[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-dedon-collection-2021":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":285},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":280,"matched_pages":281,"match_count":282,"two_pages":283,"show_text":284},9943,"Collection 2021","dedon-collection-2021","\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F98\u002Fb9c4ace5e9cceb21e9427388eadcac-25a28c6672.pdf","Dedon",2177,"dedon","11.1 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277],{"image":7,"text":15,"number":16},"THE JOURNEYS\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.2.png","“Wherever you go, go with all your heart.” Confucius, The Analects\nTHE JOURNEYS\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.3.png","Since the beginning, we’ve crisscrossed the globe in search of \nnew ideas, inspirations and possibilities. Our pursuit of the best in \noutdoor living—an ongoing journey we call the DEDON Tour du \nMonde—has led us to Kenya’s Rift Valley, the rainforests of North-\nern Thailand and the palace courtyards of Rajasthan, to name but a \nfew. And there are many more DEDON journeys to come.\nBut what exactly is a journey? At a moment when travel has \nbeen largely put on hold, the meaning of the word bears special \nconsideration. We usually associate it with voyage, but not all trips \nare journeys—nor must all journeys be trips. Journeys are always \navailable to us, even when travel is not. A walk around the block, a \nconversation with a friend, a look through a beautiful book—any \none of these can be the starting point for a journey of the imagi-\nnation. It’s in this spirit that we present you with the latest DEDON \ncatalog. Bon voyage!\nVon Anfang an haben wir den Globus bereist, immer mit dem Ziel \nneue Ideen, Inspirationen und besondere Erinnerungen zu sammeln. \nUnsere Suche nach den schönsten Momenten unter freiem Himmel \nführte uns unter anderem in das kenianische Rift Valley, in die Regen-\nwälder Nordthailands und in die Paläste Rajasthans. Die DEDON Tour \ndu Monde — eine Reise, die nie zu Ende geht.\nAber was macht eine Reise aus? Bedeutet reisen zwangsläufig den \nOrt zu wechseln? Für uns beginnt eine Reise mit Offenheit und der \nBereitschaft zu staunen. Ein Spaziergang, ein Gespräch mit einem \nFreund, ein Blick in ein gutes Buch — all das kann der Ausgangspunkt \nfür eine Reise der Fantasie sein. Der neue DEDON Katalog ist ein \nAusdruck der Fantasie und unser Weg, unvergessliche Erlebnisse und \nMomente zu teilen. Bon voyage!\nCELEBRATING\nTHE JOURNEY\n4\n5\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.4.png","“Nothing is hidden beneath the sun.”\nLeonardo da Vinci\nA belt of desert mountains, golden in the morning light. Down below, \nsandstone plains sculpted by steep-edged watercourses, long since \ndry. The sedimentary layers tell a story that begins a billion years ago, \nmaybe more. It is a majestic landscape, the grandeur amplified by an \nalmost reverent sense of calm. Except for the occasional bird, the only \nmovements are those of the ripples in the pool, the flames in the fire pit \nand the slow-rolling clouds to the east.\nWüstenberge, golden im Morgenlicht. Sandsteinebenen, von Wasserläufen \nsteilkantig geformt. Die Sedimentschichten berichten aus vergangenen Zeiten. \nEs ist eine majestätische Landschaft, die ein ehrfürchtiges Gefühl der Ruhe \nvermittelt. Nur ein vorbeifliegender Vogel, plätschernde Bewegungen des \nPools, die Flammen in der Feuerstelle und vorbeiziehende Wolken bringen \nBewegung ins Bild.\nTHE\nCALM\nOF THE\nCANYON\nNESTREST, LOON, MBRACE, RILLY, SEALINE, KIDA\n6\n7\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.5.png","LOON, MBRACE, IZON, RILLY, SEALINE\n8\n9\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.6.png","“From a certain point onward \nthere is no longer any turning \nback. That is the point that \nmust be reached.”\nFranz Kafka\nSEALINE\nDALA, PORCINI\n11\n10\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.7.png","DALA\nTHE OTHERS, KIDA\n12\n13\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.8.png","The journey here was long, but it doesn’t end just because you have \narrived. It simply takes a different form. It becomes a journey of the mind \nnow, a journey of the imagination. From this outpost of concrete, glass \nand steel, carved into ancient rock, there is nowhere you can’t go. But \nfirst, how about a dip in the pool?\nDie Reise hierhin war lang, aber sie endet nicht mit der Ankunft. Sie \nnimmt eine andere Form an und wird zu einer Reise in die eigene Fantasie. \nEine Reise zu sich selbst. Kein Ort ist unerreichbar. Und jetzt — ein Sprung \nin den Pool?\nMBRACE\nKIDA, THE OTHERS\n15\n14\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.9.png","NESTREST\n16\n17\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.10.png","Carved over millions of years, canyons are ancient formations that tell \nstories of seismic proportions. DEDON Fiber takes considerably less time \nto create, though it too tells a story—one of durability, weatherability and \nluxurious handcraftsmanship.\nÜber Jahrmillionen von Wasser, Eis oder Lava geformt berichten Canyons \nvon der bewegten Geschichte unserer Erde. Die Entwicklung und Herstellung \nder DEDON Faser benötigt zwar deutlich weniger Zeit, aber auch sie erzählt \nGeschichten: von Haltbarkeit, von Witterungsbeständigkeit und luxuriöser \nHandwerkskunst.\n19\n18\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.11.png","“The skillful traveller leaves no traces \nof his wheels or footsteps.”\nTao Te Ching\nBaked earth. Open skies. And all around you, virgin scrubland as far as \nthe eye can see. Chaparral and twisted juniper. Desert saltbush. Cholla \ncactus. Yucca brevifolia, its naked limbs outstretched to the sun. You \nsurvey the crags and bluffs and jagged outcrops that lend their forms to \nthe low horizon. It is a landscape shaped by eons.\nAt sunset, a desert wind picks up, carrying the musky scent of the creo-\nsote bush into camp. The temperature has dropped with the sun, but only \nwhen the wind dies down is it safe to light a fire. The conversation carries \ndeep into the night, the fire’s roar now a whisper.\nTerracottafarbene Erde. Weiter Himmel. In der offenen Steppenlandschaft \nstehen Kakteen und Yuccas, Steilhänge und zerklüftete Felsen formen den \nHorizont. Es ist eine von der Zeit geformte Landschaft.\nDer Wüstenwind nimmt zu und trägt den Duft der Umgebung in das Lager. \nMit dem Untergang der Sonne schwindet langsam die Wärme. Erst als der \nWind nachlässt, ist es sicher, ein Feuer zu entzünden. Die Gespräche und \ndas Knistern des Feuers sind bis tief in die Nacht zu hören.