[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-arte-veneziana-totem-collection":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":173},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":168,"matched_pages":169,"match_count":170,"two_pages":171,"show_text":172},7375,"Totem Collection","arte-veneziana-totem-collection","\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F96\u002F17d328b05d9137b90425b4659c8374.pdf","Arte Veneziana",272,"arte-veneziana","6.8 MB",[14,17,21,25,29,33,36,39,42,46,49,53,57,61,64,68,71,75,79,82,85,88,92,95,98,101,105,108,111,114,118,121,124,127,131,134,138,142,146,150,154,158,162,165],{"image":7,"text":15,"number":16},"Design by\nLEO DE CARLO\nA LIMITED EDITION \nOF UDRUIAN RELICS\nTOTEM\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.3.png","Design by\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.4.png","BIZARRE \nEVIDENCE \nOF A \nPOPULATION \nWHO WAS \nBETTER TO \nNOT KNOW\nREPERTI \nBIZZARRI \nDI UN \nPOPOLO CHE \nERA MEGLIO \nDIMENTICARE\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.5.png","INDEX\n »\n »\n »\n »\n »\n »\n »\n »\nT O T E M  C O L L E C T I O N\n",5,{"image":34,"text":19,"number":35},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.6.png",6,{"image":37,"text":19,"number":38},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.7.png",7,{"image":40,"text":19,"number":41},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.8.png",8,{"image":43,"text":44,"number":45},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.9.png","In the Udruko sea, near the Bombago archipelago, lies the mysterious\nUdru island, which gave name to the civilization that developed here. \nAlthough only some information has been gathered, it is commonly known\nthat the Udruians were peaceful fishermen devoted to the worship of \nmany ancestral divinities, as well as tireless TV viewers of the worst\nBrazilian soap-operas.\nThroughout the years and by risking their lives, fearless explorers brought\nto light evidence of Udruian artistry and culture.\nNel mare di Udruko, in prossimità \ndell’arcipelago del Bombago, si trova la \nmisteriosa isola di Udru che ha dato il \nnome alla civiltà che qui si è sviluppata. \nSebbene poche siano le informazioni a noi \npervenute, si sa che gli Udriani erano una \npacifica popolazione di pescatori dedita al \nculto di divinità ancestrali oltre che assidui \nspettatori delle peggiori telenovelas \nbrasiliane. \nA rischio della propria vita, intrepidi \nesploratori hanno, negli anni, portato \nalla luce diverse prove delle competenze \nartistiche e culturali udriane. \nUDRUIAN CIVILIZATION\nLA CIVILTÀ UDRIANA\nT O T E M  C O L L E C T I O N\n",9,{"image":47,"text":19,"number":48},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.10.png",10,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.11.png","Gli artefatti che vi apprestate a visionare \nrappresentano l’espressione artistica che \nil misterioso popolo ha realizzato all’apice \ndella propria civiltà (che è corrisposto, \ngrossomodo, al periodo occidentale tra \nil passaggio dalla TV in bianco e nero a \nquella a colori).\nGli oggetti presenti sono i risultati degli \nscavi effettuati nel 2017 dal grande \nantropologo Prof. Leo De Carlo.\nAll artworks that you are about to see in this catalogue represent the\nbest engraving expression that the mysterious population realized during\nthe peak point of their culture (which approximately coincides with \nthe transition from black-and-white TV to color).\nThe objects featured here result from the workings made in 2017 \nby the great anthropologist Professor Leo De Carlo.\nT O T E M  C O L L E C T I O N\n",11,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.12.png","T O T E M  C O L L E C T I O N\n",12,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.13.png","Leo De Carlo was born in Venice in 1972.