[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-delta-light-outdoor-2024":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":565},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":560,"matched_pages":561,"match_count":562,"two_pages":563,"show_text":564},15322,"Outdoor 2024","delta-light-outdoor-2024","\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F6a\u002F46ab4ae6ced457a85eceab9c011ce0-2853258737.pdf","Delta Light",60,"delta-light","15.8 MB",[14,17,21,24,27,31,35,39,43,47,51,55,59,62,66,70,74,78,82,86,90,94,98,102,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,176,180,184,188,192,196,200,204,208,212,216,220,224,228,232,236,240,244,247,251,255,259,263,267,271,275,279,283,287,291,295,299,303,307,311,315,319,323,327,331,335,339,343,347,351,355,359,363,367,371,375,379,383,387,391,395,399,403,407,411,415,419,423,427,431,435,439,443,447,451,455,459,463,467,471,475,479,483,487,491,495,499,503,507,510,514,518,522,526,530,534,538,542,546,550,553,557],{"image":7,"text":15,"number":16},"OUTDOOR\nAN ENLIGHTENED JOURNEY\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.2.png","",2,{"image":22,"text":19,"number":23},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.3.png",3,{"image":25,"text":19,"number":26},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.4.png",4,{"image":28,"text":29,"number":30},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.5.png","The evolution of a promise. Founded in 1989 Deltalight has been designing\nand manufacturing sustainable and high-quality luminaires since its very beginning. \nExterior lighting has been an important part of the collections from the early years, and has evolved \nto a full range of reliable lighting instruments for any project need. Deltalight caters to some of the \nworld's most renowned brands and architects, providing sophisticated and value-added lighting \nsolutions for a variety of projects. These range from residential, office, and hospitality to retail, \nlandscaping, showrooms, and public spaces, encompassing both small and very large scales. \nCore values of sophistication, design and versatility unite both our indoor and outdoor collections, \npushing boundaries whilst, delivering a feeling of comfort, elegance and purity.\nLet’s journey into the world of Deltalight’s outdoor lighting. \nWelcome to our world\n",5,{"image":32,"text":33,"number":34},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.6.png","06\nOUR WORLD\nThe evolution of a promise.\n14\nWE PRODUCE\nTurn the conceptual\ninto light.\n16\nPROCESS\nCreate light that feels \nnaturally comfortable.  \n11\nINDOOR MEETS OUTDOOR\nTransform your outdoor space into an inspiring \nextension of your interior.\n23\nPROOFS\nQualitative, flexible and \nmade to last.\n15\nOUR COMMITMENT\n44\nWE ILLUMINATE\nLight complements and \nadvances architecture, \nthe functional role we play.\n09\nWE MAKE LIGHT\nLighting solutions that \nenhance people's lives.\n7\nOUTDOOR\n",6,{"image":36,"text":37,"number":38},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.7.png","115\nTESTIMONIALS\nDean Skira, Jonathan Ashmore \nand Susanna Antico talk about \nthe crucial role of light.\n139\nCOLOPHON\n47\nILLUMINATING SPACES\nIlluminating functional areas plays a \ncrucial role in creating an efficient, \ncomfortable and safe environment.\n49\nILLUMINATING ARCHITECTURE\nThe relationship between architecture \nand lighting is symbiotic.\n53\nCASES\nDiscover how the right \nlighting tells the right story.\n128\nOUR RANGE\nExplore our complete \ncollection of outdoor \nlighting solutions.\n52\nILLUMINATING NATURE\nLight is there to provide comfort, \na feeling of ease for the eye and self, during \nthe day or at night.\n8\nINDEX\n",7,{"image":40,"text":41,"number":42},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.8.png","Light is there to provide comfort, a feeling of ease for the eye and self, during the day or at night. This way we develop lighting \nsolutions that enhance people's lives, and therefore people’s quality of life. We bring our experience in light to the service of architects, \nlandscape and lighting designers, realizing what is in their mind, creating a lighting scenography integrated in the environment and \ncomplementing the architecture. Using the right light in the right way to make architectural and landscape concepts stand out.\n",8,{"image":44,"text":45,"number":46},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.9.png","We make light\n",9,{"image":48,"text":49,"number":50},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.10.png","INDOOR MEETS OUTDOOR\n11\nOUTDOOR\n",10,{"image":52,"text":53,"number":54},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.11.png","Imagine transforming your outdoor space into an attractive and inspiring extension of your interior project. With a unified design \nthat effortlessly spans both indoor and outdoor lighting solutions, Deltalight can offer a harmonious aesthetic and experience for \nthe end-user. Product families like the Entero, Nebbia or Oono showcase our belief that form and function can be combined.\nDeltalight understands the value of blending indoor and outdoor spaces seamlessly. We maintain consistency in design and \nlighting quality by using the same LED technology for both. This approach extends the sophisticated style, warm light temperatures, \nand high-quality finishes of indoor lighting to outdoor settings. Through this approach, we ensure that designers can rely on a \nharmonious aesthetic throughout. By adapting indoor lighting designs for outdoor settings, designers and lighting experts can \ncreate beautiful, cohesive spaces.\nINDOOR MEETS OUTDOOR\n12\nWE MAKE LIGHT — Indoor Meets Outdoor\n",11,{"image":56,"text":57,"number":58},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.12.png","We PRODUCE\n",12,{"image":60,"text":57,"number":61},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.13.png",13,{"image":63,"text":64,"number":65},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.14.png","OUR COMMITMENT\n15\nOUTDOOR\n",14,{"image":67,"text":68,"number":69},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.15.png","SUSTAINABILITY\nWe live in a world where sustainability creates added value \nand drives economic growth. It affects everything we do. That’s \nwhy we at Deltalight are looking for ways to make sustainability \nan everyday habit and lifestyle choice. Sustainability is not a \ndestination, but rather a path. Each individual effort and every \nsmall initiative made over time will make the future a brighter \nplace.  \n \nAt Deltalight, we recognise that our business activities have \nan impact on the environment, and we take this responsibility \nseriously. We place great importance on ecological awareness \nand sustainability. Our goal is to produce light fittings that are \ninnovative, efficient and above all, environmentally friendly. We \nconstantly strive to improve our products and operations in terms \nof efficiency, longevity and sustainability. \n \nWith each new collection, we use the latest technological \ndevelopments whenever possible, improve recycling, encourage \nreuse, and pay close attention to efficient use of materials, \nlow-waste production and low-carbon transport. \n \nOur commitment has been recognised by the ‘Lighting For Good \nAwards’ in 2019 and 2020. Beyond production processes, our \nBelgian headquarters is equipped with solar panels that produce \nenough renewable energy to power our entire production line and \noffice. We are also quite proud to offer our employees a healthy, \nsafe and harmonious environment, whether abroad or in Belgium.\n \nWe also pay a lot of attention to recycling and waste \nmanagement. Many of our luminaires are made of aluminium \nprofiles and we optimize manufacturing to minimise waste.\nAluminium waste is collected and recycled or upcycled.  \nIn fall 2022, we partnered with Dutch company MVRDV to \nlaunch High Profile, a collection of colourful light fixtures made \nfrom scraps of aluminium profiles. This sustainable design was \nawarded the dezeen award for best in lighting of 2022, \nan honourable mention we hold dear.\nRESPONSIBLE LIGHTING\nIn the pursuit of sustainability, it's essential to recognize that \nthe responsible use of products plays a pivotal role. Beyond \nthe manufacturing process, the impact of how our creations \ninteract with the environment is equally significant. \nThis principle is especially true in the realm of lighting, where \nour choices can either contribute to or mitigate issues such as \nlight pollution.\nAt the forefront of responsible lighting practices there are a \nfew basic principles, a set of guidelines designed to minimise \nlight pollution and preserve the beauty of our night skies. In \nbrief, one must look for light only where it is needed, look how \nmuch light is needed, employ warmer colour temperatures and \napply dimming and\u002For presence detection to have the light \nonly when it is needed.\n \nOur commitment to sustainability extends to providing \nconsumers with multiple options to adhere to these principles. \nBy incorporating these guidelines into our designs, we \nempower individuals and communities to make informed \nchoices that align with a dark sky future.\n \nOne notable solution in our lineup is the integration of \ndedicated LED which lack blue light. This innovation not only \ncontributes to the overall reduction of light pollution but also \nserves as a crucial element in wildlife preservation. \nOUR COMMITMENT\n16\nWE PRODUCE — Our commitment\n",15,{"image":71,"text":72,"number":73},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.16.png","Design & DEVELOPMENT\n17\nOUTDOOR\n",16,{"image":75,"text":76,"number":77},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.17.png","CONTINUOUS RESEARCH\nAND INNOVATION\nDeltalight has been at the forefront of \nlighting technology for over 30 years, \nand continues to push its boundaries, \nboth in interior and exterior lighting. \nOur investment in R&D, production and \ninnovation aims to deliver outstanding \nluminaires, fusing contemporary design \nwith high-quality materials, advanced \nengineering, the very best performance \nand a long-term lifespan. \nThe lighting industry is constantly \nchanging and evolving. We consider this \nboth to be a challenge and an opportunity. \nIt fascinates us to keep on bringing new \ndesigns and lighting solutions. You could \nconsider it a passion to surprise and \ninspire people around the world. We start \nfrom our own  in-house design team, but \nalso love to explore common grounds with \narchitects and designers, coming from \ndifferent industries, exceeding the essence \nof collaboration. Deltalight’s extensive \nR&D team is constantly on the look-out \nfor the trends of the future, both in terms \nof design and use of materials, without \nlosing sight for the power of imagination. \nIts creative statement is confirmed by the \nopinion of several expert panels, resulting \nin a number of prestigious awards such as \nIF Design Award, Good Design Award, Red \nDot Design Award and many others. \nADVANCED OPTICS\nDeltalight’s team of engineers and optic \nexperts is on a continuous quest to match \nthe company’s credo for design with \nenergy-efficiency and optimal quality of \nlight. Deltalight’s outdoor range is ready \nto meet the needs of today’s landscape \ndesign and illuminate with impact. We \noffer different precision light distributions \nto fulfil various requirements, with high \nuniformity, for demanding outdoor \napplications. CAD-engineered and \nprecision manufactured lenses deliver a \ntightly controlled light distribution while \nreducing light pollution to an absolute \nminimum. The variety of optics, beams \nand other features enable designers to \nmeet the various needs in landscaping \nillumination, both in public and private \nspace… from staging of buildings to \nhighlighting decorative elements, create \nscenic outdoor settings, lighting up trees \nto staging of pathways, terraces and \nmuch more. \n \nOUTSTANDING QUALITY \nThe development of high-quality LEDs \nhas become one of Deltalight’s core \ncompetencies. Our LED modules are \ndesigned for service lives exceeding \n50,000 operating hours. After this period \nhas expired, the module is not ruined; it \ncontinues to function, and still shines with \nat least 90 % of itsinitial brightness. As \nluminaire designers and manufacturers, \nwe always strive to create the best \npossible thermal conditions in the \nluminaire, to ensure that LEDs operate in \nthe best possible way. From the design of \nthe LED circuit boards and heat sink, to \nthe selection of materials, to the assembly \nprocess and installation techniques… all \nis engineered to reach optimal service \nlife and maximum efficiency. We partner \nwith the best suppliers in the world to \nensure a consistent LED selection, in \norder to ensure colour uniformity in time \nand across different product ranges. A \nminimum of MacAdam 3 is a standard \nthroughout the collection. \nSMART DESIGN\nWe are focused on \nthe details.  The looks, how a fixture \nmoves, how it can be specified and \ninstalled, the ease of enjoying the light \nand so much more. With a surprising \nvisual simplicity, our products are \nthe result of an extensive design and \nprototyping process, fusing advanced \ntechnology with timeless design and \nsustainable materials.