\nTHE\nESSENCE\nOF ARIDITY\nTIBBO\n20\n21\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.12.png","TIBBO\nMBRACE\n23\n22\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.13.png","“I wondered much what \nmotive Nature could have \nhad in twisting the roots \nand branches of the trees \ninto such strange fantastic \ncontortions.”\nMary Seacole\nMBRACE\nORBIT\n24\n25\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.14.png","TIBBO\n© Courtesy of Aman\n26\n27\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.15.png","“Who knows the flower best? \nThe one who reads about it in \na book? Or the one who finds \nit wild on the mountainside?”\nAlexandra David-Néel \nMBRACE, DALA\n28\n29\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.16.png","Eventually, the talking fades. The fire crackles no more. The night is \nchill and calm. You lie back on your blanket, soft on the desert sand, and \ncontemplate the stars, brighter and more plentiful than you have ever \nseen them before.\nIrgendwann verstummt die Unterhaltung. Das Feuer knistert nicht mehr. \nDie Nacht ist kühl und ruhig. Weit zurückgelehnt schweift der Blick in den \nHimmel, wo die Sterne heller und zahlreicher als je zuvor erscheinen.\nSEAX, TIBBO\n30\n31\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.17.png","SEAX\n32\n33\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.18.png","With extreme temperatures and little rainfall, arid landscapes are wide, \nopen and unique. DEDON offers durable fabric and fiber styles—each with \nits own distinctive structure—that meld easily into these ancient places, \naccentuating the beauty of the setting through subtle shades and tones.\nExtreme Temperaturen und wenig Niederschlag bestimmen die einmalige \nGestalt arider Landschaften. Neben einer ausgezeichneten Beständigkeit \ngegenüber extremen Witterungsbedingungen überzeugt DEDONs Stoff- und \nFaserportfolio durch die Vielfalt an Strukturen und Stilen. Mit ihren subtilen \nSchattierungen fügen sich diese in ursprüngliche Umgebungen ein und unter-\nstreichen deren Schönheit.\n35\n34\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.19.png","W. H. Bartlett\n“Wander but a few paces from the encampment,\nand listen in the profound of the solitude\nto the low and melancholy sigh of the night wind,\nwhich sweeps the light surface of the sand.”\n37\n36\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.20.png","On the road out of Marrakesh, the snow-capped Atlas Mountains are \nalways in your gaze. But as you enter Ourika Valley, it’s the terrain all \naround you that grabs the eye. Ochre, terracotta, blood orange, salmon \npink—the land is awash with color, earthy reds offset by the nuanced \ngreens of cypress and olive, Atlas cedar and Moroccan fir.\nAs you ascend, the undulating hills give way to rocky slopes. Vegetation \nthins. But the earthy reds remain. You pass Berber villages of adobe and \nclay. Drenched in color, they don’t sit in the terrain so much as spring \nfrom it.\nAuf dem Weg von Marrakesch in das Ourika Valley fällt der Blick auf das \nschneebedeckte Atlasgebirge. Die farbenfrohe Landschaft des Tales ist be-\neindruckend. Ocker, terrakotta, blutorange, lachsrosa — die erdigen Rottöne \nharmonieren mit dem nuancenreichen Grün von Zypressen, Atlaszedern und \nmarokkanischen Tannen. \nBeim Aufstieg werden aus den welligen Hügeln felsige Berge. Langsam \nnimmt die Vegetation ab, aber die warmen Rottöne bleiben. Mit ihren farbigen \nHäusern aus Lehm und Ton erheben sich Berberdörfer aus der Landschaft. \nTHE\nWARMTH\nOF EARTHY\nREDS\n“The real voyage of discovery consists \nnot in seeking new lands but in seeing \nwith new eyes.”\nMarcel Proust\n38\n39\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.21.png","Over a ridge and around the bend of one such village, the Jbel Toubkal \ncomes into view. Patched with snow against a clear blue sky, it’s still many \ndays away, at least by this route. But you’re in no hurry. You never came \nfor the destination. You’re here for the journey.\nHinter einem Bergrücken erhebt sich der in Schnee gehüllte Jbel Toubkal \nvor einem klaren, blauen Himmel. Er ist noch viele Reisetage entfernt. Doch \ndas Ziel ist nicht bedeutend, allein die Reise ist wichtig.\nMBRACE, PORCINI\n41\n40\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.22.png","MBRACE\nPLAY\n43\n42\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.23.png","“You ask me why I live in the\ngreen hills. I smile and make\nno reply, my heart at peace.”\nLi Bai\nAHNDA\n44\n45\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.24.png","MBRACE\nPORCINI\n46\n47\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.25.png","“Here I am, where I am \nsupposed to be.”\nIsak Dinesen\nAHNDA\n48\n49\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.26.png","AHNDA\n50\n51\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.27.png","Morocco’s topography, as spectacular as it is diverse, ranges from \nsnow-capped mountains to sweeping deserts to fertile plains. DEDON \nFiber captures the mood of this scenic land with a palette that is rich in \nwarm, elemental tones.\nDie spektakuläre und vielfältige Topographie Marokkos reicht von schnee-\nbedeckten Bergen über weite Wüsten bis hin zu fruchtbaren Landschaften. \nDie DEDON Faser fängt die Stimmung dieser beeindruckenden Umgebung \nmit einer Palette an warmen und elementaren Tönen ein.\n52\n53\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.28.png","The hulking cliffs of granite, their vast forms striated by wind and water, \nseem almost to hold up the land, guarding it from the sea. Beyond them \nlies a rugged terrain of crystal quartz and metamorphic rock, sawtooth \nridges and montane forest. This is an ancient landscape, sculpted by \ncollision and heat, nipped at by waves beating gently but ceaselessly \nupon the rock.\nA village of cream-colored limestone rises up from the promontory, a \nman-made extension of the granite, delicate and refined by comparison. \nBut right now, it is the architecture of the cliffs that interests you. That, \nand the color of the water—a clear blue dappled with green—in which \nthe cliffs are reflected.\nÜberwältigende Klippen aus Granit, sanft aber unnachgiebig von Wind \nund Wellen geformt. Dahinter erstreckt sich eine felsige Küstenlandschaft. \nEin Dorf aus cremefarbenem Sandstein fügt sich raffiniert in das zerklüftete \nTerrain ein. Darunter liegt das Meer — blau mit grünen Flecken — in dem sich \ndie Klippen spiegeln.\nTHE\nBEAUTY\nOF THE\nROCKS\n“Traveling — it leaves you speechless, \nthen turns you into a storyteller.”\nIbn Battuta\nSEAX, IZON\n54\n55\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.29.png","SEAX\nRILLY\n56\n57\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.30.png","MBRACE\nRILLY\n58\n59\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.31.png","“The morning moisture,\nthe clouds, the bodies of \nwater — I become part of it.”