[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-de-padova-collections-004-voliii-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":365},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":360,"matched_pages":361,"match_count":362,"two_pages":363,"show_text":364},25057,"Collections 004 Vol.III 2023","de-padova-collections-004-voliii-2023","\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F38\u002Fa081a06ef847fb1dba9d80eeb2c2b8-28fe2a0bbe.pdf","De Padova",1753,"de-padova","5.1 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357],{"image":7,"text":15,"number":16},"BEDS\nLIGHTING\nCOMPLEMENTARY ITEMS\nOUTDOOR\nEDITION 004\n3\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.2.png","EDITION 004\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.3.png","Beds\nLighting\nComplementary items\nOutdoor\nProducts Overview\nTable of Contents\nIndex\n005\n025\n077\n109\n159\n3\nEDITION 004\n \n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.4.png","Beds\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.5.png","BEDs\nAsseman\nAsseman Open\nBlendy\nErei\nÉtiquette\nImera\nsleeping Car\nTime Trip For Memories ēdition\n008\n010\n012\n014\n016\n018\n020\n022\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.6.png","Asseman\nit \nRisveglia il ricordo delle notti d'estate, \nemozionali, leggere. Il letto a baldacchino \ndisegnato da Patrizia Cagliani si regge su equilibri \nsottili: la struttura in tubolare bianco disegna \nprofili minimali, vestiti da una zanzariera in tulle \ndrappeggiato e da un cielino bianco di cotone \nstringato ai lati. Materiali diversi, in perfetta \nassonanza, rilassanti come le sue linee.\nen \nThe canopy bed designed by Patrizia \nCagliani evokes memories of light, airy summer \nnights. Based on subtle balances, the white tubular \nstructure creates sleek profiles and features a \ndraped tulle mosquito net and white cotton top \naffixed to the frame. The various materials and \ncomposed lines are in perfect harmony. \nDesign: \nPATRIZIA CAGLIANI\nDAN, Jørgen Møller, low table\n9\nEDITION 004\nBeds\n8\nDe Padova\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.7.png","Asseman Open\nit \nUn tocco minimale, quasi essenziale, per \nla versione senza baldacchino del progetto di \nPatrizia Cagliani. stessa struttura in tubolare di \nacciaio bianco, ma slanciata nella testata, un \nsottile pannello imbottito che dona un'eleganza \nequilibrata. Imbottito anche il sommier, a tracciare \nquesta isola di relax perfetta, da (ri)vestire con \ntessuti sfoderabili di colori diversi.\nen \nThis version of the Patrizia Cagliani \ndesigned bed without the canopy emphasises \nminimal, almost subtle touches. The structure is \nthe same white tubular steel frame but now with \na slender headboard, a thin padded panel that \nprojects a balanced elegance. The sommier is \nalso padded to highlight this island of sublime \nrelaxation, which can be dressed up with \nremovable fabrics in various colours.\nDesign: \nPATRIZIA CAGLIANI\nMINI MATE, Achille Castiglioni, low table\n11\nEDITION 004\nBeds\n10\nDe Padova\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.8.png","Blendy\nit \nLinee smussate e sottili combinate al \ntratto essenziale del designer Omi Tahara. Il letto, \ndeclinazione notturna del progetto Blendy, ne \nconserva tutto il carattere e il pacato equilibrio. La \nstruttura è leggera, con base ampia che crea una \ncornice stilisticamente elegante. Il rivestimento è \nin tessuto con impunture a vista che disegnano i \nprofili della testata e del giroletto. \nen \nRounded and slender lines are trademark \nfeatures of designer Omi Tahara. Part of the Blendy \ncollection, this bed retains all the character and \nbalanced proportions of the design project. The \nlight structure with wide base forms a stylistically \nelegant frame. The upholstery is in fabric with \nvisible stitching that highlights the profiles of the \nheadboard and bed frame.\nDesign: \nOMI TAHARA\nEDITION 004\nBeds\n12\nDe Padova\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.9.png","EREI\nErei\nit \nRotondo, pieno, morbido. Un impatto visivo \nimportante, quello di Erei, come la collezione \ncui fa riferimento, disegnata con il tratto leggero \ndi Elisa Ossino. Rilassato, ma ricco di dettagli, \ncome i piedini sottili che contrastano con i volumi \nimportanti in una continuità di linee curve che si \nesprime nell'assenza di spigoli e in una rilettura \npreziosa e contemporanea del capitonné.\nen \nThe soft, well-rounded shapes of the bed \nrespect the same eye-catching visuals found in \nthe rest of the Erei collection. The light touch of \nElisa Ossino is seen in the details, such as the \nslim feet that contrast with the large volumes and \ncurved lines without edges as well as the prized \ncontemporary reinterpretation of the capitonné \nmotif.\nDesign: \nELIsA OssINO\n14\nDe Padova\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.10.png","Étiquette\nit \nIl duo GamFratesi porta la collezione \nÉtiquette nella zona notte, con quel piglio \nscandinavo mixato all'eccellenza artigianale \nitaliana. La scocca, in acciaio color nero opaco, è \ncompletata da cinghie in cuoio e da una barra in \nfrassino che ritmano il resto della struttura. Come \ncontraltare alle linee minimali, i due grandi cuscini \nin piuma d'oca che ammorbidiscono la testiera.\nen \nThe GamFratesi duo brings the Étiquette \ncollection to the bedroom by mixing scandinavian \ninspiration with first-rate Italian craftsmanship. The \nframe in matt black steel features leather straps \nand a bar in ash wood that help round out the \nstructure. To contrast the minimalist lines, there \nare two large goose-down cushions to soften the \nheadboard.\nDesign: \nGAMFRATEsI\nsEN, Kensaku Oshiro, low table\nART WOOD FRAME, Piero Lissoni, mirror\nMADIsON, rug\n17\nEDITION 004\nBeds\n16\nDe Padova\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.11.png","Imera\nit \nÈ seguendo il corso del fiume siciliano che \nsfocia nel mar Tirreno che Elisa Ossino tratteggia il \nprogetto di cui porta il nome. Imera è un letto dalle \nforme morbide, con angoli arrotondati e volumi \nimportanti grazie all'imbottitura che lo avvolge in \ncontinuità, in contrasto con i piedini sottili rivestiti \nin pelle. Ad aggiungere stile, la testiera con delicate \nimpunture capitonné.\nen \nAn homage to the sicilian river of the same \nname that flows into the Tyrrhenian sea, the Elisa \nOssino-designed Imera bed boasts soft shapes, \nrounded corners and substantial volumes thanks \nto the padding that sits in contrast with the slender \nfeet covered in leather. To add a hint of style, the \nheadboard features delicate tufted stitching.\nDesign: \nELIsA OssINO\n19\nEDITION 004\nBeds\n18\nDe Padova\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.12.png","sleeping Car\nit \nLa dimensione notturna trova nuovo appeal \nin questo classico firmato da Vico Magistretti. \nsleeping Car ha un carattere essenziale, un senso \ndi sobria misura, che si delinea in un segno grafico \ndeciso, come la testiera tratteggiata da una doppia \nbarra imbottita e una base ampia, che si appoggia \nsu piedini slanciati. Ideale per leggere, anche fino a \ntardi, perfetto per riposare.\nen \nLying down at night now has extra appeal \nwith this design classic from Vico Magistretti. \nsleeping Car has an understated character with \na well-measured design highlighted by the eye-\ncatching headboard featuring a padded double bar \nand a wide base sitting atop slender feet. Ideal for \nlate night reading and deep sleeps.\nDesign: \nVICO MAGIsTRETTI\nCHAB-TABLE, Nendo, low table\n21\nEDITION 004\nBeds\n20\nDe Padova\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.13.png","Time Trip For \nMemories ēdition\nit \nL’eleganza del segno è per sottrazione. \nNiente orpelli, solo il tratto pulito di Time & style. \nIl letto imbottito Time Trip For Memories ēdition è \navvolgente ed ergonomico, sulla testata inclinata \nci si può comodamente appoggiare per leggere un \nlibro. È completato dal comodino che interpreta le \nstesse linee geometriche e condivide la medesima \nstruttura d’appoggio metallica e satinata.\nen \nThe elegant, no-frills look of Japan’s Time \n& style is based on less is more. The Time Trip \nFor Memories ēdition upholstered bed is both \ncosy and ergonomic, allowing one to comfortably \nlean against the inclined headboard to read. It is \ncomplemented by a bedside table done in the \nsame brushed metal frame with geometric lines.