[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-billiani-beyond-belonging-2020":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":1640},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":1635,"matched_pages":1636,"match_count":1637,"two_pages":1638,"show_text":1639},11037,"Beyond Belonging 2020","billiani-beyond-belonging-2020","\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F01\u002Fc2988dd6127afe4e4ce0497d85101a-26bcd03a58.pdf","Billiani",2218,"billiani","50.2 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,132,136,140,144,148,152,156,160,163,167,171,175,179,183,187,190,194,198,201,205,209,213,217,220,223,227,231,235,239,242,246,250,254,258,262,266,270,274,278,282,286,290,294,298,302,306,310,314,318,322,326,330,334,338,342,346,350,354,358,362,366,370,374,378,382,386,390,394,398,402,406,410,414,418,422,426,430,434,438,442,446,450,454,458,462,466,470,474,478,482,486,490,494,498,502,506,510,514,518,522,526,530,534,538,542,546,550,554,558,562,566,570,574,578,582,586,590,594,598,602,606,610,614,618,622,626,630,634,638,642,646,650,654,658,662,666,670,674,678,682,686,690,694,698,702,706,710,714,718,722,726,730,734,738,742,746,750,754,758,762,766,770,774,778,782,786,790,794,798,802,806,810,814,818,822,826,830,834,838,842,846,850,854,858,862,866,870,874,878,882,886,890,894,898,902,906,910,914,918,922,926,930,934,938,942,946,950,954,958,962,966,970,974,978,982,986,990,994,998,1002,1006,1010,1014,1018,1022,1026,1030,1034,1038,1042,1046,1050,1054,1058,1062,1066,1070,1074,1078,1082,1086,1090,1094,1098,1102,1106,1110,1114,1118,1122,1126,1130,1134,1138,1142,1146,1150,1154,1158,1162,1166,1170,1174,1178,1182,1186,1190,1194,1198,1202,1206,1210,1214,1218,1222,1226,1230,1234,1238,1242,1246,1250,1254,1258,1262,1266,1270,1274,1278,1282,1286,1290,1294,1298,1302,1306,1310,1314,1318,1322,1326,1330,1334,1338,1342,1346,1350,1354,1358,1362,1366,1370,1374,1378,1382,1386,1390,1394,1398,1402,1406,1410,1414,1418,1422,1426,1430,1434,1438,1442,1446,1450,1454,1458,1462,1466,1470,1474,1478,1482,1486,1490,1494,1498,1502,1506,1510,1514,1518,1522,1526,1530,1534,1538,1542,1546,1550,1554,1558,1562,1566,1570,1574,1578,1582,1586,1590,1594,1598,1602,1606,1610,1614,1618,1622,1626,1630,1633],{"image":7,"text":15,"number":16},"Billiani 1911 presents: Aloe, Aragosta, Blazer, Cafè, Corolla, Croissant, Doll, \nFitt Classic, Fitt Hug, Foglia, Fratina, Frisée, Gradisca, Grapevine, Green, \nHippy, Layer, Lilliput, Load, Marcel, Marimba, Nordica, Puccio, Sey, Spy, Take, \nTango, Toccata & Fuga, Tracy, Vincent V.G., W., White.\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.3.png","ALOE \nDesign: Werther Toffoloni\nGallery: \np. 222\nTechnical: \np. 342\nARAGOSTA \nDesign: Studiocharlie\nGallery: \np. 178\nTechnical: \np. 343\nBLAZER\nDesign: Emilio Nanni\nGallery: \np. 126\nTechnical: \np. 344\nCAFÈ\nDesign: Werther Toffoloni\nGallery: \np. 214\nTechnical: \np. 346\nCOROLLA\nDesign: Cristina Celestino\nGallery: \np. 250\nTechnical: \np. 347\nCROISSANT\nDesign: Emilio Nanni\nGallery: \np. 288\nTechnical: \np. 348\nDOLL\nDesign: Emilio Nanni\nGallery: \np. 064\nTechnical: \np. 350\nDRUM\nDesign: Emilio Nanni\nGallery: \np. 200\nTechnical: \np. 352\nFITT CLASSIC \nDesign: Victor Carrasco\nGallery: \np. 090\nTechnical: \np. 354\nFITT HUG \nDesign: Victor Carrasco\nGallery: \np. 096\nTechnical: \np. 356\nFOGLIA\nDesign: Marco Ferreri\nGallery: \np. 228\nTechnical: \np. 358\nFRATINA\nDesign: Emilio Nanni\nGallery: \np. 118\nTechnical: \np. 359\nFRISÉE\nDesign: Cristina Celestino\nGallery: \np. 056\nTechnical: \np. 360 \nGRADISCA\nDesign: Werther Toffoloni\nGallery: \np. 142\nTechnical: \np. 361\nGRAPEVINE\nDesign: Egidio Panzera\nGallery: \np. 302\nTechnical: \np. 362\nGREEN\nDesign: Francesco Faccin\nGallery: \np. 210\nTechnical: \np. 364\nHIPPY\nDesign: Emilio Nanni\nGallery: \np. 278\nTechnical: \np. 365\nLAYER\nDesign: Michael Geldmacher\nGallery: \np. 082\nTechnical: \np. 366\nLILLIPUT\nDesign: Studioventotto\nGallery: \np. 308\nTechnical: \np. 367\nLOAD \nDesign: Emilio Nanni\nGallery: \np. 162\nTechnical: \np. 368\nMARCEL\nDesign: Kazuhide Takahama\nGallery: \np. 316\nTechnical: \np. 369\nMARIMBA\nDesign: Emilio Nanni\nGallery: \np. 110\nTechnical: \np. 370\nNORDICA\nDesign: Marco Ferreri\nGallery: \np. 158\nTechnical: \np. 371\nPUCCIO\nDesign: Emilio Nanni\nGallery: \np. 232\nTechnical: \np. 372\nSEY\nDesign: Emilio Nanni\nGallery: \np. 242\nTechnical: \np. 376\nSPY\nDesign: Emilio Nanni\nGallery: \np. 262\nTechnical: \np. 374\nTAKE\nDesign: Emilio Nanni\nGallery: \np. 172\nTechnical: \np. 377\nTANGO\nDesign: Timo Ripatti\nGallery: \np. 312\nTechnical: \np. 378\nTOCCATA & FUGA \nDesign: Paul Loebach\nGallery: \np. 186\nTechnical: \np. 379\nTRACY\nDesign: Emilio Nanni\nGallery: \np. 152\nTechnical: \np. 380\nVINCENT V.G.\nDesign: Werther Toffoloni\nGallery: \np. 136\nTechnical: \np. 381\nW.\nDesign: Fabrizio Gallinaro\nGallery: \np. 192\nTechnical: \np. 382\nWHITE\nDesign: Harri Koskinen\nGallery: \np. 102\nTechnical: \np. 383\nFiniture\u002FFinishes \np. 321\nTecnica\u002FTechnical \np. 336\nBeyond belonging\nBeyond Belonging\nBilliani è nata nel 1911 dal superamento di una \nfrontiera, quella tra Impero austroungarico e \nRegno d’Italia. Uno sconfi namento geografi co che \nè diventato programmatico, chiave di lettura per il \ndesign, a cavallo fra tradizione e sperimentazione; \nper la produzione, artigianale e industriale; per \ni prodotti, che dagli spazi del contract si aff acciano \na quelli di casa. Confi ni che, oggi come allora, \nnon sono limiti, ma opportunità.\nBilliani was born in 1911 out of the crossing \nof a border, the one between the Austro-Hungarian \nEmpire and the Kingdom of Italy. A border crossing \nthat was to become so very infl uential, a key to \ndesign, straddling tradition and experimentation; \nfor production, whether on a small or industrial \nscale; for the products themselves, the applications \nof which overlap in contract and residential settings.\nBorders that, today just as then, are not limits, \nbut opportunities.\nI\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.4.png","II\nBilliani 1911\nBilliani has been making chairs in Italy for \nwell over a hundred years. The company is \nlocated in Manzano, in the heart of a district \nthat has built its fortune based on chair \nmanufacturing and which still boasts one \nof the world’s unique production hubs. \nThis culture is embedded in Billiani seating, \nas a storyteller. The sign is the ability to work \nwood, which is expressed through an aesthetic \nmade of curves, joints and turnings rather than \nwords. The story is the tradition that Billiani \ngrafted onto in 1911, going through diff erent \nages, without fear of changing, before arriving \nat today’s age of design.\nBilliani 1911\nBilliani è un’azienda italiana che da più di un secolo \nproduce sedie in legno. Si trova a Manzano, nel \ncuore di un distretto che sulla sedia ha costruito la \nsua fortuna e che vanta tuttora una fi liera produttiva \nunica al mondo. Di questa cultura le sedie Billiani \nportano il segno e raccontano la storia. Il segno \nè la capacità di lavorare il legno, che si esprime \nattraverso un’estetica fatta di curvature, incastri \ne torniture più che di parole. La storia è la tradizione \nsu cui Billiani s’innesta nel 1911 attraversando \ndiverse età, senza paura di cambiare, prima di \narrivare a quella attuale: l’età del design. \n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.5.png","ALOE \nDesign: Werther Toffoloni\nGallery: \np. 222\nTechnical: \np. 342\nARAGOSTA \nDesign: Studiocharlie\nGallery: \np. 178\nTechnical: \np. 343\nBLAZER\nDesign: Emilio Nanni\nGallery: \np. 126\nTechnical: \np. 344\nCAFÈ\nDesign: Werther Toffoloni\nGallery: \np. 214\nTechnical: \np. 346\nCOROLLA\nDesign: Cristina Celestino\nGallery: \np. 250\nTechnical: \np. 347\nCROISSANT\nDesign: Emilio Nanni\nGallery: \np. 288\nTechnical: \np. 348\nDOLL\nDesign: Emilio Nanni\nGallery: \np. 064\nTechnical: \np. 350\nDRUM\nDesign: Emilio Nanni\nGallery: \np. 200\nTechnical: \np. 352\nFITT CLASSIC \nDesign: Victor Carrasco\nGallery: \np. 090\nTechnical: \np. 354\nFITT HUG \nDesign: Victor Carrasco\nGallery: \np. 096\nTechnical: \np. 356\nFOGLIA\nDesign: Marco Ferreri\nGallery: \np. 228\nTechnical: \np. 358\nFRATINA\nDesign: Emilio Nanni\nGallery: \np. 118\nTechnical: \np. 359\nFRISÉE\nDesign: Cristina Celestino\nGallery: \np. 056\nTechnical: \np. 360 \nGRADISCA\nDesign: Werther Toffoloni\nGallery: \np. 142\nTechnical: \np. 361\nGRAPEVINE\nDesign: Egidio Panzera\nGallery: \np. 302\nTechnical: \np. 362\nGREEN\nDesign: Francesco Faccin\nGallery: \np. 210\nTechnical: \np. 364\nHIPPY\nDesign: Emilio Nanni\nGallery: \np. 278\nTechnical: \np. 365\nLAYER\nDesign: Michael Geldmacher\nGallery: \np. 082\nTechnical: \np. 366\nLILLIPUT\nDesign: Studioventotto\nGallery: \np. 308\nTechnical: \np. 367\nLOAD \nDesign: Emilio Nanni\nGallery: \np. 162\nTechnical: \np. 368\nMARCEL\nDesign: Kazuhide Takahama\nGallery: \np. 316\nTechnical: \np. 369\nMARIMBA\nDesign: Emilio Nanni\nGallery: \np. 110\nTechnical: \np. 370\nNORDICA\nDesign: Marco Ferreri\nGallery: \np. 158\nTechnical: \np. 371\nPUCCIO\nDesign: Emilio Nanni\nGallery: \np. 232\nTechnical: \np. 372\nSEY\nDesign: Emilio Nanni\nGallery: \np. 242\nTechnical: \np. 376\nSPY\nDesign: Emilio Nanni\nGallery: \np. 262\nTechnical: \np. 374\nTAKE\nDesign: Emilio Nanni\nGallery: \np. 172\nTechnical: \np. 377\nTANGO\nDesign: Timo Ripatti\nGallery: \np. 312\nTechnical: \np. 378\nTOCCATA & FUGA \nDesign: Paul Loebach\nGallery: \np. 186\nTechnical: \np. 379\nTRACY\nDesign: Emilio Nanni\nGallery: \np. 152\nTechnical: \np. 380\nVINCENT V.G.\nDesign: Werther Toffoloni\nGallery: \np. 136\nTechnical: \np. 381\nW.\nDesign: Fabrizio Gallinaro\nGallery: \np. 192\nTechnical: \np. 382\nWHITE\nDesign: Harri Koskinen\nGallery: \np. 102\nTechnical: \np. 383\nFiniture\u002FFinishes \np. 321\nTecnica\u002FTechnical \np. 336\nBeyond belonging\nIII\nStoria\nBilliani nasce nel 1911 quando Luigi, falegname \noriginario della Carnia, e la moglie Delina, fi glia \ndi un seggiolaio di Mariano, aprono un piccolo \nopifi cio a Manzano. Tra Manzano e Mariano ci sono \npoco più di dieci chilometri e un confi ne: quello che \nsepara l’Impero austroungarico dal Regno d’Italia. \nL’impresa, che produce sedie in legno curvate \ne impagliate, è a conduzione familiare. Sono gli \nanni in cui inizia a prendere forma quello che nel \nsecondo dopoguerra diventerà il distretto della \nsedia: saranno i fi gli di Luigi – i fratelli \nOttone, Orlando, Lino e Bruno – a vivere da \nprotagonisti gli anni del boom. Nel 1986 entra \nin azienda la terza generazione e Billiani diventa \nsinonimo di sedute per grandi commesse, \nsoprattutto all’estero. Alla fi ne degli anni \nNovanta Luigi Billiani, che ha lo stesso nome del \nnonno e una formazione da architetto, decide di \nintraprendere la strada del design e insieme alla \nmoglie Veronik Romanutti crea la Billiani di oggi. \nHistory\nBilliani started up in 1911 when Luigi, \na carpenter originally from Carnia, and his \nwife Delina, daughter of a chair maker from \nMariano, opened a small factory in Manzano. \nBetween Manzano and Mariano there were \njust over ten kilometres as well as a border: \nthe one that separated the Austro-Hungarian \nEmpire from the Kingdom of Italy.\nThe company, which produced curved and \nwicker wooden chairs, was family-run.\nThese were the years in which what was \nto become the chair district began to take \nshape after the Second World War: Luigi’s \nchildren — the brothers Ottone, Orlando, Lino \nand Bruno — would experience the boom years \nas major players. In 1986 the third generation \njoined the company and Billiani became \nsynonymous with seating for large orders, \ndestined especially abroad. At the end of the \nnineties Luigi Billiani, who has the same \nname as his grandfather and had trained as an \narchitect, decided to go down the design path \nand, together with his wife Veronik Romanutti, \ncreated the Billiani of today.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.6.png","IV\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.7.png","ALOE \nDesign: Werther Toffoloni\nGallery: \np. 222\nTechnical: \np. 342\nARAGOSTA \nDesign: Studiocharlie\nGallery: \np. 178\nTechnical: \np. 343\nBLAZER\nDesign: Emilio Nanni\nGallery: \np. 126\nTechnical: \np. 344\nCAFÈ\nDesign: Werther Toffoloni\nGallery: \np. 214\nTechnical: \np. 346\nCOROLLA\nDesign: Cristina Celestino\nGallery: \np. 250\nTechnical: \np. 347\nCROISSANT\nDesign: Emilio Nanni\nGallery: \np. 288\nTechnical: \np. 348\nDOLL\nDesign: Emilio Nanni\nGallery: \np. 064\nTechnical: \np. 350\nDRUM\nDesign: Emilio Nanni\nGallery: \np. 200\nTechnical: \np. 352\nFITT CLASSIC \nDesign: Victor Carrasco\nGallery: \np. 090\nTechnical: \np. 354\nFITT HUG \nDesign: Victor Carrasco\nGallery: \np. 096\nTechnical: \np. 356\nFOGLIA\nDesign: Marco Ferreri\nGallery: \np. 228\nTechnical: \np. 358\nFRATINA\nDesign: Emilio Nanni\nGallery: \np. 118\nTechnical: \np. 359\nFRISÉE\nDesign: Cristina Celestino\nGallery: \np. 056\nTechnical: \np. 360 \nGRADISCA\nDesign: Werther Toffoloni\nGallery: \np. 142\nTechnical: \np. 361\nGRAPEVINE\nDesign: Egidio Panzera\nGallery: \np. 302\nTechnical: \np. 362\nGREEN\nDesign: Francesco Faccin\nGallery: \np. 210\nTechnical: \np. 364\nHIPPY\nDesign: Emilio Nanni\nGallery: \np. 278\nTechnical: \np. 365\nLAYER\nDesign: Michael Geldmacher\nGallery: \np. 082\nTechnical: \np. 366\nLILLIPUT\nDesign: Studioventotto\nGallery: \np. 308\nTechnical: \np. 367\nLOAD \nDesign: Emilio Nanni\nGallery: \np. 162\nTechnical: \np. 368\nMARCEL\nDesign: Kazuhide Takahama\nGallery: \np. 316\nTechnical: \np. 369\nMARIMBA\nDesign: Emilio Nanni\nGallery: \np. 110\nTechnical: \np. 370\nNORDICA\nDesign: Marco Ferreri\nGallery: \np. 158\nTechnical: \np. 371\nPUCCIO\nDesign: Emilio Nanni\nGallery: \np. 232\nTechnical: \np. 372\nSEY\nDesign: Emilio Nanni\nGallery: \np. 242\nTechnical: \np. 376\nSPY\nDesign: Emilio Nanni\nGallery: \np. 262\nTechnical: \np. 374\nTAKE\nDesign: Emilio Nanni\nGallery: \np. 172\nTechnical: \np. 377\nTANGO\nDesign: Timo Ripatti\nGallery: \np. 312\nTechnical: \np. 378\nTOCCATA & FUGA \nDesign: Paul Loebach\nGallery: \np. 186\nTechnical: \np. 379\nTRACY\nDesign: Emilio Nanni\nGallery: \np. 152\nTechnical: \np. 380\nVINCENT V.G.\nDesign: Werther Toffoloni\nGallery: \np. 136\nTechnical: \np. 381\nW.\nDesign: Fabrizio Gallinaro\nGallery: \np. 192\nTechnical: \np. 382\nWHITE\nDesign: Harri Koskinen\nGallery: \np. 102\nTechnical: \np. 383\nFiniture\u002FFinishes \np. 321\nTecnica\u002FTechnical \np. 336\nBeyond belonging\nV\nDesign\nBuon disegno e capacità di lavorare il legno sono \nda sempre la cifra dei prodotti Billiani, ma è dal \n1997 che s’inizia a parlare concretamente di design. \nIl debutto è al Salone del Mobile di Milano del \n2002, con uno stand provocatorio su cui sventola \nla bandiera del design: l’ha progettato Marco \nFerreri, autore anche di una sedia che sfi ora il \nCompasso d’Oro. Mentre il legame con la tradizione \nè assicurato dai progetti del maestro Werther \nToff oloni, il sodalizio con Emilio Nanni apre una \nnuova era: colorata, pop, spensierata. L’elenco dei \ndesigner si allunga, così come quello dei progetti, \nalcuni dei quali entrano nei musei, dal MoMA \ndi New York alla Triennale di Milano. La sedia \nresta centrale e il legno diventa il fi l rouge della \ncollezione. Nel 2019 la direzione artistica viene \naffi  data a Cristina Celestino: l’immagine si fa più \ncalda e sofi sticata, i tessuti acquistano importanza, \ni prodotti si aff acciano all’ambito domestico. \nLa Billiani è fi nalmente adulta. \nDesign\nGood design and woodworking ability have \nalways been the hallmark of Billiani products, \nbut it is only since 1997 that we have started \nto talk about design in concrete terms. \nThe debut was at the 2002 Milan Furniture \nFair, with a provocative stand on which flew \nthe flag of design: Marco Ferreri designed it, \nalso the author of a chair that was short-listed \nfor the Compasso d’Oro. While the link with \ntradition was ensured by the projects of \nmaster Werther Toffoloni, the partnership \nwith Emilio Nanni opened up a new era: \ncolourful, trendy, carefree. The list of \ndesigners grew, as did the list of projects, \nsome of which were exhibited in museums, \nfrom the MoMA in New York to the Milan \nTriennale. The chair remained central and \nwood became the leitmotif of the collection. \nIn 2019 artistic direction was entrusted to \nCristina Celestino: the image has become \nwarmer and more sophisticated, the choice \nof fabrics has become central, the products \nnow also address domestic use. Billiani has \nfinally come of age.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.8.png","VI\nProduzione\nBilliani produce al 100% all’interno del triangolo \ndella sedia, un territorio di piccoli laboratori \nspecializzati dove la cultura del legno ha radici \nprofonde. Una fi liera d’eccellenza fatta di aziende \nartigiane dalla storia secolare, ciascuna specializzata \nin una fase del lavoro. A tenere in vita questo tessuto \nproduttivo, che ha rischiato di perdersi sulla spinta \ndella delocalizzazione che ha svuotato i laboratori \ne ne ha disperso le capacità, sono anche i tecnici \ndi Billiani. Ciascuno di loro segue i prodotti passo \nper passo: una garanzia di qualità ma anche un \ninvestimento sulla fi liera, perché ogni innovazione \narricchisce il know-how di tutto il distretto. È così \nche il made in Italy di Billiani acquista un valore che \nva oltre il prodotto in sé e diventa espressione di un \npatrimonio culturale e manifatturiero condiviso, \noltre che di un’impresa di famiglia.\nVII\nProduction\nBilliani produces 100% within the chair triangle, \nan area of small specialized workshops, each \nwith a deep-rooted woodworking culture. \nA hub of excellence made up of companies with \na centuries-old history of craftsmanship, each \nspecializing in a particular phase of the work.\nBilliani’s technicians also keep this productive \nethos alive, which has risked getting lost within \nthe relocation fad that has emptied workshops \nand dispersed talent. Each of them follows the \nproducts step by step: a guarantee of quality but \nalso an investment in the overall supply chain \nbecause each innovation enriches the know-how \nof the whole district. This is how Billiani’s Made \nin Italy has taken on a value that goes beyond \nthe product itself to become an expression of a \nshared cultural and manufacturing heritage, \nas well as a family business.\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.9.png","ALOE \nDesign: Werther Toffoloni\nGallery: \np. 222\nTechnical: \np. 342\nARAGOSTA \nDesign: Studiocharlie\nGallery: \np. 178\nTechnical: \np. 343\nBLAZER\nDesign: Emilio Nanni\nGallery: \np. 126\nTechnical: \np. 344\nCAFÈ\nDesign: Werther Toffoloni\nGallery: \np. 214\nTechnical: \np. 346\nCOROLLA\nDesign: Cristina Celestino\nGallery: \np. 250\nTechnical: \np. 347\nCROISSANT\nDesign: Emilio Nanni\nGallery: \np. 288\nTechnical: \np. 348\nDOLL\nDesign: Emilio Nanni\nGallery: \np. 064\nTechnical: \np. 350\nDRUM\nDesign: Emilio Nanni\nGallery: \np. 200\nTechnical: \np. 352\nFITT CLASSIC \nDesign: Victor Carrasco\nGallery: \np. 090\nTechnical: \np. 354\nFITT HUG \nDesign: Victor Carrasco\nGallery: \np. 096\nTechnical: \np. 356\nFOGLIA\nDesign: Marco Ferreri\nGallery: \np. 228\nTechnical: \np. 358\nFRATINA\nDesign: Emilio Nanni\nGallery: \np. 118\nTechnical: \np. 359\nFRISÉE\nDesign: Cristina Celestino\nGallery: \np. 056\nTechnical: \np. 360 \nGRADISCA\nDesign: Werther Toffoloni\nGallery: \np. 142\nTechnical: \np. 361\nGRAPEVINE\nDesign: Egidio Panzera\nGallery: \np. 302\nTechnical: \np. 362\nGREEN\nDesign: Francesco Faccin\nGallery: \np. 210\nTechnical: \np. 364\nHIPPY\nDesign: Emilio Nanni\nGallery: \np. 278\nTechnical: \np. 365\nLAYER\nDesign: Michael Geldmacher\nGallery: \np. 082\nTechnical: \np. 366\nLILLIPUT\nDesign: Studioventotto\nGallery: \np. 308\nTechnical: \np. 367\nLOAD \nDesign: Emilio Nanni\nGallery: \np. 162\nTechnical: \np. 368\nMARCEL\nDesign: Kazuhide Takahama\nGallery: \np. 316\nTechnical: \np. 369\nMARIMBA\nDesign: Emilio Nanni\nGallery: \np. 110\nTechnical: \np. 370\nNORDICA\nDesign: Marco Ferreri\nGallery: \np. 158\nTechnical: \np. 371\nPUCCIO\nDesign: Emilio Nanni\nGallery: \np. 232\nTechnical: \np. 372\nSEY\nDesign: Emilio Nanni\nGallery: \np. 242\nTechnical: \np. 376\nSPY\nDesign: Emilio Nanni\nGallery: \np. 262\nTechnical: \np. 374\nTAKE\nDesign: Emilio Nanni\nGallery: \np. 172\nTechnical: \np. 377\nTANGO\nDesign: Timo Ripatti\nGallery: \np. 312\nTechnical: \np. 378\nTOCCATA & FUGA \nDesign: Paul Loebach\nGallery: \np. 186\nTechnical: \np. 379\nTRACY\nDesign: Emilio Nanni\nGallery: \np. 152\nTechnical: \np. 380\nVINCENT V.G.\nDesign: Werther Toffoloni\nGallery: \np. 136\nTechnical: \np. 381\nW.\nDesign: Fabrizio Gallinaro\nGallery: \np. 192\nTechnical: \np. 382\nWHITE\nDesign: Harri Koskinen\nGallery: \np. 102\nTechnical: \np. 383\nFiniture\u002FFinishes \np. 321\nTecnica\u002FTechnical \np. 336\nBeyond belonging\nVI\nProduzione\nBilliani produce al 100% all’interno del triangolo \ndella sedia, un territorio di piccoli laboratori \nspecializzati dove la cultura del legno ha radici \nprofonde. Una fi liera d’eccellenza fatta di aziende \nartigiane dalla storia secolare, ciascuna specializzata \nin una fase del lavoro. A tenere in vita questo tessuto \nproduttivo, che ha rischiato di perdersi sulla spinta \ndella delocalizzazione che ha svuotato i laboratori \ne ne ha disperso le capacità, sono anche i tecnici \ndi Billiani. Ciascuno di loro segue i prodotti passo \nper passo: una garanzia di qualità ma anche un \ninvestimento sulla fi liera, perché ogni innovazione \narricchisce il know-how di tutto il distretto. È così \nche il made in Italy di Billiani acquista un valore che \nva oltre il prodotto in sé e diventa espressione di un \npatrimonio culturale e manifatturiero condiviso, \noltre che di un’impresa di famiglia.\nVII\nProduction\nBilliani produces 100% within the chair triangle, \nan area of small specialized workshops, each \nwith a deep-rooted woodworking culture. \nA hub of excellence made up of companies with \na centuries-old history of craftsmanship, each \nspecializing in a particular phase of the work.\nBilliani’s technicians also keep this productive \nethos alive, which has risked getting lost within \nthe relocation fad that has emptied workshops \nand dispersed talent. Each of them follows the \nproducts step by step: a guarantee of quality but \nalso an investment in the overall supply chain \nbecause each innovation enriches the know-how \nof the whole district. This is how Billiani’s Made \nin Italy has taken on a value that goes beyond \nthe product itself to become an expression of a \nshared cultural and manufacturing heritage, \nas well as a family business.\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.10.png","VIII\nContract\nFlessibilità produttiva e rapidità di risposta sono le \nprime caratteristiche richieste dal settore contract, \ne in questo senso gli anni delle grandi commesse \ninternazionali sono stati per Billiani un’ottima scuola. \nOggi il contract è molto di più: è personalizzazione, \ncapacità di declinare un concept in una serie \ncompleta di prodotti, cura del dettaglio, robustezza. \nIl lungo elenco di realizzazioni di Billiani racconta \ntutto questo, nei contesti più diversi in tutto il mondo, \ndai bistrot ai ristoranti, dagli hotel agli spazi di lavoro, \ncon uno stile che rimane sempre riconoscibile pur \nessendo progettato ogni volta ad hoc.   \nProduction\nProduction fl exibility and speed of response \nare the fi rst characteristics demanded by the \ncontract sector, and in this sense, the years \nof the great international orders have been an \nexcellent school for Billiani. Today the contract \nmarket is much more: it is customisation, \nability to run a concept through a complete \nseries of products, attention to detail, \nrobustness. Billiani’s long list of creations \ntells all this, in the most diverse contexts \naround the world, from bistros to restaurants, \nfrom hotels to workspaces, always with a \nstyle that remains recognisable despite being \nindividually designed each time.\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.11.png","ALOE \nDesign: Werther Toffoloni\nGallery: \np. 222\nTechnical: \np. 342\nARAGOSTA \nDesign: Studiocharlie\nGallery: \np. 178\nTechnical: \np. 343\nBLAZER\nDesign: Emilio Nanni\nGallery: \np. 126\nTechnical: \np. 344\nCAFÈ\nDesign: Werther Toffoloni\nGallery: \np. 214\nTechnical: \np. 346\nCOROLLA\nDesign: Cristina Celestino\nGallery: \np. 250\nTechnical: \np. 347\nCROISSANT\nDesign: Emilio Nanni\nGallery: \np. 288\nTechnical: \np. 348\nDOLL\nDesign: Emilio Nanni\nGallery: \np. 064\nTechnical: \np. 350\nDRUM\nDesign: Emilio Nanni\nGallery: \np. 200\nTechnical: \np. 352\nFITT CLASSIC \nDesign: Victor Carrasco\nGallery: \np. 090\nTechnical: \np. 354\nFITT HUG \nDesign: Victor Carrasco\nGallery: \np. 096\nTechnical: \np. 356\nFOGLIA\nDesign: Marco Ferreri\nGallery: \np. 228\nTechnical: \np. 358\nFRATINA\nDesign: Emilio Nanni\nGallery: \np. 118\nTechnical: \np. 359\nFRISÉE\nDesign: Cristina Celestino\nGallery: \np. 056\nTechnical: \np. 360 \nGRADISCA\nDesign: Werther Toffoloni\nGallery: \np. 142\nTechnical: \np. 361\nGRAPEVINE\nDesign: Egidio Panzera\nGallery: \np. 302\nTechnical: \np. 362\nGREEN\nDesign: Francesco Faccin\nGallery: \np. 210\nTechnical: \np. 364\nHIPPY\nDesign: Emilio Nanni\nGallery: \np. 278\nTechnical: \np. 365\nLAYER\nDesign: Michael Geldmacher\nGallery: \np. 082\nTechnical: \np. 366\nLILLIPUT\nDesign: Studioventotto\nGallery: \np. 308\nTechnical: \np. 367\nLOAD \nDesign: Emilio Nanni\nGallery: \np. 162\nTechnical: \np. 368\nMARCEL\nDesign: Kazuhide Takahama\nGallery: \np. 316\nTechnical: \np. 369\nMARIMBA\nDesign: Emilio Nanni\nGallery: \np. 110\nTechnical: \np. 370\nNORDICA\nDesign: Marco Ferreri\nGallery: \np. 158\nTechnical: \np. 371\nPUCCIO\nDesign: Emilio Nanni\nGallery: \np. 232\nTechnical: \np. 372\nSEY\nDesign: Emilio Nanni\nGallery: \np. 242\nTechnical: \np. 376\nSPY\nDesign: Emilio Nanni\nGallery: \np. 262\nTechnical: \np. 374\nTAKE\nDesign: Emilio Nanni\nGallery: \np. 172\nTechnical: \np. 377\nTANGO\nDesign: Timo Ripatti\nGallery: \np. 312\nTechnical: \np. 378\nTOCCATA & FUGA \nDesign: Paul Loebach\nGallery: \np. 186\nTechnical: \np. 379\nTRACY\nDesign: Emilio Nanni\nGallery: \np. 152\nTechnical: \np. 380\nVINCENT V.G.\nDesign: Werther Toffoloni\nGallery: \np. 136\nTechnical: \np. 381\nW.\nDesign: Fabrizio Gallinaro\nGallery: \np. 192\nTechnical: \np. 382\nWHITE\nDesign: Harri Koskinen\nGallery: \np. 102\nTechnical: \np. 383\nFiniture\u002FFinishes \np. 321\nTecnica\u002FTechnical \np. 336\nBeyond belonging\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.12.png","002\nCollections\nP. 056\nFrisée\nSedie, poltroncine, sgabelli \n\u002F Chairs, armchairs, stools\nP. 064\nDoll\nSedie, poltroncine, lounge, sgabelli  \n\u002F Chairs, armchairs, lounge chairs, stools\nDoll\nTavoli \u002F Tables\nP. 082\nLayer\nPoltroncine, lounge, sgabelli \n\u002F Armchairs, lounge chairs, stools\nP. 118\nFratina\nSedie, poltroncine  \n\u002F Chairs, armchairs\nP. 126\nBlazer\nSedie, poltroncine, sgabelli  \n\u002F Chairs, armchairs, stools\nP. 136\nVincent v. G.\nSedie, poltroncine, sgabelli \n\u002F Chairs, armchairs, stools\nP. 142\nGradisca\nSedie, sgabelli  \n\u002F Chairs, stools\nP. 178\nAragosta\nSedie, lounge\n\u002F Chairs, lounge chairs\nAragosta\nTavoli \u002F Tables\nP. 186\nToccata & Fuga\nSedie, poltroncine\n\u002F Chairs, armchairs\nP. 192\nW.\nSedie, poltroncine, lounge, sgabelli \n\u002F Chairs, armchairs, lounge chairs, stools\nP. 090\nFitt Classic\nPoltroncine, sgabelli \n\u002F Armchairs, stools\nP. 096\nFitt Hug\nPoltroncine, sgabelli \n\u002F Armchairs, stools\nP. 102\nWhite\nSedie, sgabelli \n\u002F Chairs, stools\nP. 110\nMarimba\nSedie, lounge, sgabelli  \n\u002F Chairs, lounge chairs, stools\nP. 152\nTracy\nSedie, sgabelli  \n\u002F Chairs, stools\nP. 158\nNordica\nPoltroncine \u002F Armchairs\nP. 162\nLoad\nSedie, lounge, sgabelli \n\u002F Chairs, lounge chairs, stools\nP. 172\nTake\nSedie \u002F Chairs\nP. 200\nDrum\nSedie, lounge, sgabelli \n\u002F Chairs, lounge chairs, stools\nDrum\nTavoli \u002F Tables\nP. 210\nGreen\nSedie \u002F Chairs\nP. 214\nCafè\nSedie, poltroncine, sgabelli \n\u002F Chairs, armchairs, stools\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.13.png","P. 222\nAloe\nSedie, sgabelli\n\u002F Chairs, stools \nP. 228\nFoglia\nSedie, sgabelli\n\u002F Chairs, stools\nP. 232\nPuccio\nSgabelli, panchette \n\u002F Stools, benches\nPuccio\nTavoli \u002F Tables\nP. 242\nSey\nPoltroncine, lounge  \n\u002F Armchairs, lounge chairs\nP. 250\nCorolla\nPoltroncine, lounge, divani\n\u002F Armchairs, lounge chairs, sofas\nP. 262\nSpy\nSedie, poltroncine, lounge, divani, \ndormeuse \u002F Chairs, armchairs, lounge \nchairs, sofas, dormeuse \nSpy\nTavoli \u002F Tables\nP. 278\nHippy\nSedie, poltroncine, lounge, sgabelli \n\u002F Chairs, armchairs, lounge chairs, stools \nP. 288\nCroissant\nSedie, poltroncine, lounge, panchette,  \ndivani, sgabelli \u002F Chairs, armchairs, lounge \nchairs, benches, sofas, stools\nCroissant\nTavoli \u002F Tables\nP. 302\nGrapevine\nTavoli \u002F Tables\nP. 308\nLilliput\nTavoli \u002F Tables\nP. 312\nTango\nAppendiabiti \u002F Coat-stands\nP. 316\nMarcel\nTavoli \u002F Tables\nImbottiti \n\u002FSoft\nComplementi \n\u002F Extras\n003\nIndex\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.14.png","004\nDesigner\nCristina Celestino, Marco Ferreri, Emilio Nanni, \nWerther Toffoloni, Victor Carrasco, Francesco Faccin, \nFabrizio Gallinaro, Michael Geldmacher, Harri Koskinen, \nPaul Loebach, Egidio Panzera, Timo Ripatti, \nStudiocharlie, Studioventotto, Kazuhide Takahama.\nCristina Celestino\nNasce a Pordenone nel 1980. \nNel 2005, dopo aver concluso \nil percorso universitario alla facoltà \ndi Architettura IUAV di Venezia, \ncollabora con prestigiosi studi \ndi progettazione e dedica la sua \nattenzione all’architettura d’interni \ne al design. Nel 2010 si trasferisce \na Milano, dove fonda il suo studio \ne il brand Attico Design. Onorata \ncon numerosi riconoscimenti a \nlivello internazionale, nel 2019 \nBilliani le affida la direzione artistica \ndell'azienda, per raccontare un \nnuovo capitolo in continuità con \nla storia, i materiali e le lavorazioni \ntipiche del territorio.\nBorn in Pordenone in 1980, \nshe graduated in Architecture \nfrom IUAV Venice University. In \n2005 she started to collaborate \nwith prestigious design studios, \nfocusing on interior and \nproduct design. In 2010 she \nmoved to Milan, where she \nfounded her studio and her \nbrand Attico Design. She has \nreceived numerous awards \nand international recognition. \nWith the aim of starting a \nnew entrepreneurial chapter, \nin continuity with its history, \nmaterials and processes typical of \nthe local territory, in 2019 Billiani \nentrusted Celestino with the \nartistic direction of the company.\n \nFrisée \np. 056 \nCorolla \np. 250\nMarco Ferreri\nNasce nel 1958 a Imperia. \nDal 1984 lavora e vive a Milano. \nLa sua ricerca progettuale spazia \ndal disegno industriale alla grafica, \ndall’architettura all’allestimento. \nI suoi oggetti sono raccolti in \nimportanti Musei di tutto il mondo, \ntra cui il MoMA e in prestigiose \ncollezioni private. Nel 2010 la \nTriennale di Milano ha dedicato \nal suo lavoro un’importante \nmostra monografica.\nBorn in 1958 in Imperia, Marco \nFerreri has lived and worked in \nMilan since 1984. His project \nresearch encompasses industrial \ndesign and graphics, architecture \nand furnishings. His works are \non display in major design \ncollections worldwide including  \nat MoMA, and in prestigious \nprivate collections. In 2010, the \nMilan Triennale dedicated an \nexclusive display to his work.\nFoglia \np. 228\nNordica \np. 158\nEmilio Nanni\nNasce a Bazzano, Bologna, \nnel 1955. Architetto, designer, \nartista. Le sue opere sono  \nesposte in numerose mostre \npersonali, i suoi oggetti di design \nsono presenti in diverse collezioni \npubbliche e private sia in Italia \nche all’estero.