[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-astep-collection-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":317},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":312,"matched_pages":313,"match_count":314,"two_pages":315,"show_text":316},15902,"Collection 2023","astep-collection-2023","\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fee\u002F187f9a680a51b517a8e864ea267896-2867409f68.pdf","Astep",2290,"astep","32.6 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309],{"image":7,"text":15,"number":16},"Collection\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.2.png","Astep was founded in 2014 by Alessandro Sarfatti to create and curate timeless inventions \nprojecting innovative ideas into the future. In the Tribute Collection, Astep reissues selected \nlighting designs as the timeless masterpieces of Gino Sarfatti in the Gino Sarfatti Collection \nand the works of established architects and designers who worked for Arteluce, the lighting \ncompany he founded. Acknowledging the importance of continuously redefining, refining and \nremembering timeless designs, Astep retains its edge by reintroducing new products with \n advancing technologies in the Evolution Collection. \n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.3.png","005 \nA Sarfatti Story\n006 \nThe Astep Identity\n \nEvolution Collection\n012 \nIsol\n018 \nUblo\n022 \nPepa\n026 \nNox\n030 \nCandela\n \nTribute Collection\n034 \nLT8\n038 \nVV Cinquanta\n056 \nSB Cinquantotto\n060 \nModel 2050\n \nGino Sarfatti Collection\n066 \nModel 2065\n076 \nLe Sfere\n078 \nLe Sfere Transparent edition\n084 \nLe Sfere Model 237 \u002F 238\n086 \nLe Sfere Model 2042\n092 \nLe Sfere Model 2109\n100 \nLe Sfere 1081\n102 \nModel 537\n106 \nModel 548\n110 \nModel 566\n114 \nModel 1095\n118 \nDesigners\n122 \nTypologies\n124 \nSpecifications\nFounder Alessandro Sarfatti by the family villa on Lake Como\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.4.png","5\nI like to think of the essence of evolution as the capacity to capture \nthe best of what has been and let it evolve into the heart of what is \nto come. Thus, Astep continues on the path devised by two great \nentrepreneurs. Like all good Italian tales, mine is also a family affair \nand draws from father to son. \nIn 1939, Gino Sarfatti, my grandfather, took the first step by found-\ning Arteluce, a company that pioneered the use of design in the \nlighting business. In 1978 my father Riccardo went a step further. \nTogether with my mother Sandra Severi and architect Paulo  Rizzatto \nhe created Luceplan, a company that tied together design and \ntechnological research. This two-folds innovative and evolutionary \nlegacy, together with an acute attention to sustain ability, is what \ndefines Astep. A company that looks into the future by reworking \nthe meaning of history. \nAstep is an international company. Based in Denmark, it has its \nroots and manufacturing capabilities in Italy. Merging the past and \nthe future we revisit the most ground-breaking designs by Italian \nMasters and introduce new technologies into original ideas.\nBecause what made good design in the past is what continues to \ninspire us every day.  \nAlessandro Sarfatti\nFounder of Astep\nA Sarfatti Story\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.5.png","7\n6\nThe Astep Identity\nWe believe that good design is timeless. It is made to outlive \ntrends by expressing superior quality, beauty, and functionality in \none, single idea. Good design is also about relationships. Behind \na good project there is always a good relationship between all the \npeople involved in the creative process of conception, develop-\nment, manufacturing, marketing, and sale. A relationship of mutual \ntrust and respect, fostered through the continuous exchange of \nideas and visions and a joint goal of developing new solutions to \nadd to the quality of life. We cherish our relations with those who \nwork for us, with us, and who select our products. Each piece in \nthe Astep Collection is connected in time by this bond of virtues, \nexpressing the defining relationship between objects, people, and \nthe spaces they inhabit. \nWe are committed to circular design. Our products are designed \nto last and be loved for a lifetime. But also, to be repaired or refur-\nbished if needed and, only as a last resort, recycled. We aim to, \nwherever possible, reduce the carbon footprint of our activities \nand act on it accordingly. By optimizing the use of cardboard, \nwe have eliminated more than 90% of plastics in our packaging. \nWe select materials that are good for our planet and use recyc-\nled and recyclable plastic in our lamps. We thrive to continuously \nseek new ways of improving and being more sustainable to cause \nminimal residual impact. Astep formally sent in the application of \nbecoming a B Corp in March 2022 to add social and environmen-\ntal good to profit. Our work ethic prices clean manufacturing, arti-\nsanal quality, and social responsibility. For us good design and \nsustainable action essentially complement each other.\nWe fuse design with technological advancement. Applying inno-\nvation at every step of the creative process, we aim to create prod-\nucts that represent a real evolution in the world of lighting. There \nwas a time in which technological innovation was a privilege of \nlarge companies. In the last 20 years, though, digitalization and \nminia turization have progressively changed the rules of the game. \nAs the Maker’s culture has demonstrated, innovation is now perva-\nsive, affordable, ubiquitous, depending on people’s wits and desire \nto change. Astep was born to merge the agility of new technolo-\ngies with good design, to turn interventive innovation into aesthe-\ntically distinctive design devised from careful engineering.\nTechnology\nDesign\nSustainability\nThe Astep Identity\nDesign\nTechnology\nSustainability\nastep\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.6.png","This is where Astep moves, back and forth, bringing to life timeless designs and investing in \ncontemporary inventions. An untiring quest into the innovative potentials of light and the sense \nof possibility each new piece may inspire.\nThe inventions of the past that are the icons of today meeting the icons of tomorrow that are \nthe inventions of today.\nGood design feels eternally contemporary. As familiar as the past, as relevant as the present \nand as inventive as the future. \nGood design is timeless. It draws from a relentless effort to go beyond what is possible. To \nexcel, create, engineer. \n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.7.png","Engaging the most forward-thinking designers, building on years of research, the Evolution \n Collection brings forward solutions that were not there before. Products with a prolonged life \ncycle for generations and with a refined aesthetic and manufacturing root in Italy. Merging \n innovation and high-end design to create new classics of today.\nEvolution\n \nCollection\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.8.png","13\n12\nEvolution Collection \nEvolution Collection \u002F Isol\nIsol\nDavid Thulstrup\n2021\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.9.png","A sound-absorbing acoustic high\nperformance lamp developed with\nSnowsound® technology\n15\n14\nEvolution Collection \u002F Isol\nEvolution Collection \u002F Isol\nDesigned by David Thulstrup with Snowsound® technology em -\nbracing the shape of a cylinder, Isol, offers elegant functionality \npared down to its simplest expression.