[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-ulivi-materials-2022":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":81},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":76,"matched_pages":77,"match_count":78,"two_pages":79,"show_text":80},23929,"Materials 2022","ulivi-materials-2022","\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fbc\u002F343f9e7526a389e59b10717376c4a3-28f2d86709.pdf","Ulivi",1459,"ulivi","5.6 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73],{"image":7,"text":15,"number":16},"50 Cinquanta \nMATERIALS\n2022\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.2.png","2   \nLE NOSTRE PELLI ESCLUSIVE\nOUR EXCLUSIVE LEATHERS\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.3.png","3   \nThe \nvegetable \ntanning \nis \ncalled \n“slow \ntanning”, \nas \nmany \ndays of intense and careful work are necessary to achieve it.\nFirst of all, vegetable tanning means the use of natural tanning \nproducts extracted from tree barks such as: quebracho, chestnut \ntree and mimosa tree. The early phases of the procedure are called \n“liming” and “deliming”. In these processes, the first layer of hair is\nremoved from the green-salted bovine hides (so called because \nthey are treated with salt for their maintaining) and they take place i\nnside big drums of iroko wood. Later on the hide is ready for the \nreal tanning phase prepared with natural extracts and it lasts 2 \nor 3 days. The leather is then pressed for removing the residual \nwater. The following step is called “fattening”; mixtures made up of \nanimal-vegetable origin oils are added to the hide still inside the drums. \nAt this stage the hides are ready for being well stretched and dried- \nout in apposite dry and ventilated rooms in order to remove all the \nhumidity. Then the hides are ready to be hand-dyed, for the “padding \nphase” or to be finished. The vegetable tanned leather maintains \nits characteristics of naturalness and biodegradability unchanged \nin time, and it is suitable for those who are allergic to chromium.\nLa concia al vegetale è, in gergo, chiamata “concia lenta” perchè sono \nindispensabili molti giorni di intenso ed accurato lavoro per realizzarla. \nConcia \nal \nvegetale \nsignifica \ninnanzitutto \nutilizzo \ndi \nprodotti \nconcianti \nnaturali \nricavati \ndalla \ncorteccia \ndegli \nalberi \nquali: \nquebracho, castagno e mimosa.Dopo essere stati ripuliti dai peli, \ni pellami vengono pressati per eliminare tutti i liquidi residui.\nLa fase seguente è detta “ingrasso” dove all’interno di grosse botti insieme \nal pellame vengono aggiunte miscele a base di oli di origine animale e \nvegetale. A questo punto le pelli sono pronte per essere ben stese ed \nessiccate in apposite stanze asciutte e ventilate per poter togliere tutta \nl’umidità. La fase successiva all’essicazione è detta fase della “tamponatura” \na mano durante la quale la pelle viene tinta oppure rifinita. A questo stadio la \npelle conciata al vegetale, manterrà inalterate nel tempo le sue caratteristiche \ndi naturalezza e di biodegradabilità totalmente in assenza di cromo.\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.4.png","4   \nMezze pelli di vitello di origine Europea conciate al vegetale.\nIl processo di concia in botte, grazie all’impiego degli estratti vegetali \ndi corteccia di albero di mimosa o di castagno, conferisce ad ogni \npelle la sua propria e irreplicabile trasparenza di colore, unica nella \nnaturale disomogeneità di assorbimento, segno di vita e movimento.\nOgni pelle viene tamponata a mano con oli vegetali e animali per \nesaltarne la lucidità e la brillantezza.\nDimensione media della singola pelle: 2,3 mq\nSpessore medio: mm 1,8  \nProva di reazione al fuoco secondo: BS 5852 1990 (test sigaretta)\nProva di reazione al fuoco secondo: BS 5852 1990 (fiamma da gas \nbutano)\nHalf calf skins vegetable tanned. European origin.