[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-gubi-face-to-face-2022":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":229},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":224,"matched_pages":225,"match_count":226,"two_pages":227,"show_text":228},24829,"Face to Face 2022","gubi-face-to-face-2022","\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fa4\u002F0aa51163ace928e544723a47bbf017-28fc22f112.pdf","GUBI",1852,"gubi","41.0 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221],{"image":7,"text":15,"number":16},"FACE TO FACE\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.2.png","FACE TO FACE\nMADS CAPRANI timberline \nRAINER DAUMILLER daumiller\nSPACE COPENHAGEN seine, private\nJOE COLOMBO basket\nGAMFRATESI doric, beetle veneer\nCOLOR DROP semi, turbo, gräshoppa \nCOLLECTION OVERVIEW\n02\n30 \n38\n46\n58\n66\n78\n92 \n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.3.png","2\nGUBI is devoting this fall to the time we spend together in \nour homes. There is something very precious about sharing \nthe same space – something that cannot be replicated at a \ndistance. When we are eye to eye in each other’s presence – \ntogether, intimate, and unfiltered – we can truly connect.\nAfter all, the unfiltered life, lived honestly and courageously, \nis always fuller and more memorable – and making memories \nis the most important thing we can do. Life is too short to hold \nback and play it safe. \nThe decoration of our homes, the choice of furniture and \nobjects with which we surround ourselves, should support \nour intentions and needs, and reflect the way we wish our \neveryday lives to unfold. Chairs, tables, lights are the building \nblocks of fluid, multifunctional spaces in which we come \ntogether, as friends and families, to generously share our time \nand ourselves, face to face.\nAPART, WE CAN COMMUNICATE; TOGETHER \nWE CAN CONNECT\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.4.png","4\nBasket Sofa 2-seater upholstered in Glamour Group Drive 1115\nBasket 3-seater upholstered in Belsuede Special FR 133\nTimberline Floor Lamp\nTurbo Pendant in Glossy Alabaster White\nDoric Coffee Table 140x80 in Neutral White\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.5.png","6\nLeft: Daumiller Armchair in Golden Pine, Epic Dining Table in Midnight Black Steel, Satellite Pendant in Cream White \nRight: Daumiller Armchair in Golden Pine\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.6.png","8\nLeft: Semi Pendant in Glossy Fennel Seed\nRight: Semi Pendant in Glossy Roasted Pumpkin & Glossy Fennel Seed\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.7.png","10\nBasket Lounge Chair upholstered in Glamour Group Mumble 40\nBasket Lounge Chair upholstered in Kvadrat Sacho Zero 0002\nDoric Coffee Table 80x80 in Electric Gray\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.8.png","12\nLeft: Timberline Floor Lamp, Basket 2-seater upholstered in Glamour Group Drive 1115, \nGråshoppa Table Lamp in Glossy Alabaster White & Glossy Black\nRight: Basket Lounge Chair upholstered in Kvadrat Sacho Zero 0002, Gräshoppa in Glossy Walnut Brown\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.9.png","14\nDaumiller Armchair in Golden Pine\nGräshoppa Floor Lamp in Glossy Black\nPacha Ottoman Outdoor upholstered in EDA, Linee 1174\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.10.png","Turbo Pendant in Glossy Alabaster White\nBohemian 72 Lounge Chair upholstered in Dedar Lupo Special Diagonal 007\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.11.png","18\nDoric Coffee Table 80x80 & 140x80 in Neutral White\nDoric Coffee Table 80x80 in Neutral White\nPrivate Dining Table 260x100 in Light Oak\nSemi Pendant in Roasted Pumpkin\nTurbo Pendant in Glossy Alabaster White\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.12.png","Left: Private Dining Table in Light Oak, C-Chair in Black Stained Oak, Semi Pendant in Glossy Roasted Pumkpin\nRight: Seine Pendant in Smoke & Coral, Violin Dining Chair upholstered in Glamour Group Mumble 40\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.13.png","22\nViolin Dining Chair upholstered in Glamour Group Mumble 40\nPrivate Dining Table 320x100 in Brown\u002FBlack Ash Veneer\nHoward Chandelier in Gunmetal\nGravity Floor Lamp in Grey Marble\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.14.png","24\nBeetle Dining Chair upholstered in Dedar Sunday 002\nBeetle Lounge Chair upholstered in Glamour Group Mumble 49\nSejour Lounge Chair upholstered in Dedar Sunday 133\nIOI Coffee Table Round 100 cm, Base: Chrome, Top: White Carrera Marble\nEpic Steel Coffee Table in Earthy Red\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.15.png","26\nLeft: Beetle Lounge Chair upholstered in Dedar Chevron 022 \nBeetle Lounge Chair upholstered in Dedar Sunday 112, Epic Steel Coffee Table in Earthy Red\nRight: B-Table in Oak, Beetle Dining Chair upholstered in Glamour Group Mumble 40,\nBeetle Dining Chair in 3D Walnut Veneer upholstered in Dedar Eero Special FR 102\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.16.png","28\nBeetle Dining Chair in 3D Walnut Veneer upholstered in Dedar Flair Special FR 134  \nBeetle Dining Chair in 3D Walnut Veneer upholstered in Leder Reihardt Brescia 2476\nBeetle Dining Chair Fully Upholstered in Dedar Around Bouclé 033  \nBeetle Dining Chair Fully Upholstered in Dedar Belsuede Special FR 133  \nBeetle Dining Chair Fully Upholstered in Dedar Sunday 133\nEpic Dining Table 130cm in Misty Gray Steel\n9602 Floor lamp in Wicker Willow\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.17.png","30\nDanish lighting designer Mads Caprani's dis-\ntinctive and disruptive vision of what a lamp \ncould look like has echoed through the ages. \nAlthough he did not initially set out to become \na designer, Caprani’s curiosity, ambition, \nnatural talent, and determination to seize any \nopportunities that came his way, ensured that \nhe was destined to make a permanent mark \non the story of 20th-century design.