[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-wallanddeco-contemporary-wallpaper-collection-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":444},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":439,"matched_pages":440,"match_count":441,"two_pages":442,"show_text":443},22085,"Contemporary Wallpaper Collection 2023","wallanddeco-contemporary-wallpaper-collection-2023","\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F10\u002F85ac33b9b1b6318776cff794a47fab-28e15b790d.pdf","Wall&deco",2370,"wall-deco","20.5 MB",[14,17,20,24,28,32,36,40,44,48,52,56,60,64,68,72,76,80,84,88,92,96,100,104,108,112,116,120,124,128,132,136,140,144,148,152,156,160,164,168,172,176,180,184,188,192,196,200,204,208,212,216,220,224,228,232,236,240,244,248,252,256,260,264,268,272,276,280,284,288,292,296,300,304,308,312,316,320,324,328,332,336,340,344,348,352,356,360,364,368,372,376,380,384,388,392,396,400,404,408,412,416,420,424,428,432,436],{"image":7,"text":15,"number":16},"CONTEMPORARY \nWALLPAPER \nCOLLECTION\nCWC\n2023  \n",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.3.png","Subject\nImage pag.\nTechnical pag.\nA SIGN IN THE WATER\n138\n156\nAFRICAN CANVAS\n18\n156\nAMINOCRISTAL\n58\n157\nARTHUR'S THEME\n109\n157\nBEGINS\n60\n158\nBRICKS\n15\n158\nCARVE\n42\n159\nCAVE\n51\n159\nCÉCILE\n12\n160\nCOBB\n86\n160\nCONCENTRICO\n129\n161\nCUBIC\n85\n161\nCYANOPOP\n133\n162\nDAPHNE\n35\n162\nDESIDERIO\n113\n163\nEILEEN\n64\n163\nEOS\n142\n164\nFEZ\n38\n164\nFIELD OF GOLD\n45\n165\nFLOWAVE\n77\n165\nFOLIAGE\n74\n166\nGELSOMINO NOTTURNO\n147\n166\nGEROGLIFICI\n10\n167\nGIOIA\n28\n167\nGOCCE DI MATERIA\n68\n168\nGRAM-GREEN\n97\n168\nHERO\n92\n169\nIL GIARDINO DEI MEDICI\n43\n169\nIN CHORO FLORUM\n106\n170\nINDIGO\n63\n170\nINDUSTRIAL PILLARS\n98\n171\nINTO THE WILD\n117\n171\nJEU DE POMMES\n125\n172\nJUICE OF LIFE\n141\n172\nKATAGAMI\n126\n173\nLÀ DOVE IL VENTO\n7\n173\nLAFAYETTE\n13\n174\nLEVITY\n95\n174\nLILLU ARRÙBIU\n27\n175\nLIQUORICE & TOFFEE\n111\n175\nLUDIC\n91\n176\nMA-DAMA\n134\n176\nMAGNETIKA\n149\n177\nMAGNIFIER\n81\n177\nMERCURY\n59\n178\nMET-ART\n78\n178\nchapter one\nCOCOON\npag. 6\nchapter two\nPOST \nMETAVERSE\npag. 54\nchapter three\nVIRTUAL\nAESTHETICS\npag. 102\nTECHNICAL \nINFORMATION \nCOLORMATCH\npag. 156\n2023 collection\nSubject\nImage pag.\nTechnical pag.\nMILENA BLU\n88\n179\nNEON\n71\n179\nNEWS ON PAPER\n118\n180\nOX\n54\n180\nOZ\n22\n181\nPALEOCORALS\n41\n181\nPERPETUO\n9\n182\nPROMENADE D'ÉTÉ\n110\n182\nRACCONTI\n144\n183\nSAKURA\n50\n183\nSANTI E PIRATI\n150\n184\nSAY SOMETHING\n105\n184\nSOLID SESSION\n93\n185\nSOULMATES\n37\n185\nTEMPO\n46\n186\nTHE WAITING ROOM\n87\n186\nTRIBUTE TO T\n21\n187\nURBANIA\n121\n187\nVALMONT\n143\n188\nVERDE NOBILE\n49\n188\nVISIONI\n57\n189\nVIVA MAGENTA\n102\n189\nWATASHI NO AI\n137\n190\nWATERFALL\n153\n190\nYUI\n32\n191\n",3,{"image":25,"text":26,"number":27},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.4.png","chapter one\nCOCOON\n2023 collection\n1.\nL’oasi di pace di \nun cocoon domestico.\nThe peaceful oasis \nof a domestic cocoon.\n",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.5.png","Giovanni Pesce\nLÀ DOVE IL VENTO\nWDLV2301\n6\ncollection 2023 \u002F\u002F Cocoon\n7\n",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.6.png","DeBonaDeMeo\nPERPETUO\nWDPE2301\n8\ncollection 2023 \u002F\u002F Cocoon\n9\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.7.png","10\ncollection 2023 \u002F\u002F Cocoon\nLudovica+Roberto\nPalomba\nGEROGLIFICI\nWDGE2301\n11\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.8.png","Studio Salaris\nCÉCILE\nWDCE2301\n12\ncollection 2023 \u002F\u002F Cocoon\nChristian Benini\n \nLAFAYETTE\nWDLA2301\n13\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.9.png","Federico Peri\nBRICKS\n WDBR2301\n14\ncollection 2023 \u002F\u002F Cocoon\n15\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.10.png","I colori e le texture sono rigorosamente naturali: \nterra, sabbia, terracotta e paglia aiutano a \ndelineare spazi luminosi e avvolgenti garantendo \nl’oasi di pace di un cocoon domestico. \nThe colors and tex-\ntures are strictly \nnatural: earth, sand, \nterracotta, and straw \nhelp to delineate \nbright, enveloping \nspaces, providing the \npeaceful oasis of a \ndomestic cocoon.\n16\ncollection 2023 \u002F\u002F Cocoon\nA stance where analogue \nrejects digital by staging a \nworld of material and extreme \ncraftsmanship.\nUna presa di posizione dove l’analogico rifiuta il digitale \nUna presa di posizione dove l’analogico rifiuta il digitale \nmettendo in scena un mondo fatto di materia \nmettendo in scena un mondo fatto di materia \ne di artigianalità estrema.\ne di artigianalità estrema.\n17\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.11.png","Francesca Zoboli\nAFRICAN CANVAS\n WDAF2301\n18\ncollection 2023 \u002F\u002F Cocoon\n19\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.12.png","20\ncollection 2023 \u002F\u002F Cocoon\nDeBonaDeMeo\nTRIBUTE TO T\nWDTT2301\n21\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.13.png","Tommaso Spinzi\nOZ\nWDOZ2301\n22\ncollection 2023 \u002F\u002F Cocoon\n23\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.14.png","24\ncollection 2023 \u002F\u002F Cocoon\n25\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.15.png","collection 2023 \u002F\u002F Cocoon\n26\nAntonio Marras\nLILLU ARRÙBIU\nWDLU2301\n27\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.16.png","Antonella Guidi\nGIOIA\nWDGI2301\n28\ncollection 2023 \u002F\u002F Cocoon\n29\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.17.png","Le tonalità della terra diventano \nl’elemento di comfort, in grado di creare \nambientazioni accoglienti e atmosfere \nintrospettive.\n30\ncollection 2023 \u002F\u002F Cocoon\nEarth tones become the element of \ncomfort, creating cozy settings and \nintrospective atmospheres.\n31\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.18.png","32\ncollection 2023 \u002F\u002F Cocoon\nLorenzo De Grandis\nYUI\nWDYU2301\n33\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.19.png","Lorenzo De Grandis\nDAPHNE\nWDDA2301\n34\ncollection 2023 \u002F\u002F Cocoon\n35\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.20.png","Christian Benini\n \nSOULMATES\nWDSM2301\n36\ncollection 2023 \u002F\u002F Cocoon\n37\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.21.png","38\ncollection 2023 \u002F\u002F Cocoon\nFederico Peri\nFEZ\nWDFE2301\n39\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.22.png","collection 2023\nCTRLZAK\nPALEOCORALS\nWDPA2301\n40\ncollection 2023 \u002F\u002F Cocoon\n41\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.23.png","Simone Fanciullacci\nCARVE\nWDCV2301\n42\ncollection 2023 \u002F\u002F Cocoon\nPaolo Badesco -\nCostantino Affuso\nIL GIARDINO DEI MEDICI\nWDGM2301\n43\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.24.png","Lorenzo De Grandis\nFIELD OF GOLD\nWDFG2301\ncollection 2023\n44\ncollection 2023 \u002F\u002F Cocoon\n45\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.25.png","collection 2023 \u002F\u002F Cocoon\n46\nLudovica+Roberto \nPalomba\nTEMPO\nWDTE2301\n47\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.26.png","Christian Benini\n \nVERDE NOBILE\nWDVN2301\n48\ncollection 2023 \u002F\u002F Cocoon\n49\n",26,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.27.png","Giovanni Pesce\nSAKURA\nWDSA2301\n50\ncollection 2023 \u002F\u002F Cocoon\nMaria Gomez Garcia\nCAVE\nWDCA2301\n51\n",27,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.28.png","chapter two\nPOST\nMETAVERSE\n2023 collection\n2.\nUn distillato che pone \nil focus sull’essenziale.\nA distillate that focuses \non the essential.\n",28,{"image":125,"text":126,"number":127},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.29.png","54\ncollection 2023 \u002F\u002F Post Metaverse\nTommaso Spinzi\nOX\nWDOX2301\n55\n",29,{"image":129,"text":130,"number":131},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.30.png","Christian Benini\n                        \nVISIONI\nWDVI2301\n56\ncollection 2023 \u002F\u002F Post Metaverse\n57\n",30,{"image":133,"text":134,"number":135},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.31.png","CTRLZAK\nAMINOCRISTAL\nWDAC2301\n58\ncollection 2023 \u002F\u002F Post Metaverse\nLorenzo de Grandis\nMERCURY\nWDME2301\n59\n",31,{"image":137,"text":138,"number":139},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.32.png","collection 2023 \u002F\u002F Post Metaverse\n60\nLorenzo De Grandis\nBEGINS\n WDBE2301\n61\n",32,{"image":141,"text":142,"number":143},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.33.png","Ines Porrino\nINDIGO\nWDIN2301\n62\ncollection 2023 \u002F\u002F Post Metaverse\n63\n",33,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.34.png","64\ncollection 2023 \u002F\u002F Post Metaverse\nGupica\nEILEEN\nWDEI2301\n65\n",34,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.35.png","Materia e natura cedono il passo \nad un’interpretazione più rigorosa \ndegli spazi.\nMatter and nature give way to a more \nrigorous interpretation of space.\n66\ncollection 2023 \u002F\u002F Post Metaverse\nHere it is grey that takes centre \nstage, in an exploration of all \nits tones. And it is grey itself \nthat creates three-dimensionality, \nbecause it is also composed of light \nand metal.\nQui è il grigio a far da padrone, in un’esplorazione che ne \ncontempla tutti i toni.\nEd è il grigio stesso a creare la tridimensionalità, perché \ncomposto anche di luce e di metallo.\n67\n",35,{"image":153,"text":154,"number":155},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.36.png","Draga&Aurel\nGOCCE DI MATERIA\nWDGO2301\n68\ncollection 2023 \u002F\u002F Post Metaverse\n69\n",36,{"image":157,"text":158,"number":159},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.37.png","Draga&Aurel\nNEON\nWDNE2301\n70\ncollection 2023 \u002F\u002F Post Metaverse\n71\n",37,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.38.png","72\ncollection 2023 \u002F\u002F Post Metaverse\n73\n",38,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.39.png","74\ncollection 2023 \u002F\u002F Post Metaverse\nMae Engelgeer\nFOLIAGE\nWDFO2301\n75\n",39,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.40.png","Paolo Badesco-\nCostantino Affuso\nFLOWAVE\nWDFL2301\n76\ncollection 2023 \u002F\u002F Post Metaverse\n77\n",40,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.41.png","78\ncollection 2023 \u002F\u002F Post Metaverse\nTommaso Spinzi\nMET-ART\nWDMT2301\n79\n",41,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.42.png","Ludovica+Roberto \nPalomba\nMAGNIFIER\nWDMG2301\n80\ncollection 2023 \u002F\u002F Post Metaverse\n81\n",42,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.43.png","Un distillato che pone il focus \nsull’essenziale. Si tratta di una \nrealtà altra, la quiete di un mondo \nsenza parole, che si riflette in \nun’assenza di colori.\n82\ncollection 2023 \u002F\u002F Post Metaverse\nA distillate that focuses on the essential. \nA distillate that focuses on the essential. \nIt is about another reality, the stillness of\nIt is about another reality, the stillness of\na world without words, reflected in an absence \na world without words, reflected in an absence \nof colour.