[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-edimax-astor-concert":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":105},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":100,"matched_pages":101,"match_count":102,"two_pages":103,"show_text":104},14977,"Concert","edimax-astor-concert","\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fd2\u002F143a9c587f4445ebc087de8dd00b31-283a6aa863.pdf","Edimax Astor",2434,"edimax-astor","7.5 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97],{"image":7,"text":15,"number":16},"CONCERT\nSHAPED\nT E C H N O L O G Y\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.2.png","CONCERT is inspired by the chessboards \nand geometric black and white compositions \ntypical of the floors of the highest Dutch \nhouses of the 1600s. Jan Vermeer was the \nartist who has been able to enhance these \nenvironments, portraying in his paintings \nscenes of everyday life, all of them sharing \nthe Carrara marble white flooring and the \ntypical black of the Flemish blustones. Among \nthese works we find The Concert, a valuable \npainting to which we refer with this collection \ndeveloping a project of modular formats, \nmosaics and special pieces to furnish classic \nsophisticated environments,evoking a period \nof cultural and architectural magnificence that \nsaw in the triangle formed by Holland, New \nAmsterdam (the current New York) and Great \nBritain (King William III of England was Dutch) \nits highest expression.\nCONCERT ist inspiriert von den \nSchachtischen und geometrischen Schwarz-\nWeiss-Kompositionen, die typisch für die \nFussböden der holländischen Häuser des \n16. Jahrhunderts sind. Jan Vermeer war der \nKünstler, der es am besten verstanden hat, \ndiese Räume aufzuwerten, indem er in seinen \nGemälden Szenen des täglichen Lebens \ndarstellte, die alle von den weissen Carrara-\nMarmor-Fussböden und dem typischen \nSchwarz der flämischen Blustone-Fussböden \nangehäuft sind. Zu diesen Werken gehört \nThe Concert, ein wertvolles Gemälde, auf \ndas wir in dieser Sammlung verweisen, \nindem wir ein Projekt von modularen \nFormaten, Mosaiken und Spezialteilen für die \nEinrichtung von trendigen Räumen entwickelt \nhaben, das an eine Zeit des kulturellen und \narchitektonischen Glanzes erinnert, den er im \nDreieck zwischen Holland, New Amsterdam \n(heute New York) und Grossbritannien ( \nWilhelm III von England war Niederländer) \nseinen höchsten Ausdruck.\nCONCERT s’inspire des damiers et des \ncompositions géométriques en noir et blanc \ntypiques des sols des maisons hollandaises \nles plus prestigieuses du XVIIème siècle. Jan \nVermeer a été l’artiste qui a su le mieux mettre \nen valeur ces ambiances en reproduisant dans \nses tableaux des scènes de la vie quotidienne \nqui ont la caractéristique commune des sols en \nmarbre blanc de Carrare et en noir typique des \npierres flamandes dites pierres bleues. Parmi ces \nœuvres, nous trouvons The Concert, une belle \npeinture à laquelle nous nous référons avec cette \ncollection, en développant un projet de formats \nmodulaires, de mosaïques et de pièces spéciales \npour décorer des ambiances modernes, tout \nen rappelant une période passée de richesse \nculturelle et architecturale qui a trouvé sa plus \nhaute expression dans le triangle formé par la \nHollande, la ville de New Amsterdam (maintenant \nNew York) et la Grande-Bretagne (le roi Guillaume \nIII d’Angleterre était néerlandais).