[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-valencia-rattan-sounds-outdoor-and-indoor-style-2015":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":181},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":176,"matched_pages":177,"match_count":178,"two_pages":179,"show_text":180},6866,"Sounds - Outdoor and Indoor Style 2015","valencia-rattan-sounds-outdoor-and-indoor-style-2015","\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F3f\u002Fdf80f0b3f9350c733455ef29ef130d.pdf","Valencia Rattan",1913,"valencia-rattan","4.8 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173],{"image":7,"text":15,"number":16},">01\nOutdoor and indoor style\n > valencia rattan\nSOUNDS\nVALENCIA \nRATTAN\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.2.png",">SOUNDS\n > valencia rattan\nVALENCIA \nRATTAN\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.3.png",">SOUNDS\nCalidad, buenas materias\n primas, y perdurabilidad\nen el tiempo.\n> Quality, good materials\n and durability time.\nSOUNDS es un anticipo del nuevo catálogo de mobiliario exterior e interior que \nprepara Valencia Rattan para el 2016, sus modelos, como si de música se trata-\nra, combinan diferentes estilos, formas, piezas, etc... para adaptarse a los gustos \nde los clientes.\nLa colección de mobiliario exterior está compuesta por, FOLK, SAMBA, SWING \ny BLUES. Realizadas en material sintético de primera calidad para garantizar su \nexposición a la intemperie. Cada una de las colecciones presenta unos  trazos \ny un carácter distinto, teniendo en común la calidad, el saber hacer y el equipo \nhumano que existe detrás de Valencia Rattan desde hace tanto tiempo.\nEn cuanto a las colecciones para interior; FADO, JAZZ y DUETO tienen la delica-\ndeza y elegancia de un producto perdurable en el tiempo, como la música clási-\nca. Son piezas ligeras y atemporales que se adaptan a cualquier estilo, siempre \ncuidando los detalles y calidades en cada una de ellas.\nSOUNDS is the new outdoor and indoor furniture catalog from Valencia Rattan. \nWe wanted to present this new project as if it were music, with different styles, \nshapes, parts, etc... for different customers needs.\nThe outdoor collection is made up, FOLK, SAMBA, SWING and BLUES. Collec-\ntions made of synthetic material premium to ensure their exposure to the ele-\nments. Each of them have different styles and forms, but all have in common \nquality, know-how and the team that exists behind Valencia Rattan.\nThe indoor collection are FADO, JAZZ and DUETO. They have the elegance, fi-\nnesse and durability at the time as classical music. They are light and timeless \npieces that will fit any style, always taking care of details and qualities of each .\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.4.png","outdoor\nFOLK\nSAMBA \nBLUES\nSWING \n \nValencia Rattan\n \nindoor\nJAZZ\nFADO \nDUETO \nindeX\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.5.png",">EMPRESA\n> comPany\nDesde 1991 realizamos \nmuebles de calidad\nfabricados en rattan.\n> since 1991 We made HigH Quality\n rattan Furniture.\nDesde sus modernas instalaciones en Vallada, adaptadas para lograr el máximo \nrespeto medioambiental, se gestiona la llegada, la transformación y la distri-\nbución de los productos a través de su profesional red comercial, tanto al mer-\ncado nacional como a los diferentes países de todo el mundo, garantizando un \nexcelente servicio a los clientes, siendo éste uno de los principales valores de \nnegocio.\nLa presencia durante años de Valencia Rattan en distintas ferias, ha permitido \na la empresa adaptarse en todo momento a las necesidades de cada uno de los \nmercados.\nFrom its modern factory in Vallada adapted for maximum environmental \nfriendliness, the arrival, processing and distribution of products through its \nprofessional sales network is managed, both domestically and to different cou-\nntries around the world, ensuring excellent customer service, this is one of the \ncore values of business.\nThe presence of Valencia Rattan for years in different fairs, has allowed the \ncompany to adapt at all times to the needs of each market.