\nDesign: \nTIME & sTYLE\n23\nEDITION 004\nBeds\n22\nDe Padova\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.14.png","Lighting\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.15.png","LIGHTING\nAbete\nAndon\nAnna\nAva\nCielo-Terra\nCilindri\nDT Light\nElementi\nFirefly\nL.O.P.\nMogura\nNaviglio\nNota\nPoet\nTsuki\nTwig\n028\n030\n032\n034\n038\n040\n044\n046\n052\n054\n058\n062\n064\n068\n070\n074\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.16.png","Abete\nit \nUn minuto capolavoro di equilibri il \ncui punto focale si accende nell'incontro dei \nlistelli di abete. Una gioco di sovrapposizioni \nche fa convergere la luce per poi irradiarla \ncon un movimento sottile, sinuoso. Disegnata \ndall'architetto Paolo Tilche, Abete è una lampada \na sospensione che si sviluppa leggera e sembra \ntorcersi in una spirale di moduli quadrati di misura \ndecrescente.\nen \nA delicate masterpiece of balance whose \nfocal point is the coming together of strips made \nfrom spruce. This game of overlaps makes light \nconverge and then diffuse in a subtle, sinuous \nmovement. Designed by architect Paolo Tilche, \nAbete is a suspension lamp that is based on a \nlightness of form and appears to twist in a spiral of \nsquare modules of decreasing size.\nDesign: \nPAOLO TILCHE\n28\nDe Padova\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.17.png","Andon\nit \nDoppia personalità. Andon è una lampada, \nma anche un tavolino, da interpretare a seconda \ndel momento e del luogo. Il designer Nendo qui \nrende occidentale il concetto giapponese di \nraccogliersi per terra, intorno alla luce. In versione \ntonda oppure quadrata, ha top in pietra lavica \nnera smaltata o pietra pece bianca e una sottile \npergamena impermeabile che crea un magico \nriverbero.\nen \nAndon has a dual personality with its lamp \nand small table that can be used at different \nmoments in different areas. The designer Nendo \ntakes the Japanese tradition of sleeping on the \nfloor and adapts it to Western customs via the light. \nAvailable in a round or square version, the tabletop \nis in glazed black lava stone or white pietra pece \nand includes a thin waterproof parchment that \ncreates a magical reflection.\nDesign: \nNENDO\n31\nEDITION 004\nLighting\n30\nDe Padova\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.18.png","Anna\nit \nUn oggetto che utilizza la forma per \namplificare la funzione. Anna è una lampada da \ntavolo solo apparentemente semplice: un paralume \nconico con un unico tondino di acciaio forato a \nrisolvere insieme base di appoggio e passaggio del \ncavo. Una linea essenziale che diffonde luce diretta \ne indiretta, illuminando la superficie sottostante e \naccendendo le pareti di una calda sfumatura.\nen \nThe Anna lamp lets the form amplify the \nfunction. It takes on the appearance of a simple \ntable lamp with its conical lampshade and single \nperforated steel rod that acts as the support \nbase and conduit for the electrical cable. Its \nstreamlined form diffuses direct and indirect light \nby illuminating the surface below and surrounding \nwalls with a warm hue.\nDesign: \nPAOLO TILCHE\n32\nDe Padova\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.19.png","Ava\nit \nUn racconto di chiaroscuri, di diversità \ntattili che si uniscono nel segno della luce. Ava è \nuna lampada a sospensione, disponibile anche da \nappoggio, espressione armonica della materia. \nLa struttura, in massello di frassino tinto noce, è \navvolta da un paralume impagliato con corteccia \ndi giungo sbiancata con un leggero tessuto come \ndiffusore, per un effetto rilassante e luminoso.\nen \nChiaroscuro and different tactile sensations \ncome together in an illuminating way in the Ava \nsuspension lamp. Available also in a free-standing \nlamp version, it is a harmonious expression of the \nmaterial. The structure in walnut-stained solid ash \nis surrounded by a straw lampshade in bleached \nreed bark with a light fabric as a diffuser to create a \nrelaxing and luminous effect.\nDesign: \nDAVID LOPEZ QUINCOCEs\nOKE, Time & style, Time & style ēdition, low tables\n35\nEDITION 004\nLighting\n34\nDe Padova\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.20.png","AVA\n37\nEDITION 004\nLighting\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.21.png","Cielo-Terra\nit \nL'essenza pura della luce in un oggetto \nche va oltre la sua spazialità: due semplici linee \nluminose parallele percorrono la stanza dal \npavimento al soffitto. Un tratto quasi invisibile di \ngiorno che, acceso, crea un taglio scenografico \nnel buio. Cielo-Terra si attiva singolarmente o in \ncoppia ed è possibile ruotarne l'asse per cambiare \ncompletamente l'illuminazione dell'ambiente. \nen \nThe pure essence of light is harnessed \nby an object that projects beyond its frame. Two \nprecise parallel lines of light run from the ceiling \nto the floor. During the day it is almost invisible to \nthe eye; when it is illuminated, it cuts through the \ndarkness. The light modules of Cielo-Terra can \nbe switched on separately or together and it is \npossible to rotate its axis to completely alter the \nlight setup in a room.\nDesign: \nsTUDIOCHARLIE\n39\nEDITION 004\nLighting\n38\nDe Padova\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.22.png","Cilindri\nit \nIl tratto è quello della designer Elisa \nOssino, rassicurante, di delicata eleganza: Cilindri \nè una lampada, da tavolo o a sospensione, che \nsfrutta la materia declinandola in linee semplici, \nmorbide, per vestire gli ambienti con discrezione. \nUn cilindro di vetro sabbiato incapsulato in uno di \nvetro trasparente di misura superiore, studiato per \ndiffondere una luce calda e rilassante.\nen \nThe restrained elegance and reassuring \nforms associated with Elisa Ossino appear in \nCilindri, a model available as a table or suspension \nlamp that transforms the material into simple, soft \nlines to decorate the surroundings with discretion. \nIt features a sandblasted glass cylinder inside a \ntaller transparent glass cylinder that is designed to \ndiffuse a warm and relaxing light.\nDesign: \nELIsA OssINO\n41\nEDITION 004\nLighting\n40\nDe Padova\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.23.png","CILINDRI\n43\nEDITION 004\nLighting\n42\nDe Padova\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.24.png","DT Light\nit \nL'equilibrio perfetto. DT Light è il sottile \nbilanciamento di pesi e misure al servizio della \nfunzione attraverso l'unione delle caratteristiche \ndistintive di una lampada fissa a sospensione \ne quelle di una a piantana. Il braccio è appeso \nal soffitto e reso stabile grazie a un cavo con \ncontrappeso, mentre il diffusore è sospeso e libero, \npuò ruotare a 360° e regolarsi in altezza.\nen \nDT Light is in perfect equilibrium \nwith its subtle balancing act of weights and \nmeasurements. Its functional design brings \ntogether the specific characteristics of a fixed \nsuspension lamp with those of a floor lamp. The \narm is suspended from the ceiling and is stabilised \nthanks to a cable with a counterweight. The \nsuspended lampshade, whose height is adjustable, \nfloats in the air and can rotate 360 degrees. \nDesign: \nPHIL LUITHLEN\n45\nEDITION 004\nLighting\n44\nDe Padova\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.25.png","Elementi\nit \nsolo la luce è il suo confine. Da tavolo \no a sospensione, Elementi si compone di sfere \ndalle circonferenze diverse, libere da gerarchie e \nvincoli di composizione. Ogni elemento in vetro, \nunico perché forgiato artigianalmente, si allinea \nsu una sottile asta di ottone verniciato nero opaco \nsingolarmente o in abbinamento fra loro. Per \nun'illuminazione calda, modulabile nell'intensità. \nen \nElementi takes light to the edge with a \nseries of spheres with different circumferences, \nfree from hierarchies and compositional \nconstraints. Available as a table or pendant lamp, \neach glass element is unique as it is forged \nby hand. It is set on a thin matt black painted \nbrass rod as a standalone piece or combined \nwith multiple spheres and its warm light can be \ndimmed.