\nThe tanning process in barrels, thanks to the use of plant extracts of \nmimosa tree bark or chestnut, gives each skin its own unique color \ntransparency, unique in the natural unevenness of absorption, which \nis a sign of life and movement.\nEach skin is buffered by hand with vegetable and animal oils to \nenhance the clarity and brilliance.\nAverage size of each skin: 2,3 sqm\nAverage thickness: 1,8 mm\nAssessment of ignitability : BS 5852 1990 (Cigarette test)\nAssessment of ignitability : BS 5852 1990 (Butan gas flame test)\ncat. EXTRA LUXURY\nart. TUSCANY\nCORDA\nLONTRA\nPERLA\nBRONZO\nPIETRA\nTORTORA\nBRUNELLO\nNERO LUCIDO\nPIOMBO\nGRIGIO\nROSSO CINA\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.5.png","5   \ncat. SUPERIOR\nart. PLUME\nCEMENTO\nANTRACITE\nMALVA\nTESTA DI MORO\nMATTONE\nTAUPE\nOTTANIO\nBISCOTTO\nVISONE\nSABBIA\nPelle bovina di tori di origine europea.\nPieno fiore , semi anilina , con tintura all’anilina passante\nLe varie fasi di concia permettono di ottenere una straordinaria morbidezza al tatto  , unita a una grande resistenza superficiale e a una notevole facilità delle \noperazionin di pulizia e manutenzione.\nSpessore  medio 1.8 Mm     taglia media della singola  pelle  5.0 Mq\nSelected hides from bulls of european origin.\nFull grain , semi aniline , tanned with through dyeing aniline\nThe different phases of the tanning process allow to obtain an extraordinary softness to the touch , combined with a great superficial resistance and a remarkable \nease of the cleaning and maintenance operations\nAverage thickness : 1.8 Mm  average size of each hide : 5.0 Sqm\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.6.png","6   \ncat. SUPERIOR\nart. GRASSE’\nMATTONE\nOTTANIO\nPERLA\nBISCOTTO\nPIETRA\nBLUE NAVY\nCEMENTO\nMALVA\nMARINA\nCARRARA\nCIPRIA\nPelli bovine di tori di provenienza europea.\nLe varie fasi di concia ed i numerosi passaggi in botte portano alla luce le caratteristiche rughe delle pelli intere , la concia è al cromo e la tintura avviene all’anilina \nin modo da lasciare il fiore libero e naturale e predisposto ad una leggera smerigliatura che esalta il contrasto di colore tra la superficie e la profondità delle rughe.\nQuesta lavorazione gli conferisce un effetto vellutato, ed una notevole morbidezza.\nDimensione media della singola pelle: 5 mq\nSpessore medio: mm2,00 - 2,20  \nEuropean origin bulls. \nThe different tanning processes wet blue and the repeated “steps in the barrel” bring to light the characteristics of the whole hides wrinkles. The tincture is made \nwith aniline so as to leave the full grain free and predisposed to a light buffing that highlights the color contrast between the surface and the depth of wrinkles.\nThis process gives it a velvety effect, and a remarkable softness.\nAverage size of each skin: 5 sqm\nAverage thickness: 2,00-2,2 mm\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.7.png","7   \ncat. TOP\nart. NABUK\nCIOCCOLATO\nSENAPE\nBLU\nSAHARA\nTERRA\nPelli bovine di tori di provenienza europea, conciate al cromo con tintura all’anilina passante. Protette con prodotti idrorepellenti di botte. Le pelli dopo il normale \nciclo di conciatura, vengono lavorate con una leggera smerigliatura che gli conferisce l’effetto polvere e vellutato, oltre alla caratteristica morbidezza.\nSpessore 2,2, mq 5,5\nCattle hides of European origin bulls , tanned with chrome tanned with aniline dye. Protected with water-repellent barrel products. The skins after the normal \ntanning cycle are machined with a slight grinding that gives it the powdery and velvety effect, in addition to its softness.\nThickness 2.2, mq 5,5\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.8.png","8   \ncat. TOP\nart. KASHMIR\nARNO\nMADRAS\nDADAR\nRESIAN\nDENIM\nSURAT\nMezze pelli di vitello di origine Europea conciate al vegetale.