[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-bross-news-2016":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":173},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":168,"matched_pages":169,"match_count":170,"two_pages":171,"show_text":172},10302,"News 2016","bross-news-2016","\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F26\u002F439d0c95925865870ce9d6fab894d0-25fcbeec2f.pdf","Bross",1113,"bross","6.2 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165],{"image":7,"text":15,"number":16},"Preview BrOSS ASCOT BREAK GISA MYSA \nNORA \nAdEMAR \nAMALONG \nMIKA \nINTRA\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.2.png","Preview\nBy BrOSS\ns e d i e  c h a i r s\nA S C O T\nB r e A K\nG i S A\nM y S A\nN O r A\nN O r A  L O U N G e\nt a v o l i  t a b l e s\nA d e M A r\nA d e M A r  C O f f e e\nA M A L O N G\nM i K A\nc o m p l e m e n t i\nc o m p l e m e n t s\ni N T r A\nd e TA i L S \nP  3 8   4 3\nP  6 2   6 7\nP  1 0   1 5\nP  3 0   3 7\nP  1 6   2 1\nP  2 2   2 5\nP  4 4   5 1\nP  5 2   5 5\nP  0 2   0 9\nP  2 6   2 9\nP  5 6   6 1\nP  6 8   7 1\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.3.png","E d .  1 6\nb R O S S\nIT La collezione Amalong nasce \ncon l’obiettivo di immaginare tavoli \nallungabili dai profili essenziali, che \nsappiano risolvere con eleganza \nma soprattutto con una ‘buona \ndose’ di tendenza il tema sempre \npiù \nrichiesto \ndella \nvariazione \ndi dimensione. Ed è da questa \nopportunità \ndi \ntrasformazione \nche deriva il nome ‘Amalong’, \ndi \norigine \nlongobarda, \nscelto \nappositamente per le assonanze \nche crea: “L O N G ”, appunto, \npoichè la lunghezza è la sua \ncaratteristica distintiva; e “A M A ” \nperché la gamba del tavolo lascia \nuna curiosa impronta a forma di \ncuore. La struttura in legno del \nprodotto disegna una cornice \nminimale che nasconde, all’interno \ndella sua sezione, le due allunghe. \nLa sua uniformità estetica - \nenfatizzata dal taglio a 45° di tutti \ngli elementi orizzontali e verticali \nche tracciano un accostamento \nperfetto - permane anche quanto il \ntavolo viene aperto, con il risultato \ndi \nuna \ncapacità \npraticamente \nraddoppiata.\nEN Amalong collection was created \nimagining extendable tables with \nessential profiles, which can solve \nwith elegance and with a ‘fair \nshare’ of trend the increasingly \ndemanded theme of size variation. \nAnd it is from this opportunity \nof transformation that comes the \nname ‘Amalong’; of Lombard \norigin, it was chosen specifically \nfor \nthe \nconnections \nbetween \n“L O N G ”, as the length is its \ndistinguishing feature, and “S H E \nL O V E S ” \nbecause \nthe \ntable \nleg leaves a curious heart shape \nfootprint. The wooden structure \nof the product draws a light frame \nthat hides the two extensions.\nIts uniform aesthetics - emphasized \nfrom a 45 ° cut of all the horizontal \nand vertical elements that trace a \nperfect match - persists even when \nthe table is open, with the result of \na doubled capacity.\nfR La collection Amalong est née \navec l’objectif d’imaginer des tables \nà rallonges qui se concentrent sur \nl’essentiel, qui sachent apporter \nune réponse élégante mais surtout \ntendance \nau \nthème \ntoujours \nplus récurrent de la variation de \ndimension. C’est de cette opportunité \nde transformation que découle le \nterme Amalong, d’origine de la région \nLombarde, choisi en raison des idées \nqu’il évoque: “L O N G ” justement \nparce que la longueur constitue \nsa \nprincipale \ncaractéristique,\net “A I M E ” parce que le piétement \nde la table laisse une empreinte \nunique \nen \nforme \nde \ncœur.\nLa structure en bois du produit \nconstitue une charpente minimale \nqui cache, à l’intérieur de sa section, \nles deux rallonges. Son uniformité \nesthétique, grâce à la coupe à 45° \nde tous les éléments horizontaux \net verticaux qui s’assemblent à la \nperfection, demeure même lorsque \nla table est en position ouverte, avec \nune capacité d’accueil doublée.\ndE \nDie \nAmalong \nKollektion \nausziehbarer Tische wurde unter der \nPrämisse der Reduktion von Profilen \nund Technikelementen entworfen, um \nmit Eleganz und mit einem “fairen \nAnteil” von Trend den zunehmenden \nBedarf an Größenvariationen bei \nTischen \nbedienen \nzu \nkönnen.\nAus \nder \nMöglichkeit \nder \nTransformation leitet sich der Name \n‘Amalong’ (der Ursprung des Namens \nkommt aus dem Lombardischen) \nab: \ndie Verbindungen \nzwischen \n“L A N G ”, weil die Länge das \nUnterscheidungsmerkmal ist, und \n“S I E  L I E b T ”, weil die Tischbeine \neine herzförmige Assoziation erzeugen. \nDie Holzstruktur des Tisches zeichnet \neinen leichten Rahmen nach, welcher \ndie \nbeiden \nErweiterungselemente \nverbirgt. Die Struktur des Tisches lässt \nsich an beiden Kopfenden wie ein \nBuch öffnen und bildet die logische \nFortsetzung der Seitenlinie. So können \nauch die Anbauelemente entnommen \nund auf dem offenen Gestell befestigt \nwerden. Seine durchgängige Ästhetik \n- betont durch einem 45 ° Schnitt aller \nhorizontalen und vertikalen Elemente \n– bleibt auch bei verdoppelter Größe - \nbei dann geöffnetem Tisch - bestehen.\nAMALONG\nd E S I G N  \nb y  \nG I U L I O  \nI A C C H E T T I\nA M A L O N G  +  s e d i a  c h a i r  G I S A  P.  1 0\nA M A L O N G  +  s e d i a \nc h a i r  G I S A  P.  1 0\nP 2  3\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.4.png","E d .  1 6\nb R O S S\nA M A L O N G\nG I U L I O  I A C C H E T T I\nA M A L O N G  +  s e d i a \nc h a i r  G I S A  P.  1 0\nP 4  5\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.5.png","E d .  1 6\nb R O S S\nA M A L O N G\nG I U L I O  I A C C H E T T I\nA M A L O N G  +  s e d i a \nc h a i r  G I S A  P.  1 0\nP 6  7\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.6.png","E d .  