\nFrom a small Danish company, Mads turned \nCaprani Light into a global name, setting up \nbranches across Europe and even in Chicago \nand Wisconsin in the US. Of all Caprani \nLight’s products, it was the Timberline Floor \nLamp that fulfilled Mads’ ambition and \nsecured his legacy. A unique, sinuous, and \nstriking design somehow both quintessentially \n1970s and utterly timeless in its aesthetic, the \nTimberline Floor Lamp was an instant best-\nseller, becoming known around the world \nsimply as ‘the Caprani Lamp’.\nMADS   \n      CAPRANI\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.18.png","32\nTimberline by Mads Caprani\n“My father’s ambition was always to build a company that had a major impact on the international design \nscene, and the Timberline Floor Lamp is the product that ensured he achieved it. For me, it is a huge honor to be \nable to give my father’s design a new life. It’s fantastic to see my father’s lamp back in production again, thanks \nto GUBI, and to be able to share his creativity and vision with a new generation.“\n– Mikkel Caprani, Mads Caprani’s son\nTI\nM\nB\nE\nR\nL\nI\nN\nE\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.19.png","34\nAfter decades out of production, the Timberline Floor Lamp by Mads Caprani is at last returning to the \nhomes of design lovers worldwide. First created by the Danish lighting designer in the 1970s, the Tim-\nberline rapidly became Caprani’s flagship product – a playfully curving, swan-necked floor lamp that \nboth captures the Scandinavian design language of the 1970s and also transcends it, becoming one of \nthose rare pieces that can slip effortlessly into any space, of any style.\nThe lamp takes its name from Caprani’s fascination with the tree line – nature’s inherent limit on the \naltitude at which trees can grow, the point of transition on the landscape between wood and rock. In \nthe lamp, he translated the notion of a natural boundary into an abrupt material juxtaposition between \nwood and iron. The family story goes that the distinctive form of the lamp came from Caprani doodling \nquestion marks at his desk as he tried to come up with a new light design, then having a flash of inspi-\nration – a lightbulb moment – and realizing that the shape of the question mark might be the answer \nhe was looking for.\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.20.png","36\nThe Timberline is formed from three distinctive elements, each in a different natural material. A \npleated canvas lampshade is fitted to a sinuous formed-veneer spine, supported and stabilized \nby a crescent-shaped cast-iron base. Both whimsical and elegant, Caprani’s lamp embodies a \nnumber of juxtapositions in form and material. The sharp, clean lines of the shade contrast with \nthe curves of the spine, while its light, natural color finds an answer in the black of the base. \nThe appearance of the lamp is lightweight, almost as though it might tip over or take off at any \ntime, but the cast-iron base is perfectly weighted to ensure stability. \nAs the renewed international interest in the Timberline demonstrates, Caprani’s design vision \nwas both of, and ahead of, its time. In a single product, he managed to create something \nremarkable: a design that demands attention, and yet always blends in. GUBI is delighted to \nhonor the legacy of Mads Caprani by reintroducing his greatest work to the world.\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.21.png","38\nR A I N E R\nDAUMILLER\nBorn in 1939 in Oberlenningen – a small \nmountain village in southern Germany – \nRainer Daumiller was a child of the Second \nWorld War. Food was in short supply and \ngathering fruit and berries was commonplace. \nIt was this early reliance on his environment \nthat gave Daumiller his affinity with nature,  \na relationship that influenced his later career as \na designer. \nWhether working in synthetic materials or in \nhis beloved pine, Rainer Daumiller always \ndemonstrated an acute understanding of his \nmedium. His ability to ‘listen to materials’ \nmean that his designs were always inspired by \nthe inherent characteristics of what they were \nmade from.\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.22.png","40\n  THE \nDAUMILLER\n    CHAIR\nThe Daumiller Chair by Rainer Daumiller\n“I do not perceive the chair as ‘design', but as a logical result of good materials and good craftsmanship, made \nwith today's tools, to meet the ergonomic and aesthetic requirements I expect of a good chair.”\n– Rainer Daumiller\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.23.png","42\nOf all the furniture created by German-born designer Rainer Daumiller, the Daumiller Armchair \nin pine is perhaps the one that best expresses his values and approach as a designer. Solid in \nconstruction, simple in form, and sculptural in expression, its straightforward materiality and \nrobust composition pay tribute to Daumiller’s lifelong affinity with nature. Furthermore, the \ndesigner’s choice of pine as his material demonstrates a dedication to sustainability that was \nahead of its time.