\nSTATE OF THE ART \nDEVELOPMENT \nAn important feature in Deltalight’s \ncreative process is the use of state of \nthe art development techniques. The \nintensive use of 3D printing, early stage \nFMEA (Failure Mode and Effect analysis), \ngoniophotometry and in-house third party \nrecognized lab (SMT \u002F CTF \u002F satellite \ndata acceptance \u002F BELAC accreditation) \nresult in a fast, efficient and first-time \nright development process. As such, \nan essential attribute in the company’s \nshort idea-to-market philosophy. \nThroughout the entire production \nprocess Deltalight distinguishes itself by \nhandling the strictest quality parameters, \nto ensure products and services are \ndesigned and produced to exceed \ncustomer requirements. Every step in the \nproduction process has a routine quality \nprocedure, covering both product quality \nand testing. Each product that leaves \nDeltalight has been inspected and tested \nthoroughly, resulting in minimal returns \nand maximum efficiency. Product quality \nand safety testing according to the \ninternational IEC standards is done in our \ncompany owned accredited Deltalight \nLaboratory. The close cooperation with \nour certifying partner SGS-CEBEC® leads \nto CE, ENEC and CB certifications for \nEuropean and IEC member countries \n(http:\u002F\u002Fmembers.iecee.org\u002F). \nThe laboratory also covers the testing \nof products for the North American \nmarket by being certified as a level 4 \nsatellite laboratory for INTERTEK®. This \nallows us to obtain the cETLus listing \nfor our products. Our light lab is ILAC \u002F \nBELAC accredited resulting in the highest \npossible level of world-wide acceptance. \n18\nWE PRODUCE — Process\n",17,{"image":79,"text":80,"number":81},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.18.png","HIGH QUALITY MATERIALS\n& PROTECTIVE FINISHING\n19\nOUTDOOR\n",18,{"image":83,"text":84,"number":85},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.19.png","PRE-TREATMENT AND \nPOWDER COATING \nDeltalight luminaires for both indoor \nand outdoor are produced using a \nproprietary process based on selected \nbase materials and finishes to give the \nuser the pleasure to enjoy their presence \nin- and outside the architecture for a \nvery long time. The applied pre-treatment \nand finish on our products is the result of \nintensive research, testing and setting up \nan inhouse surface protection installation. \nWe guarantee a thoroughly monitored \nprocess that grants quality for the future. \nEspecially the quality of our outdoor \nrange with respect to corrosion protection \ncan be assured based on a typical \nsurface protection and finish deployed in \nthe following 5 topics: \n1. Basic materials (Alloy) \n2. Pre-treatment: \n    Titanium based non-organic\n    conversion layer \n3. Powder Coating \n4. Hardware \n5. Process Control \n \nThis dedicated treatment is even \nreinforced by 2 individual trademarks: \nDeltalight Quali Protect C\nThis trademark is related to topic 1 and 2. \nIt covers the protective non-organic \npre-treatment applied to the most \nsuitable alloys to ensure a long-term \ncorrosion resistance. \n \nDeltalight Supreme Texture C\nThis trademark is related to topic 3 to \n5 and it covers the final finish of the \nproduct in terms of both weather and UV \nresistance. \nWe achieve this by applying high-end \npolyester powder coatings resulting in a \nperfect finish and appearance. \nTexture stands for the visual or tactile \nsurface characteristics of a surface \nand the disposition or manner of union \nof the particles of a body or substance. \nTexture does not only relate to the powder \ncoating itself, but even more the perfect \nfinish, the appearance and quality of the \nproduct. \n \nBASIC MATERIALS (ALLOY) \nFor aluminium components we use \nselected alloys with the lowest grade \nof corrosion inducing contaminants \nlike cupper, iron etc., while maintaining \nthe required processability. Non-visible \nstainless-steel components mainly used \nHARDWARE \nApart from the painted parts that are \nused for the assembly of our outdoor \nproducts we assure that all other \ncomponents such as bolts, \nnuts, washers, screws, brackets, fixation \nplates…. are made from the best stainless \nsteel quality. This to assure the entire \nquality of the outdoor luminaires and \nto make sure any of the screws can be \nuntightened during the entire lifetime of \nthe product for eventual service. Stainless \nsteel components in contact with \naluminium are assembled with protection \ncompound to avoid electrochemical \ncorrosion. \n \nPROCESS CONTROL \nAll critical process steps in the pre-\ntreatment and application of the finishing \nlayer are monitored using SPC (statistical \nprocess control). Deltalight Quali \nProtect and Deltalight Supreme Texture \noutperform commonly known quality \nprinciples. Stability and effectiveness is \non top of the SPC monitored by filiform \ncorrosion tests on production samples. \nManufactured with precision The \nDeltalight collections are the result of \nhandcrafted care and industrial expertise. \nEach luminaire is designed, engineered \nand manufactured to guarantee high, \nmaintained IP ratings and a long lifetime. \nWeatherproof and non-ageing silicone \nrubber is used extensively in the range. \nIt provides excellent sealing qualities \nin corrosive and high temperature \nenvironments. Depending on the product, \nits design and application needs, \nDeltalight uses a 2-component potting \nsubstance, combined with glass gluing \nby robot, to guarantee optimum precision \nand IP67 rating. Various ranges are further \nsupported by waterproof installation kits, \nincluding watertight power supplies and \nwaterproof connector kits.\nfor mounting surface contact are made \nin 316 grade. Seen the importance of \nthe pure grade of the base material, \nDeltalight monitors the composition of \nthe supplied alloys by means of non-\ndestructive x-ray photospectrometric \nanalysis. \n \nPRE-TREATMENT \nApart from the pure grade aluminium \nalloy, a dedicated pre-treatment, is \nthe next step in the finish of exterior \nluminaires. The pre-treatment applied \nby Deltalight is a procedure that creates \nthe perfect basis for a high corrosion \nresistant product and is achieved in 7 \nsteps. The base process is known and \nproven, but the details are the result \nof scientific research and process \noptimization. \n1. The base steps are:\n2. Alkaline degreasing \n3. Clear water rinsing \n4. Deltalight Quali Protect Etching \n5. Clear water rinsing \n6. Deionized water rinsing \n7. Deltalight Quali Protect Titanium\n8. Passivation \n9. Hot air Drying \n \nPOWDER COATING \nAfter the pre-treatment, the Deltalight \noutdoor range is covered by an organic \nUV resistant polyester thermosetting \npowder coating, selected and made \naccording to Deltalight Supreme Texture \nstandards. This coating is typical solvent \nfree which makes painted products direct \nand 100% recyclable. The paint is finally \nsecured after hardening at 200°C. \nThe used powder coatings are certified \naccording to European fire and fume \nregulations and have specialist \ncertificates. \n \n \n20\nWE PRODUCE — Process\n",19,{"image":87,"text":88,"number":89},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.20.png","TESTING\nIn general, but on outdoor luminaires especially, there \nare high demands on durability and quality of our \nproduct range, therefor it is of main importance that \nthese are thoroughly tested and simulated in the most \nrealistic conditions possible. Hitting the luminaires \nwith an impact hammer, soaking them in water \nand dust or damaging them to see the effect when \nsubjected to highly corrosive environments. We do not \ndo this just for fun, but to know exactly what the effect \non our products will be once they are being installed \nin harsh environments. In this way we know what our \nluminaires can endure and label them with the proper \nclassifications. \n21\nOUTDOOR\n",20,{"image":91,"text":92,"number":93},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.21.png","IP TESTING \nLuminaires for exterior use will be affected \nby different environmental aspects, for \nexample heavy rainfall or dust or dirt \nparticles being blown around by the wind. \nTo prevent these influences from having an \nimpact on the functionality of the luminaire, \nan IP rating is being mentioned for each \ntype of luminaire. At Deltalight, all our \nluminaires are being tested according to \nthe specific standards in order to give them \nthe correct IP rating according to the final \napplication purpose. \n \nIP testing (solid particles) \n·  IP testing according to IEC 60598. \n \nThe standard specifies all parameters \n \nand circumstances to deliver correct \n \ntest results, depending on the degree of\n \nprotection against solid particles. The \n \nfirst digit of the IP rating tells the \n \nprotection rate against solid objects of \n \nthe following diameters: \n \n·  >50mm: the luminaire can not be \n \n \nentered with a hand or similar for \n \n \nexample \n \n·  >12,5mm: the luminaire can not be \n \n \nentered with a finger or similar for \n \n \nexample \n \n·  >2,5mm: the luminaire can not be \n \n \nentered with tools or similar for \n \n \nexample \n \n·  >1mm: the luminaire can not be \n \n \nentered with a screw or thin wires for \n \n \nexample \nIP testing (fluid) \n·  IP testing according to IEC 60598. The \n \nstandard specifies all parameters and \n \ncircumstances to deliver correct test \n \nresults, as there are multiple degrees of \n \nprotection depending of the final purpose \n \nof the luminaire. Simulations can be done \n \nfor rain, over spray water to submersion, \n \naccording to the specific type of\n \ninstallation. \n \n·  Rain (IP X4) \n \n·  Spray water (IP X5) \n \n·  Splash water (IP X6) \n \n·  Submersion (IP X7) \n \nIK TESTING \nNext to IP rating, a luminaire can also \nbe influenced by certain large or smaller \nimpacts, for example collision with \npeople, bicycles or cars. \nDifferent types of collision can be \ntested according to IEC 62262, this \nstandard specifies all parameters and \ncircumstances to deliver correct \ntest results, depending on the degree of \nprotection against external mechanical \nimpacts. A hammer is being dropped \ninto the luminaire to create impact. \nThe weight of the pendulum and the \nheight from where it is being dropped \ncan vary to measure different levels \nof impact. The higher the digit of the \nIKXX value, the higher the impact it can \nabsorb without preventing the luminaire \nfrom losing its protective function. \n \nFILIFORM CORROSION TESTING \nLuminaires for exterior use are more \nexposed to harsh weather conditions \nand need to be resistant to corrosion. \nTo test coated luminaires on how they \nreact to exterior conditions we test them \naccording to the filiform corrosion test \n(ref. ISO 9227): the product is being \nscratched and undergoes a corrosive \nattack by dripping hydrochloric acid \nonto its surface. Afterwards the product \nis being put into the test cabinet for \n1000h at 40°C and a relative humidity \nof 82%. After this test; results are being \nchecked according to ISO 4628-10. \n \nCLIMATE TESTING \nOver time, a luminaire will be influenced \nby the environment it is installed in, be it \nby alternating temperatures or changing \nlevels of humidity. By simulating the \nenvironmental influences in a climate test \nchamber, we are able to reproduce the \neffect on our luminaires but also check \nextreme stress parameters like rapidly \nchanging temperatures. It allows us to \nensure the correct material choice for \ndifferent types of luminaires and improves \nthe reliability and quality of our products. \n \nCOMPONENT TESTING \nAll luminaires exist out of multiple \ncomponents, therefor a luminaire is only \nas qualitative as its weakest component. \nQuality testing on component level is a \nconstant and essential topic at Deltalight \nwhich requires a high level of know-how \nas all components exist out of different \nmaterials, can be electronic or electric and \nare being used in different circumstances. \nLooking for the best quality in both \ncomponents and manufacturers requires a \nstrict policy in testing and supplier selection. \n \nELECTROMAGNETIC\nCOMPATIBILITY TESTING \nEMC testing according to IEC 61547, IEC \n55015, IEC 61000-3-2, IEC 61000-3-3 \nElectrical products can emit \nelectromagnetic waves. When releasing \nelectrical equipment for the EU market, \nit has to apply to the norms set by EU \ndirectives. These tests are done to make \nsure that there will be no mutual interference \nfrom the luminaire towards its environment in \norder to not hinder the correct operation of \nthe equipment. \n22\nWE PRODUCE — Process\n",21,{"image":95,"text":96,"number":97},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.22.png","OPTICAL SIMULATION \nLight quality also depends on the way the light is \nbeing controlled by the optics when it leaves the \nlight source. We pay specific attention to \nthe final result when choosing or designing our \noptics. Using computer simulations allows to \ncheck at an early stage how the optics need to \nbe shaped and where it needs to be positioned. \nBy making computer simulations we can already \nmake an accurate estimation of how the luminaire \nwill perform in a final stage. Apart from simulating \nthe final effect of the luminaire, these simulations \nare also being used to develop the most energy-\nefficient lighting solutions possible and can be \nused to see what the effect of an accessory will \nbe when applied onto the luminaire. \n PHOTOMETRICS \nApart from the lumen output and the power it \nconsumes, a luminaire is characterized by its \nluminous distribution. At Deltalight® we have \nthe knowledge and infrastructure in-house to \ndetermine those characteristics of the luminous \ndistribution. \n \nOPTICAL SPECTOMETRY \nTogether with the luminous distribution, also the \nquality of light is of main importance: what is the \ntotal luminous flux, how does the spectrum look \nlike, …? By using spectroradiometers the quality \nof light from the light source and the complete \nluminaire can be checked into detail and \noptimized to our Deltalight standards.  \n \nOPTICS AND\nPHOTOMETRY\n23\nOUTDOOR\n",22,{"image":99,"text":100,"number":101},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.23.png","At different stages of the manufacturing – during the complete process from \ncomponents to finished product - routine testing on functionality and safety is being \ndone to assure the highest level of quality. After full assembly, each luminaire itself is \nundergoing a final test and is being marked, hereafter it is being packed and labeled, \nready for transportation. Some examples of this functional testing are checking if \nthe light effect and output is correct, checking if all hinges or other moving parts are \nworking fine or checking if there are no irregularities on the electrical wiring. \nThroughout the entire design and production process, Deltalight handles \nthe strictest quality parameters to ensure products and services are designed \nand produced to exceed customer requirements. Every step in the production \nprocess undergoes an extensive quality procedure, covering both product \nquality and testing. As such, each product that leaves Deltalight, like the  family \nshown here, has been thoroughly inspected and tested, resulting in minimal \nreturns and maximum efficiency. Product quality and safety testing according to \nthe international IEC standards is done in our Deltalight Laboratory. To stand by \nthis quality promise, Deltalight offers a five-year guarantee on its entire indoor \nand outdoor lighting range. Thanks to this initiative, customers can be sure that \nby choosing lighting solutions from Deltalight, they are investing in the future.