[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-acerbis-poster-remasters-2021":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":25},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":20,"matched_pages":21,"match_count":22,"two_pages":23,"show_text":24},11946,"Poster Remasters 2021","acerbis-poster-remasters-2021","\u002Fmedia\u002Fimages\u002F41\u002Fff433a36f57fd33cf7300bea4eb9b2-26e594c7d0.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fe9\u002F292fd896347f4f982d204282570dfd-26e5927dce.pdf","Acerbis",2302,"acerbis","0.4 MB",[14,17],{"image":7,"text":15,"number":16},"acerbisdesign.com\n@acerbis_design\nAcerbis creates timeless, and at the same time\nvery avant-garde, design furniture.\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F41\u002Fff433a36f57fd33cf7300bea4eb9b2-26e594c7d0.2.png","Photos Alberto Strada, Lorenzo Cappellini Baio; Graphic Concept Studio Temp; Copy Laura Rysman, MDF Italia marketing & communication dept.\nSheraton,\nGiotto Stoppino, Lodovico Acerbis, 1977\nReflecting Giotto Stoppino and Lodovico Acerbis’s role as a leading  \nexponent of modern Italian design, the Sheraton sideboard combines \na sleekly groundbreaking shape with innovative functionality, \nthanks to its unique “sliding-pivot” opening system, a combination \nof a sliding and a hinged door.\nThe winner of the Compasso d’Oro in 1979, the seminal design \nforms part of the permanent collection at London’s Victoria and \nAlbert Museum, and today sees new editions of the wood cabinet \nfinished with Acerbis’s distinctive glossy lacquers in six new \ncontemporary tones. \nMaestro\nGianfranco Frattini, 1997\nWith the precision and vivid identity that Gianfranco Frattini \nimbued in his work, the Maestro table was designed to conjure \nfunction and perfection in living spaces. Today, at versions in 2.5, 3 \nand 3.5 meters in length, it becomes grander in its scale for modern \nentertaining needs, and more dramatic in its material impact, with \nblack ash wood and dark stained walnut making dark silhouettes \nof the long, cantilevered wings of the table and its linear play of \ncutouts that recalls traditional Japanese architecture.\nSerenissimo,\nLella & Massimo Vignelli, David Law, 1985\nThe precisely delineated Serenissimo renders a table as a graphic \ncomposition, with four columns and a linear steel girder to float the \ntable top above.  \nIn the key of Lella and Massimo Vignelli’s original design, the \ncreation speaks through its geometry and materials, with its \nelemental shapes defined by refined metallic finishes or soft tones \nof venetian stucco, and by a vast glass top — up to three meters \nlong — extended atop the altar-like base, for a harmony composed \nof monumental proportions.\nStoret,\nNanda Vigo, 1994\nA playful, spirited pillar of \ndrawers, the Storet cabinet \nepitomizes the visionary touch \nof Nanda Vigo’s designs, now \nmodernized with a brightly \nlacquered wood contrast and \nbrand new proportions. In both \nits elongated vertical edition, \nand in the nightstand designed \nby Vigo but manufactured for \nthe first time only now, the Storet  \nreflects today’s advances in \nproduction, with the walnut’s \nvisible grain illuminating Acerbis’s  \nmodern expertise in utilizing \nextensive wood surfaces.\nSpiros,\nVico Magistretti, 1987\n“Simplicity is the most complex \nachievement in the world,” \nsaid Vico Magistretti, and his \nvirtuosity with purified design  \nis evident in this first creation  \nof his for Acerbis, using a change  \nin perspective to transform \nan everyday object — the \nbroomstick — into an object of \ncaptivating essentialism.