\nBorn in Bazzano, Bologna \nin 1955. Architect, designer, \nartist. He has displayed his \nworks at numerous private \nexhibitions, and his design\nworks are on display in many \nItalian and international state\nand private collections.\nBlazer  \np. 126\nCroissant  \np. 288\nDoll  \np. 064\nDrum  \np. 200\nFratina  \np. 118\nHippy  \np. 278\nLoad  \np. 162\nMarimba  \np. 110\nPuccio  \np. 232\nSey  \np. 242\nSpy  \np. 262\nTake  \np. 172\nTracy  \np. 152 \n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.15.png","Designer\nWerther Toffoloni\nNasce a Udine nel 1930 e studia \na Venezia. Insegna progettazione \nindustriale e collabora da subito \ncon varie industrie per il design \ne la consulenza artistica. È una \nmatita feconda e, senza dubbio, \nuno dei protagonisti del design \nindustriale italiano. Creatività, \nconoscenza dei materiali e grande \nattenzione alla funzionalità \ncaratterizzano tutto il suo pregevole \nlavoro. Muore nel 2017, a 86 anni.\nWerther Toffoloni was born \nin Udine in 1930. After having \nstudied in Venice, he taught \nindustrial design and quickly \nstarted working in various \ndesign sectors and as an artistic \nconsultant. He was quite prolific \nand undoubtedly a major player \nin Italian industrial design. \nCreativity, a thorough knowledge \nof materials, and a great eye  \nfor functionality were the \nhallmarks of his corpus of  \nwork. He died in 2017, at the  \nage of 86.\nAloe  \n \np. 222\nCafè  \n \np. 214\nGradisca  \n \np. 142\nVincent v. G.   \np. 136\nVictor Carrasco\nNato a Valencia, in Spagna,  \nnel 1974, Victor Carrasco si laurea \ncon lode in Ingegneria e disegno \nindustriale presso il Politecnico \ndi Valencia. Si allontana dalle \ntendenze e le mode passeggere  \nper dedicarsi allo sviluppo  \ne al posizionamento di brand \ninternazionali, grazie all’attenta \nsensibilità verso i trend futuri e \nalla passione per la sintesi e per la \ncrescita sostenibile. Carrasco  \nè direttore strategico di Viccarbe e, \nnel frattempo, collabora con molte \naziende note a livello internazionale \nin qualità di designer industriale. \nGli vengono conferiti i premi Prince \nFelipe for Business Excellence e \nGerman Design Award.\nBorn in Valencia (Spain) in \n1974, Victor Carrasco began \nhis professional career after \ngraduating Cum Laude in \nIndustrial Design Engineering \nat the Polytechnic University of \nValencia. Shying away from  \ntrends and fads, he has developed \nand positioned international \nbrands with remarkable added \nvalue, thanks to his passion for \nsynthesis, sustainable growth \nand his pragmatic vision of \nthe future. Since 2007, he has \nbeen combining his position as \nstrategic director of Viccarbe \nwith that of industrial designer \nfor numerous international \ncompanies. He was the recipient \nof the Prince Felipe Award for \nBusiness Excellence and the \nGerman Design Award.\nFitt Classic  \n \np. 090\nFitt Hug \n \np. 096\nFrancesco Faccin\nFrancesco Faccin nasce a Milano \nnel 1977. Nel 2003 termina gli studi \ndi disegno industriale e inizia una \ncollaborazione con Enzo Mari. \nDal 2004 al 2006 collabora con  \nil liutaio Francesco Rivolta.  \nLavora come designer indipendente \ndal 2007 e dal 2009 al 2015 è \nconsulente dello studio di Michele \nde Lucchi. Collabora con importanti \naziende italiane e straniere, viene \npubblicato sulle più importanti  \nriviste di tutto il mondo.\nFrancesco Faccin was born in \nMilan in 1977. In 2003, after \nhaving finished his studies in \nIndustrial Design in Milan, Faccin \nworked at the Enzo Mari design \nstudio. He started up his career \nas a freelance designer and \ncollaborated with the lute-maker \nFrancesco Rivolta until 2006.  \nIn 2009 he met Michele De Lucchi \nand since then they worked in \nmutual collaboration for 5 years. \nHe collaborates with important \nItalian and international brands. \nHis work has been published in \nthe most important worldwide \nmagazines.\nGreen  \np. 210\nFabrizio Gallinaro\nNasce nel 1966. Si laurea in \narchitettura a Venezia e inizia \na progettare accanto al designer \nWerther Toffoloni, avviando\ndopo poco la propria attività  \ndi industrial designer e architetto \na Udine. I suoi lavori sono stati \nriconosciuti da numerosi premi  \ne segnalazioni internazionali,  \ncome il progetto selezionato \n“Omaggio a Gio Ponti” Morelato \n1996, il premio Rima ”Young  \n& Design” Milano 2001 e 2002  \ne molti altri. \nBorn in 1966, and graduated \nin architecture from Venice \nUniversity. He started off in\ndesign alongside Werther \nToffoloni, soon setting up on\nhis own in Udine as an industrial \ndesigner and architect. He has \nreceived numerous awards\nand international recognition\nfor his works, including the \nselected design ”Gift to Gio\nPonti” Morelato 1996, the Rima \nprize ”Young & Design\" Milan \n2001 and 2002, and many\nothers.\nW.  \np. 192\nMichael Geldmacher\nNasce in Germania nel 1968. \nIn collaborazione con Eva Paster \nfonda Neuland Industrie Design \ne sviluppa progetti iconici come \n“Random shelf” e la sedia \n“Elephant”. Dal 2015 progetta in \nautonomia per importanti aziende \ndi arredo italiane e internazionali, \npartendo da un concetto di design \nche ribalta il modo di pensare agli \noggetti, trovando la strada che \nne rivela la ragione primaria della \nloro essenza. Riceve molti premi \ne riconoscimenti.\nHe was born in Germany \nin 1968. He founded Neuland \nIndustrie Design with Eva \nPaster and developed iconic \nprojects such as “Random Shelf” \nand the “Elephant” chair. \nFrom 2015 he started to design \nindependently for leading \nItalian and international furniture \ncompanies, starting from a \ndesign concept that overturned \nthe way of thinking about \nobjects, finding the way that \nreveals the primary reason for \ntheir essence. In his career, \nhe has received many awards \nand honours.\n \nLayer \np. 082\nHarri Koskinen\nNasce nel 1970 in Finlandia. \nSviluppa un design senza \ncompromessi, così audace e \ndeterminato che lo conduce \npresto a una fama internazionale. \nLa praticità, uno stile connotante \ne un approccio concettuale \nal design sono i suoi tratti \ndistintivi. Le sue opere sono \nstate esposte in mostre in tutto \nil mondo e moltissimi sono i premi \ndi design conseguiti, tra cui il \nCompasso d'Oro (2004). Lavora \ncon le migliori aziende di design \nitaliano e internazionale.\nBorn in Finland in 1970.  \nHe developed an \nuncompromisingly bold and \ndetermined design style that  \nsoon brought him international \nfame. Practicality, a connotative \nstyle and a conceptual approach \nto design are the hallmarks of \nhis work. His works have been \nexhibited all over the world and \nhe has received numerous design \nawards, including the Compasso \nd'Oro (2004). He works with the \nbest Italian and international\ndesign companies.\nWhite  \np. 102\n005\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.16.png","Paul Loebach\nNasce nel 1974 negli USA. \nVive e lavora a New York. \nAlla modellistica digitale e \nalla tecnologia produttiva associa \nuna profonda analisi della \nstoria dell’arredamento e delle \ntecniche di lavorazioni tradizionali. \nÈ professore alla Rhode Island \nSchool of Design. I suoi progetti \nsono stati pubblicati a livello \ninternazionale.\nBorn in 1974 in the USA, Paul \nnow lives and works in New York. \nAlong with digital model-making \nand manufacturing technology, \nhe adds a thorough analysis \nof the history of furniture and \ntraditional craftsmanship. He \nlectures at Rhode Island School \nof Design. His works have been \npublished internationally.\nToccata & Fuga  \np. 186\nEgidio Panzera\nNato a Messina nel 1974. Pensa  \nalla progettazione come la \nnarrazione di un’idea. L’idea nasce \ndalla ricerca costante dei limiti.  \nLa narrazione è ricerca e creatività, \nsvela emozioni, bellezza e \nfunzionalità. Apre il suo studio  \na Seregno nel 2002 e lavora  \ntra Milano, Mosca e Singapore.  \nÈ titolare di 10 brevetti d’invenzione.\n \nEgidio Panzera was born in \nMessina in 1974. He sees design \nas the telling of an idea. The \nidea comes up from the constant \nsearch for limits. The narration \nis research and creativity and \nunveils emotions, beauty and \nfunctionality. He opened his \nstudio in Seregno in 2002 and \ndivides his working life between \nMilan, Moscow and Singapore. \nHe has patented ten inventions.\nGrapevine  \np. 302\nTimo Ripatti\nNato in Finlandia nel 1967. \nLavora come designer a\nHelsinki. Il suo linguaggio\nstilistico è scultoreo e poetico\nma altamente funzionale con\nun tocco scandinavo. È stato \npremiato in Finlandia come\ndesigner di mobili dell’anno \n2010. Insegna design del mobile \nall’Università di Aalto in Helsinki\ne presso l’Istituto di Design\ne belle arti di Lahti.\nBorn in Finland in 1967. He works \nas a designer in Helsinki. His \ndesign language is sculptural  \nand poetic yet highly functional \nwith a Scandinavian touch.  \nHe has been awarded as the \nfurniture designer of the year  \nin Finland 2010. He also teaches \nfurniture design in Aalto \nUniversity in Helsinki and in  \nthe Lahti Institute of Design  \nand Fine Arts.\nTango  \np. 312\nStudiocharlie\nStudiocharlie viene fondato \nnel 2002 da Gabriele Rigamonti, \nCarla Scorda e Vittorio Turla. \nNel 2004 riceve la Menzione \nd’Onore al XX Compasso d’Oro \nADI con il carattere tipografico \nCsuni. Disegna per numerose \naziende italiane e nel 2011 inizia \nla collaborazione con Billiani. \nNel 2018 vince il Compasso \nd’Oro ADI con la famiglia di \nrubinetti Eclipse per Boffi.\nStudiocharlie was founded\nin 2002 by Gabriele Rigamonti, \nCarla Scorda and Vittorio Turla. \nThey received the Honourable \nMention in 2004 for the XX \nCompasso d’Oro ADI with\nCsuni typeface project. \nStudiocharlie works with \nnumerous Italian companies;\nin 2011 started the cooperation \nwith Billiani. In 2018,  \nStudiocharlie won the Compasso \nd’Oro ADI prize with the family\nof taps Eclipse for Boffi.\nAragosta  \np. 178\n \nStudioventotto\nFondato nel 2011 da Elena Albricci, \narchitetto, e Claudio Fiumicelli, \ndesigner. Uno studio di progettazione \ndi Milano, con competenze che \nspaziano dall’interior design alla \ncomunicazione digitale. Partecipa \nalle edizioni 2014 e 2017 del Salone \nSatellite, avviando collaborazioni \ncon aziende in Italia e all’estero.  \nIl tratto distintivo dei progetti dello \nstudio è la costante ricerca di un \nequilibrio tra forma, funzionalità\ne racconto, traendo ispirazione  \ndalla tradizione del design italiano.\nFounded in 2011 by Elena Albricci, \narchitect, and Claudio Fiumicelli, \nproduct designer. A design studio \nbased in Milan, whose expertise \nranges from the interior design  \nto digital communication. It takes \npart in the 2014 and 2017 editions \nof Salone Satellite, starting \ncollaborations with important \ndesign firms. The constant search \nfor a balance between form and \nfunction is the distinctive feature \nof the studio’s projects, getting \ninspiration from the tradition of \nItalian design.\nLilliput  \np. 308\n \nKazuhide Takahama\nNasce nel 1930 in Giappone. \nNel ’57 progetta l’allestimento \ndello stand giapponese per \nla XI Triennale di Milano. Qui \nconosce Dino Gavina, evento che \nsegnerà l’inizio di una prolifica \ncollaborazione e di un’amicizia \nprofonda. Si trasferisce in Italia e \nprogetta per numerose aziende\ndel design italiano, per residenze \nprivate e commissioni pubbliche.  \nTra queste ultime la facciata e\nla vip lounge dell’aeroporto \nGuglielmo Marconi e le pensiline \ndelle fermate degli autobus di \nBologna. Muore a 80 anni a \nBologna.\nBorn in Japan in 1930. In 1957\nhe designed the Japanese stand \nat the XI Triennial in Milan where \nhe got to know Dino Gavina, \nmarking the start of a prolific \nworking relationship and lasting \nfriendship. He relocated to \nItaly and was commissioned by \nnumerous Italian design houses, \nboth for residential and public \nprojects. Amongst these were\nthe facade and the VIP lounge\nat Guglielmo Marconi Airport\nand the shelters at Bologna’s\nbus stops. He died in Bologna \naged 80.\nMarcel  \np. 316\n006\nDesigner\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.17.png","ALOE \nP. 226\n·  The Penny Drop   \n· LocHal Library\nARAGOSTA \nP. 185\n·  Stand Italgraniti, Cersaie\nBLAZER \nP. 135\n·   The Bay at Mandarin Oriental   \nCAFÈ \nP. 221\n· Wilma Wunder \n· Residence Itaca\nCROISSANT \nP. 300\n·  Taiyo Sushi Lounge   \n·  The Studio Hotel   \n· Hífen \n· Bistrot Cento61\n· Wilma Wunder\nDOLL \nP. 079\n· Jadran  \n· Rù Peruano\n· Bana  \n· Vienna House Diplomat\n· The Crux & Co. \n· Arthotel ANA Momentum\n· Cork & Bottle\nGRADISCA \nP. 150\n· The Studio Hotel  \n· Bio.it\nFRATINA \nP. 124\n· Neni  \n·  Hagakure   \n·  Spicy NoSpicy\n·  7 Goats  \nHIPPY \nP. 286\n·   Nice 2 meet you\n·  Garden City Resort\n· Vienna House Easy\n· Vienna House Easy\nLOAD \nP. 169\n·  The Penny Drop  \n· Omma  \n·  Fire & Bread\n·  El Tequito\n·  V-ZUG Showroom\nSEY \nP. 248\n· Sale e sarde\n· The Studio Hotel\n· Nour\nSPY \nP. 276\n·  Apartment N08\n·  Bao  \n·  Le General  \n· Wilma Wunder\n· Crowne Plaza   \nTRACY \nP. 157\n· Hífen\n·  Stand Italgraniti, Cersaie\nTAKE \nP. 177\n· Seerestaurant\nW. \nP. 198\n· Vienna House Easy\n·  Bistrot Cento61\n·  Hagakure Noh Samba \n·  Stand Italgraniti, Cersaie\n·  Pushka Apartment\n·  The Traveller \nMelbourne, AU \nTilburg, NL\nBologna, IT\nDubai, UAE\nDüsseldorf, DE \nCastellammare \ndel Golfo, IT \nMilan, IT\nStockholm, SE\nCascais, PT\nPalermo, IT\nDüsseldorf, DE\nTučepi, HR\nBari, IT\nTel Aviv, IL\nPrague, CZ\nMelbourne, AU\nGöppingen, DE\nLondon, UK\nStockholm, SE\nMilan, IT\nPort de Sóller, ES\nBari, IT\nKiev, UA\nMariupol, UA\nCherkasy, UA\nKalamata, GR\nCoburg, DE\nTrier, DE\nMelbourne, AU\nSantorini, GR\nLa Roca del Vallès, ES\nHamburg, DE\nMelbourne, AU\nCastellaneta, IT \nStockholm, SE \nSydney, AU\nAmsterdam, NL \nKiev, UA\nParis, FR\nDüsseldorf, DE\nZurich, CH\nCascais, PT\nBologna, IT\nSeefeld, CH\nTrier, DE\nPalermo, IT\nBari, IT\nBologna, IT\nKiev, UA\nAmsterdam, NL\nSelected references\n007\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.18.png","Sokolski Dom, NUK, \nPlečnik House\n( Ljubljana )\n008\nBEYOND\n \nSuperare il confine per trovare le radici \ne riscrivere ciascuno il proprio sapere. \nCome Jože Plečnik con l’architettura, Billiani \ncon la sedia — a Lubiana, un secolo dopo.  \nCross the border to find roots and \nreconstruct each other’s knowledge base. \nLike Jože Plečnik with architecture, Billiani with \nthe chair — in Ljubljana, just a century later.\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.19.png","009\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.20.png","010\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.21.png","011\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.22.png","012\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.23.png","013\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.24.png","014\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.25.png","015\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.26.png","016\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.27.png","017\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.28.png","018\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.29.png","019\n",29,{"image":130,"text":19,"number":131},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.30.png",30,{"image":133,"text":134,"number":135},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.31.png","021\n",31,{"image":137,"text":138,"number":139},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.32.png","022\n",32,{"image":141,"text":142,"number":143},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.33.png","023\n",33,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.34.png","024\n",34,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.35.png","025\n",35,{"image":153,"text":154,"number":155},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.36.png","026\n",36,{"image":157,"text":158,"number":159},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.37.png","027\n",37,{"image":161,"text":19,"number":162},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.38.png",38,{"image":164,"text":165,"number":166},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.39.png","029\n",39,{"image":168,"text":169,"number":170},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.40.png","030\n",40,{"image":172,"text":173,"number":174},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.41.png","031\n",41,{"image":176,"text":177,"number":178},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.42.png","032\n",42,{"image":180,"text":181,"number":182},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.43.png","033\n",43,{"image":184,"text":185,"number":186},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.44.png","034\n",44,{"image":188,"text":19,"number":189},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.45.png",45,{"image":191,"text":192,"number":193},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.46.png","036\n",46,{"image":195,"text":196,"number":197},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.47.png","037\n",47,{"image":199,"text":19,"number":200},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.48.png",48,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.49.png","039\n",49,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.50.png","040\n",50,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.51.png","041\n",51,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.52.png","042\n",52,{"image":218,"text":19,"number":219},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.53.png",53,{"image":221,"text":19,"number":222},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.54.png",54,{"image":224,"text":225,"number":226},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.55.png","045\n",55,{"image":228,"text":229,"number":230},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.56.png","046\n",56,{"image":232,"text":233,"number":234},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.57.png","047\n",57,{"image":236,"text":237,"number":238},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.58.png","049\n",58,{"image":240,"text":237,"number":241},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.59.png",59,{"image":243,"text":244,"number":245},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.60.png","050\n",60,{"image":247,"text":248,"number":249},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.61.png","051\n",61,{"image":251,"text":252,"number":253},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.62.png","052\n",62,{"image":255,"text":256,"number":257},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.63.png","053\n053\n",63,{"image":259,"text":260,"number":261},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.64.png","SOKOLSKI DOM\nPrimo complesso sportivo coperto della Slovenia, il Sokolski Dom risale agli anni Venti. \nNella facciata, l’architetto Ivan Vurnik rilegge lo stile Art Déco alla luce della tradizione \nslovena, con elementi decorativi e geometrici. All’interno trovano posto \nuna palestra con soffitto a volte e due atri più piccoli. \n \n› Slovenia’s first covered sports complex, \nthe Sokolski Dom dates back to the 1920s. On its facade, architect Ivan \nVurnik reinterprets Art Deco style in the light of Slovenian tradition, \nwith decorative and geometric elements. Inside there is a vaulted gym \nand two smaller atria.\np. 009 — 021\nNUK (NARODNA IN UNIVERZITETNA KNJIŽNICA)\nLa biblioteca nazionale e universitaria è un edificio monumentale \nispirato ai palazzi italiani e alla biblioteca Medicea Laurenziana \ndi Firenze. Nel progettare il palazzo della conoscenza slovena, negli \nanni Trenta, Jože Plečnik cercò spunti e risposte nell’antico per creare \nun’estetica nuova, non ripiegata sulla tradizione.  \n \n› The national and university library is \na monumental building inspired by Italian architecture and the Medicean \nLaurenziana library in Florence. In designing this Slovenian palace \nof knowledge in the 1930s, Jože Plečnik sought ideas and answers \nin the ancient world to create a new aesthetic, not focused on tradition.\np. 022 — 041\nPLEČNIK HOUSE\n“Una torre e un giardino”: è così che Jože Plečnik immaginava la sua casa prima di sapere \nche, dopo aver vissuto a Vienna e Praga, nel 1921 sarebbe tornato per sempre nella sua città. \nLa casa dell’architetto è ancora come allora, un luogo intimo che raccoglie i frammenti della \nsua poetica e il desiderio di ritrovare le radici primarie di un’identità.\n \n› “A tower and a garden”: this is how Jože \nPlečnik imagined his home before knowing that, after \nliving in Vienna and Prague, in 1921 he would return \nfor good to his city. The architect’s house is still as \nit was then, an intimate place that groups fragments \nof his poetics and the desire to find the primary roots \nof an identity.\np. 042 — 053\n054\n",64,{"image":263,"text":264,"number":265},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.65.png","p. 009, 010\nPoltroncine e divano Corolla \nin faggio, imbottiti. \n\u002F Corolla armchairs and sofa \nin beechwood, upholstered.\np. 011\nSedia Croissant in faggio, \nimbottita. Poltroncine Fitt \nClassic in frassino, con sedili \nimbottiti. Lounge Corolla in \nfaggio, imbottita. \u002F Croissant chair \nin beechwood, upholstered. Fitt \nClassic armchairs in ashwood, \nwith upholstered seats. Corolla \nlounge chair in beechwood, \nupholstered.\np. 012, 013\nSedie White in frassino, \ncon sedili in legno e imbottiti. \nPoltroncine Fitt Classic con \nstrutture in acciaio, scocche \nin frassino e sedili imbottiti. \n\u002F White chairs in ashwood, with \nwooden and upholstered seats. \nFitt Classic armchairs with steel \nframes, ashwood shells and \nupholstered seats. \np. 014, 015\nSedie White in frassino. \nDoll sedia in frassino, sgabello  \ne lounge high in faggio.  \nSgabello e pouf Croissant  \nin faggio, imbottiti. \n\u002F White chairs in ashwood.  \nDoll chair in ashwood, stool  \nand high-backed lounge chair  \nin beechwood. Croissant stool  \nand pouf in beechwood, \nupholstered. \np. 016, 017, 018, 019\nLayer lounge in frassino, imbottite, \ne sgabelli in frassino, con sedili \nin legno e imbottito. Poltroncina \nFitt Classic in frassino e \npoltroncina Fitt Hug in frassino, \ncon sedile imbottito. \u002F Layer lounge \nchairs in ashwood, upholstered, \nand stools in ashwood, with \nwooden and upholstered seats. \nFitt Classic armchair in ashwood \nand Fitt Hug armchair in \nashwood, with upholstered seat. \np. 021\nSedie Doll in faggio, con sedili \ne schienali in legno o imbottiti. \n\u002F Doll chairs in beechwood, with \nwooden or upholstered seats \nand backs. \np. 022, 023\nLounge e sgabello Croissant \nin faggio, imbottiti. \u002F Croissant \nlounge chairs and stool in \nbeechwood, upholstered.\np. 024\nPoltroncine Croissant in faggio, \nimbottite. \u002F Croissant armchairs \nin beechwood, upholstered.\np. 025\nLounge Croissant in faggio, \nimbottita. \u002F Croissant lounge \nchair in beechwood, upholstered.\np. 026, 027\nBergère Spy in faggio, imbottita. \n\u002F Spy bergère in beechwood, \nupholstered.\np. 029\nSpy high lounge in faggio, \nimbottita. \u002F Spy high-backed \nlounge chair in beechwood, \nupholstered.\np. 030, 031\nPoltroncine Spy in faggio, \nimbottite. \u002F Spy armchairs in \nbeechwood, upholstered.\np. 032, 033\nPoltroncine Corolla e Spy \nin faggio, imbottite. \n\u002F Corolla and Spy armchairs \nin beechwood, upholstered.\np. 034\nLounge Spy in faggio, imbottita. \n\u002F Spy lounge chair in beechwood, \nupholstered.\np. 036, 037, 039\nLounge e divano Spy in faggio, \nimbottiti. Lounge Corolla in \nfaggio, imbottita. \u002F Spy lounge \nchair and sofa in beechwood, \nupholstered. Corolla lounge chair \nin beechwood, upholstered.\np. 040, 041\nBergère e lounge Corolla \nin faggio, imbottite. \n\u002F Corolla bergère and lounge \nchair in beechwood, upholstered. \np. 042, 045, 046\nSedie Frisée in frassino, \ncon sedili in legno e imbottito. \nPoltroncine Frisée in faggio, \ncon sedili in legno e imbottito. \n\u002F Frisée chairs in ashwood, with \nwooden and upholstered seats. \nFrisée armchairs in beechwood, \nwith wooden and upholstered \nseats.\np. 047\nSedia e poltroncina Frisée \nin faggio. \u002F Frisée chair and \narmchair in beechwood.\np. 049\nSedia e poltroncina Fratina \nin frassino, con sedili rivestiti \nin cordino. \u002F Fratina chair and \narmchair in ashwood, with seats \nupholstered in cellulose rope.\np. 050, 051\nPoltroncine e lounge Sey \ncon strutture in acciaio \ne scocche intrecciate in corda. \n\u002F Sey armchairs and lounge chair \nwith steel frames and shells \nwoven in rope. \np. 052, 053\nSgabelli Puccio in frassino. \n\u002F Puccio stools in ashwood. \n055\n",65,{"image":267,"text":268,"number":269},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.66.png","Frisée è una collezione che associa alla solidità \ndel legno una frivolezza ironica e gioiosa. Il segno \nmorbido e avvolgente di Cristina Celestino esalta \nla materia e il saper fare di Billiani con colori \npuri, angoli che si trasformano in curve delicate e \ngambe che terminano a cipolla. Benché pensata \nper il contract, Frisée esprime una leggerezza colta \ne sofisticata che guarda al mondo dell’ebanisteria.\nFrisée is a collection that combines the solidity of wood with an ironic and \njoyful frivolity. Cristina Celestino’s soft and enveloping touch exalts Billiani’s \nmaterials and know–how with pure colours, corners that turn into delicate \ncurves and bulb–end legs. Although designed for the contract market, \nFrisée expresses a cultured and sophisticated lightness that gives a nod \nto the world of cabinet making.\nFrisée\nCat. Sedie, chairs \n \nPoltroncine, armchairs \n \nSgabelli, stools\nData Sheet: p. 360\nFrisée Struttura:\nFaggio, frassino\nFrisée Frame:\nBeechwood, ashwood\nDesign: Cristina Celestino, 2020\n",66,{"image":271,"text":272,"number":273},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.67.png","057\nFrisée 250 Sedia in faggio laccato \nNCS S 7020 R80B, Frisée 253 Poltroncina \nin frassino sbiancato e Credo 2394 \n\u002F Frisée 250 Chair in NCS S 7020 R80B \nlacquered beechwood, Frisée 253 Armchair \nin bleached ashwood and Credo 2394\n",67,{"image":275,"text":276,"number":277},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.68.png","058\nFrisée 250 Sedia in faggio sbiancato, \nFrisée 252 Poltroncina in faggio \nlaccato RAL 5014, Frisée 251 Sedia \nin faggio laccato RAL 9017 e Boemian \n2407, Frisée 254 Sgabello in faggio \nlaccato RAL 7033, \nFrisée 253 Poltroncina in faggio laccato \nRAL 6020 e Soft Unito 0954\n",68,{"image":279,"text":280,"number":281},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.69.png","059\nFrisée 250 Chair in bleached beechwood, \nFrisée 252 Armchair in RAL 5014 lacquered \nbeechwood,\nFrisée 251 Chair in RAL 9017 lacquered  \nbeechwood and Boemian 2407, Frisée 254  \nBarstool in RAL 7033 lacquered beechwood,\nFrisée 253 Armchair in RAL 6020 \nlacquered beechwood and Soft Unito 0954\n",69,{"image":283,"text":284,"number":285},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.70.png","060\nFrisée 250 Sedia in faggio laccato RAL 3004,\nFrisée 250 Sedia in frassino laccato RAL 7044 \n\u002F Frisée 250 Chair in RAL 3004 lacquered \nbeechwood, Frisée 250 Chair in RAL 7044 \nlacquered ashwood\n",70,{"image":287,"text":288,"number":289},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.71.png","061\nFrisée 255 Sgabello in faggio sbiancato e \nBoemian 2404, Frisée 254 Sgabello in faggio \nlaccato RAL 9017, Frisée 254 Sgabello \nin faggio laccato RAL 3004 \u002F Frisée 255 \nBarstool in bleached beechwood and \nBoemian 2404, Frisée 254 Barstool in \nRAL 9017 lacquered beechwood, Frisée 254 \nBarstool in RAL 3004 lacquered beechwood\n",71,{"image":291,"text":292,"number":293},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.72.png","062\nFrisée 250 Sedia in faggio sbiancato, \nFrisée 251 Sedia in faggio laccato \nRAL 9017 e Boemian 2407 \n\u002F Frisée 250 Chair in bleached beechwood, \nFrisée 251 Chair in RAL 9017 lacquered \nbeechwood and Boemian 2407\n",72,{"image":295,"text":296,"number":297},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.73.png","063\nFrisée 253 Poltroncina in faggio laccato \nRAL 6020 e Soft Unito 0954 \n\u002F Frisée 253 Armchair in RAL 6020 lacquered \nbeechwood and Soft Unito 0954\n",73,{"image":299,"text":300,"number":301},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.74.png","Nella sedia in legno Doll, primo progetto di Emilio \nNanni per Billiani, l’essenzialità si esprime con \ngarbo e morbidezza. Merito della sagomatura \nche fa apparire le gambe più sottili e dei tressi \ncurvati, che alleggeriscono il sedile senza \ncompromettere solidità e comfort. Evolutasi nel \ntempo in una collezione completa che comprende \nanche sgabelli, poltroncine, poltrone, tavoli e \ntavolini, Doll è una sedia camaleontica, capace di \ncambiare stile al cambiare del contesto grazie alla \npalette di colori e alla varietà di tessuti disponibili \nper la versione tappezzata. \nThe wooden Doll chair, Emilio Nanni’s first commissioned design for \nBilliani, expresses essentiality with grace and softness. This is the result \nof its slender tapering legs and its curved tresses, which lighten the seat \nwithout compromising solidity or comfort. Evolved over time into a complete \ncollection that also includes barstools, arm and lounge chairs, coffee and \ndining tables, Doll is a real chameleon of a chair, capable of changing style \naccording to any changing context, thanks to the wide range \nof colourways and upholstery options. \nCat. Sedie, chairs\n \nPoltroncine, armchairs\n \nLounge, lounge chairs\n \nSgabelli, stools\n \nTavoli, tables\nData Sheet: p. 350\nDoll Struttura: Faggio, \nacciaio, frassino\nDoll Frame: Beechwood, \nsteel, ashwood\nDoll\nDesign: Emilio Nanni, 2010\n",74,{"image":303,"text":304,"number":305},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.75.png","065\nDoll 550 Sedie in faggio laccato RAL 5014  \ne in faggio naturale\n\u002F Doll 550 Chairs in RAL 5014 lacquered \nbeechwood and natural beechwood \n",75,{"image":307,"text":308,"number":309},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.76.png","066\nDoll 563 Lounge high in faggio laccato  \nNCS S 1070 Y80R e Credo 2281, Doll 557 \nSgabello in faggio laccato RAL 5014, \nDoll 552 Sedia in faggio naturale  \ne Credo 2285, Doll 751 Tavolino in  \nfaggio e MDF laccati RAL 5014, \nDoll 550 Sedia in faggio laccato RAL 7044\n",76,{"image":311,"text":312,"number":313},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.77.png","067\n\u002F Doll 563 High-backed lounge chair in \nNCS S 1070 Y80R lacquered beechwood \nand Credo 2281, Doll 557 Barstool in \nRAL 5014 lacquered beechwood, \nDoll 552 Chair in natural beechwood and Credo \n2285, Doll 751 Table in RAL 5014 lacquered \nbeechwood and MDF, Doll 550 Chair in \nRAL 7044 lacquered beechwood\n",77,{"image":315,"text":316,"number":317},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.78.png","068\nDoll 552 Sedia in faggio laccato RAL 7044  \ne Credo 2285, Doll 551 Sedie in faggio laccato \nRAL 7044 e RAL 1027, Credo 2285 e 2282 \n\u002F Doll 552 Chair in RAL 7044 lacquered  \nbeechwood and Credo 2285, \nDoll 551 Chairs in RAL 7044 and RAL 1027 \nlacquered beechwood and Credo 2285 \nand 2282\n",78,{"image":319,"text":320,"number":321},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.79.png","069\nDoll 557 Sgabello in faggio \nlaccato RAL 5014 \n\u002F Doll 557 Barstool in RAL 5014 \nlacquered beechwood\n \n",79,{"image":323,"text":324,"number":325},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.80.png","070\nDoll 557 Sgabelli in faggio laccato RAL 5014 \ne in faggio naturale, Doll 556 Sgabello in \nfaggio laccato RAL 7044 e Credo 2282 \n\u002F Doll 557 Barstools in RAL 5014 lacquered \nbeechwood and natural beechwood, Doll 556 \nBarstool in RAL 7044 lacquered beechwood \nand Credo 2282\n",80,{"image":327,"text":328,"number":329},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.81.png","071\nDoll 563 Lounge high in faggio laccato NCS \nS 1070 Y80R e Credo 2281, Doll 562 Lounge in \nfaggio naturale e Credo 2284, Doll 751 Tavolino \nin faggio e MDF laccati NCS S 1070 Y80R \n\u002F Doll 563 High-backed lounge chair in NCS S \n1070 Y80R lacquered beechwood and Credo 2281, \nDoll 562 Lounge chair in natural beechwood \nand Credo 2284, Doll 751 Table in NCS S 1070 \nY80R lacquered beechwood and MDF\n",81,{"image":331,"text":332,"number":333},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.82.png","072\nDoll 552 Sedia in faggio naturale e Credo \n2285, Doll 752 Tavolo in faggio naturale \ne MDF laccato NCS S 1070 Y80R, Doll 551 Sedia \nin faggio laccato NCS S 1070 Y80R e Credo 2281\n",82,{"image":335,"text":336,"number":337},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.83.png","073\n\u002F Doll 552 Chair in natural beechwood \nand Credo 2285, Doll 752 Table in natural \nbeechwood and NCS S 1070 Y80R lacquered \nMDF, Doll 551 Chair in NCS S 1070 Y80R \nlacquered beechwood and Credo 2281\n",83,{"image":339,"text":340,"number":341},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.84.png","Emilio Nanni rilegge la sedia Doll dieci anni dopo. \nNasce così la versione in frassino, caratterizzata \ndalla crociera. Ancora più sottili sedile e schienale, \nalleggeriti negli spessori.