\nNavajo (Diné) song\nNESTREST\nDALA\n61\n60\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.32.png","“The sea is everything … it is the ‘Living Infinite’.”\nJules Verne\nSEAX\nMBRACE\n62\n63\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.33.png","The granite tells an epic story to those who can read it. To \nthose who can’t, it offers its beauty all the same. One need \nonly take the time to look.\nSind es die epischen Geschichten, die der Granit erzählt \noder ihre schroffe Schönheit, die in den Bann zieht — es liegt \nganz beim Betrachter.\nSWINGREST\n64\n65\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.34.png","Metamorphic marble, banded limestone, shell limestone, travertine—the \nterrain of southern Europe comprises a wide array of rock types. Highly \ndurable and unrivaled for weatherability, DEDON Fiber comes in a palette of \nrich mineral hues that blend perfectly with the iconic settings of the region.\nMarmor, Kalksandstein, Muschelkalk, Travertin — in Südeuropa ist eine \nVielzahl unterschiedlicher Gesteinsarten zu Hause. Die äußerst widerstands-\nfähige und wetterbeständige DEDON Faser nimmt mit einer Bandbreite\nfeiner, mineralischer Farbtöne die Schattierungen dieser Region auf.\n67\n66\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.35.png","69\n68\n“At first, a few scattered wild plants and flowers,\nthe outposts or advanced guard of vegetation,\nshowed themselves timidly among the sand-hills,\nwhere some imperceptible moisture sustained their verdure.”\nJames Augustus St. John\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.36.png","Teal, cerulean, cyan, aquamarine—the water takes a different hue at \nevery angle. Then a gust of wind combs the waves, and the colors all \nmeld. From the upper deck, you follow the crests as they surge and swell. \nFizzing spheres of sea spray burst white and blue on the weathered rocks \nwhere seagulls gather.\nTürkisgrün, tiefes blau, aquamarin — die Variationen an Blautönen sind \nan jeder Stelle des Wassers zu erkennen. Mit dem Wind verschwimmen \ndie Farben. Vom oberen Deck aus betrachtet, formen sich die Wellen zu \nBergen und zerschlagen an den verwitterten Felsen.\nTHE\nRHYTHM\nOF THE SEA \n“Be not afeard. The isle is full of noises,\nsounds, and sweet airs, that give delight \nand hurt not.”\nWilliam Shakespeare\nDEAN\n70\n71\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.37.png","SWINGREST\nDEAN\nSEAX, SATELLITE\n72\n73\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.38.png","Sailing on, you pass a quiet coastal town. Beyond an outcropping, \nthe splash of swimmers leads your eye to an almost hidden cove. From \nthere, a trail winds up into the gentle hills, powdered pink and white with \noleander. The wind has all but stopped now, and you think you can hear \nthe distant jangle of goat bells.\nDie Segeltour führt weiter, vorbei an einer ruhigen Küstenstadt. Hinter \neinem Felsvorsprung öffnet sich der Blick auf eine versteckte Bucht. Ein \nPfad führt den Hügel hinauf, vorbei an weißen und rosafarbenen Oleander-\nbüschen. Der Wind lässt nach und von Weitem erklingt das Glöckchengeläut \neiner Ziegenherde.\nDEAN\nSEAX, SATELLITE\n75\n74\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.39.png","As the shadows lengthen, you find yourself surrounded by a rich \nazure—all the blues rolled into one, it seems. Turning to the horizon, you \nwatch the last glimmers of sunlight dancing on wavelets. The land is just \na contour now, its features slipping into memory. Suddenly, the wind \npicks up. Will you sail into the night?\nMit der Dämmerung beginnt die blaue Stunde und taucht alles in ein\nsattes Azurblau. Am Horizont spiegeln sich die letzten Sonnenstrahlen auf \nden flachen Wellen. Das Land ist nur noch als Umriss zu erkennen, der lang-\nsam verblasst.\nPLAY\nBRIXX\n76\n77\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.40.png","ORBIT\nMBRACE, LOON\n79\n78\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.41.png","“If you want to tell anything\nto Heaven, tell it to the wind.”\nOji proverb\nPLAY\n80\n81\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.42.png","With its hot, dry summers and mild winters, the climate of the Mediter-\nranean is generally regarded as one of the world’s most pleasant. Enhance \nthe experience of sun and sea with DEDON’s unmatched choice of fiber \ncolorways, textures and woven patterns.\nDie warmen Sommer und milden Winter machen das Mittelmeerklima zu \neinem der angenehmsten der Welt. DEDONs einzigartige Auswahl an Faser-\nfarben, Texturen und Flechtmustern unterstreicht das Gefühl von Sonne und \nMeer, das diese Region charakterisiert.\n83\n82\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.43.png","The wind picks up, dissipating the fog and clearing your view of the \ndunes, which seem to roll on without end, their slip faces shining in the \nlate morning sun. Like the waves in the sea, the sand on this coast is \never in motion. As the wind whips up the stoss side of the dunes, you \nwonder what this spot will look tomorrow, next week, next year.\nDer Wind nimmt zu. Die Nebelschwaden lösen sich auf und der Blick auf \ndie Dünen in der späten Morgensonne wird klar. Wie die Wellen im Meer \nist auch der Sand ständig in Bewegung. Wie wird es hier morgen, nächste \nWoche oder nächstes Jahr aussehen?\nTHE\nVIBRANCY\nOF THE\nBEACH\nWhat are heavy? Sea-sand and sorrow;\nWhat are brief? Today and tomorrow;\nWhat are frail? Spring blossoms and youth;\nWhat are deep? The ocean and truth.\nChristina Rossetti\nCIRQL\n84\n85\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.44.png","PLAY\n87\n86\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.45.png","Ambling past the knapweed and pink willow herb, you approach the \nshoreline. The sea, calm and glassy, is a deep Baltic blue. In the near \ndistance, herring gulls gather on a sandbar. Others circle in the bright \nopen skies. Taking a seat in the sand, you give yourself over to the sea.\nDen Weg zum Strand säumen rosa Weideröschen und Seegras. Die See  \nist spiegelglatt und tiefblau. Auf einer nahen Sandbank sammeln sich einige \nMöwen, andere kreisen am Himmel. Mit den Füßen im Sand werden die \nGedanken frei.\nSEASHELL\n88\n89\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.46.png","The wind shifts, clouds drift, and the tide rises. Eventually, the water \nat your feet breaks the spell. Dusting off, you turn to leave. The sea at \nyour back, you contemplate the dunescape—always the same, always \nchanging.\nDer Wind dreht. Die Flut kommt. Das Wasser an den Füßen unterbricht \ndie Fantasiereise und fordert zum Gehen auf. Mit dem Meer im Rücken \nwandert der Blick in die sich stetig ändernde Dünenlandschaft.