465},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.117.png","115\n",117,{"image":467,"text":468,"number":469},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.118.png","116\nArte & Culto | Lighting scenarios\nProduct: Navata_Optus\n",118,{"image":471,"text":472,"number":473},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.119.png","117\n",119,{"image":475,"text":476,"number":477},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.120.png","118\nArte & Culto | Lighting scenarios\nProject study: \nChurch of Saint Nicola\nThe Church of Saint Nicola in \nNociglia, near Lecce, was built in the \nneo-Gothic style in the second half \nof the nineteenth century.\nArchitect Andrea Ingrosso’s project \nrequired careful study of the most \nappropriate technical lighting \nsolutions. The goal was to achieve \nan evocative atmosphere and \nfind solutions that could highlight \nthe elements of the liturgy as \nwell as the existing architectural \nstructures - naves, vaults and groins \n- and especially the stained glass. \nIndeed, windows are one of the \nmost important sources of light in \nmonumental churches. In Nociglia, \nthe lighting designer was able to \nsuccessfully combine the effects \nof LED sources with the shadows, \nsurfaces and volumes of the church. \nFunctionality, flexibility and energy \nefficiency blend effectively with \nbright, dynamic light shapes that \nProject: Arch. Andrea Ingrosso\nProducts: custom fixtures\nanimate the space, contributing \nto its strong identity. The project \nis exemplary of how, through \ncareful technical lighting design, \nlight can become an element of \ncommunication and enhance \narchitectural structures, as well as \naccompany the various uses of a \nplace. \n",120,{"image":479,"text":480,"number":481},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.121.png","119\nChurch standard lighting | Indirect lighting \n+ Accent lighting\nChurch Mass (liturgy) lighting | \nDirect - Indirect lighting\n",121,{"image":483,"text":484,"number":485},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.122.png","120\nArte & Culto | Lighting scenarios\nChurch Mass (celebration) lighting | \nScenographic lighting\n",122,{"image":487,"text":488,"number":489},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.123.png","121\n",123,{"image":491,"text":492,"number":493},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.124.png","122\nArte & Culto | Lighting scenarios\nProject study: \nCathedral of\nSaint Mary Magdalene\nThe Cathedral of Desenzano, \ndedicated to Saint Mary Magdalene, \nwas built from 1586 to 1611 based \non a design by architect Giulio \nTodeschini. Two side chapels were \nlater added to the original basilica \nplan, including a three-nave hall \nand rectangular apse: the first was \nadded in 1738 to house the Holy \nSacrament; the second was added \nin 1884, dedicated to the local saint \nAngela Merici.\nThe main cathedral lighting is \nprovided by Navata Optus spotlights \nwhich have been strategically \nplaced to illuminate the main areas. \nAlong the cornicing of the nave, \nbetween the columns, Navata \nOptus projectors with 30° optics \nilluminate the aisle below; also in \nthe cornicing, but in line with the \ncolumns, projectors with 15° optics \nilluminate the lunettes between the \narches and the cornicing, which \nwere painted by Andrea Celesti.\nPositioned further down, on the \nDoric capitals of each column, pairs \nof Navata Optus with 30° optics \nilluminate the side naves and their \nrespective altars, completing the \nlighting set-up.\nPhoto: Andrea Martiradonna - Blue Duck\nProduct: Navata_Optus (on naves, chapels \nand side altars)\n",124,{"image":495,"text":496,"number":497},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.125.png","123\n",125,{"image":499,"text":500,"number":501},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.126.png","124\nArte & Culto | Lighting scenarios\n",126,{"image":503,"text":504,"number":505},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.127.png","125\nGeneral light | central and side naves | Navata_Optus\nAccent lighting | nave lunettes and side altars | Navata_Optus\n",127,{"image":507,"text":508,"number":509},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.128.png","126\nArte & Culto | Lighting scenarios\n",128,{"image":511,"text":512,"number":513},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.129.png","127\nAccent light | back wall | Navata_Optus + Optus WallWasher\nProduct: Optus WallWasher\n",129,{"image":515,"text":15,"number":516},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.130.png",130,{"image":518,"text":519,"number":520},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.131.png","Products\n",131,{"image":522,"text":523,"number":524},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.132.png","Navata Pound \nShaper\nNavata\nOptus\nPound\nOptus \nWallWasher\nOptus\n132\n138\n146\n150\n154\nTU-V\n158\nArchicove\n160\nAlba\nTU-Top\n162\n164\nIndex | Indoor\nArte & Culto | Products\nProjectors\nPendant\nLinear\nWall-Ceiling\n130\n",132,{"image":526,"text":527,"number":528},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.133.png","Eyelet65\nClivo\nPeriskop\nVuelta\nProlamp\n166\n168\n170\n176\n178\nHigh Wired\nRubber\nRibbon\n180\n182\n188\nCubit Pro\n190\nOrma\n194\nIndex | Outdoor\nPound Rod\nOptus Pendant Optus Tower\n200\n202\n204\nIndex | Custom\nLinear\nWall\nProjectors\nUplight\nCustom\nproducts\n131\n",133,{"image":530,"text":531,"number":532},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.134.png","Navata Pound Shaper\nArte & Culto | Products\nIndoor aluminium projector with shaper\n132\n",134,{"image":534,"text":535,"number":536},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.135.png","The most accurate shaper\nThe Navata Pound Shaper range with the particular lens system that \nguarantees maximum effi  ciency and the right quality of light, allows you to \nclearly defi ne any type of picture even with measurements up to 3.30 meters \nx 3.30 meters, and any detail of an artwork. The elements illuminated with \nremarkable precision thus become the protagonists of the project.\n133\n",135,{"image":538,"text":539,"number":540},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.136.png","Pound Shaper Technology\nConventional Optic Shaper\nArte & Culto | Products\nSuper Shaper\nPound shaper is the new professional profi ler in the i-LèD projector range.\nIt was developed to highlight and emphasise artworks with diff erent shapes \nand sizes thanks to the shaping system that minimises the outfl ow of \nrefl ections from the optical compartment.\nIt is easy to use and available in 2 powers, with two diff erent lenses designed \nto adapt to any distance.\n134\n",136,{"image":542,"text":543,"number":544},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.137.png","Pound Shaper_distance 11W\nPound Shaper 11W\nPound Shaper 11W\n1 m\nmin: 8,5x8,5 cm\n2200 lx \nmax: 40x40 cm\n2300 lx\n2 m\nmin: 16x16 cm\n490 lx\nmax: 80x80 cm\n460 lx\n3 m\nmin: 26x26cm\n190 lx \nmax: 125x125 cm\n200 lx\n4 m\nmin: 35x35 cm\n105 lx \nmax: 170x170cm\n115 lx\n5 m\nmin: 45x45 cm\n65 lx \nmax: 210x210 cm\n75 lx\n6 m\nmin: 33x33 cm\n175 lx \nmax: 190x190 cm\n150 lx\n7 m\nmin: 38,7x38,7 cm\n140 lx \nmax: 220x220 cm\n105 lx\n8 m\nmin: 43x43 cm\n125 lx \nmax: 260x260 cm\n82 lx\n9 m\nmin: 48x48 cm\n110 lx \nmax: 290x290 cm\n60 lx\n10 m\nmin: 53x53 cm\n90 lx \nmax: 330x330cm\n44 lx\n1 m\nmin: 8,5x8,5 cm\n2200 lx \nmax: 40x40 cm\n2300 lx\n2 m\nmin: 16x16 cm\n490 lx\nmax: 80x80 cm\n460 lx\n3 m\nmin: 26x26cm\n190 lx \nmax: 125x125 cm\n200 lx\n4 m\nmin: 35x35 cm\n105 lx \nmax: 170x170cm\n115 lx\n5 m\nmin: 45x45 cm\n65 lx \nmax: 210x210 cm\n75 lx\n6 m\nmin: 33x33 cm\n175 lx \nmax: 190x190 cm\n150 lx\n7 m\nmin: 38,7x38,7 cm\n140 lx \nmax: 220x220 cm\n105 lx\n8 m\nmin: 43x43 cm\n125 lx \nmax: 260x260 cm\n82 lx\n9 m\nmin: 48x48 cm\n110 lx \nmax: 290x290 cm\n60 lx\n10 m\nmin: 53x53 cm\n90 lx \nmax: 330x330cm\n44 lx\nProfi ling report\n135\n",137,{"image":546,"text":547,"number":548},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.138.png","C.C.\nIP20\nNavata Pound Shaper distance | arrayLED | 300mA | 11 W DC\n208\nØ 48\nØ 32\nNavata Pound Shaper | arrayLED | 300mA | 11 W DC\n218\nØ 48\nC.C.\nIP20\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n76739\nM\n1019 - On req\n66 Shaper\nBB\n76740\nW\n1076 - On req\nSN\n76741\nN\n1182 - On req\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n76742\nM\n1019 - On req\n66 Shaper\nBB\n76743\nW\n1076 - On req\nSN\n76744\nN\n1182 - On req\nC.C.\nIP20\nC.C.\nIP20\nNavata Pound Shaper distance | arrayLED | 700mA | 27 W DC\nØ 63\n323\nØ 85\nNavata Pound Shaper | arrayLED | 700mA | 27 W DC\n277\n86\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n82631\nM\n2636 - On req\n66 Shaper\nBB\n82632\nW\n2785 - On req\nSN\n82912\nN\n3059 - On req\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n77619\nM\n2636 - On req\n66 Shaper\nBB\n77620\nW\n2785 - On req\nSN\n77621\nN\n3059 - On req\nColors\nCct\nWH\nWhite\nSN\nSand\nM 2700\nN\n4000\nBB\nBlack\nW 3000\nArte & Culto | Products\n136\nBase: (pag 144)\nBase: (pag 144)\nBase: (pag 144)\nBase: (pag 144)\n",138,{"image":550,"text":15,"number":551},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.139.png",139,{"image":553,"text":554,"number":555},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.140.png","Navata Optus\nArte & Culto | Products\nIndoor aluminium projector\n138\n",140,{"image":557,"text":558,"number":559},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.141.png","355°\n180°\n180°\n180°\n180°\n355°\n180°\nGreat versatility\nin every space\nThe Navata system allows a vast range of movements for lighting that is as \nversatile as possible, able to overcome the limitations due to installations \nin narrow or recessed spaces. The chain arm is highly fl exible, allowing the \nprojector to be literally folded back on itself or to be stretched out, reaching \na considerable distance with respect to the base. The double rotation on \nbase and light body allows the projector to be directed 360° to achieve the \ndesired positioning.\n139\n",141,{"image":561,"text":562,"number":563},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.142.png","Arte & Culto | Products\nExtremely\ncompact\nA cylindrical lamp body with a diameter of 6 or 9 cm and a depth \nof approximately 7 cm benefits from all the latest Linea Light \nGroup technology to project sharply defined light beams.  The \nnew base with remote power supply, truly ‘micro’ in size, has \nbeen designed to allow the luminaires to be positioned in all those \ncramped architectural spaces such as ledges or small overhangs.  \nAlternatively, Navata Optus can be combined with bases with an \nintegrated driver, which are available for single or double luminaires \n(can also be customised for three or four luminaires on request).\n140\n",142,{"image":565,"text":566,"number":10},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.143.png","Seamless integration\nwith the architecture\nThe Navata Optus family has been cleverly designed right down to the \nsmallest detail to ensure maximum integration in any architectural context, \neven the most difficult ones, thanks to its small size, flexible orientation, \nstable targeting and discreet support bases. Another important feature: in \naddition to the classic black and white finishes, the Optus range comes \nin a sand colour specifically designed to blend in with the architecture of \nchurches.