\nEmilio Nanni revisits the Doll chair ten years later. Thus was born the  \nash version, characterized by its crosspiece. Even thinner seat and back, \nwith reduced thickness.\n074\nDoll Frassino \u002F Doll Ash\n",84,{"image":343,"text":344,"number":345},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.85.png","075\nDoll 060 Sedie in frassino sbiancato  \ne laccato RAL 1027 \n\u002F Doll 060 Chairs in bleached and  \nRAL 1027 lacquered ashwood\n",85,{"image":347,"text":348,"number":349},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.86.png","076\nDoll 553 Sedia in acciaio laccato RAL 7044, \nDoll 750 Tavolo in acciaio laccato RAL 9016 \ne MDF laccato NCS S 1070 Y80R, Doll 559 \nSedia in acciaio laccato RAL 7044 e Credo \n2285 \u002F Doll 553 Chair in RAL 7044 lacquered \nsteel, Doll 750 Table in RAL 9016 lacquered \nsteel and NCS S 1070 Y80R lacquered MDF, \nDoll 559 Chair in RAL 7044 lacquered steel \nand Credo 2285\n",86,{"image":351,"text":352,"number":353},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.87.png","077\nDoll 165 Sgabello in acciaio laccato \nRAL 1027 e Credo 2282, Doll 164 Sgabello \nin acciaio laccato RAL 5014 \n\u002F Doll 165 Barstool in RAL 1027 lacquered \nsteel and Credo 2282, Doll 164 Barstool \nin RAL 5014 lacquered steel\n",87,{"image":355,"text":356,"number":357},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.88.png","078\nDoll 558 Sedia in acciaio laccato RAL 5014, \nDoll 559 Sedia in acciaio laccato RAL 5014 \ne Credo 2284, Doll 554 Sedia in acciaio \nlaccato RAL 1027 e Credo 2282 \n\u002F Doll 558 Chair in RAL 5014 lacquered steel, \nDoll 559 Chair in RAL 5014 lacquered steel \nand Credo 2284, Doll 554 Chair in RAL 1027 \nlacquered steel and Credo 2282\n",88,{"image":359,"text":360,"number":361},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.89.png","079\nRealizzazioni\u002FProjects\nD\nB\nA\nC\n079\nDoll\n",89,{"image":363,"text":364,"number":365},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.90.png","080\nE\nF\nA, B \nJadran \nC, D \nRù Peruano \nE, F \nBana   \nG \nVienna House Diplomat \nLocation: Croatia, Category: Hotel\nLocation: Italy, Category: Restaurant\nLocation: Israel, Category: Cafe\nLocation: Czech Republic, Category: Hotel\nG\n",90,{"image":367,"text":368,"number":369},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.91.png","081\nH\nI\nH \nThe Crux & Co. \nI \nArthotel ANA Momentum \nL, M \nCork & Bottle \nLocation: Australia, Category: Restaurant\nLocation: Germany, Category: Hotel \nLocation: United Kingdom, Category: Restaurant\nL\nM\nG\n",91,{"image":371,"text":372,"number":373},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.92.png","Michael Geldmacher descrive Layer come \nuna seduta che sembra esistere da sempre \npur essendo nuova – il risultato semplice di \nun lavoro complesso in cui estetica e capacità \ncostruttiva si compenetrano. Sulle gambe in legno \ndi frassino, che si aprono a compasso, s’innesta \nuna struttura in multistrato che incorpora bracciolo \ne schienale imbottito, dove disegno e materia sono \nin continuità. Pensata come poltroncina, Layer si  \nè poi evoluta nelle versioni lounge e sgabello. \nMichael Geldmacher describes Layer as an armchair that seems to have \nexisted for ever despite being new – the simple result of a complex work \nin which aesthetics and constructive capacity intertwine. On the splayed \nashwood legs sits a plywood frame that incorporates the padded armrest \nand back, where design and material are in sync. Designed as an armchair,  \nLayer then evolved to include the lounge and barstool versions.\nCat. Poltroncine, armchairs\n \nLounge, lounge chairs\n \nSgabelli, stools\nData Sheet: p. 366\nLayer Struttura:\nFrassino \nLayer Frame:\nAshwood\nLayer\nDesign: Michael Geldmacher, 2018\n",92,{"image":375,"text":376,"number":377},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.93.png","083\nLayer 090 Poltroncina in frassino \nsbiancato e Boemian 2404 \n\u002F Layer 090 Armchair in bleached \nashwood and Boemian 2404\n",93,{"image":379,"text":380,"number":381},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.94.png","084\nLayer 090 Dettaglio di poltroncina in frassino \nlaccato RAL 7044 e Boemian 2404, Layer 090 \nPoltroncina in frassino sbiancato e Boemian \n2404, Layer 095 Sgabello in frassino laccato \nRAL 7044 e Boemian 2407, Layer 093 Lounge \nin frassino laccato RAL 7016 e Boemian 2407, \nLayer 094 Sgabello in frassino laccato RAL 7016\n",94,{"image":383,"text":384,"number":385},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.95.png","085\n\u002F Layer 090 Detail of armchair in RAL 7044  \nlacquered ashwood and Boemian 2404,  \nLayer 090 Armchair in bleached ashwood  \nand Boemian 2404, Layer 095 Barstool in  \nRAL 7044 lacquered ashwood and Boemian \n2407, Layer 093 Lounge chair in RAL 7016  \nlacquered ashwood and Boemian 2407, Layer \n094 Barstool in RAL 7016 lacquered ashwood\n",95,{"image":387,"text":388,"number":389},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.96.png","086\nLayer 093 e 095 Lounge e sgabello in frassino \ntinto tabacco e Brionne 2409 \n\u002F Layer 093 and 095 Lounge chair and barstool \nin tobacco stained ashwood and Brionne 2409\n",96,{"image":391,"text":392,"number":393},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.97.png","087\nLayer 095 Sgabello in frassino tinto tabacco \ne Brionne 2409, Layer 094 Sgabello in frassino \nsbiancato, Layer 095 Sgabello in frassino \nlaccato RAL 7044 e Boemian 2407, Layer 094 \nSgabello in frassino laccato RAL 7016 \u002F Layer \n095 Barstool in tobacco stained ashwood and \nBrionne 2409, Layer 094 Barstool in bleached \nashwood, Layer 095 Barstool in RAL 7044 \nlacquered ashwood and Boemian 2407, Layer \n094 Barstool in RAL 7016 lacquered ashwood\n",97,{"image":395,"text":396,"number":397},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.98.png","088\nLayer 093 Lounge in frassino sbiancato e \nBoemian 2407, Layer 093 Lounge in frassino \nlaccato RAL 7016 e Boemian 2407 \n\u002F Layer 093 Lounge chair in bleached \nashwood and Boemian 2407, Layer 093 Lounge \nchair in RAL 7016 lacquered ashwood and \nBoemian 2407\n",98,{"image":399,"text":400,"number":401},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.99.png","089\n",99,{"image":403,"text":404,"number":405},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.100.png","Creare una seduta al contempo amichevole \ned essenziale. Questa l’idea di Victor Carrasco, \nche per addolcire il tradizionale minimalismo \nnordico lavora sugli spessori della scocca in \nmultistrato creando un unicum nella collezione \nBilliani. Da designer curioso a sua volta alla \nguida di un’azienda produttrice di sedie, Carrasco \nimmagina una grande varietà di fusti e schienali, \ninvitando architetti e progettisti a partecipare \nalla fase di design di prodotto – in un processo \ndi co-creazione che ha nell’apertura e nella \ncreatività il suo punto di forza. \nCreating a chair that is both friendly and essential. This is the idea \nof Victor Carrasco, who, to soften the traditional Nordic minimalism, \nhas worked on the thickness of the plywood shell to create a one-off within \nthe Billiani collection. As an inquisitive designer who is also at the helm \nof a chair manufacturing company, Carrasco imagines a large variety \nof bases, inviting architects and designers to participate in the product \ndesign phase – in a co-creation process that has openness and creativity \nas its strong points.\nCat. Poltroncine, armchairs\n \nSgabelli, stools\nData Sheet: p. 354\nFitt Classic Struttura:  \nFrassino, acciaio\nFitt Classic Frame: \nAshwood, steel\nFitt Classic\nDesign: Victor Carrasco, 2019\n",100,{"image":407,"text":408,"number":409},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.101.png","091\nFitt Classic 020 Poltroncina in frassino sbian-\ncato, Fitt Classic 030 Poltroncina in frassino \nlaccato RAL 7044 e Twilltwenty 2275 \n\u002F Fitt Classic 020 Armchair in bleached \nashwood, Fitt Classic 030 Armchair in RAL 7044 \nlacquered ashwood and Twilltwenty 2275\n",101,{"image":411,"text":412,"number":413},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.102.png","092\nFitt Classic 021 Poltroncina in frassino laccato \nRAL 3012 e Twilltwenty 2275, Fitt Classic 020 \nPoltroncina in frassino sbiancato, Fitt Classic \n028 Sgabello in frassino sbiancato e Twilltwenty \n2275 \u002F Fitt Classic 021 Armchair in RAL 3012 \nlacquered ashwood and Twilltwenty 2275, \nFitt Classic 020 Armchair in bleached ashwood, \nFitt Classic 028 Barstool in bleached ashwood \nand Twilltwenty 2275 \n",102,{"image":415,"text":416,"number":417},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.103.png","093\nFitt Classic 020 Dettaglio di poltroncina in \nfrassino laccato RAL 3012, Fitt Classic 023 \nPoltroncina in acciaio e frassino laccati \nRAL 7044 e Soft Unito 0643 \n\u002F Fitt Classic 020 Detail of armchair in RAL 3012 \nlacquered ashwood, Fitt Classic 023 Armchair \nin RAL 7044 lacquered steel and ashwood \nand Soft Unito 0643\n",103,{"image":419,"text":420,"number":421},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.104.png","094\nFitt Classic 025 Poltroncina in acciaio laccato \nNCS S 1020 R90B, frassino laccato RAL 3012 \ne Soft Unito 0643, Fitt Classic 027 Poltroncina \nin acciaio laccato RAL 9016, frassino laccato \nRAL 7044 e Twilltwenty 2275 \u002F Fitt Classic 025 \nArmchair in NCS S 1020 R90B lacquered steel, \nRAL 3012 lacquered ashwood and Soft Unito \n0643, Fitt Classic 027 Armchair in RAL 9016 \nlacquered steel, RAL 7044 lacquered ashwood, \nand Twilltwenty 2275\n",104,{"image":423,"text":424,"number":425},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.105.png","095\nFitt Classic 030 Poltroncina in frassino \nlaccato RAL 7044 e Twilltwenty 2275 \n\u002F Fitt Classic 030 Armchair in RAL 7044 \nlacquered ashwood and Twilltwenty 2275\n",105,{"image":427,"text":428,"number":429},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.106.png","Victor Carrasco esplora la fortunata tipologia \ndella serie monoscocca e con Fitt Hug espande \nil concept della seduta Fitt. In questa nuova \ninterpretazione, la scocca fasciante ha linee nette \ne decise. Sempre essenziale, si abbina in modo \nversatile a basi diverse – dalle classiche gambe \nin legno al fusto girevole – così da adeguarsi  \na qualsiasi contesto.\nVictor Carrasco explores the successful single-shell style of seating, \nand with Fitt Hug he broadens the concept of the Fitt chair. In this \nnew interpretation, the wrap-around body has clear and decisive lines. \nAlways essential, it combines in a versatile way with different bases \n– from classically wooden legs to the revolving frame – so as to \nadapt to any setting.  \nCat. Poltroncine, armchairs\n \nSgabelli, stools\nFitt Hug\nDesign: Victor Carrasco, 2020\nData Sheet: p. 356\nFitt Hug Struttura:  \nFrassino, acciaio\nFitt Hug Frame: \nAshwood, steel\n",106,{"image":431,"text":432,"number":433},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.107.png","097\nFitt Hug 044 e 046 Poltroncine in frassino tinto \ntabacco e frassino sbiancato e Twilltwenty 2275 \n\u002F Fitt Hug 044 and 046 Armchairs in tobacco \nstained ashwood and bleached ashwood  \nand Twilltwenty 2275\n",107,{"image":435,"text":436,"number":437},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.108.png","098\nFitt Hug 044 Dettaglio di poltroncina  \nin frassino laccato NCS S 1020 R90B,  \nFitt Hug 046 Poltroncina in frassino  \nsbiancato e Twilltwenty 2275 \n\u002F Fitt Hug 044 Detail of armchair in \nNCS S 1020 R90B lacquered ashwood, \nFitt Hug 046 Armchair in bleached  \nashwood and Twilltwenty 2275\n",108,{"image":439,"text":440,"number":441},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.109.png","099\nFitt Hug 050 Poltroncina in acciaio laccato \nNCS S 1020 R90B e frassino laccato RAL 1015, \nFitt Hug 048 Poltroncina in acciaio e frassino \nlaccati RAL 1015 e Soft Unito 2399 \n\u002F Fitt Hug 050 Armchair in NCS S 1020 R90B \nlacquered steel and RAL 1015 lacquered \nashwood, Fitt Hug 048 Armchair in RAL 1015\n lacquered steel and ashwood and \nSoft Unito 2399\n",109,{"image":443,"text":444,"number":445},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.110.png","100\nFitt Hug 054 Poltroncina in acciaio laccato \nRAL 9016, frassino laccato RAL 1015 e Soft \nUnito 2399 \n\u002F Fitt Hug 054 Armchair in RAL 9016 lacquered \nsteel, RAL 1015 lacquered ashwood and \nSoft Unito 2399\n",110,{"image":447,"text":448,"number":449},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.111.png","101\nFitt Hug 056 Sgabello in frassino tinto  \ntabacco, Fitt Hug 044 Poltroncina in frassino \nlaccato NCS S 1020 R90B \n\u002F Fitt Hug 056 Barstool in tobacco  \nstained ashwood, Fitt Hug 044 Armchair  \nin NCS S 1020 R90B lacquered ashwood\n",111,{"image":451,"text":452,"number":453},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.112.png","È ispirata al design nordico degli anni Sessanta \nla sedia White, in cui si riconosce tanto l’estetica \nforte e senza compromessi del suo designer, \nHarri Koskinen, quanto l’eredità della sedia \nGreen di Billiani, cui somiglia anche nel nome.\nEntrambe hanno forme generose e gambe \nspesse quattro centimetri, ma White è ancora più \nrobusta: una sedia dalla presenza rassicurante, \nper tutti i contesti dove solidità e comodità sono \nimprescindibili. \nThe White chair is inspired by sixties Nordic design, in addition to \nacknowledging both the strong and uncompromising aesthetics of its \ndesigner, Harri Koskinen, as well as the legacy of Billiani’s Green chair, \nwhich it also resembles through the choice of name. Both have generous \nshapes and four-centimetre thick legs, but White is even more robust: \na chair with a reassuring presence, for all contexts where sturdiness \nand comfort are essential.\nCat. Sedie, chairs\n \nSgabelli, stools  \n \n \nData Sheet: p. 383\nWhite Struttura:\nFrassino\nWhite Frame:\nAshwood\nWhite\nDesign: Harri Koskinen, 2018\n",112,{"image":455,"text":456,"number":457},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.113.png","103\nWhite 130 Sedia in frassino sbiancato \n\u002F White 130 Chair in bleached ashwood\n",113,{"image":459,"text":460,"number":461},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.114.png","104\nWhite 132 Sedie in frassino sbiancato e tinto \nRAL 7033, Credo 2282 e 2284, White 134  \nSgabello in frassino sbiancato \n\u002F White 132 Chairs in bleached and RAL 7033 \nstained ashwood, Credo 2282 and 2284, \nWhite 134 Barstool in bleached ashwood\n",114,{"image":463,"text":464,"number":465},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.115.png","105\nWhite 130 Sedie in frassino tinto RAL 1027 \ne sbiancato \n\u002F White 130 Chairs in RAL 1027 stained ashwood \nand bleached ashwood\n",115,{"image":467,"text":468,"number":469},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.116.png","106\nWhite 132 Sedie in frassino sbiancato e tinto \nRAL 7033, Credo 2282 e 2284 , White 130 \nSedia in frassino tinto RAL 7044 \n\u002F White 132 Chairs in bleached and RAL 7033 \nstained ashwood, Credo 2282 and 2284, White \n130 Chair in RAL 7044 stained ashwood\n",116,{"image":471,"text":472,"number":473},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.117.png","107\nWhite 135 Sgabello in frassino tinto RAL \n1027 e Credo 2282, White 134 Sgabello \nin frassino sbiancato \n\u002F White 135 Barstool in RAL 1027 stained \nashwood and Credo 2282, White 134 Barstool \nin bleached ashwood\n",117,{"image":475,"text":476,"number":477},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.118.png","108\nWhite 135 e 132 Sgabello e sedia in frassino \ntinto RAL 1027 e Credo 2282 \n\u002F White 135 and 132 Barstool and chair in \nRAL 1027 stained ashwood and Credo 2282\n",118,{"image":479,"text":480,"number":481},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.119.png","109\n",119,{"image":483,"text":484,"number":485},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.120.png","Per l’inedita combinazione tra legno e cuoio, \nMarimba è una novità nella collezione Billiani. \nParticolare la svasatura del sedile, così come \nla gamba posteriore, che si allunga e s’inclina \nleggermente per sostenere lo schienale in cuoio \nsagomato. Un progetto di Emilio Nanni che ha il \ncarattere di un prodotto di pelletteria e il fascino \ndi un oggetto artigianale. È disponibile anche  \nuna versione in feltro.\nFor the unprecedented combination of wood and leather, Marimba is \na novelty in the Billiani collection. Particularly the shaping of the seat, \nas well as the back legs, which stretch and tilt slightly to support the shaped \nleather backrest. A project by Emilio Nanni that has the character \nof something you might find in a leather goods store, combined with \nthe charm of a hand-crafted object. A felt version is also available.\nCat. Sedie, chairs\n \nLounge, lounge chairs\n \nSgabelli, stools\nData Sheet: p. 370\nMarimba Struttura:\nFaggio \nMarimba Frame:\nBeechwood\nMarimba\nDesign: Emilio Nanni, 2018\n",120,{"image":487,"text":488,"number":489},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.121.png","111\nMarimba 110 Sedia in faggio naturale \ne cuoietto 2334 \n\u002F Marimba 110 Chair in natural beechwood \nand hide 2334\n",121,{"image":491,"text":492,"number":493},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.122.png","112\nMarimba 114 Lounge in faggio tinto noce \ne feltro 2470, Marimba 110 Sedia in faggio \ntinto NCS S 7020 R80B e Pieno Fiore 2463, \nMarimba 113 Sgabello in faggio naturale \ne cuoietto 2340, Marimba 114 Lounge in \nfaggio tinto noce e cuoietto 2335\n",122,{"image":495,"text":496,"number":497},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.123.png","113\nMarimba 114 Lounge chair in walnut stained \nbeechwood and felt 2470, Marimba \n110 Chair in NCS S 7020 R80B stained \nbeechwood and full-grain leather 2463, \nMarimba 113 Barstool in natural \nbeechwood and hide 2340, \nMarimba 114 Lounge chair in walnut stained \nbeechwood and hide 2335\n",123,{"image":499,"text":500,"number":501},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.124.png","114\nMarimba 110 e 114 Sedia e lounge in faggio \nnaturale e cuoietto 2334 \n\u002F Marimba 110 and 114 Chair and lounge chair \nin natural beechwood and hide 2334\n",124,{"image":503,"text":504,"number":505},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.125.png","115\nMarimba 110 e 112 Sedia e sgabello in faggio \ntinto NCS S 7020 R80B e Pieno Fiore 2463, \nDrum 081 Tavolo in faggio tinto noce e laccato \nNCS S 7020 R80B \u002F Marimba 110 and 112 \nChair and barstool in NCS S 7020 R80B stained \nbeechwood and full-grain leather 2463, \nDrum 081 Table in walnut stained beechwood \nand NCS S 7020 R80B lacquered beechwood\n",125,{"image":507,"text":508,"number":509},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.126.png","116\nMarimba 110 Sedia in faggio tinto RAL 3012 \ne feltro 2471, Marimba 114 lounge in faggio \nnaturale e feltro 2471, Drum 082 Tavolo in \nfaggio naturale e laccato RAL 3012 \u002F Marimba \n110 Chair in RAL 3012 stained beechwood and \nfelt 2471, Marimba 114 lounge chair in natural \nbeechwood and felt 2471, Drum 082 Table in \nnatural and RAL 3012 lacquered beechwood\n",126,{"image":511,"text":512,"number":513},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.127.png","117\n",127,{"image":515,"text":516,"number":517},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.128.png","Fratina è ispirata alle classiche sedie con sedile in \npaglia palustre. Nella reinterpretazione di Emilio \nNanni, che ne esagera le linee, le gambe hanno \nsezione tonda e lo schienale, agganciato alle \ngambe posteriori, è generoso al punto da diventare \nun semicerchio nella versione poltroncina. Il \nsedile è disponibile in tessuto, cuoietto, cinghie o \ncordino di cellulosa intrecciato, che simula l’antica \nlavorazione della paglia di palude. Insignita \ndel Red Dot Design Award nel 2016, Fratina è la \nquintessenza di Billiani – una sedia in equilibrio \nperfetto fra tradizione e sperimentazione.\nFratina is inspired by those classic chairs with rush seats. In Emilio Nanni’s \nreinterpretation, the designer exaggerates its lines, the legs have a round \nsection and the backrest, attached to the rear legs, is generous to the point \nof becoming a semicircle in the armchair version. The seat is available in \nfabric, leather, straps or woven cellulose cord, which simulates the ancient \nprocessing of rush wickerwork. Awarded the Red Dot Design Award in 2016, \nFratina is quintessentially Billiani – a chair in perfect balance between \ntradition and experimentation.\nCat. Sedie, chairs \n \nPoltroncine, armchairs \nData Sheet: p. 359\nFratina Struttura:\nFrassino \nFratina frame:\nAshwood\nFratina \nDesign: Emilio Nanni, 2015\n",128,{"image":519,"text":520,"number":521},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.129.png","119\nFratina 681 Poltroncina in frassino \nsbiancato e cordino 0530 \n\u002F Fratina 681 Armchair in bleached \nashwood and cellulose rope 0530\n",129,{"image":523,"text":524,"number":525},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.130.png","120\nFratina 681 Poltroncina in frassino tinto \nRAL 7044 e Divina3 2460, Fratina 680 \nSedia in frassino sbiancato e cordino 0530 \n\u002F Fratina 681 Armchair in RAL 7044 stained \nashwood and Divina3 2460, Fratina 680 Chair \nin bleached ashwood and cellulose rope 0530\n",130,{"image":527,"text":528,"number":529},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.131.png","121\nFratina 681 Poltroncina in frassino tinto \nRAL 7016 e cinghia 1701, Fratina 680 Sedia \nin frassino tinto RAL 7044 e cordino 0529 \n\u002F Fratina 681 Armchair in RAL 7016 stained \nashwood and straps 1701, Fratina 680 Chair  \nin RAL 7044 stained ashwood and cellulose \nrope 0529\n",131,{"image":531,"text":532,"number":533},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.132.png","122\nFratina 681 Poltroncina in frassino tinto \nRAL 3004 e Boemian 2404 \n\u002F Fratina 681 Armchair in RAL 3004 \nstained ashwood and Boemian 2404 \n",132,{"image":535,"text":536,"number":537},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.133.png","123\nFratina 681 Poltroncina in frassino tinto \nRAL 3004 e Boemian 2404 \n\u002F Fratina 681 Armchair in RAL 3004 \nstained ashwood and Boemian 2404 \n",133,{"image":539,"text":540,"number":541},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.134.png","124\nFratina\nA\nB\nC\nRealizzazioni \u002F Projects\n",134,{"image":543,"text":544,"number":545},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.135.png","125\nF\nD\nE\nA \nNeni \nB, C \nHagakure  \nD, E \nSpicy NoSpicy \nF \n7 Goats  \nLocation: Spain, Category: Restaurant\nLocation: Italy, Category: Restaurant\nLocation: Ukraine, Category: Restaurant\nLocation: Ukraine, Category: Restaurant\n",135,{"image":547,"text":548,"number":549},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.136.png","Nella sedia Blazer di Emilio Nanni l’estetica \nè definita dalle caratteristiche costruttive. Il tresso \nanteriore leggermente rientrante, il sedile sollevato \ne le gambe sfilate traducono un’idea di leggerezza \ned eleganza, mentre i braccioli della poltroncina \ne l’imbottitura accrescono il comfort della seduta.    \nIn the Blazer chair by Emilio Nanni, aesthetics are defined by its construction \nfeatures. The slightly recessed front beam, the raised seat and the tapered \nlegs translate an idea of lightness and elegance, while the armchair and \nupholstered versions make for extra comfort.\nCat. Sedie, chairs \n \nPoltroncine, armchairs \n \nSgabelli, stools\nData Sheet: p. 344\nBlazer Struttura:\nFaggio \nBlazer Frame:\nBeechwood\nBlazer\nDesign: Emilio Nanni, 2013\n",136,{"image":551,"text":552,"number":553},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.137.png","127\nBlazer 633 Sedia in faggio naturale \ne Ombra 2461 \n\u002F Blazer 633 Chair in natural beechwood \nand Ombra 2461\n",137,{"image":555,"text":556,"number":557},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.138.png","128\nBlazer 630 Poltroncina in faggio tinto \nRAL 3012, Blazer 233 Sgabello in faggio tinto \nnoce e Ombra 2461, \nBlazer 633 Sedia in faggio naturale e Ombra \n2461, Blazer 232 Sgabello in faggio tinto \nRAL 3012 \n",138,{"image":559,"text":560,"number":561},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.139.png","129\n\u002F Blazer 630 Armchair in RAL 3012 stained \nbeechwood, Blazer 233 Barstool in walnut \nstained beechwood and Ombra 2461, \nBlazer 633 Chair in natural beechwood \nand Ombra 2461, Blazer 232 Barstool in  \nRAL 3012 stained beechwood \n",139,{"image":563,"text":564,"number":565},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.140.png","130\nBlazer 629 Poltroncina in faggio tinto noce \ne Ombra 2462, Blazer 632 Sedia in faggio \ntinto noce\n\u002F Blazer 629 Armchair in walnut stained \nbeechwood and Ombra 2462, Blazer 632 \nChair in walnut stained beechwood\n",140,{"image":567,"text":568,"number":569},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.141.png","131\nBlazer 232 Sgabello in faggio tinto RAL 3012, \nBlazer 233 Sgabello in faggio naturale e Ombra \n2462, Blazer 233 Sgabello in faggio tinto noce \ne Ombra 2461, Blazer 232 Sgabello in faggio \nnaturale \u002F Blazer 232 Barstool in RAL 3012 stained \nbeechwood, Blazer 233 Barstool in natural \nbeechwood and Ombra 2462, Blazer 233 Barstool \nin walnut stained beechwood and Ombra 2461, \nBlazer 232 Barstool in natural beechwood\n",141,{"image":571,"text":572,"number":573},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.142.png","132\nBlazer 632 Sedia in faggio tinto NCS S 7020 \nR80B, Blazer 630 Poltroncina in faggio naturale\n\u002F Blazer 632 Chair in NCS S 7020 R80B \nstained beechwood, Blazer 630 Armchair \nin natural beechwood\n",142,{"image":575,"text":576,"number":577},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.143.png","133\nBlazer 630 Poltroncina in faggio  \ntinto RAL 3012 \n\u002F Blazer 630 Armchair in RAL 3012 \nstained beechwood\n",143,{"image":579,"text":580,"number":581},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.144.png","134\nBlazer 233 Sgabello in faggio tinto noce \ne Ombra 2461 \n\u002F Blazer 233 Barstool in walnut stained \nbeechwood and Ombra 2461\n",144,{"image":583,"text":584,"number":585},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.145.png","135\nA\nB\nBlazer \nRealizzazioni \u002F Projects\nA, B \nThe Bay at Mandarin Oriental\n Location: UAE, Category: Restaurant\n",145,{"image":587,"text":588,"number":589},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.146.png","Tra i tanti dipinti di Vincent van Gogh ce n’è più \ndi qualcuno che raffigura sedie. Sedie semplici, \nsolide, tradizionali, di quelle che un secolo fa  \nsi potevano trovare dentro ogni casa di \ncampagna. A queste s’ispira Vincent v. G., \ncollezione disegnata da Werther Toffoloni che  \nfa dialogare antico e moderno, solidità  \ne leggerezza, arte e design.  \nAmongst Vincent van Gogh’s various paintings, there are a number that \nfeature chairs. Simple, solid, traditional chairs of type that, more than \na century ago, could be found in every country house. The Vincent v. G. \nis inspired by these, a collection designed by Werther Toffoloni that brings \ntogether ancient and modern, solidity and lightness, art and design.\nCat. Sedie, chairs\n \nPoltroncine, armchairs\n \nSgabelli, stools \n \nData Sheet: p. 381\nVincent v. G. Struttura:\nFrassino  \nVincent v. G. Frame:\nAshwood\nVincent v. G.\nDesign: Werther Toffoloni, 2007\n",146,{"image":591,"text":592,"number":593},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.147.png","137\nVincent v. G. 440 Sedia in frassino tinto \nRAL 7044 e cuoietto 2340 \n\u002F Vincent v. G. 440 Chair in RAL 7044 \nstained ashwood and hide 2340\n",147,{"image":595,"text":596,"number":597},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.148.png","138\nVincent v. G. 440 Sedia in frassino tinto \nRAL 7044 e cuoietto 2340, Vincent v. G. 441 \nPoltroncina in frassino sbiancato e cuoietto 1545\n\u002F Vincent v. G. 440 Chair in RAL 7044 stained \nashwood and hide 2340, Vincent v. G. 441 \nArmchair in bleached ashwood and hide 1545\n",148,{"image":599,"text":600,"number":601},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.149.png","139\nVincent v. G. 444 Sgabello in frassino tinto \nRAL 7044 e cuoietto 2340, Vincent v. G. 440  \ne 444 Sedia e sgabello in frassino sbiancato  \ne Boemian 2407 \n\u002F Vincent v. G. 444 Barstool in RAL 7044 stained \nashwood and hide 2340, Vincent v. G. 440 \nand 444 Chair and barstool in bleached \nashwood and Boemian 2407\n",149,{"image":603,"text":604,"number":605},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.150.png","140\nVincent v. G. 441 Poltroncina in frassino \nsbiancato e cuoietto 1545 \n\u002F Vincent v. G. 441 Armchair in bleached \nashwood and hide 1545\n",150,{"image":607,"text":608,"number":609},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.151.png","141\nVincent v. G. 441 Poltroncine in frassino  \ntinto tabacco e tinto RAL 3004, Boemian  \n2404 e cordino 0543 \n\u002F Vincent v. G. 441 Armchairs in tobacco stained \nand RAL 3004 stained ashwood, Boemian  \n2404 and cellulose rope 0543\n",151,{"image":611,"text":612,"number":613},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.152.png","Werther Toffoloni ha disegnato Gradisca \nin occasione della personale che gli è stata \ndedicata dalla Galleria d’arte contemporanea \nLuigi Spazzapan di Gradisca d’Isonzo, tributo alla \nsua lunga carriera. È una collezione che sintetizza \ni valori tradizionali del distretto, produttività \ne concretezza, attraverso linee vivaci e nuove \ntecniche di produzione. Un esempio di come \nla sedia made in Friuli possa trasformarsi \nin un oggetto universale.\nWerther Toffoloni designed Gradisca on the occasion of the tribute \ndedicated to him by the Luigi Spazzapan contemporary art gallery \nin Gradisca d’Isonzo, commemorating his long career. It is a collection \nthat summarizes the traditional values of the district, productivity and \nconcreteness, through lively lines and new production techniques. Another \nexample of how the “Made in Friuli” chair can be transformed into \na universal object.