[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-landl-luceandlight-reference-book-60-2025":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":461},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":456,"matched_pages":457,"match_count":458,"two_pages":459,"show_text":460},24640,"Reference Book 6.0 2025","landl-luceandlight-reference-book-60-2025","\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F0a\u002F67160fb2a371cbc93592cb5264d934-28fa26d2e5.pdf","L&L Luce&Light",2265,"l-l-luce-light","42.2 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453],{"image":7,"text":15,"number":16},"Reference Book 6.0\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.3.png","004\nCategory Title\nReference Book\n6.0\n005\nL&L Luce&Light\nIntroduction \n005\nHistorical Buildings & Cultural Venues \n006\nHospitality  \n068\nResidential  \n110\nCorporate \n136\nPublic Spaces \n166\nIndex \n214\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.4.png","006\nReference Book\n6.0\n007\nL&L Luce&Light\nIntroduction\nL&L Luce&Light\nOur job is to light up your projects\nOur speciality is designing and producing lighting systems using \nLED technology. We are proud to be an authentic example, \nestablished in 2007, of the Made in Italy branding, with a flair for \ninnovation and a profound appreciation of architectural projects.\nOur lighting fixtures integrate perfectly with both indoor and \noutdoor spaces and surfaces to recreate natural architectural \nillumination. All our products are designed at our headquarters \nin Vicenza, Veneto, where our meticulous creative process \nguarantees the highest possible quality and the greatest, long-\nlasting reliability.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.5.png","Reference Book\n6.0\nHistorical Buildings & Cultural Venues\n008\n009\nL&L Luce&Light\nRoyal Saltworks \nArc-et-Senans, France \n008\nAbreuvoir de Marly \nMarly-le-Roi, France \n012\nThe Hellenic Parliament in Athens \nAthens, Greece \n016\nPersonal Structures – Beyond Boundaries \nVenice, Italy \n022\nTičan memorial area \nTičan, Croatia \n028\nBasilica of the National Shrine of the Blessed Virgin of Ta’ Pinu \nGħarb, Malta \n032\nFrauenkirche, Dresden \nDresden, Germany \n034\nFormer church of San Giovannello \nMarsala Italy \n038\nGrand Çamlıca Mosque \nIstanbul, Turkey \n042\nStele Dannunziana \nPescara, Italy \n046\nScaligero Castle in Malcesine \nVerona, Italy \n050\nHypogeum of Santa Maria in Stelle \nVerona, Italy \n054\nJuromenha Fortress \nAlandroal, Portugal \n058\nRocchetta Mattei \nGrizzana Morandi, Italy \n062\nCastello di San Giorgio, Ducale Palace \nMantova, Italy \n064\nHistorical Buildings &\nCultural Venues\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.6.png","Historical Buildings & Cultural Venues\n010\n011\nL&L Luce&Light\nRoyal Saltworks\nIn 1771, the French architect and town planner Claude Nicolas Ledoux, \none of the most important exponents of French and European \nneoclassical architecture, was appointed superintendent of the \nroyal saltworks under the reign of Louis XV and given the task of \nbuilding a new works between the villages of Arc and Senans. After \nhis first project was rejected by the king, Ledoux proposed a set \nof buildings arranged in a perfect double semicircle, with the east-\nwest diameter formed by the salt- production buildings. His design \nwas extremely rational, with a specific destination for each building \nand area. Its semicircular shape, composed of geometric rows and \nparterres, includes the Director’s House. Built at the centre of the \nradiating paths, it illustrates the architect’s aim of giving the Saline \nRoyale a “pure shape like that of the natural course of the sun”. This \nmix of architecture and landscaping was meticulously developed \nwith a balance and sense of proportion that has generated great \nbeauty.\nThis historical construction, studied in every school of architecture, \nwas taken in hand by the lighting designer Thierry Walger of Le Point \nLumineux in Besançon. He focused his efforts almost exclusively on \nthe architecture, leaving the large lawns and surrounding trees in a \nperfect, natural penumbra that makes the geometric parterres and \nconcentric rows stand out even further.\nWalger selected Tago 1.1, both with 29° optics and in the wall \ngrazing versions, to highlight the materials used by Ledoux and the \narchitectural details he created. Among these is the deep chiaroscuro \nof the French architect’s distinctive columns that alternate cylindrical \nand parallelepiped drums. Another is the Batiment des Gardes, with \nits monumental portico of Doric columns and its artificial grotto, \nwhich forms the entrance to the Saline Royale. To illuminate the \nlarge walls of the ten buildings surrounding the Director's House, the \nwall washer optics of Tago 1.1 and 1.3 were used.\nThe work carried out by Le Point Lumineux is a skilled design that \nemphasises the architecture of this UNESCO heritage site, while \nstill enhancing the gardens with a perfect, and perfectly fascinating, \npenumbra. Tago linear profiles with DALI-2 control answer the \nstudio’s intentions superbly thanks to their minimalist design, \nthe possibility of tilting the optics by ±20° and their LED sources’ \nfunctional anti-glare recessing.\nLocation \nArc-et-Senans, France\nApplication\nFacades\nLight planning\nLe Point Lumineux (Thierry Walger)\nPhotography \nArnaud Rinuccini\nRoyal Saltworks\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.7.png","Historical Buildings & Cultural Venues\n012\n013\nL&L Luce&Light\nRoyal Saltworks\nTago 1.1\npower: 24W\noptics: wall washer\u002F\nwall grazing \u002F 29° \nwith honeycomb louvre\ncolour temp.: 3000K\nTago 1.3\npower: 51W\noptics: wall washer\ncolour temp.: 3000K\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.8.png","Historical Buildings & Cultural Venues\n014\n015\nL&L Luce&Light\nAbreuvoir de Marly\nJust a few kilometres from Versailles, the remains of the Château \nde Marly, a former French royal residence, are located in what is \nnow Marly-le-Roi. This was a favourite retreat of Louis XIV, where he \ncould escape the formal rigours of the palace. Small rooms meant \nless company, and simplified protocol.\nWork began on the Château in spring 1679, in response to the king’s \nrequest for an isolated residence to be built on his property, in the \nwoods between the palace of Versailles and the Château de Saint-\nGermain-en-Laye. Marly was the perfect choice. The project, a \ncollaboration between the architect Jules Hardouin Mansart and \nthe painter Charles Le Brun, was officially opened in 1686, and the \nAbreuvoir de Marly, or “Marly horse trough”, was added in 1698. \nThis huge horse-watering pool was one of the most impressive \narchitectural and hydraulic structures of the 17th century. It was \nconceived as a picturesque pond where the king’s horses could stop \nto rest and water after hunting sessions in the nearby forest.\nThe setting is famed for its serene beauty and historical importance, \nreflecting the grandeur and sophistication of the Sun King’s reign. \nNo trace remains of the original castle, but the drinking pool has \nbeen beautifully preserved and has recently undergone a lighting \nupgrade. The lighting design from the Amocosy design studio has \nused L&L Luce&Light fixtures to restore the elegant and imposing \nappearance of former times, with Trevi 1.2 32W 24Vdc 3000K, \nunderwater linear profiles for pools and fountains, specially designed \nwith a 90° rotation and 60 cm telescopic bracket.\nThe drinking pool’s massive, solid structure is typical of 17th century \narchitecture, designed to withstand time and weathering. Now, \nit is emphasised by a soft, warm, diffuse light that envelops the \nstone and creates magnificent reflections in the water below. The \nentire structure is illuminated in a way that is in keeping both with \nthe grandiose aesthetics of the other buildings associated with \nVersailles and the reign of Louis XIV, and with the natural ambience \nof its surroundings.\nCuriosities\nThe Abreuvoir de Marly originally functioned as both a watering \nstation and a decorative element. The king wanted the construction \nto represent his power and artistic taste, and it incorporated \nsculptural elements such as the famous Chevaux de Marly horse \nstatues by Guillaume Coustou. While the original statues are now \nhoused in the Louvre in Paris, replicas still grace the site.\nThe large, semi-rectangular basin has a central ramp leading down \nto the water; the stone walls, with their strong, sturdy construction, \nlend solidity to this monumental drinking pool. The basin is shallow \nand built with a gentle slope to make it easier for horses to access \nthe water.\nThe abreuvoir was part of a complex water system that allowed the \nbasin to be filled with water from the Seine, channelled towards \nMarly via a system of pumps known as the Machine de Marly, a \ncontemporary masterpiece of hydraulic engineering.\nAbreuvoir de Marly\nLocation \nDomaine royal de Marly, \nMarly-le-Roi, France\nApplication\nFountains and swimming pools\nLight planning \nAmocosy\nPhotography\nArnaud Rinuccini\nTrevi 1.2\npower: 32W\noptics: diffuse\ncolour temp.: 3000K\nlength: 1803mm\nspecial accessory \nfor a 90° rotation \nand 60cm telescopic \nbracket\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.9.png","Historical Buildings & Cultural Venues\n016\n017\nL&L Luce&Light\nAbreuvoir de Marly\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.10.png","Historical Buildings & Cultural Venues\n018\n019\nL&L Luce&Light\nThe Hellenic Parliament in Athens\nThe Hellenic Parliament, housed in the Old Royal Palace in Athens’ \nSyntagma Square, is one of the most iconic symbols of modern \nGreece. The Royal Palace was built in 1843 to a design by Bavarian \narchitect Friedrich von Gärtner, and its imposing neoclassical \narchitecture dominates the square together with the Monument of \nthe Unknown Soldier.\nIn an innovative project by DANILOF light + perception studio, \nthe lighting for both the Parliament House and the Monument of \nthe Unknown Soldier. has recently been revised to complement \nthe architectural heritage and create a dynamic atmosphere that \nrespects the historical and environmental context.\nThe project, which won the Heritage Lighting Design Award at the \nLIT Lighting Design Awards, embraces an innovative approach that \ncombines aesthetics, functionality and respect for the environment \nto create a harmonious dialogue between light and architecture.\nThe main fixtures used include Lyss 2.0 Tunable White projectors \n(from 2700K to 4000K), strategically positioned on the windows to \nenhance the building’s original marble cornices. These fixtures have \ncustomized RAL finishes and are installed on bespoke bases to avoid \ndamaging the antique marble and allow the products’ orientation to \nbe easily adjusted according to the windows’ irregular planes. The \nbase enables the fixtures to be moved left or right and up or down to \nensure uniform illumination for each window.\nAkro projectors light the wall in the centre, with the Monument to the \nUnknown Soldier, while Neva linear profiles light the masonry at the \nend. With a colour temperature of 3500K, this lighting accentuates \nthe texture of the limestone walls, creating a three-dimensional \neffect that gives depth and harmony with the Monument of the \nUnknown Soldier.\nAll the lighting fixtures offer unique colour flexibility, enabling the \ncolour temperature to be changed to create fluid transitions and a \nvariety of scenic effects. From sundown, the light evolves gently \nthrough programmed lighting scenes with different intensities \nand temperatures, moving from cool white to warm white. After \nmidnight, the intelligent dimming system reduces lighting levels to \npreserve the night sky and respect the environment.\nIn addition, the fixtures are designed with precision optics and fitted \nwith anti-reflection components to minimize upward light spill and \nensure precise, responsible lighting. Visual harmony by day has \nbeen carefully considered, too: the fixtures’ customized finishes \nmake them almost invisible against the surfaces they are mounted \non, preserving the building’s aesthetic coherence.\nThis project is a shining example of how light can translate into a \nlanguage that enhances architecture and respects the landscape, \ntelling the story of a place and enriching its identity.\nLocation \nSyntagma Square, Athens, Greece\nApplication\nFacades\nLight planning\nDANILOF studio light + perception\nPhotography\nGavriil Papadiotis\nThe Hellenic \nParliament in Athens\nLyss 2.0\npower: 19W\noptics: 12°x160°\ncolour temp.: Tunable \nWhite 27000K-4000K\nfinish: RAL9002\nAkro 1.2\npower: 43W\noptics: optical range \n16°-42°, dimmable\ncolour temp.: 3500K\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.11.png","Historical Buildings & Cultural Venues\n020\n021\nL&L Luce&Light\nThe Hellenic Parliament in Athens\nGinko 4.0\npower: 25W\noptics: 12°, 13°x65°\u002F\n24°x69°- adjustable\ncolour temp.: 4000K\nfinish: anodized black\nGinko 1.0\npower: 7W\noptics: 16°x36° \ncolour temp.: 4000K \nfinish: anodized black\nGinko 2.0\npower: 7W\noptics: 13°x52° \ncolour temp.: 4000K\nfinish: anodized black\nNeva Mini 1\npower: 5.5W\noptics: 12°x40° \ncolour temp.: 3500K\nlength: 316mm\nNeva 2.0 \u002F 2.1 \u002F 2.2\npower: 11W\u002F16W\u002F27W\noptics: 10°x40° \ncolour temp.: 3500K\nlength: 677mm\u002F1037mm\u002F\n1758mm\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.12.png","Historical Buildings & Cultural Venues\n022\n023\nL&L Luce&Light\nThe Hellenic Parliament in Athens\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.13.png","Historical Buildings & Cultural Venues\n025\nL&L Luce&Light\n024\nL&L Luce&Light\nPersonal Structures – Beyond Boundaries\nLocation \nGiardini della Marinaressa, Venice\nApplication  \nLandscape, Museums and exhibitions\nConcurrently with the Venice Biennale, the Giardini della \nMarinaressa – public gardens located in the Castello district – are \ntransformed into a venue for collateral exhibitions. From April \nto November 2024, they are hosting a section of the Personal \nStructures – Beyond Boundaries group art exhibition organized by \nthe European Cultural Centre (ECC) in Venice.\nThe exhibition brings together more than 200 multidisciplinary \nartists and creatives from 51 countries, offering visitors a \nbroad spectrum of artistic narratives: a wealth of different and \nunconventional perspectives to encourage dialogue and exchange \nbetween cultures. The Levante section of the Giardini della \nMarinaressa houses 20 sculptural works by artists from all over the \nworld: an open-air exhibition to be admired while strolling along \nthe avenue that winds through the park, around its centuries-old \nmaritime pines.\nAs the sun sets over the lagoon, in evenings imbued with magic, \nour light draws attention to each work on show with the precise \nillumination of Reiko 2.0 and 3.0 projectors. Fitted with a variety of \noptics, these are fixed to the ground with stakes or to the tree trunks \nwith fastener straps. The fixtures’ jasper green and cor-ten finishes \nensure they blend perfectly with the natural surroundings.\nThe aluminium alloy body and AISI 316L stainless steel bracket \nmake the Reiko projectors particularly able to withstand weather \nand environmental conditions with a high risk of corrosion, such as \nthe salty and humid lagoon environment of Venice. To complete this \nurban and landscape lighting project, designed for our technical \nsponsorship, the avenue is lit from above with Ginko 3.0’s shadow-\neffect filter in order to recreate on the ground the dappled effect of \nlight shining through foliage.\nReiko 2.0\npower: 7W\noptics: 44°\u002F73°\ncolour temp.: 3000K\nfinish: jasper green\nspike for in-ground \ninstallation\nReiko 3.0\npower: 15W\noptics: 37°\u002F27°x64° \ncolour temp.: 3000K\nfinish: jasper green\nGinko 3.0\npower: 15W\noptics: sharp 48°,\nshadow-effect filter \ncolour temp.: 3000K\nfinish: anthracite\nfastener strap\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.14.png","Historical Buildings & Cultural Venues\n026\n027\nL&L Luce&Light\nPersonal Structures – Beyond Boundaries\nPhotography \nAlessio Tamborini\nPersonal Structures – Beyond Boundaries \nGiardini della Marinaressa\nRiva dei Sette Martiri, Venice\n20 April - 24 November 2024\nfrom 10 am to 8.30 pm\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.15.png","Historical Buildings & Cultural Venues\n028\n029\nL&L Luce&Light\nPersonal Structures – Beyond Boundaries\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.16.png","Historical Buildings & Cultural Venues\n030\n031\nL&L Luce&Light\nTičan memorial area\nHonouring the past with a play of lights\nThe Tičan memorial area, near the small town of Višnjan, \ncommemorates the 84 soldiers and civilians who sacrificed their \nlives on 11 September 1943 in the fight against Rommel’s “Afrika \nKorps” during the Second World War. This memorial site is a symbol \nof resistance and the fight for freedom, a testimony to a heroic act \nthat has left an indelible mark on the region’s history.