[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-qeeboo-collection-2018":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":157},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":152,"matched_pages":153,"match_count":154,"two_pages":155,"show_text":156},13262,"Collection 2018","qeeboo-collection-2018","\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F23\u002F72790f5f9549d4c0a2d471fd4da67c-273ea1de92.pdf","Qeeboo",2155,"qeeboo","22.3 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.2.png","3\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.3.png","4\n5\nDuring the 14th century, a small group of young poets from \nFlorence (Guido Cavalcanti, Guido Guinizzelli, Lapo Gianni, \nDante Alighieri, Cino da Pistoia) were the first to stop the \nMiddle Age with its dogmatic and useless theologies in order \nto talk about Love, about Women (which may have never even \nexisted, just like Petrarca’s Laura), about their diversity from \nthe Byzantines, becoming witnesses of a generation without \na clear destiny… by inventing the Women, they also invented \nthe New Men. Dante, the Father, coined for them this magical \nname, which changed not only poetry but also the history of \nthe world… As a matter of fact, all great things always come \nfrom little ones, apparently useless and redundant; from a \ntitle and sometimes by chance. The Dolce Stil Novo of design \nis founded on a figurative and narrative matrix, completely \ndifferent from the one of the commercial markets, but maybe \neven more invasive than that. It is the herald of a new feminine \nand masculine sensitivity: less testosterone, more irony, more \nsimplicity. An innocent Design and therefore braver.                             \n  \n \nAndrea Branzi\nQEEBOO \nDOLCE STIL NOVO\nDOLCE\nSTIL \nNOVO\nby Studio Job\nDOLCE\nSTIL \nNOVO\nIMG STEFANO NEW\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.4.png","6\n7\nLight \nemission: \ndiffused \nwith 16 different color \ngradiations.\nLight source: 8W LED with \nremote control. \nRechargeable battery with 6 \nhrs autonomy.\nMEXICO LED\nBy Studio Job\n6\nMEXICO\nby Studio Job\nMEXICO \nstool,\nsidetable,\nchampagne\ncooler,\nplanter,\noutdoor led, \nindoor plug \nlamp\n \nby Studio Job \nScary stuff, Mexico! is the \nname of a massive hit of a \nSinger called ‘Zangeres zonder \nnaam’ (‘Singer with no name’). \nShe was very well known in the \nLow Countries and used to live \nin the village of Stramproy, \nnot far from where we lived. \nSo, when I was a little boy I \nsometimes passed by her villa \ntrying to get a glimpse. But \nher velvet curtains were always \nclosed. Unfortunately she died \nin the nineties.\nJob Smeets\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.5.png","8\n9\nKILLER\nby Studio Job\nSerious Fun, in a fictive world \nlives a shark. His name is Mr. \nHolder. He loves to swim but \nhe can’t so other sharks bully \nhim. They call him a pussy, \nstuffy or stiffy. Poor him you’d \nsay. So true, but what can you \ndo? And honestly, most like Mr. \nHolder better this way.\n \nJob Smeets\nKILLER\numbrella\nstand & \nchampagne \ncooler \nby Studio Job \n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.6.png","10\n11\nFLASH\nby Studio Job\nFlash, saviour of the universe.\nHe’s for every one of us, stand \nfor every one of us.\nHe saves with a mighty hand, \nevery man, every woman, every \nchild, with a mighty Flash! Ever \nsince we banished the darkness \nfrom our caves, and Luke faced \nDarth Vader in Star Wars, no \nlight has been so important as \nFlash. Light is more than LED \nand flashlights, light is life. A \nflashlight is the saviour of the \nworst times. Flashlights are \ndisasters, adventures, burglary, \nghost \nstories, \nchildhood, \nsaviours all in one object. I \nonce had my power turned off \nbecause I forgot the bill so here \nI am lighting the whole place \nwith Flash. It’s the devious of \nthe universe.\nA Flash in the dark, the \ndestroyer of shadows. \nJob Smeets\nFLASH\nled lamp \nby Studio Job \nLight emission: diffused \nwith 16 different color \ngradiations.\nLight source: 4W LED \nwith remote control. \nRechargeable \nbattery \nwith 6 hrs autonomy.\nFLASH LED\nBy Studio Job\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.7.png","12\n13\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.8.png","14\n15\nCAPITOL\nby Studio Job\nThe \nfirst \ncollection \nfor \nGiovannoni’s  brand popped \nup with a bang. The first steps \nare always giant. So Killer, \nMexico and Flash instantly \nbecame a Qeeboo success.\nFor this new collection we \nneeded to dig deeper, as steps \nthat follow are much harder.