[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-fontana-arte-new-collection-2018":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":371},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":366,"matched_pages":367,"match_count":368,"two_pages":369,"show_text":370},24880,"New Collection 2018","fontana-arte-new-collection-2018","\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F83\u002F4c9ba1bf9f02cdaf0572245643806a-28fc9e89ca.pdf","Fontana Arte",87,"fontana-arte","4.4 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,360,363],{"image":7,"text":15,"number":16},"Milano, 1932\n2018\nnew collection\n \n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.2.png","new collection 2018 \n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.3.png","FontanaArte nasce a Milano nel 1932 dall’incontro \ndi Gio Ponti, grande padre dell’architettura italiana del \nNovecento, con Luigi Fontana, imprenditore del vetro in \nlastra, e Pietro Chiesa, maestro nell’arte vetraria. Fontana-\nArte accompagna l’esplorazione della modernità italiana per \ncui vetro e metallo sono l’espressione di una nuova idea di \nbellezza profusa di luce e trasparenze. La sua storia è se-\ngnata dalla produzione di lampade e ogni tipo di soluzione \nche porta la luce nello spazio abitato, una missione senza \ntempo che si tramanda tra icone e nuovi prodotti. \nFontanaArte was founded in Milan in 1932, originating in an \nencounter between Gio Ponti (the great 20th-century mae-\nstro of Italian architecture), Luigi Fontana (entrepreneur of \nsheet glass) and Pietro Chiesa (a master glass artisan). Fon-\ntanaArte accompanied Italy's exploration of modernity, where \nglass and metal expressed a new idea of beauty infused with \nlight and transparency. The history of FontanaArte is distin-\nguished by lamps and every type of object that brought light \ninto the inhabited space. This timeless mission has been \npassed down from icon to new product.\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.4.png","3\nNon il cemento \u002F non il legno \u002F non la pietra \u002F\nnon il ferro \u002F non l’acciaio \u002F non l’alluminio,\nnon la ceramica \u002F non il vetro \u002F sono le materie prime più \ndurevoli \u002F ma l’arte, nel costruire \u002F è la materia prima più \ndurevole \u002F è sempre la materia prima.\nNot cement \u002F not wood \u002F not stone \u002F not iron \u002F \nnot steel \u002F not aluminum \u002F not ceramics \u002F not \nglass \u002F The most durable raw material in building \nis art \u002F Art is always the raw material.\nGio Ponti\nAmate l’architettura, \nVitali e Ghianda, \nGenova 1957\nGio Ponti\nIn Praise of Architecture, \nF.W. Dodge Corporation, \nGenova, 1960\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.5.png","4\nFontanaArte, Milano 1932\nLa storia di FontanaArte e la sua stretta relazione \ncon la luce coincide con la nascita e lo sviluppo \ndel design italiano grazie all’opera di Gio Ponti \ne alla sua istintiva promozione di una nuova unità \nculturale nell’era dell’industrializzazione. \nFontanaArte nasce infatti nel 1932 dal bisogno \ndi sentirsi liberi di sperimentare e di mettere alla \nprova un’inesauribile fantasia inventiva in un’epo-\nca in cui, specialmente a Milano, si è pensato di \nriconoscere la produzione industriale una tra le \ninfinite possibilità di espressione d’arte. Ponti so-\nsteneva infatti: “L’industria è la maniera del XX \nsecolo, è il suo modo di creare. Nel binomio arte \ne industria, l’arte è la specie, l’industria \nla condizione”. Ancora oggi, nel XXI secolo, l’Arte \nche Ponti stesso ha voluto aggiungere nel nome \ndell’azienda, rimane la chiave di un’identità \ncapace di esistere al di là di ogni singolo prodotto \ndi serie. Lo stesso spirito, sospeso tra arte e in-\ndustria, ha guidato l’aggiornamento delle sorgen-\nti luminose delle icone FontanaArte secondo la \ntecnologia Led come anche lo sviluppo delle \nnuove versioni e i prodotti che si presentano \nin questo catalogo.\nFontanaArte, Milan 1932\nThe history of FontanaArte and its close relation \nto light coincides with the birth and growth of Ital-\nian design thanks to the work of Gio Ponti and his \ninstinctive promotion of a new kind of cultural \nunity in the era of industrialisation.\nFontanaArte was founded in 1932 out of the need \nto experiment and explore the inexhaustible cre-\native inventiveness felt at a time in which, espe-\ncially in Milan, industrial production was deemed \none of the infinite possibilities of artistic expres-\nsion. As Ponti says, \"Industry is the 20th-century \nway; it is its way of creating. In the binomial art \nand industry, art is the species and industry the \ncondition.\" It was Ponti's idea to add the word \nArte (\"art\" in Italian) to the new section of Luigi \nFontana & C., the original company. Still now in \nthe 21st century, art remains the key to a brand \nidentity that exists over and above each single se-\nrially produced object. The same spirit, a mix of \nart and industry, has guided the recent moderni-\nsation of FontanaArte icons with LED technology. \nIt is also found in the development of new ver-\nsions and products presented in this catalogue.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.6.png","5\nNel corso degli anni il catalogo FontanaArte \nha raccolto i prodotti di designer di grande \ncultura progettuale. Le visioni espresse durante \nla direzione artistica di Gio Ponti e Pietro Chiesa, \ndi Max Ingrand o di Gae Aulenti hanno preso \ncorpo nel contributo dei molti designer, interpreti \ndel proprio tempo, che hanno partecipato al dise-\ngno dei prodotti FontanaArte nel corso di più di \nottant’anni. Una lunga lista di autori (maestri \nvetrai, architetti, designer) il cui pensiero è radi-\ncato in un’identità che FontanaArte intende pre-\nservare per dare continuità a una storia così spe-\nciale. La nuova direzione artistica di Francesco \nLibrizzi è impegnata a reimmaginare FontanaArte \nnel dialogo con i maestri e la tradizione del bel di-\nsegno italiano, lavorando sulla soglia tra ciò che \nè contemporaneo e ciò che interpreta la storia, \ntra innovazione tecnologica e chiarezza di espres-\nsione “per indagare le possibilità di una bellezza \nsenza tempo”.\nOver the years, the FontanaArte range has come \nto include products by designers of great profes-\nsional sensibility. The visions expressed during \nthe artistic direction of Gio Ponti and Pietro \nChiesa, of Max Ingrand and of Gae Aulenti are \nembodied in the contributions of many designers \nwho interpreted their times, participating in the \nconstruction of the FontanaArte identity over \nmore than 80 years. The list is long. It includes \nglass artisans, architects and designers whose \ncreative approach is rooted in the identity Fon-\ntanaArte wishes to preserve in order to give \ncontinuity to its special history. The company's \nnew artistic director Francesco Librizzi is com-\nmitted to reimagining FontanaArte in dialogue \nwith the masters and tradition of beautiful Italian \ndesign. He is working on the meeting point be-\ntween contemporaneity and historical interpreta-\ntion, between technological innovation and clari-\nty of expression, all in the name of exploring the \npossibilities of timeless beauty.