[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-classicon-collection-2020":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":599},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":594,"matched_pages":595,"match_count":596,"two_pages":597,"show_text":598},9772,"Collection 2020","classicon-collection-2020","\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F73\u002Fd1f51db8744148141037ab7329230e-258a10b33e.pdf","ClassiCon",2172,"classicon","25.0 MB",[14,17,20,23,26,29,32,36,40,44,48,52,55,59,63,67,70,74,78,81,85,89,93,97,100,104,107,111,115,119,122,126,130,134,137,141,145,149,153,157,160,164,168,172,176,180,183,187,191,195,198,202,206,210,213,217,221,225,228,232,236,240,244,248,252,256,259,263,267,271,275,279,283,287,291,295,299,303,306,310,314,318,322,326,330,334,337,341,344,348,352,356,360,364,368,372,376,380,384,388,392,396,400,404,407,411,415,419,423,427,431,435,439,443,447,451,455,459,463,467,471,475,479,483,487,491,495,499,503,507,511,515,519,523,526,530,534,538,542,546,550,554,558,562,566,570,574,578,582,585,588,591],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.2.png",2,{"image":21,"text":15,"number":22},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.3.png",3,{"image":24,"text":15,"number":25},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.4.png",4,{"image":27,"text":15,"number":28},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.5.png",5,{"image":30,"text":15,"number":31},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.6.png",6,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.7.png","P 16\nCOLLECTION\nP 98\nEILEEN GRAY\nE 1027\nP 128\nDESIGNERS\nP 136\nPRODUCTS\nP 105\nHOME\nP 122\nCONTRACT\n",7,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.8.png","All Eileen Gray designs are authorised by\nThe World Licence Holder Aram Designs Ltd., London\nClassic Contemporary Design\nAdjustable Table E 1027, Eileen Gray\n1927\n",8,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.9.png","2012\nBell Side Table, Sebastian Herkner\n",9,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.10.png","Classic Contemporary Design\nDay Bed, Eileen Gray\n1925\n",10,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.11.png","2016\nUlisse Daybed, Konstantin Grcic\n",11,{"image":53,"text":15,"number":54},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.12.png",12,{"image":56,"text":57,"number":58},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.13.png","A place for visions and views\nThe ClassiCon building in Munich\nIf we were to go off in search of the ideal place where future and past can  \nmeet in order to communicate about the present, the ClassiCon building  \nin Munich would be our first choice. The company headquarters, including \noffices, warehouse and showrooms have been located in this building since  \n2003. The design by Joachim Jürke is made of glass, concrete and wood, and \nthus complies with our vision of the responsible handling of honest materials, \nthe conservation of the resources such as abstaining from climate technology \nand our focus on durability and the reduction to the essential. From its green \nrooftop terrace the building offers magnificent views of the Alps. \n",13,{"image":60,"text":61,"number":62},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.14.png","The ClassiCon brand stands for quality, individuality and timeless  \naesthetics – regardless of passing fashions. From the outset, we have aspired  \nnot only to offer pieces by established figures such as Eileen Gray and  \nEckart Muthesius, but also to foster contemporary design and present selected \nexamples in our programme. That’s why ClassiCon has always been open  \nto new design ideas that display the kind of quality and advanced form that  \ncan measure up to our classics. More important than the degree of fame \nachieved by the designer is a demonstrated fascination with new formal \nconcepts and an enthusiasm for functional reinterpretation. This focus helps \nClassiCon to continually discover exciting young designers, who often bring \ntheir first products to market with us before rising to international prominence. \nWe enjoy this kind of mutually beneficial collaboration with international \ndesigners and architects including Konstantin Grcic, Sauerbruch Hutton,  \nBarber Osgerby, Sebastian Herkner, neri&hu and Jader Almeida. \nModern design with timeless aesthetics \nClassiCon and tomorrow’s classics\nMichael Groth, Managing Director\n",14,{"image":64,"text":65,"number":66},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.15.png","Oliver Holy, Managing Director and Owner\n",15,{"image":68,"text":15,"number":69},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.16.png",16,{"image":71,"text":72,"number":73},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.17.png","True quality stands the test of time\nClassiCon and value that lasts for generations\nOur pieces of furniture are collector’s items – not only the modern 20th \ncentury classics but also the masterpieces of the present. We aim, above all, to \nproduce individual pieces of great originality and formal perfection – products \nthat in decades to come will still be every bit as exceptional and up-to-date  \nas the day they left the drawing board. These things witness our responsibility \ntowards nature, the careful handling of materials and a formal understanding \nthat goes far beyond fashionable trends. Since this attitude becomes visible in \neach of our pieces, their value stands the test of time and they remain  \ndesirable for generations to come. \n",17,{"image":75,"text":76,"number":77},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.18.png","Handmade in Germany\nClassiCon and a passion for craft\nOur furniture is not machine-made in series, but rather passes through  \nthe hands of many experienced craftspeople. All of them are specialists in \nworking with materials such as wood, glass or metal, or masters in the fields of \nupholstery, surface treatment or finishing. As a family enterprise, ClassiCon \nworks with small and medium-sized owner-operated businesses. Almost all  \nof them are located in Germany, most of them in the immediate vicinity  \nof our Munich headquarters. Due to this vicinity and the mainly handmade \nproduction we can also offer individual versions of our contemporary \nfurniture in the case of larger quantities. Custom-tailored items are developed \nin a project-related way and appropriately manufactured. Our products \nthus benefit from the close collaboration between designers, developers and \nsuppliers, and therefore counteract the omnipresent throwaway mentality.  \nThe experience of the specialists with material selection and processing ensures \ndurable products that stand the test of time in their technology and aesthetics, \nage in dignity and can be used through generations. \n",18,{"image":79,"text":15,"number":80},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.19.png",19,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.20.png","  Zeev Aram, Daniel and Ruth Aram,  \n  World Licence Holder for all Eileen Gray designs \n“All you need is an  \n intelligent pair of eyes  \n and an open mind.”\nbrick screen 1922-1925 \nEILEEN GRAY \nP 142\nbonaparte armchair 1935 \nEILEEN GRAY \nP 137\n",20,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.21.png","Design, function and quality at  \nthe highest level plus a good amount  \nof emotion – that’s our goal: furni- \nture design that convinces and can  \naccompany people throughout their  \nlives. As something reliable and \nbeautiful that is used and appreciated \nand, at best, passed on. Here, you can \nencounter friends and companions  \nwho share our enthusiasm for design  \nand craftsmanship. \nCollection\nP 17\n",21,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.22.png","centimetre rug 1926 \nEILEEN GRAY \nP 142\nrivoli table 1928 \nEILEEN GRAY \nP 140\nbonaparte armchair 1935 \nEILEEN GRAY \nP 137\n",22,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.23.png","P 19\n",23,{"image":98,"text":15,"number":99},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.24.png",24,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.25.png","adjustable table e 1027 1927 \nEILEEN GRAY \nP 139\nselene pendant lamp 2006 \nSANDRA LINDNER \nP 143\nbibendum armchair 1926 \nEILEEN GRAY \nP 137\nP 21\n",25,{"image":105,"text":15,"number":106},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.26.png",26,{"image":108,"text":109,"number":110},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.27.png","adjustable table e 1027 1927 \nEILEEN GRAY \nP 139\nulisse daybed 2016 \nKONSTANTIN GRCIC \nP 138\nsaturn coat stand 2007 \nBARBER OSGERBY \nP 142\nP 23\n",27,{"image":112,"text":113,"number":114},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.28.png","pli side table low + high 2016 + 2017 \nVICTORIA WILMOTTE \nP 140\n",28,{"image":116,"text":117,"number":118},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.29.png","P 25\n",29,{"image":120,"text":15,"number":121},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.30.png",30,{"image":123,"text":124,"number":125},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.31.png","selene pendant lamp 2006 \nSANDRA LINDNER \nP 143\ncypris mirror 2015 \nNINA MAIR \nP 141\npli side table low 2016 \nVICTORIA WILMOTTE \nP 140\nP 27\n",31,{"image":127,"text":128,"number":129},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.32.png","pallas table 2003 \nKONSTANTIN GRCIC \nP 141\nmunich armchair 2011 \nSAUERBRUCH HUTTON \nP 137\nsaturn coat stand 2007 \nBARBER OSGERBY \nP 142\n",32,{"image":131,"text":132,"number":133},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.33.png","  Anna and Dominik Wichmann, author and entrepreneur with Romy and Ella\n“Design, especially good design,  \n is also an expression of confidence for us.    \n Not more, but not less either.”\nP 29\n",33,{"image":135,"text":15,"number":136},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.34.png",34,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.35.png","selene pendant lamp 2006 \nSANDRA LINDNER \nP 143\nmunich chair* 2011 \nSAUERBRUCH HUTTON \nP 137\npallas table 2003 \nKONSTANTIN GRCIC \nP 141\nmunich armchair* 2011 \nSAUERBRUCH HUTTON \nP 137\n*Contrast stitching exclusively for premium leather\nP 31\n",35,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.36.png","sedan lounge chair 2013 \nNERI&HU \nP 137\ndiana side table a+b 2002 \nKONSTANTIN GRCIC \nP 140\nlantern light floor lamp 2017 \nNERI&HU \nP 143\n",36,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.37.png","P 33\n",37,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.38.png","wendingen rug 1926-1935 \nEILEEN GRAY \nP 143\nfolding screen 1930 \nEILEEN GRAY \nP 141\noccasional table 1927 \nEILEEN GRAY \nP 140\n",38,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.39.png","diana c side table 2002 \nKONSTANTIN GRCIC \nP 140\nsedan lounge chair 2013 \nNERI&HU \nP 137\ncypris mirror 2015 \nNINA MAIR \nP 141\ndiana b side table 2002 \nKONSTANTIN GRCIC \nP 140\nP 35\n",39,{"image":158,"text":15,"number":159},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.40.png",40,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.41.png","bell coffee table* 2012 + 2013 \nSEBASTIAN HERKNER \nP 139\nbell side table* 2012 + 2013 \nSEBASTIAN HERKNER \nP 139\n*Metal top frame unlacquered copper develops a natural patina\nP 37\n",41,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.42.png","  Roman Rummenigge, sports marketing entrepreneur\n“I like it simple and   \n straightforward, and that’s  \n how I handle my own  \n creativity and environment.”