24 C 15
Al anular la policromía
mediante bombillas de
monofrecuencia, Eliasson
introduce al visitante
en una experiencia
fenomenológica que
pone en cuestión la
filosófica relación entre
percepción y realidad.
By cancelling polychromy
with monofrequency
lamps, Eliasson proposes
a phenomenological
experience that calls
the philosophical
relationship between
perception and reality
into question.
Din Blinde Passager, 2010. Photo: Anders Sune Berg, Tate Modern, London
Model Room, 2003. Photo: Anders Sune Berg, Tate Modern, London
© Runa Maya Mørk Huber
Room for one colour, 2003. Photo: Dmitry Baranov, Pinchuk Art Centre, Kiev, 2011