\nDID YOU KNOW THAT...\nThe painting, purchased by Isabella Stewart \nGardner for her private collection, was stolen, \nalong with other artworks , in March 1990 and \nis considered the most precious painting among \nthose currently missing, with an estimated \nvalue of more than 200 million dollars. The FBI \nhas managed to trace some movements of the \nstolen property, although attempts to recover the \nwork have so far proved unsuccessful. Gardner’s \nhome, which has become an important museum \nin Boston, in accordance with the testamentary \ndispositions to leave everything unchanged, \ntoday displays only the empty frames in the room \nof stolen paintings.\nDU WUSSTEST, DASS ...\nDas Gemälde, das Isabella Stewart Gardner für \nihre Privatsammlung erwarb, wurde zusammen \nmit anderen Kunstwerken im März 1990 \ngestohlen und gilt mit einem geschätzten Wert \nvon über 200 Millionen Dollar als das wertvollste \nder derzeit verstreuten Gemälde. Das FBI konnte \neinige Bewegungen des gestohlenen Eigentums \nzurückverfolgen, aber bisher waren Versuche, die \nArbeit zurückzugewinnen, erfolglos. Das Haus \nder Gardner, das zu einem wichtigen Museum in \nBoston geworden ist, liess laut Testament alles \nunverändert und zeigt noch heute in den Räumen \nder gestohlenen Gemälde die einzigen leeren \nRahmen.\nLE SAVIEZ-VOUS ...\nLe tableau, acheté par Isabella Stewart Gardner \npour sa collection privée, a été volé, ainsi que \nd’autres œuvres d’art, en mars 1990 et est \nconsidéré comme le tableau le plus précieux \nparmi ceux qui manquent actuellement, avec une \nvaleur estimée à plus de 200 millions de dollars. Le \nFBI a pu retracer certains mouvements des biens \nvolés, mais les tentatives pour récupérer l’œuvre \nse sont jusqu’à présent révélées infructueuses. La \nmaison de Madame Gardner, qui est devenue un \nimportant musée de Boston, selon les disposition \ndu testament, pour que tout reste inchangé, \nencore aujourd’hui montre les seuls cadres vides \ndans les salles des peintures volées.\nraffinata sinergia di opposti armoniosi\nThe Concert - Jan Vermeer - (c. 1664)\nCONCERT si ispira alle scacchiere ed alle composizioni geometriche \nin bianco e nero tipiche delle pavimentazioni delle più altolocate case \nolandesi del 1600.\nJan Vermeer è stato l’artista che più a saputo valorizzare questi ambienti \nritraendo nei suoi dipinti scene di vita quotidiana, tutti accumunati dalle \npavimentazioni in bianco marmoreo di Carrara ed il tipico nero delle \nfiamminghe pietre blustone.Fra queste opere troviamo The Concert, \npregevole dipinto a cui facciamo riferimento con questa collezione \nsviluppando un progetto di formati modulari, mosaici e pezzi speciali \nper arredare ambienti di tendenza, rievocando un periodo di sfarzo \nculturale ed architettonico che vedeva nel triangolo formato da Olanda, \nNew Amsterdam (l’attuale New York) e Gran Bretagna (re Guglielmo III \nd’Inghilterra era olandese) la sua massima espressione.\nLO SAPEVI CHE...