[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-kreon-recessed-downlights":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":141},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":136,"matched_pages":137,"match_count":138,"two_pages":139,"show_text":140},21021,"Recessed Downlights","kreon-recessed-downlights","\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F0b\u002Fcf2829fbca8790aa8326a2b67a6296-28cd24e9a6.pdf","Kreon",1925,"kreon","60.3 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133],{"image":7,"text":15,"number":16},"DESIGNED TO ELEVATE\nRecessed \ndownlights\nkreon\n    \nkreon\n    .com\nRecessed downlights\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.2.png","table of content\n2\t\n\t\nShaping\tspaces,\tcrafting\texperiences\n4 \n \nDownlights: the future of lighting design\n6\t\n\t\nStandard:\tsoft\t&\tdiffused\n10\t\n\t\t\t\t\nHigh-efficiency:\tsharp\t&\tfocused\n14 \nSize 40 \nStandard\n16\t\nSize\t40\t\t\t\nHigh-efficiency\n20 \nSize 60 \nStandard \n22\t\nSize\t60\t\nHigh-efficiency\n26 \nSize 80 \nStandard\n28\t\nSize\t80\t\nHigh-efficiency\n34 \nSize 120 \nStandard\n38 \nSize 165    \nStandard\n42\t\n\t\t\nVersatile\tfunctionality\t|\tSeamless\tdownlight\t\t\n \ninstallation\n44\t\n\t\t\t\t\nElevating\tdesign\t|\tInnovative\tlouvre\toptions\n46\t\n\t\nColours\t|\tLuxuriously\tfinished\tlouvres\n48\t\n\t\nOptics\tin\tlighting\t|\tDraw\tattention\tto\tthe\t\t\t\n \nwall\n54\t\n\t\t\nSustainability\t|\tStep\tby\tstep\ttowards\t\n \n \na cleaner world\n56\t\n\t\nOffices\n1\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.3.png","Shaping \nspaces, \ncraft ing \nexperiences\nIn\tthe\tworld\tof\tarchitectural\tdesign,\tlighting\t\nis\tthe\tbrushstroke\tthat\tadds\tdepth,\temotion\t\nand nuance to a canvas. The strategic use \nof\tlighting\tappliances\twith\ta\tvariety\tof\toptics\t\nempowers\tarchitects\tto\tgo\tbeyond\tillumination,\t\ncreating\timmersive\texperiences\tand\tsculpting\t\nspaces that resonate with the desired \natmosphere.\nAs architects continue to push the boundaries \nof\tcreativity,\tthe\tmarriage\tof\toptics\tand\t\narchitecture\tstands\tas\ta\ttestament\tto\tthe\t\ntransformative\tpower\tof\tlight.\tBy\tunderstanding\t\nthe nuances of optics, architects can unlock \nnew\tdimensions\tin\tdesign,\tensuring\tthat\tevery\t\nspace\ttells\ta\tunique\tand\tcaptivating\tstory.\nkreon\n\t \t \t \t\nrecessed downlights\n2\n3\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.4.png","Are\tyou\tlooking\tfor\ta\thome\tor\toffi\t\tce\tlighting\t\nsolution\tthat\tcombines\tfunctionality,\t\neffi\t\tciency,\tand\taesthetics?\tThen\tkreon\n\t \t \t \t \t\ndownlights are the answer. The range is \nsuitable\tfor\ta\twide\tvariety\tof\tapplications.\t\nThese downlights have a discreet and \nelegant\tdesign\tand\tare\tavailable\tin\tmany\t\nsizes,\tshapes,\tand\tstyles.\tIdeal\tfor\tadding\ta\t\ncontemporary\ttouch\tto\tany\troom.\nkreon\n\t \t \t \t \tdownlights\tare\tversatile\tand\tsuitable\t\nfor general, task, and accent lighting. Whether \nyou\tare\tlooking\tfor\ta\tsleek,\tmodern\tinterior\t\nor\ta\tminimalist\tlook,\tkreon\n\t \t \t \t \tdownlights\thave\t\nit\tall.\tThey\tcan\tbe\tseamlessly\tintegrated\tinto\t\nthe\tceiling\tand\twork\tperfectly\twith\tother\tkreon\n\t \t \t \t \t\nluminaires\tfor\ta\tuniform\tlook.\nFind\tout\tmore\tin\tour\tblog\nDownlights: the future of lighting design\nDOWNLIGHTS\nThe future of \nlighting design\nrecessed downlights\nkreon\n\t \t \t \t\n4\n5\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.5.png","function\nfi xed\ndirectional\nbeam\nsoft  and diff used beam \ncontour\nlight source\nLED\nfi xed CCT\nCRI95+\noptic\nlens optic + glare snoot\nspot\nfl ood\nwide fl ood\nfi\tnish\ntrim\ntrimless\ningress protection\nIP20\nIP44\nsize\n40 - 60 - 80 - 120 - 165\n6\n7\nrecessed downlights\nkreon\n\t \t \t \t\nSOFT\t&\tDIFFUSED\nStandard\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.6.png","Quality of light\nAdvanced diffusing\toptics\tand\tCRI95+ \nlight sources deliver unparalleled lighting \nquality, replicating the soft\tand\tnatural\t\nglow of early morning or late afternoon \nsunlight. This ensures colors appear true \nand vibrant, enhancing the overall visual \nexperience.