[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-dcw-editions-novelties-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":215},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":210,"matched_pages":211,"match_count":212,"two_pages":213,"show_text":214},22336,"Novelties 2023","dcw-editions-novelties-2023","\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F63\u002F8219fc18c105e3bc6140429387152f-28e485b6eb.pdf","DCW Editions",1752,"dcw-editions","9.9 MB",[14,17,21,25,29,33,37,41,45,48,52,55,59,63,67,71,74,78,82,85,89,92,96,99,103,107,111,115,119,123,127,131,135,139,143,147,151,155,159,163,167,171,175,179,183,187,191,195,199,203,207],{"image":7,"text":15,"number":16},"1.\navril 2023\nNOUVEAUTÉS\nNew\nNOUVEAUTÉS\nNovelties\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.2.png","BELLE DE JOUR, \nBELLE DE NUIT\nLA LAMPE B\nThierry Dreyfus\nCAMPAGNE DE LANCEMENT \nOFFICIELLE : 31 MAI 2023\nTHIERRY DREYFUS a façonné une \nlampe conçue pour éclairer, certes, mais \nplus encore, pour éclairer l’intime. Et mieux \nencore, pour éclairer la nuit. En douceur. Ou \nl’art de réinventer la plus belle lumière qui soit \n: celle d’une bougie. Objet blanc, apaisé de \njour, apaisant le soir, LA LAMPE B relève d’un \ngeste sincère.\n[EN] Thierry Dreyfus has created a lamp designed to provide light, of course, but even \nmore, to light up the intimate. And even better, to light up the night. Softly. Or the art of \nreinventing the most beautiful light there is: a candle’s one. A white object, soothing by \nday, calming at night, LA LAMPE B is a sincere gesture.\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.3.png","THIERRY DREYFUS est un touche-à-tout \nqui s’empare du beau pour se protéger de la \nbrutalité du monde. Deus ex-machina des lumières \nmodernes, il est célèbre pour ses installations \nlumineuses, tel un talent protéiforme de la scène \nplastique, réclamé par Comme des Garçons, Raf \nSimons, Rhude, Peter Marino.\n[EN] Thierry Dreyfus seizes on beauty to protect himself from the brutality of the world. The deus ex-\nmachina of modern lighting, he is famous for his light installations. As a protean talent on the plastic \nscene, he’s claimed by Comme des Garçons, Raf Simons, Rhude and Peter Marino. \n“Thierry Dreyfus \ncapte l’essence de la \nlumière pour, ensuite, la \ntransmettre et la faire \npartager.”\n“Thierry Dreyfus captures \nthe essence of light \nand then transmits and \nshares it.”\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.4.png","A soft sculpture from which the inner light emerges.\nBelle de jour, Belle de nuit, LA LAMPE B.\nUne douce sculpture d’où se dégage la lumière intérieure. Belle de jour, \nbelle de nuit, LA LAMPE B.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.5.png","LA LAMPE B est une métabolisation \nsérielle d’un premier opus artisanal tiré \nà 5 exemplaires. Suivra un second opus \nréalisé en porcelaine par la vénérable \nmanufacture bavaroise de Nymphenburg \net tiré à 25 exemplaires, numérotés \nsignés, vendus 9000 $ à New-York par \nAtelier Courbet.  \nPièce intègre et laconique désormais \nlivrée aux règles de la série et des prix \nabordables, la Lampe B ne sacrifie en \nrien l’indépendance et l’autorité de son \ncréateur, toujours soucieux de la maîtrise \ndu processus intégral de production et \npeu enclin à y associer des influences \nou des références hors-sujet. Voici donc \nla Lampe B, au hasard d’une rencontre \npassionnante, éditée par DCWéditions, \nmoulée en plâtre nu, et tarifée au prix \ndes bougies en cire. Ou la remise \nen \nconjugaison \ncontemporaine \nde \nl’expression « devoir une fière chandelle ».\n[EN] LA LAMPE B is a serial metabolization of a first artisanal opus printed in 5 copies. This was \nfollowed by a second opus made in porcelain by the venerable Bavarian factory in Nymphenburg \nand produced in a limited edition of 25, numbered and signed, sold for $9,000 in New York by Atelier \nCourbet.