\nIl dipinto, acquistato da Isabella Stewart Gardner per la sua collezione \nprivata, è stato rubato, insieme ad altre opere d’arte, nel marzo 1990 ed \nè considerato il più prezioso dipinto tra quelli attualmente dispersi, con un \nvalore stimato di oltre 200 milioni di dollari.\nL’FBI è riuscito a rintracciare alcuni movimenti della proprietà rubata, ma \nfinora i tentativi di recuperare il lavoro si sono rivelati infruttuosi.\nLa casa della Gardner, che è diventata un’ importante museo di Boston, \nsecondo il testamento diede disposizioni per lasciare tutto invariato, \nmostrando ancora oggi, nelle stanze dei dipinti rubati, le sole cornici vuote.\nSHAPED\nT E C H N O L O G Y\nC O N C E R T\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.3.png","Concert Black Esagono 16,7x14,5 - Esagono dec. Gold 16,7x14,5\n5\n4\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.4.png","Concert White 40x40 RET - Concert Black 40x40 RET\n6\n7\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.5.png","Concert White 20x20 - Concert Black 20x20\nConcert White 20x20 - Concert Black 20x20\n9\n8\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.6.png","Concert White 20x20 - Concert Black 20x20\nConcert White 20x20 - Concert Black 20x20\n10\n11\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.7.png","Concert White 40x40 RET - 13x13 - Concert Black 13x40\nConcert White 40x40 RET - 13x13 - Concert Black 13x40\nConcert White Mosaico Chevron 30x31\n12\n13\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.8.png","Concert White Mosaico Chevron 30x31\n14\n15\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.9.png","Concert White Esagono 16,7x14,5 - Concert Black 13x13\nConcert Black Esagono 16,7x14,5\nConcert Black Esagono 16,7x14,5\n16\n17\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.10.png","Concert White Esagono 16,7x14,5\n18\n19\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.11.png","Concert White 13x13 - Concert Black 13x13 - Concert White Mosaico 30x30\nConcert White Mosaico Chevron 30x31\nConcert White 13x13 RET - Concert Black 13x13 RET\nConcert White Mosaico Chevron 30x31 - Mosaico Chess 30x30\nConcert White Mosaico Chevron 30x31\n21\n20\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.12.png","Concert White 13x13 - Concert Black 13x13 - Concert White Mosaico 30x30\nConcert White Mosaico Chevron 30x31\n23\n22\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.13.png","Concert White Mosaico Ottagono 30x30\nConcert White Mosaico Ottagono 30x30\n24\n25\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.14.png","Concert Black Mosaico Chevron 30x31\nConcert White Mosaico Ottagono 30x30\n27\n26\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.15.png","Concert White 13x40\nConcert White Texture Mosaico Esagonale 25x26\nConcert White Texture Mosaico Esagonale 25x26\n28\n29\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.16.png","Concert White 13x40\nConcert Balck Mosaico Ottagono 30x30\n30\n31\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.17.png","Concert Black Mosaico Listelli 30x30\nConcert Black Silver Provence 10x40\n33\n32\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.18.png","Concert White Gold Lines 10x40\nCONCERT\nSOLO IL COLORE WHITE E’ PRODOTTO CON TECNOLOGIA 3D SHAPED - ONLY THE WHITE COLOR IS PRODUCED WITH 3D SHAPED TECHNOLOGY\nSEULE LA COULEUR BLANCHE EST PRODUITE AVEC LA TECHNOLOGIE 3D SHAPED - NUR DIE WEISSE FARBE WIRD MIT 3D SHAPED TECHNOLOGIE HERGESTELLT.