[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-bla-station-chairs-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":269},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":264,"matched_pages":265,"match_count":266,"two_pages":267,"show_text":268},16197,"Chairs 2023","bla-station-chairs-2023","\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F98\u002F25fe81bf798dbb8058267a2723b722-286cead15a.pdf","Bla Station",1996,"bla-station","139.9 MB",[14,17,21,25,29,33,37,41,45,49,53,56,60,64,67,70,74,77,81,84,88,92,96,99,103,107,111,114,118,122,126,129,133,136,140,144,148,151,155,158,161,164,168,172,176,179,183,187,191,194,197,200,204,208,212,215,219,223,227,230,234,237,241,245,249,253,257,261],{"image":7,"text":15,"number":16},"CHAIRS\nBAR STOOLS\nEASY CHAIRS\nSOFAS\nSOFA SYSTEMS\nMULTIFUNCTIONAL\nTABLES\nOUTDOORS\nACOUSTICS \nSTOOLS & BENCHES\nACCESSORIES\nCOLLECTION\n \nChairs\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.2.png","1\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.3.png","1\nWhy yet another chair?     \nWhat is the driving force behind making a new chair? What is the \ncommon thread? Is the common thread visual or philosophical? We \nbelieve that a new chair is not really new unless it contains a new \napproach to function, construction, production, logistics, materials, \nindustry or sustainability. If it does not have any of these qualities, \nthen it is just “another” chair. A new chair must have an interesting \nstory to tell, a new chair must have answers to all the whys that are \nasked of it. If it doesn’t have any of those answers, then it’s not a \nnew chair, it’s just “another” chair. Is it beautiful? For us this is not a \nrelevant question, beauty is only in the eye of the beholder.\nWe want to change the world and we love to tell our stories, so here \nare a few.\nEnjoy!\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.4.png","2\nOur story… where it all began\nBlå Stations started around a furniture family designed by the \nfounder, our father Börge Lindau. The series is called Oblado and it \nwas launched in 1986, the same year the company was established. \nThe Oblado series was innovatively intense in several ways. If we \ntake the chair B4, which is available in 3 different heights and \ndifferent materials, the moulded seat ring is an innovation. Earlier in \nhistory, round rings in furniture were either done using a segmented \njoining structure or made from form pressing two shaped halves that \nwere joined together. These techniques certainly produced visually \nround shapes – but never completely round or repetitively the same. \nThe round seat ring of the chair B4 is made of 8 pressed halves \nin birch veneer that are put together like a jigsaw puzzle and then \npressed a second time in a ring tool that always gives the same \nround shape. The second innovation was more of an environmental \nrequirement for industry. – “We don’t want any formaldehyde in the \nglue!” Börge Lindau said. At that time, in 1986, Sweden had the \nhighest formaldehyde content in Europe, higher than the European \napproved level. Börge’s demands were taken seriously, and the \nindustry started experimenting, using us as guinea pigs, and after \nmany trials and errors, we produced an adhesive that consisted of \nonly one tenth of the European approved level of formaldehyde. \nThis glue was used for almost 3 decades in the compression \nmoulding industry and today our glue is completely formaldehyde \nfree. \nWe’ve been innovators and influencers from our very beginning... \n \n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.5.png","B4\nBörge Lindau | 1986\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.6.png","4\n5\nIf… OM means IF in Swedish\nIf we had written a brief to Johan Ansander, or any other designer, \nand had this chair been presented as a direct result of our brief, \nwe wish our brief had sounded like this:\nWe want a chair, a completely normal chair.\nWe want a chair, as if it had been designed by one of the great \nmasters, such as Michael Thonet or Alvar Alto - if they were alive, \nactive and at their absolute peak right now in the 2020s.\nWe want a chair that is so well balanced that it inspires calm, \nwhether it is standing alone or in a group.\nWe want a chair made of wood, completely made of wood.\nWe want a chair, comfortable for both the eye and the butt.\nIf this chair were the result of our brief - then the designer is a master.\nJohan Ansander is thus a Master.