\nDesign: \nELIsA OssINO\nCARLO, Tono Morganti & Renato J. Morganti, table \nLADY POLLACK, Vico Magistretti, chair\n47\nEDITION 004\nLighting\n46\nDe Padova\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.26.png","ELEMENTI\nsQUARE 16, sofa\nFLYING LANDsCAPE, Piero Lissoni, low tables\nsEN, Kensaku Oshiro, low tables\nBAMAKO, rug\n49\nEDITION 004\nLighting\n48\nDe Padova\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.27.png","ELEMENTI\n51\nEDITION 004\nLighting\n50\nDe Padova\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.28.png","Firefly\nit \nUn animo gitano, che illumina dove serve, \nsenza vincoli. Firefly si compone di due diffusori \ndi luce, vetro stampato trasparente color grigio \nall'esterno, acidato all'interno, imbrigliati da strisce \nintrecciate di cuoio. Una lampada nomade che \nsi può agilmente spostare, grazie alla batteria \nricaricabile, e si accende e si spegne grazie al \nmovimento orizzontale o all'inclinazione.\nen \nA wandering spirit, Firefly illuminates \nwherever there is need and without any \nconstraints. It consists of two light diffusers, a \nmoulded transparent grey glass on the outside and \nan acid-etched one on the inside. Held in place \nby woven leather strips, this portable lamp is easy \nto move thanks to the rechargeable battery and it \nturns on and off when laid down horizontally or at \nan angle.\nDesign: \nALEXANDER ÅHNEBRINK\n53\nEDITION 004\nLighting\n52\nDe Padova\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.29.png","L.O.P.\nit \nsintetica, mobile. L.O.P. è una lampada \na sospensione che si compone di un tubolare \nin alluminio dotato di movimento oscillante, da \nposizionare al soffitto. Un conduttore verticale, \nche dilata la luce grazie alla sfera in vetro opaco e \nregala agli ambienti nuove, illuminate prospettive. \nDisponibile in diverse misure e nelle nuove varianti \ncolore verde Comodoro e rosso Nevada.\nen \nConcise, agile and made of tubular \naluminium with an oscillating movement, the \nL.O.P. suspension lamp works well on the ceiling. \nA vertical conductor diffuses the light via the \nopaque glass sphere to provide rooms with new, \nilluminated perspectives. Available in various sizes \nand the new Comodore green and Nevada red \ncolours.\nDesign: \nC.R.s. BOFFI\n55\nEDITION 004\nLighting\n54\nDe Padova\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.30.png","L.O.P.\n57\nEDITION 004\nLighting\n56\nDe Padova\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.31.png","Mogura\nit \nUna piccola talpa di luce, questo significa \n“mogura” in giapponese, che si insinua nella \nleggerezza di un ideale terreno. Un semplice segno \ngrafico, cifra stilistica del designer Nendo, che si \ninserisce in una struttura essenziale in acciaio nero \nopaco, del tutto simile a una voliera. Declinata in \ndiverse circonferenze, da terra o a sospensione, \nregala giochi di luci e ombre.\nen \nThis small node of light is like a burrowing \nmole, the meaning of the word “mogura” in \nJapanese. This uncomplicated graphic structure, a \nstylistic hallmark of designer Nendo, consists of a \nminimalist frame in matt black steel that resembles \nan aviary. Available in different circumferences as \na floor or suspension lamp, it offers an interplay of \nlight and shadow.\nDesign: \nNENDO\n59\nEDITION 004\nLighting\n58\nDe Padova\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.32.png","MOGURA\n61\nEDITION 004\nLighting\n60\nDe Padova\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.33.png","Naviglio\nit \nLa forma concreta della luce, diretta, \ncircolare, viva. Ritmata dal tratto moderno e \ndeciso di Piero Lissoni, Naviglio è una lampada a \nsospensione che si apre in un paralume dalle linee \nbasiche, semisferico, realizzato in alluminio tornito \na piastra. Disponibile nella versione verniciata, \npanna o nero, si colora di nuove varianti colore: il \nrosso Nevada e il verde Comodoro. \nen \nThe fixed light form is spherical, direct \nand dynamic. shaped by Piero Lissoni's modern \nand decisive lines, Naviglio is a pendant lamp \nthat opens into a semi-spherical lampshade with \na straightforward silhouette made from a turned \naluminium plate. Available in a natural, cream \nor black finish, it comes in new colour variants: \nNevada red and Comodore green.\nDesign: \nPIERO LIssONI\n63\nEDITION 004\nLighting\n62\nDe Padova\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.34.png","Nota\nit \nUn oggetto che valica la sua funzione, una \nlampada armonica, dai profili sottili. Nel modello \nda terra, due tavolini fioriscono sullo stelo, con \ngentilezza, per appoggiare una rivista o una tazza \ndi tè. Nota si delinea sui grafismi delicati di Elisa \nOssino, che ne tratteggia una sorgente luminosa \nflessibile, da orientare dove serve, amplificata dalla \nforma conica del diffusore.\nen \nThis graceful lamp with thin profiles looks \nbeyond function. In the floor model, two small \ntables delicately branch out from the stem to \nserve as a holder for a magazine or cup of tea. The \nsilhouette of Nota signals the subtle forms of Elisa \nOssino, who creates an adaptable light source \nthat can be positioned where needed and which is \namplified by the conical shape of the diffuser.\nDesign: \nELIsA OssINO\n65\nEDITION 004\nLighting\n64\nDe Padova\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.35.png","NOTA\n67\nEDITION 004\nLighting\n66\nDe Padova\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.36.png","Poet\nit \nLa perfezione del cerchio. Una lampada \ndi natura curvilinea, poetica nel nome e nelle \nforme, che emana una luce morbida, gentile. Il \ndesigner giapponese Keiji Takeuchi utilizza un \ntratto minimale per disegnare un disco luminoso \nabbracciato da un cilindro. Nella versione a \nsospensione o da appoggio, ha una silhouette \ntalmente lineare da interpretare ambienti anche \ndiversissimi.\nen \nThe circle as perfection. As its name \nsuggests, this poetic, curvilinear lamp emits a \nsoft, gentle light. Japanese designer Keiji Takeuchi \nuses a minimalist stroke to create a luminous \ndisc embraced by a cylinder. In the suspension or \ncountertop version, its almost linear silhouette is \nsuitable for a wide range of interior settings.\nDesign: \nKEIJI TAKEUCHI\n69\nEDITION 004\nLighting\n68\nDe Padova\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.37.png","Tsuki\nit \nUn guscio di materia e di luce. Tsuki è solida, \nlinearissima. Firmata dal designer giapponese \nNaoto Fukasawa, questa lampada da appoggio \nsemplifica il concetto di illuminazione, rendendolo \nbasico, quasi tattile, grazie alle sue declinazioni \nmateriche nelle variazioni del marmo Calacatta o in \ncemento grigio chiaro. Accesa crea suggestivi coni \ndi luce, spenta sembra una scultura. \nen \nThe solid and clean lines of Tsuki captures \nlight in a nutshell of matter. Developed by \nJapanese designer Naoto Fukasawa, this floor \nlamp simplifies the concept of lighting and renders \nit almost tactile via the different material offerings \nfor the base such as Calacatta marble or light grey \nconcrete. When switched on, it creates suggestive \ncones of light; when turned off, it resembles a \nsculpture.\nDesign: \nNAOTO FUKAsAWA\nHORIZONTAL sOFA ĒDITION, Time & style, sofa\nBAMAKO, rug\n70\nDe Padova\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.38.png","TsUKI\n73\nEDITION 004\nLighting\n72\nDe Padova\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.39.png","Twig\nit \nPochi tratti, essenziali. Il designer \ngiapponese Keiji Takeuchi sottrae in forma e \naccresce in funzionalità. Twig è una lampada da \nterra che incrocia in maniera asimmetrica due \ntubolari di alluminio nero opaco. La sorgente \nluminosa può ruotare intorno al suo asse \ndiffondendo la luce dove si desidera. Una presenza \ndiscreta, perfettamente in equilibrio con ciò che la \ncirconda.\nen \nIn Twig, Japanese designer Keiji Takeuchi \nreduces form to a few essential details in order to \nemphasise the functional aspect. The floor lamp \nis formed by the asymmetrical intersection of two \ntubes in matt black aluminium. The light source can \nrotate around its axis to direct light where needed. \nIts discreet presence allows it to find a perfect \nequilibrium with its surroundings.