[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-bla-station-evolution-no2-2018":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":112},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":107,"matched_pages":108,"match_count":109,"two_pages":110,"show_text":111},8067,"Evolution No.2 2018","bla-station-evolution-no2-2018","\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Ff0\u002F7735151067c1b14ab8c2be9c28a35f.pdf","Bla Station",1996,"bla-station","10.8 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,68,72,76,80,84,88,92,96,100,104],{"image":7,"text":15,"number":16},"EVOLUTION\nNo.2\n2O18\nBOB\nJACK \nGAP\nDENT \nDUNDRA\nSTOVE\nLUCKY\nHONKEN\nPOCKET \nSUPERSTRAW\nBOB BETONG\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.2.png","Everyone has a family, whether \nwe’re constantly surrounded by it \nor it’s just our point of origin\nIn the run up to 2018, we felt it was time once again to give the family an airing; to let our family  \nmembers speak their mind and tell us how they’d like to evolve. BOB, one of the latest members of the \nfamily, has always cherished ambitions about his future. Bob knows what Bob can do – all we had to \ndo was let him take charge of his own success. Five upholstered sections soon became seven, which \nmeans endless alternative combinations. These days, Bob can curve in or out or both at once. We can \nfit power outlets and USBs into the seats if you want, while add-ons like the CUT sofa tray and the JACK \ntable maximize possibilities. Last but not least, we can provide a base for Bob for all those surroundings \nand functions where you need to sit a little higher. \nEver since its successful launch in 2017 Bob has been waiting to go outdoors. We are proud to \nannounce the free-flowing sofa for indoor use now has been adapted to all seasons in a close \ncollaboration between Blå Station and Starka, another family business in Skåne, which has 80 years \nof experience in the manufacture of concrete for special applications. The heavy-duty version called \nBOB BETONG will furnish public spaces all around the city with generous seating for everyone.\nThere are also other families with ambitions this year, like HONKEN. What about everyone who thinks \nHonken is a tad too big as an armchair and a little bit too small for a sofa? Well, we’ve solved that \nproblem with an armchair that’s smaller and a sofa that’s bigger. HONKEN S & HONKEN XL.\nAnd DENT – this crinkly innovation has also been keen to develop over the past year. DENT WOOD \n– maybe the most popular member of the family, now comes as a bar stool with 65 and 82 cm seat \nheights. But perhaps the most exciting addition is still the well-dressed armchair, DENT LOUNGE.\nThe DUNDRA family – already large — just keeps on getting bigger, and now boasts an impressive \nswivel chair with armrests and high back. For now we call her DUNDRA HIGH BACK.\nLast but not least the newcomer LUCKY from 2017 is starting a brand new family and with its sibling \nLUCKY LOUNGE it has has grown even more comfy. The accentuated horizontal and vertical forms of Lucky are \nretained along with its generous and spacious proportions. \nBut we did not stick to our ambition of focusing solely on family growth and family refinement this year \neither. More than one brilliant new personality turned up who wanted to move in with us…You can read \nabout them all in this newspaper... or you can just look at the pictures and let them speak for themselves.\nWe will be presenting GAP at the Stockholm Furniture Fair for the first time. Created by design duo \nOsko + Deichmann from Berlin, GAP is a sober, stackable swivel chair with associated GAP TABLES for \ncafés, restaurants, offices, conferences or why not at home?\nSTOVE by Gabriel Tan was developed in the Furnishing Utopia project where designers from around \nthe world were again given the task of interpreting Shaker design, Stove is a small stool for all those \noccasions when a stool is essential. Place it wherever you want or hang it up if it gets in the way. \nOr hang loads of them on the wall to take down as people come and go. Neat, functional, perfectly \ncomfortable and terribly beautiful. \nWe also want to put some light on POCKET, which premiered in Milan at the 2017 trade fair. It has a \nfeature that is always useful in today’s society – a clever pocket under the seat that allows to you focus \non your meeting or enjoy your wine knowing that your