[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-established-and-sons-collection-2019":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":251},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":246,"matched_pages":247,"match_count":248,"two_pages":249,"show_text":250},8455,"Collection 2019","established-and-sons-collection-2019","\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F82\u002F863a907472e43fe91bfb436e269edb.pdf","Established & Sons",1203,"established-sons","13.7 MB",[14,17,21,25,28,31,35,38,41,45,48,51,55,59,63,67,71,75,79,83,87,91,95,99,103,107,111,115,119,123,127,131,135,139,143,147,151,155,159,163,167,171,175,179,183,187,191,195,199,203,207,211,215,219,223,227,231,235,239,243],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.2.png","LIGHTING\nCorona \n28 \nFiligrana Light \n29\nFold \n32\nLighthouse \n33\nLight Light \n34 \nLouvre Light \n36 \nTank \n38 \nTiki \n39 \nTorch Light \n40 \n \nACCESSORIES \nFont Clock \n44 \nPour \n45 \nStore \n46 \nWrongwoods \n47 \nSEATING\nAlto \n48\nButt \n49\nDrift \n50\nDrift Concrete \n52\nDrift-In, Drift-Out \n53\nFrame Chair \n54\nHeidi \n55\nMauro Chair \n57\nMOOT \n59\nNekton \n60\nStep \n61\nSurface Chair \n62\nUPHOLSTERY\nBarbican \n64\nCape \n68\nCassette \n70\nEasy \n72\nMollo \n74\nQuilt \n75\nTudor Chair \n78 \nTABLES\nAqua Table \n80\nSurface Table \n82\nM5 \n86\nUdukuri \n87\nTable \n88\nWrongooods \n90\nZero-In \n92 \nSTORAGE\nStack \n94 \nThe Crate \n98 \nWrongwoods \n100 \nFLOORING \nWall to Wall                   \n104 \nCONTENTS\nEstablished & Sons \n7 Tilney Court, London, EC1V 9BQ \nUnited Kingdom\nPhone: +44 (0)20 7608 0990 \ninfo@establishedandsons.com\nestablishedandsons.com\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.3.png","Established & Sons is an iconic British brand representing all that  \nis innovative in contemporary design.\n \nBy supporting the best creators of our time, it has built a collection \nfor people who are passionate about design, presenting imaginative \nproducts with style and personality. \nTaking a unique approach to collaboration, the company develops \nand produces work by leading practitioners and nurtures the careers \nof young designers.\n \nDesigners and artists are afforded the freedom to explore their \nown language, advancing pioneering ideas that deliver exceptional \nfurniture and lighting collections. Combined with Established & Sons’ \ncommitment to skilled craftsmanship and cutting-edge manufacturing \ntechniques, this produces intelligent designs that are at the same time \ndiverse in the extreme and united in their quest for the extraordinary.\n \nThe Established & Sons collection includes some of the most \nimportant examples of 21st-century design. Many of the pieces have \nbeen acquired by international museums, galleries, institutions and \nprivate collections.\n \nThese designs have often set the tone for the global conversation on \ndesign and mirror the essential character, style and identity of London \n– the birthplace and home of Established & Sons.\n",3,{"image":26,"text":15,"number":27},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.4.png",4,{"image":29,"text":15,"number":30},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.5.png",5,{"image":32,"text":33,"number":34},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.6.png","11\n12\n",6,{"image":36,"text":15,"number":37},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.7.png",7,{"image":39,"text":15,"number":40},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.8.png",8,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.9.png","20\n",9,{"image":46,"text":15,"number":47},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.10.png",10,{"image":49,"text":15,"number":50},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.11.png",11,{"image":52,"text":53,"number":54},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.12.png","25\n26\n",12,{"image":56,"text":57,"number":58},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.13.png","28\n27\nFrank designers Pam West and Matt Edmonds pay homage to the \nsilvered light bulb, an everyday icon, with Corona’s oversized reflector \nsurrounded by a curved, slip-cast ceramic shade.  \nColours: White\u002Fwhite, white\u002Fcopper \nDimensions: Ø490mm × H170mm\nCORONA\nFrank\nFILIGRANA LIGHT\nSebastian Wrong\nFiligrana Light harnesses the mastery and heritage of traditional \nVenetian glass blowing, merging a 16th-century technique from \nMurano with a modern aesthetic to create four unique suspension \nlights in three candy-stripe colour options.\nColours: Black canes, red canes, \nwhite canes\nDimensions: \nS1 beehive: Ø160mm × H140mm\nS2 cylinder: Ø220mm × H230mm\nS3 ellipse: Ø370mm × H270mm\nS4 ellipse: Ø450mm × H330mm\n",13,{"image":60,"text":61,"number":62},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.14.png","29\n30\n",14,{"image":64,"text":65,"number":66},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.15.png","31\n32\nAlexander Taylor’s Fold family brings high-precision manufacturing to \nthe bedside and desk lamp, using folded, laser-cut sheet metal, and \nsubtle references to classic mid-century design. \nColours: White, yellow \nDimensions: T1 H230mm, T2 H450mm \nFOLD\nAlexander Taylor\nLIGHTHOUSE\nRonan & Erwan Bouroullec\nColours: Carrara\u002Fgrey, \nMarquina\u002Famber, Marquina\u002Fgrey \nDimensions: Ø370mm × H695mm\nA sculptural, voluptuous and enchanting object, the Lighthouse \ncombines Venetian hand-blown glass with industrially  \nengineered aluminium and pure marble to create an enduring \ncontemporary classic. \n",15,{"image":68,"text":69,"number":70},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.16.png","33\n34\nLIGHT LIGHT\nDimitri Bähler\nDimensions: \nF1: Ø250mm × H1400mm\nF2: Ø250mm × H1850mm\nA poetic floor lamp with a design made possible by cutting-\nedge manufacturing techniques, Light Light, by Swiss designer \nDimitri Bähler, combines traditional Japanese Washi paper with a \nbreathtakingly thin carbon-fibre rod.\n",16,{"image":72,"text":73,"number":74},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.17.png","35\n36\nColours: Black, bronze \nDimensions: L950mm × D210mm × H215mm\n \nReferencing window blinds and ‘muscle cars’, Klauser & Carpenter’s \nsurprisingly understated Louvre design uses layers of pressed \naluminium to create a glare-free, ambient light. \nLOUVRE LIGHT\nKlauser & Carpenter\n",17,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.18.png","37\n38\nColours: Black, white \nDimensions:  \nS1 Ø500mm × H350mm  \nS2 Ø720mm × H500mm \nTANK\nAlexander Taylor\nTIKI\nNao Tamura\nColours: Black, copper \nDimensions: H370mm × L340mm × D70mm\nNao Tamura’s characterful, bird-like lamp is robotically carved from \nclear acrylic to create a delicate form. Intended to sit in clusters, or \n‘flocks’, Tiki suggests a different approach to lighting design. \nEvoking the form of a pleated fabric shade with rhythmic folds of sheet \nmetal, Alexander Taylor’s Tank is a deceptively simple and precise \ncontemporary light.\n",18,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.19.png","39\n40\nThe Torch Light combines a tactile, PVC-dipped polymer shade with \na diamond-textured diffuser – a reference to car headlights – and a \nbrightly coloured cable, offering a wide array of colour and cluster \ncombinations.\nTORCH LIGHT\nSylvain Willenz\nColours:  \nBlack, red, signal grey, yellow \nDimensions:  \nS1\u002FS2: Ø150mm × H210mm  \nS3: Ø300mm × H205mm  \nS5: L1100mm\u002FL1400mm  \nS10\u002FS20: L1800mm\u002FL3000mm\n",19,{"image":84,"text":85,"number":86},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.20.png","41\n42\n",20,{"image":88,"text":89,"number":90},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.21.png","43\n44\nSizes: G100, G225, G270 \n  \n \nPOUR\nEstd\nSizes: 300ml, 580ml, 750ml \n \n \nFONT CLOCK\nSebastian Wrong\nAn instant design icon, Sebastian Wrong’s Font Clock features an \never-changing display that uses twelve different type faces and a flip \nmechanism in a design that is both nostalgic and contemporary.