\n141\n",{"image":568,"text":569,"number":570},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.144.png","Colors\nCct\nWH\nWhite\nSN\nSand\nM 2700\nN\n4000\nBB\nBlack\nW 3000\nArte & Culto | Products\n142\nC.C.\nIP20\nNavata_Optus | arrayLED | 450mA | 16 W DC\n78\n69,5\nNavata_Optus | arrayLED | 700mA | 24 W DC\n85\nNavata_Optus | arrayLED | 950mA | 34 W DC\n85\nØ105\nC.C.\nIP20\nC.C.\nIP20\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n82385\nM\n2212 - 1659\n15 (22°)\nBB\n82386\nW\n2263 - 1697\n30 (37°)\nSN\n82902\nN\n2406 - 1804\n60 (63°)\nCRI 90 - Balance\nWH\n82383\nM\n2457 - 1843\n15 (22°)\nBB\n82384\nW\n2572 - 1929\n30 (37°)\nSN\n82903\nN\n2675 - 2006\n60 (63°)\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n82391\nM\n3446 - 2929\n15 (17°)\nBB\n82392\nW\n3412 - 2900\n30 (25°)\nSN\n82905\nN\n3627 - 3083\n60 (53°)\nCRI 90 - Balance\nWH\n82389\nM\n3829 - 3255\n15 (17°)\nBB\n82390\nW\n3877 - 3295\n30 (25°)\nSN\n82906\nN\n4030 - 3425\n60 (53°)\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n82397\nM\n4460 - 3867\n15 (17°)\nBB\n82398\nW\n4416 - 3829\n30 (26°)\nSN\n82908\nN\n4695 - 4070\n60 (51°)\nCRI 90 - Balance\nWH\n82395\nM\n4998 - 4333\n15 (17°)\nBB\n82396\nW\n5206 - 4514\n30 (26°)\nSN\n82909\nN\n5342 - 4886\n60 (51°)\nBase: (pag 144)\nBase: (pag 144)\nBase: (pag 144)\n",144,{"image":572,"text":15,"number":573},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.145.png",145,{"image":575,"text":576,"number":577},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.146.png","Colors\nWH\nWhite\nSN\nSand\nBB\nBlack\nElectronics\nArte & Culto | Products\nTo be completed with remote power pack\n144\nFI | 11W DC 300mA\nC-E100006\n99730\n99734\nTWIL\n1 art. \n210 x 48 x h 25\nDALI PUSH\n1 art.   \n134 x 37 x h 31\nON\u002FOFF\n1 art. \n134 x 37 x h 31\n 56\n 48\n 48\nFK | 24W DC 700mA\nC-E100008\n99721\n99112\nTWIL\n1 art. \n210 x 48 x h 25\nDALI PUSH\n1 art.   \n210 x 48 x h 25\nON\u002FOFF\n1 art. \n103 x 58 x h 27\n 56\n 56\n 64\nFJ |16W DC 400\u002F450mA (Recommended for Navata 450mA)\nC-E100007\n99730\n99734\nTWIL\n1 art. \n210 x 48 x h 25\nDALI PUSH\n1 art.   \n134 x 37 x h 31\nON\u002FOFF\n1 art. \n134 x 37 x h 31\n 56\n 48\n 48\nFL | 35W DC 950mA\nC-E100009\n99330\n99146\nTWIL\n1 art. \n210 x 48 x h 25\nDALI PUSH\n1 art.   \n210 x 48 x h 25\nON\u002FOFF\n1 art. \n103 x 58 x h 27\n 56\n 56\n 64\nC.C.\nBase | 198 - 264 V AC | 300mA | 1050mA\n352,5\n232\n63\n39\nC.C.\nC.C.\nBase | 198 - 264 V AC | 300mA | 1050mA\n164\n94\n39,2\nC.C.\nBase\n78,4\n52,4\n20,4\n32,4\n63,9\nWH\n99938\nFrom 11 to 38 W DC\nBB\n99943\nFrom 11 to 38 W DC\nSN\n83055\nFrom 11 to 38 W DC\nWH\n99936\nFrom 11 to 38 W DC\nBB\n99941\nFrom 11 to 38 W DC\nSN\n83054\nFrom 11 to 38 W DC\nWH\n99948\nFrom 11 to 38 W DC\nBB\n99953\nFrom 11 to 38 W DC\nSN\n83052\nFrom 11 to 38 W DC\nWH\n99946\nFrom 11 to 38 W DC\nBB\n99951\nFrom 11 to 38 W DC\nSN\n83051\nFrom 11 to 38 W DC\nWH\n98588\nBB\n98589\nSN\n83242\nElectronic: FI - FJ - FK - FL\n",146,{"image":579,"text":580,"number":581},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.147.png","Colors\nBB\nBlack\nTR\nTransparent\nOptics\nAccessories\nFocal kit (min 16° \u002F max 50°)\nElliptical ﬁ lter\nCross louvre\nCross louvre\nCylindrical screen\nCylindrical screen\nHoneycomb\nHoneycomb\nElliptical ﬁ lter\nHoneycomb\n45° Cylindrical screen\n45° Cylindrical screen\n145\nTR\n99827\nSpot\nTR\n99828\nFlood\nTR\n99829\nW.Flood\nsuitable for: Navata_Optus 16W\nTR\nC-U300015\nSpot\nTR\nC-U300016\nFlood\nTR\nC-U300017\nW.Flood\nsuitable for: Navata_Optus 24W \u002F 34W\nTR\n99844\nsuitable for: Navata_Optus 16W\nBB\n99781\nsuitable for: Navata_Optus 16W\nBB\nC-U300013\nsuitable for: Navata_Optus 24W \u002F 34W\nBB\n99779\nsuitable for: Navata_Optus 16W\nBB\nC-U300031\nsuitable for: Navata_Optus 24W \u002F 34W\nBB\n99782\nsuitable for: Navata_Optus 16W\nBB\nC-U300030\nsuitable for: Navata_Optus 24W \u002F 34W\nBB\n99780\nsuitable for: Navata_Optus 16W\nBB\nC-U300014\nsuitable for: Navata_Optus 24W \u002F 34W\nBB\n99841\nsuitable for: Kit focale 99844\nBB\n99841\nsuitable for: Navata_Optus 16W\nBB\nC-U300029\nsuitable for: Navata_Optus 24W \u002F 34W\n",147,{"image":583,"text":584,"number":585},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.148.png","Pound\nArte & Culto | Products\nIndoor aluminium projector\n146\n",148,{"image":587,"text":588,"number":589},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.149.png","Colors\nCct\nWH\nWhite\nM 2700\nN\n4000\nBB\nBlack\nW 3000\n147\nIP20\nPound Shaper_distance | arrayLED | 176-264 V AC | 11 W DC - 13 W AC\n-45°\n+45°\n360°\nØ32\nØ48\n265\n219\n170\nIP20\nPound Shaper_medium | arrayLED | 176-264 V AC | 11 W DC - 13 W AC\n-45°\n+45°\n360°\nØ32\nØ48\n265\n208\n173\nAccessories: (pag 149)\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n76659\nM\n1019 - On req\n66 Shaper\nBB\n76660\nW\n1076 - On req\nN\n1182 - On req\nAccessories: (pag 149)\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n76661\nM\n1019 - On req\n66 Shaper\nBB\n76662\nW\n1076 - On req\nN\n1182 - On req\nIP20\nPound Shaper_distance | arrayLED | 176-264 V AC | 27 W DC - 30 W AC\n42\n360°\n+45°\n-45°\nØ85\n324\n265\nØ63\n204\nIP20\nPound Shaper_short | arrayLED | 176-264 V AC | 27 W DC - 30 W AC\n42\n360°\nØ85\n284\n265\nØ31\nØ79\n205\n+45°\n-45°\nIP20\nPound Shaper_short | arrayLED | 198-264 V AC | 27 W DC - 30 W AC\n42\n360°\nØ85\n284\n158\nØ31\nØ79\n205\n+45°\n-45°\n30\nAccessories: (pag 149)\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n82072\nM\n2799 - On req\n66 Shaper\nBB\n82114\nW\n2957 - On req\nN\n3247 - On req\nAccessories: (pag 149)\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n76052\nM\n2799 - On req\n66 Shaper\nBB\n76053\nW\n2957 - On req\nN\n3247 - On req\nAccessories: (pag 149)\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n76054\nM\n2799 - On req\n66 Shaper\nBB\n76055\nW\n2957 - On req\nN\n3247 - On req\n",149,{"image":591,"text":592,"number":593},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.150.png","Colors\nCct\nWH\nWhite\nM 2700\nN\n4000\nBB\nBlack\nW 3000\nArte & Culto | Products\n148\nIP20\nPound_T | arrayLED | 176-264 V AC | 13 W DC - 15,5 W AC\n130\n40\n115\n-45°\n+45°\n360°\nØ48\n265\n31\nIP20\nPound_T | arrayLED | 176-264 V AC | 23 W DC - 26 W AC\n181\n40\nØ65\n165\n-45°\n+45°\n265\n31\n360°\nIP20\nPound_T | arrayLED | 176-264 V AC | 34 W DC - 39 W AC\n31\n265\n226\n31\n190\nØ85\n-45°\n+45°\n360°\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n82609\nM\n1142 - 887\n15 (17°)\nBB\n82610\nW\n1230 - 936\n30 (25°)\nN\n1318 - 1029\n60 (41°)\nOptic & accessories: (pag 149)\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n81810\nM\n2298 - 1738\n15 (19°)\nBB\n81811\nW\n2427 - 1835\n30 (37°)\nN\n2667 - 2016\n60 (63°)\nOptic & accessories: (pag 149)\nCct\nlm S - lm D\nOpt\nCRI 98 - Fidelity\nWH\n81754\nM\n4460 - 3867\n15 (17°)\nBB\n81755\nW\n4416 - 3829\n30 (26°)\nN\n4695 - 4070\n60 (57°)\nOptic & accessories: (pag 149)\nElectronics\nAdamus-T\nBB\nC-E700008\nController DALI-TWIL\nsuitable for: Pound_T\n",150,{"image":595,"text":596,"number":597},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.151.png","Colors\nBB\nBlack\nTR\nTransparent\nCylindrical screen\nCylindrical screen\nCylindrical screen\nGobo accessory\nElliptical ﬁ lter\nCross louvre\nCross louvre\nCross louvre\nElliptical ﬁ lter\nElliptical ﬁ lter\n45° Cylindrical screen\n45° Cylindrical screen\n45° Cylindrical screen\nHoneycomb\nHoneycomb\nHoneycomb\n149\nAccessories\nBB\n99775\nsuitable for: Pound_T 13W \nBB\n99781\nsuitable for: Pound_T 23W \u002F 25W \nBB\nC-U300013\nsuitable for: Pound_T 31W \u002F 32,5W \u002F 34W\nBB\n99777\nsuitable for: Pound_T 13W \nBB\n99779\nsuitable for: Pound_T 23W \u002F 25W \nBB\nC-U300031\nsuitable for: Pound_T 31W \u002F 32,5W \u002F 34W\nBB\n99773\nsuitable for: Pound_T 13W \nBB\n99782\nsuitable for: Pound_T 23W \u002F 25W \nBB\nC-U300030\nsuitable for: Pound_T 31W \u002F 32,5W \u002F 34W\nBB\n99776\nsuitable for: Pound_T 13W  \nBB\n99780\nsuitable for: Pound_T 23W \u002F 25W  \nBB\nC-U300014\nsuitable for: Pound_T 31W \u002F 32,5W \u002F 34W\nBB\n99774\nsuitable for: Pound_T 13W \nBB\n99783\nsuitable for: Pound_T 23W \u002F 25W \nBB\nC-U300029\nsuitable for: Pound_T 31W \u002F 32,5W \u002F 34W\nBB\n99853\nsuitable for: Pound Shaper_short 27W\nOptics\nTR\n99805\nSpot\nTR\n99806\nFlood\nTR\n99807\nW.Flood\nsuitable for: Pound_T 13W \nTR\nC-U300015\nSpot\nTR\nC-U300016\nFlood\nTR\nC-U300017\nW.Flood\nsuitable for: Pound_T 31W - 32,5W - 34W\nTR\n99827\nSpot\nTR\n99828\nFlood\nTR\n99829\nW.Flood\nsuitable for: Pound_T 23W - 25W \n",151,{"image":599,"text":600,"number":601},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.152.png","Optus Wall Washer\nArte & Culto | Products\nIndoor aluminium projector\n150\n",152,{"image":603,"text":604,"number":605},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.153.png","Height 2,75 m\nDistance 0,5 m\nTilted 12°\nSliding Hood Open\nSliding Flap Open\nHeight 2,75 m\nDistance 1,5 m\nTilted 27°\nSliding Hood Closed\nSliding Flap Closed\nSliding Hood\nSliding Flap\nThe revolution of\nthe Wall Washer\nOptus WW is equipped with the new technology for light control through \nthe mechanical Sliding Kickers and Sliding Hood systems located in the \nbody of the projector. The technology developed by the i-LèD technical \noffices rewrites the technical lighting rules and allows precise shaping at any \ndistance. Optus WW is adaptive to the space and to the object being lit.\n151\n",153,{"image":607,"text":608,"number":609},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.154.png","IP20\nIP20\nOptus_Ww | arrayLED | 198-264 V AC | 17 W DC - 19 W AC\nL\n-90°\n33\nØ90\n123\n360°\nOptus_Ww | arrayLED | 198-264 V AC | 27 W DC - 30 W AC\nL\n33\nØ105\n148\n360°\n-90°\nColors\nCct\nOptics\nWH\nWhite\nM 2700\nN\n4000\nAW Adjustable Wall Washer\nBB\nBlack\nW 3000\nIP20\nIP20\nOptus_Ww | arrayLED | 198-264 V AC | 17 W DC - 19 W AC\n123\nØ90\nØ50\n158\n360°\n-90°\nOptus_Ww | arrayLED | 198-264 V AC | 27 W DC - 30 W AC\n158\n360°\nØ50\nØ105\n148\n-90°\nArte & Culto | Products\n152\nFin\nCct\nlm S - lm D\nOpt\nL 250 mm - CRI 90 - Balance\nC00474\nWH\nM\n2026 - 1244\nAW\nBB\nW\n2174 - 1280\nN\n2520 - 1383\nFin\nCct\nlm S - lm D\nOpt\nL 250 mm - CRI 90 - Balance\nC00476\nWH\nM\n3299 - 1945\nAW\nBB\nW\n3540 - 2087\nN\n4103 - 2253\nCct\nlm S - lm D\nOpt\nCRI 90 - Balance\nWH\n82251\nM\n2026 - 1244\n07 Adjustable Wall Washer\nBB\n82252\nW\n2174 - 1280\nN\n2520 - 1383\nCct\nlm S - lm D\nOpt\nCRI 90 - Balance\nWH\n82253\nM\n3299 - 1945\n07 Adjustable Wall Washer\nBB\n82254\nW\n3540 - 2087\nN\n4103 - 2253\n",154,{"image":611,"text":15,"number":612},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.155.png",155,{"image":614,"text":615,"number":616},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.156.png","Optus\nArte & Culto | Products\nIndoor aluminium projector\n154\n",156,{"image":618,"text":619,"number":620},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.157.png","IP20\nOptus_T | arrayLED | 198-264 V AC | 8,5 W DC - 9 W AC\nØ66\n70\n142\n45\n158\n-45°\n+45°\n360°\n33\nColors\nCct\nOptics\nWH\nWhite\nM 2700\nUS Ultra Spot\nBB\nBlack\nW 3000\n155\nOptic & accessories: (pag 156)\nFin\nCct\nlm S - lm D\nOpt\nCRI 90 - Balance - DALI\nC00486\nWH\nM\n683 - On req\nUS (4°-6°)\nBB\nW\n731 - On req\nIP20\nIP20\nIP20\nOptus_T | arrayLED | 176-264 V AC | 16,2 W DC - 21 W AC\nØ66\n70\n142\n45\n265\n31\n-45°\n+45°\n360°\nOptus_T | arrayLED | 176-264 V AC | 24 W DC - 27 W AC\n-45°\n+45°\n33\n360°\nØ90\n75\n265\n163\n45\nOptus_T | arrayLED | 176-264 V AC | 34 W DC - 40 W AC\nØ105\n85\n45\n181\n265\n-45°\n+45°\n360°\n33\nCct\nlm S - lm D\nOpt\nCRI 90 - Balance\nWH\n77058\nM\n2625 - 1969\n15 (22°)\nBB\n77059\nW\n2733 - 2050\n30 (38°)\n60 (63°)\nCct\nlm S - lm D\nOpt\nCRI 90 - Balance\nWH\n82899\nM\n3829 - 3320\n15 (17°)\nBB\n82900\nW\n3877 - 3361\n30 (23°)\n60 (53°)\nCct\nlm S - lm D\nOpt\nCRI 90 - Balance\nWH\n81814\nM\n4498 - 4333\n15 (17°)\nBB\n81815\nW\n5206 - 4514\n30 (26°)\n60 (51°)\nOptic & accessories: (pag 156)\nOptic & accessories: (pag 156)\nOptic & accessories: (pag 156)\n",157,{"image":622,"text":623,"number":624},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.158.png","Colors\nBB\nBlack\nTR\nTransparent\nAccessories\nOptics\nElectronics\nArte & Culto | Products\nElliptical ﬁ lter\nCross louvre\nCross louvre\nCylindrical screen\nFocal kit (min 16° \u002F max 42°)\nCylindrical screen\nHoneycomb\nHoneycomb\nHoneycomb\n 45° Cylindrical screen\n 45° Cylindrical screen\n156\nTR\n83348\nSpot\nTR\n83349\nFlood\nTR\n83350\nW.Flood\nsuitable for: Optus_T 12,5W \u002F 16,2W \nTR\n83347\nsuitable for: Optus_T 12,5W \u002F 16,2W\nBB\n83345\nsuitable for: Optus_T 12,5W \u002F 16,2W\nBB\n83344\nsuitable for: Optus_T 12,5W \u002F 16,2W\nBB\nC-U300031\nsuitable for: Optus_T 23W \u002F 24W \u002F 32,5W \u002F 34W\nBB\n83343\nsuitable for: Optus_T 12,5W \u002F 16,2W\nBB\nC-U300030\nsuitable for: Optus_T 8,5W \u002F 24W \u002F 32,5W \u002F 34W\nBB\n83346\nsuitable for: Optus_T 12,5W \u002F 16,2W\nBB\n99841\nsuitable for: Kit focale 83347\nBB\n99836\nsuitable for: Optus_T 8,5W\nBB\n83342\nsuitable for: Optus_T 12,5W \u002F 16,2W\nBB\nC-U300029\nsuitable for: Optus_T 23W \u002F 24W \u002F 32,5W \u002F 34W\nAdamus-T\nBB\nC-E700008\nController DALI-TWIL\nsuitable for: Optus_T\n",158,{"image":626,"text":15,"number":627},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.159.png",159,{"image":629,"text":630,"number":631},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.160.png","TU-V\nArte & Culto | Products\nDiffuser in opal polymethylmethacrylate with aluminium closing caps\n158\n",160,{"image":633,"text":634,"number":635},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.161.png","IP20\nTU_V | topLED | 220-240 V AC | 16 W DC - 20 W AC\nØ 179\nØ 76\n58\n526\nmax\n2600\nCct\nlm S - lm D\nOpt\nCRI 80\nWH\n8842\n3000 2414 - 2343\nDiffused\nTU_V | topLED | 220-240 V AC | 32 W DC - 36 W AC\nØ 179\nØ 76\n58\n1001\nmax\n6000\nCct\nlm S - lm D\nOpt\nCRI 80\nWH\n8843\n3000 4828 - 4199\nDiffused\nIP20\nTU_V | topLED | 220-240 V AC | 48 W DC - 54 W AC\nØ 179\nØ 76\n58\n1486\nmax\n6500\nCct\nlm S - lm D\nOpt\nCRI 80\nWH\n8844\n3000 7242 - 5966\nDiffused\nIP20\nColors\nWH\nWhite\n159\n",161,{"image":637,"text":638,"number":639},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.162.png","Archicove\nArte & Culto | Products\nIndoor linear ﬁ xture in aluminium with polycarbonate diff user\n160\n",162,{"image":641,"text":642,"number":643},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.163.png","C.V.\nIP40\nIK08\nArchicove | topLED | 24 V DC\n37\nL\n43\n±90°\n56\n24\nCct\nlm S - lm D\nOpt\nCRI 80 - L 342 mm - 9 W DC\nBB\n94110\nM\n979 - 620\n30 (34°x90°)\nW\n1044 - 662\n60 (65°x112°)\nN\n1092 - 692\n00 (128°)\n07 Asymmetric Wall Washer\nCRI 80 - L 1022 mm - 27 W DC\nBB\n94115\nM\n2925 - 1855\n30 (34°x90°)\nW\n3132 - 1986\n60 (65°x112°)\nN\n3276 - 2077\n00 (128°)\n07 Asymmetric Wall Washer\nIP40\nIK08\nArchicove On\u002FOff | topLED | 190-240 V AC\n37\nL\n43\n±90°\n56\n24\nCct\nlm S - lm D\nOpt\nCRI 80 - L 342 mm - 9 W DC - 10 W AC\nBB\n92023\nM\n979 - 620\n30 (34°x90°)\nW\n1044 - 662\n60 (65°x112°)\nN\n1092 - 692\n00 (128°)\n07 Asymmetric Wall Washer\nCRI 80 - L 1022 mm - 27 W DC - 30 W AC\nBB\n92025\nM\n2925 - 1855\n30 (34°x90°)\nW\n3132 - 1986\n60 (65°x112°)\nN\n3276 - 2077\n00 (128°)\n07 Asymmetric Wall Washer\nElectronics: AL\nColors\nCct\nBB\nBlack\nM 2700\nN\n4000\nIS\nSteel\nW 3000\nElectronics and accessories\nCables\nAL | 24V DC Mono Color\n99374\n99331\n99332\n83062\n99722\nON\u002FOFF\n75 W\n210 x 48 x h 25\nON\u002FOFF\n150 W \n150 x 60 x h 35\n0\u002F1-10V\n150 W \n150 x 60 x h 35\nDALI\u002FPUSH\n150 W \n280 x 43 x h 30\nDALI\n120 W \n191 x 63 x h 38\n 56\n 70\n 70\n 29\n 73\nArchicove |\n795\n295\n56\n56\nIS\n98699\nL 342 mm \nIS\n98781\nL 1022 mm \nsuitable for: Archicove \u002F Archicove On\u002FOff\n250\nmm\nBB\n98879\nsuitable for: Archicove\n1000\nmm\nBB\n98878\nsuitable for: Archicove\n250\nmm\nBB\n98713\nsuitable for: Archicove On\u002FOff\n1000\nmm\nBB\n98716\nsuitable for: Archicove On\u002FOff\nSupply 24V\nExtension 24V\nSupply 190~250V\nExtension 190~250V\nSteel support plate\n161\n",163,{"image":645,"text":646,"number":647},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.164.png","Alba\nArte & Culto | Products\nIndoor aluminium wall light with clear glass diffuser\n162\n",164,{"image":649,"text":650,"number":651},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.165.png","Alba | arrayLED | 220-240 V | 31 W DC - 34 W AC\n267\n91\n137\n152\n73\nCct\nlm S - lm D\nOpt\nCRI 90\nWH\n9664M\n2700 2272 - 2161\nDiffused\nBB\n9665M\nIP65\nCct\nlm S - lm D\nOpt\nCRI 90\nWH\n9664\n3000 2470 - 2349\nDiffused\nBB\n9665\nIP65\nColors\nWH\nWhite\nBB\nBlack\n163\n",165,{"image":653,"text":654,"number":655},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.166.png","TU-Top\nArte & Culto | Products\nIndoor ceiling or wall lamp in polymethylmethacrylate\nwith aluminium closing caps and mounting\n164\n",166,{"image":657,"text":658,"number":659},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.167.png","IP40\nTU-Top | topLED | 220-240 V AC | 32 W DC - 36 W AC\n1005\n443\nØ76\n95\n48\nCct\nlm S - lm D\nOpt\nCRI 80\nWH\n8850\n3000 4764 - 4108\nDiffused\nTU_Top | topLED | 220-240 V AC | 41 W DC - 48 W AC\n1485\nØ76\n95\n443\n48\nIP40\nCct\nlm S - lm D\nOpt\nCRI 80\nWH\n8851\n3000 6234 - 5370\nDiffused\nColors\nWH\nWhite\n165\n",167,{"image":661,"text":662,"number":663},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.168.png","Eyelet65\nArte & Culto | Products\nOutdoor aluminium projector\n166\n",168,{"image":665,"text":666,"number":667},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.169.png","Colors\nCct\nWH\nWhite\nGG\nGrey\nM 2700\nN\n4000\nBB\nBlack\nW 3000\nC.C.\nIK03\nIP65\nC.C.\nIK03\nIP65\nEyelet65_R | powerLED | 2 W DC 630 mA\nØ26.5\n30\n16\n27\n22\n35\n180°\nEyelet65_Q | powerLED | 2 W DC 630 mA\n26.5\n180°\n33.5\n16\n22\n27\nElectronics\nAccessories\nSnoot anti-glare\nSteel peg 101 mm\nSnoot anti-glare\nSteel peg Ø10x160 mm\nSteel peg Ø10x700 mm\nSteel peg Ø10x1000 mm\n167\nElectronic: BD\nElectronic: BD\nCct\nlm S - lm D\nOpt\nWH\n77028\nM\n219 - 151\n15 (23°)\nBB\n77029\nW\n233 - 171\n30 (29°)\nGG\n77030\nN\n249 - 183\n60 (65°)\nCct\nlm S - lm D\nOpt\nWH\n77031\nM\n219 - 151\n15 (23°)\nBB\n77032\nW\n233 - 171\n30 (29°)\nGG\n77033\nN\n249 - 183\n60 (65°)\nBD | 2W DC 630mA\n89420\n99179\n99186\n83102\nON\u002FOFF\n1 - 2 art. \n65 x 74 x h 27\nON\u002FOFF\n3 - 6 art. \n80 x 100 x h 31\nON\u002FOFF\n6 - 12 art. \n92 x 117 x h 38\nDALI\n1 - 14 art. \n54 x 121 x h 26\n 60\nØ 31,5\n22\nPVC\n83359\nsuitable for: Eyelet65_R\nIS\n98669\nsuitable for: Eyelet65_R - Eyelet65_Q\n30\n30\n8\n22\nPVC\nW-U300001\nsuitable for: Eyelet65_Q\nIS\n98624\nIS\nC-F500002\nIS\nC-F500003\nsuitable for: Periskop60\n",169,{"image":669,"text":670,"number":671},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.170.png","Clivo\nArte & Culto | Products\nOutdoor projector with brass or AISI 316L stainless steel body \nand extra-clear tempered glass diff user\n168\n",170,{"image":673,"text":674,"number":675},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.171.png","Colors\nCct\nWH\nWhite\nCH\nChrome\nDB\nDark Brown\nIS\nSteel\nM 2700\nN\n4000\nBB\nBlack\nNK\nNickel\nBS\nBrass\nPVC\nPVC\nW 3000\nClivo_2 | powerLED | 2W DC 630mA\n66\nØ33\n64\nClivo_SL | powerLED | 4W DC 350mA\nØ\n72,5\nC.C.\nIP66\nC.C.\nIP66\nElectronics\nAccessories\nAnti-glare accessory\nSteel peg Ø17x160 mm\nSteel peg Ø17x700 mm\nSteel peg Ø17x1000 mm\n169\nCct\nlm S - lm D\nOpt\nWH\n84561\nM\n219 - 177\n85 (10°-66°)\nBB\n84562\nW\n233 - 189\nCH\n97072\nN\n249 - 201\nNK\n97071\nDB\n84563\nBS\n81473\nIS\n97073\nCct\nlm S - lm D\nOpt\nWH\n84564\nM\n490 - 267\n85 (10°-60°)\nBB\n84565\nW\n490 - 267\nCH\n90404\nN\n529 - 288\nNK\n90403\nDB\n84566\nBS\n81474\nBD | 2W DC 630mA\n89420\n99179\n99186\n83102\nON\u002FOFF\n1 - 2 art. \n65 x 74 x h 27\nON\u002FOFF\n3 - 6 art. \n80 x 100 x h 31\nON\u002FOFF\n6 - 12 art. \n92 x 117 x h 38\nDALI\n1 - 14 art. \n54 x 121 x h 26\n 60\nBE | 4W DC 350mA\n89421\n99183\n83100\nON\u002FOFF\n1 art. \n65 x 74 x h 27\nON\u002FOFF\n2 - 3 art. \n80 x 100 x h 31\nDALI\n1 - 4 art. \n54 x 121 x h 26\n 60\nPVC\n98513\nsuitable for: Clivo_2 \u002F Clivo_SL\nElectronic: BD\nElectronic: BE\nIS\n84890\nIS\n98112\nIS\nC-F500001\nsuitable for: Clivo_2 \u002F Clivo_SL\n",171,{"image":677,"text":678,"number":679},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.172.png","Periskop\nArte & Culto | Products\nOutdoor projector in aluminium\n170\n",172,{"image":681,"text":682,"number":683},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.173.png","IK05\nIP66\nPeriskop45 | powerLED | 6 W DC 500 mA\n46\n68\n46\n95°\n20°\nIK09\nIP66\nIK09\nIP66\nPeriskop80 | arrayLED | 220-240 V AC | 9,5 W DC - 11,5 W AC\n90°\n20°\n85\n81\n122\nPeriskop80 | arrayLED | 9,5 W DC 500 mA\n90°\n20°\n85\n81\n122\nColors\nCct\nOptics\nFeatures\nWH  White\nGG  Grey\nGR  Green\nA\n2200\nW\n3000\nSP Spot\nMW M.W.Flood\nOH Ellip.M.W.Flood 1H\nEllip.M.W.Flood\nHC Honeycomb\nBB  Black\nDB  Dark Brown\nM\n2700\nN\n4000\nML M.Flood\n1S\nEllip.Spot\nEM Ellip.M.Flood\n171\nElectronic: BO (pag 174) | Accessories: (pag 174)\nCct\nlm S - lm D\nOpt\nWH\n90519\nM\n659 - 396\n15 (14°)\nBB\n90520\nW\n659 - 396\n30 (28°)\nGG\n90521\nN\n711 - 427\n60 (50°)\nDB\n90522\nGR\n77604\nAccessories: (pag 174)\nElectronic: GA (pag 174) | Accessories: (pag 174)\nFin\nCct\nlm S - lm D\nOpt\nC00487\nWH\nA\n1011 - On req\nSP\nBB\nM\n1265 - On req\nML\nGG\nW\n1320 - On req\nWF\nDB\nN\n1354 - On req\n1S\nGR\nOH\nEM\n1H\nC00488 HC WH\nA\n1011 - On req\nSP\nBB\nM\n1265 - On req\nML\nGG\nW\n1320 - On req\nMW\nDB\nN\n1354 - On req\nGR\nFin\nCct\nlm S - lm D\nOpt\nC00489\nWH\nA\n1011 - On req\nSP\nBB\nM\n1265 - On req\nML\nGG\nW\n1320 - On req\nWF\nDB\nN\n1354 - On req\n1S\nGR\nOH\nEM\n1H\nC00490 HC WH\nA\n1011 - On req\nSP\nBB\nM\n1265 - On req\nML\nGG\nW\n1320 - On req\nMW\nDB\nN\n1354 - On req\nGR\n",173,{"image":685,"text":686,"number":687},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.174.png","IK09\nIP66\nIK09\nIP66\nIK09\nIP66\nIK09\nIP66\nPerisko80 | powerLED\n90°\n20°\n85\n81\n122\nPeriskop80 | powerLED \n90°\n20°\n85\n81\n122\nIK09\nIP66\nPeriskop110 | arrayLED | 220-240 V AC | 18 W DC - 21 W AC\n90°\n20°\n110\n112\n169\nColors\nCct\nOptics\nFeatures\nWH  White\nGG  Grey\nGR  Green\nA\n2200\nW\n3000\nHS H.Spot\nSP\nSpot\nMW M.W.Flood\n1S\nEllip.Spot\nEM Ellip.M.Flood\nHC\nHoneycomb\nBB  Black\nDB  Dark Brown\nM\n2700\nN\n4000\nUS U.Spot\nML M.Flood\nWF W.Flood\nOH\nEllip.M.W.Flood\n1H\nEllip.M.W.Flood\nArte & Culto | Products\n172\nAccessories: (pag 