\nHe got his first degree in “Comparative Paleontology” at the University \nof Mopipi (Botswana), and then he achieved a Masters in “History of \nUseless Culture” at the University of Mabalacat (Philippines). \nSince 2005, he has been a professor of “Udru Culture” at University of\nTrebaseleghe (Italy). From 1995 to 2017, he spent lot of time on the Island \nof Udru, with the purpose of promoting the emergence of this culture \nto a wider public audience. All the mirrors shown in the catalogue are\npart of the relics found during the digs of 2017.\nLeo De Carlo nasce a Venezia nel 1972.\nDopo essersi laureato in Paleontologia \nComparata \nall’università \ndi \nMopipi \n(Botswana) ha ottenuto un master in \nStoria delle Culture Inutili all’università \ndi Mabalacat (Filippine). Dal 2005 è \nprofessore ordinario di Cultura Udru \nall’Università di Trebaseleghe (Italia).\nDal 1995 al 2017 ha passato svariati \nperiodi nell’isola di Udru allo scopo di far \nemergere tale cultura e di raccontarla al \ngrande pubblico.\nGli specchi presenti in questo catalogo \nsono parte dei reperti rinvenuti durante gli \nscavi del 2017.\nLEO DE CARLO\nLEO DE CARLO\nT O T E M  C O L L E C T I O N\n",13,{"image":62,"text":19,"number":63},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.14.png",14,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.15.png","The four most popular mythological divinities for the Udruians are \nknown as Indo, Undo, Ando, Endo. As far as we know, they are the \nguardians of hearth and home; each of them protects and supports a \nspecific domestic duty. They are the direct descendants of two main\ndeities at the top of the Udruian religious hierarchy, called DOUGH-NUT \nand CROIS-SANT. DOUGH-NUT and CROIS-SANT are barely mentioned\ninto Udruian’s iconography, however they both are represented as \nbaked products. In all likelihood, the four guardians displayed in \nthis catalogue have been realised during the Udruian era called \nGONZO, which is the equivalent of our early 60’s.\nLe quattro figure mitologiche maggiormente \npresenti nella cultura udriana (Indo, Undo, \nAndo, Endo) sono, per quanto ne sappiamo, \ndivinità protettrici del focolare domestico \nciascuna orientata a sostenere uno specifico \ncompito casalingo. Sono a loro volta figlie \ndelle due entità all’apice della catena religiosa \nudriana: DOUGH-NUT e CROIS-SANT. \nPoco presenti nell’iconografia del popolo \nUdru, DOUGH-NUT e CROIS-SANT vengono \n(misteriosamente) rappresentate come due \nprodotti da forno. \nLe quattro figure presenti in questo catalogo \nsono state realizzate, con tutta probabilità, nel \nperiodo udriano detto GONZO corrispondente \nai nostri primi anni ‘60.\nTHE UDRUIAN’S DIVINITIES\nLE DIVINITÀ UDRIANE\nT O T E M  C O L L E C T I O N\n",15,{"image":69,"text":19,"number":70},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.16.png",16,{"image":72,"text":73,"number":74},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.17.png","Udruians’ engraving skills have been well documented thanks to \nmany discoveries that occurred over the last 20 years. \nAlthough accurate information regarding the tools they utilized are\nunavailable, some findings reveal the use of a stale bread wheel \nwhich causes abrasion on the glass surface due to a very powerful \nrotation done by hand. Apparently, the polishing process of glass, \nand its mirrored finish afterwards, was achieved by using a layer of \ncaramel, blended with other natural elements. This procedure resulted in\na shiny and reflective effect similar to the one given by the contemporary\nchemical components - besides making them all gluten-free products.\nLe capacità incisorie udriane sono state \nben documentate grazie a svariate scoperte \navvenute negli ultimi 20 anni. Sebbene \nnon si conoscano con precisione gli \nstrumenti impiegati per tale attività, alcuni \nritrovamenti fanno pensare che si usasse \nuna ruota di pane raffermo la quale, a \nseguito di una potente rotazione manuale, \npermetteva l’abrasione della superficie \nvetrosa. Apparentemente la lucidatura del \nvetro e la sua successiva specchiatura \navveniva mediante l’uso di uno strato di \ncaramello che, mescolato ad elementi \nnaturali, forniva un effetto riflettente pari \nai più moderni composti chimici, oltre a \nrendere i prodotti gluten-free.