\nMBRACE\nLOON\n91\n90\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.47.png","SEAX\nSEAX\n92\n93\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.48.png","“We are all visitors to this \ntime, this place. We are \njust passing through. Our \npurpose here is to observe,\nto learn, to grow, to love … \nand then we return home.”\nAboriginal Australian proverb\nSEAX\n94\n95\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.49.png","Influenced by the swell of the Atlantic and the force of the northern \nwinds, the weather of the Baltic region is marked by flux and contrast. \nUV-resistant and quick-drying, DEDON fabrics are ideally suited for \nNorthern landscapes, providing a rich mix of styles to create the right \nmood, cloudy skies or clear.\nDurch die Unruhe des Atlantiks und die Stärke der nördlichen Winde, ist \ndas Wetter im Ostseeraum von Strömungen und Kontrasten geprägt. Die \nUV-beständigen und schnell trocknenden DEDON-Stoffe eignen sich ideal für \nnordische Landschaften. Ihre Auswahl an unterschiedlichen Stilen schafft die \nrichtige Stimmung bei klarem oder bewölktem Himmel.\n97\n96\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.50.png","“I gazed around with rapture,\nand felt more of that spontaneous pleasure\nwhich gives credibility to our expectation of happiness,\nthan I had for a long, long time.”\nMary Wollstonecraft\n98\n99\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.51.png","INDEX OF QUOTATIONS\n“Nothing is hidden beneath the sun.” Leonardo da Vinci\nFrom The Notebooks of Leonardo da Vinci, vol. 2, chapter 44: ‘Allegory’. Translated by Edward Maccurdy. \nFirst published in 1939 by Reynal & Hitchcock, New York.\n“From a certain point onward there is no longer any turning back. That is the point that must be reached.”\nFranz Kafka\nFrom Beim Bau der Chinesischen Mauer \u002F The Great Wall of China. First published in German by Gustav \nKiepenheuer Verlag, Cologne, in 1931, and in English by Martin Secker, London, in 1933, in a translation by \nWilla and Edwin Muir.\n“The skillful traveller leaves no traces of his wheels or footsteps.” Tao Te Ching\nFrom the Tao Te Ching, chapter 27. Translated by James Legge. First published in English in 1891 in Sacred \nBooks of the East, vol. 39: Sacred Books of China by Oxford University Press.\n“I wondered much what motive Nature could have had in twisting the roots and branches of the trees into such \nstrange fantastic contortions.” Mary Seacole\nFrom Wonderful Adventures of Mrs. Seacole in Many Lands, published in 1857 by William Blackwood & \nSons, Edinburgh.\n“Who knows the flower best? The one who reads about it in a book? Or the one who finds it wild on the moun-\ntainside?” Alexandra David-Néel\nFrom My Journey to Lhasa \u002F Voyage d'une Parisienne à Lhassa, first published in 1927, in French by Librairie \nPion and in English by William Heinemann Ltd., London and by Harper & Brothers, New York.\n“Wander but a few paces from the encampment, and listen in the profound of the solitude to the low and melancholy \nsigh of the night wind, which sweeps the light surface of the sand.” W. H. Bartlett\nFrom The Nile Boat; Or, Glimpses of the Land of Egypt, published in 1849 by Arthur Hall, Virtue & Co., London.\n“The real voyage of discovery consists not in seeking new lands but in seeing with new eyes.” Marcel Proust\nFrom La Prisonnière (À la recherche du temps perdu, vol. 5). First published in French by Éditions Grasset \nbetween 1913 and 1923, then in English in 1929 by Chatto & Windus, London, and Alfred A. Knopf, New \nYork, in a translation by C. K. Scott Moncrieff. This oft-quoted maxim is, in fact, an adaptation of Proust’s \noriginal, which in Scott Moncrieff’s translation reads: “The only true voyage of discovery, the only fountain of \nEternal Youth, would be not to visit strange lands but to possess other eyes, to behold the universe through \nthe eyes of another, of a hundred others, to behold the hundred universes that each of them beholds, that \neach of them is…”\n“You ask me why I live in the green hills. I smile and make no reply, my heart at peace.” Li Bai\nLi Bai (also called Li Bo, Li Pai or Li Po) wrote more than 1,000 poems in China in the 8th Century. His work \nwas initially popularized in English by Ezra Pound’s translations, collected in the 1915 volume Cathay, pub-\nlished by Elkin Matthews, London.\n“Here I am, where I am supposed to be.” Isak Dinesen\nFrom Out of Africa. First published in 1937 by G. P. Putnam’s Sons, New York.\np.06\np.11\np.20\np.25\np.28\np.37\np.38\np.44\np.49\np.54\np.61\np.62\np.69\np.70\np.80\np.84\np.94\np.99\n“Traveling — it leaves you speechless, then turns you into a storyteller.” Ibn Battuta\nFrom The Travels. First published in English in London in 1829 by J. Murray, Parbury, Allen & Co. and Howell \n& Stuart, in a translation from the Arabic by Samuel Lee.\n“The morning moisture, the clouds, the bodies of water — I become part of it.” Navajo (Diné) song\nThe Navajo people, who call themselves Diné (literally ‘The People’), have been resident in the southwestern \nUSA for at least six centuries. The lyric excerpted here is one line of a chant used in sacred cermonies.\n“The sea is everything… it is the ‘Living Infinite’.” Jules Verne\nFrom Vingt Mille Lieues Sous Les Mers: Tour du Monde Sous Marin. This line is spoken by Captain Nemo \nin Twenty Thousand Leagues under the Sea: An Underwater Tour of the World, first published in English \nin 1873, by Sampson Low in London and by James R. Osgood & Co. in Boston, in a translation by Lewis \nPage Mercier.\n“At first, a few scattered wild plants and flowers, the outposts or advanced guard of vegetation, showed themselves \ntimidly among the sand-hills, where some imperceptible moisture sustained their verdure.” James Augustus St. John\nFrom Egypt and Nubia, Their Scenery and Their People, published by Chapman and Hall Ltd, London, in 1845.\n“Be not afeard. The isle is full of noises, sounds, and sweet airs, that give delight and hurt not.” William Shakespeare\nFrom The Tempest. This line is voiced by the half-human, half-monster Caliban in Act 3, scene 2 of Shake-\nspeare’s The Tempest, likely written between 1610 and 1611.\n“If you want to tell anything to Heaven, tell it to the wind.” Oji proverb\nFrom Wit and Wisdom from West Africa: Or, A Book of Proverbial Philosophy, Idioms, Enigmas, and Laconisms, \n(chapter 3: Proverbs in the Oji Tongue). compiled by Richard F. Burton, published by Tinsley Brothers, London, \nin 1865. The Oji language is known today as the Akuapem (or Akuapem Twi) dialect of the Akan language, \nspoken across southern Ghana and southeastern Ivory Coast.\n“What are heavy? Sea-sand and sorrow; What are brief? Today and tomorrow; What are frail?  Spring blossoms and \nyouth; What are deep? The ocean and truth.” Christina Rossetti\nFrom Sing-Song: A Nursery Rhyme Book, first published in 1893 by Macmillan and Co., London.