\nProduced in Italy, the lamp is the result of high-precision work and \ntechnological advancement. The patented Snowsound® Fiber \ntextile lends the lamp outstanding sound-absorbing qualities and \nacoustic performance. The fabric is completely recyclable and has \na Greenguard Gold certification for being a low  e mitting product \nthat contributes to improve indoor air quality. \nPart sculpture and part light source, Isol can be used in a variety \nof combinations and in private and public environments as an \n aesthetic way of bringing acoustic properties into a space. Alone, \nit convinces through quiet authority offering a sense of privacy. In \nmultiples, its distinctive character is enhanced by connecting the \nrings to extend lighting and noise-absorbing power.\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.10.png","17\n16\nEvolution Collection \u002F Isol\nEvolution Collection \u002F Isol\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.11.png","19\n18\nEvolution Collection \u002F Ublo\nEvolution Collection \nUblo\nDavid Thulstrup\n2023\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.12.png","21\n20\nEvolution Collection \u002F Ublo\nEvolution Collection \u002F Ublo\nConceived for The Office Group in London, Ublo embodies archi-\ntect David Thulstrup’s impeccable visual and technical language \nwithin interior design.\nEnvisioned as an architectural element it expresses purity in form \nand function with clean geometric lines and smooth materiality \nthat will gracefully fit all spaces. \nThe piece is meticulously engineered. Custom CNC-milled from \nsolid aluminum, it is cut in one block that seamlessly conceals all \ntechnique while supporting the opal shade of injection molded \npolycarbonate. A sophisticated and high precision look and feel of \nquality deduced from function.\nExpanding the small market of wet room fixtures, Ublo carries an \nIP44 rating to offer a distinct design choice for bathrooms and \nother environments where water spray is a risk factor. Supporting \nAstep’s sustainability vision the lamp is further fully reparable and \nusing replaceable G9 bulbs as light source. \nUblo is IP44 rated and offers a\ndistinct design choice for bathrooms\nor other wet rooms\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.13.png","23\n22\nEvolution Collection\nEvolution Collection \u002F Pepa\nPepa\nFrancesco Faccin\n2020\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.14.png","With a strong body of solid ash wood and powered by a techno-\nlogical heart, Pepa is a portable luminaire that marries traditional \ncraft with modern technology. Pepa was born from the intuition \nof Italian designer Francesco Faccin to create a light that needs \nto be touched to be seen. Inspired by a pepper grinder, Pepa is \nheld and twisted, up to 360°, to create a light that is finely adjusted \nand discreet or decisive whereas needed. Inside the beautifully \nfinished wooden form, Pepa incorporates sophisticated multi-axis \nmagne tic field sensor technology, which elegantly eliminates all \nwires in side and outside the product. \nThe thoughtful simplicity of construction ensures that Pepa has the \nlongest life possible, making it a highly sustainable object. Unlike \nmost other portable lamps, it is powered with USB-C connec tivity \nthrough standard rechargeable batteries that can be purchased in \nany grocery store. Its parts, assembled with only four screws are \nall detachable and repairable, the circuit board can be easily sub-\nstituted as it is not glued. At the end of the life cycle, all parts can \nbe dismantled and recycled. \nThe distinctive shape and lantern-like dimensions of Pepa give it \nthe versatility to adapt to diverse spaces and situations: on the \ndining table, next to the bed, on the balcony ... a humble wooden \nluminaire with long-lasting utility and premier elegance.\n25\n24\nEvolution Collection \u002F Pepa\nEvolution Collection \u002F Pepa\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.15.png","27\n26\nEvolution Collection \u002F Nox\nEvolution Collection\nNox\nAlfredo Häberli\n2017\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.16.png","Distinctive to Nox is its wireless\ncharging system with induction technology.\nNox provides up to 336 hours of light\nwhen fully charged\nNamed for ‘night’ in Latin, Nox in its very essence invites being \nmoved around to embellish and brighten up everyday life, both \nindoors and outdoors. The portable luminaire embodies the playful \nand innovative energy of Argentinian designer Alfredo Häberli in a \nsoftly beautiful shape that looks and feels precious. \nMade and assembled in Italy of high-quality materials, Nox per-\nfectly combines the artisan tradition of mouth-blown opal glass \ndiffusers with advanced technology. The Lamp has an exceptional \nlong duration due to its sophisticated wireless induction charging \nsystem. When fully charged at full intensity Nox provides up to \ntwenty hours of light. At minimum intensity, it reaches astonishingly \n336 hours (two entire weeks) of light. This performance makes it a \nunique case in the panorama of portable lamps.\nNox is simply recharged when set on its induction base or on any \nother charging base with Qi technology — a way to limit the excess \nof ad hoc charging tools and leave a sustainable imprint.\n29\n28\nEvolution Collection \u002F Nox\nEvolution Collection \u002F Nox\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.17.png","A modern lantern harvesting energy\nfrom the flame of bioethanol\n31\n30\nCandela\nFrancisco Gomez Paz\n2016\nEvolution Collection \u002F Candela\nEvolution Collection\nExploring the essence of light, the flame, Candela perpetuates the \ntradition of Scandinavian oil lanterns by advancing the product with \n21st century technology. The lamp expresses visionary designer \nFrancisco Gomez Paz’ inventive and curious approach to lighting. \nIgniting timeless rituals while pushing the limits of technology, to \npursue a profound sense of beauty. \nFor Candela, Astep has crafted a novel energy harvesting system \nthat generates electricity from the heat of the flame. Building on \nthe thermoelectric Seebeck effect discovered in the 19th century, \nthe lamp creates its own electricity to provide cosy LED illumination \nwhile charging mobile devices via USB. \nCandela is powered by bioethanol, a clean, natural, and re new able \nfuel made from plants. Responsibly produced in Italy, the lamp is \ndesigned with recyclable materials such as aluminum and high- \ntemperature advanced thermal materials. The wick is made from \nceramic fibres coated with aluminium to prolong its life span. When \nlit, Candela generates a smokeless flame rising within the elegant \nshape of the hand-blown opal glass. \nThe portable lantern can be used both indoors and outdoors, ideal \nfor a variety of spaces, such as cafés, restaurants, waiting rooms, \nand private homes.\nCombining the oldest and newest forms of lighting in one piece, \nCandela is a manifesto that speaks to evolution in design and \ntechnology, and a heartfelt respect for the environment.\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.18.png","The lamps of the Tribute Collection celebrate the unrepeatable season of Italian masters who \nhave combined design, technology, and manufacturing in a unique leeway. The lamps by Gino \nSarfatti, Vittoriano Viganò, Osvaldo Borsani, Carlo Santi & Vittorio Borachia and Franco Albini \n& Franca Helg are a reference point for premium lighting design. They continue to be highly \nsought after due to their sophisticated, versatile soul and timeless looks. Astep pays homage \nto the tradition from which it draws inspiration to evolve by bringing back these iconic timeless \npieces of the past enriched with today’s technological advancements.