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.6.png",">RATTAN\n> rattan\nRattan cuyo nombre científico es “Calamus Indico” (del malayo rotan) es el ape-\nlativo para al menos seiscientas especies botánicas de palmas de la tribu Cala-\nmeae, nativa de regiones tropicales de África, Asia, Australia. Más del 70% de las \npoblaciones de ratán mundial crecen en Indonesia. \nEl término específico es el nombre indígena del material que se obtiene del \ntallo,(rattan) es un material ligero de fibras largas, flexibles, casi imposible de \nromper. Es una fibra resistente y a la vez delicada, ligera y versátil, permitiendo \nque los diseños aporten naturalidad y elegancia.\nEl rattan es ampliamente utilizado para la fabricación de muebles. Acepta pin-\nturas y tintes como muchas otras maderas por lo que dispone de diferentes \nacabados y permite trabajar en distintos estilos. \nRattan whose scientific name is “Calamus Indian” (Malay rotate) is the nickna-\nme for at least six hundred botanical species of palms Calameae tribe, native \nto tropical regions of Africa, Asia, Australia. Over 70% of the world population \ngrow rattan in Indonesia.\nThe Specific term is the indigenous name of the material obtine stem (rattan) \nis a lightweight material with long, flexible fibers, almost impossible to break \nthis characteristic also has a treatment against moths and other pests that \nmay affect you. It is a yet delicate, light and versatile resistant fiber, allowing \ndesigns to suit any requirement\nThe rattan is widely used for making furniture. Accepts paints and stains like \nmany other woods so have different finishes and work in different styles. \nEstética artesanal \ncon materias \nprimas naturales.\n> Handmade WitH \nnatural raW materials.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.7.png","outdoor\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.8.png","15        \n15\n> FolK\nel folk es un término que surgió en el siglo XiX pero como movimiento, surgió \nen eeuu en los años 1950 y 1960, tomando como base la música tradicional que \nhabía sido traída al nuevo continente por los inmigrantes europeos. \nen su historia, se le ha definido como música transmitida de generación en ge-\nneración, como música de las clases bajas. es también característico de esta \nmúsica emplear instrumentos típicos de cada región como el banjo, la armónica \no la gaita. el folk ahonda tan profundo como alcancen las raíces de cada país. \nlos pueblos utilizaban este género, en forma de canto, para dar rienda suelta a \nsus sentimientos reprimidos. bob dylan o Joan baez son unos de los máximos \nexponentes  de este género.\nThe folk is a term that emerged in the nineteenth century but as music move-\nment emerged in the US in the 1950s and 1960s, based on traditional music \nthat had been brought to the New World by European immigrants.  \nIn its history, it has been defined as music transmitted from generation to gene-\nration, as music of the lower classes. It is also characteristic of folk music using \ntraditional instruments from each region such as the banjo, harmonica and ba-\ngpipe. The folk delves so deep as to reach the roots of each country. The people \nused the genre, in song circumscribed, to give vent to their feelings repressed. \nThe folk songs have meaningful lyrics, many with narrative verses. Bob Dylan \nand Joan Baez are among the best examples of this genre.\nValencia Rattan\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.9.png","16        \nFOLK\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.10.png","18        \n19\nFOLK\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.11.png","20        \n21\nFOLK\nUn momento para disfrutar,\nrelajarse leyendo o\ndescansar tumbado al \naire libre.\na time to enJoy, \nreading or relaX \nlying outdoor.