\nCat. Sedie, chairs\n \nSgabelli, stools \n  \nData Sheet: p. 361\nGradisca Struttura:\nFaggio \nGradisca Frame:\nBeechwood\nGradisca\nDesign: Werther Toffoloni, 2013\n",152,{"image":615,"text":616,"number":617},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.153.png","143\nGradisca 620 Sedia in faggio laccato \nRAL 5014, Gradisca 622 Sedia in faggio \nsbiancato e Ombra 2461 \n\u002F Gradisca 620 Chair in RAL 5014 lacquered \nbeechwood, Gradisca 622 Chair in bleached \nbeechwood and Ombra 2461\n",153,{"image":619,"text":620,"number":621},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.154.png","144\nGradisca 622 Sedia in faggio laccato \nNCS S 1070 Y80R e Ombra 2466, Gradisca \n625 Sgabello in faggio laccato NCS S 1070 \nY80R e Ombra 2461 \n\u002F Gradisca 622 Chair in NCS S 1070 Y80R \nlacquered beechwood and Ombra 2466, \nGradisca 625 Barstool in NCS S 1070 Y80R \nlacquered beechwood and Ombra 2461 \n",154,{"image":623,"text":624,"number":625},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.155.png","145\nGradisca 619 Sgabello in faggio sbiancato \ne Ombra 2462, Gradisca 620 Sedia in faggio \nlaccato RAL 7016 \n\u002F Gradisca 619 Stool in bleached beechwood \nand Ombra 2462, Gradisca 620 Chair in \nRAL 7016 lacquered beechwood\n",155,{"image":627,"text":628,"number":629},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.156.png","146\nGradisca 622 Sedie in faggio sbiancato \ne laccato NCS S 1070 Y80R, \nOmbra 2461 e 2466 \n\u002F Gradisca 622 Chairs in bleached and \nNCS S 1070 Y80R lacquered beechwood, \nOmbra 2461 and 2466 \n",156,{"image":631,"text":632,"number":633},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.157.png","147\nGradisca 626 Sgabello in faggio laccato \nRAL 5014, Gradisca 617 Sgabello in faggio \nlaccato RAL 6020, Gradisca 628 Sgabello in \nfaggio laccato RAL 7016 e Ombra 2461 \n\u002F Gradisca 626 Stool in RAL 5014 lacquered \nbeechwood, Gradisca 617 Stool in RAL 6020 \nlacquered beechwood, Gradisca 628 Stool in \nRAL 7016 lacquered beechwood and Ombra 2461\n",157,{"image":635,"text":636,"number":637},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.158.png","148\nGradisca 623 Sgabello in faggio laccato \nRAL 6020 \n\u002F Gradisca 623 Barstool in RAL 6020 \nlacquered beechwood\n",158,{"image":639,"text":640,"number":641},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.159.png","149\n",159,{"image":643,"text":644,"number":645},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.160.png","150\nGradisca\nA\nB\nC\nRealizzazioni \u002F Projects\n",160,{"image":647,"text":648,"number":649},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.161.png","151\nF\nE\nD\nA, B, C, F   The Studio Hotel   \nD, E \n   Bio.it \n \nLocation: Sweden, Category: Hotel\nLocation: Italy, Category: Restaurant\n",161,{"image":651,"text":652,"number":653},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.162.png","Nella collezione Tracy il disegno è declinato \nin due versioni, con schienale continuo \nin multistrato curvato o con listelli in massello. \nSgabello o sedia, con sedile imbottito o meno, \nTracy è la soluzione per chi cerca varietà \nnella continuità, come nei luoghi del contract.   \nThe Tracy collection is designed in two versions, with a continuous backrest \nin curved plywood or as a spandleback. Whether as a barstool or chair, \nwith or without upholstered seat, Tracy is the solution for those seeking \nvariety in continuity, such as in contract locations.\nCat. Sedie, chairs\n \nSgabelli, stools \n \nData Sheet: p. 380\nTracy Struttura:\nFaggio \nTracy Frame:\nBeechwood\nTracy\nDesign: Emilio Nanni, 2011\n",162,{"image":655,"text":656,"number":657},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.163.png","153\nTracy 565 Sedia in faggio sbiancato, Tracy \n568 Sedia in faggio laccato RAL 3004 \ne Boemian 2404 \n\u002F Tracy 565 Chair in bleached beechwood, \nTracy 568 Chair in RAL 3004 lacquered \nbeechwood and Boemian 2404\n",163,{"image":659,"text":660,"number":661},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.164.png","154\nTracy 568 Sedia in faggio laccato RAL 3004 \ne Boemian 2404, Tracy 567 Sedie in faggio \nsbiancato e laccato RAL 7016 \n\u002F Tracy 568 Chair in RAL 3004 lacquered \nbeechwood and Boemian 2404, Tracy 567 Chairs \nin bleached and RAL 7016 lacquered beechwood\n",164,{"image":663,"text":664,"number":665},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.165.png","155\nTracy 598 Sgabello in faggio sbiancato e \nBoemian 2407, Tracy 597 Sgabello in faggio \nlaccato RAL 3004 \n\u002F Tracy 598 Barstool in bleached beechwood \nand Boemian 2407, Tracy 597 Barstool in  \nRAL 3004 lacquered beechwood\n",165,{"image":667,"text":668,"number":669},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.166.png","156\nTracy 566 e 596 Sedia e sgabello in faggio \ntinto noce e Divina3 2460 \n\u002F Tracy 566 and 596 Chair and barstool in \nwalnut stained beechwood and Divina3 2460\n",166,{"image":671,"text":672,"number":673},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.167.png","157\nTracy\nC\nB\nA\nA \nHífen \nB, C \nStand Italgraniti, Cersaie \nLocation: Portugal, Category: Restaurant\nLocation: Italy, Category: Corporate\nRealizzazioni \u002F Projects\n",167,{"image":675,"text":676,"number":677},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.168.png","Marco Ferreri reinterpreta un’icona del design \nscandinavo, la classica seduta a pozzetto, e crea \nuna sedia di grande semplicità costruttiva dal \nsegno elegante. E se la forma è d’ispirazione \nnordica, la tecnica ricalca la tradizione di Billiani, \ncon tagli di raccordo in evidenza, base tornita \ne spessori maggiorati. Lo schienale curvo, che \nsi allunga a formare i braccioli, conferisce \na Nordica una personalità ben precisa, \naccogliendo chi si siede con il giusto comfort.\nMarco Ferreri reinterprets an icon of Scandinavian design, the classic \ncockpit seat, and creates a chair of great constructive simplicity with \na touch of elegance. And if the shape is Nordic–inspired, the technique \nfollows the Billiani tradition, with visible fillet cuts, turned base and increased \nthicknesses. The curved backrest, which extends to form the armrests, \ngives Nordica a very specific personality, welcoming those who sit in \nit with just the right comfort.\nCat. Poltroncine, armchairs\nData Sheet: p. 371\nNordica Struttura:\nFaggio \nNordica Frame:\nBeechwood\nNordica\nDesign: Marco Ferreri, 2012\n",168,{"image":679,"text":680,"number":681},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.169.png","159\nNordica 600 Poltroncina  \nin faggio sbiancato \n\u002F Nordica 600 Armchair \nin bleached beechwood\n",169,{"image":683,"text":684,"number":685},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.170.png","160\nNordica 601 Poltroncina in faggio laccato RAL \n5014 e Boemian 2401, Nordica 601 Poltroncina \nin faggio tinto noce e Inca 1191, Nordica 600 \nPoltroncina in faggio sbiancato \u002F Nordica 601 \nArmchair in RAL 5014 lacquered beechwood \nand Boemian 2401, Nordica 601 Armchair in \nwalnut stained beechwood and Inca 1191, \nNordica 600 Armchair in bleached beechwood\n",170,{"image":687,"text":688,"number":689},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.171.png","161\nNordica 601 Poltroncina in faggio tinto \nnoce e Inca 1191, Nordica 600 Poltroncina \nin faggio tinto RAL 6020 \n\u002F Nordica 601 Armchair in walnut stained \nbeechwood and Inca 1191, Nordica 600 \nArmchair in RAL 6020 stained beechwood\n",171,{"image":691,"text":692,"number":693},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.172.png","La corrispondenza tra forma e funzione \nè uno degli assiomi su cui si basa la ricerca \ndi Emilio Nanni e in questo senso Load è l’oggetto \nideale, una sedia ridotta ai minimi termini. \nE proprio dall’essenzialità si sviluppa la creatività, \ntipologica ed estetica. Il risultato è una collezione \nche oltre alla sedia include poltrona e sgabello – \nanche nelle varianti con schienale in cima nautica \nintrecciata, una lavorazione ispirata al territorio  \ndi Billiani che, al confine tra collina e pianura,  \nnon è lontano dal mare. \nThe correspondence between form and function is one of the axioms \non which Emilio Nanni’s research is based and in this sense Load is just \nthe ticket, a chair reduced to minimums. And from this very essentiality \nis developed typological and aesthetic creativity. The result is a collection \nthat, in addition to the side chairs, includes lounge chairs as well  \nas barstools – also in the variants with the upper back in nautical rope, \ncraftsmanship inspired by the Billiani territory which, on the border \nbetween the hills and the plains, lies not very far from the sea.\nCat. Sedie, chairs\n \nLounge, lounge chairs \n \n \nSgabelli, stools  \nData Sheet: p. 368\nLoad Struttura:\nFaggio \nLoad Frame:\nBeechwood\nLoad\nDesign: Emilio Nanni, 2014\n",172,{"image":695,"text":696,"number":697},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.173.png","163\nLoad 640 Sedia in faggio sbiancato, Load 642 \nSedia in faggio sbiancato e corda 001 \n\u002F Load 640 Chair in bleached beechwood, \nLoad 642 Chair in bleached beechwood \nand rope 001\n",173,{"image":699,"text":700,"number":701},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.174.png","164\nLoad 643 Sedia in faggio sbiancato, \nTwilltwenty 2275 e corda 001, Load 649 \nSgabello in faggio laccato RAL 3012 e \nCredo 2283, Load 646 Sgabello in faggio \nlaccato NCS S 7020 R80B e corda 003, \nLoad 647 Lounge in faggio laccato \nRAL 3012, Twilltwenty 2275 e corda 001\n",174,{"image":703,"text":704,"number":705},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.175.png","165\n\u002F Load 643 Chair in bleached beechwood, \nTwilltwenty 2275 and rope 001, Load 649 \nBarstool in RAL 3012 lacquered beechwood \nand Credo 2283, Load 646 Barstool in \nNCS S 7020 R80B lacquered beechwood \nand rope 003, Load 647 Lounge chair in \nRAL 3012 lacquered beechwood, Twilltwenty \n2275 and rope 001\n",175,{"image":707,"text":708,"number":709},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.176.png","166\nLoad 645 Sgabello in faggio laccato RAL 3012, \nLoad 612 e 647 Lounge in faggio laccato RAL \n3012, Twilltwenty 2275 e corda 001 \n\u002F Load 645 Barstool in RAL 3012 lacquered \nbeechwood, Load 612 and 647 Lounge chairs \nin RAL 3012 lacquered beechwood, Twilltwenty \n2275 and rope 001\n",176,{"image":711,"text":712,"number":713},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.177.png","167\nLoad 640 Sedia in faggio sbiancato  \n\u002F Load 640 Chair in bleached beechwood\n",177,{"image":715,"text":716,"number":717},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.178.png","168\n",178,{"image":719,"text":720,"number":721},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.179.png","C\nD\nB\nA\n169\nLoad\nRealizzazioni \u002F Projects\n",179,{"image":723,"text":724,"number":725},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.180.png","E\nF\nG\n170\nLoad\n",180,{"image":727,"text":728,"number":729},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.181.png","I\nL\nH\n171\nA, B \nThe Penny Drop \nC, D \nOmma  \nE, F, G Fire & Bread \nH \nEl Tequito \nI, L \nV-ZUG showroom \nLocation: Australia, Category: Cafe\nLocation: Greece, Category: Hotel\nLocation: Spain, Category: Restaurant\nLocation: Germany, Category: Restaurant\nLocation: Australia, Category: Corporate\n",181,{"image":731,"text":732,"number":733},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.182.png","Non tutte le sedie nascono impilabili: lo \ndiventano quando sono delle dimensioni giuste \nper essere sovrapposte e abbastanza leggere \nper essere sollevate. Take è una sedia progettata \nper unire la bellezza e la solidità del legno \nall’impilabilità. Una caratteristica che la rende \nideale nei luoghi del contract e ovunque sia \nnecessario aggiungere o togliere sedute facilmente \ne senza rinunciare all’ordine.   \nNot all chairs are born stackable: they become stackable when they are \nthe right size to be stacked and light enough to be lifted. Take is a chair \ndesigned to combine the beauty and solidity of wood with stackability. \nThis feature makes it ideal in contract locations and wherever it is necessary \nto add or remove seats easily and without untidiness.\nCat. Sedie, chairs\nData Sheet: p. 377\nTake Struttura:\nFaggio  \nTake Frame:\nBeechwood\nTake\nDesign: Emilio Nanni, 2012\n",182,{"image":735,"text":736,"number":737},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.183.png","173\nTake 585 Sedia in faggio sbiancato \n\u002F Take 585 Chair in bleached beechwood\n",183,{"image":739,"text":740,"number":741},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.184.png","174\nTake 586 e 585 Sedie in faggio sbiancato \ne Soft Unito 2398, Take 586 Sedia in faggio \ntinto RAL 3004 e Boemian 2404 \n\u002F Take 586 and 585 Chairs in bleached  \nbeechwood and Soft Unito 2398, Take 586 \nChair in RAL 3004 stained beechwood  \nand Boemian 2404\n",184,{"image":743,"text":744,"number":745},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.185.png","175\nTake 586 Sedie in faggio tinto RAL 8016 \ne faggio sbiancato, Soft Unito 2398,  \nTake 585 Sedia in faggio tinto RAL 3004 \n\u002F Take 586 Chairs in RAL 8016 stained \nbeechwood and bleached beechwood, \nSoft Unito 2398, Take 585 Chair in  \nRAL 3004 stained beechwood\n",185,{"image":747,"text":748,"number":749},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.186.png","176\nTake 586 Sedia in faggio tinto RAL 3004 \ne Boemian 2404 \n\u002F Take 586 Chair in RAL 3004 stained \nbeechwood and Boemian 2404\n",186,{"image":751,"text":752,"number":753},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.187.png","177\nTake\nA\nB\nC\nA, B, C Seerestaurant \nLocation: Switzerland, Category: Restaurant\nRealizzazioni \u002F Projects\n",187,{"image":755,"text":756,"number":757},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.188.png","Quando Gabriele Rigamonti, Carla Scorda \ne Vittorio Turla di Studiocharlie presentano \na Billiani la sedia in legno che hanno disegnato, \nil prototipo è color rosso arancio e il suo nome \nè Aragosta, per via della seduta imponente e delle \ngambe sottili. Inizia così il sodalizio fra i designer \ndi formazione brianzola e il know-how del distretto \nfriulano. La sedia, così come la poltrona, è frutto \ndi espedienti tecnici di grande sapienza come \nil sedile affinato in punta e lo schienale sottile \ne leggermente inclinato, che suggeriscono vivacità \ne dinamismo. Le gambe, perpendicolari al terreno, \nsono lavorate in modo tale da non sembrare \nchiudersi su se stesse come accadrebbe se fossero \nsemplicemente dritte: una correzione ottica ispirata \ndalla tipografia, grande passione di Studiocharlie. \nWhen Gabriele Rigamonti, Carla Scorda and Vittorio Turla of Studiocharlie \npresented the wooden chair they had designed to Billiani, the prototype \nwas orangey red and its name was Aragosta, the Italian for lobster, due to \nthe imposing seat and tapering legs. Thus began the partnership between \nthese Brianza–trained designers and the know-how of the Friuli district. \nThe Aragosta chair, as well as the armchair, are the result of highly skilled \ntechnical procedures such as the seat being refined at the front and the thin \nand slightly tilted backrest, suggesting liveliness and dynamism. The legs, \nupright on the ground, are worked in such a way that they do not seem to \nclose on themselves as they would if they were simply straight: an optical \ncorrection inspired by typography, a great passion of Studiocharlie.\nCat. Sedie, chairs\n \nLounge, lounge chairs\n \nTavoli, tables\nData Sheet: p. 343\nAragosta Struttura:\nFrassino \nAragosta Frame:\nAshwood\nAragosta\nDesign: Studiocharlie, 2011\n",188,{"image":759,"text":760,"number":761},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.189.png","179\nAragosta 580 Sedia in frassino sbiancato \n\u002F Aragosta 580 Chair in bleached ashwood\n",189,{"image":763,"text":764,"number":765},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.190.png","180\nAragosta 580 Sedie in frassino laccato \nRAL 1027, RAL 7044 e RAL 7016 \n\u002F Aragosta 580 Chairs in RAL 1027,  \nRAL 7044 and RAL 7016 lacquered ashwood\n",190,{"image":767,"text":768,"number":769},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.191.png","181\nAragosta 582 Lounge in frassino laccato NCS \nS 1070 Y80R e Divina3 1454, Aragosta 582 \nLounge in frassino sbiancato e Divina3 2460 \n\u002F Aragosta 582 Lounge chair in NCS S 1070 \nY80R lacquered ashwood and Divina3 1454, \nAragosta 582 Lounge chair in bleached \nashwood and Divina3 2460\n",191,{"image":771,"text":772,"number":773},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.192.png","182\nAragosta 582 Lounge in frassino \nsbiancato e Divina3 2460 \n\u002F Aragosta 582 Lounge chair in bleached \nashwood and Divina3 2460\n",192,{"image":775,"text":776,"number":777},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.193.png"," \nAragosta 583 Tavolo in frassino sbiancato, \nAragosta 584 Tavolo in frassino laccato \nRAL 7016 \n\u002F Aragosta 583 Table in bleached \nashwood, Aragosta 584 Table in RAL 7016 \nlacquered ashwood\n183\n",193,{"image":779,"text":780,"number":781},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.194.png","184\n \n",194,{"image":783,"text":784,"number":785},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.195.png","185\nAragosta\nC\nA\nA, B, C Stand Italgraniti, Cersaie \nLocation: Italy, Category: Corporate\nB\nRealizzazioni \u002F Projects\n",195,{"image":787,"text":788,"number":789},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.196.png","Toccata & Fuga sono una sedia e una poltroncina \ncon gambe, schienale e braccioli torniti, un \nesercizio di stile progettato da Paul Loebach e \nrealizzato da Billiani. Due gli spunti di partenza: \nda un lato la storia del design e le classiche sedie \ncon gambe tornite, dall’altro la tecnologia delle \nmacchine multiasse a controllo numerico. L’esito \nè una collezione dal fascino antico e dallo spirito \ncontemporaneo. \nToccata & Fuga are a chair and armchair with turned legs, backs and \narmrests, an exercise in style designed by Paul Loebach and created by \nBilliani. Two starting points: on the one hand the history of design and classic \nchairs with turned legs; on the other the technology of numerical control \nmulti–axis machines. The result is a collection with ancient charm and \na contemporary spirit.\nCat. Sedie, chairs\n \nPoltroncine, armchairs \n \nData Sheet: p. 379\nToccata & Fuga Struttura:\nFaggio  \nToccata & Fuga Frame:\nBeechwood\nToccata & Fuga \nDesign: Paul Loebach, 2009\n",196,{"image":791,"text":792,"number":793},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.197.png","187\nToccata 530 Sedia in faggio tinto RAL 3012 \ne Boemian 2403, Fuga 531 Poltroncina in  \nfaggio naturale e Twilltwenty 2275 \n\u002F Toccata 530 Chair in RAL 3012 stained \nbeechwood and Boemian 2403, Fuga 531 \nArmchair in natural beechwood and \nTwilltwenty 2275\n",197,{"image":795,"text":796,"number":797},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.198.png","188\nFuga 531 Poltroncina in faggio tinto NCS S 1020 \nR90B e Twilltwenty 2275, Fuga 531 Poltroncina  \nin faggio tinto NCS S 7020 R80B \ne Boemian 2406 \u002F Fuga 531 Armchair \nin NCS S 1020 R90B stained beechwood \nand Twilltwenty 2275, \nFuga 531 Armchair in NCS S 7020 R80B stained \nbeechwood and Boemian 2406\n",198,{"image":799,"text":800,"number":801},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.199.png","189\nFuga 531 Poltroncina in faggio naturale \ne Twilltwenty 2275, Toccata 530 Sedie in faggio \ntinto RAL 3012 e sbiancato e Boemian 2403 \n\u002F Fuga 531 Armchair in natural beechwood \nand Twilltwenty 2275, Toccata 530 Chairs in \nRAL 3012 stained and bleached beechwood \nand Boemian 2403\n",199,{"image":803,"text":804,"number":805},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.200.png","190\nToccata 530 Sedie in faggio sbiancato  \ne tinto RAL 3012 e Boemian 2403\n\u002F Toccata 530 Chairs in bleached  \nand RAL 3012 stained beechwood  \nand Boemian 2403\n",200,{"image":807,"text":808,"number":809},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.201.png","191\n",201,{"image":811,"text":812,"number":813},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.202.png","Fabrizio Gallinaro reinterpreta la classica sedia \nWindsor adattandola allo spirito contemporaneo \ndi Billiani. Nasce così W., che già dal nome \ndichiara il processo di riduzione e sottrazione \ndi cui è il risultato. Nata in Inghilterra alla fine \ndel Settecento e divenuta popolare in America, \nla Windsor è una delle tipologie di sedia più \nprolifiche della storia del design. \nÈ caratterizzata dall’inconfondibile schienale \ncon elemento orizzontale curvo e listelli che \nsi innestano nella seduta. È proprio su questi \nelementi, e più in generale su tutti gli elementi  \nche compongono la sedia, che ha lavorato \nGallinaro, riducendo al limite il materiale  \ne riprogettando le inclinazioni e i rapporti tra  \nle parti. Classico contemporaneo, W. è declinata  \nin una serie di varianti tra cui la rocking chair, \nprima sedia a dondolo realizzata da Billiani. \nFabrizio Gallinaro reinterpreted the classic Windsor chair, adapting it \nto the contemporary spirit of Billiani. So was born W., which, right from \nthe choice of name, declares the process of reduction and subtraction of \nwhich it is the result. Originating in England in the late eighteenth century \nand subsequently popular in America, the Windsor is one of the most prolific \ntypes of chair in the history of design. It is characterised by its unmistakable \nbackrest with curved horizontal element and spindles that fit into the seat. \nIt is precisely on these elements, and also more generally on all the elements \nthat make up the chair, that Gallinaro worked, reducing the material to \na minimum and redesigning the angles and ratios between the parts. \nClassically contemporary, W. comes in a series of variants including \nrocking chair, the first ever rocking chair made by Billiani.\nCat. Sedie, chairs\n \nPoltroncine, armchairs\n \nLounge, lounge chairs\n \nSgabelli, stools\n \nData Sheet: p. 382\nW. Struttura:\nFaggio \nW. Frame:\nBeechwood\nW.\nDesign: Fabrizio Gallinaro, 2014\n",202,{"image":815,"text":816,"number":817},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.203.png","193\nW. 605 Sedia in faggio sbiancato, W. 608 \nSedia a dondolo in faggio tinto RAL 7033 \n\u002F W. 605 Chair in bleached beechwood, W. 608 \nRocking chair in RAL 7033 stained beechwood\n",203,{"image":819,"text":820,"number":821},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.204.png","194\nW. 605 Sedie in faggio sbiancato e tinto NCS S \n1070 Y80R, W. 607 Sgabelli in faggio tinto  \nRAL 7033 e sbiancato con cuscini Credo 2282 \n\u002F W. 605 Chairs in bleached and NCS S 1070 \nY80R stained beechwood, W. 607 Barstools in \nRAL 7033 stained and bleached beechwood \nwith cushions Credo 2282\n",204,{"image":823,"text":824,"number":825},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.205.png","195\nW. 603 Poltroncina in faggio tinto RAL 7044 \ncon cuscino Credo 2285, W. 603 Poltroncina \nin faggio naturale, W. 606 Lounge in faggio \ntinto RAL 5014 \n\u002F W. 603 Armchair in RAL 7044 stained \nbeechwood with cushion Credo 2285, W. 603 \nArmchair in natural beechwood, W. 606 Lounge \nchair in RAL 5014 stained beechwood\n",205,{"image":827,"text":828,"number":829},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.206.png","196\nW. 608 Sedia a dondolo in faggio tinto \nRAL 7033, W. 604 Poltroncina a dondolo \nin faggio tinto RAL 5014 \n\u002F W. 608 Rocking chair in RAL 7033 stained \nbeechwood, W. 604 Rocking armchair in \nRAL 5014 stained beechwood\n",206,{"image":831,"text":832,"number":833},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.207.png","197\n",207,{"image":835,"text":836,"number":837},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.208.png","A\n198\nW. \nA \nVienna House Easy   \nB \nBistrot Cento61  \nLocation: Germany, Category: Hotel\nLocation: Italy, Category: Restaurant\nB\nC\n",208,{"image":839,"text":840,"number":841},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.209.png","199\nG \nE\nF\nC \nHagakure NOH Samba   \nD \nStand Italgraniti, Cersaie \nE, G \nPushka Apartment \nF \nThe Traveller \nLocation: Italy, Category: Restaurant\nLocation: Italy, Category: Corporate\nLocation: Ukraine, Category: Home\nLocation: Netherlands, Category: Restaurant\nD\n",209,{"image":843,"text":844,"number":845},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.210.png","Fedele alla materia legno, la collezione Drum \nsi riconosce per la qualità delle lavorazioni che \ncaratterizzano sedia, lounge, sgabelli in tre \naltezze e tavoli di diversi formati. \nParticolare la svasatura del sedile — spesso ma \nrastremato, come il piano del tavolo. Nelle sedie \ne nello sgabello con schienale, le gambe posteriori \nsi allungano a sostenere la spalliera in multistrato \ncurvato, sfinandosi e inclinandosi leggermente. \nLa sedia in legno si riconferma un classico che \nha ancora molto da dire.  \nFaithful to wood itself, the Drum collection stands out for the quality of the \nprocesses that characterize the side and lounge chairs and the stools in three \nheights, as well as tables of different sizes. The flaring of the seat is especially \nstriking — thick yet tapered, like the table top. In the chairs and in the \nbarstool with backrest, the rear legs lengthen to support the curved plywood \nbackrest, tapering and tilting slightly. The wooden side chair remains \na classic that still has a great deal to say.\nCat. Sedie, chairs\n \nLounge, lounge chairs\n \nSgabelli, stools\n \nTavoli, tables\nData Sheet: p. 352\nDrum Struttura:\nFaggio\nDrum Frame:\nBeechwood\nDrum \nDesign: Emilio Nanni, 2018\n",210,{"image":847,"text":848,"number":849},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.211.png","201\nDrum 070 Sedia in faggio naturale \n\u002F Drum 070 Chair in natural beechwood\n",211,{"image":851,"text":852,"number":853},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.212.png","202\nDrum 070 Sedia in faggio tinto noce, Drum \n075 Sgabello in faggio laccato RAL 7044  \ne Boemian 2403 \n\u002F Drum 070 Chair in walnut stained  \nbeechwood, Drum 075 Barstool in RAL 7044 \nlacquered beechwood and Boemian 2403\n",212,{"image":855,"text":856,"number":857},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.213.png","203\nDrum 079 Lounge in faggio laccato \nNCS S 7020 R80B e Boemian 2400, \nDrum 077 Sgabello in faggio sbiancato \ne Divina3 2460 \n\u002F Drum 079 Lounge chair in NCS S 7020 R80B \nlacquered beechwood and Boemian 2400, \nDrum 077 Barstool in bleached beechwood \nand Divina3 2460\n",213,{"image":859,"text":860,"number":861},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.214.png","204\nDrum 070 Sedie in faggio naturale e tinto  \nnoce, Drum 082 Tavolo in faggio naturale \ne laccato RAL 3012 \n\u002F Drum 070 Chairs in natural and walnut  \nstained beechwood, Drum 082 Table in natural \nand RAL 3012 lacquered beechwood\n",214,{"image":863,"text":864,"number":865},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.215.png","205\nDrum 082 Tavolo in faggio naturale \ne laccato RAL 3012 \n\u002F Drum 082 Table in natural and \nRAL 3012 lacquered beechwood\n",215,{"image":867,"text":868,"number":869},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.216.png","206\nDrum 075 Sgabello in faggio laccato RAL 7044 \ne Boemian 2403, Drum 076 Sgabello in faggio \nlaccato RAL 3012 \n\u002F Drum 075 Barstool in RAL 7044 lacquered \nbeechwood and Boemian 2403, Drum 076 \nBarstool in RAL 3012 lacquered beechwood\n",216,{"image":871,"text":872,"number":873},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.217.png","207\nDrum 070 Sedia in faggio tinto RAL 3012, \nDrum071 Sedia in faggio naturale e  \nBoemian 2400 \n\u002F Drum 070 Chair in RAL 3012 stained  \nbeechwood, Drum 071 Chair in natural  \nbeechwood and Boemian 2400\n",217,{"image":875,"text":876,"number":877},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.218.png","208\nDrum 075 Sgabello in faggio laccato \nRAL 7044 e Boemian 2403 \n\u002F Drum 075 Barstool in RAL 7044 lacquered \nbeechwood and Boemian 2403\n",218,{"image":879,"text":880,"number":881},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.219.png","209\n",219,{"image":883,"text":884,"number":885},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.220.png","Francesco Faccin è un designer che ama il legno \ne il lavoro artigianale. Con Billiani si è dunque \ncreata la connessione perfetta e Green ne è \nil risultato. Punto di partenza è il design nordico \ndegli anni Trenta, riletto però nelle proporzioni. \nIl profilo, solido eppure essenziale, integra gli \nelementi strutturali e lo schienale curvato è \naccogliente, così come la sagomatura del sedile. \nLe gambe, leggermente sovradimensionate rispetto \nal solito, sono alleggerite dal sedile sottile \ne leggermente sollevato. \nFrancesco Faccin is a designer who loves wood and craftsmanship. \nWith Billiani, therefore, the perfect connection was created and Green \nis the result. The starting point is the Nordic design of the 1930s, but with \ntweaked proportions. The profile, solid yet essential, integrates the structural \nelements and the curved backrest is welcoming, as is the shape of the seat. \nThe legs, slightly oversized compared to the norm, are lightened by the \nthin and slightly raised seat.\nCat. Sedie, chairs\nData Sheet: p. 364\nGreen Struttura:\nFrassino\nGreen Frame:\nAshwood\nGreen \nDesign: Francesco Faccin, 2017\n",220,{"image":887,"text":888,"number":889},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.221.png","211\nGreen 001 Sedia in frassino naturale \n\u002F Green 001 Chair in natural ashwood\n",221,{"image":891,"text":892,"number":893},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.222.png","212\nGreen 001 Sedie in frassino naturale \n\u002F Green 001 Chairs in natural ashwood\n",222,{"image":895,"text":896,"number":897},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.223.png","213\nGreen 002 Sedia in frassino naturale e Ombra \n2462, Green 002 Sedia in frassino tinto  \nRAL 6020 e Ombra 2461, Green 001 Sedia  \nin frassino tinto RAL 5014\n\u002F Green 002 Chair in natural ashwood \nand Ombra 2462, Green 002 Chair in \nRAL 6020 stained ashwood and Ombra 2461, \nGreen 001 Chair in RAL 5014 stained ashwood\n",223,{"image":899,"text":900,"number":901},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.224.png","Classica sedia da osteria, Cafè racconta la storia \ndi un territorio in cui non sono solo le falegnamerie \na essere protagoniste, ma anche le vigne e \ni campi di granturco. Werther Toffoloni lavora \nsulle proporzioni e sulle linee, conservando lo \nspirito antico di questa sedia sempre attuale. \nThe classic tavern chair, Cafè tells the story of a territory in which not \nonly carpenters are the protagonists, but also the vineyards and corn fields. \nWerther Toffoloni has worked on the proportions and lines, preserving \nthe ancient spirit of this ever–contemporary chair.\nCat. Sedie, chairs\n \nPoltroncine, armchairs\n \nSgabelli, stools \n \nData Sheet: p. 346\nCafè Struttura:\nFaggio \nCafè Frame:\nBeechwood\nCafè \nDesign: Werther Toffoloni, 2008\n",224,{"image":903,"text":904,"number":905},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.225.png","215\nCafè 460 Sedia in faggio naturale, Cafè 461 \nPoltroncina in faggio laccato RAL 7044 \ne Boemian 2407 \n\u002F Cafè 460 Chair in natural beechwood, \nCafè 461 Armchair in RAL 7044 lacquered \nbeechwood and Boemian 2407\n",225,{"image":907,"text":908,"number":909},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.226.png","216\nCafè 460 Sedia in faggio laccato RAL 7044 \ne Boemian 2407, Cafè 462 e 461 Sgabello \ne poltroncina in faggio laccato RAL 7016 \ne Boemian 2404, Cafè 461 Poltroncina \nin faggio tinto noce\n",226,{"image":911,"text":912,"number":913},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.227.png","217\n\u002F Cafè 460 Chair in RAL 7044 lacquered \nbeechwood and Boemian 2407, Cafè 462 \nand 461 Barstool and armchair in RAL 7016 \nlacquered beechwood and Boemian 2404, Cafè \n461 Armchair in walnut stained beechwood\n",227,{"image":915,"text":916,"number":917},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.228.png","218\nCafè 461 Poltroncine in faggio laccato \nRAL 7016 e RAL 7044, Boemian 2404 e 2407 \n\u002F Cafè 461 Armchairs in RAL 7016 and  \nRAL 7044 lacquered beechwood,  \nBoemian 2404 and 2407\n",228,{"image":919,"text":920,"number":921},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.229.png","219\nCafè 460 Sedia in faggio laccato RAL 7044 \ne Boemian 2407, Cafè 460 e 462 Sedia \ne sgabello in faggio tinto noce \n\u002F Cafè 460 Chair in RAL 7044 lacquered \nbeechwood and Boemian 2407, Cafè 460 \nand 462 Chair and barstool in walnut stained \nbeechwood\n",229,{"image":923,"text":924,"number":925},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.230.png","220\nCafè 461 Poltroncina in faggio laccato \nRAL 7016 e Boemian 2404 \n\u002F Cafè 461 Armchair in RAL 7016 lacquered \nbeechwood and Boemian 2404\n",230,{"image":927,"text":928,"number":929},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.231.png","C\nA\nB\nA, C \nWilma Wunder \nB \nResidence Itaca \nLocation: Germany, Category: Cafe\nLocation: Italy, Category: Hotel\n221\nCafè\nRealizzazioni \u002F Projects\n",231,{"image":931,"text":932,"number":933},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.232.png","Tra i primi prodotti della nuova Billiani, alla ricerca \ndi un modo per far evolvere le forme tradizionali in \nprodotti dall’aspetto contemporaneo, Aloe è una \nrivisitazione della sedia rustica in chiave design. \nLe linee dolci dello schienale la rendono rassicurante \ne accogliente, anche nella versione sgabello.