\nUndressing the Establishment…\nCapitol, Ming and Miroir are \nhistoric icons stored in our \ncollective memory. \nThey represent culture, success, \nwealth but also manipulation \nand bourgeoisie. \nBy transforming the symbol \nof power (Capitol) into a \nfunctional plant pot, you blend \nthe high and the low.\nJob Smeets\nCAPITOL\nsidetable,\nplanter &\nchampagne \ncooler \nby Studio Job \n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.9.png","16\n17\nMING\nby Studio Job\nLight emission: diffused \nwith 16 different color \ngradiations.\nLight source: 8W LED \nwith remote control. \nRechargeable \nbattery \nwith 6 hrs autonomy.\nMING LED\nBy Studio Job\nAs \nan \nevolution \non \nthe \nMexican skull, this time we \nreturn the favour to China, \nand reproduce one of their \nclassics.\nIt may well be this Ming side \ntable (with a glass of wine on \ntop) engraved with dragons \nand contemporary symbols, \nis the worst nightmare of the \noriginal makers of porcelain.\nJob Smeets\nMING\nsidetable,\nplanter &\nlamp \nby Studio Job \n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.10.png","18\n19\nMIROIR\nby Studio Job\nA precious 17th century silver \ntray, historically used as a \nstatus symbol, revives as a \nplastic \nrotation \nmoulded \nmirror. Although Miroir can be \nseen as 21st century silverware, \nthe quality, craftsmanship and \ndetailing is still as refined as \never before.\nJob Smeets\nMIROIR\nmirror\nby Studio Job\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.11.png","20\n21\nKONG\nby Stefano Giovannoni\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.12.png","22\n23\nA long time ago, in the distant \n1933, the film King Kong was \nreleased. The wild beast became \na good hero when his feelings \nstarted to reemerge and he \nreluctantly had to abandon the \njungle. The cities, New York or \nany other, seem to have become \na habit. Kong however is \nsurprisingly technological and \nalmost human, he sheds light in \nfront of himself as if the power \nwere gone. He is physically out \nof size to be a toy or a lamp, \nas well as out of size for a \ngorilla. Kong becomes a unique \nand extraordinary object left \nloose in unconfined spaces \nand environments. Most of all, \nthanks to the imaginative look \ncreated by the designer, he isn’t \nscary anymore.\nKONG\nlamp \nby Stefano Giovannoni\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.13.png","24\n25\nRABBIT\nby Stefano Giovannoni\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.14.png","26\n27\nThe Rabbit chair is the last \ncreation that came out from \nStefano Giovannoni’s magic \nhat. It becomes a family \nof products with a strong \ncommunicative media power.\nThe idea of the rabbit comes \nfrom the connection between \nits silhouette and the silhouette \nof a chair, where the rabbit’s \nears become the setback of the \nchair. It has a double variation, \nfor adults and for kids, and \nthere is also a third version, \nilluminated, that can be a \nlamp.\nRABBIT\nCHAIR&\nRABBIT\nCHAIR BABY\nchair\nby Stefano Giovannoni\nLight emission: diffused \nwith 16 different color \ngradiations.\nLight source: 4W\u002F8W \nLED \nwith \nremote \ncontrol. \nRechargeable \nbattery \nwith 6 hrs autonomy.\nRABBIT\nBIG,SMALL\n&XS\nOUTDOOR\nLED\nlamp\nby Stefano Giovannoni\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.15.png","28\n29\nRIBBON\nby Nika Zupanc\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.16.png","30\n31\n30\nThere’s something deviously \ndaring \nin \nthis \nobject \nof \ncontrolled prettiness. All the \nconnotative expectations that \na bow has to live up to – that of \na surprise, a gift, a devotional \ngesture – are here unveiled \nin pure injection moulded \nplastic. It’s a sitting situation \nfor those heroic enough to wear \ntheir heart neatly on their \nsleeve. It comes wrapped up in \nthree colors – discrete black, \nimmaculate white and dust \npink.\nRIBBON\nchair\nby Nika Zupanc\nCOLOUR \nVARIANTS\nColours and Materials  \n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.17.png","32\n33\nLOOP\nby Front\nFront’s new Loop chair has a \ndynamic, asymmetrical shape. \n“Just as human bodies are \nnot symmetrical we wanted \nto create a chair that feels \nindividual and allows different \nways of sitting.”\n“It is a challenge to make an \ninjection \nmoulded \nplastic \nchair, but the material also \nhas unique possibilities. It is \npossible to manipulate it in a \nwhole range of dimensions in \na way that is not possible in \nany other material. The plastic \nchair is finely crafted on the \ncomputer in collaboration with \nengineers, one digital point \nat a time. The Loop Chair is \nupholstered and stackable”.