[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-gubi-the-allure-of-materiality-2021":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":85},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":80,"matched_pages":81,"match_count":82,"two_pages":83,"show_text":84},24826,"The Allure of Materiality 2021","gubi-the-allure-of-materiality-2021","\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F36\u002F54a515fcc482f0b4f412bd76fd92d8-28fc203242.pdf","GUBI",1852,"gubi","3.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77],{"image":7,"text":15,"number":16},"1\nTHE ALLURE OF MATERIALITY \nFall 2021 Collection\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.2.png","2\n3\nWe are creatures of five senses, and we only really thrive \nwhen all of them are in play. There is nothing quite \nlike soaking in the convivial atmosphere of a carefully \nconsidered space. The sensorial experience creates layers \nof intrigue for your sense of touch, and your eyes delight \nin deeply considered attention to contrasting materials, \ntextures, and forms.\nThoughtfully employed, materiality can dramatically \nelevate the atmosphere of a room, enriching the space with \ndepth and texture. To celebrate the allure of materiality, \nGUBI is diving into the haptic feedback of tactility, \nthe subtle nuances of light and shade, and the contrasts \nbetween movement and stillness, public and private.\nAWAKENING THE SENSES\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.3.png","TABLE OF CONTENTS\n6\nUnbound Collection\n10\nHoward Collection\n16 \nPrivate Collection\n22\nStemlite Collection\n24\nMulti-Lite in Midnight Blue\n26 \nMeet the Designers\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.4.png","6\n7\nDesign studio Space Copenhagen is known for playing with intriguing juxtapositions \nin its designs, and this collection’s meditation on the archetypal lantern form is no \nexception. The pared-back take on a traditional Japanese paper lantern balances the \nethereal and the functional, while challenging the conventions of the typology in its \nplayful   asymmetry. \nThe lamp is available in three sizes, meaning it can be used as a standalone table lamp \nor floor lamp. The smallest of the three brings light to spaces as small as a console or \nbedside table, making it a functional and flexible piece. The largest lamp makes a bold \nstatement, with the scale to relate to the room as a whole and become a focal point \nthat defines the space. The medium-sized light mediates between the two, enabling \ndynamic compositions — in clusters of two or more, the shades can be positioned in \nunison or at angles to one another, creating an animated sculpture even when switched \noff. Changing angles and positions of the lamps in relation to one another therefore \nsubtly alters the impact of the ensemble and the mood of the space from something \nthat evokes falling leaves to clouds drifting across the sky — actions we humans are \nnaturally drawn towards.\nTHE UNBOUND COLLECTION\nBy Space Copenhagen\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.5.png","8\n9\nThe teardrop-shaped gray marble base of the lantern-inspired series acts as an anchor, \nembodying stillness and weight. \n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.6.png","10\n11\nThe Howard Collection incorporates refined and elegant detailing to articulate the \nlamps’ own functional purpose. GUBI and Space Copenhagen’s shared commitment \nto the human experience has ensured the lights create a warm, welcoming ambience, \nmaking them equally appropriate for public and private spaces – and it is in their subtle \nand understated design that the Howard Collection’s greatness is found.\nGUBI and Space Copenhagen’s passion for warm, organic materials is seen across \nthe collection. The choice of finishes affects both functionality and atmosphere. One \noption consists of a brass exterior with a gunmetal surface treatment and a brushed \nbrass interior to create a beautiful, warm, tactile feel, while the solid shade encloses \nand directs the light, projecting an industrial and functional aesthetic. In contrast, the \noption of bone china makes the shade glow, creating a softer, gentler aesthetic and \ncasting the light in a more ambient manner.\nTHE HOWARD COLLECTION\nBy Space Copenhagen\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.7.png","12\n13\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.8.png","14\n15\nThe Howard Chandelier is a piece of engineering ingenuity, resulting in a grand gesture with \na modern, sophisticated expression.