\n \n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.7.png","5\nOM\nJohan Ansander | 2O23\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.8.png","6\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.9.png","",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.10.png","9\n",10,{"image":54,"text":51,"number":55},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.11.png",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.12.png","10\n11\nThe crumpled paper theory…\nWhen designers Jon Lindström and Henrik Kjellberg, the design \nduo O4i, contacted me and said they had an ongoing project that \nthey knew would interest me - they didn’t catch my interest until they \nshowed me some dented plates. One of the plates had a piece \nof paper glued to the surface. I asked if this was what I thought it \nwas. Jon and Henrik just smiled. You can crumple a piece of paper \nand shape it however you like, but you can’t crumple veneer. \nTherefore our “crumpled paper theory” set out to explore whether \nthe industry’s traditional two-dimensional paper theory could be \ncombined with our three-dimensional “crumpled paper theory”. It \nwas a challenge that did not arouse any enthusiasm in the industry. \n- “It can never be done, you do understand that, right?” they all \nsaid. But shame on those who surrender. After two years of \nintensive development, persistent persuasion, and a Swedish \nsupplier’s determination not to give up, the Dent chair saw the \nlight of day in February 2013.\nThe impossible became possible. \nDent is a real innovation made in plain traditional veneer.\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.13.png","11\nDENT\no4i | 2O14\n",13,{"image":65,"text":47,"number":66},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.14.png",14,{"image":68,"text":47,"number":69},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.15.png",15,{"image":71,"text":72,"number":73},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.16.png","15\n",16,{"image":75,"text":72,"number":76},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.17.png",17,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.18.png","16\n",18,{"image":82,"text":47,"number":83},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.19.png",19,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.20.png","18\n19\nTradition and Innovation in symbiosis\nIf we remove the back of the chair for a short while - we have a \ncompletely traditional chair with four legs, a seat and... well, let’s \nconcentrate on the back. The designer Marcel Sigler has designed \na unique back, like a flat band caught in a movement, which really \nshouldn’t be possible to mould rationally and industrially. In order \nto achieve this industrially complex shape, an advanced four-part \ncompression moulding tool is required, and the result must be without \nvisible tool meetings. Impossible according to those whom Marcel \npreviously contacted. But, when we saw Still Life, the feeling came \nimmediately - we must solve this, we want this chair! \nSo together with a Swedish manufacturer who wanted to succeed as \nmuch as we did, we came up with not only a beautiful chair, but a \njoyful and very comfortable chair, at the right price. \nStill Life when tradition and innovation meet in one chair.\n",20,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.21.png","19\nSTILL LIFE \nMarcel Sigel | 2O2O\n",21,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.22.png","21\n",22,{"image":97,"text":94,"number":98},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.23.png",23,{"image":100,"text":101,"number":102},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.24.png","22\n23\nThe unmaking of democratic design...\nThis was the title of a project with Röhsska Design Museum and \nthe artist Fredrik Paulsen for the reopening of the Museum in 2020. \nIKEA (a well-known Swedish brand) has seized the certainly \nmisleading expression “democratic design” and transformed it into \n“low prices in flat boxes”. Our Dad, the founder of Blå Station, \nalways said that design is no flipping democracy. Röhsska design \nmuseum knew this, so we were given the task, together with Fredrik \nPaulsen, to create a unique chair presented in a flat package. \nThe easiest part was giving the chair its name, because obviously \nit would be called Röhsska. The hardest part was to make each \nindividual chair unique. This became a long and tough process, \nwhere we tried to get talented craftsmen who had great professional \npride and the ability to varnish hundreds of chairs in exactly the \nsame way.... to instead invent a new way, deliberately and without \naggravating or expensive measures, to varnish several chairs at the \nsame time with the result that no one chair resembled the other and \nof course without compromising the quality of any of them. \nRöhsska when playfulness is allowed to control the process.\n",24,{"image":104,"text":105,"number":106},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.25.png","23\nRÖHSSKA\nFredrik Paulsen | 2O19\n",25,{"image":108,"text":109,"number":110},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.26.png","24\n",26,{"image":112,"text":47,"number":113},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.27.png",27,{"image":115,"text":116,"number":117},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.28.png","26\n27\nThe “what if” theory…\nDuring iSaloni in Milan in 2002, Fredrik Mattson, who was then a \nyoung design student, received a product brief, a brief that many \ndesigners get, but very few succeed with. It read: - We want “a \ncompletely ordinary chair made in a completely new way”. After \na couple of tries, Fredrik finally said that he and a fellow student, \nStefan Borselius, had drawn an aluminium chair they wanted me to \nsee. My very first reaction was that we didn’t want an aluminium \nchair. But Fredrik said I couldn’t say no until I saw it, which caught \nmy