[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-de-padova-collections-004-volii-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":425},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":420,"matched_pages":421,"match_count":422,"two_pages":423,"show_text":424},25058,"Collections 004 Vol.II 2023","de-padova-collections-004-volii-2023","\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F4c\u002F89159fe18f335ad7f6075b4e0bc0a6-28fe2a0bbf.pdf","De Padova",1753,"de-padova","6.2 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417],{"image":7,"text":15,"number":16},"TABLES \nCHAIRS\nBOOKCASES AND CABINETS\nEDITION 004\n2\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.2.png","EDITION 004\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.3.png","Tables \nChairs\nBookcases and Cabinets\nProducts Overview\n005\n061\n113\n191\nIndex\nTable of Contents\n3\nEDITION 004\n \n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.4.png","Tables\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.5.png","TaBlEs\nCampo D'Oro\nCarlo\nFrench Concession\nMawari\nN.E.T. Table\nOtis\nQuadrato\nR.I.G. Table\nshadow\nshine\nT.T.a. Table\nTavolo ‘95\nTools\nVidun\n008\n012\n018\n020\n024\n028\n030\n032\n034\n038\n042\n046\n052\n056\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.6.png","Campo D'Oro\nit \nFluido, in continuo divenire, per interpretare \ntutte le dimensioni del quotidiano, in studio o in \nufficio. Campo d’oro racchiude nella sua forma \nquadrata configurazioni diverse: grazie a un gioco \ndi cerniere e dei tre elementi che compongono il \npiano, ruota e si allunga fino a ottenere un tavolo \ntrapezoidale. Un'isola trasformista, dinamica, \nall'insegna della massima flessibilità.\nen \nThis table is in perpetual evolution and able \nto adapt to any dimensions in the home studio \nor office. The fluid Campo D'oro holds within its \nsquare shape multiple configurations. With its \nset of hinges and three tabletop sections, it can \nrotate and expand to form a trapezoidal table. It’s a \ntransformative, dynamic island based on maximum \nflexibility.\nDesign: \nPaOlO PallUCCO \n& MIREIllE RIVIER\n9\nEDITION 004\nTables\n8\nDe Padova\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.7.png","CaMPO D'ORO\n11\nEDITION 004\nTables\n10\nDe Padova\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.8.png","Carlo\nit \nProporzioni rigorose e linee essenziali \ndanno risalto al piano circolare in legno di frassino \ncolor carbone e ai grafismi della base, che dipinge \nuna grande X. Carlo, disegnato nel 1984 da Tono \nMorganti per Casa Juker, è stato rieditato con la \nconsulenza progettuale di Renato J. Morganti, e \nrappresenta la massima espressione dell'eleganza. \nUn vero oggetto couture dalle molteplici \nsfaccettature. \nen \nRigorous proportions and essential lines \nmark the round tabletop in charcoal-coloured ash \nwood with a striking base that forms a large X. \nDesigned in 1984 by Tono Morganti for Casa Juker, \nCarlo has been reissued by the design consultancy \nof Renato J. Morganti and represents the maximum \nexpression of elegance. It’s a multifaceted object \nof pure design. \nDesign: \nTONO MORGaNTI \n& RENaTO J. MORGaNTI\n12\nDe Padova\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.9.png","aMI, Yabu Pushelberg, chairs\nVIllETTa, Keiji Takeuchi , chair\nCaRlO\nVERTICal laYER, Time & style, Time & style ēdition, open-faced units\naBETE, Paolo Tilche, lamp\n15\nEDITION 004\nTables\n14\nDe Padova\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.10.png","CaRlO\nVIllETTa, Keiji Takeuchi , chair\naVa, David lopez Quincoces , lamp\n17\nEDITION 004\nTables\n16\nDe Padova\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.11.png","French Concession\nit \nUn’unica semplice linea continua, che \ndisegna un oggetto dall'equilibrio perfetto. Piero \nlissoni eleva esponenzialmente il concetto di \nconvivialità con questo tavolo di grandi dimensioni \ncon twelve posti a sedere. la base è fissata al \npavimento e sfrutta il supporto della struttura \ninterna in acciaio per schiudere il piano come una \ncorolla. Gentile nelle forme, imponente e inedito. \nen \na simple continuous line creates an object \nin perfect balance. Piero lissoni elevates the \nconcept of conviviality exponentially with this \nspacious 12-seat table. The base is anchored to \nthe floor and takes advantage of the internal steel \nsupport structure to open up like a flower. It has a \ngraceful shape that is both majestic and one of a \nkind.\nDesign: \nPIERO lIssONI\n19\nEDITION 004\nTables\n18\nDe Padova\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.12.png","Mawari\nit \nla perfezione della forma: Mawari si \ncompone di un piano circolare diviso in tre \nsezioni che si incontrano nei punti di giunzione a \ncontrasto. Realizzato in rovere naturale con inserti \nin wengè, progetto del designer Gunther Pelgrims, \nha una forte inclinazione artigianale, una vocazione \nspontanea alla convivialità. solido e leggero, \npregiato nella fattura, regala carattere al living.\nen \nThe perfection of form: Mawari features \na round tabletop in three sections that meet at \njunction points with a contrasting insert. Made of \nnatural oak with inserts in wenge, this project by \ndesigner Gunther Pelgrims is deeply rooted in craft \nwith a spontaneous, convivial vibe. It is sturdy yet \nlight and its superior workmanship lends character \nto the living room.\nDesign: \nGUNTHER PElGRIMs\nCHEsTO, Patrick Norguet, armchairs\nCOMBI OPEN UNITs, Piero lissoni, open-faced units\nPOET, Keiji Takeuchi, lamp\n21\nEDITION 004\nTables\n20\nDe Padova\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.13.png","23\nEDITION 004\nTables\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.14.png","N.E.T. Table\nit \nVersatile, nell'accezione più pura, spazioso, \ncon un piano lungo fino a 6 metri in douglas e fino \na 4 metri in varie tipologie di legno. N.E.T porta \nla cifra dei tavoli da lavoro artigiano, poggiato \nsu cavalletti in alluminio nero o bianco goffrato, \nridisegnati in chiave contemporanea. Perfetto \nin qualunque ambiente, come tavolo da pranzo, \nscrivania o tavolo da conferenza. \nen \nN.E.T. bears the hallmarks of artisan work \ntables but is designed in a contemporary style.  \nResting on trestles in embossed black or white \naluminium, it is versatile in the purest sense and \nspacious, with a top up to 6 metres in length in \nDouglas fir and up to 4 metres in length in other \nhard woods. It works perfectly as a dining table, \ndesk or conference table.\nDesign: \nsØREN U. PETERsEN\nDONZEllETTa, Michele De lucchi, chairs\nC.O.P. sTORaGE sYsTEM, Mikal Harrsen, Ma\u002FU studio, shelving and storage systems\nNOTa, Elisa Ossino, lamp\n25\nEDITION 004\nTables\n24\nDe Padova\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.15.png","N.E.T. TaBlE\n27\nEDITION 004\nTables\n26\nDe Padova\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.16.png","Otis\nDesign: \nlORENZ*KaZ\nit \nagile, leggero, dettagliato: Otis ha un \npiano circolare poggiato su una base in lamiera a \ntre gambe, che ricorda gli sgabelli industriali. In \nquesto tavolo il duo lorenz+Kaz ha calibrato le \nproporzioni con eleganza misurata. Perfetto per \nspazi contenuti, cui regala un equilibrato senso dei \nvolumi, trova la sua naturale collocazione in bistrot \ndi design e in piccole zone pranzo. \nen \nslender, lightweight and precise, Otis has \na round tabletop resting on a three-legged sheet \nmetal base that recalls industrial stools. In this \ntable, the duo lorenz+Kaz have calibrated the \nproportions with a measured elegance. Well-suited \nfor tight spaces, where it gives a balanced sense of \nvolume, it finds its natural home in chic bistros and \nsmall dining rooms.\n29\nEDITION 004\nTables\n28\nDe Padova\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.17.png","Quadrato\nit \nEspressione di una funzionalità a tratti \nminimali, Quadrato è un tavolo grafico, essenziale, \nstilizzato. le sue forme si delineano come una \nsottile linea bianca interrotta solo dal piano con \nbordo a contrasto in multistrato marino. Versatile, \novunque lo si collochi, in sala da pranzo come in \nufficio, dove può essere personalizzato con un \nsistema per prese elettriche e telefoniche.  \nen \nan expression of minimalist functionality, \nthe Quadrato table is stylish, simple and striking. Its \nshapes are outlined as a thin white line interrupted \nonly by the tabletop with a contrasting border \nin marine plywood. From the dining room to the \noffice, wherever it sits it remains versatile and can \nbe customised with electrical and phone sockets.