\ndiana a side table 2002 \nKONSTANTIN GRCIC \nP 140 \nchaos chair 2001 \nKONSTANTIN GRCIC \nP 137\n",42,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.43.png","paris shelf 2005 \nBARBER OSGERBY \nP 141\nvase 2014 \n \nP 142\nbowl 2014 \n \nP 142 \nP 39\n",43,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.44.png","sax side table 2017 \nCHRISTOPH BöNINGER \nP 140 \npli table 2017 \nVICTORIA WILMOTTE \nP 141\nselene pendant lamp 2006 \nSANDRA LINDNER \nP 143\nmars chair 2003 \nKONSTANTIN GRCIC \nP 137\n",44,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.45.png","P 41\n",45,{"image":181,"text":15,"number":182},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.46.png",46,{"image":184,"text":185,"number":186},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.47.png","sax side table 2017 \nCHRISTOPH BöNINGER \nP 140 \nP 43\n",47,{"image":188,"text":189,"number":190},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.48.png","brick screen 1922-1925 \nEILEEN GRAY \nP 142\nlota sofa 1924 \nEILEEN GRAY \nP 138\noccasional table 1927 \nEILEEN GRAY \nP 140\nrivoli table 1928 \nEILEEN GRAY \nP 140\n",48,{"image":192,"text":193,"number":194},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.49.png","P 45\n",49,{"image":196,"text":15,"number":197},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.50.png",50,{"image":199,"text":200,"number":201},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.51.png","  Leslie and Detlev Freiherr von Wangenheim,  \n  real estate entrepreneur \n“A great interior design lives   \n from the individual history of  \n the owners and a successful  \n mix of good design and   \n personal objects.” \nbrick screen 1922-1925 \nEILEEN GRAY \nP 142\nlota sofa 1924 \nEILEEN GRAY \nP 138\nmenton table 1932 \nEILEEN GRAY \nP 140\nP 47\n",51,{"image":203,"text":204,"number":205},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.52.png","pallas table 2003 \nKONSTANTIN GRCIC \nP 141\nmunich armchair 2011 \nSAUERBRUCH HUTTON \nP 137\nbell light pendant lamp 2013 \nSEBASTIAN HERKNER \nP 143\n",52,{"image":207,"text":208,"number":209},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.53.png","P 49\n",53,{"image":211,"text":15,"number":212},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.54.png",54,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.55.png","munich lounge chair* 2009 \nSAUERBRUCH HUTTON \nP 138\nsaturn coat stand 2007 \nBARBER OSGERBY \nP 142\norbis floor lamp 1994 \nHERBERT H. SCHULTES \nP 143\nmunich coffee table 2010 \nSAUERBRUCH HUTTON \nP 140\nmunich sofa 2010 \nSAUERBRUCH HUTTON \nP 138\nparis shelf 2005 \nBARBER OSGERBY \nP 141\n*Contrast stitching exclusively for premium leather\nP 51\n",55,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.56.png","roquebrune chair 1927 \nEILEEN GRAY \nP 137\njean table 1929 \nEILEEN GRAY \nP 141\n",56,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.57.png","P 53\n",57,{"image":226,"text":15,"number":227},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.58.png",58,{"image":229,"text":230,"number":231},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.59.png","jean table 1929 \nEILEEN GRAY \nP 141\nroquebrune chair 1927 \nEILEEN GRAY \nP 137\nnotos standing desk 1997 \nTHOMAS KüHL + ANDREAS KROB \nP 142\nselene pendant lamp 2006 \nSANDRA LINDNER \nP 143\nbell light pendant lamp 2013 \nSEBASTIAN HERKNER \nP 143\ntriton bar stool 2007 \nCLEMENS WEISSHAAR \nP 139 \nP 55\n",59,{"image":233,"text":234,"number":235},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.60.png","bar stool no. 2 1928 \nEILEEN GRAY \nP 139\nbar stool no. 1 1928 \nEILEEN GRAY \nP 139\ntriton bar stool 2007 \nCLEMENS WEISSHAAR \nP 139\ntriton counter stool 2007 \nCLEMENS WEISSHAAR \nP 139\nsatish bar stool 1931 \nECKART MUTHESIUS \nP 139\n",60,{"image":237,"text":238,"number":239},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.61.png","P 57\n",61,{"image":241,"text":242,"number":243},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.62.png","  Dr. Michael Jilek and Michael Vilgertshofer,  \n  ClassiCon attorneys \n“Plagiarisms are theft  \n of intellectual property.”\nadjustable table e 1027 1927 \nEILEEN GRAY \nP 139\nmonte carlo sofa 1929 \nEILEEN GRAY \nP 138\n",62,{"image":245,"text":246,"number":247},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.63.png","P 59\n",63,{"image":249,"text":250,"number":251},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.64.png","lantern light floor lamp 2017 \nNERI&HU \nP 143\nodin sofa 2005 \nKONSTANTIN GRCIC \nP 138\nbell coffee table 2012 \nSEBASTIAN HERKNER \nP 139\nbell side table 2012 \nSEBASTIAN HERKNER \nP 139\n",64,{"image":253,"text":254,"number":255},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.65.png","P 61\n",65,{"image":257,"text":15,"number":258},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.66.png",66,{"image":260,"text":261,"number":262},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.67.png","bell side table copper* 2013 \nSEBASTIAN HERKNER \nP 139\nbell coffee table copper* 2013 \nSEBASTIAN HERKNER \nP 139\nbell light pendant lamp 2013 \nSEBASTIAN HERKNER \nP 143\n*Metal top frame unlacquered copper develops a natural patina\nP 63\n",67,{"image":264,"text":265,"number":266},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.68.png","nymphenburg coat stand 1908 \nOTTO BLüMEL \nP 142\nday bed 1925 \nEILEEN GRAY \nP 138\ntube light floor lamp 1927 \nEILEEN GRAY \nP 143\noccasional table 1927 \nEILEEN GRAY \nP 140\n",68,{"image":268,"text":269,"number":270},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.69.png","P 65\n",69,{"image":272,"text":273,"number":274},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.70.png","tube light floor lamp 1927 \nEILEEN GRAY \nP 143\nday bed 1925 \nEILEEN GRAY \nP 138\nadjustable table e 1027 1927 \nEILEEN GRAY \nP 139\n",70,{"image":276,"text":277,"number":278},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.71.png","P 67\n",71,{"image":280,"text":281,"number":282},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.72.png","  Herbert H. Schultes, designer\n“Design has to be authentic.”\n  Julia Schultes, student of architecture\n“Design must function.”\nnon conformist armchair 1926 \nEILEEN GRAY \nP 137\norbis desk lamp 1994 \nHERBERT H. SCHULTES \nP 143\n",72,{"image":284,"text":285,"number":286},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.73.png","bonaparte rug 1926-1935 \nEILEEN GRAY \nP 142\ntube light floor lamp 1927 \nEILEEN GRAY \nP 143\nnon conformist armchair 1926 \nEILEEN GRAY \nP 137\nnymphenburg coat stand 1908 \nOTTO BLüMEL \nP 142\nP 69\n",73,{"image":288,"text":289,"number":290},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.74.png","nymphenburg coat stand 1908 \nOTTO BLüMEL \nP 142\nusha umbrella stand 1932 \nECKART MUTHESIUS \nP 142\nbanu stool 1931 \nECKART MUTHESIUS \nP 138\nmandu valet stand 1932 \nECKART MUTHESIUS \nP 141\naixia chair 1928 \nEILEEN GRAY \nP 137\ncastellar mirror 1927 \nEILEEN GRAY \nP 141\npetite coiffeuse 1926 \nEILEEN GRAY \nP 140\npailla wall lamp 1927 \nEILEEN GRAY \nP 143\n",74,{"image":292,"text":293,"number":294},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.75.png","P 71\n",75,{"image":296,"text":297,"number":298},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.76.png","occasional table 1927 \nEILEEN GRAY \nP 140\nblue marine rug 1926-1935 \nEILEEN GRAY \nP 142\nroquebrune rug 1926-1935 \nEILEEN GRAY \nP 143\nde stijl table 1922 \nEILEEN GRAY \nP 139\nselene pendant lamp 2006 \nSANDRA LINDNER \nP 143\n",76,{"image":300,"text":301,"number":302},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.77.png","P 73\n",77,{"image":304,"text":15,"number":305},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.78.png",78,{"image":307,"text":308,"number":309},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.79.png","roattino floor lamp 1931 \nEILEEN GRAY \nP 143\nbell side table 2012 \nSEBASTIAN HERKNER \nP 139\nselene pendant lamp 2006 \nSANDRA LINDNER \nP 143\nbonaparte armchair 1935 \nEILEEN GRAY \nP 137\ndouble x table 1928 \nEILEEN GRAY \nP 141\nfolding screen 1930 \nEILEEN GRAY \nP 141\nP 75\n",79,{"image":311,"text":312,"number":313},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.80.png","euvira rocking chair 2013 \nJADER ALMEIDA \nP 137\nselene pendant lamp 2006 \nSANDRA LINDNER \nP 143\nbell coffee table 2012 \nSEBASTIAN HERKNER \nP 139\nbell side table 2012 \nSEBASTIAN HERKNER \nP 139\n",80,{"image":315,"text":316,"number":317},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.81.png","P 77\n",81,{"image":319,"text":320,"number":321},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.82.png","  Roberta Schreyer, student of design \n“My parents are designers.  \n I have been familiar with Eileen  \n Gray’s furniture from my early  \n childhood. I associate it with the  \n sense of home and security.”\ncypris mirror 2015 \nNINA MAIR \nP 141\ntadaima console 2017 \nA+A COOREN \nP 142\n",82,{"image":323,"text":324,"number":325},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.83.png","P 79\n",83,{"image":327,"text":328,"number":329},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.84.png","bonaparte rug 1926-1935 \nEILEEN GRAY \nP 142\nkilkenny rug 1926-1935 \nEILEEN GRAY \nP 142\ncastellar rug 1926-1935 \nEILEEN GRAY \nP 142\n",84,{"image":331,"text":332,"number":333},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.85.png","euvira rocking chair 2013 \nJADER ALMEIDA \nP 137 \ncypris mirror 2015 \nNINA MAIR \nP 141\nbell side table 2012 \nSEBASTIAN HERKNER \nP 139\neuvira lounge chair 2015 \nJADER ALMEIDA \nP 137\n \nP 81\n",85,{"image":335,"text":15,"number":336},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.86.png",86,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.87.png","euvira rocking chair 2013 \nJADER ALMEIDA \nP 137 \ncypris mirror 2015 \nNINA MAIR \nP 141\nadjustable table e 1027 1927 \nEILEEN GRAY \nP 139\nparis shelf 2005 \nBARBER OSGERBY \nP 141 \nlantern light table lamp 2017 \nNERI&HU \nP 143\nbowl 2014 \n \nP 142 \neuvira lounge chair 2015 \nJADER ALMEIDA \nP 137 \nP 83\n",87,{"image":342,"text":15,"number":343},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.88.png",88,{"image":345,"text":346,"number":347},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.89.png","saturn coat stand 2007 \nBARBER OSGERBY \nP 142\nsatyr armchair 2008 \nFOR USE \nP 138\nnymphenburg coat stand 1908 \nOTTO BLüMEL \nP 142 \nsatyr lounge chair 2006 \nFOR USE \nP 138\nP 85\n",89,{"image":349,"text":350,"number":351},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.90.png","  Natascha Schreiegg, political scientist and entrepreneur\n“Design is not everything,  \n but without design everything  \n is nothing.”