interest and raised my expectations. \nA month later and ONE PowerPoint slide into a long presentation, \nthe decision was simple - “We must do this!” Convinced, confident \nand with the world’s innovation at hand, we went to the industry \nexpecting a standing ovation. The experts, technicians, and \nengineers on site, all of whom knew their material and process, \nkindly but firmly informed us that our chair was not possible to \nproduce. It could have ended there and then, but since we were still \nvisiting, we were given a tour of the factory and before we left that \nday, I laid out my proven “what if” theory and said - “But... “IF” it \ncould be manufactured, how would we do it then? What would the \nobstacles be?” That question sparked new interest. Five long months \nlater and after the chair had been discontinued due to four failed \nattempts, we presented the chair Sting at SFF 2003, a true innovation.\nThe whole long, exciting story is available to read online.\n",28,{"image":119,"text":120,"number":121},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.29.png","27\nSTING\nStefan Borselius & Fredrik Mattson | 2OO3 \n",29,{"image":123,"text":124,"number":125},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.30.png","29\n",30,{"image":127,"text":124,"number":128},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.31.png",31,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.32.png","30\n",32,{"image":134,"text":47,"number":135},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.33.png",33,{"image":137,"text":138,"number":139},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.34.png","32\n33\nWith simplicity as a driving force \nHow far can I simplify the construction of a chair? This was the \nquestion I asked myself when I was commissioned to design a chair \nfor an Asian-inspired restaurant called Momang. Simplicity both for \nthe eye and in the way the chair is constructed. Can I use only a \nplank and a band to produce a chair? A plank of 4 meters sawn \ninto ten parts of three different lengths, plus an 8-meter-long textile \nband cut into twelve parts of two different lengths. Can this become \na chair that can handle all the functions required? Can it pass the \nviewer’s judgment, be comfortable enough, stand the test of time \nand positively affect the spatiality? We leave that for you to judge. \nMomang, so simple a child could have drawn it.\n",34,{"image":141,"text":142,"number":143},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.35.png","33\nMOMANG\nJohan Lindau | 2O21\n",35,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.36.png","35\n",36,{"image":149,"text":146,"number":150},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.37.png",37,{"image":152,"text":153,"number":154},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.38.png","36\n36\n",38,{"image":156,"text":47,"number":157},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.39.png",39,{"image":159,"text":47,"number":160},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.40.png",40,{"image":162,"text":47,"number":163},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.41.png",41,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.42.png","40\n41\nStarting by questioning \nWhy are almost all regular chairs upholstered with a thin, barely \nload-bearing foam? That was the question we asked ourselves. The \nreason we came up with, was that all these chairs have a first version \nwithout padding, such as a moulded wooden seat, and for various \nproduction-logistical, inventory-intensive and seat height-related reasons, \nthe result is a 10mm thin non-load-bearing foam that is glued to the \nsurface, and bang - there is the upholstered version. We decided to \nskip the first version and go straight to the padded version and work \non the comfort for both short and long periods of sitting. The product \nbrief the designer Stefans Borselius had received, ahead of our 25th \nanniversary in 2011, was to interpret Blå Station’s design signature. \nHe chose to make Dundra into a whole furniture series, just like our \nfather, Börge Lindau, did in 1986 when he designed his furniture \nseries Oblado. \nDundra when comfort is the focus.\n",42,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.43.png","41\nDUNDRA\nStefan Borselius | 2O11\n",43,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.44.png","42\n",44,{"image":177,"text":47,"number":178},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.45.png",45,{"image":180,"text":181,"number":182},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.46.png","44\n45\nA tribute\nFor the 90th anniversary of the Bauhaus, the city of Berlin selected a \ngroup of young German designers and asked them to come up with \na design which interpretated and celebrated the Bahaus movement. \nThe city of Berlin provided the designers with a small studio, and \nthen it was just a matter of getting started. Usually, the interpretations \nbecome manifestations of the bent steel tube that made its way into \nthe furniture industry with the help of the Bauhaus movement. \nThis was after they discovered how the German aerospace industry \nfigured out how to shape sand-filled steel tubes against precise \nmatrices to get perfectly bent tubes. The cold hard material now \nbecame soft and pliable through its bends. The designers \nOsko+Deichmann went a different way with their interpretation, \nand fantasized about how steel tube furniture would have \nlooked if the Bauhaus group had instead introduced steel tubes \non furniture at the time when changing direction on tubular steel was \ndone by making a “kink”, which is a strong and precise guidance \non the pipe, so that it can be bent easily. Horribly ugly in everyone’s \neyes. But with the help of Osko+Deichmann, the ugly has instead \nbecome a decoration.