\nQUALITY CONTROL\nAND PRODUCTION\n5 \nYEAR\nGUARANTEE\nWARRANTY\n24\nWE PRODUCE — Process\n",23,{"image":103,"text":19,"number":104},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.24.png",24,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.25.png","Our PROOFS\n",25,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.26.png","© Kiahna Mollette\n27\nOUTDOOR\n",26,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.27.png","As outdoor luminaires often need to withstand harsh weather \nconditions,  Deltalight maintains the highest standards in the material \nchoices for finishing the products, as well as in the technology and \nthe manufacturing process. Each luminaire is designed, engineered \nand manufactured to guarantee high, maintained IP ratings\nand a long lifetime.  \nDurable PROOF\n28\nWE PRODUCE — Proofs\n",27,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.28.png","Durable PROOF\nDESIGNED TO LAST\nBe it in the choice of material, components or the way it is \nassembled, our products are built to last.  Products that suffer \nfrom wear and tear because of their type of installation are \nfrom standard available in brushed stainless steel.  Thermally \ntoughened glass to withstand high demands and loads offer \nadditional protection and safety. Protective sheets allow \nmounting on raw surfaces without damaging the luminaires \nsurface.\nINTEGRATED MOISTURE LOCK\nAn integrated moisture lock \nprohibits incoming water from \nbelow: in-house designed gaskets \navoid water ingress from above to \nreach the required IP-rating.\n29\nOUTDOOR\n",28,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.29.png","DELTALIGHT QUALI PROTECT®\nDurability and quality are of utmost importance when it comes to outdoor \nluminaires.  We utilise industry-leading testing techniques, recreating the \nmost realistic conditions possible to ensure our products can withstand \nanything that comes their way.  By boasting only the highest quality \nmaterials labeled with Deltalight Quali Protect®, we assure that all outdoor \nfixtures undergo our inhouse extensive pre-treatment processing with \ntitanium passivation for long term corrosion resistance.surface.\n30\nWE PRODUCE — Proofs\n",29,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.30.png","                    \nClimate\nPROOF\n© Lenstravelier\n31\nOUTDOOR\n",30,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.31.png","Deltalight outdoor luminaires are engineered to withstand all \nclimate types and conditions. Our improved outdoor range is \ndesigned to resist extreme weather conditions: extreme heat, \nheavy snow or rainfall,  ice and cold temperatures, … \nnothing our fixtures can’t handle. \n32\nWE PRODUCE — Proofs\n",31,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.32.png","Climate PROOF\nEXTREME CONDITIONS\nReliable in extreme weather \nconditions, from -25° up to +45°C.  \nBy utilising carefully selected led, \nelectronics and thermal protection.\nDELTALIGHT SUPREME TEXTURE®\nA high-end polyester powder coating is \napplied, resulting in a perfect finish and \nappearance, guaranteeing both weather \nand UV resistance.\n33\nOUTDOOR\n",32,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.33.png","D-LOCK SYSTEM\nTo protect the luminaire from harsh weather \nconditions, the in-house developed D-LOCK \nsystem avoids damage by overheating, \novervoltage and water ingress.\nNIGHT SKIES AND LIGHT POLLUTION\nOur commitment to responsible outdoor lighting \naddresses the critical issue of light pollution. Our \nsolutions prioritize fixtures designed to restrict up- \nor backlight, shielding and thus minimising excess \nillumination. Low-glare, dimmable options and specific \nLEDs with tailored wavelengths to limit blue light proves \ncrucial, sparing our environment from its detrimental \neffects.\n34\nWE PRODUCE — Proofs\n",33,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.34.png","Architect: TETRA architecten\nProject &\nFunctionality PROOF\n35\nOUTDOOR\n",34,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.35.png","Deltalight’s outdoor range is ready to meet the needs of today’s landscape design and illuminate with impact. \nThe flexible and functional range with a variety of optics, beams and other features enable designers to meet the various needs in \nlandscaping illumination, both in public and private space. \n36\nWE PRODUCE — Proofs\n",35,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.36.png","Project and Functionality PROOF\nFLEXIBILITY\nThe flexibility of the Polesano enables \nto illuminate vertically and horizontally, \nas the double axis in the connection box \nallows a 355° rotation from the luminaire \nvs. the pole and a 180° rotation from the \nluminaire itself.  In this way, any possible \nset-up can be achieved\n37\nOUTDOOR\n",36,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.37.png","FULLY ADJUSTABLE ON SITE\nLogic 190 is fully adjustable on-site, without \nthe need of opening the fixture.  As such, it \ncan be rotated 360° and tilted up to 25°, \nwithout any possible damage by ingress \nof water or dust.  It can be adjusted while \ninstalled into the floor, allowing a perfect \nalignment of light effect on the architecture.\nLED CASET TECHOLOGY\nPrecise optics reduce unwanted spill of light. \nA set of individual collimator lenses reduce glare and \npresent a multi-layer output. Accessories can further refine \nthe light or improve on visual comfort, an engine that makes \na powerful lighting tool.\nThis tool is used throughout a vast majority of our products, \ndelivering a uniform and qualitative light throughout our full \noutdoor product range. A feature delivering products that \nwork together to bring your project to a higher level while \nmaintaining a uniform look and feel.\n38\nWE PRODUCE — Proofs\n",37,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.38.png","Future and Fun PROOF\n39\nOUTDOOR\n",38,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.39.png","Deltalight’s outdoor lighting range presents a combination of durable and timeless design. Our outdoor lighting range is designed \nto look stunning, forever. Whether you are lighting cozy backyard nooks or sprawling landscapes, Deltalight’s range has you covered \nwith its minimalistic aesthetic. Our fixtures will continue to look great for years to come, making them truly future and fun proof. \n40\nWE PRODUCE — Proofs\n",39,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.40.png","Future and Fun PROOF\nORGANIC AND PLAYFUL\nPlayful design involves creating contrast to make the \nvisual fixture exciting and appealing.  The combination of \ninspiring organic shapes and a twist on materials such \nas glass and aluminium creates tactile elegance and a \nsophisticated palette of shades.\nDESIGNED FOR THE FUTURE\nParts are designed to accommodate future \nupdates, such as the integration of tunable \nwhite or RGBW LEDs, new optics or the use of \nnew or different materials. We try to keep our \nfixtures serviceable, when designing we keep \ndisassembly (DfD) in mind, therefor we limit \nglue in our fixtures.\n41\nOUTDOOR\n",40,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.41.png","SIMPLICITY AND PURITY\nBy working with simple shapes like \nrectangles and circles, products radiate \nsimplicity and purity, a signature that is \npeculiar to Deltalight\nWORLD IN COLOUR\nWe understand the importance of diversity in colour \nchoices, which is why we continually expand our palette. \nRecently, we introduced captivating hues like pine green and \nflemish bronze, reflecting our commitment to listening and \nresponding to what our customers seek. Our dedication to \noffering a broader spectrum of colours stems from an ethos \nof adaptability and customer-intimacy, ensuring everyone \nfinds their perfect shade effortlessly.\n42\nWE PRODUCE — Proofs\n",41,{"image":174,"text":19,"number":175},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.42.png",42,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.43.png","We illuminate\n",43,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.44.png","AN APPROACH TO\nOUTDOOR LIGHTING\n45\nOUTDOOR\n",44,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.45.png","The power of light is in its malleability: how it reflects, refracts and sculpts controls and enhances the overall perception of a room \nand the objects in it. It’s the ultimate mood setter, the silent partner in an architectural or landscape design, the hidden force that \ncreates ambiance and brings a room, garden or courtyard to life. Light can shape or envelop a space. It can sculpt and enrich an \nenvironment to give the people in it a comfortable, safe and pleasant feeling. Where you focus or direct it guides the experience. The \ninterdependence and integration is key to any successful project, putting the final touches on your nocturnal setting. This requires \na holistic approach that combines technical excellence and creativity to put the ‘wow’ in a perfect nocturnal setting. Make the \nsurroundings glow. Make the people in them shine.\nEvery landscape project has several components and different functions. Each setting needs to be illuminated in a specific way so \nthat when the parts come together to form a whole, people have the feeling of walking onto the set of a play that reveals itself in \ndifferent scenes. In short, there’s no such thing as perfection, only perfect lighting: the right lighting fixtures for the right effect for the \nright application. Throughout this process, luminaires are a designer’s tools, applied to fit into their intended environment, to enhance \nit, and to stand the test of time. To achieve this, a project approach is divided in three main acts, each divided but strongly connected \nwith each other:\n                    Illuminating\nARCHITECTURE\nIlluminating SPACES\nIlluminating NATURE\n46\nWE ILLUMINATE — Outdoor\n",45,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.46.png","© Tanner Vote\nIlluminating SPACES\n47\nOUTDOOR\n",46,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.47.png","Jonathan Ashmore\n'We consider natural and artificial lighting right at the start of our design process. \nExterior lighting not only enhances the building’s aesthetics after dark, \nit also extends the spaces functionality and helps create a desirable ambience.' \nRead the full interview with Jonathan Ashmore on page 119\nSpaces such as parking lots, driveways, squares and walkways, require a specific lighting approach \nto serve a practical purpose: enhancing visibility and lighting up areas according to what’s required \nof them. Illuminating functional areas plays a crucial role in creating an efficient, comfortable and safe \nenvironment.\n48\nWE ILLUMINATE — Spaces\n",47,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.48.png","                    Illuminating\nARCHITECTURE\nSusanna Antico\n'The relationship between architecture and lighting is symbiotic: the architecture allows the \nintegration of the lighting in such a way that the lighting allows the architecture to impact\nits users in the way intended by the architects..' \nRead the full interview with Susanna Antico on page 123\nFaçades, colonnades, sculptures, building materials are the architectural elements \nthat give a project and landscape its uniqueness. Illuminating these surfaces as an \nensemble as well as bringing attention to the smallest details defines the look and \nfeel of a space, directly influencing its perception.\n49\nOUTDOOR\n",48,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.49.png","Architect: AABE - Atelier d’Architecture Bruno Erpicum & Partners - Photography: Jean-Luc Laloux\n50\nWE ILLUMINATE — Architecture\n",49,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.50.png","Dean Skira\n'Our urban nocturnal environment can be compared to an unfinished pointillist\npainting, because there are so many bright glary dots of lights in our field of vision.\nMy methodology considers avoiding those dots and tries to create a balanced picture\nthroughout our visual frame. I am especially fond of working on lighting designs in landscape\nwhere light is not so easily controlled as it is in architecture.' \nRead the full interview with Dean Skira on page 115\nBushes, trees, gardens and greenery are obviously an integral part of landscape design. \nThe illumination of each different natural element, throughout its evolution and seasons, \nhighlights the beauty of nature in its darkest hours. When light is properly cast in the natural \nenvironment, it heightens your senses and can take you on an enchanting adventure.\nAll gardens and landscapes, regardless of size, have different characteristics\nand will only be “well lit” if all these aspects are taken into account. Whether it concerns uplights,\nflexible spot lighting, linear solutions for mounting on the floor and even bands around the trees...\nin the Deltalight range you will find all kinds of solutions to emphasize the plant heritage\nof the place without neglecting important themes as light pollution and wildlife preservation.\n51\nOUTDOOR\n",50,{"image":209,"text":210,"number":211},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.51.png","Illuminating NATURE\nAtrio Interiores\n52\nWE ILLUMINATE — Nature\n",51,{"image":213,"text":214,"number":215},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.52.png","The Al Faya Lodge is located at the foot of Mount Alvaah in the UAE’s ancient desert, and is a true architectural gem. The resort’s \ncaptivating blend of old and new buildings set against a mountainous backdrop is a place of pure luxury and relaxation. The \nlighting project was done with great care, aiming to keep the darkness of the environment while enhancing the unique beauty of \nthe structures. Respecting is natural landscape, light was used only when necessary, making the resort a peaceful haven where \nguests can unwind and connect with the gorgeous surroundings. This project presents the intertwining of three aspects that were \nat the heart of how it harmoniously came together way--function, architecture, and nature. Located deep in a desert, this resort \noffered unique challenges because its functions cannot be easily separated from its natural surroundings. As a result, these aspects \ncontinuously crossed paths seamlessly, adding to the resort’s charm and character.