\nDesign: \nKEIJI TAKEUCHI\n75\nEDITION 004\nLighting\n74\nDe Padova\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.40.png","Complementary \nitems\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.41.png","Ava\nGarderobier \nPrêt-à-porter\nRokumaru\nArt Wood Frame\nBook\nNarciso\nsP14 Wood Frame\nTime Trip For Memories Bedside Table ēdition\nConsole\nscrittarello\nBamako\nFezzan\nLinosa\nMadison\nOfte\nTynn\nCOMPLEMENTARY ITEMs\n080\n082\n084\n086\n088\n090\n092\n094\n096\n098\n100\n102\n103\n104\n105\n106\n107\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.42.png","Ava\nit \nUnisce dividendo: Ava screen è un \nparavento in grado di dettare la cifra formale di \nogni stanza. Discreto, dai profili stondati: il telaio è \nin massello di frassino tinto noce, con tre pannelli \nimpagliati con corteccia di giungo sbiancato. Le \ncoordinate di stile sono quelle di David Lopez \nQuincoces, che calibra sapientemente la migliore \ntradizione del design scandinavo e brasiliano. \nen \nUniting by dividing: the Ava screen dictates \nthe formal layout of the room. The understated \nscreen with rounded edges has a frame in walnut-\nstained solid ash and three straw-covered panels \nin bleached reed bark. The style is the hallmark \nof David Lopez Quincoces, who skilfully balances \nthe best of the scandinavian and Brazilian design \ntraditions.\nDesign: \nDAVID LOPEZ QUINCOCEs\n80\nDe Padova\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.43.png","Garderobier\nit \nUna linea in acciaio che disegna un \noggetto essenziale, filiforme: Garderobier porta \nla sensibilità di forma e materia della designer \nLovorika Banovic. Un servomuto, ma anche un \ndivisorio, composto da barre orizzontali ad altezze \ndiversificate e un piccolo piano rotondo che può \ndiventare, all'occorrenza, un tavolino o una seduta. \nUn compagno discreto perché tutto sia in ordine. \nen \nA steel line creates a precise, threadlike \nobject. Garderobier expresses the sensitivity \nof form and matter envisioned by the designer \nLovorika Banovic. Both a valet stand and a room \ndivider, it consists of horizontal bars at different \nheights and a small round surface that can serve \nas a table or stool. It’s a discreet addition that helps \nensure everything is in its place.\nDesign: \nLOVORIKA BANOVIC\n83\nEDITION 004\nComplementary items\n82\nDe Padova\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.44.png","Prêt-à-porter\nit \nLa semplicità dei tratti di Annette Lang \nrivisita il classico e lo rende contemporaneo. \nUn servomuto portabiti che sembra accennato \nnell'etere: un tubolare in acciaio verniciato color \nnero rivestito con un cordino di cuoio naturale \nantisdrucciolo, perché tutto sia in ordine. La \nsilhouette è tracciata da poche linee decise che \ndipingono un oggetto discreto, perfetto in camera \nda letto. \nen \nsimplicity underlines the design by Annette \nLang that revisits the classic valet stand and makes \nit contemporary. Its delicate form features black \npainted tubular steel covered with a natural no-slip \nleather cord that helps keep things in order. The \nsilhouette is created with a few decisive lines to \nmake an understated piece that is ideally suited for \nthe bedroom.\nDesign: \nANNETTE LANG\n85\nEDITION 004\nComplementary items\n84\nDe Padova\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.45.png","Rokumaru\nit \nC'è l'essenza del legno, c'è la forma. C'è \ntutta una filosofia funzionale in questo oggetto \nche unisce simbologia e materia. L'appendiabiti \nRokumaru, del designer giapponese Nendo, \ntratteggia i raggi di una circonferenza immaginaria \nnel segno dell'unione delle parole giapponesi roku \n(sei) e maru (cerchio): sei rami funzionali di un \nalbero ideale, per appendere giacche e cappotti.\nen \nThe essence of wood followed by the form. \nThis object is based on a functional philosophy that \ncombines symbolism and matter. The Rokumaru \ncoat stand by Japanese designer Nendo outlines \nthe rays of an imaginary circumference to create \nthe union of the Japanese words roku (six) and \nmaru (circle). The result is six functional branches \nforming an ideal tree to use for hanging jackets and \ncoats.\nDesign: \nNENDO\n87\nEDITION 004\nComplementary items\n86\nDe Padova\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.46.png","Art Wood Frame\nit \nL'eleganza scivola leggera sulle linee \nrigorose, quasi austere, di questo specchio. Il \nvetro, extrachiaro argentato, è racchiuso in una \ncornice laccata nero opaco, dai tratti smussati, \na sottolineare il contrasto delle finiture sulla \nsuperficie. Grande, rettangolare, da appoggiare \nnella zona living o in camera da letto, dona \nluminosità allo spazio e apre punti di vista inediti.\nen \nElegance lightly glides across the precise, \nalmost austere lines of this mirror. The extraclear \nsilver glass is enclosed in a matt black lacquered \nframe with contoured features to underline the \ncontrast of the finishes on the surface. The large, \nrectangular piece may be placed in the living area \nor bedroom to allow light in and open up new \nperspectives.\nDesign: \nPIERO LIssONI\n88\nDe Padova\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.47.png","Book\nit \nFunzionalità piena, accenti minimali. \nBook, della designer Petra Runge, si schiude e \nraddoppia solo quando è necessario: uno specchio \na parete che, nomen omen, si apre a libro per \nriflettere, amplificare la visione di insieme, regalare \nprospettive allargate e inusuali. Quando è chiuso \nmostra la struttura in alluminio satinato diventando \na tutti gli effetti un elemento decorativo.\nen \nFully functional with minimalist details, the \nBook wall mirror by designer Petra Runge opens \nup to double in size when needed. True to its \nname, it opens like a book to reflect one’s image, \namplify light and create enlarged and unusual \nperspectives. When closed, it shows off the \nsatin-finish aluminium structure and serves as a \ndecorative element.\nDesign: \nPETRA RUNGE\n91\nEDITION 004\nComplementary items\n90\nDe Padova\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.48.png","Narciso\nit \nL'estetica in movimento. La funzione al \nservizio della materia. Lo specchio Narciso si \nmuove agile su tre ruote, fissate su una stabile \nbase a triangolo: grazie all'anello centrale è facile \nda spostare in ogni angolo della stanza. Non solo. \nIl progetto di Enrico Franzolini si completa con una \nserie di pratici ganci appendiabiti sul telaio per \nriporre con comodità abiti e accessori.\nen \nAesthetics in motion and functional \nmaterials. The Narciso mirror moves agilely on \nthree wheels that are affixed to a stable triangular \nbase. Thanks to the central handle, it is easy to \nmove it to any corner of the room. What’s more, the \ndesign by Enrico Franzolini offers a set of practical \ncoat hooks on the frame to conveniently store \nclothes and accessories.\nDesign: \nENRICO FRANZOLINI\n93\nEDITION 004\nComplementary items\n92\nDe Padova\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.49.png","sP14 Wood Frame\nit \nLa cornice è ridotta ai minimi termini, sottile, \nelegantissima, che profila un grande specchio \nquadrato. sP14, progetto del duo neunzing° design, \nsi delinea su geometrie rigorose, con spigoli \nincassati, lasciando libero spazio all'immagine che \nsi riflette. Un oggetto in continua mutazione, che \ncambia il fotogramma a seconda del punto di vista, \ndella luce, del momento della giornata.\nen \nThe frame of this large square mirror \nis reduced to the bare minimum. slender \nand graceful, the sP14 is based on rigorous \ngeometries, with recessed edges that allow ample \nspace for the reflected image. Created by the duo \nfrom neunzing° design, the object continuously \nframes and reflects the ever-changing light and \nmoments of the day. \nDesign: \nNEUNZIG° DEsIGN\n95\nEDITION 004\nComplementary items\n94\nDe Padova\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.50.png","Time Trip For \nMemories Bedside \nTable ēdition\nit \nsolidità nelle forme, eleganza inappuntabile, \nanche nella zona notte. La linea è quella rigorosa \ndello studio giapponese Time & style che \ntratteggia una struttura metallica color ottone \noppure ottone brunito con un vano contenitore \ndotato di cassetto. Il comodino Time Trip For \nMemories Bedside Table ēdition, è un accento di \nstile che completa il letto Time Trip For Memories, \ndi cui condivide l'essenzialità.