\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.12.png","22        \n23\nFOLK\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.13.png","24        \n25\nFOLK\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.14.png","27        \n27\n> samba\ngénero musical llevado a brasil por inmigrantes africanos, en particular por los \nde las tribus bantú. una de las principales manifestaciones de la cultura popular \ny un símbolo de la identidad nacional. el samba llegó a las ciudades a finales \ndel siglo XiX y adquirió popularidad internacional de 1920 a 1930. a comienzos \ndel siglo XX el ritmo de la samba se comenzó a expandir fuertemente en río \nde Janeiro, por aquel entonces capital del país y comenzó a perfeccionarse y \ndelimitarse como género musical. sus letras suelen evocar el suave clima y la \nbelleza y sensualidad del litoral brasileño. la década de 1970 fue una de las más \nfructíferas del género con la aparición de artistas como, clara nunes y martinho \nda vila. actualmente, la samba es la danza oficial de brasil. \nMusical genre brought to Brazil by African immigrants, particularly those of \nthe Bantu tribes. It is one of the main manifestations of popular culture and a \nsymbol of national identity. The samba came to the cities in the late 19th Cen-\ntury and gained international popularity from 1920 to 1930. In the early 20th \nCentury the samba began to expand strongly in Rio de Janeiro, and began to \nimprove and delimited as a musical genre. In his lyrics usually evoke the mild \nclimate and the beauty and sensuality of the Brazilian coast. The 1970s was \none of the most successful of the genre with the emergence of artists such as \nClara Nunes and Martinho da Vila. Currently, the samba is the official dance of \nBrazil.\nValencia Rattan\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.15.png","28        \n29\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.16.png","30        \n31\nSAMBA\nnotHing better tHan\n mornings ligHt.\nNada mejor que la \nluz de las mañanas. \n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.17.png","32        \n33\nSAMBA\n32        \n33\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.18.png","35        \n35\n> blues\nEl blues es un género musical vocal e instrumental originario de las comunida-\ndes afroamericanas de Estados Unidos. \nSe desarrolló a través de las espirituales canciones de oración, canciones de \ntrabajo, rimas narradas y gritos de campo. Significa melancolía o tristeza.\nLos primeros blues, tomaban la forma de una narración la cual solía transmitir \nmediante la voz del cantante sus penas personales: «un amor perdido, la cruel-\ndad de los agentes de policía, la opresión de los blancos y los tiempos difíciles». \nA pesar de que el blues solía asociarse con miseria y opresión, también puede \nadquirir tintes cómicos o humorísticos. En los años 70 la técnica virtuosa de B. \nB. King le valió el apodo de Rey del Blues.\n \nThe blues is an original vocal and instrumental genre of African American com-\nmunities in the United States.\nIt was developed through spiritual, prayer songs, work songs, rhymes ballads \nnarrated and screams of field. Means melancholy or sadness.  \nEarly blues took the form of a narrative which used to pass through the singer’s \nvoice his personal woes: “a lost love, the cruelty of police officers, oppression \nof whites and hard times” Although the blues can also purchase comic or hu-\nmorous dyes. In the 70 ‘s virtuoso technique of BB King he earned him the \nnickname King of the Blues.\nValencia Rattan\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.19.png","36        \n37\nBLUES\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.20.png","38        \n39\nBLUES\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.21.png","41        \n41\n> sWing\nEl swing, es un estilo de jazz que se originó en Estados Unidos a finales de los años 1920, \nconvirtiéndose en uno de los géneros musicales más populares y exitosos del país. Las \nprimeras bandas que se reconocen como Swing, provienen de Nueva York. La crisis de \n1929 expulsa a un buen número de jazzmen hacia la meca europea, receptiva y vigorosa. \nLa escuela principal, se desarrolla en París. \nEl swing destaca por haber aportado al jazz innovaciones conceptuales como por ejem-\nplo la de incrementar el número de miembros al duplicar los instrumentos o que la \nbatería sea el único instrumento con una función totalmente rítmica. Louis Armstrong, \nGlenn Miller o Ella Fitzgerald son conocidos artistas de este estilo musical.