\nAn honest and laconic piece now delivered to the rules of the series and affordable prices, the \nLampe B does not sacrifice the independence and authority of its creator, who is always concerned \nwith the control of the entire production process and is not inclined to associate influences or \nreferences outside the subject. So here is LA L B, by chance of a fascinating encounter, published \nby DCWéditions, moulded in bare plaster and priced at the same level as wax candles. Or the \ncontemporary conjugation of the expression «owe a proud candle».\nLA LAMPE B    FICHE TECHNIQUE  [EN] Technical sheet\nDimensions (mm)  \nlargeur : 240 mm, hauteur : 390 mm max. \nDimensions (mm) \n \nwidth : 240 mm, height : 240 mm max.\nMatériaux \n \ngypse, aluminium anodisé \nMaterials  \n \ngypsum, anodised aluminym\nPrix public \n \n410 euros HT \nPublic price \n \n410 euros ex-tax\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.6.png","",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.7.png","NIWAKI\nStudio BrichetZiegler\nCAMPAGNE DE LANCEMENT \nOFFICIELLE : 31 MAI 2023\nINSPIRÉ PAR LE PIN JAPONAIS  \nen pleine terre, le studio BrichetZiegler a \ntaillé ce luminaire avec maîtrise et précision. \nTaillée pour le vent, NIWAKI semble flotter et \nglisser dans les airs. Ses finitions traduisent \nun équilibre entre travail et humilité, cette \nlampe est orga(méca)nique.\n[EN] Inspired by the japanese pine tree in the ground, the BrichetZiegler studio carved \nthis lighting object with mastery and precision. Carved for the wind, NIWAKI seems to float \nand glide through the air. Its finish reflects a balance between work and humility, this lamp \nis orga(meca)nic.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.8.png","Créé en 2010 par Caroline Ziegler et Pierre Brichet, \nle STUDIO BRICHETZIEGLER propose \nune vision transversale et ouverte du design, à \ntravers une approche technique et poétique.\n[EN] Founded in 2010 by Caroline Ziegler and Pierre Brichet, STUDIO BRICHETZIEGLER \noffers a transversal and open vision of design, through a technical and poetic approach.\n“Nous sommes des \nfaiseurs d’objets et \nnous aimons challenger \nl’artisanat et l’industrie.”\n«We are makers of \nobjects and we like \nto challenge craft and \nindustry.»\n",8,{"image":46,"text":35,"number":47},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.9.png",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.10.png","NIWAKI    FICHE TECHNIQUE  [EN] Technical sheet\nDimensions (mm)  \nlargeur : 382 mm, hauteur : 422 mm max. \nDimensions (mm) \n \nwidth : 382 mm, height : 422 mm max.\nMatériaux \n \naluminium, acier \nMaterials  \n \naluminum, steel\nPrix public \n \n700 euros HT\nPublic price \n \n700 euros ex-tax\n",10,{"image":53,"text":35,"number":54},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.11.png",11,{"image":56,"text":57,"number":58},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.12.png","POUDRIER\nPhilippe Nigro\nCAMPAGNE DE LANCEMENT \nOFFICIELLE : 18 AVRIL 2023\nCOMME UN POUDRIER ou un coffret \nprécieux, l’action mécanique d’ouverture \nou fermeture rend l’objet rassurant et \nimmédiatement compréhensible. La lumière \nest diffusée par un épais pavé de verre, dans \ntoute son épaisseur. A l’intérieur, le volet en \nlaiton poli fait office de miroir pivotant grâce à \nune charnière bien présente.\n[EN] Like a powder case or a precious box, the mechanical action of opening or closing \nmakes the object reassuring and immediately understandable. The light is diffused by a \nthick glass pane, throughout its depth. Inside, the polished brass flap acts as a pivoting \nmirror thanks to a visible hinge.\n",12,{"image":60,"text":61,"number":62},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.13.png","PHILIPPE NIGRO est un designer d’objets, \nde meubles, de lampes, d’espaces et de \nscénographies. Il vit entre Milan et Paris, collaborant \navec des artisans et éditeurs internationaux.\n[EN] Philippe Nigro is a designer of objects, furniture, lamps, spaces and scenographies. He lives \nbetween Milan and Paris, collaborating with international craftsmen and publishers.