[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-ento-general-2019":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":385},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":380,"matched_pages":381,"match_count":382,"two_pages":383,"show_text":384},12498,"General 2019","ento-general-2019","\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fd3\u002Ff9af296590ae89cfbb8dc389386157-2701d7bc75.pdf","ENTO",2268,"ento","14.2 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377],{"image":7,"text":15,"number":16},"01\nEDIZIONE\nEDITION\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.3.png","SPOON\nGordon Guillaumier\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.4.png","4\nLa maniglia completa il progetto\nThe handle completes the project\nIL CONCEPT \u002F THE CONCEPT\nArchitectural space design involves elements and furnishing \naccessories.  Hardware for doors and windows falls into the \nlatter category, which is often seen as secondary when it \ncan be a precious resource for discreetly defining a project’s \npersonality.\nThe ENTO handle approach is based on its complementary \nfunction and appearance. Our name is an incomplete word, \njust like doors and windows without mechanisms that allow \nthem to be opened or closed.\nThe range products design is a personal vision, which avoids \nany extremes.\nEnto offers designers a high-quality alternative in the field \nof door and window handles. \nLa progettazione di uno spazio architettonico si avvale di \nelementi e complementi d’arredo. L’hardware per porte e \nfinestre rientra in quest’ultima categoria, apparentemente \nsecondaria, che può essere una risorsa preziosa per definire \nla personalità di un progetto in modo discreto.\nL’approccio Ento alla maniglia si basa sulla sua condizione \ndi complemento, funzionale ed estetico. Il nostro nome è \nuna parola incompleta, esattamente come lo sono porte \ne finestre prive di meccanismi che consentano di aprirle o \nchiuderle.\nIl design dei prodotti in gamma propone una visione \npersonale, evitando ogni eccesso, anche di rigore.\nEnto offre ai progettisti un’alternativa di alta qualità nel \nsettore della maniglieria per porte e finestre.\nEDGE\nDiliberto - Bucci\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.5.png","6\nCARTA D’IDENTITÀ \u002F IDENTITY CARD\nEnto is a Salice Paolo brand – a historic classic handle \ncompany founded in Cantù in 1937. It is positioned in the high-\nend of the market and distributed to more than 80 countries.\nIn 2018, after years of investments in its modern range, Fabrizio \nand Luisa Salice, together with the creative director Davide \nDiliberto, split it from the rest of the classic catalogue, to give \nthe range its best chance of development and to create an \nindependent brand.\nEnto inherits the same extended quality and true Made in Italy \nconcept, with the exclusive use of brass and controls on 100% \nof items in all fi nishing stages.\nDesign builds a strong, coordinated image, a careful and never \npadded communication. This led to the range separation \nfollowing the Architectural, Aesthetic and Special Product \nconcept.  It is a choice dictated by the desire to facilitate \narchitects, interior designers and customers in the research \nand selection phase of the accessories to be included in their \nprojects. For the same reason, we aim to extend each range \naccording to its aesthetic and functional potential to make the \nwidest variants and accessories to complete a project with the \nmost coordinated elements possible.  The Coordinating Tool \ngives an immediate overview of the available options, suggests \nconsistent combinations and allows a quick and eff ective \ndialogue with the company when preparing a purchase order.\nEach new product is created in collaboration with \ninternationally renowned designers and emerging talents, who \ncan imagine precise use contexts, combinations and trends, \nfollowing Ento’s philosophy.\nEnto è un marchio Salice Paolo, storica azienda di \nmaniglieria classica fondata a Cantù nel 1937, posizionata \nnella fascia alta del mercato e distribuita in più di 80 Paesi.\nDopo alcuni anni di investimenti nella gamma moderna, \nnel 2018 Fabrizio e Luisa Salice, insieme al direttore \ncreativo Davide Diliberto , decidono di separarla dal resto \ndel catalogo classico, per consentirle le migliori chance di \nsviluppo e creare un vero brand indipendente.\nEnto eredita lo stesso concetto di qualità estesa e vero \nMade in Italy, con l’uso esclusivo dell’ottone e controlli sul \n100% dei campioni in tutte le fasi di fi nitura.\nIl Design è uno strumento per costruire una forte immagine \ncoordinata, una comunicazione attenta e mai riempitiva, \nfi no alla divisione della gamma secondo il concetto di \nprodotti Architetturali, Estetici e Speciali. Una scelta \ndettata dalla volontà di facilitare il più possibile il lavoro di \narchitetti, interior designer e clienti nella fase di ricerca e \nselezione dei complementi da inserire nei propri progetti. \nPer lo stesso motivo, si punta ad estendere ogni linea \nsecondo le sue potenzialità estetiche e funzionali in modo \nda mettere a disposizione il maggior numero di varianti \ne accessori per completare un progetto con elementi il \npiù possibile coordinati. Lo Strumento Correlati dà una \npanoramica immediata delle opzioni disponibili, suggerisce \ngli abbinamenti coerenti e permette di dialogare in modo \nrapido ed effi  cace con l’azienda nel momento di redigere un \nordine d’acquisto.