\nHand cut, rolled, soldered and polished from solid pewter sheets, pour \nis constructed from two intersecting cones and inspired by the style of \nold oil cans. A simple, collectible classic. \n",21,{"image":92,"text":93,"number":94},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.22.png","45\n46\nSTORE\nEstd\nColours: Black\u002Fblack, grey\u002Fblack, \nwhite\u002Fwhite, yellow\u002Fwhite \nDimensions:  \nØ140mm: H140mm\u002FH175mm\u002FH210mm \nØ215mm: H180mm   \n \nWRONGWOODS\nRichard Woods & Sebastian Wrong\nColours: Candyman, white with black \nDimensions:  \nTray: L440mm × D330mm × H70mm  \n \nThese space-capsule shaped jars provide a fitting home for the most \nout-of-this-world treasures in a variety of sizes and a subtle colour \npalette, paired with gloss and matt glazes.\nRichard Woods’ colourful, wood-plank block prints have become an \nicon of contemporary design thanks to this enduring collaboration \nwith Sebastian Wrong. Add a touch of character to any space with a \nWrongwoods Tray.\n",22,{"image":96,"text":97,"number":98},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.23.png","47\n48\nColours: Black, bright blue,  \nnavy blue, orange, white, yellow \n  \nSeat height: 490mm \n \nBUTT\nEstd\nColour: Black \n  \nSeat height: 640mm \n \nALTO\nMichael Marriott\nMichael Marriott’s cantilevered stool offers a visual and literal  \nlightness. The flat oval-section steel tube creates an unusual  \nprofile and a fluid shape, making it ideal for five-star hotel bars  \nand minimalist restaurant interiors. \nMoulded with three holes for easy lifting (like a bowling ball), Butt is a \nvibrant, versatile stool that can be used indoors and outdoors thanks \nto its non-fading UV-stable plastic, originally developed for marine use.\n",23,{"image":100,"text":101,"number":102},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.24.png","49\n50\nColours: Black, white \n \nDimensions: L2880mm × D870mm × H420mm \nSeat depth: 420mm  \n \nInformed by a piece of found driftwood, the form of the Drift   \nbench is a masterclass in complex curves, angles and subtracted \nspaces – signatures of architect Amanda Levete’s organic and  \nsensual design language. \nDRIFT\nAmanda Levete\n",24,{"image":104,"text":105,"number":106},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.25.png","51\n52\nColours: Black, white \n  \nDimensions:  \nL1390mm × D590mm × H400mm \nSeat depth: 400mm  \nDRIFT-IN, DRIFT-OUT\nAmanda Levete\nDRIFT CONCRETE \nAmanda Levete \nDimensions:  \nL2880mm × D870mm × H420mm  \nSeat depth: 420mm  \nDesigned to last, the concrete Drift bench is a timeless masterpiece. \nExpertly cast from very fine sand and cement with a crushed  \nlimestone fleck, it provides a sculptural focal point for indoor  \nand outdoor spaces.\nA natural evolution of the Drift bench into smaller, modular  \npieces, these curved two-seater benches can be used individually  \nor grouped together in numerous configurations. \n",25,{"image":108,"text":109,"number":110},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.26.png","53\n54\nDimensions: L400mm × D610mm × H785mm \nSeat height: 440mm \nHEIDI\nSebastian Wrong\nColours: Black, red, white \n  \nSeat heights: H500mm, H650mm, H800mm\nIngeniously engineered, Frame’s complex angles are balanced by  \nthe subtle curves of its seat and back rest to achieve a distinctive \nblend of character and formality in a tough, lightweight design.\nA mix of modernity and nostalgia, the Heidi stool comes in  \nthree heights and takes inspiration from both classic tractors  \nand milking stools with a colourful moulded seat and sturdy,  \ntimber-leg construction. \nFRAME CHAIR\nWouter Scheublin\n",26,{"image":112,"text":113,"number":114},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.27.png","55\n56\nMAURO CHAIR\nMauro Pasquinelli\nDimensions: \nL515mm × D490mm × H770mm\nSeat height: 450mm\nAn exemplar of great 20th-century Italian design made possible \nby 21st-century manufacturing techniques, the Mauro Chair is a \nhardworking, irrepressibly stylish, stackable, timber chair by Italian \nmaster designer Mauro Pasquinelli.\n",27,{"image":116,"text":117,"number":118},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.28.png","57\n58\n",28,{"image":120,"text":121,"number":122},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.29.png","59\n60\nMOOT\nRoss Lovegrove\nDimensions: \nL590mm × D460mm × H800mm \nSeat height: 465mm  \nThe organic curves and gravity-defying cantilever of the MOOT  \nchair are a result of Ross Lovegrove’s continuing fascination with \ncarbon fibre; a light, high-strength material used by aircraft and  \nracing engineers. \nNEKTON\nZaha Hadid\nColours: Black, white \n  \nSeat heights: H500mm–H520mm\n \nWith the unmistakable fluid aesthetic of architect Zaha Hadid, the \nfour interlocking stools of the Nekton form can be split up to create \nsculptural and flexible seating arrangements.\n",29,{"image":124,"text":125,"number":126},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.30.png","61\n62\nSTEP\nFederico Gregorutti\nColours: Blue-black, red \nSeat heights: H650mm, H750mm \n \nAdding colour to a traditionally staid form, the Step stool is made from \nsolid ash using a high-tech manufacturing process to create a modern \ndesign for kitchens, bars and studios. \n",30,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.31.png","63\n64\nSURFACE CHAIR\nTerence Woodgate and John Barnard\nDimensions: L470mm × D500mm × H800mm \nSeat height: 440mm  \nWith an almost impossibly thin profile, the Surface Chair is made from \ncarbon fibre, using cutting-edge technology developed by Formula 1 \nracing engineers to create a seat with perfect proportions and \nseamless surfaces. \n",31,{"image":132,"text":133,"number":134},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.32.png","65\n66\nBARBICAN\nKonstantin Grcic\nDimensions:\nL1600mm × D900mm × H640mm\nL2700mm × D1600mm × H640mm\nSeat height: 410mm\nA modern, geometric chaise longue or corner sofa with a big \npersonality, Barbican features an unusual minimalist structure, with \npillows and memory-foam toppers upholstered in bold, block colours \nthat can be used to create multiple looks. \n",32,{"image":136,"text":137,"number":138},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.33.png","69\n70\nDimensions: L2000mm × D900mm × H680mm \nSeat height: 400mm  \n \nA sofa with its own style, Konstantin Grcic’s unique Cape design can \ntransform to suit the seasons with a simple change of its customisable \ncover, available in bespoke fabrics and over 100 trim and tape colours.\nCAPE\nKonstantin Grcic\n",33,{"image":140,"text":141,"number":142},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.34.png","71\n72\nCASSETTE\nRonan & Erwan Bouroullec\nDimensions:  \nL1650mm × D900mm × H720mm\nL2070mm × D900mm × H720mm\nSeat height: 400mm\nBringing together contrasting materials and a simple form, Ronan and \nErwan Bouroullec have created a statement sofa that offers solidity, \nversatility, comfort and contemporary style, with a slim steel frame and \ndeep upholstery. \n",34,{"image":144,"text":145,"number":146},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.35.png","73\n74\nEASY\nKlauser & Carpenter \nDimensions:  \nL700mm\u002FL790mm × D765mm × H715mm \nL1350mm\u002FL1440mm × D765mm × H715mm \nSeat height: 410mm \nThe soft, defined forms of the Easy range offer a polished but \nwelcoming feel to a wide variety of spaces, from meeting areas  \nto changing rooms and guest bedrooms. Cleverly designed for  \ncomfort in contract use.\n",35,{"image":148,"text":149,"number":150},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.36.png","75\n76\nDimensions: \nL1730mm × D1180mm × H680mm \nSeat height: 440mm \nInstantly recognisable, Mollo’s simple, rounded volume is composed \nentirely of foam with no hard internal structures, making it exceptionally \ncomfortable and inviting for both private and social lounging.  \nMOLLO\nPhilippe Malouin\nQUILT\nRonan & Erwan Bouroullec\nDimensions: \nArmchair: L1280mm × D900mm × H750mm\nL1400mm × D1200mm × H750mm\nSofa: L2100mm × D1200mm × H750mm\nSeat height: 350mm  \nThe generously-proportioned Quilt seating series by the \nBouroullecs is covered with honeycomb-like, plump upholstery \nin bright, stretch fabrics for an instant colour hit in both residential \nand contract settings.