\nDaumiller first had the idea for the armchair when he was living on a farm commune in the early \n1970s, but it wasn’t until he moved to Hirtshals on Denmark’s Jutland coast in 1975, that he \nfound the time to develop it properly. Inspired by the traditional Danish milking stool as well as \nthe China Chair by Hans J. Wegner, Daumiller set out to create a chair that would be able to \nwithstand both children's play and adults' parties, and at the same time have a sculptural form \nthat radiated strength and timelessness.\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.24.png","44\nAnother benefit of pine is that, although the chair has a chunky, heavyweight appearance, it is \nrelatively light. This is particularly beneficial given that – in order to accommodate the fact that \npeople have generally grown taller since the chair's original launch – the seat height has been raised. \nAs a wood, pine has an engaging visual texture, thanks to the interplay of light and dark veins \nrunning through it and the knots scattered across the surface, giving each Daumiller Armchair a \npersonality of its own. Contoured for comfort when sitting and built for durability, the Daumiller \nArmchair is a confident expression of materiality, issuing an invitation to fall in love with pine every \nbit as deeply as its creator did.\nWhether working in synthetic materials or in his beloved pine, Rainer Daumiller always demonstrated \nan acute understanding of his medium. His ability to ‘listen to materials’ mean that his designs were \nalways inspired by the inherent characteristics of what they were made from. His most celebrated \nworks, including the Daumiller Armchair, were in natural materials, and could almost be described as \ncollaborations with nature, rather than the singular visions of an individual designer.\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.25.png","46\nSpace Copenhagen\nDesigner Portrait\nEstablished in 2005 by two graduates of the \nRoyal Danish Academy of Fine Arts' School \nof Architecture, Signe Bindslev Henriksen \n(born 1973)  and Peter Bundgaard Rützou \n(born 1966), Space Copenhagen is a design \nstudio working across multiple disciplines. \nDriven by curiosity, the studio’s ambition \nis to forge new paths by balancing opposites \nclassic and modern, industrial and organic, \nsculptural and minimal. Their work is \ncharacterized by dualities and contrasts, \nthe result of a thoroughgoing exploration of \nconcept and a meticulous attention to detail. \n          SPACE \n \nCOPENHAGEN\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.26.png","48\nSEINE\nThe Seine Collection by Space Copenhagen\n“This project is an intangible story about moods, sensitivity, and tactility; about depth and layers. The ambition \nwas to create a sober, simple, clean lamp with a strong poetic touch. We are fascinated with glass and its inherent \n– almost magical – qualities. This collection allows us to make a statement about the nature of glass and what \nit is capable of.”\n– Signe Bindslev Henriksen and Peter Bundgaard Rützou, Designers, \nSpace Copenhagen\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.27.png","50\nThe Seine Collection by Space Copenhagen introduces an \nexciting new material expression – patterned mouth-blown \nglass – to the GUBI lighting portfolio. Inspired by the behavior \nof light in moving water, Space Copenhagen has reinterpreted \nthe form in a contemporary context, creating a collection of \nthree lamps that weaves vintage references into a distinctly \nmodernist and understated design, evoking the shimmer and \nmotion of a gently flowing river.\nFor Space Copenhagen, this project presented an opportunity \nto explore the nature of both glass and light – and the ways \nin which they interact. Translating images of water into three-\ndimensional form, the studio aims to emphasize the liquidity \nand ambiguity of glass – a unique material with a life all its own, \ninfused with an almost ethereal air of mystery. \nWith Seine, Space Copenhagen has embodied the delicate \nbalance between function and atmosphere. The lamps \nilluminate spaces effectively, while also drawing on the power \nof glass to soften, layer and blur light, thus creating a dreamy \nand reflective ambience.\nThe Seine Collection comprises a dimmable table lamp, ceiling \nlamp and pendant, each one comprising a glass dome affixed \nby four metal arms to a base hand-finished in antique brass \n– a signature of Space Copenhagen’s designs for GUBI. The \nlight bulb is housed in a spherical frosted-glass diffuser that \nconsolidates the lamp’s light, creating a soft, textured glow that \nis further enriched as it plays with the pattern on the surface of \nthe outer shade.\nFormed in a geometric yet playful clover-like shape, the shades \nare made by blowing the glass into a mold, which shapes the \nglass into its distinctive grooved pattern as it sets. As well as \ninfluencing the play of light, this gives each lamp an inviting \ntactility and an expressive depth – a beauty and character that \nresonates whether the light is switched on or off. \nLeft: Seine Pendant in Coral\nRight: Seine Ceiling Lamp in Smoke\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.28.png","52\nThe Seine shades are available in smoke and coral variants, which influences the behavior of the lamp’s \nlight. The former exposes the inner structure of the lamp; the latter, sandblasted on the inside, has a \nblurrier, clouded expression. Both create a poetic, textured and layered light.