\nen \nFor the bedroom Japanese brand Time & \nstyle has created a solid and impeccably elegant \npiece with a sleek profile featuring a brass-\ncoloured or burnished brass-coloured metal \nstructure with a compartment equipped with a \ndrawer. The Time Trip For Memories Bedside Table \nēdition is a stylish addition that complements the \nTime Trip For Memories bed, which shares the \nsame essential lines. \nDesign: \nTIME & sTYLE\nTIME TRIP FOR MEMORIEs ĒDITION, Time & style, bed\n97\nEDITION 004\nComplementary items\n96\nDe Padova\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.51.png","Console\nit \nParla un linguaggio ermetico questo \ntavolino d’appoggio dal segno minimale. Console \nha una base in massello naturale o tinto wenge, \nalleggerita da tiranti in acciaio in evidenza, a \nsorreggere il piano dai bordi smussati. Essenziale, \nsolido, versatile, ha una grazia innata che lo rende \nadatto ad ogni collocazione: nel living, in camera \nda letto, all'ingresso o dietro al divano.\nen \nThe sleek Console side table evokes a \nminimalist design. It has a base in natural or \nwenge-stained solid wood that is lightened by \nvisible tie rods in steel that help support the \ntabletop and its rounded edges. Essential, solid \nand versatile, it has an innate grace that makes it \nsuitable for any location, from the living room and \nbedroom to the entryway or behind the sofa.\n99\nEDITION 004\nComplementary items\n98\nDe Padova\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.52.png","scrittarello\nit \nLa moltiplicazione della funzione: \nscrittarello, progetto di Achille Castiglioni, trova \nnell'essenzialità la sua espressione pragmatica. \nUn piano di appoggio con due mensole laterali, \nladdove lo spazio non è mai abbastanza, e \npoggiapiedi a creare un angolo perfetto dove \nscrivere, studiare, lavorare. A suo agio in ambienti \ndiversi, si declina in massello naturale o color \ncarbone.\nen \nFunctionality puts its best foot forward \nwith scrittarello. Designed by Achille Castiglioni, \nthis pragmatic and essential piece features a \ntabletop with two support shelves, for when space \nis tight, and a footrest to create the perfect setup \nfor writing, working or studying. It adapts well to \na range of different interiors and is available in \nnatural or charcoal-coloured solid wood.\nDesign: \nACHILLE CAsTIGLIONI\nINCIsA, Vico Magistretti, chair\nNOTA, Elisa Ossino, lamp\n101\nEDITION 004\nComplementary items\n100\nDe Padova\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.53.png","Bamako\nit \nEvoca le calde atmosfere dell'Africa, dove la \nterra è ruvida, materica. Bamako in lingua Bambara \nè il “fiume coccodrillo”, il nome della capitale del \nMali, un perimetro tattile per animare e riscaldare \nogni angolo della casa. Un tappeto che intreccia la \nresistente fibra sisal in grossi nodi rifiniti ai quattro \nlati con bordo a giro in tinta, disponibile in quattro \ndifferenti misure.\nen \nBamako evokes the warm atmosphere of \nAfrica, where the earth is rough and textured. In the \nBambara language Bamako means \"crocodile river\" \nand is the name of the capital of Mali. The piece \ncreates a tactile perimeter that livens up and gives \nwarmth to every corner of the home. Available in \nfour sizes, the carpet is a weave of the resistant \nsisal fibre done in large knots that is finished on \nthe four sides in a matching thread.\nFezzan\nit \nUna preziosa trama di sottili trecce \ncucite una all'altra segnano i confini di Fezzan. \nUn tappeto che nel nome ricorda le minute \nlavorazioni artigianali della terra racchiusa nel \ncuore del deserto del sahara, di cui porta il nome. \nDisponibile in versione rettangolare, in tre diverse \nmisure, o nella variante tonda, è realizzato in Olyna, \nuno speciale materiale atossico-anallergico.\nen \nA precious weave of subtle stitched braids \nmarks the boundaries of Fezzan. The carpet takes \nits name from a land of meticulous craftsmanship \nin a landlocked area in the heart of the sahara \nDesert. Available in a round version or a rectangular \nformat in three different sizes, it is made of Olyna, a \nspecial non-toxic, hypoallergenic material.\n103\nEDITION 004\nComplementary items\n102\nDe Padova\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.54.png","Linosa\nit \nIl suo nome riconduce alle magiche terre \ndell'arcipelago siciliano delle Pelagie. Linosa, \ndisponibile in tre differenti misure, è un'isola di \ntrame e racchiude in ogni nodo il pregio della \nlavorazione artigiane del lino, realizzata con telaio \nmanuale seguendo una delle tecniche indiane più \nantiche. Ogni tappeto è unico e irripetibile, nella \nfattura e nelle delicate nuance di colore.\nen \nIts name references the incredible lands \nof the Pelagie archipelago in sicily. Available in \nthree sizes, Linosa is an island of wefts and each \nknot is a precious piece of craftsmanship in linen \nthat is made on a handloom according to one \nof the oldest Indian techniques. Each carpet is \nextraordinary and one of a kind in terms of the \nworkmanship and the delicate nuances of colour.\nMadison\nit \nC'è la ricchezza della lavorazione artigianale, \nche intreccia una texture densa, fatta di piccoli \nnodi vicini, espressione di una fra le più antiche \ne sofisticate tecniche a telaio manuale nel nord \ndell'India. Un tappeto in lana e cotone che, proprio \nper sua natura, diventa un pezzo unico, nella fattura \ne nelle sfumature di colore dovute al processo di \ntintura delle fibre naturali. \nen \nThe elaborate craftsmanship consists of \na dense, textured weave made of small, tightly \npacked knots. It is an example of one of the oldest \nand most sophisticated manual loom techniques \nthat hails from northern India. The wool and cotton \ncarpet is by its very composition one of a kind \nthanks to its workmanship and colouring, which is \nlinked to a dyeing process using natural fibres.\n105\nEDITION 004\nComplementary items\n104\nDe Padova\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.55.png","Ofte\nit \nForma rigorosa, ordito tattile declinato in \ntinte neutre e delicate. Le trame e i nodi prendono \nforma negli ambienti e li rendono vivi, creando un \nmosaico di filato, bordato nei lati di testa da lana \ntono su tono. Ofte ha linee essenziali, decise, che \ndiventano il segno su cui posizionare o esaltare gli \noggetti che lo circondano. Disponibile in diverse \ndimensioni o su misura.\nen \nA textured surface and meticulous form \nare interpreted in neutral and delicate shades. \nThe wefts and knots come together to make the \nroom feel alive by creating a mosaic of yarn that \nis bordered on the edges with tone-on-tone wool. \nOfte has essential, decisive lines to become a \nmarker on which to place objects or enhance those \nthat border it. Available in a range of sizes or made \nto measure.\nTynn\nit \nInfinite storie di filati intrecciano i colori \ndella natura. Un tappeto dall'anima geometrica \nche si replica nelle trame lineari, creando effetti \nottici irregolari. Tynn ha cinque diverse dimensioni, \nrealizzato in lana e sisal con resistente fondo in \njuta e una bordura sui lati di testa in lana tono su \ntono. sobrio nelle linee, è perfetto per dare un \ntocco contemporaneo ad ogni ambiente.\nen \nAn endless collection of yarn is intertwined \nwith the colours of nature. The rug draws on a \ngeometric inspiration to create linear patterns \nthat produce curious optical effects. Tynn comes \nin five sizes and is made of wool and sisal, with \na resistant jute bottom and a border on the short \nends in tone-on-tone wool. With its sober lines, it \nis the perfect way to add a contemporary touch to \nany interior setting.\n107\nEDITION 004\nComplementary items\n106\nDe Padova\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.56.png","Outdoor\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.57.png","OUTDOOR\n112\n114\n118\n120\n126\n128\n130\n132\n134\n136\n138\n140\n142\n144\n152\n3Millimetri \nAndon\nCamilla \nÉtiquette Outdoor\nFirefly Outdoor\nMetallaro\nRea Outdoor\nsen Outdoor\nsen Pouf Outdoor \nsilver Outdoor\nso Outdoor\nsundance \nT.54 Outdoor\nTavolo '95 Outdoor\nYak Outdoor\nTable\nLow Table, Lighting\nLamp\nsofa, Armchair, Pouf\nLighting\nLow Table\nChair\nLow Table\nPouf\nChair\nChair\nChair\nArmchair\nTable\nsofa, Armchair\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.58.png","3Millimetri\nit \nLeggero come un foglio di carta, solido \ncome l'acciaio con cui è forgiato, 3Millimetri si \ninserisce in qualunque contesto, indoor e outdoor. \nUn progetto ad alto contenuto tecnologico, \nricavato da una lastra di soli tre millimetri a taglio \nlaser che porta il tratto essenziale di studiocharlie. \nTondo o rettangolare, si declina in tre varianti \ncolore: nero opaco, DéLabré o bianco. \nen \nLight as a sheet of paper yet solid as steel, \n3Millimetri is suitable for any indoor or outdoor \nsetting. This sleek, highly technical piece from \nstudiocharlie is made from laser-cut sheets of \nmetal only three millimetres thick. Available in a \nround or rectangular version, it is offered in three \nfinishes: matt black, DéLabré or white.