\n",36,{"image":152,"text":153,"number":154},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.37.png","77\n78\n",37,{"image":156,"text":157,"number":158},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.38.png","79\n80\nTUDOR CHAIR\nJaime Hayon\nColours: Chrome\u002Fblack leather,  \ngold\u002Fwhite leather \nWithout arms: L465mm × D580mm × H860mm\nWith arms: L580mm × D580mm × H860mm\nSeat height: 440mm\nEach of these regal dining chairs by Jaime Hayon has its own finish \nand personality, referencing a rich episode in British history with \ndetailed leather stitching featuring a pattern that has been in use since \nthe 1500s.\n",38,{"image":160,"text":161,"number":162},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.39.png","81\n82\nColours: Black, white \n \nDimensions: L3050mm × D1350mm × H760mm \n \nAQUA TABLE\nZaha Hadid\nAn impressive centrepiece by the late, great Zaha Hadid, the glossy \nsurfaces of the Aqua Table inspire curiosity with irregular fin-like legs \nthat are expressed as indents in the gently undulating, fluid tabletop.\n",39,{"image":164,"text":165,"number":166},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.40.png","83\n84\nBringing together the best of furniture and Formula 1 racing car  \ndesign, the super-slim 2mm edge and long span of the Surface  \nTable is made possible by cutting-edge engineering and carbon  \nfibre composite materials.  \nDimensions:  \nL2400mm\u002FL3000mm\u002F3600mm  \nD1000mm × H720mm\nSURFACE TABLE\nTerence Woodgate & John Barnard\n",40,{"image":168,"text":169,"number":170},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.41.png","85\n86\n",41,{"image":172,"text":173,"number":174},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.42.png","87\n88\nM5\nFrank\nColours: Birch wood veneer, white laminate\nDimensions: L1700mm × D800mm × H745mm\nL2200mm × D900mm × H745mm\n \nBased on an engineered form more commonly used in bridge \nbuilding, and named for its source of inspiration – a bridge over \na motorway– the M5 table is dependable and tough without \ncompromising on aesthetics. \nUDUKURI\nJo Nagasaka\nColours: Midnight black, ruby red, turquoise \nDimensions: L2680mm × D1000mm × H730mm\nJo Nagasaka’s Udukuri is named after the Japanese hand-carving \ntechnique used on the Douglas fi r tabletop, which is then covered \nwith bright epoxy resin, to create a strikingly diff erent approach to \na minimal design.\n",42,{"image":176,"text":177,"number":178},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.43.png","89\n90\nTABLE\nCaruso St John\nDimensions: \nColours: Black linoleum, glacier white Corian© \nL2400mm × D900mm × H750mm \nL1800mm × D1800mm × H750mm\n \nCaruso St John’s architecture is known for fine detailing and intelligent \nuse of materials, and Table shares those hallmarks, with layers \nof engineered timber creating a design that is both familiar and \ncompletely new.  \n",43,{"image":180,"text":181,"number":182},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.44.png","91\n92\nWRONGWOODS\nRichard Woods & Sebastian Wrong\nThe distinctive patterns of the Wrongwoods range are created by hand \nusing individual wood blocks, giving each piece a unique character.\nColours: Five colour Palm Springs, light grey \nwith dark grey, white with black\nDimensions: L2000mm × D900mm × H765mm\n",44,{"image":184,"text":185,"number":186},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.45.png","93\n94\nZERO-IN\nBarber & Osgerby\nColours: Black, cinnabar orange, light blue, \numbra grey, white \n \nDimensions: L900mm × D900mm × H350mm\n \nThe Zero-In table creates an illusion of weightlessness, with  \nseamless sloping walls at unexpected angles topped with a glass \nsurface, all supported by hidden feet that create a shadow gap  \nbelow the structure. \n",45,{"image":188,"text":189,"number":190},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.46.png","95\n96\nSTACK\nRaw Edges ⁄ Shay Alkalay\nColour Palettes: Blue, green, neutral, red\nWood Veneer Palettes: Natural, sage\nDimensions:  \nH1080mm\u002FH1780mm x L565mm x D615mm\nChallenging the conventions of a traditional drawer unit, Stack consists \nof individual, multicoloured drawers that appear suspended above one \nanother and open in both directions, creating an irregular composition.\n",46,{"image":192,"text":193,"number":194},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.47.png","97\n98\n",47,{"image":196,"text":197,"number":198},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.48.png","99\n100\nTHE CRATE\nJasper Morrison\nDimensions: L375mm × D175mm × H500mm \n \nEmphasising honest materials and usability, Jasper Morrison uses \na familiar form in idealised proportions to draw attention to the \npossibilities of an undervalued, everyday object with his Crate design.\n",48,{"image":200,"text":201,"number":202},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.49.png","101\n102\nWRONGWOODS\nRichard Woods & Sebastian Wrong\nDimensions:  \nL585mm × D355mm × H595mm \nL1090mm × D510mm × H735mm \nL1500mm\u002FL2600mm × D405mm × H645mm \nRichard Woods’ strikingly colourful wood-grain block prints are applied \nto Sebastian Wrong’s utilitarian furniture – reminiscent of mid-century \ndesigns – in this seminal collaboration between artist and designer.\nColours: Light grey with \ndark grey, pink with blue, \nwhite with black, white with \ngreen, yellow with red\n",49,{"image":204,"text":205,"number":206},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.50.png","103\n104\n",50,{"image":208,"text":209,"number":210},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.51.png","105\nColour Palettes: Air, sand, stone  \nColours: Green, grey, orange, pink, purple, red,  \nwhite, yellow \n  \nDimensions: 1m2: 78 blocks \nL250mm × D60mm × H21mm  \n \nWALL TO WALL\nRaw Edges\nShay Alkalay and Yael Mer have reimagined the parquet floor by \ncolour-staining individual oak blocks, which are then used to create a \nherringbone pattern that is unique every time and can be tailored to \nspecific spaces. \n",51,{"image":212,"text":213,"number":214},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.52.png","107\n108\nJAIME HAYON\nSPANISH ARTIST-DESIGNER\nBORN 1974\nJaime Hayon has had a long and illustrious \ncareer for someone so young. After training \nas an industrial designer in Madrid and \nParis he joined Fabrica – Benetton Group’s \ncommunication research centre –  in 1997, \nwhere he directed the design department \nuntil 2003. Jaime established his own studio \nin 2000 and now runs offices in Spain, Japan \nand Italy, pursuing a range of eclectic projects \nthat include product design, interior design, \ncuratorial roles and artistic installations. \nKnown for injecting humour and colour into \nhis designs, his boldness has helped his work \ntranscend the boundaries of the art and design \nworlds. Hayon’s esteem for and knowledge \nof artisan skills has allowed him to push the \nboundaries of many mediums and functions. \nHis work has been widely exhibited at some \nof the world’s best galleries and art fairs, and \nTimes magazine named him as one of the \nworld’s 100 leading creators. \nJASPER MORRISON\nBRITISH DESIGNER\nBORN 1959\nA Royal Designer for Industry since 2001, \nJasper Morrison is one of the UK’s most \nrespected and celebrated product designers. \nHe is known for his intellectual approach \nto the design and appreciation of “normal” \nobjects and his deceptively simple, original \nand contemporary aesthetic. Morrison \nlaunched his first studio in London in 1986 \nafter studying at Kingston University and the \nRoyal College of Art and rapidly established \nhimself internationally with installations at \nthe Documenta art exhibition in 1987 and at \nthe DAAD Gallery during the Berlin Design \nWerkstadt in 1988. He has since been invited \nto design everything from trams to tableware, \nand his work is among the collections of the \nworld’s leading museums. Morrison’s interest \nin archetypal objects led to a partnership \nwith Japanese designer Naoto Fukasawa in \n2006 on the seminal Super Normal exhibition \nand the accompanying manifesto – the first \nof a number of publications celebrating \neveryday objects. His retrospective exhibition, \nThingness, opened at the Grand-Hornu in \nBelgium in 2015 and is currently touring \nEurope. Morrison now divides his time \nbetween studios in Paris, Tokyo and London. \nJO NAGASAKA\nJAPANESE ARCHITECT\nBORN 1971\nBorn in Osaka, Jo Nagasaka studied \narchitecture at the Tokyo National University \nof Fine arts before founding his practice \nSchemata Architects in Japan’s capital \nin 1998. His work ranges from individual \nproducts to large-scale installations, \ninteractive interiors and entire buildings, and \nis characterised by an interest in bringing \nnew life into old objects and ideas with \nmodern solutions and techniques. Examples \ninclude the Sayama Flat, a groundbreaking \nrenovation project in a post-war apartment \nblock in Sayama-shi, and the Happa Hotel, an \nexhibition that temporarily turned a building of \ndisused offices and galleries into a new type \nof hotel, with a workshop, bookstore, and \ncafe. Both showcased Nagasaka’s ability to \nrepurpose and breathe new life into unloved \nspaces and objects. Recent projects have \nincluded the conversion of a Tokyo factory into \nan artist’s studio with an indoor garden, and a \nfashion boutique with an interior that is entirely \nvisible from the street.