\nThe unique texture of the shade has been created digitally to achieve the cascade effect that Space \nCopenhagen envisaged. This digitally sculpted surface pattern creates a sense of fluidity in the glass, \nevoking the motion and flow of a fountain or waterfall, while the 5mm thickness of the glass means the \nshade has a feeling of heaviness and quality, emphasizing its robust profile.\nThe same shade is shared between the table and ceiling lamp variants, whereas the pendant’s is cut \nslightly shorter to optimize the field of light. A dimmer is fitted to the cord of the table lamp, allowing the \nuser to set the lighting level to suit the task at hand or the atmosphere they wish to create.\nLeft: Seine Pendant in Coral\nRight: Seine Table Lamp in Coral\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.29.png","54\n    DINING\n      TABLE\nThe Private Dinning Table by Space Copenhagen\n\"It started out being a storage series primarily, but this year we are launching the table series that we also feel \nhas a lot of potential in a modern home where it can create a calm scene for the domestic rituals, a place for a lot \nof different things to happen, both work and social occasions.\"\n– Signe Bindslev Henriksen and Peter Bundgaard Rützou, Designers, \nSpace Copenhagen\nPRIVATE\nWith GUBI’s new dining tables, Space Copenhagen has trans-\nlated the clean lines and balanced expression that characterized \nthe Private Collection to a new furniture category. By expanding \nthe Private design language from storage and display units to \ndining tables, the studio has created a genuinely versatile table \nconcept that can bring elegance and symmetry to the most \nimportant rooms in the home.\nLarge in scale but lightweight in appearance, the dining tables \nshare the same inspiration as the rest of the Private Collection: \nthe beauty, balance and simplicity found in antique Japanese \nfurniture. The tables embody Space Copenhagen’s modern-\nday response to the traditional craft techniques used in \nJapanese joinery, which are visually translated into signature \ndesign details.\n                     \nThe Private Dining Table is constructed from four wooden \nelements: two tapered legs are attached to the veneered \ntabletop via a solid-wood crossbeam, which is held in place \nby strong metal fixings. The result is a stable and sturdy table \nwhose robustness is belied by the delicacy and refinement of \nits appearance. \n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.30.png","56\nConsidering the social rituals of dining in their design, Space \nCopenhagen elected to make the tables slightly narrower than \nis typical of dining furniture. This allows ample space for all \nthe components of a family meal, but also brings diners closer \ntogether, enabling more intimate experiences and facilitating \nconversation with a greater number of people, keeping dinner \na highly convivial affair.\nThe simplicity and understated elegance of its design allows the \nPrivate Dining Table to be teamed with a wide variety of chair \ntypologies – from traditional dining chairs to more modern styles \nof seat – making it an unusually versatile piece of furniture.\nTwo sizes are available, giving options for interiors of different \nproportions. The sheer scale of the 320 cm variant means \nthat, as well as hosting grand dinners for lots of people, the \ntable can also be used for many activities simultaneously. This \nis an especially useful feature for large households, when a \nparent might want to catch up with emails on a laptop, while \nolder children tackle their homework and their younger siblings \nengage in artwork or play.\nWith the existing Private Desk already suited for use as a \nsmall dining table as well as a workstation, the new addition \nmean that the Private Collection can now bring its graceful \nminimalism to larger households and more dinner guests.\nAs with the other pieces in the Private Collection, the dining \ntables are offered in two finish options: brown-black-stained \nash veneer or light-stained oak veneer. A carefully chosen mix \nof milled and straight-grain ensures a coherent expression \nthroughout each table. These colors, coupled with the inher-\nent timelessness of the design, ensure that the Private Dining \nTable complements spaces of every style, and can be teamed \nwith a wide array of GUBI dining chairs, as well as the other \ndisplay and storage units in the wider Private Collection.\nLeft & Right: Private Dining Table 320x100 in Brown\u002FBlack Ash Veneer, \nC-Chair in Black Stained Oak\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.31.png","58\nJOE COLOMBO\nThe life of maverick Italian designer \nJoe Colombo (1930–1971) may have \nbeen short, but his futuristic vision of \nintelligent technology and integrated living \nenvironments had a revolutionary impact \non mid-century design.