\nIl processo di concia in botte, grazie all’impiego degli estratti \nvegetali di corteccia di albero di mimosa o di castagno, conferisce \nad ogni pelle la sua propria e irreplicabile trasparenza di colore, \nunica nella naturale disomogeneità di assorbimento, segno di vita \ne movimento.\nOgni pelle viene tamponata a mano con oli vegetali e animali per \nesaltarne la lucidità e la brillantezza.\nDimensione media della singola pelle: 2,3 mq\nSpessore medio: mm 1,8  \nProva di reazione al fuoco secondo: BS 5852 1990 (test sigaretta)\nProva di reazione al fuoco secondo: BS 5852 1990 (fiamma da gas \nbutano)\nHalf calf skins vegetable tanned. European origin.\nThe tanning process in barrels, thanks to the use of plant extracts \nof mimosa tree bark or chestnut, gives each skin its own unique \ncolor transparency, unique in the natural unevenness of absorption, \nwhich is a sign of life and movement.\nEach skin is buffered by hand with vegetable and animal oils to \nenhance the clarity and brilliance.\nAverage size of each skin: 2,3 sqm\nAverage thickness: 1,8 mm\nAssessment of ignitability : BS 5852 1990 (Cigarette test)\nAssessment of ignitability : BS 5852 1990 (Butan gas flame test)\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.9.png","9   \ncat. PREMIUM\nart. CUOIO\nSpalle di vitelli di provenienza europea.\nCuoio di pieno spessore, conciato al vegetale con tinture \nnaturali passanti in botte.\nLa spalla è la parte più pregiata e morbida, dove \nsono maggiormente messe in evidenza le rughe che \ncaratterizzano la naturalezza della pelle.\n1,3 mq, 1.8 spessore\nShoulders of calf of European origin.\nFull-thickness leather, tanned to the vegetable with \nnatural dyes passing through barrels.\nThe shoulder is the most precious and soft part, where the \nwrinkles that characterize the naturalness of the skin are \nmost highlighted.\n1,3 mq, 1.8 Thickness\nPelle bovina di tori di origine europea . Conciata con tintura all’anilina passante rattata con prodotti idrorepellenti per proteggere il manto. \nLe pelli sono rifinite con vernice all’acqua che conferisce il tipico effetto semilucido. Con una semplice spugnatura è possibile rimuovere facilmente lo sporco.\nDimensione media della singola pelle: 5 mq\nSpessore medio: 1,1 - 1,2 mm\nBull leather of European origin. Chrome tanned , Tanned with through dyeing aniline. Superficial  water-repellent treatment to protect the hide.Water-based \nvarnish , which creates a typical semi-glossy effect. By simple use of a sponge you can easily remove the dirt .\nAverage size of each skin: 5 sqm\nAverage thickness: 1,1 - 1,2mm\ncat. PREMIUM\nart. PRESTIGE\nBORDEAUX\nOTTANIO\nTESTA DI MORO\nANTRACITE\nCARRARA\nCEMENTO\nMALVA\nMATTONE\nBISCOTTO\nOTTANIO\nTESTA DI MORO\nDESERTO\nCORDA\nTAUPE\nBOSCO\nPIETRA\nVISONE\nCEMENTO\nSABBIA\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.10.png","10   \nMorbida ciniglia in viscosa dal disegno ricamato a spina di pesce\nh. 138 cm\nComposizione : 40% VI – 40% CO – 20% PL\nSoft viscose chenille yarn with a classic herringbone woven design\nh. 138 cm\nComposition : 40% VI – 40% CO – 20% PL\nart.\nPIEVE\nRICE PAPER\nCAYENNE\nACCIAIO\nBOCCIA\nGRIS\nINDIGO\nARDOISE\nBRUME\nOSTRICA\nAMANDE\nCAMEL\nOSTRICA\nOTTANIO\nARGENTO\nDUNE\nSMOKE\nPOTIMARRON\nAVIO\nFOREST\nTERRE\nTERRE\nSANSTONE\nZINC\nBARK\nGREY SEAL\nEBONY\nFABRIC\ncat. AVANGARDE\nVelluto Italiano di alta qualità. Morbido e resistente , disponibile in vari colori \nuniti.\nh.140 cm\nComposizione : 100% CO\nItalian high quality velour . Soft and resistant , available indifferent shades\nh. 140 cm\nComposition : 100% CO\nart.\nINCISA\nCiniglia in viscosa e lino . Morbida e resistente , con effetto velluto.\nh. 140 cm\nComposizione : 55% CV – 30% LI – 15% CO\nA viscose and linen chenille , soft and resistant , with a  velour touch feeling\nh. 140 cm\nComposition : 55% CV – 30% LI – 15% CO\nart.\nMAREMMA\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.11.png","11   \nFABRIC\ncat. ELEGANT\nUn misto di cotone e lino che sa esaltare le linee degli imbottiti\nh. 140 cm \nComposizione : 63% CO – 37% LI \nart.