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.7.png","6\nSUMMARY\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.8.png","7\nINTRODUCTION \n2\nFONTANAARTE, MILANO 1932 \n4\nNEW COLLECTION \n8\nSETAREH \n10\nEQUATORE \n20\nGALERIE \n26\nOPTUNIA \n30\nIO+ \n34\nTRIPOD \n36\nKANJI \n38\nPINECONE \n40\nUPDATE 2018 \n44\nLAMPARA \n46\nBLOM \n48\nFLÛTE \n50\nCHANDELIER \n52\nICONS \n54\nFONTANA \n56\nLUMINATOR \n58\nBILIA \n60\nGIOVA \n62\nMETAFORA \n64\nNASKA \n66\nUOVO \n68\nTECHNICAL DATA \n70\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.9.png","8\nNEWS\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.10.png","9\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.11.png","10\nSetareh\nÈ questo il nome della famiglia \ndi apparecchi di illuminazione \nche Francesco Librizzi, giovane \narchitetto siciliano con base a \nMilano, firma per la prima volta per \nFontanaArte. Setareh nasce dal \ntema di dare corpo alla luce. La \nlampada è composta da una sfera \nin vetro satinato bianco soffiato a \nbocca magicamente sospesa all’in-\nterno di una struttura metallica sot-\ntile. Un gioco di masse e di traiet-\ntorie circolari genera un disegno bi-\nlanciato di dinamiche gravitazionali. \nLa luce che emana dalla sfera si \ndiffonde sullo spazio circostante e \nirraggia il telaio. I riflessi del metal-\nlo rendono visibile il campo \nluminoso, lo spazio influenzato dalla \nluce, la sua aura. Il risultato è una \ncollezione di apparecchi luminosi, \ndeclinata nella versione da tavolo e \nsospensione, di straordinaria grazia \npoetica. La versione a sospensione \nsi declina in più varianti: nuda con il \nsolo telaio e la sfera luminosa (di-\nsponibile anche nella versione con \ntre sfere), con un diffusore in vetro \ncurvato bianco oppure nero (dia-\nmetro cm 45, 65, 85) oppure con \ndisco metallico verniciato bianco o \nnero (diametro cm 45, 65, 85, 100). \nIl telaio può essere color oro o cro-\nmato nero.\nThis is the name of the family of \nLighting fixtures that Francesco \nLibrizzi a young Sicilian architect \nworking in Milan has designed for \nthe first time for FontanaArte. Se-\ntareh was born of the idea of giving \nform to light. The lamp is composed \nof a sphere in hand-blown white \nsatin glass, magically suspended \nwithin a thin metal structure. The \nplay of circular masses and trajec-\ntories generates a balanced design \nof gravitational dynamics. The light \nfrom the sphere is diffused into the \nsurrounding space, illuminating the \nframe. The reflections of the metal \nrender the luminous field visible, \nspaceinfluenced by light, by its \naura. The result is a collection of \nlighting elements, available in table-\ntop and suspension versions, of ex-\ntraordinary poetic grace. The sus-\npension version comes in several \nvariants: bare, with only the frame \nand glass sphere (also available \nwith three spheres), with a diffuser \nin curved white or black glass (di-\nameter 45, 65, 85 cm), or with a \npainted metal disc in white or black \n(diameter 45, 65, 85, 100 cm). \nFrames can be in gold or black \nchrome color.\nTechnical data p. 72\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.12.png","11\n2017\nnews\nSETAREH \nFrancesco Librizzi \n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.13.png","12\nSetareh\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.14.png","13\n2017\nnews\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.15.png","14\nSetareh\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.16.png","15\n2017\nnews\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.17.png","16\nSetareh\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.18.png","17\n2017\nnews\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.19.png","18\nSetareh\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.20.png","19\n2017\nnew product 2018\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.21.png","20\nEquatore: reinterpretazione \nin chiave contemporanea delle \nclassiche lampade con paralume \nin vetro. Se nelle tradizionali abat-\njour il diffusore alloggia al suo in-\nterno la sorgente luminosa, in \nquesta famiglia di lampade il diffu-\nsore è paradossalmente e sugge-\nstivamente vuoto e l’effetto lumino-\nso è prodotto da due dischi lumino-\nsi all’interno di una fascia metallica \ncentrale, visibile sul paralume e che \nrichiama la linea dell’equatore.\nLa luce prodotta dai Led si distri-\nbuisce regolarmente sulla superfi-\ncie dei dischi, irradiandoli magica-\nmente di luce. Il disco inferiore pro-\nduce un’emissione luminosa diretta \nverso il basso, quello superiore illu-\nmina la calotta di vetro, per una dif-\nfusione morbida della luce nell'am-\nbiente. Disponibile da tavolo, da \nterra e da sospensione, si declina \nin due tonalità: una più fredda, in \ngrigio con struttura cromo nero, e \nuna più calda, con calotta traspa-\nrente rosa e struttura color rame.\nEquatore is a contemporary reinter-\npretation of the classic lamp with a \nglass shade. While the traditional \nabat-jour uses the shade to contain \nthe light source within, in this family \nof lamps the shade is paradoxically \nand suggestively empty, with the \nlight being generated by two lumi-\nnous discs placed inside a central \nmetal band, visible on the shade, \nthat evokes the line of the equator. \nThe light produced by the Leds, is \ndistributed regularly across the sur-\nface of the discs, magically illumi-\nnating them. The lower disk directs \nthe light outputdownward, the \nupper one illuminates the glass cap \nfor a soft, diffused light. Available in \ntable, floor and suspension versions \nand two colors: a cooler version \nin grey with a black chrome frame, \nand a warmer version with a trans-\nparent pink cap and a copper-col-\nored frame.\nEquatore\nTechnical data p. 76\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.22.png","21\nEQUATORE \nGabriele e Oscar Buratti\n2017\nnews\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.23.png","22\nEquatore\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.24.png","23\n2017\nnews\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.25.png","24\nEquatore\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.26.png","25\n2017\nnew product 2018\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.27.png","26\nElemento caratterizzante di Galerie \nè il diffusore, che si ispira sia este-\nticamente che funzionalmente alle \nantiche lampade ad olio con \nrichiamo al periodo della Belle \nÉpoque. Il diffusore, soffiato in \nquattro strati di vetro in cui l’ester-\nno e l’interno sono di due diversi \ncolori, viene letto come bianco da \nspento, ed ambra una volta acceso. \nÈ inoltre provvisto di una fascia in \ncuoio che permette all’apparecchio \ndi essere appeso in diverse posi-\nzioni alla struttura. Nella versione \nda terra, la lampada è disponibile \nper due utilizzi: da lettura con un \ndiffusore, per ricreare un’atmosfera \nideale per leggere, da terra, con \ntre diffusori posizionati ad altezze \ndiverse, per una illuminazione diffu-\nsa di ambiente. La famiglia si decli-\nna anche in una versione da parete \ne da sospensione. La varietà dei \nmateriali (vetro, cuoio, metallo e \nmarmo) accostati in modo inedito \nin una lampada, rende questa fami-\nglia particolarmente ricca e, al con-\ntempo, elegante ed equilibrata. \nGalerie esprime in chiave contem-\nporanea un oggetto che riporta \nla memoria ad altri tempi.\nGalerie\nThe distinguishing feature of Gal-\nerie is the diffuser, which is inspired \nby both aesthetically and function-\nally by the antique oil lamps of the \nBelle Époque period. Hand-blown \nin four layers of glass, where the \nouter and the inner layers are of \ntwo different colors, it reads as \nwhite when turned off, then as \namber once lit. It is also equipped \nwith a leather strap that allows the \nfixture to be hung in different posi-\ntions on the structure. In the floor \nversion, the lamp is available for \ntwo uses: a reading lamp with one \ndiffuser, to create the ideal atmo-\nsphere for reading, and a floor lamp \nwith three diffusers positioned at \ndifferent heights, for adjustable am-\nbient lighting. The family also in-\ncludes a wall and a pendant ver-\nsion. The combination of materials \n(glass, leather, metal and marble), \nunprecedented in a lamp, makes \nthe Galerie family particularly rich, \nand at the same time elegant and \nbalanced. Galerie expresses the \nmemory of days gone by in a con-\ntemporary key.