\nJoe Colombo’s design approach was always \nfuture-facing, opting to focus on lasting \ninnovation rather than fleeting trends. \nHis style was typically shaped by material  \nexperimentation and a pronounced em-\nphasis on functionality. Colombo envisaged \nfurniture that could stand independent \nof the architecture that surrounded it  \n– chameleonic pieces that could adapt to \nsuit any space, at any time.\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.32.png","60\nThe Basket Collection by Joe Colombo\n“Joe's Basket Collection gives a new form to traditional materials, exploiting an innovative structure that had \nnever before been used for such large and light products. It is really exciting to see it in production once again and \nto see Joe’s work reaching new audiences through the collaboration with GUBI.”\n– Ignazia Favata, Colombo’s former assistant and now Director, Joe Colombo Studio\nB\nA\nS\nK\nE\nT\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.33.png","62\nAt first glance, anyone familiar with the work of Joe Colombo \nwould be surprised by the Basket Collection. From a designer \nknown for his futuristic style, his love of technology and his \naffinity for synthetic materials, a furniture collection in rattan \nseems like a significant departure from the norm. Look a little \ncloser, however, and the hallmarks of classic Colombo become \nclear: organic lines, a distinctly modernist aesthetic, and a \nhighly innovative approach to his chosen material.\nFirst produced in the late 1960s by specialist rattan furniture \nmanufacturer Pierantonio Bonacina, who commissioned \nColombo to design it, the Basket Collection is relaunched \nby GUBI after decades out of production. GUBI’s reinvention \nremains true to Colombo’s vision as presented in his original \ndrawings from 1967, while optimizing the proportions for the \nergonomic needs of the present day.\nThe name ‘Basket’ honors the classic hand-weaving technique \nused in rattan basketry. The collection comprises a three-\nseater sofa, a two-seater sofa, and a lounge chair, all of which \nshare the same construction. Replacing the inner fiberglass \nshell that Colombo initially utilized, the core of each piece is \nnow formed from a more environmentally responsible steel \nskeleton, which provides strength and stability to the unique \nform. This is covered with a hand-woven rattan skin, made from \ninterlaced strips and oval stakes, a technique that demands a \ntremendous degree of skill and craftsmanship to create.  \nThe design demonstrates a balance of both technique and \nmaterial, combining traditional artisan methods and one of \nthe oldest craft materials known to man with the innovative \nmachined precision of carbon steel – a perfect blend of the \nartisanal and the industrial.\nLeft: Basket 2-seater Sofa upholstered in Glamour Group Drive 1115\n Right: Basket Lounge Chair upholstered in Glamour Group Mumble 40\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.34.png","64\nThe frame is fitted with rounded cushions on the seat and back, made from a comfortable and supportive \nfoam with cylindrical bolster cushions adding additional softness and embracing effect to the sides of the \nchair. The curves and contours of the cushions create an inviting and organic look, with a smooth texture \nthat contrasts with the sense of rippling movement conveyed in the weaving pattern of the rattan below.\nThe slender frame allows for a greater degree of cushioning, resulting in a peerlessly snug lounging expe-\nrience. Cushion covers are available with a number of plush upholstery options in both indoor and outdoor \nfabrics. The covers are removeable, offering the opportunity for easy cleaning. \nLeft: Basket 3-seater Sofa upholstered in Dedar Belsuede Special FR 133 \nRight: Basket Lounge Chair upholstered in Kvadrat Sahco Zero 0002\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.35.png","66\nGAMFRATESI\nGamFratesi was established in Copenhagen in \n2006 by Danish architect Stine Gam (born \n1975) and her partner, Italian architect Enrico \nFratesi (born 1978). The couple divides their \ntime between their hometowns of Copenhagen, \nDenmark and Pesaro, Italy. Their dual \nheritage affects the products they design – a \ncombination of Scandinavian balance and \nharmony and Italian exuberance and openness. \nUnderstanding their differing backgrounds \nand addressing them actively in the workshop \nmakes it possible to expand upon them. \nAs a pair, they operate in symbiosis, sharing \neverything across their personal and profes-\nsional lives. Gam takes a particular and \nthoughtful approach to design, while Fratesi \nmoves more conceptually and energetically. \nThis instinctive and spontaneous fusion of two \nways of working is one of their key strengths. \n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.36.png","68\nThe Doric Coffee tables by GamFratesi\n\"By reinterpreting a feature of Classical architecture, the Doric Table brings the weight of history into a \ncontemporary environment. The particular shape of the leg manages to be rigid and formal but at the same time \ndecorative and soft. In the fluted detail, a solid stone element becomes ornamental, while maintaining the overall \ngeometry of the design.