[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-fontana-arte-light-collection-2017":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":356},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":351,"matched_pages":352,"match_count":353,"two_pages":354,"show_text":355},24871,"Light Collection 2017","fontana-arte-light-collection-2017","\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F5d\u002F9a16dc8d3fa1dae464fbede15f38c0-28fc9bcac3.pdf","Fontana Arte",87,"fontana-arte","1.7 MB",[14,17,21,25,29,32,36,40,44,48,52,56,60,64,68,72,76,80,84,88,92,96,100,104,108,112,116,120,124,128,132,136,140,144,148,152,156,160,164,168,172,176,180,184,188,192,196,200,204,208,211,214,218,222,226,230,234,238,242,246,250,254,258,262,266,270,274,278,282,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.2.png","The 2017 light collection\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.3.png","Equatore\nGalerie\nHeliacal\nKanji\nOptunia\nPinecone\nSetareh\nTripod\nWhat's New\n06\n10\n14\n18\n22\n28\n36\nIndex:\n44\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.4.png","Bilia\nFontana\nGiova\nLuminator\nNaska\nNobi\nUovo\nIcons Update\nRe-Edition\nMetafora\nTechnical data 69\n48\n54\n56\n58\n60\n62\n64\n66\n",4,{"image":30,"text":15,"number":31},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.5.png",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.6.png","WHAT’S NEW\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.7.png","6\nEquatore: reinterpretazione in chiave \ncontemporanea delle classiche lampade \ncon paralume in vetro. Se nelle tradizionali \nabat-jour il diffusore alloggia al suo interno \nla sorgente luminosa, in questa famiglia di \nlampade il diffusore è paradossalmente \ne suggestivamente vuoto e l’effetto \nluminoso è  prodotto da due dischi \nluminosi all’interno di una fascia \nmetallica centrale, visibile sul paralume \ne che richiama la linea dell’equatore. \nLa luce prodotta dai Led si distribuisce \n�����������������������������������������\nirradiandoli magicamente di luce. Il disco \ninferiore produce un’emissione luminosa \nverso il basso, quello superiore illumina \nla calotta di vetro, per una diffusione \nmorbida della luce. Disponibile da tavolo, \nda terra e da sospensione, in due misure, \nsi declina in due tonalità: una più fredda, \nin grigio con struttura cromo scuro, e una \npiù calda, con calotta trasparente rosa e \nstruttura color rame.\ndesign Gabriele e Oscar Buratti, 2017\nEquatore\nWhat's New\nEquatore is a contemporary reinterpretation \nof the classic lamp with a glass shade. \nWhile the traditional abat-jour uses the \nshade to contain the light source within, \nin this family of lamps the shade is \nparadoxically and suggestively empty, with \nthe light being generated by two luminous \ndiscs placed inside a central metal band, \nvisible on the shade, that evokes the line of \nthe equator. The light produced by the Leds, \nis distributed regularly across the surface \nof the discs, magically illuminating them. \nThe lower disk directs the light output \ndownward, the upper one illuminates the \nglass cap for a soft, diffused light. Available \n�����������������������������������������\ntwo sizes and two colors: a cooler version \nin gray with a dark chrome frame, and a \nwarmer version with a transparent pink cap \nand a copper-colored frame.\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.8.png","7\nWhat's New\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.9.png","8\nWhat's New\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.10.png","9\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.11.png","10\nElemento caratterizzante di Galerie è il \ndiffusore, che si ispira sia esteticamente \nche funzionalmente alle antiche lampade \nad olio con richiamo al periodo della \n���������������������������������������\nquattro strati di vetro in cui l’esterno e \nl’interno sono di due diversi colori, viene \nletto come bianco da spento, ed ambra \nuna volta acceso. E’ inoltre provvisto \ndi una fascia in cuoio che permette \nall’apparecchio di essere appeso in diverse \nposizioni alla struttura. Nella versione da \nterra, la lampada è disponibile per due \nutilizzi: da lettura con un diffusore, per \nricreare un’atmosfera ideale per leggere, \nda terra, con tre diffusori posizionati ad \naltezze diverse, per una illuminazione \ndiffusa di ambiente. La famiglia si declina \nanche in una versione da parete. La \nvarietà dei materiali (vetro, cuoio, metallo \ne marmo) accostati in modo inedito \nin una lampada, rende questa famiglia \nparticolarmente ricca e, al contempo, \nelegante ed equilibrata. Galerie esprime \nin chiave contemporanea un oggetto che \nriporta la memoria ad altri tempi.\ndesign Federico Peri, 2017\nGalerie\nThe distinguishing feature of Galerie is \nthe diffuser, which is inspired by both \naesthetically and functionally by the \nantique oil lamps of the Belle Époque \nperiod. Hand-blown in four layers of glass, \nwhere the outer and the inner layers are \nof two different colors, it reads as white \nwhen turned off, then as amber once lit. It \nis also equipped with a leather strap that \n������������������������������������������\n����������������������������������������\nversion, the lamp is available for two uses: \na reading lamp with one diffuser, to create \nthe ideal atmosphere for reading, and a \n������������������������������������������\nat different heights, for adjustable ambient \nlighting. The family also includes a wall \nversion. The combination of materials \n(glass, leather, metal and marble), \nunprecedented in