\nOgni nuovo prodotto nasce in collaborazione con designer \ndi fama internazionale e talenti emergenti, in grado di \nimmaginare precisi contesti di utilizzo, abbinamenti e trend, \nnel rispetto della fi losofi a Ento.\nNel 2018, per il suo primo Fuorisalone, Ento sceglie il Brera \nDesign District con la collaborazione di Gordon Guillaumier \ne Lorenzo Damiani insieme al direttore creativo Davide \nDiliberto. I loro progetti Spoon e Trace, già a catalogo, \nesplorano modi diversi di ridurre l’uso di materiale e \ndialogare con il progetto architettonico. \nA sinistra, l’azienda e Lorenzo Damiani durante la \npresentazione uffi  ciale del nuovo marchio.\nEnto chooses the Brera Design District, during the 2018 Milan \nDesign Week, for its fi rst Fuorisalone event, with renown \ndesigners Gordon Guillaumier, Lorenzo Damiani and the \ncreative director Davide Diliberto. Spoon and Trace designs \nare already available and give new visions about reduction in \nmaterial use and dialogue with the architectural project.\nLeft, the Ento team with Lorenzo Damiani during the offi  cial \ndebut of the new brand.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.6.png","8\nTECNOLOGIA \u002F TECHNOLOGY\nThe whole range is made of brass which is the best \nmaterial to guarantee finishes without defects, high \nresistance to chemical and atmospheric agents and the \nmaximum sensation of weight and firmness to the grip.\nEach piece is checked during the finishing phases which \nmeans an unattainable quality standard with automated \nmanagement or sample checks. \nTutta la gamma è realizzata in ottone, il miglior materiale \nper garantire finiture prive di difetti, alta resistenza agli \nagenti chimici e atmosferici e, non ultimo, per la massima \nsensazione di peso e solidità alla presa.\nControllo su ogni pezzo in tutte le fasi di finitura: \nquesto significa uno standard qualitativo inarrivabile \ncon una gestione automatizzata o controlli a campione.\nLa qualità senza compromessi del vero Made in Italy: \ndall’idea alla progettazione, dagli stampi alla finitura e \ncontrolli su ogni singolo pezzo.\nThe uncompromising true Made in Italy quality –  ideas, \ndesigns, moulds, finishing and checks on every piece.\nOgni prodotto Ento è disegnato, \nrealizzato e rifinito in Italia con \nalti standard di qualità.\nSull’etichetta di ogni \nconfezione è riportato il \ncodice Trace Me Code che \nconsente di verificarne online \nl’autenticità.\nThe whole Ento production is \ndesigned, made and finished \nin Italy with high quality \nstandards.\nTrace Me Code is on every \npackaging label, allowing the \ncustomer to verify online that \nthe purchase is genuine.\nThe C3 rose, with its integrated return spring, is the smallest \non the market.  It is 33 mm diameter and 3 mm thick and is a \ntechnical and aesthetic result that enhances the handle and door.\nLa rosetta C3 è attualmente la più piccola sul mercato con \nmolla di ritorno integrata. \nMisura appena 33 mm di diametro e 3 mm di spessore, un \nrisultato tecnico ed estetico che valorizza al massimo sia la \nmaniglia che la porta su cui è montata.\nThe German Kit GK is specifically designed for all situations \nwhere it is impossible to use the sub-rose standard system \nsuch as cases where there is reduced thickness or poor wood-\ntightness.  Two threaded rods firmly fasten each door pair of \nsub-roses, through two holes with 38 mm inter-axis.\nThe system is perfectly compatible with traditional roses and is \navailable in versions for Patent and Yale escutcheons.\nIl German Kit GK è specificatamente progettato per tutte \nle situazioni  in cui non è possibile usare il sistema standard \ndi sottorosette, ad esempio con spessori ridotti o scarsa \ntenuta del legno. Due tiranti filettati fissano saldamente \nogni coppia di sottorosette alla porta, attraverso due fori \npassanti con interasse 38 mm.\nIl sistema è perfettamente compatibile con le rosette \ntradizionali ed è disponibile nelle versioni per bocchette \nPatent e Yale.\nROSETTA C3 \u002F C3 ROSE\nSOTTOROSETTA GK \u002F GK SUBROSE\nEnto door handles are tested for more than 500.000 cycles of use.\nThe return spring and all the high quality mechanical \ncomponents allow constant functionality along the entire life of \nthe product.\nLe maniglie Ento sono testate per oltre 500.000 cicli di utilizzo.\nLa molla di ritorno e tutti i componenti meccanici di alta qualità \nconsentono una funzionalità costante per tutta la durata del \nprodotto.\n33\n3\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.7.png","11\nQUALITÀ \u002F QUALITY\nH-FINISH\nGLASS AND CRYSTAL\nBrass is contrasted by the visual lightness of transparent \nmaterials, chosen based on each model design and the \nrequired visual properties.\nAll products with glass and crystal parts are tested to withstand \nthe expected bending loads.\nCristallo\nCrystal\nVetro\nGlass\nH-FINISH technology guarantees high physical, chemical \nand durability performance, up to three times higher \nthan traditional electroplating bath finishes. The process \ntakes place in an autoclave, where the combination of \nhigh temperatures, noble gases and electrically charged \nvaporised precious metals creates a layer of material that \nbinds to the product at the molecular level. This guarantees \nexceptional physical-chemical characteristics. \nLa tecnologia H-FINISH garantisce altissime prestazioni \nfisiche, chimiche e di durata, fino a tre volte superiori \nalle tradizionali finiture a bagno galvanico.