\nM920099-0751\nRemasters is the first collection curated by the new artistic direction of Francesco Meda and David Lopez Quincoces.\nAn eclectic and authentic collection with seven pieces selected among the most daring and original archival masterpieces, \nincluding drawings by Vico Magistretti, Nanda Vigo, Gianfranco Frattini, Giotto Stoppino, Lodovico Acerbis, Lella & Massimo \nVignelli and Roberto Monsani, reinterpreted in a contemporary key.\nAcerbis is a brand of MDF Italia\nHeadquarters via Fratelli Cervi 4\u002FA, 22066 Mariano Comense (CO), Italy\nMDF Italia srl Società Unipersonale\nHeadquarters via Fratelli Cervi 4\u002FA, 22066 Mariano Comense (CO), Italy\n© Copyright 2021 MDF Italia srl Società Unipersonale all rights reserved. MDF Italia reserves the right to change,  \nat any time and without prior warning, the technical specifications of any product illustrated in this poster.\nacerbis@mdftalia.it\nacerbisdesign.com\nRemasters: Francesco Meda and David Lopez Quincoces, the new creative directors of Acerbis, have united their well-proven strengths \nin industrial design and architecture, to invigorate the future of design at Acerbis. With a visionary sense of the contemporary and  \na passion for the history of design, the pair have commenced a reawakening of Acerbis’ archives, relaunching fresh versions of creations \nwhose modernity remains progressive even today.\nEach archive design was carefully chosen by Meda and Lopez Quincoces to highlight an era of iconic experimentation, and to create a \nforward-looking survey of Acerbis’ beautifully useful icons: a foundation grounded in the potent heritage of this pace-setting brand to \ncommence a new chapter of Acerbis.\nCollection: imbued with precision production and a finely-honed heritage in high craftsmanship, Acerbis innovated creative solutions \nfor contemporary living spaces — creating the vanguard in modern modular furnishings, with designers’ reimaginings of credenzas, \ncabinets, and storage pieces, many of which have been exhibited at the world’s most prestigious museums, including the Museum of \nModern Art in New York, and the Victoria & Albert Museum of London.\nContinually exploring novel material uses, Acerbis established a new touchstone in high-quality lacquers, imbuing them with previously  \nunseen levels of gloss and durability, and inventing its own patented Caoxol lacquer finish. A unique talent for specialized closing \nmechanisms, hinges, and other custom hardware, descended from the furniture maker’s artisan tradition, imparted a fundamental luxury  \nexperience of design for users to match the conceptual aesthetic solutions of the furnishings. Over these years of experimentation  \nand industrialization, Acerbis forged its DNA of Italian ingenuity for a future-gazing clientele ever since.\nCreso,\nLella & Massimo Vignelli, 1988\nA singular form with a monolith’s silhouette, the Creso experiments \nwith a sole pedestal of support to transform a table into the kind of \nvigorous geometry that defined the eye of Lella and Massimo Vignelli.\nReturned to a more faithful rendering of Vignelli’s ideas, the new \nCreso explores a use of materials that underlines the potency of \nthe design, with its round top and pillar base.