\nDesign: \nsTUDIOCHARLIE\n113\nEDITION 004\nOutdoor\n112\nDe Padova\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.59.png","Andon\nDesign: \nNENDO\nit \nC'è un rigore rilassato nelle linee di Andon, \nun tavolino basso che si modula sulla leggerezza \ndella sua struttura in acciaio verniciato nero opaco, \ne del top, tondo o squadrato, in pietra lavica nera \nsmaltata o Pietra Pece bianca o in composito MDI \nby Inalco. È perfetto per l'outdoor, ad animare con \neleganza essenziale giardini e terrazzi. Al tempo \nstesso, il progetto di Nendo sovverte i canoni \ndel design da esterno, trasformando Andon \nin una lampada con paralume in pergamena \nimpermeabile. Funzionalità ed estetica in un \noggetto che riassume il concetto di funzionalità \ndeclinabile negli ambienti.\nen \nThere is a relaxed rigour in the lines of \nAndon, a low table with a lightweight structure in \nmatt black painted steel. It comes with a rounded \nor squared tabletop in black lacquered lava \nstone, white Pietra Pece stone or MDI by Inalco \ncomposite. At the same time, this project from \nNendo upends the canons of outdoor design by \nalso making Andon a light with a lampshade in \na waterproof parchment. It ideal for outdoor use \nwhere it adds an understated charm to the garden \nor terrace. Functionality and aesthetics come \ntogether to make a versatile concept.\n115\nEDITION 004\nOutdoor\n114\nDe Padova\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.60.png","ANDON\n117\nEDITION 004\nOutdoor\n116\nDe Padova\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.61.png","it \nPiero Lissoni l'ha immaginata libera da \nvincoli, contenuta nelle dimensioni, ideale origine \ndi punti luce innovativi. Una sfera luminosa in \nvetro opalino dai contorni essenziali, lievemente \ncompressi, che racchiude lo spirito minimale di \nDe Padova e una tecnologia di ultima generazione: \nCamilla si accende e si spegne con un semplice \nmovimento orizzontale o con un'inclinazione a 45°.\nen \nPiero Lissoni imagined it free of restraints \nin a contained size to create the ideal source of \ninnovative points of light. This luminous sphere \nin opal glass with essential, slightly compressed \ncontours captures the minimalist spirit of De \nPadova and the latest generation technology: \nCamilla turns on and off with a simple horizontal \nmovement or with a 45° inclination.\nDesign: \nPIERO LIssONI\nCamilla\nsEN OUTDOOR, Kensaku Oshiro, low table\n119\nEDITION 004\nOutdoor\n118\nDe Padova\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.62.png","Étiquette Outdoor\nit \nEssenzialità scandinava, eccellenza \nartigianale italiana: un divano dalla retrospettiva \ninusuale che scandisce il ritmo negli spazi open \nair. Il progetto Étiquette del duo GamFratesi \ndiventa outdoor grazie alla struttura rinnovata \nnelle finiture: una scocca in acciaio inox verniciato \nnero, completata da cinghie elastiche in tessuto \nidrorepellente e da una barra in teak naturale.\nen \nscandinavian style meets superior Italian \ncraftsmanship in a sofa with a distinctive back \nthat lends itself to open-air spaces. Designed \nby GamFratesi, Étiquette becomes an outdoor \nelement thanks to its frame with updated finishes. \nThe black-painted stainless steel structure is \ncomplemented by elastic straps in a water-\nrepellent fabric and a natural teak support bar.\nDesign: \nGAMFRATEsI\nsEN POUF OUTDOOR, Kensaku Oshiro, pouf\nMETALLARO, studiocharlie, low table\nsEN, Kensaku Oshiro, low table\nLANTERN, Time & style, Time & style ēdition, lamp\nFEZZAN, rug\n121\nEDITION 004\nOutdoor\n120\nDe Padova\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.63.png","ÉTIQUETTE OUTDOOR\nsEN POUF OUTDOOR, Kensaku Oshiro, pouf\nsEN, Kensaku Oshiro, low table\nFEZZAN, rug\n123\nEDITION 004\nOutdoor\n122\nDe Padova\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.64.png","T.54 OUTDOOR, Fratelli Monti, Archivio storico Bonacina 1889, armchair \nsEN POUF OUTDOOR, Kensaku Oshiro, pouf\nANDON, Nendo, low tables\nANDON, Nendo, lamp\nÉTIQUETTE OUTDOOR\n125\nEDITION 004\nOutdoor\n124\nDe Padova\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.65.png","Firefly Outdoor\nit \nUno spirito nomade quello di Firefly, \nprogetto di Alexander Åhnebrink. Basico nelle \nlinee stondate, vagamente rétro, si compone di \nun diffusore esterno in vetro stampato, stretto fra \nun intreccio di cinghie in Eva, un materiale che \ncombina resistenza e flessibilità. Una lampada \nagile, da appendere sull’apposito piedistallo o da \nposizionare a terra, per illuminare senza vincoli \ngrazie alla batteria ricaricabile.\nen \nDesigned by Alexander Åhnebrink, Firefly \nhas a nomadic spirit with its simple, rounded lines \nthat are vaguely retro in look. It features an external \ndiffuser in moulded glass sandwiched between a \nweave of straps in Eva, a material that combines \nstrength and flexibility. This versatile lamp may \nbe hung on its pedestal or placed on the ground \nand illuminates without constraints thanks to its \nrechargeable battery.\nDesign: \nALEXANDER ÅHNEBRINK\n127\nEDITION 004\nOutdoor\n126\nDe Padova\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.66.png","Metallaro\nit \nMaterico e di forte personalità: Metallaro \nsublima la sua superficie in linee sottili, minimali, \ntattili, solide. Un tavolo che si fa interprete di un \ndesign a metà fra sperimentazione progettuale \ne lavorazione industriale. Un unico pezzo, che \nacquista bellezza nel tempo, realizzato con una \nlamiera in acciaio inox verniciata a polvere in \nbianco semiopaco, nero opaco e DeLabré.\nen \nWith its forceful presence and tactile \nquality, the surface of Metallaro is emphasised \nby slender, solid lines. The table’s design is \nmidway between experimentation and industrial \nmanufacturing. Made from a powder-coated \nstainless steel sheet in semi-matt white, matt black \nor DeLabré, each tabletop surface acquires its \nunique beauty with the passage of time.\nDesign: \nsTUDIOCHARLIE\n129\nEDITION 004\nOutdoor\n128\nDe Padova\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.67.png","Rea Outdoor\nit \nMinimale, eclettica nell'uso, fuori e dentro \ncasa, Rea è un progetto dell'architetto Paolo Tilche \ndel 1956. Le sue forme rigorose si modulano su \nuna struttura in acciaio verniciato nero opaco a \ncui si agganciano seduta e schienale in materiale \noutdoor elastico e resistente. Un gioco materico \ne tattile, che non risente dello scorrere del tempo, \nin un binomio perfetto che combina estetica e \nfunzionalità.\nen \nA minimalist design from 1956 by architect \nPaolo Tilche, the eclectic Rea is suitable for use \ninside or out. Its rigorous lines come together in a \nmatt black painted steel structure with a flexible \nand resistant outdoor material for seat and back. \nThis timeless, tactile design perfectly blends \naesthetics and functionality.\nDesign: \nPAOLO TILCHE\n131\nEDITION 004\nOutdoor\n130\nDe Padova\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.68.png","sen Outdoor\nit \nKensaku Oshiro racconta una storia fatta \ndi altezze e formati differenti. sen Outdoor è un \neclettico insieme di tavolini, rotondi e quadrati, che \nsi sorreggono su un reticolo di linee plasmate in \nacciaio inox color grigio antracite con top in pietra \nlavica smaltata nelle varianti rosso, verde e giallo. \nVersatili e minimali, animano giardini e terrazze con \nun tocco di misurata eleganza.\nen \nKensaku Oshiro tells a story made up of \ndifferent heights and formats. sen Outdoor is an \neclectic set of small tables, round and square, \nwhich rest on a grid of lines shaped in anthracite \ngrey stainless steel with a tabletop in lava stone \nglazed in red, green and yellow variants. Versatile \nand minimal, they liven up gardens and terraces \nwith a touch of measured elegance.