\nsIlVER, Vico Magistretti, chairs\n31\nEDITION 004\nTables\n30\nDe Padova\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.18.png","R.I.G. Table\nit \nQuando la materia si piega alla forma. \nl'acronimo R.I.G., Rudimentary Interior Geometry,  \nriassume tutto ciò che c'è da sapere su questo \ntavolo. la base è un profilo d'acciaio pieno nero \ngoffrato o color ottone, su cui si appoggia un \npannello in fibre di legno ad alta densità con \npiano in vetro temperato. Rettangolare o ovale, \nessenzialmente funzionale. \nen \nWhen matter consents to form. The \nacronym R.I.G., Rudimentary Interior Geometry, \nperfectly captures everything there is to know \nabout this table. The base is an embossed black or \nbrass-coloured solid steel profile on which a high-\ndensity wood fibre panel with a tempered glass top \nrests. The tabletop can be oval or rectangular and \nis inherently functional.\nDesign: \nMIKal HaRRsEN,  \naDaM Hall\nElEMENTI, Elisa Ossino, lamp\n33\nEDITION 004\nTables\n32\nDe Padova\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.19.png","shadow\nit \nspessori ridotti, linee sottilissime, fascino \ndiscreto. shadow si esprime nella cura meticolosa \ndel dettaglio, come l'effetto ottico e materico dei \nprofili interni, degli angoli e delle gambe, diverso \na seconda del punto di vista. Un tavolo dall'animo \ncontemporaneo, misurato, versatile, anche nelle \nforme, rettangolari o quadrate, e nelle finiture, \ndisponibili in diverse essenze.\nen \nReduced thicknesses, super thin lines \nand an understated charm sum up shadow. The \nmeticulous attention to detail includes the optical \nand material effects of the internal profiles, corners \nand legs, which vary from different points of view. \nMeasured and versatile in its rectangular or square \nversion, this table projects a contemporary soul. \navailable in a range of finishes and wood essences.\nDesign: \nVINCENT VaN DUYsEN\n35\nEDITION 004\nTables\n34\nDe Padova\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.20.png","sHaDOW\nDONZEllETTa, Michele De lucchi, chairs\nsO, Naoto Fukasawa, chairs\nCOMBI OPEN UNITs, Piero lissoni, open-faced units\nElEMENTI, Elisa Ossino, lamp\n37\nEDITION 004\nTables\n36\nDe Padova\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.21.png","shine\nit \nFunzionale per vocazione. shine, progetto \ndi Vico Magistretti, gioca con linee e materiali: \nun classico rivisitato che interpreta con facilità il \nliving, ma anche la sala riunioni. Il piano in legno, \novale, rotondo o rettangolare, ha il bordo smussato \nin massello, mentre la base ha gambe in alluminio \nsagomate lucidate a specchio. È disponibile in \ndiverse dimensioni e varianti.\nen \nFunctional by design, shine is a work by \nVico Magistretti that plays with lines and materials. \nThis revisited classic easily interjects itself into \na living room or meeting area. The wooden \ntabletop, which can be oval, round or rectangular, \nhas a bevelled edge in solid wood, while the \nbase features mirror-polished contoured legs in \naluminium. available in different sizes and variants.\nDesign: \nVICO MaGIsTRETTI\nCHEsTO, Vico Magistretti, chair\nCIRENE, Vico Magistretti, chair\nsIlVER, Vico Magistretti, chair\nsUNDaNCE, Paolo Golinelli, chair\nURaGaNO, Vico Magistretti, chair\n39\nEDITION 004\nTables\n38\nDe Padova\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.22.png","sHINE\n41\nEDITION 004\nTables\n40\nDe Padova\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.23.png","T.T.a. Table\nit \nMinimale, stilizzato, questo tavolo sovverte \nil carattere statico della materia e la rende fluida, \nesattamente come il tratto del pittore Josef albers \ncui si ispira. T.T.a., Tribute to albers, del designer \nMikal Harrsen, si delinea nel telaio in acciaio pieno \ncon incrocio falsato, su cui si appoggia un piano in \nfibre di legno rivestito in vetro o in Corian® bianco \nsemiopaco. \nen \nThis minimalist and striking table subverts \nthe static character of the material and renders \nit fluid. Inspired by the precise strokes of painter \nJosef albers, T.T.a., Tribute to albers, is designed \nby Mikal Harrsen and consists of a solid steel \nframe with a false cross on which rests a tabletop \nin wood fibre covered in glass or a semi-opaque \nwhite Corian®.\nDesign: \nMIKal HaRRsEN\nsO, Naoto Fukasawa, chairs\nl.O.P., C.R.s. Boffi, lamp\n43\nEDITION 004\nTables\n42\nDe Padova\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.24.png","T.T.a. TaBlE\n45\nEDITION 004\nTables\n44\nDe Padova\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.25.png","Tavolo ‘95\nit \nQuando la materia detta il ritmo alla \nfunzione. Tavolo '95, progetto di achille Castiglioni, \nha dettagli strutturali che si svelano a poco a \npoco: le gambe sono lievemente falsate dal piano, \nin marmo o in legno, che si sorregge su staffe \nsottili, quasi sospeso. Ovale, tondo, rettangolare, è \ndisponibile anche nella versione con disco interno \ngirevole per vivande a filo piano.\nen \nMaterial dictates function in Tavolo '95, a \ndesign from achille Castiglioni. The table features \nstructural details that are revealed little by little: \nthe tabletop, available in marble or wood, appears \nsuspended and is supported on thin brackets \nabove slightly offset legs. available in an oval, \nround or rectangular tabletop, it also comes in \nindoor and outdoor versions, with a revolving tray \nin the centre that is flush with the surface. \nDesign: \naCHIllE CasTIGlIONI\n47\nEDITION 004\nTables\n46\nDe Padova\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.26.png","TaVOlO ‘95\nlaDY POllaCK, Vico Magistretti, chairs\nsHIGETO BOX, Vico Magistretti, cabinets\nMOGURa, Nendo, lamp\n49\nEDITION 004\nTables\n48\nDe Padova\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.27.png","TaVOlO ‘95\nREa, Paolo Tilche, chairs\nsHIGETO BOX, Vico Magistretti, cabinet\nElEMENTI, Elisa Ossino, lamp\n51\nEDITION 004\nTables\n50\nDe Padova\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.28.png","Tools\nit \nMinimale negli spessori, grafico nelle \nforme. Tools ha pochi elementi ben calibrati, che lo \nrendono perfettamente versatile, dalla sala pranzo \nallo studio, così come in ufficio. la base, in fusione \ndi alluminio, si ispira ai classici desk americani, ed \nè funzionale e solida, mentre il piano, in laminato \nin tre misure differenti, è perfetto per raccogliere \nprogetti e nuove idee.\nen \nWith minimal thicknesses and striking lines, \nTools is made up of a few well-calibrated elements. \nIts versatility makes it a perfect fit for the dining \nroom, study or office. Inspired by classic american \ndesks, the cast aluminium base is functional and \nsolid, while the laminated tabletop comes in three \nsizes and is well suited to host projects and new \nideas.\nDesign: \nsTUDIO CERRI & assOCIaTI\nlaVENHaM EXECUTIVE, Patricia Urquiola, chairs\n53\nEDITION 004\nTables\n52\nDe Padova\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.29.png","TOOls\n55\nEDITION 004\nTables\n54\nDe Padova\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.30.png","Vidun\nit \nIl design si fa arte in uno dei progetti \npiù apprezzati e conosciuti di Vico Magistretti. \nQuesto tavolo si compone di una grossa vite, \n“vidun” in dialetto milanese, in faggio naturale \nche diventa la base su cui poggia il piano di \ncristallo tondo o rettangolare. Un pezzo scultoreo, \nriconoscibilissimo, un capolavoro di incastri, che \ndeclina la “vite” su accostamenti di colore fissi.\nen \nDesign becomes art in one of the most \nadmired and well-known projects from Vico \nMagistretti. The table consists of a large screw, \n“vidun” in the Milanese dialect, made from \nnatural beech wood that serves as the base \nfor the round or rectangular glass tabletop. \nInstantly recognisable, this sculptural design is a \nmasterpiece of interlocking joints and is offered in \ndifferent colour combinations.