\ntriton bar stool 2007 \nCLEMENS WEISSHAAR \nP 139 \nsaturn coat stand 2007 \nBARBER OSGERBY \nP 142\n",90,{"image":353,"text":354,"number":355},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.91.png","cypris mirror 2015 \nNINA MAIR \nP 141\nsaturn coat stand 2007 \nBARBER OSGERBY \nP 142\ntadaima console 2017 \nA+A COOREN \nP 142\nP 87\n",91,{"image":357,"text":358,"number":359},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.92.png","tadaima console 2017 \nA+A COOREN \nP 142\npegasus home desk 2014 \nTILLA GOLDBERG \nP 141\nsedan chair 2015 \nNERI&HU \nP 137 \nlantern light table lamp 2017 \nNERI&HU \nP 143\nZelos home desk 2008 \nCHRISTOPH BöNINGER \nP 141\n",92,{"image":361,"text":362,"number":363},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.93.png","P 89\n",93,{"image":365,"text":366,"number":367},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.94.png","orcus home desk 1993 \nKONSTANTIN GRCIC \nP 141\nvenus chair 2006 \nKONSTANTIN GRCIC \nP 137\norbis floor + desk lamp 1994 \nHERBERT H. SCHULTES \nP 143\n",94,{"image":369,"text":370,"number":371},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.95.png","P 91\n",95,{"image":373,"text":374,"number":375},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.96.png","petite coiffeuse 1926 \nEILEEN GRAY \nP 140\nmenton table 1932 \nEILEEN GRAY \nP 140\nlou perou table 1926 \nEILEEN GRAY \nP 141\ndouble x table 1928 \nEILEEN GRAY \nP 141\njean table 1929 \nEILEEN GRAY \nP 141\nrivoli table 1928 \nEILEEN GRAY \nP 140\n",96,{"image":377,"text":378,"number":379},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.97.png","P 93\n",97,{"image":381,"text":382,"number":383},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.98.png","st. tropeZ rug 1926-1935 \nEILEEN GRAY \nP 143\ntube light floor lamp 1927 \nEILEEN GRAY \nP 143\npetite coiffeuse 1926 \nEILEEN GRAY \nP 140\nbibendum armchair 1926 \nEILEEN GRAY \nP 137\nadjustable table e 1027 1927 \nEILEEN GRAY \nP 139\n",98,{"image":385,"text":386,"number":387},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.99.png","P 95\n",99,{"image":389,"text":390,"number":391},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.100.png","adjustable table e 1027 1927 \nEILEEN GRAY \nP 139\n",100,{"image":393,"text":394,"number":395},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.101.png","Responsibility foR masteRful designs\nThe Classic Collection by ClassiCon\nClassiCon pRoduCes and maRkets eileen \ngRay designs undeR liCenCe fRom the  \nWoRld liCenCe holdeR aRam designs ltd., \nlondon. in the 1970s eileen gRay began \nWoRking With Zeev aRam to put heR fuRni- \ntuRe, Rugs and lamps into seRies pRoduC- \ntion. in 1973 she gRanted the WoRldWide \nRights to manufaCtuRe and distRibute heR \ndesigns to aRam designs ltd., london.  \n \nWe pay RespeCt to the histoRiCal  \nsignifiCanCe of these design ClassiCs by \npRoduCing them in fiRst-Class quality, \nabsolutely tRue to the oRiginals. as \ntestament to theiR quality, eaCh pieCe  \nof fuRnituRe in ouR ClassiC ColleCtion \nis indelibly maRked and numbeRed \nConseCutively. the ClassiCon signatuRe \npRovides a guaRantee that only high-\ngRade mateRials and methods aRe used \nin pRoduCtion – meeting all eCologiCal \nRequiRements – and that eveRy pieCe of  \nfuRnituRe has passed stRiCt quality \nContRols. ouR logo offeRs the assuRanCe \nthat eaCh pRoduCt is authentiC to the \noRiginal, made With the Consent and \nsupeRvision of the Rights holdeRs.\nP 97\n",101,{"image":397,"text":398,"number":399},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.102.png","E 1027\nIn 2009, a brown leather \narmchair standing just \n24 inches tall sold at \nChristie’s for £19.4 mil-\nlion, setting an auction \nrecord for 20th-century \nfurniture. It had an illus-\ntrious provenance, hav-\ning sat in the Parisian \ndrawing room of Yves \nSaint Laurent and Pierre \nBergé, but who was the \ndesigner, people asked? \nThe name was Gray, Ei-\nleen Gray – a quizzical \nexpression remained on \nmost faces.\nThey can be forgiven \ntheir ignorance. Eileen \nGray, an Anglo-Irish art-\nist, designer and archi-\ntect, is one of the most \ninfluential creatives of \nthe 20th century, and \nyet she remains one of \nthe most elusive, her \nwork often attributed to \nothers. Amid the art and \nideas that exploded in \n1920s Paris, she rubbed \nshoulders with Gertrude \nStein’s literary stars, \ndrank cocktails with Dju-\nna Barnes’ androgynous \nrebels, and talked theo-\nry with Le Corbusier’s \nModernist pioneers, but \nnever committed to a \nparticular set. \nthe seRial Code e 1027 ConCeals a lovestoRy:\ne stands foR eileen, 10 and 2 foR the initials  \nof Jean badoviCi, and 7 foR g as in gRay. \n",102,{"image":401,"text":402,"number":403},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.103.png","P 99\n",103,{"image":405,"text":15,"number":406},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.104.png",104,{"image":408,"text":409,"number":410},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.105.png","P 101\n",105,{"image":412,"text":413,"number":414},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.106.png","TExT TISH WRIGLEY AND PHOTOGRAPHY MARY GAUDIN FOR ANOTHER MAGAZIN \nWWW.CAPMODERNE.COM\n",106,{"image":416,"text":417,"number":418},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.107.png","She worked alone – \npainting, interior design, \nthe Japanese craft of \nlacquerwork, designing \nfurniture, making rugs, \nand selling her wares at \nher own gallery. It is a  \nstrange phenomenon – \nher talent went unques-\ntioned, her pieces were  \npopular, she had pas- \nsionate love affairs with \nboth men and women,  \nyet amid the clamour \nof her contemporaries,  \nGray is quiet, industri- \nous. As art critic Brian \nDillon writes, “the real  \ndrama was in her work”. \nThere was also her pas-\nsion for privacy. By 1926 \nGray was searching for \na refuge away from the \nnoise of Paris, a place \nwhere a person “can \ncount on being alone”. \nEngaged in a love af-\nfair with the Romanian \njournalist and architect \nJean Badovici who was \n15 years her junior, she \nbought a coastal plot  \nin his name in Roque-\nbrune- Cap- Martin \non \nwhich to build them a \nhouse. The result was \nE 1027 – one of the most \nexceptional expressions \nof modernist architec-\nture ever created.\nBuilt over three years \nin collaboration with \nBadovici  – E 1027 is a \ncryptic expression of \ntheir union – the building \nis informed by Le Cor-\nbusier’s notion of the \n“house as a machine for \nliving in” yet diverges \nfrom the rigidity of his \ntheories in its prioriti-\nsation of the personal. \n“Formulas are nothing”, \nGray said. “People are \neverything” and E 1027 \nis a home constructed \naround the personalities \nof people. And not just \nthe structure. There is \nthe adjustable E 1027 \ntable, designed for her \nsister who loved to eat \nbreakfast in bed but hat-\ned the crumbs, the trol-\nley that muted rattling \ncups, the soft curves of \nthe Bibendum chair, the \nsimplicity of the Transat \ndeckchair. She believed \nthat “architecture must \nbe its own decoration” \nso the walls remained \nwhite, and instead the \nsun, the land, the sea, \nwere ushered in. The \nresult was gentle equa-\nnimity, a fusion of art \nand nature, the peace \nshe so desired. \nP 103\n",107,{"image":420,"text":421,"number":422},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.108.png","But not for long. Gray \nand her lover split soon \nafter the house was \ncompleted – while Gray \ncraved peace, Badovici, \nit seems, craved the he-\ndonism he had left be-\nhind in Paris – and she \nmoved further along the \ncoast. In the late 1930s, \nLe Corbusier came to \nstay with Badovici and \nwas permitted to daub \nthe pristine walls with \nobscene and lurid mu-\nrals, a deed Gray viewed \nas an act of brazen ag-\ngression against her \nwork and theories. Le \nCorbusier’s obsession \nwith the house is well \ndocumented; having de-\nfaced the property, he \ntried and failed to buy it \nseveral times, eventu-\nally building a ‘cabanon’ \non the perimeter to allow \nhim to forever lurk near-\nby. He drowned in the  \nsea in front of E 1027 \nin 1965, the house per-\nhaps the last thing he \never saw.\nEileen Gray never re-\nturned to her most fa-\nmous construction. She \nmoved back to Paris \nafter the war and con-\ntinued her work in the \npeace she had always \nwanted, fading into ob-\nscurity before enjoying \na resurgence in popu-\nlarity shortly before her \ndeath aged 98 in 1976. \nE 1027 \nhas \nhad \nan \nunhappy \nhistory. \nOn \nBadovici’s death, it was  \nbought \nby \na \nSwiss  \nheiress who left it to  \nher gynaecologist, who  \nsold all of Gray’s cus-\ntom-made furniture and  \nwas then murdered by  \nthe gardener. Squatters \ntook over and hastened  \nits decline still further  \nbefore the French gov-\nernment finally bought \nit in 1999. The rehabili-\ntation process has been \ntorturous, but in sum-\nmer 2015 the house \nwas at last reopened to \nthe public.\nP 104\n",108,{"image":424,"text":425,"number":426},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.109.png","The things we choose to surround  \nourselves with are a unique and individual \nclue to our personality. Furniture lends a \nroom the desired atmosphere and expresses \nour personal feeling for life. That’s why we \noffer you pieces with strong character that \nare durable and distinctive – so they can  \nbe your loyal companions for a lifetime.\nHome\n",109,{"image":428,"text":429,"number":430},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.110.png","lantern light floor lamp, mars chair, pli table\n",110,{"image":432,"text":433,"number":434},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.111.png","above: sedan lounge chair, lantern light floor lamp\nbelow: sax side table\nP 107\n",111,{"image":436,"text":437,"number":438},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.112.png","above: orcus home desk,  \nroquebrune chair,  \norbis floor lamp\nbelow: bell coffee table, \nmunich lounge chair,  \nmunich stool, bell side table\n",112,{"image":440,"text":441,"number":442},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.113.png","ulisse daybed, diana b side table, lantern light floor lamp\nP 109\n",113,{"image":444,"text":445,"number":446},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.114.png","cypris mirror, pegasus home desk, sedan chair, bell light pendant lamp\n",114,{"image":448,"text":449,"number":450},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.115.png","above: cypris mirror\nbelow, left: triton bar stool, bowl, cypris mirror, bell light pendant lamp, roquebrune rug\nbelow, right: tadaima console\nP 111\n",115,{"image":452,"text":453,"number":454},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.116.png","lota sofa, bibendum armchair, st. tropeZ rug, menton table, occasional table\n",116,{"image":456,"text":457,"number":458},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.117.png","pli side table, bibendum armchair, vase\nP 113\n",117,{"image":460,"text":461,"number":462},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.118.png","euvira rocking chair, bell coffee table, bell side table, bell light pendant lamp\n",118,{"image":464,"text":465,"number":466},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.119.png","euvira rocking chair, diana a side table\nP 115\n",119,{"image":468,"text":469,"number":470},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.120.png","left: selene pendant lamp \nright: adjustable table e 1027, day bed, brick screen\n",120,{"image":472,"text":473,"number":474},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.121.png","P 117\n",121,{"image":476,"text":477,"number":478},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.122.png","above: tube light floor lamp, bibendum armchair, adjustable table e 1027\nbelow: lou perou table \n",122,{"image":480,"text":481,"number":482},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.123.png","adjustable table e 1027, ulisse daybed, nymphenburg coat stand\nP 119\n",123,{"image":484,"text":485,"number":486},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.124.png"," \nbell side table, bell coffee