1 6\nb R O S S\nA M A L O N G\nG I U L I O  I A C C H E T T I\nA M A L O N G  3 1 9 1\nP 8  9\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.7.png","E d .  1 6\nb R O S S\nI T  Gisa si ispira al linguaggio \nnordico e agli anni ’50: compatta, \nè caratterizzata da un’estetica \nimmediata e colloquiale, che rievoca \nappunto le linee archetipiche delle \nsedute nord europee. Pensata \ncome complemento perfetto con \ncui accompagnare tavoli da pranzo, \nsi innesta nel solco della tradizione, \ndi cui propone una ricercata \nC O N T E M P O R A N E I T à , \ncondotta con la cura di chi non \nintende snaturare in alcun modo il \nlegame con i principi di riferimento. \nLo schienale, come la seduta,\nè dotato di una sottile imbottitura, \nche interpreta con personalità \nle \nforme \ndella \ntradizione:\nil rivestimento, disponibile in pelle \no tessuto, ne determina fortemente \nl’immagine, che può essere quella \ndi una sedia elegante e o di un \noggetto vivace e di tendenza.\nE N  A Nordic language and the ’50 \ninspire the collection Gisa: compact \nand characterized by an immediate \nand \nconversational \naesthetic, \nit’s evocative of the archetypal \nlines of northern European chairs.\nDesigned as a perfect complement \nfor \ndining \ntables, \nthe \nchair \nintegrates into a traditional path, \nof which represents a sophisticated \nACTUALIZATION, led with the \nattention to avoid any distortion \nfrom \nthe \noriginal \nprinciples.\nThe backrest, as well as the seat, \nis equipped with a thin padding, \ninterpreting the shapes of tradition \nwith \na \nunique \npersonality:\nthe upholstery, in leather or fabric, \nstrongly determines the image, \nturning it into an elegant chair or a \nlively and trendy object.\nf R  La langue Nordique et les \nannées 50 inspire la chaise Gisa : \ncela se caractérise par une invitation \nimmédiate à la conversation et \nl’évocation du style archétypal \ndes chaises d’Europe du Nord.\nConçue comme un complément \nparfait de notre collection de \ntables, cette chaise est le reflet de la \ntradition mêlée à une actualisation \nC O N T E M P O R A I N E , \nen \nne \ndérogeant \nd’aucune \nmanière aux principes de base.\nLe dossier comme l’assise sont \néquipés d’un rembourrage fin \nmais non moins accueillant et se \njouent des formes traditionnelles.\nLe revêtement, lui, disponible \nen cuir ou en tissu, donnera \ndéfinitivement l’image d’une chaise \nclassique ou vivante et branché.\nd E  Nordische Formsprache und \ndie fünfziger Jahren gaben die \nInspiration für die Kollektion Gisa: \nEs ist von einer hervorstechenden \nund für sich selbst sprechenden \nÄsthetik \ngekennzeichnet, \ndie \nAssoziationen \nan \ndie \narchetypische \nLiniengestaltung \nnordeuropäischer Möbel weckt. \nAls perfekte Ergänzung für den \nEsstisch \nkonzipiert, \nspiegelt \ndieser Stuhl die Tradition in \neiner prägnanten AKTUALITÄT \nwieder \nund \nist \ndabei \nvon \ndem \nGedanken \ngeleitet, \ndie \nBindung \nan \ngrundlegende \nPrinzipien \nnicht \nzu \nverlieren.\nDie Rückenlehne ist, wie die \nSitzschale, \nmit \neiner \ndünnen, \naber \nkomfortablen \nPolsterung \nausgestattet, die die Formen der \nTradition \nmit \nPersönlichkeit \nverknüpft: der Bezug aus Leder \noder Stoff bestimmt stark das \nBild des eleganten Stuhls, der die \nErscheinung eines lebhaften und \ntrendigen Produkts besitzt.\nGISA\nd E S I G N  \nb y  \nG I U L I O  \nI A C C H E T T I\nG I S A  +  t a v o l o  t a b l e \nA M A L O N G  P.  2\nP 10  11\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.8.png","E d .  1 6\nb R O S S\nG I S A\nG I U L I O  I A C C H E T T I\nP 12  13\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.9.png","E d .  1 6\nb R O S S\nG I S A\nG I U L I O  I A C C H E T T I\nG I S A  +  t a v o l o  t a b l e \nA M A L O N G  P.  2\nP 14  15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.10.png","E d .  1 6\nb R O S S\nI T  \nNora, \ncomposta \nda \nuna \npoltroncina e da una lounge,\nè caratterizzata da linee avvolgenti, \nin grado di assicurare un elevato \ngrado di comfort. Segni distintivi \nsono la particolare inclinazione del \nbracciolo e la scocca armoniosa \ne proporzionata, arricchita da \ncuciture che ne scandiscono le \nparti – seduta, schienale, braccioli –,\nattribuendone \nuna \nparticolare \nidentità. Ma è la struttura in \nmassello \nad \nimporsi \nquale \nprotagonista del design esclusivo \ndi Nora: la maestria di Bross nella \nlavorazione del legno consegna \ninfatti un segno I N d E L E b I L E , \nattorno al quale ruota tutto il \nconcept della collezione. Perfetta \nper arredare uffici, hotel, per \nsale di attesa ma ideale anche per \ngli ambiti residenziali, Nora è \nproposta con struttura in frassino \nnaturale o tinto e con rivestimento \nin tessuto o pelle.\nE N  Composed of an armchair and a \nlounge chair, the collection Nora is \ncharacterized by welcoming lines \nensuring a high level of comfort. \nThe collection is distinguished \nby the special inclination of the \nrear legs and the harmonious and \nproportionate shell of the chairs, \nenhanced with seams to delineate \nthe different parts - seat, back, \narmrests – and give them character.\nStructure is key to the exclusive \ndesign of Nora: the designer’s \nconcept in combination with the \nexpertise of Bross in woodworking \ncreates an I N d E L I b L E  sign \naround \nwhich \nrevolves \nthe \ncollection. \nPerfect \nfor \noffices, \nhotels or waiting rooms and \nalso for residential use, Nora is \navailable in natural or stained \nash with a choice of fabric or \nleather upholstery. \nf R  \nComposée \nd’un \nfauteuil \net d’une assise lounge, Nora \nse \ncaractérise \npar \ndes \nlignes \nharmonieuses, capables d’offrir un \ngrand niveau de confort. Ses signes \ndistinctifs sont une inclinaison \nunique de l’accoudoir, et la coque \nparfaitement \nharmonieuse \net \nproportionnée, soulignée par des \ncoutures qui articulent les parties, \nassise, dossier et accoudoir, en leur \nattribuant à chacune une identité \nunique. Mais c’est la structure en \nbois qui s’impose dans le design \nunique de Nora: la maitrise de Bross \ndans le travail du bois constitue en \neffet un signe I N d É L É b I L E , \nautour duquel tourne tout le concept \nde la collection. Parfaite pour \néquiper des hôtels, des bureaux, ou \ndes salles d’attentes mais aussi pour \nles ambiances résidentielles, Nora \nest proposée avec une structure en \nfrêne naturel ou teinté, et avec un \nrevêtement tissu ou cuir. \nd E  Bestehend aus einem Stuhl \nund einem Lounge-Sessel, ist die \nKollektion Nora durch Linien \ngekennzeichnet, \ndie \nein \nhohes \nMaß an Komfort versprechen.