\nIl processo avviene in autoclave, dove la combinazione \ndi alte temperature, gas nobili e metalli preziosi \nvaporizzati caricati elettricamente, crea uno strato di \nmateriale che si lega al prodotto a livello molecolare, \ngarantendo eccezionali caratteristiche fisico-chimiche.\nBrass and HIGH GRAPHITE finishing give the best performances compared \nto traditional galvanic bath finishes. Ento guarantees the H-GR graphite \nfor a period of 30 years, following all the instructions included in any \nproduct.\nBrass allow to obtain the best galvanic bath finishes, without any \nvisual defect. Ento guarantees the chrome CR and satin chrome CRS \nfinishes for a period of 10 years, following all the instructions included \nin any product.\nH-FINISH\nL’abbinamento fra ottone e rivestimento HIGH GRAPHITE \nconsente di avere prestazioni nettamente superiori ai tradizionali \nrivestimenti a bagno galvanico. Ento garantisce la finitura grafite \nH-GR per 30 anni, rispettando semplici indicazioni di utilizzo \nriportate nella documentazione che accompagna ogni prodotto.\nCR - CRS\nL’ottone è la miglior base per rivestimenti a bagno galvanico di alta qualità \ne privi di difetti estetici. Ento garantisce le finiture cromo CR e cromo \nsatinato CRS per 10 anni, rispettando semplici indicazioni di utilizzo \nriportate nella documentazione che accompagna ogni prodotto.\nCONDIZIONI DI GARANZIA\nLe garanzie si applicano rispettando le istruzioni di \nmontaggio, evitando un uso improprio del prodotto e il \ncontatto con oggetti contundenti.\nPer la pulizia Ento raccomanda di:\n- evitare l’impiego di prodotti abrasivi, solventi, alcol;\n- utilizzare un panno morbido umido per rimuovere lo    \n  sporco e la polvere.\nCRS\nCR\nH-GR\nVETRO E CRISTALLO\nAll’ottone si contrappone la leggerezza visiva dei materiali \ntrasparenti, scelti in base al design del singolo modello e \nalle proprietà ottiche richieste.\nTutti i prodotti con parti in vetro e cristallo sono testati per \nresistere ai carichi di flessione previsti.\nTest effettuati da\nTesting by\nGuARANTEE CONDITIONS\nAll the warranties are valid following assembling instructions, \navoiding improper use of the product and contact with blunt \nobjects.\nFor the cleaning Ento recommends:\n- avoid using abrasive, solvents, alcohol.\n- remove dirt and dust only by using a cloth soaked with  \n  lukewarm water.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.8.png","IL DESIGN COME STRUMENTO\nDESIGN AS A TOOL\nThe range is divided into three categories that perform three \ndiff erent functions within a project.\nLa gamma è divisa in 3 categorie che svolgono 3 diverse \nfunzioni all’interno di un progetto.\nARCHITETTURALI\nProdotti che si integrano visivamente con l’architettura, \no ne interpretino elementi e forme\nARCHITECTuRAL\nProducts that visually integrate with the architecture, or \ninterpret its elements and shapes\nESTETICI\nProdotti dotati di caratteristiche estetiche peculiari, \ncome ad esempio quelli con un design di tipo organico\nAESTHETIC\nProducts with unique aesthetic characteristics, such as \nthose with an organic design\nSPECIALI\nProdotti multimaterici o con soluzioni particolari\nSPECIAL\nMulti-material products or special solutions\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.9.png","14\nLO STRUMENTO CORRELATI\nCOORDINATION TOOL\nFacilitare la scelta per progettisti e clienti.\nSul sito Ento ogni scheda prodotto presenta un sistema \nvisivo e immediato per verificare tutte le possibilità per il \nvostro progetto, mostrando tutti gli accessori della stessa \nfamiglia o compatibili.\nMaking designers and clients’ choice easier.\nOn the website each product sheet contains a visual and \nimmediate system for all your project’s possibilities. It shows all \nthe accessories in the same or a compatible range.\nUNIT\nDavide Diliberto \n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.10.png","DESIGNERS: LE PERSONE DIETRO OGNI IDEA\nDESIGNERS: PEOPLE BEHIND EVERY IDEA\nGRAZIELLA E RENZO FAUCIGLIETTI\nDAVIDE DILIBERTO\nMARELLI - MOLTENI\nGORDON GUILLAUMIER\nANNA DEPLANO\nITAMAR HARARI\nDANIELE MORO\nLORENZO DAMIANI\nRICCARDO ARBIZZONI\nMANUELA BUCCI\nENRICO MARFORIO\nGIULIANO GALEAZZI\nAi nostri designer chiediamo di immaginare prodotti con un \nobbiettivo preciso: una funzione, un riferimemto estetico, un \ntrend, ma sempre con in mente un contesto di utilizzo reale.\nWe ask our designers to imagine products with a specific \nobjective – a function, aesthetic reference, trend but always \nhaving the practical use in mind.