\n“We are all visitors to this time, this place. We are just passing through. Our purpose here is to observe, to learn, to \ngrow, to love… and then we return home.” Aboriginal Australian proverb\nThe Westernized term ‘Aboriginal Australian’ encompasses numerous peoples who have lived in Australia for \nmore than 50,000 years. Although popular online, this proverb has proved impossible (at least for us) to trace \nto a specific source or English translation.\n“I gazed around with rapture, and felt more of that spontaneous pleasure which gives credibility to our expectation of \nhappiness, than I had for a long, long time.” Mary Wollstonecraft\nFrom Letters Written During a Short Residence in Sweden, Norway and Denmark, first published in 1796 by \nJ. Johnson, London.\n100\n101\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.52.png","102\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.53.png","KIDA new collection\nDesign Stephen Burks\nPORCINI new colors and tabletops\nDesign Lorenza Bozzoli\nTIBBO new foldable chair and coffee tables\nDesign Edward Barber & Jay Osgerby\nMBRACE new alu bases\nDesign Sebastian Herkner\nDALA new club chair and new colors\nDesign Stephen Burks\nOUR\nNOVELTIES\n2021\n107\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.54.png"," \nDESIGNERS\n109\n108\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.55.png","AIIR, RILLY\nCross-cultural duo Stine Gam and Enrico Fratesi expand on their native Danish and Italian \ndesign traditions, taking an experimental approach to materials and technique. Das interkulturelle \nDuo Stine Gam und Enrico Fratesi weitet seine ursprünglich dänischen und italienischen Design-\nTraditionen aus. Es begegnet Materialien und Techniken mit einem experimentellen Ansatz.\nPLAY WITH DEDON (with Eugeni Quitllet), RAYN\nFrom lemon squeezers to mega-yachts, no object is too small or too big to attract the unique \neye and boundless curiosity of world-renowned designer Philippe Starck. Von der Zitronen-\npresse bis zur Mega-Yacht, kein Objekt kann zu klein oder zu groß für den einzigartigen Blick und \ndie grenzenlose Neugier des international renommierten Designers Philippe Starck sein.\nBREA, TIBBO\nEdward Barber and Jay Osgerby’s diverse and acclaimed body of work spans industrial design, \nfurniture, lighting, site-specific installations and public commissions. Das vielseitige und viel \ngelobte Werk von Edward Barber und Jay Osgerby spannt den Bogen von Industriedesign über \nMöbel, Leuchten und standortspezifische Designs bis hin zu öffentlichen Auftragsarbeiten.\nNESTREST (with Fred Frety), SWINGREST\nDaniel Pouzet studied in Paris and his native Bucharest. His work combines architectural rigor \nwith a sense of fantasy and play, frequently drawing inspiration from the natural world. Daniel \nPouzet studierte in Paris und seinem Geburtsort Bukarest. Seine Arbeiten verbinden architek-\ntonische Strenge mit einer phantasievollen, verspielten Anmutung, inspiriert von der Natur.\nGAMFRATESI\nPHILIPPE STARCK\nEDWARD BARBER \n& JAY OSGERBY\nDANIEL POUZET\nParis, France\nDraguignan, France\nLong Beach, USA\nBRIXX, LA MALLE, PORCINI\nA fashion designer by training, Lorenza Bozzoli brings a fresh approach to furniture design. \nHer work has been showcased in leading international venues. Als ausgebildete Modedesignerin\nzeigt Lorenza Bozzoli eine besondere Herangehensweise an das Möbeldesign. Ihre Arbeiten \nwurden an führenden internationalen Schauplätzen gezeigt.\nBARCELONA, ORBIT & ORBIT XXL, PANAMA, TANGO\nAmerican-born Richard Frinier has been described as “the king of outdoor furniture.” He is \nknown for his mastery of a wide range of styles, from classic to contemporary. Der gebürtige \nAmerikaner Richard Frinier wird auch der „König des Outdoor-Mobiliars“ genannt. Er ist für sein \nmeisterliches Können der verschiedensten Stilrichtungen, von klassisch bis zeitgenössisch, bekannt.\nLORENZA BOZZOLI\nRICHARD FRINIER\nDEAN, SATELLITE, SEASHELL, SEAX, SEAYOU, SLIM LINE, SEALINE\nFrom furniture to store interiors to a world-famous football stadium, Jean-Marie Massaud is \nrenowned for his signature mix of elegance and comfort, heritage and zeitgeist. Von Möbeln \nüber Ladeneinrichtungen bis hin zu einem weltberühmten Fußballstadion: Jean-Marie Massaud ist \nfür seinen charakteristischen Stil bekannt, der Eleganz und Komfort, Tradition und Zeitgeist verbindet.\nBABYLON\nHarry-Paul is known for the air of mystery that surrounds his objects. His bold, forward-\nlooking approach involves experimentation with materials and topologies. Harry-Paul ist für den \n„Hauch von Geheimnis“ bekannt, der seine Objekte umgibt. Sein gewagter, zukunftsweisender \nAnsatz experimentiert mit Materialien und Topologien.\nBarcelona, Spain\nJEAN-MARIE\nMASSAUD\nHARRY-PAUL\nSEBASTIAN \nHERKNER\nFRANK LIGTHART\nLOON, MBRACE, MBARQ\nSebastian Herkner’s work merges cultural contexts by juxtaposing materials, combining new \ntechnologies with traditional craftsmanship, and drawing attention to small details. Die Arbeiten \nvon Sebastian Herkner stellen verschiedene Materialien einander gegenüber, verbinden neue Tech-\nnik mit traditioneller Handwerkskunst und lenken die Aufmerksamkeit auf kleine Details.\nLEAF, LOUNGE\nDutch designer Frank Ligthart has always loved the combination of aesthetics and technics. His \nwork is an expression of his passion for turning concepts into tangible realities. Das Herz des \nniederländischen Designers Frank Ligthart schlug schon immer für die Verbindung von Ästhetik und \nTechnik. Seine Arbeit ist Ausdruck seiner Leidenschaft, Konzepte in greifbare Realitäten umzusetzen.\nAntwerp, Belgium\nAHNDA, DALA, KIDA, THE OTHERS\nStephen Burks frequently explores the role of handwork in his innovative and award-winning \ndesigns. He has collaborated with artisans and craftspeople around the globe. Stephen Burks \nerkundet mit seinen innovativen, preisgekrönten Designs regelmäßig die Rolle des Handwerks. Er \narbeitet mit Künstlern und Kunsthandwerkern aus aller Welt zusammen.\nPLAY WITH DEDON (with Philippe Starck)\nEugeni Quitllet’s work is characterized by meticulous attention to detail, uncompromising \nstandards of quality and the passion he puts into each and every creation. Bezeichnend für die \nArbeiten von Eugeni Quitllet sind eine akribische Liebe zum Detail, ein kompromissloser Qualitäts-\nanspruch und die Leidenschaft, die in jeder seiner Kreationen zu finden ist.\nSTEPHEN BURKS\nEUGENI QUITLLET\nBarcelona, Spain\nIZON\nAn artist working across media and disciplines, from public sculpture to video art to industrial \ndesign, Israeli-born Arik Levy has exhibited in prestigious museums and galleries worldwide.\nDer gebürtige Israeli Arik Levy ist ein Künstler, der medien- und disziplinübergreifend arbeitet — \nvon der öffentlichen Skulptur, über Videokunst, bis hin zum Industriedesign.