\n83\n",43,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.44.png","Draga&Aurel\nCUBIC\nWDCU2301\ncollection 2023\n84\ncollection 2023 \u002F\u002F Post Metaverse\n85\n",44,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.45.png","Studio Salaris\nCOBB\nWDCB2301\n86\ncollection 2023 \u002F\u002F Post Metaverse\nMae Engelgeer\nTHE WAITING ROOM\n WDWR2301\n87\n",45,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.46.png","88\ncollection 2023 \u002F\u002F Post Metaverse\nElisa Vendramin\nMILENA BLU\nWDMB2301\n89\n",46,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.47.png","Talva Design\nLUDIC\nWDLD2301\n90\ncollection 2023 \u002F\u002F Post Metaverse\n91\n",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.48.png","Lorenzo De Grandis\nHERO\nWDHE2301\n92\ncollection 2023 \u002F\u002F Post Metaverse\nStudiopepe\nSOLID SESSION\nWDSS2301\n93\n",48,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.49.png","Giovanni Pesce \nLEVITY\nWDLE2301\ncollection 2023\n94\ncollection 2023 \u002F\u002F Post Metaverse\n95\n",49,{"image":209,"text":210,"number":211},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.50.png","Eva Germani\nGRAM-GREEN\n WDGG2301\n96\ncollection 2023 \u002F\u002F Post Metaverse\n97\n",50,{"image":213,"text":214,"number":215},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.51.png","98\ncollection 2023 \u002F\u002F Post Metaverse\nGio Tirotto\nINDUSTRIAL PILLARS\nWDIP2301\n99\n",51,{"image":217,"text":218,"number":219},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.52.png","chapter three\nVIRTUAL\nAESTHETICS\n2023 collection\n3.\nUna vividezza accattivante \nin technicolor.\nA captivating vividness \nin technicolor.\n",52,{"image":221,"text":222,"number":223},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.53.png","102\ncollection 2023 \u002F\u002F Virtual Aesthetics\nDeBonaDeMeo\nVIVA MAGENTA\n WDVM2301\n103\n",53,{"image":225,"text":226,"number":227},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.54.png","The Elusive Otter\nSAY SOMETHING\nWDSO2301\n104\ncollection 2023 \u002F\u002F Virtual Aesthetics\n105\n",54,{"image":229,"text":230,"number":231},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.55.png","106\ncollection 2023 \u002F\u002F Virtual Aesthetics\nAnna Vermiglia\nDe Carlo\nIN CHORO FLORUM\nWDCF2301\n107\n",55,{"image":233,"text":234,"number":235},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.56.png","Gupica\nARTHUR’S THEME\nWDAT2301\n108\ncollection 2023 \u002F\u002F Virtual Aesthetics\n109\n",56,{"image":237,"text":238,"number":239},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.57.png","Paolo Badesco -\nCostantino Affuso\nPROMENADE D’ÉTÉ\nWDPR2301\n110\ncollection 2023 \u002F\u002F Virtual Aesthetics\nLe Dictateur\nLIQUORICE & TOFFEE\nWDLT2301\n111\n",57,{"image":241,"text":242,"number":243},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.58.png","Eva Germani\nDESIDERIO\nWDDE2301\n112\ncollection 2023 \u002F\u002F Virtual Aesthetics\n113\n",58,{"image":245,"text":246,"number":247},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.59.png","È un mondo retroilluminato, fresco e giocoso, che ci permette di \nÈ un mondo retroilluminato, fresco e giocoso, che ci permette di \nguardare il colore in modo nuovo.\nIt is a backlit, fresh \nIt is a backlit, fresh \nand playful world that \nand playful world that \nallows us to look at \nallows us to look at \ncolor in a new way.\ncolor in a new way.\nToni potenti e di impatto, \nche godono di una vividezza \naccattivante in technicolor.\n114\ncollection 2023 \u002F\u002F Virtual Aesthetics\nPowerful and impactful tones that enjoy \na captivating vividness in technicolor.\n115\n",59,{"image":249,"text":250,"number":251},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.60.png","Paolo Badesco-\nCostantino Affuso\nINTO THE WILD\nWDIW2301\n116\ncollection 2023 \u002F\u002F Virtual Aesthetics\n117\n",60,{"image":253,"text":254,"number":255},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.61.png","118\ncollection 2023 \u002F\u002F Virtual Aesthetics\nStudiopepe\nNEWS ON PAPER\nWDNP2301\n119\n",61,{"image":257,"text":258,"number":259},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.62.png","Studiopepe\nURBANIA\nWDUR2301\n120\ncollection 2023 \u002F\u002F Virtual Aesthetics\n121\n",62,{"image":261,"text":262,"number":263},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.63.png","122\ncollection 2023 \u002F\u002F Virtual Aesthetics\n123\n",63,{"image":265,"text":266,"number":267},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.64.png","The Elusive Otter\nJEU DE POMMES\nWDJP2301\n124\ncollection 2023 \u002F\u002F Virtual Aesthetics\n125\n",64,{"image":269,"text":270,"number":271},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.65.png","126\ncollection 2023 \u002F\u002F Virtual Aesthetics\nTalva Design\nKATAGAMI\nWDKA2301\n127\n",65,{"image":273,"text":274,"number":275},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.66.png","Christian Benini\n \nCONCENTRICO\nWDCO2301\ncollection 2023\n128\ncollection 2023 \u002F\u002F Virtual Aesthetics\n129\n",66,{"image":277,"text":278,"number":279},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.67.png","130\ncollection 2023 \u002F\u002F Virtual Aesthetics\nUn universo digitale che vuole essere una celebrazione \nfuturistica del mondo, brillante e ottimista e che si \nimpone visivamente attraverso combinazioni cromatiche \nad alta saturazione.\nA digital universe that is meant to be a futuristic \ncelebration of the world, bright and optimistic and \nvisually imposing itself through highly saturated \ncolor combinations.\n131\n",67,{"image":281,"text":282,"number":283},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.68.png","Francesca Zoboli\nCYANOPOP\nWDCY2301\n132\ncollection 2023 \u002F\u002F Virtual Aesthetics\n133\n",68,{"image":285,"text":286,"number":287},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.69.png","134\ncollection 2023 \u002F\u002F Virtual Aesthetics\nChristian Benini\n \nMA-DAMA\nWDMD2301\n135\n",69,{"image":289,"text":290,"number":291},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.70.png","Antonella Guidi\nWATASHI NO AI\nWDWA2301\n136\ncollection 2023 \u002F\u002F Virtual Aesthetics\n137\n",70,{"image":293,"text":294,"number":295},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.71.png","138\ncollection 2023 \u002F\u002F Virtual Aesthetics\nAntonella Guidi\nA SIGN IN THE WATER\nWDSW2301\n139\n",71,{"image":297,"text":298,"number":299},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.72.png","Eva Germani\nJUICE OF LIFE\n WDJU2301\n140\ncollection 2023 \u002F\u002F Virtual Aesthetics\n141\n",72,{"image":301,"text":302,"number":303},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.73.png","Alessandro Gottardo\n(aka Shout)\nEOS\nWDEO2301\n142\ncollection 2023 \u002F\u002F Virtual Aesthetics\nStudio Salaris\nVALMONT\nWDVA2301\n143\n",73,{"image":305,"text":306,"number":307},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.74.png","144\ncollection 2023 \u002F\u002F Virtual Aesthetics\nLudovica+Roberto \nPalomba\nRACCONTI\nWDRA2301\n145\n",74,{"image":309,"text":310,"number":311},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.75.png","Anna Vermiglia \nDe Carlo\nGELSOMINO NOTTURNO\nWDGN2301\ncollection 2023\n146\ncollection 2023 \u002F\u002F Virtual Aesthetics\n147\n",75,{"image":313,"text":314,"number":315},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.76.png","DeBonaDeMeo\nMAGNETIKA\nWDMA2301\n148\ncollection 2023 \u002F\u002F Virtual Aesthetics\n149\n",76,{"image":317,"text":318,"number":319},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.77.png","150\ncollection 2023 \u002F\u002F Virtual Aesthetics\nLe Dictateur\nSANTI E PIRATI\nWDSP2301\n151\n",77,{"image":321,"text":322,"number":323},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.78.png","Serena Confalonieri\nWATERFALL\nWDWF2301\n152\ncollection 2023 \u002F\u002F Virtual Aesthetics\n153\n",78,{"image":325,"text":326,"number":327},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.79.png","CWC 2023\nTECHNICAL INFORMATION \nCOLORMATCH\n",79,{"image":329,"text":330,"number":331},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.80.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDAF2301\nWDAF2302\nAFRICAN CANVAS\nFrancesca Zoboli\nA SIGN IN THE WATER\nAntonella Guidi\nWDSW2301\nWDSW2302\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n156\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDAC2301\nWDAC2302\nAMINOCRISTAL\nCTRLZAK\nWDAT2302\nARTHUR'S THEME\nGupica\nWDAT2301\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n157\n",80,{"image":333,"text":334,"number":335},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.81.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDBR2301\nWDBR2302\nBRICKS\nFederico Peri\nWDBE2301\nWDBE2302\nBEGINS\nLorenzo De Grandis\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n158\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDCA2301\nWDCA2302\nCAVE\nMaria Gomez Garcia\nWDCV2301\nWDCV2302\nCARVE\nSimone Fanciullacci\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n159\n",81,{"image":337,"text":338,"number":339},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.82.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDCB2301\nWDCB2302\nCOBB\nStudio Salaris\nWDCE2301\nWDCE2302\nCÉCILE\nStudio Salaris\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n160\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDCO2301\nWDCO2302\nCONCENTRICO\nChristian Benini\nWDCU2301\nWDCU2302\nCUBIC\nDraga&Aurel\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n161\n",82,{"image":341,"text":342,"number":343},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.83.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nCYANOPOP\nFrancesca Zoboli\nWDCY2301\nWDCY2302\nWDDA2301\nWDDA2302\nDAPHNE  \nLorenzo De Grandis\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n162\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nDESIDERIO\nEva Germani\nWDDE23201\nWDDE2302\nWDEI2301\nWDEI2302\nEILEEN\nGupica\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n163\n",83,{"image":345,"text":346,"number":347},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.84.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDEO2301\nWDEO2302\nEOS\nAlessandro Gottardo (aka Shout)\nWDFE2301\nWDFE2302\nFEZ\nFederico Peri\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n164\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDFG2301\nWDFG2302\nFIELD OF GOLD\nLorenzo De Grandis\nWDFL2301\nWDFL2302\nFLOWAVE\nPaolo Badesco - Costantino Affuso\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n165\n",84,{"image":349,"text":350,"number":351},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.85.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDFO2301\nWDFO2302\nFOLIAGE\nMae Engelgeer\nWDGN2301\nWDGN2302\nGELSOMINO NOTTURNO\nAnna Vermiglia De Carlo\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n166\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDGI2301\nWDGI2302\nGIOIA\nAntonella Guidi\nWDGE2301\nWDGE2302\nGEROGLIFICI\nLudovica+Roberto Palomba\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n167\n",85,{"image":353,"text":354,"number":355},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.86.