\nDesign: \nKENsAKU OsHIRO\n133\nEDITION 004\nOutdoor\n132\nDe Padova\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.69.png","sen Pouf Outdoor\nit \nUna struttura metallica che si interseca \nin sottili giochi di linee e una seduta tonda e \ngenerosa, rivestita di un resistente tessuto \nwaterproof dalle cromie discrete. Il tratto è \nquello elegante del designer Kensaku Oshiro, \ncosì calibrato nelle altezze e nel diametro – in \ndue differenti dimensioni – da essere perfetto \nanche all'esterno. Un passe partout di versatile \nfunzionalità.\nen \nThis metal structure is a subtle interplay \nof lines and a rounded, generous seat covered in \na robust waterproof fabric in discreet colours. Its \nelegant shape is designed by Kensaku Oshiro, and \nits height and diameter are perfectly calibrated for \nthe outdoors. Available in two sizes, it is versatile \nand functional.\nDesign: \nKENsAKU OsHIRO\n135\nEDITION 004\nOutdoor\n134\nDe Padova\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.70.png","silver Outdoor\nit \nComposta ed elegante, trasformista \ne resistente: silver Outdoor, progetto di Vico \nMagistretti, si adatta a situazioni sempre diverse \ngrazie alla sua cifra stilistica essenziale. In terrazzo \no in giardino, su un piccolo balcone, arricchisce gli \nspazi con le sue logiche minimali, nella versione \ncon o senza braccioli. Realizzata in polipropilene e \nalluminio, si impila fino a 6 sedie. \nen \nRefined and elegant, versatile and sturdy: \nthe Vico Magistretti-designed silver Outdoor \nadapts to ever-changing settings thanks to its \nsignature understated style. Whether on a terrace, \nsmall balcony or in the garden, it complements the \nspace with its clean-cut design, which is offered \nwith or without armrests. Made of polypropylene \nand aluminium, it is stackable up to 6 chairs.\nDesign: \nVICO MAGIsTRETTI\n137\nEDITION 004\nOutdoor\n136\nDe Padova\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.71.png","so Outdoor\nit \nLa cifra essenziale del designer Naoto \nFukasawa si riassume in questa sedia che fa della \nbrevità la sua signature. sintetica nel nome e \nnella forma, dipinge dettagli che si plasmano sulla \nmateria. Poche linee, indispensabili. Una versatilità \npacata che si esprime anche outdoor, con la \nstruttura in Iroko combinato al filato in propilene \nintrecciato a mano per schienale e seduta.\nen \nThe essential shapes of designer Naoto \nFukasawa is summed up in this chair that makes \nbrevity its calling card. Concise in name and shape, \nthe details are moulded onto the material. The few, \nessential lines convey a calm versatility that is also \nsuited to the outdoors, as its Iroko wood frame is \ncombined with hand-woven polypropylene yarn for \nthe backrest and seat.\nDesign: \nNAOTO FUKAsAWA\n139\nEDITION 004\nOutdoor\n138\nDe Padova\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.72.png","sundance\nit \nPaolo Golinelli interpreta il classico modello \nda regista in chiave design. sundance è iconica, \ncon la struttura incrociata in teak sottolineata da \ncerniere d'acciaio spazzolato, che ne amplificano \nle intersezioni. Agile da spostare, pieghevole \ne leggera, non è difficile immaginarla a bordo \npiscina, in un patio o in terrazzo. In bianco o in \nnero, si completa con braccioli imbottiti.\nen \nPaolo Golinelli interprets the classic \ndirector's chair in a modern vein. The iconic \nsundance has a teak structure and is highlighted \nby brushed steel hinges that accentuate the \ncrossed legs. Easy to move, lightweight and \nfoldable, it finds its home on the patio, terrace or \npoolside. Available in black or white, it features \nupholstered armrests.\nDesign: \nPAOLO GOLINELLI\n141\nEDITION 004\nOutdoor\n140\nDe Padova\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.73.png","T.54 Outdoor\nit \nEccentrica, contemporanea, rotonda e \nseduttiva, perfetta in salotto come in giardino. \nT.54, dall'Archivio storico Bonacina, è l'esecuzione \ninappuntabile della materia. Nella versione outdoor \nha struttura in acciaio resistente alle intemperie \ne tessitura in Polycore. Alle sfumature naturali \ndell'indoor si aggiungono nuovi colori come \nl'intenso rosso Terracotta e il verde Eucalipto.\nen \nEccentric, contemporary, rounded and \nseductive, the T.54 is perfect in the living room \nor the garden. Taken from the Archivio storico \nBonacina, it represents an impeccable execution \nof the material. The outdoor version features a \nweather-resistant steel structure and Polycore \nweave. Added to the range of natural colours \nalready seen on the indoor version are the new \nshades in intense Terracotta red and Eucalyptus \ngreen.\nDesign: \nFRATELLI MONTI, \nARCHIVIO sTORICO \nBONACINA 1889\nsEN OUTDOOR, Kensaku Oshiro, low tables\nANDON, Nendo, lamp\nCAMILLA, Piero Lissoni, lamps\n143\nEDITION 004\nOutdoor\n142\nDe Padova\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.74.png","Tavolo '95 Outdoor\nit \nEstetica applicata alla materia. Tavolo '95, \na firma di Achille Castiglioni, unisce leggerezza \ne solidità, innovazione e ricerca: il piano, in \nmarmo o pietra, sembra sospeso su staffe sottili \nappoggiate sopra gambe in iroko. Disponibile in \ndiverse versioni, fra cui quella con disco interno \ngirevole per vivande a filo piano. semplicemente \nsorprendente.\nen \nThe material becomes the aesthetic. \nDesigned by Achille Castiglioni, Tavolo '95 \ncombines lightness and solidity, innovation and \nresearch. The tabletop, available in marble or stone, \nappears suspended and utilises thin brackets \nresting on iroko wood legs. It comes in different \nversions, including one with a revolving tray at its \ncentre that is flush with the surface. \nDesign: \nACHILLE CAsTIGLIONI\nREA OUDOOR, Paolo Tilche, chairs\nCAMILLA, Piero Lissoni, lamp\nLEVANTE, Massimo Luca, ADL, doors system\n145\nEDITION 004\nOutdoor\n144\nDe Padova\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.75.png","TAVOLO '95 OUTDOOR\nREA OUDOOR, Paolo Tilche, chairs\nCAMILLA, Piero Lissoni, lamps\nFIREFLY OUTDOOR, Alexander Åhnebrink, lamps \nLEVANTE, Massimo Luca, ADL, doors system\n147\nEDITION 004\nOutdoor\n146\nDe Padova\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.76.png","TAVOLO '95 OUTDOOR\n149\nEDITION 004\nOutdoor\n148\nDe Padova\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.77.png","sO OUDOOR, Naoto Fukasawa, chairs\nLEVANTE, Massimo Luca, ADL, doors system\nTAVOLO '95 OUTDOOR\n151\nEDITION 004\nOutdoor\n150\nDe Padova\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.78.png","Yak Outdoor\nit \nEquilibrato nei volumi, avvolgente, materico. \nAnche fuori casa. Yak Outdoor porta in giardino o in \nterrazzo quell'atmosfera speciale che insegue terre \nlontane. Le gambe, leggermente inclinate, sono in \nteak naturale trattato ad olio, mentre l'imbottitura \ngenerosa, rivestita da tessuto sfoderabile outdoor, \nè contenuta da una scocca esterna in filato di \npolipropilene intrecciato. \nen \nWell-balanced dimensions, an embracing \nform and a tactile quality define Yak Outdoor. \nIt transmits the spirit of faraway lands to the \ngarden and terrace. The slightly inclined legs are \nin oil-treated natural teak, while the generous \npadding, covered with a removable outdoor \nfabric, is contained by an external shell in woven \npolypropylene yarn.