\nThe monument, designed by the architect Zdenko Sila, is composed \nof seven blocks of Istrian stone, arranged freely in the space and \nengraved with symbols associated with work and the resistance \nmovement: a rake, a ploughshare, a hoe, a mallet, a pitchfork, a \nscraper, a scythe, an axe, a thistle and a digger. The seventh pillar \nbears an inscription commemorating the sacrifice of the fallen, a \ntestament to hope for future generations.\nTo honour this memory, the lighting was designed to emphasise \nthe symbols engraved in the stone blocks without detracting from \nthe monument’s solemnity. The lighting designers chose the Ginko \n3.5 projector whose innovative Light Shaper optics are able to \nproject precise light shapes – circles, squares, rectangles and other \ngeometric forms – with perfectly defined contours. This technology, \ncombined with a CRI of 90 for optimal colour rendering, has made \nit possible to illuminate each symbol exactly. The light adapts to \nthe different figures to frame the details without spilling into the \nsurrounding areas.\nA special 2200K LED colour was used to illuminate the memorial, \ndesigned to recall the warm tones of places of worship and create \nan intimate, contemplative atmosphere. The soft, non-glaring light \nenvelops the site in a warm luminosity that invites silence and \nstillness, blending harmoniously with the surrounding environment.\nThe result is lighting that enhances the site’s history and importance, \nwithout being intrusive or diverting attention from the monument’s \ndeep significance.\nTičan memorial area\nLocation \nTičan, Croatia\nApplication \nLandscape\nLight planning\nLight On\nPhotography\nKoridor 27\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.17.png","Historical Buildings & Cultural Venues\n032\n033\nL&L Luce&Light\nTičan memorial area\nGinko 3.5\npower: 15W\noptics: light shaper\ncolour temp.: 2200K\nfinish: corten\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.18.png","Historical Buildings & Cultural Venues\n034\n035\nL&L Luce&Light\nBasilica of the National Shrine of the Blessed Virgin of Ta’ Pinu\nBasilica of the National Shrine of \nthe Blessed Virgin of Ta’ Pinu\nThe lighting in this Roman Catholic basilica on the island of Gozo \nhas been refurbished in several stages over the last few years. The \nmost recent intervention involved the tiered facade, where various \narchitectural elements are highlighted by the new lighting. These \ninclude the pilasters, picked out by the light from Neva linear \nprofiles with 60 pitch and elliptical optics; the columns supporting \nthe arches at the entrances, whose contours are silhouetted against \na backlight; and the mullioned windows, whose internal profiles are \naccentuated by Lyss projectors.\nThe spacious churchyard features large Byzantine-style mosaics \nplaced on curved walls suggestive of the open arms of an embrace \nthat Pope Francis spoke of in 2017. The mosaics represent the \nmysteries of Christ's life condensed in the rosary and were made \nbetween 2015 and 2017 by the Centro Aletti in Rome. They are lit by \nprojectors placed between the benches. These make the red and \ngold inserts stand out particularly well, thanks to the high colour \nrendering index of the LED light sources.\nOn the raised area in front of the portico, three linear profiles are \nrecessed flush with the floor. These fixtures emit a diffuse light and \nare switched on during outdoor celebrations, when a temporary \naltar is set up to celebrate the services.\nLocation \nGħarb, Malta\nApplication \nFacades, Churches\nLight planning\nLight Design Solution\nPhotography\nAlan Carville\nNeva 1.0\npower: 18W\noptics: 10°x40°\ncolour temp.: 3000K\nRio 2.4\npower: 38W\ncolour temp.: 2800K\nLyss 1.0\npower: 5W\noptics: clear 10°x180°\ncolour temp.: 3000K\nfinish: white\nSpot 1.6\npower: 2W\noptics: 40°\ncolour temp.: 3000K\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.19.png","Historical Buildings & Cultural Venues\n037\nL&L Luce&Light\n036\nL&L Luce&Light\nFrauenkirche, \nDresden\nLocation \nNeumarkt, Dresden, Germany\nApplication \nFacades, Churches\nProject\nThomas Gottschlich\nPhotography\nRobert Gommlich\nThe Frauenkirche (Church of Our Lady) is one of the iconic images \nof Dresden, an emblem of resilience and rebirth that has established \nitself over time as a symbol of peace and unity. Built between 1726 \nand 1743 and designed by architect George Bähr, this extraordinary \nLutheran church is inspired by Italian Baroque architecture, with its \nmajestic dome that dominates the cityscape. Considered one of the \nmost beautiful Lutheran churches in Germany, the Frauenkirche is \na masterpiece of engineering and design, blending elegance and \nspirituality in an imposing yet harmonious structure.\nIn February 1945, following the World War II bombings that \ndevastated Dresden, the church collapsed under the extreme heat \nof the flames and remained a pile of rubble for almost half a century. \nDuring this time, the Frauenkirche was conserved as a war memorial \nand became a powerful symbol of pacifist protest.\nIn 1990, with German reunification, an ambitious reconstruction \nproject began, supported by Dresden citizens and international \ncontributions. Completed in 2005, the restoration returned the \nFrauenkirche to its former glory.\nTo enhance the steps up to the building’s entrance, a lighting design \nwas implemented that uses Litus 5.6 outdoor recessed fixtures with \n13°x52° optics adjustable by ±15° and a warm colour temperature \nof 2700K. This configuration provides delicate, precise illumination, \naccentuating the nuances of the sandstone and creating a \nharmonious and welcoming visual effect.\nIn this realisation, light is not only a functional element but also \nacquires a narrative value: it guides the gaze and emphasises the \nentrances’ architectural lines. The play of light and shadow created \nby the Litus 5.6 fixtures accentuates the three-dimensionality of \nthe steps while respecting the building’s sobriety and solemnity. In \naddition, the ability to adjust the fixtures’ orientation means that light \nspill can be avoided, ensuring precise lighting that blends perfectly \ninto its surroundings.\nLitus 5.6\npower: 5W\noptics: 13°x52°\ntiltable ±15° \ncolour temp.: 2700K\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.20.png","Historical Buildings & Cultural Venues\n038\n039\nL&L Luce&Light\nFrauenkirche, Dresden\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.21.png","Historical Buildings & Cultural Venues\n040\n041\nL&L Luce&Light\nFormer church of San Giovannello\nFormer church of San Giovannello\nDating from 1441 and located in a narrow street just outside the centre \nof Marsala, the church of San Giovannello was largely destroyed by \nbombs during World War II. Restoration work began in the 1950s, \noverseen by local architect Domenico Nuzzo, who focused on the \nportal in the Chiaramontan style. One of the characteristics of this \nGothic art movement that developed in Sicily during the 14th century \nis stone dressings with zigzag motifs on pointed archivolts.\nHowever, work stopped soon after and didn't start again until 2018, \nwhen the Marsala City Council appointed the architect Giovanni \nNuzzo to complete the project begun by his father. He quickly \nenlisted the help of a member of the third generation: his son \nDomenico.\nThe two architects again started restoring the entrance arch, \nheavily damaged not only by the bombing but also by exposure to \nexternal agents. They carried out a partial reconstruction using the \nancient technique of lost-wax casting. In the same spirit of making \nthe reconstruction obvious without altering the site’s historical \nauthenticity, the architects filled the void left by the collapsed \nperimeter wall with 53 vertical cor-ten panels. The spaces between \nthe panels allow passers-by to see inside, especially in the evening \nwhen the lighting is on and the panels are outlined against the light.\nSome of the cor-ten panels were bent to symbolise the suffering of \nthe war. There is a similar symbolic reference inside: in the apsidal \narea, which was also reconstructed as a cor-ten backdrop, a long \nvertical slit is made even more dramatic by the light of a Bright 1.0 \nrecessed fixture emphasising its inner thickness.\nAnd, at the end of 2020, it was light that returned this location to \nits place in the history of Marsala. Lighting breathes new life into \nthis structure, in its new form en plein air. The Neva linear profiles \nwith elliptical optics that light the external wall accentuate the \nremains of the variegated plaster, while the same profiles, with 11° \nnarrow optics, pick out the partially reconstructed internal pilasters, \nenhancing the cornices and arches.\nThe choice of cor-ten outdoor projectors mounted on posts \nreinforces the feel of a new urban look for the former church of San \nGiovannello: an indoor space that has become an outdoor one; a \nchurch that has become a space ready to welcome the social and \ncultural events of the Marsala community.\nLocation \nMarsala, Italy\nApplication \nFacades\nProject\narch. Giovanni Nuzzo,\narch. Domenico Nuzzo\nPhotography\nArchifotografia\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.22.png","Historical Buildings & Cultural Venues\n042\n043\nL&L Luce&Light\nFormer church of San Giovannello\nBright 1.0 \npower: 2W\noptics: 10°\ncolour temp.: 3000K\nNeva 1.0\npower: 18W\noptics: 10°x40°\ncolour temp.: 3000K\nNeva Mini 1\npower: 9W\noptics: 11°\ncolour temp.: 3000K\nProjector custom\nfor outdoor  \napplications \npower: 10W\noptics: 63°\ncolour temp.: 3000K\nfinish: cor-ten\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.23.png","Historical Buildings & Cultural Venues\n045\nL&L Luce&Light\n044\nL&L Luce&Light\nGrand Çamlıca Mosque\nLocation \nIstanbul, Turkey\nProject  \narch. Haci Mehmet Guner\nLight planning  \nUtku Baskir\nTurkey’s largest and most impressive mosque, located in the Asian \nquarter of Üsküdar in Istanbul, is the fruit of the Turkish government’s \ndesire to bear witness to the country’s economic greatness. This \nnew symbol, a building with modern connotations, houses not only \nthe area dedicated exclusively to worship and prayer but also an art \ngallery, a library, a conference room, an art studio, and the Museum \nof Islamic Civilization, which contains artefacts from Turkish Islamic \nculture.\nThe mosque’s main dome stands 72 metres high to symbolise the 72 \nnationalities that live in Istanbul.The building can hold up to 37,500 \npeople, while the main door is the largest opening of any place of \nworship in the world.\nThe Rio 2 diffuse-light recessed outdoor linear profiles featured \nare drive-over up to 5000 kg and have a customized construction \nenabling them to be mounted on a square outer casing. They have \nbeen installed in the large front courtyard, the esplanade and to the \nright of the mosque and mark out the wide paved surface in a strict \ngeometric pattern.\nThe light emitted by the profiles brings the large area to life and \ninteracts not only with the faithful but also with tourists and \nvisitors. In fact, the squares of light have taken on an “interactive” \nfunction that was completely unexpected, as they create a sort of \nluminous podium perfect for selfies and photographs against the \nstunning background of the magnificent mosque. This ambitious \nlighting project has achieved its objective of creating a significant \nexperience not only inside the space dedicated to silence and prayer \nbut also outside.\nA number of Siri projectors, with rounded angles and anti-glare \nrecessed optics, have been used to light the trees in the garden to \nthe left of the mosque, giving volume to the green foliage: a very \nmoving effect, in perfect symbiosis with the atmosphere of the place.\nSiri 3.0 custom\npower: 23W\noptics: 10°x45°\ncolour temp.: 2700K\nfinish: cor-ten\ncustomized ver. DALI\nRio \u002F Rio 2 custom\npower: 19W\u002Fm\ncolour temp.: 2200K\nwith customized \ninstallation\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.24.png","Historical Buildings & Cultural Venues\n046\n047\nL&L Luce&Light\nGrand Çamlıca Mosque\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.25.png","Historical Buildings & Cultural Venues\n048\n049\nL&L Luce&Light\nStele Dannunziana\nThe imposing Stele Dannunziana towers above the Nature Reserve \nPineta Dannunziana, an oasis of peace in the heart of the city of \nPescara. The 67-metre-high obelisk was designed and built in just \ntwo months by the Pescara sculptor, engineer and artist Vicentino \nMichetti in 1963, to mark the 100th anniversary of the birth of the \ngreat poet Gabriele D’Annunzio. The distinctive monument, a symbol \nof the city’s identity, stands in an open-air theatre on the edge of the \npine wood and is made of reinforced concrete with a triangular star \nfloor plan. Its surface is engraved with abstract geometric bas-reliefs \ninspired by the events in D’Annunzio’s life and by his most famous \nworks. The stele echoes previous and contemporary monuments \ndedicated to prominent figures. It owes its aesthetics to reinforced \nconcrete, since it has a marked tapering that comes from three \nreinforced concrete “roots” that seem to protrude from the ground.\nThe obelisk’s lighting was upgraded in collaboration with L&L \nLuce&Light. The use of Colorado outdoor linear profiles with built-in \n230Vac power supply, capable of lighting particularly tall buildings, \nmade it possible to accentuate the majesty and grandeur of the \nStele. This was further facilitated by the adjustability of the lighting \nbody on the Colorado 6.2 version, with 15°and 25° optics, which is \nsurface mounted with brackets with two pivot points. The coloured \nlight scenes are courtesy of multicolour high-intensity power RGBW \nLEDs and can be controlled through the DMX+RDM protocol. \nThe results are particularly atmospheric and affecting thanks to \nthe fixtures’ extraordinary colour mixing and excellent lighting \nperformance, while recessed optics ensure better visual comfort.\nInstallation in harsh saline environments such as this one is possible \nbecause of the combination of a body in Anticorodal low-copper-\ncontent aluminium, stainless steel brackets, and technopolymer \nend caps, ensuring excellent heat dissipation and outstanding \ncorrosion resistance. In addition, the screen in grey-serigraphed \nand transparent extra-clear glass guarantees impact and scratch \nresistance (IK10).\nLocation \nPescara, Italy\nApplication\nPaths and steps, Museums and exhibitions\nPhotography\nFabio Di Carlo\nStele Dannunziana\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.26.png","Historical Buildings & Cultural Venues\n050\n051\nL&L Luce&Light\nStele Dannunziana\nColorado 6.2\npower: 85W\noptics: 15°\u002F25° \nLED colour: RGBW\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.27.png","Historical Buildings & Cultural Venues\n053\nL&L Luce&Light\n052\nL&L Luce&Light\nScaligero Castle in Malcesine\nLocation \nMalcesine, Verona, Italy\nApplication  \nPaths and steps, Facades\nLight planning\nlucearchitettura  \n(Lorella Marconi, Cinzia Todeschini)\nPhotography\nAlessio Tamborini\nOverlooking the north-eastern shore of Lake Garda, the Scaligero \nCastle in Malcesine, with its roots in the Middle Ages but dominated \nin later centuries by the Venetians, French and Austrians, has \nrecently undergone a lighting redevelopment. The lighting design, \nthe work of Lucearchitettura, has made the fortified structure even \nmore captivating.\nBuilt on three levels, accessible by internal paths, the castle features \na tower with an irregular pentagonal floor plan and a casermetta (the \nPalazzo Veneziano), a lower building that once housed the castle \nguards. A little further on, a balcony juts out over the lake, 24 metres \nabove the water’s surface, allowing an expansive, evocative view of \nthe lake and the surrounding mountains.\nThe castle is accessed through a new entrance, splendidly framed \nin light from Bright 2.4 fixtures, 5W 3000K 45° CRI>90, with \nbuilt-in anti-glare hoods. Recessed into the ground at the feet \nof the entrance’s two successive arches, the fixtures create \ndepth, highlighting the cannonballs’ rounded forms with dramatic \nchiaroscuro effects.\nBeyond the entrance, two Ginko 2.0 projectors are installed in the \nwall: 5W 3000K and 4000K CRI>90, with 13°x52° elliptical optics \nin the first and 45° optics in the second, and asymmetrical snoots \non both. They masterfully illuminate remnants of frescoes, probably \nthe remains of a Scaligeri chapel. In the north-eastern corner of the \ncourtyard, at the base of the tower, the same fixture, this time in \na 3000K version with 45° optics, illuminates a 14th-century fresco \ndepicting the Madonna and Child.