\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.11.png","19\n18\nINDICE \u002F INDEX\nManiglie\nDoor Handles\nPomoli\nDoor knob\nCodici\nCodes\nIncasso\nFlush handles\nAlzanti scorrevoli\nPull-up handles\nAccessori\nAccessories\nManiglioni\nDoor pull\nANATOMICA \n111\nANATOMICA SQ \n113\nCEDRO \n52\nCEDRO SQ \n54\nCELSIA \n128\nDAFNE \n126\nDROP \n142\nEDGE \n43\nEDGE SQ \n48\nFLAP \n124\nFLOW \n87\nFLOW C3 \n89\nGHOST \n140\nILEX \n122\nINFINITO \n116\nLIFE \n95\nLIFE C3 \n97\nLIFT \n39\nLIFT C3 \n41\nLINK \n118\nMABELLE \n103\nMABELLE SQ \n105\nPAGE \n69\nPILOT \n79\nPILOT C3 \n81\nPLISSÉ \n108\nREFLEX \n91\nREFLEX C3 \n93\nSAND \n61\nSAND SQ \n63\nSCILLA \n132\nSHINY \n138\nSMART \n70\nSPOON \n75\nSPOON C3 \n77\nTILIA \n134\nTRACE \n23\nTRACE C3 \n25\nTUBE \n56\nTULIPANO \n130\nUNIT \n29\nUNIT C3 \n32\nVELVET \n35\nVELVET C3 \n37\nWAVE \n120\nWING \n83\nWING C3 \n85\nWOOD \n99\nWOOD C3 \n101\nZEN \n65\nZEN SQ \n67\nDROP \n143\nSHINY \n139\nUNIT \n30\nUNIT C3 \n33\nANATOMICA \n154\nANATOMICA SQ \n155\nCEDRO \n151\nDROP \n159\nGHOST \n158\nLINK \n156\nSHINY \n150\nSMART \n157\nSPOON \n146\nTRACE \n147\nTUBE \n149\nUNIT \n148\nZEN \n152\nZEN SQ \n153\nPATCH \n166\nTWIN \n162\nVIOLA \n168\nUNIT \n31\nADE \n173\nARES \n171\nEROS \n173\nGELA \n172\nKINGSTONE \n172\nOSLO \n172\nPOLO \n172\nSPOON \n169\nUNIT \n170, 171\nARCHITETTURALI \u002F ARCHITECTURAL\nESTETICHE \u002F AESTHETIC\nSPECIALI \u002F SPECIAL\n20\n72\n136\n1104 \n171\n1108 \n171\n4488 \n168\n4610 \n170\n4820 \n140\n4821 \n141\n4822 \n141\n4823\u002FBIS \n141\n4824 \n158\n4830 \n70\n4831 \n71\n4832 \n71\n4833\u002FBIS \n71\n4834 \n157\n4840 \n128\n4841 \n129\n4842 \n129\n4843\u002FBIS \n129\n4850 \n132\n4851 \n133\n4852 \n133\n4853\u002FBIS \n133\n4870 \n111\n4871 \n112\n4872 \n112\n4873\u002FBIS \n112\n4874 \n154\n4910 \n173\n4911 \n173\n5200 \n172\n5201 \n172\n5202 \n172\n5205 \n172\n5207 \n169\n5208 \n169\n5300S \n163\n5300SCF \n163\n5300SWC \n162\n5300SWCN \n163\n5300SY \n163\n5301S \n167\n5301SCF \n167\n5301SWC \n166\n5301SWCN \n167\n5301SY \n167\n6005 \n122\n6006 \n123\n6007 \n123\n6008\u002FBIS \n123\n6010 \n134\n6011 \n135\n6012 \n135\n6013\u002FBIS \n135\n6015 \n130\n6016 \n131\n6017 \n131\n6018 \n131\n6020 \n126\n6021 \n127\n6022 \n127\n6023 \n127\n6025 \n65\n6026 \n66\n6027 \n66\n6028 \n66\n6029A \n152\n6029B \n152\n6047 \n62\n6060 \n52\n6061 \n53\n6062 \n53\n6063 \n53\n6064 \n151\n6075 \n54\n6076 \n55\n6077 \n55\n6078 \n55\n6080 \n67\n6081 \n68\n6082 \n68\n6083 \n68\n6084A \n153\n6084B \n153\n6085 \n138\n6086 \n139\n6087 \n139\n6088 \n139\n6089 \n150\n6090 \n116\n6091 \n117\n6092 \n117\n6093 \n117\n6100 \n108\n6101 \n109\n6102 \n109\n6103 \n109\n6105 \n113\n6106 \n114\n6107 \n114\n6108 \n114\n6109 \n155\n6110 \n124\n6111 \n125\n6112 \n125\n6113 \n125\n6115 \n118\n6116 \n119\n6117 \n119\n6118 \n119\n6119A \n156\n6125 \n69\n6130 \n120\n6131 \n121\n6132 \n121\n6133 \n121\n6135 \n56\n6135 \n58\n6136 \n57\n6137 \n57\n6138 \n57\n6139 \n149\n6140 \n43\n6141 \n45\n6142 \n45\n6143 \n45\n6145 \n61\n6146 \n62\n6148 \n62\n6150 \n103\n6151 \n104\n6152 \n104\n6153 \n104\n6155 \n91\n6155C3 \n93\n6156 \n92\n6157 \n92\n6158 \n92\n6160 \n95\n6160C3 \n97\n6161 \n96\n6162 \n96\n6163 \n96\n6165 \n99\n6165C3 \n101\n6166 \n100\n6167 \n100\n6168 \n100\n6170 \n48\n6171 \n49\n6172 \n49\n6173 \n49\n6175 \n63\n6176 \n64\n6177 \n64\n6178 \n64\n6180 \n105\n6181 \n106\n6182 \n106\n6183 \n106\n6185 \n39\n6185C3 \n41\n6186 \n40\n6187 \n40\n6188 \n40\n6190 \n83\n6190C3 \n85\n6191 \n84\n6192 \n84\n6193 \n84\n6195 \n87\n6195C3 \n89\n6196 \n88\n6197 \n88\n6198 \n88\n6200 \n29\n6200C3 \n32\n6201 \n30\n6202 \n30\n6203 \n30\n6204 \n148\n6205 \n30\n6205C3 \n33\n6207 \n31\n6208 \n139\n6210 \n35\n6210C3 \n37\n6211 \n36\n6212 \n36\n6213 \n36\n6215 \n79\n6215C3 \n81\n6216 \n80\n6217 \n80\n6218 \n80\n6220 \n142\n6221 \n143\n6222 \n143\n6223 \n143\n6224 \n159\n6225 \n75\n6225C3 \n77\n6226 \n76\n6228 \n76\n6229 \n146\n6230 \n23\n6230C3 \n25\n6231 \n24\n6232 \n24\n6233A \n147\n6233B \n147\n6234 \n147\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.12.png","MANIGLIE \u002F DOOR HANDLES\nARCHITETTURALI \u002F ARCHITECTURAL\nLIFT\nDavide Diliberto\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.13.png","23\nThe shape of a semi-finished product, to underline the handle’s \nnature, halfway between a functional element and a furnishing \naccessory. A deformation at the thumb level helps the grip, a \ntrace of an industrial process and a symbolic point of contact \nbetween human nature and technology or it is simply the \nimprint of creativity on mass production.\nLa forma di un semilavorato dell’industria del mobile, a \nsottolineare la natura della maniglia, a metà strada fra \nelemento funzionale e complemento d’arredo. \nLa deformazione in corrispondenza del pollice invita alla \npresa, una traccia del processo industriale, un punto \ndi contatto simbolico fra natura umana e tecnologia, o \nsemplicemente l’impronta della creatività sulla produzione \nin serie.\nH-GR\nCRS\nCR\nTRACE\n6230\nLorenzo Damiani\nTRACE\n68\n50\n50\n50\n145\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.14.png","CR\nCRS\nH-GR\n25\n24\nTRACE\n6230C3\n6231\n6232\nLorenzo Damiani\nTRACE C3\n75\n145\n33\n61\n50\n33\n27\n27\n145\n250\n45\n145\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.15.png","TRACE\nLorenzo Damiani\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.16.png","CR\nCRS\nH-GR\n29\nUNIT\nIt is a passepartout line, the first one to be conceived as an \nextended system within the modern range, a complement for \nthe whole environment. UNIT is a complete series of handles \nand accessories designed around a special cross section, \nsquared and softened at the same time to be suitable for any \nkind of styles.\nE’ una linea passepartout, la prima della gamma moderna \nad essere concepita come sistema esteso. Il concetto di \ncomplemento per tutto l’ambiente si traduce in una serie \ndi accessori disegnati su una speciale sezione quadrata \nammorbidita per adattarsi ad ogni stile.