\nTechnical data p. 77\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.28.png","27\nGALERIE \nFederico Peri\n2017\nnews\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.29.png","28\nGalerie\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.30.png","29\n2017\nnew product 2018\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.31.png","30\nOptunia è una famiglia di lampade,\ndeclinata nella versione da tavolo \n(con e senza stelo), da terra, \nda parete e da sospensione. \nLa sua funzionalità risiede nella \npossibilità di ruotare i due dischi \nche ne compongono la testa di \ncirca 360 gradi, dando vita a un \nnumero straordinario di combina-\nzioni di luce. Il disco inferiore \nruota attorno a un asse e contem-\nporaneamente il disco superiore \nruota attorno a un secondo asse, \nperpendicolare al primo. Questo \ndoppio movimento permette a Op-\ntunia di racchiudere sia le caratteri-\nstiche di una lampada a emissione \ndi luce diretta, che di una lampada \na emissione di luce indiretta, \nche sfrutta la parete o il soffitto \nper produrre una luce diffusa. \nAlla sua funzionalità, si aggiunge \nun disegno che ricorda una forma \npresente in natura: i due dischi \nricordano le pale dell’Opuntia \nficus indica (fico d’india), di cui \nla lampada porta peraltro il nome. \nUna famiglia di apparecchi di illumi-\nnazione straordinariamente tecni-\nca, la cui forma viene ulteriormente \nsottolineata dalle sue varianti di \ncolore: un bianco opaco, grafico e \npulito, un cromo nero specchiante, \nche ricorda la preziosità del metal-\nlo, e una tonalità scura, che riman-\nda all’onice, un quarzo il cui colore \nvira da marrone scuro a nero.\nOptunia is a family of lighting ele-\nments that comes in four variants \nfor table (with or w\u002Fo stem), floor, \nwall and suspension. Its functional-\nity lies in the possibility of rotating \nthe two discs that make up the \nnearly 360-degree head, opening \nup an extraordinary number of light-\ning combinations. The lower disc \nrotates on one axis, while the upper \ndisk simultaneously rotates on a \nsecond axis, perpendicular to the \nfirst. The double movement gives \nOptunia the advantages of both \ndirect and indirect light emission, \nwhich exploits the surface of the \nwall or ceiling to produce a soft \nlight. Complementing its functional-\nity is a design reminiscent of a form \nfound in nature: the two disks \nresemble the pads of the prickly \npear, opuntia ficus indica, from \nwhich the lamp takes its name. \nA family of exceptional technical \nsophistication, whose form is fur-\nther emphasized by its colors: \nopaque white, bold and clean; \nblack mirrored chrome, which re-\ncalls the preciousness of metal; \na darker shade resembling onyx, \na quartz, whose color shifts from \ndark brown to black.\nOptunia\nTechnical data p. 78\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.32.png","31\nOPTUNIA \nClaesson Koivisto Rune\n2017\nnews\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.33.png","32\nOptunia\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.34.png","33\n2017\nnews\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.35.png","34\nIO è una famiglia di apparecchi \nda parete, tavolo e lettura proget-\ntata per sorgenti luminose a LED. \nLa sua peculiarità sta nel fatto che, \ngrazie ad una montatura dal doppio \nasse di rotazione, la lampada ruota \nsia sull’asse longitudinale sia lungo \nquello trasversale e consente \nperciò una gestione totale della \nluce. IO è facilmente impugnabile \ne maneggiabile grazie alle sue di-\nmensioni. Con un movimento Up\u002F\nDown sul diffusore esterno è pos-\nsibile inoltre aprire e chiudere il \nfascio luminoso.\nIn the shape of a small curved lunar \ndisc, IO is a family of wall, table \nand reading lamps designed for \nLED light sources.Thanks to its du-\nal-axis rotation frame, it has the dis-\ntinguishing feature rotating on both \nlongitudinal and transversal axes, \nfor a total light management.IO is \neasy to handle and adjust thanks to \nits size. The Up\u002FDown movement \non the external diffuser widens and \nnarrows the ray of light.\nIO+\nTechnical data p. 79\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.36.png","35\nIO+ \nClaesson Koivisto Rune\n2018\nnew product 2018\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.37.png","36\nGambe sottili, eleganti e lunghissi-\nme donano a questa lampada da \nterra un senso di leggerezza ma \nal contempo di grande stabilità. \nCome l’antico tripode greco, sim-\nbolo di ospitalità, all’estremità di \nciascun sostegno sono previste \ndelle sorgenti luminose a Led, rive-\nstite di una forma particolare: \nla gamba più lunga è provvista di \nuna sfera in vetro acidato bianco \nche produce una emissione lumino-\nsa diffusa di ambiente, le altre ter-\nminano con dei proiettori di luce \norientabili, per una luce diretta e \nconcentrata. La struttura è resa \nessenziale dal sistema di raccolta \ndei cavi di alimentazione, che scor-\nrono all’interno degli elementi tubo-\nlari. La lampada è fornita con strut-\ntura nera e vani ottici rivestiti di \nottone, che conferiscono preziosità \ned eleganza.\nSlender, elegant and extremely long \nlegs give this floor lamp a sense of \nlightness, yet also of great stability. \nLike the ancient Greek tripod, a \nsymbol of hospitality, the end of \neach support is fitted with a Led \nlight source with different forms and \nfunctions: the longest leg has a \nsphere in white frosted glass that \nproduces a diffused ambient light, \nwhile the other two have adjustable \nspotlights for a direct and concen-\ntrated light. The structure is kept \nsimple thanks to the cable organiz-\ning system, which runs inside the \ntubular legs. The lamp is provided \nwith black frame and brass-coated \nfixtures, which lend the lamp a pre-\ncious elegance.\nTripod\nTechnical data p. 80\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.38.png","37\nTRIPOD \nFront Design\n2017\nnews\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.39.png","38\nKanji è una famiglia di apparecchi \ndi illuminazione che reinterpreta in \nchiave contemporanea le tradizio-\nnali lanterne portatili orientali. Di-\nsponibile da tavolo e da sospensio-\nne, nasce in due forme che si ispi-\nrano alle porcellane cinesi del pe-\nriodo della dinastia Ming. Il diffuso-\nre, in vetro soffiato a bocca in due \nnuance bianco acidato e fumè tra-\nslucido, è impreziosito da una de-\ncorazione superficiale plissettata. \nUn anello di Led corre internamen-\nte alla struttura e irradia magica-\nmente di luce il diffusore. Lampada \nevocativa dell’Oriente, non solo \nnella forma ma anche nel nome \n(i kanji sono i caratteri di origine \ncinese usati nella scrittura giappo-\nnese in congiunzione con \ni sillabari hiragana e katakana), \nè pensata per vivere da sola ma \nin coppia, nelle due forme, amplifi-\nca la sua forza estetica.\nKanji is a family of lighting elements \nthat reinterprets traditional Oriental \nportable lanterns in a contemporary \nkey. Available in tabletop and sus-\npension models, it draws inspiration \nfrom Chinese porcelain from the \nMing dynasty. The hand-blown \nglass diffuser, in frosted white and \ntranslucent smoke, is adorned with \na pleated surface decoration. A Led \nring runs inside the structure and \nmagically illuminates the diffuser. \nEvocative of the Far East not only in \nform but in name (kanji are charac-\nters of Chinese origin used in Japa-\nnese writing in conjunction with the \nhiragana and katakana syllabaries), \nit is designed to be used alone or in \npairs, with each form amplifying the \naesthetic power of the other.\nKanji\nTechnical data p. 80\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.40.png","39\nKANJI \nDenis Guidone\n2017\nnews\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.41.png","40\nPinecone è una famiglia di appa-\nrecchi di illuminazione caratterizza-\nta da un diffusore in vetro soffiato, \ndisponibile nella versione traspa-\nrente lucido o bianco acidato. Il dif-\nfusore è prodotto mediante l’antica \ntecnica del vetro soffiato ingabbia-\nto: il maestro vetraio soffia a bocca \nla bolla vitrea dentro una gabbia \nmetallica, che ne contiene la natu-\nrale espansione solo in parte. \nIn questo modo il manufatto finale \nviene in parte trattenuto nella \ngabbia e in parte vi sfugge, crean-\ndo un gioco di tensione che genera \nun oggetto sospeso nell'atto di \nfuoriuscire dal proprio vincolo; la \ngabbia viene ulteriormente impre-\nziosita da un trattamento galvanico \nche ne esalta l’aspetto rendendola \nlucida e brillante.