\nDesign: \nVICO MaGIsTRETTI\nM16, chairs\nl.O.P., C.R.s. Boffi, lamp\n57\nEDITION 004\nTables\n56\nDe Padova\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.31.png","59\nEDITION 004\nTables\n58\nDe Padova\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.32.png","Chairs\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.33.png","CHaIRs\nalmayer\nami\nChesto\nChesto lounge\nCirene\nDonzella\nDonzelletta\nFlorinda\nIncisa\nlady Pollack\nlavenham Executive\nM16\nMarocca\nOlimpia\nPollack\nRea\nRea stool\nserbelloni\nsilver\nsilver stool\nso\nsundance\nUragano\nVilletta\n064\n066\n068\n070\n072\n074\n076\n078\n080\n082\n084\n086\n088\n090\n092\n094\n096\n098\n100\n102\n104\n106\n108\n110\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.34.png","almayer\nit \nNuove armonie e un gioco di contrasti \nbinari ricalibrano e rivisitano la tradizionale sedia \nda regista. Paolo Rizzatto fa proprio il concetto, lo \nrielabora, lo ridimensiona nei volumi e lo combina \nin materiali differenti. la seduta è in frassino \ntinto nero e cuoio, solida e agile, tecnologica \ne artigianale, tradizionale e innovativa insieme. \nBellissima, che sia ripiegata o aperta. \nen \nThis fresh take on the classic director’s \nchair features new symmetries and playful \ncontrasts. Paolo Rizzatto makes the concept \nhis own by resizing the volumes and combining \ndifferent materials. The seat is in black-stained \nash and leather. Traditional yet at the same time \ninnovative, it is both solid and agile, technological \nand artisanal. Folded or unfolded, it is a thing of \nbeauty.\nDesign: \nPaOlO RIZZaTTO\nRaFFlEs, Nome Cognome, sofa ↗ p. 000\naVa, Nome Cognome, armchair ↗ p. 000\nlaNTERN, Nome Cognome, lamp ↗ p. 000\nTsUKI, Nome Cognome, lamp ↗ p. 000\n64\nDe Padova\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.35.png","ami\nit \nDelicata nei tratti, avvolgente nelle forme, \ndiscreta, elegantissima. ami ripercorre le forme \nessenziali della club chair francese degli anni Venti \ndel Novecento calibrando alla perfezione i volumi \ndella seduta e le gambe in massello di frassino \ntinto carbone. Classica ma contemporanea, \nraffinata e conviviale insieme, con il tratto armonico \ntipico del design di Yabu Pushelberg.\nen \nWith delicate features and an enveloping \nshape that is discreet and elegant, ami retraces \nthe essential lines of the French club chair of the \n1920s, perfectly calibrating the volumes of the \nseat and the legs in coal-stained solid ash. It is \nsimultaneously classic and contemporary, refined \nand convivial, with the harmonious features \ncommon to the designs of Yabu Pushelberg.\nDesign: \nYaBU PUsHElBERG\n66\nDe Padova\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.36.png","Chesto\nit \nUn'eleganza discreta che porta il segno \ngrafico di Patrick Norguet. Chesto è una \npoltroncina dalla semplicità innata, facilmente \ncoordinabile. a fare la differenza sono i minuti \ndettagli di stile: le gambe, linearissime, ritmate in \ngeometrie solide, in legno di frassino in diverse \ncolorazioni, e i volumi avvolgenti dello schienale e \ndella seduta imbottita, rivestita in pelle o in tessuto.\nen \nThe Chesto armchair embodies the quiet \nelegance seen in the designs of Patrick Norguet. \nIts innate simplicity makes it easy to match with \nother furniture. small, stylish details stand out: \nthe extremely linear legs are punctuated by solid \ngeometries. Offered in ash wood in a range of \ncolours, the enveloping volumes of the backrest \nand padded seat can be covered in leather or \nfabric.\nDesign: \nPaTRICK NORGUET\n69\nEDITION 004\nChairs\n68\nDe Padova\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.37.png","Chesto lounge\nit \nla variazione lounge sul tema Chesto: \nPatrick Norguet la colloca in spazi aperti, più ampia \nnella seduta e con gambe più basse. Cambiano le \nproporzioni ma non la cifra stilistica, che racconta \nvolumi imbottiti, perfetti nei dettagli, misurati \nnell'eleganza. la matericità è la stessa del progetto \noriginale, che combina legno di frassino sbiancato \ne rivestimento in pelle o tessuto.\nen \nWith its wider seat and compact legs, the \nlounge chair variant of Chesto by Patrick Norguet \ncan be placed in roomier spaces. While the \nproportions change, the style is the same, with \npadded volumes, perfect detailing and a measured \nsophistication. The same bleached ash wood is \nused along with the option for either leather or \nfabric upholstery.\nDesign: \nPaTRICK NORGUET\n71\nEDITION 004\nChairs\n70\nDe Padova\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.38.png","Cirene\nit \nUn misurato insieme di eleganza, versatile e \nleggero, che prende forma nella seduta anatomica \nin faggio incurvato, rigida o imbottita, appoggiata \nsu una struttura in acciaio sottile, slanciata \nnelle proporzioni. Vico Magistretti la propone in \nmoltissime variabili, tutte comodissime: con o \nsenza braccioli, impilabili o con gancio laterale di \ncollegamento. Perfetta, in ogni versione.\nen \nThere is a well-measured dose of grace, \nlightness and flexibility in Cirene, a chair with an \nanatomical seat in curved beech, which can be \nrigid or upholstered, that rests on a slender steel \nstructure with slim proportions. Vico Magistretti \ndeveloped several versions of Cirene, all of them \nextremely comfortable. available with or without \narmrests, stackable and offered with a lateral \nconnecting hook, it is perfect in every way.\nDesign: \nVICO MaGIsTRETTI\n73\nEDITION 004\nChairs\n72\nDe Padova\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.39.png","Donzella\nit \nDecorativa, rassicurante nei tratti, in un \nomaggio tutto italiano all’eccellenza artigianale. \nMichele De lucchi reinterpreta la classica sedia \ncon seduta in paglia intrecciata, in un capolavoro \ncontemporaneo di spessori, materia, dettagli. \naccogliente, elegante, tattile grazie al legno in \nmassello di frassino e alla seduta, intrecciata a \nmano con corda di carta naturale o imbottita.\nen \nWith its decorative, reassuring features, \nDonzella represents an Italian homage to artisan \nexcellence. Michele De lucchi reinterprets a \nclassically designed chair with woven straw seat \nto create a contemporary masterpiece marked \nby sturdiness, materials and details. Its solid ash \nframe is welcoming, elegant and tactile, while the \nseat is hand-woven with natural or padded paper \ncord.\nDesign: \nMICHElE DE lUCCHI\n75\nEDITION 004\nChairs\n74\nDe Padova\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.40.png","Donzelletta\nit \nPiù vezzosa, come vuole il suo nome, e più \nleggera. Donzelletta ripercorre le linee della più \ntradizionale Donzella, ma si esprime in maniera più \ncontemporanea, con il caratteristico motivo \na V sullo schienale, reso essenziale, quasi grafico. \nla struttura rimane invece inalterata, in massello \ndi frassino sbiancato o nero, con seduta in paglia \nintrecciata, in tessuto o in pelle.\nen \nlighter and more charming as its name \nsuggests, Donzelletta retraces the lines of the \nmore traditional Donzella to offer an even more \ncontemporary look. The characteristic V-shaped \nmotif on the backrest is sleeker and more striking, \nwhile the frame remains unchanged in bleached or \nblack solid ash and a seat in woven straw, fabric or \nleather.\nDesign: \nMICHElE DE lUCCHI\n76\nDe Padova\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.41.png","Florinda\nit \nIl progetto di Monica Förster, Florinda, si \npresta a diverse interpretazioni. Passa dalla zona \npranzo allo studio, ma vive perfettamente in caffè \ne ristoranti per il segno agile e contemporaneo \nche la rende unica. Realizzata in legno massello di \nfaggio naturale o tinto moka accostato alla seduta \ne schienale in materiale plastico in diverse varianti \ndi colore, con o senza braccioli, è anche impilabile.\nen \nThe Monica Förster-designed Florinda is \nopen to interpretation. at home in both the dining \nroom and study, it is also a perfect fit for cafes and \nrestaurants due to its lithe, contemporary design \nthat makes it one of a kind. Made of natural or \nmoka-stained solid beech wood with a plastic seat \nand backrest in a variety of colours, it is offered \nwith or without armrests and is stackable.\nDesign: \nMONICa FÖsTER\n78\nDe Padova\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.42.png","Incisa\nit \nUn grafismo basico che descrive curve \nmorbide e arrotondate sullo schienale e sui fianchi \ndella seduta. Il rivestimento è in cuoio e le cuciture \na mano fanno riferimento alla migliore tradizione \nartigianale italiana. la base è un segno stilizzato, \nfissa a quattro razze o girevole a cinque razze \ncon ruote piroettanti. Un classico senza tempo, \nper la scrivania di casa o in ufficio firmato Vico \nMagistretti.