\nJOHN BARNARD\nBRITISH DESIGN ENGINEER\nBORN 1946\nJohn Barnard is one of the most innovative \nracing car design engineers of his generation. \nBarnard’s first experience in the limelight \ncame when his Chaparral 2K chassis \nwon the prestigious Indianapolis 500. He \npioneered and built the world’s first carbon \nfibre monocoque, winning three consecutive \nFormula One world championships for \nMcLaren. Uniquely he has been technical \ndirector⁄ chief designer at both Ferrari and \nMcLaren. Headhunted by Ferrari he pioneered \nfor them the first hydro electronic gearbox, a \nsystem that is now used by all Formula One \nteams. His system of using paddles on the \nsteering wheel and an automatic clutch has \nnow migrated to road cars. Asked to re-join \nFerrari in 1992 he designed and built Ferraris \nin the UK from 1993-1997. In 1995 Barnard \nwas awarded Royal Designer for Industry. \nHis Ferrari 641, one of the most beautiful \nFerrari racing cars, is in the MoMA, New York \npermanent collection. His influence can be \nseen in every single car on the grid today.\nKLAUSER & CARPENTER\nGERMAN\u002F BRITISH DESIGNERS\nBORN 1972\u002F1975\nAndré Klauser moved to London from \nGermany after training in Design at the \nFachhochschule Münster and began  \nworking for Jasper Morrison in London in \n1999. Ed Carpenter studied sculpture at \nKingston University. The duo met in 2000  \nwhile studying on the MA Design Products \ncourse at the Royal College of Art. Both found \nsuccess and launched their own practices \nimmediately after graduating, with Carpenter’s \n2001 Pigeon Light becoming an unexpected \nicon and enduring bestseller in design and \nmuseum shops around the world. After a \nseries of successful collaborations, they \nformed Klauser & Carpenter, working with \nEstablished & Sons and other pioneering \nmanufacturers internationally. They are both \ndirectors of design at production company \nVery Good & Proper, with the motto ‘measure \ntwice, cut once’. Klauser has also been a tutor \non the influential Design Products course at \nthe Royal College of Art. \nKONSTANTIN GRCIC\nGERMAN DESIGNER\nBORN 1965\nKonstantin Grcic trained as a cabinet maker \nat The John Makepeace school before \ncompleting his MA in Industrial Design at the \nRoyal College of Art in London. In 1991 he set \nup his own practice Konstantin Grcic Industrial \nDesign (KGID) in Munich. Since 2018 the office \nhas established its permanent base in Berlin.\nKnown for pared-down pieces, Grcic is often \ncalled a minimalist but the designer himself \nprefers to speak of simplicity. His designs \nare characterised by careful research and a \npassion for technology and materials. Many \nKGID designs have received international \ndesign awards and are also a part of the \npermanent collections at MoMA in New York, \nParis’ Centre Georges Pompidou and Die \nNeue Sammlung, Munich.\nHe has received an array of international \ndesign awards, such as the prestigious \nCompasso d’Oro for his Mayday lamp in 2001, \nthe Myto chair in 2011 and the OK lamp in \n2016. In 2010 he was named Designer of the \nYear by Design Miami and in 2016 he was \nawarded the Personality distinction for his \nachievements by the German Design Council.\nDESIGNERS\nALEXANDER TAYLOR\nBRITISH DESIGNER\nBORN 1975\nAlexander Taylor is one the UK’s leading \ndesign innovators. After establishing his studio \nin 2002, the young designer was quickly \ncatapulted onto the international stage with \nthe launch of the Antlers coat hook, which \nwon multiple awards. This was followed by \nthe Fold light – a small lamp created from a \nsingle sheet of folded metal – for Established & \nSons’ debut line in 2005, which has since been \nacquired by museums including the MoMA, \nNew York and the Art Institute of Chicago. \nHis natural curiosity for new manufacturing \ntechniques attracted sports brand Adidas, \na collaboration which led to the invention of \nPrimeknit, the brand’s first knitted single-piece \nupper. Taylor continues to work as a creative \nconsultant for Adidas and has also produced \nprivate commissions for David Gill Gallery and \nthe late Alexander McQueen.\nAMANDA LEVETE\nBRITISH ARCHITECT\nBORN 1955\nCelebrated for her innovative structures, \nunique application of construction materials \nand courageous architectural schemes, \nAmanda Levete – founder and principal of \narchitecture studio AL_A – has established a \nparticularly impressive reputation as one of \nBritain’s leading creatives. A recipient of the \nRoyal Institute of British Architects’ Stirling \nPrize, one of the UK’s highest architectural \nhonours, her recent commissions include \nthe celebrated expansion of the Victoria \nand Albert Museum in London, and a 1.5 \nmillion square foot luxury shopping mall \nand hotel in Bangkok. Levete trained at the \nArchitectural Association and worked for \nthe British architect Richard Rogers before \njoining Future Systems as a partner in 1989, \nwhere she realised groundbreaking buildings \nincluding the Media Centre at Lord’s Cricket \nGround and Selfridges department store in \nBirmingham. Amanda is a trustee of leading \nsocial innovation centre The Young Foundation \nand has served as a trustee of influential arts \norganisation Artangel for over a decade.  \nShe is a regular radio and TV broadcaster, \nwrites for a number of publications, including \nthe New Statesman and Prospect, and \nlectures worldwide. \nBARBER & OSGERBY \nBRITISH DESIGNERS\nBORN 1969\u002F1969\nEdward Barber and Jay Osgerby founded their \nLondon studio in 1996 after graduating with \nMaster’s in Architecture from the prestigious \nRoyal College of Art in London. Their diverse \nbody of work spans industrial design, furniture, \nlighting and site-specific installations, as \nwell as gallery and public commissions \nsuch as the London 2012 Olympic Torch \nand projects for the Royal Mint. Barber and \nOsgerby’s work is held in permanent museum \ncollections around the world including \nLondon’s V&A Museum and Design Museum, \nthe Metropolitan Museum of Art in New York \nand the Art Institute of Chicago. In 2007 they \nwere awarded Royal Designers for Industry by \nthe Royal Society of Arts and in 2013 the duo \nwere each awarded an OBE for their services \nto the design industry. Both hold honorary \ndoctorates of art and lecture internationally. \nA definitive monograph of their work to date, \ntitled Projects, has just been published. \nCARUSO ST JOHN\nCANADIAN BRITISH\u002F BRITISH  \nARCHITECTS BORN 1962\u002F1959\nRefined details and carefully chosen materials \nare hallmarks of Caruso St John’s thoughtful \napproach to architecture. Founded by Adam \nCaruso and Peter St John in 1990, the practice \nbegan its rise to international prominence with \nthe New Art Gallery in Walsall in 2000.