table\n",124,{"image":488,"text":489,"number":490},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.125.png","pallas table outdoor\nP 121\n",125,{"image":492,"text":493,"number":494},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.126.png","tsatsas  \nshoWRoom  \nfRankfuRt\u002Fmain  \nODIN SOFA\nP 122\n",126,{"image":496,"text":497,"number":498},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.127.png","Our selected pieces of furniture also \nbecome quality statements in hotels, \noffices, lobbies or business premises. \nTogether with our customers we realise \nprojects that are characterised by \nindividuality. At ClassiCon we closely \ncollaborate with designers and crafts \nbusinesses and are therefore able to react  \nto individual wishes in an especially \nflexible way. \nContract\n",127,{"image":500,"text":501,"number":502},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.128.png","beiRut teRRaCes ResidenCes  \nbeiRut \nSELENE PENDANT LAMP\nmahaRam shoWRoom\ntoRonto\nCHAOS CHAIR, MARS CHAIR, \nPALLAS TABLE\nsulWhasoo flagship stoRe\nseoul\nSEDAN LOUNGE CHAIR\nJimmy Choo stoRe\nlondon\nBELL TABLE\nle meRidien hotel  \nZhengZhou \nSEDAN LOUNGE CHAIR\nWindsoR shoWRoom\ndüsseldoRf\nEUVIRA ROCKING CHAIR\noutletCity headquaRteRs \nmetZingen\nSELENE PENDANT LAMP\nJoop! stoRe\ndüsseldoRf\nBIBENDUM ARMCHAIR \nBELL TABLE\nlone hotel\nRovinJ\nSATYR LOUNGE CHAIR\nyndo hotel\nboRdeaux\nBELL TABLE\nfouR seasons hotel\nneW yoRk\nBELL TABLE\nthe st. Regis hotel \nistanbul\nBELL TABLE COPPER\nsWiss embassy\nneW delhi\nBELL TABLE\nbloombeRg Citybank\nhong kong\nSEDAN CHAIR\nfaiRmont hotel  \nvieR JahResZeiten\nhambuRg\nPLI SIDE TABLE\n",128,{"image":504,"text":505,"number":506},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.129.png","W hotel  \nistanbul  \nBELL TABLE\nselfRidges \ndepaRtment stoRe\nlondon\nSEDAN LOUNGE CHAIR\nby usm stoRe\nstuttgaRt\nCHAOS CHAIR\nnaChmann laWyeRs\nmuniCh\nBIBENDUM ARMCHAIR,  \nOCCASIONAL TABLE\nthe flushing meadoWs hotel\nmuniCh\nBELL LIGHT PENDANT LAMP\nshipping Company \nlondon\nSELENE PENDANT LAMP\nhilton hotel  \nbRisbane\nMUNICH LOUNGE CHAIR\nu&me hotel\numeÅ\nBELL LIGHT PENDANT LAMP\ndupond smith hotel\npaRis\nBELL TABLE\nleidmann stoRe\nmuniCh\nBELL TABLE, SATYR LOUNGE CHAIR, SELENE PENDANT LAMP\nmuniCh Re gRoup\nmuniCh\nMUNICH LOUNGE CHAIR, MUNICH COFFEE TABLE\nJW maRRiott ResoRt & spa\nveniCe\nSELENE PENDANT LAMP\nsoda. beRlin\nstoRe\nTRITON BAR STOOL\naesop stoRe\nlondon\nSELENE PENDANT LAMP\n",129,{"image":508,"text":509,"number":510},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.130.png","hotel de touRRel, st.-Rémy-de-pRovenCe \u002F f\nLocated in the centre of the old village in a 17th century palais, the hotel \nwith its spacious suites is also home to a fine wine bar and an innovative \nNouveau Mediterranean restaurant. The original characteristics of the \nnoble de Tourrel d’Almeran family’s former home were elegantly mixed \nwith furniture by various ClassiCon designers including Eileen Gray, \nKonstantin Grcic and Jader Almeida in the interior.\nODIN SOFA, BELL TABLE, EUVIRA ROCKING CHAIR,  \nROqUEBRUNE CHAIR\nDIANA SIDE TABLE, SELENE PENDANT LAMP, SATYR LOUNGE CHAIR,  \nPEGASUS HOME DESK, ORBIS FLOOR LAMP, MARS CHAIR\nTRITON BAR STOOL\nNON CONFORMIST ARMCHAIR,  \nADJUSTABLE TABLE E 1027\nP 126\n",130,{"image":512,"text":513,"number":514},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.131.png","Relais & ChÂteaux mammeRtsbeRg, fReidoRf \u002F Ch\nThe historical estate is situated in a gorgeous panoramic location near  \nLake Constance. The Haus Mammertsberg is more than a century old  \nand was carefully renovated in 2013 by architect Tilla Theus and extended \nwith a modern addition. Along with the guest rooms, it is home to a \nrestaurant with a creative star-decorated cuisine and a first-class choice  \nof wines. A spiral staircase connects the restaurant with the lounge on  \nthe upper floor and forms an extravagant space-creating component.\nMUNICH ARMCHAIR\nMUNICH ARMCHAIR\nMUNICH CHAIR\n",131,{"image":516,"text":517,"number":518},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.132.png","P 128\n",132,{"image":520,"text":521,"number":522},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.133.png","The international designers of our \nportfolio are separated by decades, \neven epochs, but they are connected by \ntheir attitude and the high standards \napplied to their designs. In dealing with \nmaterials and technical possibilities, \nthey add their highly personal ideas, \nexperiences and values. \nDesigners\nP 129\n",133,{"image":524,"text":15,"number":525},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.134.png",134,{"image":527,"text":528,"number":529},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.135.png","25 \nyears\ngrcic\nfor \nclassi-\ncon\nThe collaboration be-\ntween Konstantin Grcic \nand ClassiCon started \nin 1991. From the be-\nginning, their common \nground was mutual ap-\npreciation and open-\nmindedness with regard \nto the character of the \ndesigns that Grcic soon \nbegan to develop. It takes \ncourage to juxtapose a \ncollection characterised \nby the iconic furniture of \nclassic modernism with \na voluminous table such \nas Pallas, made of fold-\ned sheet metal, or to be-\nlieve in the Chaos chair, \nwhich seemed to break \nwith all unwritten rules \nof \nform, \nproportions  \nand comfort, although  \nit would soon prove  \nthe opposite: a comfort- \nable chair which, in its  \nradicalness, also repre-\nsented a liberation for  \nClassiCon and a move-\nment towards a new, \nstrong and contempo- \nrary design language. \nThe collaboration hence  \nchanged both Grcic and \nClassiCon. For Grcic, it  \nwas a maturation pro-\ncess, allowing him to \nbid farewell to the tra-\nditional formal canon;  \nfor ClassiCon, it entailed  \nthe \nopening \nof \nthe  \ncollection to the avant-\ngarde, allowing other  \ndesigners to follow suit. \nP 131\n",135,{"image":531,"text":532,"number":533},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.136.png","TExT ECKHART NICKEL AND ARTWORK SHIRANA SHAHBAZI FOR CLASSICON\n",136,{"image":535,"text":536,"number":537},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.137.png","KG: “Only a long-term \ncollaboration with man-\nufacturers will lead to \nenormous quality and \ntruly radical, strong prod- \nucts because it allows \nyou to go much further \ninto the extreme – to \nseriously deal with the \nquestion how every-\nday and typical things \ncan be adjusted to our \ntime by examining them \nwith regard to new pro- \nduction and technology  \npossibilities.” With his  \nnewest design for the  \n25th anniversary Grcic \nhas designed an almost \nclassic daybed – but with \na contemporary update. \nIt is also part of a lim-\nited edition marking the  \n25th anniversary of the \ncollaboration. The Black \nEdition has given a \nmakeover to Konstantin  \nGrcic’s most striking  \ndesigns for ClassiCon  \nand transforms them  \ninto a monochromatic \nseries in black. \nChanging the surfaces \nwith \nglossy \nlacquer, \nblack-burnished \nmetal \nand fabrics with colour  \ndepth provides the fur- \nniture with a timeless  \nelegance and it is newly  \nunited as a monochro-\nmatic ensemble. \nKG: “I have intentionally \nselected black because \nit is a colour that repre-\nsents classic modernism  \nand its existential objec-\ntivity. But black is also a  \nclear, modern statement:  \npure, topical and radical.”  \nThe furniture of the Black  \nEdition is accompanied \nby a portfolio with pho-\ntographs taken by the \nartist Shirana Shahbazi. \nShe staged the eight \nmodels of the anniver-\nsary edition in two ver-\nsions: set against a black  \nbackground and in con-\ntrast with multi-coloured  \nsurfaces. As is the case  \nwith her own work, she  \nfocuses on the suspen-\nsion of reality, the clearly  \ndefined forms and the \ndimensions. The inter-\nchange between surface \nand depth emphasises \nthe artistic quality of  \nGrcic’s design.\nP 133\n",137,{"image":539,"text":540,"number":541},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.138.png","Herbert H. Schultes, 1938\nHerbert H. Schultes completed his \nengineering and design studies in Munich. \nFrom 1985 to 2000 he was Chief Designer \nof Siemens AG and later Managing Director \nof Siemens Design und Messe GmbH.  \nAs a member of various institutions he had  \na decisive influence on the importance of \nGerman design. In 2001 he was honoured \nfor his work with the ‘Bundespreis für \nFörderer des Designs’ federal award and \nreceived the ‘Verdienstkreuz am Bande  \nder Bundesrepublik Deutschland’ cross  \nof merit. Herbert H. Schultes today works  \nin his own studio in Munich where he \ndevelops kitchen systems for bulthaup and \ndesigns furniture. orbis \nVictoria Wilmotte, 1985\nVictoria Wilmotte was born in 1985 in Paris, where she studied interior design. She later \nearned her master’s degree in product design at the Royal College of Art in London. She \nreturned to Paris in 2008 and opened her design studio, where she still lives and works today. \nHere, she created designs for the Tools Gallery in Paris and works for her first solo show in \n2009 in the Brussels Gallery Pierre Bergé et Associés. In addition to product design and \neditions, she also deals with custom-tailored concepts. pli series \nOtto Blümel, 1881 – 1973\nBorn in Augsburg, Otto Blümel studied \narchitecture at the Technical University of \nMunich and then took up painting. From \n1907 to 1914 he was director of the design \ndepartment at the Vereinigte Werkstätten  \nfür Kunst im Handwerk in Munich, at the \ntime a pioneering force in interior design. \nOtto Blümel’s most famous piece is the \nNymphenburg coat rack, which is still stored \nin the Vereinigte Werkstätten archives today.  \nnymphenburg\nEckart Muthesius \n1904 – 1989\nFollowing his studies at the Associated \nState School for Applied Arts in Berlin and \nthe London Polytechnic, Eckart Muthesius \nbecame a master student in the studio of his \nfather, Hermann Muthesius, founder of the \nDeutscher Werkbund. In 1929 Muthesius \nmet Prince Yeshwant Rao Holkar Bahadur  \nin Oxford, the later Maharajah of Indore, \nwho commissioned him to build and furnish \nhis palace ‘Manik Bagh’. Completed four \nyears later, the palace was a masterpiece  \nof the Art Deco style. When the war broke \nout in 1939, he was forced to leave India \nand return to Berlin, where he worked as a \nfreelance architect. banu, mandu, satish, \nusha\nEileen Gray, 1878 – 1976\nComing from an aristocratic Irish-Scottish \nfamily, Eileen Gray went to London and Paris \nto study architecture and design. She first \nmade a name for herself as a leading designer  \nof lacquered walls and decorative panels. \nWith her theories on design and architecture \nshe left an indelible mark on our ideas about \nliving. Today she is still considered the epit- \nome of Modernism and is the only woman \nwhose name is mentioned in the same breath \nas Le Corbusier, Mies van der Rohe and Mar- \ncel Breuer. Her tubular steel furniture designs, \nat the time revolutionary, have become \nclassics. The high point of her career was  \nher appointment to the Royal Society of Art \nin London in 1972 as ‘Royal Designer for \nIndustry’. The Museum of Modern Art added \nher legendary Adjustable Table E 1027 to its \npermanent design collection in 1978. In the \n1970s Eileen Gray began working with Zeev \nAram to put her furniture, rugs and lamps  \ninto series production. In 1973, she granted \nthe worldwide rights to manufacture and \ndistribute her designs to Aram Designs Ltd., \nLondon. The Vereinigte Werkstätten, from \nwhich ClassiCon emerged in 1990, already \nproduced and distributed Eileen Gray designs \nunder licence. Her lifetime achievement was \nhonoured in 2013 with a large solo exhibition \nat Centre Pompidou. The production of the \nmovie ‘Price of Desire’ and the documentary \nfilm ‘Gray matters’ (both 2014) follow the \nsuccess of this exhibition. Her most famous \narchitectural design, the Maison en Bord  \nde Mer E 1027 was reopened to the public  \nin 2015. adjustable table e 1027, aixia,  \nbar stool no. 1, bar stool no. 2, bibendum, \nbonaparte, brick screen, castellar, day \nbed, de stijl, double x, folding screen, \njean, lota, lou perou, menton, monte \ncarlo, non conformist, occasional table, \npailla, petite coiffeuse, rivoli, roattino, \nroquebrune, tube light and the rugs  \nblue marine, bonaparte, castellar, \ncentimetre, kilkenny, roquebrune,  \nst. tropez, wendingen\nBarber Osgerby, 1969\nEdward Barber and Jay Osgerby studied at  \nthe Royal College of Art in London, already \nworked together during their study time and \nestablished Barber Osgerby in 1996. In 1998, \nthey presented their first piece in Milan, the \n‘Loop Table’. Many successful products for \nrenowned companies followed suit. In 2001, \nBarber and Osgerby founded the ‘Universal’ \ndesign studio, which today is recognised \nworldwide as one of the most innovative \ndesign consulting agencies for architecture, \ninterior and exhibition design. The collaboration \nwith ClassiCon began in 2004. For the 2012 \nOlympic Games they were appointed to design \nthe London Olympic Torch.  \nparis, saturn\nSandra Lindner, 1974\nSandra Lindner received extensive technical \ntraining in working with metal and textiles  \nin the course of three traineeships. Studies  \nat the University of Fine Arts in Hamburg \nculminated in a degree as industrial designer \nand were the logical continuation of her \ntraining. In 1996 she opened her own office \nfor design ‘Lindner im Norden’. With her  \nmost recent ceramics works Sandra Lindner \nestablishes the context between movement \nand form. selene\nKonstantin Grcic, 1965\nKonstantin Grcic was born in Munich, \nGermany, in 1965. After training as a cabinet \nmaker at The John Makepeace School in \nEngland he studied design at the Royal \nCollege of Art in London. He set up his own \ndesign practice KGID in Munich in 1991  \nand already presented furniture designs for \nClassiCon in 1992. His name is closely \nassociated with the company. The first book \nabout his work was published in 2002 by  \nClassiCon; in Milan, a solo exhibition was \ndedicated to his work. Since then, he has \nbeen developing furniture, lighting, industrial \nproducts for the most important companies in \nthe design scene. Many of his products won \ninternational design awards, among them the \nMayday lamp, which received the prestigious \nCompasso d’oro. The Chaos Chair by \nClassiCon is part of the collection of the \nMusée des Arts Décoratifs (Paris). In 2006, \nPhaidon Verlag published the book ‘KGID \nKonstantin Grcic Industrial Design’. Most \nrecently, he has been curating exhibitions and \ndesigning for museums. In 2012, Konstantin \nGrcic was responsible for the exhibition \ndesign of the German pavilion at the Venice \nBiennial. Solo exhibitions of his oeuvre were \npresented at the Museum Bojimans Van \nBeuningen (Rotterdam), Haus der Kunst \n(Munich, 2006), The Art Institute Chicago \n(2009) and, most recently, ‘Panorama’ at  \nthe Vitra Design Museum (Weil am Rhein).  \nIn England, Grcic received the title ‘Royal \nDesigner for Industry’. In 2010, Design Miami \nawarded him the title ‘Designer of the Year’. \nIn 2016, ClassiCon celebrated 25 years of \ncollaboration with the publication of a Limited \nBlack Edition, accompanied by an artist’s  \nportfolio. chaos, diana, mars, odin, orcus, \npallas, ulisse, venus \n",138,{"image":543,"text":544,"number":545},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.139.png","For Use, 1973 \u002F 1968 \u002F 1971\nThe design trio For Use is international:  \nSven Jonke was born in Bremen in 1973, \nChristoph Katzler was born in Vienna in  \n1968, and Nikola Radeljkovic was born in \nZagreb in 1971. In 1998 they joined forces \nunder the name ‘For Use’. Their work is \ninterdisciplinary in the fields of architecture, \nindustrial design, lighting, furniture and \nspatial installations. satyr series\nNina Mair, 1978\nNina Mair was born in 1978 in Austria and \nstudied at the Academy of Fine Arts in \nFlorence and at Leopold Franzens University \nin Innsbruck. In 2006 she founded the design \nstudio Pudelskern together with Horst Philipp \nand Georg öhler. Since 2012, Nina Mair  \nhas been working as a product designer and \ninterior designer in Innsbruck. cypris\nNeri&Hu, 1965 \u002F 1968\nLyndon Neri and Rossana Hu are the founding \npartners of neri&hu Design and Research \nOffice, since 2004 an internationally acting \noffice for architecture and design in Shanghai. \nTrained in the USA they are among the most \ninfluential forces in design and architecture in \nChina today. They also run Design Republic,  \na concept store for outstanding international \ndesign in Shanghai. They market their own de- \nsigns under their own neri&hu brand and were \nhonoured with various international awards.  \nlantern light, sedan series\nClemens Weisshaar, 1977\nClemens Weisshaar was born in Munich. \nAfter an apprenticeship as a metal worker he \nstudied product design at the Royal College  \nof Art in London. In 2000 he founded his own \noffice and works on industrial design related \nissues, ranging from strategic consulting to \nexhibition architecture and product design. In \nthe same year he founded an office together \nwith Reed Kram with studios in Munich and \nStockholm. The works of Kram\u002FWeisshaar are \npart of the collections of Vitra Design Museum  \n(Weil am Rhein), of Die Neue Sammlung \n(Munich) and of Centre Pompidou (Paris). \ntriton\nA+A Cooren, 1974 \u002F 1973\nFounded in Paris by Aki and Arnaud Cooren, a \nJapanese-French design duo, A + A Cooren is \na multidisciplinary studio that designs lamps, \nproducts, furniture and interiors. With a \ncharacteristically Japanese austerity, they aim \nat the subtle integration of nature in everyday \nobjects and interior design. Some of their \nworks are already included in international \ncollections of contemporary art. tadaima\nSebastian Herkner, 1981\nSebastian Herkner was born in Bad Mergent- \nheim. He studied product design at HfG \nOffenbach am Main, and already focused on \ndesigning objects and furniture merging \nvarious cultural contexts during his studies. \nIn 2006 he founded his own studio for \nobjects, interior design and exhibition design \nin Offenbach am Main. Sebastian Herkner’s \nsuccess is reflected in numerous awards and \nprizes, including the 2011 German Design \nAward in the ‘Newcomer’ category and the \n2015 EDIDA Award for ‘Best International \nNewcomer’. Most recently, Sebastian \nHerkner was named guest of honour at imm \nCologne 2016 and invited to present his \nconcept for ‘Das Haus – Interiors on Stage’. \nToday, Herkner works for international \ncompanies, designs furniture and lamps, \nporcelain and glass, and also curates and \nstages exhibitions dealing with design.  \nbell light, bell table \nSauerbruch Hutton\n1955 \u002F 1957\nLouisa Hutton and Matthias Sauerbruch \nstudied at the Architectural Association of \nLondon. Both have been teaching at the \nHarvard Graduate School of Design since \n2007 and have developed an individual \narchitectural language that has brought \nthem international recognition since the \nfoundation of their joint office Sauerbruch \nHutton in 1989 in Berlin. Their holistic \napproach to planning, from urban develop- \nment to furniture design, resulted in \nnumerous awards. Their first high-rise \nbuilding, the GSW Headquarters in Berlin \n(1999), was added to the architecture \ncollection of MoMA (New York) in 2009.  \nmunich series \nJader Almeida, 1981\nJader Almeida was born in Santa Catarina, \nBrazil. He studied architecture and urban \ndevelopment. With LinBrasil, a manufacturer \nof furniture by famous Brazilian architects and \ndesigners, he gained experience in handling \nthe materials typical for the country, such as \nwood and leather, and had contact with \nmasters of Brazilian furniture design, including \nSergio Rodrigues. It all sustainably influenced \nhis understanding of design. Since 2004 he \nhas been designing his own products, mainly \nfor the company Sollos in Santa Catarina. \nJader Almeida has received international \ndesign awards. euvira \nChristoph Böninger, 1957\nAs his dissertation project, Christoph \nBöninger designed the world’s first laptop \ncomputer, today on display at the Pinakothek \nder Moderne (Munich). He worked as a  \ndesign manager for 20 years and designed \nvarious tables for ClassiCon. In 2010 he \nfounded Auerberg, an author’s label for \ndesigners and architects. sax, Zelos \nIppolito Fleitz Group\nTilla Goldberg, 1973\nThe Ippolito Fleitz Group is a Stuttgart- \nbased studio for architecture, design and \ncommunication. Tilla Goldberg has been a \nmember of the board since 2009 and is \nresponsible for product design. With her \nteam she develops individual pieces of \nfurniture, lamps, materials and surfaces to \nlend an unmistakable character to the \ncomplex identity of the clients in the  \nstudio’s projects. pegasus\nP 135\n",139,{"image":547,"text":548,"number":549},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.140.png","Products\n",140,{"image":551,"text":552,"number":553},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.141.png","aixia chair 1928\nEILEEN GRAY\nH 84 \u002F W 40 \u002F D 52 \u002F SH 48 \nSEE PAGE 71\nFrame chrome-plated tubular steel. \nUpholstery polyurethane with \npolyester fibre. Cover in fabric or \nleather. Gliders solid mahogany. \nmars chair 2003 \nKONSTANTIN GRCIC \nH 76 \u002F W 48 \u002F D 54 \u002F SH 46\nSEE PAGES 41, 106, 124, 126\nFrame in rigid polyurethane. Seat \ntubular steel with polyurethane \nupholstery. Cover in fabric or leather. \nHeight-adjustable metal gliders.\nsedan chair 2015 \nNERI&HU\nH 84 \u002F W 45 \u002F D 54 \u002F SH 46\u002F47\nSEE PAGES 88, 110, 124\nFrame in solid oak or walnut, natural \nor black-stained, with clear varnish. \nSeat shell rigid polyurethane foam \nin black or white or upholstery \npolyurethane and cover in fabric or \nleather. Changeable gliders in felt \nor plastic.\neuvira lounge chair 2015 \nJADER ALMEIDA\nH 73\u002F78 \u002F W 71 \u002F D 74 \u002F SH 42\u002F47\nSEE PAGES 81, 83\nFrame solid oak, natural, brown or \nblack-stained, with clear varnish. \nSeat in black or hemp-coloured nylon \ncord or upholstery polyurethane with \nrubber webbing and cover in fabric  \nor leather. Changeable gliders in felt \nor plastic.\nsedan lounge chair 2013 \nNERI&HU\nH 74 \u002F W 85 \u002F D 67 \u002F SH 42\nSEE PAGES 32, 35, 107, 124, 125\nFrame powder-coated tubular steel in \nblack or white. Or frame in solid oak \nor walnut, natural or black-stained,  \nwith clear varnish. Seat shell rigid \npolyurethane foam with polyurethane \nupholstery. Cover in fabric or leather. \nChangeable gliders in felt or plastic.\nroquebrune chair 1927\nEILEEN GRAY\nH 79 \u002F W 45 \u002F D 53 \u002F SH 47\nSEE PAGES 52, 54, 100, 108, 126\nFrame black powder-coated or \nchrome-plated tubular steel. Seat \nand back in bend leather, laced. \nPlastic gliders.