\n \nCollection\nTribute\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.19.png","35\n34\nTribute Collection \nTribute Collection  \u002F LT8\nLT8\nOsvaldo Borsani\n1954 \u002F 2023\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.20.png","37\n36\nTribute Collection \u002F LT8\nTribute Collection \u002F LT8\nAn elegant and evocative presence of light enriching the space \naround it. LT8 is a stoic masterpiece of Italian modernist designer \nOsvaldo Borsani and a testament to his visionary ingenuity, that \nhas continued to inspire designers up until this day.\nLT8 was conceived in 1954 for Borsani’s new company Tecno, that \nwould come to revolutionize the world of contract furni ture, and pre-\nsented at the X Triennale in Milan. The lamp is a pioneering piece \nbeing one of the first hybrids of its kind, held in place suspended \nceiling- to-floor. The extruded aluminium structure  elegantly com-\nplements the legs in natural brass and highlights Borsani’s acute \nattention to detail, both technical and aesthetic.\nLT8 paved the way for later iconic suspended lighting designs. In \n1957 the design of LT8 was deposited by Tecno S.p.A. as an orna-\nmental and utility model to the Patent Office (release 09\u002F11\u002F1957, \nn. 64737) with the following description ‘Lighting device with fluo-\nrescent tubes on support-diffuser adjustable around a longitudinal \naxis.’ In Astep’s re-edition the fluorescent tubes have been updated \nwith an embedded dimmable LED module. \nThe design is as flexible as it is beautiful. You can direct the light \nsource in any angle and orient it to where you want against the wall. \nThe lamp comes in two heights to fit a wide range of spaces, public \nand private. Alone it stands as a sculpture, in pairs it becomes a \nlandscape of light. \n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.21.png","39\n38\nTribute Collection\nTribute Collection \u002F VV Cinquanta\nBorn in 1951, the lamps of the VV Cinquanta family are among \nthe greatest examples of time less elegance and versatility of a \nproduct with Made in Italy design and manufacturing, a feature \nthat they maintain unchanged in these re-editions.\nDesigned by the architect Vittoriano Viganò, whom Gino Sarfatti \ntrusted for the art direction of Arteluce, they are characterized by \nessential and refined lines and maximum functionality. The light \nof VV Cinquanta can be direct or indirect. By rotating or tilting the \ndiffuser, the lamp meets the most diverse needs, from work and \nreading to ambient lighting.\nThe Floor model stands gracefully on a slim black aluminum frame. \nThe spun aluminum reflector is mounted on an articulated stem \nthat can rotate and tilt, allowing for different lighting scenarios. \nThe Wall model is mounted on a brass device that allows the \nreflector to rotate 350° and can be angled 160°. The Twin model is \nan elegant wall lamp with two brass arms: mounted on a bracket \nof the same material, they extend in opposite directions, defining \na sculptural design with multiple luminous compositions. In the \nSuspension model, the versatility of lighting becomes maximum \nthanks to a dynamic and playful design that invites you to act on \nthe double stem defining infinite compositions, like real domestic \narchitectures that stretch from the ceiling. Each of the two stems \nculminates with two different turned aluminum reflectors available \nin the colors designed by Viganò, one narrow and one wide.\nThey can all assume multiple and ever-changing positions, for \nboth downward and upward lighting, direct or indirect, finding their \nown equilibrium.\nVV Cinquanta\nVittoriano Viganò\n1951 \u002F 2016\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.22.png","VV Cinquanta\nWall\nVittoriano Viganò\n1951 \u002F 2016\n41\n40\nTribute Collection \nTribute Collection \u002F VV Cinquanta\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.23.png","43\n42\nTribute Collection \u002F VV Cinquanta\nTribute Collection \u002F VV Cinquanta\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.24.png","VV Cinquanta\nTwin\nVittoriano Viganò\n1951 \u002F 2017\n45\n44\nTribute Collection \nTribute Collection \u002F VV Cinquanta\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.25.png","47\n46\nTribute Collection \u002F VV Cinquanta\nTribute Collection \u002F VV Cinquanta\nA sculptural wall lamp with multiple\nlighting compositions\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.26.png","VV Cinquanta \nFloor\nVittoriano Viganò\n1951 \u002F 2016\n49\n48\nTribute Collection \u002F VV Cinquanta\nTribute Collection \n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.27.png","51\n50\nTribute Collection \u002F VV Cinquanta\nTribute Collection \u002F VV Cinquanta\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.28.png","53\n52\nTribute Collection \u002F VV Cinquanta\nTribute Collection \nVV Cinquanta\nSuspension\nVittoriano Viganò\n1951 \u002F 2016\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.29.png","55\n54\nTribute Collection \u002F VV Cinquanta\nTribute Collection \u002F VV Cinquanta\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.30.png","57\n56\nTribute Collection \u002F SB Cinquantotto\nTribute Collection \nSB Cinquantotto\nCarlo Santi & Vittorio Borachia\n1958 \u002F 2019\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.31.png","59\n58\nTribute Collection \u002F SB Cinquantotto\nTribute Collection \u002F SB Cinquantotto\nSB Cinquantotto is a design masterpiece that comes from afar and \nbrings the emotion of a family history into the contemporary world. \nDesigned in 1958 for Arteluce by the architects Carlo Santi and \n Vittorio Borachia, the prototype of this perfect example of the finest \nItalian manufacturing has for years embellished the Lake Como \nhome of Gino Sarfatti, founder of Arteluce and grandfather of Ales-\nsandro, Astep’s founder. Recovered by Alessandro, who knew of \nits design qualities and its manufacturing of excellence since he \nwas a child, it is re-proposed following the original design, like a \nsuspension in satin opal glass hand blown in Italy.\nThe timeless aesthetic of the thin diffuser, perfect for elegantly \nilluminating any environment, meets the mounting system based \non the pattern generated by a black cable that runs freely next to \nan almost transparent aluminum wire.\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.32.png","61\n60\nTribute Collection \nTribute Collection \u002F Model 2050\nModel 2050\nFranco Albini & Franca Helg\n1963 \u002F 2021\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.33.png","63\n62\nTribute Collection \u002F Model 2050\nTribute Collection \u002F Model 2050\nIn 1963, Franco Albini and Franca Helg started experimenting with \nplastics in lighting for Arteluce. Summoned by Gino Sarfatti to \nresearch the possibilities that new technologies and materials were \nproviding, the two designers came up with a suspension lamp that \nsummed up the two souls of the Arteluce brand: the love for glass, \nwhich they used for the opal diffuser, and the daring use of meth-\nacrylate, a (then new) lighter and more resistant material, perfect to \ninterpret modernity by combining craftmanship and industry. \nWith the re-edition of this iconic lamp, Astep continues its work of \nrediscovery of great Italian masters of light while also pursuing the \nsame pioneering spirit in materials research that animated Albini, \nHelg and Sarfatti. It does so by bringing environmental sensitivity \ninto the equation through using Green Cast, a material that is 100% \nrecycled and recyclable, patented and made in Italy, featuring \nidentical properties of classic methacrylate. With its brushed finish, \nthe Green Cast used for the new 2050 diffusor restores a time -\nless elegance. For Astep sustainability is also about guaranteeing \n performance and aesthetics.