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDGO2301\nWDGO2302\nGOCCE DI MATERIA\nDraga&Aurel\nWDGG2301\nWDGG2302\nGRAM-GREEN\nEva Germani\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n168\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDGM2301\nWDGM2302\nIL GIARDINO DEI MEDICI\nPaolo Badesco - Costantino Affuso\nWDHE2301\nWDHE2302\nHERO\nLorenzo De Grandis\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n169\n",86,{"image":357,"text":358,"number":359},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.87.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDIN2301\nWDIN2302\nINDIGO\nInes Porrino\nWDCF2301\nWDCF2302\nIN CHORO FLORUM\nAnna Vermiglia De Carlo\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n170\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDIP2301\nWDIP2302 \nINDUSTRIAL PILLARS\nGio Tirotto\nWDIW2301\nWDIW2302 \nINTO THE WILD\nPaolo Badesco - Costantino Affuso\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n171\n",87,{"image":361,"text":362,"number":363},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.88.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDJU2301\nWDJU2302\nJUICE OF LIFE\nEva Germani\nWDJP2301\nWDJP2302\nJEU DE POMMES\nThe Elusive Otter\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n172\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDKA2301\nWDKA2302\nKATAGAMI\nTalva Design\nWDLV2301\nWDLV2302\nLÀ DOVE IL VENTO\nGiovanni Pesce\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n173\n",88,{"image":365,"text":366,"number":367},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.89.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDLE2301\nWDLE2302\nLEVITY\nGiovanni Pesce\nWDLA2301\nWDLA2302\nLAFAYETTE\nChristian Benini\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n174\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDLT2301\nWDLT2302\nLIQUORICE & TOFFEE\nLe Dictateur\nWDLU2301\nWDLU2302\nLILLU ARRÙBIU\nAntonio Marras\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n175\n",89,{"image":369,"text":370,"number":371},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.90.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDMD2301\nWDMD2302\nMA-DAMA\nChristian Benini\nWDLD2301\nWDLD2302\nLUDIC\nTalva Design\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n176\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDMA2301\nWDMA2302\nMAGNETIKA\nDeBonaDeMeo\nWDMG2301\nWDMG2302\nMAGNIFIER\nLudovica+Roberto Palomba\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n177\n",90,{"image":373,"text":374,"number":375},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.91.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDMT2301\nWDMT2302\nMET-ART\nTommaso Spinzi\nWDME2301\nWDME2302\nMERCURY\nLorenzo De Grandis\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n178\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDNE2301\nWDNE2302\nNEON\nDraga&Aurel\nWDMB2301\nWDMB2302\nMILENA BLU\nElisa Vendramin\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n179\n",91,{"image":377,"text":378,"number":379},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.92.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDOX2301\nWDOX2302   \nOX\nTommaso Spinzi\nWDNP2301\nWDNP2302\nNEWS ON PAPER\nStudiopepe\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n180\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\n0Z\nTommaso Spinzi\nWDOZ2201\nWDOZ2202\nWDPA2301\nWDPA2302\nPALEOCORALS\nCTRLZAK\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n181\n",92,{"image":381,"text":382,"number":383},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.93.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nPROMENADE D'ÉTÉ\nPaolo Badesco - Costantino Affuso\nWDPR2301\nWDPR2302\nPERPETUO\nDeBonaDeMeo\nWDPE2301\nWDPE2302\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n182\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nRACCONTI\nLudovica+Roberto Palomba\nWDRA2301\nWDRA2302\nSAKURA\nGIovanni Pesce\nWDSA2301\nWDSA2302\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n183\n",93,{"image":385,"text":386,"number":387},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.94.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nSAY SOMETHING\nThe Elusive Otter\nSANTI E PIRATI\nLe Dictateur\nWDSO2301\nWDSO2302\nWDSP2301\nWDSP2302\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n184\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nSOLID SESSION\nStudiopepe\nWDSS2301\nWDSS2302\nSOULMATES\nChristian Benini\nWDSM2301\nWDSM2302\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n185\n",94,{"image":389,"text":390,"number":391},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.95.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nTEMPO\nLudovica+Roberto Palomba\nWDTE2301\nWDTE2302\nWDWR2301\nWDWR2302\nTHE WAITING ROOM\nMae Engelgeer\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n186\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDTT2301\nWDTT2302\nTRIBUTE TO T\nDeBonaDeMeo\nURBANIA\nStudiopepe\nWDUR2301\nWDUR2302\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n187\n",95,{"image":393,"text":394,"number":395},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.96.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDVN2301\nWDVN2302\nVERDE NOBILE\nChristian Benini\nWDVA2301\nWDVA2302\nVALMONT\nStudio Salaris\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n188\nH 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDVI2301\nWDVI2302\nVISIONI\nChristian Benini\nWDVM2301\nWDVM2302\nVIVA MAGENTA\nDeBonaDeMeo\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n189\n",96,{"image":397,"text":398,"number":399},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.97.png","H 300 cm \u002F inches 118,11\nH 300 cm \u002F inches 118,11\nWDWF2301\nWDWF2302\nWATERFALL\nSerena Confalonieri\nWDWA2301\nWDWA2302\nWATASHI NO AI\nAntonella Guidi\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n190\nH 300 cm \u002F inches 118,11\nWDYU2301\nWDYU2302\nYUI\nLorenzo De Grandis\nLarghezza Rollo \u002F Roll width (47 cm \u002F inches 18,50) � Lunghezza Rollo \u002F Roll length (custom)\nSample ColorMatch scale 1:4\n191\n",97,{"image":401,"text":402,"number":403},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.98.png","Il colore è la tua guida nella nostra \ncollezione.\nAbbiamo creato le palette per favorire la tua \nispirazione, unendo i soggetti grafici per \ngruppi di colori affini che definiscono mood \ndiversi. \nNelle Tabelle Colore, all’interno di ogni \npalette troverai i soggetti grafici con \nindicazione del numero di pagina in cui è \npossibile consultare la grafica ambientata e \nil codice prodotto di riferimento. \nNelle colonne a destra del nome potrai vedere \na quali colori della palette corrisponde il \nsingolo decoro. \nPer una ricerca ancora più veloce e sistematica, \nil nostro sito è la risorsa più importante \nper navigare nella collezione: \nsu www.wallanddeco.com puoi individuare un \nsoggetto grafico filtrando la ricerca per \npalette, colore, nome e codice.\nIt is color that guides you through our \ncollection.\nWe have created palettes to favour your \ninspiration, grouping graphic subjects \naccording to colors which define different \nmoods. \nColor chart contain graphic subjects for \neach palette, complete with the page \nnumber to view the graphic settings and \nproduct codes of reference. \nThe columns to the right of the name \nenable you to view the colours of the \npalette for each single decoration. \nOur website is the most valuable resource \nfor an even faster and systematic search \nwhen browsing our collection: \ngo to www.wallanddeco.com to identify a \ngraphic subject by filtering according to \npalette, color, name and code.\nCWC 2023\nTABELLE COLORE\nCOLOR CHARTS\nCOCOON\nMOOD\nSOGGETTO \u002F SUBJECT\nCOD. VAR. 01\nPANTONE®\nBRONZAGE®\nPAG.\n18\nAfrican Canvas\nWDAF2301\n14\nBricks\nWDBR2301\n51\nCave\nWDCA2301\n12\nCécile\nWDCE2301\n42\nCarve\nWDCV2301\n34\nDaphne\nWDDA2301\n39\nFez\nWDFE2301\n44\nField of gold\nWDFG2301\n11\nGeroglifici\nWDGE2301\n28\nGioia\nWDGI2301\n43\nIl giardino dei Medici\nWDGM2301\n13\nLafayette\nWDLA2301\n27\nLillu Arrùbiu\nWDLU2301\n6\nLà dove il vento\nWDLV2301\n22\nOZ\nWDOZ2301\n40\nPaleocorals\nWDPA2301\n8\nPerpetuo\nWDPE2301\n50\nSakura\nWDSA2301\n26\nSoulmates\nWDSM2301\n47\nTempo\nWDTE2301\n   \n21\nTribute to T\nWDTT2301\n48\nVerde Nobile\nWDVN2301\n33\nYui\nWDYU2301\n19-4004 TCX\n16-0632 TCX\n19-0830 TCX\n18-1541 TCX\n15-1116 TCX\n18-0830 TCX\n",98,{"image":405,"text":406,"number":407},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.99.png","POST METAVERSE\nMOOD\nSOGGETTO \u002F SUBJECT\nCOD. VAR. 01\n19-4015 TCX\n17-6212 TCX\n15-4003 TCX\n17-3808 TCX\n17-4405 TCX\nPANTONE®\n11-4001 TCX \nBRONZAGE®\nPANTONE®\nPAG.\n58\nAminocristal\nWDAC2301\n⭘\n●\n●\n●\n●\n●\n61\nBegins\nWDBE2301\n⭘\n●\n●\n●\n86\nCobb\nWDCB2301\n●\n●\n●\n●\n●\n●\n84\nCubic\nWDCU2301\n⭘\n●\n●\n●\n●\n●\n●\n65\nEileen\nWDEI2301\n⭘\n●\n●\n●\n●\n90\nFlowave\nWDFL2301\n⭘\n ●\n●\n●\n●\n●\n●\n75\nFoliage\nWDFO2301\n⭘\n●\n●\n●\n●\n96\nGram-green\nWDGG2301\n⭘\n●\n●\n●\n●\n●\n●\n68\nGocce di Materia\nWDGO2301\n⭘\n●\n●\n●\n●\n●\n●\n92\nHero\nWDHE2301\n⭘\n●\n●\n62\nIndigo\nWDIN2301\n●\n●\n●\n●\n99\nIndustrial pillars\nWDIP2301\n●\n●\n76\nLudic\nWDLD2301\n⭘\n●\n●\n●\n●\n94\nLevity\nWDLE2301\n⭘\n●\n●\n●\n●\n●\n●\n89\nMilena Blu\nWDMB2301\n⭘\n●\n●\n●\n59\nMercury\nWDME2301\n⭘\n●\n●\n●\n80\nMagnifier\nWDMG2301\n●\n●\n●\n●\n74\nMET-ART\nWDMT2301\n⭘\n●\n●\n●\n●\n70\nNeon\nWDNE2301\n⭘\n●\n●\n●\n●\n●\n●\n55\nOX\nWDOX2301\n●\n●\n●\n●\n●\n93\nSolid session\nWDSS2301\n●\n●\n●\n56\nVisioni\nWDVI2301\n●\n●\n●\n●\n87\nThe waiting room\nWDWR2301\n⭘\n●\n●\n●\n●\n●\n●\nVIRTUAL AESTHETICS\nMOOD\n16-1518 TCX\n18-1445 TCX\n17-4247 TCX\n13-0755 TCX\n17-6030 TCX\nSOGGETTO \u002F SUBJECT\nCOD. VAR. 01\n19-2039 TCX\nPANTONE®\nBRONZAGE®\nPAG.\n108\nArthur's theme\nWDAT2301\n⭘\n●\n●\n●\n107\nIn choro florum\nWDCF2301\n●\n128\nConcentrico\nWDCO2301\n●\n●\n●\n132\nCyanopop\nWDCY2301\n●\n●\n●\n112\nDesiderio\nWDDE2301\n⭘\n●\n●\n142\nEos\nWDEO2301\n●\n146\nGelsomino Notturno\nWDGN2301\n●\n●\n●\n●\n●\n116\nInto the wild\nWDIW2301\n⭘\n●\n●\n●\n124\nJeu de pommes\nWDJP2301\n⭘\n●\n●\n140\nJuice of life\nWDJU2301\n⭘\n●\n●\n●\n127\nKatagami\nWDKA2301\n⭘\n●\n●\n●\n111\nLiquorice & toffee\nWDLT2301\n●\n●\n●\n148\nMagnetika\nWDMA2301\n●\n●\n●\n●\n135\nMa-dama\nWDMD2301\n●\n●\n●\n●\n●\n●\n119\nNews on paper\nWDNP2301\n●\n●\n●\n●\n110\nPromenade d'été\nWDPR2301\n●\n●\n●\n●\n●\n●\n145\nRacconti\nWDRA2301\n●\n●\n104\nSay something\nWDSO2301\n●\n●\n●\n●\n●\n●\n151\nSanti e pirati\nWDSP2301\n●\n●\n●\n●\n139\nA sign in the water\nWDSW2301\n●\n●\n●\n●\n120\nUrbania\nWDUR2301\n●\n●\n●\n●\n●\n143\nValmont\nWDVA2301\n●\n●\n●\n●\n●\n103\nViva Magenta\nWDVM2301\n●\n●\n●\n136\nWatashi No Ai\nWDWA2301\n●\n●\n●\n●\n●\n152\nWaterfall\nWDWF2301\n●\n●\n   \n",99,{"image":409,"text":410,"number":411},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.100.png","CWC 2023\nDESIGNERS\n",100,{"image":413,"text":414,"number":415},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.101.png","CHRISTIAN BENINI\nFotografo, fondatore e art director di \nWall&decò Christian Benini inizia la sua \ncarriera come fotografo ritrattista e si \nspecializza poi nella fotografia di moda e \npubblicitaria. Le sue collaborazioni lo portano \nad avvicinarsi alle agenzie di pubblicità e \ncase di moda in Italia, Regno Unito e Stati \nUniti. Il suo interesse si indirizza in \nmodo sempre più preciso verso la fotografia \nd’arredamento. Ha avuto così inizio un percorso \ndi ricerca, tutt’ora in atto, che lo porta \na creare Wall&decò, un progetto che unisce \nfotografia e design in costante evoluzione. \n— Photographer, founder and art director of \nWall&decò Christian Benini began his career \nas a portrait photographer and then went \non to specialise in fashion and publicity \nphotography. He has worked in close conjunction \nwith advertising agencies and fashion houses \nin Italy, the United Kingdom and the USA. His \ninterest is increasingly more precisely focused \non the photography of interiors. Thus a path of \nresearch began which is still in progress and \nwhich resulted in his setting up Wall&decò, a \nproject which combines photography and design \nin constant evolution.