\nCONSIGLI PER LA POSA - CONCERT WHITE: COME DA FOTO NEL NOSTRO CATALOGO, AL FINE DI OTTENERE I MIGLIORI EFFETTI ESTETICI E TECNICI NELLA POSA, CONSIGLIAMO, ANCHE NELLA \nCOMBINAZIONE A SCACCHIERA CON IL CONCERT BLACK, L’UTILIZZO DI STUCCHI BIANCHI E\u002FO GRIGI CHIARI.\nSCONSIGLIAMO FORTEMENTE L’UTILIZZO DI STUCCHI GRIGI SCURI, ANTRACITE E NERI: QUESTI STUCCHI CONTENGONO PIGMENTI ED ADDITIVI LA CUI PULIZIA, QUALORA NON VENISSE\nEFFETTUATA IMMEDIATAMENTE, SAREBBE PIÙ DIFFICILE, NECESSITEREBBE DI TEMPI LUNGHI E DI DETERGENTI PULENTI INTENSI.\nINSTALLATION ADVICE - CONCERT WHITE: AS SHOWN IN THE PICTURE IN OUR CATALOGUE, IN ORDER TO ACHIEVE THE BEST AESTHETIC AND TECHNICAL EFFECTS DURING THE\nINSTALLATION, WE RECOMMEND THE USE OF WHITE AND\u002FOR LIGHT GREY GROUTS, EVEN IN THE BLACK AND WHITE CHECKERBOARD COMBINATION WITH CONCERT BLACK.\nWE STRONGLY DISCOURAGE THE USE OF DARK GREY, ANTHRACITE AND BLACK GROUTS: THESE GROUTS CONTAIN PIGMENTS AND ADDITIVES WHOSE RESIDUES, IF NOT IMMEDIATELY\nREMOVED, WOULD MAKE THE CLEANING PROCESS MORE DIFFICULT, WOULD REQUIRE LONG CLEANING TIMES AND AGGRESSIVE CLEANING AGENTS.\nRECOMMANDATIONS POUR LA POSE - CONCERT WHITE: COMME SUR LA PHOTO DE NOTRE CATALOGUE, AFIN D’OBTENIR LES MEILLEURS EFFETS ESTHÉTIQUES ET TECHNIQUES DANS LA \nPOSE, NOUS RECOMMANDONS, MÊME DANS LA COMBINAISON EN DAMIER AVEC CONCERT BLACK, L’UTILISATION DE JOINTS BLANCS ET\u002FOU GRIS CLAIR.\nNOUS DÉCONSEILLONS FORTEMENT L’UTILISATION DE JOINTS GRIS FONCÉ, ANTHRACITE ET NOIRS : CES JOINTS CONTIENNENT DES PIGMENTS ET DES ADDITIFS DONT LE NETTOYAGE, S’IL \nN’EST PAS EFFECTUÉ IMMÉDIATEMENT, SERAIT PLUS DIFFICILE, NÉCESSITERAIT DES TEMPS LONGS ET DES DÉTERGENTS DE NETTOYAGE PUISSANTS.\nEMPFEHLUNGEN FUER DIE VERLEGUNG - CONCERT WHITE: WIE ABGEBILDET IN UNSEREM KATALOG, UM BESTE ÄSTHETISCHE UND TECHNISCHE EFFEKTE BEI DER VERLEGUNG ZU\nERZIELEN, EMPFEHLEN WIR, AUCH IN SCHACHBRETTERN MIT DEM CONCERT BLACK, DIE VERWENDUNG VON WEISSEM UND\u002FODER HELLGRAUEM FUGEMÖRTEL.\nWIR RATEN DRINGEND DAVON AB DIE VERWENDUNG VON DUNKELGRAUEN, ANTHRAZITFARBIGEN UND SCHWARZEN FUGEMÖRTEL: DIESE MÖRTEL ENTHALTEN PIGMENTE UND ZUSÄTZE, DEREN \nREINIGUNG, WENN SIE NICHT SOFORT DURCHGEFÜHRT WIRD, SCHWIERIGER UND ZEITAUFWENDIGER WÄRE UND INTENSIVE REINIGUNGSMITTEL ERFORDERN WÜRDE.\nm a d e  i n\nItaly 100%\nSHAPED\nT E C H N O L O G Y\n 9 MM\n40X40 (16”X16”) RET\n1KJ3 BLACK\n1KJ4 WHITE\n 9 MM\n13X40 (5”X16”) \n5BM3 BLACK\n5BM4 WHITE\n 9 MM\n13X13 (5”X5”) \n4AL3 BLACK\n4AL4 WHITE\n 9 MM\n16,7X14,5 ESAGONO (7”X6”)  \nB235 BLACK\nB236 WHITE\n 9 MM\n16,7X14,5 ESAGONO (7”X6”)\nDEC. GOLD   \nB237 BLACK\nB238 WHITE\n 9 MM\nMOSAICO OTTAGONO  \nFOGLIO 30X30 (12”X12”) \nN3W2 BLACK\nN3W3 WHITE\n 9 MM\nMOSAICO CHEVRON  \nFOGLIO 30X31 (12”X121\u002F4”) \n \nNA74 BLACK\nNA70 WHITE\n 9 MM\nMOSAICO 5X5 (2”X2”)  \nFOGLIO 30X30 (12”X12”) \nN3W1 CHESS\n 9 MM\nMOSAICO 5X5 (2”X2”)  \nFOGLIO 30X30 (12”X12”) \nN3X8 BLACK\nN3X9 WHITE\n 9 MM\nBATTISCOPA 6,5X40 (2”X16”)\n1N59 BLACK\n1N60 WHITE\n 9 MM\nMOSAICO ESAGONALE  \nFOGLIO 25X26 (10”X10”) \n \nN496 BLACK TEXTURE\nN497 WHITE TEXTURE\n 9 MM\n10X40 (4”X16”) \n1VQ4 BLACK\n1VQ3 WHITE\n 9 MM\nGOLD LINES  \n10X40 (4”X16”)  \n1VT7 BLACK\n1VT9 WHITE\n 9 MM\nSILVER PROVENCE  \n10X40 (4”X16”) \n1VU1 BLACK\n1VT8 WHITE\n 9 MM\nMOSAICO LISTELLI  \n \nFOGLIO 30X30 (12”X12”) \nND73 BLACK\nND74 WHITE\n 9 MM\nSILVER PINECONE  \n10X40 (4”X16”) \n1VQ2 BLACK\n1VQ1 WHITE\n 9 MM\n20X20 (8”X8”) \n5XE2 BLACK\n5XE3 WHITE\n34\n35\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.19.png","SUGGERIMENTI DI POSA\nLAYING SUGGESTIONS - SUGGESTIONS DE POSE - TIPPS FÜR DIE FLIESENLEGER\nBLACK 56,25%\nWHITE 43,75%\nBLACK 50%\nWHITE 50%\nBLACK 50%\nWHITE 50%\nPORZIONE POSATA - LAYING DIAGRAM - MOTIF REALISE - VERLUNG BEISPIEL\nMODULO CHE SI RIPETE - LAYING MODULE - MODULE QUI SE REPETE - PROZENTSÄTZE PRO MODUL\n40X40 WHITE 90%\n13X13 BLACK 10%\n40X40 WHITE 57%\n13X13 WHITE 6%\n13X40 BLACK 37%\n40X40 WHITE 74%\n13X13 WHITE 2%\n13X40 BLACK 24%\nSUGGERIMENTI DI POSA\nLAYING SUGGESTIONS - SUGGESTIONS DE POSE - TIPPS FÜR DIE FLIESENLEGER\nPORZIONE POSATA - LAYING DIAGRAM - MOTIF REALISE - VERLUNG BEISPIEL\nMODULO CHE SI RIPETE - LAYING MODULE - MODULE QUI SE REPETE - PROZENTSÄTZE PRO MODUL\n36\n37\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F9f\u002F948b538b0cc9737e4b044f7332a896-283a75a4a2.20.png","INFORMAZIONI GENERALI - GENERAL INFORMATIONS\n• Prodotto in porcellanato smaltato con impasti colorati. Superfici naturali con tecnologia 3D Shaped. Bordi rettificati e bordi tagliati.\n Coloured body glazed porcelain tiles and rectified edges. Natural surfaces with 3D Shaped Technology. Rectified edges and cut edges.\n• Tutte le misure sono nominali. Le conversioni in pollici sono approssimate ed arrotondate.\n All sizes are nominal. The conversions into inches are approximate and rounded off.\n• Le confezioni contengono il prodotto con diverse sfumature di tono. Al fine di ottenere il migliore effetto estetico, si consiglia, durante la posa, di prelevare \nle piastrelle alternativamente da scatole diverse e di posarle in senso ortogonale l’una all’altra.\n The boxes contain the item with different shade variegations. When you lay down the tiles, in order to obtain the best blend of the colours, we advice you \nto take the tiles alternatively from different boxes and lay down orthogonally one to the other.\n• Per i formati rettangolari consigliamo una posa sfalsata massimo di 1\u002F4 della lunghezza.\n For the rectangular sizes we suggest an installation pattern at a maximum of 1\u002F4 of the entire lenght.\n• Bordi rettificati: nella posa mono e multi-formato è consigliato prevedere fughe di almeno 2 mm.\n Rectified edges: when you lay down single and multi sizes it is suggested to use grouts of at least 2 mm.\n• Ci riserviamo la facoltà di modificare e\u002Fo eliminare i formati, i calibri, gli spessori e le grafiche in qualsiasi momento senza che si renda necessaria una espressa \ncomunicazione scritta.\n We reserve the right to modify and\u002For remove the sizes, the calibers, the thickness and the graphics anytime, with no obligation of a further notice in writing.\n• I toni degli articoli campionati sono puramente indicativi pertanto le variazioni di tono e di superficie non possono costituire motivo di contestazioni.\n The shades of the samples are purely representative of the item itself so the shades variation and the surfaces variations cannot constitute the reason for a claim.