\nDas Design der Kollektion zeichnet \nsich durch die besondere Neigung \nder hinteren Stuhlbeine sowie der \nharmonisch darauf aufgesetzten, \numlaufenden Schale der Stühle \naus; verstärkt mit Nähten, die die \nverschiedenen Polsterelemente - \nSitz, Rücken, Armlehnen - betonen \nund \nso \nCharakter \nerzeugen.\nDie Struktur ist der Schlüssel zum \nexklusiven Design von Nora: Das \nKonzept von Michael Schmidt \nzusammen mit dem Know-how \nvon Bross in der Holzverarbeitung \nschaffen ein E I N Z I G A R T I G E S \nDesign, um das sich die Kollektion \ndreht. Perfekt für Büros, Hotels \noder Lobbys und auch für den \nEinsatz im privaten Umfeld, ist \nNora mit einer großen Auswahl an \nStoff- oder Lederpolsterungen und \nin natürlicher oder gebeizter Esche \nerhältlich.\nNORA\nd E S I G N  \nb y  \nM I C H A E L  \nS C H M I d T\nN O R A  +  t a v o l o  t a b l e  W\nP 16  17\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.11.png","E d .  1 6\nb R O S S\nN O R A\nM I C H A E L  S C H M I d T\nN O R A  +  t a v o l o  t a b l e  W\nP 18  19\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.12.png","E d .  1 6\nb R O S S\nN O R A\nM I C H A E L  S C H M I d T\nN O R A  +  c o f f e e  t a b l e \nM I K A  P.  2 6\nP 20  21\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.13.png","E d .  1 6\nb R O S S\nN O R A  L O U N G E\nM I C H A E L  S C H M I d T\nP 22  23\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.14.png","E d .  1 6\nb R O S S\nN O R A  L O U N G E\nM I C H A E L  S C H M I d T\nP 24  25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.15.png","E d .  1 6\nb R O S S\nI T  \nIl \nsuo \nnome \nvuole \nessere \nun \nrimando \nesplicito \nall’universo \nnipponico \ne \nalle \nsue \ntradizioni \narcaiche: \nMika \nè \ninfatti \nun \nabbreviativo \ndel \nfamosissimo \ngioco \nMikado.\nEsso deve infatti il suo design \nad un fascio di esili tondini \nmetallici verniciati in colore nero \ndisposti ora in verticale, ora con \ndifferenti gradi di inclinazioni, \nche legano due piani tra loro \nperpendicolari. La base è sempre \nin metallo laccato nero; il top, \ninvece, è proposto in rovere tinto \no laccato o in Fenix nero e offre \nun piacevole contrasto materico, \nper un risultato di grande eleganza. \nAnche la finitura raggiata dei \ndue piani contribuisce a fare \ndel tavolino un complemento in \ngrado di esprimere una sofisticata \nricercatezza, ideale per essere \nimpiegato \nsia \nnegli \nambienti \nL I V I N G  della propria casa che \nnegli spazi C O N T R A C T .\nE N  The \nname \nMika \nis \na \nspecial  reference to the world \nof \nJapan \nand \nits \ntraditions: \nMika is an abbreviation of the \nworld-renowned game Mikado.\nThe table is designed with a bundle \nof \nslender \nblack \nmetal \nrods \narranged vertically at different \nangles that bind the perpendicular \ntrays at both ends. The metal \nbase is always black lacquered, \nwhilst the table surface is crafted \nin oak stained, lacquered or in \nFenix black. The resulting pleasant \ncontrast \nof \nmaterials \ncreates \na \nvery \nelegant \nfinish.\nThe \nradial \nfinishing \nof \nthe \ntwo trays makes the table a \ncomplement \nof \nsophisticated \nrefinement, \nideal \nboth \nfor \nL I V I N G  \nand \nC O N T R A C T \nenvironments.\n \nf R  Son nom renvoie explicitement \nà l’univers nippon et à ses traditions \nancestrales: Mika est en effet une \nabréviation de fameux jeu Mikado. \nLa table doit en effet son design \nà un faisceau de fines baguettes \nmétalliques vernies de couleur \nnoire disposées soit à la verticale \nsoit avec des degrés d’inclinaisons \ndifférentes, qui relient les deux \nplans perpendiculaires. Le socle \nest toujours verni noir, le plateau \nen revanche est proposé en chêne \nteinté ou laqué, ou en Fenix \nnoir, et propose un agréable \ncontraste de matériaux, avec pour \nrésultat \nune \ngrande \nélégance. \nLa finition en rayons des deux \nplateaux contribue à faire de \ncette table basse un complément \ncapable d’exprimer une grande \nsophistication, \nqui \ns’insère \nidéalement dans des ambiances \nL I V I N G  ou C O N T R A C T .\nd E  So ist auch Der Name Mika \nist eine besondere Referenz an \nJapan \nund \nseine \nTraditionen: \nMika ist eine Abkürzung von \nweltbekannten \nSpiel \nMikado.\nDer Tisch ist ein Bündel von dünnen \nschwarzen Metallstangen vertikal \nin \nunterschiedlichen \nWinkeln \nangeordnet und so ausgelegt, dass \ndie horizontalen Platten an den \nEnden angebunden werden können.\nDie Basisplatte und die Stäbe sind in \nMetal schwarz lackiert, während die \nTischfläche in Eiche, klar, lackiert \noder in Fenix schwarz gefertigt \nwird. Der dadurch resultierende \nKontrast der Materialien schafft \neine \nsehr \nelegante Anmutung.\nDie \nVeredelung \nder \nbeiden \nhorizontalen Elemente zusammen \nmit \nden \nvirtuos \nzusammen \ngefügten \nStäben \ngeben \ndem \nTisch ein Bild von ausgefeilter \nRaffinesse, ideal für P R I VAT E \nund \nP R O f E S S I O N E L L E \nInterieurs.\nMIKA\nd E S I G N  \nb y  \nM I C H A E L  \nS C H M I d T\nM I K A  + \nN O R A  L O U N G E  P.  2 2\nP 26  27\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.16.png","E d .  