\nMenhir,\nGiotto Stoppino, L. Acerbis, 1983\nWith a daring approach to \nmaterials, the Menhir low table \nbecomes a composition of colors \nand textures that eloquently \nillustrate the sculptural \nsimplicity of Lodovico Acerbis \nand Giotto Stoppino’s inventions \nof new forms. \nWith a Greek-like classicism, the  \ntable’s column connects the \nmonumental marble base, matte \nin its contemporary version,  \nto a tabletop newly rendered in \nlacquered wood or black ash \nwood and dark stained walnut, \ncreating a striking exchange \nbetween colors and elements. \nFlorian,\nVico Magistretti, 1989\nIngeniously functional, the \nFlorian represents Magistretti’s \nsupreme simplicity, with a \nlightweight, multi-level table \nbuilt on a foldable structure \ninspired by a broom handle, \nwhich collapses flat to hang on \nthe wall as a graphic object of \ncircles and lines. \nGong,\nGianfranco Frattini, 1987\nEmblematic of the rigorous \ndesigns of Gianfranco Frattini, \nthe Gong side table reemerges \nwith his quintessential grace \nand flair of form, now in diverse \nheights and diameters — a family \nof proportions for sculptures, \nplants, and other decor. \nJot,\nGiotto Stoppino, 1976\nCelebrating stainless steel in the \nBauhaus tradition, the tubular \nchrome-framed Jot chair takes \nits swooping, balletic form  \ninto the contemporary era with a \nnew version purified of any paint \nor dye that would hide  \nthe essence of its powerful metal  \nand rawhide leather elements.  \nAn iconic example of Giotto \nStoppino’s masterful use of \ncantilevered chair styles  \nand his exploratory method  \nwith materials.\nLife,\nRoberto Monsani, 1975\nIn envisioning new styles of living, Roberto Monsani imagined \nsolutions to reshape the home, and the Life couch — so avant-garde  \nit was never produced in series in Monsani’s day — retains its \nmodern edge. Maintaining its modular and flexible design, today \nthe sofa’s original lucite frame has been elongated and updated \nwith versions in wood for contemporary living ideals. \nRemasters\nCreso  \nLella & Massimo Vignelli, 1988\nFlorian  \nVico Magistretti, 1989\nGong  \nGianfranco Frattini, 1987\nJot  \nGiotto Stoppino, 1976\nLife sofa \nRoberto Monsani, 1975\nMenhir  \nGiotto Stoppino, Lodovico Acerbis, 1983\nMaestro  \nGianfranco Frattini, 1997\nSerenissimo  \nLella & Massimo Vignelli, David Law, 1985\nSheraton  \nGiotto Stoppino, Lodovico Acerbis, 1977\nSpiros  \nVico Magistretti, 1987\nStoret  \nNanda Vigo, 1994\nCollection\nAlterego  \nGiacomo Moor, 2016\nAxis  \nGabriele & Oscar Buratti, 2009\nGhostwriter  \nGiacomo Moor, 2017\nGrand Buffet \nMassimo Castagna, 2014\nJudd  \nGabriele & Oscar Buratti, 2001\nLife  \nRoberto Monsani, 1975-2002\nLitt  \nGabriele & Oscar Buratti, 2002\nLudwig  \nLodovico Acerbis, 2005\nMaxwell  \nMassimo Castagna, 2014\nMoodboard Console \nMassimo Mariani, 2018\nMoodboard  \nMassimo Mariani, 2018\nN.C. Landscape  \nMassimo Castagna, 2016\nN.C. Smartwall  \nMassimo Castagna, 2012\nNew Concepts  \nLodovico Acerbis, 1999\nOutline  \nGiacomo Moor, 2016\nPond  \nMarco Acerbis, 2006\nSteel  \nLodovico Acerbis, Gabriele Buratti, 2001\nRemasters' technical informations\nCreso\nRound table\nTop Ø130; Ø160 cm\nH72 cm\nFlorian\nFolding table\nL39.2 D39.2 H84.2 cm\nGong\nSide table\nØ27 H80; Ø43 H45; Ø43 H55; Ø55 H35 cm\nJot\nChair\nL48.5 D58 H79 seat H46 cm\nLife sofa\nSeat module\nL90 D98 H63 seat H42 cm\nMenhir\nLow table\nTop Ø80; Ø100; Ø120 cm\nBase H36.2; H42.5, H48.8 cm\nMaestro\nRectangular table\nD90 L250; D100 L300; D100 L350; D120 L350 cm\nH73 cm\nSerenissimo\nSquare table\nD160 L160; D180 L180; D200 L200 cm\nH72 cm\nSheraton\nSideboard\nL280 D49 H70 cm\nSpiros\nCoat stand\nØ33 H190 cm\nStoret\nLow chest of drawers\nL55.6 D51.7 H55.5 cm\nPouf S\nL58 D58 H42 cm\nPouf M\nL90 D98 H42 cm\nConsolle\nTop L180 D40; H80.2 cm\nRectangular table\nD120 L250; D120 L300; D120 L350 cm\nH72 cm\nHight chest of drawers\nL55.6 D51.7 H131.1 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