\nen \nan elementary form takes shape via soft, \nrounded curves on the backrest and sides of the \nseat. The leather upholstery and hand stitching \nare signs of the best of Italian craftsmanship. \nThe stylized base comes in a static, four-spoke \nversion or a revolving variant with five-spoke base \nand swivel wheels. This timeless classic by Vico \nMagistretti is ideal for your home or office.\nDesign: \nVICO MaGIsTRETTI, \nCENTRO DEsIGN BINFaRÉ\n81\nEDITION 004\nChairs\n80\nDe Padova\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.43.png","lady Pollack\nit \nIndossa con discrezione eleganza e \nrazionalità. Espressione lineare della convivialità, \nlady Pollack, progetto di Vico Magistretti del \n1998 ripreso nel 2016, ha una struttura misurata, \nquasi geometrica, con rivestimento in tessuto \ncompletamente sfoderabile e gambe in frassino \ncolor carbone. Dovunque la si collochi, porta il suo \nstile garbato e insieme perfettamente funzionale.\nen \na linear expression of conviviality, lady \nPollack is a design by Vico Magistretti from 1998 \nthat was reintroduced in 2016. Its restrained, \nalmost geometric shape comes with a completely \nremovable fabric cover and legs in \ncharcoal-coloured ash wood. Projecting a sober \nelegance, its graceful yet functional look is suitable \nfor any setting. \nDesign: \nVICO MaGIsTRETTI\n83\nEDITION 004\nChairs\n82\nDe Padova\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.44.png","lavenham Executive\nit \nC'è il segno gentile di Patricia Urquiola \nin questa poltroncina. Un tratto essenziale la \ndefinisce frontalmente, mentre sullo schienale \nfiorisce un decoro trapuntato tono su tono. \nVersatile e trasformista, in ufficio o a casa, ha \nbase fissa o girevole a quattro o cinque razze, in \nalluminio lucido bianco o nero, oppure poggiata su \ngambe in frassino tinto rovere o noce canaletto.\nen \nThe gentle touch of Patricia Urquiola reveals \nitself in this armchair. In the front, it is clean and \nformal; on the back, a monochromatic quilted \nmotif provides a decorative flourish. Versatile and \nadaptable, it is suitable for the home or office. It \ncomes with a fixed or swivel base with four or five \nspokes in white or black polished aluminium or it \ncan rest on legs in oak-stained ash or Canaletto \nwalnut wood.\nDesign: \nPaTRICIa URQUIOla\n84\nDe Padova\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.45.png","M16\nit \nla purezza geometrica ha linee rigorose e \nun animo gentile. M16 è l’evoluzione della classica \nchiavarina, di cui mantiene la solidità strutturale, \ninterpretata in legno massello di frassino nero \noppure sbiancato, aggiungendo la comodità \ndei braccioli. la seduta è ampia e confortevole, \nimpagliata in corteccia di giunco naturale oppure in \nbetulla con rivestimento in tessuto o in pelle. \nen \nThe evolution of the classic chiavarina chair, \nM16 emphasises pure geometry, meticulous lines \nand a gentle spirit while upholding the solidity of \nthe chiavarina frame. available in black or bleached \nsolid ash wood with armrests, the spacious seat \nis large and comfortable and is offered in woven \nnatural rattan or upholstered in fabric or leather. \n87\nEDITION 004\nChairs\n86\nDe Padova\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.46.png","Marocca\nit \nIl naturale equilibrio di forma e funzione \nsi esprime in questa sedia solo apparentemente \nsemplice. Marocca, progetto di Vico Magistretti, ha \nparticolari costruttivi ricercati, visibili nella seduta \ne nelle giunture, e minuziose rifiniture. solida ed \nestremamente elegante nella struttura in massello \ndi faggio laccato color nero, è l’invito perfetto alla \npiù comoda convivialità.\nen \nForm and function find the perfect \nequilibrium in this design from Vico Magistretti. \nIts seemingly simple lines conceal a remarkably \nsophisticated construction that is visible in the \nseat, joints and meticulous finishes. Made of black \nlacquered solid beech wood, Marocca is both \nsturdy and refined, making it the deal chair for \ndinner parties.\nDesign: \nVICO MaGIsTRETTI\n89\nEDITION 004\nChairs\n88\nDe Padova\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.47.png","Olimpia\nit \nTrova posto ovunque ci sia spazio per la \nrilassatezza. Olimpia, progetto di Vico Magistretti, \nha un'attitudine informale e un animo funzionale: \nslanciata ed essenziale ha gambe a slitta in acciaio \ncon poggiapiedi e una comoda seduta anatomica \nin faggio curvato, bianca con bordo a vista, in acero \nnaturale o in rovere tinto wengè, anche imbottita. \nall'occorrenza, si impila agilmente.  \nen \nOlimpia is at home whenever there is \na moment for relaxation. This work from Vico \nMagistretti possesses an informal look and \nfunctional character. Its slender, minimal design \nhas sled legs in steel with footrests and a \ncomfortable anatomical seat in curved beech \ncovered in white with a visible edge in natural \nmaple or wenge-stained oak that is padded. The \nchair is also easy to stack.\n91\nEDITION 004\nChairs\n90\nDe Padova\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.48.png","Pollack\nit \nHa uno stile composto, disegnato con \nuna linea continua che si arrotonda sui fianchi. \nPollack è minimale, è contemporanea, è elegante. \nUn oggetto che valica il tempo, come tutti gli \n“eccellenti modelli tradizionali” ridisegnati da Vico \nMagistretti. le gambe sono in rovere naturale \noppure in frassino tinto carbone e dialogano in \narmonia con il rivestimento in tessuto sfoderabile.\nen \nPollack has a calm, collected style with a \ncontinuous line that softens at the sides. Minimal, \ncontemporary and understated, the design does \nnot evoke a single time period, a common trait in \nall the traditional chair models that Vico Magistretti \nhas revisited in his work.  The legs are in natural \noak or charcoal-dyed ash and work in unison with \nthe removable fabric cover.\nDesign: \nVICO MaGIsTRETTI\n93\nEDITION 004\nChairs\n92\nDe Padova\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.49.png","Rea\nit \nFirmato dall'architetto Paolo Tilche, Rea è \nun progetto del 1956, tratteggiato da una struttura \nleggera in acciaio verniciato nero opaco a cui si \nagganciano seduta e schienale in cuoio pieno \nfiore naturale con impuntura a vista. Rigorosa ed \neclettica, combina linee pulite ed essenziali a un \nbinomio materico, che va oltre il tempo. Un pezzo \nche porta eleganza in ogni stanza.\nen \nDesigned by architect Paolo Tilche in 1956, \nRea is defined by a lightweight frame in matt black \npainted steel to which the seat and backrest in \nnatural full-grain leather with visible stitching are \nattached. Rigorous and eclectic, it combines clean, \nessential lines with a combination of materials \nthat render it timeless. The design brings a certain \nsophistication to any room.\nDesign: \nPaOlO TIlCHE\n95\nEDITION 004\nChairs\n94\nDe Padova\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.50.png","Rea stool\nit \nl'essenzialità di Rea si verticalizza in \nformato sgabello. la leggerezza delle linee è la \nstessa, così come le declinazioni materiche, con \nla struttura in acciaio verniciato color nero a dare \nrigore e la seduta e lo schienale in morbido cuoio \npieno fiore agganciata e impunturata. Un oggetto \neclettico, evoluzione del progetto dell'architetto \nPaolo Tilche, funzionale e contemporaneo.\nen \nThe minimal lines of Rea are now focused \nvertically in a stool version. The sense of lightness \nand materials are the same, with the structure in \nblack painted steel conveying a certain rigour. \nThe seat and back in soft full-grain leather are \nattached to the frame. This eclectic piece is part \nof the evolution of architect Paolo Tilche and his \nfunctional and contemporary work.\nDesign: \nPaOlO TIlCHE\n97\nEDITION 004\nChairs\n96\nDe Padova\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.51.png","serbelloni\nit \nalta esecuzione artigianale ed estetica \nineccepibile. Vico Magistretti ha disegnato la \npoltrona direzionale girevole per eccellenza, \ninclinabile, regolabile in altezza con ruote \npiroettanti e freno di sicurezza. la scocca esterna, \nin cuoio pieno fiore conciato, ricorda una sella nelle \nlinee e nelle impunture, arricchita con l'imbottitura \ndella seduta rivestita in tessuto o in pelle.\nen \nExceptional craftsmanship and impeccable \naesthetics define this standout swivel executive \narmchair from Vico Magistretti. The reclining \nmodel has swivel wheels, a safety brake and the \nheight can be adjusted. The external shell is in \ntanned full-grain leather and its stitching recalls an \nequestrian saddle. The seat includes padding and \nis covered in fabric or leather.