174)\nElectronic: BV (pag 174) | Accessories: (pag 174)\nAccessories: (pag 174)\nElectronic: BD (pag 174) | Accessories: (pag 174)\nFin\nCct\nlm S - lm D\nOpt\n2 W DC - 2,5 W AC\nC00777\nWH\nA\n128 - On req\nHS\nBB\nM\n174 - On req\nGG\nW\n177 - On req\nDB\nN\n201 - On req\nGR\nFin\nCct\nlm S - lm D\nOpt\n2 W DC 630 mA\nC00778\nWH\nA\n128 - On req\nHS\nBB\nM\n174 - On req\nGG\nW\n177 - On req\nDB\nN\n201 - On req\nGR\nFin\nCct\nlm S - lm D\nOpt\n8,4 W DC - 10 W AC\nC00779\nWH\nA\n579 - On req\nUS\nBB\nM\n784 - On req\nGG\nW\n840 - On req\nDB\nN\n892 - On req\nGR\nFin\nCct\nlm S - lm D\nOpt\n7,5 W DC 630 mA\nC00780\nWH\nA\n579 - On req\nUS\nBB\nM\n784 - On req\nGG\nW\n840 - On req\nDB\nN\n892 - On req\nGR\nAccessories: (pag 174)\nFin\nCct\nlm S - lm D\nOpt\nC00812\nWH\nA\n2446 - On req\nSP\nDALI\nBB\nM\n2773 - On req\nML\nC00814\nGG\nW\n2889 - On req\nWF\nDB\nN\n2996 - On req\n1S\nGR\nOH\nEM\n1H\nC00813 HC WH\nA\n2446 - On req\nSP\nDALI\nBB\nM\n2773 - On req\nML\nC00815 HC GG\nW\n2889 - On req\nMW\nDB\nN\n2996 - On req\nGR\n",174,{"image":689,"text":690,"number":691},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.175.png","IK09\nIP66\nPeriskop110 | powerLED | 220-240 V AC | 18 W DC - 21 W AC\n90°\n20°\n110\n112\n169\nIK09\nIP66\nPeriskop110 | powerLED | 220-240 V AC | 8,4 W DC - 10 W AC\n90°\n20°\n110\n112\n169\nColors\nCct\nOptics\nWH  White\nGG  Grey\nGR  Green\nA\n2200\nW 3000\nHS H.Spot\nBB  Black\nDB  Dark Brown\nM 2700\nN\n4000\nUS U.Spot\n173\nAccessories: (pag 174)\nAccessories: (pag 174)\nFin\nCct\nlm S - lm D\nOpt\nC00819\nWH\nA\n1155 - On req\nUS\nDALI\nBB\nM\n1566 - On req\nC00820\nGG\nW\n1593 - On req\nDB\nN\n1809 - On req\nGR\nFin\nCct\nlm S - lm D\nOpt\nC00817\nWH\nA\n579 - On req\nHS\nDALI\nBB\nM\n784 - On req\nC00818\nGG\nW\n840 - On req\nDB\nN\n892 - On req\nGR\n",175,{"image":693,"text":694,"number":695},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.176.png","Colors\nBB\nBlack\nPVC\nPVC\nAccessories\nElectronics\nArte & Culto | Products\nTree belt\nPeg\nPeg\nSteel peg Ø17x160 mm\nSteel peg Ø17x700 mm\nSteel peg Ø17x1000 mm\nSteel peg Ø10x160 mm\nSteel peg Ø10x700 mm\nSteel peg Ø10x1000 mm\nPeg\nAnti-glare snoot\nAnti-glare snoot\nAnti-glare screen\nAnti-glare screen\n174\nGA | 9,5W 500mA\n99181\n99185\n83101\nON\u002FOFF\n1 art. \n80 x 100 x h 31\nON\u002FOFF\n1 - 2 art. \n92 x 117 x h 38\nDALI\n1 - 2 art. \n54 x 121 x h 26\n 60\nBB\n99802\nsuitable for: Periskop\nPVC\n89371\nsuitable for: Periskop60\nPVC\n98550\nsuitable for: Periskop45\nIS\n84890\nIS\n98112\nIS\nC-F500001\nsuitable for: Periskop45\nIS\n98624\nIS\nC-F500002\nIS\nC-F500003\nsuitable for: Periskop60\nPVC\n98549\nsuitable for: Periskop80\u002F110\nBB\nC-U300023\nsuitable for: Periskop80\nBB\nC-U300024\nsuitable for: Periskop110\nBB\nC-U300026\nsuitable for: Periskop80\nBB\nC-U300027\nsuitable for: Periskop110\nBV | 7,5W 630mA\n99179\n99186\n83102\nON\u002FOFF\n1 - 2 art. \n80 x 100 x h 31\nON\u002FOFF\n2 - 4 art. \n92 x 117 x h 38\nDALI\n1 - 4 art. \n54 x 122 x h 26\n 60\nBD | 2W 630mA\n89420\n99179\n99186\n83102\nON\u002FOFF\n1 - 2 art. \n65 x 74 x h 27\nON\u002FOFF\n3 - 6 art. \n80 x 100 x h 31\nON\u002FOFF\n6 - 12 art. \n92 x 117 x h 38\nDALI\n1 - 14 art. \n54 x 121 x h 26\n 60\nBO | 6W 500mA\n99181\n99185\n83101\nON\u002FOFF\n1 art. \n80 x 100 x h 31\nON\u002FOFF\n2 - 3 art. \n92 x 117 x h 38\nDALI\n1 - 4 art. \n54 x 121 x h 26\n 60\n",176,{"image":697,"text":15,"number":698},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.177.png",177,{"image":700,"text":701,"number":702},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.178.png","Vuelta\nArte & Culto | Products\nOutdoor aluminium projector\n176\n",178,{"image":704,"text":705,"number":706},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.179.png","Vuelta_Y | arrayLED | 100-264 V AC | 13,5 W DC - 16 W AC\n117\n40\nVuelta_Y | arrayLED | Pole-top | 176-264 V AC | 30 W DC - 32 W AC\n304\n250\n117\n40\nIK09\nIP65\nIK09\nIP65\nColors\nCct\nGG\nGrey\nW 3000\nBB\nBlack\nN\n4000\nAccessories\nPeg\nAngular bracket\nAngular bracket\nPole\nPole\nPole kit\nPole kit\nGrid\nPeg\nAngular bracket\nGrid\nPole\nPole kit\n177\nCct\nlm S - lm D\nOpt\nGG\n64522\nW\n1627 - 965\n07 Asymmetric Wall Washer\nBG\n64523\nN\n1718 - 995\nCct\nlm S - lm D\nOpt\nGG\n64530\nW\n3565 - 2736\n07 Asymmetric Wall Washer\nBG\n64531\nN\n3832 - 2825\nØ130\n302\nPVC\n14931\nsuitable for: Vuelta_Y\n244,6\n289,6\nPVC\n64534\nsuitable for: Vuelta_Y 30 W\n74\n117\nGG\n64538\nBG\n64539\nsuitable for: Vuelta_Y\n4500\n60\nGG\n64536\nBG\n64537\nsuitable for: Vuelta_Y\n40\n68,5\nGG\n64532\nBG\n64533\nsuitable for: Vuelta_Y\n",179,{"image":708,"text":709,"number":710},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.180.png","Prolamp\nArte & Culto | Products\nIndoor\u002Foutdoor aluminium projector\n178\n",180,{"image":712,"text":713,"number":714},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.181.png","IK08\nIP66\nProlamp | arrayLED | 198-264 V AC | 35 W DC - 40 W AC\n192\n75\n202\n240\nColors\nCct\nOptics\nBB\nBlack\nM 2700\nN\n4000\nFL\nFlood\nWW Asymmetric Wall Washer\nSN\nSand\nW 3000\nC\n5000\nWF W.Flood\nCables\nCables\nCables\n179\nCct\nlm S - lm D\nOpt\nBB\n82270\nW\n4870 - 3542\n30 (21°)\nN\n5140 - 3741\n60 (54°)\nDALI\nC\n5199 - 3855\n90 (93°)\nBB\n82271\n12 (81°)\n07 Asymmetric Wall Washer\nIK08\nIP66\nProlamp | arrayLED | 198-264 V AC | 35 W DC - 40 W AC\n192\n75\n202\n240\nIK08\nIP66\nProlamp | arrayLED | 198-264 V AC | 71 W DC - 80 W AC\n292\n78\n252\n300\nIK08\nIP66\nProlamp | arrayLED | 198-264 V AC | 71 W DC - 80 W AC\n292\n78\n252\n300\nCct\nlm S - lm D\nOpt\nBB\n82272\nW\n9973 - 7803\n30 (27°)\nN\n10528 - 8243\n60 (59°)\nDALI\nC\n10649 - 8496\n90 (91°)\nBB\n82273\n12 (81°)\n07 Asymmetric Wall Washer\nCRI 90\nFin\nCct\nlm S - lm D\nOpt\nC00882\nSN\nM\n4521 - On req\nFL\n(21°)\nDALI CRI 90\nW\n4578 - On req\nWF (54°)\nC00883\nWW Asymmetric Wall Washer\nCRI 90\nFin\nCct\nlm S - lm D\nOpt\nC00884\nSN\nM\n8430 - On req\nFL\n(27°)\nDALI CRI 90\nW\n8770 - On req\nWF (59°)\nC00885\nWW Asymmetric Wall Washer\nOn\u002FOff 190-250V AC | \nBB\n99057\nConn. F.3 pin (L 2m)\nOn\u002FOff 190-250V AC | \nBB\n98147\nConn. M. \u002F F. 3 pin (L 5m)\nBB\n98146\nConn. M. \u002F F. 3 pin (L 10m)\n",181,{"image":716,"text":717,"number":718},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.182.png","High Wired\nArte & Culto | Products\nIndoor tubolar ceiling or wall light in 6060 aluminium\nwith polycarbonate diff user\n180\n",182,{"image":720,"text":721,"number":722},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.183.png","Cct\nlm S - lm D\nOpt\nCRI 90 - 37W DC - 40,5W AC\nEB\n94910\nW\n3974 - 3586\n30 (101°x90°)\nN\n4248 - 3833\n12 (111°x112°)\nDALI\nCRI 90 - 20W DC - 22W AC\nEB\n84388\nW\n2479 - On req\n30 (101°x90°)\nN\n2699 - On req\n12 (111°x112°)\nESD\nIK08\nIP40\n1 m\nHigh Wired | topLED | 198-264 V AC\n1000\nØ 31,5\n1495\nESD\nIK08\nIP40\n1 m\nESD\nIK08\nIP40\n1 m\nHigh Wired | topLED | 198-264 V AC | 13 W DC - 14,5 W AC\n1000\nØ 31,5\n585\nHigh Wired | topLED | 198-264 V AC | 20 W DC - 22 W AC\n1000\nØ 31,5\n1195\nCct\nlm S - lm D\nOpt\nCRI 90\nEB\n94908\nW\n1440 - 1110\n30 (101°x90°)\nDALI - CRI 90 \nN\n1501 - 1157\n12 (111°x112°)\nEB\n84382\nCct\nlm S - lm D\nOpt\nCRI 90\nEB\n94909\nW\n2318 - 2051\n30 (101°x90°)\nDALI - CRI 90 \nN\n2478 - 2193\n12 (111°x112°)\nEB\n84385\nAccessories\n1x\n1x\n99226\n1x\n1x\n99228\n1x\n99227\n99229\n83213\n98729\n99768\nColors\nCct\nEB\nEmbossed\nW 3000\nN\n4000\nFastening kit with steel clips. \nTwo fastening kits are required for installation.\nFastening kit with safety clasp. \nTwo fastening kits are required for installation.\nFastening kit with steel clips and connector. \nTwo fastening kits are required for installation.\nExtension cable in neoprene 2x1 mm2 ON-OFF.\nExample: 99229 x 3 pz = 3 m.\nQuick connector IP68 socket\u002Fplug.\n2 poles ON-OFF.\nExtension cable in neoprene 4x1 mm2 DALI.\nExample: 83213 x 3 pz = 3 m.\nQuick connector IP68 socket\u002Fplug.\n5 poles DALI.\nper meter\nper meter\n181\n",183,{"image":724,"text":725,"number":726},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.184.png","Rubber\nArte & Culto | Products\nTechnopolymer outdoor stripLED with polyurethane resin diffuser\n182\n",184,{"image":728,"text":729,"number":730},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.185.png","Colors\nCct\nOptics\nWH\nWhite\nA\n2200\nW 3000\nN\n4000\nDI Diffused\nCC\nConcrete\nM 2700\nT\n3500\nD\nDynamic White 2200 - 6500\nRubber 3D | LED strip | 24 V DC | 10 W\u002Fm\n14\nL\n14\n62,5\nMade\nin Italy\nC.V.\n>50\nR9\nIP67\nDW\nDW\nFor power supply\u002Fcontrol contact Linea Light support service\nFor power supply\u002Fcontrol contact Linea Light support service\n183\nFin\nCct\nlm S - lm D\nOpt\nL 1 m  - CRI 90 - 10 W DC\nC00126\nWH\nA\n824 - 824\nDI\nDiffused\nM\n998 - 998\nW\n1096 - 1096\nT\n1158 - 1158\nN\n1206 - 1206\nC00126 \nCC\nW\n274 - 274\nL 1 m  - CRI 90 - 10 W DC\nC00126\nWH\nD\nDynamic White 2200-6500 K\nDI\nDiffused\nL 5 m  - CRI 90 - 50 W DC\nC00127\nWH\nA\n4120 - 4120\nDI\nDiffused\nM\n4992 - 4992\nW\n5482 - 5482\nT\n5789 - 5789\nN\n6029 - 6029\nC00127 \nCC\nW\n1370 - 1370\nL 5 m  - CRI 90 - 50 W DC\nC00127\nWH\nD\nDynamic White 2200-6500 K\nDI\nL 10 m  - CRI 90 - 100 W DC\nC00128\nWH\nA\n8240 - 8240\nDI\nDiffused\nM\n9984 - 9984\nW\n10963 - 10963\nT\n11578 - 11578\nN\n12058 - 12058\nC00128 \nCC\nW\n2740 - 2740\nElectronics: AM7 (pag 185) | Accessories and cables (pag 186-187)\nElectronics: AM7 (pag 185) | Accessories and cables (pag 186-187)\nElectronics: AL (pag 185) | Accessories and cables (pag 186-187)\nElectronics: AL (pag 185) | Accessories and cables (pag 186-187)\nElectronics: AL (pag 185) | Accessories and cables (pag 186-187)\n",185,{"image":732,"text":733,"number":734},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.186.png","Colors\nCct\nOptics\nWH\nWhite\nM 2700\nN\n4000\nDI Diffused\nBB\nBlack\nW 3000\nRubber 3D | LED strip | 48 V DC | 10 W\u002Fm\n14\nL\n14\n125\nMade\nin Italy\nC.V.\n>50\nR9\nIP67\n48V\nRubber 3D Optics | LED strip | 24 V DC | 22 W\u002Fm\n14\n14\nL\n168\nMade\nin Italy\nC.V.\nIP67\nUGR\nArte & Culto | Products\nFor power supply\u002Fcontrol contact \nLinea Light support service\n184\nL 5 m  - CRI 90 - 50 W DC\nC00461\nWH\nM\n5200 - 5200\nDI\nDiffused\nW\n5710 - 5710\nN\n6280 - 6280\nL 10 m  - CRI 90 - 100 W DC\nC00462\nWH\nM\n10400 - 10400\nDI\nDiffused\nW\n11420 - 11420\nN\n12560 - 12560\nElectronics: EK (pag 185) | Accessories and cables (pag 186-187)\nElectronics: EK (pag 185) | Accessories and cables (pag 186-187)\nFin\nCct\nlm S - lm D\nOpt\nL 1 m  - CRI 90 - 10 W DC\nC00460\nWH\nM\n1040 - 1040\nDI\nDiffused\nW\n1142 - 1142\nN\n1256 - 1256\nElectronics: EK (pag 185) | Accessories and cables (pag 186-187)\nCct\nlm S - lm D\nOpt\nL 1 m - 22 W DC - CRI 85\nWH\n82216\nM\n2185 - 1867\n20 17°x27°\nBB\n82219\nW\n2300 - 1965\n30 29°x49°\nN\n2415 - 2063\nL 1,5 m - 33 W DC - CRI 85\nWH\n82217\nM\n3277 - 2785\n20 17°x27°\nBB\n82220\nW\n3450 - 2931\n30 29°x49°\nN\n3622 - 3078\nL 3 m - 66 W DC - CRI 85\nWH\n82218\nM\n6554 - 5431\n20 17°x27°\nBB\n82221\nW\n6900 - 5716\n30 29°x49°\nN\n7244 - 6001\nElectronics: AL (pag 185) | Accessories and cables (pag 186-187)\n",186,{"image":736,"text":737,"number":738},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.187.png","Colors\nCct\nOptics\nWH\nWhite\nM 2700\nN\n4000\nDI Diffused\nW 3000\nRubber 2D_mini | LED strip | 24 V DC | 10 W\u002Fm\n12\nL\n6\n50\nMade\nin Italy\nC.V.