\nALESSANDRO GOTTARDO (AKA SHOUT)) \nAlessandro Gottardo, conosciuto anche con lo \npseudonimo di Shout, vive e lavora a Milano. \nTra le sue collaborazioni più importanti, \nThe New York Times, The Wall Street Journal, \nTIME, Penguin Books, Volkswagen, Barclays, \nENI, Nokia, United Airlines. Ha ricevuto \ndiversi riconoscimenti internazionali; tra il \n2006 e il 2007 pubblica con la casa editrice \n27 _ 9 i volumi “Jetlag“ e “Jetlag 2”, nel \n2010 “Mono Shout”, una monografia sui primi \n10 anni di attività e nel 2011 “DAZED”. \nAttraverso un’operazione di sottrazione, di \nsintesi dell’immagine, Shout rende le sue \nillustrazioni piccole opere concettuali in \ncui più che mostrare, costruisce messaggi \nimmediatamente percepibili. — Alessandro \nGottardo, also known by the name of Shout, he \nlives and works in Milan. Highlights of his \ncareer include cooperating with The New York \nTimes, The Wall Street Journal, TIME, Penguin \nBooks, Volkswagen, Barclays, ENI, Nokia, \nUnited Airlines. He has received numerous \ninternational accolades: between 2006 and 2007, \nhis publishing company 27 _ 9 produced the \nbooks “Jetlag“ and “Jetlag 2”, in 2010 “Mono \nShout”, a monographic work on the first 10 \nyears of business activity and in 2011 “DAZED”. \nBy means of an operation of subtraction and \nimage synthesis, Shout makes his illustrations \nsmall conceptual works, in which, rather than \nshowing, he builds up immediately perceptible \nmessages.\nANTONELLA GUIDI\nAntonella frequenta l’Istituto Statale d’arte \nper il Mosaico di Ravenna. Dal 1983 partecipa \na mostre sia personali che collettive e nel \n1987, utilizzando materiali riciclati a costo \nzero, inizia a produrre accessori per la moda, \nfondando una piccola azienda. La filosofia \ndel riciclo sarà la tematica fondamentale \ndel lavoro artistico che continuerà in \nparallelo all’attività nel campo della moda, \ne che ha prodotto molte opere. Ha inoltre \ncollaborato con aziende tessili e ceramiche \ncome disegnatrice decorativa free lance e \ncon case editrici come illustratrice di libri \nfantasy. — Antonella attends the Mosaic State \nArt Institute in Ravenna. Since 1983, she has \nbeen taking part in both solo and collective \nart shows and, in 1987, using recycled no-\ncost materials, she began making fashion \naccessories, setting up a small company. \nThe recycling philosophy pervades her entire \nartistic production which continues alongside \nher fashion industry activities and which has \nresulted in the creation of numerous works. She \nhas also collaborated with textile and ceramic \nmanufacturers as free-lance decorative designer \nand with publishing companies as illustrator of \nfantasy books.\nANTONIO MARRAS\nAntonio Marras nasce ad Alghero, Sardegna. \nTerra che segna profondamente la sua cifra \nstilistica. Il suo esordio nella moda avviene \nsotto il segno di una fortunata casualità: nel \n1987, infatti, è chiamato da una ditta romana \na disegnare collezioni di prêt-à-porter, grazie \nalla sua competenza sviluppata su un doppio \nbinario. Quello culturale - Marras da sempre \nsi interessa ad ogni forma di espressione \nartistico-creativa - e quello “tecnico”, \nsviluppato in base alla conoscenza di materie e \nforme. Nel marzo 1999, a Milano, la prima volta \ndel suo prêt-à-porter e nel 2003 è invitato \ndal gruppo francese LVMH a diventare direttore \nartistico della maison Kenzo sino al 2011. \nCon il suo headquarter a Milano, Marras farà \nperò una scelta importantissima, sentimentale \nma anche artistica: non rinuncerà a vivere \ndove è cresciuto, ad Alghero sempre tornando \na cercare creatività, ispirazione, materiale \nper il suo universo espressivo. — Antonio \nMarras was born in Alghero, on Sardinia. \nThe island has always deeply influenced his \naesthetic. His fashion debut was the result \nof a lucky chance. In 1987 a fashion house \nin Rome asked him to design a prêt-à-porter \ncollection. Their invitation was due to his \ndual baggage of skills: cultural – Marras \nhas always involved himself in every form of \nartistic\u002Fcreative expression – and technical \nbased on his know-how of materials and forms. \nHe debuts with his prêt-à-porter in March 1999 \nin Milan and in 2003 LVMH, the French luxury \ngoods group, invites him to be the artistic \ndirector of the Kenzo fashion house till 2011. \nWith his headquarters in Milan, Marras made \na fundamental choice, both sentimental and \nartistic: he will never give up living where \nhe was born, to Alghero always returning in \npursuit of creativity, inspiration and material \nfor his expressive universe.\nANNA VERMIGLIA DE CARLO\nNata a Milano, Anna è un’artista che alterna \ne mescola da sempre le sue molte attività \nsovrapponendo generi e tecniche. Le diverse \nforme espressive utilizzate le hanno permesso \ndi creare nel tempo un particolare mondo \ndistintivo. Le sue sculture tagliate in sottili \nlamiere d’ottone che luccicano e danzano \nnell’aria fanno parte di molte collezioni \nprivate ed estere, così come i suoi quadri e \ndisegni. Si è anche dedicata con successo a \nvarie forme di design, dalle luci da tavolo \nalla grafica, dai film d’animazione al disegno \nper tessuti, fino ai vetri d’arte e la carta \nda parati. La costante ricerca e l’esperienza \nmaturata in tante attività diverse, l’hanno \nanche portata a progettare una linea di \narredamento da giardino prodotta in Salento \ncon artigiani locali. \nHa studiato presso il M.I.T. di Cambridge, USA, \ndove ha sviluppato la sua formazione artistica \npresso il C.A.V.S. (Center for Advanced Visual \nStudies). Per dieci anni è stata disegnatrice, \ncreativa e autrice de “L’Albero Azzurro”, \nprogramma televisivo di RAI1. I suoi libri sono \npubblicati dalle più importanti case editrici \nitaliane come: Rizzoli, Bompiani, Electa, \nFabbri, Nuages, De Agostini, Emme.\nLe sue illustrazioni sono state regolarmente \ndiffuse dalle maggiori testate giornalistiche: \nLa Repubblica, La Stampa, Abitare, Amica, \nEsquire, Il Messaggero, L’Europeo, Il Giornale \ndella Musica, Spazio & Società. Il suo percorso \nartistico l’ha vista anche coinvolta in \ndiversi progetti architettonici con il padre, \nl’architetto Giancarlo De Carlo.\nVive tra Milano, il Salento e Berlino. Ha due \nfigli: Jessica e Leo Einaudi.\nBorn in Milan, Anna is an artist who has always \nalternated and blended all her many activities, \nsuperimposing genres and techniques. All \nthese various expressive forms have enabled \nher to create over time the depiction of a \nparticular distinctive world,. Her brass sheet \nmetal sculptures that glitter and dance in \nthe air, are held in many private and foreign \ncollections, as well as her paintings and \ndrawings. She also successfully dedicated \nherself to various forms of design, from table \nlamps to graphics, animation films, textiles, \nglass art and wall paper. Her constant \nresearch, in so many different undertakings, \nhave also led her to design a garden furniture \nline produced in Salento by local artisans.\nShe studied at M.I.T. of Cambridge, USA, where \nshe developed her artistic training at C.A.V.S. \n(Center for Advanced Visual Studies). She worked \nas creator, author and creative designer of \n“L’Albero Azzurro”, a TV Show, on Italy’s main \nchannel RAI1. Her books have been published by \nprominent Italian publishing houses such as: \nRizzoli, Bompiani, Electa, Fabbri, Nuages, De \nAgostini, Emme. Her illustrations have been \nregularly featured in many Italian magazines \nand newspapers: La Repubblica, La Stampa, \nAbitare, Amica, Esquire, Il Messaggero, \nL’Europeo, Il Giornale della Musica, Spazio \n& Società. She has been involved in several \narchitectural projects with her father, \narchitect Giancarlo De Carlo. She lives between \nMilan, Salento and Berlin. She has two children: \nJessica and Leo Einaudi.\nCTRLZAK\nCTRLZAK Art & Design Studio agisce a livello \ninternazionale nel campo dell’arte e del \ndesign. Lo studio fondato da Thanos Zakopoulos \n(Grecia) e Katia Meneghini (Italia), si avvale \ndi strumenti semiotici e cognitivi durante \ntutto il percorso creativo proponendo forme \nche vanno al di là del comune valore estetico. \nL’approccio creativo dello studio si relaziona \nal contesto sociale, ambientale e culturale \nin cui opera. Negli oggetti e ambienti \nproposti si enfatizzano aspetti legati alla \nloro memoria e alla storia stessa del luogo \nin cui vengono ri-contestualizzati, facendo \nattenzione ai dettagli che sottolineano il \nloro valore simbolico senza però negarne la \nfunzionalità. — CTRLZAK Art & Design Studio \nis a multidisciplinary team founded by Thanos \nZakopoulos (Greece) and Katia Meneghini (Italy). \nThe studio operates internationally in the \nfield of contemporary art and design with \na creative vision that is not limited by a \nspecific framework. With the use of semiotic \ntools within the creative process the studio \nproposes forms that surpass common aesthetic \nvalues working on a cognitive level. The \nconcept behind each project is to inspire \na responsible awareness through the ‘added \nvalue’ that art has for society with a special \nattention to issues of environmental impact. \nDEBONADEMEO\nLuca DeBona e Dario DeMeo, architetto \ne designer, si incontrano sul percorso \ntra Milano e il Veneto e iniziano una \ncollaborazione che proprio dal viaggio \nattinge ispirazione per produrre segni e \ndisegni di risposta alle esigenze dell’habitat \ncontemporaneo. Collaborano con prestigiose \naziende di arredo, illuminazione, decorazione \noccupandosi di direzione artistica, ideazione \ndi concept e sviluppo di prodotti. Una ricerca \nin micro e macro scala che rilegge e fonde vari \nambiti: architettura, design, grafica e arte \nper creare ambienti e oggetti innovativi, ma \ncapaci di raccontare storie e indurre emozioni. \n— Luca and Dario, architect and designer, meet \non the road between Milan and the Italian \nVeneto region and begin a collaboration that \ndRaws inspiration from the trip, to produce \nmarks and dRawings that respond to the needs \nof the contemporary home interiors. They \ncollaborate with prestigious furnishing, \nlighting and decor companies, looking after art \ndirection, concept and product development. A \nresearch in micro and macro scale that reviews \nand merges different spheres: architecture, \ndesign, graphics and art, to create innovative \nenvironments and objects, but able to tell \nstories and stir emotions.