belongings are stowed away safe and sound, \nclose to you. \nJohan & Mimi\nApril 2018\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.3.png","DENT LOUNGE • 2O18\nBOB • 2O17 – 2O18\nDUNDRA HB • 2O18\nBOB BETONG • 2O18\nGAP • 2O18\nPOCKET • 2O17\nHONKEN SMALL • 2017\nJACK • 2O18\nSTOVE • 2O17\nLUCKY LOUNGE • 2018\nLUCKY • 2O17\nSUPERSTRAW • 2O17\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.4.png","Free flowing Bob\nShape Bob anyway you want. Let the totally adaptable sofa snake around \npillars, flow along walls, and undulate around meeting areas. Bob will \nobediently adhere to any space, or will endow it with a forceful and at the \nsame time immensely comfortable structure. Thanks to Thomas Bernstrand and \nStefan Borselius’ meticulously designed modular solution, Bob can be built \nstraight, in hairpin turns, as a boomerang, or whatever shape one might fancy. \nBob offers an architectonic freedom of free flows, and without any ”back” \nside, Bob will face totally clothed in all directions opening up for even more \npossibilities when handling ever-changing interior architecture. \nThe straightforward construction requires a minimum of maintenance: a frame \nin FSC-certified plywood with a sturdy yet soft mould of foam, and a broad \nselection of fabrics and colours. At its launch in 2017 Bob was hailed as Best \nProduct - Editor’s Choice both at Stockholm Furniture Fair and ICFF in New \nYork, and was then crowned with the German Design Award 2018. Bob has \nnow become even more flexible with two new elements which allows for even \nmore sensuous shapes as well as freestanding seating islands. New add-on \nsteel tables, Cut, can be affixed between the modular elements, or chose the \nfreestanding Jack table, which can serve as a hub connected to the electric \noutlets on Bob. With an optional base in black stained oak, Bob can now \nbe had as a slightly raised version for public spaces.\n”We have made Bob even more practical,” says Stefan Borselius. ”The new \nelements allow for gentler curves and freestanding seating islands.”\n”The new 11.5 degree elements mean seats can face in every direction;” \nclaims Thomas Bernstrand, ”you have even greater flexibility in creating \nshapes, and you can build little stools as well.”\n2O17 – 2O18 \nJack | 2018\nCut | 2018\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.5.png","Just Jack or Cut it in\nJack table will multiply any wall outlet. Just connect Jack, and you will have USB- \nas well as standard electric connections on the cone-formed base of the table. \nJack can connect to Bob, which offer elements with electric outlets, or can be \nused as a freestanding table.\nYou can also use Cut, the new add-on steel table that can be attached between \nthe modular elements of Bob. Cut is made in aluminium and steel and makes \nBob even more versatile.\nDesign Stefan Borselius and Thomas Bernstrand.\nBOB\nBorselius & Bernstrand\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.6.png","2O17 – 2O18 \n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.7.png","Seat Height: 40cm\nRaised Version: 46cm \nSeat Width: 26cm\nSeat Depth: 58cm\nBackrest Height: 72cm\nBackrest Width: 26cm\nBackrest Depth: 29cm\nTotal Depth: 87cm \n”We have made Bob even more useable,” \nsays Stefan Borselius, ”the new elements \nallows for gentler curves and freestanding \nseating islands.”\n”The new 11,5 degree elements allows \nfor seatings facing in all directions,” claims \nThomas Bernstrand, ”you have an even  \ngreater flexibility in creating forms, and  \nyou can build little poufs  as well.”\nBorselius & Bernstrand\nBOB\nWhen Johan Lindau, CEO and design manager of  \nBlå Station, challenged two of Sweden’s most renowned  \ndesigners, the outcome was all but certain: Is it possible to \nmake a modular sofa that allow for maximum flexibility with a \nminimum of components? And that at a reasonable price? \nStefan Borselius and Thomas Bernstrand worked successfully \ntogether on Experiment 15, which gave birth to Honken, \nPoppe and Morris JR. Would Experiment 2017 be as fruitful? \nWe know now that it was.\n ”You can easily get stuck on details when you work alone’, \nsay Thomas Bernstrand and Stefan Borselius in unison. ‘We \nwork faster together when we can switch roles, taking turns at \nleaning back to take in the big picture, or immersing ourselves \nin the details.” The collaboration joined two different tempera \nments and working methods. ”We cut and adjusted a volume \nin styrofoam in Stefan’s studio until the height and depth was \nspot on’, says Thomas Bernstrand. ‘Then we rotated it until it \nfitted perfectly on a Euro pallet.”