\nAmong the first products of the new Billiani, looking for a way to evolve \ntraditional shapes into products with a contemporary appearance, Aloe \nis a reinterpretation of the rustic chair with a design influence. The gentle lines \nof the back make it reassuring and welcoming, also in the stool version.\nCat. Sedie, chairs\n \nSgabelli, stools\nData Sheet: p. 342\nAloe Struttura:\nFaggio\nAloe Frame:\nBeechwood\nAloe \nDesign: Werther Toffoloni, 2007\n",232,{"image":935,"text":936,"number":937},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.233.png","223\nAloe 432 Sedia in faggio naturale \n\u002F Aloe 432 Chair in natural beechwood\n",233,{"image":939,"text":940,"number":941},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.234.png","224\nAloe 432 Sedia in faggio laccato RAL 1027, \nAloe 434 Sgabello in faggio naturale, Aloe 432 \nSedia in faggio laccato RAL 7033 e Divina3 2458 \n\u002F Aloe 432 Chair in RAL 1027 lacquered \nbeechwood, Aloe 434 Barstool in natural \nbeechwood, Aloe 432 Chair in RAL 7033 \nlacquered beechwood and Divina3 2458\n",234,{"image":943,"text":944,"number":945},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.235.png","225\nAloe 434 Sgabello in faggio laccato RAL 7016 \ne Divina3 2459, Aloe 432 Sedia in faggio \nlaccato RAL 1027 \n\u002F Aloe 434 Barstool in RAL 7016 lacquered \nbeechwood and Divina3 2459, Aloe 432 Chair \nin RAL 1027 lacquered beechwood\n",235,{"image":947,"text":948,"number":949},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.236.png","226\nAloe\nA\nB\nRealizzazioni \u002F Projects\n",236,{"image":951,"text":952,"number":953},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.237.png","227\nE\nF\nD\nC\nA, B, C The Penny Drop \nD, E, F LocHal Library \nLocation: Australia, Category: Cafe\nLocation: Netherlands, Category: Educational\n",237,{"image":955,"text":956,"number":957},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.238.png","Foglia è, per molti aspetti, un archetipo. \nNon soltanto segna l’ingresso di Billiani nel mondo \ndel design, premiata dal Catas per l’innovazione \ne subito selezionata per il Compasso d’Oro e il \nRed Dot Design Award, ma è anche la sedia per \nantonomasia, quella che disegnerebbe un bambino \ntracciando linee semplici e nette. Con Foglia Marco \nFerreri esplora l’idea di leggerezza fino ad arrivare \na una scocca in legno sottilissima, una superficie \ncontinua di un millimetro e mezzo adagiata su una \nstruttura in massello. Solida eppure fluida, elegante \ne di carattere, questa sedia è diventata un’icona \nnel campo delle ultraleggere.  \nFoglia is, in many respects, an archetype. Not only does it mark Billiani’s entry \ninto the world of design, awarded by Catas for innovation and immediately \nselected for the Compasso d’Oro and the Red Dot Design Awards, but it \nis also the chair par excellence, what a child would trace by drawing simple \nand clean lines. In Foglia, Marco Ferreri explores the idea of  lightness all \nthe way until achieving a very thin wooden shell, a continuous surface of \na millimetre and a half on a solid wood structure. Solid yet fluid, elegant \nand with character, this chair has become an icon and the model for many \nultralights to follow.\nCat. Sedie, chairs\n \nSgabelli, stools  \n \nData Sheet: p. 358\nFoglia Struttura: \nRovere \nFoglia Frame: \nOakwood\nFoglia \nDesign: Marco Ferreri, 2001\n",238,{"image":959,"text":960,"number":961},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.239.png","229\nFoglia 428 Sedia in rovere naturale\n\u002F Foglia 428 Chair in natural oakwood\n",239,{"image":963,"text":964,"number":965},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.240.png","230\nFoglia 429 Sgabello in rovere tinto tabacco, \nFoglia 428 Sedie in rovere tinto RAL 3004 \ne RAL 8016\n\u002F Foglia 429 Barstool in tobacco stained \noakwood, Foglia 428 Chairs in RAL 3004 \nand RAL 8016 stained oakwood\n",240,{"image":967,"text":968,"number":969},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.241.png","231\nFoglia 428 Sedia in rovere tinto tabacco, \nFoglia 429 Sgabello in rovere naturale \n\u002F Foglia 428 Chair in tobacco stained oakwood, \nFoglia 429 Barstool in natural oakwood\n",241,{"image":971,"text":972,"number":973},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.242.png","Puccio s’ispira agli sgabelli da mungitura, \nsedute senza design né designer che per la loro \nfunzionalità hanno superato senza cambiamenti \nil passare dei secoli. A partire da questo oggetto \nantico, che forse Bruno Munari avrebbe inserito \ntra quelli del famoso elenco “Compasso d’Oro \na ignoti”, Emilio Nanni crea una collezione di \nsgabelli, panche e tavoli pensati per arredare gli \nspazi più ristretti, come quelli di un marciapiede. \nOltre alla versione in frassino, che esprime il calore \ndel legno, la famiglia Puccio è disponibile anche  \nin acciaio, più leggera, essenziale e sofisticata.\nPuccio is inspired by milking stools, seats without design or designers \nwhich thanks to their functionality, have survived unchanged over centuries. \nStarting from this quaintly old–fashioned item, which Bruno Munari would \nperhaps have included among those of the famous list ″Compasso d’Oro \nUnknowns“, Emilio Nanni created a collection of stools, benches and tables \ndesigned to furnish the tightest spaces, such as on a pavement. In addition \nto the ash version, which expresses the warmth of wood, Puccio is also \navailable in steel, lighter, essential and more sophisticated.\nCat. Sgabelli, stools  \n \nPanchette, benches\n \nTavoli, tables \n \nPuccio \nDesign: Emilio Nanni, 2017\nData Sheet: p. 372\nPuccio Struttura: \nFrassino, acciaio\nPuccio Frame: \nAshwood, steel\n",242,{"image":975,"text":976,"number":977},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.243.png","233\nPuccio 711 Sgabello in frassino tinto RAL 3012, \nPuccio 710 Sgabello in frassino sbiancato \n\u002F Puccio 711 Stool in RAL 3012 stained ashwood, \nPuccio 710 Stool in bleached ashwood\n",243,{"image":979,"text":980,"number":981},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.244.png","234\nPuccio 711 Sgabello in frassino tinto RAL 7016, \nPuccio 712 Sgabello in frassino tinto NCS S \n7020 R80B, Puccio 717 Tavoli in frassino tinto \nRAL 7016 e frassino sbiancato \n\u002F Puccio 711 Stool in RAL 7016 stained ashwood, \nPuccio 712 Barstool in NCS S 7020 R80B stained \nashwood, Puccio 717 Tables in RAL 7016 stained \nashwood and bleached ashwood\n",244,{"image":983,"text":984,"number":985},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.245.png","235\nPuccio 718 Tavolo in frassino tinto tabacco, \nPuccio 711 Sgabello in frassino tinto RAL 3012, \nPuccio 710 Sgabello in frassino tinto tabacco \n\u002F Puccio 718 Table in tobacco stained ashwood, \nPuccio 711 Stool in RAL 3012 stained ashwood, \nPuccio 710 Stool in tobacco stained ashwood\n",245,{"image":987,"text":988,"number":989},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.246.png","236\nPuccio 711 Sgabello in frassino tinto RAL 3012, \nPuccio 712 Sgabello in frassino tinto tabacco \n\u002F Puccio 711 Stool in RAL 3012 stained ashwood, \nPuccio 712 Barstool in tobacco stained ashwood\n",246,{"image":991,"text":992,"number":993},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.247.png","237\nPuccio 715 Sgabello in acciaio laccato  \nRAL 5003 e frassino tinto NCS S 7020 R80B,\nPuccio 713 Sgabello in acciaio laccato  \nRAL 7016 e frassino naturale\n\u002F Puccio 715 Barstool in RAL 5003 lacquered \nsteel and NCS S 7020 R80B stained ashwood, \nPuccio 713 Stool in RAL 7016 lacquered steel \nand natural ashwood\n",247,{"image":995,"text":996,"number":997},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.248.png","238\nPuccio 714 Sgabello in acciaio laccato \nRAL 3012 e frassino tinto tabacco, Puccio 721 \nTavolo in acciaio laccato RAL 3012 e frassino \ntinto RAL 1015, Puccio 716 Panchetta in acciaio \nlaccato RAL 3012 e frassino tinto tabacco \n",248,{"image":999,"text":1000,"number":1001},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.249.png","239\n\u002F Puccio 714 Stool in RAL 3012 lacquered steel \nand tobacco stained ashwood, Puccio 721 Table \nin RAL 3012 lacquered steel and RAL 1015 \nstained ashwood, Puccio 716 Bench in RAL 3012 \nlacquered steel and tobacco stained ashwood\n",249,{"image":1003,"text":1004,"number":1005},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.250.png","240\nPuccio 715 Sgabelli in acciaio laccato \nRAL 5003 e frassino tinto tabacco \ne tinto NCS S 7020 R80B \n\u002F Puccio 715 Barstools in RAL 5003 \nlacquered steel and tobacco stained and \nNCS S 7020 R80B stained ashwood \n",250,{"image":1007,"text":1008,"number":1009},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.251.png","241\n",251,{"image":1011,"text":1012,"number":1013},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.252.png","Sey rappresenta un felice sconfinamento di Billiani \nin un territorio ancora poco esplorato dall’azienda. \nDisegnata da Emilio Nanni, unisce a una struttura \nin acciaio con braccioli, leggera e minimale, una \nscocca tappezzata o intrecciata in cima nautica. \nDa rassicurante seduta per il contract, Sey diventa \ncosì anche il prodotto ideale per l’outdoor, cui \ns’ispira sia nei colori sia nei materiali. \nSey represents Billiani happily dipping its toe into an area still relatively \nunexplored by the company. Designed by Emilio Nanni, Sey combines \na steel frame with armrests, light and minimal, with upholstery or nautical \nrope weave. From a reassuring contract chair, Sey thus also becomes the \nideal product for outdoors, which inspires both its colours and materials.\nCat. Poltroncine, armchairs \n \nLounge, lounge chairs\nData Sheet: p. 376\nSey Struttura:\nAcciaio\nSey Frame: \nSteel\nSey \nDesign: Emilio Nanni, 2016\n",252,{"image":1015,"text":1016,"number":1017},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.253.png","243\nSey 690 Poltroncina in acciaio laccato RAL 1027 \ne Credo 2282, Sey 691 Poltroncina in acciaio \nlaccato RAL 7044 e corda 001\n\u002F Sey 690 Armchair in RAL 1027 lacquered steel \nand Credo 2282, Sey 691 Armchair in RAL 7044 \nlacquered steel and rope 001\n",253,{"image":1019,"text":1020,"number":1021},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.254.png","244\nSey 690 Poltroncina in acciaio laccato RAL \n5014 e Twilltwenty 2274, Sey 690 Poltroncina \nin acciaio laccato RAL 7044 e Credo 2282, \nSey 690 Poltroncina in acciaio laccato RAL 7016 \ne Credo 2285 \u002F Sey 690 Armchair in RAL 5014 \nlacquered steel and Twilltwenty 2274, Sey 690 \nArmchair in RAL 7044 lacquered steel and \nCredo 2282, Sey 690 Armchair in RAL 7016 \nlacquered steel and Credo 2285\n",254,{"image":1023,"text":1024,"number":1025},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.255.png","245\nSey 693 Lounge in acciaio laccato RAL 5014 \ne Credo 2282, Sey 693 Lounge in acciaio \nlaccato RAL 7016 e Credo 2281\n\u002F Sey 693 Lounge chair in RAL 5014 lacquered \nsteel and Credo 2282, Sey 693 Lounge chair in \nRAL 7016 lacquered steel and Credo 2281\n",255,{"image":1027,"text":1028,"number":1029},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.256.png","246\nSey 691 Sedia in acciaio laccato RAL 7016 \ne corda 005, Sey 691 Sedia in acciaio laccato \nRAL 1027 e corda 003, Sey 694 Lounge in \nacciaio laccato NCS S 1070 Y90R e corda \n005 \u002F Sey 691 Armchair in RAL 7016 lacquered \nsteel and rope 005, Sey 691 Armchair in RAL \n1027 lacquered steel and rope 003, Sey 694 \nLounge chair in NCS S 1070 Y90R lacquered \nsteel and rope 005\n",256,{"image":1031,"text":1032,"number":1033},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.257.png","247\n",257,{"image":1035,"text":1036,"number":1037},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.258.png","248\nSey\nA\nB\nC\nRealizzazioni \u002F Projects\n",258,{"image":1039,"text":1040,"number":1041},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.259.png","249\nD\nE\nF\nA, B \nSale e sarde \nC \nThe Studio Hotel  \nD, E, F Nour \nLocation: Italy, Category: Restaurant\nLocation: Sweden, Category: Hotel\nLocation: Australia, Category: Restaurant\n",259,{"image":1043,"text":1044,"number":1045},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.260.png","Cristina Celestino disegna una collezione \nlounge dalle forme morbide e armoniose. \nI volumi tondeggianti sono alleggeriti dalla \nbase in legno lavorato, cifra stilistica di Billiani. \nLa linea ondulata si rifà all’universo della moda, \nil cui fascino è ben presente anche nella qualità \ndel rivestimento, che trova la sua migliore \nespressione nell’abbinamento tra colori \ne texture diverse per struttura e cuscinatura. \nCristina Celestino designs a lounge collection with soft and harmonious \nshapes. The rounded volumes are lightened by the worked wood base, \nBilliani’s stylistic code. The wavy line refers to the world of fashion, whose \ncharm is also present in the quality of the coverings, which find their best \nexpression in the combination of contrasting colours and textures \nto frame and cushioning.\nCat. Poltroncine, armchairs\n \nLounge, lounge chairs\n \nDivani, sofas\nData Sheet: p. 347\nCorolla Struttura:\nFaggio, frassino\nCorolla Frame:\nBeechwood, ashwood\nCorolla\nDesign: Cristina Celestino, 2020\n",260,{"image":1047,"text":1048,"number":1049},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.261.png","251\nCorolla 270 Poltroncina in faggio sbiancato \ne Brionne 2408 \n\u002F Corolla 270 Armchair in bleached \nbeechwood and Brionne 2408\n",261,{"image":1051,"text":1052,"number":1053},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.262.png","252\nCorolla 273 Divano in faggio sbiancato \ne Brionne 2410, Corolla 270 Poltroncina in \nfaggio laccato RAL 7016 e Brionne 2411, \nCorolla 272 Bergère in faggio laccato RAL 7044 \ne Boemian 2402, Corolla 271 Lounge in faggio \nsbiancato e Brionne 2408 e 2410 \n",262,{"image":1055,"text":1056,"number":1057},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.263.png","253\n\u002F Corolla 273 Sofa in bleached beechwood \nand Brionne 2410, Corolla 270 Armchair in RAL \n7016 lacquered beechwood and Brionne 2411, \nCorolla 272 Bergère in RAL 7044 lacquered \nbeechwood and Boemian 2402, \nCorolla 271 Lounge chair in bleached \nbeechwood and Brionne 2408 and 2410\n",263,{"image":1059,"text":1060,"number":1061},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.264.png","254\nCorolla 273 Divano in faggio sbiancato \ne Boemian 2400, Corolla 272 Bergère in \nfaggio laccato RAL 7044 e Boemian 2402 \n\u002F Corolla 273 Sofa in bleached beechwood and \nBoemian 2400, Corolla 272 Bergère in RAL 7044 \nlacquered beechwood and Boemian 2402\n",264,{"image":1063,"text":1064,"number":1065},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.265.png","255\nCorolla 270 Poltroncine in faggio laccato \nRAL 7016 e faggio sbiancato, Brionne  \n2411 e 2408 \n\u002F Corolla 270 Armchairs in RAL 7016 \nlacquered and bleached beechwood, \nBrionne 2411 and 2408\n",265,{"image":1067,"text":1068,"number":1069},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.266.png","256\nCorolla 270 e 271 Poltroncina e lounge in faggio \nlaccato NCS S 1070 Y80R e Divina3 2460 e 1454 \n\u002F Corolla 270 and 271 Armchair and lounge \nchair in NCS S 1070 Y80R lacquered beechwood \nand Divina3 2460 and 1454\n",266,{"image":1071,"text":1072,"number":1073},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.267.png","257\n \n",267,{"image":1075,"text":1076,"number":1077},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.268.png","258\nCorolla 272 Bergère in faggio sbiancato  \ne Boemian 2400, Corolla 272 Bergère in  \nfaggio laccato RAL 7016 e Brionne 2410 \n\u002F Corolla 272 Bergère in bleached beechwood \nand Boemian 2400, Corolla 272 Bergère in RAL \n7016 lacquered beechwood and Brionne 2410\n",268,{"image":1079,"text":1080,"number":1081},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.269.png","259\n",269,{"image":1083,"text":1084,"number":1085},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.270.png","260\nCorolla 273 Divano in faggio laccato \nRAL 7016 e Divina3 2481 e 1519 \n\u002F Corolla 273 Sofa in RAL 7016 lacquered \nbeechwood and Divina3 2481 and 1519\n",270,{"image":1087,"text":1088,"number":1089},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.271.png","261\n",271,{"image":1091,"text":1092,"number":1093},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.272.png","Spy è una collezione ampia e completa di sedie, \npoltrone, tavoli e tavolini. Leitmotiv è il disegno \ndella gamba, che si assottiglia in punta e si \npresenta leggermente svasata. Cifra stilistica \ndelle sedute è invece la manifattura della scocca, \nche dà il suo meglio di spalle ripiegandosi ad \naccogliere le gambe posteriori. Quattro i modelli \ndi poltrona disponibili, dalla poltroncina elegante \nalla bergère, accogliente e confortevole. Oltre alla \nbase in legno, è disponibile anche la variante in \nacciaio, modellata sulla scocca imbottita.\nSpy is an extensive and complete collection of chairs, lounge chairs, \narmchairs, tables and coffee tables. Its leitmotif is the design of the leg, \nwhich tapers and is slightly splayed. The stylistic feature is the design of the \nbody, with its rounded shoulders folding back to receive the rear legs.  \nFour Spy pieces are available, from the elegant dining chair to the \nwelcoming and comfortable rounded bergère. In addition to the wooden \nbase, a steel version is also available.\nCat. Sedie, chairs\n \nPoltroncine, armchairs\n \nLounge, lounge chairs\n \nDivani, sofas\n \nDormeuse, dormeuse\n \nTavoli, tables\nData Sheet: p. 374\nSpy Struttura:\nFaggio, acciaio\nSpy Frame:\nBeechwood, steel\nSpy \nDesign: Emilio Nanni, 2015\n",272,{"image":1095,"text":1096,"number":1097},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.273.png","263\nSpy 650 Poltroncina in faggio tinto RAL 7044 \ne Ombra 2466 \n\u002F Spy 650 Armchair in RAL 7044 stained \nbeechwood and Ombra 2466\n",273,{"image":1099,"text":1100,"number":1101},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.274.png","264\nSpy 659 Lounge high in faggio tinto RAL 6020 \ne 5014, Divina3 2459 e 2458, Spy 651 e 663 \nLounge e divano in faggio tinto RAL 5014 \ne Ombra 2468, Spy 654 Tavolino in faggio  \ntinto RAL 5014 e marmo di Carrara \n",274,{"image":1103,"text":1104,"number":1105},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.275.png","265\n\u002F Spy 659 High-backed lounge chairs  \nin RAL 6020 and RAL 5014 stained beechwood, \nDivina3 2459 and 2458, Spy 651 and 663 \nLounge chair and sofa in RAL 5014 stained \nbeechwood and Ombra 2468, Spy 654 \nTable in RAL 5014 stained beechwood \nand Carrara marble\n",275,{"image":1107,"text":1108,"number":1109},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.276.png","266\nSpy 658 e 656 Bergère e pouf in faggio \nsbiancato e Boemian 2402, Spy 658 Bergère \nin faggio tinto RAL 6020 e Divina3 2459 \n\u002F Spy 658 and 656 Bergère and pouf in \nbleached beechwood and Boemian 2402,\nSpy 658 Bergère in RAL 6020 stained \nbeechwood and Divina3 2459\n",276,{"image":1111,"text":1112,"number":1113},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.277.png","267\n \n",277,{"image":1115,"text":1116,"number":1117},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.278.png","268\nSpy 650 Poltroncine in faggio tinto NCS S 1070 \nY80R e Ombra 2467, Spy 650 Poltroncina \nin faggio tinto RAL 7044 e Ombra 2466, \nSpy 655 Tavolo in faggio sbiancato \ne MDF laccato RAL 5014 \n",278,{"image":1119,"text":1120,"number":1121},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.279.png","269\n\u002F Spy 650 Armchairs in NCS S 1070 Y80R \nstained beechwood and Ombra 2467, Spy 650 \nArmchair in RAL 7044 stained beechwood \nand Ombra 2466, Spy 655 Table in bleached \nbeechwood and RAL 5014 lacquered MDF\n",279,{"image":1123,"text":1124,"number":1125},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.280.png","270\nSpy 665 Divani bergère in faggio tinto RAL \n5014 e RAL 7044, Divina3 2458 e Ombra 2466 \n\u002F Spy 665 Bergère sofas in RAL 5014 and \nRAL 7044 stained beechwood, Divina3 2458 \nand Ombra 2466\n",280,{"image":1127,"text":1128,"number":1129},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.281.png","271\nSpy 664 e 656 Dormeuse e pouf in faggio  \ntinto RAL 1027 e Boemian 2401 \n\u002F Spy 664 and 656 Dormeuse and pouf in  \nRAL 1027 stained beechwood and Boemian 2401\n",281,{"image":1131,"text":1132,"number":1133},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.282.png","272\nSpy 652 Poltroncina in acciaio laccato RAL \n5014 e Divina3 2458, Spy 662 Lounge high \nin acciaio laccato RAL 6020 e Divina3 2459\n\u002F Spy 652 Armchair in RAL 5014 lacquered \nsteel and Divina3 2458, Spy 662 High-backed \nlounge chair in RAL 6020 lacquered steel and \nDivina3 2459\n",282,{"image":1135,"text":1136,"number":1137},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.283.png","273\nSpy 657 Lounge in acciaio laccato RAL 5014 \ne NCS S 1070 Y90R, Divina3 2458  \ne Ombra 2467\n\u002F Spy 657 Lounge chairs in RAL 5014 and \nNCS S 1070 Y90R lacquered steel, Divina3 \n2458 and Ombra 2467\n",283,{"image":1139,"text":1140,"number":1141},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.284.png","274\nSpy 651 Lounge in faggio tinto RAL 5014 \ne Ombra 2468 \n\u002F Spy 651 Lounge chair in RAL 5014 stained \nbeechwood and Ombra 2468 \n",284,{"image":1143,"text":1144,"number":1145},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.285.png","275\n",285,{"image":1147,"text":1148,"number":1149},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.286.png","276\nSpy\nA\nB\nC\nRealizzazioni \u002F Projects\n",286,{"image":1151,"text":1152,"number":1153},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.287.png","277\nG\nE\nD\nF\nA, B \nApartment N08 \nC, E \nWilma Wunder \nD \nLe General \nF \nCrowne Plaza   \nG \nBao   \nLocation: Netherlands, Category: Home\nLocation: Germany, Category: Cafe\nLocation: France, Category: Hotel\nLocation: Switzerland, Category: Hotel\nLocation: Ukraine, Category: Restaurant\n",287,{"image":1155,"text":1156,"number":1157},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.288.png","A tre anni dall’esordio con Croissant, Billiani \ned Emilio Nanni si cimentano in una nuova seduta \nimbottita, con base in legno di faggio tornito \no acciaio. Il saper fare artigianale si esprime \nqui nella lavorazione dell’imbottitura, dove le \ncuciture creano un gioco di volumi che rende \nla sedia visivamente accogliente. Confortevole, \nelegante come un abito di sartoria, Hippy si può \npersonalizzare con tessuto proprio o scelto tra \nquelli della nuova selezione di Cristina Celestino.\nThree years after their debut collaboration with Croissant, Billiani \nand Emilio Nanni undertook a new upholstered chair, with a choice \nof turned beechwood or a steel base. The craftsmanship is expressed \nhere in the upholstery work, where the seams create a play of volumes \nthat make the chair visually welcoming. Comfortable, and as elegant \nas a bespoke suit, Hippy can be customized with your own fabric \nor chosen from those of the new Cristina Celestino selection.\nCat. Sedie, chairs\n \nPoltroncine, armchairs\n \nLounge, lounge chairs\n \nSgabelli, stools\nData Sheet: p. 365\nHippy Struttura:\nFaggio, acciaio\nHippy Frame:\nBeechwood, steel\nHippy \nDesign: Emilio Nanni, 2014\n",288,{"image":1159,"text":1160,"number":1161},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.289.png","279\nHippy 635 Sedia in faggio sbiancato \ne Boemian 2400 \n\u002F Hippy 635 Chair in bleached beechwood\n and Boemian 2400\n",289,{"image":1163,"text":1164,"number":1165},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.290.png","280\nHippy 615 Lounge in faggio sbiancato e Brionne \n2408, Hippy 635 Sedia in faggio laccato NCS \nS 1020 R90B e Boemian 2406, Hippy 639 \nSgabello in faggio laccato NCS S 7020 R80B \ne Brionne 2411, Hippy 636 Poltroncina in faggio \nsbiancato e Boemian 2400\n",290,{"image":1167,"text":1168,"number":1169},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.291.png","281\n\u002F Hippy 615 Lounge chair in bleached \nbeechwood and Brionne 2408, Hippy 635 \nChair in NCS S 1020 R90B lacquered \nbeechwood and Boemian 2406, \nHippy 639 Barstool in NCS S 7020 R80B \nlacquered beechwood and Brionne 2411, \nHippy 636 Armchair in bleached beechwood \nand Boemian 2400\n",291,{"image":1171,"text":1172,"number":1173},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.292.png","282\nHippy 636 Poltroncina in faggio sbiancato \ne Boemian 2400, Hippy 635 Sedia in faggio \nlaccato NCS S 1020 R90B e Boemian 2406 \n\u002F Hippy 636 Armchair in bleached \nbeechwood and Boemian 2400, Hippy \n635 Chair in NCS S 1020 R90B lacquered \nbeechwood and Boemian 2406\n",292,{"image":1175,"text":1176,"number":1177},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.293.png","283\nHippy 615 Lounge in faggio sbiancato e laccato \nNCS S 7020 R80B, Brionne 2408 e 2411\n\u002F Hippy 615 Lounge chairs in bleached and \nNCS S 7020 R80B lacquered beechwood, \nBrionne 2408 and 2411\n",293,{"image":1179,"text":1180,"number":1181},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.294.png","284\nHippy 639 Sgabelli in faggio laccato NCS \nS 7020 R80B e NCS S 1020 R90B, Brionne \n2411 e Boemian 2406\n\u002F Hippy 639 Barstools in NCS S 7020 R80B \nand NCS S 1020 R90B lacquered beechwood, \nBrionne 2411 and Boemian 2406\n",294,{"image":1183,"text":1184,"number":1185},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.295.png","285\nHippy 638 Poltroncina in acciaio laccato \nRAL 7044 e Divina3 2459, Hippy 637 Sedia in \nacciaio laccato RAL 7044 e Divina3 2460\n\u002F Hippy 638 Armchair in RAL 7044 lacquered \nsteel and Divina3 2459, Hippy 637 Chair in RAL \n7044 lacquered steel and Divina3 2460\n",295,{"image":1187,"text":1188,"number":1189},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.296.png","286\nHippy\nA\nB\nC\nRealizzazioni \u002F Projects\n",296,{"image":1191,"text":1192,"number":1193},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.297.png","287\nD\nG\nE\nF\nA, C \nNice 2 meet you \nB, E, F Garden City Resort \nD, G \nVienna House Easy   \nLocation: Ukraine, Category: Restaurant\nLocation: Greece, Category: Hotel\nLocation: Germany, Category: Hotel\n",297,{"image":1195,"text":1196,"number":1197},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.298.png","Billiani si apre al mondo dell’imbottito con \nuna ricca collezione che include sedia, poltroncina, \nlounge, sgabello, divanetto, pouf, panca \ne tavolo. Elementi trasversali sono la crociera \ne le gambe tondeggianti, mentre poltroncina, \nlounge e divanetto sono accomunati dallo \nschienale curvo, a forma di croissant. Una \ncollezione che risponde alle esigenze di quei \nluoghi che riuniscono in sé funzioni diverse ma \nsono alla ricerca di una continuità stilistica.  \nBilliani opened up to the world of upholstery with a rich collection \nthat includes side, arm and lounge chairs, barstool, sofa, pouf, bench \nand table. Unifying elements are the cross and the rounded legs, while \nthe armchair, lounge chair and sofa share a common curved back, in the \nshape of a croissant. A collection that meets the needs of those places \nthat bring together different functions but are looking for stylistic continuity.\nCat. Sedie, chairs\n \nPoltroncine, armchairs\n \nLounge, lounge chairs\n \nPanchette, benches\n \nDivani, sofas\n \nSgabelli, stools\n \nTavoli, tables\nData Sheet: p. 348\nCroissant Struttura:\nFaggio \nCroissant Frame:\nBeechwood\nCroissant \nDesign: Emilio Nanni, 2011\n",298,{"image":1199,"text":1200,"number":1201},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.299.png","289\nCroissant 571 Poltroncina in faggio tinto \nRAL 7044 e Divina3 2460\n\u002F Croissant 571 Armchair in RAL 7044 stained \nbeechwood and Divina3 2460\n",299,{"image":1203,"text":1204,"number":1205},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.300.png","290\nCroissant 569 Panchetta in faggio naturale \ne Credo 2284, Croissant 572 Lounge in faggio \ntinto RAL 7044 e Credo 2395, Croissant 592 \nPouf in faggio tinto e MDF laccato RAL 7033, \nCroissant 577 Sgabello in faggio naturale e \nCredo 2284, Croissant 571 Poltroncina in faggio \ntinto RAL 7044 e Divina3 2460\n",300,{"image":1207,"text":1208,"number":1209},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.301.png","291\n\u002F Croissant 569 Bench in natural beechwood \nand Credo 2284, Croissant 572 Lounge chair \nin RAL 7044 stained beechwood and Credo \n2395, Croissant 592 Pouf in RAL 7033 stained \nbeechwood and lacquered MDF, Croissant 577 \nBarstool in natural beechwood and Credo 2284, \nCroissant 571 Armchair in RAL 7044 stained \nbeechwood and Divina3 2460\n",301,{"image":1211,"text":1212,"number":1213},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.302.png","292\nCroissant 570 Sedie in faggio naturale e Credo \n2285, Croissant 590 Tavolo in faggio naturale \ne MDF laccato RAL 7044 \n\u002F Croissant 570 Chairs in natural beechwood \nand Credo 2285, Croissant 590 Table in natural \nbeechwood and RAL 7044 lacquered MDF\n",302,{"image":1215,"text":1216,"number":1217},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.303.png","293\nCroissant 577 Sgabello in faggio \nnaturale e Credo 2284\n \n \n\u002F Croissant 577 Barstool in natural \nbeechwood and Credo 2284\n",303,{"image":1219,"text":1220,"number":1221},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.304.png","294\nCroissant 579 Sgabello in faggio tinto RAL 7044 \ne Credo 2282, Croissant 572 Lounge in faggio \ntinto RAL 7033 e Credo 2282, Croissant 592 \nPouf in faggio tinto e MDF laccato RAL 7033, \nCroissant 573 Divano in faggio tinto RAL 7044 \ne Credo 2282\n",304,{"image":1223,"text":1224,"number":1225},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.305.png","295\n\u002F Croissant 579 Stool in RAL 7044 stained \nbeechwood and Credo 2282, Croissant 572 \nLounge chair in RAL 7033 stained beechwood \nand Credo 2282, Croissant 592 Pouf in RAL \n7033 stained beechwood and lacquered MDF, \nCroissant 573 Sofa in RAL 7044 stained \nbeechwood and Credo 2282\n",305,{"image":1227,"text":1228,"number":1229},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.306.png","296\nCroissant 572 Lounge in faggio tinto RAL \n7044 e RAL 7033, Credo 2395 e 2282 \n\u002F Croissant 572 Lounge chairs in RAL 7044 \nand RAL 7033 stained beechwood, \nCredo 2395 and 2282\n",306,{"image":1231,"text":1232,"number":1233},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.307.png","297\nCroissant 571 Poltroncine in faggio naturale \ne tinto RAL 7044, Divina3 2459 e 2460, \nCroissant 564 Pouf in faggio naturale \ne Divina3 2459 \u002F Croissant 571 Armchairs in \nnatural and RAL 7044 stained beechwood, \nDivina3 2459 and 2460, Croissant 564 Pouf \nin natural beechwood and Divina3 2459\n",307,{"image":1235,"text":1236,"number":1237},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.308.png","298\nCroissant 564 Pouf in faggio tinto NCS S 1070 \nY80R e Credo 2281, Croissant 591 Tavolo \nin faggio tinto NCS S 1070 Y80R e MDF \nlaccato RAL 7044\n\u002F Croissant 564 Pouf in NCS S 1070 Y80R \nstained beechwood and Credo 2281, Croissant \n591 Table in NCS S 1070 Y80R stained \nbeechwood and RAL 7044 lacquered MDF\n",308,{"image":1239,"text":1240,"number":1241},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.309.png","299\nCroissant 578 Sgabello in faggio tinto NCS S \n1070 Y80R e Credo 2281, Croissant 577 \nSgabello in faggio naturale e Credo 2284\n\u002F Croissant 578 Barstool in NCS S 1070 Y80R \nstained beechwood and Credo 2281, Croissant \n577 Barstool in natural beechwood and \nCredo 2284\n",309,{"image":1243,"text":1244,"number":1245},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.310.png","300\nCroissant\nA\nB\nC\nRealizzazioni \u002F Projects\n",310,{"image":1247,"text":1248,"number":1249},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.311.png","301\nE\nF\nD\nA \nTaiyo Sushi Lounge \nB \nHífen \nC \nBistrot Cento61 \nD, E \nThe Studio Hotel \nF \nWilma Wunder \nLocation: Italy, Category: Restaurant\nLocation: Portugal, Category: Restaurant\nLocation: Italy, Category: Restaurant\nLocation: Sweden, Category: Hotel\nLocation: Germany, Category: Cafe\n",311,{"image":1251,"text":1252,"number":1253},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.312.png","L’idea per Grapevine viene dai tralci delle viti e \ndalla volontà di replicare la loro naturale torsione \nsul fusto dei tavoli. Le gambe, tutte uguali, sono \nposte al centro del tavolo e ruotate di 90° in \nsuccessione. Ne deriva un disegno scultoreo di \ngrande dinamismo, che appare diverso a seconda \ndel punto di vista dell’osservatore. Pensata \ninizialmente in noce, un legno nodoso dal colore \nintenso, la base è stata poi declinata in faggio \ne in diverse varianti metalliche conquistando \nuna versatilità che la rende adatta ai più diversi \ncontesti – dagli ambienti più sofisticati all’outdoor. \nThe idea for Grapevine comes from vine branches and the desire to replicate \ntheir natural twist on a table base. The legs, all the same, are placed \nin the center of the table and rotated 90° in succession. The result is \na sculptural design of great dynamism, which appears different according \nto the observer’s point of view. Initially conceived in knotty walnut, with \nits intense colour, the base was then developed to include beech and in \ndifferent metal finishes, achieving a versatility that makes it suitable for the \nmost diverse contexts – from the most sophisticated to outdoor environments.