\nDRAGA&AUREL\nDi origine serba lei, tedesco lui – trovano \nnell’Italia il giusto terreno per la loro \nespressione artistica. Draga affina negli \nanni una sua tecnica di pittura direttamente \nsu tessuto che le permette di creare una \ncollezione dal design unico dove colore, motivo \ne materia si incontrano in una commistione \narmonica. Aurel K. sceglie di esaltare le \npotenzialità della resina ricorrendo ad \nuna forte espressività pittorica. L’intesa, \noltre che di vita, nel 2007 diventa anche \nprofessionale: vivendo e sviluppando insieme \nla comune passione per l’arte contemporanea, \nl’affinità artistica cresce con loro \nconducendoli ad un comune percorso di ricerca, \ndi approfondimento e di confronto che li \nportano a collaborazioni con prestigiosi marchi \ninternazionali quali Baxter e Anthropologie. \n— She is of Serbian origin while he is from \nGermany – they find in Italy the right soil \nfor their artistic expression. Draga refined \nher painting technique directly on canvas \nduring the years that allowed her creating a \ncollection characterised by a unique design \nwhere colour, pattern and matter meet in a \nharmonic union. Aurel K. chooses to exalt the \npotentials of resin, resorting to a strong \npictorial expression. The mutual understanding, \nin addition to a personal level, became also \nprofessional in 2007: living and developing \ntogether the common passion for modern \nart, the artistic affinity grew with them, \nleading the couple to undertake a common \nresearch, study and sharing path that led \nthem to cooperate with the most prestigious \ninternational brands, like Baxter and \nAnthropologie.\nELISA VENDRAMIN\nElisa Vendramin è un’illustratrice italiana \nche lavora per lo più a progetti grafici per \nil settore culturale, elaborando digitalmente \npattern illustrati. Dopo aver conseguito \nla Laurea in Disegno Industriale presso lo \nIUAV di Venezia si trasferisce a Londra per \nfrequentare un Master in Communication Design \npresso Central Saint Martins College of Art \nand Design dove inizia a collaborare con \nvarie istituzioni culturali partecipando anche \nmostre collettive a Londra, Parigi, Reykjavik e \nVienna. Nel 2011 Elisa si trasferisce Reykjavik \nper esplorare progetti di ricerca personale \ne partecipare a diverse residenze d’artista, \ntra cui SÍM International Residency e NES \nArtist Residency. Dal 2013 torna in Italia \ne continua a lavorare come illustratrice \ncon agenzie internazionali quali Brandever \n(Vancouver, BC), Atacama Invest (Santiago \ndel Cile), ed esporre come artista presso le \ngallerie-artstore Atelier Olschinsky di Vienna \ne NAU Gallery di Stoccolma. — Elisa Vendramin \nis an Italian illustrator who specialises in \ngraphical projects for the cultural sector by \ncreating digitally produced graphic patterns. \nAfter graduating in Industrial Design from \nthe IUAC in Venice, she moved to London to \ntake a Master in Communication Design at \nthe Central Saint Martins College of Art and \nDesign, where she started to work for several \ncultural institutions and also showcased her \ncreations in collective art exhibitions in \nLondon, Paris, Reykjavik and Vienna. In 2011 \nElisa moved to Reykjavik to focus on personal \nresearch projects and to join several artist \nresidencies, including the SÍM International \nResidency and NES Artist Residency. In 2013 \nElisa returned to Italy, where she currently \nworks as an illustrator with international \nagencies such as Brandever (Vancouver, BC), \nAtacama Invest (Santiago de Chile), and exhibits \nin the Vienna-based artstore Atelier Olschinsky \nand in the Stockhom-based NAU Gallery.\nEVA GERMANI\nUna lunga formazione maturata nel mondo del \nrestauro l’ha portata a contatto diretto con le \nopere dei grandi maestri, dipinti ed affreschi \ndal grande impatto e valore artistico ed \narchitettonico. La conoscenza dei materiali, \ndelle tecniche esecutive, delle atmosfere di \nsapore antico sono convogliate in uno stile \nrapido, privo di formalismi accademici a volte \naggraziato, ma sempre contraddistinto da un \ntratto di materica ruvidità. Proiettata verso \nuna decorazione dall’effetto scenografico si \ndedica, in collaborazione con architetti e \ndesigner, alla creazione di spazi domestici \no commerciali caratterizzati da una forte \natmosfera retrò e dal gusto vagamente \nbohémien. — A long training period in the \nfield of architectural conservation allowed \nher to gain direct contact with the artworks \nof famous artists, paintings and frescos \nof great artist and architectural impact \nand value. Her knowledge of materials and \nexecution techniques, which recall traditional \nsettings, are conveyed through a determined \nstyle, without academic formalisms, at times \ngraceful, but always characterized by a ruvid \nmaterial trait. Projected towards scenographic \ndecoration, her works are carried out with \narchitects and designers and consist in the \ncreation of residential and commercial spaces \nwith strong retrò atmospheres and slight \nbohemian tastes.\nLE DICTATEUR\nFederico Pepe è nato nel 1976. Vive e lavora \na Milano. È una figura unica nel panorama \nculturale e artistico italiano, dove si muove \ncon agilità ed estrema coerenza estetica tra \nvarie forme artistiche. Pubblicità, Artista, \nGraphic Designer, Video Maker. Direttore \ncreativo dell’agenzia di comunicazione \nmultinazionale DLVBBDO. Nel 2006 fonda Le \nDictatuer, progetto editoriale e spazio \nespositivo indipendente a Milano, per il quale \nè da oltre 10 anni direttore editoriale e \nartistico. Ha esposto le sue opere e i suoi \nprogetti alla MOMA Library and Family Business \ndi New York, alla TATE MODERN di Londra, al \nPalais de Tokyo di Parigi, alla Triennale di \nMilano e in molte altre gallerie private. \nCollabora negli anni con artisti famosi come \nMaurizio Cattelan, Pierpaolo Ferrari, Nico \nVascellari, Jacopo Benassi e designer come \nPatricia Urquiola con cui ha firmato due \ncollezioni (CREDENZA 2016, MISCREDENZA 2017). \n— Federico Pepe was born in 1976. He lives and \nworks in Milan. He is a unique figure in the \ncultural and artistic Italian landscape, where \nhe moves with agility and extreme aesthetic \ncoherence between various artistic forms. \nAdvertising, Artist, Graphic Designer, Video \nMaker. Executive creative director of the \nDLVBBDO Multinational Communication Agency. In \n2006 he founded in Le Dictatuer, an editorial \nproject and an independent exhibition space \nbased in Milan, for which he has been the \neditor of editorial and artistic plan for over \n10 years. He exhibited his works and projects \nat MOMA Library and Family Business in New \nYork, at TATE MODERN in London, at the Palais \nde Tokyo in Paris, at the Trienniale of Milan \nand in many others private galleries. Over the \nyears he collaborated with famous artists such \nas Maurizio Cattelan, Pierpaolo Ferrari, Nico \nVascellari, Jacopo Benassi and designers such as \nPatricia Urquiola with whom he has signed two \ncollections (CREDENZA 2016, MISCREDENZA 2017).\nFEDERICO PERI\nFederico Peri nasce nel 1983 a Montebelluna \nin provincia di Treviso. Terminati gli studi \nuniversitari a Milano presso la Facoltà di \ninterior design dell’Istituto Europeo di \nDesign, si trasferisce a Parigi grazie ad una \nborsa di studio di residenza per artisti. \nIn questo periodo, ricco di contaminazioni \ninternazionali e stimoli progettuali, \ninizia il proprio percorso professionale \nappassionandosi ai grandi maestri e definendo \nil proprio interesse come sinergia tra \nstorico e contemporaneo. Rientra a Milano per \nlavorare presso Vudafieri Saverino Partners \nfino al 2011, quando avvia il proprio studio \noccupandosi prevalentemente di progettazione \nd’interni e arredo.\nCollabora con aziende, marchi di moda, \nprofessionisti e privati concependo progetti \nche siano strettamente connessi alle singole \nidentità. Nilufar, galleria internazionale con \nsede a Milano, rappresenta i suoi prodotti \nin edizione limitata, tra cui la collezione \ndi lampade “Shapes” nominata nel 2016 per il \nGerman Design Awards. Tra i candidati come \n“miglior designer esordiente” al Salone del \nmobile Milano awards 2017 con il prodotto \n“Galerie” disegnato per FontanaArte, viene \nanche nominato per il “rising talent awards” \nall’edizione di Maison&Objet 2018.. — Federico \nPeri was born in 1983 in Montebelluna in \nthe province of Treviso. After graduating in \nInterior Design from the European Institute \nof Design, he moved to Paris thanks to a \nresidency scholarship for artists. During this \nperiod, brimming with international cross-\ncontaminations and design stimuli, he developed \na professional interest and passion for the \ngreat masters while also defining his own \ninterest as the synergy of the historical and \ncontemporary. He returned to Milan to work at \nVudafieri Saverino Partners until 2011, when \nhe started his own firm, mainly focused on \ninterior and furniture design. He collaborates \nwith companies, fashion brands, professionals \nand individuals, bringing to life projects \nthat closely tie in with individual identities. \nNilufar, an international gallery based in \nMilan, represents its limited-edition products, \nincluding the “Shapes” collection of lamps \nnominated in 2016 for the German Design Awards. \nOne of the “best new designer” contestants at \nthe 2017 Salone del Mobile Milano awards with \nthe product “Galerie” designed for FontanaArte, \nhe was also nominated for the “Rising Talent \nAwards” at Maison&Objet 2018.\nFRANCESCA ZOBOLI\nFrancesca, dopo essersi diplomata in pittura \nall’Accademia di Belle arti di Milano, nel 1990, \nfonda lo studio di decorazioni d’interni L’O \ndi Giotto, che opera in Italia e all’estero. \nAll’attività di interior decorator affianca \nla ricerca pittorica, condotta in particolare \nsull’assemblaggio di materiali. Dal connubio \nfra pittura e decorazione nasce lo stile \n",101,{"image":417,"text":418,"number":419},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.102.png","dei suoi lavori, connotato da un linguaggio \noriginale che si ispira a tessuti, tappezzerie, \nantiche tecniche di stampa, motivi etnici \ne tradizionali, pattern grafici, intonaci, \ntexture naturali come legni, foglie, polveri, \nterre. Attenta e sensibile alle più recenti \ntendenze della moda, del design, dell’arte e \ndell’architettura contemporanea, Francesca \nZoboli mira ad articolare e integrare \norganicamente il progetto decorativo \nall’ambiente e allo spazio. Fra i suoi clienti, \nFratelli Rossetti, Hotel De Russie , Kenzo, \nper cui nel 2006 ha progettato e realizzato \ninterventi di decorazione destinati al nuovo \nconcept store di Parigi (Art Director Antonio \nMarras). — After graduating in Painting at \nthe Academy of Fine Arts in Milan in 1990, \nFrancesca founds l’O di Giotto – ann Interior \nDecoration Studio operating both in Italy and \nabroad. Alongside interior decorating, she \nalso conducts pictorial research, especially \nas regards the assembly of materials. Out of \nthe combination of painting and decorating \ncomes the style of her works, distinguished \nby an original language inspired by fabrics, \nupholsteries, old printing methods, ethnic \nand traditional motifs, graphic patterns, \nplastering, natural textures such as woods, \nleaves, powders, earths. Careful and sensitive \nto the most recent fashion, design, art \nand modern architecture trends, Francesca \nZoboli aims at organically articulating and \nintegrating decorative projects in environments \nand spaces. Among her customers Fratelli \nRossetti and Hotel De Russie; in 2006 she \nhas partially designed and decorated the new \nconcept store in Paris for Kenzo (Art Director \nAntonio Marras).