1 6\nb R O S S\nM I K A\nM I C H A E L  S C H M I d T\nP 28  29\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.17.png","E d .  1 6\nb R O S S\nI T  \nForme \nessenziali \nma \nassolutamente \naccoglienti \ne \nfamiliari, interpretate in chiave \ncontemporanea, \ndefiniscono \nla \nnuova collezione di sedute Mysa, \nil cui nome in svedese significa \n“coccolarsi”. \nLinee \nfluide \ne \navvolgenti \ncontraddistinguono \nquesto \nprogramma, \nche \nsi \ncompone di due versioni lounge, \ndisponibili con schienale alto e \nbasso; la collezione è proposta \nnella duplice versione con colonna \nin metallo a quattro razze o con \nl’elegante base in legno massello, \nnella quale spiccano i dettagli \ndi \nuna \nraffinata \nlavorazione, \ncontraddistinta da sapienti innesti \ne A b I L I  I N C A S T R I .\nE N  Essential forms but fully \ncomfortable \nand \nfamiliar, \ncontemporarily \ninterpreted, \ndescribe the new seatings collection \nMysa, name that connects to \n“snuggle” in  swedish. Flowing \nlines \nand \nwraparound \nshapes \ndistinguish this program, which \nconsists of two versions of lounge \nchair, available with high and low \nbackrest; the collection is offered \nin two variants: on a four-star \nmetal base or on an elegant frame \nin solid wood, in which the details \nof a fine workmanship stand out, \ndistinguished by wise joints and \nS K I L L f U L  I N S E R T S .\nf R  \nFormes \npures \nmais \nrésolument \naccueillantes \net \nfamilières, \ninterprétées \nsur \nun \nmode contemporain, définissent \nla nouvelle collection de chaises \nMysa, dont le nom signifie “se \nchouchouter” en suédois. Des lignes \nfluides caractérisent ce programme, \nqui se compose de deux versions \nlounge, disponibles avec dossier \nhaut ou bas ; La collection est \nproposé dans deux version avec \nbase en métal quatre branches ou \navec une base en bois, sur laquelle \nsont greffés des inserts mettant \nen valeur le T R A VA I L  d E  L A \nM AT I È R E .\nd E  \nWohnlichkeit \nin \nseiner \nessenziellen Form, in einer modernen \nInterpretation, beschreiben die neue \nSitzmöbel- Kollektion Mysa; ein \nName, der im schwedischen “sich \ngemütlich \nmachen” \nbedeutet. \nFließende Linien und Formen \nzeichnen diese Stuhl-Programm \naus, das aus zwei Lounge-Sessel \nbesteht, mit hoher und niedriger \nRückenlehne; \ndie \nKollektion \nwird mit zwei Gestellvarianten \nangeboten: einem eleganten Vier-\nSterne-Kreuzgestell aus Metall oder \neinem Rahmen aus Massivholz, \nder sich durch seine raffinierte \nVerarbeitung \nauszeichnet. \nHier \nwird \nHandwerkskunst \ndurch \nkluge Verbindungen und f E I N E \nÜ b E R G Ä N G E  \nU N d \nE I N S Ä T Z E  zelebriert.\nMySA\nd E S I G N  \nb y  \nM I C H A E L  \nS C H M I d T\nP 30  31\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.18.png","E d .  1 6\nb R O S S\nM y S A\nM I C H A E L  S C H M I d T\nM y S A  +  c o f f e e  t a b l e  A d E M A R \nC O f f E E  P.  5 2\nM y S A  +  c o f f e e  t a b l e  A d E M A R  C O f f E E  P.  5 2\nP 32  33\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.19.png","E d .  1 6\nb R O S S\nM y S A\nM I C H A E L  S C H M I d T\nP 34  35\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.20.png","E d .  1 6\nb R O S S\nM y S A\nM I C H A E L  S C H M I d T\nM y S A  +  c o f f e e  t a b l e  A d E M A R \nC O f f E E  P.  5 2\nP 36  37\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.21.png","E d .  1 6\nb R O S S\nI T  Comfort e raffinatezza: la \ncollezione Ascot è nata dallo \nstudio della forma del celebre \ncappello, di cui ripropone le \nlinee semplici e sinuose e il suo \ncarattere distintivo, che la rendono \nal tempo stesso E L E G A N T E  E \nV E R S AT I L E . La seduta, dotata \ndi una confortevole imbottitura e \nrivestita in morbida pelle o tessuto, \nsi adatta con disinvoltura a sale da \npranzo raffinate o zone living dal \ngusto contemporaneo, esaltando \ntavoli importanti o impreziosendo \nambienti aperti. La sottile struttura \nin legno, disponibile in essenza \no nelle varie finiture, valorizza al \nmassimo la leggerezza di questa \nproposta.\nE N  Comfort and sophistication: \nthe \ncollection Ascot \nis \nborn \nfrom the study of the shape \nof the famous hat, of which \nrecreates the simple lines and \nsinuous shapes, maintaining its \ndistinctive character and making \nthis \nchair \nboth \nE L E G A N T \nA N d  \nV E R S AT I L E . \nThe \nseat, comfortably padded and \nupholstered in soft leather or fabric, \nfits easily in refined dining rooms \nor living areas with a contemporary \ntaste, highlighting important tables \nor decorating open environments. \nThe thin wooden frame, available \nin essence or in various finishes, \nhighlights the lightness of this \nproposal.\nf R  \nConfort \net \nraffinement,\nla collection Ascot est née de \nl’étude de la forme du cémèbre \nchapeau, qui propose des lignes \nsimples et courbes, lui donnant à la \nfois un caractère É L É G A N T  E T \nP O Ly VA L E N T . La chaise, dotée \nd’un rembourrage confortable et \nrevêtue d’un cuir très doux ou de \ntissu, s’adapte avec désinvolture \naux salles à manger raffinées \nou aux séjours contemporains, \nmettant en valeur les grandes tables \net les espaces ouverts. La structure \nen bois, disponible en essence \nou dans les différentes finitions, \nmet en valeur la légèreté de cette \nproposition. \nd E  \nKomfort \nund \nEleganz: \nDie Kollektion Ascot ist aus \ndem \nStudium \nder \nFormen \ndes berühmten Huts geboren, \nwelche die einfachen Linien und \nseine Eigenständigkeit aufgreift, \ndabei \nE L E G A N T  \nU N d \nV I E L S E I T I G . Die Sitzfläche, \nmit einer bequemen Polsterung \naus weichem Leder oder Stoff, \npasst \nmühelos \nin \nraffinierte \nEsszimmer \noder Wohnbereiche \nmit zeitgenössischem Geschmack, \num wichtiger Tischen zu veredeln \noder großzügige Umgebungen zu \nverschönern. Das dünne, filigrane \nHolzgestell, \nin \nverschiedenen \nFarben und Finishs verfügbar, \nunterstreicht \ndie \nLeichtigkeit \ndieses Entwurfes.