\n6200\n63\n50\n50\n50\n133\nDavide Diliberto\nUNIT\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.17.png","31\n30\nUNIT\n6207\n6201\n6202\n6205\n6203\nUNIT\n75\n119\n33\n250\n45\n130\n55\nØ 50\n55\n56\n50\n50\n119\n153\n37\n33\n33\n66\n292\n151\n250\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.18.png","33\n32\nCR\nCRS\nH-GR\n6200C3\nDavide Diliberto\nUNIT C3\nUNIT C3\n56\n124\n50\n27\n27\n33\n6205C3\n55\n50\nØ 33\n55\n49\n27\n27\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.19.png","CR\nCRS\nH-GR\n35\nThis door handle mixes a sober and regular external look, with \nan rounded cross section, intended for the maximum comfort.\nThanks to its duality, it’s a product extremely discreet and \nsuitable for a wide range of environments.\nE’ l’abbinamento di una linea esterna sobria e regolare \ncome un nastro, ad una sezione interna organica, sviluppata \nper il massimo piacere della presa.\nUn prodotto estremamente discreto e adatto ad un vasto \nrange di ambienti.\nVELVET\n6210\nGraziella e Renzo Fauciglietti\nVELVET\n58\n50\n50\n50\n139\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.20.png","CR\nCRS\nH-GR\n37\n36\n6210C3\n6211\n6212\n6213\nGraziella e Renzo Fauciglietti\nVELVET C3\nVELVET\n75\n124\n33\n250\n45\n136\n51\n50\n33\n27\n27\n130\n124\n153\n37\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.21.png","CR\nCRS\nH-GR\n39\nLIFT escapes the technical constraints. It rises diagonally while \nrapidly thins, drawing a quick sign on the door.\nIn the C3 version the rose disappears in the base of the handle, \na surprising technical and aesthetic result.\nIdeally suited for architectural and minimal taste environments.\nLIFT sfugge ai vincoli tecnici. Sale in diagonale mentre si \nassottiglia rapidamente, disegnando un segno rapido sulla \nporta. Nella versione C3 la rosetta scompare nella base \ndella maniglia, un risultato estetico e tecnico sorprendente. \nParticolarmente adatta ad ambienti di gusto architettonico \ne minimal.\nLIFT\n6185\nDavide Diliberto\nLIFT\n50\n50\n50\n142\n65\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.22.png","CR\nCRS\nH-GR\n41\n40\n6185C3\n6186\n6187\n6188\nDavide Diliberto\nLIFT C3\nLIFT\n33\n75\n133\n45\n250\n139\n134\n58\n33\n27\n27\n50\n37\n133\n153\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.23.png","CR\nCRS\nH-GR\n43\nEDGE\n6140\nDavide Diliberto e Manuela Bucci\nEDGE\n64\n50\n50\n50\n150\nThe rigorous shape is developed around the front edge, a thin \nline of light. \nIt is a product that perfectly fits with formal and industrial \nenvirnments.\nLa forma estremamente rigorosa nasce intorno al bordo \nfrontale, una linea sottile di luce. \nUn prodotto ideale per contesti formali o industrial.\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.24.png","45\n44\n6141\n6142\n6143\nEDGE\n136\n33\n75\n250\n45\n147\n136\n37\n153\nMagazzino automatizzato\nAutomated warehouse\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.25.png","EDGE SQ\nDavide Diliberto e Manuela Bucci\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.26.png","49\n48\n6170\nDavide Diliberto e Manuela Bucci\nEDGE SQ\n64\n50\n50\n50\n150\n6171\n6172\n6173\nEDGE SQ\n136\n36\n68\n250\n45\n147\n136\n37\n153\nCR\nH-GR\nCRS\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.27.png","CEDRO SQ\nGiuliano Galeazzi\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.28.png","53\n52\nCR\nCRS\nNS\nH-GR\n6060\nGiuliano Galeazzi\nCEDRO\n60\n50\n50\n50\n153\n6061\n6062\n6063\nCEDRO\n150\n33\n75\n250\n45\n152\n150\n37\n153\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.29.png","55\n54\n6076\n6078\nCEDRO SQ\n150\n36\n68\n250\n45\n152\n6075\nGiuliano Galeazzi\nCEDRO SQ\n60\n50\n50\n50\n153\n6077\n150\n37\n153\nCR\nCRS\nNS\nH-GR\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.30.png","57\n56\nH-GR\nCRS\u002FCR\nCR\nCR\u002FCRS\nCRS\n6135\nMarelli - Molteni\nTUBE\n65\n50\n50\n50\n156\nTUBE\n6136\n6137\n6138\n250\n45\n152\n75\n141\n33\n141\n153\n37\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.31.png","58\nCR\nW\nCRS\nZ\nH-GR\nMarelli - Molteni\nTUBE\n6135\n65\n50\n50\n50\n156\n+\nMarcatura laser\nLaser marking\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.32.png","61\nH-GR\nFLA\nCRS\nCR\n6145\nSAND\nDavide Diliberto e Manuela Bucci\nSAND\n51\n50\n50\n50\n143\nThe balance of the geometric strictness and the living nature’s \nshapes.\nL’ equilibrio del rigore geometrico e le forme vive della \nnatura.\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.33.png","63\n62\nCR\nH-GR\nCRS\nFLA\n6175\nDavide Diliberto e Manuela Bucci\nSAND SQ\n6146\n6047\n6148\nSAND\n127\n33\n75\n250\n45\n140\n51\n50\n50\n50\n143\n127\n37\n153\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.34.png","CR\nCRS\n65\n64\nNS\n6176\n6178\nSAND SQ\n127\n36\n68\n250\n45\n140\n6025\nRiccardo Arbizzoni\nZEN\n62\n50\n50\n50\n119\n6177\n127\n37\n153\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.35.png","CR\nCRS\n67\n66\nNS\n6080\n6026\n6027\n6028\nRiccardo Arbizzoni\nZEN SQ\nZEN\n75\n115\n33\n250\n45\n117\n62\n50\n50\n50\n119\n115\n153\n37\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.36.png","69\n68\nCR\nCRS\n6081\n6082\n6083\nZEN SQ\n68\n115\n36\n250\n45\n117\n6125\nMarelli - Molteni\nPAGE\n59\n53\n53\n50\n50\n151\n115\n153\n37\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.37.png","71\nCR\nCRS\n70\nNS\n4830\nSMART\n68\n50\n50\n50\n133\nSMART\n4831\n4832\n4833\u002FBIS\n75\n129\n33\n250\n45\n130\n129\n153\n37\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.38.png","ESTETICHE \u002F AESTHETIC\nMANIGLIE \u002F DOOR HANDLES\nWING\nDavide Diliberto\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.39.png","CR\nCRS\nH-GR\n75\nIt is inspired by the iconic shape of the cutlery handle, familiar \nobjects, strongly linked to the idea of living. The typical tapered \nand thin shape is duplicated in an uninterrupted, visual game \nwhich becomes three-dimensional. This enables maximum \nfunctionality with a minimum amount of material.