\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.34.png","65\n64\nTribute Collection \u002F Model 2050\nTribute Collection \u002F Model 2050\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.35.png","67\n66\nTribute \u002F Gino Sarfatti Collection \nTribute \u002F Gino Sarfatti Collection \u002F Model 2065\nModel 2065\nGino Sarfatti\n1950 \u002F 2016\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.36.png","A timeless masterpiece of lightness and elegance, Model 2065 \nis the result of Gino Sarfatti’s desire to experiment with materials.\nGino Sarfatti came across methacrylate samples between 1949 \nand 1950. This convinced him to create a suspension lamp with \nthis plastic polymer which is much lighter and more resistant than \nglass. The 2021 version adds to these features in terms of sustain-\nability: it is made of Green Cast®, a 100% recycled and recyclable \nPMMA (polymethyl methacrylate) — patented and made in Italy — \nthat has exactly the same aesthetic and functional quality of the \noriginal methacrylate. Model 2065 consists of a diffuser made up \nof two opalescent plates joined and suspended from the ceiling \nwith a black painted aluminum rosette. A simple design played \non the elliptical shape and the lightness of the materials which, \ntogether, seem to give life to a weightless creation.\nThe lamp was relaunched by Astep in 2016 in also a second black \nversion, in which the upper plate is finished with a soft-touch \ncoating with a strong graphic expression. Five E14LED bulbs \nprovide illumination in all versions of the lamp.\n69\n68\nTribute \u002F Gino Sarfatti Collection \u002F Model 2065\nTribute \u002F Gino Sarfatti Collection \u002F Model 2065\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.37.png","71\n70\nTribute \u002F Gino Sarfatti Collection \u002F Model 2065\nTribute \u002F Gino Sarfatti Collection \u002F Model 2065\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.38.png","73\n72\nTribute \u002F Gino Sarfatti Collection \u002F Model 2065\nTribute \u002F Gino Sarfatti Collection \nModel 2065\nWall\nGino Sarfatti\n1955 \u002F 2021\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.39.png","The ceiling Model 2065 was already an innovative statement in \nthe world of lighting of the 50s. The Wall Model added the extra-\nordinary capacity to re-write the formal status quo for its category: \nwith the cables fitting inside its tube, it was stuck to the wall yet also \nnomadic and required no architectural or electrical intervention.\n75\n74\nTribute \u002F Gino Sarfatti Collection \u002F Model 2065\nTribute \u002F Gino Sarfatti Collection \u002F Model 2065\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.40.png","Throughout his life, Gino Sarfatti was fascinated by the sky, and \nespecially by the perfect light emanating from the moon. Le Sfere \nCollection is a testament to this special attraction of his. \nConceived from 1959, it is a family of opaline glass lamps revolving \naround a single blown luminous sphere held in place by a painted \naluminium ring. A simple, yet elegant principle and a refined em -\nbrace that lends the luminaire a graphic expression to bring forth \nits distinctive aesthetic.\nFrom Model 237, consisting of a single sphere, to Model 2109, that \nof the iconic twenty-four-sphere chandelier, this family of luminai-\nres, the largest designed by Sarfatti, was gradually expanded to fit \nlarger commissioned projects. Among them is the famous Teatro \nRegio in Turin, Italy, designed by architect Carlo Mollino, where Le \nSfere can still be seen in a variety of compositions, including gen-\nerous ‘cloudlike’ cascades and columns, curated by Sarfatti, which \nemphasize the genius and beauty of the system. \nBut above all, Le Sfere is a multifaceted and open lighting system, \nsuitable for all types of spaces, created from the same fundamen-\ntal principle: a beautiful interpretation of the perfect luminous sphere.\n77\n76\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nLe Sfere\nGino Sarfatti\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.41.png","Introducing\nLe Sfere Transparent\nBringing back a classic design we introduce Le Sfere in clear glass. \nOriginally conceived by Gino Sarfatti as part of the Sfere family of \nluminaires this addition adds to the luxurious depth and versatility \nof the collection. The sophisticated airiness of the transparent \nglass combined with the distinctive black finish makes it a beautiful \naccent light in any space.\n79\n78\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.42.png","81\n80\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.43.png","83\n82\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.44.png","85\n84\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nModel 237\nModel 238\nGino Sarfatti\n1959 \u002F 2018\n1 or 2 Spheres\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.45.png","87\n86\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nModel 2042 \n3 spheres\nGino Sarfatti\n1963 \u002F 2020\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.46.png","89\n88\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nModel 2042 \n6 spheres\nGino Sarfatti\n1963 \u002F 2019\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.47.png","91\n90\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nModel 2042 \n9 spheres\nModel 2042 \n6 spheres\nGino Sarfatti\n1963 \u002F 2019\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.48.png","93\n92\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nModel 2109 \n12\u002F14\nGino Sarfatti\n1959 \u002F 2018\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.49.png","Model 2109 \n16\u002F14\nGino Sarfatti\n1959 \u002F 2018\n95\n94\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nTribute \u002F Gino Sarfatti Collection  \u002F Le Sfere\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.50.png","97\n96\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nModel 2109 \n24\u002F14\nGino Sarfatti\n1959 \u002F 2018\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.51.png","Model 2109 \n16\u002F20\nGino Sarfatti\n1959 \u002F 2018\n99\n98\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.52.png","Model 1081\nGino Sarfatti\n1959 \u002F 2023\n101\n100\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\nTribute \u002F Gino Sarfatti Collection \u002F Le Sfere\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.53.png","Model 537\nGino Sarfatti\n1950 \u002F 2019\n103\n102\nTribute \u002F Gino Sarfatti Collection \u002F Model 537\nTribute \u002F Gino Sarfatti Collection\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.54.png","105\n104\nTribute \u002F Gino Sarfatti Collection \u002F Model 537\nTribute \u002F Gino Sarfatti Collection \u002F Model 537\nAt the origin of any model of portable lamp, there is this exceptio nal \ncreation which reflects the genius and mastery of Gino Sarfatti, well \nahead of his time. Model 537, designed around 1950, is a master-\npiece reintroduced by Astep.\nIn its simplicity, this lamp stands out for the combination of fine \nmaterials and its ingenious and ironic design. The large aluminum \nreflector is mounted asymmetrically on a burnished or polished \nbrass stem, which is carefully twisted, coming to rest on the marble \nbase. The stem extends through the reflector and beyond with a \nbackward movement, giving the upper part of the stem a dual \nfunction of playful element and practical handle that anticipates \nthe integrated handle of contemporary portable lights by years.\nModel 537 is easily carried by hand from the desk to the living \nroom, to the bedroom to any other environment, illuminating it with \ngenius and design.