\nASCOT\nd E S I G N  \nb y  \nA R E A  \n4 4\nA S C O T  +  t a v o l o  t a b l e  A d E M A R  P.  4 4\nP 38  39\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.22.png","E d .  1 6\nb R O S S\nA S C O T\nA R E A  4 4\nA S C O T  +  t a v o l o  t a b l e \nA d E M A R  P.  4 4\nP 40  41\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.23.png","E d .  1 6\nb R O S S\nA S C O T\nA R E A  4 4\nA S C O T  +  t a v o l o  t a b l e \nA d E M A R  P.  4 4\nP 42  43\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.24.png","E d .  1 6\nb R O S S\nI T  Il nome di questa collezione, \nche \nin \nlongobardo \nsignifica \n“grande per la nobiltà”, suggerisce \nun \nprogramma \ndi \nTA V O L I \nI M P O R TA N T I , \nin \ngrado \ndi ospitare comodamente otto \npersone e improntato al tema della \nconvivialità. La forma ellissoidale \no circolare e quattro profonde \nsmussature \ncaratterizzano \nla \nsuperficie del piano; le gambe, in \nlegno massello, sostengono il top \nsecondo una logica organica e di \nperfetta \ncontinuità \nprogettuale. \nAdemar è proposto nella versione \ncon piano in marmo, rovere, noce \ncanaletto e rovere termotrattato. \nAlla famiglia di tavoli da pranzo \nsi aggiunge infine una serie di \ncoffee table dotati delle medesime \ncaratteristiche. L’ampia varietà di \nforme, altezze e finiture disponibili \npermettono \nl’inserimento \ndella \ncollezione in molteplici ambienti.\nE N  The name of this collection, \nwhich means “great for the nobility” \nfor the ancient Longobars, suggests \na program of I M P O R TA N T \nTA b L E S , that can comfortably \naccommodate eight people, and is \nbased on the theme of conviviality.\nThe ellipsoidal or circular shape and \nthe four deep bevels characterize \nthe top surface; the legs, in solid \nwood, support the top according \nto an organic logic of and concept \ncontinuity. Ademar is proposed \nin the version with marble top, \noakwood, walnut and heat-treated \noak. To the family of dining tables \nwe added a series of coffee tables \nwith \nthe \nsame \ncharacteristics.\nThe wide variety of shapes, heights \nand finishes available allow the \ninsertion of the collection in many \ndifferent environments.\n \nf R  Le nom de cette collection \nqui \nen \nLombard \nsignifie \n“de \ngrande \nnoblesse” \nfait \nallusion à un programme de \ntables \naux \nd I M E N S I O N S \nG É N É R E U S E S , \ncapable \nd’accueillir \nconfortablement \n8 \npersonnes \net \nempreint \nde \nconvivialité. La forme elliptique ou \nronde du plateau, le piétement, en \nbois, soutient le plateau en suivant \nune logique organique et avec une \nparfaire continuité conceptuelle. \nAdemar existe en version plateau \nen marbre, en chêne, en noyer \ncanaletto \nou \nthermotraité.\nÀ la famille des tables à manger \ns’ajoute une série de tables basse \ndotée des mêmes caractéristiques. \nLa grande variété de formes, de \nhauteurs et de finitions disponibles \npermettent à la collection de \ntrouver sa place dans tous les types \nd’environnements.\nd E  Der Name dieser Kollektion, \nder auf Lombardische Sprache \n“großartig für den Adel” bedeutet, \nbeinhaltet ein U M fA S S E N d E S \nP R O G R A M M  \nvon \nTischen, \ndie \nPlatz \nfür \nacht \nPersonen \nanbieten, basierend auf Thema der \nGeselligkeit. Die ellipsenförmige \noder kreisförmige und mit vier \ntiefen Schrägen dünn wirkende \nTischplatte wird von vier Beine, \naus \nMassivholz, \ngetragen.\nDiese sind mit der Tischplatte \nwie \nselbstverständlich \ndurch \nein organischen Design perfekt \nverbunden. Ademar ist in der \nVersion \nmit \nMarmor, \nEiche, \nNussbaum und Eiche Tischplatte \nerhältlich. Zur Familie gehört \nauch eine Reihe von Couchtischen \nmit \ndenselben \nEigenschaften.\nDie Vielfalt der Formen, Höhen \nund Oberflächen ermöglichen das \nEinsetzen der Kollektion in vielen \nverschiedenen Umgebungen.\nAdEMAR\nd E S I G N  \nb y  \nG I U L I O  \nI A C C H E T T I\nA d E M A R  +  s e d i a  c h a i r \nS H E L L\nP 44  45\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.25.png","E d .  1 6\nb R O S S\nA d E M A R  3 1 7 1\nA d E M A R\nG I U L I O  I A C C H E T T I\nP 46  47\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.26.png","E d .  1 6\nb R O S S\nA d E M A R\nG I U L I O  I A C C H E T T I\nA d E M A R  +  s e d i a  c h a i r \nS H E L L\nP 48  49\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.27.png","E d .  1 6\nb R O S S\nA d E M A R\nG I U L I O  I A C C H E T T I\nA d E M A R  +  s e d i a \nc h a i r  A S C O T  P.  3 8\nP 50  51\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.28.png","E d .  1 6\nb R O S S\nA d E M A R  C O f f E E\nG I U L I O  I A C C H E T T I\nP 52  53\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.29.png","E d .  1 6\nb R O S S\nA d E M A R  C O f f E E\nG I U L I O  I A C C H E T T I\nA d E M A R  3 1 6 7\nA d E M A R  3 1 6 8\nA d E M A R  3 1 6 5\nA d E M A R  3 1 6 6\nP 54  55\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.30.png","E d .  1 6\nb R O S S\nI T  Intra esprime in termini \ncontemporanei il valore decorativo \ndel legno che, con le sue venature, \nimpreziosisce \ngli \nambienti \nin \ncui è inserito. La consolle viene \nconcepita per regalare a spazi di \npiccole dimensioni un sistema \npratico di elevata valenza estetica: \nappoggiata alla parete funge da \ncomodo piano d’appoggio o da \nscrittoio, ma con un semplice gesto \nsi tramuta in un tavolo da pranzo \ndi 80×180 cm e può ospitare fino \na sei persone. I profili possono \nessere laccati con colorazioni a \ncontrasto e, ritagliato nel piano,\nin centro, si trova un E L E G A N T E \nC O N T E N I T O R E , \nutile \nper \nriporre piccoli oggetti.