\nSwing music, jazz is a style that originated in the United States in the late 1920s, beco-\nming one of the most popular and successful genres in the country. The first bands that \nare recognized as Swing arises, come from New York. Thus, the crisis of 1929 expelled \na number of jazzmen towards European, responsive and vigorous mecca. The primary \nschool, takes place in Paris. \nThe swing stands for contributing to jazz conceptual innovations such as increasing \nthe number of members to duplicate the instruments or the battery is the only instru-\nment with a fully rhythmic function. Louis Armstrong, Ella Fitzgerald Glenn Miller or are \nknown artists of this musical style.\nValencia Rattan\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.22.png","42        \n43\nSWING\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.23.png","45\n44        \nSWING\nSWING\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.24.png","indoor\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.25.png","49        \n49\n> JaZZ\nEl jazz es una forma de arte musical que se originó en los Estados Unidos me-\ndiante la confrontación de los negros con la música europea. La instrumenta-\nción, melodía y armonía del jazz se derivan principalmente de la tradición mu-\nsical de Occidente. El ritmo, el fraseo y la producción de sonido, y los elementos \nde armonía de blues se derivan de la música africana y del concepto musical de \nlos afroamericanos. \nNumerosos festivales de Jazz son celebrados alrededor del mundo donde se \nsuben al escenario los artistas más importantes del género musical como en el \nFestival Internacional de Jazz de Montreal, el New Orleans.\nFestival Jazz o el Festival de Jazz de Montreux, actuando en este último Prince,\nLeonard Cohen o Deep Purple.\nJazz is a musical art form that originated in the United States through the con-\nfrontationof blacks with European music. Instrumentation, melody and har-\nmony of jazz are primarily derived from the musical tradition of the West. The\nrhythm, phrasing and sound production, and the harmony of blues elements\nderived from African music and musical concept afroamericanos.\nGreat Jazzfestivals are celebrated around the world where the most important \nartiststake to the stage as the Internacinal Montreal Jazz Festival, The New \nOrleans Jazz Festival or the Montreux Jazz Festival, performing in the latter \nPrince, Leonard Cohen or Deep Purple.\nValencia Rattan\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.26.png","51\n50        \nJAZZ\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.27.png","53\nJAZZ\n52        \nInteriores \ncon aromas \nde exteriores.\nindoor WitH \noutdor scents.\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.28.png","54        \n55\nJAZZ\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.29.png","57        \n57\n> Fado\nel fado es la expresión más conocida de la música portuguesa, proviene del latín \n“fatum” que significa “destino”.\nen el fado se expresan los malos momentos de la vida a través del canto; lo \nque se fue, el imperio perdido, la patria que pudo ser, al hombre que perdió \nsu gloria… generalmente es cantado por una sola persona, acompañado por la \n«viola» (guitarra española) y la guitarra portuguesa. los temas más cantados \nson la melancolía, la nostalgia o pequeñas historias del diario vivir de los barrios \nhumildes, pero especialmente el fatalismo y la frustración.\nsu origen no ha sido aún esclarecido: se dice que el fado es la versión lisboeta \ndel lundum caboverdiano, importado de la antigua colonia portuguesa a través \nde las líneas marítimas.\nen cualquier caso el fado llegó a su apogeo con amalia rodrigues,ana moura o \ndulce Pontes.\nFado is the expression known Portuguese music, comes from the Latin “fatum” \nwhich means “fate”.\nBad times of life are expressed through fado; what was lost empire, the country \nthat might be, the man who lost his glory... It is usually sung by one person, by \nthe “viola” (Spanish guitar) and the Portuguese guitar. More topics are sung in \nthe fado melancholy, nostalgia or short stories of daily life in the slums.