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60

Vistosi: Monografia, 55 70

Denis Santachiara
Emiliano, nato intorno alla metà del seco-
lo scorso, il designer è milanese d'adozio-
ne. Autodidatta, da sempre affascinato
dalla tecnologia che considera "linguaggio
poetico", si è formato giovanissimo nella
provincia modenese, nel settore dell'auto,
lavorando con il Gruppo De Tomaso prima,
passando in seguito a Maserati, Ferrari,
Lamborghini.
La chiave del suo percorso artistico è pro-
prio l'incontro tra arte e tecnologia ed egli
stesso ama definirsi "designer di frontiera
con il mondo dell'arte". Da sempre pionie-
re dell'evoluzione tecnologica, nella comu-
nicazione dell'oggetto, Denis Santachiara
aspira ad integrare la percezione visiva
delle forme con le suggestioni degli altri
sensi umani.
Le sue creazioni più note sono molto di-
verse fra loro, ma tutte collegate dal filo
rosso del connubio arte-tecnologia: dalla
mostra manifesto del 1984, al sistema
bancario-telematico per le Generali, all'al-
lestimento del pupo sospeso, nell'ultima
Biennale di Valencia.
Denis Santachiara is from Emilia, although
he has chosen Milan as his adoptive city
and was born in the 50s. This designer is
a self-taught person who has always been
fascinated by technology which he consid-
ers “poetic language”. He began his for-
mation in the automobile sector, working
at first with De Tomaso Group and later
with Maserati, Ferrari and Lamborghini.
The key to his artistic itinerary is the en-
counter between art and technology and
he likes to think of himself as a ‘frontier
designer in the world of art’. He has been
a pioneer of technological evolution in
communication of the object and his aim is
to supplement visual perception of shapes
with the other human senses.
Though his creations vary one from the
other, they all have one thing in common
which is the fusion between art and tech-
nology, starting from the 1984 placard ex-
hibition to the telematic banking system
for Generali, to the setting up of the sus-
pended puppet at the last Biennale in
Valencia.
Denis Santachiara

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