\nA lamp that anticipates\nand suggests the idea of\nportability\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.55.png","Model 548\nGino Sarfatti\n1951 \u002F 2013\n107\n106\nTribute \u002F Gino Sarfatti Collection\nTribute \u002F Gino Sarfatti Collection \u002F Model 548\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.56.png","Lighting conceived as a sophisticated game of screens, in perfect \nbalance between direct and indirect light. Gino Sarfatti designed \nthe Model 548 in 1951 giving vent to one of the themes that were \nmost dear and congenial to him.\nFor this table lamp, he used a spotlight that can be  oriented to wards \na reflective screen formed by the large diffuser in methacrylate. The \ninteraction between spotlight and screen defines a sophisticated \neffect, poised be  tween lighting and perception. The spotlight in \nwhite painted alu minum is mounted on a tubular stem in polished \nor burnished brass, while a small brass bar at the base acts as a \ncounterweight in the beautiful balancing of the individual elements.\nThe re-edition is reparable, and the original incandescent bulb has \nbeen replaced by an LED source and an optical dimmer switch is \ndiscretely integrated into the original design.\n109\n108\nTribute \u002F Gino Sarfatti Collection \u002F Model 548\nTribute \u002F Gino Sarfatti Collection \u002F Model 548\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.57.png","Model 566\nGino Sarfatti\n1956 \u002F 2020\n111\n110\nTribute \u002F Gino Sarfatti Collection \u002F Model 566\nTribute \u002F Gino Sarfatti Collection\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.58.png","A simple and iconic task lamp. Designed in 1956, Model 566 by \nGino Sarfatti is a masterpiece of minimalism and refinement, a \ntribute to the simplicity of the light bulb. The classic Cornalux bulb \n(no longer in production) has been replaced for this re-edition with \na special and modern low energy consumption and long lasting \nLED technology.\nPlaying on the geometry designed by the inclined stem and the \ntube that mounts the bulb, the Model 566 generates a perfect light \nfor working, studying or reading.\nThe tube is supported by a rubber ring that allows it to be orien-\nted in infinite positions. The switch positioned on the base, faithful \nto the original model, is a further note from the past that returns in \na contemporary key.\n113\n112\nTribute \u002F Gino Sarfatti Collection \u002F Model 566\nTribute \u002F Gino Sarfatti Collection \u002F Model 566\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.59.png","Model 1095\nGino Sarfatti\n1968 \u002F 2023\n115\n114\nTribute \u002F Gino Sarfatti Collection \u002F Model 1095\nTribute \u002F Gino Sarfatti Collection\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.60.png","Astep reintroduces the iconic floor lamp Model 1095 designed by \nGino Sarfatti in 1968 in a reengineered and reparable version true \nto its original design. \nThe lamp is slender, graceful, and intriguing in its disproportions \nbetween head and base. The design of the small reflective cup \nwas strongly influenced by the then-new halogen light bulb, which \nGino Sarfatti explored and celebrated in Model 1095 from both a \nfunctional and a dimensional perspective. \nIn this re-edition the lamp is now dimmable. Offering indirect light \nin a subtle design, the luminaire is made up of a tubular aluminium \nstem available in three different heights and painted slate grey. The \nsmall reflective cup with its thin shape is made of white-painted \naluminium, and so is the base with the appealing soft shape. \n117\n116\nTribute \u002F Gino Sarfatti Collection \u002F Model 1095\nTribute \u002F Gino Sarfatti Collection \u002F Model 1095\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.61.png","119\n118\nDesigners\nDesigners\nGino Sarfatti is one of the most significant figures in the history of \nItalian industrial design. Throughout his career he developed more \nthan 700 luminaires as the creative engine behind Arteluce, the \ncompany he founded in 1939 which brought lighting into the 20th \ncentury combining innovative ideas with groundbreaking design.\nBorn in Venice in 1912, Gino Sarfatti studied to become an aero-\nnautical engineer until family circumstances compelled him to \nrelocate to Milan where he had his first encounter with lighting, \nan engineering project to transform a glass vase into a lamp. This \nencounter with lighting design and engineering shaped the path \nof his life. \nThroughout his career, Gino Sarfatti explored and was inspired by \nnew product typologies, innovative materials, lighting technolo-\ngies, and production techniques. His hybrid and entrepreneurial \ntalent as a designer and engineer enabled him to create refined \nproducts in both aesthetics and function.\nIn 1973 Gino Sarfatti retired to the family villa on Lake Como, home \nto many of the original designs.\nGino Sarfatti\n  Designer (1912-1985)\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.62.png","121\n120\nDesigners \u002F Evolution Collection\nDesigners \u002F Tribute Collection\nAlfredo Häberli\nDesigner (1964) \nFor many years, Zurich has been home to Alfredo Häberli and his playful de-\nsign developments. Before resettling in Switzerland with his family in 1977, Al-\nfredo grew up in Argentina, and his work is strongly influenced by his childhood \nexperiences and native country.\nHe works with great emotion, energy and curiosity and benefits from having \na visionary mindset, a serious attitude and a keen sense of details. The result \nis a collected work imbued with a strong expression and inherent emotionality \nand beauty.\nAlfredo Häberli graduated, with distinction, as an industrial designer in 1991 and \neffortlessly combines tradition and innovation in every aspect of his work. He \nhas been granted numerous awards and honours, including ‘Guest of Honour’ \nat the 20th Biennale of Design in Kortrijk (2006) and the ‘Swiss Grand Prix of \nDesign’ (2014) by the Swiss Federal Office of Culture.\nFrancesco Faccin\nDesigner (1977)\nConstantly shifting the area of application between industrial production, inde-\npendent production, community design and gallery work, Francesco Faccin, \nbelieves in design without boundaries or limits: “I am interested in design that \nsparks connections, thought and debate, above all those that are a product of \nin-depth studies beyond the object itself. Design is a fantastic opportunity to \ndeepen our relationship with the world around us.”\nBorn in Milan in 1977. In 2004, after a collaboration lasting almost 2 years with \nEnzo Mari, he began to work with the lute-maker Francesco Rivolta. In 2007 he \nstarted his own studio in Milan. From 2009 to 2015 he was consultant for Mi-\nchele De Lucchi. \nStudio Francesco Faccin collaborates on a regular basis with Italian and inter-\nna tional clients such as design galleries (Rossana Orlandi, Nilufar),  private \ncompanies, public institutions, and NGOs.\nFrancisco Gomez Paz\nDesigner (1975) \nBorn in Salta in Argentina in 1975, Francisco Gomez Paz moved to Milan  after \ncompleting studies in Industrial Design at the Universidad Nacional de  Cordoba. \nIn 2004 he opened his design studio in Milan.\nDriven by a curiosity and knowledge of technology and materials, and com-\nplimented by his highly experimental hands-on creative process, Francis-\nco Gomez Paz has developed products for a wide range of leading design \n companies.\nHis work has received several international recognitions including the Good \nDesign Award and the Red Dot Award, both in 2010. Together with  Alberto \nMeda, Francisco Gomez Paz was awarded the First Prize of the Index Award for \nthe Solar Bottle, which has also been selected for the Study Collection at \nMOMA. In 2011 he won the Prize of Prizes to Innovation in  Design for the Hope \nchandelier, followed by the prestigious Compasso d’Oro 2011. Works and lives \nbetween Milan and Salta.