\nRondò 2.1 step lights, 2W 3000K, with radial optics, are installed \nin the ground to illuminate the passageway connecting the first \ncourtyard to the second, on the exterior of the Scaligeri residence, \nwith their light extending to the low wall in front. The same fixtures \nlight the perimeter of a raised space known as Rivellino, from which \nthe village, lake and western flank of Mount Baldo can be admired. \nToday it is used to celebrate fairytale weddings, with a breathtaking \nview of Lake Garda. The passageways with vaulted ceilings are lit by \nLitus 1.6 recessed fixtures, 3.5W with diffuse optics\nRondò 2.1\npower: 2W\noptics: radial \ncolour temp.: 3000K\nfinish: anthracite\nBright 2.4\npower: 5W\noptics: 45° \ncolour temp.: 3000K\nfinish: stainless steel\nanti-glare screen\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.28.png","Historical Buildings & Cultural Venues\n054\n055\nL&L Luce&Light\nScaligero Castle in Malcesine\nThe third courtyard, the highest and northernmost, is reached by a \nramp and through an impressive Scaligeri portal. Here, Ginko 1.0 \nprojectors, embedded in the parapets, emphasise the stone’s three-\ndimensionality and create a pattern of light on the wall below.\nSuch a complex design required a multi-level approach that fully \nrespected the site and the surrounding environment, taking into \naccount both the building’s aesthetics and monumental nature, \nand the functional flow within the castle. Lucearchitettura’s \nexperience with restoring historic buildings and extreme sensitivity \nto the ancient site have given the entire castle a fresh look with a \nmore respectful, restrained lighting scheme that doesn’t alter the \nlandscape’s appearance. The small Ginko 1.0 projectors, 3.5W \n3000K, with 58° optics, are a striking example of this. Completely \ncontained in the thickness of the uprights under the handrail of the \nparapets, and with their anthracite finish helping them meld into the \narchitecture, they create rhythm, spreading a soft light that caresses \nthe pathways and extends to the opposite wall.\nA soft light was also used for the two imposing 12-metre-high facades \nof the Palazzo Veneziano facing the lake and the Palazzo Scaligero in \nthe intermediate courtyard. Stainless steel Stra 5.0 fixtures, 37W, in \na customized Tunable White version (3000K–5000K), are recessed \ninto the ground at a distance that reduces the contrasts of light and \nshadow produced by the stone’s irregular surface. Their wall washer \noptics efficiently direct the light output towards the facade and up \nto the cornice, emphasizing the height of the walls.\nLitus 1.6\npower: 3.5W\noptics: diffuse\ncolour temp.: 3000k\nStra 5.0 custom\npower: 37W\noptics: wall washer \ncolour temp.: Tunable \nWhite 3000K- 5000K\nIP68 outer casing\nGinko 1.0\npower: 3.5W\noptics: 58° \ncolour temp.: 3000K\nfinish: anthracite\nGinko 2.0\npower: 5W\noptics: 45°\u002F \n13°x52°\u002F34°\ncolour temp.: 3000K\nfinish: anthracite\nasymmetrical snoot\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.29.png","Historical Buildings & Cultural Venues\n056\n057\nL&L Luce&Light\nHypogeum of Santa Maria in Stelle\nHypogeum of Santa Maria in Stelle\nThe hypogeum of Santa Maria in Stelle, located below the church of \nSanta Maria Assunta, in the heart of the Valpantena valley just east \nof Verona, is a very special archaeological site. It started as a Roman \naqueduct built to capture the water from the spring that flows in \nthat area. It has undergone many changes over the centuries, from a \npagan sanctuary dedicated to water nymphs in the 3rd century AD \nto an early Christian place of worship and a mediaeval pilgrimage \ndestination. In the 9th century, the hypogeum was consecrated by \nPope Urban III and made suitable for liturgical celebrations.\nIn 2020, in the final stage of a lengthy restoration project, the new \nlighting system was designed by Lucearchitettura of Verona, lighting \ndesigners Cinzia Todeschini and Lorella Marconi. The project’s initial \nstudy and development was made possible by the collaboration of \nIng. Luigi Antolini as a historical consultant for the site. The lighting \nsystem was designed to take visitors – a maximum of four at a time \nto keep CO2 levels under control – on an experiential journey. The \nlights, activated by the guide with an app, illuminate one scenario at \na time, magically revealing the story.\nA flight of stairs connects the entrance to the subterranean complex. \nAt the foot of the stairs, a statue of Publius Pomponius Cornelius, \nthe location’s creator, is fully illuminated thanks to the 13°x52° \nelliptical optics of the Ginko 2.0 projector. In the passage, an indirect, \ndiffuse light, dimmed to 30% and directed downwards, creates a \ncontemplative environment that prepares visitors for the frescoed \nscenes. A single Ginko 1.0 projector (3.5W, 36°) shines a grazing \nlight on a precise point on the wall halfway along the route, revealing \nthe first important evidence of the hypogeum's transformation from \na pagan place to a sacred one: an engraving made by Bishop Zeno \ndepicting the Chi Rho, the early Christian monogram cross While \nyou continue along the conduit towards the atrium, the latter is \nshrouded in darkness to emphasise the tunnel’s visual continuation \non the other side, where it is lit with a blue light to evoke the water \nthat still flows, but whose only sign now is a gurgling sound. As \nyou step into the atrium, the lights come up on the magnificently \nfrescoed vault.\nHere, as elsewhere, the significant constraints that an archaeological \nsite of this kind brings with it have been skilfully overcome thanks \nto the creation of pedestals designed by Lucearchitettura. In this \nspace, in fact – the first room with catechetical scenes and with a \ndecorated ceiling – the vault and frescoes are lit by a number of \nGinko 2.0 projectors (7W CRI >90 3000K, 34° and 45°), mounted \non 900mm cor-ten-painted stainless steel poles positioned at the \nfour corners of the room. The fixtures are fitted with snoots to avoid \ndazzling anyone standing close to them.\nThe southern cell embodies the hypogeum’s dual soul: it contains \na Roman altar with two inscriptions, pagan on the front, facing \nthe entrance, and Christian on the back. It is set off with dramatic \nbilateral lighting through the use of two narrow-beam (11°) projectors. \nThe north cell is the better preserved and has a unique subject on the \nceiling: a motif of clay vaulting tubes, the building elements used in \nthe construction of vaults and domes. To light the works in the north \ncell, two free-standing pedestals were used, equipped with nine \nprojectors with different light emissions and colour temperatures.\nThe reliability and resistance to oxidation and corrosion of the \nmaterial used in L&L Luce&Light's lighting fixtures were the factors \nthat led to the choice of Ginko projectors for this location with its \nhigh humidity percentage.\nLocation  \nVerona, Italy\nApplication  \nMuseums and exhibitions\nLight planning & Design\nlucearchitettura\n(Lorella Marconi, Cinzia Todeschini)\nHistorical consultation \ning. Luigi Antolini\nPhotography \nDaniele Cortese\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.30.png","Historical Buildings & Cultural Venues\n058\n059\nL&L Luce&Light\nHypogeum of Santa Maria in Stelle\npedestals designed by lucearchitettura\nGinko 1.0\npower: 3.5W\noptics: 36° \ncolour temp.: 3000K\nfinish: cor-ten\nGinko 2.0\npower: 7W\noptics: 8°\u002F13°x52° \ncolour temp.: 3000K\nfinish: cor-ten\nGinko 2.2\npower: 5W\noptics: 34° \nLED colour: RGB\nfinish: cor-ten\nGinko custom\npower: 2.5W-25W\noptics: 11°-17°-34°-45°-68° \ncolour temp.: 3000K-4000K\nfinish: cor-ten\nstandard snoot\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.31.png","Historical Buildings & Cultural Venues\n060\n061\nL&L Luce&Light\nJuromenha Fortress\nJuromenha Fortress, in the municipality of Alandroal, is a monument \nof great historical value that has gone through several transformations \nover the centuries. Dating back to the Roman occupation, it played \na crucial military role during the Islamic period and was conquered \nby the first Portuguese king in the 12th century. Its architecture has \nundergone work numerous times, particularly after the devastating \nearthquake of 1755. Today, the fortress stands majestically on the \nright bank of the Guadiana River, on the natural border between \nPortugal and Spain, in a strategic position that allows visitors to \nadmire the landscape around it in every direction.\nAs the fortress stands in the Dark Sky Alqueva Reserve, a protected \narea committed to preserving the natural night sky, lighting it \npresented a fascinating challenge. The project was carried out in \ncollaboration with a team from the Lisbon School of Architecture, \nand it aimed to enhance the restoration and ensure the monument \ncould be seen from a distance without compromising the integrity of \nthe surrounding environment or the visibility of the starry night skies.\nFrom the outset, the design team planned to use warm lighting \n(2700K for the exterior walls and 3000K for the interior and the \nchurch), chosen to respect the limits for light pollution while \nstill guaranteeing visitor safety. Light intensity was reduced to a \nminimum. The light output was precisely distributed by Ginko 2.0 \nfixtures, which were used with various optics, including elliptical \nones. Horizontal elliptical optics were used along the exterior walls \nto ensure maximum uniformity, while vertical light beams were \nused for the towers and prominent corners. To further optimise \nlight management, honeycomb louvres were built into the fixtures \nJuromenha Fortress: Historical heritage  \nenhanced by sustainable lighting\nLocation \nJuromenha, Alandroal, Portugal\nApplication \nFacades\nLight planning \nPedro Telhado, Light2Life\nPhotography \nHelena Martins\nto reduce glare. These solutions have ensured uniform, efficient \nlighting that minimises light spills.\nThe lighting tests conducted on Portugal’s National Castle Day \nconfirmed the choice of technological solutions, which strictly \ncomply with the Dark Sky Reserve standards. The use of finishes \nsuch as corten for the poles and the fixtures, together with the \ncareful management of luminous fluxes, has guaranteed a perfect \nbalance between enhancing the historical heritage and respecting \nthe natural environment.\nThis project perfectly demonstrates how responsible, carefully \ndesigned lighting can protect historical heritage and respect the \nenvironment while at the same time offering a unique experience to \nvisitors to the Juromenha Fortress, bringing out its beauty without \ncompromising the natural night sky.\n“Light2Life has worked with the Dark Sky Reserve team for many \nyears. For the Fortaleza de Juromenha, the goal was to illuminate the \nbuilding so that it would stand out for locals, the surrounding cities \nand visitors, while respecting the extremely sensitive environment \nof the Dark Sky Alqueva Reserve. The colour temperature was set at \n2700K from the outset, and lux levels were adjusted after numerous \ndetailed light tests. The final solution involved the use of 4-metre-\nlong square corten light poles, with several Ginko 2.0 fixtures \ninstalled on all four sides. To ensure the greatest possible uniformity \nalong all the outer walls, we used horizontal elliptical optics, while \nvertical optics were used to highlight the main corners and towers.”– \nPedro Telhado, Lighting Designer at Light2Life\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.32.png","Historical Buildings & Cultural Venues\n062\n063\nL&L Luce&Light\nJuromenha Fortress\nLinear 2.1\npower: 4W\noptics: asymmetrical \ncolour temp.: 2700K \nfinish: cor-ten\nGinko 2.0\npower: 7W\noptics: 68°\u002F\n13°x52°\u002F54°X15° \ncolour temp.: 2700K \nfinish: cor-ten\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.33.png","Historical Buildings & Cultural Venues\n065\nL&L Luce&Light\n064\nL&L Luce&Light\nRocchetta Mattei\nLocation \nGrizzana Morandi, Bologna, Italy\nApplication \nMuseums and exhibitions\nLight planning\narch. Beatrice Ferrieri\nPhotography \nFabio Bascetta\nAn enchanting labyrinth of towers, monumental staircases, \nreception rooms and private quarters that reference different styles. \nA fairytale palace that evokes mysterious emotions. This is the \neclectic Rocchetta Mattei castle, located on the Northern Apennine \nMountains and named after Count Cesare Mattei, who had it built in \nthe 19th century on the ruins of the 13th-century Rocca di Savignano.\nIt is an architectural wonder, designed to complement Count Mattei’s \neccentric character and personality, in a multifaceted symphony \nof open and closed spaces that were conceived as an alternative \nto everyday life, a very personal escape from the industrial city of \nthe late 1800s. The spaces are interpreted in a style that aims to be \nneo-mediaeval, but does not reject Moorish inspiration, and fiery \nFlorentine, neo-romantic, Arab and Slavic influences.\nThe lighting design, entrusted to architect and lighting designer \nBeatrice Ferrieri, was developed with the aim of using light to guide, \norient and enrapture visitors to this monumental maze of spaces that \ncommunicate with each other in a most unusual manner.\nInside the chapel room, Arabic Islamic elements, such as the arches \ninspired by those of the Mezquita in Cordova, interact with elements \nof the Italian mediaeval architectural tradition. Positioned on \nperforated brackets, compact Spot 1.0 projectors, with 3000K light \nand 40° optics, highlight the room’s sumptuous details, enhancing \nthe various theatrical effects charged with multiple meanings, \nRocchetta Mattei’s true stylistic hallmark.\nSpot 1.0\npower: 2W\noptics: 40°\ncolour temp.: 3000k\nfinish: stainless steel\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.34.png","Historical Buildings & Cultural Venues\n066\n067\nL&L Luce&Light\nCastello di San Giorgio, Ducale Palace\nCastello di San Giorgio, Ducale Palace\nLighting the new exhibition at the Castello di San Giorgio\nStanding in the grounds of the Palazzo Ducale in Mantua, the Castello \ndi San Giorgio is hosting a new exhibition that tells the story of the \nMantuan Renaissance through more than seventy works that include \npaintings, sculptures and reliefs. This visual journey brings to life the \ngrandeur of an era in which the city of Mantua became a reference \npoint for the arts, with masters such as Andrea Mantegna leaving an \nindelible mark on the history of art. To enhance every detail without \ncompromising the castle’s ambience, a carefully calibrated museum \nlighting system has been designed, using Krill projectors for the \ninterior spaces and Spot projectors for the external courtyard. These \nminimalist, compact fixtures precisely shape the light, revealing the \ndepth of the works without altering their visual integrity. Krill fixtures, \nwith their controlled beam, precisely illuminate the works on display \ninside, while Spot projectors, installed on the columns outside, \nenhance the sculptures and historical remains along the corridors, as \nwell as highlighting the arches and frescoes of the portico, restoring \nthe majesty of the Renaissance architecture.\nThe lighting fixtures’ 3000K colour temperature has been chosen \nto emphasise the warm tones of the works, while their high colour \nrendering index (CRI90) ensures a perfect rendering of the colour \nshades, faithfully revealing every detail. The use of narrow, well-\ndefined beams of light guides the visitor’s gaze, emphasising the \ndetails on the sculptures and bringing out the three-dimensionality of \nthe works. The fixtures’ careful positioning guarantees optimal visual \ncomfort, avoiding glare and light spill, and offering an immersive \nmuseum experience that fully respects the artistic heritage. During \nthe design phase, every detail was carefully studied to guarantee \nthe optimal arrangement of the lighting fixtures based on the \nspecific needs of each space. The lighting in the exhibition areas is \ndesigned to enhance every element, from monumental works to the \nsmallest objects. During installation, the position of each fixture was \naccurately adjusted to ensure uniform light distribution, minimising \nunwanted shadows and reflections, and ensuring clear and precise \nillumination of each work. Finishes were selected based on the \narchitectural context: black and white for the Krill projectors, while \nthe Spot fixtures have a customized Antique white finish, chosen to \nblend in with the historical architecture. \nThanks to meticulously designed lighting, the new exhibition at the \nCastello di San Giorgio comes to life under a light that respects, \nenhances and guides the exploration of the artistic and architectural \nheritage of the Mantuan Renaissance.