133
132
In this approach to materiality, one ‘bible’ is Jun’ichiro Tanizaki’s ‘In Praise of Shadows’, the seminal essay on Japanese aesthetics. Just as wabi-sabi
presents the beauty in imperfection and subtleties of shadow, Henge seeks out honorable materials with their own special qualities and life. Metals that oxidise according
to place, and over time will carry with them some subtle evidence of life lived, one connected to people and place and the earth itself. A muted palette offers a softer focus
to life that is alluring and elevates beauty. Much like the Venetian area, from nature and landscape, architecture and artefacts, light does not glare but flatters, casting soft
shadows and creating a distinct aesthetic and atmosphere. A fine example of this is William Turner’s ‘Venice with the salute’ painting, within the collection of the Tate.