\nDavid Thulstrup \nArchitect and designer (1978) \nThe award-winning Danish designer David Thulstrup brings his extensive ex-\nperience as an architect and interior designer to furniture and lighting design. \nHonest thoughtful use of materials and clarity of purpose are paramount.\nUsing architecture and context as a starting point he creates simple well-crafted \npieces that are distinctive in their form and fit harmoniously in the overall space. \nApplying a holistic approach to his practice, David often creates furniture and \nlighting for specific projects but always with the intention that they can belong \nanywhere. Although contemporary in their expression they are designs that \nwill stand the test of time, combining his Scandinavian heritage with a modern \n design language.\nVittoriano Viganò \nArchitect and designer (1919-1996) \nFor Vittoriano Viganò all design practices shared the same similarities, being \nvehicles for human development and a social commitment to improve the \nquality of life for all. Bridging various scales: from industrial design to architec-\nture, from interior design to urban planning, Viganò’s multidisciplinary talent \nhas acquired international resonance, unanimously considered by critics the \nmost important Italian exponent of the ‘Brutalism’ current. \nGrowing up in a creative environment as the son of the painter and engrav-\ner Vico Viganò, Vittoriano would himself turn towards architecture during his \n studies, graduating from the Politecnico di Milano in 1944. When opening his \nstudio, he started a close cooperation with his friend Gino Sarfatti, first as \n advisor and later as Art Director of Arteluce, the company founded by Sarfatti. \nDuring this time, he designed the flagship store in Via della Spiga in Milan and \nmade important design contributions to Arteluce, such as the VV Cinquanta \nfamily of luminaires with metal cones projecting ambient light along articulated \narms. In 1991 the San Luca Academy awarded him the Italian Republic Presi-\ndent Prize for Architecture.\nCarlo Santi and Vittorio Borachia \nArchitects and designers (1925-2004 \u002F 1920-2015) \nCarlo Santi (1925-2004)  and Vittorio Borachia (1920-2015), who make up the \narchitectural duo Santi Borachia, met while they were both students at the \nPolytechnic School in Milan during the 1940s and found common ground for \nexploring the world of architecture and design.\nAmong other collaborations, the duo was involved in the lighting company \n Arteluce, which at the time attracted the most talented architects and  designers \ndue to the visionary and experimental approach of its founder, Gino Sarfatti.\nLater, Carlo Santi’s and Vittorio Borachia’s spheres of interest moved on to ur-\nban planning, but from time to time they continued the exploration of lighting \nand furniture design, both as a duo and under their own names. Carlo Santi and \nVittorio Borachia were guided by the logical and formal principles of the most \nrecent industrial techniques and materials and aimed for an essential elegance \nin their design, whether in plastic, wood or glass.\nFranco Albini & Franca Helg\nArchitects (1905-1977 \u002F 1920-1989)\nFranco Albini (1905-1977) was a great Italian architect, a leading figure of Ratio-\nnalism, one of the undisputed fathers of industrial design. His projects, the \n result of the partnership with Franca Helg (1920-1989), range from large to \nsmall scale, from the arrangement of the stations of the Milan Metro line 1 to-\ngether with graphic designer Bob Noorda to the realization of urban,  building \nand museum interventions all Italy.\nIn design, Albini and Helg have linked their name to timeless furnishings and \naccessories, innovative in their design approach and in the choice of materials. \nTheir production re presents an internationally recognized cornerstone of the \ninnovation of  design culture at the beginning of the twentieth century.\nOsvaldo Borsani\nArchitect and designer (1911-1985)\nA creative pioneer, visionary entrepreneur, and technological innovator. Desig-\nning products until the early 1980s, Borsani is widely regarded as one of the \nmost prominent figures in the era of Italian modernism. \nGrowing up in a creative environment, being the son of a cabinet maker, he \nwould study Beaux-Arts and train as an architect in Milan while the city was a \nflourishing artistic center of design and technological progress, merging craft-\nmanship and modern manufacturing. \nIn 1953 Borsani founded Tecno together with his twin brother Fulgenzio. A \ncompany that would take a leading position and change the world of contract \nfurniture in the 20th century with distinctively elegant designs, using innovative \ntechnology to express original ideas.\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.63.png","Suspension\nPepa\nNox\nCandela\nModel 548\nModel 566\nModel 1095\nLT8\nIsol Floor\nModel 1081\nModel 2065\nModel 237\u002F238 \u002F 1\nModel 237\u002F238 \u002F 2\nModel 2065  Wall\nUblo Wall\nModel 2042 \u002F 3\nModel 2042 \u002F 6\nModel 2042 \u002F 9\nModel 537\nVV Cinquanta Floor\nVV Cinquanta Susp.\nVV Cinquanta Twin\nVV Cinquanta Wall\nPortable\nTable\nFloor\nCeiling\nWall\nModel 2109\nModel 2050\nIsol\nSB Quintanotto\nTypologies\n123\n122\nTypologies\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.64.png","Specifications\nIsol 30\nDavid Thulstrup, 2021\nSuspension\nAluminium Structure, Acoustic Absorbent Fabric \nDiffuser with Snowsound® Technology\nø 300 x 760mm \u002F ø 300mm x 1260mm\nø 300mm\n3000mm\nBulbs Not Included\nTypology\nMaterials\nDimensions\nDiffuser Diameter\nCable Length\nItem Code\nDescription\nWeight\nLight Source\nA04-S51-S00B\n30\u002F76 Black\n3.00kg\n2 x S14d (8W Max) \nA04-S51-S00C\n30\u002F76 Cream\n3.00kg\n2 x S14d (8W Max) \nA04-S61-S00B\n30\u002F126 Black\n4.70kg\n2 x S14s (12W Max)\nA04-S61-C00C\n30\u002F126 Cream\n4.70kg\n2 x S14s (12W Max)\nIsol 30 Floor\nDavid Thulstrup, 2023\nSuspension\nAluminium Structure, Acoustic Absorbent Fabric \nDiffuser with Snowsound® Technology\nø 300 x H1480mm\nø 300\nFoot Dimmer\nBulbs Not Included\nTypology\nMaterials\nDimensions\nDiffuser Diameter\nControl\nItem Code\nDescription\nWeight\nLight Source\nA04-F51-S00B\n30\u002F76 Black\n7.50kg\n2 × S14d 500mm (8W Max)\nA04-F51-S00C\n30\u002F76 Cream\n7.50kg\n2 × S14d 500mm (8W Max)\nA04-F61-S00B\n30\u002F126 Black\n8.00kg\n2 × S14s 1000mm (12W Max)\nA04-F61-S00C\n30\u002F126 Cream\n8.00kg\n2 × S14s 1000mm (12W Max)\n125\n124\nSpecifications \u002F Evolution Collection\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.65.png","Nox Charging Base\nOptional accessory\nItem Code\nDescription\nA02-A01-000B\nBlack\nA02-A01-000G\nSilver\n+\n=\nNox\nAlfredo Häberli, 2017\nItem Code\nDescription\nA02-T12-000B\nBlack\nA02-T12-000G\nSilver\nTable\nOpaline Glass Diffuser, Aluminium Body\nø 224 x 305mm \nø 224mm\n2.50kg\nTouch dimmer\nIntegrated LED 5W\n400lm\n2200K\nWireless Induction\nRequires Charging Base\n16000mAh Lithium Polymer\n20-336hrs\nRequires Accessories\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nControl\nLight source\nCharging system\nBattery\nDuration\nCandela\nFrancisco Gomez Paz, 2016\nItem Code\nDescription\nA01-T10-200W\nLight & Charge\nTable\nOpaline Glass Diffuser, Aluminium Body\nø 186 x 241mm \nø 186mm\n2.70kg\nIntegrated LED 1.5W\n2200K\nBioethanol Fuel\nUSB Type A\n3400mAh Lithium Polymer\n260 ml\n5hrs\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nLight source\nCharging system\nConnector\nBattery\nFuel Capacity\nDuration\nPepa\nFrancesco Faccin, 2020\nTable \nSolid Ash Wood, Stainless Steel\nø 206 x 273mm\n1500mm \n1.40kg \nRotary Dimmer\nIntegrated LED 2W\n330Im \n2200K \nUSB Cable\nUSB Type C\n6 × AA Rechargeable NiMH\n2600mAh