\nThis project had one clear intention: minimise artificial lighting and highlight the natural splendor of the landscape at night. Only the \ntrees are subtly illuminated, enhancing their sculptural presence. Guests can enjoy the marvelous view of the landscape, whether it’s \nthe deep purples of the dying the sunset, a clear moonlit sky or a moonless night filled with stars.\n                    \nCase\nAL FAYA LODGE\n53\nOUTDOOR\n",52,{"image":217,"text":218,"number":219},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.53.png","Architect: ANARCHITECT  -  Photography: Fernando Guerra\nAL FAYA LODGE\n54\nWE ILLUMINATE —  Case — Al Faya Lodge\n",53,{"image":221,"text":222,"number":223},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.54.png","Architect: ANARCHITECT  -  Photography: Fernando Guerra\n55\nOUTDOOR\n",54,{"image":225,"text":226,"number":227},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.55.png","Here, functional and architectural lighting come together in a stunning display of elegance. \nThe lighting fixtures guide visitors along the paths and beckon them towards the entrance of the building, serving a functional \npurpose with an intriguing ambiance. An overlapping of function and form often happens in projects in which the lighting is almost \nabsent in favor of the preservation of the nightscape.\nKIX is a versatile family of adjustable \nprojectors that can be installed on \nwalls, floors, or even strapped around \ntrees to light up your outdoor spaces. \nWith its sleek and subtle design, this \npowerful lighting solution is perfect for \nilluminating walkways or enhancing \nyour landscape, like in Al Faya Lodge. \nKix’s adjustable features make it the \nperfect addition to your garden or \noutdoor oasis.\n                    Illuminating\nARCHITECTURE\n56\nWE ILLUMINATE —  Case — Al Faya Lodge\n",55,{"image":229,"text":230,"number":231},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.56.png","'The same lantern element also illuminates the exterior space of each private suite, \nadding a sense of intimacy and warmth in the vast desert landscape.'\nThe discreet MONTUR used in \nthe pool area also serves as an \nintegral part of the architecture.  \nIts lantern-like design recalls \ntraditional desert lighting sources, \nadding charm and character.  This \ninnovative approach seamlessly \nblends practicality and style, \nresulting in a warm and inviting \natmosphere that’s authentic and \nvisually captivating.\nDeltalight’s Montur is a modern \ninterpretation of a classic lantern \ndesign. \nThe sharply profiled framing, \nmade from seamless aluminium, \nbreathes refinement and \nsophistication. Both indoor and \noutdoor versions come with a \nchoice of transparent or opal \nglass finishing. The opal glass \nversion creates a beautifully \ndiffused light that adds to the \nlamp’s allure. Montur is available \nin various configurations, including \nground and wall fixtures. Its \nversatility makes it a perfect \naddition to any indoor or outdoor \nsetting.\nIlluminating SPACES\nArchitect: ANARCHITECT  -  Photography: Fernando Guerra\n57\nOUTDOOR\n",56,{"image":233,"text":234,"number":235},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.57.png","58\nWE ILLUMINATE —  Case — Al Faya Lodge\n",57,{"image":237,"text":238,"number":239},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.58.png","Architect: ANARCHITECT  -  Photography: Fernando Guerra\n59\nOUTDOOR\n",58,{"image":241,"text":242,"number":243},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.59.png","The lounge area boasts a serene atmosphere with minimal \nartificial lighting. A discreet linear lighting installed under the \nsofas creates a cozy ambiance around the fireplace. This \nlighting solution is eco-friendly and does not cause glare or \nlight pollution, making it perfect for gazing at the majestic starry \nnight sky over the expansive desert. The restaurant area was lit \nthe same way.  The architect’s intent was to highlight specific \nelements while avoiding over-illumination thatwould clash with \nthe natural environment.\nFEMTOLINE 25\nTo obtain the best possible light \ndiffusion from a cove, Deltalight \noffers a profile equipped with \na U-shape diffuser, an ideal \nsolution for outdoor cove lighting.\n60\nWE ILLUMINATE —  Case — Al Faya Lodge\n",59,{"image":245,"text":246,"number":10},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.60.png","Architect: ANARCHITECT  -  Photography: Fernando Guerra\n61\nOUTDOOR\n",{"image":248,"text":249,"number":250},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.61.png","MONTUR L P\nThis modern reinterpretation of \nthe lantern archetype provides \na subtle and elegant light for \nthe lounge areas, avoiding any \nkind of glare.\n62\nWE ILLUMINATE —  Case — Al Faya Lodge\n",61,{"image":252,"text":253,"number":254},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.62.png","63\nOUTDOOR\n",62,{"image":256,"text":257,"number":258},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.63.png","LOGIC is a complete \nrange of water and shock \nresistant lighting fixtures. \nThanks to its multiple \nreflective options, Logic \ncan be used to accentuate \ntrees or sculptures, but also \nto light up facades or large \ngarden features to create \na sense of depth or provide \ndirection along paths and \ndriveways.\nThis project had one clear intention: minimise artificial lighting and highlight the natural splendor of the landscape at night. Only the trees \nare subtly illuminated, enhancing their sculptural presence. Guests can enjoy the marvelous view of the landscape, whether it’s the deep \npurples of the dying the sunset, a clear moonlit sky or a moonless night filled with stars.\nIlluminating NATURE\n64\nWE ILLUMINATE —  Case — Al Faya Lodge\n",63,{"image":260,"text":261,"number":262},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.64.png","Nestled in the striking natural landscape of Como Lake, this lighting project aimed to create a distinct identity for the exterior while \nmeeting the unique requirements of each zone. The lighting guides guests along paths, highlighting the beauty of the surroundings. \nHowever, the primary goal of the project was to preserve the breathtaking natural scenery, including views of the lake, the opposite \nshore, and the starry sky. With careful consideration of its impact on the environment, this project strikes a perfect balance between \naesthetics and sustainability.\nVILLA P\n                    \nCase\n65\nOUTDOOR\n",64,{"image":264,"text":265,"number":266},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.65.png","VILLA P\n66\nWE ILLUMINATE —  Case — Villa P\n",65,{"image":268,"text":269,"number":270},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.66.png","The garden is meticulously divided into three sections: paths, nature, and architectural treasures, \nall interconnected. The lighting is directed toward the ground or statues, but softly reflects on \nsurrounding elements, such as bushes or stone surfaces, enhancing the garden’s natural grandeur \nand ecologically rich character. This creates an enchanting atmosphere  that also allows for \nunobstructed views of the night sky and its reflections on the water.  The garden’s elements work \ntogether in perfect harmony, making it an astonishing display of nature’s magnificence. \nKIX is a family of exterior  \nprojectors designed for easy \ninstallation on walls, floors, trees \nor soft green areas using a pin. \nWith its flexibility, elegance, and \npower, Kix is the perfect choice \nfor illuminating walkways and \nother landscape features.\nThe pathway illumination \nconcept is inspired by the \npathway’s function itself. As \nguests walk along the paths, \nthe lights create a visual rhythm \nthat is accentuated by the \ncontrasts of light and shadow, \nrevealing the pathway’s \npurpose of connecting various \npoints of the garden. The \nvertical surfaces surrounding \nthe path are intentionally left \nunlit to prevent light pollution \nthat may obstruct the view of \nthe night sky. The result is a \nradiant, dynamic and immersive \nexperience that encourages \nguests to appreciate the \ngarden’s natural surroundings \nand magnificent nighttime \nviews.\nIlluminating SPACES\n67\nOUTDOOR\n",66,{"image":272,"text":273,"number":274},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.67.png","Products and possibilities\n68\nWE ILLUMINATE —  Case — Villa P\n",67,{"image":276,"text":277,"number":278},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.68.png","  \nThroughout the garden, several unique architectural features have been accentuated, including an historic \nfaçade, a water well, statues, and an evocative rock. The lighting effect further deepens the architectural \nnarrative with striking contrasts and beguiling details.\nTo highlight the architectural \nbeauty of the façade, \nFEMTOLINE 25 F was \ninstalled as a cove beneath \neach window, bringing \nattention to the intricate \nwooden structure and \nlow reliefs. The use of this \nsolution has created an \nenchanting effect, drawing \nthe viewer’s attention to \nthe exquisite details of the \nbuilding.\nKIX M highlights a magnificent \nmarble statue to the right of the \nfaçade, set in a picturesque \ngrotto. This artistic composition \nis illuminated from three \ndifferent sides, with two small \nprojectors carefully placed \nat the statue’s side to softly \nhighlight the cave’s features. \nA small projector is installed \nunder the first-floor window \nto create an evocative mood \nby lighting the statue from \nabove. The overall effect is \nan exquisitely lit  scene that \nis both visually stunning and \natmospheric.\n                    Illuminating\nARCHITECTURE\n69\nOUTDOOR\n",68,{"image":280,"text":281,"number":282},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.69.png","70\nWE ILLUMINATE —  Case — Villa P\n",69,{"image":284,"text":285,"number":286},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.70.png","LOGIC FAMILY \nThe Logic lighting fixtures \noffer a versatile range of \nwater and shock-resistant \noptions, with various \nreflectors to highlight trees, \nsculptures, facades, or other \ngarden features. They can \ncreate a sense of depth or \nguide visitors along paths \nand driveways.\nLOGIC 190 R is the perfect \nsolution for those seeking \nan adjustable projector with \noptimal beam control. The \nLED engine can be tilted up \nto 25° and the fixture can \nbe rotated over 350°, while \nmaintaining its IP67 label, \nmaking it ideal for a range of \napplications.\nLOGIC WALLWASH\nFor a uniform lighting effect \non vertical surfaces, the Logic \nWallwash with its specialized \noptical system can deliver the \ndesired lighting effect.\n71\nOUTDOOR\n",70,{"image":288,"text":289,"number":290},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.71.png","72\nWE ILLUMINATE —  Case — Villa P\n",71,{"image":292,"text":293,"number":294},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.72.png","73\nOUTDOOR\n",72,{"image":296,"text":297,"number":298},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.73.png","74\nWE ILLUMINATE —  Case — Villa P\n",73,{"image":300,"text":301,"number":302},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.74.png","  \nThrough strategic illumination, bushes, trees, rocks, and waterfalls are transformed into a mesmerizing show of colours and shapes. \nThese elements highlight the importance of visual depth made possible by clever lighting design, which brings even more life to the \noutdoors. To discover more possibilities of the featured products, visit deltalight.com\nIlluminating NATURE\n75\nOUTDOOR\n",74,{"image":304,"text":305,"number":306},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.75.png","Inground LOGIC R A’s were \nused for upward lighting of \nall the backgrounds with \nbushes and rocks.\nKIX PIN projectors carefully \nhidden among flowers and \narchitectural elements \nemphasize the trees and \nwaterfall, creating mystical \nillumination that magnifies \nthe beauty of the outdoor \nlandscape.\n76\nWE ILLUMINATE —  Case — Villa P\n",75,{"image":308,"text":309,"number":310},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.76.png","The Monastery of Santa Monica, a sprawling complex spanning over 20,000 m2 in  Cremona’s historic center, was once a military \nbarracks before being converted into the headquarters of the University of Sacro Cuore di Cremona. The objective of the lighting \nproject that was designed to highlight the historical and natural significance of this location, brought its rich past and unique \nlandscape to life. Different lighting products and techniques were used to create distinct layers of light: both for functional daily use, \nas well as architectural appreciation, resulting in a unique and effective lighting design.\nCREMONA\n                    \nCase\n77\nOUTDOOR\n",76,{"image":312,"text":313,"number":314},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.77.png","CREMONA\n© Project: Campus Dell’Universita’ Cattolica a Cremona, Architect: Lamberto Rossi Associati \u002F L. Rossi e M. Tarabella, Client: Fondazione Giovanni Arvedi e Luciana Buschini\n78\nWE ILLUMINATE —  Case — Cremona\n",77,{"image":316,"text":317,"number":318},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.78.png","© Project: Campus Dell’Universita’ Cattolica a Cremona, Architect: Lamberto Rossi Associati \u002F L. Rossi e M. Tarabella, Client: Fondazione Giovanni Arvedi e Luciana Buschini\n79\nOUTDOOR\nWE ILLUMINATE\n",78,{"image":320,"text":321,"number":322},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.79.png","Illuminating SPACES\nThe lighting design for the pedestrian paths at the University of Sacro Cuore di Cremona was carefully crafted to cater to two types of \npaths. The main walking routes, with a wide roadway for  the occasional maintenance vehicle to pass are accentuated with functional \nlighting that also illuminates the rest areas and benches. The pole light fixtures were chosen to clearly mark the main paths. The lighting \nis decisive and consistent, allowing for easy orientation. The result is a warm, practical, and visually appealing setting.