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WOOL COLLECTION
The unsaid things enclosed in the ellipsis are those instants in which thought from prose becomes poetry: revealing
by subtraction the most intimate part of our feelings without filters and mediations. The design is also made up
of suspension dots: moments in which aesthetics becomes a reference while form coincides with substance, and
nothing could be otherwise. Some projects are more important than others because they enclose an unmanifest
thought that has just been revealed, almost whispered: these are those pages in the history of design that are
dedicated to the authentic classics of reference points from which thousands of streams of other possibilities
unravel. This is how it is for the Wool project by Tacchini in the development of a thought that winds between
moments of subtraction and memory of tradition: with the recovery of the use of wool coming from realities of
small breeders and destined for pulping to be inserted within its own line of upholstered furniture in a perfect
balance between innovation and conservation. Furthermore, sustainability and circularity become the virtual
aspect of the whole process: in a sort of game of reflections where the beauty of an idea is infinitely amplified. Not
only is the upholstery itself substance and form enclosed and hidden in the stroke of the design but the absolute
protagonist of the project itself.