\nLOU, MU, WA\nToan Nguyen takes a multidisciplinary approach to design, focusing on development in a wide \nrange of fields, from furniture to technology products. Toan Nguyens Designkonzept ist multi-\ndisziplinär und umfasst eine Vielzahl von Bereichen, von Möbeln bis zu technischen Produkten.\nARIK LEVY\nTOAN NGUYEN\nMilan, Italy\nAarhus, Denmark\nCIRQL\nWerner Aisslinger has developed an international reputation for cutting-edge design concepts,\niconic furniture, head-turning hotel interiors and innovative brand architecture. Werner Aisslinger \nhat sich einen internationalen Ruf für hochmoderne Designkonzepte erarbeitet und ist für seine \nikonischen Möbel, atemberaubende Hotelinterieurs und innovative Markenarchitektur bekannt.\nWERNER\nAISSLINGER\nCopenhagen, Denmark\nLondon, UK\nMilan, Italy\nParis, France\nOffenbach, Germany\nNew York, USA\nParis, France\nBerlin, Germany\nNEWPORT\nHenrik Pedersen creates furniture and lighting based on the principle that good design \nshould be functional, beautiful and easy to understand. Henrik Pedersen diseña mobiliario e \niluminación basándose al principio de que un buen diseño tiene que ser funcional, hermoso y \nfácil de entender.\nHENRIK PEDERSEN\n110\n111\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.56.png","DEDON\nINSIGHTS\n113\n112\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.57.png","DEDON was founded on innovation, beginning with its groundbreaking fiber, luxurious yet weatherproof. \nWhat followed was a revolution in outdoor living. DEDON engaged world-renowned designers. Built zero waste \nfurniture production facilities in Cebu, Philippines. Created icons of modern design. Added new materials to the \nmix. Garnered the most prestigious awards. And extended its reach to more than 100 countries. The point was \nnever to meet the old standards—it was to create new ones. 30 years and more than 800 employees later, not \nmuch has changed. DEDON is a company of innovators and trend-setters, passionate about good design and \ncurious by nature. The journey of exploration and discovery never ends.\nDEDONs Geschichte beginnt mit einer Faser — luxuriös, doch widerstandsfähig genug, um den extremsten \nWitterungsbedingungen standzuhalten. Was folgte, war die Revolution des Outdoor-Living. DEDON begann \nmit weltbekannten Designern zu arbeiten. Gründete eigene Produktionsstätten. Erschuf ikonische Designs.\nExperimentierte mit neuen Materialien. Führte eine Zero-Waste-Produktionspolitik ein. Gewann prestigeträchtige \nAwards. Und erweiterte das Distributionsnetz auf mehr als 100 Länder weltweit. Dabei war das Ziel nie, be-\nstehende Maßstäbe zu erfüllen — sondern immer Neue zu setzen. Auch heute, 30 Jahre später und mit über 800 \nMitarbeitern, ist DEDON ein Unternehmen voller Innovations- und Pioniergeist, getrieben von der Leidenschaft \nfür gutes Design. Von Natur aus neugierig, immer auf der Suche nach neuen Abenteuern und Entdeckungen. Auf \neiner Reise, die niemals endet.\nDISCOVER, EXPLORE AND\nENJOY LIFE OUTDOORS\n30 YEARS AGO, DEDON LAUNCHED\nAN OUTDOOR REVOLUTION.\n20 YEARS AGO, IT LAUNCHED ITS OWN\nPRODUCTION FACILITIES ON CEBU ISLAND, PHILIPPINES.\n115\n114\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.58.png","A ZERO-WASTE PRODUCTION FACILITY\nAND REAL SOCIAL BENEFITS\nDEDON produces its handwoven furniture exclusively at its own zero-waste facilities on Cebu Island, \nPhilippines, where master weavers create woven patterns of incomparable artistry and innovation. DEDON \nregards Cebu as its second home, providing an excellent work environment and social benefits that promote \nteamwork and camaraderie.\nDEDON produziert seine handgeflochtenen Möbel exklusiv in den eigenen Zero-Waste-Produktionsstätten \nauf der philippinischen Insel Cebu. Die dort traditionell ansässigen Meisterflechter erschaffen Muster von bei-\nspielloser Handwerkskunst, Komplexität und Innovation. Für DEDON ist CEBU die zweite Heimat geworden. \nDem Team vor Ort wird ein attraktives Arbeitsumfeld mit vielen Sozialleistungen geboten.\nCEBU ISLAND, PHILIPPINES:\nDEDON’S HEART QUARTERS\n116\n117\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.59.png","DEDON Fiber sets the standard for strength, weather-resistance and luxuriousness of color, texture and \ntouch. It is produced at DEDON’s state-of-the-art facilities in Germany. There, fiber specialists and leading \ndesigners work side by side, innovating new profiles and textures to suit the designs of individual collections.\nDie DEDON-Faser setzt höchste Maßstäbe für Strapazierfähigkeit und Wetterbeständigkeit. Von Kunden \nwird sie nicht zuletzt wegen ihrer luxuriösen Farben, Strukturen und Haptik geliebt. Im unternehmenseigenen, \nhochmodernen Produktionsstandort in Deutschland arbeiten Faserspezialisten und Designer Hand in Hand an \nihrer Entwicklung. Stets auf der Suche nach neuen Faserprofilen und -texturen, die die Designs der einzelnen \nKollektionen perfektionieren.\nFIBER\nPRODUCTION\n100% RECYCLABLE\nAND FREE OF POLLUTANTS OR HEAVY METALS\n119\n118\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.60.png","DEDON selects only the finest materials for its luxury outdoor furniture, working exclusively with suppliers \nwho share its passion for quality. From premium teak to industrial-strength ceramic to advanced fabrics from \nthe US and Europe, every material suits the individual needs of its collection. The result: users can enjoy life \noutdoors at its best.\nDEDON verwendet nur die besten Materialien für seine luxuriösen Outdoor-Möbel und arbeitet ausschließlich \nmit Lieferanten zusammen, die diese Leidenschaft für Qualität teilen. Von Premium-Teakholz, über resistente \nSpezialkeramik, bis hin zu hochentwickelten Stoffen aus den USA und Europa — jedes Material ist optimal auf \ndie Bedürfnisse der jeweiligen Kollektion abgestimmt. Das Ergebnis? Das Beste. Für alle Outdoor-Bereiche.\nSUSTAINABILITY MEANS\nCHOOSING HIGH-QUALITY MATERIALS THAT LAST\nDEDON MATERIALS:\nA PASSION FOR QUALITY\n121\n120\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.61.png"," \nFABRICS\n122\n123\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.62.png","All fabrics are quick-drying, UV-resistant and easy to maintain.