\nThe final result was a compact volume for transport, where \neach module is easy to handle both in the factory and on \nsite. ”Sit on the back of the sofa, or deep down in it; you will \nbe sitting comfortably regardless” says Stefan Borselius, and \ncontinues: ”enter the floor plan into the computer and let Bob \nacquire simple or complex forms. Email the order to  \nBlå Station, and you will get a tailored delivery directly from \nthe factory’”\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.8.png","2O18 \n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.9.png","Borselius & Bernstrand\nA safer and more \ninviting city with\nBob Betong\nBob has been waiting to go outdoors since its \nsuccessful launch in 2017. \nThe free-flowing sofa for indoor use has now \nbeen adapted to all kind of seasons in a close \ncollaboration between Blå Station and Starka, \nwhich has 80 years of experience in the \nmanufacture of concrete for special applications. \nThe heavy-duty version of Stefan Borselius and \nThomas Bernstrand’s meticulously designed \nmodular sofa system will furnish public space \nall around the city with generous seatings for \neveryone. Have break, eat your lunch, read a \nbook, wait for a friend. Bob Betong will offer \ncomfortable meeting places in parks, town \nsquares and along sidewalks. The seating \nelements can be built in straight lines, placed \nat an angle or in zigzag-patterns which will \nallow for a major upgrade of the public sphere. \nBob Betong’s rounded soft forms will break up \nmonotonous and anonymous surroundings, at \nthe same time acting as a sturdy physical \nbarrier protecting citizens on foot from invasive \nand stressful traffic. Bob Betong can be used \nto enrich new public spaces or give older ones \na new life, while at the same time securing the \ncity from all kind of threats. Bob Betong will also \nbe at ease around entrances to companies as \nwell as public institutions where the city as a place \nfor growing together is enhanced. Bob Betong \nwill contribute to a reborn public space where \ncitizens will have the opportunity to conquer the \ncity anew and create places for debate, meetings, \nand of course life itself. \nBlå Station launched Bob last year, a modular \nand extremely flexible sofa, which now is also \navailable in concrete for outdoor use. Bob Betong \nis cast by the concrete manufacturer Starka in \nseating sections, which weigh in at 250 kilogram. \nUp to 9 Bob Betong can be attached together, \nand they can also be fixed into the ground or to \nconcrete slabs. The close collaboration between \nBlå Station and Starka offers a solution that \nwill furnish public space with accommodating \nseatings, which also acts as safety barriers with \nimpact resistance. Bob Betong will be launched \nin concrete grey, and will shortly be available in \nother colours. The concrete is impregnated to give \na resistant and maintenance free surface. Optional \nanti-graffiti coating is available. Oppo Betong is \navailable in this collection.\nBOB BETONG\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.10.png","Honken XL | 2017\nHonken S | 2017\nHonken | 2015\n2O17 \n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.11.png","Thomas Bernstrand can boast of being both a renowned \nSwedish designer and a singular rebel on the Swedish \ndesign scene. When Thomas presented the two lamps Do \nSwing and Sugar Ray at his exam exhibition at Konstfack, the \nSchool of Arts, Crafts and Design in Stockholm, they were \nimmediately picked up by Droog Design which featured \nthem in their much-praised show during the Milano fair in \n2001. A lamp which allowed you to fly over the bar counter, \nand another in silicon to punch until it lit up. ‘I need to justify \nwhat I create’, says Thomas earnestly. ‘Why make a new \nproduct? Can I do it differently? In a more environmentally \nsound way? Allow for more efficient logistics? Make it easier \nto move? It can almost be anything as long as the product \noffers something new, otherwise it doesn’t count.’ \nThe same desire to challenge prevailing norms with witty \nand meticulously conceived design is mirrored in Thomas’ art \nproject. The Beach, which won the 2008 Siena Landscape \nAward, consists of sun deck furniture and parasols in a year-\nround installation in the centre of Stockholm. Movable Space \nis a slowly revolving light installation that in the new commuter \nrail station Odenplan in Stockholm. Thomas’ education spans \nindustrial design and art, he studied in Stockholm at both \nKonstfack – the University of Arts, Crafts and Design – and \nKonsthögskolan – the University of Fine Arts – as well as at \nDenmark’s Designskole. His work can be found in museums as \nwell as among manufacturer’s collections. Thomas has been \nawarded many design prizes, among them the German \nDesign Award, and the prestigious Bruno Mathsson prize in \nSweden.\nWhich is your favourite place in Stockholm? ‘Having brunch \nat Fotografiska on Stadsgårdskajen.’\nLatest book by the bed? ‘Right now I’m reading ”Utopia For \nRealists” by Rutger Bregman on universal basic income and \nother radical ideas.’\nMeet the Honken Family\nComfort for one, for two, or three? Get the whole bunch together, or chose \nbetween the generous armchair, the intimate two-seater sofa, or the full \nthree-seater. Honken sports turned legs of solid oak carrying a sturdy metal mesh \nstretched between visually precise steel bars. The soft and fluffy seat and lumbar \ncushions are filled with polyester foam and down and have a cover in either \nfabric or leather. Thomas Bernstrand, who designed Honken in collaboration \nwith Stefan Borselius and Johan Lindau, excels in combining elegant styling with \nrough, tough design, which like any true classics will endure the test of time. Just \nadd a new coat of paint if ever needed, or create new cushions, all in line with \nBlå Station’s sustainable furniture philosophy. All three models of Honken can be \nfitted with a side table, electrical outlets and other workspace options.\nThomas Bernstrand\nHONKEN\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.12.png","2O18 \nDundra S71 | 2011\nDundra S72 | 2011\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.13.png","Stefan Borselius\nStefan Borselius is one of Sweden’s most prominent \ncontemporary designers. He has trained as a carpenter \nat the Steneby School, as a designer at the Carl Malmsten \nSchool, and holds a master’s degree from Konstfack, the \nUniversity College of Arts, Crafts and Design in Stockholm. \nWith a keen interest in historic designs, he creates furniture, \nlights and textiles inspired by new lifestyles and new working \nenvironments. All of his work is marked by an attention \nto proportions and details, and he methodically and \nwhole-heartedly pushes the boundaries of what can \nbe produced, without leaving anything to chance. \n‘I presented my journeyman piece exactly 100 years after \nmy grandfather’s father did the same, but although I felt at \nease with carpentry, I wanted to learn how to create and \ndraw my own forms.’\nThe Oppo chair for Blå Station, 2009, fuses technical and \nemotional functionality in a soft, cushy friendly form. \nStefan has received numerous awards including the Red Dot: \nBest of the Best Award, 2004. He is represented in the \ndesign collection at the National Museum, Stockholm. Many \nSwedish design companies in lighting, textile, and acoustic \nproducts are among his clients, and most of all Blå Station, \nfor whom he has created modern design icons such as \nPeekaboo, Wilmer and Oppo as well as Sting, designed \nwith Fredrik Mattson.\nWhere do you work? ’I used to work in bed or in my work-\nshop, now we have a just finished studio by the sea, which I \nshare with my wife, an employee, and the office dog Sickan.’\nWhat is your preferred reading at night? ‘I mostly read for my \nkids nowadays, the latest one is ”Mamma Moo Goes Down \na Slide”’\nTotally relaxed seating\nThe Dundra family just couldn’t do without another, even more stylish easy chair. \nThe high backrest ensures relaxed comfort, and the swivel cross-frame allows \nfor movement even when resting your legs on the footstool. Stefan Borselius has \nonce again produced a contemporary, almost classic feeling, with the covered \nbutton as his distinct hallmark. The high backrest welcomes the short and the tall \nwithout compromise, and full head support allows both relaxation and reading. \nThe Dundra easy chair comes in fabric or optional leather with the moulded \nfoam padding supported by nozaq springs. The Dundra family’s firstborn siblings \nwere the chair, the bar stool and the bar chair. Then the stackable sofa came \nalong, with an armchair and a stackable stool. There are of course also optional \narmrests, which can be added to various members of the family. \nDUNDRA\nDundra High Back | 2018\nDundra S74 | 2013\n",13,{"image":66,"text":43,"number":67},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.14.png",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.15.png","Osko + Deichmann\nOlli Deichmann and Blasius Osko began working together \nafter taking their degrees in industrial design in Berlin where \nthey operate their design office. Back then, they used to \ncall themselves Wunchsforscher, literally Wish Researchers, \nsince everything seemed possible in the late ‘90s. The \nbreakthrough for this Polish-German design duo came with \nPebbles, a bulky yet precisely proportioned sofa, which they \npresented at the Milan Furniture Fair 2005. Good reviews \nare one thing, but only Blå Station were persistent enough to \nbring it to market. Even more successful is their Straw series, \nwhich has now been updated with Superstraw, a high-back \nchair with their signature kinked steel tubes reminiscent of \ndrinking straws. “Our mission?” Blasius waits for the right \nresponse. “We like to ask ourselves questions; there are \nso many assumptions regarding the materials, aesthetics \nand functions one is supposed to have. What if you could \nimagine a world that’s a little bit different?” The Straw and \nSuperkink furniture prove the point with their playful take on \nthe early century modernist iconic tubular design that is now \nbent and folded at sharp angles. “We make the impossible \npossible!” says Olli Deichmann. Apart from Blå Station, they \nwork for renowned companies like Lignet Roset and Brunner. \nTheir extensive portfolio is included in the book ”Best of \nGerman Interior Design”, and apart from numerous prizes, \ntheir Straw chairs and tables enliven the Bauhaus Archive \ncafeteria in Berlin.\nHow do you find new ideas? “Taking extended walks,” says \nBlasius Osko. “We should really do so more often! Walking \nand thinking goes very well together, it brings out new \nideas.”\nWhat are your reading right now? “Jordan Peterson’s second \nbook, ‘12 Rules for Life: An Antidote to Chaos’,” says Olli \nDeichmann. ”His lectures and interviews became a total \nYouTube hit; he discusses neuroscience, gender identity, lots \nof interesting stuff.”\nDo you work with the music turned up or not? “Not really, \nwe’re often engrossed in a never-ending dialogue finding the \nright solution,” says Blasius Osko. “But lately I’ve rediscovered \nFat Boy Slim; he’s the perfect companion in the prototype \nworkshop.”\nDon’t mind the Gap\n“How can we make the world a little bit different?” asked Olli Deichmann;  \n“how about a stackable, 4-cross frame chair?” And Blasius Osko was of course \nall for it: “Let’s make something original and elegant for sophisticated hospitality!” \nThe gap is that little detail that lends Olli Deichmann’s and Blasius Oskos’ swivel \nchair such straightforward functionality. Both the Gap chair and the Gap table \nare easily stacked away when it’s time to make space or clean public places \nlike cafeterias, restaurants, and conference areas. Or just slot the chair in place \nunder any table using the simple table accessory. The Gap chair offers stylish \nseating with a layer-glued veneer available in ash, oak, walnut, or black. The \nGap table is available in solid wood, or with a veneer surface. Both chair and \ntable sport a frame of lacquered steel. \nGAP\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.16.png","2O18 \nDent Wood | 2014                                   \nDent Nostack | 2013\nDent Stack | 2013\nDent Lounge | 2018                                   \n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.17.png","Henrik Kjellberg and Jon Lindström founded their design \nstudio o4i (office for ideas) in 2005, almost a decade after \nthey earned their MFA degrees at Konstfack, the University \nCollege of Arts, Craft and Design in Stockholm, Sweden. \nThey work with numerous clients all over the world offering \ncolourful and inspired design that often challenges the status \nquo of the design world. Their Dent chair was born as an \nexperiment trying to mould a double-curved 3D surface out \nof regular material instead of expensive 3D veneer. The result \nusing layer-glued compression-moulded ash wood, challenges \nthe modernist idea of perfection while also offering welcoming \ncomfort. “Your eyes tell you that you can’t possibly sit  \ncomfortably in this chair,” says Henrik Kjellberg, “but it’s like \na bed of nails; your body is supported by the knuckles, and \nit’s all flat in the middle of the seat and at the lumbar support \nwhere you need it.” Jon Lindström stresses the importance \nof the comfortable curvature which cradles your back, and \nwhich is made possible by the double-curved 3D surface.