Batteries Recommended\nBatteries Not Included\n7hrs\nTypology\nMaterials\nDimensions\nCable length\nWeight\nControl\nLight source\nCharging System\nConnector\nBattery\nDuration\nItem Code\nDescription\nA03-T12-00T0 \nNatural Ash Wood\nUblo Wall\nDavid Thulstrup, 2023\nWall\nOpaline Polycarbonate Diffuser, Raw or Anodized \nAluminum Structure\nW62 × D200 × H74mm\n2 × G9 (6W Max)\n0.60kg\nBulbs Not Included\nTypology\nMaterials\nDimensions\nLight source\nWeight\nItem Code \nDescription \nA05-W71-200A \nWhite Diffuser, Raw Aluminum Structure \nA05-W71-200B \nWhite Diffuser, Black Structure \n44\n127\n126\nSpecifications \u002F Evolution Collection\nSpecifications \u002F Evolution Collection\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.66.png","Model 2050\nFranco Albini & Franca Helg, 1963\u002F2021\nSuspension\nOpaline Glass Diffuser, Methacrylate Diffuser,\nSteel Stucture\nø 590 × 296mm \nø 590mm\n5.25kg\n1 x E27 (LED 11W Max)\n1521Im\n2700K\nComplimentary Bulb Included *\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nLight source\nSB Cinquantotto \nCarlo Santi & Vittorio Borachia, 1958\u002F2019\nSuspension\nOpaline Glass Diffuser, Steel Structure\nø 320 x H410mm \u002F ø 200 x H260mm\n2000mm\n4.10kg \u002F 1.30kg\n1 x LED Bulb\nComplimentary Bulb Included *\nTypology\nMaterials\nDimensions\nCable Length \nWeight\nLight source\nItem Code \nDescription \nInstalled Height \nCable Length \nT12-S21-000N \nRod Suspension, Smoke Diffuser \n1250mm \n \nT12-S21-000W \nRod Suspension, Pearl Diffuser \n1250mm \n \nT12-S21-W00N \nWire Suspension, Smoke Diffuser \n450–3400mm \n3000mm \nT12-S21-W00W \nWire Suspension, Pearl Diffuser \n450–3400mm \n3000mm\nItem Code \nDescription \nInstalled Height \nWeight \nSocket  \nWattage Max \nT10-S21-00BW \n32cm Diffuser Diameter \n610-2350mm  \n2.62kg \nE27 \n60W\nT10-S31-S0BW \n20cm Diffuser Diameter \n480-2200mm  \n1.45kg \nE14 \n40W\nLT8\nOsvaldo Borsani, 1954\u002F2023\nFloor\nExtruded Aluminum Structure, Brass Legs\nW128 × D119 × H2300-2900mm\n3500mm\nRotary Dimmer\nIntegrated LED\n3000K\nTypology\nMaterials\nDimensions\nCable Length\nControl\nLight source\nItem Code \nDescription \nInstalled Height \nWeight \nIllumination Lumens \nIllumination Wattage \nT13-F11-011W \n2030mm White Structure \n2300-2900mm  \n11.0kg \n2508lm \n23W\nT13-F11-021W \n2030mm White Structure \n2900-3500mm  \n13.5kg \n3450lm \n31.7W\n129\n128\nSpecifications \u002F Tribute Collection\nSpecifications \u002F Tribute Collection\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.67.png","VV Cinquanta \u002F Suspension\nVittoriano Viganò, 1951\u002F2016\nItem Code\nDescription\nT02-S21-00BB\nBlack Structure, Black Reflectors\nT02-S21-00WB\nBlack Structure, White and Black Reflectors\nT02-S21-00BR\nBlack Structure, Black and Red Reflectors\nT02-S21-01LY\nMondrian Structure, Blue and Yellow Reflectors\nTypology\nMaterials\nDimensions\nReflector diameter\nRec. Ceiling Height\nWeight\nControl\nLight source\nSuspension\nSpun Aluminium Reflectors, Steel Structure\nW250 x D1900 x H1800mm approx.\nø 274mm\n330cm\n3.00kg\nOn\u002FOff Switch\n2 x E27 LED 7W (53W Max)\n806Im (1612Im Total)\n2700K\nComplimentary Bulbs Included *\nVV Cinquanta \u002F Twin\nVittoriano Viganò, 1951\u002F2016\nItem Code\nDescription\nT02-W21-1BBB\nBlack Mount, Black Reflectors\nT02-W21-11BB\nBrass Mount, Black Reflectors\nT02-W21-11WW\nBrass Mount, White Reflectors\nTypology\nMaterials\nDimensions\nReflector diameter\nWeight\nLight source\nWall\nSpun Aluminium Reflectors, Brass Structure \nW1130 x D538 x H524mm\nø 274mm\n5.80kg\n2 x E27 LED 7W (53W Max)\n806Im (1612Im Total)\n2700K\nComplimentary Bulbs Included *\nVV Cinquanta \u002F Wall\nVittoriano Viganò, 1951\u002F2016\nWall\nSpun Aluminium Reflector, Brass Mount\nW256 x D364 x H183mm\nø 274mm\n0.70kg\nAvailable with On\u002FOff Switch\n1 x E27 LED 7W (53W Max)\n806lm\n2700K\nComplimentary Bulb Included *\nTypology\nMaterials\nDimensions\nReflector diameter\nWeight\nControl\nLight source\nItem Code\nDescription\nControl\nT02-W21-00BB\nBlack Mount, Black Reflector\nNone\nT02-W21-00BW\nBlack Mount, White Reflector\nNone\nT02-W21-00BR\nBlack Mount, Red Reflector\nNone\nT02-W21-00BY\nBlack Mount, Yellow Reflector\nNone\nT02-W21-0018\nBrass Mount, Black Reflector\nNone\nT02-W21-001W\nBrass Mount, White Reflector\nNone\nT02-W21-S0BB\nBlack Mount, Black Reflector\nOn\u002FOff Switch\nT02-W21-S018\nBrass Mount, Black Reflector\nOn\u002FOff Switch\nT02-W21-S01W\nBrass Mount, White Reflector\nOn\u002FOff Switch\nVV Cinquanta \u002F Floor\nVittoriano Viganò, 1951\u002F2016\nItem Code\nDescription\nWeight\nT02-F21-00BB\nBlack Frame, Black Reflector\n2.30kg\nT02-F21-00BW\nBlack Frame, White Reflector\n2.30kg\nT02-F21-00BR\nBlack Frame, Red Reflector\n2.30kg\nT02-F21-00BY\nBlack Frame, Yellow Reflector\n2.30kg\nT02-F21-01BY\nMondrian Frame, Yellow Reflector\n2.30kg\nT02-F21-001B\nBrass Frame, Black Reflector\n1.80kg\nT02-F21-001W\nBrass Frame, White Reflector\n1.80kg\nFloor\nSpun Aluminium Reflector, Steel or Brass Frame\nW487 x D1035 x H1470mm\nø 274mm\n2000mm\nOn\u002FOff Switch\n1 x E27 LED 7W (53W Max)\n806lm\n2700K \nComplimentary Bulbs Included *\nTypology\nMaterials\nDimensions\nReflector diameter\nCable Length\nControl\nLight source\n131\n130\nSpecifications \u002F Tribute Collection\nSpecifications \u002F Tribute Collection\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.68.png","Model 237\u002F1\nGino Sarfatti, 1959\u002F2018\nWall\nOpaline or Transparent Glass Diffuser, Steel Structure\nW140 x D203 x H150mm \nø 140mm\nAvailable with On\u002FOff Switch\n1 x E14 LED 4.5W (60W Max)\n470Im\n2700K\nComplimentary Bulb Included *\nTypology\nMaterials\nDimensions\nDiffuser diameter\nControl\nLight source\nModel 237\u002F2\nGino Sarfatti, 1959\u002F2018\nItem Code\nDescription\nT08-W31-S2B0\n2 Opaline Spheres, Black Mount\nT08-W31-S2BT\n2 Transparent Spheres, Black Mount\nT08-W31-S2D0\n2 Opaline Spheres, Champagne Mount\nWall\nOpaline or Transparent Glass Diffuser, Steel Structure\nW310 x D230 x H150mm \nø 140mm\n1.60kg\n2 x E14 LED 4.5W (60W Max)\n470Im (940Im Total)\n2700K\nComplimentary Bulbs Included *\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nLight source\nModel 238\u002F1\nGino Sarfatti, 1959\u002F2018\nItem Code\nDescription\nWeight\nT08-W21-M1B0\n1 Opaline Sphere, Black Mount\n1.55kg\nT08-W21-M1BT\n1 Transparent Sphere, Black Mount\n1.55kg\nT08-W21-M1D0\n1 Opaline Sphere, Champagne Mount\n1.55kg\nT08-W2S-M1B0\n1 Opaline Sphere, Black Mount with Switch\n1.75kg\nT08-W2S-M1D0\n1 Opaline Sphere, Champagne Mount with Switch\n1.75kg\nWall\nOpaline or Transparent Glass Diffuser, Steel Structure\nW200 x D300 x H210mm \nø 200mm\nAvailable with On\u002FOff Switch\n1 x E27 LED 7W (60W Max)\n806Im\n2700K\nComplimentary Bulb Included *\nTypology\nMaterials\nDimensions\nDiffuser diameter\nControl\nLight source\nModel 238\u002F2\nGino Sarfatti, 1959\u002F2018\nItem Code\nDescription\nT08-W21-M2B0\n2 Opaline Spheres, Black Mount\nT08-W21-M2BT\n2 Transparent Spheres, Black Mount\nT08-W21-M2D0\n2 Opaline Spheres, Champagne Mount\nWall\nOpaline or Transparent Glass Diffuser, Steel Structure\nW450 x D320 x H210mm \nø 200mm\n3.00kg\n2 x E27 LED 7W (60W Max)\n806Im (1612Im Total)\n2700K\nComplimentary Bulbs Included *\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nLight source\nItem Code\nDescription\nWeight\nT08-W31-S1B0\n1 Opaline Sphere, Black Mount\n0.85kg\nT08-W31-S1BT\n1 Transparent Sphere, Black Mount\n0.85kg\nT08-W31-S1D0\n1 Opaline Sphere, Champagne Mount\n0.85kg\nT08-W3S-S1B0\n1 Opaline Sphere, Black Mount with Switch\n1.02kg\nT08-W3S-S1D0\n1 Opaline Sphere, Champagne Mount with Switch\n1.02kg\n133\n132\nSpecifications \u002F Tribute \u002F Gino Sarfatti Collection\nSpecifications \u002F Tribute \u002F Gino Sarfatti