\"\n– Stine Gam and Enrico Fratesi, GamFratesi\nDO\n      RIC\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.37.png","70\nThe Doric Coffee Table by GamFratesi takes its name \nfrom the Doric order of ancient Greek – and later Roman \n– architecture. The oldest and least ornamental of the \nthree Classical orders, Doric architecture is characterized \nby restraint, symmetry, and simplicity, with decorative \nfeatures generally limited to the vertical fluting that is \nso closely associated with the Doric column. Greek \nand Roman architects discovered that carving grooves \ninto the stone made the pillars present a more rounded \nprofile than a smooth surface, as well as introducing a \nsense of rhythm and balance to the form of the building.\nA response to the architectural traditions of the Classical \nera, GamFratesi’s Doric Table continues an exploration \nthat the duo began with the Epic Table, and extends the \nstudio’s material investigation into the aesthetic and \nfunctional possibilities of limestone. The result is two \nvery different expressions, and two distinct responses \nto the same inspiration: the Classical column. The \ntables are crafted either from travertine or lime-stone – \nbuilding materials that have been used since the Roman \nera. Although different in color, both varieties of natural \nstone have a raw materiality that adds a rich texture and \ndepth to the table, and a natural veining that brings an \ninherent visual interest to each table’s expression.\nThe defining feature of the Doric Table is the inward \ncurve of the legs, the result of material subtraction from \na simple shape. What could have been a monolithic, \nhard-edged profile is given an unexpected and alluring \nlightness and softness by carving into each of its four legs \n– a contemporary reinterpretation of the fluted detailing \noften found in the Doric column. By recontextualizing \nthis single architectural detail in a piece of furniture, \nGamFratesi succeed in imbuing the design with a  sense \nof history that counterbalances its unmistakably modern \nappearance. While the table’s surface showcases the \nnatural beauty of the stone, its legs demonstrate the \nsculptural quality of the piece, and emphasize the level \nof craftsmanship that has gone into its creation.\nLike the Danish-Italian pairing that informs GamFratesi \nas a practice, the Doric Table is a design of dualities, \ncontrasts and harmonies, synthesizing seemingly \nopposing characteristics into a single coherent \nexpression. As well as balancing the historic and the \ncontemporary, the table is both curved and geometric, \nhard and soft, with the rectangular form of the tabletop \ncounterbalanced by its gently rounded corners and the \ndecorative contours of the carved legs. In the same \nway, it is solid and monumental, but it also has a \ndelicacy to it, a lightness of presence and a sculptural \nquality that enriches its aesthetic expression while \nenhancing its versatility as a piece of furniture.\nThe table is available in two types of natural stone, each \nwith its own distinctive color.  The travertine version \nis a beautifully nuanced Neutral White; whereas the \nlimestone is a vivacious Electric Gray, which has a more \ndramatic pattern. Every piece produced in these stones \nis unique, the ancient history of the Earth written into its \nsurface.\n \nThese color options ensure the design can sit comfortably \nin any style of setting, maintaining its own distinctive \ncharacter without unbalancing the space. The Doric \nTable is available in two sizes: a square version, ideal for \ncozy corners, and a larger oblong variant, which pairs \nwell with longer seats and sofas.\nDoric Coffee Table in Neutral White\nDoric Coffee Table in Electric Gray\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.38.png","72\n  BEETLE \n    IN      \nVENEER\nBeetle in 3D veneer by GamFratesi\n“The design language of the Beetle Chair lends itself to be rendered in wood, which underscores the Beetle’s \n‘inspired by nature’ story. Wood is a fantastic, warm, and natural material and the Beetle in 3D veneer \nmanages to express the best of these aesthetic characteristics. The shell has always been a design feature; the \nshape of the Beetle is graceful, perfectly curved. Veneer is the ideal material to mold into this organic form – the \nthree-dimensional shape enhances its grain and color.”\n–  Stine Gam and Enrico Fratesi, GamFratesi\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.39.png","74\nLeft: Beetle Dining Chair in 3D Veneer Walnut Shell upholstered in GUBI Soft Leather Army\nRight: Beetle Dining Chair in 3D Veneer Walnut Shell upholstered in Dedar Flair Special FR 134,\nBeetle Dining Chair in 3D Veneer Walnut Shell upholstered in GUBI Soft Leather Army,\nBeetle Dining Chair in 3D Veneer Oak Shell upholstered in GUBI Soft Leather Gray\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.40.png","76\nBeetle Dining Chair in 3D Veneer Walnut Shell upholstered in GUBI Soft Leather Army\nIn 2013, GUBI and GamFratesi introduced the Beetle Chair \nto the world, and a modern classic was born. Now, a decade \nlater, the studio has reimagined their landmark design concept \nin 3D veneer – giving the Beetle a bold new natural expression \nand further emphasizing its status as an archetypal design, \nopen to interpretation in any number of materials.\nThe veneer edition takes the organic, nature-inspired form \nof the original Beetle shell, and adapts it to accommodate \nthe realities of working with veneer. The result translates the \nBeetle’s distinctive curves into a molded wooden shell, giving \nthe chair a new material aesthetic without compromising the \ncomfort for which it has become renowned, and expanding the \ndesign’s relevance to even more interior settings.