\nDesign: \nVICO MaGIsTRETTI, \nCENTRO DEsIGN BINFaRÉ\n99\nEDITION 004\nChairs\n98\nDe Padova\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.52.png","silver\nit \nContemporanea, come solo un classico \npuò essere. silver si ispira alle proporzioni della \nclassica Thonet, ma si rinnova nei materiali con \nl'utilizzo del propilene e dell'alluminio. Trasversale e \ntrasformista veste spazi e mood diversi, grazie alla \nsua versatilità: è disponibile con o senza braccioli, \nimpilabile fino a sei pezzi, girevole su ruote o \nmultipla su barra con accessori.\nen \na contemporary classic, silver is inspired \nby the proportions of the Thonet chair but \nfeatures upgraded materials in polypropylene \nand aluminium. Mixing styles, this versatile piece \nworks well in a variety of decorative settings. \navailable with or without armrests, it is stackable \nup to six pieces. It is offered with swivel castors, \nbeam mounts for multiple chairs as well as other \naccessories.\nDesign: \nVICO MaGIsTRETTI\n100\nDe Padova\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.53.png","silver stool\nit \nTutta la flessibilità della famiglia silver in \nformato slanciato. la struttura tubolare in alluminio \nsi verticalizza, la seduta riprende le geometrie \ndel progetto originale e lo schienale è accennato, \ncome fosse un minuto segno grafico. Pratico, \nelegante, con quel tocco di razionale funzionalità \ntipico di Vico Magistretti, è bello da solo, in coppia, \nin multipli, in ufficio come a casa.\nen \nThe flexibility of the silver family now \ncomes in a slim format. The tubular aluminium \nstructure focuses on the vertical, with the seat \nusing the same volumes from the original design \nand a minimal backrest. Practical and elegant, \nthere is a touch of the rational functionality that \none identifies with Vico Magistretti. Ideal for the \nhome or office, it is beautiful on its own or in larger \nnumbers.\nDesign: \nVICO MaGIsTRETTI\n102\nDe Padova\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.54.png","so\nit \nsolo i tratti essenziali sono tracciati in so. \nCome essenziale è l'eleganza del progetto del \ndesigner giapponese Naoto Fukasawa. la più alta \ndimensione nel comfort declinata con un appeal \npacato e rassicurante, con dettagli lineari e solidi, \ncome l'ampia seduta in frassino color grigio cenere \nresa preziosa dall'accostamento con il cuoio nero, \nche ne disegna la seduta e lo schienale. \nen \na few essential lines make up the so \narmchair. The sophisticated look from Japanese \ndesigner Naoto Fukasawa focuses on a minimalist \napproach. Its reserved yet reassuring shape \nhas solid, linear details, such as the structure in \nash-grey coloured ash wood that is combined \nwith black leather that features on the seat and \nbackrest.\nDesign: \nNaOTO FUKasaWa\n105\nEDITION 004\nChairs\n104\nDe Padova\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.55.png","sundance\nit \nRivisita la classica sedia da regista \nregalandole comodità e un appeal rinnovato. \nsundance è pieghevole, facile da spostare \novunque si voglia, leggera, di grande impatto visivo. \nla classica tela della seduta e dello schienale sono \nimbottiti e rivestiti, a scelta, in bianco e in nero, e \nla struttura in teak ha cerniere d'acciaio spazzolato \nche ne sottolineano il movimento a chiusura.\nen \nsundance revisits the quintessential \ndirector's chair to give it comfort and a renewed \nappeal. The foldable chair is light, easy to move and \nhas striking features. The traditional fabric of the \nseat and backrest is padded and upholstered in \neither black or white. The teak frame has brushed \nsteel hinges that call attention to the closing \nmechanism.\nDesign: \nPaOlO GOlINEllI\n107\nEDITION 004\nChairs\n106\nDe Padova\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.56.png","Uragano\nit \nPieno-vuoto, leggerezza-materia. Uragano, \nprogetto del 1992 di Vico Magistretti, combina pesi \ne dimensioni a contrasto: la solidità del massello \ndi frassino della struttura con la leggerezza della \nseduta, dello schienale e dei braccioli in midollino, \nnaturale o nero, e delle linee, intrecci curvi eseguiti \na mano sui profili e nelle volute laterali, rigorose e \nritmate negli interni. \nen \nDesigned in 1992 by Vico Magistretti, \nUragano plays with emptiness and fullness as \nwell as lightness and matter. The chair combines \ncontrasting weights and dimensions: there is \nthe sturdiness of the solid ash frame versus the \nlightness of the seat, backrest and armrests done \nin natural or black wicker. In addition, there are the \nprominent lines weaved by hand on the profiles \nand lateral volutes of the chair that project a \nrigorous and rhythmic interior mood.\nDesign: \nVICO MaGIsTRETTI\n109\nEDITION 004\nChairs\n108\nDe Padova\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.57.png","Villetta\nit \nUn'essenzialità contemporanea fiorisce sulle \nforme nuove di Villetta. Un dialogo fra struttura e \nfunzione dove il linguaggio che ne detta la cifra \nstilistica è quello del comfort. Il tratto del designer \ngiapponese Keiji Takeuchi è minimale e disegna \nuna struttura dalle forme morbide ricavate dal \nmassello di frassino, tinto carbone o naturale, che \naccoglie una comoda seduta imbottita.\nen \nThe new forms of Villetta speak to a \ncontemporary essentiality. There is a dialogue \nbetween structure and function where comfort \nis the predominant stylistic reference. Japanese \ndesigner Keiji Takeuchi uses minimalist lines and \ndesigns a frame with soft shapes obtained from \nsolid ash in either a charcoal hue or natural colour \nwithin which sits a comfortable padded seat.\nDesign: \nKEIJI TaKEUCHI\n110\nDe Padova\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.58.png","Bookcases \nand Cabinets\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.59.png","BOOKCasEs aND CaBINETs\nCombi Cabinets\nCombi Madia\nCombi Open Units\nCombi sideboard\nC.O.P. storage system\nHorizontal Cabinets ēdition\nKant\nR.I.G. Modules living system\nR.I.G. Modules Kitchen system\nR.I.G. Modules Wardrobe system\nsC16\nshigeto\nshigeto Box\nTani Moto\nWigmore shelving system\n116\n120\n122\n124\n126\n130\n136\n138\n156\n162\n170\n174\n176\n178\n182\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.60.png","Combi Cabinets\nit \nCosì essenziale, così completo. Talmente \npulito nelle linee da essere modulabile a seconda \ndella necessità dell'ambiente. Combi Cabinets, \nprogetto di Piero lissoni, ha una forma rigorosa, \nbasica, sorretta da una sottile struttura nero \nopaco. a base quadrata o rettangolare si declina in \ndiverse altezze e profondità, come diverse sono le \npossibilità materiche, di colori e finiture.\nen \nUnderstated and well-ordered, Combi \nCabinets features clean lines and can be adapted \nto meet specific needs. Designed by Piero lissoni, \nit has a clean, no-nonsense silhouette supported \nby a thin matt black structure. available in a square \nor rectangular base, it is offered in different heights \nand depths together with a selection of colours \nand finishes.\nDesign: \nPIERO lIssONI\n116\nDe Padova\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.61.png","119\nEDITION 004\nBookcases and cabinets\n118\nDe Padova\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.62.png","Combi Madia\nit \nIl tratto elegante di Piero lissoni disegna \ncon rigore questo mobile contenitore dall'aspetto \nvivo, ricco di dettagli stilistici. Due grandi ante \na cornice in massello di abete, invecchiato \nnaturalmente, con cerniere in metallo brunito a \nvista, ripiani in vetro temperato e due barre a lED, \nperché tutto sia visibile. Un pezzo senza tempo, \nconnessione armonica fra passato e presente.\nen \nThe simple, straightforward elegance of this \nPiero lissoni-designed cabinet with its lived-in \nlook is rich in details. It has two large doors in \nnaturally aged solid spruce, with visible burnished \nmetal hinges, shelves in tempered glass and two \nlED light bars for illumination. This timeless piece \noffers a harmonious link between past and present.\nDesign: \nPIERO lIssONI \n+ C.R.s. BOFFI\n121\nEDITION 004\nBookcases and cabinets\n120\nDe Padova\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.63.png","Combi Open Units\nit \nUn dialogo aperto fra contenuto e \ncontenitore. Combi Open Units si esplicita in \nuna struttura in rovere naturale, Dark o color \ncarbone, senza ante, a profilare un rigore solo \napparentemente formale. I vetri dei ripiani \nregalano un effetto sospeso agli oggetti, in un \nmobile scenografico e prezioso, con possibilità di \nilluminazione interna e massima personalizzazione \nnelle finiture.