\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.9.png","16\n17\nPlaying with notions of public and private, visible and obscured, open and closed, the \nPrivate Collection by Space Copenhagen forms the most comprehensive line of storage \nand display furniture in the GUBI Collection. With the addition of this typology, GUBI \nhas further extended its distinctive aesthetic throughout the home, enabling bespoke \ncurations of personal narratives by showcasing the things that signal our identities. \nEach piece is motivated by Space Copenhagen’s repeated experience of having to \nsource vintage pieces or custom-make display and storage solutions for their interior \nprojects. The Private Collection addresses this lack of beautiful, modern and functional \ncabinets, chests of drawers, dressers, consoles and side tables. The collection \ncomprises a glass-paneled upright vitrine, a sideboard with four deep drawers, an \nelegantly pared-down desk suitable for homeworking, and a side table with space for \nboth display and personal storage.\nTHE PRIVATE COLLECTION\nBy Space Copenhagen\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.10.png","18\n19\nSpace Copenhagen looked to the simplicity and craftsmanship of antique Japanese furniture \nfor inspiration, even incorporating visual hallmarks of Japanese wood joinery into the \ncollection as a defining design detail. \n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.11.png","20\n21\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.12.png","22\n23\nDesigned by Bill Curry in the 1960s, the Stemlite Wall Lamp has been out of production \nfor many decades. Now, GUBI has restored the great American designer’s vision for a \nwall-mounted addition to his iconic Stemlite Collection.\nThe Stemlite Collection was inspired by the strong yet slender stems that support \nflower heads in nature. It comprises a die-cast aluminium base, a steel arm evocative \nof a tulip stem, topped with a mouth–blown glass globe, and an internal dimmer switch \nthat can be adjusted to set the perfect level of ambient lighting within an interior space.\nThe new Stemlite Wall Lamp appears to grow organically out of the wall, with a steel \narm that extends directly outwards before turning up 90 degrees to be topped with \na bulbous frosted glass shade in keeping with the rest of the Stemlite Collection.\nDeveloped by GUBI from Curry’s original drawings after more than half a century, the \nStemlite Wall Lamp joins two table lamps, two floor lamps and a pendant, to complete \nthe Stemlite Collection. It will be available in Black Chrome.\nTHE STEMLITE WALL LAMP\nBy Bill Curry\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.13.png","24\n25\nLouis Weisdorf’s Multi-Lite Pendant is now being released in a rich Midnight Blue, \ncomplemented by a warm brass frame. The on-trend color combination of this classic \nshade – the deepest and darkest of blues – with a touch of elegant optimism evokes \nmemories of indulgent evenings in luxury hotels and restaurants. The addition of \nthis finish to the collection emphasizes the iconic form of the lamp, while giving it a \ndistinctive contemporary aesthetic.\nTimeless and versatile, midnight blue is – as Christian Dior put it – “the only color \nthat can compete with black”. Named for its evocation of the color of the night sky \naround the full moon, it is the shade Vincent van Gogh reached for when capturing the \nmagic of the pre-dawn sky in his iconic 1889 painting Starry Night. In design terms, \nmidnight blue has the flexibility of a neutral, complementing almost any other shade \nand introducing a note of refinement to an interior space.\nMULTI-LITE IN MIDNIGHT BLUE\nBy Louis Weisdorf\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.14.png","26\n27\nABOUT THE DESIGNERS\nEstablished in 2005 by two graduates of the Royal Danish Academy of Fine Arts’ School \nof Architecture, Signe Bindslev Henriksen (born 1973) and Peter Bundgaard Rützou \n(born 1966), Space Copenhagen is a design studio working across multiple disciplines. \nDriven by curiosity, the studio’s ambition is to forge new paths by balancing opposites \n— classic and modern, industrial and organic, sculptural and minimal. Their work is \ncharacterized by dualities and contrasts, the result of a thoroughgoing exploration of \nconcept and a meticulous attention to detail. \nSpace Copenhagen’s intuitive approach leads to designs shaped by given \ncircumstances, functional needs, and a fundamental interest in human behavior. For \nany project, whether object or interior, they focus on refining design ideas until they \nreach a solution that is both coherent and beautiful. \nThe products and spaces they create have an emotional dimension that invites a \npersonal connection with the user — a slow aesthetic that foregrounds quality and \nencourages longevity. For Henriksen and Rützou, a successful piece of design is one \nthat becomes a part of the family and is passed