Provocatively ice clear “pleated” lamp-shades with right angle cranked legs stand in contrast with the ornamental composition of shadows that appear on the walls after you switch on the light. The classical design together with an optical projection merges into an unexpected form of peculiar “romantic functionalism”. Light, its reflections on the sharp-cut edges of glass and shadows are the main means of perception and depicting of the space and matter providing possibility to seize them and create an outstanding atmosphere and mood at the same time. The shadow and light are not of material substance by themselves but yet define them, reflect, hide and unveil them even though they are only an optical illusion – an insubstantial postscript. Shadows are virtually all around, but only those thrown by the Glitters collection are capable of creating neat and magnificent make-up of the space, day and night. Light, translucent texture of the glass and striking expressiveness have the ability to call forth memories but also enhance plastic beauty of the room and make it real, more real, for the shadows that always reveal more than the light itself.
Reference: Four Seasons Hotel, Los Angeles, USA
Czechia