\nE N  \nIntra \nexpresses \nin \ncontemporary terms the decorative \nvalue of wood, which beautifies \nwith its veins the environments in \nwhich it is inserted. The console is \ndesigned to give to small spaces a \npractical system of high aesthetic \nvalue: against the wall acts as a \nuseful top or desk, but with a \nsimple gesture turns into a dining \ntable for 80×180 cm and hosts \nup to six people. The profiles can \nbe lacquered with contrasting \ncolors and, cut out in the center \nof the top, there is an E L E G A N T \nC O N TA I N E R , useful for storing \nsmall items.\nf R  Intra exprime dans un langage \ncontemporain la valeur décorative \ndu bois, avec son veinage, et vient \ndonner une touche de raffinement \ndans tous les endroits où elle est \npositionnée. La console est conçue \npour offrir à des espaces de petites \ndimensions un système pratique et \nde haute valeur esthétique: appuyée \ncontre un mur elle fait office de plan \nde travail et de bureau, mais par un \nsimple geste elle se transforme en \ntable à manger de 180×80 qui peut \naccueillir jusqu’à six personnes.\nLes profils peuvent être laquées \ndans des couleurs différentes du \nplan principal, et inséré au centre du \nplateau se trouve un É L É G A N T \nC O f f R E  permettant de ranger \nles petits objets. \nd E  \nIntra \ndrückt \nin \neiner \nzeitgenössischer Interpretation den \ndekorativen Wert von Holz aus: \nmit seiner markanten Maserung \nverschönert es jede Umgebung, \nin welchen es eingesetzt wird.\nDie Konsole wurde entwickelt, um \nein äußerst praktische Lösung von \nhohen ästhetischen Wert für kleine \nRäume zu erhalten: gegen die \nWand gestellt als Beistelltisch oder \nSchreibtisch, verwandelt sich Intra \nmit einem einfachen Handgriff \nin einen Esstisch 80×180 cm mit \nPlatz für bis zu sechs Personen. \nDie \nTischprofile \nkönnen \nmit \nkontrastierenden Farben lackiert \nwerden und in der Mitte der \nTischplatte integriert sich eine \nR A f f I N I E R T E  \nb O x , \nzur \nAblage von kleinen Objekten.\nINTRA\nd E S I G N  b y  A L E S S A N d R O  M A S T U R Z O\nP 56  57\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.31.png","E d .  1 6\nb R O S S\nI N T R A\nA L E S S A N d R O  M A S T U R Z O\nP 58  59\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.32.png","E d .  1 6\nb R O S S\nI N T R A\nA L E S S A N d R O  M A S T U R Z O\nI N T R A  +  s e d i a  c h a i r  b R E A K  P.  6 2\nP 60  61\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.33.png","E d .  1 6\nb R O S S\nI T  La seduta best seller di \nBross, disegnata da Enzo Berti, \ncaratterizzata dalla inconfondibile \ntrapuntatura \nverticale \ne \ndalle \nlinee \navvolgenti \ne \narmoniose,\nsi arricchisce di nuove versioni. \nUna seduta con basi a quattro \ne cinque razze con ruote, che \nrendono il prodotto ideale anche \nper gli spazi dell’ufficio o H O M E -\nO f f I C E , e un nuovo sgabello \nproposto in due differenti altezze, \nin cui una solida struttura in legno \nsostiene la raffinata scocca, rivestita \nin pelle o tessuto. Lo sgabello può \nessere impiegato in molteplici \ncontesti grazie alla possibilità di \npersonalizzare rivestimento e base \ncon un’ampia gamma di cromie.\nE N  The bestseller Bross’chair, \ndesigned \nby \nEnzo \nBerti, \ncharacterized by the distinctive \nvertical quilting and the lines both \nenveloping and harmonious, is \nnow enriched by new variants.\nA chair on wheels mounted on \na four- or five-star base, which \nmake \nthe \nproduct \nideal \nfor \noffice environments or H O M E -\nO f f I C E , and a stool of two \ndifferent heights, in which a sturdy \nwooden frame supports the elegant \nshell, upholstered in leather or \nfabric. The stool fits perfectly in \nmultiple contexts thanks to the \npossibility to be customized by \nchoosing \ncover \nmaterials \nand \nfinishes from a wide range of \ncolors.\nf R  La chaise best seller de Bross, \ndessinée par Enzo Berti, qui se \ndistingue par très reconnaissable \ncouture verticale et par ses lignes \naccueillantes \net \nharmonieuses, \ns’enrichit de nouvelles versions. \nUne chaise avec une base sur \nquatre ou cinq branches à roulettes, \nqui la rende idéale pour les espaces \ntertiaires et le H O M E  O f f I C E , \net un nouveau tabouret proposé \nen deux hauteurs, sur lesquels une \nstructure en bois soutient la coque \nraffinée, revêtue de cuir ou de \ntissu. Le tabouret s’adapte à tous \nles contextes grâce à la possibilité \nde personnaliser le revêtement \net à la base disponible dans de \nnombreuses finitions.\nd E  Der von Enzo Berti gestaltet \nund durch die vertikal gesteppte \nPolsterung \nund \nharmonischen \nLinien gekennzeichnete Bestseller-\nStuhl von Bross wird mit neuen \nVersionen \nbereichert. \nEine \nStuhlversion mit vier oder fünf-\nFuß Gestell und Rollen, ideal für \nBüroräume oder für das H O M E -\nO f f I C E . Einen neuen Hocker \nin zwei unterschiedlichen Höhen,\nmit einem festen Holzgestell der \ndie raffinierte Schale aus Leder \noder \nStoff \nträgt. \nDanke \nder \nMöglichkeit bei der Sitzschale und \nden Gestellen aus einer Vielzahl \nvon Farben und Materialien zu \nwählen ist dieses Produkt universell \neinsetzbar \nund \nbehält \ndoch \nimmer seine unverwechselbaren \nCharakter.\nbREAK\nd E S I G N  \nb y  \nE N Z O  \nb E R T I\nb R E A K  +  t a v o l o  t a b l e  W\nP 62  63\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.34.png","E d .  1 6\nb R O S S\nb R E A K\nE N Z O  b E R T I\nb R E A K\nE N Z O  b E R T I\nP 64  65\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.35.png","E d .  