\nAtmospheric \n& soothing\nThe gentle,\teven\tillumination creates a \ntranquil atmosphere, ideal for promoting \nrest and relaxation. Its soothing quality \nfosters a  welcoming environment, perfect \nfor unwinding  and recharging.\nThe perfect fit\nThis lighting approach is perfectly suited \nfor residential\tand\thospitality\tspaces, \noffering an ambiance that enhances \ncomfort and elevates the guest experience. \nIts adaptability ensures a seamless\tfit\t\nacross\tvarious\tinterior\tstyles.\nArchitect\nVirginie Renaut \nLocation \nParis, France\nProducts\naplis in-line 40\naplis in-line 80\nPhotographer\nSerge Brison\n8\n9\nrecessed downlights\nkreon\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.7.png","function\nfi xed\ndirectional\nwallwasher\nbeam\nsharp and focused beam \ncontour\nlight source\nLED\nfi xed CCT\ndim-to-warm\ntunable white\nCRI90+ & CRI95+\noptic\nrefl ector optic\nsuperspot\nspot\nfl ood\nwide fl ood\nwallwasher\nUGR control\nfi\tnish\ntrim\ntrimless\ningress protection\nIP20\nIP44\nsize\n40 - 60 - 80\n11\n10\nkreon\n\t \t \t \t\nrecessed downlights\nSHARP\t&\tFOCUSED\nHigh-effi  ciency\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.8.png","Performance in \nlight\nOptics engineered to concentrate light \ninto a narrow,\tprecise\tbeam replicate the \nbrilliance and intensity of midday sunlight. \nThis sharp, focused lighting ensures \nexceptional clarity, enhancing details and \ntextures.\nPrecision\nBy directing light with pinpoint \nprecision, these advanced optics \ncreate a concentrated beam that \noffers unparalleled visual impact. With \nexcellent glare control (UGR \u003C19), the \nlighting remains comfortable to the eye—\nminimizing visual strain while maintaining \nclarity and enhancing spatial perception.\nThe perfect fit\nThis highly focused lighting is ideal for \naccentuating architectural features or \ncreating a vibrant, energetic atmosphere \nin offices\tand\tcommercial\tspaces\tsuch\t\nas\tgalleries,\tretail\tenvironments,\tor\t\nshowrooms.\nArchitect\nReitsema & Partners \nArchitecten\nLocation \nRijssen, \nThe Netherlands\nProducts\naplis in-line 40\nPhotographer\nSerge Brison\n12\n13\nrecessed downlights\nkreon\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.9.png","SIZE\t40\nStandard\nFINISH\nSHAPE\nFUNCTION\nLOUVRE\nCCT\nOPTIC\ntrim\nfi\txed\nstandard\n2700K\nround\nsquare\ntrimless\n3000K\nspot\nfl\tood\nwide\tfl\tood\ndirectional\nIP44\n(only for fi xed)\n1. fi xed\n2. directional\nplasterkit\nlouvre\n1. FIXED\nilluminant*\nCRI95+, 2 SDCM\nup to 243lm @ 3000K, fl ood\n3,2W @ 1050mA\nbeam\tangles\nspot: 12°\nfl ood: 24°\nwide fl ood: 44°\ninst. depth\n80mm\n*\timproved\tilluminant\tdata\twith\t45%\tavailable\tfrom\tQ3\t2025\n2. DIRECTIONAL\nilluminant*\nCRI95+, 2 SDCM\nup to 201lm @ 3000K, fl ood\n3,2W @ 1050mA\nbeam\tangles\nspot: 12°\nfl ood: 24°\nwide fl ood: 40°\nrotation\n355°\ninclination\n30°\ninst. depth\n80mm\n*\timproved\tilluminant\tdata\twith\t45%\tavailable\tfrom\tQ3\t2025\nkreon\n\t \t \t \t\nrecessed downlights\n14\n15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.10.png","SIZE\t40\nHigh-effi  ciency\nFINISH\nSHAPE\nFUNCTION\nLOUVRE\nCCT\nOPTIC\ntrim\nstandard\n2700K\nround\nsquare\ntrimless\n3000K\nwallwasher\nwallwasher\n1. wallwasher\nlouvre\nplasterkit\n1. WALLWASHER\nilluminant\nCRI90+, 2 SDCM\nup to 291lm @ 3000K\n4W @ 700mA\nbeam\tangles\nasymmetric\n(see design guide on page 50)\ninst. depth\n80mm\nkreon\n\t \t \t \t\nrecessed downlights\n16\n17\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.11.png","Architect\nVirginie Renaut\nLocation \nParis, France\nProducts\naplis in-line 40\nPhotographer\nSerge Brison\nkreon\nrecessed downlights\n18\n19\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.12.png","SIZE\t60\nStandard\nFINISH\nSHAPE\nFUNCTION\nLOUVRE\nCCT\nOPTIC\ntrim\nfi\txed\nstandard\n2700K\nround\nsquare\ntrimless\n3000K\n4000K\nspot\nfl\tood\nwide\tfl\tood\ndirectional\nIP44\n(standard)\n1. fi xed\n2. directional\nplasterkit\nlouvre\n1. FIXED\nilluminant\nCRI95+, 2 SDCM\nup to 918lm @ 3000K, fl ood\n12,6W @ 700mA\nbeam\tangles\nspot: 22°\nfl ood: 38°\nwide fl