\nen \nCombi Open Units creates a candid \ndialogue between the contents and the container. \nThe piece comes without doors and is offered \nin natural, Dark or charcoal-coloured oak, \nwith a profile that projects a seemingly formal \ncomposition. The glass shelves allow the objects to \nappear suspended and help create a scenographic \neffect. It offers an optional internal lighting system \nand highly customised finishes. \nDesign: \nPIERO lIssONI\n123\nEDITION 004\nBookcases and cabinets\n122\nDe Padova\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.64.png","Combi sideboard\nit \nl’evoluzione orizzontale del progetto Combi. \nCombi sideboard è un oggetto rigoroso, che rende \nprotagonista tutto ciò che contiene. squadrato \nnelle forme, ha base in acciaio opaco con ripiani \nin vetro e top in vetro temperato color caffè, e \naccurate finiture, in rovere naturale, dark o color \ncarbone. Un progetto di Piero lissoni, da modulare, \ninterpretare secondo le esigenze del living.\nen \nThe horizontal evolution of the Combi family \nis a meticulous design that places objects inside \nit in plain view. Featuring squared shapes, Combi \nsideboard has an opaque steel base with glass \nshelves and a coffee-coloured tempered glass top \nas well as a precise set of finishes in natural, dark \nor charcoal-coloured oak. \nThe Piero lissoni-designed piece adapts to the \nneeds of the living room. \nDesign: \nPIERO lIssONI\naNNa, Paolo Tilche, lamp\n124\nDe Padova\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.65.png","C.O.P. \nstorage system\nit \nFlessibile, versatile, con il tratto minimalista \ndi Mikal Harrsen. Un sistema di archiviazione con \nmontaggio a binario nascosto, una soluzione “plug \n& play” che si ritma su tre unità di base, un inserto \nper scaffali e un cassetto. Per riporre, mostrare, \nesporre, in casa e in ufficio. Il sistema di montaggio \nmagnetico consente di riconfigurare il mobile a \nseconda delle situazioni.\nen \nThis flexible design features the signature \nminimalist look of Mikal Harrsen. The concealed \nrail mounting system is a straightforward “plug & \nplay” solution built around three simple units, a \nshelf insert and drawer that permits one to store \nand display items in the home or at the office. \nThe magnetic mounting system allows one to \nreconfigure the setup depending on the need. \nDesign: \nMIKal HaRRsEN\nMaRGHERITa, Piero lissoni, armchairs\nNOTa, Elisa Ossino, lamp\n127\nEDITION 004\nBookcases and cabinets\n126\nDe Padova\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.66.png","C.O.P. sTORaGE sYsTEM\nslEEPING CaR, Vico Magistretti, bed\n129\nEDITION 004\nBookcases and cabinets\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.67.png","Horizontal Cabinet\nēdition\nit \nl'estensione della funzione. Horizontal \nCabinet ēdition è un progetto modulato dall'alta \ncifra stilistica del brand giapponese Time & style. \nUn mobile dalle linee geometriche e squadrate \ncon un sistema di contenitori e vani a giorno in \nrovere affumicato, completato, a scelta, da eleganti \nsedute imbottite, chaise longue e pouf, per spazi \nche si compongono di equilibrio e proporzioni.\nen \na functional design extension, Horizontal \nCabinet ēdition has been stylistically adapted \nby Japanese brand Time & style. The furniture \nfeatures geometric and square lines with a system \nof containers and open compartments in smoked \noak. There is the option of elegantly upholstered \nseats, a chaise longue and a pouf for well-ordered \nspaces with balanced proportions.\nDesign: \nTIME & sTYlE\nTsUKI, Naoto Fukasawa, lamp\nlINOsa, rug\n131\nEDITION 004\nBookcases and cabinets\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.68.png","HORIZONTal CaBINET ĒDITION\n133\nEDITION 004\nBookcases and cabinets\n132\nDe Padova\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.69.png","HORIZONTal CaBINET ĒDITION\n134\nDe Padova\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.70.png","Kant\nit \nlo spazio si disegna sulla materia, con un \nfoglio di lamiera inciso e piegato, bianco, snello, \ndalle dimensioni contenute. Un oggetto di facile \ncollocazione che porta il segno del più alto design \nindustriale, per contenere libri o cd, perfetto \novunque. Un mobile versatile e geometrico, \ntratteggiato per animare il living, talmente lineare \nda essere complementare con qualunque stile. \nen \nThe design starts with the material, an \nengraved and folded sheet of white, slender metal \nin compact dimensions. Perfect for books or CDs, \nthe piece is easy to position anywhere in the \nhome and represents high-end industrial design. \nThis versatile and geometric piece of furniture \nenhances the living area and its linear form \ncomplements any style.\nDesign: \nFORMFÜRsORGE\n137\nEDITION 004\nBookcases and cabinets\n136\nDe Padova\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.71.png","R.I.G. Modules\nliving system\nit \nla semplificazione della materia ai minimi \ntermini. R.I.G. si modula in qualunque spazio e \nsulle esigenze di ogni ambiente grazie all'estrema \nflessibilità del suo concept. Un insieme di linee \nsottili in acciaio, nero o bianco goffrato o color \nottone, da completare, immaginare, comporre \no scomporre con piani d'appoggio, moduli \ncontenitori all'insegna dalla più pura libertà \ncreativa.\nen \nR.I.G. slims down materials to the bare \nminimum. It adapts to any space thanks to the \nincredible flexibility of the concept. It offers \ntotal creative freedom via a set of slim lines in \nembossed black, white or brass-coloured steel that \ncan be configured and then reimagined by adding \nor subtracting support surfaces and container \nmodules.\nDesign: \nMIKal HaRRsEN\n139\nEDITION 004\nBookcases and cabinets\n138\nDe Padova\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.72.png","R.I.G. MODUlEs\nlIVING sYsTEM\nElEMENTI, Elisa Ossino, lamp\n141\nEDITION 004\nBookcases and cabinets\n140\nDe Padova\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.73.png","R.I.G. MODUlEs\nlIVING sYsTEM\nsO, Naoto Fukasawa, chair\n142\nDe Padova\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.74.png","R.I.G. MODUlEs\nlIVING sYsTEM\n145\nEDITION 004\nBookcases and cabinets\n144\nDe Padova\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.75.png","R.I.G. MODUlEs\nlIVING sYsTEM\n147\nEDITION 004\nBookcases and cabinets\n146\nDe Padova\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.76.png","R.I.G. MODUlEs\nlIVING sYsTEM\nll04, Maarten Van severen, armchair\nTWIG, Keiji Takeuchi, lamps\n149\nEDITION 004\nBookcases and cabinets\n148\nDe Padova\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.77.png","R.I.G. MODUlEs\nlIVING sYsTEM\nINCIsa, Vico Magistretti, chair\nsIlVER, Vico Magistretti, chair\n151\nEDITION 004\nBookcases and cabinets\n150\nDe Padova\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.78.png","R.I.G. MODUlEs\nlIVING sYsTEM\n152\nDe Padova\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.79.png","R.I.G. MODUlEs\nlIVING sYsTEM\nMOsaÏQUE, Piero lissoni, pouf\nNOTa, Elisa Ossino, lamp\n155\nEDITION 004\nBookcases and cabinets\n154\nDe Padova\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.80.png","R.I.G. Modules\nKitchen system\nit \nla versatilità di R.I.G. entra in cucina: \nmateria e forma al servizio della funzionalità. Un \nsistema flessibile da interpretare su gusti e bisogni \ndiversi. Modulare, componibile con contenitori \nsagomati o standard per riporre piatti o bicchieri, \ncassetti con divisori, portaposate e utensili, vani a \ngiorno e portabottiglie per avere tutto a portata. In \nuna sola parola, camaleontico.\nen \nThe flexibility of R.I.G. enters the kitchen. \nIts functional materials and forms make up a \nmodular system that can be arranged according \nto one’s needs. The piece comes with standard \nor contoured containers for storing plates and \nglasses, drawers with dividers, cutlery and utensils \ntrays, open compartments and bottle holders so \nthat everything is within reach. In a word, versatile.