\nPOLESANO was chosen \nfor its clean, minimal design \nthat blends well with the \nenvironment, without pulling \nfocus. It offers flexibility with \nmultiple optics, enabling \ndifferent light effects without \nbeing bulky. . This allows for \nthe same aesthetic throughout \nthe grounds, irrespective of the \nlocation it’s used in.\n80\nWE ILLUMINATE —  Case — Cremona\nWE ILLUMINATE\n",79,{"image":324,"text":325,"number":326},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.80.png"," \nTo highlight the architectural elements of the former monastery, the lighting project focused on the main portico, the \nsecondary portico, and the central statue in the cloister. Lights shine on the main portico to emphasize the vaults, \ncreating a soft and indirect light that make the space pleasant to use as a passage between classrooms or as a quiet \nplace to gather in the evening. The goal was to make the space both functional and inviting, creating a warm and \nwelcoming atmosphere.\nThe second type of path is  pedestrian-only  and runs alongside the green areas and building perimeters. A softer and \nmore constant lighting approach was chosen to light these paths. A small bollard fixture was selected to blend into \nthe surroundings, emphasizing the light’s effect on the path. The light functions like a blade, making these areas easily \nrecognizable, even at a quick glance.\n                    Illuminating\nARCHITECTURE\n© Project: Campus Dell’Universita’ Cattolica a Cremona, Architect: Lamberto Rossi Associati \u002F L. Rossi e M. Tarabella, Client: Fondazione Giovanni Arvedi e Luciana Buschini\n81\nOUTDOOR\n",80,{"image":328,"text":329,"number":330},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.81.png","ELBO’s aesthetic design \nwith simple lines matches \nthe Polesano used along the \nmain routes, while its small \nsize fits subtly and naturally \ninto the surroundings. The \nnarrow beam light optic not \nonly brightens the paths, but \nalso provides a pleasant and \neasily recognizable lighting \neffect.\nFEMTOLINE 25 F\nThe compact size of the profile \nenabled it to be discreetly \nconcealed in the vaults’ chains. \nThe profile’s flat diffuser \nprovided a more prominent \nlight directly beneath the \narches, while also diffusing \nlight throughout the entire \nportico volume, achieving \nsubtle, indirect, yet effective \nillumination.\n82\nWE ILLUMINATE —  Case — Cremona\n",81,{"image":332,"text":333,"number":334},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.82.png","The central statue is highlighted from all angles, emphasizing its presence \nand providing a clear view of it from anywhere within the cloister.\nFRAX M\nThe projector’s minimal and \nclean design, along with its \nsmall size, made it an ideal \nchoice for accent lighting \nat the statue’s location. Its \nprecise optics ensured the \nperfect accentuation of \nthe statue, minimising any \nunwanted light phenomena. \nThe projector’s easy-to-\ninstall ground fixing systemis \npractical and discreet.\n83\nOUTDOOR\n",82,{"image":336,"text":337,"number":338},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.83.png","© Project: Campus Dell’Universita’ Cattolica a Cremona, Architect: Lamberto Rossi Associati \u002F L. Rossi e M. Tarabella, Client: Fondazione Giovanni Arvedi e Luciana Buschini\n84\nWE ILLUMINATE —  Case — Cremona\n",83,{"image":340,"text":341,"number":342},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.84.png","To enhance the secondary portico, accent lights were used to draw attention to the columns \ninside. The lights helped feature the building material of the columns, adding depth. \n© Project: Campus Dell’Universita’ Cattolica a Cremona, Architect: Lamberto Rossi Associati \u002F L. Rossi e M. Tarabella, Client: Fondazione Giovanni Arvedi e Luciana Buschini\n85\nOUTDOOR\n",84,{"image":344,"text":345,"number":346},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.85.png"," \nGreen spaces were intentionally left unlit to draw focus to the buildings, architectural features, and path. \nThis creates a dramatic contrast between lit and unlit spaces, emphasizing the important elements of\nthe site. The absence of light also cultivates  a feeling of restfulness in darkness. \nLOGIC 40\nUsing a compact recessed \nfloor lamp made it possible to \ninstall these lighting fixtures \nnear the columns. Having a \nnarrow scope, these lights \nhelped emphasize the columns \nas standalone architectural \nelements of the portico.\nIlluminating NATURE\n86\nWE ILLUMINATE —  Case — Cremona\n",85,{"image":348,"text":349,"number":350},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.86.png","Nestled at the foot of the Sierra Madre mountains, the garden of this residential project was designed to represent a natural \nsculpture – a place of joy and relaxation. The project is located near the Chipinque Park, an ecological reserve known for its \nrich flora, including towering Encinos and Pinus Pseudostrobus trees, as well as smaller trees like El Colorin and Duraznillo. The \nvegetation lends each season a unique character. The lighting design aimed to balance the natural sculptures of the garden with \narchitectural \nfeatures, creating a space for evening enjoyment. By enhancing the garden’s beauty without overwhelming it, the lighting design \naimed for an ambiance that invited residents to bask in the surroundings. With nature as the main attraction, the garden offers a \nrestful haven in the midst of city life.\nMONTERREY\n                    \nCase\n87\nOUTDOOR\n",86,{"image":352,"text":353,"number":354},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.87.png","MONTERREY\nAtrio Interiores\n88\nWE ILLUMINATE —  Case — Monterrey\n",87,{"image":356,"text":357,"number":358},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.88.png","Atrio Interiores\n89\nOUTDOOR\n",88,{"image":360,"text":361,"number":362},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.89.png","Illuminating SPACES\nFunctional lighting in essential areas of the garden, such as pedestrian paths, vehicular access, and recreational spaces didn’t \ncompromise the natural elements of the garden. Customized lighting was used to  illuminate the pathways, so that the lighting design was \nin harmony with the natural and architectural features. Each path was carefully considered in relation to its location within the garden, \nresulting in a lighting solution that complemented the overall aesthetic of the space.\nTo provide ample light and \nemphasize key areas of the \ngarden, POLESANO was \nused to light up the walkways \nnear the house and frequently \nused areas. This allowed for \na general, brighter light that \ndraws attention to these \nspaces.\nBAZIL floor fixture was \nchosen for its design and \nfunctionality, providing a \nsoft lighting effect on the \nground and seamlessly \nblending in with the plants \nand trees. It was the perfect \nchoice for illuminating the \npaths.\n90\nWE ILLUMINATE —  Case — Monterrey\n",89,{"image":364,"text":365,"number":366},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.90.png","91\nOUTDOOR\nAtrio Interiores\n",90,{"image":368,"text":369,"number":370},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.91.png","92\nWE ILLUMINATE —  Case — Monterrey\n",91,{"image":372,"text":373,"number":374},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.92.png","93\nOUTDOOR\nAtrio Interiores\n",92,{"image":376,"text":377,"number":378},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.93.png","The lighting design for the large recreational areas aimed \nto create a moonlit effect with shadows on the ground. This \neffect was achieved by combining Kix and Logic fixtures \nto amplify the surrounding trees, creating a functional and \nplayful space for residents to enjoy.\nBAZIL floor fixture was \nchosen for its design and \nfunctionality, providing a \nsoft lighting effect on the \nground and seamlessly \nblending in with the plants \nand trees. It was the perfect \nchoice for illuminating the \npaths.\nKIX PIN projectors carefully \nhidden among flowers and \narchitectural elements \nemphasize the trees and \nwaterfall, creating mystical \nillumination that magnifies \nthe beauty of the outdoor \nlandscape.\n94\nWE ILLUMINATE —  Case — Monterrey\n",93,{"image":380,"text":381,"number":382},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.94.png","The pool area was given special attention in the lighting design. In addition to lighting up the \nvegetation, the decorative elements were given prominence using Delta’s Montur floor fixture. \nPlacing the fixture next to it made sure the vegetation was showcased, meanwhile casting soft \nshadows on the surfaces around it.\nAtrio Interiores\n95\nOUTDOOR\n",94,{"image":384,"text":385,"number":386},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.95.png","96\nWE ILLUMINATE —  Case — Monterrey\n",95,{"image":388,"text":389,"number":390},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.96.png"," \n \nThis project is a charming combination of classic architecture that sets the house and chapel apart. To exhibit the \nunique features of the arches in both locations, Logic lights were the ideal choice. To ensure the lighting design \naccentuated the facade of the house, a narrow beam angle was used  to give off a soft and alluring light on the \narches without any harsh glare or unwanted light spillage.\nThe chapel’s lighting design aimed to create a mesmerizing dual effect with one type of \nfixture. Recessed ground lights illuminated the vaults from bottom to top, creating \na mystical quality. From outside, the chapel appears as a magic box, that glows in the surrounding darkness. Inside, the \nlighting is soft, diffused, and incredibly evocative, setting the mood for reflection and contemplation. The overall result is \nan interplay of light and shadow that sets off the classic architecture of the chapel.\n                    Illuminating\nARCHITECTURE\nAtrio Interiores\n97\nOUTDOOR\n",96,{"image":392,"text":393,"number":394},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.97.png","98\nWE ILLUMINATE —  Case — Monterrey\n",97,{"image":396,"text":397,"number":398},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.98.png","Certain areas of the garden \nhave unique clusters of \nvegetation that are lit up by \nSTIEVIE fixture, creating eye-\ncatching focal points with its \ndiffuse and gentle illumination \nof the greenery.\n \n \nThis project’s main feature is its abundant and diverse vegetation, which reflect its unique location. \nTo do justice to these features, we researched which fixture and lighting effect would be ideal for \neach natural element, considering factors such as dimensions, location, and material. The Logic and \nKix family was a perfect fit, as their different beam angles and adjustability offered the flexibility we \nneeded to keep the lighting concept consistent throughout. This allowed us to create a lighting design \nthat complemented and accentuated the beauty of nature while maintaining a harmonious flow. To \ndiscover more possibilities of the featured products, visit deltalight.com\nIlluminating NATURE\nAtrio Interiores\n99\nOUTDOOR\n",98,{"image":400,"text":401,"number":402},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.99.png","100\nWE ILLUMINATE —  Case — Monterrey\n",99,{"image":404,"text":405,"number":406},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.100.png","The Verudela Art Park, a project by Dean Skira, is a mesmerizing new artistic attraction in Pula, Croatia. Located on 5,500 m2 of \nland in Verudela, this park features spectacular sculptures and installations. It’s a perfect destination for art enthusiasts, as well as \nanyone looking to unwind and take a leisurely stroll through this captivating space.\nVERUDELA ART PARK\n                    \nCase\n101\nOUTDOOR\n",100,{"image":408,"text":409,"number":410},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.101.png","©  Architect: Dino Krizmanić, Leonid Zuban (Urbis), Lighting Design: Dean Skira\nWE ILLUMINATE —  Case — Verudela Art Park\n102\n",101,{"image":412,"text":413,"number":414},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.102.png","The lighting design for the Verudela Art Park goes above and beyond traditional landscape illumination. While creating visual balance \nbetween light and shade was important, it was also crucial to highlight the sculptures and Corten lines that intersect with the terrain. \nSafety was also a top priority, ensuring visitors could move around the park at night without issue. To achieve this, both the park itself \nas well as the pedestrian paths around it and a portion of the nearby forest were illuminated. The result is a breathtaking experience \nthat showcases the park’s natural beauty and artistic installations while providing a secure and enjoyable environment for everyone \nwho visits.\n                    Illuminating\nARCHITECTURE\nIlluminating SPACES\nIlluminating NATURE\n©  Architect: Dino Krizmanić, Leonid Zuban (Urbis), Lighting Design: Dean Skira\n103\nOUTDOOR\n",102,{"image":416,"text":417,"number":418},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.103.png","104\nWE ILLUMINATE —  Case — Verudela Art Park\n",103,{"image":420,"text":421,"number":422},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.104.png","©  Architect: Dino Krizmanić, Leonid Zuban (Urbis), Lighting Design: Dean Skira\n105\nOUTDOOR\n",104,{"image":424,"text":425,"number":426},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.105.png","106\nWE ILLUMINATE —  Case — Verudela Art Park\n",105,{"image":428,"text":429,"number":430},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.106.png","©  Architect: Dino Krizmanić, Leonid Zuban (Urbis), Lighting Design: Dean Skira\n107\nOUTDOOR\n",106,{"image":432,"text":433,"number":434},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.107.png","The Verudela Art Park is a remarkable project that seamlessly blends three layers of lighting: function, architecture, and nature. There is \nno clear separation between these different functions; they all meld together. The same lighting fixtures that illuminate the artwork and \nsculptures also provide functional lighting for the paths.  