ood: 45°\ninst. depth\n95mm\n2. DIRECTIONAL\nilluminant\nCRI95+, 2 SDCM\nup to 800lm @ 3000K, fl ood\n12,6W @ 700mA\nbeam\tangles\nspot: 22°\nfl ood: 35°\nwide fl ood: 45°\nrotation\n355°\ninclination\n30°\ninst. depth\n95mm\nkreon\n\t \t \t \t\nrecessed downlights\n20\n21\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.13.png","SIZE\t60\nHigh-effi  ciency\nFINISH\nSHAPE\nFUNCTION\nLOUVRE\nCCT\nOPTIC\ntrim\nfi\txed\nstandard\nlow\n2700K\nround\nsquare\ntrimless\n3000K\n4000K\ndim-to-warm\n(1800K-3000K)\ntunable white\n(2700K-5000K)\nwallwasher\nspot\nsuperspot\nfl\tood\nwide\tfl\tood\nwallwasher\n1. FIXED\nilluminant\nCRI90+ \u002F CRI95+, 2 SDCM\nup to 1330lm @ 3000K, fl ood\n12W @ 350mA\nbeam\tangles\nsuperspot: 18° (UGR≤16)\nspot: 34° (UGR≤16)\nfl ood: 52° (UGR≤16)\nwide fl ood: 68°\ninst. depth\n95mm\n2. WALLWASHER\nilluminant\nCRI90+ \u002F CRI95+, 2 SDCM\nup to 770lm @ 3000K\n9,9W @ 300mA\nbeam\tangles\nasymmetric\n(see design guide on page 50)\ninst. depth\n92mm\nIP44\n(standard)\ndeep recessed\n1. fi xed\n2. directional\nplasterkit\nlouvre\nkreon\n\t \t \t \t\nrecessed downlights\n22\n23\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.14.png","Products\ndown 60\n24\nkreon\nrecessed downlights\n25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.15.png","SIZE\t80\nStandard\nFINISH\nSHAPE\nFUNCTION\nLOUVRE\nCCT\nOPTIC\nACCS.\ntrim\nfi\txed\n2700K\ndiff\tusing\tlens\nsculpture lens\nanti-glare louvre\nround\nsquare\ntrimless\n3000K\n4000K\nspot\nfl\tood\nwide\tfl\tood\ndirectional\ndropped\nstandard\nIP44\n(standard)\ndeep recessed\n1. fi xed\n2. directional\nplasterkit\nlouvre\n1. FIXED\nilluminant\nCRI95+, 2 SDCM\nup to 918lm @ 3000K, fl ood\n12,6W @ 700mA\nbeam\tangles\nspot: 22°\nfl ood: 38°\nwide fl ood: 45°\ninst. depth\n105mm\n2. DIRECTIONAL\nilluminant\nCRI95+, 2 SDCM\nup to 786lm @ 3000K, fl ood\n12W @ 350mA\nbeam\tangles\nspot: 18°\nfl ood: 28°\nwide fl ood: 36°\nrotation\n355°\ninclination\n30°\ninst. depth\n115mm\nkreon\n\t \t \t \t\nrecessed downlights\n26\n27\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.16.png","SIZE\t80\nHigh-effi  ciency\nFINISH\nSHAPE\nFUNCTION\nLOUVRE\nCCT\nOPTIC\ntrim\nfi\txed\n2700K\nround\nsquare\ntrimless\n3000K\n4000K\ndim-to-warm\n(1800K-3000K)\ntunable white\n(2700K-5000K)\nwallwasher\nspot\nsuperspot\nfl\tood\nwide\tfl\tood\nwallwasher\ndirectional\ndropped\nstandard\nIP44\n(standard)\ndeep recessed\nlow\n1. fi xed\n2. directional\nplasterkit\nlouvre\n1. FIXED\nilluminant\nCRI90+ \u002F CRI95+, 2 SDCM\nup to 1330lm @ 3000K, fl ood\n12,6W @ 350mA\nbeam\tangles\nsuperspot: 18° (UGR≤16)\nspot: 35° (UGR≤16)\nfl ood: 52° (UGR≤16)\nwide fl ood: 68°\ninst. depth\n105mm\n2. DIRECTIONAL\nilluminant\nCRI90+ \u002F CRI95+, 2 SDCM\nup to 1055lm @ 3000K, fl ood\n12W @ 350mA\nbeam\tangles\nsuperspot: 18° (UGR≤16)\nspot: 35° (UGR≤16)\nfl ood: 52° (UGR≤19)\nrotation\n355°\ninclination\n30°\ninst. depth\n115mm\nkreon\n\t \t \t \t\nrecessed downlights\n28\n29\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.17.png","3. wallwasher\nlouvre\nplasterkit\nArchitect\nLuc Spits\nLocation\nLiège, Belgium\nProducts\ndown in-line 80\nPhotographer\nCaroline Dethier\n3. WALLWASHER\nilluminant\nCRI90+ \u002F CRI95+, 2 SDCM\nup to 790lm @ 3000K\n9,9W @ 300mA\ninst. depth\nasymmetric\n(see design guide on page 50)\ninst. depth\n92mm\nkreon\n\t \t \t \t\nrecessed downlights\n30\n31\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.18.png","Architect\nDieter Vander Velpen\nArchitects\nLocation\nJackson Hole, Wyoming, \nUSA\nProducts\naplis 80\nPhotographer\nPatricia Goijens\n32\n33\nrecessed downlights\nkreon\n\t \t \t \t\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.19.png","SIZE\t120\nStandard\nFINISH\nSHAPE\nFUNCTION\nLOUVRE\nCCT\nOPTIC\ntrim\nfi\txed\nstandard\n2700K\nround\nsquare\ntrimless\n3000K\n4000K\nspot\nfl\tood\nwide\tfl\tood\nvery\twide\tfl\tood\ndirectional\n1. fi xed\n2. directional\nplasterkit\nlouvre\nIP44\n(standard)\nACCS.