\nSAMBUCA\nGRANO\nNOTTE\nGAINSBORO\nPOMPEI\nTAN\nSEPPIA\nCHOCO\nMALVA\nPETROLIO\nA mix of cotton and linen to enhance the soft lines of  the upholsteries\nh. 140 cm \nComposition :  63% CO – 37% LI \nCiniglia di cotone e viscosa , grande varieta’ di colori per incontrare gusti \nraffinati e originali\nh. 138\u002F139cm \nComposizione :54%CO 46%VI\nSoft viscose chenille yarn with a classic  woven design.\nh. 138\u002F139cm \nComposition :  54%CO 46%VI\nart.\nCOSTA\nAMEGLIA\nNICOLA\nLUNI\nORTONOVO\nMOLICCIARA\nDOGANA\nMAGRA\nPROVASCO\nMARINELLA\nAVENZA\nCASANO\nFIUMETTA\nSARZANA\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.12.png","12   \nUn bellissimo mix vintage di cotone , viscosa e \nlino con effetto slavato\nh. 138 cm\nComposizione : 46%PC - 9% LI - 21%PL - 24%CO\nUn bellissimo mix di cotone , viscosa e lino con effetto \nslavato\nh. 140 cm\nComposizione : 47%PC - 11% VI - 22%PL - 20%CO\nA beautiful vintage whiteout mix of cotton , \nviscose and linen\nh. 138 cm\nComposition : 46%PC - 9% LI - 21%PL - 24%CO\nA beautiful vintage whiteout of cotton , viscose and linen\nh. 140 cm\nComposition : 47%PC - 11% VI - 22%PL - 20%CO\nart.\nTIRRENO\nart.\nABETONE\nAVANE\nAVANE\nNODICA\nNODICA\nVOLTERRA\nVOLTERRA\nGATANO\nGATANO\nGATANO\nAGNANO\nAGNANO\nAGNANO\nVALTRIANO\nVALTRIANO\nMAGGIOLA\nMAGGIOLA\nFILETTOLE\nFILETTOLE\nVORNO\nVORNO\nFABRIC\ncat. CLASSIC\nart.\nAPUANA\ncotone resistente , con effetto striato ottenuto attraverso una doppia tintura \ndei filati\nh.140 cm\nComposizione : 48%PC - 23% WO - 12%PL - 1O%NY - 7%CO\nHighly resistant cotton , with a streaky effect realized by a yarn double \ndyeing process\nh.140 cm\nCompotion : 48%PC - 23% WO - 12%PL - 1O%NY - 7%CO\nARNI\nPORRETO\nRESCETO\nFOLGORITO\nLIETO\nVIETINA\nVINCA\nPARIANA\nTERRINCA\nANTONIA\nBARGANA\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.13.png","13   \nLEGNO - WOOD\nDalla tradizione ebanistica , grazie all’utilizzo di materie prime scelte come masselli e foglie , nascono i prodotti Ulivi.\nCon l’aiuto di moderne macchine utensili vengono creati prodotti funzionali , contemporanei , ma  con un profondo legame con la tradizione, in particolare nei \ndettagli dove è possibile utilizzare il massello\nLavorazione   : un autentico spirito  artigianale , da cui nascono prodotti modellati e rifiniti interamente a mano\nQualità  : tutti i prodotti sono verificati e approvati individualmente  prima di ottenere la certificazione di qualità con il logo in pelle “ULIVI SALOTTI”  .  \nFrom a long time wood working tradition , thanks to the best selection of solid woods and veneers , the products by Ulivi are born.\nThanks to modern machinery , some  functional and contemporary products are created , though keeping a strong link with tradition , in a particular way for those \ndetails where solid wood is used .\nWood working : a true artisan spirit , from which originate products entirely crafted and finished by hand.\nQuality : all products are checked and  approved individually, so that they can be  officially certified by the leather logo “ULIVI SALOTTI”\nAMERICAN WALNUT\nEBONY\nASH CENERE\nAMERICAN WALNUT GLOSSY\nEBONY GLOSSY\nASH MOKA\nAMERICAN WALNUT \nTABACCO  \nAMERICAN WALNUT \nMYFAIR  \nASH WHITENED\nAMERICAN WALNUT \nTABACCO  GLOSSY\nAMERICAN WALNUT \nMYFAIR  GLOSSY\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.14.png","14   \nMARMI - MARBLES\nIl marmo è una roccia metamorfica originata da calcari, ovvero dalla trasformazione di questi ultimi, in un processo chiamato, appunto, metamorfismo.\nIl metamorfismo, che significa letteralmente “cambiamento di forma”, è causato da vari fattori, fra i quali i più importanti sono, senza dubbio, la temperatura \ne la pressione. La temperatura aumenta gradualmente con l’aumentare della profondità, in media dai 10 ai 30°C per ogni chilometro (gradiente geotermico), \ne parallelamente aumenta anche la pressione. Il processo metamorfico si innesca quando la roccia si viene a trovare in condizioni diverse da quelle in cui si è \nformata: sostanzialmente devono essere mutate la pressione o la temperatura e questo può avvenire proprio per uno sprofondamento della roccia a profondità \nmaggioAre.