\nDesign: \nMIKal HaRRsEN\n157\nEDITION 004\nBookcases and cabinets\n156\nDe Padova\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.81.png","R.I.G. MODUlEs\nKITCHEN sYsTEM\n159\nEDITION 004\nBookcases and cabinets\n158\nDe Padova\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.82.png","R.I.G. MODUlEs\nKITCHEN sYsTEM\n161\nEDITION 004\nBookcases and cabinets\n160\nDe Padova\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.83.png","R.I.G. Modules\nWardrobe system\nit \nla geometria si intreccia allo spazio. \nFlessibile, modulare, intelligente. R.I.G. si presta \nalla più alta personalizzazione arricchendo il \nsistema armadi o arredando da solo la zona notte \ngrazie alle sue linee minimali e all'equilibrio dei \nvolumi. l'essenzialità della struttura si completa \ncon cassetti, contenitori, barre, per appendere, \nriporre, ordinare vestiti e scarpe, accessori.\nen \nGeometry intertwines with space. \nFlexible, modular and intelligently designed, the \nR.I.G. permits a high degree of customisation to \nenhance a wardrobe system or outfit a bedroom \nthanks to its minimal lines and balanced volumes. \nThe refined setup is completed with drawers, \ncontainers and bars to hang, store and organise \nclothing, shoes and accessories.\nDesign: \nMIKal HaRRsEN\n162\nDe Padova\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.84.png","R.I.G. MODUlEs\nWaRDROBE sYsTEM\n165\nEDITION 004\nBookcases and cabinets\n164\nDe Padova\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.85.png","R.I.G. MODUlEs\nWaRDROBE sYsTEM\nElEMENTI, Elisa Ossino, lamp\n167\nEDITION 004\nBookcases and cabinets\n166\nDe Padova\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.86.png","R.I.G. MODUlEs\nWaRDROBE sYsTEM\n169\nEDITION 004\nBookcases and cabinets\n168\nDe Padova\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.87.png","sC16\nit \nDiscreto nelle proporzioni, sofisticato \nnell'animo. sC16 è un sistema di contenitori \nflessibile e capiente, con base in acciaio nero \nopaco e struttura in fossil oak e rovere affumicato \ndotata di cassetti e ripiani. lineare, a tratti \nessenziale, sorretto da piedini sottilissimi, è ricco \ndi dettagli in un riuscito equilibro che modula \nl'essenza del legno con sapienza artigianale.\nen \nWith discreet proportions and a \nsophisticated feel, the sC16 is a versatile and \nspacious cabinet featuring a base in matt black \nsteel and a body in fossil oak and smoked oak \nequipped with drawers and shelves. supported by \nthin feet, it is understated and linear, with details \nthat successfully balance craftsmanship and the \nessence of the wood.\n171\nEDITION 004\nBookcases and cabinets\n170\nDe Padova\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.88.png","lEaTHER lOUNGE CHaIR ll04, Maarten Van severen, armchair\nsC16\n173\nEDITION 004\nBookcases and cabinets\n172\nDe Padova\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.89.png","shigeto\nit \nC’è una sincronia solida e contemporanea \nin questa credenza a firma di Vico Magistretti. \nshigeto è un mobile minimale, dai tratti squadrati e \ngeometrici, con una struttura in massello di rovere \nnaturale poggiata su pratiche ruote piroettanti \ncromate, per spostarlo agevolmente. I suoi ripiani e \ndivisori hanno una naturale vocazione per l'ordine: \nqui ogni cosa trova il suo posto.\nen \nThe Vico Magistretti-designed shigeto \nsideboard is both solid and contemporary. \nThis minimalist piece of furniture, with squared \nand geometric features, has a natural solid oak \nstructure and rests on practical chromed swivel \nwheels, making it easy to move. shelves and \ndividers make for an orderly arrangement so that \neverything has its place.\nDesign: \nVICO MaGIsTRETTI\n175\nEDITION 004\nBookcases and cabinets\n174\nDe Padova\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.90.png","shigeto Box\nit \nUna versatilità razionale scandisce il ritmo \ndinamico di questo mobile, dove è possibile \nmodulare a piacere i divisori. shigeto Box è il \npalcoscenico perfetto per mostrare cristalli e \nporcellane, da mettere in scena ovunque si voglia, \ngrazie alle ruote piroettanti cromate. solido, bello, \nanche in coppia per raddoppiare la capienza, ha \nuna struttura definita in rovere affumicato.\nen \nshigeto Box is marked by a practical \nversatility that allows one the possibility of \nrearranging the internal dividers as needed. Ideal \nfor displaying crystalware and porcelain, it can be \nsituated anywhere thanks to its chromed swivel \nwheels. solid and beautiful, it can be used in pairs \nto double storage capacity, the structure comes in \nsmoked oak.\nDesign: \nVICO MaGIsTRETTI\n177\nEDITION 004\nBookcases and cabinets\n176\nDe Padova\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.91.png","Tani Moto\nit \nTratto leggero e spessori ridotti al \nminimo nel segno della più alta flessibilità. Tani \nMoto, progetto di Vico Magistretti, ha un ritmo \ngeometrico, essenziale in massello di rovere \nnaturale o di noce canaletto. Da solo o multiplo, in \ncasa o in ufficio: i singoli moduli si affiancano nello \nspazio per dare ordine, ma non necessariamente \nrigore, su ripiani anche regolabili in altezza.\nen \nWith sleek sections and reduced \nthicknesses to offer greater flexibility, the Tani \nMoto from Vico Magistretti has a geometric and \nessential composition. Made in solid natural oak \nor american walnut, one can use a single unit or \nmultiple ones for the home or office. The modules \nsit side by side to keep the space tidy yet not overly \nrigid. The height of the shelves can be adjusted.\nDesign: \nVICO MaGIsTRETTI\n179\nEDITION 004\nBookcases and cabinets\n178\nDe Padova\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.92.png","TaNI MOTO\nPIlOTIs, Philippe Nigro, armchair\nCHaB-TaBlE, Nendo, low tables\n181\nEDITION 004\nBookcases and cabinets\n180\nDe Padova\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.93.png","Wigmore \nshelving system\nDesign: \nC.R.s. DE PaDOVa\nit \nBasico, minimale, verticale. Una struttura \nche combina austerità delle linee con leggerezza \ndei materiali e massima versatilità: Wigmore \nshelving system si può installare al centro \ndella stanza per diventare un ideale divisorio da \nriempire di libri e oggetti. alta libertà compositiva \nnell'allestimento grazie ai montanti, anche illuminati \na lED, da modulare con ripiani o cassettiere.\nen \nsimple, minimal and vertical, the structure \nof the Wigmore shelving system combines austere \nlines with the lightness of materials and maximum \nflexibility. lined with books and objects, the system \ncan be installed in the middle of the room to create \nthe perfect room divider. The uprights and modular \nshelving with cabinets permit compositional \nfreedom and the system can be fitted with lED \nlighting.\n183\nEDITION 004\nBookcases and cabinets\n182\nDe Padova\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.94.png","WIGMORE sHElVING sYsTEM\nWIGMORE sHElVING sYsTEM\nalBEREsE, Piero lissoni, sofa\nsEN POUF, Kensaku Oshiro, pouf\nFlYING laNDsCaPE, Piero lissoni, low table\nsWIss 17, Mirto Zocca, low table\nNOTa, Elisa Ossino, lamp\nMaDIsON, rug\n185\nEDITION 004\nBookcases and cabinets\n184\nDe Padova\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.95.png","WIGMORE sHElVING sYsTEM\nWIGMORE sHElVING sYsTEM\nWINGBaCK, Paul McCobb, armchair\nOTTOMaN FOR WINGBaCK Paul McCobb, pouf\nsEN, Kensaku Oshiro, low table\nÉTIQUETTE, GamFratesi, bed\naNNa, Paolo Tilche, lamp\naRT WOOD FRaME, Piero lissoni, complementary items\nMaDIsON, rug\n187\nEDITION 004\nBookcases and cabinets\n186\nDe Padova\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.96.png","WIGMORE sHElVING sYsTEM\nWIGMORE sHElVING sYsTEM\n189\nEDITION 004\nBookcases and cabinets\n188\nDe Padova\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.97.png","Products Overview\nTables \nChairs\nBookcases and Cabinets\n192\n194\n196\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.98.png","Tables\nCaMPO D'ORO, Paolo Pallucco & Mireiller Rivier \nW. 140 × H. 72 × D. 140 \nPossibility to create different shapes and layouts\n↘ Pag. 008\nCaRlO, Tono & Renato Jaime Morganti  \nØ 150\u002F180 × H. 72,5 \n↘ Pag. 012\nFRENCH CONCEssION, Piero lissoni\nØ 250 × H. 72,5 \n↘ Pag. 018\nT.T.a. TaBlE, Mikal Harrsen, Ma\u002FU studio\nRectangular W. 180\u002F240 × H. 72 × D. 90 \nRectangular with overhang W. 280\u002F340 × H. 72 × D. 90         \nOval W. 300 × H. 73 × D. 130\n↘ Pag. 042\nMaWaRI, Gunther Pelgrims\nØ 190\u002F220 × H. 72 \n↘ Pag. 020\nQUaDRaTO\nsquare W. 130\u002F140\u002F155 × H. 73                                             \nRectangular W. 160 × H. 73 × D. 80 - W. 180 × H. 73 × D. 90\n↘ Pag. 030\nN.E.T. TaBlE, s.U. Petersen, Ma\u002FU