It’s a perfect example of how lighting can bring together different elements \nof a space and create a cohesive, stunning stage for art. To discover more possibilities of the featured products, visit deltalight.com\nThe installation of 14 POLESANO \npoles, each with 4 lamps providing \nstreet, flood, and spot optics, \ncreates a dynamic and compelling \nlighting grid in the Verudela Art \nPark. The central control system \nallows for independent direction \nof each lamp from a single point, \nmaking the lighting design even \nmore versatile. While the sculptures \nare undoubtedly the stars of \nthe show, the combination of \narchitecture and lighting is equally \nessential to the overall ambiance \nin the park, especially at night.\n108\nWE ILLUMINATE —  Case — Verudela Art Park\n",107,{"image":436,"text":437,"number":438},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.108.png","LE GRAND HORNU\n                    \nCase\nDeltalight had the opportunity to install a temporary lighting installation at Le Grand-Hornu, a UNESCO heritage site in Belgium with \ndeep historical resonance. Our approach was not just to illuminate but to revitalise the architecture and accentuate the greenery \nsurrounding it through.\n109\nOUTDOOR\n",108,{"image":440,"text":441,"number":442},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.109.png","WE ILLUMINATE —  Case — Le Grand Hornu\n110\n",109,{"image":444,"text":445,"number":446},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.110.png","NOCTA, known for its diverse \nlighting effects, was employed \nto accentuate the red brick \nwalls prevalent throughout \nthis historical mining site, \nadding a layer of warmth and \nguidance throughout \nthe UNESCO site.\nLOGIC LINEARS outline \nthe beautiful arches with \nelegance. The multitude of \noptions and accessories \nthis range possesses make \nit a perfect tool for any \ndesigner, whether choosing \nto discreetly highlight \nempty space or illuminate \narchitectural eye-catchers.\nUpon entering you are immediately greeted by an interplay between architectural lighting design and the subtle illumination of the \nsurrounding trees. The in-ground Logic fixtures cast their light on the trees, inviting you to step closer. Our Frax fixtures, discreetly \ntucked away among the branches, provide an unexpected lighting effect on the central water feature. Here, both nature and \narchitecture take center stage.\n                    Illuminating\nARCHITECTURE\n111\nOUTDOOR\n",110,{"image":448,"text":449,"number":450},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.111.png","112\nWE ILLUMINATE —  Case — Le Grand Hornu\n",111,{"image":452,"text":453,"number":454},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.112.png","FRAX ON POLES stand tall over the expansive square leading to the \noffice building. Their premium features offer trustworthy lighting to guide \nvisitors. Every product incorporated in this special endeavor embodies \nDeltalight’s pursuit of quality and innovation. From the discreet \nuniformity of the Frax and Logic to the diverse lighting possibilities \nof the Nocta, every segment of Le Grand-Hornu is illuminated, \nunderscoring the interplay of luminance and shadow, architecture and \nnature, and highlighting the rich history this site possesses.\nIlluminating SPACES\n113\nOUTDOOR\n",112,{"image":456,"text":457,"number":458},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.113.png","114\nWE ILLUMINATE —  Case — Le Grand Hornu\n",113,{"image":460,"text":461,"number":462},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.114.png","                    \nInterview\n115\nOUTDOOR\n",114,{"image":464,"text":465,"number":466},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.115.png","DEAN SKIRA\n                    \nInterview\nLIGHTING DESIGNER, FOUNDER OF SKIRA,\nAN AWARD-WINNING PRACTICE, \nBASED IN PULA (CROATIA)\n116\nTESTIMONIALS\n",115,{"image":468,"text":469,"number":470},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.116.png","What moved you to go into lighting design?\nDEAN SKIRA\n'I wanted to go into a profession related to \narchitecture and form. When I discovered \nthat light has a form which is invisible, but \ninfluences our emotions in a powerful way, this \nreally intrigued and attracted me. Evidently, I \nwas gravitating towards light, architecture \nand interior design so in my twenties I moved \nto NYC to study these disciplines. Back then, \nI envisioned that my career would develop in \nbetween constant travel and the drawing desk. \nWhat I didn’t know, is that I would be travelling \nin light, and walking through shadows. After a \nwhile, I met several lighting professionals and \nstarted working with light. That’s how I became \na lighting designer. My professional life is from \nthat moment on based on strong, passionate \nbelief in light, and I feel very lucky to be able \nto engage in this practice with all of my heart \nand enthusiasm. What started as design work \nwith tangible forms has, over the past thirty \nyears, developed into building and creating \nwith the intangible and the ephemeral.'\n Do you have a design or a lighting philosophy?\n'During the years I did develop a lighting \nphilosophy as I had to theorize about lighting \nto transmit more clearly my ideas to others. \nI’m convinced that everything we do is not \nimportant for the architecture itself but \nfor the people that live in it. Providing the \nutilitarian quantity of light is a process that \ndoesn’t really depend upon creativity today, \nit doesn’t require an artistic or philosophical \napproach if we just want to illuminate space \nfor the basic necessity to see at night. Light is \nmuch more than that and with light, we can \ntransform any space in the nocturnal setting \nbecause it is the light that directly influences \nour perception, our spatial recognition and \nall other qualities of the space which can be \nmanipulated, controlled, enhanced or ruined \nwith light. My professional life is obviously \nthe result of my deepest inner self. I needed \nto physically present my personal approach \ntowards architecture, form, light and design so \nI built our office building the House of light that \nliterarily speaks about the synergy between \nthese disciplines. When I’m occupied with \nproduct design, I actually design the lighting \neffect I want to achieve. Lighting fixtures are \nlike my paint brush in space.'\n  Is all architecture as important at night as it is \nduring the day?\n'Peter Eisenman once said that 90% of the \nbuilding isn’t really architecture. So if we \nagree with him, then yes, all architecture is as \nimportant at night as it is during the day.'\nHow do you view the relationship between arch \ntecture, lighting and landscape?\n'In a successful project, lighting, architecture \nand landscape are interdependent and \nintegrated. There is a strong bond between \nlight and its forms, and the solid objects it \nilluminates. I like to use the phrase integration \nwith inspiration when describing this synergy. \nI always emphasize the importance of \nintegration in lighting design, which assumes a \nclose cooperation with architects, landscape \narchitects and interior designers from the very \nbeginning of the project \ndevelopment.'\n What elements are essential to come up with a \ngood exterior lighting plan?\n'Imagine being in a museum and looking at a \nwonderful painting, where the artist showed \nthe perspective of the space, the colours, \nshadows, people’s expression, surrounding \nlandscapes, maybe even \nbuildings. Those paintings from big masters \nare telling a story from every angle into the \nsmallest details. Everything is in balance, \neven if that painting has so many elements \nthey are all necessary for understanding the \nfeeling, emotions, the message that the artist \nwanted to transmit through it. This is how \nI view our space, our environment and the \necology of all the elements in the space. Every \nsingle element in it, at night viewed as a whole, \nshould bring the same feeling as viewing a \ngood painting in a museum. Controlling every \n117\nOUTDOOR\n",116,{"image":472,"text":473,"number":474},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.117.png","device that is emitting light into that space \nis important throughout the entire field \nof vision. That is why this methodology is \nimportant, that is why we should not distinguish \nany element when we paint with light.  \nOur urban nocturnal environment can be \ncompared to an unfinished pointillist painting, \nbecause there are so many bright glary dots \nof lights in our field of vision. My methodology \nconsiders avoiding those dots and tries to \ncreate a balanced picture throughout our \nvisual frame. I am especially fond of working \non lighting designs in landscape where light is \nnot so easily controlled as it is in architecture. \nYet at the same time, you can achieve the \nmost romantic, theatrical stage designs. I \nlove these scenographic \napproaches. Objects you illuminate are \nalready set for you; the scene already exists \nin its original, natural form.'\n What is your starting point when you begin to \ndesign?\n'One of the oldest living lighting designers, \nHoward Brandston, once said that those \nwho could not visualize the lighting of a \nspace with their eyes closed, were simply not \nqualified to deal with light. That is, my light \nand my visualization process, indeed, arise \nfrom closing my eyes, imagining the space in \nthe dark, and experiencing the form of light; \nthe way it reveals the form of the object it \nilluminates, what happens with the shadow \narising from this interaction. I understand that \nlight lives\nin five forms. Light is invisible, but has form. The \nfirst form of light is in the source, the second is \nthe invisible form of light itself, the third is the \nform of the object revealed by light before it \ntouches it, the fourth is the form of the shadow \nand the fifth is the form of the consequence \nthat comprises all the previous four forms, as \nwell as the way we feel and experience the \nspace considering the four forms.'\n Besides the personal relationships, doesyour \napproach and choices differ from one continent \nto the other? For example, how big is the role of \nclimate, culture and other local elements in your \ndesign?\n'The phrase integration with inspiration also \napplies not only for the building itself but \nnaturally for the environment and cultural \ntradition so the form of the light should \nfollow the form of the object and it should be \nunobtrusive to the viewer. That means that the \ndeep thought of light is without boundaries. It \nflows and it should flow globally regardless of \ncultural difference. But also living in an area \nwhere four seasons are clearly changing \nour daily perception of light, shadow and \ncolour, probably has some influence on my \nunderstanding or “learning to see” the light.'\nDo you agree that the outdoor lighting design at \nfirst needs to be utilitarian?\n'Light should be always designed beyond \nutilitarian, otherwise it’s not designed. Name \none project where you feel that architecture, \nlandscape and exterior lighting merge \nperfectly. \nThe \ntechnology \nnowadays \npermits us to create dynamic public lighting \nand maybe a very good example would \nbe the illumination of town of Motovun. \nA project which is in the concept phase \nbut it implements all necessary elements \nof a human centric lighting design. On a \nmicrolevel we achieved this goals in our \nrecently realized project Verudela Art Park \nin our town of Pula.'\nWhat inspires you?\n'In Greek mythology inspiration as an \nunconscious burst of creativity that comes \nfrom the muses.\nI would agree with that but also add that \nit’s a question of the site-specific relations \nbetween the investor, architects and partners \nin project. For me it happens mostly when the \nspirit of a place, the Genius loci, brings to me \nthe decisive moment of inspiration. The site \nusually evokes clear mental pictures in my \nmind, of what I see on that specific scene \nduring the night, and this applies mostly to all \nthe lighting projects that I’ve done so far.'\n118\nTESTIMONIALS\n",117,{"image":476,"text":477,"number":478},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.118.png","                    \nInterview\n119\nOUTDOOR\n",118,{"image":480,"text":481,"number":482},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.119.png","JONATHAN\nASHMORE\nARCHITECT, FOUNDER OF MULTIPLE AWARD WINNING \nPRACTICE ANARCHITECT. \nBASED IN DUBAI, DELIVERING BESPOKE PROJECTS\nFOR PRIVATE AND CORPORATE CLIENTS GLOBALLY.\n                    \nInterview\n120\nTESTIMONIALS\n",119,{"image":484,"text":485,"number":486},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.120.png","Is all architecture as important at \nnight as it is during the day? \nJONATHAN ASHMORE\nAt ANARCHITECT we see the architecture, \ninterior architecture and interior design holi-\nstically interconnected, to create buildings \nand spaces sensitive to their location and \nnatural environment. We design projects \nwith a passive design approach with spaces \nwhich are human-centric – placing human \nexperiences – whether these are private \nresidents or hospitality guests - at the heart \nof the design concept. For that reason, the \nbuildings we create have to work from dusk \nto dawn and throughout the night to create \ndesirable environments and provide ease of \nuse. Especially when designing in extreme \nweather conditions of the Middle East and \nAsia, at the start of the design process we \ntake into consideration the natural light - \nmovement of the Sun and the Moon and \nexposure to extreme heat, heavy rain and \ndriving wind, to orientate the mass of the \nbuilding in line with the optimum living con-\nditions – a passive approach. This allows us \nto harness natural sunlight during the day \nand moonlight at night. After dusk, it’s impor-\ntant for us to subtly light the architecture of \nthe buildings and interior architecture of the \nspaces with carefully considered artificial \nlighting that creates a gradual transition \nfrom day to night light conditions. Not only \ndoes this aesthetically enhances the indoor \nand outdoor spaces but also retains their \nfunctionality throughout the night with a ba-\nlance of ambient and task lighting custom \ndesign to suit each individual project. \nHow do you approach landscape design and the \nnatural environment as part of your architectural \nconcept? \nThe natural environment and local vernacu-\nlar inform our architecture projects in their \nentirety. At ANARCHITECT we foster the \nvision of contextual modernism, creating \nbuildings and spaces which whilst globally \ninspired, deliver ‘of place’ experiences and \ntruly belong to their location so landscape, \ncontext and indoor and outdoor conditions are \nintrinsic elements to many of our projects. \nAt the Al Faya Lodge Retreat & Spa, set in \nthe crimson landscape of the Sharjah desert \nin the United Arab Emirates, natural environ-\nment informed the indigenous landscaping \nwe commissioned working closely with the \nclient and landscape architects. The natural \nlandscape also informed the use of stone, \nhardwoods and Corten steel materials whi-\nch will age well in the extreme weather, with \nthe design of the lodge integrated with the \nlocal vernacular. For another destination ho-\nspitality project currently under construction, \nour Harding Boutique Hotel project is set \nwithin the dense coconut groves of southern \nSri Lanka, a region prone to heavy monsoon \nseasons. The hotel’s design not only refers \nto the local vernacular tropical modernism \nmovement, but it is also inspired by the local \nclimate, with the use of natural woods and \nlocal timber. We are also translating the \nvernacular into the bespoke furniture design \nwithin the hotel, with ANARCHITECT-desi-\ngned Coconut Collection. \nDo you work on a relationship between the inte-\nrior and the exterior in your design? If yes,  what \nis your idea about this?