\nIP67\nElectronics\n185\nFin\nCct\nlm S - lm D\nOpt\nL 1 m  - CRI 90 - 10 W DC\nC00463\nWH\nM\n624 - 624\nDI\nDiffused\nW\n685 - 685\nN\n754 - 754\nL 5 m  - CRI 90 - 50 W DC\nC00464\nWH\nM\n3120 - 3120\nDI\nDiffused\nW\n3425 - 3425\nN\n3770 - 3770\nL 10 m  - CRI 90 - 100 W DC\nC00465\nWH\nM\n6240 - 6240\nDI\nDiffused\nW\n6858 - 6858\nN\n7540 - 7540\nElectronics: AL | Accessories and cables (pag 186-187)\nElectronics: AL | Accessories and cables (pag 186-187)\nElectronics: AL | Accessories and cables (pag 186-187)\nEK | 48V DC Mono Color\n99784\n99785\nC-E400003 83177\nSwitching\nON\u002FOFF\n150W CV 48V\n219 x 63 x h 35\nON\u002FOFF\n240W CV 48V\n220 x 71 x h 38\nDALI\n150W CV 48V \n188 x 68 x h 39\nDimmer\nDMX 312W\n97 x 36 x h 62\nSwitching\nCV 48V\n 80\n 81\n 77\nAL | 24V DC Mono Color\n99374\n99331\n99332\n83062\n99722\nON\u002FOFF\n75 W\n210 x 48 x h 25\nON\u002FOFF\n150 W \n150 x 60 x h 35\n0\u002F1-10V\n150 W \n150 x 60 x h 35\nDALI\u002FPUSH\n150 W \n280 x 43 x h 30\nDALI\n120 W \n191 x 63 x h 38\n 56\n 70\n 70\n 29\n 73\nAM7 | 24V DC RGB-RGBW-WT-DW\nC-E700002+C-W60001\n99331\nC-E70005\nDMX\n99331\nDimmer RF\nCV 24V\n150 W\n150 x 60 x h 35\nDimmer DMX\n88 x 54 x h 25\nDMX \nControllers   \nPag. 952 - 953\nCV 24V\n150 W\n150 x 60 x h 35\n 53\n 70\n 70\nPag. 952 - 953\n",187,{"image":740,"text":741,"number":742},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.188.png","Colors\nAM\nAnodized Aluminium\nIS\nSteel\nAK\nAnod. Black Aluminium\nTR\nTransparent\nAccessories: Rubber 3D\nAccessories: Rubber 2D Mini\nArte & Culto | Products\nClip with toothed spring\nClip with toothed spring with cable run\nLinear proﬁle\nLinear proﬁle with cable run\nFlexible proﬁle\nPeg with bracket\nTilting bracket\nLinear proﬁle\nClip with toothed spring\n186\n18\n19\nAM\n99549\n1000 mm - 18 mm - 19 mm\nAM\n82198\n2000 mm - 18 mm - 19 mm\nAK\nC-K100007\n1000 mm - 18 mm - 19 mm\nAK\nC-K100008\n2000 mm - 18 mm - 19 mm\n20\n10\nAM\n82846\n1000 mm - 20 mm - 10 mm\nAM\n82202\n2000 mm - 20 mm - 10 mm\n23\n21\nAM\nC-F400001\n50 mm - 23 mm - 21 mm\nAK\nC-F400002\n19\n16,2\n16,2\nIS\n99541\n1045 mm - 19 mm - 16,2 mm\n204\n256\n114\n48\nIS\n83351\n106\n80\n68\n90°\n90°\nTR\n83352\n39\n19\nAM\n83034\n1000 mm - 39 mm - 19 mm\nAM\n82199\n2000 mm - 39 mm - 19 mm\nAK\nC-K100009\n1000 mm - 39 mm - 19 mm\nAK\nC-K100010\n2000 mm - 39 mm - 19 mm\n20\n10\nAM\n82847\n50 mm - 20 mm - 10 mm\n41\n21\nAM\nC-F400003\n50 mm - 41 mm - 21 mm\nAK\nC-F400004\n",188,{"image":744,"text":745,"number":746},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.189.png","Colors\nPVC\nPVC\nTR\nTransparent\nCables\nAccessories\nCable with connector\nCable with connector\nCable with Dynamic White connector\nCable with connector M+F\nCable with connector M+F\nConnector\nConnector 2 ways\nDouble-sided tape\nCup kits\n187\nPVC\n99688\nConn. F 2x 0,25 - 2000 mm\nPVC\n99689\nConn. M 2x 0,25 - 2000 mm\nsuitable for: Rubber 3D Optics, Rubber 2D Mini\nPVC\nC-W200001\nConn. M 2x 0,5 - 2000 mm\nPVC\nC-W200002\nConn. F 2x 0,5 - 2000 mm\nsuitable for: Rubber 3D\nPVC\nC-W200003\nConn. M 3x 0,5 - 2000 mm\nPVC\nC-W200004\nConn. F 3x 0,5 - 2000 mm\nsuitable for: Rubber 3D Dynamic White\nPVC\nC-W200007\nConn. M\u002FF 2x 0,5 - 5000 mm\nsuitable for: Rubber 3D\nPVC\nC-W200009\nConn. M\u002FF 3x 0,5 - 5000 mm\nsuitable for: Rubber 3D Dynamic White\nPVC\n98990\nIP68\nmin. 2x0,25 max. 2x1,0 mm2\nsuitable for: Rubber 3D, Rubber 3D Optics\nTR\n99539\nTR\n99538\nsuitable for: Rubber 3D, Rubber 3D Optics\n44\n85\nPVC\n89548\nIP68 with GEL\nmax. 4x1,5 mm2\nsuitable for: Rubber 3D, Rubber 3D Optics, \nRubber 2D Mini\nPVC\n99520\n33 m\nsuitable for: Rubber 3D, Rubber 3D Optics,\nRubber 2D Mini\n",189,{"image":748,"text":749,"number":750},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.190.png","Ribbon\nArte & Culto | Products\nIndoor stripLED\n188\n",190,{"image":752,"text":753,"number":754},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.191.png","Ribbon | 160 LED\u002Fm | topLED | 24 V DC | 12 W\u002Fm\n1.4\n8\n50\n200\nRibbon | 160 LED\u002Fm | topLED | 24 V DC | 21,6 W\u002Fm\n1.4\n10\n200\nC.V.\nIP20\nC.V.\nIP20\nElectronics: AL\nElectronics: AL\nFin\nCct\nlm S - lm D\nOpt\n5 m - CRI 95 - 60 W DC\nC00509\nWH\nM\n5985 - 5985\nDI\nW\n6318 - 6318\nN\n6650 - 6650\nFin\nCct\nlm S - lm D\nOpt\n5 m - CRI 95 - 108 W DC\nC00510\nWH\nM\n10688 - 10688\nDI\nW\n11282 - 11282\nN\n11876 - 11876\nColors\nOptics\nAM\nAnodized Aluminium\nIS\nSteel\nTN\nSatin\nDI\nDiffused\nAK\nAnod. Black Aluminium\nTR\nTransparent\nOP\nOpaline\nAccessories\nVojo_17\u002F08 | Low surface proﬁle\n8,2\n17,3\n12,5\nL\nM\nM\nF\nL mm\nAM\n98891\n2000\nBB\n83129 \n2000\nTR\n98941\n2000\nTN\n98942\n2000\nOP\n98943\n2000\nBB\n83132\n2000\n98892\n2 x\nBB\n83133\n2 x\n98944\n5 x\nKIT composition\n98954\n1 x\n98891-98943\n98892-98944\n98955\n10 x\n98891-98943\nKIT composition Black\n84446\n1 x\n83129-83132\n83133-98944\n84447\n10 x\n83129-83132\nElectronics\nAL | 24V DC Mono Color\n99374\n99331\n99332\n83062\n99722\nON\u002FOFF\n75 W\n210 x 48 x h 25\nON\u002FOFF\n150 W \n150 x 60 x h 35\n0\u002F1-10V\n150 W \n150 x 60 x h 35\nDALI\u002FPUSH\n150 W \n280 x 43 x h 30\nDALI\n120 W \n191 x 63 x h 38\n 56\n 70\n 70\n 29\n 73\nCela_18\u002F18 | Corner proﬁle \n18,1\n18,1\nL\n12,5\nM\nM\nF\nProﬁ le\nProﬁ le\nDiffuser\nDiffuser\nDiffuser\nDiffuser\nCaps\nCaps\nBrackets\nProﬁ le\nProﬁ le\nDiffuser\nDiffuser\nDiffuser\nDiffuser\nCaps\nCaps\nBrackets\n189\nL mm\nAM\n98903\n2000\nBB\n83131\n2000\nTR\n98941\n2000\nTN\n98942\n2000\nOP\n98943\n2000\nBB\n83132\n2000\n98905\n2 x\nBB\n83136\n2 x\n98904\n5 x\nKIT composition\n99910\n1 x\n98903-98943\n98905-98904\n99911\n10 x\n98903-98943\nKIT composition Black\n84456\n1 x\n83131-83132\n83136-98904\n84457\n10 x\n83131-83132\n",191,{"image":756,"text":757,"number":758},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.192.png","Cubit Pro\nArte & Culto | Products\nOutdoor wall light in aluminium\n190\n",192,{"image":760,"text":761,"number":762},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.193.png","IK08\nIP65\nIK08\nIP65\nIK08\nIP65\nIK08\nIP65\nCubit Pro | Single emission | arrayLED\n88\n89\n89\nCubit Pro | Double emission | arrayLED\n88\n89\n89\nColors\nCct\nWH  White\nGG  Grey\nPR  Primer\nM 2700\nN\n4000\nBB  Black\nDB  Dark Br.\nW 3000\nInstallable only with downward emission:\nOptic 05 powerLED\nOptic Cell 15\u002F30\u002F60\nInstallable only with downward emission:\nOptic 05 powerLED\nOptic Cell 15\u002F30\u002F60\n191\nCct\nlm S - lm D\nOpt\n220-240 V AC - 6,7 W DC - 8,7 W AC\nWH\n76584\nM\n849 - 563\n05\nBB\n76585\nW\n886 - 634\n15 (Cell)\nGG\n76586\nN\n935 - 669\n30 (Cell)\nDB\n76587\n60 (Cell)\nPR\n76588\n88\n07\nCct\nlm S - lm D\nOpt\n220-240 V AC - 13,4 W DC - 15,5 W AC\nWH\n76614\nM\n1698 - 1199\n15 (15 Cell+15)\nBB\n76615\nW\n1772 - 1254\n30 (30 Cell+30)\nGG\n76616\nN\n1870 - 1323\n60 (60 Cell+60)\nDB\n76617\nPR\n76618\nWH\n76624\nM\n1698 - 668\n15 (15 Cell+05)\nBB\n76625\nW\n1772 - 697\n30 (30 Cell+05)\nGG\n76626\nN\n1870 - 736\n60 (60 Cell+05)\nDB\n76627\nPR\n76628\nWH\n77490\nM\n1698 - 1099\n15 (15+07)\nBB\n77491\nW\n1772 - 1147\n30 (30+07)\nGG\n77492\nN\n1870 - 1211\n60 (60+07)\nDB\n77493\nPR\n77494\nCct\nlm S - lm D\nOpt\n11 W DC - 630mA\nWH\n76619\nM\n1292 - 1059\n15 (15 Cell+15)\nBB\n76620\nW\n1346 - 1108\n30 (30 Cell+30)\nGG\n76621\nN\n1422 - 1169\n60 (60 Cell+60)\nDB\n76622\nPR\n76623\nWH\n76629\nM\n1292 - 591\n15 (15 Cell+05)\nBB\n76630\nW\n1346 - 617\n30 (30 Cell+05)\nGG\n76631\nN\n1422 - 651\n60 (60 Cell+05)\nDB\n76632\nPR\n76633\nWH\n77495\nM\n1292 - 917\n15 (15+07)\nBB\n77496\nW\n1346 - 1014\n30 (30+07)\nGG\n77497\nN\n1422 - 1070\n60 (60+07)\nDB\n77498\nPR\n77499\nCct\nlm S - lm D\nOpt\n5,5 W DC - 630mA\nWH\n76589\nM\n643 - 536\n05\nBB\n76590\nW\n673 - 559\n15 (Cell)\nGG\n76591\nN\n711 - 591\n30 (Cell)\nDB\n76592\n60 (Cell)\nPR\n76593\n88\n07\nElectronics: BI (pag 193)\nElectronics: BQ (pag 193)\n",193,{"image":764,"text":765,"number":766},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.194.png","IK08\nIP65\nDALI2\nDALI\nPUSH\nIK08\nIP65\nDALI2\nDALI\nPUSH\nCubit Pro | Single emission | arrayLED | 220-240 V AC\n113\n114\n114\nCubit Pro | Double emission | arrayLED | 220-240 V AC\n113\n114\nColors\nCct\nWH  White\nGG  Grey\nPR  Primer\nM 2700\nN\n4000\nBB  Black\nDB  Dark Br.\nW 3000\nArte & Culto | Products\nInstallable only with downward emission:\nOptic 05 powerLED\nOptic Cell 15\u002F30\u002F60\nInstallable only with downward emission:\nOptic 05 powerLED\nOptic Cell 15\u002F30\u002F60\n192\nCct\nlm S - lm D\nOpt\n9,3 W DC - 11 W AC\nWH\n76321\nM\n1193 - 816\n05\nBB\n76322\nW\n1244 - 855\n15 (Cell)\nGG\n76323\nN\n1313 - 902\n30 (Cell)\nDB\n76324\n60 (Cell)\nPR\n76325\n88\n07\n6,3 W DC - 7,5 W AC - DALI2 - DALI PUSH\nWH\n76326\nM\n881 - 601\n05\nBB\n76327\nW\n918 - 630\n15 (Cell)\nGG\n76328\nN\n975 - 664\n30 (Cell)\nDB\n76329\n60 (Cell)\nPR\n76330\n88\n07\nCct\nlm S - lm D\nOpt\n18,6 W DC - 21,2 W AC\nWH\n76351\nM\n2386 - 1574\n15 (15 Cell+15)\nBB\n76352\nW\n2488 - 1640\n30 (30 Cell+30)\nGG\n76353\nN\n2626 - 1731\n60 (60 Cell+60)\nDB\n76354\nPR\n76355\nWH\n76361\nM\n2386 - 906\n15 (15 Cell+05)\nBB\n76362\nW\n2488 - 944\n30 (30 Cell+05)\nGG\n76363\nN\n2626 - 996\n60 (60 Cell+05)\nDB\n76364\nPR\n76365\nWH\n77470\nM\n2386 - 1524\n15 (15+07)\nBB\n77471\nW\n2488 - 1588\n30 (30+07)\nGG\n77472\nN\n2626 - 1675\n60 (60+07)\nDB\n77473\nPR\n77474\n12,6 W DC - 15 W AC - DALI2 - DALI PUSH\nWH\n76356\nM\n1676 - 1161\n15 (15 Cell+15)\nBB\n76357\nW\n1798 - 1159\n30 (30 Cell+30)\nGG\n76358\nN\n1950 - 1275\n60 (60 Cell+60)\nDB\n76359\nPR\n76360\nWH\n76366\nM\n1676 - 669\n15 (15 Cell+05)\nBB\n76367\nW\n1798 - 697\n30 (30 Cell+05)\nGG\n76368\nN\n1950 - 735\n60 (60 Cell+05)\nDB\n76369\nPR\n76370\nWH\n77475\nM\n1676 - 1124\n15 (15+07)\nBB\n77476\nW\n1798 - 1171\n30 (30+07)\nGG\n77477\nN\n1950 - 1235\n60 (60+07)\nDB\n77478\nPR\n77479\n",194,{"image":768,"text":769,"number":770},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.195.png","Colors\nCct\nWH  White\nGG  Grey\nPR  Primer\nM 2700\nN\n4000\nBB  Black\nDB  Dark Br.\nW 3000\nElectronics\n05\nU.Spot\n30+30\nM.Flood+M.Flood\n30+05\nM.Flood+U.Spot\n60+60\nW.Flood+W.Flood\n60+05\nW.Flood+U.Spot\n15+15\nSpot+Spot\n88\nElliptic\n07\nAsymmetric\n30+07\nM.Flood+Asymm\n60+07\nW.Flood+Asymm\n15+07\nSpot+Asymm\n15+05\nSpot+U.Spot\n30\nM.Flood\n15\nSpot\n60\nW.Flood\nOPTICS CUBIT PRO SINGLE EMISSION\nOPTICS CUBIT PRO DOUBLE EMISSION\nOPTICS CUBIT PRO DOUBLE EMISSION\nOne or two light outputs (from opposite sides of the cube) and eight different beam openings: Ultra Spot, Spot, \nMedium Flood, Wide Flood, Extra Wide Flood, Diffused, Elliptic and Asymmetric. The combination of symmetrical \nand asymmetrical optics increases the possible effects, and thanks to its minimalist form, CUBIT can be positioned \nfreely on the wall.\n193\nBI | 5.5W DC 630mA\n99179\n99186\n83102\nON\u002FOFF\n1 - 2 art.\n80 x 100 x h 31\nON\u002FOFF\n1 - 4 art.\n92 x 117 x h 38\nDALI\n1 - 4 art.\n54 x 121 x h 26\n 60\nBQ | 11W DC 630mA\n99179\n99186\n83102\nON\u002FOFF\n1 art. \n80 x 100 x h 31\nON\u002FOFF\n1 - 2 art.\n92 x 117 x h 38\nDALI\n1 - 2 art.