\nTHE STALE BREAD WHEEL\nLA RUOTA DI PANE RAFFERMO\nT O T E M  C O L L E C T I O N\n",17,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.18.png","Ensures the smooth performance\nof electric power, even when\nthe oven and washing machine \nwork simultaneously.\nANDO\nANDO \n \nElimina le interruzioni di energia \nelettrica anche nel caso in cui forno \ne lavatrice operino in simultanea.\nT O T E M  C O L L E C T I O N\n",18,{"image":80,"text":55,"number":81},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.19.png",19,{"image":83,"text":55,"number":84},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.20.png",20,{"image":86,"text":19,"number":87},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.21.png",21,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.22.png","Avoids the dust \naccumulations underneath\nsofas and behind doors.\nENDO\nENDO \n \nEvita l’accumulo di polvere sotto \ni divani e dietro le porte.\nT O T E M  C O L L E C T I O N\n",22,{"image":93,"text":55,"number":94},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.23.png",23,{"image":96,"text":55,"number":97},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.24.png",24,{"image":99,"text":19,"number":100},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.25.png",25,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.26.png","Propitiates the reliable \nfunctioning of air conditioning,\navoiding any interruptions \nduring scorching times.\nINDO\nINDO \n \nPropizia il buon funzionamento dell’aria \ncondizionata, evitando che vada in \nblocco durante i periodi torridi.\nT O T E M  C O L L E C T I O N\n",26,{"image":106,"text":55,"number":107},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.27.png",27,{"image":109,"text":55,"number":110},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.28.png",28,{"image":112,"text":19,"number":113},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.29.png",29,{"image":115,"text":116,"number":117},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.30.png","Protects and strengthen\nthe Wi-Fi connection, \nallowing it to reach every \nlittle nook in the house.\nUNDO\nUNDO \n \nProtegge e fortifica il segnale Wi-Fi, \nfacendolo arrivare in ogni angolo della casa.\nT O T E M  C O L L E C T I O N\n",30,{"image":119,"text":55,"number":120},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.31.png",31,{"image":122,"text":55,"number":123},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.32.png",32,{"image":125,"text":19,"number":126},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.33.png",33,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.34.png","Each mirror of TOTEM Collection is \npart of a limited edition of 10 units. On the \nback of each piece, there is a plaque made\nof photo-engraved steel that identifies the \nserial number of the mirror, the name of the\ngoddess, the designer, the master engraver,\nthe workshop and year of production.\nOgni specchio della collezione TOTEM è realizzato in una \ntiratura limitata di 10 unità. Sul retro di ciascun pezzo è \ninserita una targa in acciaio fotoinciso che identifica il numero \nprogressivo del pezzo, il nome della divinità, il designer, \nil maestro incisore, il luogo e la data di produzione.\nLIMITED EDITION\nT O T E M  C O L L E C T I O N\n",34,{"image":132,"text":55,"number":133},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.35.png",35,{"image":135,"text":136,"number":137},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.36.png","MINOR UDRUIAN EVIDENCE\nWEDDING PENDANTS\nPENDENTI MATRIMONIALI\nPeriod: RUTTO (cc 1964-68)\nDuring the premarital period, a common habit for engaged \ncouples was to wear these pendants for a whole lunar cycle. \nIf the pendant would have been damaged during this period, \nthe wedding could not be celebrated. Curiously, the number \nof male pendants found is much less than female ones.