\nCATEGORY A — For all collections\nCATEGORY B — For all collections\nCATEGORY C — Fabrics are exclusive to specific collections\nLINEN Acrylic\nTWIST Polypropylene\nPUNO Acrylic\nGLAN Polypropylene\nDUNE Acrylic\nDOTS Polypropylene\nTWELLO Acrylic\nMAR Polypropylene\nPATIO by Kvadrat Trevira CS\nCOOL Acrylic\n450 \nwhite\n650 \noff white\n660 \nbeige\n675\npatio220\n695\nstraw\n706\ndrift\n707\nshale\n708\nteal\n709\nterra\n800\ngray\n802\nterra\n696\nreed\n698\nshore\n699\ncove\n676\npatio110\n677\npatio140\n678\npatio450\n679\npatio550\n680\npatio370\n681\npatio970\n661 \nsand\n663 \nteracotta\n662 \ngray\n664 \ndark turquoise\n682 \nbeech\n683\nash\n684\nnori\n685\nterracotta\n451 \noff white\n651 \nsand\n456 \nmarsala\n652 \nwarm gray\n452 \ntaupe\n640 \ntaupe\n624 \nnoon\n628 \nnight\n458 \nash\n454 \ndark gray\n455 \nmarengo\n462 \nsage\n464 \npacific\nDEDON offers outdoor fabrics of superior quality and variety. \nPlay with sophisticated color worlds and a rich mix of fabric \nstyles to create the right mood for any setting. Made with the \nmost advanced materials and weaving technologies, all fabrics \nare quick-drying, UV-resistant and easy to maintain. With their \nluxurious look and feel, DEDON fabrics are suitable for use in-\ndoors as well as out.\nDEDON verwendet Outdoor-Stoffe von höchster Qualität und in \ngroßer Vielfalt. Harmonische Farbwelten und ein facettenreicher Mix \naus Stoffstrukturen schaffen mühelos die richtige Stimmung in jeder \nUmgebung. Hergestellt mit den fortschrittlichsten Materialien und \nTechnologien sind alle Gewebe schnelltrocknend, UV-beständig \nund pflegeleicht. Mit einem „Touch and Feel“ in Indoor-Qualität.\nDEDON FABRICS:\nINDOOR LUXURY MEETS\nOUTDOOR RESILIENCE\n124\n125\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.63.png","COLLECTIONS\nBY CATEGORY\n127\n126\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.64.png","RILLY\n76,5 | 92 | 90\n30\" | 36¼\" | 35½\"\nBARSTOOLS\nDINING CHAIRS \nTANGO\n81 | 62 | 62\n32\" | 24½\" | 24½\"\nPANAMA\n88 | 60 | 66\n34¾\" | 23½\" | 26\"\nMBRACE\n80 | 62,5 | 60,5\n31½\" | 24½\" | 23¾\"\nMBRACE ALU\n80 | 62,5 | 60,5\n31½\" | 24½\" | 23¾\"\nBARCELONA\n87 | 59 | 67\n34¼\" | 23¼\" | 26½\"\nCIRQL\n74 | 68 | 57\n29¼\" | 26¾\" | 22½\"\nTIBBO\n78 | 57 | 68\n30¾\" | 22½\" | 26¾\"\nSEAX\n86 | 57 | 53\n33¾\" | 22½\" | 20¾\"\nAIIR\n77,5 | 60,5 | 53,5\n30½\" | 23¾\" | 21\"\nNEWPORT\n82 | 55 | 57,5\n32¼\" | 21¾\" | 22¾\"\nHOLIDAY\n80 | 59 | 59\n31½\" | 23¼\" | 23¼\"\nSEASHELL\n106 | 58 | 55\n41¾\" | 22¾\" | 21¾\"\nPANAMA\n112 | 49 | 51\n44\" | 19¼\" | 20\"\nHOLIDAY\n110 | 45 | 54\n43¼\" | 17¾\" | 21¼\"\nNEWPORT\n105 | 54,5 | 55\n41¼\" | 21½\" | 21¾\"\nBARCELONA\nLOUNGING \nMU\nLOUNGE\nLOU\nBRIXX\nBREA\nSEALINE\nTIBBO\nAHNDA\nDALA\nMBRACE & \nMBRACE ALU\nLOUNGE CHAIRS \nBRIXX\n72 | 95 | 98\n28¼\" | 37½\" | 38½\"\nAHNDA\n108 | 93 | 102\n42½\" | 36½\" | 40¼\"\nPANAMA\n90 | 73 | 80\n35½\" | 28¾\" | 31½\"\nBREA\n80 | 102 | 97\n31½\" | 40¼\" | 38¼\"\nSEAX\n80,5 | 70,5 | 56\n31¾\" | 27¾\" | 22\"\nBARCELONA\n87 | 75 | 83\n34¼\" | 29½\" | 32¾\"\nLOUNGE\n72 | 110 | 106\n28¼\" | 43¼\" | 41¾\"\nDALA\n78 | 96 | 97 \n30¾\" | 37¾\" | 38¼\"\nCIRQL\n76 | 83,5 | 77\n30\" | 32¾\" | 30¼\"\nLOU\n68 | 102 | 102\n26¾\" | 40¼\" | 40¼\"\nTANGO\n89 | 84 | 94 \n35\" | 33\" | 37\"\nNEWPORT\n80 | 71,5 | 77,5 \n31½\" | 28¼\" | 30½\"\nSWINGREST\n71 | 89 | 81 \n28\" | 35\" | 32\"\nDEAN\n69 | 63 | 69,5\n27¼\" | 24¾\" | 27¼\"\nMU\n71 | 115 | 90\n28\" | 45¼\" | 35½\"\nTIBBO\n86 | 102 | 98 \n33¾\" | 40¼\" | 38½\"\nMBRACE\n78 | 107 | 84 \n30¾\" | 42¼\" | 33\"\nSEASHELL\n75 | 97 | 74\n39½\" | 38¼\" | 29¼\"\nKIDA\nSWINGREST\nRILLY\nNESTREST\nORBIT &\nORBIT XXL\nTIBBO\n83 | 59 | 55,5\n32¾\" | 23¼\" | 21¾\"\nRILLY\n76,5 | 60,5 | 55,5\n30\" | 23¾\" | 21¾\"\nDEAN\n82,5 | 61,5 | 69,5\n32½\" | 24¼\" | 27¼\"\nPLAY\n82 | 48 | 52\n32¼\" | 19\" | 20½\"\nSEASHELL\n80 | 60 | 58\n31½\" | 23½\" | 22¾\"\nC\nC\nC\nC\nC\nMBARQ\nTANGO\nSEASHELL\nAll measurements are in centimeters and inches — stating height\u002Fwidth\u002Fdepth or height\u002Fdiameters.\nAll products intended for contract use are marked with a contract icon C .\n128\n129\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.65.png","FEDRO\n64 | 75 | 109\n25¼\" | 29½\" | 43\"\nACCESSORIES\nREAV\nDALA\nBABYLON\n100 | ø 87\n39¼\" | ø 34¼\"\nMINI NESTREST\nDECO CUSHIONS\nVID\nLA MALLE\n110 | 160 | 90\n43¼\" | 63\" | 35½\"\nTHE OTHERS\nLOON\nBABYLON\n45 | ø 52,5\n17\" | ø 20¾\"\nBEACH CHAIRS\nBARCELONA\n40 | 78 | 188\n15¾\" | 30¾\" | 74\"\nNEWPORT\n32,5 | 84,5 | 205 \n12¾\" | 33¼\" | 80¾\"\nHOLIDAY\n49 | 78 | 208\n19¼\" | 30¾\" | 82\"\nCAIRO\n46 | 82 | 202\n18\" | 32¼\" | 79½\"\nLEAF\n42 | 86 | 254 \n16½\" | 33¾\" | 100\"\nLEAF\n42 | 86 | 254 \n16½\" | 33¾\" | 100\"\nLOUNGE\n31 | 65 | 200\n12¼\" | 25½\" | 78¾\"\nPANAMA\n56 | 78 | 206\n22\" | 30¾\" | 81\"\nSEALINE\n85 | 95 | 280\n33½\" | 37½\" | 110¼\"\nTIBBO\n30 | 74 | 207\n11¾\" | 29¼\" | 81½\" \nRILLY\n76,5 | 87 | 160,5 \n30\" | 34¼\" | 63¼\"\nLOU\n34 | 75 | 195\n13½\" | 29½\" | 76¾\"\nTANGO\n61 | 84 | 207 \n24\" | 33\" | 81½\"\nMBRACE\n80 | 106 | 159\n31½\" | 41¾\" | 62½\"\nICONICS\nLIGHTING ACCESSORIES\nNESTREST\n268 | ø 200 \n105½\" | ø 78¾\"\nSWINGREST\n400 | ø 193\n158\" | ø 76\"\nTANGO\n54 | ø 45 \n21¼\" | ø 18\"\nPANAMA\n46 | 46 | 46 \n18\" | 18\" | 18\" \nCAIRO\n52 | 67 | 62\n20½\" | 26½\" | 24½\"\nBARCELONA\n31 | 80 | 80\n12¼\" | 31½\" | 31½\"\nPORCINI\n40 | ø 51\n15¾\" | ø 20\"\nIZON\n27 | ø 111 \n10¾\" | ø 43¾\" \nCIRQL\n45 | ø 48,5\n17¾\" | ø 19\"\nNEWPORT\n40,5 | 42,5 | 38,5 \n16\" | 16¾\" | 15¼\"\nHOLIDAY\n38 | 54 | 46\n15\" | 21¼\" | 18\"\nSATELLITE\n46,5 | ø 40\n18¼\" | ø 15¾\"\nSEASHELL\n37 | 47 | 47\n14½\" | 18½\" | 18½\"\nLOUNGE\n31 | 110 | 110\n12¼\" | 43¼\" | 43¼\"\nMU\n30 | 130 | 90\n11¾\" | 51¼\" | 35½\"\nLOU\n33 | 126 | 68\n13\" | 49½\" | 26¾\"\nSEALINE\n27 | 174 | 69 \n10¾\" | 68½\" | 27¼\"\nSIDE TABLES \nMBRACE\n34,5 | ø 70\n13½\" | ø 27½\"\nBREA\n35 | 90 | 90 \n13¾\" | 35½\" | 35½\"\nBRIXX\n34 | 120 | 85 \n13½\" | 47¼\" | 33½\"\nBABYLON\n45 | ø 52,5 \n17\" | ø 20¾\"\nAHNDA\n31 | ø 82,5 \n12¼\" | ø 32¼\"\nTIBBO\n35 | 92 | 92\n13¾\" | 36¼\" | 36¼\"\nDALA\n31 | ø 96\n12¼\" | ø 37¾\"\nMBRACE\n75 | 270 | 90 \n29½\" | 106¼\" | 35½\" \nTIBBO\n74 | 199 | 103 \n29¼\" | 78½\" | 40½\" \nWA\n74 | 200 | 100\n29¼\" | 78¾\" | 39¼\" \nSEAX\n75 | 220 | 100 \n29½\" | 86½\" | 39¼\" \nPANAMA\n75 | 100 | 100\n29½\" | 39¼\" | 39¼\"\nAIIR\n75 | 200 | 100\n29½\" | 78¾\" | 39¼\"\nMU\n30 | 75 | 195\n11¾\" | 29½\" | 76¾\"\nSEASHELL\n36 | 82 | 203\n14¼\" | 32¼\" | 80\"\nMBARQ\n75 | 98 | 187\n29½\" | 39¾\" | 73½\"\nORBIT\n193 | ø 165\n76\" | ø 65\"\nORBIT XXL\n215 | ø 220\n84¾\" | ø 86½\"\nTABLES \nTANGO\n75 | ø 130\n29½\" | ø 51¼\"\nSATELLITE\n73 | ø 70\n28¾\" | ø 27½\" \nBARCELONA\n75 | 100 | 100\n29½\" | 39¼\" | 39¼\" \nPANAMA\n106 | 80 | 80\n41¾\" | 31½\" | 31½\"\nNEWPORT\n73,3 | 90 | 90 \n28¾\" | 35½\" | 35½\"\nC\nC\nC\nC\nC\nC\nC\nC\nC\nC\nFurther\ntable sizes\navailable.\nFurther\ntable sizes\navailable.\n130\n131\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.66.png","BEST REASONS FOR\nCHOOSING DEDON\n© 2020 DEDON GmbH, Germany. The photographs featured in our catalogs and on our website are protected by United States and international \ncopyright laws and may not be reproduced without the express written permission of DEDON GmbH or DEDON, Inc.\nPhotographs of products appearing to be suspended in space, in an unnatural recreational manner or over water may be simulations created by\nprofessionals. Do not attempt to recreate these applications on your own.