\nThe shell of this new iteration comprises two separate pieces. \nThe backrest and seat are connected by internal spring-\nsteel brackets that are invisible from the outside. Each piece \nis 3D-molded using a bending press – a method of shaping \nveneer pioneered by mid-century designers.\n3D technology enables designers to produce organic shapes \nthat were once impossible to create. This molding technique \nis uniquely able to create the Beetle’s distinct curvature \nusing veneer, while maximizing its comfort and flexibility. This \nrequired an extensive process of experimentation to perfect. \nTransforming the veneer from flat surface to three-dimensional \nform also introduces depth and texture to the material, \nemphasizing the vertical grain and color of the wood, and \ngiving the chair a premium appearance and a natural character.\nDespite the Beetle’s transition to a new material, GamFratesi’s \noriginal inspiration – and the design’s namesake – is still \nevident in the veneer edition’s form, perhaps even more so. \nThe sinuous seat and back are visual echoes of the segmented \nparts of a beetle’s body; the hard outer shell mirrors the insect’s \nprotective exoskeleton; and the upholstered seat and backrest \nreference the soft body inside. The addition of wood veneer \nonly emphasizes the design's connection to the natural world \nand the forms of nature that inspired it.\nThe Beetle has always involved a high degree of skill to \nproduce, but with the veneer edition, GamFratesi has \nintroduced an even greater level of craft. The meeting point \nof the two shells, as well as the junction between the wood \nand the upholstery, underline the craftsmanship that has gone \ninto the chair, as well as emphasizing its precise detailing and \ngraceful form. The thickness of the shell varies: wider at the \npoints of connection, to allow for greater strength, but thinner \nat the edges to preserve the iconic silhouette.\nLight and dark wood veneers are available: oak and American \nwalnut. Together with the wide range of upholstery options, \nthis means the chair can be matched with interiors of any \nstyle or color palette, and to be deployed equally effectively \nin the home or in hospitality settings, where it makes a striking \nand peerlessly comfortable seat. As with the existing Beetle \nCollection, these new veneered editions are configurable as \ndining, bar, counter, and meeting chairs.\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.41.png","78\nS\nE\nM\nI\nT\nU\nR\nB\nO\nG R Ä S H O P P A\nS\nE\nM\nI\nT\nU\nR\nB\nO\nG R Ä S H O P P A\nS\nE\nM\nI\nT\nU\nR\nB\nO\nG R Ä S H O P P A\nS\nE\nM\nI\nT\nU\nR\nB\nO\nG R Ä S H O P P A\nIn the 1970s, we went crazy for color. Bold \nshades, earthy tones, playful accents, gleam-\ning neutrals – the full spectrum from subtle \nto striking. Now, we are in the midst of a \nretro renaissance, as the tones and textures of \nthe decade’s distinctive aesthetic are en vogue \nall over again.\nLighting is, of course, key to any interior. Our \nchoice of lamps and the quality of their light \ncan set or spoil the mood of the space. Chosen \nand positioned with care, statement lights \ncan truly elevate a room's aesthetic. Some of \nthe most popular styles to bring into the home \nin 2022 are those with an aesthetic plucked \nstraight from the 1970s – distinctive collec-\ntions such as Semi, Turbo and Gräshoppa, \nlong-standing design favorites that are now \nmore loved than ever.\n                                                fall 22 \nCOLOR \n         DROP\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.42.png","S\nE\nM\nI\nS\nE\nM\nI \n \nS\nE\nM\nI\nLeft: Semi Pendant in Glossy Roasted Pumpkin\nRight: Semi Pendant in Glossy Dark Cocoa\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.43.png","82\nAn icon of Danish design first produced in 1968, the Semi \nPendant by Claus Bonderup and Torsten Thorup was one \nof the most sought-after lighting fixtures throughout the \n1970s and ’80s. With the style of those decades once \nagain in fashion, GUBI has expanded the Semi Collection \nwith three new color options inspired by the distinctive \ninterior palette of the period:  Roasted Pumpkin, Fennel \nSeed, and Dark Cocoa.\nThe new editions all feature high-gloss finishes on the \nouter shade, referencing a taste for gleaming, reflective \nsurfaces that emerged in the later years of the ’70s and \npersisted into the following decade. The inside of the \nshade is finished with an off-white matt, creating contrast \nand maximizing the spread of light.\nBy offering the Semi Pendant family in this selection of \norganic, earthy, and playfully retro colors, GUBI has ex-\npanded the range of interior schemes that the Semi can \ncomplement. The existing palette of metallics and mono-\nchromes make the pendant ideal for clean-lined, minimal-\nist spaces. Now, with the addition of warm, grounding \ntones rooted in seasonal spices and the natural world, \nBonderup and Thorup’s timeless design is equally at \nhome in warmer, cozier and more rustic spaces.\nLeft: Semi Pendant in Glossy Dark Cocoa\n Right: Semi Pendant in Glossy Fennel Seed\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.44.png","84\nT U R B O\nT U R B O\nT U R B O\nLouis Weisdorf’s sculptural classic of the 1960s is launching \nin an Alabaster White finish, allowing the much-loved GUBI  \ndesign to complement an even wider variety of interior palettes. \nThe new off-white color introduces a note of warmth to the \nshade, with a glossy, high-shine finish injecting a touch of glitz.