\nTradizione vuole che tali pendenti venissero indossati per un ciclo \nlunare dai fidanzati durante il periodo pre-matrimoniale. Se durante \ntale periodo il pendente subiva un danno, il matrimonio non poteva \npiù essere celebrato. Curiosamente i pendenti maschili ritrovati \nsono in numero enormemente minore rispetto a quelli femminili.\nUDRUIAN ENTITIES OF CREATION\nENTITÀ CREATRICI UDRIANE\nPeriod: LOFFIO (cc 1949-55) \nThe plates represent DOUGH-NUT and CROIS-SANT, the \nmajor deities of Udruian religion, who have always been \nidentified as the creators of universe by mixing up their \nown jams.\nLe placche rappresentano le entità cosmiche DOUGH-NUT e \nCROIS-SANT, identificate nella cultura udriana come coloro che, \nmescolando le proprie marmellate, generarono l’universo.\nT O T E M  C O L L E C T I O N\n",36,{"image":139,"text":140,"number":141},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.37.png","UDRUIAN COINS\nMONETE UDRIANE\nPeriod: GONZO (cc 1960-63)\nThe value of each coin was related to the amount of children \nthat each person had. Therefore, the value varied constantly, \nand it soon became a completely useless tool for purchasing \nand selling goods. Due to this fact, the coins resulted as \nthe perfect instrument to hand debauched kids over to their \ngrandparents.\nIl valore attribuito ad ogni moneta era basato sul numero di figli \nche ogni individuo possedeva. Di conseguenza il valore variava da \npersona a persona rendendo, nei fatti, lo strumento totalmente \ninutile all’acquisto e alla vendita di beni. A causa di ciò, le monete \ndivennero strumento per cedere ai nonni i figli più debosciati.\nBILINGUAL STELE: UDRUIAN\u002FPASTAFARIAN\nSTELE BILINGUE: UDRIANO\u002FPASTAFARIANO\nPeriod: RUTTO (cc 1964-68)\nThe stele here displayed is an extremely rare object. It is \ncovered by bilingual text in Udruian\u002FPastafarian languages, \nwhich allowed the comprehension of the Udruian linguistic \nsystem - hence the interpretation of many writings found \nduring the excavations, which apparently did not make \nany sense. The stele recounts the time needed to cook \nhomemade pasta. \nLa stele qui presente è un oggetto estremamente raro. Essendo \nricoperta da un testo bilingue udriano\u002Fpastafariano, ha permesso \ndi comprendere finalmente il sistema linguistico udriano, riuscendo \nperciò ad interpretare molte scritture apparentemente senza senso \npresenti negli artefatti ritrovati duranti gli scavi. Nello specifico la \nstele racconta i tempi di cottura della pasta fatta in casa.\nT O T E M  C O L L E C T I O N\n",37,{"image":143,"text":144,"number":145},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.38.png","HORNS OF GOOD AND BAD WEATHER\nCORNI DEL BUONO E CATTIVO TEMPO\nPeriod: dating missing \nPeriodo: datazione mancante\nOriginally held by men during the propitiatory rain dance, \nthese ergonomic and iridescent amulets ended up soon to be \nused as distinctive elements of extramarital affairs. The wide \nrange of discovered amulets, which belong to all Udruian \nperiods, shows a variety of shapes, color palettes and size, \nthat proves the extremely huge creativity of this population.\nOriginariamente impugnati dagli uomini durante la danza propiziatoria \nper la stagione delle piogge, questi amuleti dall’elevato grado di \nergonomicità e cangianza finirono presto per essere utilizzati come \nelementi distintivi delle relazioni extraconiugali. La vasta gamma \ndi amuleti rinvenuti, risalenti a tutti i periodi udriani, ci rende nota \nuna moltitudine di forme, varietà cromatiche e dimensioni, a prova \ndella vastissima creatività di questo popolo.