\nIts origin has not yet been clarified: rumored is Cape Verdean version lundum \nimported from the former Portuguese colony through the liner.\nIn any case, the fado reached its peak with Amalia Rodrigues, Ana Moura or \nDulce Pontes.\nValencia Rattan\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.30.png","58        \n59\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.31.png","60        \n61\nFADO\nauXiliary Furniture\nto tHe aPPetiZer,\ntHe gatHering\nand ultimately relaXing. \nComplementos para \nel aperitivo, \nla tertulia\ny en definitiva el relax.\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.32.png","> dueto\nPor influencia del inglés (duet), se aplica a una pieza musical escrita para ser \ninterpretada por dos instrumentistas o intérpretes vocales.\nel término “dueto” se empleó en la ópera barroca  en la segunda parte del siglo \nXviii y sobre todo en el XiX. Fue sustituyendo al aria, pieza musical creada para \nser cantada por una voz solista sin coro, como composición principal de la ópe-\nra. se prefería el dueto por su dinamismo, consecuencia del enfrentamiento y \ncontraste entre dos personajes. su estructura varía según la época histórica y \nlas escuelas operísticas. \ntristan e isolda está considerado como uno de los grandes duetos de la ópera \nromántica. un idilio extraordinario, que escapa de todas las normas y de los \nsentidos morales, centrando su atención en los sentimientos de los protagonis-\ntas difundida mediante la ópera de richard Wagner.\n“Dueto” by influence of English (duet), it applies to a musical piece written to be \nperformed by two musicians and vocal performers.\nThe term “duet” was used in the Baroque opera in the second half of the 18th \nCentury and especially in the 19th. He was replacing the aria, created piece of \nmusic to be sung by a solo voice without chorus, as the main composition of the \nopera. The duet is preferred due to its dynamism, consequence of conflict and \ncontrast between two characters. Their structure varies according to historical \nepoch and operatic schools.\nTristan and Isolde is considered one of the great romantic opera duets, an ex-\ntraordinary affair, which is beyond all norms and moral senses, focusing on \nfeelings the players released by the Richard Wagner opera .\nValencia Rattan\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.33.png","64        \n65\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.34.png","66        \n67\nDUETO\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.35.png","tÉcnico\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.36.png","> modular \u002F MODULAR \n> comedor \u002F DINING\nref. 10201 \n78 x 93 x 95h\nAA 31    AB 68\n> tumbona \u002F DAYBED\n> tresillo \u002F LIVING SET\nref. 10206 \n129 x 93 x 86h\nAA 33   AB 61\nref. 10212  \n62 x 72 x 92h\nAA 44   AB 67\nref. 10202 \n166 x 93 x 95h\nAA 31    AB 68\nref. 10207 \n170 x 101 x 86h\nAA 33\nref. 10210 \n130Ø x 76h\nref. 10209 \n74 x 62 x 44h\nref. 10208 \n61 x 93 x 86h\nAA 33\nref. 10211  \n170Ø x 76h\nref. 10204 \n110 x 70 x 46h\nref. 10205 \n129 x 93 x 86h\nAA 33   AB 61\nref. 10213 \n169 x 208 x 78h\nAA 33   AB 54\nref. 10203 \n140 x 90 x 61h\n>FolK\n> FolK - sWing\nFolK\n> outdoor\ncada acabado es exclusivo de cada colección. los colores de los acabados \ny tejidos son aproximados, pues son muestras impresas. los brazos de los \nsofás modulares se entienden como derecha o izquierda vistos de frente.\nlas medidas, están expresadas en centímetros.\nEach finish is unique to each collection. The colors of the finishes and fa-\nbrics are approximate ,as they are printed samples.\nThe modular arms of sofas are seen as right or left viewed from front.The \nmeasures are expressed in centimeters .\nVALENCIA RATTAN\n> tresillo \u002F LIVING SET\n> modular \u002F MODULAR\n> comedor \u002F DINING\nref. 10215 \n232 x 96 x 72h\nAA 25    AB 61\nref. 10219 \n147 x 95 x 71h\nAA 26    AB 60\nref. 10224 \n60 x 65 x 90h\nAA 42    AB 66\nref. 10222 \n60 x 60 x 25h\nref. 10220 \n173 x 104 x 71h\nAA 26    \nref. 10221 \n60 x 95 x 71h\nAA 26    \nref. 10246 \n220 x 110 x 76h\nref. 10223 \n160 x 90 x 76h\nref. 10216 \n139 x 79 x 44h\nref. 10218 \n147 x 95 x 71h\nAA 26    AB 60\nref. 10217\n93 x 93 x 44h\nref. 10214 \n113 x 96 x 72h\nAA 25    AB 61\n>samba\n> samba - dueto\nsamba\ncada acabado es exclusivo de cada colección. los colores de los acabados \ny tejidos son aproximados, pues son muestras impresas. los brazos de los \nsofás modulares se entienden como derecha o izquierda vistos de frente.