\nSpot 3.4\npower: 15W\noptics: 39°\u002F55° \ncolour temp.: 3000K\nfinish: RAL9001\nSpot 4.4\npower: 22W\noptics: 56°\ncolour temp.: 3000K\nfinish: RAL9001\nLocation \nMantova, Italy\nApplication \nMuseums and exhibitions\nPhotography \nGermano Borrelli\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.35.png","Historical Buildings & Cultural Venues\n068\n069\nL&L Luce&Light\nCastello di San Giorgio, Ducale Palace\nKrill 3.0\npower: 4.5W\noptics: 16°\u002F23°\u002F  \n \n33°\u002F42°\ncolour temp.: 3000K\nfinish: black\nKrill 4.0\npower: 9W\noptics: 21x55° \ncolour temp.: 3000K\nfinish: black\nKrill 4.4\npower: 9W\noptics: 17°-39° \ncolour temp.: 3000K\nfinish: black\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.36.png","Reference Book\n6.0\nHospitality\n070\n071\nL&L Luce&Light\nThe Editory Riverside Santa Apolónia Hotel \nLisbon, Portugal \n070\nThe Sculpture Forest, The Well spa & hotel \nSofiemyr, Norway \n074\nDuckpin \nOslo, Norway \n078\nLa Villa Madie \nCassis, France \n080 \nWinery in Colceresa \nColceresa, Italy \n084\nMagari Estates Hotel \nVerona, Italy \n090\nFormer Convent of San Panfilo \nPescara, Italy \n094\nBessaHotel Baixa \nPorto, Portugal \n098\nHotel Bristol \nOslo, Norway \n102\nBotaniq Castle \nTura, Hungary \n106\nHospitality\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.37.png","073\nHospitality\nL&L Luce&Light\n072\nL&L Luce&Light\nThe Editory Riverside Santa Apolónia Hotel\nLocation \nLisbon, Portugal\nApplication \nFacades\nProject\nSaraiva+Associados\nLight planning\nAstratec\nThe five-star Editory Riverside Hotel is housed in the Santa Apolónia \nstation, one of Lisbon’s most emblematic buildings. The station is \nPortugal’s oldest railway terminal and still sees countless travellers \npassing through it every day.\nIn giving it a new lease of life in the hospitality sector, the architectural \npractice of Saraiva+Associados developed the concept starting \nfrom the idea of this place as the outward and return point of a train \njourney. The interior design and the furnishings call to mind tales of \ndepartures, goodbyes, migrations, adventures, homecomings and \nnew beginnings.The architectural project took care to preserve the \ncharacteristic features of this Neoclassical building, built in 1865. \nThese features include the clean lines of the facade, now an iron \noxide colour that contrasts with and emphasises the stone details.\nThe facade lighting, designed by Astratec lighting consultants, uses \na two-part lighting scheme to underline its architectural shapes \nsimply and elegantly. The first marks the vertical lines of the angular \nashlar work with Intono 2.1 wall-mounted fixtures with 11° optics. The \nsame narrow beam is used in the Spot 1.0 projectors on the sides \nof the tall windows that open onto the balconies on the first floor. \nThe second part of the scheme uses the semicircular light of Lyss \nprojectors to outline the internal profiles of both the entrance arches \nat the corner of the building and the windows on the first floor. The \nlatter are lit by the compact version Lyss Mini 1.0, tucked away out \nof sight in the corners of the sills. Finally, Spot 1.0 projectors pick \nout the inner perimeters of the two gables housing the large clocks.\nIntono 2.1\npower: 6W\noptics: 11° \ncolour temp.: 3000K\nfinish: white\nLyss 1.0\npower: 7W\noptics: satin 20°x180° \ncolour temp.: 2700K\nfinish: grey\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.38.png","074\n075\nHospitality\nL&L Luce&Light\nThe Editory Riverside Santa Apolonia Hotel\nPhotography \nNicole Sánchez\nLyss Mini\npower: 3W\noptics: satin 9°x160° \ncolour temp.: 3000K\nfinish: white\nwith base for corners\nSpot 1.0\npower: 2W\noptics: 10° \ncolour temp.: 3000K\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.39.png","077\nHospitality\nL&L Luce&Light\n076\nL&L Luce&Light\nThe luxurious The Well spa and hotel is located just a few minutes \nfrom the centre of Oslo. At 10,500 m2, it is Scandinavia’s largest \nspa and bathing centre, with 11 indoor and outdoor pools, 15 saunas \nand steam rooms, over 100 showers, waterfalls, a Japanese bath \nhouse, a Turkish hammam, rhassoul treatments and numerous \nrelaxation rooms. The Well also offers fine dining, and guests can \nenjoy traditional and fusion cuisine interspersed with moments \nof relaxation in a complex entirely dedicated to their physical and \npsychological wellbeing.\nThe largest resort in the Nordic region is nestled in the heart of a \npeaceful pine forest. The rooms are decorated in a Norwegian \nstyle with meticulous attention to every detail. While each one is \ndifferent, they all face onto the forest, creating a connection with \nthe vegetation. The proximity to this vast coniferous forest, which \nchanges with the seasons almost like a living work of art, was an \nimportant consideration in the entire process of building the hotel \nand offering the wellbeing that comes from a total immersion in \nnature. Influenced by spa traditions and culture from all over the \nworld, the resort provides a tranquil space that nurtures your mind, \nbody and soul.\nIn the wooded area, 30 life-size sculptures have been scattered \nstrategically along a lighted pathway. The trail, which is about 300 \nmetres long, was given emphasis with a design by SML Lighting \nand the choice of Linear 2.1 outdoor bollards, 8.5W 3000K, with \nan asymmetrical light output, a custom height of 1000 mm and \nanthracite finish in a customized DALI version, which demarcate \nand illuminate the sinuously curved path.\nTo light the statues, Ginko 2.0 projectors, 7W 24Vdc 3000K, \nwere installed with 34° and 45° optics, honeycomb louvres and \nasymmetrical snoots. Two different installation methods were \nused for the fixtures: mounted on the ground with stakes or fixed \nto tree trunks with fastener straps, in order to obtain two different \nlighting effects. Ginko projectors were specifically designed to light \nplants, trees and features in gardens and parks, and they offer great \nversatility and a variety of light outputs, while their body is made \nof low-copper-content aluminium alloy for excellent resistance to \ncorrosion.\nThe Sculpture Forest, The Well spa & hotel\nLocation \nSofiemyr, Norway\nApplication\nLandscape\nLight planning \nSML Lighting\nExecuted by \nSki Elektriske AS\nLandscape design \nVillvin Landskap AS\nPhotography \nDag Sandven\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.40.png","078\n079\nHospitality\nL&L Luce&Light\nThe Sculpture Forest, The Well spa & hotel\nGinko 2.0\npower: 7W\noptics: 34°\u002F45° \ncolour temp.: 3000K\nfinish: anthracite\nwith honeycomb louvre,\nasymmetrical snoot, \nspike \u002F fastener strap\nLinear 2.1 custom\npower: 8,5W\noptics: asymmetrical \ncolour temp.: 3000K \nfinish: anthracite\nversion with custom \nheight (1000 mm)\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.41.png","080\n081\nHospitality\nL&L Luce&Light\nDuckpin\nA new meeting place for fans of bowling and good food has opened \nin the centre of Oslo, on Torggata. This short street in the heart of \nthe Norwegian city is only open to pedestrians and cyclists and is \nfamous for its large number of trendy bars and restaurants.\nThe new place, called Duckpin, is a restaurant and recreation venue \nwith rooms entirely dedicated to mini duckpin bowling. The shorter \nlanes, smaller balls, squatter pins and absence of the classic lace-up \nshoes with slippery soles of this bowling variation sit comfortably \nin the American industrial interiors with their wooden tables and \nsoft sofas. The venue is the first in Europe to offer this unusual \ncombination of a different form of entertainment and delicious \ndining opportunities in the same venue.\nDuckpin is an opportunity to socialise that arose as a response to \nthe pandemic, in which people found themselves shut away in their \nown homes for months at a time. It offers a wide range of delicious \nspecialities, with an ever-changing American fusion menu based on \nculinary delights conjured up from sizzling charcoal grills.\nMuch time and effort was also invested in designing the spaces and \nthe lighting: the building’s classic-style facades are foregrounded by \nthe light from Neva 7.0 and Neva 7.2 linear profiles, with 18° optics \nand mounted on 140-mm-high adjustable graduated brackets. Their \nminimalist design, recessed optics for excellent visual comfort and, \nlast but not least, installation on brackets makes them ideal for use \nas architectural lighting. Neva comes in several versions, the main \ndifference being the colour of the LED sources they contain – for \nthis project, SML Lighting chose the RGBW version to give the \nvenue owners the possibility of creating different lighting scenes \nwith plays and accents of coloured light to brighten up the exterior \nwalls overlooking Oslo’s busiest street.\nLocation \nOslo, Norway\nApplication\nFacades\nLight planning \nSML Lighting\nExecuted by \nHGN Elektro AS\nInterior design \nMonn Interior Architects\nPhotography \nDag Sandven\nDuckpin\nNeva 7.0 \u002F 7.2\npower: 30W\u002F75W\noptics: 18° \nLED colour: RGBW\nwith brackets\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.42.png","083\nHospitality\nL&L Luce&Light\n082\nL&L Luce&Light\nLa Villa Madie stands on the promontory that dominates the little \nFrench town of Cassis. This top- class restaurant, which looks out \nover the Mediterranean Sea, specialises in innovative cuisine created \nusing local, seasonal ingredients. Run by chef Dimitri Droisneau and \nMarielle Droisneau, partners both at work and in life, the restaurant \nhas held two Michelin stars since 2014.\nThe French practice Mise en Scène Éclairage worked together with \nVinJay-Studio to create a lighting project designed to bring to life \nthe park that surrounds the building. To do this, they chose lighting \nfixtures with a high colour rendering index (CRI >90), to bring out \nthe green tones of the vegetation. To light the tall maritime pines, \nthey chose Stra P 1.0 projectors, fixed in the ground with stakes and \ndirected upwards to light the trees’ gnarled trunks and foliage, as \nwell as their characteristic interweaving branches. The projectors’ \n37W power pushes the light to the top of the trees, creating a \nmagical atmosphere in which the interlaced branches stand out \nagainst the blue tones of the sky at dusk.\nA simple portico protects the entrance to La Villa Madie: it is marked \nby Flori 1.0 projectors fixed to the structure’s wooden beams and \ndirected at the paving. The area is surrounded by a luxuriant garden \nin which low shrubs edged by stone flowerbeds share the space with \ntall trees. On sunny summer days, the latter cast welcome shade on \nthe small square in front of the entrance to the restaurant. When \nevening falls, the vegetation is accentuated by lighting solutions \nin harmony with those used for the maritime pines. Here, too, the \ndesigners opted for bottom-up lighting, choosing smaller, lower-\nwattage projectors than the Stra P 1.0 – are fixed in the ground with \nstakes, pointing their light beams at the trees’ trunks and foliage.\nLa Villa Madie\nLocation \nCassis, France\nApplication\nLandscape\nProject \nVinJay-Studio  \nLight planning \nMise en Scène Éclairage  \nDelivered by \nMise en Scène Éclairage  \nExecuted by \nVinJay-Studio\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.43.png","084\n085\nHospitality\nL&L Luce&Light\nLa Villa Madie\nPhotography \nLisa Ricciotti\nStra P 1.0\npower: 37W\noptics: 30° \ncolour temp.: 2700K\nFlori 1.0\npower: 7W\noptics: 31° \ncolour temp.: 2700K\nfinish: cor-ten\nProjector custom\nfor outdoor applications \npower: 20W\noptics: 38°\ncolour temp.: 2700K\nfinish: cor-ten\nspike for in-ground\ninstallation\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.44.png","086\n087\nHospitality\nL&L Luce&Light\nWinery in Colceresa\nIlluminating the essence of terroir\nIn the heart of the Colceresa hills, nestled among the rows of vines \nand ancient olive trees, there is a winery that combines tradition with \na modern-day vision. The place speaks of the deep bond between \nwine and terroir, where the restoration of existing rural structures \nhas given rise to a modern, inviting architecture, designed to elevate \nthe experience of wine tasting and good company. The lighting \ndesign is an integral part of this narrative. It has been planned to \nrespect the identity of the place and blend unobtrusively with the \nlandscape.\nFor the outdoor hospitality areas, such as the terrace and the shared \nspaces, Altopiano S and Altopiano C were chosen. These fixtures, \nmade of corten, interact with the winery’s natural materials and \nwarm tones, blending perfectly with their surroundings and recalling \nthe colours of the earth and vegetation. \nElsewhere, Pivot B projectors melt into the landscape, enhancing \nnature’s spontaneous beauty without altering its essence. The gentle \nmovement of the grasses and the geometry of the Mediterranean \nbushes and large olive trees emerge delicately, enveloped in a light \nthat amplifies their beauty without disturbing their harmony. \nParticular attention has been paid to the entrance to the winery, \nwhere a Ginko 3.5 with Light Shaper transforms light into art. Its \ntheatrical effect traces the shape of a large moon behind the maple \ntree, which, when deprived of its leaves in winter, is dressed instead \nin light. The beam shaper of the Light Shaper optics precisely moulds \nthe light output, creating unique, atmospheric scenes.\nInside, in the cellars, Trevi linear profiles, designed to withstand \nthe humidity and temperature changes typical of these spaces, \nguarantee diffuse, homogeneous lighting. Their discreet presence \nemphasises the texture of the walls, helping to create a refined, \nimmersive atmosphere.\nWinery in Colceresa\nLocation \nColceresa, Italy\nApplication \nPaths and steps, Facades\nPhotography \nAlessio Tamborini\nAltopiano C 1.1\npower: 8W\noptics: 50° \ncolour temp.: 3000K\nfinish: cor-ten\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.45.png","088\n089\nHospitality\nL&L Luce&Light\nWinery in Colceresa\nAltopiano S 1.1\npower: 8W\noptics: 50° \ncolour temp.: 3000K\nfinish: cor-ten\nGinko 3.5\npower: 15W\noptics: light shaper\ncolour temp.: 2200K\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.46.png","090\n091\nHospitality\nL&L Luce&Light\nWinery in Colceresa\nNaka 2.0\npower: max. 2W\noptics: asymmetrical \ncolour temp.: 3000K\nfinish: black\nPivot B 1.9 \u002F 2.9 \npower: 7W\u002F14W\noptics: 45°\u002F  \noptical range 15°-43°\ncolour temp.: 3000K \nfinish: white\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.47.png","092\n093\nHospitality\nL&L Luce&Light\nMagari Estates Hotel\nMagari Estates Hotel\nLocation \nColognola ai Colli, Verona, Italy\nProject\nlucearchitettura \n(Lorella Marconi, Cinzia Todeschini)\nApplication  \nFacades\nLight planning\nlucearchitettura \n(Lorella Marconi, Cinzia Todeschini)\nMagari Estates is a modern boutique hotel that nestles among the \nvineyards on the Val D’Illasi hills in the province of Verona. This \ninviting complex is the product of a careful restoration of a 16th- \ncentury hunting lodge that has preserved all the farmhouse’s original \ncharm, with its stone walls and exposed wooden beams on the \nceilings. These features have been enhanced by the lighting design \ndeveloped by Lucearchitettura in Verona, in the guise of lighting \ndesigners Cinzia Todeschini and Lorella Marconi.\nGinko 2.0 and 3.0 projectors with elliptical optics, fixed to the roof’s \nload-bearing beams, are directed downwards to light the walls of \nthe internal courtyard with a wall-grazing effect that highlights the \nrough surface of the stonework. Meanwhile, Ella OUT wall-mounted \nfixtures are mounted on the facades facing the vineyards and the \nswimming pool. Ella OUT 2.0 fixtures light the restaurant’s external \nporch and mark the entrance to the Spa by the pool, while smaller \nElla OUT 1.0 fixtures illuminate the first-floor terraces overlooking \nthe vineyards. All the fixtures were chosen in a cor-ten finish to \nharmonise with the simple colour palette of their surroundings: the \npale beige walls and dark brown exposed beams of the pergola and \nthe roof structure.\nPivot Mini 1\npower: 3.5W\noptics: 35° \ncolour temp.: 3000K\nfinish: anthracite\nGinko 3.0\npower: 10W\noptics: adjustable \n28°x72° \ncolour temp.: 3000K\nfinish: cor-ten\nGinko 2.0\npower: 5W\u002F7W\noptics: 47°,\n54°x15°-13°x52° \ncolour temp.: 3000K\nfinish: cor-ten,\nanthracite\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.48.png","094\n095\nHospitality\nL&L Luce&Light\nMagari Estates Hotel\nPhotography \nAlessio Tamborini\nElla Out 1.0 \u002F 2.0\npower: 7W\u002F16W\noptics: diffuse \ncolour temp.: 3000K\nfinish: cor-ten\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.49.png","096\n097\nHospitality\nL&L Luce&Light\nFormer Convent of San Panfilo\nFormer Convent \nof San Panfilo\nSpoltore, near Pescara, dates back to the Middle Ages, its centre \nstanding on a hill that dominates the entire surrounding area. Located \nbetween the Abruzzo hills and the sea, this sleepy-looking little town \nis steeped in history, art and culture. The former Convent of San \nPanfilo is one of its treasures. It was built by the Benedictines in the \n11th century as a monastery and remained as such until 1866, when \nit was secularized, along with many other ecclesiastical properties. \nThe structure underwent a major metamorphosis in the 15th century, \nwhen the Franciscans altered the monastery’s appearance according \nto the stylistic dictates of the period. They enriched it with numerous \nBaroque-style decorations and transformed the interior layout into \nthe current one with three wings and a central cloister. The building \nwas purchased by the Cerulli Irelli family in 1892, officially becoming \na private residence in 1912.