\ndiff\tusing\tlens\nsoft\tening\tlens\nanti-glare louvre\n1. FIXED\nilluminant\nCRI95+, 2 SDCM\nup to 2600lm @ 3000K, fl ood\n19,8W @ 600mA\nbeam\tangles\nspot: 15°\nfl ood: 24°\nwide fl ood: 36°\nvery wide fl ood: 60°\ninst. depth\n140mm\n2. DIRECTIONAL\nilluminant\nCRI95+, 2 SDCM\nup to 1656lm @ 3000K, fl ood\n19,8W @ 600mA\nbeam\tangles\nspot: 15°\nfl ood: 24°\nwide fl ood: 36°\nvery wide fl ood: 60°\nrotation\n355°\ninclination\n30°\ninst. depth\n140mm\nkreon\n\t \t \t \t\nrecessed downlights\n34\n35\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.20.png","Architect\nPierre Marie \nDemonceau\nLocation \nBarchon, Belgium\nProducts\naplis in-line 120\nPhotographer\nSerge Brison\nkreon\n36\n37\nrecessed downlights\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.21.png","SIZE\t165\nStandard\nFINISH\nSHAPE\nFUNCTION\nLOUVRE\nCCT\nOPTIC\ntrim\nfi\txed\nstandard\nround\nsquare\ntrimless\n3000K\nspot\nfl\tood\nwide\tfl\tood\ndirectional\n1. fi xed\n2. directional\nplasterkit\nlouvre\n1. FIXED\nilluminant*\nCRI90+, 2 SDCM\nup to 3450m @ 3000K, fl ood\n36,9W @ 1050mA\nbeam\tangles\nspot: 15°\nfl ood: 24°\nwide fl ood: 40°\ninst. depth\n95mm\n*\tdata\tof\tapplied\tLED\tengine\t111,\tfl\tood\n2. DIRECTIONAL\nilluminant*\nCRI90+, 2 SDCM\nup to 3450lm @ 3000K, fl ood\n36,9W @ 1050mA\nbeam\tangles\nspot: 15°\nfl ood: 24°\nwide fl ood: 40°\nrotation\n355°\ninclination\n30°\ninst. depth\n175mm\n*\tdata\tof\tapplied\tLED\tengine\t111,\tfl\tood\nkreon\n\t \t \t \t\nrecessed downlights\n38\n39\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.22.png","Location\nHasselt, Belgium\nProducts\naplis in-line 165  \nPhotographer\nSerge Brison\n40\nkreon\n\t \t \t \t\n41\nrecessed downlights\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.23.png","Our installation solutions are \ndesigned to deliver a fl awless \nfi nish with no visible screws or \nmounting hardware, ensuring \nthat the ceiling remains visually \nunclutt ered. By allowing precise \npositioning of downlights, \nthey not only enhance the \noverall lighting eff ect but also \nsimplify future adjustments, \nreplacements, or upgrades.\nOne eff ective approach is \nthe use of a back-mounted \nplasterkit, which is installed from \nbehind the ceiling to create a \nseamless integration with the \nsurface. This method ensures \nthat the downlight appears as \nan inherent part of the ceiling, \nrather than an added fi xture. \nIn addition to its aesthetic \nadvantages, it also provides \npractical benefi ts such as \neasier retrofi tt ing and increased \nfl exibility for positioning.\nRecognizing the need for \nversatile installation solutions, \nwe off er a range of kits designed \nto suit various ceiling substrates, \nincluding wood, concrete, \nacoustic ceilings, exposed \nconcrete, and plasterboard. \nThis expanded selection \nallows for eff ortless integration \nacross diff erent architectural \nenvironments, ensuring that \nour lighting fi xtures can be \nseamlessly installed in any \nspace.\nWith these refi ned installation \nsolutions, achieving a clean, \nsophisticated, and high-\nperforming lighting design has \nnever been easier. Whether for \nnew construction or retrofi tt ing \nprojects, our kits provide the \nfl exibility and precision needed \nto bring lighting visions to life.\nA\twell-executed\tdownlight\tinstallation\tgoes\tbeyond\tsimply\tproviding\t\nillumination—it\tenhances\tthe\tarchitectural\taesthetic,\tmaintains\ta\t\nclean\tceiling\tsurface,\tand\tensures\tlong-term\tease\tof\tmaintenance.\t\nWhether\tin\tresidential,\tcommercial,\tor\thigh-end\tdesign\tprojects,\t\nselecting\tthe\tright\tinstallation\tmethod\tis\tkey\tto\tachieving\tboth\tform\t\nand function.\nVERSATILE\tFUNCTIONALITY\nSeamless downlight \ninstallation\nPlasterkit,\tback\tmounting\nPlasterkit,\tfront\tmounting\nInstallation\tkit\tfor\texposed\t\nconcrete installation\nInstallation\tkit\tfor\twooden\t\nceiling\nInstallation\tkit\tfor\tacoustic\t\nceiling\nkreon\n\t \t \t \t\nrecessed downlights\n42\n43\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.24.png","ELEVATING DESIGN\nInnovative louvre \noptions\nStandard louvre \nThe standard louvre is a well-balanced solution, providing eff ective \nglare control while delivering uniform illumination. It integrates \nseamlessly into most spaces, making it a reliable choice for both \nresidential and commercial applications. \nLow louvre\nThe low louvre is designed for spaces that require a refi ned yet eff ective \nlighting solution. Together with the high effi  ciency downlight, no light \ntouches the low louvre. This combination makes lighting invisible on \nthe ceiling surface. Ideal for spaces that require quiet ceilings with high \neffi  ciencies and the best glare control.