a lamp, makes the \nGalerie family particularly rich, and at the \nsame time elegant and balanced. Galerie \nexpresses the memory of days gone by in \na contemporary key. \nWhat's New\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.12.png","11\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.13.png","12\nWhat's New\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.14.png","13\nWhat's New\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.15.png","14\nCome il nome stesso suggerisce, Heliacal \nè una lampada che trae ispirazione dai \nfenomeni astronomici. La levata eliaca, \ninfatti, indica il sorgere di un qualsiasi \ncorpo celeste poco prima dell'alba, e la \nsua conseguente visibilità per qualche \nistante, prima che la luce solare illumini \nil cielo del mattino. Questo fenomeno \nè parte integrante della ciclicità della \nvolta celeste e molte antiche culture la \ninclusero nella lista dei manifestazionii \ncelesti ritenuti importanti e, come tali, \ndegne di attenta e continua osservazione. \nL’avvicendamento di alba e tramonto è \nun processo quotidiano di gradazioni di \nluce. La regolazione luminosa di Heliacal \nè una metafora di questi comportamenti \ndi corpi celesti: i dischi di vetro sono liberi \ndi ruotare, bloccando completamente \n��������������������������������������\nnel modo in cui si decide di disporli. Il \ncambiamento di luce, quindi, non è mai \nistantaneo e repentino, ma il passaggio \ndalla luce al buio e viceversa è segnato \nda gradazioni lente e progressivamente \npercepibili. Come i pianeti sono in luce ed \nin ombra nello stesso momento, anche \nin Heliacal convivono questi due stati, in \nquanto un cerchio nell’area del vetro si \n�����������������������������������������\nmaggiore, e viceversa. Una luce magica \ne preziosa per una lampada dalla forte \npotenza espressiva.\ndesign OS & OOS, 2017\nHeliacal\nWhat's New\nAs the name suggests, Heliacal is a lamp \ninspired by astronomical phenomena. \nThe heliacal stand, in fact, suggests the \nrising of a celestial body just before dawn, \nand its consequent visibility for that brief \ninstant before the sun illuminates the \nmorning sky. This phenomenon is an \nintegral part of the cyclical nature of the \nsky, and many ancient cultures included \nit among the celestial phenomena \nconsidered important and, as such, worthy \nof careful and continuous observation. \nThe alternation of sunrise and sunset \nis a daily process of gradations of light. \nThe regulation of the light of Heliacal is \na metaphor of the behavior of celestial \nbodies: the glass discs are free to rotate, \neither blocking the light or allowing it to \npass, as the user pleases. The change of \nlight, therefore, is never instantaneous \nor abrupt; instead, the passage from \nlight to dark is measured by slow and \nprogressively perceptible gradations, like \nthe cycles of the celestial vault. Just as \nthe planets exist simultaneously in light \nand shadow, these two states coexist \nin Heliacal, in that a circle in the glass \ndarkens when the larger surface is lit, and \nvice versa. A magical and precious light for \na lamp with great expressive power.\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.16.png","15\nWhat's New\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.17.png","16\nWhat's New\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.18.png","17\nWhat's New\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.19.png","18\nKanji è una famiglia di apparecchi di \nilluminazione che reinterpreta in chiave \ncontemporanea le tradizionali lanterne \nportatili orientali. Disponibile da tavolo \ne da sospensione, nasce in due forme \nche si ispirano alle porcellane cinesi del \nperiodo della dinastia Ming. Il diffusore, \n���������������������������������������\nbianco acidato e fumè traslucido, \nè impreziosito da una decorazione \n��������������������������������������\nLed corre internamente alla struttura e \nirradia magicamente di luce il diffusore. \nLampada evocativa dell’Oriente, non solo \nnella forma ma anche nel nome (i kanji \nsono i caratteri di origine cinese usati nella \nscrittura giapponese in congiunzione con \ni sillabari hiragana e katakana), è pensata \nper vivere da sola ma in coppia, nelle due \n��������������������������������������\ndesign Denis Guidone, 2017\nKanji\nKanji is a family of lighting elements \nthat reinterprets traditional Oriental \nportable lanterns in a contemporary key. \nAvailable in tabletop and suspension \nmodels, it draws inspiration from Chinese \nporcelain from the Ming dynasty. The \nhand-blown glass diffuser, in frosted \nwhite and translucent smoke, is adorned \nwith a pleated surface decoration. \nA Led ring runs inside the structure \nand magically illuminates the diffuser. \nEvocative of the Far East not only in \nform but in name (kanji are characters of \nChinese origin used in Japanese writing \nin conjunction with the hiragana and \nkatakana syllabaries), it is designed to be \nused alone or in pairs, with each form \namplifying the aesthetic power of the \nother.