\nRestoration work on the entire complex, entrusted to the architects \nArmillotta, Palmieri and Santomauro of CASaAssociati, returned \nthe building to its former glory and made it suitable for tourism, \nagritourism and accommodation activities. The work respected the \ncomplex’s history and existing architecture: the original structures \nhave been preserved and new areas created that blend seamlessly \nwith the old. The objective of the restoration was to avoid any \ndamage to the architectural and artistic heritage while giving the \nbuilding all the necessary functional aspects required by the client.\nAs for the lighting design, the aim in the internal area – the cloister \ndemarcated by the Convent and the church – was to highlight \ncertain architectural features, such as the groin vaults, the bays \nand the capitals, while keeping the frescoed walls unaltered and \nunobstructed. Ella Out outdoor wall lights were therefore used. \nFacing upwards, they do not directly project light onto the vaults \nand frescoes but illuminate them uniformly with reflected light while \nalso giving a certain rhythm to the space. The typical colour of the \nbuilding’s bricks is echoed in the red-brown of the fixtures’ cor-ten \nfinish, helping them to blend in perfectly with the architecture and \nthe context. In the cloister‘s inner perimeter, Ginko 2.0 projectors, \nwith 11° narrow optics, positioned beneath the mullioned windows, \nprovide ambient lighting, while other Ginko 3.0 projectors, with 30° \noptics, placed in the four corners of the cloister, produce a direct \nlight that illuminates the central element, the well.\nMany more projectors are installed in the cellar. These are Spot \n2.4 fixtures, 3000K, 58°, with an anthracite finish, chosen for their \nresistance to corrosion, which makes them suitable for use in damp \nenvironments. They are directed at the vaulted brick ceilings and \ncreate a warm, diffuse light that adds height to the environment \nand welcomes visitors to the tasting sessions. To light the portico \noverlooking the garden, two types of Geko outdoor wall-mounted \nfixtures were installed on the columns. On the exterior of the \nportico, Geko 5.1 single-beam fixtures, with 10° narrow optics, \npoint downwards, enhancing the columns’ length; inside, Geko \n6.0 double-beam fixtures, with diffuse light, draw attention to the \nceiling’s slightly rounded forms. The Geko wall- mounted fixtures’ \ncor-ten finish, shared with the Ella Out fixtures installed in the \ncloister, ensures that the fixtures blend in with the architecture to \ncreate a uniform look across all the surfaces.\nLocation  \nSpoltore, Pescara, Italy\nProject  \narch. Carmela Palmieri,  \nstudio CASa Associati\nElla Out 2.0\npower: 16W\noptics: diffuse \ncolour temp.: 3000K\nfinish: cor-ten\nSpot 2.4\npower: 8W\noptics: 58° \ncolour temp.: 3000K \nfinish: anthracite\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.50.png","098\n099\nHospitality\nL&L Luce&Light\nFormer Convent of San Panfilo\nPhotography\nFabio Di Carlo\nGeko 6.0\npower: 28W\noptics: diffuse \ncolour temp.: 3000K \nfinish: cor-ten\nGeko 5.1\npower: 10W\noptics: 10° \ncolour temp.: 3000K\nfinish: cor-ten\nGinko 2.0\npower: 5W\noptics: 11° \ncolour temp.: 3000K\nfinish: cor-ten\nGinko 3.0\npower: 15W\noptics: 30° \ncolour temp.: 3000K\nfinish: cor-ten\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.51.png","100\n101\nHospitality\nL&L Luce&Light\nBessaHotel Baixa\nBessaHotel Baixa\nThe most striking element of this hotel in the centre of Porto is \nundoubtedly the square recesses that frame the rooms’ large \nwindows. To accentuate these, the lighting design studio elected to \nplace a Lyss Mini 1.0 fixture in one of the lower corners of each, so \nthat, as the light reaches the opposite side of the frame, it follows \nthe gradations of its volume that gradually level with the plane of \nthe façade.\nIn the entrance area, a series of Beam 1.0 fixtures recessed into the \npaving, level with the window posts, mark out the windows and \ngenerate indirect light from the canopy.\nAlso on the ground floor, the pavement in front of the steps that lead \nup to the entrance has been decorated with segments of diffused \nlight recessed flush with the ground: these are drive-over Rio 2 linear \nprofiles in PMMA and 316L stainless steel, used here in a variety of \nlengths. The photos on this page show how Rio has also been used \nto draw attention to the hotel sign and the geometric iron motifs, \nand to add character to the paving in the garden at the back.\nLocation \nPorto, Portugal\nApplication \nFacades\nProject \nSTOA arquitectura\nLight planning\nLight2Life\nBeam 1.0\npower: 3W\noptics: 8° \ncolour temp.: 2700K\nfinish: stainless steel\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.52.png","102\n103\nHospitality\nL&L Luce&Light\nBessaHotel Baixa\nPhotography \nAlexander Bogorodskiy\nRio \u002F Rio 2\npower: 19W\u002Fm\ncolour temp.: 2600K-\n2800K\nLyss Mini\npower: 3W\noptics: satin 9°x160° \ncolour temp.: 2700K\nfinish: cor-ten\nwith base for corners\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.53.png","104\n105\nHospitality\nL&L Luce&Light\nHotel Bristol\nThis hotel was recently renovated, a project that preserved the \ntraditional identity of the structure opened almost a hundred years \nago, in 1929, by Thon Hotels, one of Norway’s largest hotel chains.\nThe lighting design devised by SML Lighting involved the exteriors of \nthe two buildings at the intersection of Kristian IV‘s and Rosenkrantz’ \ngate, using light to highlight the first floors of both facades, one \nhistorical and the other decidedly more modern. The lighting effect \nobtained in this way creates a sort of visual continuum that leads the \neye of passers-by down a long urban perspective.\nFor the rose-coloured building, with its large four-part windows \nand period lanterns fixed to the wall on the ground floor, Trevi linear \nprofiles with 20°x50° elliptical optics were chosen in lengths of 1208 \nmm and 1803 mm. These are fixed to the belt course and arranged \nbetween the windows on the first floor.\nFor the facade of the other building, a total of 26 Lyss Mini 1.0 \nprojectors, mounted on the belt course separating the ground and \nfirst floors, emit a semicircular light that emphasises the concrete \nribs forming this building’s distinctive grid structure. The projectors’ \nthermally conductive technopolymer body guarantees excellent \nresistance to corrosion and temperatures as low as - 20°, making \nthe fixture the ideal choice for Scandinavian latitudes.\nLocation  \nOslo, Norway\nApplication\nFacades\nLight planning \nIda Hågensen (SML Lighting)\nDelivered by\nSML Lighting\nHotel Bristol\nLyss Mini\npower: 3W\noptics: satin 9°x160° \ncolour temp.: 3000K\nfinish: anthracite\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.54.png","106\n107\nHospitality\nL&L Luce&Light\nHotel Bristol\nTrevi 1.1 \u002F 1.2\npower: 14W\u002F21W\noptics: 20°x50° \ncolour temp.: 3000K\nPhotography \nTomasz Majewski\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.55.png","109\nHospitality\nL&L Luce&Light\n108\nL&L Luce&Light\nBotaniq Castle in Tura, Pest County, Hungary, has been returned \nto its former glory after a restoration that involved transforming \nthe entire building from an erstwhile aristocratic residence into a \nmodern luxury hotel. The lighting design for the exteriors was carried \nout by Budapest- based lighting design studio 3F Project.\nIn the main entrance, customers are greeted by an imposing \narched entrance flanked by a tall, cylindrical tower with a series \nof rectangular windows along its whole height. On the sills of each \nwindow in the entrance and the tower, and on those of the arched \ndormer windows, 3000K, 7W Lyss 1.0 projectors were installed. \nTheir 20°x180° frosted optics create a semi-circular blade of light \nthat emphasises the windows’ internal profile.\nThe castle complex includes a building with a square floor plan \nthat houses the restaurant. Each of its sides is further embellished \nby three large windows overlooking the terrace and outdoor pool. \nTo emphasise the stone balustrades that mark the contours of this \nbuilding, 3000K Trevi linear profiles with 40° optics were used, in \ndifferent lengths. The same lighting solution was adopted to light the \nother stone parapets that outline the castle’s walls.\nOn the first floor of the structure housing the restaurant, 3000K, 16W \nSiri 2.0 projectors, with 40° optics in a customized DALI version, are \ndirected at the circular windows, with their curved cornices adorned \nwith stone coats of arms.\nThe renovation also included the extensive park, made up of over ten \nhectares of greenery that frame this magnificent hotel. The project \naimed at restoring these grounds to their original form of an English \nlandscape garden, by planting new trees and renovating the old \npaths that used to cross the lawns. To light these paths, 3000K, 12W \nPlin 2.1 bollards were installed at regular intervals. These feature a \n90° tilted head that holds the light source with diffuse asymmetrical \noptics.\nBotaniq Castle\nLocation \nTura, Hungary\nApplication \nFacades\nLight planning \n3F Project\nPhotography \nHlinka Zsolt\nBright 2.8\npower: 3.5W\noptics: 41°  \ntiltable ±15° \ncolour temp.: 3000K\nfinish: grey\nLyss 1.0\npower: 7W\noptics: satin 20°x180°\ncolour temp.: 3000K\nfinish: grey\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.56.png","110\n111\nHospitality\nL&L Luce&Light\nBotaniq Castle\nTrevi 1.0 \u002F 1.1 \u002F 1.2\npower: 7W\u002F14W\u002F21W\noptics: 40° \ncolour temp.: 3000K\nStep Outside 6.3\npower: 2W\noptics: asymmetrical \ncolour temp.: 3000K\nfinish: satin\nPlin 2.1\npower: 12W \ncolour temp.: 3000K \nfinish: anthracite\nSiri 2.0 custom\npower: 16W\noptics: 40° \ncolour temp.: 3000K\nfinish: grey\ncustomized ver. DALI\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.57.png","Reference Book\n6.0\nResidential\n112\n113\nL&L Luce&Light\nCaméo Moscow Villas \nMoscow, Russia \n112\nHistoric villa in Brianza \nLecco, Italy \n116\nPrivate residence in Positano \nSalerno, Italy \n122\nCorte Bertesina \nVicenza, Italy \n126\nCircle Wood \nWarsaw, Poland \n130\nPrivate square \nMilan, Italy \n132\nResidential\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.58.png","115\nResidential\nL&L Luce&Light\n114\nL&L Luce&Light\nCaméo Moscow Villas\nLocation \nMoscow, Russia\nApplication  \nPaths and steps\nProject\nArchitectural Bureau WALL\nLight planning\nKA2 Light Architecture\nLandscape design\nArteza\nPlin 1.1 custom\npower: 12W\noptics: diffuse \ncolour temp.: 3000K\nfinish: anthracite\nheight: 500mm\nThis large residential complex, in Moscow’s central Tverskoy district, \nis made up of seventeen private villas, the work of Architectural \nBureau WALL. A different architectural solution was developed for \neach building’s facade, consisting sometimes of walls with arches \nrepeated on several levels, sometimes of elevations consisting of \nrectangular spaces. The green spaces were designed by landscape \ndesign studio Arteza, which structured the communal garden with \nplenty of plants and shrubs arranged in flowerbeds: the seasonal \nchanges in the chosen vegetation’s foliage colours balance the \nwhite marble facades of the villas.\nKA2 Light Architecture contributed to the complex’s lighting \ndesign with its choice of Plin 1.1 bollards in an anthracite finish and a \ncustomized height of 50 cm for the garden area. The bollards, with \ntheir simple and minimalist design, feature a head angled at 45° for \na controlled downward light emission. Positioned at the edge of the \nflowerbeds, the fixtures illuminate the walkways, ensuring the safety \nof the paths leading to the entrances to the villas.\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.59.png","116\n117\nResidential\nL&L Luce&Light\nCaméo Moscow Villas\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.60.png","118\n119\nResidential\nL&L Luce&Light\nHistoric villa in Brianza\nHistoric villa in Brianza\nThis historic villa in the heart of Brianza reflects the timeless charm \nof the 17th-century homes of the aristocracy. Redesigned in the \n19th century by architect Achille Majnoni, the villa strikes a perfect \nbalance between architecture and landscape as it nestles in scenery \nof extraordinary beauty. Its classic Italian-style gardens, some of the \nlast in Brianza, wend their way around boxwood mazes, majestic \ncypresses, ancient mulberry and cork trees, and charming statues \nthat punctuate the spaces with refined elegance.\nTo enhance this historical heritage without altering its essence, the \nlighting design, realized by WAVE Light Studio, followed the principle \nof achieving total harmony with the location. The illumination, \ndiscreet and never invasive, integrates with the environment to \nelevate the architecture and vegetation, guaranteeing a perfect \nfusion between ambience and visibility.\nPaths and greenery have been emphasised with small, compact \nlighting fixtures with customized finishes to help them blend in. \nFor the light-coloured gravel path that leads to the villa, crossing \nthe arched corridors with trees and the boxwood mazes, Smoothy \nfixtures are used with honeycomb louvres to control glare. Their \nsoft light guides visitors without creating visual interference and \nnaturally emphasises the gardens’ perspectives and volumes.\nIn the courtyard, where ancient mulberry trees frame tables and \nseats, Smoothy fixtures are flanked by Spot fixtures in jasper green. \nThe latter have been installed directly in the trees using the Tree \nBelt and blend harmoniously with the surrounding vegetation. To \nilluminate the hornbeams along the driveway, Spot have been \nused with 4-metre-high supports, hidden among the trunks with a \ncustomized dark brown RAL finish, to provide a discreet, natural \nlighting effect.\nLight planning \nGermano Monguzzi, \nWAVE Light Studio\nPhotography\nGermano Borrelli\nLocation\nLecco, Italy\nApplication \nPaths and steps, Facades\nIn the internal garden, the light from jasper green Ginko fixtures \nemphasises the curves and three-dimensionality of its sculptural \nbonsai pines without altering the space’s natural harmony. On the \nwindows overlooking the courtyard, Lyss fixtures highlight their \nframes and architectural elements with precision, creating a refined \nplay of light and shadow that emphasises their depth.\nToday, most producers of electronic appliances operate following \nthis scheme: they remove natural resources from the Earth, create \nproducts from them, and sell them to customers that use them \nand eventually send them to the landfill. In the best-case scenario, \ncontaminants are properly disposed of and some of the materials are \nrecycled. V-ZUG has embraced a completely different philosophy. \nBy teaming up with researchers, suppliers, business and technology \npartners, recycling companies, and customers themselves, it has \nbeen developing a new business model, in which appliances and \ntheir components are kept in a circular flow for as long as possible \nto save resources and energy. The revolution has just begun.\n“In such a captivating residence, inspiration can only come from the \nplace itself. We aimed to illuminate it discreetly – enhancing the \nsite’s extraordinary beauty without altering its charm. Luce&Lights \nproducts were carefully selected for their anti-glare characteristics, \nthe variety of finishes and the ability to customize every element, \nguaranteeing the best light output in harmony with the architecture \nand the landscape.”– Germano Monguzzi, CEO of WAVE Srl Light \nStudio. \nThe lighting of this villa in Brianza becomes a tale of light, guiding the \neye and the emotions while honouring the site’s history and natural \nsurroundings with timeless elegance.\nLyss 1.0\npower: 7W\noptics: 20°x180° \ncolour temp.: 4000K\nfinish: anthracite\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.61.png","120\n121\nResidential\nL&L Luce&Light\nHistoric villa in Brianza\nSpot 2.4\npower: 8W\noptics: 58°\u002F58°-21°\ncolour temp.: 4000K \nfinish: jasper green,\nRAL8014\nasymmetrical snoot, \nspike \u002F fastener strap\nSpot 3.4 \npower: 15W\noptics: 15°-55°\ncolour temp.: 4000K \nfinish: anthracite\nstandard snoot, \nspike for in-ground \ninstallation\nGinko 2.0\npower: 5W-7W\noptics: 17° \ncolour temp.: 4000K\nfinish: jasper green\nstandard snoot,\nspike for in-ground \ninstallation\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.62.png","122\n123\nResidential\nL&L Luce&Light\nHistoric villa in Brianza\nSmoothy 5.6 \npower: 7W\noptics: 11°\u002F45°\ncolour temp.: 4000K\nfinish: stainless steel\nhoneycomb louvre\nSmoothy 5.4  \npower: 10W\u002F13W\noptics: 21°\u002F55°\ncolour temp.: 4000K\nfinish: stainless steel\nhoneycomb louvre\nSmoothy 1.6\npower: 3.5W\noptics: 48°\ncolour temp.: 4000K\nfinish: stainless steel\nanti-glare shield\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.63.png","124\n125\nResidential\nL&L Luce&Light\nPrivate residence in Positano\nPrivate Residence\nin Positano \nLocation \nPositano, Salerno, Italy\nApplication \nFacades\nRio \u002F Rio 2\npower: 19W\u002Fm\ncolour temp.: 2800K\nSpot 1.0\npower: 2W\noptics: 20° \ncolour temp.: 3000K\nStep Outside 6.3\npower: 2W\noptics: asymmetrical \ncolour temp.: 3000K\nfinish: satin\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.64.png","126\n127\nResidential\nL&L Luce&Light\nPrivate residence in Positano\nGeko 5.1 \npower: 10W\noptics: 7° \ncolour temp.: 3000K\nfinish: grey\nGeko 6.1\npower: 20W\noptics: 7°\u002F70° \ncolour temp.: 3000K\nfinish: grey\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.65.png","128\n129\nResidential\nL&L Luce&Light\nCorte Bertesina\nCorte Bertesina is an organic farm, located a few kilometres outside \nVicenza, that has been the subject of a redevelopment project to \nachieve all-round sustainability. The project is the work of the \ntraverso-vighy architetti architectural practice, which has restored \nand transformed the original structure of this typical nineteenth-\ncentury Venetian farm courtyard.