\nDesign: \nLUCIDIPEVERE\n153\nEDITION 004\nOutdoor\n152\nDe Padova\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.79.png","YAK OUTDOOR\nsEN OUTDOOR, Kensaku Oshiro, low tables\nANDON, Nendo, lamp\nCAMILLA, Piero Lissoni, lamps\n155\nEDITION 004\nOutdoor\n154\nDe Padova\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.80.png","YAK OUTDOOR\nsEN OUTDOOR, Kensaku Oshiro, low tables\nCAMILLA, Piero Lissoni, lamps\n157\nEDITION 004\nOutdoor\n156\nDe Padova\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.81.png","Products Overview\nBeds\nComplementary items\nLighting\nOutdoor\n160\n162\n164\n166\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.82.png","Beds\nAssEMAN, Patrizia Cagliani\nW. 182 × H. 200 × D. 211\n↘ Pag. 008\nAssEMAN OPEN, Patrizia Cagliani\nW. 182 × H. 120 × D. 211\n↘ Pag. 010\nBLENDY, Omi Tahara\nW. 212\u002F222 × H. 68 × D. 216 - W. 212\u002F222 × H. 76 × D. 216 \nW. 195\u002F235 × H. 68 × D. 219 - W. 195\u002F235 × H. 76 × D. 219\n↘ Pag. 012\nEREI, Elisa Ossino\nW. 197\u002F207 × H.83 × D. 247 - W. 180\u002F220 × H.83 × D. 250\n↘ Pag. 014\nÉTIQUETTE, GamFratesi\nW. 183 × H. 79 × D. 234 - W. 196 × H. 79 × D. 237\n↘ Pag. 016\nIMERA, Elisa Ossino\nW. 197\u002F207 × H. 100 × D. 241 - W. 180\u002F220 × H. 100 × D. 244\n↘ Pag. 018\nsLEEPING CAR, Vico Magistretti\nW. 196 × H. 100 × D. 219 - W. 219 × H. 100 × D. 222\n↘ Pag. 020\nTIME TRIP FOR MEMORIEs ĒDITION, Time & style\nW. 198\u002F208 × H. 73 × D. 249  - 181\u002F221 × H. 73 × D. 252\n↘ Pag. 022\n161\nEDITION 004\n160\nDe Padova\nProduct Overview\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.83.png","Lighting\nNEW  ABETE, Paolo Tilche\nW. 45 × H. 41\n↘ Pag. 028\nANNA, Paolo Tilche\nW. 36,5 × H. 35 × D. 45\n↘ Pag. 032\nNEW  AVA, David Lopez Quincoces\nFloor lamp Ø 32 × H. 51 \nPendant lamp Ø 32 × H. 50\n↘ Pag. 034\nCIELO-TERRA, studiocharlie\nØ 4 × H. 240>300\n↘ Pag. 038\nCILINDRI, Elisa Ossino\nPendant lamp Ø 30 × H. 51 \nTable lamp Ø 30 × H. 51\n↘ Pag. 040\nDT LIGHT, Phil Luithlen\nW. 124\u002F170\u002F201\n↘ Pag. 044\nANDON, Nendo\nRound Ø 60 × H. 53 \nsquare W. 47 × H. 53\n↘ Pag. 030\nNEW  L.O.P., C.R.s. Boffi\nWith bulb Ø 10 × H. 50\u002F120 - Ø 10 × H. 121\u002F240 \nWithout bulb Ø 5 × H. 50\u002F120 - Ø 5 × H. 121\u002F240\n↘ Pag. 054\nELEMENTI, Elisa Ossino\nPendant lamp Ø 45 × H. 80\u002F107\u002F202 - Ø 25 × H. 60 \nØ 45 × H. 178\u002F214 - Ø 25 × H. 225  \nTable lamp Ø 30 × H. 42 - Ø 45 × H. 57 - Ø 15 × H. 25\n↘ Pag. 046\nFIREFLY, Alexander Åhnebrink\nØ 16 × H. 36 (including support)\n↘ Pag. 052\nMOGURA, Nendo\nFloor lamp Ø 37 × H. 50 - Ø 52 × H. 28 \nPendant lamp Ø 37 × H. 50 - Ø 52 × H. 28 - Ø 90 × H. 49\n↘ Pag. 058\nNEW  NAVIGLIO, Piero Lissoni\nØ 45 × H. 44\n↘ Pag. 062\nNOTA, Elisa Ossino\nFloor lamp with short arm W. 96 × H. 200 × D. 60 \nFloor lamp with medium arm W. 136 × H. 200 × D. 100 \nWall lamp W. 168 × H. 198 × D. 150\n↘ Pag. 064\nTWIG, Keiji Takeuchi\nW. 49,5 × H. 181,5 × D. 30\n↘ Pag. 074\nPOET, Keiji Takeuchi\nPendant lamp Ø 40 × H. 29 - Ø 80 × H. 30 \nTable lamp Ø 40 × H. 34\n↘ Pag. 068\nTsUKI, Naoto Fukasawa\nØ 36 × H. 31 × D. 33\n↘ Pag. 070\n163\nEDITION 004\n162\nDe Padova\nProduct Overview\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.84.png","Complementary items\nAVA, David Lopez Quincoces\nW. 195\u002F325 × H. 165 × D. 3 \n↘ Pag. 080\nPRÊT-À-PORTER, Annette Lang\nW. 45 × H. 117 × D. 32\n↘ Pag. 084\nROKUMARU, Nendo\nW. 62 × H. 161 × D. 60\n↘ Pag. 086\nGARDEROBIER, Lovorika Banovic\nMax. W. 120 × H. 149 × D. 31,5\n↘ Pag. 082\nTIME TRIP FOR MEMORIEs BEDsIDE TABLE \nĒDITION, Time & style\nW. 60 × H. 46 × D. 50\n↘ Pag. 096\nCONsOLE, De Padova\nW. 159 × H. 65 × D. 40 - W. 180 × H. 55 × D. 40\n↘ Pag. 098\nsCRITTARELLO, Achille Castiglioni\n W. 129 × H. 72 × D. 65\n↘ Pag. 100\nART WOOD FRAME, Piero Lissoni\nW. 150 × H. 200 × D. 15,5\n↘ Pag. 088\nNARCIsO, Enrico Franzolini\nW. 50 × H. 175 × D. 45\n↘ Pag. 092\nsP14 WOOD FRAME, Neunzig° Design\nW. 180 × H. 180 × D. 8,5\n↘ Pag. 094\nBOOK, Petra Runge\nOpen L. 75 Closed L. 37,5 × H. 82 \nOpen L. 90 Closed L. 47 × H. 129\n↘ Pag. 090\nBAMAKO\nW. 200 × D. 90 - W. 300 × D. 200 -  \nW. 350 × D. 250 - W. 400 × D. 300\n↘ Pag. 102\nFEZZAN\nW. 300 × D. 200 - W. 350 × D. 250 -  \nW. 400 × D. 300 - Ø 400\n↘ Pag. 103\nLINOsA\nW. 300 × D. 200 - W. 350 × D. 250 - W. 400 × D. 300\n↘ Pag. 104\nMADIsON\nW. 300 × D. 200 - W. 350 × D. 250 - W. 400 × D. 300\n↘ Pag. 105\nOFTE\nW. 200 × D. 90 - W. 240 × D. 170 - W. 300 × D. 250 -  \nW. 350 × D. 250 - W. 400 × D. 300\n↘ Pag. 106\nTYNN\nW. 200 × D. 90 - W. 240 × D. 170 - W. 300 × D. 200 -  \nW. 350 × D. 250 - W. 400 × D. 300\n↘ Pag. 107\n165\nEDITION 004\n164\nDe Padova\nProduct Overview\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.85.png","Outdoor\n3 MILLIMETRI, studiocharlie\nsquare W. 120 × H. 75 \nRectangular W. 114\u002F144\u002F150 × H. 75 × D. 120\u002F136\u002F136\n↘ Pag. 112\nANDON, Nendo\nRound Ø 60 × H. 53 \nsquare W. 47 × H. 53\n↘ Pag. 114\nNEW  CAMILLA, Piero Lissoni\nPouf W. 9 × H. 6 × D. 11\n↘ Pag. 118 \nÉTIQUETTE OUTDOOR, GamFratesi\nsofa W. 210 × H. 75 × D. 97 \nArmchair W. 100 × H. 73 × D. 97 \nPouf W. 94 × H. 41 × D. 94\n↘ Pag. 120\nNEW  FIREFLY OUTDOOR, Alexander Åhnebrink\nØ 16 × H. 736                                                                                     \nWhit lamp stand W. 30 × H. 120 × D. 30\n↘ Pag. 126\nMETALLARO, studiocharlie\nW. 90\u002F120\u002F180 × H. 30\n↘ Pag. 128\nANDON, Nendo\nRound Ø 100 × H. 38 \nsquare W. 82 × H. 38\n↘ Pag. 114\nNEW  REA OUTDOOR, Paolo Tilche\nW. 45 × H. 75 × D. 53\n↘ Pag. 130\nNEW  sEN OUTDOOR, Kensaku Oshiro\nRound Ø 47 × H. 51 - Ø 67 × H. 41 - Ø 87 × H. 31                                                                                                  \nsquare W. 47 × H. 51 - W. 67 × H. 41 - W. 87 × H. 31\n↘ Pag. 132\nsEN POUF OUTDOOR, Kensaku Oshiro\nØ 47\u002F87 × H. 46\u002F36\n↘ Pag. 134\nsILVER OUTDOOR, Vico Magistretti\nWith\u002FWithout armrests W. 61\u002F45 × H. 80 × D. 51 \nstackable with\u002Fwithout armrests W. 59\u002F52 × H. 80 × D. 51\n↘ Pag. 136\nNEW  sO OUTDOOR, Naoto Fukasawa\nW. 52 × H. 76 × D. 52\n↘ Pag. 138\nsUNDANCE, Paolo Golinelli\nW. 61 × H. 81 × D. 40\n↘ Pag. 140\nT.54 OUTDOOR, Fratelli Monti,  \nArchivio storico Bonacina 1889\nW. 115 × H. 82 × D. 88\n↘ Pag. 142\nNEW  TAVOLO '95, Achille Castiglioni\nRound Ø 140 × H. 71,5 - Ø 160 × H. 71,5                                                                                                        \nsquare Oval W. 244 × H. 71,5 × D. 132                                                                           \nRectangular W. 220\u002F280 × H. 71,5 × D. 100                                                                                                           \nsquare W. 140\u002F180 × H. 71,5                                                              \nOval W. 244\u002F304 × H. 71.5 × D. 132\n↘ Pag. 144\nYAK OUTDOOR, LucidiPevere\nsofa W. 192 × H. 82 × D. 92 \nArmchair W. 112 × H. 82 × D. 92\n↘ Pag. 152\n167\nEDITION 004\n166\nDe Padova\nProduct Overview\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.86.png","COLLECTIONs 004\nCreative Direction\nBoffi | DePadova\nCATALOGUE\nCreative Direction\nBoffi | DePadova \nProject Coordination\nstudio Costacurta\nGraphic Design\nstudio Costacurta, \nstefano Lucchetti\nPhotography\nFrancesca Moscheni\nTommaso sartori\nstyling\nElisa Ossino studio\nMichael Albert\nRetouching Pre Press\nA. De Pedrini\nNumerique\nRendering\nNudesign\nPrinted in Italy\nNava Press, 2023\nDe Padova srl\nVia santa Cecilia, 7\n20122 Milano - Italia\nT. +39 02 27 43 97 1\ninfo@depadova.it\nwww.depadova.com\nAll rights reserved. No part of this catalogue may be reproduced or transmitted in any form or by \nany means, electronic or mechanical, including printing, photocopying, recording,or any informa-\ntion storage and retrieval system without prior permission in writing from De Padova s.r.l., except-\ning reproduction intended to support the sale of De Padova products privately. This catalogue is \navailable free of charge subject to the condition that it shall not, by way of trade or otherwise, be \nsold or hired out totally or partly.\nDe Padova reserves the right to make modifications and improvements at any time to the products, \nfabrics and leathers that may vary from the solutions presented in this catalogue. We invite you to \nvisit the websites www.depadova.com and www.maustudio.net to download technical information \non the products.\nADI \nCompasso d’oro \nMaddalena De Padova\nCareer Award 2004\nThanks to\nAndrea schomburg\nGreenwise\nPatrizia Cassina\nArtemakers\nTime & style\nYoung Run Lee\nCeramica Baldanza\nsilvia Fanticelli architetto\nsesia & Co.\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002Fa1\u002Fe02c7da63e95d3eadccfbf03ad7db2-28fe2b6b3c.87.png","",87,[],0,false,true,{"success":364,"data":366,"meta":581,"count":582,"next":583,"previous":584,"results":617,"brand_chips":678},[367,380,392,405,415,428,440,450,460,469,479,491,501,511,520,530,543,552,562,572],{"id":368,"title":369,"slug":370,"image":371,"source":372,"brand_name":373,"brand":374,"brand_slug":375,"file_size":376,"pages":377,"pages_count":378,"matched_pages":379,"match_count":362,"two_pages":363,"show_text":364},26599,"News 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