\nchaos chair 2001 \nKONSTANTIN GRCIC\nH 78 \u002F W 87 \u002F D 70 \u002F SH 43\nSEE PAGES 38, 124, 125, 132\nFrame chrome-plated tubular steel \nwith rubber webbing. Floor bracket \nin polished stainless steel. Uphol- \nstery polyurethane with polyester \nfibre. Cover in fabric or leather.  \nOne height-adjustable plastic glider  \nin black.\nnon conformist armchair 1926 \nEILEEN GRAY\nH 78 \u002F W 57 \u002F D 63 \u002F SH 49\nSEE PAGES 68, 69, 102, 126\nFrame chrome-plated tubular steel. \nBeech frame with rubber webbing. \nUpholstery polyurethane with \npolyester fibre. Cover in fabric or \nleather. Plastic gliders in black.\nbibendum armchair 1926 \nEILEEN GRAY\nH 72 \u002F W 90 \u002F D 79 \u002F SH 42\nSEE PAGES 20, 21, 95, 105,  \n112, 113, 118, 124, 125\nFrame black powder-coated or \nchrome-plated tubular steel.  \nBeech frame with rubber webbing. \nUpholstery polyurethane with \npolyester fibre. Cover in fabric or \nleather. Plastic gliders in black.\nbonaparte armchair 1935\nEILEEN GRAY\nH 74 \u002F W 62 \u002F D 67 \u002F SH 47\nSEE PAGES 16, 19, 74\nFrame chrome-plated tubular steel. \nBeech frame with rubber webbing. \nUpholstery polyurethane with \npolyester fibre. Cover in fabric or \nleather. Plastic gliders in black.\nvenus chair 2006\nKONSTANTIN GRCIC\nH 81 \u002F W 53 \u002F D 53 \u002F SH 46\nSEE PAGES 90, 132\nMoulded wood, real-wood \nveneered in oak, natural, or maple \nblack-stained, with clear varnish. \nBackrest handle in rubber. Bend \nleather gliders in black.\nmunich chair 2011\nSAUERBRUCH HUTTON\nH 81 \u002F W 56 \u002F D 54 \u002F SH 47\nSEE PAGES 30, 127\nFrame solid oak or walnut, natural  \nor black-stained, with clear varnish. \nSeat frame tubular steel. Upholstery \npolyurethane with polyester fibre. \nCover in fabric or leather. Contrast \nstitching exclusively for premium \nleather. Changeable gliders in felt  \nor plastic. \nmunich armchair 2011\nSAUERBRUCH HUTTON\nH 81 \u002F W 69 \u002F D 54 \u002F SH 47\nSEE PAGES 28, 31, 48, 127 \nFrame solid oak or walnut, natural  \nor black-stained, with clear varnish.  \nSeat frame tubular steel. Upholstery \npolyurethane with polyester fibre. \nCover in fabric or leather. Contrast \nstitching exclusively for premium \nleather. Changeable gliders in felt \nor plastic. \nmunich stool 2012\nSAUERBRUCH HUTTON\nH 41 \u002F W 53 \u002F D 42\nSEE PAGE 108\nFrame solid oak or walnut, natural  \nor black-stained, with clear varnish. \nUpholstery polyurethane with \npolyester fibre. Cover in fabric or \nleather. Contrast stitching exclu-\nsively for premium leather. Change-\nable gliders in felt or plastic.\nSeating Furniture\nChairs and armchairs\neuvira rocking chair 2013 \nJADER ALMEIDA\nH 68\u002F73 \u002F W 72 \u002F D 77 \u002F SH 41\u002F48\nSEE PAGES 76, 77, 81, 82, 114,  \n115, 124, 126\nFrame solid oak, natural, brown or \nblack-stained, with clear varnish. \nSeat in black or hemp-coloured  \nnylon cord or upholstery polyurethane  \nwith rubber webbing and cover in \nfabric or leather. Undersides of skids \nhave (non-slip) felt inserts. \nP 137\n",141,{"image":555,"text":556,"number":557},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.142.png","munich lounge chair 2009\nSAUERBRUCH HUTTON\nH 72 \u002F W 97 \u002F D 69 \u002F SH 41\nSEE PAGES 50, 108, 125\nFrame solid oak or walnut, natural  \nor black-stained, with clear varnish. \nSeat frame tubular steel with rubber \nbelts. Upholstery polyurethane \nwith polyester fibre. Cover in fabric \nor leather. Contrast stitching \nexclusively for premium leather. \nChangeable gliders in felt or plastic. \nsatyr lounge chair 2006\nFOR USE\nH 74 \u002F W 63 \u002F D 80 \u002F SH 45\nSEE PAGES 85, 124, 125, 126\nFrame flat steel, powder-coated \nwith fine texture in black or \nchrome-plated. Beech seat frame. \nUpholstery polyurethane with \npolyester fibre. Cover in fabric or \nleather. Changeable gliders in felt \nor plastic.\nsatyr stool 2008\nFOR USE\nH 45 \u002F W 63 \u002F D 64\nFrame flat steel, powder-coated  \nwith fine texture in black or \nchrome-plated. Beech seat frame. \nUpholstery polyurethane with \npolyester fibre. Cover in fabric or \nleather. Changeable gliders in felt  \nor plastic.\nsatyr armchair 2008\nFOR USE\nH 74 \u002F W 76 \u002F D 80 \u002F SH 45\nSEE PAGE 85\nFrame flat steel, powder-coated \nwith fine texture in black or \nchrome-plated. Beech seat frame. \nUpholstery polyurethane with \npolyester fibre. Cover in fabric or \nleather. Changeable gliders in felt \nor plastic.\nmunich sofa 2010\nSAUERBRUCH HUTTON \nH 76 \u002F W 163 \u002F D 77 \u002F SH 41\nSEE PAGE 51\nFrame solid oak or walnut, natural  \nor black-stained, with clear varnish.  \nSeat frame tubular steel. Upholstery \npolyurethane with polyester fibre. \nCover in fabric or leather. Contrast \nstitching exclusively for premium \nleather. Changeable gliders in felt  \nor plastic.\nsatyr sofa 2007\nFOR USE\nH 74 \u002F W 135 \u002F D 80 \u002F SH 45\nFrame flat steel, powder-coated \nwith fine texture in black or \nchrome-plated. Beech seat frame. \nUpholstery polyurethane with \npolyester fibre. Cover in fabric or \nleather. Changeable gliders in felt \nor plastic.\nsatyr sofa armrest 2008\nFOR USE\nH 74 \u002F W 147 \u002F D 80 \u002F SH 45\nFrame flat steel, powder-coated  \nwith fine texture in black or \nchrome-plated. Beech seat frame. \nUpholstery polyurethane with \npolyester fibre. Cover in fabric or \nleather. Changeable gliders in felt \nor plastic.\nday bed 1925\nEILEEN GRAY\nH 60 \u002F W 190 \u002F D 86 \u002F SH 45\nSEE PAGES 6, 64, 66, 67, 117\nFrame chrome-plated tubular steel. Beech frame  \nwith rubber webbing. Loose mattress. Upholstery \npolyurethane with polyester fibre. Cover in fabric  \nor leather. Plastic gliders in black.\nulisse daybed 2016\nKONSTANTIN GRCIC\nH 78 \u002F W 211 \u002F D 77 \u002F SH 40\u002F46\nSEE PAGES 2, 7, 22, 109, 119, 136\nFrame solid oak or walnut, natural or black- \nstained, with clear varnish. Metal components in \nsolid brass, unvarnished or black chrome-plated. \nUpholstery polyurethane with polyester fibre. \nCover in fabric or leather. Cushion can be fixed in \nhead and foot area with push buttons. Headboard \nheight-adjustable at three settings. Anti-slip \nplastic gliders in white.\nlota sofa 1924\nEILEEN GRAY\nH 85 \u002F W 240 \u002F D 95 \u002F SH 43 \u002F BOx H 55 \u002F W 30\u002F D 88\nSEE PAGES 44, 47, 112\nPadded beech frame with spring interior. Sideboxes \nfinished in high-gloss lacquered MDF, mounted on \nplastic casters in black. Loose seat cushion with natural \ndown filling. Loose back and side cushions are filled with \nnatural down and stabilisers. Cover in fabric or leather.\nmonte carlo sofa 1929 \nEILEEN GRAY\nH 60 \u002F W 280 \u002F D 95 \u002F SH 40\nSEE PAGE 58\nFrame chrome-plated tubular steel. Beech seat \nframe with rubber webbing. Upholstery \npolyurethane with polyester fibre. Cover in fabric \nor leather. Height-adjustable metal gliders.\nodin sofa 2005\nKONSTANTIN GRCIC\nH 74 \u002F W 160 \u002F D 69 \u002F SH 44\nSEE PAGES 60, 122, 126\nFrame tubular steel with rubber webbing and \npolyurethane foam. Upholstery polyurethane \nwith polyester fibre. Cover in fabric or leather. \nTwo recessed grips on back. Height-adjustable \nmetal gliders.\nStool\nbanu stool 1931 \nECKART MUTHESIUS\nH 46 \u002F W 52 \u002F D 42\nSEE PAGE 70\nFrame chrome-plated flat steel. \nBeech seat frame. Upholstery \npolyurethane with polyester fibre. \nCover in fabric or leather. \nChangeable gliders in felt or plastic.\nSeating Furniture\nSofas\n",142,{"image":559,"text":560,"number":561},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.143.png","Bar stools\nSide and Coffee Tables\nbar stool no. 2 1928\nEILEEN GRAY\nH 74 \u002F W 30 \u002F D 39\nSEE PAGE 56\nBase sectional steel, lacquered  \nin black or creamy white. Two \nstainless steel bars. Steel floor \nbase. Upholstery polyurethane with \npolyester fibre. Cover in fabric or \nleather. Changeable gliders in felt \nor plastic.\nbar stool no. 1 1928\nEILEEN GRAY\nH 70-80 \u002F DM 38\nSEE PAGE 56\nSeat height-adjustable. Threaded \nrod and column chrome-plated steel.  \nBase in cast aluminium, lacquer \nfinish in black or white. Upholstery \npolyurethane with polyester fibre. \nCover in fabric or leather. \nChangeable gliders in felt or plastic.\nsatish bar stool 1931\nECKART MUTHESIUS \nH 78 \u002F DM 36\nSEE PAGE 57\nFrame chrome-plated tubular steel. \nBeech seat frame. Upholstery  \npolyurethane with polyester fibre. \nCover in fabric or leather. Plastic \ngliders in black.\ntriton bar stool 2007 \nCLEMENS WEISSHAAR \nH 75 \u002F W 50 \u002F D 49\nSEE PAGES 55, 56, 86, 111, 125, 126\nFrame steel, powder-coated with \nfine texture in black or chrome- \nplated or copper-plated. Seat \npolyurethane, colour-lacquered,  \nor bend leather. Hook for bags  \nin frame colour. Plastic gliders  \nin black.\ntriton counter stool 2007 \nCLEMENS WEISSHAAR\nH 65 \u002F W 50 \u002F D 49\nSEE PAGE 57\nFrame steel, powder-coated with  \nfine texture in black or chrome- \nplated or copper-plated. Seat \npolyurethane, colour-lacquered,  \nor bend leather. Hook for bags  \nin frame colour. Plastic gliders  \nin black.\nadjustable table e 1027 1927 \nEILEEN GRAY\nH 64-102 \u002F TH 55-93 \u002F DM 52\nSEE PAGES 4, 13, 58, 66, 95, 96, 116, \n118, 126\nHeight-adjustable frame, chrome- \nplated tubular steel. Tabletop clear \ncrystal glass or grey smoked glass, \nor black lacquered metal.\nadjustable table e 1027 black version 1927 \nEILEEN GRAY\nH 64-102 \u002F TH 55-93 \u002F DM 52\nSEE PAGES 21, 22, 82, 105, 119\nHeight-adjustable frame, powder-coated black tubular steel.  \nTabletop clear crystal glass or grey smoked glass, or black lacquered metal.\nbell side table 2012 \nSEBASTIAN HERKNER\nH 53 \u002F DM 50\nSEE PAGES 5, 36, 61, 81, 108, 114, \n120, 124, 125, 126\nHand-blown glass base in various \ncolours. Metal top frame solid brass \nwith clear varnish, with round crystal \nglass tabletop, black lacquered.\nbell side table 2012 \nSEBASTIAN HERKNER\nH 53 \u002F DM 50\nSEE PAGES 36, 74, 76\nHand-blown glass base in Montana \nblue or quartz grey. Metal top frame \nsolid black burnished steel with \nclear varnish, with round crystal \nglass tabletop, black lacquered.\nbell coffee table 2012 \nSEBASTIAN HERKNER\nH 36 \u002F DM 75\nSEE PAGES 36, 61, 108, 114, 120, 124, \n125, 126\nHand-blown glass base in various \ncolours. Metal top frame solid brass \nwith clear varnish, with round crystal \nglass tabletop, black lacquered.\nbell coffee table 2012 \nSEBASTIAN HERKNER\nH 36 \u002F DM 75\nSEE PAGES 36, 76\nHand-blown glass base in Montana \nblue or quartz grey. Metal top frame \nsolid black burnished steel with \nclear varnish, with round crystal \nglass tabletop, black lacquered.\nbell side table copper 2013 \nSPECIAL EDITION  \nSEBASTIAN HERKNER\nH 53 \u002F DM 50\nSEE PAGES 37, 62, 63, 124\nHand-blown glass base in quartz \ngrey. Metal top frame solid copper, \nunvarnished, with round crystal \nglass tabletop, black lacquered.\nbell coffee table copper 2013 \nSPECIAL EDITION  \nSEBASTIAN HERKNER\nH 36 \u002F DM 75\nSEE PAGES 36, 62, 63, 124\nHand-blown glass base in quartz \ngrey. Metal top frame solid copper, \nunvarnished, with round crystal \nglass tabletop, black lacquered.\nSeating Furniture, Tables\nde stijl table 1922\nEILEEN GRAY \nH 81 \u002F W 61 \u002F D 64\nSEE PAGE 73\nMultiplex and MDF. Black and white  \nmatte lacquer.