\n“Mes créations \nreprésentent des objets \navant tout fonctionnels, \nmais mystérieux, qui \nquestionnent. Parfois \navec une touche \nd’ironie.”\n‘‘My creations represent \nobjects that are above \nall functional, but also \nmysterious.They generate \nquestions. Sometimes \nwith a touch of irony.”\n",13,{"image":64,"text":65,"number":66},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.14.png","The light can be switched on and dimmed, to give time to accept oneself.\nEach light has its own unique fingerprint.\nLa lumière est variable manuellement, non pas avec un variateur mais \navec un volet que l’on ouvre ou que l’on ferme en fonction de l’intensité \nlumineuse désirée. Toute lumière a son empreinte digitale unique.\n",14,{"image":68,"text":69,"number":70},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.15.png","POUDRIER    FICHE TECHNIQUE  [EN] Technical sheet\nDimensions (mm)  \nlargeur : 172 mm, diamètre : 195 mm max. \nDimensions (mm) \n \nwidth : 172 mm, diameter : 195 mm max.\nMatériaux \n \nacier plaqué laiton, verre \nMaterials  \n \nbrass plated steel, glass\nPrix public \n \n410 euros HT \nPublic price \n \n410 euros ex-tax\n",15,{"image":72,"text":35,"number":73},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.16.png",16,{"image":75,"text":76,"number":77},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.17.png","BINY FLOOR\nJacques Biny\nCAMPAGNE DE LANCEMENT \nOFFICIELLE : 18 AVRIL 2023\nL’ÉLÉGANCE \nRIGOUREUSE. \nUn \nvariateur et deux gélatines, pour réguler \nl’intensité et la chaleur de la lumière ; des \npieds réglables, pour s’adapter aux sols.  \n[EN] A rigorous elegance. A dimmer and two gelatins, to regulate the intensity and warmth \nof the light; adjustable feet, to adapt to the floors.\n",17,{"image":79,"text":80,"number":81},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.18.png","JACQUES BINY est un luminariste français \nmajeur de la période des Trente glorieuses. Il fut \négalement éditeur et collabora avec certains des \nmeilleurs jeunes créateurs de son époque, tels \nMichel Buffet, Gustave Gauthier, Jean Boris Lacroix \nou encore Charles Ramos.\n[EN] Jacques Biny is a major French luminist of the Trente Glorieuses period. He was also an editor \nand collaborated with some of the best young designers of his time, such as Michel Buffet, Gustave \nGauthier, Jean Boris Lacroix and Charles Ramos.\n«C’est la recherche \nd’un juste équilibre, \nentre les rigueurs de \nla technique et une \nesthétique s’intégrant \nà l’architecture \ncontemporaine, qui a \nguidé la création de mes \nluminaires»\n‘‘It is the search for the \nright balance between \nthe rigours of technology \nand an aesthetic that \nfits contemporary \narchitecture that has \nguided the creation of my \nlighting objects.”\n",18,{"image":83,"text":35,"number":84},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.19.png",19,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.20.png","BINY FLOOR    FICHE TECHNIQUE  [EN] Technical sheet\nDimensions (mm)  \nlargeur : 440 mm, hauteur : 1600 mm max. \nDimensions (mm) \n \nwidth: 440 mm, height: 1600 mm max.\nMatériaux \n \nacier, verre \nMaterials  \n \nsteel, glass\nPrix public \n \n795 euros HT \nPublic price \n \n795 euros ex-tax\n",20,{"image":90,"text":35,"number":91},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.21.png",21,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.22.png","PLUME\nStudio BrichetZiegler\nLANCEMENT DE CAMPAGNE \nOFFICIELLE : 31 MAI 2023\nNOUS AVONS APPELÉ CETTE \nAPPLIQUE PLUME pour son dessin \nléger, ses lignes douces, et la tendresse de \nl’éclairage. L’abat-jour, conique, est finement \nsculpté. En porcelaine ou en polycarbonate \nau choix, l’abat-jour apporte une lumière très \nchaleureuse avec la qualité d’une matière \nnoble qui traverse les époques.\n[EN] We called it PLUME for its delicate design, soft lines, and the tenderness of the \nlighting. The conical lampshade is finely sculpted. Made of porcelain -or polycarbonate, \nthe lampshade provides a very warm light, with the quality of noble material that crosses \nthe ages.