\nGIO TIROTTO\nFonda il suo studio nel 2010. Gio Tirotto \nsviluppa progetti di interni, prodotto e \nallestimento, focalizzando la sua direzione \nartistica prima nella ricerca ed in seguito \nnella più pulita sintesi tra forma e funzione. \n“Progetto per essere un ponte che connette il \npensiero al messaggio, indispensabile obiettivo \ndel mio linguaggio artistico”.Qualunque cosa \negli disegni nasce dall’attenzione a tutto \nciò che gli sta intorno, vivo o inanimato. \nSe c’è un limite tra arte e design, prova a \ncancellarlo, riprogettando tutta la complessità \nesistente tra gli esseri umani e gli oggetti. \nQuesta è la ragione per la quale crede \nche il rito, la memoria e l’immaginazione \nsiano spesso la funzione essenziale delle \ncose”. Tra i clienti: Alcantara, Viabizzuno, \nSeletti, Secondome Gallery, D’arrigo External \nDesign,Petracer’s, Wall&decò, Lago, Bormioli \nRocco, Greggio, Mingardo, Exnovo. — Gio \nTirotto founded his own studio in 2010. He \ndevelops projects for interiors, products and \ninstallations, focusing his artistic direction \non research which is followed up by the most \nclean-cut synthesis between form and function. \n“I design to be a bridge which connects \nthought with message, an indispensable aim of \nmy artistic language”. Everything he designs \nis inspired by an attention of what is around \nhim, living or inanimate. If there is a limit \nbetween art and design, he tries to erase \nit and re-design all the existing complicity \namong human beings and objects. This is why he \nbelieves that rituals, memory and imagination \nare often the essential function of things. \nClients - to name but a few: Alcantara, \nViabizzuno, Seletti, Secondome Gallery, D’arrigo \nExternal Design, Petracer’s, Wall&decò, Lago, \nBormioli Rocco, Greggio, Mingardo, Exnovo. \nGIOVANNI PESCE\nDiplomato al Liceo Artistico di Bari con \nindirizzo architettonico, Giovanni Pesce \ninizia la sua attività nel 1986 nell’ufficio \ntecnico di un’azienda di credito, per la \nprogettazione delle sue filiali. Nel 1994 fonda, \nin collaborazione con altri professionisti, \nSignum, un gruppo di lavoro attivo nella \nrealizzazione di spazi espositivi. Dal 1997 \navvia un proprio studio che lo vede impegnato \nsia come interior designer che come designer \ndi prodotto. — Giovanni began his career in \n1986 when he was asked to join the staff of the \ntechnical department of a major credit company \nfor the design of a large number of branches. \nIn 1994 he founded the Signum, a working group \nin collaboration with other professionals, with \nwhom he developed exhibition spaces. Since 1997 \nhe started a studio \u002F laboratory of ideas in \nwhich he is engaged, initially as an interior \ndesigner, then more and more directed towards \nproduct design: clear and direct works with \ndiscrete shapes and materials and with a beauty \nintimately linked to their functionality.\nGUPICA\nDopo una laurea in letteratura Gunilla Zamboni \n(Gupica) matura una formazione nell’ambito \ndella pittura murale a Firenze e delle arti \ndecorative in Francia a Versailles, dove si \ndiploma in Peintre en Décor. Si specializza in \ninterior design allo IED di Milano. Lavora a \ncontatto con le migliori maestranze italiane \ne francesi, affinando i segreti e le tecniche \ndella pittura decorativa in Francia e lo studio \ndel design in Italia. Nel 2010 fonda Gupica, \nuno studio creativo che realizza progetti \nservendosi di un metodo multidisciplinare che \ncoinvolge arti decorative, design di interni e \ndi prodotto, sperimentazione contemporanea e \nartigianalità. Mettendo al servizio di clienti \ne aziende la propria visione creativa. La cura \nper il dettaglio e un dialogo costante tra \ncontemporaneo e codici legati alla tradizione \ncontraddistinguono i suoi progetti.  —\nUpon obtaining her degree in Literature, G \nunilla Zamboni (Gupica) continued to study \nin Florence focusing on the art of fresco \nand mural painting, completing her studies \nwith a master degree in Peintre en Décor in \nVersailles, France. She later specialized in \ninterior design at IED in Milan. Gupica worked \nwith Italian and French masters, honing the \nsecrets and techniques of decorative painting \nin France and the study of design in Italy. In \n2010 she founded Gupica, a creative studio that \ndevelops projects through multi-disciplinary \nmethods such as: decorative arts, interior \ndesign, product design, traditional handcrafts \nand modern techniques. She evolves projects \nfor private clients and companies with her \ncreative vision. Her attention to detail and \nthe combination of contemporary and traditional \ncodes characterize her projects.\nINES PORRINO\nInes svolge l’attività dal 1975, inizialmente \nin collaborazione con gli studi Arcoop, \nArkite’ Architetti Associati e Studio \nPiergiorgio Cazzaniga, dal 1997 diventa \nlibero professionista e si occupa di interior, \nallestimenti fieristici, eventi di design \ne negozi di arredamento. Ines Porrino si \noccupa del concept della realizzazione del \nprodotto e del catalogo per collezioni di \npavimenti in pvc Limonta. Dal 2010 ha iniziato \nuna produzione delle lampade artigianali \nFilrouge. Ha collaborato con diverse testate \nd’arredamento,tra le quali Interni, Spazio \nCasa, Lake Como lifestyle. — Ines has been in \nbusiness since 1975, initially in collaboration \nwith studios such as Arcoop, Arkite Associated \nArchitects and Studio Piergiorgio Cazzaniga. In \n1997 she turn into a free lance consultant in \nthe field of interior design, exhibition spaces, \ndesign events and furniture stores.\nInes Porrino develops the concept up to the \nproduct prototype and the catalogue for a floor \ncollections in PVC for Limonta. Since 2010 he \nhas begun a production of artisanal lamps \nFILROUGE. She has worked with several interior \ndesign magazines such as Interni, SpazioCasa, \nLake Como Lifestyle.\nLORENZO DE GRANDIS\nResponsabile creativo per importanti brand \nnel design di interni. Una continua ricerca \ndi riferimenti che permette a Lorenzo De \nGrandis di progettare e sviluppare contenuti \nvisivi ottenendo risultati di grande forza \ncomunicativa. Sensazioni, idee e atmosfere si \ntraducono  nei suoi progetti di graphic design, \ntextile design e allestimenti. Uno studio \nmultidisciplinare con un’ambizione: catturare \nil ritmo e l’estetica del tempo. — Responsible \nof visual communication for important interior \ndesign companies. Lorenzo De Grandis’s \nworks inspires ideas and stories. Emotion \ndriving to create atmosphere with shapes and \nfunctions, effective solutions and projects. \nTextiles, graphic design, interiors and further \nsensation. A multidisciplinary study with \nan ambition: to capture the rhythm and the \naesthetics of time. To see what inspires, what \nelevates, what activates.\nLUDOVICA+ROBERTO PALOMBA\nLudovica+Roberto Palomba, architetti, vivono \ne lavorano a Milano. Fondano nel 1994 Palomba \nSerafini Associati. Hanno ricevuto numerosi \npremi e riconoscimenti internazionali come il \nCompasso D’Oro, l’Elle Decoration International \nDesign Award, il Red Dot, il Design Plus, il \nGood Design Award, il German Design Award. \nProgettano architetture ed esposizioni in tutto \nil mondo; collaborano e sono art director per \nalcuni dei marchi più affermati. \n“I nostri progetti di design e di architettura \nsi basano sull’analisi del cambiamento dei \ncomportamenti. Sia i primi schizzi che la \nstesura finale di ogni progetto sono passati \nal vaglio delle nostre due esigenze e delle \nnostre due visioni, allo stesso tempo complici \ne differenti, quindi consensuali. Questa \ncompletezza è frutto di un metodo, non di uno \nstilismo. Un metodo per coniugare gli opposti: \ncreatività e funzione, innovazione e longevità. \nSenza mai dimenticare originalità e purezza \ndelle forme… \nLa cifra del nostro lavoro - ricerca, sviluppo, \nprogetto, si riassumono così in una sola \nparola: EVIDENZA.” — Ludovica+Roberto Palomba \nare architects who work and live in Milan. They \nfounded Palomba Serafini Associati in 1994. \nThey have received numerous international \nawards such as the Compasso D’Oro, Elle \nDecoration International Design Award, Red \nDot, Design Plus, Good Design Award, German \nDesign Award. Ludovica+Roberto Palomba plan \narchitectures and design exhibitions worldwide. \nThey work with and are art directors for \nsome of the most established brands. “Our \ncreations, whether they be pieces of design or \narchitecture, are derived from observations of \nchange in human behavior. It is important to \nsee these products outside a fixed location \nor period – they do not reflect the latest \nfad but are the result of rationality and \npondered craftsmanship. Our initial drafts are \nprojections of our own needs. Our two visions \nare complementary and our design consensual. \nThe challenge of our work is about merging \nfunction, innovation and longevity. We seek to \nproject courage and serenity through the purity \nand originality of our work…. And there it \nis, that is what characterizes our creations: \nresearch, often lengthy, difficult, exhilarating \nto achieve what in a word can only be expressed \nas EVIDENCE.”\nMAE ENGELGEER\nIl design tessile è sempre stato al centro \ndel lavoro della designer olandese, sin dai \ntempi del liceo agli studi all’Amsterdam \nFashion Institute e al Sandberg Instituut. Da \nquando ha aperto il suo studio nel 2013, ha \ncoltivato la sua curiosità per l’artigianalità, \nsperimentando vecchie tecniche di produzione \ntessile per affinarle e portarle a uno stadio \npiù avanzato. Il lavoro di Mae Engelgeer \nabbraccia sottili palette di colori, motivi \ned elementi lineari. Composizioni complesse \nsi fondono con la perfezione per stabilire \nl’armonia. Esplorazioni creative sul contrasto \ndi materiali e texture danno forma a opere \nche sono lussuose nella loro tattilità e \ndimensionalità. Oltre a sviluppare le proprie \ncollezioni, Mae Engelgeer collabora con marchi \ndi tutto il mondo per progetti che vanno dai \nprodotti tessili e dal design di mobili alle \nesplorazioni dei materiali e alla direzione \nartistica\u002Fcolore, fino alle installazioni su \nlarga scala e alle opere d’arte pubbliche. \n“Il mio lavoro è guidato dall’intuizione e dal \ndesiderio di creare. Mentre mi considero una \nsognatrice nella creazione di nuove atmosfere, \nsono in grado di tradurre rapidamente queste \nidee in opere tangibili utilizzando le giuste \ntexture, materiali e colori. Quando mi viene \nchiesta la mia visione nelle collaborazioni, \nsento un certo senso di libertà nell’esplorare \nuna moltitudine di possibilità”. — Textile \ndesign has always been at the heart of Dutch \ndesigner Mae Engelgeer’s work, from her high \nschool days to her studies at the Amsterdam \nFashion Institute and Sandberg Instituut. \nSince opening her own studio in 2013, she \nhas nurtured her curiosity for the craft, \nexperimenting within the existing boundaries of \ntextile production to elevate old techniques to \nmodernity. Mae Engelgeer’s work embraces subtle \ncolor palettes, patterns and linear elements. \nComplex compositions merge with perfection to \nestablish harmony. Creative explorations into \nthe material and texture contrasts result in \nworks that are luxurious in their tactility and \ndimensionality. In addition to developing her \nown collections, Mae Engelgeer also works with \nbrands around the world on projects ranging \nfrom textile products and furniture design to \nmaterial explorations and art\u002Fcolor direction, \nlarge-scale installations and public artworks. \n“My work is driven by intuition and the desire \nto create. While I consider myself to be a \ndreamer in the creation of new atmospheres, \nI am able to quickly translate those ideas \ninto tangible works using the right textures, \nmaterials and colors. When asked for my vision \nin collaborations, I feel a certain sense of \nfreedom to explore a multitude of possibilities.”