\nSi ispira alla forma iconica del manico delle posate, oggetti \nfamiliari, fortemente legati all’idea dell’abitare. La tipica \nforma affusolata e sottile si duplica in un gioco visivo \nsenza interruzione e diventa tridimensionale, ottenendo la \nmassima funzionalità con la minima quantità di materiale.\n6225\nGordon Guillaumier\nSPOON\nSPOON\n64\n50\n50\n50\n139\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.40.png","CR\nCRS\nH-GR\n77\n76\n6225C3\n6226\n6228\nSPOON C3\nSPOON\n75\n127\n33\n250\n45\n136\n57\n50\n33\n27\n27\n130\nGordon Guillaumier\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.41.png","CR\nCRS\nH-GR\n79\nThis is a product with taut lines, that features strong light \ncontrast. \nThe compact shape, together with the technical look and the \nvery thin front edge make it suitable for modern environments \nand for the contract.\nUn modello dalle linee decise, caratterizzato da forti \ncontrasti di luce.\nLa forma compatta, l’aspetto tecnico e il bordo anteriore \nsottilissimo la rendono ideale per ambienti moderni e \ncontract.\n6215\nGraziella e Renzo Fauciglietti\nPILOT\nPILOT\n60\n50\n50\n50\n138\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.42.png","CR\nCRS\nH-GR\n81\n80\nPILOT C3\nPILOT\n6215C3\n6216\n6217\n6218\n125\n33\n75\n250\n45\n135\n53\n50\n33\n27\n27\n129\nGraziella e Renzo Fauciglietti\n125\n37\n153\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.43.png","CR\nCRS\nH-GR\n83\nIts shape evolves the organic trend design. Its section has a \nwing profile, perfect to obtain a thickness of just 10 mm and yet \nextremely comfortable to grip.\nIt characterizes the environment with its natural appearance \nand visual lightness.\nLa sua forma evolve il trend del design organico. La sezione \nè un profilo alare, ideale per ottenere uno spessore di \nappena 10 mm eppure estremamente comodo alla presa.\nCaratterizza gli ambienti con il suo aspetto naturale e la \nleggerezza visiva.\n6190\nDavide Diliberto\nWING\nWING\n135\n50\n50\n50\n77\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.44.png","CR\nCRS\nH-GR\n85\n84\n6190C3\nWING C3\nWING\n6191\n6192\n6193\n75\n135\n33\n250\n45\n135\n33\n27\n27\n135\n70\n50\nDavide Diliberto\n135\n153\n37\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.45.png","CR\nCRS\nH-GR\n87\nAn iconic and suggestive object which is part of a trend where it \nis allowed to play with styles and cultures.\nFLOW is an example of cheerful design, it transmits its visual \nvibrations to the hand and to the environment that it endows \nwith its living shape and its metal reflections.\nSuitable to informal and pop settings, or to distinguish neutral \nenvironments.\nUn oggetto iconico, allusivo, che si inserisce in un trend in \ncui è concesso giocare con gli stili e le culture.\nFLOW è un esempio di design spensierato, che trasmette \nle sue vibrazioni visive alla mano e all’ambiente che arreda \ncon la forma viva e i riflessi del metallo.\nAdatta a contesti informali, pop, o per caratterizzare \nambienti neutri.\n6195\nItamar Harari\nFLOW\nFLOW\n148\n60\n50\n50\n50\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.46.png","CR\nCRS\nH-GR\n89\n88\n6195C3\n6196\n6198\nFLOW C3\nFLOW\n75\n133\n33\n45\n250\n145\n140\n53\n33\n27\n27\n50\nItamar Harari\n133\n153\n37\n6197\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.47.png","CR\nCRS\nH-GR\n91\nAn expression of the latest trends in which a soft appearance \ncoexists with a regular design, enhanced by its thin outline.  \nPerfect for modern locations as well as contract projects. \nEspressione dei trend più attuali in cui coesistono un \naspetto morbido e un design regolare, valorizzati dagli \nspessori sottili. Ideale per ambienti moderni e il contract.\n6155\nDavide Diliberto e Manuela Bucci\nREFLEX\nREFLEX\n59\n50\n50\n50\n135\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.48.png","CR\nCRS\nH-GR\n93\n92\n6155C3\n6156\n6158\nREFLEX C3\nREFLEX\n128\n33\n75\n250\n45\n133\n52\n50\n33\n27\n27\n128\nDavide Diliberto e Manuela Bucci\n128\n37\n153\n6157\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.49.png","CR\nCRS\nH-GR\n95\nThe essence of ergonomic design, where the liquid metal comes \nto life supporting the hand shapes. Enhance with definite and \ncontrasted “chiaroscuro” , in a never-ending motion.\nL’essenza del design ergonomico, dove il metallo liquido \nprende vita, assecondando le forme della mano. Decora con \ni chiaroscuri decisi e contrapposti, in continuo movimento.\n6160\nDavide Diliberto e Manuela Bucci\nLIFE\nLIFE\n63\n50\n50\n50\n138\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.50.png","CR\nCRS\nH-GR\n97\n96\n6160C3\n6161\n6163\nDavide Diliberto e Manuela Bucci\nLIFE C3\nLIFE\n131\n33\n75\n250\n45\n136\n56\n50\n33\n27\n27\n131\n131\n37\n153\n6162\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.51.png","CR\nCRS\nH-GR\n99\nBorn to solve the need of matching floors, ceilings, oak-beamed \nand furniture where wood is the only protagonist. Modern, \nironic and chameleon adapts to minimalist, industrial and even \ncountry settings.