\nCat. Tavoli, tables\nData Sheet: p. 362\nGrapevine Struttura: \nNoce, faggio, acciaio\nGrapevine Frame:\nWalnut, beechwood, steel\nGrapevine \nDesign: Egidio Panzera, 2014\n",312,{"image":1255,"text":1256,"number":1257},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.313.png","303\nGrapevine 764 Tavolo in faggio sbiancato \n\u002F Grapevine 764 Table in bleached beechwood\n",313,{"image":1259,"text":1260,"number":1261},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.314.png","304\nGrapevine 760 Tavolo in faggio sbiancato, \nGrapevine 761 Tavolo in noce, Grapevine 766 \nTavolo in faggio e MDF laccati RAL 7044, \nGrapevine 764 Tavolo in faggio \ne MDF laccati RAL 3004 \n",314,{"image":1263,"text":1264,"number":1265},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.315.png","305\n\u002F Grapevine 760 Table in bleached \nbeechwood, Grapevine 761 Table in walnut, \nGrapevine 766 Table in RAL 7044 lacquered \nbeechwood and MDF, Grapevine 764 Table  \nin RAL 3004 lacquered beechwood and MDF\n",315,{"image":1267,"text":1268,"number":1269},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.316.png","306\nGrapevine 760 Tavolo in noce, Grapevine \n766 Tavolo in faggio e MDF laccati RAL 3004, \nGrapevine 761 Tavolo in faggio e MDF laccati \nRAL 7016 \n\u002F Grapevine 760 Table in walnut, Grapevine 766 \nTable in RAL 3004 lacquered beechwood and \nMDF, Grapevine 761 Table in RAL 7016 lacque-\nred beechwood and MDF\n",316,{"image":1271,"text":1272,"number":1273},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.317.png","307\nGrapevine 802 Tavolo in acciaio laccato \nRAL 9017 e marmo di Carrara, Grapevine \n800 Tavolo in acciaio laccato RAL 9017 \ne MDF laccato RAL 7044 \n\u002F Grapevine 802 Table in RAL 9017 lacquered \nsteel and Carrara marble, Grapevine 800 \nTable in RAL 9017 lacquered steel and \nRAL 7044 lacquered MDF\n",317,{"image":1275,"text":1276,"number":1277},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.318.png","Lilliput è una collezione di tavolini da caffè \nin legno massello di frassino nata da un dettaglio \ncostruttivo. Tutto ruota attorno all’incastro a pettine \ndelle gambe, che sorreggono un piano rotondo. \nA congiungere i due elementi sono due pomelli \nin frassino naturale, particolari estetici che svelano \nil sistema di tenuta e quello, elementare, di \nassemblaggio. E proprio la facilità di montaggio \ne smontaggio è ciò che rende questi tavolini \nversatili, comodi da spedire e rapidi da mettere \nin opera. \nLilliput is a collection of solid ashwood coffee tables born from a single \ndesign feature. Everything revolves around the comb joint of the legs, which \nsupport a round top. The two elements are joined by two knobs in natural \nash, aesthetic details that reveal the sealing system and the basic assembly \nsystem. And the ease of assembly and disassembly is what makes these \ncoffee tables versatile, easy to transport, and quick to install.\nCat. Tavoli, tables\nData Sheet: p. 367\nLilliput Struttura:\nFrassino  \nLilliput Frame:\nAshwood\nLilliput \nDesign: Studioventotto, 2017\n",318,{"image":1279,"text":1280,"number":1281},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.319.png","309\nLilliput 310 e 311 Tavolini in frassino naturale\n\u002F Lilliput 310 and 311 Tables in natural ashwood\n",319,{"image":1283,"text":1284,"number":1285},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.320.png","310\nLilliput 312 e 310 Tavolini in frassino tinto \ntabacco, Lilliput 311 e 310 Tavolini in frassino \ntinto RAL 3012 \n\u002F Lilliput 312 and 310 Tables in tobacco stained \nashwood, Lilliput 311 and 310 Tables in \nRAL 3012 stained ashwood\n",320,{"image":1287,"text":1288,"number":1289},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.321.png","311\nLilliput 311 e 310 Tavolini in frassino naturale, \nLilliput 312 Tavolino in frassino tinto RAL 7016\n\u002F Lilliput 311 and 310 Tables in natural ashwood, \nLilliput 312 Table in RAL 7016 stained ashwood\n",321,{"image":1291,"text":1292,"number":1293},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.322.png","Omaggio al grande design italiano, Tango \nè un appendiabiti in frassino formato da sei \nelementi ritorti attorno a uno snodo centrale. \nProprio la giuntura è stata lo spunto da cui \nè partito il designer finlandese Timo Ripatti, \nche seguendo i dettami del minimalismo \nscandinavo, ha puntato a non usare viti né \nraccordi di alcun tipo tra gli elementi, che sono \nfresati e semplicemente incastrati tra loro.\nA tribute to great Italian design, Tango is an ashwood coat-stand made  \nof six poles twisted around a central joint. The joint was the starting point \nfor Finnish designer Timo Ripatti; he followed the dictates of Scandinavian \nminimalism, and aimed not to use screws or fittings of any kind between \nthe poles, which are milled and simply fitted together.\nCat. Appendiabiti, coat-stands\nData Sheet: p. 378\nTango Struttura:\nFrassino \nTango Frame:\nAshwood\nTango \nDesign: Timo Ripatti, 2015\n",322,{"image":1295,"text":1296,"number":1297},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.323.png","313\nTango 700 Appendiabiti in frassino sbiancato\n\u002F Tango 700 Coat-stand in bleached ashwood\n",323,{"image":1299,"text":1300,"number":1301},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.324.png","314\nTango 700 Appendiabiti in frassino tinto \nRAL 1027, tinto RAL 7044 e sbiancato\n\u002F Tango 700 Coat-stands in RAL 1027, RAL 7044 \nstained ashwood and bleached ashwood\n",324,{"image":1303,"text":1304,"number":1305},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.325.png","315\n \n",325,{"image":1307,"text":1308,"number":1309},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.326.png","Kazuhide Takahama progettò il tavolino Marcel \nnegli anni Settanta, usando solo tondino di \nmetallo e vetro. Un oggetto semplicissimo che \nnon ha subito il passare del tempo, e che oggi \nBilliani riedita, con l’aiuto degli eredi del maestro \ngiapponese, in una più vasta gamma di formati \ne finiture.  \nKazuhide Takahama designed the Marcel coffee table in the seventies, \nusing only metal rod and glass. A very simple piece that has not suffered \nover time, and which today Billiani re–proposes, with the help of the heirs \nof the Japanese master, in a wider range of formats and finishes.\nCat. Tavoli, tables\nData Sheet: p. 369\nMarcel Struttura:\nAcciaio\nMarcel Frame:\nSteel\nMarcel \nDesign: Kazuhide Takahama, 1974\n",326,{"image":1311,"text":1312,"number":1313},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.327.png","317\nMarcel 470 Tavolo in acciaio laccato RAL 5014 \ne marmo di Carrara \n\u002F Marcel 470 Table in RAL 5014 lacquered steel \nand Carrara marble\n",327,{"image":1315,"text":1316,"number":1317},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.328.png","318\nMarcel 473 Tavolo in acciaio carbonio e vetro \nfumé, Marcel 474 Tavolo in acciaio e MDF \nlaccati RAL 7044, Marcel 472 Tavolo in acciaio \nlaccato RAL 7016 e marmo di Carrara \n\u002F Marcel 473 Table in carbon steel and smoked \nglass, Marcel 474 Table in RAL 7044 lacquered \nsteel and MDF, Marcel 472 Table in RAL 7016 \nlacquered steel and Carrara marble\n",328,{"image":1319,"text":1320,"number":1321},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.329.png","319\nMarcel 470 Tavolo in acciaio e MDF \nlaccati RAL 5014 \n\u002F Marcel 470 Table in RAL 5014 lacquered \nsteel and MDF\n",329,{"image":1323,"text":1324,"number":1325},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.330.png","320\nMarcel 474 Tavolo in acciaio e MDF laccati \nRAL 7016, Marcel 471 Tavolo in acciaio \nlaccato RAL 7016 e marmo Guatemala \n\u002F Marcel 474 Table in RAL 7016 lacquered \nsteel and MDF, Marcel 471 Table in RAL 7016 \nlacquered steel and Guatemala marble\n",330,{"image":1327,"text":1328,"number":1329},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.331.png"," \nFiniture\nFinishes\n321\nBilliani è da sempre sinonimo di legno e colore. E se legno \nvuol dire frassino, faggio, rovere e noce, il colore ha tre anime: \nquella ironica e fresca delle tinte forti, quella istituzionale e \nrigorosa dei toni classici, quella domestica e intima\ndelle sfumature più eleganti. Di tutte e tre è espressione  \nla collezione tessuti, che affianca texture basiche a trame  \npiù calde e sofisticate come il bouclé italiano.\nBilliani has always been synonymous with wood and colour. \nAnd if wood means ash, beech, oak and walnut, colour has \nthree souls: the ironic and fresh one of bold shades; \nthe institutional and rigorous one of classic tones; the domestic \nand intimate one of the most elegant hues. The fabric \ncollection is the expression of all three, combining basic \ntextures with warmer and more sophisticated ones such as \nItalian bouclé.\nI\nSpecial \nDesigner \nStories\nBilliani e i designer. \nUn dialogo che continua, all’insegna del buon design. \n\u002F Billiani and designers. A dialogue that continues, \nunder the banner of good design.\n",331,{"image":1331,"text":1332,"number":1333},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.332.png","“Il design\nè una cosa\nseria”\nII\n«Design is a serious matter»\n",332,{"image":1335,"text":1336,"number":1337},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.333.png"," \nFiniture\nFinishes\nBilliani è da sempre sinonimo di legno e colore. E se legno \nvuol dire frassino, faggio, rovere e noce, il colore ha tre anime: \nquella ironica e fresca delle tinte forti, quella istituzionale e \nrigorosa dei toni classici, quella domestica e intima\ndelle sfumature più eleganti. Di tutte e tre è espressione  \nla collezione tessuti, che affianca texture basiche a trame  \npiù calde e sofisticate come il bouclé italiano.\nBilliani has always been synonymous with wood and colour. \nAnd if wood means ash, beech, oak and walnut, colour has \nthree souls: the ironic and fresh one of bold shades; \nthe institutional and rigorous one of classic tones; the domestic \nand intimate one of the most elegant hues. The fabric \ncollection is the expression of all three, combining basic \ntextures with warmer and more sophisticated ones such as \nItalian bouclé.\n“Il design\nè una cosa\nseria”\nII\n«Design is a serious matter»\nIII\nNato nel 1930 a Udine, dove si è \nspento nel 2017, si è dedicato per \npiù di cinquant’anni all’insegnamento \ne alla progettazione industriale.\nWerther Toff oloni è stato un grande creatore \ndi sedie. Tra i primi industrial designer \nfriulani, Toff oloni ha segnato la storia di \nmolte realtà locali con la sua idea di design \ncome “cosa seria, basata sulla correttezza \ndel prodotto – cioè sulla comodità, sulla \nresistenza e sulla qualità della forma”. \nToff oloni individua nella tradizione il \npunto di forza di quello che tra gli anni \nCinquanta e i Sessanta sta iniziando a \nimporsi come il triangolo della sedia. \nNon a caso tra le sue prime realizzazioni \nc’è il restyling della Marocca, la tipica sedia \nfriulana con sedile impagliato, rivisitata \nprima di tutto per capire quale poteva essere \nil risultato di un’operazione del genere: \nreinterpretare un prodotto tradizionale “con \nun po’ di attenzione al disegno”. \nLa capacità di far evolvere le forme \ntradizionali per renderle appetibili al mercato \ndiventerà la cifra stilistica di Toff oloni, \nnonché il motivo per cui Billiani lo coinvolge \na partire dal 2004 con la richiesta di creare \nper l’azienda, entrata da poco nell’universo \ndel design, prodotti inediti ma rassicuranti. \nSedie che con la loro serietà raccontano un \npezzo di storia del distretto.\nWerther Toffoloni \n«Design is a serious matter»\n",333,{"image":1339,"text":1340,"number":1341},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.334.png","IV\nWerther Toffoloni \nBorn in 1930 in Udine, where he \npassed away in 2017, he dedicated \nhimself to teaching and industrial \ndesign for more than fifty years.\nWerther Toff oloni was a great chair maker.\nAmong the fi rst industrial designers from \nFriuli, Toff oloni was involved in the histories \nof many local manufacturers with his idea \nof design as “a serious matter, based on the \ncorrectness of the product – that is, \non comfort, resistance and quality of form”.\nToff oloni identifi ed in tradition the \nstrength of what, through the fi fties and \nsixties, was starting to establish itself as \nthe chair triangle. It is no coincidence that \namong his fi rst creations there was the \nrestyling of the Marocca, the typical Friulian \nchair with straw seat, revisited, fi rst of all, to \nunderstand what could be the result of such \nan operation: reinterpreting a traditional \nterm “with a little attention to design”. \nThe ability to evolve traditional shapes \nto make them attractive to the market would \nbecome Toff oloni's stylistic code, as well as \nthe reason why Billiani commissioned him \nfrom 2004 with the brief to create for the \ncompany, recently arrived in the universe \nof design, fresh but reassuring products. \nChairs that with their seriousness tell \na piece of local history.\n",334,{"image":1343,"text":1344,"number":1345},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.335.png"," \nFiniture\nFinishes\nBilliani è da sempre sinonimo di legno e colore. E se legno \nvuol dire frassino, faggio, rovere e noce, il colore ha tre anime: \nquella ironica e fresca delle tinte forti, quella istituzionale e \nrigorosa dei toni classici, quella domestica e intima\ndelle sfumature più eleganti. Di tutte e tre è espressione  \nla collezione tessuti, che affianca texture basiche a trame  \npiù calde e sofisticate come il bouclé italiano.\nBilliani has always been synonymous with wood and colour. \nAnd if wood means ash, beech, oak and walnut, colour has \nthree souls: the ironic and fresh one of bold shades; \nthe institutional and rigorous one of classic tones; the domestic \nand intimate one of the most elegant hues. The fabric \ncollection is the expression of all three, combining basic \ntextures with warmer and more sophisticated ones such as \nItalian bouclé.\nIV\nWerther Toffoloni \nBorn in 1930 in Udine, where he \npassed away in 2017, he dedicated \nhimself to teaching and industrial \ndesign for more than fifty years.\nWerther Toff oloni was a great chair maker.\nAmong the fi rst industrial designers from \nFriuli, Toff oloni was involved in the histories \nof many local manufacturers with his idea \nof design as “a serious matter, based on the \ncorrectness of the product – that is, \non comfort, resistance and quality of form”.\nToff oloni identifi ed in tradition the \nstrength of what, through the fi fties and \nsixties, was starting to establish itself as \nthe chair triangle. It is no coincidence that \namong his fi rst creations there was the \nrestyling of the Marocca, the typical Friulian \nchair with straw seat, revisited, fi rst of all, to \nunderstand what could be the result of such \nan operation: reinterpreting a traditional \nterm “with a little attention to design”. \nThe ability to evolve traditional shapes \nto make them attractive to the market would \nbecome Toff oloni's stylistic code, as well as \nthe reason why Billiani commissioned him \nfrom 2004 with the brief to create for the \ncompany, recently arrived in the universe \nof design, fresh but reassuring products. \nChairs that with their seriousness tell \na piece of local history.\nV\nSpecial \n",335,{"image":1347,"text":1348,"number":1349},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.336.png","Emilio Nanni\nVI\nBolognese classe 1955, nella sua \ncarriera ha ricevuto menzioni, \npremi e riconoscimenti. \nIl più recente è il Red Dot Design \nAward per la sedia Fratina \ndi Billiani.\nEmilio Nanni è il nome che ricorre più \nspesso nel catalogo di Billiani. Architetto, \ndesigner e artista, Nanni è un prolifi co \ndisegnatore di sedie: nella sua carriera \nne ha disegnate a decine, “per una sorta \ndi sfi da alla citazione di Mies van der Rohe, \nche diceva che è molto più diffi  cile disegnare \nuna sedia che progettare un grattacielo”.\nDisegnare una sedia signifi ca \nintraprendere un progetto che concentra in \nsé molti elementi, dal rapporto con i propri \nmodelli di riferimento (che nel caso di Nanni \nsono i maestri del Movimento Moderno) al \nruolo del mercato. Nelle sedie disegnate \nper Billiani, il fi lo conduttore è il senso di \ncompiutezza dato dalla proporzione perfetta, \nottenuta attraverso il dimensionamento \nd’insieme, il confronto con il legno, la \ncapacità di evidenziare la qualità della \nlavorazione, la defi nizione del dettaglio \ne delle fi nezze costruttive. Pur essenziali, \nle sedie di Nanni riescono così a trasmettere \ngarbo e morbidezza, dando l’impressione \ndi esistere da sempre.  \n",336,{"image":1351,"text":1352,"number":1353},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.337.png"," \nFiniture\nFinishes\nBilliani è da sempre sinonimo di legno e colore. E se legno \nvuol dire frassino, faggio, rovere e noce, il colore ha tre anime: \nquella ironica e fresca delle tinte forti, quella istituzionale e \nrigorosa dei toni classici, quella domestica e intima\ndelle sfumature più eleganti. Di tutte e tre è espressione  \nla collezione tessuti, che affianca texture basiche a trame  \npiù calde e sofisticate come il bouclé italiano.\nBilliani has always been synonymous with wood and colour. \nAnd if wood means ash, beech, oak and walnut, colour has \nthree souls: the ironic and fresh one of bold shades; \nthe institutional and rigorous one of classic tones; the domestic \nand intimate one of the most elegant hues. The fabric \ncollection is the expression of all three, combining basic \ntextures with warmer and more sophisticated ones such as \nItalian bouclé.\nEmilio Nanni\nVI\nBolognese classe 1955, nella sua \ncarriera ha ricevuto menzioni, \npremi e riconoscimenti. \nIl più recente è il Red Dot Design \nAward per la sedia Fratina \ndi Billiani.\nEmilio Nanni è il nome che ricorre più \nspesso nel catalogo di Billiani. Architetto, \ndesigner e artista, Nanni è un prolifi co \ndisegnatore di sedie: nella sua carriera \nne ha disegnate a decine, “per una sorta \ndi sfi da alla citazione di Mies van der Rohe, \nche diceva che è molto più diffi  cile disegnare \nuna sedia che progettare un grattacielo”.\nDisegnare una sedia signifi ca \nintraprendere un progetto che concentra in \nsé molti elementi, dal rapporto con i propri \nmodelli di riferimento (che nel caso di Nanni \nsono i maestri del Movimento Moderno) al \nruolo del mercato. Nelle sedie disegnate \nper Billiani, il fi lo conduttore è il senso di \ncompiutezza dato dalla proporzione perfetta, \nottenuta attraverso il dimensionamento \nd’insieme, il confronto con il legno, la \ncapacità di evidenziare la qualità della \nlavorazione, la defi nizione del dettaglio \ne delle fi nezze costruttive. Pur essenziali, \nle sedie di Nanni riescono così a trasmettere \ngarbo e morbidezza, dando l’impressione \ndi esistere da sempre.  \nSpecial \nVII\n",337,{"image":1355,"text":1356,"number":1357},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.338.png","Emilio Nanni\nVIII\nEmilio Nanni is the name that crops up most \noften in the Billiani catalogue. Architect, \ndesigner and artist, Nanni is a prolifi c \ndesigner of chairs: during his career, he \nhas designed dozens of them, “for a sort of \nchallenge to the quote by Mies van der Rohe, \nwho said that it is much more diffi  cult to \ndesign a chair than to design a skyscraper”.\nDesigning a chair means undertaking \na project that concentrates many elements, \nfrom the relationship with its reference \nmodels (which in the case of Nanni are \nthe masters of the Modern Movement) to \nmarket infl uences. In his chairs designed for \nBilliani, the common thread is the sense of \ncompleteness given by perfect proportioning, \nobtained through the overall sizing, the \ncomparison with the wood, the ability to \nhighlight the quality of the workmanship, the \ndefi nition of the detail and the construction \nrefi nements. Although essential, Nanni’s \nchairs thus manage to convey grace and \nsoftness, giving the impression of having \nalways existed.\nBolognese born in 1955, in his career \nreceived mentions, prizes and awards. \nThe most recent is Red Dot Design \nAward for Billiani’s Fratina chair.\n",338,{"image":1359,"text":1360,"number":1361},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.339.png"," \nFiniture\nFinishes\nBilliani è da sempre sinonimo di legno e colore. E se legno \nvuol dire frassino, faggio, rovere e noce, il colore ha tre anime: \nquella ironica e fresca delle tinte forti, quella istituzionale e \nrigorosa dei toni classici, quella domestica e intima\ndelle sfumature più eleganti. Di tutte e tre è espressione  \nla collezione tessuti, che affianca texture basiche a trame  \npiù calde e sofisticate come il bouclé italiano.\nBilliani has always been synonymous with wood and colour. \nAnd if wood means ash, beech, oak and walnut, colour has \nthree souls: the ironic and fresh one of bold shades; \nthe institutional and rigorous one of classic tones; the domestic \nand intimate one of the most elegant hues. The fabric \ncollection is the expression of all three, combining basic \ntextures with warmer and more sophisticated ones such as \nItalian bouclé.\nEmilio Nanni\nVIII\nEmilio Nanni is the name that crops up most \noften in the Billiani catalogue. Architect, \ndesigner and artist, Nanni is a prolifi c \ndesigner of chairs: during his career, he \nhas designed dozens of them, “for a sort of \nchallenge to the quote by Mies van der Rohe, \nwho said that it is much more diffi  cult to \ndesign a chair than to design a skyscraper”.\nDesigning a chair means undertaking \na project that concentrates many elements, \nfrom the relationship with its reference \nmodels (which in the case of Nanni are \nthe masters of the Modern Movement) to \nmarket infl uences. In his chairs designed for \nBilliani, the common thread is the sense of \ncompleteness given by perfect proportioning, \nobtained through the overall sizing, the \ncomparison with the wood, the ability to \nhighlight the quality of the workmanship, the \ndefi nition of the detail and the construction \nrefi nements. Although essential, Nanni’s \nchairs thus manage to convey grace and \nsoftness, giving the impression of having \nalways existed.\nBolognese born in 1955, in his career \nreceived mentions, prizes and awards. \nThe most recent is Red Dot Design \nAward for Billiani’s Fratina chair.\nCristina Celestino\nIX\nArchitetto e designer, Cristina \nCelestino è nata a Pordenone nel \n1980, vive e lavora a Milano. \nIl suo lavoro spazia dalla direzione \nartistica alla progettazione di \ninterni e prodotto.\nCristina Celestino è una designer \ndal tocco delicato e dallo sguardo terso \ne contemporaneo, cui si unisce una \nconoscenza enciclopedica del design italiano. \nFin dai tempi degli studi in architettura \na Venezia è attratta dagli interni disegnati \ndai grandi protagonisti del Novecento dove \nil lavoro dell’architetto si amplia fi no ad \naccogliere gli arredi e i più piccoli dettagli. \nL’adorazione per il design inizia così \ne prende prima la forma del collezionismo, \npoi quella della progettazione, che spazia \ndagli interni ai prodotti che li arredano.\nTra sensibilità architettonica e \ninnovazione formale, il risultato è un design \ncolto che intreccia “la conoscenza data \ndallo studio dell’architettura, il gusto per \nil bello che viene dal collezionismo, una \nvisione emozionale ed evocativa del prodotto \naccompagnata dalla costante ricerca \ndi una componente innovativa”. È questo \nmodo di esprimersi unico e personale, \nanche attraverso un inedito uso di materiali \ntradizionali e scelte cromatiche coraggiose, \nche ha spinto Billiani ad affi  darle nel 2019 \nla direzione artistica dell’azienda.\n",339,{"image":1363,"text":1364,"number":1365},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.340.png","Cristina Celestino\nX\nCristina Celestino is a designer with \na delicate touch and a clear and ironic \nlook, which combine with an encyclopedic \nknowledge of twentieth century Italian \ndesign. Ever since she was an architecture \nstudent in Venice, she has been attracted \nby the interiors designed by the twentieth \ncentury greats where the architect’s work \nexpands to encompass furnishings and \nthe smallest of details.\nThe love of design begins in this way and \nfi rst takes the form of collecting, then that \nof design, ranging from interiors to products. \nThe result of this architectural awareness \nand formal innovation is a cultured design \nthat intertwines “the knowledge that comes \nfrom the study of architecture, the taste \nfor beauty that comes from collecting, an \nemotional and evocative vision of the product, \nand the search for an innovative component”.\nIt is this unique and personal way \nof expressing herself, which emerges also \nfrom the unprecedented use of traditional \nmaterials and bold colour choices, that \nconvinced Billiani to entrust Cristina \nCelestino in 2019 with the artistic direction \nof the company.\nCristina Celestino was born in \nPordenone in 1980. Architect and \ndesigner, she lives and works in \nMilan. Her activity ranges from \nartistic direction to interior and \nproduct design.\n",340,{"image":1367,"text":1368,"number":1369},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.341.png"," \nFiniture\nFinishes\nBilliani è da sempre sinonimo di legno e colore. E se legno \nvuol dire frassino, faggio, rovere e noce, il colore ha tre anime: \nquella ironica e fresca delle tinte forti, quella istituzionale e \nrigorosa dei toni classici, quella domestica e intima\ndelle sfumature più eleganti. Di tutte e tre è espressione  \nla collezione tessuti, che affianca texture basiche a trame  \npiù calde e sofisticate come il bouclé italiano.\nBilliani has always been synonymous with wood and colour. \nAnd if wood means ash, beech, oak and walnut, colour has \nthree souls: the ironic and fresh one of bold shades; \nthe institutional and rigorous one of classic tones; the domestic \nand intimate one of the most elegant hues. The fabric \ncollection is the expression of all three, combining basic \ntextures with warmer and more sophisticated ones such as \nItalian bouclé.\nCristina Celestino\nX\nCristina Celestino is a designer with \na delicate touch and a clear and ironic \nlook, which combine with an encyclopedic \nknowledge of twentieth century Italian \ndesign. Ever since she was an architecture \nstudent in Venice, she has been attracted \nby the interiors designed by the twentieth \ncentury greats where the architect’s work \nexpands to encompass furnishings and \nthe smallest of details.\nThe love of design begins in this way and \nfi rst takes the form of collecting, then that \nof design, ranging from interiors to products. \nThe result of this architectural awareness \nand formal innovation is a cultured design \nthat intertwines “the knowledge that comes \nfrom the study of architecture, the taste \nfor beauty that comes from collecting, an \nemotional and evocative vision of the product, \nand the search for an innovative component”.\nIt is this unique and personal way \nof expressing herself, which emerges also \nfrom the unprecedented use of traditional \nmaterials and bold colour choices, that \nconvinced Billiani to entrust Cristina \nCelestino in 2019 with the artistic direction \nof the company.\nCristina Celestino was born in \nPordenone in 1980. Architect and \ndesigner, she lives and works in \nMilan. Her activity ranges from \nartistic direction to interior and \nproduct design.\nSpecial \nXI\n",341,{"image":1371,"text":1372,"number":1373},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.342.png","XII\nSpecial\n“Il design intreccia \nla conoscenza, il \ngusto per il bello, una \nvisione emozionale ed \nevocativa del prodotto \naccompagnata dalla \nricerca costante \ndi una componente \ninnovativa”\n«Design intertwines knowledge, the taste for beauty, \nan emotional and evocative vision of the product, and the \nsearch for an innovative component»\n",342,{"image":1375,"text":1376,"number":1377},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.343.png"," \nFiniture\nFinishes\nBilliani è da sempre sinonimo di legno e colore. E se legno \nvuol dire frassino, faggio, rovere e noce, il colore ha tre anime: \nquella ironica e fresca delle tinte forti, quella istituzionale e \nrigorosa dei toni classici, quella domestica e intima\ndelle sfumature più eleganti. Di tutte e tre è espressione  \nla collezione tessuti, che affianca texture basiche a trame  \npiù calde e sofisticate come il bouclé italiano.\nBilliani has always been synonymous with wood and colour. \nAnd if wood means ash, beech, oak and walnut, colour has \nthree souls: the ironic and fresh one of bold shades; \nthe institutional and rigorous one of classic tones; the domestic \nand intimate one of the most elegant hues. The fabric \ncollection is the expression of all three, combining basic \ntextures with warmer and more sophisticated ones such as \nItalian bouclé.