\nMARÍA GÓMEZ GARCÍA\nProprietaria e direttrice dello studio creativo \nEstudio PAM ha sviluppato grafiche destinate a \nmateriali e utilizzi diversi, come sedie, carte \nda parati, porte, tavoli, tessuti; lavora, tra \ngli altri, per clienti con sede in Spagna, \nItalia, Brasile e Stati Uniti. In precedenza, \nha collaborato con aziende e marchi come Le \nLis Blanc (marchio brasiliano di moda e oggetti \nper la casa) e ZARA (Spagna). Ha un’esperienza \ndecennale nella ricerca dei nuovi trend della \nmoda e della grafica nelle più significative \ncittà del mondo (Londra, New York, Parigi, \nSan Paolo, Seoul e Hong Kong). Tutti i suoi \ndisegni e le illustrazioni sono eseguiti a mano \ne riflettono il suo bagaglio professionale, \nil cosmopolitismo e la passione per la \ngrafica. — As owner and director of Estudio \nPAM – a creative studio – has been developing \nartwork for different usages and materials \nsuch as chairs, wallpapers, doors, tables, \ntextiles, among others, for clients based in \nSpain, Italy, Brazil and US. Previously, has \nworked for companies and brands such as Le \nLis Blanc (Brazilian fashion and housewear \nbrand) or ZARA (Spain). With more than 10 years \nof experience, has collaborated as visual \ncoolhunter and shopping in cities in different \ncontinents (London, New York, Paris, Sao Paulo, \nSeoul and Hong Kong). All of her drawings and \nillustrations are handmade created and reflects \nher professional experience, cosmopolitanism \nand passion for artwork. \nPAOLO BADESCO \nCOSTANTINO AFFUSO\nUn progetto dell’interior designer Paolo \nBadesco che dal 2005 presenta al pubblico \nmilanese, attraverso il suo primo negozio di \ncorso Magenta 96, un repertorio di suggestioni \ndal sapore nord europeo: arredi e complementi \nvintage volutamente non restaurati, abbinati \na una selezione di oggetti contemporanei \nfrutto di una ricerca tra Europa e Stati \nUniti. Nel 2011 con l’architetto Costantino \nAffuso, già senior architect dello Studio Paolo \nBadesco interior design, il progetto si amplia \nacquisendo una nuova location in via Palermo \n1, nel cuore del Brera Design District. Le \ninedite proposte e gli allestimenti arditi \nhanno fatto guadagnare a Raw l’attenzione \ndella stampa internazionale e di un pubblico \nsempre più sensibile alle nuove tendenze. \n— A project of the interior designer Paolo \nBadesco, who since 2005 presents to the public \nin Milan, through its first store in Corso \nMagenta 96, a repertoire of suggestions with \na northern European flavor: vintage furniture \nand accessories deliberately not restored, \ncombined with a selection of contemporary \nworks resulting from a selection between \nEurope and the United States. In 2011, with the \narchitect Constantino Affuso, formerly senior \narchitect at the Paolo Badesco interior design \nstudio, the project expanded by acquiring a \nnew location in Via Palermo 1, in the heart of \nBrera Design District. The new proposals and \ndaring installations have earned Raw to the \nattention of the international press and of an \nincreasingly sensitive public to new trends.\nSERENA CONFALONIERI\nDopo una laurea specialistica in Interior \nDesign conseguita a pieni voti presso il \nPolitecnico di Milano, Serena ha lavorato in \ndiversi studi di architettura e design, a \nMilano, Barcellona e Berlino. Ora dirige il \nsuo studio a Milano, lavorando su progetti \nche spaziano dall’interior alla grafica fino \nal textile design collaborando con importanti \naziende di design sia in Italia che all’estero. \n— After a Master Degree in Interior Design at \nPolitecnico di Milano, Serena worked in many \narchitecture and design practices, moving \nfrom Milano to Barcelona and Berlin. Now she \nruns her own studio in Milano, working on \ninterior, graphic and textile design projects \nand collaborates with important companies in \nItaly and abroad. She has also collaborated \nwith textile and ceramic manufacturers as free-\nlance decorative designer and with publishing \ncompanies as illustrator of fantasy books.\nSIMONE FANCIULLACCI\nNato e cresciuto in Liguria, dopo la laurea \nconseguita nel 2007 presso il Politecnico \ndi Milano, fonda lo studio 4P1B con il quale \nottiene numerose pubblicazioni e riconoscimenti \ntra i quali l’IF Design Award, il Good Design \nAward e una menzione d’onore alla XXIII \nedizione del Compasso d’Oro. Nel 2017, conclusa \nl’esperienza dello studio, inizia a firmare con \nil proprio nome i progetti che sviluppa. Tra i \nprincipali clienti Nilufar Gallery, Secondome, \nDe Vecchi Milano 1935, Wall&decò, Martinelli \nLuce, Lago, Chairs&More. Simone Fanciullacci \nè anche titolare e art director del marchio \nEdizione Limitata con il quale sviluppa e \ncommercializza progetti prodotti in piccole \nserie andando a riscoprire materiali, tecniche \ne artigiani sul territorio italiano. — Simone \nFanciullacci was born and raised in Liguria and \nafter graduating in 2007 from the Polytechnic \nUniversity of Milan, he founds the 4P1B Studio \nobtaining numerous publications and awards, \nincluding the IF Design Award, the Good Design \nAward and an honourable mention at the 23rd \nedition of the Compasso d’Oro. In 2017, having \ncompleted the studio’s experience, he begins \nto sign the projects he develops under his \nown name. Among his main clients are Nilufar \nGallery, Secondome, De Vecchi Milano 1935, \nWall&decò, Martinelli Luce, Lago, Chairs&More.\nSimone Fanciullacci is also the owner and art \ndirector of Edizione Limitata brand with which \nhe develops and markets projects produced \nin small series, rediscovering materials, \ntechniques and craftsmen in Italy.\nSTUDIOPEPE\nStudiopepe è uno studio di design fondato \na Milano nel 2006 da Arianna Lelli Mami \ne Chiara Di Pinto. Lo studio si occupa \ndi creative consultancy in tutte le sue \nforme. La filosofia dello studio si basa \nsu un approccio concettuale inedito e trae \nforza da un vasto background iconografico e \nvisionario, generando risultati di unicità. \nL’attenzione per i dettagli e l’emozione che \npossono generare nelle persone, così come \nl’uso del colore, a volte ardito, e il mix \ninedito ma armonico tra i materiali scelti sono \nfondamentali nei progetti dello studio. Altro \nelemento di forza è la multidisciplinarità, \nil saper far dialogare all’interno di uno \nstesso progetto ambiti diversi come il design, \nla moda e l’arte. — Studiopepe is a design \nstudio founded in Milan in 2006 by Arianna \nLelli Mami and Chiara Di Pinto. The studio \nfocuses on creative consultancy (interiors, \nproduct design, editorial, set-design, color \nconsultancy…). The studio’s philosophy takes \na strong visionary approach thanks to an \niconographic background that generates unique \nresults. The attention for details and emotions \nthat can be generated in people, as well as \nthe use of color, sometimes daring, and the \nunusual but harmonius relationship between \nmaterials are fundamental in each project of \nthe studio. Studiopepe also takes advantage of \nmultidisciplinarity, knowing how to create a \ndialogue within different areas such as design, \nfashion and art.\nSTUDIO SALARIS\nAlessandra Salaris dopo studi classici divisa \ndalla passione tra la medicina e l’architettura \nsceglie la via piu’ creativa, studia quindi \na Londra e al Politecnico di Miano dove \nsi Laurea. Appassionata di arredamento, \ninterior, design, fotografia, viaggi , salute \ne food  trova il modo migliore per coniugare \ni suoi hobby e  trasformarli in lavoro, fonda \nquindi il suo studio di consulenza creativa, a \nMilano, nel cuore di Brera. I suoi viaggi sono \nrivolti alla ricerca del bello che puo’ trovarsi \nanche in piccoli oggetti che caratterizzano \nil luogo, le persone, la cultura  e la storia \ndel paese visitato; pezzi che sicuramente \nun giorno verranno fotografato nei suoi set \nfotografici. — Alessandra Salaris was born in \nMilan. She topped her classical education with \nthe study of interior design in London and \nMilan, where she attended IED and graduated \nfrom Politecnico di Milano. She later earned a \nMasters degree in Marketing and Communication \n",102,{"image":421,"text":422,"number":423},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.103.png","to better understand the challenges of the \nbusiness she faces everyday. As of today, \nshe has worked internationally. In the past \ndecade she has collaborated with the top \nmagazines and companies of the industry. Her \nambition has always been that of delivering a \ncustomized support to help her clients achieve \nan aesthetic expression of their brands. Her \nmission is to give a personal and recognizable \ncontribution that enhances the clients’ story \nand core values.\nTALVA DESIGN\nTal Waldman (Talva Design) è un’artista, \ndesigner e architetto con base a Parigi.  \nCompleta i suoi studi di arte e architettura \nlavorando per studi internazionali, da Jean \nNouvel, Christian de Portzamparc a Jean Paul \nViguier. Lo studio Talva Design a Parigi è una \nsintesi tra design e arte capace di offrire \nsoluzioni d’interni, accessori per la casa e \ndi arredo. — Tal Waldman (Talva Design) is an \nartist, designer and architect based in Paris. \nHe completed his art and architecture studies \nworking for international firms, from Jean \nNouvel to Christian de Portzamparc and Jean \nPaul Viguier. The Talva Design studio in Paris \nis a synthesis between design and art capable \nof providing interior design solutions and home \nand furnishing accessories.