\nlas medidas, están expresadas en centímetros.\nEach finish is unique to each collection. The colors of the finishes and fa-\nbrics are approximate ,as they are printed samples.\nThe modular arms of sofas are seen as right or left viewed from front.The \nmeasures are expressed in centimeters .\n> outdoor\nTECHNICAL INFO\n> AA  ALTURA ASIENTO SIN COJÍN \u002F SEAT HEIGHT  WITHOUT CUSHION\n> AB ALTURA BRAZO \u002F ARMS HEIGHT\n> AA  ALTURA ASIENTO SIN COJÍN \u002F SEAT HEIGHT  WITHOUT CUSHION\n> AB ALTURA BRAZO \u002F ARMS HEIGHT\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.37.png","> tresillo \u002F LIVING SET\n> modular \u002F MODULAR\n> comedor \u002F DINING\n> tresillo \u002F LIVING SET\n> comedor \u002F DINING\ncada acabado es exclusivo de cada colección. los colores de los acabados \ny tejidos son aproximados, pues son muestras impresas. los brazos de los \nsofás modulares se entienden como derecha o izquierda vistos de frente.\nlas medidas, están expresadas en centímetros.\nEach finish is unique to each collection. The colors of the finishes and fa-\nbrics are approximate ,as they are printed samples.\nThe modular arms of sofas are seen as right or left viewed from front.The \nmeasures are expressed in centimeters .\nref.  10230 \n101 x 101 x 73h\nAA 29    \nref. 10228 \n190 x 101 x 73h\nAA 29   AB 60 \nref.  10231 \n41 x 41 x 42h\nref. 10229 \n190 x 101 x 73h\nAA 29    AB 60\nref. 10234 \n67 x 72 x 94h\nAA 43    AB 67\nref. 1780-35\n165 x 95 x 73h\nref. 10232 \n152 x 92 x 72h\n>sWing\n> sWing - FolK \nref. 10239 \n85 x 94 x 85h\nAA 35    AB 60\nref. 10242 \n64 x 66 x 84h\nAA 43    AB 62\nref. 10240 \n178 x 94 x 85h\nAA 35    AB 60\nref. 10241 \n112 x 61 x 44h\nref. 10249\n200 x 110 x 76h\n>blues\n> blues\nVALENCIA RATTAN\nTECHNICAL INFO\nref. 10226 \n224 x 96 x 74h\nAA 29    AB 61\nref. 10227 \n141 x 81 x 47h\nref. 10225 \n99 x 96 x 74h\nAA 29    AB 61\nsWing\n> outdoor\nblues\n> outdoor\ncada acabado es exclusivo de cada colección. los colores de los acabados \ny tejidos son aproximados, pues son muestras impresas. los brazos de los \nsofás modulares se entienden como derecha o izquierda vistos de frente.\nlas medidas, están expresadas en centímetros.\nEach finish is unique to each collection. The colors of the finishes and fa-\nbrics are approximate ,as they are printed samples.\nThe modular arms of sofas are seen as right or left viewed from front.The \nmeasures are expressed in centimeters .\nmesa fija aluminio blanco exclusiv. Puroplan gris claro borde blanco.\nFixed table white exclusiv aluminum. Grey puroplan on top, white border.\n> AA  ALTURA ASIENTO SIN COJÍN \u002F SEAT HEIGHT  WITHOUT CUSHION\n> AB ALTURA BRAZO \u002F ARMS HEIGHT\n> AA  ALTURA ASIENTO SIN COJÍN \u002F SEAT HEIGHT  WITHOUT CUSHION\n> AB ALTURA BRAZO \u002F ARMS HEIGHT\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.38.png","> tresillo \u002F LIVING SET\n \n> comedor \u002F DINING\nref. 70101 \n175 x 102 x 94h\nAA 33    AB 69\nref. 70102 \n79 x 64 x 47h\nref. 70110 \n118 x 71 x 42h\nref. 70100 \n87 x 102 x 94h\nAA 33    AB 69\n>Fado\n> Fado - JaZZ \nref. 70105 \n87 x 92 x 85h\nAA 34    AB 60\nref. 70109 \n64 x 66 x 84h\nAA 43    AB 63\nref. 70106 \n175 x 92 x 85h\nAA 34    AB 60\nref. 70107 \n112 x 63 x 46h\nref. 70115 \n180 x 90 x 76h\n>JaZZ\n> JaZZ - Fado\nVALENCIA RATTAN\nTECHNICAL INFO\nJaZZ\n> indoor\ncada acabado es exclusivo de cada colección. los colores de los acabados \ny tejidos son aproximados, pues son muestras impresas. los brazos de los \nsofás modulares se entienden como derecha o izquierda vistos de frente.\nlas medidas, están expresadas en centímetros.\nEach finish is unique to each collection. The colors of the finishes and fa-\nbrics are approximate ,as they are printed samples.\nThe modular arms of sofas are seen as right or left viewed from front.The \nmeasures are expressed in centimeters .