Collection\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.69.png","Model 2109\u002F24\u002F14\nGino Sarfatti, 1959\u002F2018\nSuspension\nOpaline or Transparent Glass Diffuser, Steel Structure\nø 1340 \nø 140mm\n700–1600mm\n21.20kg\n1800mm\n24 x E14 LED 4.5 W (60W Max)\n470lm (11280lm Total\n2700K\nComplimentary Bulbs Included *\nTypology\nMaterials\nDimensions\nDiffuser diameter\nInstalled Height\nWeight\nCable Length\nLight source\nItem Code\nDescription\nT08-S31-SOB0 \n24 Opaline Sphere, Black Structure\nT08-S31-SOBT\n24 Transparent Spheres, Black Structure\nT08-S31-SOD0\n24 Opaline Spheres, Champagne Structure\nModel 2109\u002F16\u002F14\nGino Sarfatti, 1959\u002F2018\nModel 2109\u002F12\u002F14\nGino Sarfatti, 1959\u002F2021\nSuspension\nOpaline or Transparent Glass Diffuser, Steel Structure\nø 950 \nø 140mm\n700-1800mm\n14.80kg\n1800mm\n16 x E14 LED 4.5W (60W Max)\n470lm (7520lm Total)\n2700K\nComplimentary Bulbs Included *\nSuspension\nOpaline or Transparent Glass Diffuser, Steel Structure\nø 740\nø 140mm\n700-1600mm \n11.40kg\n1800mm\n12 x E14 4.5W (60W Max)\n470lm (5640lm Total)\n2700K\nComplimentary Bulbs Included *\nTypology\nMaterials\nDimensions\nDiffuser diameter\nInstalled Height\nWeight\nCable Length\nLight source\nTypology\nMaterials\nDimensions\nDiffuser diameter\nInstalled Height\nWeight\nCable Length \nLight source\nItem Code\nDescription\nT08-S31-SGB0\n16 Opaline Spheres, Black Structure\nT08-S31-SGBT\n16 Transparent Spheres, Black Structure\nT08-S31-SGD0\n16 Opaline Spheres, Champagne Structure\nItem Code\nDescription\nT08-S31-SCB0\n12 Opaline Spheres, Black Structure\nT08-S31-SCBT\n12 Transparent Spheres, Black Structure\nT08-S31-SCD0\n12 Opaline Spheres, Champagne Structure\nModel 2109\u002F16\u002F20\nGino Sarfatti, 1959\u002F2018\nSuspension\nOpaline or Transparent Glass Diffuser, Steel Structure\nø 1400\nø 200mm\n700–1600mm\n26.20kg\n1800mm\n16 x E27 LED 7W (60W Max)\n806lm (12896lm Total)\n2700K\nComplimentary Bulbs Included *\nTypology\nMaterials\nDimensions\nDiffuser diameter\nInstalled Height\nWeight\nCable Length\nLight source\nItem Code\nDescription\nT08-S21-MGB0\n16 Opaline Spheres, Black Structure\nT08-S21-MGBT\n16 Transparent Spheres, Black Structure\nT08-S21-MGD0\n16 Opaline Spheres, Champagne Structure\n135\n134\nSpecifications \u002F Tribute \u002F Gino Sarfatti Collection\nSpecifications \u002F Tribute \u002F Gino Sarfatti Collection\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.70.png","137\n136\nSpecifications \u002F Tribute \u002F Gino Sarfatti Collection\nSpecifications \u002F Tribute \u002F Gino Sarfatti Collection\nModel 2042\u002F3\nGino Sarfatti, 1963\u002F2020\nCeiling\nOpaline or Transparent Glass Diffuser, Steel Structure\nø 650 x H290mm\nø 200mm\n3 x E27 LED 7W (60W Max) \n806Im (2418lm Total)\n2700K \nComplimentary Bulbs Included *\nTypology\nMaterials\nDimensions\nDiffuser Diameter\nLight source\nModel 2042\u002F6\nGino Sarfatti, 1959\u002F2019\nModel 2042\u002F9\nGino Sarfatti, 1963\u002F2019\nModel 1081\nGino Sarfatti, 1963\u002F2019\nCeiling\nOpaline or Transparent Glass Diffuser, Steel Structure\nø 650 x H290mm\nø 200mm\n9.40kg\n6 x E27 LED 6W\n806Im (4836Im Total)\n2700K\nComplimentary Bulbs Included *\nCeiling\nOpaline or Transparent Glass Diffuser, Steel Structure\nø 650 x H500mm\nø 200mm\n9 x E27 LED 7W (60W Max)\n806Im (7254Im Total)\n2700K\nComplimentary Bulbs Included *\nFloor\nOpaline Glass Diffuser, Steel Structure\n200 × 1680–1820mm\nø 200mm\nFoot DImmer\n9 x E27 LED 7W (60W Max)\n806Im\n2700K\nComplimentary Bulbs Included *\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nLight source\nTypology\nMaterials\nDimensions\nDiffuser diameter\nLight source\nTypology\nMaterials\nDimensions\nDiffuser diameter\nControl\nLight source\nItem Code\nDescription\nT08-C21-M6B0\n6 Opaline Spheres, Black Mount\nT08-C21-M6BT\n6 Transparent Spheres, Black Mount\nT08-C21-M6D0\n6 Opaline Spheres, Champagne Mount\nItem Code\nDescription\nT08-C21-M6B0\n6 Opaline Spheres, Black Mount\nT08-C21-M6BT\n6 Transparent Spheres, Black Mount\nT08-C21-M3D0\n3 Opaline Spheres, Champagne Mount\nItem Code\nDescription\nT08-C21-M9B0\n9 Opaline Spheres, Black Mount\nT08-C21-M9BT\n9 Transparent Spheres, Black Mount\nT08-C21-M9D0\n9 Opaline Spheres, Champagne Mount\nItem Code\nDescription\nHeight\nT08-F21-100B\nOpaline Sphere, Black Structure\n1680mm\nT08-F21-200B\nOpaline Sphere, Black Structure\n1820mm\nWeight\n7.90kg\n8.00kg\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.71.png","Model 2065\nGino Sarfatti, 1950\u002F2016\nModel 2065 Wall\nGino Sarfatti, 1955\u002F2021\nItem Code\nDescription\nT01-S31-0BBW\nBlack & White Diffuser, Black Hardware, Black Cable\nT01-S31-0BWW\nWhite Diffuser, Black Hardware, Black Cable\nT01-S31-0WWW\nWhite Diffuser, Black Hardware, White Cable\nSuspension\nOpaline Methacrylate Diffusers,\nAluminium Hardware\nø 538 x 546mm\nø 538mm\n2.70kg\n3000mm\n5 x E14 LED 4.5W (12W Max)\n470Im (2350Im Total)\n2700K\nComplimentary Bulbs Included *\nWall\nOpaline Methacrylate Diffusers,\nSteel Structure\nW538 x D680 x H1900mm\nø 538mm\n5 x E14 LED 4.5W (12W Max)\n470Im (2350Im Total)\n2700K\nComplimentary Bulbs Included *\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nCable Length\nLight source\nTypology\nMaterials\nDimensions\nDiffuser diameter\nLight source\nItem Code\nDescription\nT01-W31-0BWW\nWhite Diffuser, Black Structure\nT01-W31-P0WW\nWhite Diffuser, Black Structure with plug\nWeight \nCable Length\n5.10kg \n2400mm\n5.30kg \n2400mm\nModel 537\nGino Sarfatti, 1950\u002F2019\nItem Code\nDescription\nT09-T21-001B\nBrass Structure, Black Reflector, White Marble Base\nT09-T21-001W\nBrass Structure, White Reflector, White Marble Base\nT09-T21-00BB\nBlack Structure, Black Reflector, Black Marble Base\nTable\nSpun Aluminium reflector, Brass Structure,  \nMarble Base\nø 400 x H360mm\nø 400mm\n2.45kg\nOn\u002FOff Switch\n1 x E27 LED 4.5W (60W Max)\nComplimentary Bulb Included *\nTypology\nMaterials\nDimensions\nReflector diameter\nWeight\nControl\nLight source\nModel 548\nGino Sarfatti, 1951\u002F2013\nTable\nBrass Structure, Opaline Methacrylate Diffuser\nø 500 x 500mm\nø 500mm\n3.10kg\nTouch Dimmer\nIntegrated LED 11W\n730Im\n2700K\nTypology\nMaterials\nDimensions\nDiffuser diameter\nWeight\nControl\nLight source\nItem Code \nDescription\nT03-T12-00BG \nDark Burnished Brass with Grey Diffuser\nT03-T12-00BO \nDark Burnished Brass with Orange Diffuser\nT03-T12-00BY \nDark Burnished Brass with Yellow Diffuser\nT03-T12-001A \nPolished Brass with Azure Diffuser\nT03-T12-001G \nPolished Brass with Grey Diffuser\n139\n138\nSpecifications \u002F Tribute \u002F Gino Sarfatti Collection\nSpecifications \u002F Tribute \u002F Gino Sarfatti Collection\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F2d\u002F6c6ecdbba0fb66b9de01f84f0bb71e-28674189d4.72.png","Model 566\nGino Sarfatti, 1956\u002F2020\nModel 1095\nGino Sarfatti, 1968\u002F2023\nItem Code\nDescription\nTll-T41-000B \nBlack\nTll-T41-000G \nPolished\nItem Code\nDescription\nHeight\nT06-F12-210B\n1700mm Height, Black Stem, White Base\n1700mm\nT06-F12-220B\n1850mm Height, Black Stem, White Base\n1850mm\nT06-F12-230B\n2000mm Height, Black Stem, White Base\n2000mm\nTable \nAluminum Body, Steel Stand, Cast Alloy Base\nW140 x D374 x H506mm\n1500mm \n2.10kg \nOn\u002FOff Switch\n1 x B22 LED 8W (8W Max)\n700Im\n2700K \nComplimentary Bulb Included *\nFloor\nAluminium Stem, Spun Steel Base\nø 200 × 1700–2000mm\nø 80mm \nFoot Dimmer\nIntegrated LED\n2700K\nTypology\nMaterials\nDimensions\nCable length\nWeight\nControl\nLight source\nTypology\nMaterials\nDimensions\nReflector Diameter\nControl\nLight source\n* The bulbs included in our products are offered on a complimentary basis, as a service that Astep provides. 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