\nWhat's New\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.20.png","19\nWhat's New\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.21.png","20\nWhat's New\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.22.png","21\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.23.png","22\nOptunia è una famiglia di lampade, \ndeclinata nella versione da tavolo (con \ne senza stelo), da terra, da parete e \nda sospensione. La sua funzionalità \nrisiede nella possibilità di ruotare i due \ndischi che ne compongono la testa di \ncirca 360 gradi, dando vita a un numero \nstraordinario di combinazioni di luce. \nIl disco inferiore ruota attorno a un \nasse e contemporaneamente il disco \nsuperiore ruota attorno a un secondo \nasse, perpendicolare al primo. Questo \ndoppio movimento permette a Optunia \ndi racchiudere sia le caratteristiche di \nuna lampada a emissione di luce diretta, \nche di una lampada a emissione di \nluce indiretta, che sfrutta la parete o il \n���������������������������������������\nAlla sua funzionalità, si aggiunge un \ndisegno che ricorda una forma presente \nin natura: i due dischi ricordano le pale \n�������������������������������������������\ncui la lampada porta peraltro il nome. Una \nfamiglia di apparecchi di illuminazione \nstraordinariamente tecnica, la cui forma \nviene ulteriormente sottolineata dalle sue \n��������������������������������������������\ne pulito, un cromo scuro specchiante, che \nricorda la preziosità del metallo, e una \ntonalità scura, che rimanda all’onice, un \nquarzo il cui colore vira da marrone scuro \na nero.\ndesign Claesson Koivisto Rune, 2017\nOptunia\nWhat's New\nOptunia is a family of lighting elements \nthat comes in four variants for tabletop \n���������������������������������������\nsuspension. Its functionality lies in the \npossibility of rotating the two discs that \n������������������������������������\nopening up an extraordinary number of \nlighting combinations. The lower disc \nrotates on one axis, while the upper \ndisk simultaneously rotates on a second \n��������������������������������������\ndouble movement gives Optunia to the \nadvantages of both direct and indirect \nlight emission, which exploits the surface \nof the wall or ceiling to produce a soft \nlight. Complementing its functionality \nis a design reminiscent of a form found \nin nature: the two disks resemble the \n���������������������������������������\nindica, from which the lamp takes its \nname. A family of exceptional technical \nsophistication, whose form is further \nemphasized by its colors: opaque white, \nbold and clean; dark mirrored chrome, \nwhich recalls the preciousness of metal; \na darker shade resembling onyx, a quartz, \nwhose color shifts from dark brown to \nblack.\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.24.png","23\nWhat's New\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.25.png","24\nWhat's New\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.26.png","25\n",26,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.27.png","26\n",27,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.28.png","27\nWhat's New\n",28,{"image":125,"text":126,"number":127},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.29.png","28\nPinecone è una famiglia di apparecchi \ndi illuminazione caratterizzata da un \n����������������������������������������\n�������������������������������������������\nlatte acidato. Il diffusore è prodotto \n��������������������������������������������\n���������������������������������������\n����������������������������������������\n���������������������������������������\nespansione solo in parte. In questo \n���������������������������������������\n��������������������������������������\n�����������������������������������������\ngenera un oggetto sospeso nell'atto di \n�������������������������������������������\nviene ulteriormente impreziosita da un \ntrattamento galvanico che ne esalta \n��������������������������������������������\nfamiglia si arricchisce di una preziosissima \n�������������������������������������������\ne da sospensione nella misura Ø 30 x 36 \n�����������������������������������������\ne 120 cm) e da terra.\n�������������������������\nPinecone\nWhat's New\n�����������������������������������������\n�����������������������������������������\n�������������������������������������������\n������������������������������������������\n�������������������������������������\n������������������������������������������\n�����������������������������������������\n������������������������������������������\n����������������������������������������\n�������������������������������������������\n�������������������������������������������\n�������������������������������������������\n�����������������������������������������\n�������������������������������������������\n���������������������������������������������\n�����������������������������������������\n�������������������������������������������\nmodels in the size Ø 30 x 36 cm; the \n����������������������������������������\n������������������������������\n",29,{"image":129,"text":130,"number":131},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.30.png","29\nWhat's New\n",30,{"image":133,"text":134,"number":135},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.31.png","30\n",31,{"image":137,"text":138,"number":139},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.32.png","31\nWhat's New\n",32,{"image":141,"text":142,"number":143},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.33.png","32\nWhat's New\n",33,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.34.png","33\nWhat's New\n",34,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.35.png","34\n",35,{"image":153,"text":154,"number":155},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.36.png","35\nWhat's New\n",36,{"image":157,"text":158,"number":159},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.37.png","36\nÈ questo il nome della famiglia di \napparecchi di illuminazione che Francesco \nLibrizzi, giovane architetto siciliano con \n���������������������������������������\nper FontanaArte. Setareh nasce dal tema \ndi dare corpo alla luce. La lampada è \ncomposta da una sfera in vetro satinato \n�����������������������������������\nsospesa all’interno di una struttura \nmetallica sottile. Un gioco di masse e \ndi traiettorie circolari genera un disegno \nbilanciato di dinamiche gravitazionali. La \nluce che emana dalla sfera si diffonde \nsullo spazio circostante e irraggia il telaio. \n������������������������������������������\n�������������������������������������\ndalla luce, la sua aura. Il risultato è \nuna collezione di apparecchi luminosi, \ndeclinata nella versione da tavolo e \nsospensione, di straordinaria grazia \npoetica. La versione a sospensione si \ndeclina in più varianti: nuda con il solo \ntelaio e la sfera luminosa (disponibile \nanche nella versione con tre sfere), con un \ndiffusore in vetro curvato bianco oppure \nnero (diametro cm 45, 65, 85) oppure con \ndisco metallico verniciato bianco o nero \n(diametro cm 45, 65, 85, 100).\ndesign Francesco Librizzi, 2017\nSetareh\nWhat's New\nThis is the name of the family of \n������������������������������������������\na young Sicilian architect working in \n��������������������������������������\nfor FontanaArte. Setareh was born \nof the idea of giving form to light. \nThe lamp is composed of a sphere \nin hand-blown white satin glass, \nmagically suspended within a thin metal \nstructure. The play of circular masses \nand trajectories generates a balanced \ndesign of gravitational dynamics. The \nlight from the sphere is diffused into \nthe surrounding space, illuminating \n���������������������������������������\n����������������������������������������\n��������������������������������������������\nis a collection of lighting elements, \navailable in tabletop and suspension \n�����������������������������������������\nThe suspension version comes in several \nvariants: bare, with only the frame and \nglass sphere (also available with three \nspheres), with a diffuser in curved white \nor black glass (diameter 45, 65, 85 cm), \nor with a painted metal disc in white or \nblack (diameter 45, 65, 85, 100 cm).\n",37,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.38.png","37\nWhat's New\n",38,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.39.png","38\nWhat's New\n",39,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.40.png","39\nWhat's New\n",40,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.41.png","40\nWhat's New\n",41,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.42.png","41\nWhat's New\n",42,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.43.png","42\nWhat's New\n",43,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.44.png","43\nWhat's New\n",44,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.45.png","44\nGambe sottili, eleganti e lunghissime \ndonano a questa lampada da terra un \nsenso di leggerezza ma al contempo di \ngrande stabilità. Come l’antico tripode \ngreco, simbolo di ospitalità, all’estremità \ndi ciascun sostegno sono previste \ndelle sorgenti luminose a Led, rivestite \ndi una forma particolare: la gamba \npiù lunga è provvista di una sfera in \nvetro acidato bianco che produce una \nemissione luminosa diffusa di ambiente, \nle altre terminano con dei proiettori di \nluce orientabili, per una luce diretta e \nconcentrata. La struttura è resa essenziale \ndal sistema di raccolta dei cavi di \nalimentazione, che scorrono all’interno \ndegli elementi tubolari. La lampada è \nfornita con struttura nera e vani ottici \nrivestiti di ottone, che conferiscono \npreziosità ed eleganza.\ndesign Front Design, 2017\nTripod\nSlender, elegant and extremely long legs \n������������������������������������������\nyet also of great stability. Like the ancient \nGreek tripod, a symbol of hospitality, the \n����������������������������������������\nlight source with different forms and \nfunctions: the longest leg has a sphere \nin white frosted glass that produces a \ndiffused ambient light, while the other \ntwo have adjustable spotlights for a direct \nand concentrated light. The structure is \nkept simple thanks to the cable organizing \nsystem, which runs inside the tubular legs. \nThe lamp is provided with black frame \n�����������������������������������������\nlamp a precious elegance.\nWhat's New\n",45,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.46.png","45\nWhat's New\n",46,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.47.png","46\n",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.48.png","47\nDESIGN \nUMBERTO RIVA\n1980\nMETA-\nFORA\nRe-Edition\n",48,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.49.png","Metafora nasce nel pieno clima creativo dei primi anni \n80, quando Gae Aulenti assume il ruolo di direttore \nartistico all’interno di FontanaArte e decide di riportare il \nvetro al centro dell’attività dell’azienda. Chiamato da Gae \nAulenti, Umberto Riva disegna una lampada da tavolo \npreziosa, composta da un diffusore conico a strati di vetro \nopalino, sorretto da una base in vetro trasparente che \ncela la struttura in metallo, tutta a incastro. Un oggetto \ndi natura fortemente decorativa, prodotto con tecniche \n�����������������������������������������������������\ntipiche del sapere fare artigianale, oggi riproposto ad un \npubblico sempre attento all’originalità del design e alle sue \nespressioni timeless. \n�����������������������������������������������������\nof the early ‘80s, when Gae Aulenti took on the role of \nartistic director for FontanaArte and decided to bring glass \nback to the forefront of the company’s production. On \nAulenti’s invitation, Umberto Riva designed a precious table \nlamp consisting of a conical shade in layered opal glass \nsupported by a transparent glass base that hides the metal \nframe, all interlocking. A highly decorative object, produced \nwith traditional techniques like glass blowing and other \nexamples of artisanal know-how, reproposed today to a \nclientele ever more attentive to originality of design and its \ntimeless expressions.