\n54 x 121 x h 26\n 60\n",195,{"image":772,"text":773,"number":774},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.196.png","Orma\nArte & Culto | Products\nOutdoor uplight in aluminium with AISI 316L stainless steel \nflange and extra-clear tempered glass diffuser\n194\n",196,{"image":776,"text":777,"number":778},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.197.png","IK10\nIP68\n2000 kg\nIK10\nIP68\nOrma_I | powerLED\n46\n48\n2\nØ 64\n1000\nOrma_I | arrayLED\nØ 97\n1000\n51\n53\n2\nColors\nCct\nFeatures\nSA\nSteel \u002F Aluminium\nM 2700\nN\n4000\nHC Honeycomb\nW 3000\nDL Darklight\nIK10\nIP68\nOrma_I | arrayLED\n1000\nØ 138\n51\n53\n2\n195\nCct\nlm S - lm D\nOpt\nC.C. 4W DC - 350mA\nSA\n80582\nM\n490 - 270\n15 (22°)\nW\n490 - 270\n30 (29°)\nN\n529 - 292\n60 (49°)\n25\nSA\n80583\nHC\nM\n490 - 186\n15 (20°)\nW\n490 - 186\n30 (25°)\nN\n529 - 201\n60 (37°)\nSA\n80584\nDL\nM\n490 - 193\n15 (22°)\nW\n490 - 193\n30 (30°)\nN\n529 - 208\n60 (55°)\nCct\nlm S - lm D\nOpt\nC.C. - 8W DC - 220 mA\nSA\n80588\nM\n1088 - 858\n15 (15°)\nW\n1088 - 894\n30 (32°)\nN\n1173 - 944\n60 (61°)\nSA\n80589\nHC\nM\n1088 - 619\n15 (15°)\nW\n1088 - 645\n30 (27°)\nN\n1173 - 681\n60 (49°)\nSA\n80590\nDL\nM\n1088 - 575\n15 (16°)\nW\n1088 - 599\n30 (29°)\nN\n1173 - 633\n60 (53°)\nElectronics: BE (pag 198) | Recessed casing: (pag 198)\nElectronics: BF (pag 198) | Recessed casing: (pag 198)\nCct\nlm S - lm D\nOpt\nC.C. 12W DC - 350mA\nSA\n81175\nM\n1724 - 1379\n15 (14°)\nW\n1724 - 1379\n30 (31°)\nN\n1854 - 1485\n60 (60°)\nSA\n81176 HC\nM\n1724 - 981\n15 (14°)\nW\n1724 - 981\n30 (28°)\nN\n1854 - 1055\n60 (49°)\nSA\n81177 DL\nM\n1724 - 1094\n15 (14°)\nW\n1724 - 1094\n30 (30°)\nN\n1854 - 1178\n60 (52°)\nElectronics: BG (pag 198) | Recessed casing: (pag 198)\n",197,{"image":780,"text":781,"number":782},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.198.png","IK10\nIP68\n2000 kg\nOrma_IJ | powerLED\n46\n48\n2\n1000\nØ 64\n-25° +25°\nIK10\nIP68\nOrma_IJ | arrayLED\nØ 138\n±25°\n1000\n51\n2\n±20°\n1000\n51\n2\nIK10\nIP68\n2000 kg\nIK10\nIP68\nOrma_IL | powerLED\n46\n48\n2\nØ 64\n1000\nOrma_IL | powerLED\nØ 97\n1000\n51\n53\n2\nIK10\nIP68\nOrma_IL | powerLED\n1000\nØ 138\n51\n53\n2\nColors\nCct\nFeatures\nSA\nSteel \u002F Aluminium\nM 2700\nN\n4000\nHC Honeycomb\nBM\nBrass \u002F Aluminium\nW 3000\nArte & Culto | Products\n196\nCct\nlm S - lm D\nOpt\nC.C. 4W DC - 350mA\nSA\n81199\nM\n490 - 270\n15 (22°)\nBM\n82521\nW\n490 - 270\n30 (29°)\nN\n529 - 292\n60 (49°)\nElectronics: BE (pag 198) | Recessed casing: (pag 198)\nCct\nlm S - lm D\nOpt\nC.C. - 12W DC - 350mA\nSA\n81203\nM\n1724 - 1317\n15 (22°)\nBM\n82525\nW\n1724 - 1317\n30 (34°)\nN\n1854 - 1417\n60 (61°)\nSA\n82458\nHC\nM\n1724 - 935\n15 (20°)\nW\n1724 - 935\n30 (27°)\nN\n1854 - 1005\n60 (48°)\nElectronics: BG (pag 198) | Recessed casing: (pag 198)\nCct\nlm S - lm D\nOpt\nC.C. 1W DC - 350mA\nSA\n81211\nM\n136 - 16\n00 (117°)\nW\n145 - 18\nN\n155 - 19\nCct\nlm S - lm D\nOpt\nC.C. 2W DC - 630mA\nSA\n81213\nM\n249 - 24\n00 (119°)\nW\n266 - 26\nN\n284 - 28\nElectronics: BB (pag 198) | Recessed casing: (pag 198)\nElectronics: BD (pag 198) | Recessed casing: (pag 198)\nCct\nlm S - lm D\nOpt\nC.C. 4W DC - 350mA\nSA\n81215\nM\n490 - 89\n00 (119°)\nW\n490 - 89\nN\n529 - 96\nElectronics: BE (pag 198) | Recessed casing: (pag 198)\n",198,{"image":784,"text":785,"number":786},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.199.png","Colors\nCct\nFeatures\nSA\nSteel \u002F Aluminium\nM 2700\nN\n4000\nHC Honeycomb\nW 3000\nIK10\nIP68\n2000 kg\nIK10\nIP68\n2000 kg\nIK10\nIP68\n2000 kg\nIK10\nIP68\n2000 kg\nOrma_Q | arrayLED\n47,5\n74\n17\n2\n1000\n85\nOrma_QL | powerLED\n47,5\n74\n17\n2\n1000\n85\nOrma_Q | arrayLED\n64\n2\n1000\n112\n105\nOrma_QJ | arrayLED\n20°\n20°\n64\n2\n1000\n112\n105\nIK10\nIP68\n2000 kg\nOrma_QJ | arrayLED\n20°\n20°\n47,5\n74\n17\n2\n1000\n85\nIK10\nIP68\n2000 kg\nOrma_QL | powerLED\n64\n2\n1000\n112\n105\n197\nCct\nlm S - lm D\nOpt\nC.C. 4 W DC - 350mA\nSA\n77284\nM\n596 - 366\n15 (22°)\nSA\n77286\nHC\nW\n624 - 307\n30 (27°)\nN\n660 - 274\n60 (54°)\nCct\nlm S - lm D\nOpt\nC.C. 1,5 W DC - 500mA\nSA\n77282\nM\n187 - 21\n00 (115°)\nW\n199 - 23\nN\n213 - 25\nCct\nlm S - lm D\nOpt\nC.C. 8 W DC 220mA\nSA\n77304\nM\n1088 - 742\n15 (16°)\nSA\n77306\nHC\nW\n1088 - 781\n30 (27°)\nN\n1173 - 745\n60 (58°)\nCct\nlm S - lm D\nOpt\nC.C. 8 W DC 220mA\nSA\n77314\nM\n1088 - 742\n15 (16°)\nSA\n77316\nHC\nW\n1088 - 781\n30 (27°)\nN\n1173 - 745\n60 (58°)\nElectronics: BE (pag 198) | Recessed casing: (pag 198)\nElectronics: BC (pag 198) | Recessed casing: (pag 198)\nElectronics: BF (pag 198) | Recessed casing: (pag 198)\nElectronics: BF (pag 198) | Recessed casing: (pag 198)\nCct\nlm S - lm D\nOpt\nC.C. 4 W DC - 350mA\nSA\n77294\nM\n596 - 366\n15 (22°)\nSA\n77296\nHC\nW\n624 - 307\n30 (27°)\nN\n660 - 274\n60 (54°)\nElectronics: BE (pag 198) | Recessed casing: (pag 198)\nCct\nlm S - lm D\nOpt\nC.C. 2 W DC 630mA\nSA\n77302\nM\n249 - 44\n00 (117°)\nW\n266 - 44\nN\n284 - 47\nElectronics: BD (pag 198) | Recessed casing: (pag 198)\n",199,{"image":788,"text":789,"number":790},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.200.png","Colors\nPVC\nPVC\nRecessed casings\nElectronics\nØ56\nØ97\n76\nØ127\nØ154\n76\nØ87\nØ114\nØ114\n76\nArte & Culto | Products\nRecessed casings\nRecessed casings\nRecessed casings\nRecessed casings\nSuction cup\nRecessed casings\n198\nPVC\n99651\nsuitable for: Orma_I Ø97 \u002F Orma_IL Ø97\n93\nØ97\n60x60\n17\n76\nPVC\n83411\nsuitable for: Orma_Q 85x85 \u002F Orma_QJ 85x85\nOrma_QL 85x85\nPVC\n99650\nsuitable for: Orma_I Ø64 \u002F Orma_IJ Ø64\nOrma_IL Ø64\n93\nØ114\n90x90\n17\n76\nPVC\n83410\nsuitable for: Orma_Q 112x112 \u002F Orma_QJ 112x112\nOrma_QL 112x112\nPVC\n99652\nsuitable for: Orma_I Ø138 \u002F Orma_IJ Ø138\nOrma_IL Ø138\nPVC\n83235\nsuitable for: all Orma\nBB |  1W DC 350mA\n89419\n89421\n99183\n83100\nON\u002FOFF\n1 - 2 art. \n65 x 74 x h 27\nON\u002FOFF\n3 - 6 art. \n65 x 74 x h 27\nON\u002FOFF\n6 - 12 art. \n80 x 100 x h 31\nDALI\n1 - 14 art. \n54 x 121 x h 26\n 60\nBE | 4W DC 350mA\n89421\n99183\n83100\nON\u002FOFF\n1 art. \n65 x 74 x h 27\nON\u002FOFF\n2 - 3 art. \n80 x 100 x h 31\nDALI\n1 - 4 art. \n54 x 121 x h 26\n 60\nBF | 8W DC 220mA\n99342\n83154\nON\u002FOFF\n1 art. \n80 x 100 x h 31\nDALI\n1 art. \n54 x 121 x h 26\n 60\nBC | 1,5W DC 500mA\n89422\n89423\n99181\n99185\n83101\nON\u002FOFF\n1 - 2 art. \n65 x 74 x h 27\nON\u002FOFF\n2 - 3 art. \n65 x 74 x h 27\nON\u002FOFF\n3 - 6 art. \n80 x 100 x h 31\nON\u002FOFF\n6 - 12 art. \n92 x 117 x h 38\nDALI\n1 - 12 art. \n54 x 121 x h 26\n 60\nBG | 12W DC 350mA\n99183\n83100\nON\u002FOFF\n1 art. \n80 x 100 x h 31\nDALI\n1 art. \n54 x 121 x h 26\n 60\nBD | 2W DC 630mA\n89420\n99179\n99186\n83102\nON\u002FOFF\n1 - 2 art. \n65 x 74 x h 27\nON\u002FOFF\n3 - 6 art. \n80 x 100 x h 31\nON\u002FOFF\n6 - 12 art. \n92 x 117 x h 38\nDALI\n1 - 14 art. \n54 x 121 x h 26\n 60\n",200,{"image":792,"text":15,"number":793},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.201.png",201,{"image":795,"text":796,"number":797},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.202.png","Pound Rod\nArte & Culto | Products\nRod with custom\nprojectors\nThe absence of cornicing where projectors could be placed \nmakes it necessary to fi nd another way to \nilluminate points of interest. The attachment of Pound \nprojectors to rods allows diff erent supports to be used for wall \nor ceiling mounting, providing multi-directional lighting.\nThe extremely slim rod helps to camoufl age the luminaire in its \nsurroundings, for an unobtrusive and barely noticeable visual \nimpact. Various aspects of the product can be customised: \nlength of rod, number and type of projectors, optics, colour.\nThe projectors can be pivoted to provide fl exible spotlighting \nand directional light. The use of two or more projectors\nallows for multi-point lighting to emphasise several areas \nsimultaneously. With a single Pound Rod equipped with two \nprojectors, for example, it is possible to illuminate an artwork \n(a statue, a painting) and at the same time an important \narchitectural detail. Alternatively, light can be focussed on two \ndiff erent points of interest, e.g. side altar and baptismal font.\n200\n",202,{"image":799,"text":800,"number":801},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.203.png","201\n",203,{"image":803,"text":804,"number":805},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.204.png","Optus \nPendant\nArte & Culto | Products\nCustom\npendant\nThe custom pendant presented below makes \nit possible to illuminate pre-established points, \nwhere it is not possible to make use of ledges or \ninstall wall-mounted luminaires.\nThe Optus Pendant can be hooked onto tie rods \nor ledges and then descended to the desired \nheight to provide general lighting for the room or \nentrances.\nWith customisable colours, optics, light source \nand dimming parameters, the Optus Pendant \nis a smart solution for challenging architectural \nstructures.\n202\n",204,{"image":807,"text":808,"number":809},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.205.png","Optus \nPendant_J\nCustom adjustable \npendant\nThe Optus Pendant_J, the swivelling version of the Optus \nPendant, retains all the original features of the model with a fi xed \noptical compartment, including its appearance, but incorporates \nthe versatility of an adjustable light beam.\nThe ability to direct the light makes it possible to have more \nchoice over where the beam is focussed and, consequently, to \ncomplement the general lighting of the room with spotlights on \nthe altar or side chapel, baptismal font, paintings and statues, etc.\n203\n",205,{"image":811,"text":812,"number":813},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.206.png","Optus Tower\nArte & Culto | Products\nCustom\nprojectors\nOptus Tower, created to illuminate \nthe superb Magi Chapel inside \nFlorence’s Medici-Riccardi Palace, is \na 100% customised product whose \nspecial features make it ideal for \ncountless contexts.\nThe variable-height turret houses the \nelectronics needed to operate the \nprojectors, which therefore remain \nhidden from view.\nAt the top, inside a special \ncompartment, there are four \nadjustable Optus projectors which \ncan be equipped with diff erent \noptics and accessories to ensure \noptimum illumination of the walls \nand ceiling. The diagonally cut \nopening, symbolically reminiscent of \nthe shape of a lectern, cancels out \nany glare and allows visitors to enjoy \nthe experience to the fullest.