\nThe relationships between interior and the \nexterior are at the core of contextual mo-\ndernist architecture which we champion. \nBuildings have to harmoniously co-exist \nwith the environment they are set within, \nto provide optimum experiences for their \nresidents and visitors. Especially in the \nMiddle East and Asia, where the majority \nof our work is located, there’s an intrinsic \nlink between the indoor and outdoor spaces \nas these are often interconnected and lived \nbetween throughout the day and night. For \nthese projects, it’s essential that as much \nthought is given to the interior and exterior \nof our design, and especially to the thre-\nsholds at which the two come together – \nwhether that’s a contemplative courtyard, \na balcony or a material distinction \nbetween the spaces. \n121\nOUTDOOR\n",120,{"image":488,"text":489,"number":490},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.121.png","How important is exterior lighting as part of \nyour architectural concept? \nWe consider natural and artificial lighting \nright at the start of our design process. For \nhospitality projects, exterior lighting not \nonly enhances the building’s aesthetics \nafter dark, but it also provides way finding \nfor guests and staff. When designing ho-\ntels with outdoor elements such as rooftop \nbars, outdoor pools and fire pits – all very \npopular in the Middle East and Asia – exte-\nrior lighting extends these spaces functiona-\nlity after dark and helps create a desirable \nambience. \nDo you agree that the outdoor lighting design at \nfirst needs to be utilitarian? \nWith all aspects of architecture, interior \narchitecture and interior design, their functio-\nnality has to be considered first, to ensure \nthat buildings and spaces can serve their \npurpose well. It means considering if the \noutdoor lighting can withstand the weather \nconditions, how it’s operated and what li-\nghting controls are implemented for the ease \nof use. Creating solutions which are solely \nutilitarian is not sufficient though – at the \nsame time, the outdoor lighting schemes we \ncommission have to create the right am-\nbience and add to the desired atmosphere of \nthe residential property, a boutique hotel, or a \nbar and a restaurant. \nBesides the personal relationships,  does your ap-\nproach and choices differ from one country to the \nother? For example, how big is the role of climate, \nculture and other \nlocal elements in your architecture? \nClimate, culture and other local elements \nare the cornerstones on which the design of \nbuildings and spaces we create is based. \nUnderstanding the local context is essential \nto creating ‘of place’ architecture and inte-\nriors, which are locally responsive and sen-\nsitively interact with the natural environment \nand traditions. Whilst our approach remains \nthe same – fostering contextual modernism \nacross the globe and creating locally rele-\nvant contemporary buildings; our choices \nof materials, spatial layouts and the teams \nwe put together on each project vary from \nregion to region, so that we bring together \nlocal expertise and international know-how \nto create unique and progressive pieces of \n‘destination architecture’ . Name one project \n– by yourself or another architect – where \nyou feel that architecture, landscape and \nexterior lighting merge perfectly As per \nabove –  \nThe Al Faya Lodge Retreat & Spa, set in the \ndesert landscape of the Sharjah emirate in \nthe UAE, is a great example of architecture, \nlandscape and exterior lighting working to-\ngether seamlessly to create a unique piece \nof modernist architecture and a dynamic \nintervention in the vast, desert environment. \nWhat inspires you? \nWith studios based in both Dubai and now \nLondon, working internationally really inspires \nme. Being immersed into different cultures, \nlearning their traditions and vernaculars \nand studying the geographical and climatic \ncontext all influences our work as a design \npractice. Travel facilitates a physical exchan-\nge of ideas, and I love to embrace both \nglobal and local perspectives when resear-\nching new projects, this duality helps us as a \npractice to create contemporary architecture \nand interiors that are relevant to society, cul-\nture and context, adding a new progressive \nlayer to the built environment and an \ninternational perspective which we like to re-\nfer to as a ‘Contextual Modernist’ approach  \nto our work. Our work at ANARCHITECT is \nalso inspired by detail, craft and materiality \nthroughout each project. We embrace craft-\nsmanship and are now exploring the integra-\ntion of new technologies that are relevant \nand non- intrusive without losing the refine-\nment of handmade and bespoke qualities. I \nam passionate and our practice is passiona-\nte about creating architecture that is rich in \ndetail, material and responsive to place and \nfunction, the pursuit of which inspires us all \nas a professional team.\n122\nTESTIMONIALS\n",121,{"image":492,"text":493,"number":494},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.122.png","                    \nInterview\n123\nOUTDOOR\n",122,{"image":496,"text":497,"number":498},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.123.png","SUSANNA\nANTICO\nLIGHTING DESIGNER AND FOUNDER OF SUSANNA ANTICO\nLIGHTING DESIGN STUDIO, A LIGHTING DESIGN PRACTICE BASED IN\nMILAN. INVOLVED IN ARCHITECTURAL, ARTISTIC, URBAN AND \nENVIRONMENTAL LIGHTING PROJECTS.\n                    \nInterview\n124\nTESTIMONIALS\n",123,{"image":500,"text":501,"number":502},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.124.png"," What moved you to go into  lighting design\nJONATHAN ASHMORE\nI have an architectural background. At the \nbeginning of my architectural career I got \nthe assignment to do the site supervision \nof a prestigious, large renovation project. \nEverything in the project had been taken \ncare up to the smallest details. The historical \nbuilding had been renovated with a lot of \nattention, all the frescos and the statues had \nbeen redone by professional conservators \nusing the original stones. To my greatest \nsurprise no lighting designer was involved \nin the project. The more I insisted on the \nneed of hiring one, the more friction and \nincomprehension raised with the clients. I \nended up hiring a lighting designer myself, \nbut not being able to bring the designer to \nthe site I ended up studying and learning \nso much in those years. When the projected \nended I sort of got “enlightened”. I left the \narchitectural practice and concentrated on \narchitectural lighting design. I actually went \nto work for that lighting designer - at that \ntime studying lighting design was almost \nimpossible - and so this is how it all started.\n Do you have a design or a lighting philosophy?\nOur practice believes that the less the users \nof the architecture notice the \nfunction of the light, while enjoying it in full, \nthe better the design.  \nThe designed light in architecture is \nsupposed to induce a mood adapted to \nthe space’s function, allow the qualified \nperception of space and special \narchitectural features, give the viewers and \nusers a sense of safety and security while \nfacilitating their orientation and facilitate the \nadequate visual tasks required in that space. \nAnd all of this while being sustainable. So, \nthe philosophy is that the lighting intervention \nshould be perceived and not seen.\n Is all architecture as important at night as it is \nduring the day?\nYes and no: If the architecture retains its \nfunctions around the clock, then there is \nno doubt that its nocturnal importance \ndoesn’t change and sometimes actually \nmay increase. Many times, architecture that \ndoesn’t retain its daytime functions after \ndark, but might become an important part in \nthe nocturnal definition of the public space, \nso the “importance” changes but it is still \nthere. In very few cases, some architectural \nitems, usually badly designed, lose all \nimportance at night and regain it during the \nday.\n How do you view the relationship between \narchitecture, lighting and landscape?\nAs previously mentioned, lighting is an \nessential building block in architecture \nand landscape is an inherent part of \narchitecture. The relationship is symbiotic: \nthe architecture allows the integration of \nthe lighting in such a way that the lighting \nallows the architecture to impact its users \nin the way intended by the architects (and \nthe clients).\n What elements are essential to come up with a good \nexterior lighting plan? Which parameters are taken \ninto account to select the right light effects?\nPractically every project is unique in its \nelements and that is true for interior projects \nas much as for exterior ones. Because of our \napproach to lighting, the permanent and\u002F\nor temporary functions of the illuminated \nspace; the permanent or seasonal climatic \nconditions in the space’s area; the geometry \nof the space; the vertical surfaces defining \nthe perimeter of the space; the salient \nobjects in the space and their purpose; the \nmaterials of the space; its defining perimeter \nitems, and its salient objects, their texture \nand colours; the definition of the space’s \nexpected permanent or temporary users and \nfinally the laws, regulations, standards and \nnorms that can impact lighting choices, are \nall essential for the success of the design of \nthe lighting and will all impact the choices \nof intensities, distribution, correlated colour, \ncolour rendering, lighting direction, location \nand type of mounting and the equipment \nneeded to deliver all above.\nThe specificities of the project will determine \nan importance-hierarchy between all these \n125\nOUTDOOR\n",124,{"image":504,"text":505,"number":506},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.125.png","elements and this will differ from one project \nto the other, but all of them will be considered \nand taken into consideration when \nelaborating the project.\n What is your starting point when you begin to \ndesign?\nPhysically experiencing and \ndocumenting the space by being there and\u002F\nor by studying the designed architecture \nand landscaping. When the space doesn’t \nexist or when its accessibility is restricted \nfor a variety of reasons, communicating \nand interacting with as many stakeholders, \nmainly future ones, including the clients, the \nother disciplines involved in the project and \nthe existing and future users of the space. In \nparallel, collecting all existing available data, \nincluding beyond the one accessible in the \npublic domain. Compiling and analysing all \nthe above in order to reach a point of being \nable to formulate a coherent concept.\nHow important is the shape and materiality of a \nfixture in your lighting design scheme?\nThe luminous characteristics and \nperformance of the luminaires - including \ntheir light sources, optical accessories \nand electronic equipment - is, and will \nprobably be, the most important features \nand considerations in our choice of \nequipment. However, depending on the \nspecificities of the project, the size, geometry, \nconstruction, colour, dimensions and location \nof the electronic equipment, maintenance \nrequirements and recyclability of the \nequipment and the ability to integrate it in the \narchitecture, can take a very high importance \nor a lower one.\n Do you agree that the outdoor lighting design at first \nneeds to be utilitarian?\nWe do not have a rigid rule: once \nagain, the approach will depend on the \ncharacteristics of the project, the desires \nof the client and the users of the outdoor \nspace. In some of them, the function of the \nspace will be the most important feature \nand then the “utilitarian” lighting will prime \nwhile still taking into consideration all other \ndesign considerations. In other cases, \nthe aesthetical and mood generating \nfunctions will be more important, while still \nensuring answering at minimal normative, \nregulatory requirements, visual comfort and \na qualitative result.\nName one project – by yourself or another designer \n– where you feel that architecture, landscape and \nexterior lighting merge perfectly\nThe Onze-Lieve-Vrouwe-\nkathedraal (Cathedral of our Lady) project \nwe did in Antwerpen and its surroundings.  \nIt is a project that changed the perception \nof the downtown area of Antwerp and \nits nocturnal skyline. The building is \narchitecturally so interesting and so nestled \ninto the urban fabric. The landscape, the \nperspectives and the views created by the \nnew lighting system make the area extremely \npleasant to spend time and walk around.\n What inspires you?