\nDeep recessed louvre\nFor enhanced glare control and a more focused beam, the deep \nrecessed louvre is the perfect choice. By positioning the light source \ndeeper within the fi xture, this option reduces direct visibility of the LED, \ncreating a more comfortable and inviting atmosphere—perfect for \nhospitality, residential, and workspace environments.\nDropped louvre\nFor those looking to add a distinctive design element, the dropped \nlouvre extends slightly below the ceiling plane, creating a unique \nlighting eff ect. This option not only enhances visual interest but also \nallows for increased light output and a striking architectural presence.\nArchitect\nAlysson Feit Interieurs\nLocation\nParis, France\nProducts\naplis in-line 80,\ndropped louvre\nPhotographer\nSerge Brison\nkreon\n\t \t \t \t\nrecessed downlights\n44\n45\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.25.png","brushed bronze\nbrushed silver\nbrushed gold\ngun black\nThe\tright\tdetails\televate\tarchitectural\tlighting\tfrom\tfunctional\tto\t\nexceptional.\tOur\ttrimless\tdownlight\tranges\tnow\tcome\tstandard\twith\t\nluxuriously\tfi\tnished\tlouvres,\tensuring\ta\tseamless\tblend\tof\trefi\tned\t\naesthetics\tand\thigh-performance\tillumination.\nBrushed gold, brushed silver, \nand brushed bronze introduce \na sophisticated interplay of \nmetallic tones, adding warmth \nand depth to any space. These \nfi nishes catch and refl ect light in \nunique ways, subtly enhancing \ntextures and surfaces while \ncreating an inviting atmosphere. \nMeanwhile, our gun black metal \nfi nish has been carefully refi ned \nfor an even more polished and \ncontemporary look, off ering a \nsleek contrast that complements \nboth bold and understated \ndesign schemes. Whether used \nin residential, hospitality, or \ncommercial sett ings, these \nfi nishes provide an added layer \nof elegance and versatility, \nseamlessly integrating into \nvarious architectural styles.\nBy incorporating these high-end \nfi nishes into our kreon\n     downlight \nrange, we off er designers \neven greater fl exibility to craft  \ndistinctive lighting concepts. \nThe ability to play with texture, \ncontrast, and refl ection allows \nfor a more nuanced approach \nto illumination, transforming \nlighting into an essential design \nelement rather than just a \nfunctional necessity. These \nsophisticated options not only \nenhance the overall ambiance \nof a space but also open up \nendless creative possibilities, \nensuring that lighting becomes \nan integral part of the \narchitectural vision.\nCOLOURS\nLuxuriously fi nished \nlouvres\nArchitect\nMassimo Yuri Madella \n& Galante Menichini \nArchitett i\nLocation\nGeneva, Switzerland\nProducts\naplis in-line 80\nPhotographer\nSerge Brison\nkreon\n\t \t \t \t\nrecessed downlights\n46\n47\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.26.png","Achieving eff ective wallwashing \nrequires meticulous optical \ndesign to ensure a uniform \ndistribution of light, minimize \nglare, and maintain consistency \nacross the illuminated surface. \nThis delicate balance is \nachieved through advanced \nlensing, refl ector technologies, \nand precise fi xture placement, \nall working together to create a \nsmooth and even wash of light. \nProperly executed wallwashing \neliminates harsh shadows and \ndistracting hot spots, resulting \nin a seamless, visually pleasing \neff ect that enhances both the \naesthetics and functionality of a \nspace.\nBeyond its technical aspects, \nwallwashing signifi cantly \nimpacts the way a space is \nperceived and experienced. \nBy evenly illuminating vertical \nsurfaces, this technique \ncan make rooms feel more \nexpansive, creating an open \nand inviting atmosphere. \nAdditionally, it enhances visual \ncomfort by reducing contrast \nimbalances, preventing \neye strain, and fostering a \nmore harmonious lighting \nenvironment. Whether used in \narchitectural, commercial, or \nresidential sett ings, eff ective \nwallwashing contributes to \na refi ned and sophisticated \nambiance.