\nThe development of a social farming project, which started in 2010 \nto offer job opportunities to young people with Down syndrome, \nhas led to the complex restoration of the Corte. It has culminated in \nthe creation of entirely new spaces, intended for production, sales, \nteaching and agritourism activities, that sit alongside the owners’ \nprivate quarters.\nThe traverso-vighy architetti architectural practice was responsible \nfor the lighting planning, setting itself the objectives of energy \nconservation, light-pollution control and the occupants’ wellbeing.\nNeva Mini 2 linear profiles, bracket mounted on the structural \nbeams, light the shingles on the roof with a wash that creates a \nunique decorative effect. Neva 1.1 LEDs are installed indoors, in the \nprivate quarters, to draw attention to the modular panelling, and, in \nthe study, completely recessed in the niches to light up their depths.\nThe lighting in the external areas has been designed to interfere \nas little as possible with the night- time darkness of a farming \nenvironment: Beam 2.0 fixtures pick out the driveway entrance, \nwhile Trevi fixtures are integrated into the pool of water in the \ncourtyard to pick out the long wall of local stone.\nLocation \nVicenza, Italy\nApplication \nPaths and steps,  \nFountains and swimming pools\nProject & Light planning \ntraverso-vighy architetti\nPhotography \nAlessandra Chemollo\nCorte Bertesina\nBeam 2.0\npower: 2W\noptics: single beam \ncolour temp.: 3000K\nfinish: stainless steel\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.66.png","130\n131\nResidential\nL&L Luce&Light\nCorte Bertesina\nNeva 1.1 \u002F 1.2 \npower: 27W\u002F45W\noptics: 11°  \ncolour temp.: 3000K\nwith brackets and\nwhite anti-glare \nshield\nNeva Mini 2\npower: 5.5W\noptics: 11° \ncolour temp.: 3000K\nwith brackets\nRiver Wall 2.0\npower: 40W\noptics: 11° \ncolour temp.: 3000K\nwith brackets\nTrevi 1.2\npower: 32W\noptics: diffuse \ncolour temp.: 3000K\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.67.png","133\nResidential\nL&L Luce&Light\n132\nL&L Luce&Light\nCircle Wood\nLocation  \nIzabelin, Warsaw, Poland\nPhotography  \nPaweł Ulatowski\nProject  \nPrzemek Olczyk, Mobius Architekci\nDeep in the dense forest that extends to the west of Warsaw nestles \nthe private residence of an art lover and collector who wanted a \nhome that evoked the ample spaces of art galleries.\nSo the Przemysław Olczyk Mobius Architekci architectural practice \nof Warsaw and Krakow designed a solution based on light and \ngeometry to combine the intimacy of a private home with the \nmajesty of a cultural institution. \nThe house evokes the cross-section of a tree trunk; in it, the \nresidential areas are located closer to the circumference, while the \ncentre of the structure contains a square courtyard with a green \nlawn. In the bird’s-eye view, our drive-over Rondò lighting fixtures \nwith radial light are visible bottom right, marking the entrance to the \ngarages.\nRondò 3.2\npower: 5W\noptics: radial \ncolour temp.: 4000K \nfinish: anthracite\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.68.png","134\n135\nResidential\nL&L Luce&Light\nPrivate square\nPrivate square\nLocation \nMilan, Italy\nApplication  \nPaths and steps\nPhotography\nAlessio Tamborini\nLighting that marries history with modernity\nIn the centre of Milan lies a private square surrounded by elegant \nresidential buildings and views that speak of transformations \nthrough the centuries. Its appeal is enhanced by a lighting design \nintertwining past and future. \nDominated by an imposing mediaeval tower, restored with great \ncare and surrounded by precious archaeological finds, the square is \nlike a canvas on which circles and lines trace its distinctive character. \nModern homes, the product of a recent redevelopment project, \ncomplete the picture, creating a perfect balance between historical \ncharm and contemporary freshness.\nAt sunset, the paving is brought to life by geometric shapes and \nharmonious lines that emerge discreetly with the help of Olo, \nwhose light beam – directed exclusively downwards – enhances \nthe shapes in the space without spilling into the environment. The \nlighting illuminates the steps and ramps, guiding both gaze and \nfeet naturally and elegantly. Within its 10-metre diameter, the light \nbeam maintains complete control, reducing light pollution and \nguaranteeing a perfect balance between functionality and aesthetic \nappeal.\n \nNext to the mediaeval tower, a corten sculpture seems to mark the \npassage of time. Here, Bright comes into its own. This minimalist \nrecessed fixture disappears during the day only to reveal itself at \nnight with a discreet but incisive beam. The light, projected from \nbelow, shapes the material, amplifying the contrast between the \nsculpture’s volumes and corten surfaces. To complete the picture, \na Reiko projector illuminates the sculpture from above, integrating \nperfectly with the texture of the corten and adding depth and \ndynamism to the composition.\nReiko 3.0\npower: 10W\noptics: 42°\ncolour temp.: 3000K\nfinish: cor-ten\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.69.png","136\n137\nResidential\nL&L Luce&Light\nPrivate square\nBright 2.4\npower: 5W\noptics: 13°x52°\ncolour temp.: 3000K\nOlo 1.1\npower: 19W\noptics: 360°\ncolour temp.: 3000K\nfinish: anthracite\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.70.png","Reference Book\n6.0\nCorporate\n138\n139\nL&L Luce&Light\nCaves Champagne Joseph Perrier \nChâlons-en-Champagne, France \n138\nMarfisi Carni \nChieti, Italy \n142\nSamling Library \nSand, Norway \n146\nEdifício Náutico \nCascais, Portugal \n150\nNorblin Factory \nWarsaw, Poland \n154\nTown Hall facade \nTurin, Italy \n158\nGymnasium Tolkewitz \nDresden, Germany \n162\nCorporate\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.71.png","140\n141\nCorporate\nL&L Luce&Light\nCaves Champagne Joseph Perrier\nCaves Champagne Joseph Perrier\nChâlons-en-Champagne, near Reims, in the heart of the historic \nprovince of Champagne, is home to the House of Joseph Perrier, a \ncompany founded in 1825 and currently run by the sixth generation \nof the founding family. Joseph Perrier stands for a tradition of \nChampagne excellence handed down from father to son for almost \ntwo centuries. The House is headquartered in an old coaching inn, \nand the land surrounding it holds a network of subterranean tunnels \nexcavated in the Gallo-Roman era.\nIn 2019, the company commissioned an ambitious project. The \nhistoric site was completely renovated, and new areas open to the \npublic were added. At the same time, the lighting was redesigned. \nThe cellars, the new garden and the outdoor spaces all benefited \nfrom a metamorphosis of their lighting to offer visitors an immersive \nexperience.\nThe Parisian lighting design studio Lumesens, in the person of \nEmeric Thiénot, was responsible for the project, taking into account \nthe constraints imposed by the company’s heritage, the technical, \narchitectural and landscaping requirements, and the economic \nand environmental conditions. The Lumesens studio found the \nideal partner in L&L Luce&Light, not only because of the lighting \nfixtures’ intrinsic characteristics but also because of the availability \nof bespoke solutions.\nDuring their visit, guests encounter light projections reminiscent \nof water reflections. These are created by Ginko projectors using \nsharp optics combined with bespoke optical accessories made \nspecifically by Lumesens. „With these two effects, we tried to give \nsubstance to the light. Unlike a lighting manufacturer, who has to \ncontrol their beams of light, we have deconstructed the light to give \nit both materiality and fragility.“ Emeric Thiénot, Lumesens\nThe reliability of the AISI 316L stainless steel used for the lighting \nfixtures is fundamental because they are installed in a challenging \nenvironment because of not only the humidity in the air but also the \nlimestone of the tunnel walls. Outside, other Ginko fixtures pick out \nthe majestic wrought iron sign that spans the gate columns at the \nentrance to the complex. The garden paths are lit by customized \nversions of Pasito 1.1, which are installed on bollards; the same step \nlights have been used in the upper and lower parts of the covered \nwalkways, where they illuminate both the ground and the arched \nceilings.\nThe project was awarded the Prix de l’ACEtylène 2020 by the \nAssociation des Concepteurs Lumière et Éclairagistes in the \ncategory for interior lighting design. On the building’s facade, Lyss \n1.0 outdoor projectors have been strategically positioned on the \noutermost edges of the windowsills, where they create a luminous \nframe around the windows and around the entire facade, including \nthe cornice.\nLocation \nChâlons-en-Champagne, France\nApplication \nPaths and steps, Facades\nProject \nThiénot Architecture\nLight planning\nLumesens\nGinko 2.0\npower: 7W\noptics: sharp 21° \ncolour temp.: 2700K\nfinish: stainless steel\nwith customized filter \nin the snoot\nBright 2.4 custom\npower: 5W\noptics: 13°x52° \ncolour temp.: 2200K\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.72.png","142\n143\nCorporate\nL&L Luce&Light\nCaves Champagne Joseph Perrier\nPasito 1.1 custom\npower: 6W\noptics: asymmetrical \n150°x90°\ncolour temp.: 3000K\nfinish: white\nmounted on a bollard\nPhotography \nFrançois Guillemin, \nEmeric Thiénot \nLyss 1.0\npower: 5W\noptics: clear 10°x180° \ncolour temp.: 2700K\nfinish: white\nGinko 2.0\npower: 7W\noptics: 34° \ncolour temp.: 3000K\nfinish: anthracite\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.73.png","144\n145\nCorporate\nL&L Luce&Light\nMarfisi Carni\nMarfisi Carni’s beef processing plant, situated in the Treglio industrial \nzone, in the province of Chieti, is a family business that has been \ntransformed and developed over the course of several successive \ngenerations. The company’s historical headquarters – including the \nmanagement offices, production facility and company store – have \nrecently been modernized in response to its changing needs.\nThe project, the work of Antonucci X Crognale Archquadro Associati, \nhas incorporated all the pre- existing buildings into a single \nstructure that’s consistent with the company’s updated identity. A \nfluid, sinuous curtain wall wraps all around the buildings to create a \ndistinctive facade with a design that recalls drifts of autumn leaves.\nOn the upper side of the cladding, Neva 1 linear profiles in two \ndifferent lengths, 916 mm and 616 mm, have been fixed internally \nusing brackets. The lighting fixtures have 10°x40° elliptical optics \nthat direct the light downward to create a lighting effect that fills \nthe facade’s perforated pattern, gradually fading as it descends.  \nAs the architectural firm explains, when describing the project \non its website, the light that pervades the perforated curtain wall  \nitself “becomes architectural material”.\nMarfisi Carni\nLocation \nTreglio, Chieti, Italy\nApplication\nFacades\nProejct \nStudio Antonucci X Crognale  \nArchquadro Associati\nPhotography\nFabio Di Carlo\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.74.png","146\n147\nCorporate\nL&L Luce&Light\nMarfisi Carni\nNeva 1.0 \u002F 1.1 \npower: 18W\u002F27W\noptics: 10°x40°, \ncolour temp.: 3000K\nwith brackets\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.75.png","149\nCorporate\nL&L Luce&Light\n148\nL&L Luce&Light\nSamling Library\nLocation \nSand, Norway\nProject \nHelen & Hard Architects\nLight planning\nSML Lighting\nExecuted by \nMinel Elmontasje Elverum\nThe innovative, multifunctional Samling community space, designed \nby Helen & Hard Architects, includes a library, new offices for \nthe Odal Sparebank savings bank and around ten apartments, all \ncombined in a compact, unique and geometrically intriguing spatial \ncomposition.\nThe iconic round structure, with its undulating overhangs, is \nprominently positioned at the beginning of the town’s main street. \nIt radiates from an open, interconnected oval atrium, expanding \nthe sense of space beyond the structure itself. In the centre of the \nbuilding, a light well connects the ground and first floors. The library, \nthe heart of the new Samling centre, is impressively spacious while \nmaintaining a welcoming, human-scale ambience. Its generous \nheight is divided into two levels connected by a staircase.\nThe lighting design was created by SML Lighting and implemented \nusing L&L Luce&Light fixtures. It perfectly meets the client’s \nrequirements for flexible, adaptable lighting able to illuminate such \na large space while also maintaining the library’s functionality and \nthe well-being of its users.\nOn the upper floor, Wall 8.0 (max 2W), 6000K, with 25° optics and \nan elegant satin finish, are positioned on the desks abutting the glass \nbalustrade, where they precisely light the desktops.\nThe entire library area is equipped with atmospheric effect lighting, \nused to mark special anniversaries, receptions or festive events. This \nis supplied by Neva Mini 7(15W) and Neva 7.2 (75W) linear profiles \nfor architectural lighting, installed at the top of the walls, near the \nceiling. Both versions have narrow 18° optics, adjustable supporting \nbrackets with graduations and RGBW LED light sources, so that \ndifferent lighting scenes can be created in a variety of colours. These \nare also visible externally, through the large glass windows.\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.76.png","150\n151\nCorporate\nL&L Luce&Light\nSamling Library\nPhotography\nDag Sandven\nNeva Mini 7\npower: 15W\noptics: 18° \nLED colour: RGBW\nwith brackets\nNeva 7.2\npower: 75W\noptics: 18°  \nLED colour: RGBW\nwith brackets\nWall 8.0 custom\npower: 2W\noptics: 25° \ncolour temp.: 6000K\nsatin\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.77.png","152\n153\nCorporate\nL&L Luce&Light\nEdifício Náutico\nEdifício Náutico\nEdifício Náutico is a commercial and residential complex in the \ncentre of Cascais, a town on Portugal’s Atlantic coast.\nThe facade calls to mind the patterns on traditional Portuguese \nceramics. Here, they form the sun baffles that work like curtains \nto preserve privacy and protect from the sun. The structure’s blue \ncolour is a reference to the ocean on whose edge Cascais stands.\nThe ground floor is a reinterpretation of the porticos the city is known \nfor, with a ceiling that undulates like ocean waves. On each of the \nportico pillars, there are two Geko 6.1 double-beam wall-mounted \nfixtures that emit both direct and indirect light with a customized \ncombination of optics: 7° for the direct light and 70° for the indirect \nlight. The 2400K colour temperature is also customized – the \nstylistic hallmark of the lighting in the entire structure.\nLocation \nCascais, Portugal\nApplication \nFacades\nProject\nSubvert Studio\nLight planning \nLight2Life\nPhotography\nSergio Guerra\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.78.png","154\n155\nCorporate\nL&L Luce&Light\nEdifício Náutico\nGeko 6.1 custom\npower: 20W\noptics: up optics 70°- \ndown optics 7° \ncolour temp.: 2400K\nfinish: white\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.79.png","156\n157\nCorporate\nL&L Luce&Light\nNorblin Factory\nA two-hectare 19th-century industrial complex in the heart of the \nWola district, in western Warsaw, has been redesigned with a new \nurban look and reopened to the public. Before being destroyed in \nthe second world war, the Norblin, Buch Brothers and T. Werner \nfactories employed over one thousand people, producing plated \nmetal and silver goods. Now the enormous premises consist of \nmultifunctional buildings that house offices, shops, restaurants, \ncafés and a cinema, as well as a museum, where the original Norblin \nFactory machinery can be seen.\nThe project is the work of the PRC architectural practice, who \nwanted to maintain the layout of the former factories and conceived \nan urban complex where the individual buildings are connected \nby squares and internal and external passages, some covered and \nothers open to the sky.