\nTheir ongoing research in workplace furniture is focused on \nflexibility and agility, with the user in focus. A changing work \nculture requires new designs, which integrate technology in \nfurniture solutions, while also protecting the private sphere in \nan ever-more open workspace. But the individual pieces by \no4i are the most striking; take Zesty, a superlight stackable \nchair with a very different character, but based on the same \nplayful approach as Dent. During the past ten years or so, \no4i has received numerous awards, among them Red Dot \nAward (Germany), IDA, International Design Award and \nADEX Platinum Award, the last two in the US.\nWhat will the workplace of the future look like? ’I have no \nidea!’ says Henrik Kjellberg, ‘the definitions of what is work, \nan office, leisure time is challenged, and begs the questions \nif we are ever to leave this trial-and-error period induced \nby fast technological changes. I’m nevertheless convinced \nthat even in the future we need face-to-face relations in the \nworkplace.’\nWhat are your recommended readings? ’My latest is Jaron \nLaniers ”Who Owns the Future”, but everyone should  \ndefinitely read Yuval Noah Harari’s ”Sapiens” and ”Homo \nDeus” which discusses human evolution and the challenges \nof the future.’\nO4i\nDENT\nVoluptuous Dent\nFrom a distance, the new Dent easy chair looks like it’s sculpted in clay. When you sit on it, it’s all soft, \nenveloping leather. The new addition to the Dent family by o4i (office for ideas), keeps the original \nthree-dimensional surface in ordinary veneer, but now with a large generous ”dressed” seat shell fixed \non a swivel frame. “We have stretched the curvature even more,” says Henrik Kjellberg, who together \nwith Jon Lindström designed the original Dent chair in 2013, “and it works perfectly!” Dent adds a human \ntouch to contemporary clean and overly strict architecture, while questioning the modernist heritage where \nthe straight and meticulously polished are the norm. “Dent’s uncontrolled flow of shapes offers a contrast \nto interior spaces that are often experienced as being way too perfect. Even the architecture comes alive \nin the presence of Dent.” At first glance, Dent might appear uncomfortable, but the curving shape is well \nadapted to the human body where it really counts. This upholstered version is available in fabric or leather \nwith a classic swivel frame base. The original Dent is also available with or without ”dressed” seat shells \nas chairs and bar chairs, all with a choice of frames in steel or wood.\nDent Wood Bar | 2018                                   \n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.18.png","2O18 \nLucky Lounge | 2018                                   \n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.19.png","LUCKY\nLuka Stepan\nObvious Unusual Familiar\nLucky has grown even more comfy with the new lounge version. The accentuated horizontal \nand vertical forms of its sibling are retained along with its generous and spacious proportions. \n‘The original Lucky had a certain relaxed feeling about it,’ says Luka Stepan, ’we felt it could \nalso work in a more causal environment, not only next to a dining table.’ The original as well \nas the lounge version is made in traditional materials: oak plywood, upholstered backrest, and \na seat covered in leather or textiles. The sturdy yet flexible chair offers a calculated balance \nof proportions with a both open and closed character. ’We have upgraded Lucky thoroughly \nwith a fully padded seat, contoured backrest, and a more laidback geometry,’ adds Luka \nStepan. Generously evident in all its simplicity, the monochrome colour scheme underlines the \nstringent and classical expression, which all together offers an almost ritual seating experience.\n \n‘Plywood was kind of trendy when I studied in London eight years ago,’ explains Luka Stepan, \nwho runs his studio in Ljubljana, Slovenia. ’I wanted to see if I could achieve a bit of flexibility \nin contrast to solid wood. I managed to do this in Lucky by mounting the seat in the front.’