\nThe versatility of wallwashing \nmakes it a fundamental \nlighting strategy across various \nenvironments. In museums \nand galleries, it ensures that \nartwork is evenly highlighted \nwithout casting unwanted \nshadows that could obscure \ndetails. In hospitality and retail \nspaces, wallwashing plays \na crucial role in sett ing the \nmood, enhancing textures, and \nsubtly directing att ention to \nkey design elements, such as \ndisplays, decorative features, or \narchitectural details. Corporate \noffi  ces and residential interiors \nbenefi t from its ability to \ncreate a cohesive and polished \naesthetic, reinforcing a sense \nof depth, elegance, and spatial \ncontinuity.\nThe impact of wallwashing \nextends beyond interior spaces, \nfi nding signifi cant application \nin exterior lighting as well. When \nused to illuminate building \nfaçades, monuments, or \nlandscaped environments, \nit adds a sense of drama \nand dimension, emphasizing \narchitectural forms and \nenhancing nightt ime visibility. \nThoughtf ully designed outdoor \nwallwashing can transform an \nordinary structure into a striking \nOptics\tin\tlighting\tcontrol\tthe\tdirection,\tdistribution,\tand\tquality\tof\t\nlight,\tshaping\thow\tspaces\tare\tperceived.\tOne\tof\tthe\tmost\timpactf\tul\t\napplications\tof\toptical\tcontrol\tis\twallwashing—a\ttechnique\tthat\tevenly\t\nilluminates\tvertical\tsurfaces\tto\tenhance\tspatial\topenness,\thighlight\t\ntextures,\tand\tcreate\ta\tvisually\tbalanced\tenvironment.\tWith\tthe\tright\t\noptics,\twallwashing\ttransforms\twalls\tfrom\tpassive\tbackdrops\tinto\tkey\t\narchitectural\telements.\nOPTICS\tIN\tLIGHTING\nDraw att ention \nto the wall\nvisual statement, enriching the \nsurrounding environment and \nincreasing its presence aft er \ndark.\nTo fully harness the potential of \nwallwashing, designers must \ncarefully select and integrate the \nright optics, fi xture positioning, \nand beam distributions. By \ndoing so, they can reinforce \narchitectural intent, create \nimmersive spatial experiences, \nand elevate the overall \natmosphere of any environment. \nAs lighting technology continues \nto advance, the ability to \nachieve precise and energy-\neffi  cient wallwashing becomes \neven more refi ned, off ering new \nopportunities to shape and \nenhance the built environment \nthrough light.\nArchitect\nReitsema & Partners \nArchitecten\nLocation\nRijssen, The Netherlands\nProducts\naplis in-line 80\nwallwasher\nPhotographer\nSerge Brison\nkreon\n\t \t \t \t\nrecessed downlights\n48\n49\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.27.png","SIZE\t40\nWallwasher\nSIZE\t60\nWallwasher\n0m\n1m\n2m\n3m\n4m\n5m\nA\t=\t0.50m\nB\t=\t0.50m\n11 lx (10 lx) [0.77]\n11 lx (10 lx) [0.79]\n14 lx (13 lx) [0.84]\n21 lx (20 lx) [0.86]\n33 lx (33 lx) [0.94]\n35 lx (33 lx) [0.95]\nA\t=\t0.75m\nB\t=\t0.75m\n8 lx (8 lx) [0.82]\n9 lx (8 lx) [0.83]\n10 lx (10 lx) [0.85]\n13 lx (13 lx) [0.90]\n15 lx (15 lx) [0.95]\n14 lx (13 lx) [0.91]\nA\t=\t0.90m\nB\t=\t0.90m\n7 lx (7 lx) [0.84]\n7 lx (7 lx) [0.84]\n8 lx (8 lx) [0.87]\n10 lx (10 lx) [0.93]\n11 lx (10 lx) [0.94]\n9 lx (8 lx) [0.90]\nA\t=\t1.20m\nB\t=\t0.90m\n7 lx (6 lx) [0.82]\n7 lx (7 lx) [0.82]\n8 lx (8 lx) [0.86]\n9 lx (8 lx) [0.90]\n8 lx (8 lx) [0.91]\n6 lx (5 lx) [0.88]\nA = distance from luminaire to wall\nB = distance between luminaires\nEmax (Eav) [illuminance uniformity]\n0m\n1m\n2m\n3m\n4m\n5m\nA\t=\t0.50m\nB\t=\t0.50m\n67 lx (63 lx) [0.79]\n72 lx (68 lx) [0.80]\n108 lx (103 lx) [0.83]\n209 lx (200 lx) [0.88]\n400 lx (382 lx) [0.092]\n363 lx (336 lx) [0.90]\nA\t=\t0.75m\nB\t=\t0.75m\n59 lx (56 lx) [0.83]\n66 lx (63 lx) [0.84]\n98 lx (93 lx) [0.87]\n148 lx (144 lx) [0.90]\n210 lx (204 lx) [0.93]\n130 lx (119 lx) [0.89]\nA\t=\t0.90m\nB\t=\t0.90m\n56 lx (53 lx) [0.85]\n63 lx (60 lx) [0.86]\n87 lx (84 lx) [0.88]\n120 lx (114 lx) [0.90]\n151 lx (147 lx) [0.93]\n81 lx (74 lx) [0.90]\nA\t=\t1.20m\nB\t=\t0.90m\n65 lx (62 lx) [0.84]\n72 lx (68 lx) [0.85]\n85 lx (82 lx) [0.86]\n104 lx (99 