\n• Fondi, decori, mosaici, pezzi speciali o qualsiasi formato da taglio o rettifica, vengono prodotti uno ad uno con interventi manuali ed artigianali durante la \nfase di lavorazione. Eventuali imperfezioni rientrano nelle tolleranze e non possono essere considerate difetti.\n Plain tiles, decors, mosaics, special pieces or any item cut or rectified are produced one by one with manual and artisanal interventions during the manufacturing phase. \nAny possible imperfection is within the tolerances and cannot be considered as a defect\u002Ffault.\nCARATTERISTICHE TECNICHE - TECHNICAL CHARACTERISTICS\nSpessore\nFormatura  \ndel prodotto\nAssorbimento \nd’acqua\nCarico\ndi rottura\nPEI Resistenza \nall’abrasione\nsuperficiale\nResistenza\nagli sbalzi\ntermici\nResistenza \nal gelo\nResistenza \nchimica\nResistenza alle \nmacchie\nCoefficiente \ndinamico di \nfrizione\nResistenza\nallo\nscivolamento\nThickness\nProduct  \nMoulding\nWater \nabsorption\nModulus \nof rupture\nResistance \nto surface \nabrasion\nResistance\nto thermal\nshock\nFrost\nresistance\nChemical\nresistance\nStain\nresistance\nDynamic\ncoefficient \nof friction\nSlip\nresistance\nISO 10545-3 \nB 1a\nISO 10545-4\nISO 10545-7\nISO 10545-9\nISO 10545-12\nISO 10545-13\nISO 10545-14\nDCOF\nDIN EN 16165 Annex B\nDIN EN 16165 Annex A\nCONCERT 3D\nWhite\n9\nRET\n\u003C 0,5%\n≥ 43 N⁄mm²\n5\nGarantita\nGuaranteed\nGarantiert\nGarantie\nGarantita\nGuaranteed\nGarantiert\nGarantie\nGA (V)\nGLA (V)\nGHA (V)\nConforme\nCompliant\nConforme\nKonforme\n> 0,42\nR9\nA\nCONCERT\nBlack\n9\nRET\n\u003C 0,5%\n≥ 43 N⁄mm²\n-\nGarantita\nGuaranteed\nGarantiert\nGarantie\nGarantita\nGuaranteed\nGarantiert\nGarantie\nGA (V)\nGLA (V)\nGHA (V)\nConforme\nCompliant\nConforme\nKonforme\n> 0,42\nR10\nA\nSIMBOLOGIA - SIMBOLOGY\nRET Rettificato\n  \nProdotto tagliato\n  \nProdotto incollato su rete\n    Solo per rivestimento\n \n Rectified\n \n Cut item\n \n Item on net\n    Only for wall tile\n \n  \nPiastrella con torello incollato (solo su richiesta). Per uso esterno è necessario adottare tutte le misure per una posa a regola d’arte secondo usi e \nnorme in vigore. \nTile with glued torello (on request only). For external use it’s necessary to adopt all precautions for a perfect tile according to usage and regulations in force.\nPer la pulizia delle parti dorate ed argentate utilizzare esclusivamente acqua tiepida con poco detergente a PH neutro esenti da alcool ed ammoniaca\nsempre diluiti in acqua tiepida.\nTo clean the golden and silver parts, use only lukewarm water with a little neutral PH detergents free of alcohol and ammonia always diluted in lukewarm\nwater.\n3D Shaped Technology è una nuova lavorazione \ndigitale che si inserisce nel processo produttivo per \nconferire il massimo realismo ai prodotti ceramici, \nattraverso un procedimento superficiale che ne esalta \nla conformazione preservando le caratteristiche di \nrobustezza, durevolezza e facilità di pulizia tipiche del \ngres porcellanato.\nConiugando visione e tatto in una realizzazione \niperrealistica senza vincoli né limiti, la tecnologia 3D \nShaped rompe gli schemi del concetto tradizionale di \nmateria ceramica che, 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