studio\nW. 45 × H. 83 × D. 50 \n↘ Pag. 024\nOTIs, lorenz*kaz\nØ 100\u002F124 × H. 71 \n↘ Pag. 028\nR.I.G. TaBlE, Mikal Harrsen & adam Hall, \nMa\u002FU studio\nRectangular W. 140\u002F160\u002F180\u002F200 × H. 71,5 × D. 80  \nOval W. 240 × H. 73 × D. 130\n↘ Pag. 032\nsHaDOW, Vincent Van Duysen\nsquare W. 180 × H. 73                                                               \nRectangular W. 300 × H. 73 × D. 100\n↘ Pag. 034\nTOOls, studio Cerri & associati \nW. 160 x H. 73 × D. 80 - W. 180 × H. 73 × D. 90  \nW. 200\u002F240 × H. 73 × D. 100\n↘ Pag. 052\nTaVOlO '95, achille Castiglioni\nRound Ø 140\u002F160\u002F180 × H. 71,5                                                                                                     \nBuilt-in lazy susan rotating tray Ø 180 × H. 71.5                                                                             \nRectangular W. 220\u002F280 × H. 71,5 × D. 100                                                                                                           \nsquare W. 140\u002F180 × H. 71,5                                                              \nOval W. 244\u002F304 × H. 71.5 × D. 132\n↘ Pag. 046\nsHINE, Vico Magistretti\nOval W. 150\u002F240\u002F300\u002F360\u002F420\u002F480 × H. 73 × D. 130                                                                                                    \nRound Ø 200 × H. 73                                                                               \nRectangular W. 200\u002F240 × H. 73 × D. 100                                                             \nsquare W. 200 × H. 73\n↘ Pag. 038\nVIDUN, Vico Magistretti\nRound Ø 130\u002F140 × H.63>80  \nRectangular W. 220 × H. 63>80 × D. 100 -                                     \nW. 250 × H. 63>80 × D. 120\n↘ Pag. 056\n193\nEDITION 004\n192\nDe Padova\nProducts Overview\n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.99.png","Chairs\nCHEsTO, Patrick Norguet\nW. 63 × H. 73 × D. 55\n↘ Pag. 068\nINCIsa, Vico Magistretti Centro Design Binfaré\nWith castors W. 63 × H. 84 × D. 58 \nWithout castors W. 58 × H. 84 × D. 58\n↘ Pag. 080\nCHEsTO lOUNGE, Patrick Norguet\nW. 63 × H. 65 × D. 55\n↘ Pag. 070\nDONZEllETTa, Michele De lucchi\nW. 58 × H. 68 × D. 51 \n↘ Pag. 076\nCIRENE, Vico Magistretti\nWith armrests W. 56\u002F58,5 × H. 75\u002F77 × D. 52 \nWithout armrests W. 53,5 × H. 75\u002F77 × D. 54\n↘ Pag. 072\nDONZElla, Michele De lucchi\nW. 64 × H. 74 × D. 52\n↘ Pag. 074\nlaDY POllaCK, Vico Magistretti\nW. 59 × H. 76 × D. 49\n↘ Pag. 082\nMaROCCa, Vico Magistretti \nW.57 × H. 77 × D. 51\n↘ Pag. 088\nREa, Paolo Tilche\nChair W. 45 × H.75 × D. 53\n↘ Pag. 094\nM16\nW. 55 × H. 75 × D. 55\n↘ Pag. 086\nPOllaCK, Vico Magistretti\nW. 59 × H. 76 × D. 49\n↘ Pag. 092\nsERBEllONI, Vico Magistretti \nCentro Design Binfaré\nW. 70 × H. 89\u002F97 × D. 70\n↘ Pag. 098\nlaVENHaM EXECUTIVE, Patricia Urquiola\nWith wooden legs W. 69 × H. 83 × D. 56 \nswivel W. 69 × H. 81 × D. 56                                                           \nWith castors W. 69 × H. 79\u002F87 × D. 61\n↘ Pag. 084\nOlIMPIa, Vico Magistretti\nW. 48 × H. 85\u002F86,5 × D. 49\n↘ Pag. 090\nREa sTOOl, Paolo Tilche\nW. 45 × H. 83 × D. 50\n↘ Pag. 096\nNEW  aMI, Yabu Pushelberg\nW. 59 × H. 76 × D. 57\n↘ Pag. 064\nFlORINDa, Monica Förster\nWith\u002FWithout armrests W. 48 × H. 83 × D. 51\n↘ Pag. 078\nsIlVER, Vico Magistretti\nWith\u002FWithout armrests W. 61\u002F45 × H. 80 × D. 51 \nstackable with\u002Fwithout armrests W. 59\u002F52 × H. 80 × D.51      \nswivel with\u002Fwithout armrests W. 62 × H. 84\u002F78 × D. 57              \n↘ Pag. 100\nsIlVER sTOOl, Vico Magistretti\nW. 47,5 × H. 83 × D. 47,5\n↘ Pag. 102\nsO, Naoto Fukasawa\nW. 52 × H. 76 × D. 52\n↘ Pag. 104\nsUNDaNCE, Paolo Golinelli\nW. 61 × H. 81 × D. 40\n↘ Pag. 106\nURaGaNO, Vico Magistretti\nW. 62 × H. 73 × D. 61 \n↘ Pag. 108\nNEW  VIllETTa, Keiji Takeuchi\nW. 55 × H. 79 × D. 49\n↘ Pag. 110\nalMaYER, Paolo Rizzatto \nW. 61 × H.83 × D. 43\n↘ Pag. 066\n195\nEDITION 004\n194\nDe Padova\nProducts Overview\n",99,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.100.png","Bookcases and Cabinets\nCOMBI CaBINETs, Piero lissoni\nsingle-sided W. 120\u002F180 × D. 48 - W. 120\u002F180 × D. 60  \nDouble-sided W. 90 × D. 90 - W. 120 × D. 120                               \nH. 35\u002F50 (with base) - H. 28,5\u002F43,5 (with feet)\n↘ Pag. 116\nCOMBI MaDIa, Piero lissoni + C.R.s. Boffi\nW. 190 × H.180 × D. 68,5 \n↘ Pag. 120\nCOMBI OPEN UNITs, Piero lissoni\nW. 180 × H. 180 × D. 48 \n↘ Pag. 122\nR.I.G. MODUlEs KITCHEN sYsTEM, \nMikal Harrsen, Ma\u002FU studio\nThe product can be customised based on the \nclient’s individual taste and needs. \n↘ Pag. 156\nCOMBI sIDEBOaRD, Piero lissoni\nW. 180 × H. 72 × D. 48 \n↘ Pag. 124\nsHIGETO BOX, Vico Magistretti\nW. 160 × H. 172,5 × D. 43 \n↘ Pag. 176\nC.O.P. sTORaGE sYsTEM, \nMikal Harrsen, Ma\u002FU studio\nW. 26 × H. 66,6 × D. 32 \n↘ Pag. 126\nHORIZONTal CaBINET ĒDITION, Time & style\nsingle-sided low unit W. 100\u002F198 × H. 67,5 × D. 50 -             \nW. 181\u002F221 × H. 35 × D. 50  \nDouble-sided low unit W. 100\u002F198 × H. 67,5 × D. 80                 \nlow unit and upholstered seat W. 200 × H. 67,5 × D. 80 \n↘ Pag. 130\nKaNT, Formfürsorge\nW. 26 × H. 197 × D. 30 \n↘ Pag. 136\nR.I.G. MODUlEs WaRDROBE sYsTEM, \nMikal Harrsen, Ma\u002FU studio\nThe product can be customised based on the client’s  \nindividual taste and needs. \n↘ Pag. 162\nWIGMORE sHElVING sYsTEM, \nC.R.s. De Padova\nM 60\u002F90\u002F120\nWall-mounted uprights (floor - wall fixing) H. max. 400 cm  \nWall-mounted uprights (floor - ceiling fixing) H. max. 400 cm \nFree standing uprights (floor - ceiling fixing) H. max. 280 cm\n↘ Pag. 182\nsHIGETO, Vico Magistretti\nW. 160 × H. 172,5 × D. 45,5 \n↘ Pag. 174\nTaNI MOTO, Vico Magistretti\nW. 104 × H. 207 × D. 33 \n↘ Pag. 178\nsC16\nM 75 W. 150\u002F225 × H. 47\u002F58 × D. 49\u002F62  \nM 90 W. 180\u002F270 × H. 47\u002F58 × D. 49\u002F62                                   \nM 120 W. 120\u002F240\u002F360 × H. 47\u002F58 × D. 49\u002F62\n↘ Pag. 170\nR.I.G. MODUlEs lIVING sYsTEM, \nMikal Harrsen, Ma\u002FU studio\nThe product can be customised based on the client’s \nindividual taste and needs. \n↘ Pag. 138\n197\nEDITION 004\n196\nDe Padova\nProducts Overview\n",100,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.101.png","COllECTIONs 004\nCreative Direction\nBoffi | DePadova\nCaTalOGUE\nCreative Direction\nBoffi | DePadova \nProject Coordination\nstudio Costacurta\nGraphic Design\nstudio Costacurta, \nstefano lucchetti\nPhotography\nFrancesca Moscheni\nTommaso sartori\nstyling\nElisa Ossino studio\nMichael albert\nRetouching Pre Press\na. De Pedrini\nNumerique\nRendering\nNudesign\nPrinted in Italy\nNava Press, 2023\nDe Padova srl\nVia santa Cecilia, 7\n20122 Milano - Italia\nT. +39 02 27 43 97 1\ninfo@depadova.it\nwww.depadova.com\nall rights reserved. No part of this catalogue may be reproduced or transmitted in any form or by \nany means, electronic or mechanical, including printing, photocopying, recording,or any informa-\ntion storage and retrieval system without prior permission in writing from De Padova s.r.l., except-\ning reproduction intended to support the sale of De Padova products privately. This catalogue is \navailable free of charge subject to the condition that it shall not, by way of trade or otherwise, be \nsold or hired out totally or partly.\nDe Padova reserves the right to make modifications and improvements at any time to the products, \nfabrics and leathers that may vary from the solutions presented in this catalogue. We invite you to \nvisit the websites www.depadova.com and www.maustudio.net to download technical information \non the products.\naDI \nCompasso d’oro \nMaddalena De Padova\nCareer award 2004\nThanks to\nandrea schomburg\nGreenwise\nPatrizia Cassina\nartemakers\nTime & style\nYoung Run lee\nCeramica Baldanza\nsilvia Fanticelli architetto\n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002F8b\u002Fd6c009e3fffedeae9dbfb62275bf55-28fe2af5e7.102.png","",102,[],0,false,true,{"success":424,"data":426,"meta":639,"count":640,"next":641,"previous":642,"results":674,"brand_chips":735},[427,439,451,464,474,487,499,509,519,528,538,550,559,569,578,588,601,610,620,630],{"id":428,"title":429,"slug":430,"image":431,"source":432,"brand_name":433,"brand":434,"brand_slug":435,"file_size":436,"pages":437,"pages_count":412,"matched_pages":438,"match_count":422,"two_pages":423,"show_text":424},26599,"News 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