\n",49,{"image":209,"text":15,"number":210},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.50.png",50,{"image":212,"text":15,"number":213},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.51.png",51,{"image":215,"text":216,"number":217},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.52.png","ICONS UPDATE\n",52,{"image":219,"text":220,"number":221},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.53.png","Icons Update\nNel settore dell’illuminazione l’evoluzione tecnologica legata \nall’avvento dei Led corre rapida e aumenta la sensibilità \ndel pubblico alle tematiche di risparmio energetico e \nmanutenzione. Questo fenomeno rende imprescindibile da \nun lato, creare nuove lampade con sorgente luminosa a \nLed, e dall’altro illuminare di nuova luce pezzi esistenti, nati \ncon le fonti luminose tradizionali. Ecco che apparecchi quali \nBilia di Gio Ponti, Luminator di Pietro Chiesa, Fontana di Max \nIngrand, solo per citarne alcuni, ancora straordinariamente \nattuali per quanto riguarda la forma, il design e i materiali, \nsi vestono di nuova luce, quella dei Led, e diventano ancora \npiù attuali. Una rivisitazione non solo tecnologica ma in \ntaluni casi anche estetica: il cono di Bilia viene proposto in \nottone, Luminator si presenta nei colori in cui nacque nel \n1932, il blu e il bianco, Giova viene presentata in una nuova \nnuance grigia con base dorata.\n",53,{"image":223,"text":224,"number":225},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.54.png","Icons Update\nIn the lighting sector, the technological evolution \nresulting from the advent of Leds is proceeding quickly \nand increasing public awareness of energy saving and \nmaintenance issues. This phenomenon makes it essential, \non the one hand, to create new lamps with Led light \nsources, and on the other to apply this new technology \nto existing pieces originally intended for traditional light \n��������������������������������������������������������\nPietro Chiesa’s Luminator, Max Ingrand’s Fontana to name \na few, all of them still extraordinarily contemporary with \nregard to their form, design and materials, now shine with \nnew Led light, thus becoming even more contemporary. \nA revisitation not only of the technology, but in some \ncases of the aesthetics as well: Bilia now comes with a \nbrass cone, Luminator comes in the original colors from \n1933, metallic blue and white, and Giove has a new gray \ncap with a gold base.\n",54,{"image":227,"text":228,"number":229},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.55.png","54\nNiente più che una sfera poggiata, in \napparente impossibile equilibrio, su \nun cono che fa da base. Una delle \ntante magie compositive di Gio Ponti. \nLa contrapposizione di due forme \ngeometriche elementari da origine a \nun oggetto originale e dalle proporzioni \nperfette. La luce è diffusa e l’emissione \nluminosa è valorizzata dall’essenzialità \ngeometrica del disegno. Nata in metallo \nspazzolato nichelato, Bilia è ora disponibile \nanche nella versione con cono in ottone \ne sorgente luminosa a Led.\ndesign Gio Ponti, 1932\nBilia\nNothing more than a sphere, set in an \napparently impossible feat of balance, \nupon a cone that serves as the base. \nOne of Gio Ponti’s many compositional \nmagic tricks. The counterbalancing of two \nelementary geometric forms results in \nan original, perfectly proportioned object. \nThe light is diffused and valorized by \nthe geometrical simplicity of the design. \nOriginally in brushed nickel plate, Bilia is \nnow also available with a brass cone and \nLed light source.\nIcons Update\n",55,{"image":231,"text":232,"number":233},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.56.png","55\nIcons Update\n",56,{"image":235,"text":236,"number":237},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.57.png","56\nUn corpo preziosissimo, quasi \n���������������������������������������\nun elemento tondeggiante che si allunga \nleggermente verso l’alto sormontato \nda un tronco di cono: è la forma della \nclassica abat-jour che ha segnato \nun’epoca nell’illuminazione. La peculiarità \ndi Fontana è l’accensione multipla: sia \nla base, sia il paralume, contengono una \no più fonti luminose. La versione più \ngrande permette anche un’illuminazione \nindiretta: un’ulteriore fonte luminosa \nproietta un fascio di luce indiretta verso \nl’alto. L’accensione differenziata permette \ndi incontrare più esigenze d’illuminazione: \ndal tenue bagliore della luce di riposo, alla \n����������������������������������������\nemozionale e d’ambiente, ottenuta per \nemissione indiretta. Le forme morbide e \nperfettamente proporzionate, la purezza \n������������������������������������\nopalescente, ne fanno un elemento \nd'arredo senza tempo, perfetto in ogni \ncontesto, sia quando è acceso che \nquando è spento. Ora disponibile con \nsorgenti luminose a Led.