lx) [0.86]\n112 lx (109 lx) [0.88]\n51 lx (46 lx) [0.84]\nA = distance from luminaire to wall\nB = distance between luminaires\nEmax (Eav) [illuminance uniformity]\nkreon\n\t \t \t \t\nrecessed downlights\n50\n51\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.28.png","SIZE\t80\nWallwasher\n0m\n1m\n2m\n3m\n4m\n5m\nA\t=\t0.50m\nB\t=\t0.50m\n65 lx (61 lx) [0.79]\n70 lx (66 lx) [0.81]\n108 lx (103 lx) [0.84]\n219 lx (211 lx) [0.88]\n422 lx (404 lx) [0.93]\n327 lx (305 lx) [0.91]\nA\t=\t0.75m\nB\t=\t0.75m\n58 lx (55 lx) [0.84]\n67 lx (64 lx) [0.85]\n102 lx (98 lx) [0.87]\n162 lx (157 lx) [0.91]\n213 lx (207 lx) [0.93]\n116 lx (107 lx) [0.89]\nA\t=\t0.90m\nB\t=\t0.90m\n56 lx (53 lx) [0.85]\n65 lx (62 lx) [0.86]\n94 lx (90 lx) [0.88]\n128 lx (122 lx) [0.92]\n150 lx (147 lx) [0.93]\n72 lx (66 lx) [0.89]\nA\t=\t1.20m\nB\t=\t0.90m\n68 lx (65 lx) [0.85]\n76 lx (73 lx) [0.85]\n92 lx (88 lx) [0.86]\n107 lx (102 lx) [0.87]\n110 lx (106 lx) [0.88]\n45 lx (42 lx) [0.84]\nA = distance from luminaire to wall\nB = distance between luminaires\nEmax (Eav) [illuminance uniformity]\nArchitect\nWim Van Heeke\nLocation\nMenen, Belgium\nProducts\naplis 40 wallwasher\nPhotographer\nkreon\n    \nkreon\n\t \t \t \t\nrecessed downlights\n52\n53\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.29.png","SUSTAINABILITY & ARCHITECTURE\nStep by step towards \na cleaner world\nLow watt age, long life cycle\nAll kreon\n     lighting solutions \nhave something important \nin common: energy effi  ciency \nand a long lifespan are always \ncentral. We create designs that \nremain relevant and can be \nadapted to suit your own taste \nand personal needs. This is how \nwe encourage our customers \nto keep using them in diff erent \nforms at diff erent stages in their \nlives. About 90% of our products \ncan be taken apart and reused. \nOur LED lighting produces \na high level of lumens with \nlow watt age. This effi  ciency \nreduces energy consumption \nand therefore CO2 emissions \nand also ensures that the \nlighting lasts a long time. \nBased on thorough research \nand an analysis of the specifi c \nrequirements of each room, our \nlighting design team looks for \nthe perfect balance between \nlighting comfort and energy \nconsumption. Lighting studies \nare essential to design effi  cient, \ncomfortable and sustainable \nlighting systems. \nRecycled aluminium \nAll our profi les are made from \n80% recycled aluminium – the \nhighest possible percentage \nto guarantee a long lifespan. \nOur supplier, E-Max, belongs \nto the same holding company \nas kreon\n    . The aluminium \nwe use is therefore not only \nenvironmentally friendly; it is \nalso sourced locally. In addition, \nthe aluminium shavings left  \nover in our production process \nare returned to E-Max for \nreuse. The numbers don’t lie: \nthe production of conventional \naluminium requires 15 MWh\u002F\ntonne of energy, while for \nrecycled aluminium it’s only 0.75 \nMWh\u002Ftonne. This amounts to \n95% fewer raw materials and \n90% fewer CO2 emissions. \nMinor changes with high impact\nA recent environmental audit \nof each department confi rmed \nthat with small changes we can \nmake a huge diff erence. Some \nexamples: by recycling used \nmaterials every day, slightly \nlowering the temperature of \nour offi  ces and production halls \nand installing effi  cient high-\nspeed doors, we are already \ntaking signifi cant steps towards \ngreener and more sustainable \nbusiness operations. We also \nstarted a working group to \noptimise warehousing so that \nwe can use our resources \nmore effi  ciently. Heat pumps \nand solar panels provide \nsustainable energy generation, \nwhile rainwater fl ushes our \ntoilets, reducing our water \nconsumption. You will fi nd a \ndozen electric charging stations \nin our parking lot; we encourage \nenvironmentally friendly \ncommuting with bicycle leasing; \nand infi ltration trenches create \na beautiful natural landscape \naround our building.