\nNasce per risolvere esigenze di abbinamento con pavimenti, \nsoffitti, travi a vista e mobilio in cui il legno è protagonista. \nModerna, ironica e camaleontica, si adatta ad ambienti \nminimalisti, industrial e persino country.\n6165\nDavide Diliberto e Manuela Bucci\nWOOD\nWOOD\n58\n50\n50\n50\n133\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.52.png","CR\nCRS\nH-GR\n101\n100\n6165C3\n6166\n6167\n6168\nDavide Diliberto e Manuela Bucci\nWOOD C3\nWOOD\n123\n33\n75\n250\n45\n131\n51\n50\n33\n27\n27\n126\n123\n37\n153\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.53.png","103\nThe romantic side of elegance.\nThe capitonné echo and the regular outline create a decorative \nand timeless object.\nIl lato romantico dell’eleganza.\nLa citazione del capitonné e il profilo regolare creano un \noggetto decorativo senza tempo.\n6150\nDavide Diliberto e Manuela Bucci\nMABELLE\nMABELLE\n52\n50\n50\n50\n137\nH-GR\nFLA\nCRS\nCR\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.54.png","105\n104\n6180\n6151\n6152\n6153\nDavide Diliberto e Manuela Bucci\nMABELLE SQ\nMABELLE\n134\n33\n75\n250\n45\n134\n52\n50\n50\n50\n137\nCR\nH-GR\nFLA\nCRS\n134\n37\n153\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.55.png","106\n6181\n6183\nMABELLE SQ\n134\n36\n68\n250\n45\n134\n134\n37\n153\n6182\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.56.png","109\nCR\nCRS\n108\nNS\n6100\nEnrico Marforio e Daniele Moro\nPLISSÉ\n79\n50\n50\n50\n145\nPLISSÉ\n6101\n6102\n6103\n134\n36\n68\n250\n45\n142\n134\n37\n153\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.57.png","111\nCR\nCRS\nNS\n4870\nANATOMICA\nANATOMICA\n75\n50\n50\n50\n142\nH-GR\nIt is a sculptural object, that features a pleasing grip and \nunconventional proportions.\nUn oggetto scultoreo, che sorprende per il piacere della \npresa e le proporzioni anticonvenzionali.\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.58.png","113\n112\n6105\n4871\n4873\u002FBIS\nANATOMICA SQ\nANATOMICA\n129\n33\n75\n250\n45\n139\n75\n50\n50\n50\n142\nCR\nCRS\nNS\nH-GR\n129\n37\n153\n4872\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.59.png","114\n6106\n6108\nANATOMICA SQ\n129\n36\n68\n250\n45\n139\n129\n37\n153\n6107\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.60.png","117\n116\nNS\nCR\u002FSB\nCR\u002FSNO\nCRS\nCR\n6093\nINFINITO\n75\n141\n33\n250\n45\n147\n6090\nGiuliano Galeazzi\nINFINITO\n65\n50\n50\n50\n150\n141\n153\n37\n6091\n6092\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.61.png","119\nCR\nCRS\n118\nNS\n6116\n6118\nLINK\n36\n140\n68\n250\n45\n149\n6115\nAnna Deplano\nLINK\n59\n50\n50\n50\n152\n37\n140\n153\n6117\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.62.png","121\n120\nCR\nCRS\n6131\n6132\n6133\nWAVE\n126\n153\n37\n75\n126\n33\n250\n45\n137\n6130\nMarelli - Molteni\nWAVE\n57\n50\n50\n50\n140\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.63.png","123\n122\nCR\nCRS\nNS\nOL\n6006\n6007\n6008\u002FBIS\nILEX\n140\n153\n37\n75\n140\n33\n250\n45\n145\n6005\nILEX\n68\n50\n50\n50\n148\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.64.png","125\n124\nCR\nCRS\nOL\n6111\n6112\n6113\nFLAP\n131\n153\n37\n75\n131\n33\n250\n45\n139\n6110\nEnrico Marforio e Daniele Moro\nFLAP\n63\n50\n50\n50\n142\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.65.png","127\n126\n6021\n6022\n6023\nDAFNE\n127\n153\n37\n75\n127\n33\n250\n45\n139\n6020\nDAFNE\n72\n50\n50\n50\n142\nCR\nCRS\nNS\nOL\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.66.png","CR\n129\n128\nNS\n4842\n4841\n4843\u002FBIS\nCELSIA\n125\n153\n37\n75\n125\n33\n250\n45\n137\n4840\nRiccardo Arbizzoni\nCELSIA\n60\n50\n50\n50\n140\nCR\u002FCRS\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.67.png","131\n130\n6016\n6017\n6018\nTULIPANO\n126\n153\n37\n75\n126\n33\n250\n45\n137\n6015\nEnrico Marforio\nTULIPANO\n58\n50\n50\n50\n140\nCR\nCRS\nNS\nOL\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.68.png","133\n132\n4851\n4852\n4853\u002FBIS\nSCILLA\n130\n153\n37\n75\n130\n33\n250\n45\n141\n4850\nRiccardo Arbizzoni\nSCILLA\n74\n50\n50\n50\n144\nCR\nCRS\nNS\nCR\u002FCRS\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.69.png","135\n134\n6011\n6012\n6013\u002FBIS\nTILIA\n127\n153\n37\n75\n127\n33\n250\n45\n135\n6010\nTILIA\n70\n50\n50\n50\n138\nCR\nCRS\nNS\nOL\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.70.png","SPECIALI \u002F SPECIAL\nMANIGLIE \u002F DOOR HANDLES\nSHINY\nGiuliano Galeazzi\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.71.png","139\nCR\nCRS\n138\nNS\n6085\nGiuliano Galeazzi\nSHINY\n63\n50\n50\n50\n147\nSHINY\n135\n37\n153\n135\n36\n68\n250\n45\n144\n6086\n6087\n6208\n6088\n60\nØ 50\n60\n62\n50\n50\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.72.png","CR\nCRS\n141\n140\nOL\n4820\nGHOST\n70\n50\n50\n50\n144\n4821\n4822\n4823\u002FBIS\nGHOST\n137\n153\n37\n75\n137\n33\n250\n45\n141\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.73.png","CR\nCRS\n143\n142\nNS\n6220\nDROP\n65\n50\n50\n50\n138\n6221\n6223\n6222\nDROP\n75\n138\n33\n250\n45\n138\n70\nØ 60\n70\n67\n50\n50\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.74.png","MANIGLIONI \u002F