\ndesign Max Ingrand, 1954\nFontana\nAn exquisite object, almost entirely in \nwhite blown glass, composed of a round \nelement that tapers slightly upward, \nsurmounted by a truncated cone: the \nclassic form of the abat-jour lamp that \n�������������������������������������������\nof Fontana is its multiple light sources: \nboth the base and the lampshade \ncontain one or more. The larger version \nalso allows indirect lighting, thanks to an \nadditional source that projects a beam of \nindirect light upwards. The differentiated \nlight sources make it possible to satisfy \ndifferent lighting needs: from a soft, \nrelaxing glow to a sharp beam for reading \nto suggestive ambient light. The soft and \nperfectly proportioned forms, the purity of \n������������������������������������������\ncombine to make it a timeless piece, \nperfect in every setting, whether turned \non or off. Now available with Led light \nsources.\nIcons Update\n",57,{"image":239,"text":240,"number":241},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.58.png","57\nIcons Update\n",58,{"image":243,"text":244,"number":245},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.59.png","58\nGiova segna l'esordio di Gae Aulenti nel \ncampo dell'illuminazione. Disponibile \nin due dimensioni, è una vera e propria \nscultura luminosa. Su una base in metallo \nè posizionato un globo trasparente che \ninclude la sfera interna in vetro bianco \nopalino, che alloggia la sorgente luminosa. \nAl di sopra, appoggiata, una coppa in \n���������������������������������������\nd’aria irregolari) è a tutti gli effetti, un \n������������������������������������������\n�����������������������������������������\n�����������������\ndesign Gae Aulenti, 1964\nGiova\nGiova marks the debut of Gae Aulenti in \n����������������������������������������������\nsizes, it is both a lamp and a luminous \nsculpture. Positioned on a metal base is \na transparent bowl containing a sphere \nof white opal glass, which in turn houses \nthe light source. Placed above is a smaller \nbowl in blown pulegoso glass, meaning \n‘with irregular bubbles’, which serves as a \n�����������������������������������������\n���������������������������������������\nIcons Update\n",59,{"image":247,"text":248,"number":249},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.60.png","59\nIcons Update\n",60,{"image":251,"text":252,"number":253},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.61.png","60\nLuminator è uno dei primi progetti che \nPietro Chiesa, già titolare a Milano di \nuna bottega artigiana specializzata nella \n������������������������������������������\nFontanaArte, di cui diventa direttore \n��������������������������������������\nlampada da terra ad illuminazione indiretta, \nLuminator è composta da un sottile fusto \nmetallico che si apre a cono e al cui \ninterno si trova la sorgente luminosa. Unico \nelemento che poggia su una base circolare, \nè una lampada di un rigore e una purezza \nquasi astratte. In assoluto, uno dei pezzi più \nstraordinari disegnati da Pietro Chiesa. Ora \ndisponibile colore blu metallico e bianco e \ncon sorgente luminosa a Led.\ndesign Pietro Chiesa, 1933\nLuminator\n��������������������������������������\nthat Pietro Chiesa, then the owner of a \nworkshop in Milan specialized in artistic \nglasswork, created for FontanaArte, where \nhe would later become artistic director \n���������������������������������������������\n��������������������������������������\nthin metal shaft that opens into a cone, \ninside which is the light source. \nA single element resting on a circular base, \nit is a lamp of an almost abstract rigor \nand purity, and is by far one of the most \nextraordinary pieces designed by Pietro \nChiesa. Now available in metallic blue \nand white with Led light source.\nIcons Update\n",61,{"image":255,"text":256,"number":257},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.62.png","61\nIcons Update\n",62,{"image":259,"text":260,"number":261},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.63.png","62\nNaska è la lampada da scrivania per \neccellenza, l’originale capostipite di \ntutte le lampade da tavolo con braccio \nbilanciato a molle. Un oggetto senza \ntempo, adatto sia per gli spazi domestici \nche per quelli dedicati al lavoro. Ora \n������������������������������������\ne con sorgente luminosa a Led.\nHistorical Archive FontanaArte, 1933\nNaska\nMore than any other lamp, Naska \nexpresses an unmistakable identity \nthrough its archetypal form. It is the desk \nlamp par excellence, the original ancestor \nof every lamp with a spring-balanced \narm. A timeless object, suitable for both \ndomestic spaces and those dedicated to \n������������������������������������������\na Led light source.\nIcons Update\n",63,{"image":263,"text":264,"number":265},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.64.png","63\nIcons Update\n",64,{"image":267,"text":268,"number":269},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.65.png","64\nUna circonferenza in metallo cromato o \nsatinato e un diffusore di forma circolare, \nformato da una coppia di gusci in vetro \nstampato, sabbiato e temperato: due \nelementi essenziali che nascondono un \nsistema complesso. I due vetri concavi \naccostati sono infatti mantenuti in \nposizione da un sistema di piccole pinze \n������������������������������������������\nperni, gli stessi su cui viene montata \nla sorgente luminosa. Il diffusore può \ncosì ruotare su se stesso e orientare \n����������������������������������������\nInnovativa e declinata in molteplici \nversioni, Nobi garantisce la massima \nfunzionalità, pur mantenendo elementi \ndecorativi nel design. Disponibile ora con \nsorgente luminosa a Led, versione che, \nmantenendo le stesse caratteristiche \n������������������������������������������\nlunga durata.