\nPinecone is a family of lighting fix-\ntures characterized by a blown glass \ndiffuser, Available in transparent \nglossy or frosted glass. The diffuser \nis manufactured using the ancient \ntechnique of caged blown glass, \nwhereby the master glazier inflates \nthe vitreous bubble inside \na metal cage, which only partially \ncontains its natural expansion. In \nthis way the final product is part re-\ntained by the cage and partly es-\ncapes, creating tension that gener-\nates an object suspended in the act \nof escaping from its constraint. \nThe cage is further embellished \nwith a galvanic treatment that gives \nit a bright, shiny surface.\nPinecone\nTechnical data p. 81\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.42.png","41\nPINECONE \nPaola Navone\n2016\nnews\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.43.png","42\nPinecone\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.44.png","43\n2016\nnews\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.45.png","44\nUPDATE 2018\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.46.png","45\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.47.png","46\nLampara\nRievoca le architetture industriali \nquesta lampada a sospensione con \nparalume in alluminio naturale \noppure bianco texturizzato e riflet-\ntore verniciato bianco all’interno.\nReminiscent of industrial \narchitecture, this hanging \nlamp has a natural or texturized \nwhite shade and the reflector \nis painted white inside.\nTechnical data p. 82\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.48.png","47\n1965\nupdate 2018\nLAMPARA \nFontanaArte Design Lab \n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.49.png","48\nBlom\nIl nome deriva dalla forma della \nlampada che, dotata di pale simili a \npetali, ricorda appunto un fiore. La \nquantità di luce è regolabile grazie \nai due petali che avvolgono dolce-\nmente il diffusore e che ruotando \nsulla base, consentono di scherma-\nre il flusso luminoso, personalizzan-\ndolo a seconda delle esigenze.\nIts name comes from the shape \nof the lamp, similar to a flower due \nto its petal shaped blades. Light in-\ntensity can be adjusted thanks to \nthe two petals that gently embrace \nthe diffuser, rotating on the base to \nshield the glare depending on per-\nsonal requirements.\nTechnical data p. 82\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.50.png","49\n2013\nupdate 2018\nBLOM \nAndreas Engesvik \n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.51.png","50\nFlûte\nUn cono di vetro alloggia il rifletto-\nre in alluminio cromato nero, ottone \no rame, sorretto da tre aste sottili \nin metallo. Equilibrio e leggerezza \nper questa sospensione che produ-\nce una emissione di luce puntuale \ne diretta.\nA glass cone holds a black chrome, \nbrass or copper aluminum reflector, \nsupported by three slender metal \nrods. Equilibrium and lightness \nfor this suspension that emits a \ndirect focused light.\n \nTechnical data p. 83\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.52.png","51\n1999\nupdate 2018\nFLÛTE \nFranco Raggi \n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.53.png","52\nChandelier\nSi ispira ai lampadari della corte \ndi re Artù lo scenografico lampada-\nrio disegnato da David Chipper-\nfield. Disponibile in due colori, nero \ne oro, nella versione singola o \ndoppia con due cerchi concentrici, \nillumina con classe ed eleganza \nqualsiasi ambiente, anche quello \npiù moderno e minimale.\nThis spectacular lamp designed \nby David Chipperfield is inspired \nby those at the court of King Arthur. \nAvailable in two colors, black and \ngold, in a single or double version \nwith two concentric circles, it is a \nclassy elegant lighting solution for \nany setting, even the most modern \nand minimal.\nTechnical data p. 84\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.54.png","53\n2004\nupdate 2018\nCHANDELIER \nDavid Chipperfield \n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.55.png","54\nICONS\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.56.png","55\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.57.png","56\nFontana\nUn corpo preziosissimo, quasi com-\npletamente in vetro soffiato bianco, \nun elemento tondeggiante che si al-\nlunga leggermente verso l’alto sor-\nmontato da un tronco di cono: è la \nforma della classica abat-jour che \nha segnato un’epoca nell’illumina-\nzione. La peculiarità di Fontana è \nl’accensione multipla: sia la base, \nsia il paralume, contengono una o \npiù fonti luminose. La versione più \ngrande permette anche un’illumina-\nzione indiretta: un’ulteriore fonte lu-\nminosa proietta un fascio di luce in-\ndiretta verso l’alto. L’accensione \ndifferenziata permette di incontrare \npiù esigenze d’illuminazione: dal \ntenue bagliore della luce di riposo, \nalla luce intensa da lettura fino ad \nuna luce emozionale e d’ambiente, \nottenuta per emissione indiretta. \nLe forme morbide e perfettamente \nproporzionate, la purezza del dise-\ngno, la finitura lattiginoso-opale-\nscente, ne fanno un elemento d’ar-\nredo senza tempo, perfetto in ogni \ncontesto, sia quando è acceso che \nquando è spento. \nAn exquisite object, almost entirely \nin white blown glass, composed of \na round element that tapers slightly \nupward, surmounted by a truncated \ncone: the classic form of the abat-\njour lamp that defined an era in \nlighting. The peculiarity of Fontana \nis its multiple light sources: both \nthe base and the lampshade con-\ntain one or more. The larger version \nalso allows indirect lighting, thanks \nto an additional source that projects \na beam of indirect light upwards. \nThe differentiated light sources \nmake it possible to satisfy different \nlighting needs: from a soft, relaxing \nglow to a sharp beam for reading \nto suggestive ambient light. \nThe soft and perfectly proportioned \nforms, the purity of design and the \nmilky opalescent finish combine to \nmake it a timeless piece, perfect \nin every setting, whether turned \non or off. \nTechnical data p. 85\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.58.png","57\n1954\nicons update\nFONTANA \nMax Ingrand \n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.59.png","58\nLuminator\nLuminator è uno dei primi progetti \nche Pietro Chiesa, già titolare \na Milano di una bottega artigiana \nspecializzata nella lavorazione \nartistica del vetro, firma per \nFontana Arte, di cui diventa diret-\ntore artistico affiancando Gio \nPonti. Prima lampada da terra ad \nilluminazione indiretta, Luminator \nè composta da un sottile fusto \nmetallico che si apre a cono e \nal cui interno si trova la sorgente \nluminosa. Unico elemento che \npoggia su una base circolare, \nè una lampada di un rigore e una \npurezza quasi astratte. In assoluto, \nuno dei pezzi più straordinari dise-\ngnati da Pietro Chiesa. \nLuminator is one of the first projects \nthat Pietro Chiesa, owner of a \nworkshop in Milan specialized in \nartistic glasswork, created for \nFontanaArte, where he would later \nbecome artistic director alongside \nGio Ponti. The first indirect light \nfloor lamp, Luminator is composed \nof a thin metal shaft that opens into \na cone, inside which is the light \nsource. A single element resting \non a circular base, it is a lamp of \nan almost abstract rigor and purity, \nand is by far one of the most ex-\ntraordinary pieces designed by \nPietro Chiesa.