DOOR PULL\nCEDRO\nGiuliano Galeazzi\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.75.png","147\n146\n19\n320\nH-GR\nH-GR\nCR\nCR\nCRS\nCRS\n6234\n6233A\n6233B\nLorenzo Damiani\nTRACE\n6229\nGordon Guillaumier\nSPOON\n26\n53\n436\n200\n22\n19\n420\n20\n620\n58\n300\n30\n58\n200\n30\n68\n500\n40\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.76.png","149\n148\n6139\nMarelli - Molteni\nTUBE\n6204\nDavide Diliberto\nUNIT\n50\n64\n350\n300\nØ 50\n50\n60\n350\n300\nØ 50\nH-GR\nCR\nCRS\nH-GR\nCR\u002FZ\nCRS\u002FZ\nH-GR\u002FZ\nCRS\u002FCR\nCR\nCR\u002FCRS\nCRS\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.77.png","151\n150\n6064\nGiuliano Galeazzi\nCEDRO\n6089\nGiuliano Galeazzi\nSHINY\n50\n63\n250\n200\n50\n28\n32\n231\n200\n21\nNS\nNS\nCR\nCR\nCRS\nCRS\nH-GR\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.78.png","153\n152\n6084A\n6084B\nRiccardo Arbizzoni\nZEN SQ\n6029A\nRiccardo Arbizzoni\nZEN\n50\n62\n350\n300\nØ 50\n50\n62\n350\n300\n50\nNS\nNS\nCR\nCR\nCRS\nCRS\n6029B\n50\n62\n250\n200\nØ 50\n50\n62\n250\n200\n50\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.79.png","155\n154\n6109\nANATOMICA SQ\n4874\nANATOMICA\n50\n80\n250\n200\nØ 50\n50\n80\n250\n200\n50\nNS\nCR\nCRS\nNS\nCR\nCRS\nH-GR\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.80.png","157\n156\n4834\nSMART\n6119A\nAnna Deplano\nLINK\n50\n60\n350\n300\n50\n50\n70\n250\n200\nØ 50\nNS\nNS\nCR\nCR\nCRS\nCRS\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.81.png","159\n158\n6224\nDROP\n4824\nGHOST\n50\n70\n250\n200\nØ 50\n50\n65\n200\nØ 50\n258\nOL\nNS\nCR\nCR\nCRS\nCRS\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.82.png","ACCESSORI \u002F ACCESSORIES\nTWIN\nDavide Diliberto e Manuela Bucci\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.83.png","163\n162\n5300S\n5300SCF\n5300SY\n5300SWCN\n5300SWC\nDavide Diliberto e Manuela Bucci\nTWIN\nTWIN\n41\n19\n20\n65\n29\n14\n4\n41\n19\n20\n65\n29\n14\n4\n41\n19\n20\n65\n29\n14\n4\n41\n19\n20\n65\n29\n14\n4\n41\n19\n20\n65\n29\n14\n4\nCR\nCRS\nFLA\nH-GR\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.84.png","PATCH\nDavide Diliberto e Manuela Bucci\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.85.png","167\n166\nPATCH\nDavide Diliberto e Manuela Bucci\nPATCH\n5301S\n5301SCF\n5301SY\n5301SWCN\n5301SWC\n41\n19\n20\n65\n29\n15\n5\n41\n19\n20\n65\n29\n15\n5\n41\n19\n20\n65\n29\n15\n5\n41\n19\n20\n65\n29\n15\n5\n41\n19\n20\n65\n29\n15\n5\nCR\nCRS\nH-GR\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.86.png","169\n168\nPVD\n5207\n5208\n4488\nSPOON\nGordon Guillamier\nVIOLA\n153\n35\n15\nOL\nNS\nCR\nCRS\n22\nØ 50\n41\n62\n22\n22\n36\n50\nCR\nCRS\nH-GR\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.87.png","171\n170\n1104\n1108\n4610\nCR\nCRS\nH-GR\nARES\nDavide Diliberto\nDavide Diliberto\nUNIT\nUNIT\n35\n33\n33\n83\n51\nOL\nNS\nCR\nCRS\n80\n57\nCR\nCRS\nH-GR\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.88.png","173\n172\n4910\n4911\n5201\n5202\n5205\n5200\nEROS\nKINGSTONE\nPOLO\nPOLO\nOSLO\nOSLO\nGELA\nADE\nNOTTOLINI \u002F DOOR LATCH\n50\n50\n50\n85\n23\n30\n23\n50\n50\n50\n85\n50\n50\n50\n85\nNS\nNS\nOL\nCR\nCR\nCRS\nCRS\nH-GR\nH-GR\n250\n45\n250\n45\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.89.png","175\n174\nFINITURE \u002F FINISHES\nCromo\nChrome\nChromé\nCromato\nXpoм \nottone lucido\npolished brass\nlaiton poli\nlaton brillo\nБлecтящaя лaтyнь\nrivestimento in zirconio\nfinish in zirconium\nrevêtement en zirconio\nacabado en zirconio\nЦиpкoниeвoe пoкpытиe\nZigrinato\nGrained\nMoulu\nMolido\nшагреневидный\nSmalto bianco\nwhite enamel\némail blanc\nesmalte blanco\nБелая эмаль\nNoce scuro\nDark walnut\nNoyer foncé\nNogal oscuro\nтемный орех\nH-grafite\nH-graphite\nH-graphite\nH-grafito\nH-Гpaфит\nFlare\nSmalto nero opaco\nMatt black enamel\nÉmail noir mat\nesmalte mate negro\nМатовая черная эмаль\nCromo satinato\nSatin chrome\nChromé satin\nCromato satinado\nCaтиниpованньІЙ xpoм\nnichel satinato\nsatin nichel\nnichel satiné\nnichel satinado\nCaтиниpoвaнный никeль\nBlack pearl\nБлэк пepл\nCR\nNS\nCRS\nOL\nH-GR\nPVD\nZ\nSB\nW\nBP\nFLA\nSNO\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F30\u002F8f46624af65586f0bf3a25c33db2fc-2701d8a6ee.90.png","176\n177\n128\n23\n10\nØ 25\nØ 48\n19\n10\nFresatura maniglia incasso\nMilling of fitted handle\nFraisage poignée encastrée\nFraesen Griff Einnahme\nFresado del tirador empotrado\nВрезка ручек\nFresatura per molla compatta\nCompact spring milling\nFraisage de ressort compact\nCompackt Spring Fraes\nMolienda muelle compact\nпаз по мини пружину\nATTENZIONE: foro da eseguire con macchina automatica\nATTENTION: hole to be executed with automatic machine\nATTENTION: trou à exécuter avec machine automatique\nACHTUNG: Loch mit Bohrautomat ausführen\nADVERTENCIA: agujero que se realizará con la máquina automática\nВНИМАНИЕ: отверстие должно быть выполнено при помощи \nавтоматического инструмента\nFori passanti per sottorosette\nThrough holes for roses metal bosses\nTrous passage pour bossette de rosace\nDurch Löcher für Metallschildschen für Schilder\nAgujeros a través por placa en metal para boqueta\nСквозные отверстия для крепления подрозетников\nINFORMAZIONI TECNICHE\nTECHNICAL INFORMATION\nCristallo\nCrystal\nOttone\nBrass\nVetro\nGlass\nPlexiglas\nØ30,4-0,1\n+0\n-0,1\n+0\nA\nA\nR8\n8\n13\n+- 0,1\n13,8\n+- 0,1\n31,2\nmin. 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