\nAn environmentally conscious \nworkplace\nAchieving ISO 14001 \ncertifi cation was a great \nacknowledgement of all these \necological measures. But the \nbest reward is undoubtedly the \npositive impact we see every \nday in the workplace. The new \nvibe is a promising one and it is \nencouraging to see how many \nemployees consciously recycle, \ncycle to work or wear a slightly \nthicker sweater because of \nthe lower indoor temperature, \nto name just a few examples. \nEveryone within kreon\n     is on \nboard with our ambition to \ncreate a greener future and a \nhealthier workplace. \nWe need to do even bett er \nWe may have achieved a lot \nin terms of sustainability, but \nthere is still a lot of work to be \ndone. In the area of recycling \nalone, there is still a lot of room \nfor improvement. Identifying \nmaterials more thoroughly, for \nexample, to separate waste \nmore effi  ciently. This can give \nus valuable insights: if we \nunderstand which materials \nare easy to recycle and which \nare not, we can make smarter \nchoices in the future. \nkreon\n    ’s goal is to reduce its \ncarbon footprint by 10% every \nyear. By further greening our \nenergy sources, continuing to \nreduce our consumption and \nexpanding our circularity further, \nwe will succeed and contribute \nto a cleaner planet. \nWithout\ta\tlong-term\tvision,\tthere\tcan’t\tbe\tsustainable\tresults.\tWe\t\napply\tthis\tphilosophy\tto\tthe\tdevelopment\tof\tour\tproducts\t–\talways\t\nbased\ton\tthe\tprinciples\tof\ta\ttimeless\tdesign\tand\ta\tlong\tlifespan\t–\tand\t\nto\tthe\treduction\tof\tour\tcarbon\tfootprint.\tWhile\tthe\timpact\tof\tmany\t\ngreen\tmeasures\tis\talready\ttangible\ttoday,\tthere\tare\tstill\timportant\t\nsteps\tto\ttake.\tThe\tstate\tof\taff\tairs.\nkreon\n\t \t \t \t\nrecessed downlights\n54\n55\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.30.png","kreon\tHQ\nIndustrieweg-Noord 1152\n3660 Oudsbergen\nBelgium\nT +32 89 81 97 80\nbelgium@kreon.com\nwww.kreon.com\nkreon\tAustria\naustria@kreon.com\nkreon\tChina\t\u002F\tThe\tBelgian\tHouse\nChangle Road Lane 672, No. 33,\nBuilding No. 5, \n Jingan, Shanghai\nChina\nT +86 183 1711 3541\nchina@kreon.com\nkreon\tFrance\n5, rue d’Aboukir\n75002 Paris\nFrance\nT +33 1 44 50 53 54\nfrance@kreon.com\nkreon\tGermany\nBrühler Straße 11-13\n50968 Cologne\nGermany\nT +49 221 937 22 0\ngermany@kreon.com\nkreon\tItaly\nVia V. Forcella 5\n20144 Milano\nItaly\nT +39 02 89 42 08 46\nitaly@kreon.com\nkreon\tMiddle\tEast\t&\tIndia\nDubai Airport Free Zone Area (DAFZA)\nWest Wing 6\nOffice 6 WA 634\nP.O. Box 293889\nDubai\nUnited Arab Emirates\nT +971 56 705 2522\nmiddle.east@kreon.com\nkreon\tInc.\nNorth\tAmerica\t&\tCanada\n20 Murray Hill Parkway \nSuite #180\nEast Rutherford NJ 07073\nUnited States of America\n+1 (201) 298-44 48\nusa@kreon.com\nkreon\tPoland\nT +48 504 788 355\npoland@kreon.com\nkreon\tScandinavia\nT +31 (0)6 52 39 16 80\nscandinavia@kreon.com\nkreon\tSouth\tEast\tAsia\nsingapore@kreon.com\nkreon\tSpain\t&\tPortugal\nÁngel Guimera 7-9 local C\nBarcelona 08017\nSpain\nT +34 600 462 551\nspain@kreon.com\nkreon\tSwitzerland\nNeufeldweg 6\n5103 Möriken\nSwitzerland\nT +41 61 316 74 01\nswitzerland@kreon.com\nkreon\tThe\tNetherlands\nDanzigerbocht 39\n1013 AM Amsterdam\nThe Netherlands\nT +31 (0)6 52 391 680\nthe.netherlands@kreon.com\nkreon\tTurkey\nSehit Murat Demirli Cad. \nResadiye Yolu 76\nAlemdag-Ümraniye 34794\nIstanbul\nTurkey\nT +90 216 430 86 00\nproje@kreon.com.tr\nkreon\tUK\n67 Maltings Place\n169 Tower Bridge Road\nLondon\nSE1 3LJ\nUnited Kingdom\nT +44 (0)20 7740 2112\nuk@kreon.com\noffices\n56\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F27\u002F30a5ad0c3af085df854dff1132bab3-28cd255eb9.31.png","kreon\n    .com\n© kreon\n     05\u002F2025\n�\n          kreon\n    .lighting\n�\n           @kreon\n    _lighting\n�\n          kreon\n    \n",31,[],0,false,true,{"success":140,"data":142,"meta":361,"count":362,"next":363,"previous":364,"results":401,"brand_chips":462},[143,156,169,182,192,205,218,228,238,248,258,270,280,290,299,309,322,332,342,352],{"id":144,"title":145,"slug":146,"image":147,"source":148,"brand_name":149,"brand":150,"brand_slug":151,"file_size":152,"pages":153,"pages_count":154,"matched_pages":155,"match_count":138,"two_pages":139,"show_text":140},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 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