\nThe lighting design, by Studio DL, sets out to evoke the factories’ \n19th-century past in the museum spaces by using a colour palette \nin which the dominant warm amber is contrasted by a shift to a \nwhite light with a blue component to create rhythm and highlight \nthe elements of industrial history on display. Neva 6 linear profiles, \nwith dynamic white LED sources – amber, 4000K, 5000K – and in \nfour different lengths, from 316 mm to 1758 mm, were installed with \nbrackets on the museum’s load-bearing structures to illuminate the \nimposing 19th century machinery from above with 24°x46° elliptical \noptics. The profiles are fitted with honeycomb louvres to ensure \nexcellent visual comfort and contribute to the designers’ aim of \ncreating a unique atmosphere and visitor experience in the Norblin \nFactory.\nNorblin Factory\nLocation  \nWarsaw, Poland\nApplication  \nMuseums and exhibitions\nProject \nPRC \nLight planning\nStudio DL\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.80.png","158\n159\nCorporate\nL&L Luce&Light\nNorblin Factory\nNeva \u002F Neva 6\npower: 10W\u002F20W\u002F30W\u002F50W\noptics: 24°x46° \nLED colour: dynamic \nwhite, with bracket \nand honeycomb louvre\nPhotography \nPiotr Krajewski\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.81.png","161\nCorporate\nL&L Luce&Light\n160\nL&L Luce&Light\nTown Hall facade\nThe historic building that houses Nichelino’s town hall has undergone \nrestoration work and received a new lighting scheme, designed by \narchitect and lighting designer Simona Cosentino. The architect has \ngiven the building the role of luminous backdrop to the Piazza G. Di \nVittorio, the square on which it stands.\nThe lighting design, approved by the Piedmont superintendency of \ncultural heritage, creates a synthesis that both enhances some of the \nbuilding’s architectural elements and respects the equilibrium of the \nfacade as a whole.\nTo achieve this, two different types of lighting come into operation, \ndepending on the time of day. In the early evening, the architectural \nlighting positioned on the facade lends three-dimensionality to \nthe building, elevating its details and materials. Then, as darkness \ndeepens, lighting installed at a distance from the building comes \ninto play, softening the shadows. The latter also creates coloured \nlighting scenes, which the town council uses for special occasions.\nThe combination of the two lighting solutions balances two opposing \neffects: on the one hand the dramatic chiaroscuro effects of the \ngrazing light, and, on the other, the tendency of projected light to \nflatten details.   \nThe architectural lighting on the facade uses Neva 2.1 and Neva \nMini 1 linear profiles, installed in two different ways: recessed for \nthe ground floor and on brackets for the first-floor cornice. Neva 2.1 \nfixtures, with 10°x40° elliptical optics, illuminate the windows, while \nNeva Mini 1 fixtures, with 11° narrow optics, pick out the facade’s six \npilasters. Two more Neva 2.1 fixtures, with 45° optics, are installed \nbetween the windows of the central balcony on the first floor. The \nfixtures’ positions and beam angles have been carefully chosen so \nthat they illuminate both the building’s long upper cornice and the \nfacade’s individual projecting elements.\nThe lighting design for the facade is completed by two Lyss 1.0 \nprojectors, with semicircular 20°x180° optics, which highlight the \ninternal profiles of the two side arches of the main entrance to the \ntown hall, and two Bright 2.4 uplights, with 13°x52° elliptical optics \nand anti-glare screen, which mark its side entrance.\nLocation \nNichelino, Turin, Italy\nApplication \nFacades\nLight planning \nSimona Cosentino  \narchitetto lighting designer\nPhotography \nDaniele Cortese\nLyss 1.0\npower: 7W\noptics: satin 20°x180° \ncolour temp.: 3000K \nfinish: white\nBright 2.4\npower: 7W\noptics: 13°x52° \ncolour temp.: 3000K\nfinish: stainless steel\nanti-glare screen\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.82.png","162\n163\nCorporate\nL&L Luce&Light\nTown Hall facade\nTown Hall facade\nNeva 2.1 \u002F 2.2\npower: 22W\u002F38W\noptics: 45°\u002F10°x40°\ncolour temp.: 3000K\nwith brackets and\nhoneycomb louvre\nNeva Mini 1\npower: 9W\noptics: 11° \ncolour temp.: 3000K \nwith brackets\u002F\nrecessed\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.83.png","164\n165\nCorporate\nL&L Luce&Light\nGymnasium Tolkewitz\nGymnasium\nTolkewitz\nLocation  \nDresden, Germany\nPhotography \nRobert Gommlich\nProject \nARGE DD-TOL-AB Raum und \nBau GmbH, AB Fuchs und Rudolph, \nAGZ Zimmermann Arch. GmbH\nGymnasium Tolkewitz is a school complex that has recently been \ncompleted in Dresden. The project is the work of an architectural \ncollective called ARGE DD-TOL, made up of the Architekturbüro \nRaum und Bau, Fuchs und Rudolph Architekten Stadtplaner, and \nArchitektengemeinschaft Zimmermann architectural practices, and \nthe construction company Stesad GmbH.\nThis large 11,400 m. educational centre with classrooms, laboratories, \nopen spaces for recreational and sports activities, and relaxation and \nrest areas, where students meet and experience everyday situations \nwithin their community. The architectural project is based on a clear \nseparation of academic functions from extracurricular activities, \nachieved by distributing the buildings around the site in such a way \nthat the possibilities for resuming or continuing social interactions \nare maintained.\nIn addition to making the environment brighter, the new lighting \nsystem contributes to wellbeing and comfort in a space used for \nlearning and concentration, creating an optimal atmosphere.\nTuris 3.0 (15W) and Turis 7.0 (30W) downlights with diffuse light – \n4000K colour temperature, the closest to natural light – and a white \nfinish were used throughout the school building, recessed into the \nceilings of the corridors and the undersides of the central staircases, \nin combination with Cube C 1.3 (6W, 4000K, 18° optics) and Teko 7.0 \n(17W, 3000K diffuse optics) fixtures.\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.84.png","166\n167\nCorporate\nL&L Luce&Light\nGymnasium Tolkewitz\nTuris 3.0\npower: 15W \ncolour temp.: 4000Kco-\nfinish: white\nTuris 7.0\npower: 30W\ncolour temp.: 4000K\nfinish: white\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.85.png","Reference Book\n6.0\nPublic Spaces\n168\n169\nL&L Luce&Light\nPlaza del Parrote \nA Coruña, Spain \n168\nPiazza San Giustino \nChieti, Italy \n172\nMonumental fountain \nTeramo, Italy \n176\nJardins de L‘Arche \nParis, France \n180\nJohn Eaton Elementary School \nWashington DC, US \n184\nJapanese Garden \nAthens, Greece \n188\nNational Archaeological Museum Gardens \nAthens, Greece \n192\nThe Maritime Station in Genoa \nGenoa, Italy \n196\nHavenkom \nAlmere Haven, The Netherlands \n200\nSeafront Promenade \nTribunj, Croatia \n204 \nThe city walls of Matrice \nCampobasso, Italy \n208 \nRailyard Park \nArkansas, US \n212\nPublic Spaces\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.86.png","171\nPublic Spaces\nL&L Luce&Light\n170\nL&L Luce&Light\nThe area around the tourist port of A Coruña is one of the city’s best-\nknown squares. The buildings surrounding it have the glass façades, \ndesigned by the architect Juan de Ciórraga, that are typical of the \nlate 19th century.\nThe city takes its nickname of City of Glass from the architecture in \nthis area because the buildings consist of structures in iron, wood \nand glass. The style is eclectic, with maritime references, reflecting \nthe method by which ships’ sterns were constructed in the 18th \ncentury. The middle classes of the time took inspiration from this \nsystem when protecting their own houses from the sea, wind and \nhumid marine air.\nThe aim of the restoration of this part of the port was to connect \nthe city centre with its “marine façade” through an open space \nleading to the sea, with a predominantly pedestrian zone given over \nto leisure and cultural activities. It connects the city to the sea but \nmore importantly it connects the sea to the city for the many tourists \nwho arrive at the port on board cruise ships.\nLighting plays a vital role in the redevelopment process that has \nled to Plaza del Parrote once again becoming one of the city’s \nmost important areas. The lighting design was entrusted to Alve \nIluminación (A Coruña); to emphasise the square’s structure and \nits important role as a thoroughfare, the studio chose the Rio linear \nprofile.\nRio is ideal for step and pathway lighting in urban settings: it has \nan IP67 rating, can withstand traffic loads and guarantees no dark \nzones between fixtures. Rio is made of stainless steel and PMMA, \nwith an outer casing in aluminium or stainless steel. It can be \ninstalled both in the ground and in walls. It is dimmable, with a range \nof colour temperatures (2600K, 2800K or 3700K), and is available in \ndifferent lengths of up to 2010 mm. The fixture is equipped with an \nNTC temperature sensor built into the circuit, and an IPS (Intelligent \nProtection System) device, which offers protection from water \ninfiltrations and other common installation issues. For the Plaza del \nParrote, 66 x Rio 1.2 lighting fixtures were installed, each 1010 mm \nlong and with a colour temperature of 2800K.\nPlaza del Parrote\nLocation \nA Coruña, Spain\nApplication \nPaths and steps\nLight planning \nAlve Iluminación\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.87.png","172\n173\nPublic Spaces\nL&L Luce&Light\nPlaza del Parrote\nRio 1.2\npower 12W\ncolour temp.: 2800K\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.88.png","174\n175\nPublic Spaces\nL&L Luce&Light\nPiazza San Giustino\nPiazza San Giustino is the beating heart of Chieti, bordered by the \ncathedral of the same name, centre of the city’s spiritual and religious \nlife, and by a series of imposing palazzos: the Palazzo Comunale \n(the town hall), the Palazzo di Giustizia (the law courts), the Palazzo \nMezzanotte and the Palazzo Sirolli. The square has recently been \nredeveloped through work on the paving and lighting.\nThe lighting design for the square and the surrounding buildings uses \nTago linear profiles recessed flush with the paving for the perimeter \nfacades. This solution revitalises the urban space in every corner of \nthe square, enhancing its stone materials and architectural details.\nFor the colonnades surrounding the square, Tago versions 1.1 and 1.3 \nwere chosen with 20°x49° elliptical optics, tiltable +\u002F-20° and fitted \nwith anti-glare shields built into the fixture – this solution diffuses \nthe light output over the vertical surfaces of the columns and arches, \naccentuating the architectural details and increasing visual comfort \nacross the entire area.\nThe same Tago 1.3, but with wall-grazing optics, was selected to \nlight the stone walls of the cathedral and bell tower. Its grazing light \nbrings out the textures of the mediaeval walls and the porosity of the \nplinth and tapered stairways, bringing new vitality and liveability to \nPiazza San Giustino’s ample space.\nA Quilatero 2.4 outdoor recessed fixture, with 12° optics, illuminates \nthe statue in front of the bell tower. Its very narrow beam is ideal for \nenhancing the length of the bronze sculpture of St Justine created \nby Luciano Primavera in 2005. The fixture has a built-in anti-glare \nscreen to ensure excellent visual comfort.\nLocation  \nChieti, Italy\nApplication\nFacades\nLight planning\narch. Michele Proto\nProject\narch. Ivonne Elia \narch. Lucia Moretti  \narch. Gianfranco Scatigna\narch. Maria Cicchitti\nPhotoraphy\nSimone Tommasini\nPiazza San Giustino\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.89.png","176\n177\nPublic Spaces\nL&L Luce&Light\nPiazza San Giustino\nQuilatero 2.4 \npower: 8W\noptics: 12°  \ntiltable ±20° \nanti-glare screen\ncolour temp.: 3000K\nfinish: stainless steel\nTago 1.1 \u002F 1.3\npower: 24W\u002F51W\noptics: 20°x49°\u002F\nwall grazing\ntiltable ±20° \nanti-glare shield\ncolour temp.: 3000K\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.90.png","178\n179\nPublic Spaces\nL&L Luce&Light\nMonumental fountain\nMonumental fountain\nSilvi Marina is a town on the Adriatic coast of Abruzzo, fondly \nremembered by the poet Gabriele D’Annunzio as the “pearl of the \nAdriatic”. At its centre stands a large, eye-catching monumental \nfountain.\nThe monument is the work of architect and sculptor Ireneo Janni, \nwhose design consists of a large outer pool with five internal pools \nof different heights that act as a pedestal for the imposing bronze \nsculpture in their centre.\nAs part of its recent restoration, the monument has been enhanced \nby spectacular new lighting that makes the most of the multiple \neffects and colour scenes rendered possible by the Moby P RGBW \nunderwater projectors installed inside the pools.\nThe fixtures feature an internal mixing chamber that creates the \ndesired tones and shades, while the technical characteristics of \ntheir glass screens guarantee chromatic uniformity. The Moby P \nprojectors’ trim in electropolished, passivated AISI 316L stainless \nsteel makes them resistant to corrosion; the thermally conductive \ntechnopolymer used for their bodies ensures efficient heat \ndissipation and protects the fixtures from the highly corrosive \nchemicals in the water.\nLocation  \nSilvi Marina, Teramo, Italy\nApplication  \nFountains and swimming pools\nMoby P 2.0\npower: 20W\noptics: 34°  \nLED colour: RGBW\nMoby P 1.0\npower: 9W\noptics: 34° \nLED colour: RGBW\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.91.png","180\n181\nPublic Spaces\nL&L Luce&Light\nMonumental fountain\nMoby P 3.0\npower: 30W\noptics: 34°  \nLED colour: RGBW\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.92.png","183\nPublic Spaces\nL&L Luce&Light\n182\nL&L Luce&Light\nJardins de L‘Arche\nLocation  \nParis, France\nApplication \nPaths and steps\nProject  \nAWP\nLight planning  \n8’18’’\nJardins de l’Arche is an urban space to the west of Paris, the fruit of \nan urban regeneration project by the architectural firm AWP aimed \nat creating a genuine interchange between the famous business \ndistrict of La Défense and the adjacent municipality of Nanterre.\nThe new neighbourhood covers an area of 15 hectares and is intended \nas a cultural and entertainment hub. It features a 600-metre, fully \npedestrian promenade that stretches from La Grande Arche, symbol \nof La Défense, to the terraces of Nanterre, a sports arena that can \nhold up to 40,000 spectators, and to areas intended for commercial, \nadministrative, school and hospitality buildings.\nThe French lighting design studio 8’18’’ was responsible for lighting \nthis new public space, and, for the pedestrian promenade, chose \nRio 2 linear profiles, in two alternating bespoke lengths of 892 mm \nand 1198 mm. Recessed into the pavement perpendicularly to the \nboulevard, these profiles with diffuse optics serve to visually unify \nthe entire promenade, render it visible from a significant distance \nand give it dynamism.\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.93.png","184\n185\nPublic Spaces\nL&L Luce&Light\nJardins de L‘Arche\nRio 2 custom\npower: 19W\u002Fm\ncolour temp.: 2800K\nlength: 892mm\u002F1198mm\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.94.png","186\n187\nPublic Spaces\nL&L Luce&Light\nJohn Eaton Elementary School\nJohn Eaton Elementary School\nLocation \nWashington DC, US\nApplication  \nPaths and steps\nProject\nAmbridge Architecture\nPasito Mini 1.0 \npower: 5W\noptics: asymmetrical \n150°x90° \ncolour temp.: 3000K\nfinish: anthracite\nJohn Eaton elementary school sits in the historic Cleveland Park \nneighbourhood of Washington DC. Established in the early 1900s, \nthe institution began as a single building, later expanding in the \n1920s, the 1930s and for a final time in the 1980s.\nThe school recently underwent a renovation, entrusted to Ambridge \nArchitecture, aimed at modernising the historic campus and \nexpanding the teaching areas. Special attention was given to \nmaintaining the school’s outdoor areas, which are considered \nfundamental for play and learning.\nIt is in these outdoor areas that the architect’s new lighting design \nhas included Pasito Mini 1.0 step lights: recessed fixtures that blend \nperfectly with their surroundings. In this case, the step lights have \nan anthracite finish and are installed in the railings that separate the \nupper storey play area from that of the ground floor. The fixtures’ \nvery wide 150°x90° asymmetrical optics provide functional lighting \nfor the entire area with a controlled downward light emission that \nminimises light spill.\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.95.png","188\n189\nPublic Spaces\nL&L Luce&Light\nJohn Eaton Elementary School\nPhotography\nChris Ambridge AIA\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.96.png","190\n191\nPublic Spaces\nL&L Luce&Light\nJapanese Garden\nJapanese Garden\nLocation \nAthens, Greece\nApplication  \nLandscape\nLight planning\nNeaPolis Lighting\nLandscape design \nEcoscapes Landscape \nArchitecture\nPhotography \nAnastasia Siomou\nA Japanese-style Zen garden has been created in the Pangrati \ndistrict, in the centre of Athens, to enrich the green space that sits \nwithin the capital’s bustling urban fabric, surrounded by imposing \nbuildings, museums and factories. The garden is filled with lush \nvegetation paired with elements that represent water, in the classic \nJapanese tradition. It was designed by landscape architecture firm \nEcoscapes and was inspired by the ancient Japanese green parks \nthat date back thousands of years.