\nLARGE NECKLACE OF WARTHOG TEETH\nCOLLANONA CON DENTI DI FACOCERO\nPeriod: GONZO (cc 1960-63)\nLarge priest necklace with pearls made of glass, pressed \nmud and warthog teeth that comes from Ubukala region. \nThe necklace had a clear intimidating message. However, \nnowadays no one knows why Udruians were scared of it. \nCollana sacerdotale realizzata con perle in vetro e fango compresso \ne denti di facocero della regione Ubukala. La collana aveva un \nchiaro significato intimidatorio ma, ad oggi, nessuno ha capito \nperché gli Udriani ne fossero spaventati.\nMINOR UDRUIAN EVIDENCE\nT O T E M  C O L L E C T I O N\n",38,{"image":147,"text":148,"number":149},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.39.png","UDRUIAN RINGS FOR OFFENSE\nANELLI UDRIANI DI OFFESA\nPeriod: LOFFIO (cc 1949-55) \nUsed by women to express a certain bad word, which, \nfor politeness, would have not been nice to say directly. \nTo be more specific, the three rings state the following \nimprecations:\n »\nYour face is like a pudding\n »\nI hope that your air conditioning get stuck at 12 degrees\n »\n No, you don’t look like Britney Spears at all\nUtilizzati dalle donne per esprimere una particolare imprecazione \nche, per questioni di etichetta, non poteva essere espressa \nverbalmente. Nello specifico i tre anelli identificano le seguenti \nimprecazioni:\n »\nHai la faccia come un budino\n »\n Spero che l’aria condizionata ti si blocchi a 12 gradi\n »\n No, non assomigli per niente a Britney Spears\nRESTING TABLES\nTAVOLI DA RIPOSO\nPeriod: GONZO e LOFFIO (cc 1960-1968)\nThe resting tables were considered as absolutely vulgar \nobjects. No one knows why.\nI tavolini da riposo venivano considerati oggetti estremamente \nvolgari. Nessuno ha mai capito il perché.\nT O T E M  C O L L E C T I O N\n",39,{"image":151,"text":152,"number":153},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.40.png","A LIMITED EDITION OF FOUR (4) CONTEMPORARY MIRRORS\nEach mirror has been exclusively produced in 10 \nunits. All items are made of extra-clear glass, which \nhas been hand engraved and decorated with a golden \nantiqued finishing. These glass elements fit into an \ninlayed structure made of several wooden panels, \nwhich have been covered with golden leaf. Each mirror \nis uniquely identified by a photo-engraved plaque on \nthe back of the wooden structure that certifies every \nconstructive details of the artistic mirror. All mirrors \nare made in our headquarters in Venice.\nANDO\nLDC_B_008_15\n64,5 cm\n25” 3\u002F8 \n2 cm\n3\u002F4”\n122 cm\n48”\nENDO\nLDC_B_008_25\n66 cm\n26”\n2 cm\n3\u002F4”\n121 cm\n47” 5\u002F8\nT O T E M  C O L L E C T I O N\n",40,{"image":155,"text":156,"number":157},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.41.png","SET DI QUATTRO (4) SPECCHI A TIRATURA LIMITATA\nCiascun specchio è prodotto esclusivamente in 10 \nunità. Le figure sono realizzate in vetro extrachiaro \ninciso a mano con specchiatura effetto oro antico. \nGli elementi vitrei sono inseriti in una struttura \nlignea di pannelli multistrato rivestita in foglia d’oro. \nOgni pezzo è identificato univocamente mediante \nuna placca in acciaio fotoinciso inserita sul retro \ndella struttura che riporta i dati salienti del prodotto. \nTutti i totem sono realizzati ed assemblati a Venezia.\nINDO\nLDC_B_008_35\n64 cm\n25” 3\u002F8 \n2 cm\n3\u002F4”\n121 cm\n47” 5\u002F8\nUNDO\nLDC_B_008_45\n63,5 cm\n25”\n2 cm\n3\u002F4”\n121 cm\n47” 5\u002F8\nT O T E M  C O L L E C T I O N\n",41,{"image":159,"text":160,"number":161},"\u002Fmedia\u002Fimages\u002F87\u002F6dc328515027752b6f00e990594b5f.42.png","Concept by\nARTE VENEZIANA SRL\nPhoto by\nQUASAR: www.quasarfoto.com\nGERMANO BORELLI Photography\nSALMASO: www.salmasofotografia.it\nArte Veneziana® - All rights reserved\nARTE VENEZIANA SRL\nVia Cattaneo, 7\n30030 Olmo di Martellago\nVenezia, Italy\nT +39 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