\n",22,{"image":97,"text":43,"number":98},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.23.png",23,{"image":100,"text":101,"number":102},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.24.png","Un juste équilibre entre la tendresse d’un nez en trompette et la \nsolidité d’une base en aluminium. Initialement pensé comme tête-de-\nlit, PLUME peut également habiller les plans de travail et couloirs.\n[EN] The right balance between a turned-up nose and the solidity of \nan aluminum base. Originally designed as a headboard, PLUME can \nalso be used to dress your worktops and corridors.\n",24,{"image":104,"text":105,"number":106},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.25.png","49.\nPLUME    FICHE TECHNIQUE  [EN] Technical sheet\nDimensions (mm)  \nlargeur : 130 mm, hauteur : 300 mm max. \nDimensions (mm) \n \nwidth: 130 mm, height : 300 mm max.\nMatériaux \n \naluminium, polycarbonate ou porcelaine \nMaterials  \n \naluminum, polycarbonate or porcelain\nPrix public \n \nPolycarbonate : 145 € HT, avec switch\u002Fcâble 170€ HT. Porcelaine : 225€ HT, avec switch\u002Fcâble 250€ HT \nPublic price \n \nPolycarbonate : 145 euros ex-tax, with switch.cable 170€ HT. Porcelain : 225€ HT, with switch\u002Fcable 250€ HT\n",25,{"image":108,"text":109,"number":110},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.26.png","51.\n",26,{"image":112,"text":113,"number":114},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.27.png","53.\nCOLLECTION CAUVET\nClément Cauvet\nLANCEMENT DE CAMPAGNE \nOFFICIELLE : 30 AOÛT 2023\nPI, \nIOTA, \nTAU, trois lampes qui \nempruntent leurs noms et leurs formes à \nl’alphabet grec. Un retour à un essentiel du \nlangage, un dialogue hors du temps.\nL’objet est à la frontière entre la sculpture et \nun édifice architectural, il est fonctionnel par \nsa lumière.\n[EN] IOTA, TAU, PI, three lamps that borrow their names and shapes from the Greek \nalphabet. A return to the essentials of language, a timeless dialogue. The object is on the \nborder between a sculpture and an architectural building, it is functional through its light.\n",27,{"image":116,"text":117,"number":118},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.28.png","DOSSIER DE PRESSE\nDCWéditions\n54.\n55.\n04.2023\nCLÉMENT \nCAUVET est un créateur \ninclassable. Il travaille généralement sur des \npièces uniques. Quand il parle de ses luminaires, \nClément nous dit : “Comme un enfant qui joue aux \n« légo » dans sa chambre, j’ai tenté de traduire un \nmonde, avec du béton, du métal. Ces 3 luminaires \nje les perçois comme une passerelle entre passé \nprésent futur.”\n[EN] Clément Cauvet is an unclassifiable designer. He generally works on unique pieces. When he \ntalks about his lights, Clément says: «Like a child playing with «legos» in his room, I tried to translate a \nworld, with concrete and metal. I see these three lights as a bridge between past and future.”\nC’est une grande fierté \npour nous de pouvoir \néditer les luminaires \nde Clément. Toute la \nfinesse de ses objets se \nrévèle lorsque la lumière \ncaresse cette radicalité.\nIt is a great pride for us \nto be able to publish \nClément’s lights. All the \ndelicacy of his objects is \nrevealed when the light \ntouches this radicalness.\n",28,{"image":120,"text":121,"number":122},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.29.png","DOSSIER DE PRESSE\nDCWéditions\n56.\n57.\n04.2023\n",29,{"image":124,"text":125,"number":126},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.30.png","DOSSIER DE PRESSE\nDCWéditions\n58.\n59.\n04.2023\n",30,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.31.png","DOSSIER DE PRESSE\nDCWéditions\n60.\n61.\n04.2023\n",31,{"image":132,"text":133,"number":134},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.32.png","DOSSIER DE PRESSE\nDCWéditions\n62.\n63.