\nTechnical data p. 85\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.60.png","59\n1933\nicons update\nLUMINATOR \nPietro Chiesa \n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.61.png","60\nBilia\nNiente più che una sfera poggiata, \nin apparente impossibile equilibrio, \nsu un cono che fa da base. \nUna delle tante magie compositive \ndi Gio Ponti. La contrapposizione \ndi due forme geometriche elemen-\ntari dà origine a un oggetto origina-\nle e dalle proporzioni perfette. La \nluce è diffusa e l’emissione lumino-\nsa è valorizzata dall’essenzialità ge-\nometrica del disegno. Nata in me-\ntallo spazzolato nichelato, Bilia è \ndisponibile anche nella versione \ncon cono in ottone e sorgente lumi-\nnosa a Led.\nNothing more than a sphere, \nset in an apparently impossible feat \nof balance, upon a cone that serves \nas the base. One of Gio Ponti’s \nmany compositional magic tricks. \nThe counterbalancing of two ele-\nmentary geometric forms results in \nan original, perfectly proportioned \nobject. The light is diffused and val-\norized by the geometrical simplicity \nof the design. Originally in brushed \nnickel plate, Bilia is now available \nwith a brass cone and Led \nlight source.\nTechnical data p. 85\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.62.png","61\n1932\nicons update\nBILIA \nGio Ponti \n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.63.png","62\nGiova\nGiova segna l'esordio di Gae \nAulenti nel campo dell'illuminazio-\nne. Disponibile in due dimensioni, \nè una vera e propria scultura lumi-\nnosa. Su una base in metallo è po-\nsizionato un globo trasparente che \ninclude la sfera interna in vetro \nbianco opalino, che alloggia la \nsorgente luminosa. Al di sopra, \nappoggiata, una coppa in vetro \npulegoso (pieno di bolle d’aria \nirregolari) è a tutti gli effetti, un \nvaso portafiori.\nGiova marks the debut of Gae \nAulenti in the field of lighting \ndesign. Available in two sizes, it is \nboth a lamp and a luminous sculp-\nture. Positioned on a metal base is \na transparent bowl containing a \nsphere of white opal glass, which \nhouses the light source. Placed \nabove is a smaller bowl in blown \npulegoso glass, (meaning ‘with ir-\nregular bubbles’), which serves as \na flower vase.\nTechnical data p. 86\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.64.png","63\n1964\nicons update\nGIOVA \nGae Aulenti \n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.65.png","64\nMetafora\nMetafora nasce nel pieno clima \ncreativo dei primi anni 80, quando \nGae Aulenti assume il ruolo di di-\nrettore artistico all’interno di Fon-\ntanaArte e decide di riportare il \nvetro al centro dell’attività dell’a-\nzienda. Chiamato da Gae Aulenti, \nUmberto Riva disegna una lampa-\nda da tavolo preziosa, composta da \nun diffusore conico a strati di vetro \nopalino, sorretto da una base in \nvetro trasparente o bianco che cela \nla struttura in metallo, tutta a inca-\nstro. Un oggetto di natura forte-\nmente decorativa, prodotto con \ntecniche tradizionali, come la \nsoffiatura del vetro tipiche del \nsapere fare artigianale, oggi ripro-\nposto ad un pubblico sempre atten-\nto all’originalità del design e alle \nsue espressioni timeless.\nMetafora was born in the flourish-\ning creative climate of the early \n‘80s, when Gae Aulenti took on the \nrole of artistic director for Fon-\ntanaArte and decided to bring glass \nback to the forefront of the compa-\nny’s production. On Aulenti’s invita-\ntion, Umberto Riva designed a pre-\ncious table lamp consisting of a \nconical shade in layered opal glass \nsupported by a transparent or white \nglass base that hides the metal \nframe, all interlocking. A highly dec-\norative object, produced with tradi-\ntional techniques like glass blowing \nand other examples of artisanal \nknow-how, reproposed today to \na clientele ever more attentive \nto originality of design and its time-\nless expressions. \nTechnical data p. 86\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.66.png","65\n1980\nicons update\nMETAFORA \nUmberto Riva \n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.67.png","66\nNaska\nNaska è la lampada da scrivania \nper eccellenza, l’originale caposti-\npite di tutte le lampade da tavolo \ncon braccio bilanciato a molle. \nUn oggetto senza tempo, adatto \nsia per gli spazi domestici che per \nquelli dedicati al lavoro. Ora dispo-\nnibile anche nella finitura oro e con \nsorgente luminosa a Led.\nMore than any other lamp, \nNaska expresses an unmistakable \nidentity through its archetypal form. \nIt is the desk lamp par excellence, \nthe original ancestor of every lamp \nwith a spring-balanced arm. \nA timeless object, suitable \nfor both domestic spaces \nand those dedicated to work. \nNow available with a gold finish \nand a Led light source.\nTechnical data p. 86\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.68.png","67\n1933\nicons update\nNASKA 1,2 \nHistorical Archive \n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.69.png","68\nUovo\nUna forma naturale che da sempre \nè simbolo di perfezione, in cui con-\nvivono armonicamente simmetria \ne asimmetria: è Uovo, il soggetto di \nuno schizzo che nel 1972 viene re-\ncuperato nell’archivio storico di \nFontanaArte. In quello schizzo il \nguscio conteneva una fonte lumino-\nsa: un’idea ironica che ancora oggi \nconquista. Come in natura, anche \nnella lampada Uovo il guscio è \nesempio assoluto di leggerezza: \nuna forma elegante in vetro soffia-\nto bianco satinato che diffonde uni-\nformemente una luce calda e avvol-\ngente. Nelle tre dimensioni \ndisponibili c’è tutta la versatilità di \nuna collezione pensata per più de-\nstinazioni d’uso: da minuta lampada \ndi servizio – nellaversione più pic-\ncola – a scultura luminosa, protago-\nnista dello spazio, nella versione \npiù grande. \nThe egg: a natural form and time-\nless symbol of perfection, in which \nsymmetry and asymmetry harmoni-\nously coexist. Uovo is the subject of \na sketch recovered in 1972 in the \nhistorical archives of FontanaArte, \nin which the ‘shell’ of the egg con-\ntained a light source: an ironic idea \nthat still works today. As in nature, \nthe shell of the Uovo lamp is the \nembodiment of absolute lightness, \nan elegant form in white satin \nblown glass that gives off a warm, \nuniform light. Available in three \nsizes, it has all the versatility of a \ncollection designed for multiple \nuses: from the small version which \nserves as a tiny utility lamp to the \nlarge version, a veritable light \nsculpture, protagonist of any space. \nTechnical data p. 86\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.70.png","69\n1972\nicons update\nUOVO \nBen Swildens \n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.71.png","TECHNICAL DATA\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.72.png","",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.73.png","72\nSetareh \nsuspension\nSetareh \ntable\n4384..\nØ 45 x 60,4 cm\n6W Led \n(2700K, CRI>80, \n850 Lm)\ndimmable\nbase in marble, white \nfor gold version and \nblack marble for \nchrome version.\n4401..\n48 x 44,9 x 44,9 cm\n6W Led\n(2700K, CRI>80, \n850 Lm)\ndimmable\nbase in marble, white \nfor gold version and \nblack marble for \nchrome version.\n4404..\nØ 19,4 x 19,4 x \n83,4 + 250 cm\n2x6W Led \n(2700K, CRI>80, \n1660 Lm) \ndimmable\n4405..\nØ 19,4 x 19,4 x \n118,5 + 250 cm\n3x6W Led \n(2700K, CRI>80, \n2500 Lm) \ndimmable\nFrancesco Librizzi, 2017\n \nblack chrome\n \ngold\n \nblack chrome\n \ngold\nblack\nV4381\u002F0N\nwhite\nV4381\u002F0BI\nglass diffuser\nto be completed with:\nØ 45\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.74.png","73\nSetareh \nsuspension\nSetareh \nsuspension\n \nblack chrome\n \ngold\n \nblack chrome\n \ngold\n4382..\n18,4 x 19,4 x 54,4 \n+ 250 cm\n2x8W Led\n(2700K, CRI>80, \n2200 Lm)\ndimmable\n4383..\nØ 44,9 x 44,9 + \n250 cm\n3x6W Led\n(2700K, CRI>80, \n2500 Lm)\ndimmable\nblack\nD4381N \nwhite\nD4381BI \naluminum disk\nto be completed with:\nØ 45\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.75.png","74\nSetareh \nsuspension\n4380..\n18,4 x 19,4 x 54,4 \n+ 250 cm\n12W Led\n(2700K, CRI>80, \n1550 Lm)\ndimmable\n4381..\n18,4 x 19,4 x 54,4 \n+ 250 cm\n12W Led\n(2700K, CRI>80, \n1550 Lm)\ndimmable\n4381..