[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-horm-and-casamania-barbara":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":93},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":88,"matched_pages":89,"match_count":90,"two_pages":91,"show_text":92},14201,"Barbara","horm-and-casamania-barbara","\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F3a\u002Faf48aafc8f4d42efd3dc67ad6d8d76-27c46bc02a.pdf","Horm and Casamania",517,"horm-and-casamania","5.6 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85],{"image":7,"text":15,"number":16},"Barbara\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.2.png","ver 2  —  26.01.2023\nDesigner \n04\nInspiration \n06\nBarbara \n08\nTechnical information \n22\nDimensions \n26\n03\n02\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.3.png","Renato Zamberlan was born in the \nprovince of Venice in 1970. After \nstudying Business Administration \nat Ca' Foscari University, he began \na long professional career that led \nhim to combine the commercial and \ncreative aspects in various sectors, \nranging from photography to \ngraphics, from art to fine publishing. \nHe works with the Art'è group \nand the prestigious Franco Maria \nRicci publishing house, as well as \nwith multinational manufacturing \nand chemical companies. His \nmultidisciplinary training and his \nconstant search for new stimuli \nled him to approach the world of \nfurniture in 2012. He began his \ncollaboration with Horm as Sales \nDirector for the Italian and North\u002F\nSouth American markets and almost \nsimultaneously offered his creative \ncontribution by designing some \nof the brand's most commercially \nsuccessful products.\nIn 2014 he became a partner of \nthe group and since 2015 he has \nbeen Artistic Director, signing \nsome stylistic choices that led \nRenato Zamberlan\nDesigner\nthe company to obtain important \nawards and recognitions such as \nthe Good Design Award (2014), the \nRed-Dot Winner Award (2016), the \nADI Design Index (2015 and 2016), \nthe Second Prize Archiproducts \nDesign Awards (2016) and \nthe honourable mention at the \nCompasso d'Oro (2016) that Horm \nwon for the seventh time in its young \nlife. In this capacity he dictates \nthe stylistic lines of the group's two \nbrands (Horm and Casamania), \nin the awareness that creativity, \ntechnology, production and the \ndifferent needs of the various \ninternational markets in which the \ncompany operates are elements \nof a single whole. Constant travel \nto meet the group's business \npartners and daily dialogue with \nthe company's technical and \nproduction departments are the \ncornerstones on which his idea of \ndesign rests, which must excite and \ninnovate, without this happening \nto the detriment of a product's \nfunctionality and manufacturing \nethics. In 2017 he became Chairman \nof the Board of Directors of Horm \nItalia Srl.\n05\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.4.png","\"Before you start sculpting, the idea has to be almost comple-\nte. I say 'almost' because the really important thing seems to be \nthe sculptor's ability to let his intuition guide him across the gap \nbetween conception and realisation without compromising the \nintegrity of the original idea; the point is that the material has \nvitality - it resists and makes demands.\" \nBarbara Hepworth was an English artist famous for her \nsculptures, considered to be among the first abstract works \nin the history of English art.\n07\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.5.png","Barbara\nRenato Zamberlan, 2018\n—\nTable: Barbara walnut\n09\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.6.png","—\nTable: Barbara walnut \nChairs: Vad Wood natural leather\u002Fwalnut \nSideboard: Not Riddled walnut\u002Fwhite\n11\n10\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.7.png","A space \nwithin  \nthe object.\nThe philosophy behind Barbara Hepworth's work is \nreflected in the lines of the table that pays homage \nto her: the fulcrum of the design lies in the opening \nat the centre of the base. A passage that allows light \nand space to circulate not only around, but through \nthe form itself.\n—\nTable: Barbara Emperador marble \nChairs: Velasca black ash\n12\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.8.png","—\nTable: Barbara Emperador marble \nChairs: Velasca black ash \nBookce: Network\n15\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.9.png","The details  \nare not  \nsimply details.\nBarbara is the fine result of the creative and productive \nprocess of Horm's master craftsmen and their \nmeticulous attention to detail and quality standards.  \nA productive approach applied starting from the \nselection of materials, colours and finishes that make \nthis table unique and unmistakable.\n17\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.10.png","Barbara's function can be enhanced by the use of the Lazy Susan, \na rotating and removable tray in black Fenix.