1 6\nb R O S S\nb R E A K\nE N Z O  b E R T I\nb R E A K  +  c o n s o l l e  c o n s o l e \nI N T R A  P.  5 6\nP 66  67\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.36.png","COD 1644 SI ⁄ 1644 SF\nCOD 1645 PI ⁄ 1645 PF\nH 47\nH 80\nP 56\nL 51\nP 58\nL 57\nH 67\nH 80\nCOD 1540 SF\nCOD 1541 SF\nH 65\nP 47\nH 88,5\nL 43\nH 75\nP 47\nH 98,5\nL 43\nCOD 1511 SI\nCOD 1510 SI\nH 47\nH 111\nP 47,5\nL 65\nH 47\nH 90\nP 47,5\nL 65\nCOD 1542 SI ⁄ 1542 SF\nCOD 1543 PI ⁄ 1543 PF\nCOD 1542 SI ⁄ 1542 SF\nCOD 1543 PI ⁄ 1543 PF\nP 57\nH 47\nL 52\nH 80\nH 47\nH 80\nP 65\nL 67\nP 57\nL 58\nH 67\nH 80\nP 65\nL 67\nH 67\nH 80\nCOD 1640 SI ⁄ 1640 SF\nCOD 1643 PI ⁄ 1643 PF\nCOD 1642 SI ⁄ 1642 SF\nCOD 1641 PI ⁄ 1641 PF\nP 56,5\nH 47\nL 51\nH 80\nH 47\nH 80\nP 57,5\nL 50,5\nP 56,5\nL 60,5\nH 67\nH 80\nP 56,5\nL 60,5\nH 67\nH 80\nCOD 1521 QI \nCOD 1522 QI \nCOD 1523 QI \nL 76\nP 85\nL 76\nH 104\nP 85\nL 76\nH 104\nP 85\nH 88\nH 40\nH 57\nH 40\nH 57\nH 42\nH 60\nCOD 3180\nH 76\nH 80\nL 180\nP 42\nCOD 3175\nL 55\nL 47\nH 61\nCOD 3190\nCOD 3191\nL 70\nL 70\nL 180\nL 83\nL 83\nL 220\nH 75\nH 75\nP 100\nP 85\nCOD 1520 SI\nP 54\nL 44,5\nH 46,5\nH 88,5\nCOD 1530 PI\nP 59\nL 58\nH 47\nH 78,5\nCOD 1531 QI\nL 68\nP 70\nH 42\nH 71\nCOD 3167\nCOD 3165\nCOD 3168\nP 60\nL 160\nH 40\nL 100\nH 30\nCOD 3166\nL 70\nH 35\nL 50\nH 50\nCOD 3172\nL 140\nH 140\nCOD 3170\nL 220\nH 120\nH 130\nCOD 3171\nL 280\ndETAILS\nPREVIEW\nbROSS\nNAME  ASCOT\nPAG. 38 – 43\ndESIGN\nAREA 44\nNAME  BREAK\nPAG. 62 – 67\ndESIGN\nENZO BERTI\nI T  Sedia con struttura in noce canaletto, rovere o faggio naturale, tinto o laccato opaco; scocca imbottita completamente \nrivestita. E N Chair in American walnut, oakwood or beechwood natural, stained or matt lacquered; shell fully upholstered.\nf R  Chaise en noyer canaletto, chêne ou hêtre naturel, teinté ou laqué mat ; coque entièrement rembourré. d E  Stuhl aus \nCanaletto Nussbaum, Eiche oder Buche natur, gebeizt oder matt lackiert; Sitz und Rücken völlig gepolstert.\nI T  Sedia e poltrona con sedile e schienale in faggio naturale, tinto, laccato o rivestito; imbottitura trapuntata, base in metallo \ncromosatinato. E N  Chair and armchair with beechwood seat and back, natural, stained, matt lacquered or upholstered; quilted \nupholstery and satin-chromed metal base. f R  Chaise et fauteuil avec assise et dossier en hêtre naturel, teinté, laqué mat ou \ntapissé ; tapisserie molletonné et base en métal chromosatiné. d E  Stuhl und Armlehnstuhl aus Buche, natur, gebeizt, matt \nlackiert oder gepolstert. Gesteppte Polsterung, Gestell aus Metal Chromo satiniert.\nSF + PF = Scocca completamente rivestita ∕ Fully upholstered shell \n∕ Dossier complètement rembourré rembourré ∕ Völlig gepolstert Rücken\nNAME  GISA\nPAG. 10 – 15\ndESIGN\nGIULIO IACCHETTI\nI T  Sedia con struttura in frassino, naturale, tinto o laccato opaco; sedile e schienale imbottiti. E N  Chair in ashwood natural, \nstained or mat lacquered; seat and back upholstered. f R  Chaise en frêne, naturel, teinté ou laqué mat; assise et dossier \nrembourrés. d E  Stuhl aus Asche, natur, gebeizt oder matt lackiert ; Sitz und Rücken gepolstert.\nNAME  BREAK\nPAG. 62 – 67\ndESIGN\nENZO BERTI\nI T  Sedia e poltrona con schienale posteriore in faggio naturale, tinto, laccato o rivestito; gambe in metallo rivestite in legno, \nimbottitura trapuntata. E N  Chair and armchair with outer back in beechwood natural, stained, matt lacquered or upholstered; \nwood covered metal legs, quilted upholstery. f R  Chaise et fauteuil avec dossier arrière en hêtre naturel, teinté, laqué mat ou \ntapissé; pieds en métal revêtus de bois, tapisserie molletonné. d E  Stuhl aus Buche natur, gebeizt, matt lackiert oder gepolstert. \nMetallbeine mit Holz bedeckt, Gesteppte Polsterung. \nSF + PF = Scocca completamente rivestita ∕ Fully upholstered shell \n∕ Dossier complètement rembourré rembourré ∕ Völlig gepolstert Rücken\nSF + PF = Scocca completamente rivestita ∕ Fully upholstered shell \n∕ Dossier complètement rembourré rembourré ∕ Völlig gepolstert Rücken\nNAME  BREAK\nPAG. 62 – 67\ndESIGN\nENZO BERTI\nI T  Sedia e poltroncina con scocca in faggio tinto o laccato opaco imbottita trapuntata. Base a 4 o 5 razze in metallo cromosatinato \ncon ruote. E N  Chair and armchair with beechwood shell stained or matt lacquered. Quilted upholstery and 4 or 5 star satin-\nchromed metal base with casters. f R  Chaise et fauteuil avec coque en hêtre teinté ou laqué mat, tapisserie molletonne. Base \nen métal chromosatiné à 4 ou 5 rayons avec roulettes. d E  Stuhl und Armlehnenstuhl aus Buche gebeizt oder matt lackiert, \ngesteppte Polsterung. 4 oder 5 Fuß-Gestell aus Metall chromo satiniert, mit Rollen.\nNAME  BREAK\nPAG. 64 – 65\ndESIGN\nENZO BERTI\nI T  Sgabello con scocca interamente rivestita ed imbottitura anteriore trapuntata; base in faggio con poggiapiedi circolare in \nmetallo. E N  Barstool with fully upholstered shell and quilted inner upholstery; beechwood legs and metal circular footrest.\nf R  Tabouret avec coque entièrement rembourré, avant tapisserie molletonné ; pieds en hêtre, et repose-pied circulaire en métal. \nd E  Hocker mit Schale völlig gepolstert, vorne gesteppte Polsterung; Beine aus Buche und Metall Fußring.\nNAME  MYSA\nPAG. 30 – 37\ndESIGN\nMICHAEL SCHMIdT\nIT Lounge con scocca completamente rivestita; struttura in rovere o base a 4 razze in metallo verniciata nero. EN Armchair \nwith fully upholstered shell; structure in oakwood or 4 star metal base black lacquered. fR Fauteuil avec coque entièrement \nrembourrée; structure en chêne ou base à quatre rayons en métal laqué noir. dE Armlehnstuhl vollgepolstert aus Eiche oder mit \n4 Speichen aus schwarz lackiert Metall.