\n18,4 x 19,4 x 54,4 \n+ 250 cm\n12W Led\n(2700K, CRI>80, \n1550 Lm)\ndimmable\nblack\nD4381\u002F0N\nwhite\nD4381\u002F0BI\nblack\nV4381\u002F0N\nwhite\nV4381\u002F0BI\nblack\nD4381N \nwhite\nD4381BI \nblack\nV4381N\nwhite\nV4381BI\naluminum disk\nglass diffuser\nØ 65\nØ 45\n \nblack chrome\n \ngold\n \nblack chrome\n \ngold\nto be completed with:\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.76.png","75\nSetareh \nsuspension\n4380\u002F1..\n23,9 x 24,9 x 69,9 \n+ 250 cm\n17W Led\n(2700K, CRI>80, \n2100 Lm)\ndimmable\nblack\nD4381\u002F1N \nwhite\nD4381\u002F1BI \nblack\nV4381\u002F1N \nwhite\nV4381\u002F1BI \nblack\nD4381\u002F2N \nwhite\nD4381\u002F2BI \nblack\nV4381\u002F2N \nwhite\nV4381\u002F2BI \nblack\nD4381\u002F3N \nwhite\nD4381\u002F3BI \naluminum disk\nglass diffuser\nØ 85\nØ 100\nØ 65\n \nblack chrome\n \ngold\n \nblack chrome\n \ngold\n4381\u002F1..\n23,9 x 24,9 x 69,9 \n+ 250 cm\n17W Led\n(2700K, CRI>80, \n2100 Lm)\ndimmable\n4381\u002F1..\n23,9 x 24,9 x 69,9 \n+ 250 cm\n17W Led\n(2700K, CRI>80, \n2100 Lm)\ndimmable\nto be completed with:\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.77.png","Equatore \ntable\nEquatore \nfloor\nGabriele e Oscar Buratti, 2017\n \nchrome\u002Fgrey\n \ncopper\u002Fpink\n4389\u002F0..\nØ 23,8 x 42.5 cm\n25W Led \n(2700K, CRI>90, \n1770 Lm)\ndimmable\n4389..\nØ 35,8 x 60 cm\n40W Led \n(2700K, CRI>90, \n2790 Lm)\ndimmable\n4392\u002F0..\nØ 26,7 x 135 cm\n25W Led\n(2700K, CRI>90, \n1770 Lm)\ndimmable\n4392..\nØ 37,1 x 175 cm\n40W Led\n(2700K, CRI>90, \n2790 Lm)\ndimmable\n \nchrome\u002Fgrey\n \ncopper\u002Fpink\n76\nEquatore \nsuspension\n \nchrome\u002Fgrey\n \ncopper\u002Fpink\n4390\u002F0..\nØ 23,8 x 44 + \n250 cm\n25W Led \n(2700K, CRI>90, \n1770 Lm)\ndimmable\n4390..\nØ 35,8 x 64 + \n250 cm\n40W Led\n(2700K, CRI>90, \n2790 Lm)\ndimmable\n4390\u002F1..\nØ 48 x 77,3 + \n250 cm\n60W Led\n(2700K, CRI>90, \n6600 Lm)\ndimmable\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.78.png","Galerie \nwall\nGalerie \nsuspension\nGalerie \nfloor\n4400QZ\nØ 29 x 155 cm\n6W Led\n(2700K, CRI>80, \n850 Lm)\ndimmable\n4376QZ\nØ 29 x 195 cm\n3x6W Led\n(2700K, CRI>80, \n2550 Lm)\ndimmable\n4399QZ\n13 x 18 x 33 cm\n8W Led\n(2700K, CRI>80, \n350+350 Lm)\ndimmable\n4412QZ\nØ 60 x 74,5 + 250 cm\n4x6W Led (2700K, \nCRI>80, 3400 Lm)\ndimmable\nFedrico Peri, 2017\n77\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.79.png","Optunia \ntable\nClaesson Koivisto Rune, 2017 \nOptunia \nfloor\n4395..\nØ 13 – 13 x 24 cm\n15W Led\n(3000K, CRI>90, \n1950 Lm)\ndimmable\n4396..\nØ 13 – Ø 18 x \n54,5 cm\n7,5W Led\n(3000K, CRI>90, \n1065 Lm)\ndimmable\n4379..\nØ 13 – 26,5 x \n193 cm\n2x11W Led\n(3000K, CRI>90, \n1384+1384 Lm)\ndimmable\n \nchrome \n \ndark brown\n \nwhite \n \nchrome \n \ndark brown\n \nwhite \n78\nOptunia \nsuspension\n4377..\nØ 13 – 22,3 x \n26,2 cm\n2x11W Led\n(3000K, CRI>90, \n1384+1384 Lm)\ndimmable\n4377..\nØ 13 – 22,3 x \n26,2 cm\n2x11W Led\n(3000K, CRI>90, \n1384+1384 Lm)\ndimmable\n \nchrome \n \ndark brown\n \nwhite \n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.80.png","79\nIo+ \ntable\nIo+ \nfloor\nIo+ \nwall\n4403..\nØ 18 x 51 cm\n6W Led\n(2700K, CRI>80, \n850 Lm)\ndimmable\n4406..\nØ 26,5 x 126,5 cm\n6W Led (2700K, \nCRI>80, 850 Lm)\ndimmable\n4411..\n13 x 69,6 cm\n3x6W Led\n(2700K, CRI>80, \n2550 Lm)\ndimmable\n \n \nchrome\u002Fwhite\n \n \nchrome\u002Fwhite\n \nwhite\nClaesson Koivisto Rune, 2018\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.81.png","80\nKanji \ntable\nKanji \nsuspension\n4385..\nØ 31 x 51,3 cm\n13W Led \n(2700K, CRI>90, \n900 Lm)\ndimmable\n4386..\nØ 31 x 51,3 + 250 cm\n13W Led (2700K, \nCRI>90, 900 Lm) \n+ 4W Led (2700K, \nCRI>90, 450 Lm)*\ndimmable\n* with direct light \nemission\n4388..\nØ 42,7 x 39 + 250 cm\n10W Led \n(2700K, CRI>90, 1000 Lm)\ndimmable\n4387..\nØ 42,7 x 39 cm\n10W Led \n(2700K, CRI>90, \n900 Lm)\ndimmable\nDenis Guidone, 2017\n \ngrey fumè  \n \n \n \nwhite \nTripod \nfloor\n4398N\n54,5 x 173 cm\n1x105W E27 (HA, \nFL, Led) \n+ 2x7W Led GU10\ndimmable\nFront Design, 2017 \n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.82.png","81\nPinecone \nsuspension\nPinecone \ntable\n4363..\nØ 30 x 36 + 250 cm\nmax 1 x 116W E27 \n(HA, FL, Led)\ndimmable\n4339..\nØ 50 x 52 + 250 cm\nmax 1 x 150W E27 \n(HA, FL, Led)\ndimmable\n4375TR – \n4375OO\u002FTR\nØ 23 x 74 + 250 cm\n20W Led\n(2700K, CRI>80, \n2120 Lm)\ndimmable\n4375BI – \n4375OO\u002FBI\nØ 23 x 74 + 250 cm\n21W Led\n(2700K, CRI>90, \n1580 Lm)\ndimmable\n4364..\nØ 30 x 36 cm\nmax 1 x 116W E27 \n(HA, FL, Led)\ndimmable\n4340..\nØ 50 x 52 cm\nmax 1 x 150W \nE27 (HA, FL, Led)\ndimmable\nPaola Navone, 2016 \n \nchrome\u002Ftransparent\n \nchrome\u002Fwhite\n \ngold\u002Ftransparent\n \ngold\u002Fwhite\n \nchrome\u002Ftransparent\n \nchrome\u002Fwhite\n \ngold\u002Ftransparent\n \ngold\u002Fwhite\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.83.png","82\nLampara \nsuspension\nBlom \ntable\nAndreas Engesvik, 2013\nFontanaArte Design Lab, 1965 \n4253..\nØ 15 x 24 cm\n11W (FL) E27\n5000..\nØ 27 x 30 + 200 cm\n42W (HA) ES  E27\n5000\u002F1..\nØ 35 x 40 + 200 cm\n105W (HA) ES  E27\n5000\u002F2..\nØ 40 x 45 + 200 cm\n140W (HA) ES  E27\n \naluminum\n \nwhite texturized\n \nblue\n \ndark grey\n \ngreen\n \nyellow\n \npink\n \nviolet\n \nwhite\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.84.png","83\nFranco Raggi, 1999 \nFlûte \nsuspension\n4342..\nØ 18 x 37 + 200 cm\n10W Led \n(2700K, CRI 80, \n1250 Lm)\n \nblack chrome\n \nbrass\n \nchrome\n \ncopper \n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.85.png","84\n5491..\nØ 90 + 500 \ncm 14x40W \n(HA) ES  E14\n5491\u002F1..\nØ 150 + 500 \ncm 19x40W \n(HA) ES  E14\nChandelier suspension\nDavid Chipperfield, 2004 \n \nblack\n \ngold\n5491\u002F22..\nØ 50 - Ø 90 + 500 cm\n8x40W (HA) ES  E14 +\n14x40W (HA) ES  E14\n5491\u002F33..\nØ 90 - Ø 150 + 500 cm\n14x40W (HA) ES  E14 +\n19x40W (HA) ES  E14\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.86.png","85\nFontana \ntable\nMax Ingrad, 1954\nPietro Chiesa, 1933\nLuminator floor\n1853\u002F0\u002FLED\nØ 20 x 34 cm\n6,5W Led + 4W \nLed (2700K, \nCRI>80, 1300 Lm)\n1853\u002FLED\nØ 32 x 53 cm\n9W Led + 5,5W \nLed (2700K, \nCRI>80, 1800 Lm)\n1853\u002F1\u002FLED\nØ 47 x 78 cm\n9W Led + 4x4W \nLed + 5,5W Led\n(2700K, CRI>80, \n3600 Lm)\n4393..\nØ 30 x 184 cm\n30W Led \n(3000K, CRI>80, \n3000 Lm)\ndimmable\n0556ON\nØ 30 x 184 cm\n1x230W (HA) ES  R7s\u002F115\ndimmable\n \nblue\n \nwhite\nBilia \ntable\nGio Ponti, 1932\n4402OO\nØ 20 x 43 cm\n9W Led \n(2700K, CRI>80,\n950 Lm)\ndimmable\n2474NS\nØ 20 x 43 cm\n1x42W (HA) ES  E14\ndimmable\n \naluminum\n \ngold\n",86,{"image":358,"text":359,"number":10},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.87.png","86\nUovo \ntable\nNaska 1, 2 table\nMetafora \ntable\nGiova \ntable\nGae Aulenti, 1964\nUmberto Riva, 1980\nHistorical Archive, 1933\nNaska 1\nNaska 2\nBen Swildens, 1972\n2646\u002F0\u002FLED\nØ 18 x 28 cm\n6,5W Led  \n(2700K,CRI>\n80, 680 Lm)\n2646\u002F1\u002FLED\nØ 27 x 44 cm\n9W Led \n(2700K, CRI>80, \n950 Lm)\ndimmable\n2646\u002FLED\nØ 43 x 62 cm\n11W Led \n(2700K, CRI>80, \n950 Lm)\ndimmable\n8020.. + 8100..\n50 - 50 \u002F Ø 16 x \n17 cm\n6W Led \n(2700K, CRI>80, \n800 Lm)\ntouch dimmer\n2654..\nØ 49 x 58 cm\n1x116W E27 \n(HA, FL, LED)\ndimmable\n2684..\nØ 32 x 37 cm\n1x42W E27 \n(HA, FL, LED)\n2684\u002F1..\nØ 50 x 59 cm\n1x100W E27 \n(HA, FL, LED)\n \n \nchrome\u002Fpink\n \n \ngold\u002Fgrey\n \ntransparent\n \nwhite\n \nblack\n \nchrome\n \ngold\n \nwhite\n8021.. + 8100..\n40-32 \u002F Ø 16 x 17 cm\n6W Led \n(2700K, CRI>80, \n800 Lm)\ntouch dimmer\n",{"image":361,"text":299,"number":362},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.88.png",88,{"image":364,"text":365,"number":366},"\u002Fmedia\u002Fimages\u002Fe8\u002F0f075e6b3875e778bbf752eaba9938-28fca0d37f.89.png","FontanaArte team and\nArt Direction \nFrancesco Librizzi \nProduction \nAnna Carcano\nGraphic Design \nBianca Fabbri\nPhotography \nDSL Studio, Delfino Sisto Legnani \ne Marco Cappelletti\nPhoto p.41\nLorenzo Butti\u002FMaurizio Cavallasca\nPhotos p.42, 43.