down lovingly from generation to \ngeneration. They call this approach ‘Poetic Modernism’ — a term which expresses \nboth the simplicity and functionality of their work, as well as its richer transcendent and \nintuitive qualities. In Space Copenhagen’s hands, an object is both an expression of \npurpose and an agent of metaphor. \nSpace Copenhagen\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.15.png","28\n29\nAmerican designer Bill Curry (1927–1971) captured the zeitgeist of the 1960s and ‘70s \nwith his iconic lamp designs. From his unique Los Angeles vantage point at the meeting \npoint of art, design and engineering, during an era defined by the space race, pop \nculture and a new forward-looking optimism, he translated the wonder and delight he \nsaw around him into simple yet intelligent ideas with clear visual narratives. Credited \nwith developing the first ‘total look’ lamp forms — eliminating the base-bulb-shade \nconcept and instead exploiting the bare bulb in a playful, self-contained unit — he was \nrecognized as one of California’s leading designers by the time he died at the age of \njust 43. \nFrom the first human-made object touching the lunar surface in 1959 to Neil Armstrong’s \nfirst steps on the Moon in 1969, the era was dubbed the ‘space age’ and its aesthetics \ninfluenced a generation. The modernism that had characterized American architecture \nsince the 1930s evolved into a futuristic style influenced by the space race as well as \nemerging car culture, jet engines, pop trends, and the ‘Atomic Age’. From his beach \nhouse in Playa del Rey, Curry watched the jets flying over Los Angeles Airport and, \nimagined a future shaped by new technologies. \nHe absorbed all these influences and ideas to develop a new norm for lighting — a \nsingle piece that combined stand, bulb and shade into one organic, yet bold and \ncolorful ‘LA spacepop’ form, fit for tomorrow’s world. His space-age ‘total look’ lamps \nwere an instant hit – Industrial Design Magazine awarded his collection the accolade of \n‘Best Lamps of the Year’ and the US Department of Commerce showcased his Stemlite \nCollection in the Soviet Union, Yugoslavia, and Iraq, as exemplars of American design.\nBill Curry\nLouis Weisdorf (1932–2021) was a well-known Danish architect and industrial designer. \nAfter becoming one of the youngest designers to graduate from the Royal Danish \nAcademy of Fine Arts in Copenhagen in 1954, he worked across graphic, interior, \narchitectural and industrial design. Weisdorf described himself as a specialist in \nversatility, which sums up the prodigious and notable career of this multi-faceted \ndesigner.\nIn 1961, he started a ten-year assignment at Tivoli Gardens, an amusement park in \nCopenhagen, working as assistant to the chief architect Simon P. Henningsen. It was \nhere that he created the Konkylie (‘conch’) Lamp in 1964, with its innovative vertically-\nhung concentric slats — his first foray into lighting design. The anodised gold light \nhung from trees throughout the Tivoli Gardens until very recently and was also put into \nproduction despite initial fears that it would be impossible to recreate. \nWeisdorf opened his own architectural firm in 1967 in Copenhagen, sharing the \npremises with architect Ole Panton (the younger brother of Verner Panton), where he \nserved both national and international clients and worked closely with Verner Panton \nand Poul Henningsen. He designed, among other things, the former ticket office for the \nHarbour and Canal Tour in Copenhagen. \nLouis Weisdorf\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.16.png","GUBI. Where wide-eyed curiosity leads to new ideas. \nWhere courage is part of the DNA. Where creative vision \nmeets precise curation. Forgotten icons of the past brought \ntogether with tomorrow’s classics. A bold and passionate \napproach to color, pattern, and form that carves out a \nunique identity to suit your personality. Timeless and \ndaring collections that evoke emotion and tell meaningful\nstories. Curiosity, courage, and creativity – GUBI is  \nhere to do things differently for the life you live.\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F8a\u002F0d77d927808737bdda3d8b600f36af-28fc20a738.17.png","GUBI.COM\n",17,[],0,false,true,{"success":84,"data":86,"meta":305,"count":306,"next":307,"previous":308,"results":345,"brand_chips":406},[87,100,113,126,136,149,162,172,182,192,202,214,224,234,243,253,266,276,286,296],{"id":88,"title":89,"slug":90,"image":91,"source":92,"brand_name":93,"brand":94,"brand_slug":95,"file_size":96,"pages":97,"pages_count":98,"matched_pages":99,"match_count":82,"two_pages":83,"show_text":84},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 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