\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.37.png","COD 1644 SI ⁄ 1644 SF\nCOD 1645 PI ⁄ 1645 PF\nH 47\nH 80\nP 56\nL 51\nP 58\nL 57\nH 67\nH 80\nCOD 1540 SF\nCOD 1541 SF\nH 65\nP 47\nH 88,5\nL 43\nH 75\nP 47\nH 98,5\nL 43\nCOD 1511 SI\nCOD 1510 SI\nH 47\nH 111\nP 47,5\nL 65\nH 47\nH 90\nP 47,5\nL 65\nCOD 1542 SI ⁄ 1542 SF\nCOD 1543 PI ⁄ 1543 PF\nCOD 1542 SI ⁄ 1542 SF\nCOD 1543 PI ⁄ 1543 PF\nP 57\nH 47\nL 52\nH 80\nH 47\nH 80\nP 65\nL 67\nP 57\nL 58\nH 67\nH 80\nP 65\nL 67\nH 67\nH 80\nCOD 1640 SI ⁄ 1640 SF\nCOD 1643 PI ⁄ 1643 PF\nCOD 1642 SI ⁄ 1642 SF\nCOD 1641 PI ⁄ 1641 PF\nP 56,5\nH 47\nL 51\nH 80\nH 47\nH 80\nP 57,5\nL 50,5\nP 56,5\nL 60,5\nH 67\nH 80\nP 56,5\nL 60,5\nH 67\nH 80\nCOD 1521 QI \nCOD 1522 QI \nCOD 1523 QI \nL 76\nP 85\nL 76\nH 104\nP 85\nL 76\nH 104\nP 85\nH 88\nH 40\nH 57\nH 40\nH 57\nH 42\nH 60\nCOD 3180\nH 76\nH 80\nL 180\nP 42\nCOD 3175\nL 55\nL 47\nH 61\nCOD 3190\nCOD 3191\nL 70\nL 70\nL 180\nL 83\nL 83\nL 220\nH 75\nH 75\nP 100\nP 85\nCOD 1520 SI\nP 54\nL 44,5\nH 46,5\nH 88,5\nCOD 1530 PI\nP 59\nL 58\nH 47\nH 78,5\nCOD 1531 QI\nL 68\nP 70\nH 42\nH 71\nCOD 3167\nCOD 3165\nCOD 3168\nP 60\nL 160\nH 40\nL 100\nH 30\nCOD 3166\nL 70\nH 35\nL 50\nH 50\nCOD 3172\nL 140\nH 140\nCOD 3170\nL 220\nH 120\nH 130\nCOD 3171\nL 280\nNAME  NORA\nPAG. 16 – 21\ndESIGN\nMICHAEL SCHMIdT\nNAME  NORA LOUNGE\nPAG. 22 – 25\ndESIGN\nMICHAEL SCHMIdT\nNAME  MIKA\nPAG. 26 – 29\ndESIGN\nMICHAEL SCHMIdT\nI T  Poltrona con struttura in frassino, naturale, tinto o laccato opaco; sedile e schienale imbottiti. E N  Armchair in ashwood \nnatural, stained or mat lacquered; seat and back upholstered. f R  Fauteuil en frêne, naturel, teinté ou laqué mat; assise et \ndossier rembourrés. d E  Sessel aus Asche, natur, gebeizt oder matt lackiert ; Sitz und Rücken gepolstert.\nI T  Lounge con struttura in frassino, naturale, tinto o laccato opaco; sedile e schienale imbottiti. E N  Armchair in ashwood \nnatural, stained or mat lacquered; seat and back upholstered. f R  Fauteuil en frêne, naturel, teinté ou laqué mat; assise et \ndossier rembourrés. d E  Armlehnstuhl aus Asche, natur, gebeizt oder matt lackiert; Sitz und Rücken gepolstert.\nI T  Tavolino con base in metallo verniciato nero; piano disponibile in Fenix nero e rovere, naturale, tinto o laccato opaco. E N  Table \nwith metal base black mat lacquered; top available in black Fenix and oakwood, natural, stained or mat lacquered. f R  Table avec \nstructure en métal laqué noir; plateaux disponible en Fenix noir et chêne, naturel, teinté ou laqué mat. d E  Tischstruktur aus \nMetal schwarz lackiert; Tischfläche aus schwarzen Fenix oder Eiche, natur, gebeizt oder matt lackiert.\nNAME  AdEMAR\nPAG. 44 – 51\ndESIGN\nGIULIO IACCHETTI\nI T  Tavolo con piano ellissoidale o rotondo, disponibile in Marmo bianco di Carrara, rovere, noce canaletto o rovere termotrattato; \nbase a scelta fra rovere o noce canaletto. E N  Table with ellipsoidal or round top available in white Carrara marble, oakwood, \nAmerican walnut or heat-treated. Base in oakwood or American walnut. f R  Table avec plateau ellipsoïdale ou ronde, disponible \nen marbre blanc de Carrara, chêne, noyer canaletto ou thermotraité. Base en chêne or noyer canaletto. d E  Ellipsenförmige \noder kreisförmige Tischplatte aus Weißem Carrara Marmor, Eiche, Nussbaum oder Eiche termotrattato. Gestell aus Canaletto \nNussbaus oder Eiche.\nNAME  AMALONG\nPAG. 02 – 09\ndESIGN\nGIULIO IACCHETTI\nI T  Tavolo allungabile con base in massello di frassino o noce canaletto; piano disponibile in essenza, Fenix nero o bianco e grès \nbianco neve. E N  Extensible table in American walnut or ashwood; top available in wood, black or white Fenix and white grès.\nf R  Table à rallonge en noyer canaletto ou frêne; plateau disponible en bois, Fenix noir ou blanc et grès blanc. d E  Ausziehbarer \nTisch aus Canaletto Nussbaum oder Asche; Tischplatte aus Holz, schwarz oder weiß Fenix und weiße Keramik.\nNAME  INTRA\nPAG. 56 – 61\ndESIGN\nALESSANdRO MASTURZO\nI T  Consolle in rovere naturale ∕ profilo nero opaco o noce canaletto ∕ profilo bordeaux opaco con piano raddoppiabile e vano porta-\noggetti interno. E N  Console in natural oakwood ∕ black mat lacquered profile or American walnut ∕ Bordeaux lacquered profile with \nfolding top and internal multi-purpose holder. f R  Consolle en chêne naturel ∕ profil noir mat ou noyer canaletto ∕ profil bordeaux \nmat avec plan doublé et coffre pour le rangement des objets. d E  Konsole aus Eiche natur ∕ Profile schwarz matt lackiert oder \nCanaletto Nussbaum ∕ Profile bordeaux mit verdoppelbarer Platte und integrierte Box zur Ablage von kleinen Objekten.\nNAME  AdEMAR COFFEE\nPAG. 52 – 55\ndESIGN\nGIULIO IACCHETTI\nI T  Tavolo basso con piano ellissoidale o rotondo, disponibile in legno laccato, rovere, noce canaletto o rovere termotrattato; \nbase laccata. E N  Table with ellipsoidal or round top available in wood lacquered, oakwood, American walnut or oakwood heat-\ntreated. Base lacquered. f R  Table avec plateau ellipsoïdale ou ronde, disponible en bois laqué, chêne, noyer canaletto ou en \nthermotraité. Base laqué. d E  Ellipsenförmige oder kreisförmige Tischplatte aus Holz lackiert, Eiche, Canaletto Nussbaum und \nEiche termotrattato. Gestell lackiert.\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.38.png","B R O S S  I TA L I A\nv I A  C I v I d A L e  3 3 0 4 0\nM O I M A C C O  U d  I TA Ly\nT  + 3 9  0 4 3 2  7 3 1 9 2 0\nF  + 3 9  0 4 3 2  7 3 2 9 2 2\ne  I n F O @ B R O S S - I TA Ly. C O M\nw w w. B R O S S - I TA Ly. C O M\nG R A p h I C S\nB A R A z z U O L  M A L I S A n\np h O T O G R A p h y\nS T U d I O  e y e\nC O L O U R  S e p A R AT I O n\nL U C e  G R O U p\np R I n T\nT I p O G R A F I A  M e n I n I\np R I n T e d  I n  I TA Ly\nA p R I L  1 6\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F1d\u002F8f342430b80ca14337d80ab24277d0-25fcbfd484.39.png","",39,[],0,false,true,{"success":172,"data":174,"meta":393,"count":394,"next":395,"previous":396,"results":434,"brand_chips":495},[175,188,198,208,218,227,237,247,257,269,282,295,305,318,331,341,351,361,371,383],{"id":176,"title":177,"slug":178,"image":179,"source":180,"brand_name":181,"brand":182,"brand_slug":183,"file_size":184,"pages":185,"pages_count":186,"matched_pages":187,"match_count":170,"two_pages":171,"show_text":172},26607,"Working 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