\n204\n",206,{"image":815,"text":816,"number":817},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.207.png","205\n",207,{"image":819,"text":820,"number":821},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.208.png","Project list\nHöchberg Chapel\n012\nSaint George Church \n014\nMagi Chapel\n016\nHochberg, Poland\nPiacenza, Italy\nFlorence, Italy\nMajilis Oman\n022\nSharjah Mosque\n026\nKrujë Castle\n032\nMuscat, Oman\nSharjah, UAE\nKrujë, Albania\nPalazzo Broletto\n036\nAustrian National Library\n040\nRozafa Castle\n048\nMilan, Italy\nVienna, Austria\nScutari, Albania\nParque Norte\n054\nLoggia de’ Lanzi\n056\nMausoleum of Khoja\n062\nMadrid, Spain\nFlorence, Italy\nTurkistan, Kazakistan\n206\n",208,{"image":823,"text":824,"number":825},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.209.png","Luxembourg P., Biennale\n068\nLes Arts Décoratifs\n072\nLeonardo’s Botany\n078\nVenice, Italy\nParis, France\nFirenze, Italia\nHouse of Giorgione\n082\nCariverona Foundation\n090\nMalchiostro Chapel\n092,106\nCastelfranco Veneto, Italy\nVerona, Italy\nTreviso, Italia\nSt. Mary Magdalene\n094,122\nMadonna del Prato\n098\nSt. John the Baptist\n102\nDesenzano, Italy\nGubbio, Italy\nAnnicco, Italia\nSaints Victor and Corona\n112\nSaint Nicola Church\n118\nCendon di Silea, Italy\nNociglia, Italy\n207\n",209,{"image":827,"text":828,"number":829},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.210.png","Arte & Culto | Products\nCodes index\nCode\nProduct\nPage\nCode\nProduct\nPage\nCode\nProduct\nPage\n208\n8842\nTu-V\n159\n8843\nTu-V\n159\n8844\nTu-V\n159\n9664\nAlba\n163\n9664M\nAlba\n163\n9965\nAlba\n163\n9965M\nAlba\n163\n64522\nVuelta_Y\n177\n64523\nVuelta_Y\n177\n64530\nVuelta_Y\n177\n64531\nVuelta_Y\n177\n64532\nAccessories\n177\n64533\nAccessories\n177\n64534\nAccessories\n177\n64536\nAccessories\n177\n64537\nAccessories\n177\n64538\nAccessories\n177\n64539\nAccessories\n177\n76052\nPound Shaper\n147\n76053\nPound Shaper\n147\n76054\nPound Shaper\n147\n76055\nPound Shaper\n147\n76321\nCubit Pro\n192\n76322\nCubit Pro\n192\n76323\nCubit Pro\n192\n76324\nCubit Pro\n192\n76325\nCubit Pro\n192\n76326\nCubit Pro\n192\n76327\nCubit Pro\n192\n76328\nCubit Pro\n192\n76329\nCubit Pro\n192\n76330\nCubit Pro\n192\n76351\nCubit Pro\n192\n76352\nCubit Pro\n192\n76353\nCubit Pro\n192\n76354\nCubit Pro\n192\n76355\nCubit Pro\n192\n76356\nCubit Pro\n192\n76357\nCubit Pro\n192\n76358\nCubit Pro\n192\n76359\nCubit Pro\n192\n76360\nCubit Pro\n192\n76361\nCubit Pro\n192\n76362\nCubit Pro\n192\n76363\nCubit Pro\n192\n76364\nCubit Pro\n192\n76365\nCubit Pro\n192\n76366\nCubit Pro\n192\n76367\nCubit Pro\n192\n76368\nCubit Pro\n192\n76369\nCubit Pro\n192\n76370\nCubit Pro\n192\n76584\nCubit Pro\n191\n76585\nCubit Pro\n191\n76586\nCubit Pro\n191\n76587\nCubit Pro\n191\n76588\nCubit Pro\n191\n76589\nCubit Pro\n191\n76590\nCubit Pro\n191\n76591\nCubit Pro\n191\n76592\nCubit Pro\n191\n76593\nCubit Pro\n191\n76614\nCubit Pro\n191\n76615\nCubit Pro\n191\n76616\nCubit Pro\n191\n76617\nCubit Pro\n191\n76618\nCubit Pro\n191\n76619\nCubit Pro\n191\n76620\nCubit Pro\n191\n76621\nCubit Pro\n191\n76622\nCubit Pro\n191\n76623\nCubit Pro\n191\n76624\nCubit Pro\n191\n76625\nCubit Pro\n191\n76626\nCubit Pro\n191\n76627\nCubit Pro\n191\n76628\nCubit Pro\n191\n76629\nCubit Pro\n191\n76630\nCubit Pro\n191\n76631\nCubit Pro\n191\n76632\nCubit Pro\n191\n76633\nCubit Pro\n191\n76659\nPound Shaper\n147\n76660\nPound Shaper\n147\n76661\nPound Shaper\n147\n76662\nPound Shaper\n147\n76739\nNav. P. Shaper\n136\n76740\nNav. P. Shaper\n136\n76741\nNav. P. Shaper\n136\n76742\nNav. P. Shaper\n136\n76743\nNav. P. Shaper\n136\n76744\nNav. P. Shaper\n136\n77028\nEyelet65_R\n167\n77029\nEyelet65_R\n167\n77030\nEyelet65_R\n167\n77031\nEyelet65_Q\n167\n77032\nEyelet65_Q\n167\n77033\nEyelet65_Q\n167\n77058\nOptus_T\n155\n77059\nOptus_T\n155\n77282\nOrma_QL\n197\n77284\nOrma_Q\n197\n77286\nOrma_Q\n197\n77294\nOrma_QJ\n197\n77296\nOrma_QJ\n197\n77302\nOrma_QL\n197\n77304\nOrma_Q\n197\n77306\nOrma_Q\n197\n77314\nOrma_QJ\n197\n77316\nOrma_QJ\n197\n77470\nCubit Pro\n192\n77471\nCubit Pro\n192\n77472\nCubit Pro\n192\n77473\nCubit Pro\n192\n77474\nCubit Pro\n192\n77475\nCubit Pro\n192\n77476\nCubit Pro\n192\n77477\nCubit Pro\n192\n77478\nCubit Pro\n192\n77479\nCubit Pro\n192\n77490\nCubit Pro\n191\n77491\nCubit Pro\n191\n77492\nCubit Pro\n191\n77493\nCubit Pro\n191\n77494\nCubit Pro\n191\n77495\nCubit Pro\n191\n77496\nCubit Pro\n191\n77497\nCubit Pro\n191\n77498\nCubit Pro\n191\n77499\nCubit Pro\n191\n77604\nPeriskop\n171\n77619\nNav. P. Shaper\n136\n77620\nNav. P. Shaper\n136\n77621\nNav. P. Shaper\n136\n80582\nOrma_I\n195\n80583\nOrma_I\n195\n80584\nOrma_I\n195\n80588\nOrma_I\n195\n80589\nOrma_I\n195\n80590\nOrma_I\n195\n81175\nOrma_I\n195\n81176\nOrma_I\n195\n81177\nOrma_I\n195\n81199\nOrma_IJ\n196\n81203\nOrma_IJ\n196\n81211\nOrma_IJ\n196\n81213\nOrma_IJ\n196\n81215\nOrma_IJ\n196\n81473\nClivo_2\n169\n81474\nClivo_SL\n169\n81754\nPound_T\n148\n81755\nPound_T\n148\n81810\nPound_T\n148\n81811\nPound_T\n148\n81814\nOptus_T\n155\n81815\nOptus_T\n155\n82072\nPound Shaper\n147\n82114\nPound Shaper\n147\n82198\nAccessories\n186\n82199\nAccessories\n186\n82202\nAccessories\n186\n82216\nRubber 3D Opt. 184\n82217\nRubber 3D Opt. 184\n82218\nRubber 3D Opt. 184\n82219\nRubber 3D Opt. 184\n82220\nRubber 3D Opt. 184\n82221\nRubber 3D Opt. 184\n82251\nOptus_Ww\n152\n82252\nOptus_Ww\n152\n82253\nOptus_Ww\n152\n82254\nOptus_Ww\n152\n82270\nProlamp\n179\n82271\nProlamp\n179\n82272\nProlamp\n179\n82273\nProlamp\n179\n82383\nNavata_Optus\n142\n82384\nNavata_Optus\n142\n82385\nNavata_Optus\n142\n82386\nNavata_Optus\n142\n82389\nNavata_Optus\n142\n82390\nNavata_Optus\n142\n82391\nNavata_Optus\n142\n82392\nNavata_Optus\n142\n82395\nNavata_Optus\n142\n82396\nNavata_Optus\n142\n82397\nNavata_Optus\n142\n82398\nNavata_Optus\n142\n82458\nOrma_IJ\n196\n82521\nOrma_IJ\n196\n82525\nOrma_IJ\n196\n82609\nPound_T\n148\n82610\nPound_T\n148\n82631\nNav. P. Shaper\n136\n82632\nNav. P. Shaper\n136\n82846\nAccessories\n186\n82847\nAccessories\n186\n82899\nOptus_T\n155\n82900\nOptus_T\n155\n82902\nNavata_Optus\n142\n82903\nNavata_Optus\n142\n82905\nNavata_Optus\n142\n82906\nNavata_Optus\n142\n82908\nNavata_Optus\n142\n82909\nNavata_Optus\n142\n82912\nNav. P. Shaper\n136\n83034\nAccessories\n186\n83051\nNavata Base\n144\n83052\nNavata Base\n144\n83054\nNavata Base\n144\n83055\nNavata Base\n144\n",210,{"image":831,"text":832,"number":833},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.211.png","Code\nProduct\nPage\nCode\nProduct\nPage\nCode\nProduct\nPage\nCode\nProduct\nPage\n209\n83062\nElectronics\n161, 185, 189\n83100\nElectronics\n169, 198\n83101\nElectronics\n174, 198\n83102\nElectronics\n167, 169, 174\n83129\nAccessories\n189\n83131\nAccessories\n189\n83132\nAccessories\n189\n83133\nAccessories\n189\n83136\nAccessories\n189\n83242\nAccessories\n144\n83342\nAccessories\n156\n83343\nAccessories\n156\n83344\nAccessories\n156\n83345\nAccessories\n156\n83346\nAccessories\n156\n83347\nAccessories\n156\n83348\nAccessories\n156\n83349\nAccessories\n156\n83350\nAccessories\n156\n83351\nAccessories\n186\n83352\nAccessories\n186\n83359\nAccessories\n167\n83410\nAccessories\n198\n83411\nAccessories\n198\n84382\nHigh Wired\n181\n84385\nHigh Wired\n181\n84388\nHigh Wired\n181\n84446\nAccessories\n189\n84447\nAccessories\n189\n84456\nAccessories\n189\n84457\nAccessories\n189\n84561\nClivo_2\n169\n84562\nClivo_2\n169\n84563\nClivo_2\n169\n84564\nClivo_SL\n169\n84565\nClivo_SL\n169\n84566\nClivo_SL\n169\n84890\nAccessories\n169, 174\n89371\nAccessories\n169, 174\n89420\nElectronics\n167, 169, 174, \n198\n89421\nElectronics\n169, 196, 198\n89548\nAccessories\n187\n90403\nClivo_SL\n169\n90404\nClivo_SL\n169\n90519\nPeriskop\n171\n90520\nPeriskop\n171\n90521\nPeriskop\n171\n90522\nPeriskop\n171\n92023\nArchicove\n161\n92025\nArchicove\n161\n94110\nArchicove\n161\n94115\nArchicove\n161\n94908\nHigh Wired\n181\n94909\nHigh Wired\n181\n94910\nHigh Wired\n181\n97071\nClivo_2\n169\n97072\nClivo_2\n169\n97073\nClivo_2\n169\n98112\nAccessories\n169, 174\n98146\nAccessories\n179\n98147\nAccessories\n179\n98513\nAccessories\n169\n98549\nAccessories\n174\n98550\nAccessories\n174\n98588\nAccessories\n144\n98589\nAccessories\n144\n98624\nAccessories\n167, 174\n98669\nAccessories\n167\n98891\nAccessories\n189\n98892\nAccessories\n189\n98903\nAccessories\n189\n98904\nAccessories\n189\n98905\nAccessories\n189\n98941\nAccessories\n189\n98942\nAccessories\n189\n98943\nAccessories\n189\n98944\nAccessories\n189\n98954\nAccessories\n189\n98955\nAccessories\n189\n98990\nAccessories\n187\n99057\nAccessories\n179\n99112\nElectronics\n144\n99146\nElectronics\n144\n99179\nElectronics\n167, 169, \n174, 193, \n198\n99181\nElectronics\n174, 198\n99183\nElectronics\n169, 198\n99185\nElectronics\n174, 198\n99186\nElectronics\n167, 169, 174, \n193\n99330\nElectronics\n144\n99331\nElectronics\n161, 185, 189\n99332\nElectronics\n161, 185, 189\n99374\nElectronics\n161, 185, 189\n99520\nAccessories\n187\n99538\nAccessories\n187\n99539\nAccessories\n187\n99541\nAccessories\n186\n99549\nAccessories\n186\n99650\nAccessories\n198\n99651\nAccessories\n198\n99652\nAccessories\n198\n99688\nAccessories\n187\n99689\nAccessories\n187\n99721\nElectronics\n144\n99722\nElectronics\n161, 185, 189\n99730\nElectronics\n144\n99734\nElectronics\n144\n99773\nAccessories\n149\n99774\nAccessories\n149\n99775\nAccessories\n149\n99776\nAccessories\n149\n99777\nAccessories\n149\n99779\nAccessories\n149\n99780\nAccessories\n149\n99781\nAccessories\n149\n99782\nAccessories\n149\n99783\nAccessories\n149\n99802\nAccessories\n174\n99805\nAccessories\n149\n99806\nAccessories\n149\n99807\nAccessories\n149\n99827\nAccessories\n149\n99828\nAccessories\n145, 149\n99829\nAccessories\n145, 149\n99836\nAccessories\n156\n99841\nAccessories\n156\n99844\nAccessories\n145\n99853\nAccessories\n145, 149\n99910\nAccessories\n189\n99911\nAccessories\n189\n99936\nNavata Base\n144\n99938\nNavata Base\n144\n99941\nNavata Base\n144\n99943\nNavata Base\n144\n99946\nNavata Base\n144\n99948\nNavata Base\n144\n99951\nNavata Base\n144\n99953\nNavata Base\n144\nC-E100006\nElectronics\n144\nC-E100007\nElectronics\n144\nC-E100008\nElectronics\n144\nC-E100009\nElectronics\n144\nC-E700008\nElectronics\n148\nC-E700008\nElectronics\n156\nC-F400001\nAccessories\n186\nC-F400002\nAccessories\n186\nC-F400003\nAccessories\n186\nC-F400004\nAccessories\n186\nC-F500001\nAccessories\n169, 174\nC-F500002\nAccessories\n167, 174\nC-F500003\nAccessories\n167, 174\nC-K100007\nAccessories\n186\nC-K100008\nAccessories\n186\nC-K100009\nAccessories\n186\nC-K100010\nAccessories\n186\nC-U300013\nAccessories\n149, 156\nC-U300014\nAccessories\n149, 156\nC-U300015\nAccessories\n145, 149, 156\nC-U300016\nAccessories\n145, 149, 156\nC-U300017\nAccessories\n145, 149, 156\nC-U300023\nAccessories\n174\nC-U300024\nAccessories\n174\nC-U300026\nAccessories\n174\nC-U300027\nAccessories\n174\nC-U300029\nAccessories\n149, 156\nC-U300030\nAccessories\n149, 156\nC-U300031\nAccessories\n149, 156\nC-W200001\nAccessories\n187\nC-W200002\nAccessories\n187\nC-W200003\nAccessories\n187\nC-W200004\nAccessories\n187\nC-W200007\nAccessories\n187\nC-W200009\nAccessories\n187\nC00126\nRubber 3D\n183\nC00127\nRubber 3D\n183\nC00128\nRubber 3D\n183\nC00460\nRubber 3D\n184\nC00461\nRubber 3D\n184\nC00462\nRubber 3D\n184\nC00463\nRubber 2D_mini\n185\nC00464\nRubber 2D_mini\n185\nC00465\nRubber 2D_mini\n185\nC00474\nOptus_Ww\n152\nC00476\nOptus_Ww\n152\nC00486\nOptus_T\n155\nC00487\nPeriskop\n171\nC00488\nPeriskop\n171\nC00489\nPeriskop\n171\nC00490\nPeriskop\n171\nC00509\nRibbon\n189\nC00510\nRibbon\n189\nC00777\nPeriskop\n172\nC00778\nPeriskop\n172\nC00779\nPeriskop\n172\nC00780\nPeriskop\n172\nC00812\nPeriskop\n172\nC00813\nPeriskop\n172\nC00814\nPeriskop\n172\nC00815\nPeriskop\n172\nC00817\nPeriskop\n173\nC00818\nPeriskop\n173\nC00819\nPeriskop\n173\nC00820\nPeriskop\n173\nC00882\nProlamp\n179\nC00883\nProlamp\n179\nC00884\nProlamp\n179\nC00885\nProlamp\n179\n",211,{"image":835,"text":836,"number":837},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.212.png","Arte & Culto | Products\nFinishes\nWhite | RAL 9003 embossed\nBlack | RAL 9005 embossed\nGreen | RAL 6031\nGrey\nSand\nPrimer\nDark Brown\nChrome\nNickel\nBrass\nSteel\nAnodized Aluminium\n210\nWH\nBB\nGR\nGG\nSN\nPR\nDB\nCH\nNK\nBS\nIS\nAM\n",212,{"image":839,"text":840,"number":841},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.213.png","Anodized Black Aluminium\nSteel + Aluminium\nBrass + Aluminium\nConcrete | Technopolymer\nWhite | Polyethylene\nTransparent | PMMA\nSatin | PMMA\nOpaline | PMMA\nEmbossed | Policarbonato\nPVC\n211\nAK\nSA\nBM\nCC\nWH\nTR\nTN\nOP\nEB\nPVC\n",213,{"image":843,"text":844,"number":845},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.214.png","Push\nDIM\nPUSH\nDMX\nRDM\nRFDT\n100\nBUG\nRating\n0\n_I\nInox \n_IJ\nInox Adjustable\n_IL\nInox Opaline\n_Q\nSquare\n_QJ\nSquare Adjustable\n_QL\nSquare Opaline\n_R\nRound\n_T\nTrack\n_W\nWall\n_Ww\nWall Washer\n_Y\nAsymmetric\nArte & Culto | Products\nIndoor installation\nOutdoor installation\nWall mounting\nGround mounting\nCeiling mounting\nWall or ground mounting\nCeiling or wall mounting\nCeiling, wall or groung mounting\nCeiling or ground mounting\nProtection index (IEC 60529) \nagainst foreign bodies and water\nProduct designed to withstand \ntemporary immersions\nOptical compartment protecion index\nProtection index  (IEC 62262) \nagainst external mechanical impacts\nWalkable device\nCarriageable device\nStainless steel\nArticle protected by resin\nCircular installation hole\nSquare installation hole\nDirectional light beam\nTilting light beam\nEmergency version available\nPower supply cable included\nDevice suitable to be mounted on furniture\nDevice suitable to be mounted on normally \nflammable surfaces (EN 60598)\nDevice with built-in thermal protection\nDriver included\nDriver not included\nClass I - IEC protection class\nClass II - IEC protection class\nClass III - IEC protection class\nOver Voltage Protection\nSmartwave TM\nConstant Current\nConstant Voltage\nDimming with integrated potentiometer\nPush DIM\nPhase-cut\n1-10 V\nDigital Addressable Lighting Interface\nDigital Addressable Lighting Interface\nDigital Addressable Lighting Interface\nDMX 512\nRDM, DMX 512\nInfrared\nRadio frequency remote control\nP.I.R. Sensor\nPower Supply With Safety Transformer\nIndependent Power Supply\nThermally Protected Power Supply\nReinforced insulation\nBUG Rating 0\nUnified Glare Rating\nMotion sensor\nIntegrated antenna\nExternal Antenna\nThe power supply does not switch\ninto the installation hole\nPointToPoint DALI\nDimmering on single item\nAll articles belong to energy class A++. \nThe connection diagrams for electronics \narticles are included in the technical \ndocumentation.\nHow to read symbols & suffixes\n212\n",214,{"image":847,"text":848,"number":849},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.215.png","Adjustable Wall Washer\nAW\nAsymmetric Wall Washer\nWW\nHyper Spot\nHS\n1°-3°\nUltra Spot\nUS\n4°-6°\nNarrow Spot\nNS\n7°-9°\nSpot\nSP\n10°-19°\nFlood\nFL\n20°- 29°\nMedium Flood\nML\n30°- 39°\nMedium Wide Flood\nMW\n40°- 49°\nWide Flood\nWF\n50° - 70°\nExtra Wide Flood\nXF\n71°- 120°\nDiffused\nDI\n≥ 121°\nShaper Long Distance\nSL\nElliptic Narrow Spot  0\n0N\nWall Grazing effect (≤ 9°) x (\u003C20°)         \nElliptic Spot 0\n0S\nWall Grazing effect (10° - 19°) x (\u003C20°)         \nElliptic Flood 0\n0F\nWall Grazing effect (20° - 29°) x (\u003C20°)          \nElliptic Medium Flood  0\n0M\nWall Grazing effect (30° - 39°) x  (\u003C20°)         \nElliptic Medium Wide Flood 0\n0H\nWall Grazing effect (40° - 49°) x  (\u003C20°)          \nElliptic Wide Flood  0\n0W\nWall Grazing effect (50° - 70°) x (\u003C20°)          \nElliptic Extra Wide Flood  0\n0Z\nWall Grazing effect (≥71°) x (\u003C20°)          \nElliptic Narrow Spot  1\n1N\nWall Grazing effect (≤ 9°) x (20°- 40°)\nElliptic Spot 1\n1S\nWall Grazing effect (10° - 19°) x (20°- 40°) \nElliptic Flood 1\n1F\nWall Grazing effect (20°- 29°) x (20°- 40°)  \nElliptic Medium Flood  1\n1M\nWall Grazing effect (30°- 39°) x  (20°- 40°) \nElliptic Medium Wide Flood 1\n1H\nWall Grazing effect (40°- 49°) x  (20°- 40°)  \nElliptic Wide Flood  1\n1W\nWall Grazing effect (50°- 70°) x (20°- 40°) \nElliptic Extra Wide Flood  1\n1Z\nWall Grazing effect (≥71°) x (20°- 40°)\nElliptic Narrow Spot 2\nEN\nWall Grazing effect (≤ 9°) x (41°- 60°) \nElliptic Spot 2\nES\nWall Grazing effect (10° - 19°) x  (41°- 60°)\nElliptic Flood 2\nEF\nWall Grazing effect (20°- 29°) x  (41°- 60°) \nElliptic Medium Flood  2\nEM\nWall Grazing effect (30°- 39°) x  (41°- 60°)\nElliptic Medium Wide Flood 2\nEH\nWall Grazing effect (40°- 49°) x  (41°- 60°) \nElliptic Wide Flood  2\nEW\nWall Grazing effect (50°- 70°) x  (41°- 60°) \nElliptic Extra Wide Flood  2\nEZ\nWall Grazing effect (≥71°) x (41°- 60°) \nElliptic Narrow Spot 3\n3N\nWall Grazing effect (≤ 9°) x  >60° \nElliptic Spot 3\n3S\nWall Grazing effect (10° - 19°) x  >60°  \nElliptic Flood 3\n3F\nWall Grazing effect (20°- 29°) x  >60° \nElliptic Medium Flood  3\n3M\nWall Grazing effect (30°- 39°) x  >60°  \nElliptic Medium Wide Flood 3\n3H\nWall Grazing effect (40°- 49°) x  >60°  \nElliptic Wide Flood  3\n3W\nWall Grazing effect (50°- 70°) x  >60°  \nElliptic Extra Wide Flood  3\n3Z\n Wall Grazing effect (≥71°) x >60°  ng\nAdjustable Focus\nAF\nAdjustable Focus Elliptic\nAE\nHow to read optics\nNaming\nCode\nRange\n213\n",215,{"image":851,"text":852,"number":853},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.216.png","C00461 +  WH  +  W  +  DI = C00461WHWDI\nRubber 3D | LED strip | 48 V DC | 10 W\u002Fm\nMade\nin Italy\nC.V.\n>50\nR9\nIP67\nArte & Culto | Products\nFamily Name\nPictograms\nHow to read symbols\nLED Type\nPower\nElectronics\nCharacteristic\nImage of the product with relative \ntechnical dimension drawing plus \ninformation on the hole to be drilled\non the ceiling\nlm-S \nLumen \nSource\nlm-D \nLumen \nDelivery\n1st\nproduct \ncode\n1st\nproduct \ncode\n2nd\nﬁnish code\n2nd\ntemperature \ncode\n4rd\noptics \ncode\n3rd\noptics \ncode\nComposed \nﬁnished \ncode\nComposed \nﬁnished \ncode\nHow to configure a product: guide to the composition of the ﬁnished code\nAccessory \ncode\nAccessory \ndimensional info\nStandard code\nNew code\nElectronic and dimensional\ninformation\n3nd\ntemperature \ncode\nThe effective ﬂux (lm-D) is detected, taking as a reference the Flood optics and a \nneutral colour ﬁnish.For more in-depth details, please consult the technical data \nsheets on the website: linealight.com\nElectronics\ncode \nLegend\nHow to read product information\n214\nAL | 24V DC Mono Color\n | 24V DC Mono Color\n99374\n99331\n99332\n83062\n99722\nON\u002FOFF\n75 W\n210 x 48 x h 25\nON\u002FOFF\n150 W \n150 x 60 x h 35\n0\u002F1-10V\n150 W \n150 x 60 x h 35\nDALI\u002FPUSH\n150 W \n280 x 43 x h 30\nDALI\n120 W \n191 x 63 x h 38\n 56\n 70\n 70\n 29\n 73\nAL | 24V DC Mono Color\n | 24V DC Mono Color\n20\n20\n10\n10\nAM\n82846\n1000 mm - 20 mm - 10 mm\n1000 mm - 20 mm - 10 mm\n1000 mm - 20 mm - 10 mm\n1000 mm - 20 mm - 10 mm\n1000 mm - 20 mm - 10 mm\nAM\n82202\n2000 mm - 20 mm - 10 mm\n2000 mm - 20 mm - 10 mm\n99374\n2000 mm - 20 mm - 10 mm\n99374\n99331\n2000 mm - 20 mm - 10 mm\n99331\nsuitable for: Rubber 3D PROtection\nRubber 3D PROtection\n75 W\nRubber 3D PROtection\n75 W\nFinishes\nCct\nOptics\nWH\nWhite\nM 2700\nN\n4000\nDI Diffused\nBB\nBlack\nW 3000\nFin\nCct lm S - lm D\nOpt\nM\n5200 - 5200\n5710 - 5710\nN\n6280 - 6280\nC00461\nWH\nDI\nW\n82218  +  W  +  30 = 82218W30\nCct\nlm S - lm D\nOpt\nWH\nM\n6554 - 5431\n20\nBB\n82221\n6900 - 5716\nN\n7244 - 6001\n82218\nW\n30\n",216,{"image":855,"text":856,"number":857},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.217.png","215\n",217,{"image":859,"text":860,"number":861},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.218.png","Linea Light HQ Italy\nc\u002Fo Linea Light Srl\nVia Della Fornace 59\n31023 Castelminio di Resana TV\nItaly\nT +39 0423 7868\nE info@stilnovo.com\nLinea Light North-East Italy\nHope Center\nVia Medoaco 4 \n35134 Padova\nItaly\nT +39 049 7969440\nE info@linealightnordest.com\nLinea Light Deutschland\nc\u002Fo Linea Light Deutschland GmbH\nAktienstraße 214\n45473 Mülheim an der Ruhr\nGermany\nT +49 208 27379-0\nE service@linealight.de\nLinea Light Asia - Pacific\nLinea Light (Guangdong) Co. LTD\nNo. 7, Nanyi Huayuan Road, Industry Avenue,\n528478 Xiaolan Town, Zhongshan City,\nGuangdong Province - China\nPhone: +86 760 87618355\ninfo@linealight.com.cn\nLinea Light GCC\nc\u002Fo Linea Light GCC DMCC\nP.O. Box 125902 \nJumeirah Lake Towers JBC2 \n35th Floor Office 02\nDubai UAE\nT +971 4 4218275\nE info@linealight.ae\nLinea Light Milano\nVia Morimondo 26\nint. 17\u002FG\n20143 Milano MI\nItaly\nT +39 02 36750915\nE milano@linealight.com \nLinea Light UK\nc\u002Fo Linea Light UK Ltd\n52 Upper Street\nN10QH Islington London\nUnited Kingdom\nT +44 0203 6371983\nE info@linealight-uk.com\nLinea Light Spain\nc\u002Fo Linea Light Spain S.L.\nC\u002F Longares, 48\n28022 Madrid\nSpain\nT +34 912534773\nE gestion@linealight.com\nLinea Light Singapore\nc\u002Fo Linea Light Singapore PTE. LTD.\n21 Kaki Bukit Place, 5th Fl.\n416199 Singapore\nSingapore\nT +65 6908 5758\nE info.sg@linealight.com\nLinea Light Greece\n538 Vouliagmenis Ave. \n17456 Alimos Athens              \nGreece                  \nT +30 210 9940559\nE g.virinis@linealight.com\nLinea Light Roma\nc\u002Fo Linea Light Roma Srl\nVia La Spezia 34\n00182 Roma\nItaly\nT +39 06 68589134\nE info@linealightroma.com\nLinea Light France\nc\u002Fo Linea Light France Sas\nRue des Pays-Bas 12\n68310 Wittelsheim\nFrance\nT +33 389 75 52 23\nE info@linealight.fr\nLinea Light USA - Inter Lux\nc\u002Fo Inter-lux, LLC\n3741 Commerce Dr Suite 306-308,\nHalethorpe, MD 21227\nUSA\nT +1 410 381 1497\nE answers@inter-lux.com\nlinealight.com\nAddresses\n“Linea Light Group” reserves the right, without any advance notice, to change the characteristics of their products, as well as the availability of the same at any time. \nNo product, relative technical data, illustrations and information in the catalogue are binding for “Linea Light Group”. “Linea Light Group” will not be held liable for any \nillustration, text and\u002For translation errors. More product characteristics are contained in the relative technical data sheets and instruction sheets. This catalogue is \nprotected by copyright (law 22\u002F04\u002F1941 No. 633 and law 14\u002F12\u002F1942 No. 1485: this prohibits any reproduction, total or even partial).\nAll values indicated in the catalogue are measured values. There is a +\u002F- 10% tolerance for the flow, CCT and power data.\nThe indication of the Italian flag in this catalogue is purely indicative. The products could be of origins other than those indicated.\nThe drawings, the measurements, the materials and the colours in this catalogue are understood to be indicative. In the interest of the clientele, the company reserves the \nright to modify the models at any time and without any obligation of advance notice.\nPrinted in: December 2023\nFor further information please check the current i-LèD Professional catalogue\n216\n",218,{"image":863,"text":15,"number":864},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.219.png",219,{"image":866,"text":15,"number":867},"\u002Fmedia\u002Fimages\u002Fc5\u002Fe0f4c1897d0e821ceb6d841027a39c-28d05b0e7f.220.png",220,[],0,false,true,{"success":871,"data":873,"meta":1079,"count":1080,"next":1081,"previous":1082,"results":1114,"brand_chips":1175},[874,886,898,911,920,933,945,954,963,972,981,993,1002,1011,1020,1029,1042,1051,1061,1071],{"id":875,"title":876,"slug":877,"image":878,"source":879,"brand_name":880,"brand":881,"brand_slug":882,"file_size":883,"pages":884,"pages_count":400,"matched_pages":885,"match_count":869,"two_pages":870,"show_text":871},26599,"News 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