\nLuka’s design has a distinctly Nordic air along with a keen \ninterest in smart solutions for new lifestyles. Luka Stepan con-\ntinued his studies at the Royal Collage of Art in London, after \ngraduating from the Academy of Fine Arts and Design in \nLjubljana. Under the guidance of professor Ron Arad at RCA, \nand working as a freelance designers in the UK for several \nrenowned London studios among them Tangerine, Luka is \nnow based with his own design studio in Ljubljana. ‘Why \nmaking yet another chair? Yes, that’s a good question! There \nare really way too many chairs in the world, and lots of \nthem really bad since they don’t last long, not even culturally. \nLucky is made without any compromises and short-cuts, and \nwhile not a cheap chair, it’s actually an investment where \nyou count on using it for a long time.’\nDesign that can be improved? Car design obviously; it can’t \njust be about styling, can it? It’s not enough that Tesla\nchallenges the other manufacturers, there’s lot to do: how do \nyou improve on the interior and how do you interact with all\nthe electronics at your command? And being in charge of \nso much deadly power in the street, how do you develop \nthe automatic system keeping everything in check? If we will \nhave driverless cars in a sharing economy, what will they \nlook like? What kind of sociological and cultural challenges\nare we facing?\nOn your bedside table? In Praise of Shadows by Junichiro \nTanizaki. His essay from 1933 gives a completely different \nperspective on the aesthetic of the West and the Far East, \nand it’s also a lot about architecture. A chair is a chair, but \nhow is it used in space, how does objects makes us think \nabout space? I believe that with all these high-tec digital \nsolutions we are still extremely connected to the physical \nmateriality of life, and furniture design carries a lot of culture \nwith it, it’s really fascinating how much you can put into a \nchair like Lucky.\nLucky | 2017\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.20.png","2O17  \n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.21.png","Gabriel Tan’s approach to design feels almost Scandinavian \nwith its minimalist aesthetics, but it’s even more inspired by \nthe Shaker movement, and why not also the Japanese quest \nfor sensual simplicity? “It’s all about compact luxury,” says \nGabriel Tan. “By breaking preconceived cultural conventions, \nyou take something familiar and turn it into something new.” \nLuxury doesn’t have to be huge and use opulent materials, \naccording to Gabriel Tan. By reinterpreting the notion of \nluxury, he manages to offer unique products which entail \nnew experiences. “It’s such a clever idea to hang a chair \non the wall like the Shakers did; why isn’t anyone doing it \ntoday? I gave myself the goal of designing a chair that was \nsmall and light enough to be hung on a wall, not upside \ndown, but upright for display like a sculpture.” The Stove \nchair is an architectural device that creates free space, and \nup on the wall it’s a sculpture as well, but the minimal shape \nwith just three legs is also an exemplary reduction to the \nessentials of form and function. Gabriel Tan explains that he \nchose to become a designer because it allowed him to \nexplore cultures, history, traditions, and how to cross and \nbreak geographical and cultural boundaries.\nGabriel Tan is conveniently based in Singapore close to \nSoutheast Asian manufacturers as well as within easy reach \nof the rest of the world. He is a co-founder of the international \ndesign collective Outofstock, which presented the easy chair \nÅhus as a tribute to Blå Station on occasion of their 30 year \nanniversary in 2016. Today he works primarily on his own, \nnonetheless participating in international workshops. ”I visited \nthe Hancock Shaker Village when I was teaching a summer \nclass at the University of Oregon in 2012. My friends John \nand Wonhee Arndt from Studio Gorm and I organized a \ndesign workshop, and the Stove chair is one of the results.” \nWhat is your next project? ”I’m going to Havana to join \nsome designers I know to make things inspired by local \nmaterials and craftsmanship in Cuba.”