\nFirst designed in 1965 but not produced until 1967, Weisdorf's \npendant design remained hugely popular throughout the 1970s, \nits curving, sculptural structure adding visual appeal to every \nceiling it adorned. Made from 12 spiraling layers, the flower-\nlike orb of the shade was inspired by traditional Japanese rice \npaper lamps, giving the pendant an airy lightness. The Alabaster \nWhite edition has a glossy on the outer edge of the shade, with \na matt finish on the inside, creating nuanced contrasts of light \nand texture.\nThe two sizes of Weisdorf’s Turbo Pendant are perennial favorites \nof both modern homes and public spaces, perfect examples of \nhis affinity with geometric forms and his attraction to repeating \nelements. In GUBI’s new finish, Weisdorf’s classic is granted a \nnewfound softness and depth.\nLeft & Right: Turbo Pendant in Glossy Alabaster White\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.45.png","G\nR\nÄ\nS H\nO\nP\nP A \n \nG\nR\nÄ\nS H\nO\nP\nP A \n \nG\nR\nÄ\nS H\nO\nP\nP A\nLeft: Gräshoppa Floor Lamp in Glossy Walnut Brown\nRight: Gräshoppa Table Lamp in Glossy Black \n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.46.png","88\nGUBI’s launch of new colors for the Gräshoppa Collection \ncoincides with a renewed global appreciation for 1970s \naesthetics – characterized by earthy, natural shades, as well \nas shiny, gleaming surfaces. The three new finishes capture \nboth the love of nature and the inclination towards high-gloss \ntextures that defined the decade.\nWalnut Brown is one of the most instantly recognizable colors \nof the 1970s – a rustic shade reminiscent of raw earth and tree \nbark. At a time when more and more of us are seeking to bring \nthe consolation of nature into our homes through our color \nchoices, Walnut Brown is an ideal option for those seeking a \ngrounding color that instantly evokes ’70s style in a modern-\nday context.\nAlabaster White is a rich cream – a shade that offers the versatility \nof a neutral without the severity of a pure white, introducing a \nwelcoming warmth to the atmosphere. In contrast, the Black \nedition underlines the Gräshoppa’s identity as a statement \npiece, emphasizing the design’s distinctive silhouette. \nOriginally designed in the 1950s, Grossman’s Gräshoppa Floor \nLamp has become one of the most beloved designs in GUBI’s \nlighting collection, attracting a devoted following thanks to \nthe way it expresses the form of its namesake insect in just \na few simple lines. The Floor Lamp's blend of elegance and \nplayfulness is echoed in the Table Lamp and Pendant, allowing \nGrossman’s unique design language to serve every household \nlighting function.\nLeft: Gräshoppa Floor Lamp in Glossy Alabaster White\nRight: Gräshoppa Table Lamp in Glossy Alabaster White\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.47.png","90\nLeft: Gräshoppa Floor Lamp in Glossy Black\n Right: Gräshoppa Pendant in Glossy Black\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.48.png","92\n          TIMBERLINE \nCOLLECTION\nDAUMILLER      \n                COLLECTION\nTIMBERLINE\nSEINE\nSEINE\nSEINE\nFLOOR LAMP\nCEILING LAMP\nPENDANT\nTABLE LAMP\nDAUMILLER\nARMCHAIR\nSEINE \nCOLLECTION\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.49.png","94\nBASKET\nBASKET\nBASKET\nLOUNGE CHAIR\n2-SEATER SOFA\n3-SEATER SOFA\nBASKET \nCOLLECTION\nPRIVATE\nPRIVATE\nDINING TABLE\nDINING TABLE\n320 X 100\n260 X 100\nPRIVATE\n     COLLECTION\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.50.png","96\nBEETLE IN 3D VENEER\nBEETLE IN 3D VENEER\nBEETLE IN 3D VENEER\nBEETLE IN 3D VENEER\nDINING CHAIR\nMEETING CHAIR\nCOUNTER CHAIR\nBAR CHAIR\nDORIC \nCOLLECTION\nBEETLE                   3D VENEER \nCOLLECTION\nDORIC\nDORIC\nCOFFEE TABLE\nCOFFEE TABLE\n80 X 80\n140 X 80\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.51.png","98\nFALL 22 \nCOLOR DROP\nTURBO\n        COLLECTION\nSEMI\n       COLLECTION\nSEMI\nGRÄSHOPPA\nGRÄSHOPPA\nGRÄSHOPPA\nPENDANT\nGLOSSY ROASTED PUMPLIN\nGLOSSY WALNUT BROWN\nGLOSSY BLACK\nGLOSSY BLACK\n GLOSSY DARK COCOA\nGLOSSY ALABASTER WHITE\nGLOSSY ALABASTER WHITE\nGLOSSY ALABASTER WHITE\n GLOSSY FENNEL SEED\nGLOSSY BLACK\nFLOOR LAMP\nPENDANT\nTABLE LAMP\nTURBO\nPENDANT\n GLOSSY ALABASTER WHITE\n                                            GRÄSHOPPA\n                                                                       COLLECTION\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.52.png","ENJOY DESIGN INSPIRATION FROM GUBI \nSIGN UP AT GUBI.COM\u002FNEWSLETTER\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F57\u002Fff387c2a69353e6f7b6ffb590d9978-28fc286f56.53.png","GUBI.COM\n",53,[],0,false,true,{"success":228,"data":230,"meta":447,"count":448,"next":449,"previous":450,"results":488,"brand_chips":549},[231,244,254,264,274,283,293,303,313,325,337,350,360,373,386,396,406,415,425,437],{"id":232,"title":233,"slug":234,"image":235,"source":236,"brand_name":237,"brand":238,"brand_slug":239,"file_size":240,"pages":241,"pages_count":242,"matched_pages":243,"match_count":226,"two_pages":227,"show_text":228},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 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