\n—\nTable: Barbara Marquiña marble\n18\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.11.png","—\nTable: Barbara Emperador marble \nChairs: Tout le Jour taupe leather\n21\n20\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.12.png","—\nTable: Barbara Marquiña marble \nChairs: Lepel Trapuntata \nSideboard: Leon Decor walnut \u002F glossy graphite R7024\n22\n23\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.13.png","—\nTable: Barbara Fenix Gold Cortez\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.14.png","—\nTable: Fenix Gold Cortez \nChairs: Lepel Liscia \nSideboard: Le Jardin\n27\n26\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.15.png","Technical info\n28\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.16.png","Cement base\ntop\nWalnut\ntop\nEmperador marble\ntop\nMocha oak\ntop\nFenix Gold Cortez\ntop\nMarquiña marble\ntop\nCarrara marble\nLazy Susan\nBlack Fenix\nBase in moulded concrete. \nA transparent protective paint \nis applied to the external \nsurface, while the hole is \nvarnished \nin matt black.\nThe protective treatment \ndeliberately leaves visible the \nnatural porosity of the material, \nand the lack of uniformity of \ncolor.\nThe top is available in Fenix, \nmarble or in veneered MDF.\nLazy Susan in black Fenix.\n31\n30\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.17.png","200\n78.7\"\n75\n29.5 \"\n120\n47.2\"\nA\n240\n94.5\"\n75\n29.5 \"\n120\n47.2\"\nB\n290\n114.2\"\n75\n29.5 \"\n130\n51.2\"\nC\n140\n55.1\"\n75\n29.5 \"\nD\nØ 160\nØ 63.0\"\n75\n29.5 \"\nE\nØ 180 \nØ 70.8\"\nØ 75\nØ 29.5 \"\nF\n Ø 90\nØ 35.4\"\n3\n1.2\"\nLazy Susan\nDimensions\n33\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.18.png","Photos\nGianni Antoniali  \n\u002F Ikon Productions\nexcept:\n06 - 07\nHorm, Casamania and Orizzonti Italia \nare registered trademarks of:\nHorm Italia Srl\nvia Antonio Carpenè, 17\n33070 Brugnera (PN)\nItaly\nhorm.it\ncasamania.it\norizzontiitalia.it\n© Horm Italia Srl\nHorm Italia Srl si riserva \nla facoltà di apportare, \nin qualunque momento \ne senza preavviso, \nmodifiche e\u002Fo migliorie \ndi carattere tecnico \no estetico ai prodotti \nillustrati nel presente \ncatalogo e declina \nogni responsabilità per \neventuali inesattezze \ncontenute nello stesso. \nLe textures ed i colori \ndei materiali e delle \nfiniture hanno valore \nindicativo in quanto \nsoggetti alle tolleranze \ndei processi di stampa.\nHorm Italia Srl reserves \nthe right to make, at \nany time and without \nnotice, technical or \naesthetic changes \nand\u002For improvements to \nthe products illustrated \nin this catalogue \nand declines all \nresponsibility for any \ninaccuracies contained \nin it. Textures and \ncolours of materials and \nfinishes are indicative \nas they are subject \nto the tolerances of \nprinting processes. \nHorm Italia Srl se \nréserve le droit \nd’apporter, à tout \nmoment et sans \nnotification préalable, \ndes modifications \net\u002Fou des améliorations \nde type technique ou \nesthétique aux produits \nillustrés dans le présent \ncatalogue, et décline \ntoute responsabilité \npour les éventuelles \ninexactitudes \ncontenues dans ce \ncatalogue. Les textures \net les couleurs des \nmatériaux et des \nfinitions sont une valeur \nindicative parce-que \nils changent selon la \ntolérance aux procés \nd’imprimerie.\nHorm Italia Srl behält \nsich das Recht vor, \njederzeit und ohne \nvorherige, Ankündigung \nÄnderungen \nund\u002Foder technische \noder ästhetische \nVerbesserungen an \nden im vorliegenden \nKatalog dargestellten \nProdukten vorzunehmen, \nund übernimmt keine \nVerantwortung \nfür eventuelle \ndarin enthaltene \nUngenauigkeiten. Die \nTexturen und Farben \nder Materialien und \nFinish haben einen \nindicativen Wert, da sie \nvon den Toleranzen im \nDruckprozess abhängig \nsind.\nHorm Italia Srl se \nreserva la facultad de \naportar, en cualquier \nmomento y sin previo \naviso, cambios y \nmejoras de carácter \ntécnico o estético a los \nproductos ilustrados \nen este catálogo, \ny se exime de toda \nresponsabilidad \npor cualesquiera \ninexactitudes que \néste catálogo pueda \ncontener. Las textures \ny los colores de los \nmateriales y de los \nacabados tienen solo \nun valor indicativo \nporque están sujetos \na la tolerancia de los \nprocesos de imprenta.\nTutti i prodotti illustrati \nin questo catalogo sono \nMade in Italy\nAll products illustrated \nin this catalogue are \nMade in Italy\nTous les produits \nillustrés dans  \nce catalogue sont  \nMade in Italy\nAlle produkte in  \ndiesem katalog sind  \nMade in Italy\nTodos los productos \npresentados en este \ncatálogo son\nMade in Italy\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F43\u002Fc765da6565842fd787563bdb3b3cf7-27c46c34d2.19.png","horm.it\n",19,[],0,false,true,{"success":92,"data":94,"meta":314,"count":315,"next":316,"previous":317,"results":355,"brand_chips":416},[95,108,118,128,138,148,158,168,178,190,203,216,226,239,252,262,272,282,292,304],{"id":96,"title":97,"slug":98,"image":99,"source":100,"brand_name":101,"brand":102,"brand_slug":103,"file_size":104,"pages":105,"pages_count":106,"matched_pages":107,"match_count":90,"two_pages":91,"show_text":92},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 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