\nPlants native to Japan and the Mediterranean grow here together: \nJapanese maples, cherry trees and bamboo share the land with \nmyrtle and daphne shrubs. The mix of different tree varieties adds \ncolour and texture along the park’s main path. Gravel and rock paths \nlead to the best views of the garden and move in sweeping curves to \nrepresent flowing dry “rivers”. A pine tree welcomes visitors at the \nmain entrance, while granite benches mark out a space for meeting \nand socializing.\nThe concept by lighting design company Nea Polis was based \non a desire for visitors to experience peace and tranquillity in a \nredeveloped corner of the city – a small green oasis between the \nbuildings, where they can relax for a moment. To ensure that these \nrequirements were met, the company chose Bright 2.4 outdoor \nrecessed fixtures with honeycomb louvres, installed at the base of \nthe plants to illuminate them bottom to top. In a customized version \nwith amber-coloured LEDs, so with a warm light output, they ensure \nthe circadian cycles of both people and animals are better respected. \nPost-mounted Ginko 3.0 projectors, 3000K with asymmetrical \nsnoots, light from above the areas with benches for socializing. Their \n48° sharp optics with shadow-effect filters realistically recreate the \neffect of sunlight shining through the foliage of the trees.\nGinko 3.0\npower: 15W\noptics: 48° sharp \ncolour temp.: 3000K\nshadow-effect filter\nfinish: anthracite\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.97.png","192\n193\nPublic Spaces\nL&L Luce&Light\nJapanese Garden\nBright 2.4 custom\npower: 5W\noptics: 11° \nLED colour.: amber\nwith honeycomb louvre\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.98.png","194\n195\nPublic Spaces\nL&L Luce&Light\nNational Archaeological Museum Gardens\nNational Archaeological Museum Gardens\nLocation  \nAthens, Greece\nApplication \nLandscape\nLight planning \nNeaPolis Lighting\nLandscape design \nEcoscapes Landscape Architecture\nThe garden at the front of one of the most visited museums in the \nGreek capital – and in the world – is full of plants that figure in \nGreek mythology. It is divided into three sections: botanical walks, \nthe “Arcadian landscape” and a small artificial hill crowned by a \n1,300-year-old olive tree. The lighting design studio NeaPolis has lit \nthe latter’s foliage with three Stra 4.0 recessed uplights that can be \nadjusted by remote control.\nScattered among the 6,000 and more native herbs, shrubs and trees \nsuch as thyme, oregano, cypresses, myrtles and pomegranates, \nalmond trees, olive trees and vines, Bright fixtures are recessed into \nthe ground to light trunks or leaves.\nThe road leading to the entrance of the imposing neoclassical \nbuilding is marked out with drive-over Rondò step lights with radial \noptics and a central tamper-resistant screw.\n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.99.png","196\n197\nPublic Spaces\nL&L Luce&Light\nNational Archaeological Museum Gardens\nPhotoraph \nAnastasia Siomou\nStra 4.0\npower: 25W\noptics: 37° \ncolour temp.: 2700K\nwith honeycomb louvre\nBright 5.F\npower: 19W\noptics: 18° \ncolour temp.: 2700K\nwith honeycomb louvre\nBright 3.F\npower: 10W\noptics: 21° \ncolour temp.: 2700K\nanti-glare screen\nRondò 2.1\npower: 2W\noptics: radial \ncolour temp.: 3000K\nfinish: micro-blasted \nstainless steel\n",99,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.100.png","199\nPublic Spaces\nL&L Luce&Light\n198\nL&L Luce&Light\nGenoa’s maritime station, next to Ponte dei Mille, dates back to the \n1930s and is made up of three buildings characterised by a portico \non the ground floor punctuated by white stone pilasters and columns.\nThe lighting design by Studio Luce Sacchi involved the courtyard’s \nthree sides and the large fountain in the central flowerbed, from \nwhich a huge ship‘s propeller rises, transformed into a sculptural \nreminder of the setting‘s nautical purpose.\nTo light the building‘s facades, special Stra 3.0 fixtures were selected \nwith a larger trim diameter than on the standard version in order to \nadapt them to the pre-existing cutout holes. The need to illuminate \nthe facades and use the light to accentuate their beauty led to the \nchoice of a fixture with two adjustable optical groups – with 14° and \n30° optics – directed toward each pilaster.\nWith an AISI 316L stainless steel trim treated to prevent corrosion \nand 15-mm-thick tempered extra-clear glass, the chosen Stra 3.0 \nguarantees impact resistance and is drive-over up to 5000 kg, \nperfect for areas with a lot of foot and vehicle traffic. All the fixtures \nalso have anti-vandal screws, making them perfectly suited to an \nurban setting.\nThe lighting design was completed with the supply of RGBW \nfixtures for the central fountain. For the two circular basins, Moby \nP projectors were selected with a glass cover and an AISI 316L \nstainless steel bracket with graduations so that the light emission \ncould be precisely positioned.\nThe Moby P family of projectors is remarkable for the robustness \nof its materials: the 12-mm-thick glass screen ensures maximum \nimpact, scratch and corrosion resistance, while the body, made \nof thermally conductive technopolymer, has been designed to \ndissipate heat very effectively and to protect the projector from any \ncorrosive substances present in the water.\nMoby P 1.1 fixtures, with 31°x64° elliptical optics, were installed \nalong the edge of the lower basin, while Moby P 2.1 were chosen \nfor the upper basin. Their 62° optics are directed at the propeller, \ncreating splashes of coloured reflections that define the fountain. A \ntouch panel allows different shades of light to be selected for the \ntwo basins to create ever-changing scenic effects.\nThe Maritime Station in Genoa\nLocation  \nGenoa, Italy\nApplication\nFacades,  \nFountains and swimming pools\nLight planning \nStudio Luce, Gruppo Sacchi\nPhotography \nAlessio Tamborini\n",100,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.101.png","200\n201\nPublic Spaces\nL&L Luce&Light\nThe Maritime Station in Genoa\nStra 3.0 custom\npower: 25W\noptics: 30°+14° \ncolour temp.: 3000K\ntamper-resistant \nscrews, customized \nversion with trim \nø330 mm\nMoby P 2.1\npower: 20W\noptics: 62° \nLED colour: RGBW\nMoby P 1.1\npower: 9W\noptics: 31x64° \nLED colour: RGBW\n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.102.png","202\n203\nPublic Spaces\nL&L Luce&Light\nHavenkom\nThe district of Almere in which the harbour is located has undergone \nan urban redevelopment that also involved improvements to the \nlighting. The aim of the new lighting design, the work of C.Light.\nWise, is safe illumination that also respects natural darkness and \ncan guide pedestrians intuitively through the harbour area and the \nresidential and commercial areas.\nThe new concept called for light poles, in a reference to the boat \nmasts of the nautical world, specially constructed to house Spot \n4.4 projectors and provide functional lighting for the streets and \npavements, and the wider areas. To achieve this, the fixtures \ninstalled use a 3000K LED colour and different optics: 42°x85° \u002F \n20° \u002F 45° \u002F 61°. To meet the requirements of C.Light.Wise‘s design, \neach projector was fitted with a special diffuser ring that softens the \nedges of the light output and, as the lighting design studio puts it, \n“makes the light almost tangible”.\nThe use of pole-mounted projectors means the fixtures can be \ndirected only where their light is needed – on the waterfront and \nalong the canals. This avoids the light hitting the water surface directly. \nIn the residential and commercial areas, they have been directed so \nthat they provide visibility on the pathways and surrounding areas, \nwithout glare. A dimmable version of the Spot 4.4 projectors was \nused so that different lighting scenes can be programmed according \nto the lighting requirements.\nThe fixtures’ body, in Anticorodal® aluminium, is corrosion resistant, \nmaking it ideal for marine and harbour settings. For this project, the \nSpot 4.4 projectors were painted in the custom finish RAL 9006, \nWhite aluminium.\nLocation \nAlmere Haven, The Netherlands\nApplication\nPaths and steps\nLight planning \nC.Light.Wise\nDelivered by\nIndustrielicht BV\nPhotography\nJaap Lotstra\nHavenkom\nSpot 4.4 custom\npower: 27W\noptics: 42°x85°\u002F20°\u002F \n45°\u002F61°, diffuser ring\ncolour temp.: 3000K\nfinish: RAL 9006\n",102,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.103.png","204\n205\nPublic Spaces\nL&L Luce&Light\nHavenkom\n",103,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.104.png","206\n207\nPublic Spaces\nL&L Luce&Light\nSeafront Promenade\nSeafront Promenade\nLocation \nTribunj, Croatia\nApplication  \nPaths and steps\nLight planning\nIBF Project\nTribunj is a little village of white-walled houses on the Croatian coast. \nWhen the sun sets on this deep-blue corner of the Mediterranean, \nyou can enjoy the view from a newly built promenade that hugs the \nsea.\nThe inner edge of the panoramic promenade is marked with Rondò \n1.1 step lights with radial optics. The lighting fixtures’ AISI 316L \nstainless steel body and multi-step paint treatment protect them \nfrom oxidation and corrosion. Salt-spray tested for over 1000 \nhours, Rondò fixtures are perfectly suited to installation in saline \nenvironments with harsh atmospheric agents.\nRondò 1.1\npower: 2W\noptics: radial \ncolour temp.: 3000K\nfinish: micro-blasted \nstainless steel\n",104,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.105.png","208\n209\nPublic Spaces\nL&L Luce&Light\nSeafront Promenade\n",105,{"image":434,"text":435,"number":436},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.106.png","210\n211\nPublic Spaces\nL&L Luce&Light\nThe city walls of Matrice\nThe city walls of Matrice\nNew light on the city’s ancient walls \nBorgo Sant’Antonio has been enriched with a new and atmospheric \nfootpath that follows the historic walls of the city of Matrice, \nconnecting two symbolic places: the Church of Sant’Antonio and \nthe Church of San Silvestro Abate. A stretch of road that was once \nhidden and abandoned has now been brought back to life thanks to \na careful restoration project that has returned the urban landscape \nto its original beauty.\nThe wall, built at the beginning of the ninth century, has been \nenhanced by a lighting system designed to emphasise the texture \nof the walls and create an eloquent atmosphere in dialogue with the \nsurrounding nature.\nThe lighting design uses Quilatero recessed fixtures: these can be \ntilted through up to 20°, offering a flexible and functional solution \nthat illuminates every corner of the path. The ability to adapt the \nlight based on the site’s specific needs ensures a precise result \nthat’s never intrusive, allowing the light to accentuate the materials \nwithout disturbing passers-by.\nThe 3000K temperature selected for the chosen fixtures allows the \nlight to blend in with the natural environment, creating a delicate \ncontrast with the stone and highlighting the textures of the historic \nwalls.\nMade of stainless steel, the minimalist Quilatero fixtures are resistant \nand long-lasting, perfect for a context that requires robust, high-\nquality solutions.\nThe lighting guides visitors’ steps, creating a visual and temporal \ncontinuity, in perfect balance between aesthetic appeal and \nfunctionality.\nLocation \nCampobasso, Italy\nApplication \nPaths and steps\nPhotography\nFabio Di Carlo\n",106,{"image":438,"text":439,"number":440},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.107.png","212\n213\nPublic Spaces\nL&L Luce&Light\nThe city walls of Matrice\nQuilatero 4.4\npower: 22W\noptics: 32° \ncolour temp.: 3000K\nfinish: stainless steel\nQuilatero 3.4\npower: 16W\noptics: 39° \ncolour temp.: 3000K\nfinish: stainless steel\nQuilatero 2.4\npower: 8W\noptics: 34° \ncolour temp.: 3000K\nfinish: stainless steel\n",107,{"image":442,"text":443,"number":444},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.108.png","214\n215\nPublic Spaces\nL&L Luce&Light\nRailyard Park\nRailyard Park is a public park designed by the Chicago-based firm \nRoss Barney Architects as part of the urban redevelopment of a \nlarge area next to the historic centre of Rogers, a town in Arkansas.\nWhile developing the idea for the project, the architects surveyed \nthe townspeople, digitally and in person, and found that they wanted \na new space in the city where they could meet during their leisure \ntime. The result is a public area made up of squares and spaces along \nthe railway line that has run through the city since the 19th century.\nThe building at the heart of this redevelopment is the Butterfield \nStage, a large pavilion, with a special multi-pitched roof, intended \nfor outdoor concerts and events. To provide the uniform lighting for \nthis large, covered space, the architects chose to use Rio 1.2 linear \nprofiles, fixed to the white beams of the metal structure.\nAlongside the pavilion, other spaces have been constructed, such as \nFrisco Plaza, home to the local farmers’ market, the nearby Playard, \na children’s play area with colourful surfaces, and the Water Plaza. In \nthe latter, water features have been created below the old cisterns \nonce used to fill the tanks of steam trains, and now decorated with \nillustrations by three internationally renowned artists.\nRailyard Park\nLocation \nRogers, Arkansas, US\nProject \nRoss Barney Architects\nRio 1.2\npower: 12W\ncolour temp.: 3700K\n",108,{"image":446,"text":447,"number":448},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.109.png","216\nReference Book\n6.0\n217\nL&L Luce&Light\nIndex\nA\nAbreuvoir de Marly, 12 \nB\nBasilica of the National Shrine of the Blessed Virgin of Ta‘ Pinu, 32\nBessaHotel Baixa, 98\nBotaniq Castle, 106\nC\nCaméo Moscow Villas, 112\nCastello di San Giorgio, Ducale Palace, 64\nCircle Wood, 130\nCaves Champagne Joseph Perrier, 138\nCorte Bertesina, 126\nD\nDuckpin, 78\nE\nEdifício Náutico, 150\nF\nFrauenkirche, Dresden, 34\nFormer Convent of San Panfilo, 94\nFormer church of San Giovannello, 38\nG\nGrand Çamlica Mosque, 42\nGymnasium Tolkewitz, 162\nH\nHavenkom, 200\nHistoric villa in Brianza, 116\nHotel Bristol, 102\nHypogeum of Santa Maria in Stelle, 54\nJ\nJardins de L‘Arche, 180\nJapanese Garden, 188\nJohn Eaton Elementary School, 184\nJuromenha Fortress, 58\nL\nLa Villa Madie, 80\nM\nMagari Estates Hotel, 90\nMarfisi Carni, 142\nMonumental fountain, 176\nN\n \nNational Archaeological Museum Gardens, 192\nNorblin Factory, 154\nP\nPersonal Structures - Beyond Boundaries, 22\nPiazza San Giustino, 172\nPlaza del Parrote, 168\nPrivate square, 132\nPrivate residence in Positano, 122\nR\nRailyard Park, 212\nRocchetta Mattei, 62\nRoyal Saltworks, 8\nS\nSamling Library, 146\nScaligero Castle in Malcesine, 50\nSeafront Promenade, 204\nStele Dannunziana, 46\nT\nThe Editory Riverside Santa Apolónia Hotel, 70\nThe Hellenic Parliament in Athens, 16\nThe Maritime Station in Genoa, 196\nThe Sculpture Forest, The Well spa & hotel, 74\nThe city walls of Matrice, 208\nTičan memorial area, 28\nTown Hall facade, 158\nW\nWinery in Colceresa, 84\nIndex\n",109,{"image":450,"text":451,"number":452},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.110.png","Reference Book\n6.0\nL&L Luce&Light\nL&L Luce&Light srl\nVia Trescalini 5, \n36031 Dueville, Vicenza, Italy\nlucelight@lucelight.it \nwww.lucelight.it \nGiven the continuous evolution of LED technology, the technical \ncharacteristics of the lighting fixtures may vary with respect to \nthose given in this publication. For this reason, the information \ncontained herein shall be deemed merely indicative and not \nbinding for the Company. The technical reference documentation \nis available in the download section for each product on the L&L \nwebsite: www.lucelight.it\n© L&L Luce&Light srl\nConcept and Creative Direction \nApartamento Studios\nGraphic Design \nApartamento Studios\nTexts\nL&L Luce&Light\nPrinting\nGrafiche Antiga, Italy\nApril 2025\n",110,{"image":454,"text":455,"number":456},"\u002Fmedia\u002Fimages\u002F00\u002F72e054b703593f5a7dcb2497187666-28fa27bd85.111.png","Crafting light for life\n",111,[],0,false,true,{"success":460,"data":462,"meta":674,"count":675,"next":676,"previous":677,"results":709,"brand_chips":770},[463,475,487,500,509,522,534,544,554,563,573,585,594,604,613,623,636,645,655,665],{"id":464,"title":465,"slug":466,"image":467,"source":468,"brand_name":469,"brand":470,"brand_slug":471,"file_size":472,"pages":473,"pages_count":412,"matched_pages":474,"match_count":458,"two_pages":459,"show_text":460},26599,"News 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