\nLorenzo Butti\u002FMax Zambelli\nImage p.24, 29, 34, 35, 53\nBruger studio\nConsultancy \nFrancesca Picchi\nThanks to Gio Ponti Archives, \nVitali e Ghianda, \nF.W. Dodge Corporation\n© FontanaArte 2018\nHeadquarters\nFONTANAARTE SPA\nAlzaia Trieste 49\n20094 Corsico (MI)\nPh. +39 02 45121\nFax +39 02 4512660\ninfo@fontanaarte.com\nFONTANAARTE CORP.\n45 Greene Street\nNew York, NY 10013, USA\nPh. +1 (212) 3343295\nFax +1 (212) 3341055\ninfousa@fontanaarte.com\nFlagship Stores\nMILAN\nCorso Monforte, 13\n20122 Milano (MI)\nPh. +39 02 87213872\nFax +39 02 87213873\nshowroom-milano@fontanaarte.com\nNEW YORK\n45 Greene Street\nNew York, NY 10013, USA\nPh. +1 (212) 3343295\nFax +1 (212) 3341055\nshowroomny@fontanaarte.com\nCA\u002FNEWS2018 - March 2018 - Printed in Italy\n1998\nADI Compasso d'Oro\nCareer Award\n",89,[],0,false,true,{"success":370,"data":372,"meta":587,"count":588,"next":589,"previous":590,"results":623,"brand_chips":684},[373,386,398,411,421,434,446,456,466,475,485,497,507,517,526,536,549,558,568,578],{"id":374,"title":375,"slug":376,"image":377,"source":378,"brand_name":379,"brand":380,"brand_slug":381,"file_size":382,"pages":383,"pages_count":384,"matched_pages":385,"match_count":368,"two_pages":369,"show_text":370},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 MB",[],100,[],{"id":387,"title":388,"slug":389,"image":390,"source":391,"brand_name":392,"brand":393,"brand_slug":394,"file_size":395,"pages":396,"pages_count":200,"matched_pages":397,"match_count":368,"two_pages":369,"show_text":370},26598,"Second Life Contract 2026","slide-second-life-contract-2026","\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.1.png","\u002Fprivate\u002Ffiles\u002F60\u002F2ed17461507e1c6defb90fc3af7f6b-296dd67b81.pdf","Slide",401,"slide","8.0 MB",[],[],{"id":399,"title":400,"slug":401,"image":402,"source":403,"brand_name":404,"brand":405,"brand_slug":406,"file_size":407,"pages":408,"pages_count":409,"matched_pages":410,"match_count":368,"two_pages":369,"show_text":370},26597,"General 2025","edition-bougainville-general-2025","\u002Fmedia\u002Fimages\u002F20\u002F9482f96b2ff16c3751dc0bf38106ee-296be38596.1.png","\u002Fprivate\u002Ffiles\u002Fc0\u002Fa8bc3710f63d3f9c918648acc349bf-296be38521.pdf","Edition Bougainville",2197,"edition-bougainville","1337.1 MB",[],326,[],{"id":412,"title":413,"slug":414,"image":415,"source":416,"brand_name":404,"brand":405,"brand_slug":406,"file_size":417,"pages":418,"pages_count":419,"matched_pages":420,"match_count":368,"two_pages":369,"show_text":370},26596,"General new 2026","edition-bougainville-general-new-2026","\u002Fmedia\u002Fimages\u002F70\u002Fd61873e1175db61f2e03ca6c34fbef-296be3853e.1.png","\u002Fprivate\u002Ffiles\u002Fe3\u002F31e29b6f8f4e9d6bf34b5e02b7af8b-296be38521.pdf","14.6 MB",[],109,[],{"id":422,"title":423,"slug":424,"image":425,"source":426,"brand_name":427,"brand":428,"brand_slug":429,"file_size":430,"pages":431,"pages_count":432,"matched_pages":433,"match_count":368,"two_pages":369,"show_text":370},26595,"Outdoor Decor 2026","ethimo-outdoor-decor-2026","\u002Fmedia\u002Fimages\u002F06\u002Fe01cc9faac107000b2d52f32269655-296bd1e75f.1.png","\u002Fprivate\u002Ffiles\u002F55\u002Fb1013d3410d0dab58c0b01c63c83d2-296bd1e759.pdf","Ethimo",1796,"ethimo","56.9 MB",[],324,[],{"id":435,"title":436,"slug":437,"image":438,"source":439,"brand_name":440,"brand":441,"brand_slug":442,"file_size":443,"pages":444,"pages_count":264,"matched_pages":445,"match_count":368,"two_pages":369,"show_text":370},26576,"Francesco Balzano 2026","giobagnara-francesco-balzano-2026","\u002Fmedia\u002Fimages\u002Fa3\u002F4b32a3ff2d18cecd6a14375150eeea-292d0fd09a.1.png","\u002Fprivate\u002Ffiles\u002F57\u002Fcfa9eaed024c0b9900e8fe56aad231-292d0f5b38.pdf","GioBagnara",2329,"giobagnara","40.4 MB",[],[],{"id":447,"title":448,"slug":449,"image":450,"source":451,"brand_name":440,"brand":441,"brand_slug":442,"file_size":452,"pages":453,"pages_count":454,"matched_pages":455,"match_count":368,"two_pages":369,"show_text":370},26577,"Rabitti1969 2026","giobagnara-rabitti1969-2026","\u002Fmedia\u002Fimages\u002Fc5\u002F704db07c2e74d60a1833dd93dc3967-292d146463.1.png","\u002Fprivate\u002Ffiles\u002Fcc\u002F74a628f430699a1576927d6a5c43f0-292d121a8c.pdf","106.6 MB",[],182,[],{"id":457,"title":458,"slug":459,"image":460,"source":461,"brand_name":440,"brand":441,"brand_slug":442,"file_size":462,"pages":463,"pages_count":464,"matched_pages":465,"match_count":368,"two_pages":369,"show_text":370},26578,"Stephane Parmentier 2026","giobagnara-stephane-parmentier-2026","\u002Fmedia\u002Fimages\u002Faa\u002F75a74fb0948097cf84e6c5693fc962-292d13ef2c.1.png","\u002Fprivate\u002Ffiles\u002Fb1\u002Fcc1cbee33e9c8c6513a907bd065ac5-292d121a97.pdf","191.0 MB",[],207,[],{"id":467,"title":468,"slug":469,"image":470,"source":471,"brand_name":440,"brand":441,"brand_slug":442,"file_size":472,"pages":473,"pages_count":184,"matched_pages":474,"match_count":368,"two_pages":369,"show_text":370},26579,"Kelly Wearstler 2026","giobagnara-kelly-wearstler-2026","\u002Fmedia\u002Fimages\u002F64\u002Fa1d46bc2d33136e7f1f59853d5b272-292d137a16.1.png","\u002Fprivate\u002Ffiles\u002F50\u002Ffbc23bd4891257c38e3a49f93fd0c6-292d121aaa.pdf","27.8 MB",[],[],{"id":476,"title":477,"slug":478,"image":479,"source":480,"brand_name":440,"brand":441,"brand_slug":442,"file_size":481,"pages":482,"pages_count":483,"matched_pages":484,"match_count":368,"two_pages":369,"show_text":370},26580,"Glenn Sestig 2026","giobagnara-glenn-sestig-2026","\u002Fmedia\u002Fimages\u002Fd3\u002F130de4d10ed29d4fd25cb84db70291-292d1304b6.1.png","\u002Fprivate\u002Ffiles\u002Fb9\u002Fc5c7c0b5ffb8e2ea735f61cd5fbdf6-292d121aae.pdf","91.8 MB",[],146,[],{"id":486,"title":487,"slug":488,"image":489,"source":490,"brand_name":491,"brand":492,"brand_slug":493,"file_size":494,"pages":495,"pages_count":80,"matched_pages":496,"match_count":368,"two_pages":369,"show_text":370},26581,"Inspiring Excellence 2025","roberto-giovannini-inspiring-excellence-2025","\u002Fmedia\u002Fimages\u002F71\u002F318a1f5e60ccc5acfdcc1ae5be5060-292d128f9c.1.png","\u002Fprivate\u002Ffiles\u002F87\u002F5e0b076f595f5160ca7a5f7458849b-292d121abb.pdf","Roberto Giovannini",1388,"roberto-giovannini","8.1 MB",[],[],{"id":498,"title":499,"slug":500,"image":501,"source":502,"brand_name":440,"brand":441,"brand_slug":442,"file_size":503,"pages":504,"pages_count":505,"matched_pages":506,"match_count":368,"two_pages":369,"show_text":370},26582,"Elie Saab 2026","giobagnara-elie-saab-2026","\u002Fmedia\u002Fimages\u002F6b\u002F81da6c9cdf7b4edff952a62ef7b9ca-292d16ae2e.1.png","\u002Fprivate\u002Ffiles\u002F79\u002Fcb5cd133e6f07379794938ed005de3-292d14d9af.pdf","58.4 MB",[],101,[],{"id":508,"title":509,"slug":510,"image":511,"source":512,"brand_name":440,"brand":441,"brand_slug":442,"file_size":513,"pages":514,"pages_count":515,"matched_pages":516,"match_count":368,"two_pages":369,"show_text":370},26583,"Pigment France 2026","giobagnara-pigment-france-2026","\u002Fmedia\u002Fimages\u002F00\u002F394bcaf5adfa23d7243aa512a0dd67-292d16393c.1.png","\u002Fprivate\u002Ffiles\u002Fc4\u002F485c540ca42207213690262e6468a2-292d14d9b5.pdf","127.5 MB",[],151,[],{"id":518,"title":519,"slug":520,"image":521,"source":522,"brand_name":440,"brand":441,"brand_slug":442,"file_size":523,"pages":524,"pages_count":464,"matched_pages":525,"match_count":368,"two_pages":369,"show_text":370},26584,"Rudi 2026","giobagnara-rudi-2026","\u002Fmedia\u002Fimages\u002F7e\u002F4dd524b56e79aeda431f14f4fe1069-292d15c3f9.1.png","\u002Fprivate\u002Ffiles\u002F14\u002Fc19ea3b6cbea78f50140a3e5f872d8-292d14d9c0.pdf","134.0 MB",[],[],{"id":527,"title":528,"slug":529,"image":530,"source":531,"brand_name":440,"brand":441,"brand_slug":442,"file_size":532,"pages":533,"pages_count":534,"matched_pages":535,"match_count":368,"two_pages":369,"show_text":370},26585,"Riviere 2026","giobagnara-riviere-2026","\u002Fmedia\u002Fimages\u002Fed\u002F017702644dc149d47ca54e182c820b-292d154e96.1.png","\u002Fprivate\u002Ffiles\u002F8c\u002F4afc407dc4db9e13219e5295f76976-292d14d9cb.pdf","127.3 