\nWhat are you reading right now? “Sherry Turkie’s ‘Reclaiming \nConversation: The Power of Talk in a Digital Age’. There is a \nlack of real connections in the world today, and I believe we \nneed more face-to-face interaction instead of the distractions \nprovided by smartphones, which proliferate everywhere in \nour lives.”\nAnd the last concert you went to? “I was at a concert by \nFleet Foxes just the other week here in Singapore. I love their \nmusic and listening to them makes me want to grow a beard \nand walk up a mountain!”\nSTOVE\nGabriel Tan\nBehold the seat\nThree legs and a short backrest; what more does a chair need? Gabriel Tan \nhas reinterpreted the minimalistic character of Shaker furniture, and especially \nthe unusual shape of the Shaker wood-fired stove. The Stove chair provides \ncomfort with its softened, convex seat and low back rest, which provides just \nenough lumbar support. Use it wherever you like thanks to its reduced form, \nor admire the finely crafted furniture icon hung from a peg rail or the included \nwall-mounted peg. “The Shakers used to hang their stools upside down on the \nwall in order to make space,” says Gabriel Tan. “I decided to hang it upright \nand display it like a sculpture.” Gabriel, who lives in Singapore, was inspired \nby the Hancock Shaker Village in Massachusetts, where he was part of an \ninternational workshop to design Shaker-inspired products with designers from \nall over the world.\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.22.png","Stone Designs\nPOCKET\nStylish safe keeping\nTote bags, backpacks, scarfs, satchels, jackets, sling bags, clutches, books, \nlaptops... Too many things to keep track of while out-and-about in town? How \nabout an extra pocket? Pocket offers an elegant solution to a hitherto unmet \nneed, a compartment for storing your treasures. Like the kangaroo’s pouch or \na secret hiding place, Pocket is your own island of privacy in the midst of the \nmetropolis. Pocket offers perfect extra-storage for busy public spaces such as \nhotel lobbies, waiting areas, bars and restaurants and why not at your office \nor home?\n“Pocket is neither too soft nor too hard. Our chair has a stiff outside and a \nsofter inside to enhance the comfort. Nowadays everyone walks around with \nlaptops, handbags, and lots of other things. Personally, we hate to leave our \nstuff on the floor! Pocket is perfect for keeping all your gear safe and clean in \na public space.” says Cutu Mazuelos & Eva Prego, Stone Designs.\n2O17 \n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.23.png","SUPERSTRAW\nOsko + Deichmann\nLush seating \nwith Superstraw\nIf the Superkink by Osko + Deichmann can offer \nsoft padded comfort, why not add it to the Straw \nfamily? Superstraw, both as a stackable chair and \nas a high barstool, now comes with padded seats \ncovered in fabric or leather. The angular frames \nwith their kinked tubes might beg the question: \nwill they break? But, of course, Germans are quite \nincapable of making things that do not work. \n“Straw is interesting because of how materials \ncan be used in new, surprising ways,” say Olli \nDiechmann and Blasius Osko in unison. And their \nStraw family is of course a sacrilege: who would \nimagine that tubular steel, the modernist symbol \npar excellence, could be so easily bent at sharp \nangles? ”It’s all about making the impossible \npossible, and to show how steel can be used in \nnew, creative ways.”\nSuperkink | 2013\nStraw | 2010\nSuperstraw | 2017                                  \n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002Fb3\u002Fe9c791cd2de5b91b348cf747160a9e.24.png","BLÅ STATION AB \nBox 100. 296 22 Åhus. Sweden\nTel: +46 (O)44 24 9O 7O\ninfo@blastation.se\nShowroom:\nSandvaktaregatan 17. Åhus\nSödermalmsallén 36. Stockholm\nVia Osti 3. Milano\nwww.blastation.com\nAUSTRALIA\nProducts for people\nTel +61 3 9429 3388\nhello@productsforpeople.com.au\nAUSTRIA\nDesign 4 Architects\nTel +43 664\u002F9116177\nfranz.steiner@design4architects.com\nFRANCE\nPPCM\nTel +33 (0)381 403 600\nppcm@ppcmsarl.fr\nGERMANY 0-6\nObjektagentur van Laar\nTel +49 (0)421 69667600\nberatung@objektagentur.de\nGERMANY 7-9\nOne11, Rainer Schäfer\nTel +49 (0)177 6429268\nrs@one11.co\nHOLLAND\nBOL Interieur Agenturen BV\nTel +31 653 26 33 15\nzoltan@mooiwerken.nl\nITALY\nGiovanni Aita - Agente\nTel +39 339 666 5959\ngiovanni.aita@blastation.it\nJAPAN\nBevel Corporation\nTel +81 3 53 41 42 43\nlt@bevel.co.jp\nNORWAY\nCanvas\nTel +47 994 24 050\ninfo@canvas.no\nPOLAND\nMarro Sp. 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