\nWe received an invitation by post to an exhibition in a Milan church \nin the spring of 2008 - on the front was a chair made of kinked steel \ntube. Still holding it in my hand, I called Osko+Deichmann in Berlin \nand said: - “We want to do this!” -“It’s not possible to do it,” was \ntheir answer – “There is no industry and no machines that can make \nkinks.” Therefore, the entire Straw, Superstraw and Superkink family \nhas become a craft and a tribute to the Bauhaus.\nAt the Bauhaus Archive in Berlin, they have chosen \nto have Straw in their outdoor café.\n",46,{"image":184,"text":185,"number":186},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.47.png","45\nSUPERSTRAW\nOsko + Deichmann | 2O1O\n",47,{"image":188,"text":189,"number":190},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.48.png","46\n",48,{"image":192,"text":47,"number":193},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.49.png",49,{"image":195,"text":47,"number":196},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.50.png",50,{"image":198,"text":47,"number":199},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.51.png",51,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.52.png","50\n51\nA meeting and a thought\nWandering slowly down the middle of the aisles at Salone Satelite \nin Milan curiously scouting for designers whose thoughts I can relate \nto, I have many inspiring conversations with young designers from all \nover the world when suddenly I see a small red moulded chair in a \n9 square meter booth. I wait to have a chat with the designer. I say \n“Hello, I think I can help you solve the problem that I think you were \ntrying to solve.” The designer Luka Stepan doesn’t seem impressed \nwith my offer, and wonders how? But I don’t want to tell him that, so \nwe decide to talk after the fair. A few months later, our development \nbegins to solve a new way of press moulding a large sweeping \nmould. We invest in the tools convinced that we have found a new \ninnovative way to press-form laminated veneer into an impossible \nshape by cutting away the material that would cause problems in the \nprocess. There was a loud bang inside the factories after each failed \nattempt and we finally realized that we weren’t going to succeed. \nThis time the material won. But the shape of the chair was too good \nto leave to its fate. Luka Stepan was given the task of turning the \nsmall wooden chair into a larger, more comfortable chair with an \nupholstered seat and back. It’s Lucky when failure can’t stop us.\nLucky generation 2 will be launched in 2024 – watch out!\n \n",52,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.53.png","51\nLUCKY\nLuka Stepan | 2O18\n",53,{"image":209,"text":210,"number":211},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.54.png","53\n",54,{"image":213,"text":210,"number":214},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.55.png",55,{"image":216,"text":217,"number":218},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.56.png","Probably the most comfortable shell chair in the world\nWhen designers Osko+Deichmann tried to stack chairs with swivel \nstands, they found that by removing material from the seat to make \nroom for the swivel stand’s pillars, they solved the problem. What we \ndidn’t know at the time was that this “gap” was ultimately a perfect \nsolution to many people’s wishes to be able to easily hang chairs on \nthe underside of the table - so you can clean both the floor and the \ntable surface without the chair being in the way. \nOsko+Deichmann also wanted to push the boundaries and try to \nproduce a shell chair with the best imaginable comfort. Which, in \nour opinion, they succeeded in doing.“\nAn ordinary chair where what is missing becomes the innovation.\n54\n55\n",56,{"image":220,"text":221,"number":222},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.57.png","55\nGAP 4\n   Osko + Deichmann | 2O19\n",57,{"image":224,"text":225,"number":226},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.58.png","57\n",58,{"image":228,"text":225,"number":229},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.59.png",59,{"image":231,"text":232,"number":233},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.60.png","59\n",60,{"image":235,"text":232,"number":236},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.61.png",61,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.62.png","61\n",62,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fac\u002Fbc228dca62d8ff0196912cdffab616-286cebbc0a.63.png","Take a break and find out more! 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