MB",[],202,[],{"id":537,"title":538,"slug":539,"image":540,"source":541,"brand_name":542,"brand":543,"brand_slug":544,"file_size":545,"pages":546,"pages_count":547,"matched_pages":548,"match_count":368,"two_pages":369,"show_text":370},26586,"Outdoor 2026","atmosphera-outdoor-2026","\u002Fmedia\u002Fimages\u002Fd6\u002Fab855609f1a95186f6ccd83055cc20-292d18f82f.1.png","\u002Fprivate\u002Ffiles\u002F90\u002Fb7983122cc2d6cabbb384898663939-292d179899.pdf","Atmosphera",977,"atmosphera","39.2 MB",[],235,[],{"id":550,"title":551,"slug":552,"image":553,"source":554,"brand_name":440,"brand":441,"brand_slug":442,"file_size":555,"pages":556,"pages_count":244,"matched_pages":557,"match_count":368,"two_pages":369,"show_text":370},26587,"Giobagnara x PoltronaFrau 2026","giobagnara-x-poltronafrau-2026","\u002Fmedia\u002Fimages\u002Fd0\u002F6899938ad0400f5dbea066e0d861fc-292d1882ea.1.png","\u002Fprivate\u002Ffiles\u002F4c\u002Faac20af747b8da46542a7f50bb0c42-292d17989d.pdf","46.7 MB",[],[],{"id":559,"title":560,"slug":561,"image":562,"source":563,"brand_name":440,"brand":441,"brand_slug":442,"file_size":564,"pages":565,"pages_count":566,"matched_pages":567,"match_count":368,"two_pages":369,"show_text":370},26588,"Design Editions 2026","giobagnara-design-editions-2026","\u002Fmedia\u002Fimages\u002F94\u002F9e001b70b82b057a99547b62a5cd72-292d180db9.1.png","\u002Fprivate\u002Ffiles\u002F85\u002F8b7fba451e37f0288f2fd06246bf47-292d1798a2.pdf","331.6 MB",[],446,[],{"id":569,"title":570,"slug":571,"image":572,"source":573,"brand_name":440,"brand":441,"brand_slug":442,"file_size":574,"pages":575,"pages_count":576,"matched_pages":577,"match_count":368,"two_pages":369,"show_text":370},26589,"Encyclopedia 2026","giobagnara-encyclopedia-2026","\u002Fmedia\u002Fimages\u002Ff5\u002F8ff500491988ed2c8c49351db1fff5-292d1bb78a.1.png","\u002Fprivate\u002Ffiles\u002F6f\u002F7bb3601e56ae4fefdd94a2f11b57e2-292d1a57a1.pdf","358.6 MB",[],1981,[],{"id":579,"title":375,"slug":580,"image":581,"source":582,"brand_name":440,"brand":441,"brand_slug":442,"file_size":583,"pages":584,"pages_count":585,"matched_pages":586,"match_count":368,"two_pages":369,"show_text":370},26590,"giobagnara-news-2026","\u002Fmedia\u002Fimages\u002Fc9\u002F77e2d4731c2643875d7adc77b62a46-292d1b4203.1.png","\u002Fprivate\u002Ffiles\u002Fa6\u002F3fbc6e2e56d402392537b12f6edab9-292d1a57c5.pdf","85.8 MB",[],125,[],{"count":588,"next":589,"previous":590,"brand_chips":591},14117,"\u002Fapi\u002Fv1\u002Fcatalogs\u002F?page=2",null,[592,596,599,602,605,608,611,614,617,620],{"title":593,"slug":594,"count":595},"SICIS","sicis",92,{"title":597,"slug":598,"count":320},"La Fabbrica AVA","la-fabbrica-ava",{"title":600,"slug":601,"count":320},"Terratinta","terratinta",{"title":603,"slug":604,"count":320},"Magis","magis",{"title":606,"slug":607,"count":268},"True Design","true-design",{"title":609,"slug":610,"count":256},"Covet House","covet-house",{"title":612,"slug":613,"count":244},"Ares Line","ares-line",{"title":615,"slug":616,"count":244},"Poltrona Frau","poltrona-frau",{"title":618,"slug":619,"count":236},"Karpenter","karpenter",{"title":621,"slug":622,"count":236},"Visionnaire","visionnaire",[624,627,630,633,636,639,642,645,648,651,654,657,660,663,666,669,672,675,678,681],{"id":374,"title":375,"slug":376,"image":377,"source":378,"brand_name":379,"brand":380,"brand_slug":381,"file_size":382,"pages":625,"pages_count":384,"matched_pages":626,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":387,"title":388,"slug":389,"image":390,"source":391,"brand_name":392,"brand":393,"brand_slug":394,"file_size":395,"pages":628,"pages_count":200,"matched_pages":629,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":399,"title":400,"slug":401,"image":402,"source":403,"brand_name":404,"brand":405,"brand_slug":406,"file_size":407,"pages":631,"pages_count":409,"matched_pages":632,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":412,"title":413,"slug":414,"image":415,"source":416,"brand_name":404,"brand":405,"brand_slug":406,"file_size":417,"pages":634,"pages_count":419,"matched_pages":635,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":422,"title":423,"slug":424,"image":425,"source":426,"brand_name":427,"brand":428,"brand_slug":429,"file_size":430,"pages":637,"pages_count":432,"matched_pages":638,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":435,"title":436,"slug":437,"image":438,"source":439,"brand_name":440,"brand":441,"brand_slug":442,"file_size":443,"pages":640,"pages_count":264,"matched_pages":641,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":447,"title":448,"slug":449,"image":450,"source":451,"brand_name":440,"brand":441,"brand_slug":442,"file_size":452,"pages":643,"pages_count":454,"matched_pages":644,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":457,"title":458,"slug":459,"image":460,"source":461,"brand_name":440,"brand":441,"brand_slug":442,"file_size":462,"pages":646,"pages_count":464,"matched_pages":647,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":467,"title":468,"slug":469,"image":470,"source":471,"brand_name":440,"brand":441,"brand_slug":442,"file_size":472,"pages":649,"pages_count":184,"matched_pages":650,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":476,"title":477,"slug":478,"image":479,"source":480,"brand_name":440,"brand":441,"brand_slug":442,"file_size":481,"pages":652,"pages_count":483,"matched_pages":653,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":486,"title":487,"slug":488,"image":489,"source":490,"brand_name":491,"brand":492,"brand_slug":493,"file_size":494,"pages":655,"pages_count":80,"matched_pages":656,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":498,"title":499,"slug":500,"image":501,"source":502,"brand_name":440,"brand":441,"brand_slug":442,"file_size":503,"pages":658,"pages_count":505,"matched_pages":659,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":508,"title":509,"slug":510,"image":511,"source":512,"brand_name":440,"brand":441,"brand_slug":442,"file_size":513,"pages":661,"pages_count":515,"matched_pages":662,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":518,"title":519,"slug":520,"image":521,"source":522,"brand_name":440,"brand":441,"brand_slug":442,"file_size":523,"pages":664,"pages_count":464,"matched_pages":665,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":527,"title":528,"slug":529,"image":530,"source":531,"brand_name":440,"brand":441,"brand_slug":442,"file_size":532,"pages":667,"pages_count":534,"matched_pages":668,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":537,"title":538,"slug":539,"image":540,"source":541,"brand_name":542,"brand":543,"brand_slug":544,"file_size":545,"pages":670,"pages_count":547,"matched_pages":671,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":550,"title":551,"slug":552,"image":553,"source":554,"brand_name":440,"brand":441,"brand_slug":442,"file_size":555,"pages":673,"pages_count":244,"matched_pages":674,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":559,"title":560,"slug":561,"image":562,"source":563,"brand_name":440,"brand":441,"brand_slug":442,"file_size":564,"pages":676,"pages_count":566,"matched_pages":677,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":569,"title":570,"slug":571,"image":572,"source":573,"brand_name":440,"brand":441,"brand_slug":442,"file_size":574,"pages":679,"pages_count":576,"matched_pages":680,"match_count":368,"two_pages":369,"show_text":370},[],[],{"id":579,"title":375,"slug":580,"image":581,"source":582,"brand_name":440,"brand":441,"brand_slug":442,"file_size":583,"pages":682,"pages_count":585,"matched_pages":683,"match_count":368,"two_pages":369,"show_text":370},[],[],[685,686,687,688,689,690,691,692,693,694],{"title":593,"slug":594,"count":595},{"title":597,"slug":598,"count":320},{"title":600,"slug":601,"count":320},{"title":603,"slug":604,"count":320},{"title":606,"slug":607,"count":268},{"title":609,"slug":610,"count":256},{"title":612,"slug":613,"count":244},{"title":615,"slug":616,"count":244},{"title":618,"slug":619,"count":236},{"title":621,"slug":622,"count":236}]