\nOur practice is very inspired by the \nobservation of natural light phenomena \nand their impact on observers: sunlight, \nshadows and reflections; sunrises and \nsunsets; moonlight ambiences; reflections \nof lit architecture in water elements; the \nperception of materials, finishes, textures \nand colours in architecture and nature \nwhen sunlit, moonlit or lit by diffuse \ndaylight…\nOn top of that seeing people enjoying the \nspaces we design the lighting for, hearing \nhow enjoyable and nice they suddenly \nperceive the built space at night. Or seeing \nclients coming back over and over trusting \nus their precious spaces and investing a \nlot of money in projects dedicated to the \ninhabitants, inspires us to continue and to \nenjoy what we do.\n126\nTESTIMONIALS\n",125,{"image":508,"text":19,"number":509},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.126.png",126,{"image":511,"text":512,"number":513},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.127.png","Our RANGE\n",127,{"image":515,"text":516,"number":517},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.128.png","ENTERO X\nDEEP RINGO X\nREO X\nCARREE X\nSHAPE \nSIZE 3 SIZES\nOUTPUT 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC* FL\nIP 44 \u002F 65\nIK 03\nFINISH ALU GREY \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X\nSHAPE \nSIZE 2 SIZES\nOUTPUT 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC* FL\nIP 65\nIK 03\nFINISH BLACK \u002F ANTHRACITE \u002F \nWHITE \u002F FLEMISH BRONZE X\nSHAPE \nSIZE 3 SIZES\nOUTPUT \u003C 1000 lm \u002F 1000 lm \u002F 2000 \u002F \n3000 \u002F 4000 lm\nCCT** 2700 K  \u002F 3000 K  \u002F SOFT \u002F TW\nOPTIC* SP \u002F M \u002F FL \u002F W FL\nIP 65\nIK 06\nFINISH BLACK \u002F ANTHRACITE \u002F\nWHITE \u002F FLEMISH BRONZE X\nSHAPE \nSIZE 1 SIZE\nOUTPUT \u003C 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC* FL\nIP 44 \u002F 65\nIK 03\nFINISH ALU GREY \u002F ANTHRACITE \u002F \nWHITE\nCEILING\nRECESSED\n*OPTIC SSP = SUPERSPOT \u003C10°\u002F SP = SPOT 10°-19° \u002F M = MEDIUM 20°-29° \u002F FL = FLOOD 30°-39° \u002F  W FL = WIDE FLOOD 40°-49° \u002F V W FL = VERY WIDE FLOOD >50°\n**CCT SOFT = SOFT DIM \u002F TW =TUNABLE WHITE\n129\nOUTDOOR\n",128,{"image":519,"text":520,"number":521},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.129.png","FIND OUR COMPLETE OVERVIEW ON DELTALIGHT.COM\nNEBBIA\nSUPERNOVA XS\nBOXY\nB-LINER\nSHAPE \n \nSIZE 1 SIZE\nOUTPUT 1000 lm \u002F 2000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC FL\nIP 53\nIK 03\nFINISH BLACK \u002F WHITE \u002F WHITE-BLACK\nSHAPE \nSIZE 1 SIZE\nOUTPUT 1000 lm\nCCT 3000 K\nOPTIC V W FL\nIP 64\nIK 03\nFINISH ANTHRACITE \u002F WHITE\nSHAPE \nSIZE 2 SIZES\nOUTPUT \u003C 1000 lm \u002F 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC V W FL\nIP 65\nIK 06\nFINISH WHITE \u002F GREY \u002F SMOKE \u002F \nGREEN \u002F BRONZE\nSHAPE \nSIZE 3 SIZES\nOUTPUT 2000 lm \u002F 3000 lm \u002F 4000 lm\nCCT 3000 K\nOPTIC V W FL\nIP 65\nIK 03\nFINISH ALU GREY \u002F ANTHRACITE \u002F WHITE\nCEILING\nSURFACE\n130\nOUR RANGE\n",129,{"image":523,"text":524,"number":525},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.130.png","HELI X\nLOGIC W\nLEDS C \u002F GO\nSHAPE \nSIZE 1 SIZE\nOUTPUT \u003C 1000 lm\nCCT 3000 K\nOPTIC -\nIP 65\nIK 03\nFINISH ALU GREY \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X\nSHAPE \n  \nSIZE 2 SIZES\nOUTPUT \u003C 1000 lm \u002F 1000 lm\nCCT 3000 K\nOPTIC -\nIP 54 \u002F 65\nIK 03\nFINISH ALU GREY \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X\nSHAPE \nSIZE 1 SIZE\nOUTPUT \u003C 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC V W FL\nIP 67\nIK 03\nFINISH ANODIZED \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X\nWALL\nRECESSED\n*OPTIC SSP = SUPERSPOT \u003C10°\u002F SP = SPOT 10°-19° \u002F M = MEDIUM 20°-29° \u002F FL = FLOOD 30°-39° \u002F  W FL = WIDE FLOOD 40°-49° \u002F V W FL = VERY WIDE FLOOD >50°\n**CCT SOFT = SOFT DIM \u002F TW =TUNABLE WHITE\n131\nOUTDOOR\n",130,{"image":527,"text":528,"number":529},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.131.png","OONO\nTOPIX\nSTIP\nTIGA\nSKOV\nMONO II\nVISION OUT\nULTRA\nSHAPE \nSIZE 3 SIZES\nOUTPUT 1000 lm \u002F 2000lm\nCCT 2700 K \u002F 3000 K\nOPTIC V W FL\nIP 54\nIK 02 \u002F 04\nFINISH ALU GREY \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X\nSHAPE \nSIZE 1 SIZE\nOUTPUT \u003C 1000 lm\nCCT 3000 K\nOPTIC -\nIP 55\nIK 03\nFINISH ALU GREY\nSHAPE \n \nSIZE 1 SIZE\nOUTPUT \u003C 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC -\nIP 55\nIK 03\nFINISH ALU GREY \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X\nSHAPE \nSIZE 1 SIZE\nOUTPUT 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC -\nIP 65\nIK 06\nFINISH ALU GREY \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X \nSHAPE \nSIZE 2 SIZES\nOUTPUT \u003C 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC -\nIP 54\nIK 03\nFINISH ALU GREY \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X\nSHAPE \nSIZE 1 SIZE\nOUTPUT 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC -\nIP 54\nIK 03\nFINISH ALU GREY \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X\nSHAPE \nSIZE 1 SIZE\nOUTPUT \u003C 1000 lm\nCCT 3000 K\nOPTIC -\nIP 55\nIK 03\nFINISH ALU GREY \u002F ANTHRACITE \nSHAPE \nSIZE 1 SIZE\nOUTPUT 1000 lm\nCCT 3000 K\nOPTIC -\nIP 55\nIK 03\nFINISH ALU GREY \u002F ANTHRACITE \u002F \nWHITE\nWALL\nSURFACE\nFIND OUR COMPLETE OVERVIEW ON DELTALIGHT.COM\n132\nOUR RANGE\n",131,{"image":531,"text":532,"number":533},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.132.png","NOCTA\nBACKSPACE\nWALKER\nMONTUR\nSPY 39W\nKIX\nSHAPE \n \nSIZE 1 SIZE\nOUTPUT \u003C 1000 lm \u002F 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC SP \u002F W FL \u002F V W FL\nIP 65\nIK 06\nFINISH ALU GREY \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X\nSHAPE \nSIZE 1 SIZE\nOUTPUT 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC -\nIP 54\nIK 03\nFINISH ALU GREY \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X\nSHAPE \nSIZE 1 SIZE\nOUTPUT 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC -\nIP 54\nIK 03\nFINISH ALU GREY \u002F ANTHRACITE \u002F\nALU GREY-ANTHRACITE \u002F \nANTHRACITE-GOLD COLOURED\nSHAPE \nSIZE 3 SIZES\nOUTPUT \u003C 1000 lm \u002F 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC V W FL\nIP 54 \u002F 65\nIK 07 \u002F 08\nFINISH ALU GREY \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X\nSHAPE \nSIZE 1 SIZE\nOUTPUT \u003C 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC SP\nIP 55\nIK 03\nFINISH ALU GREY \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X\nSHAPE \nSIZE 3 SIZES\nOUTPUT \u003C 1000 lm \u002F 1000 lm \u002F 2000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC SP \u002F M \u002F FL \u002F V W FL\nIP 65\nIK 03 \u002F 07\nFINISH ALU GREY \u002F ANTHRACITE\nWALL\nSURFACE\nSOIREE\nPOLESANO W\nSHAPE \n  \nSIZE 1 SIZE\nOUTPUT \u003C 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC -\nIP 54\nIK 03\nFINISH BLACK\nSHAPE \nSIZE 1 SIZE\nOUTPUT 5000 lm\nCCT 3000 K \u002F 4000 K\nOPTIC SP \u002F W FL  \u002F V W FL \u002F Street\nIP 66\nIK 08\nFINISH ANTHRACITE-BLACK \u002F \nALU GREY-BLACK\n*OPTIC SSP = SUPERSPOT \u003C10°\u002F SP = SPOT 10°-19° \u002F M = MEDIUM 20°-29° \u002F FL = FLOOD 30°-39° \u002F  W FL = WIDE FLOOD 40°-49° \u002F V W FL = VERY WIDE FLOOD >50°\n**CCT SOFT = SOFT DIM \u002F TW =TUNABLE WHITE\n133\nOUTDOOR\n",132,{"image":535,"text":536,"number":537},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.133.png","FRAX\nSPIX\nSHAPE \nSIZE 2 SIZES\nOUTPUT  1000 lm \u002F 2000 lm \nCCT 2700 K \u002F 3000 K \nOPTIC SSP \u002F SP \u002F M \u002F W FL \u002F \nWallwash \u002F Elliptical\nIP 65\nIK 06 \u002F 08\nFINISH ALU GREY \u002F ANTHRACITE \u002F \nFLEMISH BRONZE X\nSHAPE \nSIZE 2 SIZES\nOUTPUT \u003C 1000 lm \u002F 1000 lm\nCCT 2700 K \u002F 3000 K \nOPTIC SP \u002F FL \nIP 65\nIK 05\nFINISH ANTHRACITE \u002F PINE GREEN\nNEBBIA\nSUPERNOVA XS\nSHAPE \nSIZE 1 SIZE\nOUTPUT 1000 lm\nCCT 3000 K\nOPTIC V W FL\nIP 64\nIK 03\nFINISH ANTHRACITE \u002F WHITE\nSHAPE \nSIZE 2 SIZES\nOUTPUT \u003C 1000 lm \u002F 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC V W FL\nIP 65\nIK 06\nFINISH WHITE \u002F GREY \u002F SMOKE \u002F \nGREEN \u002F BRONZE\nLOGIC\nSHAPE \nSIZE 2 SIZES\nOUTPUT 1000 lm \u002F 2000 lm\nCCT 2700 K \u002F 3000 K \u002F 4000 K\nOPTIC SP \u002F M \u002F FL \u002F  Wallgrazer\nIP 67\nIK 07 \nFINISH ALU GREY \u002F ANTHRACITE \u002F \nWHITE \u002F BLACK \u002F FLEMISH BRONZE X\nFIND OUR COMPLETE OVERVIEW ON DELTALIGHT.COM\n134\nOUR RANGE\n",133,{"image":539,"text":540,"number":541},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.134.png","FLOOR\nRECESSED\nLOGIC\nSHAPE \n  \nSIZE 4 SIZES\nOUTPUT \u003C 1000 lm \u002F 1000 lm \u002F \n2000 lm \u002F 4000 lm\nCCT 2700 K \u002F 3000 K \u002F 4000K\nOPTIC SSP \u002F SP \u002F M \u002F W FL \u002F \nWallwash \u002F Wallgrazer\nIP 67\nIK 07 \u002F 08 \u002F 09 \u002F 10\nFINISH INOX \u002F ANODIZED \u002F ALU GREY \u002F \nBLACK \u002F ANTHRACITE\nLEDS C \u002F GO\nSHAPE \nSIZE 1 SIZE\nOUTPUT \u003C 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC V W FL\nIP 67\nIK 03\nFINISH ANODIZED \u002F BLACK \u002F \nANTHRACITE \u002F WHITE \u002F \nFLEMISH BRONZE X\n*OPTIC SSP = SUPERSPOT \u003C10°\u002F SP = SPOT 10°-19° \u002F M = MEDIUM 20°-29° \u002F FL = FLOOD 30°-39° \u002F  W FL = WIDE FLOOD 40°-49° \u002F V W FL = VERY WIDE FLOOD >50°\n**CCT SOFT = SOFT DIM \u002F TW =TUNABLE WHITE\nLOGIC\nSHAPE \nSIZE 2 SIZES\nOUTPUT 1000 lm \u002F 2000 lm  \nCCT 2700 K \u002F 3000 K \u002F 4000 K\nOPTIC SP \u002F M \u002F FL \u002F  Wallgrazer\nIP 67\nIK 09 \nFINISH INOX \u002F ANTHRACITE\n135\nOUTDOOR\n",134,{"image":543,"text":544,"number":545},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.135.png","FLOOR\nSURFACE\nELBO\nOONO\nOUTLINER\nSTIEVIE\nMONTUR\nWALKER\nOBLIX\nSTRIPER\nSHAPE \nSIZE 2 SIZES\nOUTPUT \u003C 1000 lm\nCCT 3000 K\nOPTIC Asymmetric Forward \u002F Street\nIP 55\nIK 03\nFINISH ALU GREY \u002F BLACK \u002F \nANTHRACITE\nSHAPE \nSIZE 4 SIZES\nOUTPUT 1000 lm  \u002F 2000 lm \u002F 3000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC V W FL\nIP 54\nIK 04\nFINISH BLACK \u002F ANTHRACITE\nSHAPE \nSIZE 1 SIZE \u002F MADE TO MEASURE\nOUTPUT \u003C 1000 lm\u002Fm\nCCT 2700 K \u002F 3000 K\nOPTIC -\nIP 54\nIK 03\nFINISH ANTHRACITE\nSHAPE \nSIZE 2 SIZES\nOUTPUT \u003C 1000 lm \u002F 1000 lm\nCCT 3000 K\nOPTIC -\nIP 65\nIK 03\nFINISH ANTHRACITE \u002F PINE GREEN\nSHAPE \nSIZE 4 SIZES\nOUTPUT  1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC V W FL\nIP 54 \u002F 55\nIK 03 \u002F 07\nFINISH BLACK \u002F ANTHRACITE\nSHAPE \nSIZE 3 SIZES\nOUTPUT  1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC -\nIP 54\nIK 03\nFINISH ALU GREY \u002F ANTHRACITE\nSHAPE \nSIZE 4 SIZES\nOUTPUT 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC -\nIP 55\nIK 03 \u002F 08\nFINISH ALU GREY \u002F ANTHRACITE \u002F \nFLEMISH BRONZE X\nSHAPE \nSIZE 1 SIZE\nOUTPUT \u003C 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC SSP\nIP 55\nIK 06\nFINISH ALU GREY \u002F ANTHRACITE\nFIND OUR COMPLETE OVERVIEW ON DELTALIGHT.COM\n136\nOUR RANGE\n",135,{"image":547,"text":548,"number":549},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.136.png","MONOPOL\nBAZIL\nSHAPE \nSIZE 2 SIZES\nOUTPUT 1000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC -\nIP 55\nIK 03\nFINISH ALU GREY \u002F ANTHRACITE\nSHAPE \nSIZE 3 SIZES\nOUTPUT 2000 lm\nCCT 3000 K\nOPTIC Radial\nIP 55\nIK 08\nFINISH ALU GREY-ANODIZED \u002F \nANTHRACITE-ANODIZED\nKIX\nSHAPE \nSIZE 3 SIZES\nOUTPUT \u003C 1000 lm \u002F 1000 lm \u002F 2000 lm\nCCT 2700 K \u002F 3000 K\nOPTIC SP \u002F M \u002F FL \u002F V W FL\nIP 65\nIK 03 \u002F 07\nFINISH ALU GREY \u002F ANTHRACITE \u002F \nPINE GREEN\nPOLESANO\nFRAX\nSPIX\nSHAPE \nSIZE 1 SIZE\nOUTPUT 5000 lm\nCCT 3000 K \u002F 4000 K\nOPTIC SP \u002F W FL  \u002F V W FL \u002F Street\nIP 66\nIK 08\nFINISH ANTHRACITE-BLACK \u002F \nALU GREY-BLACK\nSHAPE \nSIZE 2 SIZES\nOUTPUT  1000 lm \u002F 2000 lm\nCCT 2700 K \u002F 3000 K \nOPTIC SSP \u002F SP \u002F M \u002F W FL \u002F \nWallwash\nIP 65\nIK 06 \u002F 08\nFINISH ALU GREY \u002F ANTHRACITE \u002F\nFLEMISH BRONZE X \u002F PINE GREEN\nSHAPE \nSIZE 2 SIZES\nOUTPUT \u003C 1000 lm \u002F 1000 lm\nCCT 2700 K \u002F 3000 K \nOPTIC SP \u002F FL \nIP 65\nIK 05\nFINISH ANTHRACITE \u002F PINE GREEN\nFLOOR\nSURFACE\n*OPTIC SSP = SUPERSPOT \u003C10°\u002F SP = SPOT 10°-19° \u002F M = MEDIUM 20°-29° \u002F FL = FLOOD 30°-39° \u002F  W FL = WIDE FLOOD 40°-49° \u002F V W FL = VERY WIDE FLOOD >50°\n**CCT SOFT = SOFT DIM \u002F TW =TUNABLE WHITE\nFIND OUR COMPLETE OVERVIEW ON DELTALIGHT.COM\n137\nOUTDOOR\n",136,{"image":551,"text":19,"number":552},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.137.png",137,{"image":554,"text":555,"number":556},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.138.png","Copyright © Deltalight nv\nSecond Print - DOC 200 00071\nMade in Belgium\nFor the latest edition of the Outdoor \nbrochure, please visit www.deltalight.com\nAll information in this brochure is provided for information purposes only and Deltalight NV makes no representations about the accuracy or completeness of the information in this \nbrochure. Deltalight NV may, in its sole discretion, revise the information and technical data contained herein at any time without notice. The brochure does not contain any guarantee \non the Deltalight NV products nor any warranty of merchantability or fitness for a particular purpose or use. All Deltalight products are supplied without lamps and any lamp data is \ngiven as a mere example. The general terms & conditions of Deltalight NV shall be applicable on each sale of a Deltalight product. Any trademarks, texts, images, graphics, designs and \nother information in this brochure are the sole property and subject to the intellectual property rights of Deltalight NV and may not be copied, modified or used for any purpose without \nDeltalight’s prior written consent.\nCOLOPHON\n",138,{"image":558,"text":559,"number":560},"\u002Fmedia\u002Fimages\u002F76\u002F209fd4d8a75e1a628e5ebce1da3648-285325fcab.139.png","DOC 200 00071 OUTDOOR BROCHURE 02-2024\n",139,[],0,false,true,{"success":564,"data":566,"meta":775,"count":776,"next":777,"previous":778,"results":810,"brand_chips":871},[567,580,589,598,607,616,625,635,645,656,668,681,690,703,715,725,735,744,754,766],{"id":568,"title":569,"slug":570,"image":571,"source":572,"brand_name":573,"brand":574,"brand_slug":575,"file_size":576,"pages":577,"pages_count":578,"matched_pages":579,"match_count":562,"two_pages":563,"show_text":564},26607,"Working 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