\nP 139\n",143,{"image":563,"text":564,"number":565},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.144.png","diana b side table 2002\nKONSTANTIN GRCIC\nH 53 \u002F W 47 \u002F D 43\nSEE PAGES 32, 35, 109, 136\nSheet steel. Powder-coated with \nfine texture in various colours. Bot-\ntom covered with polyethylene.\ndiana a side table 2002\nKONSTANTIN GRCIC\nH 42 \u002F W 53 \u002F D 25\nSEE PAGES 32, 38, 115\nSheet steel. Powder-coated with \nfine texture in various colours. Bot-\ntom covered with polyethylene.\ndiana c side table 2002\nKONSTANTIN GRCIC\nH 34 \u002F W 47 \u002F D 36\nSEE PAGES 35, 126, 128\nSheet steel. Powder-coated with \nfine texture in various colours. Bot-\ntom covered with polyethylene.\ndiana e side table 2002\nKONSTANTIN GRCIC\nH 54 \u002F W 66 \u002F D 47\nSEE PAGE 126\nSheet steel. Powder-coated with \nfine texture in various colours. \nSwivel top. Bottom covered with \npolyethylene.\ndiana d coffee table 2002\nKONSTANTIN GRCIC\nH 27 \u002F W 90 \u002F D 64\nBase sheet steel. Powder-coated \nwith fine texture in various colours. \nClear crystal glass plate. Bottom \ncovered with polyethylene. \ndiana f side table 2002\nKONSTANTIN GRCIC\nH 44 \u002F W 65 \u002F D 41\nSheet steel. Powder-coated with \nfine texture in various colours. \nSwivel top. Bottom covered with \npolyethylene.\nmenton table 1932\nEILEEN GRAY \nH 42\u002F65 \u002F TH 32\u002F65 \u002F W 128 \u002F D 65\u002F56\nSEE PAGES 47, 92, 112\nFrame chrome-plated tubular steel. \nTabletop with linoleum surface, \nblack on one side and grey on the \nother, with solid beech edging. Fold- \nable for use in two different heights.\nmunich coffee table 2010\nSAUERBRUCH HUTTON\nH 38 \u002F W 88 \u002F D 58\nSEE PAGES 50, 125\nFrame solid oak or walnut, natural  \nor black-stained, with clear varnish. \nSafety glass top with rounded \nedges, lacquered in black or white. \nChangeable gliders in felt or plastic.\noccasional table 1927\nEILEEN GRAY\nH 57 \u002F TH 43 \u002F W 40 \u002F D 45\nSEE PAGES 34, 45, 72, 73, 112, 125\nBase chrome-plated tubular steel. \nTabletop round MDF high-gloss \nlacquered in black, grey, white or \nChinese red. Plastic gliders in grey.\noccasional table 1927\nEILEEN GRAY\nH 57 \u002F TH 43 \u002F W 36 \u002F D 40\nSEE PAGES 34, 45, 65\nBase chrome-plated tubular steel. \nTabletop rectangular MDF high-gloss \nlacquered in black, grey, white or \nChinese red. Plastic gliders in grey.\npetite coiffeuse 1926 \nEILEEN GRAY\nH 84 \u002F TH 76 \u002F W 47 \u002F D 66\nSEE PAGES 71, 92, 94\nChest of drawers and dressing table \nconsisting of tabletop and suspend- \ned box with two swivel drawers \nand one door. Frame chrome-plated \ntubular steel. Tabletop and box MDF \nhigh-gloss lacquered in black or \nwhite. Plastic gliders in black.\nrivoli table 1928\nEILEEN GRAY\nH 101 \u002F TH 71 \u002F W 73\u002F139 \u002F D 36\u002F64\nSEE PAGES 18, 45, 93\nFrame chrome-plated tubular steel \nand two swivel trays made of \nchrome-plated steel. Tabletops \nMDF high-gloss lacquered in black, \ngrey, white and Chinese red, \npartially foldable. Plastic gliders  \nin black and one height-adjustable \nmetal glider.\nTables\npli side table low 2016\nVICTORIA WILMOTTE\nH 48 \u002F W 56 \u002F D 42\nSEE PAGES 24, 26, 27, 113, 124\nBase made of folded, high-gloss \npolished stainless steel sheet in \ndifferent colours, tinted with a \nspecial method. Oval tabletop made \nof crystal glass, colour-lacquered, \nglossy or satin-finished. Felt gliders \nin black. \npli side table high 2017\nVICTORIA WILMOTTE\nH 65 \u002F W 56 \u002F D 42\nSEE PAGE 24\nBase made of folded, high-gloss \npolished stainless steel sheet in \ndifferent colours, tinted with a \nspecial method. Oval tabletop made \nof crystal glass, colour-lacquered, \nglossy or satin-finished. Felt gliders \nin black. \nsax side table 2017\nCHRISTOPH BöNINGER\nH 58-73 \u002F W 60 \u002F D 60\nSEE PAGES 40, 42, 43, 107\nVariably height-adjustable table  \non casters. Frame powder-coated  \nin black or chrome-plated steel. \nTabletop made of crystal glass, black \nlacquered or Fenix HPL in matte \nblack. Plastic casters in black. \n",144,{"image":567,"text":568,"number":569},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.145.png","double x table 1928\nEILEEN GRAY \nH 72\u002F73 \u002F W 224\u002F225\u002F230 \u002F D 82\u002F110\u002F110\nSEE PAGES 75, 93\nFrame chrome-plated tubular steel. \nTabletop MDF real-wood veneered \nin ash, black-stained or walnut,  \nwith clear varnish, or high-gloss \nlacquered in black. Or tabletop in \ncrystal glass. Height-adjustable \nmetal gliders.\njean table 1929\nEILEEN GRAY\nH 70\u002F72 \u002F W 65\u002F130 \u002F D 70\nSEE PAGES 52, 54, 93, 102\nFrame chrome-plated tubular steel. \nTabletop foldable, laminated with \nwhite melamine, solid beech edging. \nHeight-adjustable metal gliders.\nlou perou table 1926\nEILEEN GRAY \nH 70\u002F73 \u002F W 130\u002F195 \u002F D 65\nSEE PAGES 92, 118\nFrame chrome-plated tubular steel.  \nPart of the tabletop can be folded  \nup for extension. Tabletop MDF \nhigh-gloss lacquered in black or  \nwhite. Plastic gliders in black.\npallas table 2003\nKONSTANTIN GRCIC\nH 72 \u002F W 240\u002F300 \u002F D 75\nSEE PAGES 28, 30, 48, 121, 124\nSheet steel 4 mm thick. Powder-\ncoated with fine texture in \nvarious colours. Outdoor version: \ngalvanised, weatherproof powder-\ncoated with fine texture.\npegasus home desk 2014\nIPPOLITO FLEITZ GROUP\u002FTILLA GOLDBERG\nH 75 \u002F W 121 \u002F D 51\nSEE PAGES 88, 89, 110, 126\nFrame black lacquered or chrome-plated flat steel, optionally covered in \nbend leather in mocha brown. Body with drawer and four compartments \nin HPL\u002FMDF matte lacquered in mauve. Front and back clad in burnished \nstainless sheet steel or in solid walnut with clear varnish. Reinforced bend \nleather worktop, bottom side covered with black fabric can be folded up \non the side. Cable duct. Height-adjustable metal gliders.\nDesks and Dining Tables\nparis shelf 2005\nBARBER OSGERBY \nH 39\u002F75\u002F111 \u002F W 200 \u002F D 35 \nSEE PAGES 39, 51, 82\nBoards in MDF real-wood veneered \nin walnut, with clear varnish, or \nlacquered in jet black or grey white. \nVariable elements in sheet steel, \npowder-coated with fine texture in \nvarious colours (available in version \nU and L, interchangeable). Base \nwith height-adjustable plastic \ngliders in black. \nShelf\norcus home desk 1993\nKONSTANTIN GRCIC \nH 123\u002F125 \u002F TH 73 \u002F W 105 \u002F D 42\u002F92\nSEE PAGES 90, 108, 132\nFrame chrome-plated tubular steel. \nLockable body in MDF, real-wood \nveneered in walnut, with clear \nvarnish, or high-gloss lacquered \nfinish in white. Fold-out worktop \nwith black leather desk pad.  \nFour drawers including a secret \ncompartment. Cable duct. \nHeight-adjustable metal gliders.\nHome Desks\nTables, Home Desks, Shelf, Accessories \ncastellar mirror 1927\nEILEEN GRAY\nH 64 \u002F W 58 \u002F D MAx. 38\nSEE PAGES 71, 102\nWall mirror with a swivel-mounted \nsection. Chrome-plated steel \nframe. Mirror made of polished \ncrystal glass with faceted edges.\ncypris mirror 2015\nNINA MAIR\nH 70 \u002F W 70 \u002F D 10\nSEE PAGES 79, 81, 111\nFrame made of solid brass, natural \nor burnished, with clear varnish. \nMirror made of crystal glass or \nsmoked glass, bronze.\ncypris mirror 2015\nNINA MAIR\nH 180\u002F60 \u002F W 60\u002F180 \u002F D 10\nSEE PAGES 27, 35, 78, 82, 87, 110, 111\nFrame made of solid brass, natural \nor burnished, with clear varnish. \nMirror made of crystal glass or \nsmoked glass, bronze. For horizon-\ntal or vertical use. Tilt protection \nincluded if leaned against the wall.\nfolding screen 1930\nEILEEN GRAY\nH 167 \u002F W 10-143\n \nSEE PAGES 34, 75, 102\nFour-piece, foldable screen. \nWooden frame with two different \nperforated metal panel fillings. \nHigh-gloss lacquer finish in black, \nwhite and Chinese red.\nmandu valet stand 1932\nECKART MUTHESIUS \nH 109 \u002F W 41 \u002F D 38\n \nSEE PAGE 71\nChrome-plated tubular steel. \nSilicone anti-slide strip for trousers. \nPlastic gliders in black.\npli table 2017\nVICTORIA WILMOTTE\nH 73\u002F74 \u002F W 180 \u002F D 140\nSEE PAGES 40, 106\nBase made of folded, high-gloss \npolished stainless steel sheet in \ndifferent colours, tinted with a \nspecial method. Oval tabletop made \nof crystal glass, colour-lacquered in \nits centre or fully colour-lacquered, \nglossy. Or oval tabletop in Nero \nMarquina marble, polished. \nHeight-adjustable felt gliders.\nAccessories\nZelos home desk 2008\nCHRISTOPH BöNINGER \nH 86 \u002F TH 75 \u002F W 68\u002F120 \u002F D 54\nSEE PAGE 89\nFrame chrome-plated flat steel. Body \nin MDF, real-wood veneered in \nwalnut, with clear varnish, or high- \ngloss lacquered finish in black or \nwhite. Fold-out worktop with black \nleather desk pad. Side compartments, \ndrawer and additional storage space \nwith cable duct. Felt gliders in grey.\nP 141\n",145,{"image":571,"text":572,"number":573},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.146.png","Limited Edition\nRugs\nblue marine rug 1926-1935\nEILEEN GRAY \nL 215 \u002F W 110\nSEE PAGE 72\nRug made of 100% pure wool. \nColoured with natural vegetable \ndyes. Hand-knotted with 80 knots \nper square inch (6.45 cm²). \nDimensional tolerances of +\u002F- 5 cm \nare possible. Rugs available in \noriginal sizes only.\nbonaparte rug 1926-1935\nEILEEN GRAY \nL 210 \u002F W 100\nSEE PAGES 69, 80\nRug made of 100% pure wool. \nColoured with natural vegetable \ndyes. Hand-knotted with 80 knots \nper square inch (6.45 cm²). \nDimensional tolerances of +\u002F- 5 cm \nare possible. Rugs available in \noriginal sizes only.\ncastellar rug 1926-1935\nEILEEN GRAY \nL 175 \u002F W 175\nSEE PAGE 80\nRug made of 100% pure wool. \nColoured with natural vegetable \ndyes. Hand-knotted with 80 knots \nper square inch (6.45 cm²). \nDimensional tolerances of +\u002F- 5 cm \nare possible. Rugs available in \noriginal sizes only.\nkilkenny rug 1926-1935\nEILEEN GRAY \nL 201 \u002F W 235\nSEE PAGE 80\nRug made of 100% pure wool. \nColoured with natural vegetable \ndyes. Hand-knotted with 80 knots \nper square inch (6.45 cm²). \nDimensional tolerances of +\u002F- 5 cm \nare possible. Rugs available in \noriginal sizes only.\ncentimetre rug 1926\nEILEEN GRAY \nL 300 \u002F W 200\nSEE PAGE 18\nRug from 100% pure wool. \nColoured with natural vegetable \ndyes. Hand-knotted with 80 knots \nper square inch (6.45 cm²).\nDimensional tolerances of +\u002F- 5 cm \nare possible. Rugs available in \noriginal sizes only.\nnotos standing desk 1997\nTHOMAS KüHL + ANDREAS KROB \nH 140 \u002F W 78 \u002F D 68\nSEE PAGE 54\nVariable height adjustment.  \nFive angles of tilt. Foldable. Frame \npowder-coated tubular steel in jet \nblack or white aluminium. Tabletop \nin plywood, real-wood veneered  \nin black-stained ash or in maple, \nwith clear varnish. Plastic gliders  \nin black.\nnymphenburg coat stand 1908  \nOTTO BLüMEL \nH 180 \u002F W 49 \u002F D 44\nSEE PAGES 64, 69, 70, 85, 119\nNickle-plated or black nickle-plated \nbrass.\nsaturn coat stand 2007\nBARBER OSGERBY \nH 165 \u002F W 59 \u002F D 53 \nSEE PAGES 23, 29, 50, 84, 86, 87\nSolid beech, black-stained or solid \noak or solid walnut, natural, with \nclear varnish. Black metal hooks. \nPlastic gliders in black.\nusha umbrella stand 1932\nECKART MUTHESIUS \nH 50 \u002F DM 28 \nSEE PAGE 70\nChrome-plated flat steel. Base \nmade of wood with black satin \nlacquer finish. Drip pan sheet steel \nwith grey lacquer finish.\ntadaima console 2017\nA+A COOREN \nH 88 \u002F W 73 \u002F D 21 \nSEE PAGES 78, 87, 88, 111\nWall console. Solid oak, natural, \nbrown or black-stained, with clear \nvarnish. Anti-slip transparent plastic \nprofile on the bottom.