\nIt has completed a string of award-winning \narts spaces, including the Newport Street \nGallery for Damien Hirst in London, which \nwon the 2016 Stirling Prize – the UK’s \nhighest accolade for a building – the Centre \nof Contemporary Art in Nottingham and the \nrestructuring and extension of London’s V&A \nMuseum of Childhood. Caruso St John was \nappointed architect for Tate Britain in 2007, \nrecently completing the museum’s acclaimed \nrenovation of the existing galleries and  \npublic spaces, and has designed a series of \ngalleries for the Gagosian in London, Paris, \nHong Kong, and Rome. In 2011 Adam  \nCaruso was appointed Professor of \nArchitecture and Construction at the ETH \nZurich. Peter St John is currently an external \nexaminer at the Scott Sutherland School of \nArchitecture in Aberdeen and Cardiff School of \nArchitecture and a visiting professor at London \nMetropolitan University. \nDIMITRI BÄHLER\nSWISS DESIGNER\nBORN 1988\nSwiss designer Dimitri Bähler launched his \nown studio in Biel in 2014 and has since \nbeen nominated for two Swiss Design \nAwards, directed a string of workshops and \nproduced pieces for some of the world’s \nmost adventurous design brands. He studied \nproduct design at ECAL in Switzerland \nand at Design Academy Eindhoven in The \nNetherlands, before moving back to the area \nhe grew up in to launch his practice. Bähler \ndescribes his approach as spontaneous, \nradical and poetic, but with a foundation in \nsubstantial material and structural research. \nIn 2016, his experimental ceramics collection \nVPTC – created to explore the relationship \nbetween volumes, patterns, textures and \ncolours by using both digital and traditional \ntools – was named as the grand prize winner \nat Biennale Interieur, the respected design \nbiennial in Kortrijk, Belgium. \nFEDERICO GREGORUTTI\nITALIAN DESIGNER\nBORN 1968\nItalian designer Federico Gregorutti started  \nhis independent work as a scenographer \nin 1990, producing wall paintings in public \nspaces, discos, and private villas. In 2000, \nGregorutti extended his creative and  \ntechnical interests and began working as  \nan industrial designer. Since 2009, he has  \nbeen a vital part of the Established & Sons \nteam as production manager and continues \nto design and experiment with a range of \nprocesses and new materials.\nFRANK\nBRITISH DESIGNERS\nBORN 1974\u002F1974\nFrank was founded by personal and \nprofessional partners Paw West and Matt \nEdmonds. Aberdeen native West and \nMancunian Edmonds met while they were \nboth studying furniture design at what is now \nBuckinghamshire New University. Graduating \nfrom their master’s degrees a year apart in \n1996 and 1997, the duo had not originally \nplanned to work together, but the creative \nunion evolved out of their natural working \nprocess. They established the Frank studio \nin London in 2001. Influenced by industrial \ninfrastructures – such as motorways and \nshipping – and Italian product design, Frank’s \napproach is simultaneously pragmatic, \nimaginative and complex. The duo believe \nthat each project defines its own method of \ncreating, with unique outcomes. \n",52,{"image":216,"text":217,"number":218},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.53.png","109\n110\nMAURO PASQUINELLI\nITALIAN DESIGNER\nBORN 1937\nMauro Pasquinelli had his first taste\nof furniture making as a child in the\nworkshop of his carpenter father. After\ngraduating from the Florence Art Institute\nin 1951, he won a series of awards, quickly\nestablishing himself as a significant talent\nduring a period when the Italian design\nindustry was becoming a world leader. \nDesigning more than 50 successful chairs, \nhe became a staple name in the ‘Triangle of \nthe Chair’, an area of north-eastern Italy near \nthe city of Udine re-sponsible for the design \nand manufacturing of a huge swathe of the \nworld’s most successful wood-en seating \nproducts. His pieces have regularly featured \nin exhibitions across Italy and further afield in \nCologne, Chicago and Ljubljana. Now in his \n80s, he is still designing in Scandicci, and his \nwork is being revisited outside Italy through his \ncollaboration with Established & Sons.\nMICHAEL MARRIOTT\nBRITISH DESIGNER\nBORN 1963\nLondon-based Michael Marriott is among \nthe small group of highly regarded designers \nthat helped reinvigorate British design in the \n1990s and 2000s. He graduated from the \nRoyal College of Arts in 1993, and went on \nto produce covetable and functional designs \nwith an approach that had been described as \n“bare-bones” and “honest”. He now works as \nboth a sought-after designer and a curator, \nhaving put together exhibitions at London’s \nDesign Museum and the Camden Arts \nCentre among others and created products \nfor manufacturers alongside producing his \nown work from his studio in east London. \nMarriott generates new designs annually for \nthe Ace Hotel in Shoreditch as part of the \nReadyMadeGo initiative, curated by Modern \nDesign Review magazine, and contributed to \nthe interiors for the hugely popular London \nrestaurant Bird in collaboration with design \nfirm Brinkworth. \nNAO TAMURA\nJAPANESE DESIGNER\nBORN 1976\nBorn in Japan to an industrial designer \nfather and an interior designer mother, she \ngrew up creating handmade gifts for her \nfamily. Described as ‘a designer in the most \nmodern terms’, Tamura originally studied \ncommunication design but her work today \nis extremely varied, taking in conceptual art, \nlighting, product and graphic design, among \nothers. She draws inspiration from an evolving \nmixture of cultures, disciplines and concepts, \nresulting in beautiful and gently emotive \nsolutions for a wide range of contemporary \nscenarios. Tamura moved to New York in \n2010 and is now based in Brooklyn. She has \nexhibited at the Palais de Tokyo museum in \nParis, as well as Milan Design Week, Design \nMiami and Tokyo Designer’s Week and has \nwon a number of accolades, including a Good \nDesign award from The Chicago Athenaeum \nMuseum of Architecture and Design and the \nADI Compasso d’Oro International Award. \nPHILIPPE MALOUIN\nCANADIAN DESIGNER\nBORN 1982\nCanadian designer Philippe Malouin lives \nand works in London, where he founded \nhis own design practice in 2009 and is the \ndirector of architectural and interiors studio \nPOST-OFFICE. He holds a bachelor’s degree \nin design from radical Dutch school Design \nAcademy Eindhoven, and also studied at \nthe École Nationale Supérieure de Création \nIndustrielle in Paris and University of Montreal. \nIn London, he worked for leading British \ndesigner Tom Dixon before establishing \nhis own studio. Malouin’s diverse portfolio \nincludes tables, rugs, chairs, lights, art objects \nand installations. His recent accolades include \nW Hotels’ Designer of the Future Award, the \nWallpaper* Best Use of Material Award and \nWallpaper* Designer of the Year 2018 Award.\nRAW EDGES\nISRAELI BORN,  \nLONDON BASED DESIGNERS\nBORN 1976\nDesign duo Shay Alkalay and Yael Mer set \nup Raw Edges, a London-based design \nstudio, after both graduating with a Masters \nin Product Design from the Royal College of \nArt. Yael’s main focus includes turning two-\ndimensional sheet materials into curvaceous \nfunctional forms, whereas Shay is fascinated \nby how things move, function and react. \nAlkalay and Mer have received several highly \nrespected awards including The British Council \nTalented Award, iF, Wallpaper* Design Award \n2009, Elle Decoration International Design \nAward in 2009 and the 2009 Designer of the \nFuture Award from Design Miami Basel.\nIn recent projects Endgrain and Herringbones, \nthe duo have experimented with colour, using \nthe grain of the wood to carry the dye through \nthe timber. In 2015 the Stack-Up Series used \nmany different materials, textures and colours \nto present new unique bespoke editions of \nthe design. Alkalay’s Stack is included in the \npermanent collection of MoMA in New York.\nRICHARD WOODS\nBRITISH ARTIST\nBORN 1966\nA painter, designer and sculptor, Richard \nWoods is a graduate of The Slade School \nof Fine Art. His well-documented work \ncrosses boundaries between art, architecture \nand design and is most often made up \nof exaggerated, garish representations of \ntraditional British architectural and interior \nmotifs, such as wooden flooring, chintz \nwallpapers, crazy paving or red bricks. These \n“logos of reality” are created using traditional \nwoodblock techniques and then applied as a \nsecond skin covering interior floors and walls. \nHis work has been applied to a courtyard \nin the Henry Moore Project at the Venice \nBiennale 2004, to a residential building in \nupstate New York 2006, and a store interior \nfor Comme des Garcons in Osaka in 2003. \nIn these instances, Woods’ art expresses an \nextreme version of Englishness by taking over \na space and saturating it with iconography. \nWoods has also recently produced work \nfor the London Underground, Paul Smith, \ncollaborated on architectural projects in Sicily \nand Tokyo and is currently working on a host \nof projects including further architectural \ncommissions in New York, London and Seoul. \nRONAN & ERWAN \nBOUROULLEC\nFRENCH DESIGNERS\nBORN 1971\u002F1976\nRonan & Erwan Bouroullec have been \nworking together for over 15 years, \nbonded by diligence and challenged by \ntheir distinct personalities. From designing \nspaces to furniture, taking on architectural \nprojects to designing textile wall systems \nor comprehensive collections, the brothers \nmaintain drawing and experimental activity \nas essential to the development of their work.  \nExhibitions of their work have been held at \nLondon’s Design Museum, the Museum of \nContemporary Art in Los Angeles, the Vitra \nDesign Museum, Centre Pompidou Metz \nin Paris, the Museum of Contemporary Art \nin Chicago and the Arts Décoratifs, Paris. \nAwarded Honorary Royal Designer for Industry \nin 2015 their designs are part of select \ninternational museums’ permanent collections, \nincluding the Musée National d’Art Moderne, \nCentre Pompidou and the Musée des Arts \nDécoratifs in Paris, New York’s MoMA, the \nArt Institute of Chicago, the Design Museum \nin London, and the Museum Boijmans van \nBeuningen in Rotterdam. Drawing, published \nby JRP Ringier in 2012, provides a unique \ninsight into Ronan & Erwan’s design practice \ncontaining more than 850 drawings made \nbetween 2005 and 2012. \nROSS LOVEGROVE\nBRITISH DESIGNER\nBORN 1958\nRoss Lovegrove describes himself as a \n21st-century translator of technology into \nrelatable, everyday products. Inspired by the \nlogic of nature, he brings together technology, \nmaterial science and intelligent, organic forms \nacross architecture and design. Originally from \nWales, he studied at London’s Royal College \nof Art, graduating in 1983 with a Master in \nDesign. After working abroad for three years, \nhe returned to London in 1986 and created \nhis studio in Notting Hill. Lovegrove’s work \nhas been part of numerous exhibitions and \nis in museum collections around the world \nincluding those of the MoMA, New York, Axis \nCentre, Japan, the Pompidou Centre in Paris, \nthe Vitra Design Museum in Weil Am Rhein  \nand London’s Design Museum, for which  \nhe curated the first permanent collection in \n1993. Lovegrove was awarded Royal Designer \nfor Industry by The Royal Society  \nof Arts in 2003. \nSEBASTIAN WRONG\nBRITISH DESIGNER\nBORN 1971\nDesign Director of Established & Sons \nand an award-winning product designer, \nLondon-born Sebastian Wrong has more \nthan 18 years of experience in manufacturing.  \nWrong originally studied sculpture at \nNorwich School of Art, before founding his \nfirst production company in 2001. Spanning \nboth the creative and production side of the \ndesign business, he has accumulated an \nimpressive array of  technical skills.  As a \ndesigner, he has created commercially and \ncritically successful products for some of the \nworld’s leading brands, and his portfolio of \nwork spans furniture, lighting, accessories \nand gallery projects. As a manufacturer, he \nhas collaborated with many of the preeminent \nnames in contemporary design.\nSYLVAIN WILLENZ\nBELGIAN DESIGNER\nBORN 1978\nSylvain Willenz founded his multi-disciplinary \ndesign office in Brussels in 2004, after seven \nyears of living in London and graduating from \nthe Royal College of Art. His early collections \nexplored the possibilities of natural rubber, \nand Willenz has continued to investigate the \npotential of new materials and manufacturing \ntechniques. Willenz’s work is often inspired \nby archetypal objects and the simplicity and \nfamiliarity with which they are associated, \ninterpreting these forms and qualities in new \ndesigns. His studio focuses on products and \nfurniture, as well as installation and exhibition \ndesign and creative direction. In 2009, his \nTorch Light series for Established & Sons won \nBest in Lighting and Overall Best Product of \nthe Year at the UK Grand Designs Awards.\nTERENCE WOODGATE\nBRITISH DESIGNER\nBORN 1953 \nA modernist at heart, Terence Woodgate \nis known for his simple, thoughtful and \nunderstated designs. Woodgate works from \nhis studio in the UK where he continues to \nseek ways to distil the essentials of design. \nIn 2003 he was elected a Royal Designer for \nIndustry (RDI). He has received prestigious \ninternational design industry awards including \nthe German Red Dot ‘Best of the best’ award \nand the IF ecology award. In the UK he has \nwon the Observer⁄ Elle Decoration design \naward for furniture and a Wallpaper* design \naward. Examples of his work are held in the \npermanent collections of the Museu de les \nArts Decoratives, Barcelona and the Victoria  \n& Albert Museum, London.\nWOUTER SCHEUBLIN\nDUTCH DESIGNER\nBORN 1979\nNetherlands designer Wouter Scheublin \nstudied Industrial Design at both the Technical \nUniversity of Delft and Design Academy \nEindhoven, before founding his studio in \n2005. In 2015 he merged studios with fellow \ndesigner and long-term collaborator Lotty \nLindeman in Eindhoven, creating Scheublin \n& Lindeman. Scheublin’s work expresses his \nongoing fascination with construction and \nmechanics, in a variety of autonomous and \nfunctional designs. Examples include his \nwalking furniture series, where normally static \npieces like a table or chair become animated \nin response to human contact. He continues \nto work on both self-initiated projects and \npartnerships with other designers, researchers, \nbrands, and manufacturers. \nZAHA HADID\nARCHITECT\n1950–2016\nZaha Hadid was the first woman to \nbe awarded the distinguished Pritzker \nArchitecture Prize in 2004 and is internationally \nknown for her built, theoretical and academic \nwork. Her recognisable and remarkable style \nis characterized by fragmented geometry \nand bold fluid forms. Hadid’s outstanding \ncontribution to the architectural profession \nhas been acknowledged by the world’s most \nrespected institutions. In 2010 and 2011, her \ndesigns were awarded the Stirling Prize – one \nof architecture’s highest accolades – by the \nRoyal Institute of British Architects. In 2010, \nUNESCO also gave Hadid the title of Artist for \nPeace, while the Republic of France honoured \nher with the Commandeur de l’Ordre des Arts \net des Lettres. TIME Magazine has included \nher in their list of the 100 Most Influential \nPeople in the World, and in 2012, Zaha Hadid \nwas made a Dame Commander of the Order  \nof the British Empire by Queen Elizabeth II.  \nHer legacy continues through the many \nprojects in construction and in the \nextraordinary talents of the Zaha Hadid \nArchitects team, which is still based in  \nLondon, where Hadid lived and studied.\n",53,{"image":220,"text":221,"number":222},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.54.png","PB\n112\nLIGHTING\nCORONA \nFrank\nDesign: 2010 \nDescription: Suspension light  \nLight Emission: Direct  \nLight Fitting:  \nS2: G9, 1× max 75W, 220 ⁄ 240V, clear PVC cable\nDimensions:  \nS2: Ø490mm × H170mm, cable L2000mm, 6.2kg \nMaterials: Ceramic, opal hand blown glass \nwith polished stainless steel reflector, powder-\ncoated steel fixings, steel suspension cable\nCompliant: CE marking\nColours: White gloss interior with white matt \nexterior, white gloss interior with metallic \ncopper exterior\nFILIGRANA LIGHT\nSebastian Wrong\nDesign: 2018\nDescription: Suspension light\nLight Emission: Diffused and direct (S1) \nLight Fitting:\nS1: E14, 1× max 6W LED, 220 ⁄ 240V, \nclear PVC cable\nS2, S3, S4: E27, 1× max 9W LED, 220 ⁄ 240V, \nclear PVC cable\nDimensions:\nS1 Beehive: Ø160mm × H140mm, \ncable L2000mm, 1.0kg\nS2 Cylinder: Ø220mm × H230mm,\ncable L2000mm, 1.9kg\nS3 Ellipse: Ø370mm × H230mm,\ncable L2000mm, 3.0kg\nS4 Ellipse: Ø450mm × H330mm,\ncable L2000mm, 4.1kg\nMaterials: Acid etched hand blown\nglass, acrylic and powder-coated steel \nfixings, steel suspension cable\nCompliant: CE marking\nColours: Etched with black canes, \netched with red canes, etched with \nwhite canes\nFOLD\nAlexander Taylor\nDesign: 2005\nDescription: Table light in two sizes  \nLight Emission: Direct and in-direct\nLight Fitting:  \nT1: E14, 1× max 60W, 220 ⁄ 240V, braided \nfabric twisted cable, inline on ⁄off switch  \nT2: E27, 1× max 100W, 220 ⁄ 240V, braided \nfabric twisted cable, inline on ⁄off switch  \nDimensions:  \nT1: H230mm, shade L120mm × D120mm, \nbase Ø120mm, cable L2000mm, 0.7kg  \nT2: H450mm, shade L260mm × D260mm, \nbase Ø260mm, cable L2000mm, 2.5kg  \nMaterials: Powder-coated steel\nCompliant: CE marking \nColours: Signal white RAL 9003 with  \nred cable, sulphur yellow RAL 1016 with  \nblack cable\nLIGHTHOUSE \nRonan & Erwan Bouroullec\nDesign: 2010\nDescription: Table light \nLight Emission: Diffused \nLight Fitting:  \nT1: G9, 1× max 75W, 220 ⁄ 240V, braided fabric \ncable, integrated dimmable on ⁄off switch \nDimensions:  \nT1: H695mm, shade Ø370mm × H465mm, \nbase Ø100mm, cable L2250mm, 10.3kg \nMaterials: Hand blown glass, anodised \naluminium, marble\nCompliant: CE marking\nColours: Grey blown glass with matt Carrara \nwhite marble, grey blown glass with matt \nMarquina black marble, amber blown glass \nwith matt Marquina black marble\nLIGHT LIGHT\nDimitri Bähler\nDesign: 2018  \nDescription: Floor light\nLight Emission: Diffused \nLight Fitting:  \nF1, F2: E14, 1× max 6W LED, 220\u002F240V, \nPVC black cable, inline continuous\ntouch dimmable foot switch \nDimensions:  \nF1: H1400mm, shade Ø250mm, base \nØ200mm, cable L1500mm, 4.3kg\nF2: H1850mm, shade Ø250mm, base \nØ200mm, cable L1500mm, 4.4kg\nMaterials: Power-coated steel, magnetic\nfixings, carbon-fibre (rod), lacquer, Washi\npaper (shade), pyrex glass diffuser\nCompliant: CE marking\nLOUVRE LIGHT \nKlauser & Carpenter\nDesign: 2008  \nDescription: Suspension light \nLight Emission: Direct and in-direct \nLight Fitting:  \nS1: 2× T5 linear fluorescent 39W  \n(electronic ballast), 220 ⁄ 240V, PVC clear cable\nDimensions:  \nS1: Shade L950mm × D210mm × H215mm, \ncable L2000mm, 6.8kg \nMaterials: Anodised aluminium, \npolycarbonate diffuser, powder-coated \naluminium and steel fixings, steel  \nsuspension cable \nCompliant: CE marking \nColours: Anodised black, anodised bronze\nTANK \nAlexander Taylor\nDesign: 2006\nDescription: Suspension light in  \ntwo sizes\nLight Emission: Direct and in-direct\nLight Fitting:\nS1: E27, 1x max 100W, 220⁄240V, \nclear PVC cable \nS2: E27, 1x max 150W, 220⁄240V,  \nclear PVC cable \nDimensions:\nS1: Ø500mm x H350mm,  \ncable L2000mm, 3.9kg \nS2: Ø720mm x H500mm,  \ncable L3000mm, 7.2kg \nMaterials: Powder-coated aluminium (shade), \npowder coated steel, frosted glass diffuser, \nsteel suspension cable\nCompliant: CE marking\nColours: Black RAL 9005,  \nsignal white RAL 9003 \nTIKI \nNao Tamura\nDesign: 2014\nDescription: Table light\nLight Emission: Direct\nLight Fitting:  \nT1: Integrated white LED, 220\u002F240V, black PVC \ncable, inline on\u002Foff switch\nDimensions:  \nT1: H370mm × L340mm × D70mm,  \ncable L1500mm, 1.5kg\nMaterials: Gloss glazed ceramic, acrylic\nCompliant: CE marking\nColours: Black, metallic copper\nTORCH LIGHT \nSylvain Willenz\nDesign: 2008\nDescription: Suspension light  \n(cone in two sizes, round) with  \nmatching basic light\nLight Emission: Direct\nLight Fitting: \nS1, S2, S3: E14, 1× max 6W LED,  \n220⁄ 240V, PVC cable\nT1: E14, 1× max 6W LED, 220⁄240V, \nPVC cable, inline on⁄off switch\nDimensions: \nS1 cone Ø150: Ø150mm × H210mm,  \ncable L2000mm, 0.4kg\nS2 round Ø150: Ø150mm × H210mm,  \ncable L2000mm, 0.4kg\nS3 cone Ø300: Ø300mm × H205mm,  \ncable L2000mm, 0.8kg\nT1 cone Ø150: Ø150mm x H210mm, cable \nL2000mm, 0.6kg\nMaterials: PVC dipped polymer  \nshade and ceiling fixing, clear diamond \ntextured polycarbonate diffuser \nCompliant: CE marking \nColours: Black with black cable,  \nred with red cable, signal grey with red cable, \nsignal grey with yellow cable, yellow with \nyellow cable \nTORCH LIGHT, BUNCH \nSylvain Willenz\nDesign: 2008\nDescription: Group suspension light  \nin three sizes\nLight Emission: Direct\nLight Fitting:  \nS5 bunch: E14, 5x max 6W LED,  \n220⁄ 240V, PVC cable\nS10 bunch: E14, 10x max 6W LED,  \n220⁄ 240V, PVC cable\nS20 bunch: E14, 20x max 6W LED,  \n220⁄ 240V, PVC cable\nDimensions: \nS5 bunch: 3x S1 cone Ø150,  \n2x S2 round Ø150, approx Ø300mm,  \ncable aprox L1400mm, weight 2.1kg \nS10 bunch: 6x S1 cone Ø150, 3x S2 round \nØ150, 1x S3 cone Ø300, approx Ø400mm,  \ncable aprox. L1800mm, weight 4.7kg\nS20 bunch: 12x S1 cone Ø150, 7x S2 round \nØ150, 1x S3 cone Ø300, approx Ø600mm,  \ncable aprox. L1800mm, weight 7.6kg\nMaterials: PVC dipped polymer shade \nand ceiling fixing, clear diamond textured \npolycarbonate diffuser  \nCompliant: CE marking \nColours: Black with black cable, red with red \ncable, signal grey with red cable, signal grey \nwith yellow cable, yellow with yellow cable \nØ300\nØ400\nØ600\n340\n70\n370\nØ150\n210\nØ150\nØ300\n695\nØ250\nØ250\n1400\n1850\n120\n260\n450\n230\n950\n210\n215\nL200\nS4: Ø450\nS3: Ø370\nS2: Ø220\nS1: Ø220\nØ370\n100\nØ490\n",54,{"image":224,"text":225,"number":226},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.55.png","113\n114\nACCESSORIES\nFONT CLOCK \nSebastian Wrong\nDesign: 2007\nDescription: Wall-mounted clock \nDimensions: \nG100: L290mm × D110mm × H140mm, 1.2kg\nG225: L420mm × D120mm × H320mm, 2.4kg \nG270: L475mm × D160mm × H565mm, 5.0kg\nNotes: G100 free-standing base (option), \nplease follow start up instructions\nMaterials: White ABS plastic, \nclearview perspex, battery powered\nPOUR \nEstd Collection\nDesign: 2011\nDescription: Serving jugs\nDimensions: \n300ml half pint: Ø75mm × H125mm\n580ml pint: Ø95mm × H155mm \n750ml wine bottle: Ø100mm × H170mm\nNotes: Artisan material and process, \nvariations occur\nMaterials: Hand-crafted polished pewter\nSTORE \nEstd Collection\nDesign: 2010\nDescription: Storage containers\nDimensions: \nØ140mm × H140mm, Ø140mm × H175mm, \nØ140mm × H210mm, Ø215mm × H180mm\nNotes: Artisan material and process, \nvariations occur\nMaterials: Matt and gloss glazed ceramic, \ncork lid, silicone seal\nColours: Gloss grey with matt black base, \ngloss natural white with matt white base, \ngloss yellow with matt white base, \nmatt black with gloss black base\nWRONGWOODS \nRichard Woods &  \nSebastian Wrong\nDesign: 2012 \nDescription: Tray \nDimensions:  \nL440mm × D330mm × H70mm \nNotes: Artisan material and process, \nvariations occur \nMaterials: Plywood, timber, paint,  \nclear lacquer \nColours: Four colour candyman,  \nwhite with black\n290\n420\n475\n140\n320\n565\n155\n170\n125\nØ100\nØ95\nØ75\nØ140\nØ140\nØ140\nØ215\n140\n175\n210\n180\n440\n330\n70\nALTO \nMichael Marriott\nDesign: 2007 \nDescription: Stool \nDimensions:  \nH710mm × L480mm × D370mm,  \nseat height 640mm \nMaterials: Powder-coated steel, black nickel \nplated steel, nylon anti-tilt feet, birch plywood \nColour: Black RAL 9005 frame with black \nnickel plated footrest and black stained  \nbirch plywood seat\nBUTT \nEstd Collection\nDesign: 2010 \nDescription: Stool \nDimensions:  \nH490mm × L410mm × D380mm \nMaterials: Polypropylene \nColours: Black, bright blue,  \nnavy blue, orange, yellow \nDRIFT \nAmanda Levete\nDesign: 2006\nDescription: Bench\nDimensions:  \nL2880mm × D870mm × H420mm,  \nseat depth 420mm \nMaterials: Glass reinforced polyester  \nColours:  \nSatin-matt: Black RAL 9005, white RAL 9003 \nHigh-gloss: Black RAL 9005, white RAL 9003 \n \nDRIFT CONCRETE \nAmanda Levete\nDesign: 2006 \nDescription: Bench \nDimensions:  \nL2880mm × D870mm × H420mm,  \nseat depth 420mm \nMaterials: Reinforced C40 concrete,  \ncrushed white limestone, surface sealant \nColour: Natural\nDRIFT-IN, DRIFT-OUT \nAmanda Levete\nDesign: 2007\nDescription: Flexible seating segments \nDimensions:  \nL1390mm × D590mm × H400mm,  \nseat depth 400mm \nMaterials: Glass reinforced polyester \nColours:  \nSatin-matt: Black RAL 9005, white RAL 9003  \nHigh-gloss: Black RAL 9005, white RAL 9003\nFRAME CHAIR \nWouter Scheublin\nDesign: 2008 \nDescription: Chair \nDimensions:  \nL400mm × D610mm × H785mm,  \nseat height 440mm \nMaterials: European oak, oil,  \nsteel fixings\nColours: Natural oak\n640\n710\n370\n480\n410\n490\n380\n2880\n420\n420\n870\n2880\n420\n870\n420\n1390\n1390\n400\n400\n400\n400\n590\n590\nSEATING\n400\n610\n785\n440\n",55,{"image":228,"text":229,"number":230},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.56.png","115\n116\nUPHOLSTERY\nHEIDI \nSebastian Wrong\nDesign: 2008 \nDescription: Stool \nDimensions:  \nH500mm × L450mm × D425mm \nH650mm × L450mm × D425mm  \nH800mm × L450mm × D425mm \nMaterials: Heat-formed acrylic, polyurethane, \nsolid ash wood, wood stain, matt lacquer \nColours: Black, red, white \nMAURO CHAIR \nMauro Pasquinelli\nDesign: 2018\nDescription: Chair  \nDimensions:  \nL515mm × D490mm × H770mm,\nseat height 450mm\nMaterials: Solid oak or solid ash, oak \nor ash veneer plywood (seat, seatback), \nleather (optional)\nNon-upholstered: Ash wood, ash wood \nstained black wenge, oiled oak, waxed oak\nUpholstered:\nAsh wood with leather: natural\nOiled oak with leather: black, brandy\nMOOT \nRoss Lovegrove\nDesign: 2013 \nDescription: Chair \nDimensions:  \nL590mm × D460mm × H800mm,  \nseat height 465mm \nMaterials: Woven carbon fibre \nColour: Natural woven carbon fibre,  \nhigh gloss lacquer\nNEKTON \nZaha Hadid\nDesign: 2007 \nDescription: Flexible seating stools \nDimensions:  \nL870mm × D500mm × H510mm \nL1020mm × D720mm × H520mm \nL1030mm × D630mm × H500mm \nL1120mm × D900mm × H500mm\nMaterials: Glass reinforced polyester \nColours:  \nSatin-matt: Black RAL 9005, white RAL 9003  \nHigh-gloss: Black RAL 9005, white RAL 9003\nSTEP \nFederico Gregorutti \nDesign: 2014\nDescription: Stool\nDimensions:  \nH650mm × Ø350mm, H750mm × Ø350mm\nMaterials: Solid ash wood, wood stain,  \nash veneer (seat)\nColours: Blue black, red\nSURFACE CHAIR \nTerence Woodgate & \nJohn Barnard\nDesign: 2009  \nDescription: Chair \nDimensions:  \nL470mm × D500mm × H800mm,  \nseat height 440mm  \nMaterials: Woven carbon fibre, lacquer  \nand carbon fibre (legs) \nColour: Natural carbon fibre, high gloss \nlacquer with black lacquer legs\n460\n590\n800\n465\n425\n450\n450\n450\n500\n650\n800\n1120\n900\n500\n520\n350\n350\n750\n650\n470\n500\n800\n440\nBARBICAN \nKonstantin Grcic\nDesign: 2018\nDescription:\nUpholstered sofa in two sizes\nDimensions:\nL1600mm × D900mm × H640mm\nL2700mm × D1600mm × H640mm\nseat height 410mm\nMaterials: Timber frame,\npolyurethane foam, solid beech (feet),\nmemory polyurethane foam (toppers),\nfeather (cushions), removable upholstery covers\nCAPE \nKonstantin Grcic\nDesign: 2011 \nDescription: Upholstered sofa \nDimensions:  \nL2000mm × D900mm × H680mm,  \nseat height 400mm \nMaterials: Timber frame, foam core,  \nnon-removable upholstery base cover,  \nremovable upholstery over-cover\nCASSETTE \nRonan and Erwan Bouroullec\nDesign: 2018\nDescription:\nUpholstered two and three-seater \nsofa with side cushions (optional)\nDimensions:\nL1650mm × D900mm × H720mm\nL2070mm × D900mm × H720mm\nseat height 400mm\nMaterials:\nPowder-coated steel and plywood \nframe, solid oak (side panels), \nfoam and goose-down cushions, \nremovable upholstery covers\nEASY \nKlauser & Carpenter\nDesign: 2007 \nDescription: Upholstered armchair and sofa, \nwith or without arms \nDimensions:  \nChair (without or with arms):  \nL700 ⁄ 790mm × D765mm × H715mm,  \nseat height 410mm\nSofa (without or with arms):  \nL1350 ⁄ 1440mm × D765mm × H715mm,  \nseat height 410mm \nMaterials: Nickel plated steel, moulded  \nfoam, fixed non-removable upholstery cover\nMOLLO \nPhilippe Malouin\nDesign: 2014 \nDescription: Upholstered armchair  \nDimensions:  \nL1730mm × D1180mm × H680mm,  \nseat height 440mm \nMaterials: Foam, plywood, fixed  \nnon-removable upholstery cover\nQUILT \nRonan & Erwan Bouroullec \nDesign: 2009\nDescription: Upholstered armchair in two \nsizes and sofa  \nDimensions:\nArmchair: L1280mm × D900mm × H750mm\nArmchair: L1400mm × D1200mm × H750mm\nSofa: L2100 × D1200mm × H750mm\nseat height 350mm \nMaterials: Powder-coated steel frame, glass \nreinforced polyester core, foam inserts, \nfixed non-removable upholstery cover,  \nrubber feet\nFrame: Black RAL 9011\nTUDOR CHAIR \nJaime Hayon\nDesign: 2008\nDescription: Upholstered chair,  \nwith or without arms\nDimensions:  \nWithout arms: L465mm × D580mm × H860mm\nWith arms: L580mm × D580mm × H860mm\nseat height 440mm\nMaterials: Metal plated steel, composite, \nfoam, non-removable upholstery,  \npowder-coated steel (optional, arms)\nColours (legs): Metallic chrome finish,  \nmetallic gold finish  \nUpholstery (leather): Black or white leather \nwith leaf or diamond stitched pattern\n1730\n680\n440\n1180\n1280\n1400\n350\n750\n2100\n350\n750\n680\n400\n2000\n515\n465\n580\n860\n440\n580\n580\n700\n790\n1350\n1440\n765\n765\n715\n715\n410\n410\n490\n450\n770\n2700\n1600\n1600\n1650\n2070\n400\n720\n640\n410\n900\n",56,{"image":232,"text":233,"number":234},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.57.png","117\n118\nZERO-IN \nBarberOsgerby\nDesign: 2005 \nDescription: Low table \nDimensions:  \nL900mm × D900mm × H350mm \nMaterials: Satin-finish polyester moulded \ncompound, 4mm toughened glass \nColours with transparent glass: Black RAL \n9005, cinnabar orange NCS S 20175-Y70R, \nlight blue RAL EFFECT 730-5, umbra grey  \nRAL 7022, white RAL 9003\nSpecial finishes: Black RAL 9005 with black \ntinted glass\n900\n900\n350\nTABLES\nAQUA TABLE \nZaha Hadid\nDesign: 2005 \nDescription: Display or dining table \nDimensions:  \nL3050mm × D1350mm × H760mm \nMaterials: Glass reinforced polyester  \nColours:  \nSatin-matt: Black RAL 9005, white RAL 9003 \nHigh-gloss: Black RAL 9005, white RAL 9003 \nSURFACE TABLE \nTerence Woodgate &  \nJohn Barnard\nDesign: 2008  \nDescription: Meeting, display or dining table \nDimensions:  \nL2400mm × D1000mm × H720mm \nL3000mm × D1000mm × H720mm \nMaterials: Unidirectional carbon fibre, lacquer, \nsteel (legs) \nColours: Unidirectional carbon fibre,  \nhigh gloss lacquer\u002F matt lacquer with black \nlacquer legs\nM5 \nFrank\nDesign: 2006 \nDescription: Desk or dining table \nDimensions:  \nL1700mm × D800mm × H745mm  \nL2200mm × D900mm × H745mm \nMaterials: Birch plywood, high-pressure \nlaminate, wood veneer with clear  \nlacquer (optional) \nColours: Birch wood veneer, white laminate \nTABLE \nCaruso St John\nDesign: 2008 \nDescription: Meeting, display or dining table \nDimensions:  \nL2400mm × D900mm × H750mm \nL1800mm × D1800mm × H750mm \nMaterials: Spruce lumber triboard,  \nlinoleum, Corian® \nColours: Black linoleum, glacier white Corian®\nUDUKURI \nJo Nagasaka\nDesign: 2012 \nDescription: Meeting, display or dining table \nDimensions:  \nL2680mm × D1000mm × H730mm  \nMaterials: Solid ash, douglas fir, epoxy resin \nColours: Magenta, midnight black, turquoise\nWRONGWOODS TABLE \nRichard Woods &  \nSebastian Wrong\nDesign: 2017 \nDescription: Dining table \nDimensions:  \nL2000mm × D900mm × H765mm  \nMaterials: Plywood, timber, paint,  \nclear lacquer \nColour: Five colour Palm Springs, light grey \nwith dark grey, white with black\n3050\n1220\n1350\n760\n720\n1000\n2400\n3000\n1000\n720\n720\n1700\n800\n745\n900\n745\n2200\n1800\n2400\n750\n750\n900\n1800\n2680\n1000\n730\n2000\n765\n900\n",57,{"image":236,"text":237,"number":238},"\u002Fmedia\u002Fimages\u002Faa\u002F9509c18743d4538312346d05d7e21d.58.png","119\n120\nWRONGWOODS\nRichard Woods \n& Sebastian Wrong\nDesign: 2007\nDescription: Night table with drawers, \nchest of drawers, cabinet with sliding doors \nin two sizes\nDimensions:\nNight table: \nL585mm × D355mm × H595mm\nChest of drawers: \nL1090mm × D510mm × H735mm\nLow cabinet: \nL1500mm × D405mm × H645mm\nLong low cabinet: \nL2600mm × D405mm × H645mm\nMaterials: Plywood, timber, paint, \nclear lacquer\nColours: Light grey with dark grey (L1500, \nL2600), Pink with blue, white with black, white \nwith green, yellow with red\nSTACK\nRaw Edges\u002FShay Alkalay\nDesign: 2008\nDescription: Tower of drawers\nDimensions: \n8 drawers: \nH1080mm × L565mm × D615mm\n13 drawers: \nH1780mm × L565mm × D615mm\nMaterials: Birch plywood, fi bre board, clear \nlacquer, steel, ball bearing movement, \nsoft castors \nColour Palettes: Blue, green, neutral, red \nWood Veneer Palettes: Natural, sage\nTHE CRATE\nJasper Morrison\nDesign: 2006\nDescription: Flexible storage \nDimensions: \nL375mm × D175mm × H500mm\nMaterials: Yellow pine, wax\nWALL TO WALL\nShay Alkalay & Yael Mer\nDesign: 2009\nDescription: Herringbone parquet \nfl ooring system\nDimensions:\nL1000mm × L1000mm,\n(78 blocks, L250mm × D60mm × H21mm)\nMaterials: Natural oak, stained\nNotes: Artisan material and process, \nvariations occur. 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