\nMarble is a metamorphic rock originated by limestones, or transformation of the latter, in a process called metamorphism.\nMetamorphism, which literally means “change of form”, is caused by various factors, among which the most important are undoubtedly temperature and pressure. \nThe temperature gradually increases with increasing depth, averaging 10 to 30 ° C per kilometer (geothermal gradient), and parallel increases the pressure. The \nmetamorphic process is triggered when the rock is found in conditions other than those in which it is formed: basically the pressure or temperature must have \nchanged, and this can happen precisely due to a deep sinking of the rock.\nCAPPUCCINO ONYX (cat. a)\nSAHARA NOIR (cat. b)\nCALACATTA VERDE (cat. a)\nQUARZITE MICHELANGELO (cat. a)\nCALCITE (cat. a)\nINVISIBLE GREY (cat. a)\nTWISTER (cat. a)\nOMBRA DI CARAVAGGIO (cat. b)\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.15.png","15   \nIl trattamento galvanico è una tecnica, che permette di ricoprire un metallo con un sottile strato di un metallo più prezioso o più nobile, sfruttando la deposizione \nelettrolitica.\nQuesto processo viene solitamente sfruttato per proteggere strutture metalliche dalla corrosione, ma può anche avere scopo decorativo.\nGalvanic treatment is a technique that allows to coat a metal with a thin layer of precious or noble metal, exploiting electrolytic deposition.\nThis process is usually exploited to protect metallic structures from corrosion, but can also have decorative purpose.\nMETALLI - METALS\nBRIGHT GOLD ( polished cat.a )\nBLACK NIKEL ( polished cat.a )\nBLACK EMBOSSED  ( polished cat.b )\nSATIN BRASS  ( polished cat.b )\nSATIN TITANIUM ( polished cat.b )\nCHAMPAGNE  ( polished cat.b )\nBLACK GLOSSY  ( polished cat.b )\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F93\u002F0ac768fa7c11344c70ae4b4bf0aed7-28f2f0a9e5.16.png","16   \nUlivi si riserva di apportare , senza alcun preavviso , \nmodifiche su misure , materiali , rivestimenti e \nfiniture al fine di migliorare l’estetica e la funzionalità \ndei prodotti.\nI colori di materiali , rivestimenti e finiture  \nrappresentati in catalogo sono puramente indicativi , \nin quanto soggetti ad  una variabilità da considerare \nnormale ed accettabile nella produzione di prodotti \nnaturali.\nI materiali usati risentono della loro tipica , naturale \nvariabilità  . Leggere variazioni di colore e tonalità , \noppure piccole imperfezioni sono connotate alla \npiacevolezza e al pregio del nostro cuoio , del legno o \ndel marmo stesso.\nUlivi can improve or modify at any time and without \nprior advise all measurements , finish or whatever  \ndetail of the products.\nThe colors of materials , coverings and finish as \nshown in this catalog are purely indicative , as they \nare subject to a normal tolerance , to be considered \nacceptable when manufacturing natural products.\nThe materials used are subject to  their typical , \nnatural variability. Little variations of their color or \ntonality , or minor imperfections are just part of the \nbeauty and  preciousness of our  leather , wood and \nmarble\nArt direction: Ulivi Salotti\nArt buyer : Paola Annunziata\nPhoto: Luce blu, Lorenzo Borgianni, \nAstrazioni Fotografia, Stefano Tonicello\nDesign : I.d.Ulivi Salotti ,\n Castello Lagravinese Studio \u002F Andrea Pinori  \nGiorgio Balestri , R.L.  \u002F Vegni design \nCdU\nULIVI SALOTTI s.r.l.\nVia Sant’Ilario sud 109\n56021 Cascina (PI) Italy\nph. +39 050 703258\nfax +39 050 712287\nwww.ulivisalotti.it\ninfo@ulivisalotti.it\nWEB SITE\nWE 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