\nXII\nSpecial\n“Il design intreccia \nla conoscenza, il \ngusto per il bello, una \nvisione emozionale ed \nevocativa del prodotto \naccompagnata dalla \nricerca costante \ndi una componente \ninnovativa”\n«Design intertwines knowledge, the taste for beauty, \nan emotional and evocative vision of the product, and the \nsearch for an innovative component»\n321\n",343,{"image":1379,"text":1380,"number":1381},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.344.png","Sbiancato  \nFG 0078\nNaturale  \nFG 0003\nFango  \nFG 0027\nNoce  \nFG 0012\nWengé  \nFG 0025\nFRASSINO \u002F ASHWOOD\nSbiancato \nFR 0065\nNaturale \nFR 0076\nFango \nFR 0028\nTabacco \nFR 0035\nWengé \nFR 0047\nNOCE \u002F WALNUT\nNoce\nROVERE \u002F OAKWOOD\nSbiancato  \nRO 0034\nNaturale  \nRO 0046\nFango  \nRO 0028\nTabacco  \nRO 0035\nWengé  \nRO 0047\nFAGGIO \u002F BEECHWOOD\nLegno \u002F Wood\n322\n",344,{"image":1383,"text":1384,"number":1385},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.345.png","Avorio chiaro\nRAL 1015\nGiallo polenta\nRAL 1006\nGiallo curry\nRAL 1027\nSalvia \nNCS S 2010-G10Y\nVerde reseda \nRAL 6011\nVerde cromo\nRAL 6020\nAzzurro pepe \nNCS S 1020-R90B\nBlu colomba \nRAL 5014\nBlu Billiani\nNCS S 7020-R80B\nRosa pallido\nNCS S 1015-Y80R\nRosso beige\nRAL 3012\nCorallo \nNCS S 1070-Y80R\nRosso porpora \nRAL 3004\nMarrone mogano \nRAL 8016\nGrigio cemento\nRAL 7033\nGrigio seta\nRAL 7044\nGrigio antracite\nRAL 7016\nNero traffico\nRAL 9017\nTINTA O LACCATURA DEL LEGNO \u002F WOOD STAINING OR LACQUERING \nLe essenze legno, faggio, frassino e rovere sono disponibili in versione \ntinta o laccata, nei seguenti colori. \u002F Beechwood, ashwood and oakwood \nare available lacquered or stained in the following colours.\nLaccato \n\u002F Lacquered\nTinto \n\u002F Stained\nColori \u002F Colours\n323\n",345,{"image":1387,"text":1388,"number":1389},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.346.png","LUNA (Cat. Select)\n1492\n0929\n 2190\n2378\n0989\n0660\n0621\n2377\n1002\n2376\nFLAMENCO (Cat. Select)\n0897\n2379\n0871\n2380\n1052\n0898\nTessuti \u002F Fabrics\n324\n",346,{"image":1391,"text":1392,"number":1393},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.347.png","2386\n2387\n1093\n2381\nLASER N (Cat. Essential)\n2382\n2383\n2384\n2344\n2385\n2356\nKING L KAT (Cat. Essential)\n1810\n1119\n1091\n1092\n1838\n1088\n325\n",347,{"image":1395,"text":1396,"number":1397},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.348.png","2389\n2393 \nTWILLTWENTY (Cat. Tailored)\n2388\n2392\n2390\n2275\n2274\n2391\nTessuti \u002F Fabrics\nCREDO (Cat. Tailored)\n2394\n2284\n2285\n2282\n2281\n2283\n2395\n2396\n326\n",348,{"image":1399,"text":1400,"number":1401},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.349.png","BOEMIAN (Cat. Select)\n2406\n2407\n2400\n2401\n2402\n2403\n2404 \n2405\nBRIONNE (Cat. Tailored)\n2408\n2409\n2410\n2411\nLINARI (Cat. Tailored)\n2412\n2413\n2414\n2415\n327\n",349,{"image":1403,"text":1404,"number":1405},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.350.png","Tessuti \u002F Fabrics\nOMBRA (Cat. Tailored)\n2467\n2505\n2461\n2468\n2466\n2462\n2504\n2503\n2481\n2502 \nDIVINA3 (Cat. Couture)\n2294\n2459\n2458\n2460\n1454\n1519\n328\n",350,{"image":1407,"text":1408,"number":1409},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.351.png","2397\n0953\n2399\n2398\n0643\n1181\n0954\n2439\nSOFT UNITO (Cat. Tailored)\nPelle \u002F Leather\n329\n",351,{"image":1411,"text":1412,"number":1413},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.352.png","Ecopelle \u002F Eco-leather \nINCA (Cat. Essential)\nMAGNUM (Cat. Select)\n1507\n1191\n0928\n2366\n2367\n1649\n1878\n0924\n2374\n2375\n2368\n2369\n2370\n2371\n2372\n2373\n330\n",352,{"image":1415,"text":1416,"number":1417},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.353.png","Acciaio \u002F Steel\nOttonato \n\u002F Brass\nRamato\n\u002F Copper\nCarbonio\n\u002F Carbon\nCromato\n\u002F Chromed\nLACCATO \u002F LACQUERED (Altri colori scala RAL disponibili su richiesta \u002F Non standard RAL colours available on request)\nBianco \nRAL 9016\nNero\nRAL 9017\nGrigio seta\nRAL 7044\n331\n",353,{"image":1419,"text":1420,"number":1421},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.354.png","Piani tavoli \u002F Table tops\nMDF LAMINATO \u002F LAMINATED MDF\nMDF LACCATO \u002F LAQUERED MDF (Altri colori disponibili su richiesta \u002F Non standard colours available on request)\nRAL 9016\n \n RAL 9017 \nRAL 7044\nHPL\nRAL 9016\nRAL 9017\nMARMO \u002F MARBLE\nCarrara\nMarquina\nGuatemala\nIMPIALLACCIATO FAGGIO \u002F BEECH VENEER\nSbiancato  \nFG 0078\nNaturale  \nFG 0003\nFango  \nFG 0027\nNoce  \nFG 0012\nWengé  \nFG 0025\nIMPIALLACCIATO NOCE \u002F WALNUT VENEER\nNoce\n \nExtrachiaro\n\u002F Extra-clear\nFumé \n\u002F Smoked\nVETRO \u002F GLASS\nRAL 9016\nRAL 9017\n332\n",354,{"image":1423,"text":1424,"number":1425},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.355.png","Le seguenti finiture sono abbinabili soltanto ad alcuni prodotti.\n\u002F The following finishes can be matched only with some products.\nBianco \u002F White\n001\nNero \u002F Black\n006\nMarrone \u002F Brown\n003\nCanapa \u002F Hemp\n005\nGiallo \u002F Yellow\n002\nRosso \u002F Red\n007\nCORDA \u002F ROPE (Disponibile solo per Load e Sey \u002F Available only for Load and Sey)\nCORDINO IN CELLULOSA \u002F CELLULOSE ROPE (Disponibile solo per Fratina e Vincent v. G. \u002F Available only for Fratina and Vincent v. G.)\nCINGHIE \u002F STRAPS (Disponibile solo per Fratina \u002F Available only for Fratina)\nAntracite \u002F Anthracite\n0529\nTesta di moro \u002F Dark brown \n0543\nAvana \u002F Hemp\n0530\nNero \u002F Black\n1701\nBianco \u002F White\n1702\nFiniture Speciali \u002F Special finishes\n333\n",355,{"image":1427,"text":1428,"number":1429},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.356.png","Le seguenti finiture sono abbinabili soltanto ad alcuni prodotti.\n\u002F The following finishes can be matched only with some products.\n••• \nDisponibile solo per \u002F Available only for Marimba, Vincent v. G., Fratina\n•• \nDisponibile solo per \u002F Available only for Marimba, Vincent v. G.\n• \nDisponibile solo per \u002F Available only for Marimba\nCUOIETTO \u002F HIDE\n0537 •••\n1545 •••\n2335 •\n2334 •\n2336 •\n2340 ••\n0536 •••\n334\nFiniture speciali \u002F Special finishes\n",356,{"image":1431,"text":1432,"number":1433},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.357.png","Finiture Speciali \u002F Special finishes\nPIENO FIORE \u002F FULL-GRAIN LEATHER\n2419\n2421\n2420\n2463\n2506\n2510\n2508\n2471\n2470\n2509\n2507\n2511\nFELTRO \u002F FELT\nLe seguenti finiture sono abbinabili soltanto a Marimba.\n\u002F The following finishes can be matched only with Marimba.\n335\n",357,{"image":1435,"text":1436,"number":1437},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.358.png","Technical overview\n432\n432 ⁄ I\n434\n434 ⁄ I\n580\n582\n583\n584\n632\n633\n634\n630\n631\n629\n232\n233\n234\n460\n460 ⁄ I\n461\n461 ⁄ I\n462\n462 ⁄ I\n270\n573\n569\n564\n593\n592\n577\n271\n272\n273\n570\n571\n572\n578\n579\n590\n591\n060\n550\nALOE, p. 342\nARAGOSTA, p. 343\nBLAZER, p. 344\nCAFÈ, p. 346\nCROISSANT, p. 348\nDOLL, p. 350\nCOROLLA, p. 347\n336\n",358,{"image":1439,"text":1440,"number":1441},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.359.png","551\n552\n553\n554\n558\n559\n560\n561\n 562\n563\n557\n555\nDRUM, p. 352\nFITT CLASSIC, p. 354\n070\n071\n078\n079\n076\n077\n020\n021\n030\n022\n023\n031\n024\n025\n032\n026\n027\n033\n074\n075\n072\n073\n081\n082\n556\n164\n165\n751\n750\n752\n \n337\n",359,{"image":1443,"text":1444,"number":1445},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.360.png","029\n028\n044\n045\n046\n047\n048\n049\n050\n051\n052\n053\nFITT HUG, p. 356\nFOGLIA, pag. 358\nFRATINA, p. 359\nFRISÉE, p. 360\nGRADISCA, pag. 361\nGRAPEVINE, pag. 362\n626\n628\n617\n619\n766\n775\n770\n764\n761\n760\n777\n791\n054\n055\n056\n057\n428\n429\n680\n681\n250\n251\n252\n253\n254\n255\n620\n622\n623\n625\n338\n",360,{"image":1447,"text":1448,"number":1449},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.361.png","803\n804\n802\n801\n800\n805\n812\n001\n002\n635\n636\n637\nGREEN, p. 364\nHIPPY, p. 365\nLAYER, p. 366\nLILLIPUT, p. 367\nMARIMBA, p. 370\nLOAD, p. 368\nNORDICA, pag. 371\n095\n310\n311\n312\n640\n641\n474\n110\n114\n112\n113\n600\n638\n615\n639\n090\n093\n094\n642\n643\n612\n647\n645\n649\nMARCEL, p. 369\n646\n648\n470\n471\n472\n473\n \n339\n",361,{"image":1451,"text":1452,"number":1453},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.362.png","658\n656\n652\n657\n585\n586\nSPY, p. 374\nSEY, p. 376\nTANGO, p. 378\n725\n721\n722\n660\n650\n651\n659\n665\n661\n691\n693\n694\n715\n716\n717\n718\n719\n720\n662\n663\n664\n657\n653\n653\n601\n710\n711\n712\n713\n714\nPUCCIO, p. 372\n340\n658\n655\n654\n690\n700\nTAKE, p. 377\n",362,{"image":1455,"text":1456,"number":1457},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.363.png","565\n566\n567\n568\n595\n596\n597\n598\n441\n444\n603\n604\n605\n608\nTRACY, p. 380\nVINCENT V. G., p. 381\nW., p. 382\nWHITE, p. 383\n606\n607\n130\n132\n134\n135\nTOCCATA & FUGA, p. 379\n \n341\n701\n440\n530\n531\n",363,{"image":1459,"text":1460,"number":1461},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.364.png","Aloe\nGallery: p. 222\n432\n432 ⁄ I\n434\n434 ⁄ I\n432 Sedia in faggio \n \n⁄ Chair in beechwood \n \n \nBox × 2 pcs: \n0.30 m3\nPeso ⁄ Weight: \n4.7 kg\n432 ⁄ I Sedia in faggio, \n \ncon sedile imbottito \n \n⁄ Chair in beechwood, \n \nwith upholstered seat \nBox × 2 pcs: \n0.30 m3\nPeso ⁄ Weight: \n5.0 kg\n434 Sgabello in faggio\n \n⁄ Barstool in beechwood \n \nBox × 1 pcs: \n0.31 m3\nPeso ⁄ Weight: \n6.1 kg\n434 ⁄ I Sgabello in faggio, \n \ncon sedile imbottito \n \n⁄ Barstool in beechwood,\n \nwith upholstered seat\nBox × 1 pcs: \n0.31 m3\nPeso ⁄ Weight: \n6.4 kg\n41 ⁄ 49\n41 ⁄ 49\n86\n86\n43\n43\n41 ⁄ 51\n41 ⁄ 51\n46.5\n47.5\n108\n108\n79.5\n80.5\n43\n43\n342\n",364,{"image":1463,"text":1464,"number":1465},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.365.png","Aragosta\n580\n582\n583\n584\n580 Sedia in frassino \n \n⁄ Chair in ashwood \n \n \nBox × 2 pcs: \n0.30 m3\nPeso ⁄ Weight: \n5.7 kg\n582 Lounge in frassino, \n \ncon sedile imbottito \n \n⁄ Lounge chair in ashwood, \n \nwith upholstered seat \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n9.0 kg\n583 Tavolo in frassino\n \n⁄ Table in ashwood \n \nBox × 1 pcs: \n0.15 m3\nPeso ⁄ Weight: \n6.5 kg\n584 Tavolo in frassino\n \n⁄ Table in ashwood\n \nBox × 1 pcs: \n0.23 m3\nPeso ⁄ Weight: \n9.5 kg\n40 ⁄ 48\n48 ⁄ 59\n77\n69\n42\n51 ⁄ 60\n60\n60\n46.5\n58\n43\n34\n34\n60\n90\nTechnical info\nGallery: p. 178\n \n343\n",365,{"image":1467,"text":1468,"number":1469},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.366.png"," Blazer\n632\n633\n634\n \n630\n631\n629\n232\n233\n234\nGallery: p. 126\n344\n",366,{"image":1471,"text":1472,"number":1473},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.367.png","632 Sedia in faggio \n \n⁄ Chair in beechwood \n \nBox × 2 pcs: \n0.38 m3\nPeso ⁄ Weight: \n6.2 kg\n633 Sedia in faggio, \n \ncon sedile imbottito \n \n⁄ Chair in beechwood,\n \nwith upholstered seat\nBox × 2 pcs: \n0.38 m3\nPeso ⁄ Weight: \n6.4 kg\n634 Sedia in faggio, con sedile\n \ne schienale imbottiti \n \n⁄ Chair in beechwood, with\n \nupholstered seat and back\nBox × 2 pcs: \n0.38 m3\nPeso ⁄ Weight: \n6.7 kg\n630 Poltroncina in faggio\n \n⁄ Armchair in beechwood\nBox × 1 pcs: \n0.26 m3\nPeso ⁄ Weight: \n7.1 kg\n631 Poltroncina in faggio, \n \ncon sedile imbottito \n \n⁄ Armchair in beechwood, \n \nwith upholstered seat\nBox × 1 pcs: \n0.26 m3\nPeso ⁄ Weight: \n7.4 kg\n629 Poltroncina in faggio, con \n \nsedile e schienale imbottiti \n \n⁄ Armchair in beechwood, with\n \nupholstered seat and back \nBox × 1 pcs: \n0.26 m3\nPeso ⁄ Weight: \n6.9 kg\n232 Sgabello in faggio\n \n⁄ Barstool in beechwood \n \nBox × 1 pcs: \n0.24 m3\nPeso ⁄ Weight: \n6.3 kg\n233 Sgabello in faggio, \n \ncon sedile imbottito \n \n⁄ Barstool in beechwood,\n \nwith upholstered seat \nBox × 1 pcs: \n0.24 m3\nPeso ⁄ Weight: \n6.5 kg\n234 Sgabello in faggio, con \n \nsedile e schienale imbottiti \n \n⁄ Barstool in beechwood, with\n \nupholstered seat and back\nBox × 1 pcs: \n0.24 m3\nPeso ⁄ Weight: \n6.8 kg\n44 ⁄ 51\n44 ⁄ 51\n44 ⁄ 51\n44 ⁄ 51\n32 ⁄ 46.5\n32 ⁄ 46.5\n32 ⁄ 46.5\n44 ⁄ 51\n44 ⁄ 51\n77\n77\n77\n77\n101\n101\n101\n77\n77\n51\n51\n51\n46 ⁄ 57\n40 ⁄ 47\n40 ⁄ 47\n40 ⁄ 47\n46 ⁄ 57\n46 ⁄ 57\n47\n48\n48\n47\n76\n77\n77\n48\n48\n62\n62\n62\nTechnical info\n \n345\nBilliani\n",367,{"image":1475,"text":1476,"number":1477},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.368.png","Cafè\n460\n460 ⁄ I\n461\n461 ⁄ I\n462\n462 ⁄ I\n460 Sedia in faggio \n \n⁄ Chair in beechwood \n \nBox × 2 pcs: \n0.37 m3\nPeso ⁄ Weight: \n4.4 kg\n460 ⁄ I Sedia in faggio, \n \ncon sedile imbottito \n \n⁄ Chair in beechwood,\n \nwith upholstered seat\nBox × 2 pcs: \n0.37 m3\nPeso ⁄ Weight: \n4.7 kg\n461 Poltroncina in faggio\n \n⁄ Armchair in beechwood\nBox × 1 pcs: \n0.23 m3\nPeso ⁄ Weight: \n5.1 kg\n461 ⁄ I Poltroncina in faggio,\n \ncon sedile imbottito\n \n⁄ Armchair in beechwood,\n \nwith upholstered seat\nBox × 1 pcs: \n0.23 m3\nPeso ⁄ Weight: \n5.4 kg\n462 Sgabello in faggio\n \n⁄ Barstool in beechwood\nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n6.0 kg\n462 ⁄ I Sgabello in faggio,\n \ncon sedile imbottito\n \n⁄ Barstool in beechwood, \n \nwith upholstered seat\nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n6.3 kg\n40 ⁄ 48.5\n40 ⁄ 48.5\n40 ⁄ 48.5\n40 ⁄ 48.5\n42.5 ⁄ 46\n42.5 ⁄ 46\n80\n80\n80\n80\n109\n109\n44\n44\n44 ⁄ 51\n44 ⁄ 51\n44\n44\n45.5\n46.5\n64\n64\n80\n81\n45.5\n46.5\nGallery: p. 214\n346\n",368,{"image":1479,"text":1480,"number":1481},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.369.png","Corolla\n270\n271\n272\n273\n270 Poltroncina in faggio \n \no frassino, imbottita\n \n⁄ Armchair in beech or\n \nashwood, upholstered \nBox × 1 pcs: \n0.33 m3\nPeso ⁄ Weight: \n10.4 kg\n271 \nLounge in faggio \n \no frassino, imbottita\n \n⁄ Lounge chair in beech \n \nor ashwood, upholstered\nBox × 1 pcs: \n0.42 m3\nPeso ⁄ Weight: \n14.4 kg\n272 \nBergère in faggio \n \no frassino, imbottita\n \n⁄ Bergère in beech or\n \nashwood, upholstered \nBox × 1 pcs: \n0.66 m3\nPeso ⁄ Weight: \n16.3 kg\n273 \nDivano in faggio o frassino, imbottito\n \n⁄ Sofa in beech or ashwood, upholstered\nBox × 1 pcs: \n0.79 m3\nPeso ⁄ Weight: \n24.5 kg\n \n33.5 ⁄ 63.5\n40 ⁄ 69\n40 ⁄ 78\n42 ⁄ 75\n74.5\n70\n94\n75\n44 ⁄ 64\n60 ⁄ 80\n58 ⁄ 84.5\n105 ⁄ 131.5\n61\n56\n58\n55.5\n48\n44\n44\n42.5 \nGallery: p. 250\nTechnical info\n \n347\n",369,{"image":1483,"text":1484,"number":1485},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.370.png","Croissant\nGallery: p. 288\n570\n571\n572\n573\n593\n569\n592\n564\n577\n578\n579\n590\n591\n348\n",370,{"image":1487,"text":1488,"number":1489},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.371.png","570 Sedia in faggio, imbottita \n \n⁄ Chair in beechwood, upholstered \n \nBox × 2 pcs: \n0.38 m3\nPeso ⁄ Weight: \n5.5 kg\n571 Poltroncina in faggio, imbottita\n \n⁄ Armchair in beechwood,\n \nupholstered\n \nBox × 1 pcs: \n0.30 m3\nPeso ⁄ Weight: \n7.1 kg\n572 Lounge in faggio, imbottita\n \n⁄ Lounge chair in beechwood,\n \nupholstered\nBox × 1 pcs: \n0.41 m3\nPeso ⁄ Weight: \n9.0 kg\n573 Divano in faggio, imbottito\n \n⁄ Sofa in beechwood, upholstered\nBox × 1 pcs: \n0.68 m3\nPeso ⁄ Weight: \n15.0 kg\n569 Panchetta in faggio, imbottita\n \n⁄ Bench in beechwood,\n \nupholstered\nBox × 1 pcs: \n0.28 m3\nPeso ⁄ Weight: \n13.2 kg\n564 Pouf in faggio, imbottito\n \n⁄ Pouf in beechwood,\n \nupholstered\nBox × 1 pcs: \n0.15 m3\nPeso ⁄ Weight: \n8.0 kg\n593 Panchetta in faggio, \n \ncon sedile in MDF \n \n⁄ Bench in beechwood, \n \nwith seat in MDF\nBox × 1 pcs: \n0.28 m3\nPeso ⁄ Weight: \n15.6 kg\n592 Pouf in faggio,\n \ncon sedile in MDF\n \n⁄ Pouf in beechwood,\n \nwith seat in MDF\nBox × 1 pcs: \n0.15 m3\nPeso ⁄ Weight: \n9.1 kg\n577 Sgabello in faggio, imbottito\n \n⁄ Barstool in beechwood,\n \nupholstered\nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n6.5 kg\n578 Sgabello in faggio, imbottito\n \n⁄ Barstool in beechwood,\n \nupholstered\nBox × 1 pcs: \n0.25 m3\nPeso ⁄ Weight: \n6.0 kg\n579 Sgabello in faggio, imbottito\n \n⁄ Stool in beechwood, upholstered\nBox × 2 pcs: \n0.26 m3\nPeso ⁄ Weight: \n5.0 kg\n590 Tavolo con struttura in faggio e piano in MDF o HPL\n \n⁄ Table with frame in beechwood and top in MDF or HPL\n2 Box × 1 pcs: \n0.26 m3\nPeso ⁄ Weight: \n35.0 kg\n591 Tavolo con struttura in faggio e piano in MDF o HPL\n \n⁄ Table with frame in beechwood and top in MDF or HPL\n \n2 Box × 1 pcs: \n0.26 m3\nPeso ⁄ Weight: \n33.0 kg\n42 ⁄ 53\n48\n40 ⁄ 41\n48\n48\n35 ⁄ 53\n40 ⁄ 52\n46 ⁄ 47\n120\n100\n100×100\nØ120\n62\n62\n47 ⁄ 53\n 47 ⁄ 52.5\n42 ⁄ 53\n49 ⁄ 63\n48\n76\n76\n70\n49 ⁄ 62\n60 ⁄ 72\n49 ⁄ 63\n120 ⁄ 133.5\n123\n123\n48\n38\n38\n49\n75\n75\n44.5\n44.5\n99\n82\n82\n70\n66\n48\n44.5\n70\n66\n44.5\n49 ⁄ 54.5\nBilliani\nTechnical info\n \n349\n",371,{"image":1491,"text":1492,"number":1493},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.372.png","Gallery: p. 064\nDoll\n060\n550\n551\n552\n553\n554\n558\n559\n560\n561\n \n562\n563\n557\n555\n556\n164\n165\n751\n750\n752\n350\n",372,{"image":1495,"text":1496,"number":1497},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.373.png","Technical info\nBilliani\n060 Sedia in frassino\n \n⁄ Chair in ashwood\n \n \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n5.5 kg\n550 Sedia in faggio \n \n⁄ Chair in beechwood \n \n \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n5.5 kg\n551 Sedia in faggio, con sedile\n \nimbottito ⁄ Chair in beechwood,\n \nwith upholstered seat \n \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n6.2 kg\n552 Sedia in faggio, con sedile \n \ne schienale imbottiti ⁄ Chair in\n \nbeechwood, with upholstered\n \nseat and back \n \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n7 kg\n558 Sedia con struttura in acciaio\n \n⁄ Chair with steel frame\n \n \nBox × 2 pcs: \n0.38 m3\nPeso ⁄ Weight: \n5.2 kg\n559 Sedia con struttura in acciaio, \n \ncon sedile e schienale imbottiti\n \n⁄ Chair with steel frame, with \n \nupholstered seat and back \n \n \nBox × 2 pcs: \n0.38 m3\nPeso ⁄ Weight: \n6.2 kg\n560 Poltroncina con struttura\n \nin acciaio ⁄ Armchair with\n \nsteel frame \n \n \n \nBox × 2 pcs: \n0.38 m3\nPeso ⁄ Weight: \n6.5 kg\n561 Poltroncina con struttura in\n \nacciaio, con sedile e schienale\n \nimbottiti ⁄ Armchair with steel\n \nframe, with upholstered seat\n \nand back\nBox × 2 pcs: \n0.38 m3\nPeso ⁄ Weight: \n7.5 kg\n562 Lounge in faggio, imbottita \n \n⁄ Lounge chair in beechwood,\n \nupholstered \n \nBox × 2 pcs: \n0.39 m3\nPeso ⁄ Weight: \n6.5 kg\n563 Lounge high in faggio,  imbottita\n \n⁄ High-backed lounge chair in\n \nbeechwood, upholstered\n \nBox × 1 pcs: \n0.42 m3\nPeso ⁄ Weight: \n13 kg\n557 Sgabello in faggio\n \n⁄ Barstool in beechwood \n \n \n \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n6.1 kg\n555 Sgabello in faggio, con sedile\n \nimbottito ⁄ Barstool in beechwood,\n \nwith upholstered seat \n \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n6.8 kg\n556 Sgabello in faggio, con sedile\n \ne schienale imbottiti ⁄ Barstool in\n \nbeechwood, with upholstered\n \nseat and back\n \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n7.6 kg\n164 Sgabello con struttura in acciaio\n  \n⁄ Barstool with steel frame \n \n \nBox × 1 pcs: \n0.24 m3\nPeso ⁄ Weight: \n7.6 kg\n165 Sgabello con struttura in acciaio,\n \ncon sedile e schienale imbottiti\n \n⁄ Barstool with steel frame, \n \nwith upholstered seat and back \nBox × 1 pcs: \n0.24 m3\nPeso ⁄ Weight: \n8.2 kg\n751 \nTavolo con struttura\n \nin faggio e piano in MDF\n \n⁄ Table with beechwood\n \nframe and top in MDF \n \nBox × 1 pcs: \n0.20 m3\nPeso ⁄ Weight: \n10.3 kg\n750 Tavolo con struttura in \n \nacciaio e piano in MDF o HPL\n \n⁄ Table with steel frame \n \nand top in MDF or HPL \n \n2 Box × 1 pcs: \n0.19 m3\nPeso ⁄ Weight: \n17.5 kg\n752 Tavolo con struttura in \n \nfaggio e piano in MDF o HPL\n \n⁄ Table with beechwood frame\n \nand top in MDF or HPL \n \n2 Box × 1 pcs: \n0.53 m3\nPeso ⁄ Weight: \n15 kg\n553 Sedia con struttura in acciaio \n \n⁄ Chair with steel frame \n \n \nBox × 2 pcs: \n0.38 m3\nPeso ⁄ Weight: \n6.5 kg\n554 Sedia con struttura in acciaio,\n \ncon sedile e schienale imbottiti \n \n⁄ Chair with steel frame, with\n \nupholstered seat and back \nBox × 2 pcs: \n0.38 m3\nPeso ⁄ Weight: \n7.5 kg\n43 ⁄ 53\n43 ⁄ 53\n43 ⁄ 53\n43 ⁄ 53\n43 ⁄ 53\n51 ⁄ 63\n51 ⁄ 73\n38 ⁄ 50\n38 ⁄ 50\n38 ⁄ 50\n43 ⁄ 53\n43 ⁄ 53\n43 ⁄ 53\n42 ⁄ 52\n42 ⁄ 52\n50\n50\n50\n50\n50 ⁄ 57\n60.5\n61.5\n46 ⁄ 48.5 \n46 ⁄ 48.5 \n46 ⁄ 48.5 \n50 ⁄ 57\n50 ⁄ 59\n50 ⁄ 59\n50 ⁄ 60\n50 ⁄ 60\n78\n78\n78\n78\n77\n70\n87.5\n107.5\n107.5\n77\n77\n77\n78\n78\n45\n45\n47\n47\n47\n41.5\n41.5\n79\n81\n81\n48\n64\n64\n47\n48\n47\n48\n38 ⁄ 52\n99\n75\n46 ⁄ 56\n38 ⁄ 52\n56.5\n80\n80\n99\n40\n75\n74 \n76\n46 ⁄ 56\n63.5\n107.5\n80×80\n80×80\n \n351\n",373,{"image":1499,"text":1500,"number":1501},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.374.png","Gallery: p. 200\nDrum\n070\n071\n078\n079\n076\n077\n074\n075\n072\n073\n081\n082\n352\n",374,{"image":1503,"text":1504,"number":1505},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.375.png","Technical info\nBilliani\n070 Sedia in faggio\n \n⁄ Chair in beechwood\n \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n5.3 kg\n071 Sedia in faggio, con sedile\n \nimbottito ⁄ Chair in beechwood,\n \nwith upholstered seat \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n6.3 kg\n078 Lounge in faggio \n \n⁄ Lounge chair in beechwood\nBox × 2 pcs: \n0.45 m3\nPeso ⁄ Weight: \n7.4 kg\n079 Lounge in faggio, con sedile  \n \nimbottito \u002F Lounge chair in  \n \nbeechwood, with upholstered seat\n \nBox × 2 pcs: \n0.45 m3\nPeso ⁄ Weight: \n8.4 kg\n41 ⁄ 49\n35 ⁄ 49\n35 ⁄ 44\n35 ⁄ 39\n100\n90\n100\n200\n35 ⁄ 39\n35 ⁄ 44\n41 ⁄ 49\n35 ⁄ 49\n50 ⁄ 63\n50 ⁄ 63\n43 ⁄ 52.5\n42 ⁄ 55.5\n39 ⁄ 47\n \n \n39 ⁄ 47\n43 ⁄ 52.5\n42 ⁄ 55.5\n59.5 ⁄ 67\n59.5 ⁄ 67\n76.5\n101\n75\n45\n75\n75\n47\n76.5\n101\n74\n74\n46\n75\n48\n77\n77\n43\n45\n076 Sgabello in faggio\n \n⁄ Barstool in beechwood\n \nBox × 1 pcs: \n0.31 m3\nPeso ⁄ Weight: \n6 kg\n077 Sgabello in faggio, con sedile\n \nimbottito ⁄ Barstool in beechwood,\n \nwith upholstered seat\nBox × 1 pcs: \n0.31 m3\nPeso ⁄ Weight: \n7 kg\n074 Sgabello in faggio\n \n⁄ Barstool in beechwood\n \nBox × 1 pcs: \n0.17 m3\nPeso ⁄ Weight: \n5 kg\n075 Sgabello in faggio, con sedile\n \nimbottito ⁄ Barstool in beechwood,\n \nwith upholstered seat\nBox × 1 pcs: \n0.17 m3\nPeso ⁄ Weight: \n6 kg\n072 Sgabello in faggio\n \n⁄ Stool in beechwood\n \nBox × 2 pcs: \n0.17 m3\nPeso ⁄ Weight: \n3.7 kg\n073 Sgabello in faggio, con sedile\n \nimbottito ⁄ Stool in beechwood,\n \nwith upholstered seat\nBox × 2 pcs: \n0.17 m3\nPeso ⁄ Weight: \n4.7 kg\n081  Tavolo in faggio\n \n⁄ Table in beechwood \n2 Box × 1 pcs: \n0.15 m3\nPeso ⁄ Weight: \n21 kg\n082  Tavolo in faggio\n \n⁄ Table in beechwood \n2 Box × 1 pcs: \n0.25 m3\nPeso ⁄ Weight: \n35 kg\n39 ⁄ 42.5\n39 ⁄ 42.5\n \n353\n",375,{"image":1507,"text":1508,"number":1509},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.376.png","Fitt Classic\n020\n021\n030\nGallery: p. 090\n022\n023\n031\n024\n025\n032\n026\n027\n033\n029\n028\n354\n",376,{"image":1511,"text":1512,"number":1513},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.377.png","020 Poltroncina in frassino \n \n⁄ Armchair in ashwood\n \nBox × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n6.5 kg\n021 Poltroncina in frassino,\n \ncon sedile imbottito\n \n⁄ Armchair in ashwood,\n \nwith upholstered seat\nBox × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n7.8 kg\n030 Poltroncina in frassino, imbottita \n \n⁄ Armchair in ashwood,\n \nupholstered\n \nBox × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n8.4 kg\n022 Poltroncina con struttura \n \nin acciaio ⁄ Armchair with\n \nsteel frame\n \nBox × 1 pcs: \n0.28 m3\nPeso ⁄ Weight: \n7.5 kg\n023 Poltroncina con struttura in\n \nacciaio e sedile imbottito\n \n⁄ Armchair with steel frame\n \nand upholstered seat \nBox × 1 pcs: \n0.28 m3\nPeso ⁄ Weight: \n8.8 kg\n031 Poltroncina con struttura \n \nin acciaio, imbottita\n \n⁄ Armchair with steel frame,\n \nupholstered \nBox × 1 pcs: \n0.28 m3\nPeso ⁄ Weight: \n9.4 kg\n024 Poltroncina con struttura \n \nin acciaio ⁄ Armchair with\n \nsteel frame\n \nBox × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n8.4 kg\n025 Poltroncina con struttura in\n \nacciaio e sedile imbottito\n \n⁄ Armchair with steel frame\n \nand upholstered seat \nBox × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n9.7 kg\n032 Poltroncina con struttura \n \nin acciaio, imbottita\n \n⁄ Armchair with steel frame,\n \nupholstered\nBox × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n10.3 kg\n026 Poltroncina con base \n \ngirevole in acciaio \n \n⁄ Armchair with steel\n \nswivel base \nBox × 1 pcs: \n0.25 m3\nPeso ⁄ Weight: \n8.4 kg\n027 Poltroncina con base girevole\n \nin acciaio e sedile imbottito\n \n⁄ Armchair with steel swivel base\n \nand upholstered seat \nBox × 1 pcs: \n0.25 m3\nPeso ⁄ Weight: \n9.7 kg\n033 Poltroncina con base\n \ngirevole in acciaio, imbottita\n \n⁄ Armchair with steel swivel\n \nbase, upholstered \nBox × 1 pcs: \n0.25 m3\nPeso ⁄ Weight: \n10.3 kg\n029 Sgabello in frassino\n \n⁄ Barstool in ashwood\nBox × 1 pcs: \n0.32 m3\nPeso ⁄ Weight: \n7.4 kg\n028 Sgabello in frassino, \n \ncon sedile imbottito\n \n⁄ Barstool in ashwood, \n \nwith upholstered seat \nBox × 1 pcs: \n0.32 m3\nPeso ⁄ Weight: \n8.7 kg\n38 ⁄ 56.5\n38 ⁄ 56\n38 ⁄ 56.5\n38 ⁄ 53\n38 ⁄ 56.5\n38 ⁄ 56\n38 ⁄ 56.5\n38 ⁄ 53\n36,5 ⁄ 52\n36,5 ⁄ 52\n76\n76\n76\n78\n76\n76\n76\n78\n98\n98\n50 ⁄ 59\n50 ⁄ 56\n50 ⁄ 58\n50 ⁄ 55.5\n50 ⁄ 59\n50 ⁄ 56\n50 ⁄ 58\n50 ⁄ 55.5\n47 ⁄ 53\n47 ⁄ 53\n60\n60\n60\n60\n60\n60\n60\n60\n46.5\n46.5\n46.5\n47.5\n45\n45\n45\n46\n75\n76.5\n38 ⁄ 56.5\n38 ⁄ 56\n38 ⁄ 56.5\n38 ⁄ 53\n76\n76\n76\n78\n46 ⁄ 59\n46 ⁄ 56\n46 ⁄ 58\n46 ⁄ 55.5\n60\n60\n60\n60\n46.5\n46.5\n46.5\n47.5\n \n355\nBilliani\nTechnical info\n",377,{"image":1515,"text":1516,"number":1517},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.378.png","Fitt Hug\n044\n045\n046\nGallery: p. 096\n047\n048\n049\n050\n051\n052\n053\n054\n055\n056\n057\n356\n",378,{"image":1519,"text":1520,"number":1521},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.379.png","044 Poltroncina in frassino \n \n⁄ Armchair in ashwood\n \nBox × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n6.6 kg\n045 Poltroncina in frassino,\n \ncon sedile imbottito\n \n⁄ Armchair in ashwood,\n \nwith upholstered seat\nBox × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n7.9 kg\n046 Poltroncina in frassino, imbottita \n \n⁄ Armchair in ashwood,\n \nupholstered\n \nBox × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n8.5 kg\n047 Poltroncina con struttura \n \nin acciaio ⁄ Armchair with\n \nsteel frame\n \nBox × 1 pcs: \n0.28 m3\nPeso ⁄ Weight: \n7.6 kg\n048 Poltroncina con struttura in\n \nacciaio e sedile imbottito\n \n⁄ Armchair with steel frame\n \nand upholstered seat \nBox × 1 pcs: \n0.28 m3\nPeso ⁄ Weight: \n8.9 kg\n049 Poltroncina con struttura \n \nin acciaio, imbottita\n \n⁄ Armchair with steel frame,\n \nupholstered \nBox × 1 pcs: \n0.28 m3\nPeso ⁄ Weight: \n9.5 kg  \n050 Poltroncina con struttura \n \nin acciaio ⁄ Armchair with\n \nsteel frame\n \nBox × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n8.5 kg\n051 Poltroncina con struttura in\n \nacciaio e sedile imbottito\n \n⁄ Armchair with steel frame\n \nand upholstered seat \nBox × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n9.8 kg\n052 Poltroncina con struttura \n \nin acciaio, imbottita\n \n⁄ Armchair with steel frame,\n \nupholstered\nBox × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n10.4 kg\n053 Poltroncina con base \n \ngirevole in acciaio \n \n⁄ Armchair with steel\n \nswivel base \nBox × 1 pcs: \n0.25 m3\nPeso ⁄ Weight: \n8.5 kg\n054 Poltroncina con base girevole\n \nin acciaio e sedile imbottito\n \n⁄ Armchair with steel swivel base\n \nand upholstered seat \nBox × 1 pcs: \n0.25 m3\nPeso ⁄ Weight: \n9.8 kg\n055 Poltroncina con base\n \ngirevole in acciaio, imbottita\n \n⁄ Armchair with steel swivel\n \nbase, upholstered \nBox × 1 pcs: \n0.25 m3\nPeso ⁄ Weight: \n10.4 kg\n056 Sgabello in frassino\n \n⁄ Barstool in ashwood\nBox × 1 pcs: \n0.32 m3\nPeso ⁄ Weight: \n7.5 kg\n057 Sgabello in frassino, \n \ncon sedile imbottito\n \n⁄ Barstool in ashwood, \n \nwith upholstered seat \nBox × 1 pcs: \n0.32 m3\nPeso ⁄ Weight: \n8.8 kg\n36,5 ⁄ 52,5\n36,5 ⁄ 52,5\n98\n98\n47\u002F54\n47 ⁄ 54\n75\n76.5\n40 ⁄ 58\n38 ⁄ 58\n40 ⁄ 58.5\n40 ⁄ 58.5\n40 ⁄ 53\n38 ⁄ 53\n38 ⁄ 58.5\n38 ⁄ 58.5\n40 ⁄ 58\n40 ⁄ 58.5\n40 ⁄ 58.5\n40 ⁄ 53\n76\n76\n76\n76\n78\n78\n76\n76\n76\n50 ⁄ 57\n46 ⁄ 57\n50 ⁄ 60\n50 ⁄ 59\n50 ⁄ 57\n46 ⁄ 57\n46 ⁄ 59\n46 ⁄ 60\n50 ⁄ 57\n50 ⁄ 60\n50 ⁄ 59\n50 ⁄ 57\n61\n61\n61\n61\n61\n61\n61\n61\n61\n61\n61\n61\n46.5\n46.5\n46.5\n46.5\n46.5\n46.5\n46.5\n46.5\n45\n45\n45\n45\n76\n76\n78\n \n357\nBilliani\nTechnical info\n",379,{"image":1523,"text":1524,"number":1525},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.380.png","Foglia\n428\n429\n428 Sedia in rovere \n \n⁄ Chair in oakwood \nBox × 2 pcs: \n0.29 m3\nPeso ⁄ Weight: \n3.7 kg\n429 Sgabello in rovere\n \n⁄ Barstool in oakwood \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n4.8 kg\n41 ⁄ 54\n41 ⁄ 49\n78.5\n107.5\n41\n41\n46\n80\nGallery: p. 228\n358\n",380,{"image":1527,"text":1528,"number":1529},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.381.png","Fratina\n680\n681\n680 Sedia in frassino, con sedile\n \nimbottito ⁄ Chair in ashwood,\n \nwith upholstered seat \nBox × 2 pcs: \n0.37 m3\nPeso ⁄ Weight: \n5.4 kg\n681 Poltroncina in frassino, con sedile\n \nimbottito ⁄ Armchair in ashwood,\n \nwith upholstered seat \nBox × 1 pcs: \n0.26 m3\nPeso ⁄ Weight: \n5.6 kg\n40 ⁄ 54.5\n40 ⁄ 54.5\n74\n74\n42.5\u002F48.5\n42.5\u002F51.5\n45\n45\nGallery: p. 118\nTechnical info\n \n359\n",381,{"image":1531,"text":1532,"number":1533},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.382.png","250 Sedia in faggio o frassino\n \n⁄ Chair in beech or ashwood \n \n \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n4.5 kg\n251 Sedia in faggio o frassino,\n \ncon sedile imbottito\n \n⁄ Chair in beech or ashwood,\n \nwith upholstered seat \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n5.6 kg\n252 Poltroncina in faggio o frassino\n \n⁄ Armchair in beech or ashwood \n \n \nBox × 1 pcs: \n0.28 m3\nPeso ⁄ Weight: \n5.8 kg\n253 Poltroncina in faggio o\n \nfrassino, con sedile imbottito\n \n⁄ Armchair in beech or ashwood,\n \nwith upholstered seat \nBox × 1 pcs: \n0.28 m3\nPeso ⁄ Weight: \n7.1 kg\n254 Sgabello in faggio o frassino\n \n⁄ Barstool in beech or ashwood\n \nBox × 1 pcs: \n0.28 m3\nPeso ⁄ Weight: \n6.4 kg\n255 Sgabello in faggio o \n \nfrassino, con sedile imbottito \n \n⁄ Barstool in beech or ashwood,\n \nwith upholstered seat \nBox × 1 pcs: \n0.28 m3\nPeso ⁄ Weight: \n7.5 kg\n39 ⁄ 51\n32 ⁄ 48.5\n32 ⁄ 48.5\n39 ⁄ 51\n45 ⁄ 55.5\n45 ⁄ 55.5\n78\n100\n100\n78\n77\n77\n45 ⁄ 53.5\n42 ⁄ 52.5\n42 ⁄ 52.5\n45 ⁄ 53.5\n47 ⁄ 61\n47 ⁄ 61\n45\n74\n76 \n47\n63.5\n63.5\n45\n47\nGallery: p. 056\nFrisée\n250\n251\n252\n253\n254\n255\n360\n",382,{"image":1535,"text":1536,"number":1537},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.383.png","Gradisca \n620\n622\n623\n625\n626\n628\n617\n619\n620 Sedia in faggio \n \n⁄ Chair in beechwood \nBox × 2 pcs: \n0.29 m3\nPeso ⁄ Weight: \n4.5 kg\n622 Sedia in faggio, con\n \nsedile e schienale imbottiti \n \n⁄ Chair in beechwood, with\n \nupholstered seat and back \nBox × 2 pcs: \n0.29 m3\nPeso ⁄ Weight: \n5.5 kg\n623 Sgabello in faggio \n \n⁄ Barstool in beechwood\n \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n6 kg\n625 Sgabello in faggio, con\n \nsedile e schienale imbottiti \n \n⁄ Barstool in beechwood, with\n \nupholstered seat and back \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n7 kg\n626 Sgabello in faggio\n \n⁄ Stool in beechwood\n \nBox × 1 pcs: \n0.12 m3\nPeso ⁄ Weight: \n4.4 kg\n628 Sgabello in faggio, \n \ncon sedile imbottito\n \n⁄ Stool in beechwood,\n \nwith upholstered seat \nBox × 1 pcs: \n0.12 m3\nPeso ⁄ Weight: \n5 kg\n617 Sgabello in faggio\n \n⁄ Stool in beechwood\n \nBox × 2 pcs: \n0.26 m3\nPeso ⁄ Weight: \n3.5 kg\n619 Sgabello in faggio, \n \ncon sedile imbottito\n \n⁄ Stool in beechwood,\n \nwith upholstered seat \nBox × 2 pcs: \n0.26 m3\nPeso ⁄ Weight: \n4 kg\n38 ⁄ 45\n38\n38\n38\n38\n38 ⁄ 45\n38 ⁄ 48\n38 ⁄ 48\n75\n63\n64\n49\n50\n75\n105\n105\n43 ⁄ 47\n43\n43\n43\n43\n43 ⁄ 47\n48\n48\n47\n48\n80\n81\nTechnical info\n \n361\nGallery: p. 142\n",383,{"image":1539,"text":1540,"number":1541},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.384.png","Grapevine \n766\n775\n770\n803\n804\n764\n761\n760\n777\n791\nGallery: p. 302\nTop: \n Ø70, Ø80 \n 70×70, 80×80\n802\n801\n800\n805\n812\nTop: \n Ø70, Ø80 \n 70×70, 80×80\nTop: \n Ø50 \n 50×50\nTop: \n Ø50 \n 50×50\nTop: \n 120×80, 160×80\nTop: \n Ø120\nTop: \n Ø120\n362\n",384,{"image":1543,"text":1544,"number":1545},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.385.png","Marmo bianco o nero \n⁄ White or black marble \n \ncm \nkg \nm3\nØ 50 \n12 \n0.05 \n1 pcs\nØ 70 \n23  \n0.06 \n1 pcs\nØ 80 \n30 \n0.07 \n1 pcs\nØ 120 * \n68 \n0.17 \n1 pcs\n50 × 50 \n15 \n0.05 \n1 pcs\n70 × 70 \n29 \n0.06 \n1 pcs\n80 × 80 \n38 \n0.07 \n1 pcs\n \n \n \n* Solo per versione Grapevine 804\n⁄ Only for Grapevine 804\nImpiallacciato noce o faggio \n⁄ Walnut or beech veneer \n \n \n \n \n \ncm \nkg \nm3\nØ 50 \n3 \n0.01 \n1 pcs\nØ 70 \n6  \n0.02 \n1 pcs\nØ 80 \n7.5 \n0.03 \n1 pcs\nØ 120 \n17 \n0.06 \n1 pcs\n50 × 50 \n4 \n0.01 \n1 pcs\n70 × 70 \n7.5 \n0.02 \n1 pcs\n80 × 80 \n10 \n0.03 \n1 pcs\n80 × 120 \n13 \n0.04 \n1 pcs\n80 × 160 \n20 \n0.05 \n1 pcs\nHPL bianco o nero\n⁄ White or black HPL \n \n \n \n \ncm \nkg \nm3\nØ 50 \n3.3 \n0.01 \n1 pcs\nØ 70 \n6.4  \n0.02 \n1 pcs\nØ 80 \n8.4 \n0.03 \n1 pcs\nØ 120 \n19 \n0.06 \n1 pcs\n50 × 50 \n4.2 \n0.01 \n1 pcs\n70 × 70 \n8.3 \n0.02 \n1 pcs\n80 × 80 \n10.8 \n0.03 \n1 pcs\n80 × 120 \n16.2 \n0.04 \n1 pcs\n80 × 160 \n21.5 \n0.05 \n1 pcs\nMDF laminato\n⁄ Laminated MDF\n \n \n \ncm \nkg \nm3\nØ 50 \n4 \n0.01 \n1 pcs\nØ 70 \n8  \n0.02 \n1 pcs\nØ 80 \n10 \n0.03 \n1 pcs\nØ 120 \n23 \n0.06 \n1 pcs\n50 × 50 \n5 \n0.01 \n1 pcs\n70 × 70 \n10 \n0.02 \n1 pcs\n80 × 80 \n13 \n0.03 \n1 pcs\n80 × 120 \n19.5 \n0.04 \n1 pcs\n80 × 160 \n25.5 \n0.05 \n1 pcs\nMDF laccato\n⁄ Lacquered MDF\n \n \ncm \nkg \nm3\nØ 50 \n4 \n0.01 \n1 pcs\nØ 70 \n8  \n0.02 \n1 pcs\nØ 80 \n10 \n0.03 \n1 pcs\nØ 120 \n23 \n0.06 \n1 pcs\n50 × 50 \n5 \n0.01 \n1 pcs\n70 × 70 \n10 \n0.02 \n1 pcs\n80 × 80 \n13 \n0.03 \n1 pcs\n80 × 120 \n19.5 \n0.04 \n1 pcs\n80 × 160 \n25.5 \n0.05 \n1 pcs\nTechnical info\n2\n2\n2.5\n2.5\n 1.2\n \n71\n4\n \n52\n4\n \n35\n4\n \n90\n4\n \n110\n4\n764 Base tavolo in noce o faggio\n \n⁄ Table frame in walnut\n \nor beechwood \nBox × 1 pcs: \n0.11 m3\nPeso ⁄ Weight: \n6.8 kg\n761 \nBase tavolo in noce o faggio\n \n⁄ Table frame in walnut\n \nor beechwood \nBox × 1 pcs: \n0.16 m3\nPeso ⁄ Weight: \n7.7 kg\n760 Base tavolo in noce o faggio\n \n⁄ Table frame in walnut\n \nor beechwood\n \nBox × 1 pcs: \n0.21 m3\nPeso ⁄ Weight: \n8.2 kg\n777 Base tavolo in noce o faggio\n \n⁄ Table frame in walnut\n \nor beechwood \nBox × 1 pcs: \n0.32 m3\nPeso ⁄ Weight: \n8.4 kg\n791 Base tavolo in noce o faggio\n \n⁄ Table frame in walnut\n \nor beechwood  \n \nBox × 1 pcs: \n0.5 m3\nPeso ⁄ Weight: \n8.8 kg\n \n71\n3\n \n52\n3\n \n35\n3\n \n90\n3.5\n \n110\n3.5\n802 Base tavolo in acciaio\n \n⁄ Table frame in steel \n \n \nBox × 1 pcs: \n0.11 m3\nPeso ⁄ Weight: \n6.5 kg\n801 Base tavolo in acciaio\n \n⁄ Table frame in steel \n \n \nBox × 1 pcs: \n0.16 m3\nPeso ⁄ Weight: \n7.5 kg\n800 Base tavolo in acciaio\n \n⁄ Table frame in steel \n \n \nBox × 1 pcs: \n0.21 m3\nPeso ⁄ Weight: \n8.6 kg\n805 Base tavolo in acciaio\n \n⁄ Table frame in steel \n \n \nBox × 1 pcs: \n0.32 m3\nPeso ⁄ Weight: \n11.5 kg\n812 Base tavolo in acciaio\n \n⁄ Table frame in steel \n \n \n \nBox × 1 pcs: \n0.5 m3\nPeso ⁄ Weight: \n12 kg\n766 Base tavolo in noce o faggio\n \n⁄ Table frame in walnut\n \nor beechwood\n \nBox × 1 pcs: \n0.09 m3\nPeso ⁄ Weight: \n4.4 kg\n775 Base tavolo in noce o faggio\n \n⁄ Table frame in walnut\n \nor beechwood\nBox × 1 pcs: \n0.42 m3\nPeso ⁄ Weight: \n17.6 kg\n770 Base tavolo in noce o faggio\n \n⁄ Table frame in walnut\n \nor beechwood \n \nBox × 1 pcs: \n0.21 m3\nPeso ⁄ Weight: \n13 kg\n \n50.5\n3.5\n \n71\n4\n \n71\n5\n803 Base tavolo in acciaio\n \n⁄ Table frame in steel \n \nBox × 1 pcs: \n0.09 m3\nPeso ⁄ Weight: \n4.8 kg\n804 Base tavolo in acciaio\n \n⁄ Table frame in steel \n \nBox × 1 pcs: \n0.42 m3\nPeso ⁄ Weight: \n11.7 kg\n \n50.5\n3\n \n71\n4\n \n363\nBilliani\n",385,{"image":1547,"text":1548,"number":1549},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.386.png","Green\n001\n002\n \n001 Sedia in frassino \n \n⁄ Chair in ashwood \nBox × 2 pcs: \n0.29 m3\nPeso ⁄ Weight: \n6.7 kg\n002 Sedia in frassino, con sedile\n \nimbottito ⁄ Chair in ashwood,\n \nwith upholstered seat \nBox × 2 pcs: \n0.29 m3\nPeso ⁄ Weight: \n6.8 kg\n36 ⁄ 46\n36 ⁄ 46\n80\n80\n48\n48\n46\n47\nGallery: p. 210\n364\n",386,{"image":1551,"text":1552,"number":1553},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.387.png","40 ⁄ 53\n40 ⁄ 52\n40 ⁄ 53\n40 ⁄ 52\n77\n77\n77\n77\n52\n52\u002F54\n52 ⁄ 58\n52 ⁄ 58\n49\n49\n63\n63.5\n49\n49\nHippy\n635\n636\n637\n638\n615\n639\n635 Sedia in faggio, imbottita\n \n ⁄ Chair in beechwood,\n \nupholstered\n \nBox × 2 pcs: \n0.33 m3\nPeso ⁄ Weight: \n7.0 kg\n636 Poltroncina in faggio, imbottita\n \n⁄ Armchair in beechwood,\n \nupholstered\nBox × 1 pcs: \n0.26 m3\nPeso ⁄ Weight: \n7.7 kg\n637 Sedia con struttura \n \nin acciaio, imbottita\n \n⁄ Chair with steel frame,\n \nupholstered \nBox × 2 pcs: \n0.33 m3\nPeso ⁄ Weight: \n8.0 kg\n638 Poltroncina con struttura\n \nin acciaio, imbottita\n \n⁄ Armchair with steel frame,\n \nupholstered \nBox × 1 pcs: \n0.26 m3\nPeso ⁄ Weight: \n9.7 kg\n615 Lounge in faggio, imbottita\n \n⁄ Lounge chair in beechwood,\n \nupholstered\n \nBox × 2 pcs: \n0.50 m3\nPeso ⁄ Weight: \n10.7 kg\n639 Sgabello in faggio, imbottito\n \n⁄ Barstool in beechwood,\n \nupholstered \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n8.3 kg\n67.5\n97\n72\n50\n41.5\n80\n48.5 ⁄ 62.5\nGallery: p. 278\nTechnical info\n35.5 ⁄ 51\n \n365\n",387,{"image":1555,"text":1556,"number":1557},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.388.png","Layer\n090\n093\n094\n095\n090  Poltroncina in frassino, imbottita \n \n⁄ Armchair in ashwood,\n \nupholstered \nBox × 1 pcs: \n0.30 m3\nPeso ⁄ Weight: \n6.2 kg\n093 Lounge in frassino, imbottita \n \n⁄ Lounge chair in ashwood,\n \nupholstered \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n8.5 kg\n094 Sgabello in frassino \n \n⁄ Barstool in ashwood \nBox × 1 pcs: \n0.15 m3\nPeso ⁄ Weight: \n3.9 kg\n095 Sgabello in frassino, con sedile\n \nimbottito ⁄ Barstool in ashwood,\n \nwith upholstered seat\nBox × 1 pcs: \n0.15 m3\nPeso ⁄ Weight: \n4 kg\n48 ⁄ 67\n44 ⁄ 55.5\n \n \n67\n76\n76\n76\n48 ⁄ 58.5\n47 ⁄ 54.5\n \n \n55.5\n65\n74\n74\n41.5\n45\nGallery: p. 082\n24 ⁄ 42.5\n24 ⁄ 42.5\n34 ⁄ 42.5\n34 ⁄ 42.5\n366\n",388,{"image":1559,"text":1560,"number":1561},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.389.png","60\nØ60\n45\nØ45\nØ45\n45\n23\n41\n51\nLilliput\n310\n311\n312\n310 Tavolino in frassino\n \n ⁄ Table in ashwood \nBox × 1 pcs: \n0.10 m3\nPeso ⁄ Weight: \n4.1 kg\n311 \nTavolino in frassino\n \n⁄ Table in ashwood\nBox × 1 pcs: \n0.09 m3\nPeso ⁄ Weight: \n3.1 kg\n312 Tavolino in frassino\n \n⁄ Table in ashwood \nBox × 1 pcs: \n0.12 m3\nPeso ⁄ Weight: \n3.5 kg\nGallery: p. 308\nTechnical info\n \n367\n",389,{"image":1563,"text":1564,"number":1565},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.390.png","Load\n640\n641\n642\n643\n612\n647\n645\n649\n646\n648\n640  Sedia in faggio \n \n⁄ Chair in beechwood \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n4.8 kg\n641 Sedia in faggio, con sedile\n \nimbottito ⁄ Chair in beechwood,\n \nwith upholstered seat\n \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n5.5 kg\n642 Sedia in faggio, con schienale \n \nin cima nautica ⁄ Chair in\n \nbeechwood, with woven \n \nbackrest in marine rope \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n5.1 kg\n643 Sedia in faggio, con sedile\n \nimbottito e schienale in cima\n \nnautica ⁄ Chair in beechwood, \n \nwith upholstered seat and woven\n \nbackrest in marine rope\nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n5.8 kg\n612 Lounge in faggio, con sedile\n \nimbottito ⁄ Lounge chair in\n \nbeechwood, with upholstered\n \nseat\nBox × 2 pcs: \n0.50 m3\nPeso ⁄ Weight: \n10.2 kg\n647  Lounge in faggio, con sedile\n \nimbottito e schienale in cima\n \nnautica ⁄ Lounge chair in\n \nbeechwood, with upholstered seat\n \nand woven back in marine rope \nBox × 2 pcs: \n0.50 m3\nPeso ⁄ Weight: \n11 kg\n645 Sgabello in faggio\n \n⁄ Barstool in beechwood\n \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n7.1 kg\n649 Sgabello in faggio, con sedile\n \nimbottito ⁄ Barstool in beechwood,\n \nwith upholstered seat \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n7.8 kg\n646 Sgabello in faggio, con schienale\n \nin cima nautica ⁄ Barstool in\n \nbeechwood, with woven backrest\n \nin marine rope\nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n8.0 kg\n648 Sgabello in faggio, con sedile\n \nimbottito e schienale in cima\n \nnautica ⁄ Barstool in beechwood,\n \nwith upholstered seat and woven\n \nbackrest in marine rope\n \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n8.7 kg\n42 ⁄ 51\n42 ⁄ 51\n42 ⁄ 51\n42 ⁄ 51\n50 ⁄ 61\n40 ⁄ 45\n40 ⁄ 45\n40 ⁄ 45\n40 ⁄ 45\n76\n76\n76\n76\n66.5\n100\n100\n100\n100\n50\n50\n50\n50\n67.5\n50.5\n50.5\n50.5\n50.5\n47\n49\n47\n49\n44\n75\n77\n75\n77\n50 ⁄ 61\n66.5\n67.5\n44\nGallery: p. 162\n368\n",390,{"image":1567,"text":1568,"number":1569},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.391.png"," \n75.5\n74×74\n61.5\n60×60\n51.5\n50×50\n119.5\n118×74\n101.5\n100×60\n33\n33\n33\n33\n49\nMarcel\n470\n471\n472\n473\n474\n470 Tavolo con struttura in acciaio\n \n ⁄ Table with steel frame \nBox × 1 pcs: \n0.33 m3\nPeso ⁄ Weight: \n6.7 kg\n471 Tavolo con struttura in acciaio\n \n ⁄ Table with steel frame \nBox × 1 pcs: \n0.23 m3\nPeso ⁄ Weight: \n5.4 kg\n472 Tavolo con struttura in acciaio\n \n ⁄ Table with steel frame \nBox × 1 pcs: \n0.21 m3\nPeso ⁄ Weight: \n5.0 kg\n473 Tavolo con struttura in acciaio\n \n ⁄ Table with steel frame \nBox × 1 pcs: \n0.14 m3\nPeso ⁄ Weight: \n4.3 kg\n474 Tavolo con struttura in acciaio\n \n ⁄ Table with steel frame \nBox × 1 pcs: \n0.15 m3\nPeso ⁄ Weight: \n4.2 kg\nGallery: p. 316\nTechnical info\nVetro extra chiaro o fumé \n⁄ Extra clear or smoked glass \n \n \n \ncm \nkg \nm3\n50 × 50 \n4.5 \n0.01 \n1 pcs\n60 × 60 \n6.5  \n0.01 \n1 pcs\n74 × 74 \n10 \n0.02 \n1 pcs\n60 × 100 \n11 \n0.02 \n1 pcs\n74 × 118 \n16.2 \n0.02 \n1 pcs\nMarmo bianco o verde\n⁄ White or green marble  \n \n \n \n \ncm \nkg \nm3\n50 × 50 \n13 \n0.02 \n1 pcs\n60 × 60 \n18.8  \n0.03 \n1 pcs\n74 × 74 \n28.8 \n0.05 \n1 pcs\n60 × 100 \n31.5 \n0.05 \n1 pcs\n74 × 118 \n46.1 \n0.08 \n1 pcs\nMDF laccato\n⁄ Lacquered MDF\n \n \n \ncm \nkg \nm3\n50 × 50 \n4 \n0.01 \n1 pcs\n60 × 60 \n5.8  \n0.01 \n1 pcs\n74 × 74 \n8.3 \n0.02 \n1 pcs\n60 × 100 \n9 \n0.02 \n1 pcs\n74 × 118 \n12.3 \n0.03 \n1 pcs\n0.8\n1\n1\n \n2\n2\n \n369\n",391,{"image":1571,"text":1572,"number":1573},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.392.png","Marimba\n110\n114\n112\n113\nGallery: p. 110\n110  Sedia in faggio, imbottita\n \n⁄ Chair in beechwood, upholstered \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n5.2 kg\n114 \nLounge in faggio, imbottita\n \n⁄ Lounge chair in beechwood,\n \nupholstered \nBox × 2 pcs: \n0.45 m3\nPeso ⁄ Weight: \n7.2 kg\n112 \nSgabello in faggio, imbottito\n \n⁄ Barstool in beechwood,\n \nupholstered \nBox × 1 pcs: \n0.17 m3\nPeso ⁄ Weight: \n5.2 kg\n113 \nSgabello in faggio, imbottito\n \n⁄ Barstool in beechwood,\n \nupholstered \n \nBox × 1 pcs: \n0.31 m3\nPeso ⁄ Weight: \n5.8 kg\n50 ⁄ 66.5\n41 ⁄ 52.5\n35 ⁄ 44\n35 ⁄ 49\n74\n76.5\n75\n101\n59.5 ⁄ 67\n43 ⁄ 52.5\n39 ⁄ 47\n42 ⁄ 55.5\n43.5\n46.5\n75.5\n370\n",392,{"image":1575,"text":1576,"number":1577},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.393.png","Nordica\n600\n601\n600  Poltroncina in faggio\n \n⁄ Armchair in beechwood\n \nBox × 1 pcs: \n0.24 m3\nPeso ⁄ Weight: \n5.5 kg\n601 Poltroncina in faggio, con\n \nsedile imbottito ⁄ Armchair in\n \nbeechwood, with upholstered seat \nBox × 1 pcs: \n0.24 m3\nPeso ⁄ Weight: \n5.6 kg\n40 ⁄ 47.5\n40 ⁄ 47.5\n71.5\n71.5\n47 ⁄ 59\n47 ⁄ 59\n64\n64\n43\n44\nGallery: p. 158\nTechnical info\n \n371\n",393,{"image":1579,"text":1580,"number":1581},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.394.png","Puccio\n710\n711\n712\n713\n714\n715\n716\n721\n722\n717\n718\n719\n720\n725\nGallery: p. 232\n372\n",394,{"image":1583,"text":1584,"number":1585},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.395.png","710  Sgabello in frassino\n \n⁄ Stool in ashwood \nBox × 1 pcs: \n0.10 m3\nPeso ⁄ Weight: \n3.6 kg\n711 \nSgabello in frassino\n \n⁄ Stool in ashwood \nBox × 1 pcs: \n0.13 m3\nPeso ⁄ Weight: \n4.7 kg\n712 Sgabello in frassino\n \n⁄ Barstool in ashwood \nBox × 1 pcs: \n0.16 m3\nPeso ⁄ Weight: \n4.8 kg\n713 Sgabello con struttura in \n \nacciaio e sedile in frassino\n \n⁄ Barstool with steel frame\n \nand seat in ashwood\n \nBox × 1 pcs: \n0.10 m3\nPeso ⁄ Weight: \n4.4 kg\n714 Sgabello con struttura in\n \nacciaio e sedile in frassino\n \n⁄ Stool with steel frame\n \nand seat in ashwood\n \nBox × 1 pcs: \n0.12 m3\nPeso ⁄ Weight: \n5.5 kg\n715  Sgabello con struttura in\n \nacciaio e sedile in frassino\n \n⁄ Barstool with steel frame\n \nand seat in ashwood\n \nBox × 1 pcs: \n0.16 m3\nPeso ⁄ Weight: \n5.7 kg\n716 Panchetta con struttura in acciaio e sedili in frassino\n \n⁄ Bench with steel frame and seats in ashwood\nBox × 1 pcs: \n0.35 m3\nPeso ⁄ Weight: \n11.6 kg\n717 \nTavolo in frassino\n \n⁄ Table in ashwood\n \n2 Box × 1 pcs: \n0.17 m3\nPeso ⁄ Weight: \n7.7 kg\n718 Tavolo in frassino\n \n⁄ Table in ashwood\n \n2 Box × 1 pcs: \n0.22 m3\nPeso ⁄ Weight: \n8.2 kg\n719  Tavolo con struttura in\n \nacciaio e piano in frassino\n \n⁄ Table with steel frame\n \nand top in ashwood\n \n2 Box × 1 pcs: \n0.17 m3\nPeso ⁄ Weight: \n7.4 kg\n720  Tavolo con struttura in\n \nacciaio e piano in frassino\n \n⁄ Table with steel frame\n \nand top in ashwood\n \n2 Box × 1 pcs: \n0.22 m3\nPeso ⁄ Weight: \n7.8 kg\n725 Tavolo con struttura in\n \nacciaio e piano in frassino\n \n⁄ Table with steel frame\n \nand top in ashwood \n2 Box × 1 pcs: \n0.40 m3\nPeso ⁄ Weight: \n9.3 kg\n721 \nTavolo con struttura in acciaio e piano in frassino\n \n⁄ Table with steel frame and top in ashwood \n2 Box × 1 pcs: \n0.60 m3\nPeso ⁄ Weight: \n17.5 kg\n722 Tavolo con struttura in acciaio e piano in frassino\n \n⁄ Table with steel frame and top in ashwood\n2 Box × 1 pcs: \n0.76 m3\nPeso ⁄ Weight: \n27.7 kg\n \n \n60\n32 ⁄ 42\n32 ⁄ 41\n32 ⁄ 42\n60\n60\n60\n60\n32 ⁄ 41\n \n \n65\n46\n110\n46\n75\n75\n62\n62\n74\n74\n46\n65\n42 ⁄ 160\n \n42 ⁄ 45\n \n42 ⁄ 45\n \n42 ⁄ 44.5\nØ60\nØ60\nØ60\nØ60\nØ60\n42\n105\n160\n70\n74\n160\n32 ⁄ 42.5\n42 ⁄ 46.5\n32 ⁄ 39\n42 ⁄ 46.5\nTechnical info\n42 ⁄ 43\n32 ⁄ 38\n \n373\nBilliani\n",395,{"image":1587,"text":1588,"number":1589},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.396.png","Spy\n658\n655\n665\n664\n652\n653\n654\nGallery: p. 262\n374\n657\n660\n650\n651\n659\n661\n658\n656\n657\n662\n663\n",396,{"image":1591,"text":1592,"number":1593},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.397.png","660  Sedia in faggio, imbottita\n \n⁄ Chair in beechwood,\n \nupholstered \nBox × 2 pcs: \n0.33 m3\nPeso ⁄ Weight: \n7.6 kg\n661  Sedia con struttura \n \nin acciaio, imbottita\n \n⁄ Chair with steel frame,\n \nupholstered \nBox × 2 pcs: \n0.33 m3\nPeso ⁄ Weight: \n10 kg\n650  Poltroncina in faggio, imbottita\n \n⁄ Armchair in beechwood,\n \nupholstered \nBox × 1 pcs: \n0.31 m3\nPeso ⁄ Weight: \n9.4 kg\n651 Lounge in faggio, imbottita\n \n⁄ Lounge chair in beechwood,\n \nupholstered \nBox × 1 pcs: \n0.38 m3\nPeso ⁄ Weight: \n11.8 kg\n658  Bergère in faggio, imbottita\n \n⁄ Bergère in beechwood,\n \nupholstered\nBox × 1 pcs: \n0.74 m3\nPeso ⁄ Weight: \n19.8 kg\n652  Poltroncina con struttura\n \nin acciaio, imbottita \n \n⁄ Armchair with steel frame,\n \nupholstered \nBox × 1 pcs: \n0.31 m3\nPeso ⁄ Weight: \n11.8 kg\n657 Lounge con struttura\n \nin acciaio, imbottita\n \n⁄ Lounge chair with steel\n \nframe, upholstered\nBox × 1 pcs: \n0.37 m3\nPeso ⁄ Weight: \n14.2 kg\n662 Lounge high con struttura\n \nin acciaio, imbottita\n \n⁄ High-backed lounge chair \n \nwith steel frame, upholstered \nBox × 1 pcs: \n0.55 m3\nPeso ⁄ Weight: \n16.5 kg\n665   Divano Bergère in faggio, imbottito\n \n⁄ Bergère sofa in beechwood, upholstered\n \nBox × 1 pcs: \n1.67 m3\nPeso ⁄ Weight: \n40 kg\n664  Dormeuse in faggio, imbottita\n \n⁄ Dormeuse in beechwood, upholstered\n \nBox × 1 pcs: \n0.75 m3\nPeso ⁄ Weight: \n22.2 kg\n663 Divano in faggio, imbottito\n \n⁄ Sofa in beechwood, upholstered\n \nBox × 1 pcs: \n0.75 m3\nPeso ⁄ Weight: \n25.2 kg\n658  Tavolo con struttura in faggio\n \n⁄ Table with frame in beechwood\nTop MDF\n2 Box × 1 pcs: \n0.11 m3\nPeso ⁄ Weight: \n6.4 kg\n \nTop Marble\n2 Box × 1 pcs: \n0.12 m3\nPeso ⁄ Weight: \n12 kg\n654  Tavolo con struttura in faggio\n \n⁄ Table with frame in beechwood \nBase + Top MDF\n2 Box × 1 pcs: \n0.11 m3\nPeso ⁄ Weight: \n9.5 kg\n \nBase + Top Marble\n2 Box × 1 pcs: \n0.12 m3\nPeso ⁄ Weight: \n25.5 kg\n657 Tavolo con struttura in faggio\n \n⁄ Table with frame in beechwood \nBase + Top MDF\n2 Box × 1 pcs: \n0.14 m3\nPeso ⁄ Weight: \n10 kg\n \nBase + Top Marble\n2 Box × 1 pcs: \n0.15 m3\nPeso ⁄ Weight: \n26 kg\n653 Tavolo con struttura in faggio\n \n⁄ Table with frame in beechwood \nBase + Top MDF Ø120\n2 Box × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n32.5 kg\n \nBase + Top Marble Ø120 \n2 Box × 1 pcs: \n0.30 m3\nPeso ⁄ Weight: \n76.5 kg\nBase + Top MDF Ø140 \n2 Box × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n39.5 kg\n \nBase + Top Marble Ø140 \n2 Box × 1 pcs: \n0.33 m3\nPeso ⁄ Weight: \n100 kg\n653 Tavolo con struttura in faggio\n \n⁄ Table with frame in beechwood \nBase + Top MDF 120 × 120 \n2 Box × 1 pcs: \n0.27 m3\nPeso ⁄ Weight: \n37.5 kg\n \nBase + Top Marble 120 × 120  \n2 Box × 1 pcs: \n0.30 m3\nPeso ⁄ Weight: \n94.5 kg\nBase + Top MDF 140 × 140\n2 Box × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n47.5 kg\n \nBase + Top Marble 140 × 140\n2 Box × 1 pcs: \n0.33 m3\nPeso ⁄ Weight: \n125.5 kg\n655  Tavolo con struttura in faggio\n \n⁄ Table with frame in beechwood \n \nBase + Top MDF\n2 Box × 1 pcs: \n1.20 m3\nPeso ⁄ Weight: \n56 kg\n \nBase + Top Marble\n2 Box × 1 pcs: \n1.25 m3\nPeso ⁄ Weight: \n135 kg  \n44 ⁄ 57\n76\n50 ⁄ 60\n64\n48\n41\n49 ⁄ 64\n69\n58 ⁄ 72\n56\n53 ⁄ 68\n69\n120 ⁄ 137\n56\n41\n59 ⁄ 68\n69\n120 ⁄ 136\n56\n41\n44 ⁄ 57\n76\n50 ⁄ 60\n64\n48\n70\nØ70\n36\nTechnical info\n50 ⁄ 78\n92\n58 ⁄ 74\n56\n43\n50 ⁄ 78\n92\n58 ⁄ 74\n56\n43\n49 ⁄ 64\n69\n58 ⁄ 72\n56\n41\n70\nØ70\n46\n90\n74\n220\n120\n140\n74\nØ120\nØ140\n120\n140\n74\n120×120\n140×140\n109 ⁄ 148\n121.5\n54 ⁄ 87\n65\n42 \n36\n67\n38.5\n \n375\n78\n48\n44 ⁄ 55\n48\n44 ⁄ 55\n48\n78\n48\n40\n44.5\n71\n38\n656 Pouf in faggio, imbottito\n \n⁄ Pouf in beechwood,\n \nupholstered\n \nBox × 1 pcs: \n0.15 m3\nPeso ⁄ Weight: \n5.1 kg\n51 ⁄ 80\n110\n58 ⁄ 79\n56\n43\n659 Lounge high in faggio, imbottita\n \n⁄ High-backed lounge chair in\n \nbeechwood, upholstered\n \nBox × 1 pcs: \n0.57 m3\nPeso ⁄ Weight: \n15.5 kg\nBilliani\n",397,{"image":1595,"text":1596,"number":1597},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.398.png","Sey\n690\n691\n693\n694\n690  Poltroncina con struttura\n \nin acciaio, imbottita\n \n⁄ Armchair with steel frame,\n \nupholstered \nBox × 2 pcs: \n0.30 m3\nPeso ⁄ Weight: \n6.7 kg\n691 Poltroncina con struttura in\n \nacciaio, intrecciata in cima nautica\n \n⁄ Armchair with steel frame,\n \nwoven in marine rope \nBox × 2 pcs: \n0.30 m3\nPeso ⁄ Weight: \n7.2 kg\n693 Lounge con struttura \n \nin acciaio, imbottita\n \n⁄ Lounge chair with steel\n \nframe, upholstered \nBox × 2 pcs: \n0.46 m3\nPeso ⁄ Weight: \n9.0 kg\n694 Lounge con struttura in acciaio,\n \nintrecciata in cima nautica\n \n⁄ Lounge chair with steel frame,\n \nwoven in marine rope\n \nBox × 2 pcs: \n0.46 m3\nPeso ⁄ Weight: \n8.3 kg\n41 ⁄ 55.5\n41 ⁄ 55.5\n49 ⁄ 65\n49 ⁄ 65\n77\n77\n72\n72\n44 ⁄ 58\n44 ⁄ 58\n59 ⁄ 72.5\n59 ⁄ 72.5\n64\n64\n59\n59\n47.5\n47.5\n42\n42\nGallery: p. 242\n376\n",398,{"image":1599,"text":1600,"number":1601},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.399.png","Take\n585\n586\n \n585  Sedia in faggio\n \n⁄ Chair in beechwood \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n6.0 kg\n586 Sedia in faggio, con sedile\n \nimbottito ⁄ Chair in beechwood,\n \nwith upholstered seat \nBox × 2 pcs: \n0.34 m3\nPeso ⁄ Weight: \n6.5 kg\n40 ⁄ 51\n40 ⁄ 51\n77\n77\n40 ⁄ 48\n40 ⁄ 48\n45\n46\nGallery: p. 172\nTechnical info\n \n377\n",399,{"image":1603,"text":1604,"number":1605},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.400.png","Tango\n700\n701\n700  Appendiabiti in frassino\n \n⁄ Coat-stand in ashwood \nBox × 1 pcs: \n0.77 m3\nPeso ⁄ Weight: \n6.3 kg\n701 Appendiabiti in frassino,\n \ncon agganci supplementari\n \n⁄ Coat-stand in ashwood,\n \nwith additional hooks\nBox × 1 pcs: \n0.77 m3\nPeso ⁄ Weight: \n6.5 kg\n66\n66\n66\n66\n162\n162\nGallery: p. 312\n378\n",400,{"image":1607,"text":1608,"number":1609},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.401.png","Toccata & Fuga\n530\n531\n530  Sedia in faggio, con sedile\n \nimbottito ⁄ Chair in beechwood,\n \nwith upholstered seat \nBox × 2 pcs: \n0.30 m3\nPeso ⁄ Weight: \n5.2 kg\n531 Poltroncina in faggio, con\n \nsedile imbottito ⁄ Armchair in\n \nbeechwood, with upholstered seat\nBox × 1 pcs: \n0.30 m3\nPeso ⁄ Weight: \n6.2 kg\n47 ⁄ 51\n46 ⁄ 51\n83\n72.5\n48\n48 ⁄ 62\n48\n71\n47\nGallery: p. 186\nTechnical info\n \n379\n",401,{"image":1611,"text":1612,"number":1613},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.402.png","Tracy\n565\n566\n567\n568\n595\n596\n597\n598\n565  Sedia in faggio\n \n⁄ Chair in beechwood \nBox × 2 pcs: \n0.30 m3\nPeso ⁄ Weight: \n5.0 kg\n566 Sedia in faggio,\n \ncon sedile imbottito\n \n⁄ Chair in beechwood,\n \nwith upholstered seat \nBox × 2 pcs: \n0.30 m3\nPeso ⁄ Weight: \n5.5 kg\n567 Sedia in faggio, con\n \nschienale in listelli in massello\n \n⁄ Chair in beechwood, with\n \nbackrest in tapered solid rods \nBox × 2 pcs: \n0.30 m3\nPeso ⁄ Weight: \n5.0 kg\n568 Sedia in faggio, con sedile\n \nimbottito e schienale in listelli\n \nin massello ⁄ Chair in beechwood,\n \nwith upholstered seat and\n \nbackrest in tapered solid rods\n \nBox × 2 pcs: \n0.30 m3\nPeso ⁄ Weight: \n5.5 kg\n595 Sgabello in faggio\n \n⁄ Barstool in beechwood\n \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n6.1 kg\n596  Sgabello in faggio,\n \ncon sedile imbottito\n \n⁄ Barstool in beechwood,\n \nwith upholstered seat\nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n6.6 kg\n597 Sgabello in faggio, con\n \nschienale in listelli in massello\n \n⁄ Barstool in beechwood, with\n \nbackrest in tapered solid rods\n \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n6.1 kg\n598 Sgabello in faggio, con sedile\n \nimbottito e schienale in listelli in\n \nmassello ⁄ Barstool in beechwood,\n \nwith upholstered seat and\n \nbackrest in tapered solid rods \nBox × 1 pcs: \n0.29 m3\nPeso ⁄ Weight: \n6.6 kg\n37 ⁄ 50\n41 ⁄ 50\n37 ⁄ 50\n41 ⁄ 50\n39 ⁄ 49\n36 ⁄ 49 \n39 ⁄ 49\n36 ⁄ 49\n77\n77\n77\n77\n102\n102\n102\n102\n47\n47\n47\n47\n44\n44\n44\n44\n47\n47\n48\n48\n80\n80\n81\n81\nGallery: p. 152\n380\n",402,{"image":1615,"text":1616,"number":1617},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.403.png","Vincent v. G. \n440\n441\n444\n440  Sedia in frassino,\n \ncon sedile imbottito\n \n⁄ Chair in ashwood,\n \nwith upholstered seat \nBox × 2 pcs: \n0.38 m3\nPeso ⁄ Weight: \n5.4 kg\n441 Poltroncina in frassino,\n \ncon sedile imbottito\n \n⁄ Armchair in ashwood,\n \nwith upholstered seat \nBox × 1 pcs: \n0.26 m3\nPeso ⁄ Weight: \n6.7 kg\n444 Sgabello in frassino,\n \ncon sedile imbottito\n \n⁄ Barstool in ashwood,\n \nwith upholstered seat \nBox × 1 pcs: \n0.31 m3\nPeso ⁄ Weight: \n6.7 kg\n42 ⁄ 50\n41 ⁄ 50\n41 ⁄ 50\n111\n79\n79\n50\n56\n48 ⁄ 58\n80\n47\n64\n47\nGallery: p. 136\nTechnical info\n \n381\n",403,{"image":1619,"text":1620,"number":1621},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.404.png","W.\n605\n608\n603\n604\n607\n606\n603  Poltroncina in faggio\n \n⁄ Armchair in beechwood \nBox × 1 pcs: \n0.34 m3\nPeso ⁄ Weight: \n8.5 kg\n604 Poltroncina a dondolo in faggio\n \n⁄ Rocking armchair in beechwood \nBox × 1 pcs: \n0.38 m3\nPeso ⁄ Weight: \n9.2 kg\n605 Sedia in faggio\n \n⁄ Chair in beechwood \nBox × 1 pcs: \n0.24 m3\nPeso ⁄ Weight: \n6.5 kg\n608 Sedia a dondolo in faggio\n \n⁄ Rocking chair in beechwood\n \nBox × 1 pcs: \n0.31 m3\nPeso ⁄ Weight: \n7 kg\n606 Lounge in faggio\n \n⁄ Lounge chair in beechwood\n \nBox × 1 pcs: \n0.43 m3\nPeso ⁄ Weight: \n11.3 kg\n607  Sgabello in faggio\n \n⁄ Barstool in beechwood \nBox × 1 pcs: \n0.34 m3\nPeso ⁄ Weight: \n7.7 kg\n603 Cuscini sedile\n604 ⁄ Seat cushions\n605\n607\n608\nSpessore ⁄ Depth: \n3.5 cm\nPeso ⁄ Weight: \n0.3 kg\n606 Cuscini sedile\n \n⁄ Seat cushions\nSpessore ⁄ Depth: \n3.5 cm\nPeso ⁄ Weight: \n0.5 kg\nCuscini\n⁄ Cushions\n40 ⁄ 49\n40 ⁄ 49\n54 ⁄ 67.5\n39 ⁄ 54\n39 ⁄ 65\n39.5 ⁄ 51\n72\n72\n66\n94.5\n94.5\n95\n43.5 ⁄ 57.5\n43.5 ⁄ 57.5\n60.5 ⁄ 76.5\n43.5 ⁄ 57.5\n43.5 ⁄ 57.5\n44 ⁄ 57.5\n60\n55\n40\n60\n40\n30\n68\n68\n61.5\n68\n68\n44.5\n44.5\n44.5\n \n44.5\n92\n75\n40\nGallery: p. 192\n382\n",404,{"image":1623,"text":1624,"number":1625},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.405.png","White\n130\n132\n134\n135\n130  Sedia in frassino\n \n⁄ Chair in ashwood\n \nBox × 2 pcs: \n0.35 m3\nPeso ⁄ Weight: \n7.2 kg\n132 Sedia in frassino, con sedile\n \nimbottito ⁄ Chair in ashwood,\n \nwith upholstered seat \nBox × 2 pcs: \n0.35 m3\nPeso ⁄ Weight: \n7.9 kg\n134 Sgabello in frassino\n \n⁄ Barstool in ashwood \n \nBox × 1 pcs: \n0.14 m3\nPeso ⁄ Weight: \n6 kg\n135 Sgabello in frassino, con sedile\n \nimbottito ⁄ Barstool in ashwood,\n \nwith upholstered seat \nBox × 1 pcs: \n0.14 m3\nPeso ⁄ Weight: \n6.9 kg\n40 ⁄ 49.5\n \n \n40 ⁄ 49.5\n77.5\n77\n78\n77.5\n44 ⁄ 55\n \n \n44 ⁄ 55\n48\n46\n33.5 ⁄ 36.5\n33.5 ⁄ 36.5\n40 ⁄ 42.5\n40 ⁄ 42.5\nGallery: p. 102\nTechnical info\n \n383\n",405,{"image":1627,"text":1628,"number":1629},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.406.png","Billiani srl\nVia della Roggia 28\n33044 Manzano \n(UD) Italia \nT. (+39) 0432 740180\nF. (+39) 0432 755953\nE–mail: info@billiani.it\nwww.billiani.it\nFollow us on: \nInstagram, Facebook, \nLinkedIn, WeChat\nArt Direction\n· Cristina Celestino\nPhotography\n· Beppe Brancato\n· Mattia Balsamini (Ljubljana)\nStyling \n·  in collaboration with \n Elena Mora\nGraphic design\n· Cecilia Cappelli \nIllustrations\n· Cristina Del Buono\nCopywriting \n· Lisa Cadamuro\nStampato presso\n· Grafiche Filacorda,\n Udine IT\nPress Office\n· GA | Guga + Anil\n Via Bernardino Zenale 13\n 20123 Milano\n ga@GA.works\nMaggio 2020\n© Billiani srl\nCREDITI REFERENZE ⁄ PROJECTS CREDITS\n·  Jadran — P.079\nProject and photo by Architect Lea Aviani\nRù Peruano — P.079\nProject by Anonima Opifici (architetto \nEnza Martellotta, interior designer Alessandro \nIacobellis); photo Daniele Galli\n·  Bana — P.080\nProject by Amit Studio; \nphoto Amit Geron\n·  The Crux & Co. — P.081\nProject by Eatas; \nphoto Derek Swalwell\n·  Arthotel ANA Momentum — P.081\nProject by Architect Uwe Flaig\n·  Cork and Bottle — P.081\nProject by Astounding Interiors; \nphoto Richard Gooding\n·  Neni — P.124\nInterior design by Dreimeta; \nphoto Steve Herud\n·  Hagakure — P.124, 195\nProject by Anonima Opifici;\nphoto Daniele Galli\n·  Spicy NoSpicy — P.125\nProject by YOD Design Lab;\nphoto Andriy Bezuglov\n·  7 Goats — P.125\nProject by YOD Design Lab;\nphoto Roman Kupriyan\n·  The Bay at Mandarin Oriental — P.135\nInterior design by Silverfox Studios; \nphoto Nacasa & Partners\n·  The Studio Hotel — P.150, 248, 301\nPhoto Magnus Skoglöf\n·  Bio.it — P.151\nProject and photo by Ingrid\nFontanili Architetto \n·  Hífen — P.157, 300\nProject by Sofia Duarte & João Mota; \nInterior Design e Arquitectura SD I JM I ARQ\n·  Stand Italgraniti — P.157, 185\nItalgraniti Group presso Fiera Cersaie 2016 \n(italgranitigroup.com)\n·  The Penny Drop — P.169, 226\nInterior design by Golden; \nphoto Brooke Holm \n·  Omma — P.169\nProject by Stones and Walls;\nphoto Christos Drazos \n·  Fire & Bread — P.170\nProject by Isabel Lopez Vilalta + Asociados; \nphoto Salva López \n·  El Tequito — P.171\nProject by Superstudio21; \nphoto Nikita Kulikov\n·  V-ZUG Showroom — P.171\nProject by Carole Whiting; \nphoto Tatjana Plitt\n· Seerestaurant — P.177\nProject and photo by Barmade AG\n· Bistrot Cento61 — P.198,300\nProject and photo by Studio DiDea\nArchitetti Associati\n · Hagakure NOH Samba — P.198\nProject by Anonima Opifici; \nphoto Vincenzo De Giglio\n·  Stand Italgraniti — P.199\nItalgraniti Group presso Fiera Cersaie 2019 \n(italgranitigroup.com)\n·  Pushka Apartment — P.199\nProject by balbek bureau; \nphoto Andrey Bezuglov, Yevhenii Avramenko \n·  The Traveller — P.199\nProject by Powerhouse Company;\nphoto Derek Zomer\n· Wilma Wunder — P.221,276,301\nProject by Superstudio21; \nphoto Nikita Kulikov\n· Residence Itaca — P.221\nProject by Studio Pipitone  \n(Ing. Vito Pipitone; Arch. Cristina Barranca; \nAlcamo); photo Alessandro Borbone\n·  LocHal Library — P.227\nInterior design by Mecanoo; \nphoto Ossip Architectuurfotografie\n· Sale e sarde — P.248\nProject by Anonima Opifici; \nphoto Daniele Galli\n· Nour — P.249\nProject by DS17\n·  Apartment N08 — P.276\nProject by dontDIY; \nphoto Assen Emilov\n·  Le General — P.277\nPhoto Gilles Trillard\n·  Bao — P.277  \nProject by YOD Design Lab; \nphoto Andrey Avdeenko\n· Crowne Plaza — P.277\nProject by Ori Architetti; \ngeneral contractor Gitaly Srl\n·  Nice 2 meet you — P.286\nProject by YOD Design Lab; \nphoto Andrey Avdeenko\n·  Garden City Resort — P.286\nConcept, lighting and interior design \nby BllendDesignOffice; \nphoto by Louiza Nikolaidou\n·  Taiyo Sushi Lounge — P.300\nProject by LAI STUDIO — Maurizio Lai Architects; \nphoto Andrea Martiradonna\nInformazioni tecniche:\n· I prodotti possono essere imbottiti\n con stoffa fornita dal cliente.\n· I prodotti possono essere \n verniciati a campione. \n· I prodotti possono essere verniciati\n e imbottiti con materiali ignifughi.\n \nTechnical infos: \n· Products can be finished \n with customer’s own upholstered. \n· Products can be finished \n with customer’s own stain sample. \n· Products can be finished \n with fire retardant materials.\n100% made in Italy\nBilliani srl si riserva il diritto di modificare, \nintegrare o eliminare in qualunque momento \nsenza preavviso, le caratteristiche tecniche e i \nmodelli illustrati nel presente catalogo. Billiani srl \nè un marchio registrato; i modelli rappresentati \nall’interno del catalogo sono protetti da brevetti \ndepositati; tutti i diritti di riproduzione, anche \nparziale, delle illustrazioni sono di esclusiva \nproprietà di Billiani srl e solo previo consenso \npotranno essere riutilizzati. I colori illustrati nel \npresente catalogo potrebbero non corrispondere \na quelli originali. Per un riscontro del colore \naccurato contattare Billiani srl. \n⁄ Billiani srl reserves the right to amend, increase \nor discontinue at any time and without notice \ntechnical features and the models shown in this \ncatalogue. Billiani srl is a registered trademark. \nModels shown in this catalogue are patented; \nall rights of reproduction, eve partial, of the \nillustrations here within are the sole and exclusive \nproperty of Billiani srl and such illustrations \nmay only be used with express prior consent. \nThe colours are shown in this catalogue may \nnot correspond perfectly to the originals. Please \ncontact Billiani srl for an accurate indication.\nCertificazioni \u002F Certifications\n   \nAsk for our FSC®-certified products \nBilliani srl is member of \nthe Italian Flair & Synergy for Contract\n",406,{"image":1631,"text":19,"number":1632},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.407.png",407,{"image":1634,"text":19,"number":1635},"\u002Fmedia\u002Fimages\u002F0a\u002Fcbd0e0f86f66c5e00266599c115a0f-26bcd20ebd.408.png",408,[],0,false,true,{"success":1639,"data":1641,"meta":1843,"count":1844,"next":1845,"previous":1846,"results":1878,"brand_chips":1939},[1642,1655,1664,1673,1682,1691,1700,1710,1720,1730,1741,1753,1762,1774,1786,1795,1804,1813,1822,1834],{"id":1643,"title":1644,"slug":1645,"image":1646,"source":1647,"brand_name":1648,"brand":1649,"brand_slug":1650,"file_size":1651,"pages":1652,"pages_count":1653,"matched_pages":1654,"match_count":1637,"two_pages":1638,"show_text":1639},26607,"Working 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