\n04.2023\nTAU    FICHE TECHNIQUE  [EN] Technical sheet\nDimensions (mm)  \nlargeur : 400 mm, hauteur : 458 mm max. \nDimensions (mm) \n \nwidth: 400 mm, height: 458 mm max.\nMatériaux \n \nacier bétonné, plaqué laiton \nMaterials  \n \nconcreted, brass-plated steel\nPrix public \n \n1000 euros HT \nPublic price \n \n1000 euros ex-tax\n",32,{"image":136,"text":137,"number":138},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.33.png","DOSSIER DE PRESSE\nDCWéditions\n64.\n65.\n04.2023\nPI   FICHE TECHNIQUE  [EN] Technical sheet\nDimensions (mm)  \nlargeur : 443 mm, hauteur : 453 mm max. \nDimensions (mm) \n \nwidth: 443 mm, height: 453 mm max.\nMatériaux \n \nacier bétonné, plaqué laiton \nMaterials  \n \nconcreted, brass-plated steel\nPrix public \n \n1000 euros HT \nPublic price \n \n1000 euros ex-tax\n",33,{"image":140,"text":141,"number":142},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.34.png","DOSSIER DE PRESSE\nDCWéditions\n66.\n67.\n04.2023\nIOTA   FICHE TECHNIQUE  [EN] Technical sheet\nDimensions (mm)  \nlargeur : 238 mm, hauteur : 433 mm max. \nDimensions (mm) \n \nwidth: 238 mm, height: 433 mm max.\nMatériaux \n \nacier bétonné, plaqué laiton \nMaterials  \n \nconcreted, brass-plated steel\nPrix public \n \n1000 euros HT \nPublic price \n \n1000 euros ex-tax\n",34,{"image":144,"text":145,"number":146},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.35.png","DOSSIER DE PRESSE\nDCWéditions\n68.\n69.\n04.2023\n",35,{"image":148,"text":149,"number":150},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.36.png","71.\nLIGHT ME TENDER\nPatrick Jouin\nLANCEMENT DE CAMPAGNE \nOFFICIELLE : 30 AOÛT 2023\nNous voulions travailler l’univers de la salle de \nbain, propre à la temporalité du matin ou du \nsoir. Une élégante lumière pour un objet qui \njoue avec l’intimité. Inspiré par les nuances de \nl’aube ou du crépuscule, LIGHT ME TENDER \nest une lumière douce qui nous révèle dans le \nmiroir. S’attendrir, c’est s’éclairer. S’accepter, \nc’est varier la lumière.\n[EN] We wanted to work on the bathroom space, specific to the time of morning or \nevening. An elegant light for an object that plays with intimacy. Inspired by the shades of \ndawn or dusk, LIGHT ME TENDER is a soft light that reveals us in the mirror. To be tender \nis to be enlightened. To accept oneself is to modulate the light.\n",36,{"image":152,"text":153,"number":154},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.37.png","DOSSIER DE PRESSE\nDCWéditions\n72.\n73.\n04.2023\nPATRICK JOUIN est un designer, un architecte \nd’intérieur, et même plus. La compréhension de \nl’espace et le changement d’échelle sont au cœur \nde son travail. Diplômé de l’ENSCI, il a pu collaborer \nnotamment avec Philippe Starck. Pragmatique, il \nquestionne constamment l’usage, la production, \nles matériaux, dans chacun de ses projets et \ndessins.\n[EN] Patrick Jouin is a designer and an interior architect. The understanding of space and the change \nof scale are at the heart of his work. 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À force de les observer \navec sa lunette d’astronomie, Yuji les a \napprivoisées, pour les faire flotter dans une \natmosphère légère. \n[EN] But what if the planets were nothing more than soap bubbles that have remained \nintact as they travel through time? Armed with his astronomer’s telescope that lets \nhim observe their every movement, Yuji has transformed them into objects floating in a \nweightless world.\n",41,{"image":172,"text":173,"number":174},"\u002Fmedia\u002Fimages\u002Fc6\u002F05e70801a4ebda235e5828e1e8f8f2-28e4862c4b.42.png","DOSSIER DE PRESSE\nDCWéditions\n82.\n83.\n04.2023\nYUJI \nOKITSU est un architecte basé à \nTokyo. Doté d’une sensibilité unique et sensible, \nil travaille sans frontières dans les domaines de \nl’architecture, du design et de l’art. Toutes ses \ncréations sont conceptuelles, jouant avec tous les \ndétails quotidiens susceptibles de déclencher des \némotions.\n[EN] Yuji Okitsu is an architect based in Tokyo. 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