\ncada acabado es exclusivo de cada colección. los colores de los acabados \ny tejidos son aproximados, pues son muestras impresas. los brazos de los \nsofás modulares se entienden como derecha o izquierda vistos de frente.\nlas medidas, están expresadas en centímetros.\nEach finish is unique to each collection. The colors of the finishes and fa-\nbrics are approximate ,as they are printed samples.\nThe modular arms of sofas are seen as right or left viewed from front.The \nmeasures are expressed in centimeters .\nFado\n> indoor\n> tresillo \u002F LIVING SET\n> AA  ALTURA ASIENTO SIN COJÍN \u002F SEAT HEIGHT  WITHOUT CUSHION\n> AB ALTURA BRAZO \u002F ARMS HEIGHT\n> AA  ALTURA ASIENTO SIN COJÍN \u002F SEAT HEIGHT  WITHOUT CUSHION\n> AB ALTURA BRAZO \u002F ARMS HEIGHT\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.39.png"," \n> tresillo \u002F LIVING SET\n>MATERIALES Y COLORES \ncada acabado es exclusivo de cada colección. los colores de los acabados y tejidos son aproximados, pues \nson muestras impresas. \nlos brazos de los sofás modulares se entienden como derecha o izquierda vistos de frente.las medidas, \nestán expresadas en centímetros.\nEach finish is unique to each collection.  The colors of the finishes and fabrics are approximate ,as they are \nprinted samples.\nThe modular arms of sofas are seen as right or left viewed from front.The measures are expressed in cen-\ntimeters .\n>materials and colours \nVALENCIA RATTAN\nref. 70111 \n81 x 94 x 94h\nAA 32    AB 67\nref. 70112 \n167 x 94 x 94h\nAA 32    AB 67\nref. 70113 \n76 x 63 x 45h\nref. 70114\n118 x 71 x 42h\n>dueto\n> dueto - samba\nTECHNICAL INFO\ndueto\n> indoor\ncada acabado es exclusivo de cada colección. los colores de los acabados \ny tejidos son aproximados, pues son muestras impresas. los brazos de los \nsofás modulares se entienden como derecha o izquierda vistos de frente.\nlas medidas, están expresadas en centímetros.\nEach finish is unique to each collection. The colors of the finishes and fa-\nbrics are approximate ,as they are printed samples.\nThe modular arms of sofas are seen as right or left viewed from front.The \nmeasures are expressed in centimeters .\nJaZZ\ndueto\nFado\nFolK\nsamba \ndueto\nsWing\nJaZZ \nFado\nsamba\nsWing\n FolK\nblues\nblues\n> AA  ALTURA ASIENTO SIN COJÍN \u002F SEAT HEIGHT  WITHOUT CUSHION\n> AB ALTURA BRAZO \u002F ARMS HEIGHT\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fa7\u002Fd8befb050e9db82a2c994ec6a26d06.40.png","VALENCIA RATTAN S.A\nPol. Ind. La Punta \nC\u002F L´Aurora, s\u002Fn.\n46691 Vallada \nValencia - SPAIN \nT. +34 96 229 60 05\nF. +34 96 225 77 87 \ninfo@valenciarattan.net\nVALENCIA \nRATTAN\n> DIRECCIÓN DE ARTE  \u002F CREATIVE DIRECTION\nedeestudio \n>DISEÑO Y MAQUETACIÓN \u002F CONCEPT & GRAPHIC \nedeestudio \n>FECHA DE IMPRESIÓN \u002F PRINT DATE\nJunio 2015 \u002F June 2015\n© VALENCIA RATTAN, S.A.  \nJunio 2015. Reservados todos los derechos.\nQueda prohibida la reproducción total o parcial de este volumen sin \nla expresa autorización de la empresa.\nJUNE 2015. All rights are protected by international patent.\nThis publication may not be reproduced in whole or in part without \nthe written permision of Valencia Rattan S.A.\nHularo es sinónimo calidad superior en rattan sintético. es fácil de limpiar, perdurable y resistente a los rayos \nuv, al agua salada, a lociones, al cloro y al alcohol. \nel rattan sintetico Hularo cuenta con innumerables beneficios en comparación con materiales naturales, \nofreciendo una amplia gama de matices naturales. Hularo no destiñe. los materiales no contienen sustan-\ncias peligrosas y puede ser reciclado totalmente. Hularo es el principal fabricante de rattan sintético de \nexterior.\nHularo is synonymous with the absolute top in synthetic wicker. It’s easy to clean, durable and resistant to \nUV rays, salt water, lotions, chlorine and alcohol. \nAnd it’s almost impossible to tell Hularo apart from real wicker, except for the countless benefits it offers \ncompared to natural materials. Hularo is colourfast and available in a wide range of natural tints. The \nmaterials contain no hazardous substances and can be fully recycled. 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