\nbell side table miniature \n2014 SEBASTIAN HERKNER\nH 11 \u002F DM 10 \nMiniature 1:5 scale. Hand-blown \nglass base in various colours  \nwith metal top frame solid brass  \nor solid black burnished steel  \nwith clear varnish. Or glass base  \nin quartz grey with metal top  \nframe solid copper with clear \nvarnish. Round tabletop crystal \nglass, black lacquered.\nbrick screen 1922-1925\nEILEEN GRAY\nH 187 \u002F W 115 \u002F D 24\n \nSEE PAGES 16, 44, 46, 47, 117\nFolding screen. Stainless steel \nframework. Polished solid brass \nshims, spacers and end caps  \nwith clear varnish. Panels with \nhigh-gloss lacquer finish in black. \nHandcrafted in Germany.\nAn elaborate masterpiece of craftsmanship, this is the first version of the \nBrick Screen to be authorised by the licence holder, Aram Designs Ltd., \nLondon. Made to order in a limited edition of 75. Each piece is numbered \nconsecutively and bears the Eileen Gray signature.\nThe 28 fixed and movable wooden panels are lacquered by hand layer by \nlayer: each layer is allowed to dry completely, then is sanded by hand and \nfinally polished to an immaculate sheen. Stabilising inner frame made of \nstainless steel, solid brass end caps.\nvase, bowl 2014\nH 20 \u002F DM 22, H 10 \u002F DM 32 \nSEE PAGES 39, 83, 111, 113\nHand-blown in various colours.\nAccessories, Limited Edition, Rugs\n",146,{"image":575,"text":576,"number":577},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.147.png","roquebrune rug 1926-1935\nEILEEN GRAY \nL 200 \u002F W 200\nSEE PAGES 73, 111\nRug made of 100% pure wool. \nColoured with natural vegetable \ndyes. Hand-knotted with 80 knots \nper square inch (6.45 cm²). \nDimensional tolerances of +\u002F- 5 cm \nare possible. Rugs available in \noriginal sizes only.\nst. tropeZ rug 1926-1935\nEILEEN GRAY \nL 204 \u002F W 204\n \nSEE PAGES 94, 112\nRug made of 100% pure wool. \nColoured with natural vegetable \ndyes. Hand-knotted with 80 knots \nper square inch (6.45 cm²). \nDimensional tolerances of +\u002F- 5 cm \nare possible. Rugs available in \noriginal sizes only.\nwendingen rug 1926-1935\nEILEEN GRAY \nL 200 \u002F W 208\nSEE PAGE 34\nRug made of 100% pure wool. \nColoured with natural vegetable \ndyes. Hand-knotted with 80 knots \nper square inch (6.45 cm²). \nDimensional tolerances of +\u002F- 5 cm \nare possible. Rugs available in  \noriginal sizes only.\norbis floor lamp 1994\nHERBERT H. SCHULTES\nH 108-158 \u002F DM 26\nSEE PAGES 50, 91, 108, 126\nFrame and reflector matte black or \nwhite textured finish, or chrome- \nplated. Rods and joints in chrome. \nFully adjustable wireless joints \nallow for a great number of \nlighting positions, reflector adjusts \nup\u002Fdown and rotates sideways. \nFoot switch, dimmable. Plastic \ngliders transparent.\norbis desk lamp 1994\nHERBERT H. SCHULTES\nH 56-103 \u002F DM 26\nSEE PAGES 68, 91\nFrame and reflector matte black or \nwhite textured finish, or chrome- \nplated. Rods and joints in chrome. \nFully adjustable wireless joints allow \nfor a great number of lighting \npositions, reflector adjusts up\u002Fdown \nand rotates sideways. Flip switch. \nPlastic gliders transparent. \nroattino floor lamp 1931\nEILEEN GRAY \nH 151 \u002F DM 21\nSEE PAGE 74\nS-shaped tubular steel, black \nlacquered. A pivot enables various \npositions of the lampshade. Frame \nsteel, black lacquered. Lamp \nshade made of fabric in white. \nFoot switch. Felt gliders in grey.\ntube light floor lamp 1927\nEILEEN GRAY\nH 104 \u002F DM 25 \nSEE PAGES 2, 65, 66, 69, 94, 95, 118\nChrome-plated tubular steel  \nwith black plastic lamp socket for \nmounting light source. Floor plate \nchrome-plated metal with push- \nbutton switch. Felt gliders in grey.\npailla wall lamp 1927\nEILEEN GRAY\nT 12 \u002F DM 8.5 \nSEE PAGE 71\nChrome-plated steel. Two-piece \ncylinder with thread.\nLamps\nRugs, Lamps\nlantern light table lamp \n2017 NERI & HU\nH 54 \u002F DM 17\nSEE PAGES 82, 88\nFrame natural or burnished solid \nbrass, with clear varnish. Lamp \nshade made of hand-blown grey \ncrystal glass. Diffusor opal glass \nwhite satin-finished. Push-button \nswitch, dimmable. Customised  \nLED light included. Plug-in power \nsupply with interchangeable plugs \nfor Europe, UK, Australia and USA.  \nFelt gliders in black.\nlantern light floor lamp \nmedium 2017 NERI & HU\nH 135 \u002F DM 23\nSEE PAGES 33, 60, 107, 109\nFrame natural or burnished solid \nbrass, with clear varnish. Lamp  \nshade made of hand-blown grey \ncrystal glass. Diffusor opal glass \nwhite satinfinished. Foot switch, \ndimmable. Customised LED light \nincluded. Plug-in power supply  \nwith interchangeable plugs for \nEurope, UK, Australia and USA.  \nFelt gliders in black.\nlantern light floor lamp \ntall 2017 NERI & HU\nH 170 \u002F DM 28\nSEE PAGES 33, 60, 106, 107\nFrame natural or burnished solid \nbrass, with clear varnish. Lamp  \nshade made of hand-blown grey \ncrystal glass. Diffusor opal glass \nwhite satin-finished. Foot switch, \ndimmable. Customised LED light \nincluded. Plug-in power supply  \nwith interchangeable plugs for \nEurope, UK, Australia and USA.  \nFelt gliders in black.\nselene pendant lamp 2006\nSANDRA LINDNER \nDM 20\u002F25\u002F30\u002F35\u002F45 \u002F CL 400 \nSEE PAGES 12, 21, 27, 30, 40, 54, 73, 74, 76, 116, 124, 125, 126\nHand-blown clear crystal glass sphere. Centrally suspended by a five- \narmed light head. Insect protection cover and light head in metal, black \nlacquered or brass-plated or copper-plated. Black cable, fabric covered.  \nAlso available as UL version.\nbell light pendant lamp 2013\nSEBASTIAN HERKNER\nH 40\u002F53\u002F34\u002F41 \u002F DM 45\u002F32\u002F29\u002F35 \u002F CL 400 \nSEE PAGES 48, 55, 62, 110, 111, 114, 125\nCustomised combinations are possible with the various modules: bulb \nsocket anthracite grey lacquered metal, or solid brass or copper with \nclear varnish. Lamp shade made of fabric in white or green, plasticized \nwhite inside (hardly inflammable according to B1), or as a copper-plated \nmetal cage. Or hand-blown lamp shade white satin-finished opal glass \nor grey crystal glass. Black cable, silicone covered. Also available as  \nUL version (not applicable for glass lamp shades).\nP 143\n",147,{"image":579,"text":580,"number":581},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.148.png","ClassiCon products can be found in  \nmuseums worldwide:\nMuseum of Modern Art, New York \u002F USA \nCentre Pompidou, Paris \u002F France\nMusée des Arts Décoratifs, Paris \u002F France\nPinakothek der Moderne, Munich \u002F Germany\nVictoria & Albert Museum, London \u002F UK\nKunstmuseum, Wolfsburg \u002F Germany\nThe Israel Museum, Jerusalem \u002F Israel\nVitra Design Museum, Weil am Rhein \u002F Germany \nHaus der Kunst, Munich \u002F Germany\nThe International Museum of Design, London \u002F UK\nTel Aviv Museum of Art, Tel Aviv \u002F Israel\nLouisiana Museum of Modern Art, Copenhagen \u002F Denmark\nMuseum of Modern Art, Philadelphia \u002F USA\nKunstgewerbemuseum, Zurich \u002F Switzerland\nDeutsches Architekturmuseum, Frankfurt\u002FMain \u002F Germany\nThe Chicago Athenaeum, Chicago \u002F USA\nMuseum of Modern Art, San Francisco \u002F USA\nIndustrie Forum Design, Hanover \u002F Germany\nDesign Center, Stuttgart \u002F Germany\nKunstgewerbemuseum, Cologne \u002F Germany\nMuseum für Gestaltung, Zurich \u002F Switzerland\nMusée des Arts Décoratifs et du Design, Ghent \u002F Belgium\nDansk Design Center, Copenhagen \u002F Denmark\nMusée d‘Art Moderne Grand-Duc Jean, Luxembourg \u002F Luxembourg\nMuseum Brandhorst, Munich \u002F Germany\nCopyright \u002F Licensing rights\nClassiCon® 2017  \nAll rights reserved. None of the products or content included in this  \ncatalogue may be reproduced or copied without prior written consent.\nAll Eileen Gray designs: \nAuthorised by The World Licence Holder Aram Designs Ltd., London\nAbbreviations \u002F Dimensions \nH height, W width, D depth, L length, DM diameter, SH seat height,  \nTH table height, CL cable length. All dimensions in cm.\nImpressum\nCreative direction (concept, design and visuals): Thomas Biswanger \nGraphic design and project management ClassiCon: Verena Nobbe\nImage photography: Elias Hassos, Mark Seelen \nLive photography: Daniel Breidt, Elias Hassos, Felix Holzer, Pascal  \nGambarte, Thomas Biswanger, Florian Holzherr, Jens Mauritz for windsor. \nDesigner photography: EBJO: Alisa Connan, SH: Ingmar Kurth,  \nAAC: Joseph Melin, SAHU: Markus Lanz \u002F Architekturgalerie München,  \nCW: Matthias Ziegler \nProduct photos: Felix Holzer, Dirk Holm\nReferences: Beirut Terraces: Architects Herzog & de Meuron, Photo Iwan Baan \nFour Seasons Hotel New York: Photo Gabrielle Pilotti Langdon\u002FArchitectural \nDigest (C) Conde Nast - Maharam: Photo Dean Kaufman - Yndo Hotel: Photo \nSébastien Carrier - Office for International Shipping Company: Architects \nSHH (shh.co.uk), Photo Alastair Lever - Hilton Brisbane: Photo Sharrin Rees \nSulwhasoo, Le Meridien Hotel Zhengzhou, Selfridges: Architects Neri&Hu, \nPhoto Pedro Pegenaute - Soda.Berlin: Architects Designliga, Photo Pascal \nGambarte - Dupond Smith Hotel: Photo Christophe Bielsa - Windsor: Photo \nwindsor. - Munich Re: Architects Sauerbruch Hutton, Photo: Philipp Löffler \nLeidmann Store: Photo Günther Egger - Relais & Châteaux Mammertsberg \n(mammertsberg.ch) Architect Tilla Theus\nArticle Villa E 1027 by Eileen Gray \nPhotos: Mary Gaudin, text: Tish Wrigley. Article originally commissioned by,  \nand printed by permission of, anothermag.com\nArticle 25 Years Grcic for ClassiCon \nPhotos Black Edition: Shirana Shahbazi, portrait photo KG: Markus Jans \nText: Eckhart Nickel (shortened)\nText: Markus Frenzl und ClassiCon GmbH \nTranslations: SATS Translation Services, Katja Steiner; in2words \nLithography: Wolfgang Perez, Matthias Grießel \nPrint: Druckerei Vogl GmbH & Co KG \n© ClassiCon GmbH, Munich\nThe right to introduce technical improvements is reserved.  \nNo liability is accepted for variations in colour and errors or omissions.\n",148,{"image":583,"text":15,"number":584},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.149.png",149,{"image":586,"text":15,"number":587},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.150.png",150,{"image":589,"text":15,"number":590},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.151.png",151,{"image":592,"text":593,"number":594},"\u002Fmedia\u002Fimages\u002F88\u002F798b88de2612705897d099cfa1d16f-258a128810.152.png","ClassiCon \nheadquarters\nSigmund-Riefler-Bogen 3\n81829 Munich \nGermany\nTel  + 49 89 748133 0 \nFax + 49 89 748133 99\ninfo@classicon.com\nwww.classicon.com\nshowroom  \nMon.-Thu. 8:30-16:30 h\nFri. 8:30-14:30 h\n",152,[],0,false,true,{"success":598,"data":600,"meta":808,"count":809,"next":810,"previous":811,"results":843,"brand_chips":904},[601,614,623,632,641,650,659,669,679,690,702,715,724,737,749,759,769,778,787,799],{"id":602,"title":603,"slug":604,"image":605,"source":606,"brand_name":607,"brand":608,"brand_slug":609,"file_size":610,"pages":611,"pages_count":612,"matched_pages":613,"match_count":596,"two_pages":597,"show_text":598},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 MB",[],1218,[],{"id":615,"title":616,"slug":617,"image":618,"source":619,"brand_name":607,"brand":608,"brand_slug":609,"file_size":620,"pages":621,"pages_count":270,"matched_pages":622,"match_count":596,"two_pages":597,"show_text":598},26606,"Architectural Systems  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