\ndesign Metis Lighting, 1992\nNobi\nA circumference of chromed or satin \nmetal with a circular diffuser, formed from \na pair of cast, sandblasted and tempered \nglass lenses, two apparently simple \nelements that hide a complex system. The \nadjoined convex lenses are in fact held in \nplace by a system of small clamps and \n�������������������������������������������\nthe same on which the light source is also \nmounted. The diffuser can thus rotate on \n���������������������������������������������\ndirections. Innovative and available in \nmultiple versions, Nobi provides maximum \nfunctionality while retaining a powerful \naesthetic presence. Now available with \nLed light source, which adds energy \n����������������������������������������\ntechnical features.\nIcons Update\n",65,{"image":271,"text":272,"number":273},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.66.png","65\nIcons Update\n",66,{"image":275,"text":276,"number":277},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.67.png","66\nUna forma naturale che da sempre è \nsimbolo di perfezione, in cui convivono \narmonicamente simmetria e asimmetria: \nè Uovo, il soggetto di uno schizzo che \nnel 1972 viene recuperato nell’archivio \nstorico di FontanaArte. In quello schizzo \nil guscio conteneva una fonte luminosa: \nun’idea ironica che ancora oggi conquista. \nCome in natura, anche nella lampada \nUovo il guscio è esempio assoluto di \nleggerezza: una forma elegante in vetro \n��������������������������������������\nuniformemente una luce calda e  \navvolgente. Nelle tre dimensioni disponibili \nc’è tutta la versatilità di una collezione \npensata per più destinazioni d’uso: \nda minuta lampada di servizio – nella \nversione più piccola – a scultura luminosa, \nprotagonista dello spazio, nella versione \npiù grande. Ora disponibile con sorgente \nluminosa a Led.\nUovo\nThe egg: a natural form and timeless \nsymbol of perfection, in which symmetry \nand asymmetry harmoniously coexist. \nUovo is the subject of a sketch recovered \nin 1972 in the historical archives of \nFontanaArte, in which the ‘shell’ of the egg \ncontained a light source: an ironic idea \nthat still works today. As in nature, the \nshell of the Uovo lamp is the embodiment \nof absolute lightness, an elegant form \nin white satin blown glass that gives \noff a warm, uniform light. Available in \nthree sizes, it has all the versatility of a \ncollection designed for multiple uses: \nfrom the small version which serves as \na tiny utility lamp to the large version, a \nveritable light sculpture, protagonist of any \nspace. Now available with Led light source.\nIcons Update\nHistorical Archive FontanaArte, 1972\n",67,{"image":279,"text":280,"number":281},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.68.png","67\nIcons Update\n",68,{"image":283,"text":15,"number":284},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.69.png",69,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.70.png","TECHNICAL DATA\n",70,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.71.png","Equatore\ntable\nsuspension\n����\nWhat's New\n4389\u002F0..\nØ 23,8 x 42.5 cm\n12W (2700K, CRI>90, Lumen 1100)\ndimmable\n4389..\nØ 35,8 x 60 cm\n20W (2700K, CRI>90, Lumen 1800)\ndimmable\n4392\u002F0..\nØ 23,8 x 135 cm\n12W (2700K, CRI>90, Lumen 1100)\ndimmable\n4392..\nØ 35,8 x 175 cm\n20W (2700K, CRI>90, Lumen 1800)\ndimmable\ncolors: copper\u002Fpink - chrome\u002Fgrey\n4390\u002F0..\nØ 23,8 x 44 + 250 cm\n12W (2700K, CRI>90, Lumen 1100)\ndimmable\n4390..\nØ 35,8 x 64 + 250 cm\n20W (2700K, CRI>90, Lumen 1800)\ndimmable\n",71,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.72.png","Heliacal\n����\nWhat's New\nGalerie\n����\nwall\n4394 \nØ 45,5 x 174,5\n60W (2700K, CRI90, Lumen 6000)\ncolors: marble, white glass, brushed warm grey\ncolors: black\n4399..\n13x13 cm - 17x33,5 cm\n6W (2700K, CRI>80, Lumen 825)\ndimmable\n4376..\nØ 19,6 x 190 cm\n3x4W (2700K, CRI>80, Lumen 1800)\ndimmable\n4403..\nØ 19,6x149,5 cm\n4W (2700K, CRI>80, Lumen 600)\ndimmable\n",72,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.73.png","Kanji\ntable\nsuspension\nWhat's New\n4385..\nØ 31x51,3 cm\n10W Led (2700K, CRI>80, Lumen 1000)\ndimmable\n4387..\nØ 42,7x39 cm\n10W Led (2700K, CRI>80, Lumen 1000)\ndimmable\ncolors: white, grey\n4386..\nØ 31x51,3 +250 cm\n10W Led (2700K, CRI>80, Lumen 1000)\ndimmable\n4388..\nØ 42,7x39 +250 cm\n10W Led (2700K, CRI>80, Lumen 1000)\ndimmable\n",73,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.74.png","Optunia\ntable\n����\nwall\nsuspension\nWhat's New\n4395..\nØ 13 - 13x24 cm\n11W \n(3000K, CRI>80, Lumen 1384)\ndimmable\n4396..\nØ 13 – Ø 18x54,5 cm\n11W \n(3000K, CRI>80, Lumen 1384)\ndimmable\n4379..\nØ 13 – 26,3x192,7 cm\n2x11W \n(3000K, CRI>80, Lumen 1384+1384)\ndimmable\ncolors: white, dark brown, chrome\n4397..\nØ 13 – 26,1+56,4 cm\n2x11W \n(3000K, CRI>80, Lumen 1384+1384)\ndimmable\n4377..\nØ 13 – 22,3x26,2 cm\n2x11W \n(3000K, CRI>80, Lumen 1384+1384)\ndimmable\n",74,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.75.png","What's New\nPinecone\ntable\n����\ncolors: cage: gold, chrome - glass: white, transparent\n4364..\nØ 30x36 cm\n1x max 116W 230V E27 (HA, FL, LED)\ndimmable\n4340..\nØ 50x52 cm\n1x max 150W 230V E27 (HA, FL, LED)\ndimmable\n4341..\nØ 48x172cm\n1x max 150W\n+\n40W (2700K, CRI>80, Lumen 3360)\n",75,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.76.png","suspension\nWhat's New\n4363..\nØ 30x36 +250 cm\n1x max 116W 230V \nE27 (HA, FL, LED)\ndimmable\n4339..\nØ 50x52 +250 cm\n1x max 150W 230V \nE27 (HA, FL, LED)\ndimmable\n4372..