\nTHE ELUSIVE OTTER\nLe raffinate illustrazioni di Raffaella \nAudiffredi, ideatrice del progetto, puntano \nuna lente d’ingrandimento sul mondo animale \ncreando tavole su cui s’innesta una dimensione \nletteraria a firma dello scrittore Matteo \nSartori. La collaborazione con Wall&decò \narricchisce di fascino il viaggio della “lontra \ntimida” e sposa l’esperienza artistica di The \nElusive Otter a una nuova realtà applicativa. \nRaffaella Audiffredi: Architetto, laureata \nal Politecnico di Milano, dopo aver lavorato \nin Italia e all’estero, nel 2010 apre il suo \nstudio a Milano. Nel 2013 crea il progetto \nThe Elusive Otter. Matteo Sartori: Laureato \nin Scienze politiche all’Università Statale di \nMilano, dal 2002 al 2012 lavora per il cinema e \nla pubblicità. È autore di tre romanzi. — The \nrefined illustrations of Raffaella Audiffredi, \nauthor of the project, zoom in details on \nthe animal world, creating canvases on which \na literary dimension signed by writer Matteo \nSartori is triggered. The collaboration \nwith Wall&decò enriches the journey of the \n‘’elusive otter’’ with charm and combines the \nartistic experience of The Elusive Otter to a \nnew application field. Raffaella Audiffredi: \nArchitect, graduated at the Polytechnic \nUniversity of Milan, opened her studio in Milan \nin 2010, after working in Italy and abroad. She \nconceived The Elusive Otter project in 2013. \nMatteo Sartori: Graduated in political sciences \nat the State University of Milan, he worked in \nthe cinema and advertising field from 2002 to \n2012. He is the author of three novels.\nTOMMASO SPINZI\nTommaso Spinzi, fondatore di Spinzi Design, \nè un designer creativo e un consulente \nspecializzato nella decorazione di interni e \nnella progettazione di arredo.\nHa lavorato in Svizzera, in Australia e a New \nYork. Questo mix di influenze internazionali ha \nforgiato il suo approccio al design.\n“Ogni progetto è unico e concepito su \nmisura per il cliente, che ci impegniamo a \nrappresentare in ogni dettaglio, nell’obiettivo \ndi ricrearne il lifestyle attraverso un design \ndi qualità. Questo processo può includere arte, \nstile, arredamento, styling, abbinamento dei \ncolori e design a 360°.”\nOltre a essere un collezionista di arredi, \nautomobili e moto italiane Mid-Century, Tommaso \nprogetta pezzi in edizione limitata per \ngallerie e clienti.\nL’obiettivo di Tommaso è di ispirare, \nstimolare e, infine, creare ambienti ricchi \ndi significato. — Tommaso Spinzi, founder \nof Spinzi Design, is a creative designer and \nconsultant specialised in interior decoration \nand furniture design.\nHe has worked in Switzerland, Australia and New \nYork. This mix of international influences has \nshaped his approach to design.\nEach project is unique and tailor-made for the \nclient, whom we strive to represent in every \ndetail, focusing on creating lifestyles through \ngood design. This may include art, style, \nfurniture, layout, colour schemes and the \noverall design fit.\nAs well as being a collector of mid-century \nItalian furniture, cars and motorbikes, Tommaso \ndesigns limited edition pieces for galleries \nand clients.\nTommaso’s goal is to inspire, stimulate and \nfinally create meaningful environments. \n",103,{"image":425,"text":426,"number":427},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.104.png","wallanddeco.com\nvia Santerno 18 - Cervia (Ravenna) - Italy\ntel +39.0544.918012\ninfo@wallanddeco.com\nShowroom Milano\nvia Solera Mantegazza 7\n© all rights reserved  \nWall&decò® 2023\nThe color reproduction of the graphic \nimages contained in this catalog is \nindicative of the actual color \nrendering on the printed wall covering.\nFaithful reproductions of the color \nshades, obtained on the printed wall \ncoverings, are the graphic images \ncontained in the ColorMatch section \n(from p.156 to p.191) of this catalog. \nOnly these graphic images, in scale \n1:4, are to be taken as a reference to \nsatisfy color matching and coordination \nproject requirements.\ncatalogue graphic design \nD+ studio  [d-plus.it]\ncatalogue print\nPazzini Stampatore Editore s.r.l.\nphotoshooting\nart direction\nLorenzo De Grandis\nphoto\nMarina Denisova (Coccon)\nSimone Fiorini (Post Metaverse)\nSilvia Rivoltella (Virtual Aesthetics)\nStyling: Veronica Leali\nStyling Contributor: Alessia Biasion\nthanks to \n4 MARIANI, ALEX GABRIELS, APONTE \nBORETTI, ARNOLFO DI CAMBIO, BITOSSI \nCERAMICHE, CARPET EDITION,  CUORE \nCARPENITO, DANIEL NIKOLOVSKI, FLOS, \nGLAS ITALIA, LANEROSSI 1817, LISA \nCORTI, MASSERANO CASHMERE,  MEDULUM, \nMINIFORMS MMAIRO, MOGG DESIGN ,NM3,  \nPLACÉE, PREMIATA CERAMICA, PURHO, SHOP \nFILI, SPINZI, STUDIONOTTE, VITRA\nLa riproduzione dei colori delle \nimmagini grafiche contenute in questo \ncatalogo è indicativa della resa \ncromatica reale sul parato stampato.\nSono invece fedeli riproduzioni \ndell’effetto cromatico, che si ottiene \nsul parato stampato, le immagini \ngrafiche contenute nella sezione \nColorMatch (da p.156 a p.191) del \npresente catalogo. Sono unicamente \nqueste immagini grafiche, in scala 1:4, \nda prendere come riferimento per \nsoddisfare esigenze progettuali di \nabbinamento e coordinamento dei colori.\nCWC 2023\nTECHNICAL SHEETS \nSAMPLES\n",104,{"image":429,"text":430,"number":431},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.105.png","Descrizione materiale\nDescription of material\nSupporto in tessuto non tessuto con strato superficiale in \nvinile\nNon-woven fabric substrate with vinyl surface layer\nNatura dei componenti\nNature of components\nTessuto non tessuto, cellulosa, additivi, spalmatura del lato \ndecorativo in PVC\nNon-woven fabric, cellulose, additives, PVC coating of decora-\ntive side\nPeso totale (minimo ÷ massimo)\nTotal weight (minimum ÷ maximum)\n340 g\u002Fm2 ÷ 360 g\u002Fm2  \nSpessore totale (minimo \u002F massimo)\nTotal thickness (minimum \u002F maxi-\nmum)\n0,30 mm ÷ 0,34 mm\nTechnical Features\nReazione al fuoco\nReaction to fire\nClasse B s2 d0, USA Classe A\nClass B s2 d0, USA Class A\nVOC\nIl prodotto soddisfa i requisiti previsti dal piano di prova Indoor Air \nComfort Gold e French VOC Regulation A+ \u002F the product meets the requiremen-\nts of the Indoor Air Comfort Gold test plan and French VOC Regulation A+\nPermeabilità\nPermeability\nValore sd 1,37 m (mediamente permeabile al vapore secondo \nEN7783 Dry Cup\nSd value 1.37 m (average water vapour resistance according to \nEN7783 Dry Cup\nCertifications\nCWC & Bronzage ®\nDescrizione d’uso\nDescription of use\nDa interni, residenziale e contract (hotel, commerciale)\nIndoor, residential and contract (hotel, commercial)\nDescrizione materiale\nDescription of material\nRivestimento Murale accoppiato a TNT\nWall coating matched with NWF\nNatura dei componenti\nNature of components\nTessuto non tessuto rivestito a base di fibre di cellulosa e \npoliestere\nCoated nonwoven based on cellulose and polyester fibers\nPeso totale (minimo ÷ massimo)\nTotal weight (minimum ÷ maximum)\n175 g\u002Fm2 ÷ 195 g\u002Fm2  \nSpessore totale (minimo \u002F massimo)\nTotal thickness (minimum \u002F maximum)\n0,30 mm ÷ 0,40 mm\nTechnical Features\nReazione al fuoco\nReaction to fire\nClasse B s1 d0, USA Classe A\nClass B s1 d0, USA Class A\nVOC\nIl prodotto soddisfa i requisiti previsti dal piano di prova Indoor Air \nComfort Gold e French VOC Regulation A+ \u002F the product meets the requiremen-\nts of the Indoor Air Comfort Gold test plan and French VOC Regulation A+\nPermeabilità\nPermeability\nValore sd 0,38 m (mediamente permeabile al vapore secondo \nEN7783 Dry Cup)\nSd value 0.38 m (average water vapour resistance according to \nEN7783 Dry Cup)\nCertifications\nCWC-ECO\nDescrizione d’uso\nDescription of use\nDa interni, residenziale e contract (hotel, commerciale)\nIndoor, residential and contract (hotel, commercial)\nResistente \nagli urti\nImpact resistant\nAltamente Lavabile\nExtra washable\nSuperficie \ngoffrata\nEmbossed surface\nRemovibile a secco\nDry strippable\nApplicare la colla \nsul muro\nPaste the wall\nRiciclabile\nRecyclable\nTraspirante\nBreathable\nProduzione ECO\nECO Production\nSuperficie \ngoffrata\nEmbossed surface\nApplicare la colla \nsul muro\nPaste the wall\nLavabile\nWashable\nDescrizione materiale\nDescription of material\nRivestimento tecnico per il miglioramento del comfort acustico e \ndall’alto valore decorativo \nTechnical wall covering  for the improvement of acoustic comfort \nwith high decorative value \nNatura dei componenti\nNature of components\nSupporto di fondo: tessuto non tessuto a base di fibre di polie-\nstere - larghezza 157 cm\nTessuto superficiale stampato: a base di fibre di cellulosa e \npoliestere - larghezza cm 94\nBacking substrate: non-woven fabric based on polyester fibers - \nwidth 157 cm \nPrinted layer: cellulose and polyester fiber based - width 94 cm\nPeso totale (minimo \u002F massimo)\nTotal weight (minimum \u002F maximum)\n500 g \u002F m2\nSpessore totale (minimo \u002F massimo)\nTotal thickness (minimum \u002F maximum) 3 mm\nSSW - Sound System Wallpaper\nDescrizione d’uso\nDescription of use\nDa interni, per uso residenziale, commerciale e ufficio\nIndoor, for residential, commercial and office use\n100\n125\n160\n200\n250\n315\n400\n500\n630\n800\n1000\n1250\n1600\n2000\n2500\n3150\n4000\n5000\n1.0\n0.9\n0.8\n0.7\n0.6\n0.5\n0.4\n0.3\n0.2\n0.1\n0.0\nFreq [Hz]\na\n100\n125\n160\n0.01\n0.02\n0.02\n200\n250\n315\n0,02\n0.02\n0.01\n400\n500\n630\n0.02\n0.04\n0.06\n800\n1000\n1250\n0.09\n0.16\n0.21\n1600\n2000\n2500\n0,32\n0.41\n0.43\n3150\n4000\n5000\n0.48\n0,50\n0.61\nTechnical Features\nCertifications\nResistente agli Urti\nResistance to knocks\nLavabile\nWashable\nApplicare la colla sul muro\nPaste the wall\nRiciclabile\nRecyclable\nRemovibile a secco\nDry strippable\n",105,{"image":433,"text":434,"number":435},"\u002Fmedia\u002Fimages\u002F30\u002F4618021f78935808dd81eceb74329c-28e15bee5b.106.png","ColorMatch™ è l’innovativa tecnologia \nColorMatch™ è l’innovativa tecnologia \nColorMatch™\nadottata da Wall&decò che rappresenta \nl’unione tra percezione e tecnica nella \ngestione della qualità di stampa per parati \ndi eccezionale fedeltà cromatica per una \nresa qualitativa eccezionale, ovvero \nmaggiore luminosità, pienezza, brillantezza \ndel contrasto cromatico, volume, \ntridimensionalità e qualità nei dettagli e \nnella definizione del colore.\nOltre alla ricerca dell’alta fedeltà \ncromatica, ColorMatch™ è in grado di \nColorMatch™ è in grado di \nColorMatch™\nassicurare una gestione industriale \ndel colore, ossia permettere un’elevata \nripetizione del processo di controllo \ncromatico con una resa qualitativa \nsuperiore ai profili applicati dagli \nstandard di settore. \nCon la tecnologia ColorMatch™, nonostante \nla goffratura della carta da parati e delle \ndue diverse tecnologie di stampa utilizzate \nper realizzare i parati e il catalogo, \nla percezione dell’assetto cromatico \nè comunque parallela, ossia verosimile \nrispetto a quella dell’occhio umano \nindipendentemente dai diversi supporti \ndi stampa, così da rendere i colori della \ngrafica stampata a catalogo estremamente \nsimili a quelli della carta da parati. \nColorMatch™, is the new technology \nadopted by Wall&decò, the union \nbetween perception and technique in \nthe management of print quality for \nwall coverings of exceptional chromatic \nfidelity allowing an exceptional quality \nyeld resulting, in increased brightness \n, fullness, brilliance of color \ncontrast, volume, three dimensionality \nand higher color detail and definition.\nBesides the search for high color fi \ndelity, ColorMatch™  is able to ensure \nColorMatch™  is able to ensure \nColorMatch™\nthe industrial management of colors, and \nthus allows  the  high repeatability  \nof  the  color  control  process with a \nsuperior quality yield compared to the \nprofi les used in the industry sector.\nWith  ColorMatch™  technology, despite \nColorMatch™  technology, 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