\nPRODUCED IN OUR OWN FACILITIES\nBoth the manufacture of DEDON Fiber in Germany and DEDON furniture in the Philippines \ntake place in our own production facilities. This is unique in the outdoor furniture industry. \nDEDON’s master weavers in the Philippines use ultra-strong fibers of our own production, \ncombining craftsmanship with innovative technology. \nWORLD’S BEST FIBER\nNo matter if it’s desert wind, salt water or frost, DEDON Fiber is tested against all weather \nconditions and for ten years’ UV resistance. Produced in Germany by our team of special-\nists, it is unrivaled for strength, color fastness and longevity. And because DEDON Fiber \nis developed entirely in-house, we’re able to work with designers to create innovative \nsolutions, including unique colors, textures and profiles.\nTHE RIGHT MATERIALS FOR EVERY SETTING\nSpecialists in outdoor living spaces of all kinds, DEDON selects the right material for \nevery setting, from covered terraces and exposed poolsides to sandy beaches and wild \nnature. That’s why, in addition to the world’s best fiber, we work with high-quality teak \nwood, aluminum, woven textiles, ceramics and upholstery, all manufactured with passion \nfor excellence.\nSUSTAINABILITY\nIt is DEDON’s corporate philosophy to produce furniture and accessories of such high \nquality that they need never be thrown away. Produced in our environmentally-sound \nfacilities in Northern Germany, DEDON Fiber is 100% recyclable and free from pollutants \nand heavy metals. Furthermore, DEDON incorporates recycled materials into our prod-\nucts whenever feasible.\nDESIGN \nDEDON collaborates with the world’s top designers, from famous names to rising stars, \non collections that consistently win the most prestigious design awards. Because we \nproduce our fiber and most of our furniture in-house, our research and development \ndepartment is able to work closely with each designer on solutions and innovations that \nmake all the difference in terms of quality, function and style.\nGLOBAL REACH\nDistributed in more than 80 countries, with showrooms and sales office around the world, \nDEDON is a global company with a global mindset. We travel the world — with furniture \nand our team — as part of our ongoing Tour du Monde adventure, and no island or secret \nhideaway is too remote for us. Wherever our contract partners have projects to under-\ntake, DEDON is available and ready to help.\nEIGENE PRODUKTION\nSowohl die Herstellung der DEDON Faser in Deutschland, als auch die Möbelproduktion \nauf den Philippinen findet in eigenen Produktionsstätten statt — dies ist einzigartig in der \nOutdoor-Möbelbranche. Handwerkskunst verbindet sich mit innovativer Technik — die \nDEDON Meisterflechter auf den Philippinen verwenden hochbelastbare Fasern aus der \neigenen DEDON Produktion.\nDIE WELTBESTE FASER\nEgal ob Wüstenwind, Salzwasser oder Frost — die DEDON Faser ist gegen alle Witterungen \nund auf zehn Jahre UV-Beständigkeit getestet. Die in Deutschland von unserem Spezialis-\ntenteam hergestellte Faser ist in Sachen Festigkeit, Farbbeständigkeit und Langlebigkeit \nkonkurrenzlos. Und weil wir bei DEDON unsere Fasern komplett im eigenen Hause ent-\nwickeln lassen, können wir in Zusammenarbeit mit unseren Designern innovative Lösungen \nentwickeln — einschließlich neuer Farben, Oberflächen und Faserprofile.\nDIE RICHTIGEN MATERIALIEN FÜR JEDE UMGEBUNG\nAls Spezialisten für alle Bereiche des Outdoor-Living setzen wir bei DEDON auf die rich-\ntigen Materialien für jedes Umfeld, von der schattigen Terrasse zur prallen Sonne eines \nPoolbereichs, vom feinen Sandstrand bis zur wilden Naturlandschaft. Deshalb verwenden \nwir nicht nur die weltbeste Faser, sondern setzen auch ausschließlich Teakholz, Aluminium, \nWebtextilien, keramische Materialien und Polsterungen von höchster Qualität ein, die mit \nleidenschaftlichem Qualitätswillen gefertigt wurden.\nNACHHALTIGKEIT\nEs ist Teil der Unternehmensphilosophie von DEDON, dass wir Möbel und Accessoires von \nso hoher Qualität fertigen, dass sie ein Leben lang halten. Die DEDON-Faser, die in unserer \numweltverträglich arbeitenden Produktionsstätte in Norddeutschland hergestellt wird, ist zu \n100% recycelbar und frei von Schadstoffen und Schwermetallen. Darüber hinaus setzen wir \nbei der Herstellung unserer Produkte so oft wie möglich recycelte Materialien ein.\nDESIGN \nDEDON arbeitet mit Top-Designern aus aller Welt zusammen — vom Designer mit großem \nNamen bis zum aufstrebenden Jungdesigner. So entstehen Kollektionen, die immer wieder \ndie prestigeträchtigsten Designpreise gewinnen. Dabei arbeitet unsere hauseigene Entwick-\nlungsabteilung eng mit den Designern zusammen, um so Lösungen und Innovationen zu \nschaffen, die sich in Qualität, Funktionalität und Stil entschieden absetzen.\nGLOBALE VERFÜGBARKEIT\nMit seinem in über 80 Ländern tätigen Vertrieb sowie Showrooms und Büros in aller Welt ist \nDEDON ein globale agierendes Unternehmen. Unsere „Tour-du-Monde“-Abenteuer führen \nuns — samt Möbeln und Team — kreuz und quer über den Planeten. Dabei ist uns keine Insel \nund kein versteckter Winkel zu entlegen. Wo auch immer unsere Objektpartner ihre Projekte \nabwickeln, ist DEDON zur Stelle und unterstützt sie gern.\nIMPRINT\nCreative Direction Chloe Sos; Art Direction Tobias Fuchs; Photography Alexandre Chaplier, Daniel Costa, Christophe Dugied, Andreas \nFranke, Oliver Helbig, Rainer Hosch, Gerhardt Kellermann, Tanya Klingler, Katharina Lux, Anthony Parkinson, Moritz Peters, Andreas Pletz, \nTom Seelbach, Pablo Zamora; Production & Execution Cornelia Drews; Product Documentation Julia Brunnberg; Copy Alex Marashian, \nBirgit Meierhoff, Ragna Rudloff; 3D-Rendering Production sooii; Digital Imaging Hanse Repro; Print Beisner Druck GmbH & Co. KG\n132\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F16\u002F63269a1d7a476044d7a1fd72f42ce0-25a28c6674.67.png","Art. No. 10088694\nDEDON GmbH\nZeppelinstrasse 22\n21337 Lüneburg \u002F Germany\nTel. +49 41 31 \u002F 22 44 70 \nFax +49 41 31 \u002F 22 44 7 630\ninfo@dedon.de\nDEDON Inc.\n657-C Brigham Road\nGreensboro, NC 27409\n877-693-3366\noffice@dedon.us\nwww.dedon.de\n",67,[],0,false,true,{"success":284,"data":286,"meta":501,"count":502,"next":503,"previous":504,"results":538,"brand_chips":599},[287,300,312,325,335,348,360,370,380,389,399,411,421,431,440,450,463,472,482,492],{"id":288,"title":289,"slug":290,"image":291,"source":292,"brand_name":293,"brand":294,"brand_slug":295,"file_size":296,"pages":297,"pages_count":298,"matched_pages":299,"match_count":282,"two_pages":283,"show_text":284},26599,"News 2026","porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 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