\nØ 28x120+250 cm\n40W \n(2700K, CRI>80, Lumen 3360)\n4375..\nØ 23x74+250 cm\n20W \n(2700K, CRI>80, Lumen 2000)\n",76,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.77.png","What's New\nSetareh\ntable\nsuspension\n4384..\nØ 45x60,4 cm\n6W (2700K, CRI>80, Lumen 830)\ndimmable\n4401..\n48x44,9x44,9 cm\n6W (2700K, CRI>80, Lumen 830)\ndimmable\n4380..\n18,4x19,4x54,4 +250 cm\n12W (2700K, CRI>80, Lumen 1550)\ndimmable\n4380\u002F1..\n23,9x24,9x69,9 +250 cm\n17W (2700K, CRI>80, Lumen 2100)\ndimmable\n4381.. + glass diffuser Ø 45 cm\nØ 45x54,4 +250 cm\n12W (2700K, CRI>80, Lumen 1550)\ndimmable\n4381.. + glass diffuser Ø 65 cm\nØ 65x54,4 +250 cm\n12W (2700K, CRI>80, Lumen 1550)\ndimmable\n4381\u002F1.. + glass diffuser Ø 65 cm\nØ 65x69,9 +250 cm\n17W (2700K, CRI>80, Lumen 2100)\ndimmable\n4381\u002F1.. + glass diffuser Ø 85 cm\nØ 85x69,9 +250 cm\n17W (2700K, CRI>80, Lumen 2100)\ndimmable\ncolors: cage: gold, chrome - glass: black, white - metal diffuser: black, white\n",77,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.78.png","4381.. + disk Ø 45 cm\nØ 45x54,4 +250 cm\n12W (2700K, CRI>80, Lumen 1550)\ndimmable\n4381.. + disk Ø 65 cm\nØ 65x54,4 +250 cm\n12W (2700K, CRI>80, Lumen 1550)\ndimmable\n4382.. + disk Ø 65 cm\nØ 65x54,4 +250 cm\n2x8W (2700K, CRI>80, Lumen 2200)\ndimmable\n4381\u002F1.. + disk Ø 65 cm\nØ 65x54,4 +250 cm\n17W (2700K, CRI>80, Lumen 2100)\ndimmable\n4381\u002F1.. + disk Ø 85 cm\nØ 85x54,4 +250 cm\n17W (2700K, CRI>80, Lumen 2100)\ndimmable\n4381\u002F1.. + disk Ø 100 cm\nØ 100x54,4 +250 cm\n17W (2700K, CRI>80, Lumen 2100)\ndimmable\nWhat's New\n4383..\nØ 44,9x44,9 +250 cm\n3x6W (2700K, CRI>80, Lumen 2500)\ndimmable\n",78,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.79.png","What's New\nTripod\n����\n4398..\n54,5x173 cm\n3x17W Led \n(3000K, CRI>80, Lumen 1750)\ndimmable\ncolors: black\n",79,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.80.png","Metafora\ntable\nRe-Edition\n2654\nØ 49x58 cm\n1x max 116W 230V E27 (HA, FL, LED)\ndimmable\ncolors: white, transparent\n",80,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.81.png","Icons Update\nBilia\ntable\n4402O\nØ 20x43 cm\n9W Led (2700K, CRI>80, Lumen 950)\ndimmable\ncolors: gold\ncolors: white\ncolors: gold, gray\nFontana\ntable\n1853\u002FLED\nØ 32x53 cm\n9W Led + 1x5,5W Led \n(2700K, CRI>80, Lumen 1800)\n1853\u002F0\u002FLED\nØ 20x34 cm\n6,5W Led + 1x4W Led \n(2700K, CRI>80, Lumen 1300)\n1853\u002F1\u002FLED\nØ 47x78 cm\n9W led+4x4W Led  + 1x5,5W Led \n(2700K, CRI>80, Lumen 3600)\nGiova\ntable\n2684\u002F1OO\nØ 50x59 cm\n1x100W 230V E27 (HA, FL, LED)\n2684OO\nØ 32x37 cm\n1x42W 230V E27 (HA, FL, LED)\n",81,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.82.png","4393..\nØ 30x184 cm\n33W Led (3000K, CRI>80, Lumen 3300)\ndimmable\n8020OO + 8100OO\nbase Ø 21,5 cm \u002F arms 50-50 cm \u002F diffuser Ø 16x17 cm\n6W Led (2700K, CRI>80, Lumen 800)\ntouch dimmer\n8021OO + 8100OO\nbase Ø 21,5 cm \u002F arms 40-32 cm \u002F diffuser Ø 16x17 cm\n6W Led  (2700K, CRI>80, Lumen 800)\ntouch dimmer\ncolors: metallic blue, white\ncolors: gold, chrome, black, white\nLuminator\n����\nNaska 1, 2\ntable\nIcons Update\n",82,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.83.png","3023..\u002FLED\nØ 15x20 cm\n14W Led (2700K, CRI>80, Lumen 1400)\ndimmable\n3026..\u002FLED\nØ 20x190 cm\n14W Led (2700K, CRI>80, Lumen 1400)\ndimmable\ncolors: chrome, satin nickel\nNobi\nwall\nsuspension\n����\n3022..\u002FLED\nØ 15x36 cm\n14W Led (2700K, CRI>80, Lumen 1400)\ndimmable\nIcons Update\n",83,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.84.png","colors: white\nIcons Update\nUovo\ntable\n2646\u002F0\u002FLED\nØ 32x37 cm\n6,5W Led (2700K, CRI>80, Lumen 680)\n2646\u002F1\u002FLED\nØ 27x44 cm\n9W Led (2700K, CRI>80, Lumen 950)\ndimmable\n2646\u002FLED\nØ 43x62 cm\n9W Led (2700K, CRI>80, Lumen 950)\ndimmable\n",84,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.85.png","CA\u002FNEWS2017 - April 2017 - Printed in Italy\nHeadquarters\nFONTANAARTE SPA\nAlzaia Trieste 49\n20094 Corsico (MI)\nPh. +39 02 45121\nFax +39 02 4512660\ninfo@fontanaarte.com\nFlagship Stores\nMILAN\nCorso Monforte, 13\n20122 Milano (MI)\nPh. +39 02 87213872\nFax +39 02 87213873\nshowroom-milano@fontanaarte.com\nLONDON\nRosebery Avenue 7\u002F15\nEC1R 4SP London, UK\nPh. +44 ( 0 ) 20 33283560\ninfo@fontanaarte.com\nFONTANAARTE FRANCE\n1390 Avenue du Campon\n06110 Le Cannet\nPh. +33 �0� 4 93 45 69 78\nFax +33 �0� 4 93 45 69 39\ninfofrance@fontanaarte.com\nSubsidiaries\nNEW YORK\n45 Greene Street\nNew York, NY 10013, USA\nPh. +1 �212) 3343295\nFax +1 �212� 3341055\nshowroomny@fontanaarte.com\nFONTANAARTE CORP.\n45 Greene Street\nNew York, NY 10013, USA\nPh. +1 �212� 3343295\nFax +1 �212� 3341055\ninfousa@fontanaarte.com\nArt Direction  \nLorenzo Butti \nPhotography  \nMax Zambelli\nMaurizio Cavallasca (pag. 29, 30, 31, 65)\nRender \nBruger Studio \n \n© FontanaArte 2017 \nThanks to\nDriade\nWall & Decò\n",85,{"image":350,"text":15,"number":351},"\u002Fmedia\u002Fimages\u002F89\u002F9aa2a7812b1954571697336952fe26-28fc9e1492.86.png",86,[],0,false,true,{"success":355,"data":357,"meta":572,"count":573,"next":574,"previous":575,"results":608,"brand_chips":669},[358,371,383,396,406,419,431,441,451,460,470,482,492,502,511,521,534,543,553,563],{"id":359,"title":360,"slug":361,"image":362,"source":363,"brand_name":364,"brand":365,"brand_slug":366,"file_size":367,"pages":368,"pages_count":369,"matched_pages":370,"match_count":353,"two_pages":354,"show_text":355},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 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