\nAnna Lindgren and \nSofia Lagerkvist (Front)\nLOOP\nchair\nby Front\nCOLOUR \nVARIANTS\nColours and Materials  \n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.18.png","34\n35\nB.B. CHAIR\nB.B. TABLE\nby Marcel Wanders\nCombining the talents of \ndesigners \nMarcel \nWanders \nand Stefano Giovannoni, a \nnew collection arises out of \ntheir \nseemingly \ninevitable \ncollaboration. \nBoth have a penchant for \nestablishing themselves with \niconic pieces that are cherished \nthroughout the world both \ncommercially and artistically. \nThe B.B. collection consists \nof a table and matching \ndining \nchairs. \nReminiscent \nof Wanders’ New Antiques \ncollection, the plastic pieces \nfollow \nthe \nrecognisable \nmoulding. Jacquard fabric is \nupholstered onto the dining \nchairs with a choice of black, \nwhite and colourful graphics. \nThe seats are placed onto \na transparent plastic base, \nin clear or black, with the \ninjection-moulding used for \na curved appearance. This \nstyle of legs is also reflected \nin the dining table, which \nhas an MDF top and it comes \nin various other dimensions. \nTogether the set can be flexibly \nadapted \nto \naccommodate \nmany interiors. The weight of \nthe classic archetypal forms \nis contrasted by the lightness \nof the thin and transparent \nplastic. Design at its finest, this \ncollection expresses a desire \nby the designers to cultivate \nrelationships \nbetween \nthe \nobjects and environments they \ncreate and the people who will \nlive among them.\nB.B. CHAIR&\nB.B. TABLE\nchair&table \nby Marcel Wanders\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.19.png","37\nK CHAIR\nby Stefano Giovannoni\nK.Chair is the traditional icon \nof the kitchen chair, designed in \nplastic by Stefano Giovannoni \nat the best state of art. \nThere are certainly lots of \nchairs like this one on the \nmarket, but none of them can \nstand the comparison. It will \nbecome the new archetype of \nthe kitchen chair, thanks to \nits design and price, finally \naffordable to a large audience.\nK CHAIR\nchair \nby Stefano Giovannoni\nCOLOUR \nVARIANTS\nColours and Materials  \n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.20.png","38\n39\n38\nX CHAIR\nby Nika Zupanc\nThe \nX \nChair \nfuels \nour \nimagination with floral\nupholstery \nin \nfull \nspring \nbloom. Its injection moulded \nconstruction has been stripped \ndown \nto \nits \nbone, \nbare \nexpression of all that is X.\n \nThe graphics chosen for this \nchair demand absolute black \nfor the structure. The goal of \nthe designer is to stress the \nsignificance of the  X avoiding \nthe interference of any \nother line and enhancing the \ndynamic look of the chair. \nThe chair can have a wooden \nback or it could be dressed in \ndifferent upholstery .\nThe new X collection always \nleaves much to be defined.\nNika Zupanc\nCOLOUR \nVARIANTS\nColours and Materials  \nX CHAIR\nchair \nby Nika Zupanc\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.21.png","40\n41\nX TABLE\nby Nika Zupanc\nThe X Table is composed by \nan alluminium structure and a \nwooden top. The family consists \nin a four persons  square table \nfor bars and restaurants, a six \npersons rectangular table for \nhome and restaurants and an \nextandable table wich fictures \na \nsimple \nand \nfunctional \nextension mechanism on a \nwooden top. It compels  us to \nconfront all that needs to be \nbrought to a table. \nSize: 160 extandable to 220 x 90 x h 75 cm\nSize: 163 x 90 x h 75 cm\nSize: 90 x 90 x h 75 cm\nX TABLE\ntable \nby Nika Zupanc\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.22.png","43\nSQUARE&\nNAIL\nby Stefano Giovannoni\nSQUARE&\nNAIL\nStools \nby Stefano Giovannoni\nOver twenty years after the \nglobal success of the Bombo,\nwhich reinvented the stool \ntypology, I have redesigned \nthat product updating its \nlanguage, in a lighter and \nelegant version. \nSquare has a trapezoidal plant \nand a small back while Nail \nhas an elliptic flat seat. Both of \nthem has the same aluminium \ndiecasting seat and \nmove up and down pushing a \nbottom located under the seat \nfrom 45 to 86 cm.\nCOLOUR \nVARIANTS\nColours and Materials  \n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.23.png","44\n45\nPUPA\nby Andrea Branzi\nA seat with a soft and \nenchanting aspect, the Pupa \narmchair owes her sensual \nelegance to the brass legs that \nsupport her. \nHer organic and enveloping \nupper body remember a\ncuttelfish bone sospended on a \nlight brass  structure, \nending with round feets,\na just leanded strange alien \nspacecraft.\nPUPA\narmchair \nby Andrea Branzi\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.24.png","46\n47\n46\nGURU&\nKORALL\nby Andrea Branzi\nThe Korall vase, firmly anc-\nhored to its base, emulates the \nstructure of a coral that you \ncan fill with flowers but also \nlet it live as a sculpture. \nAndrea \nBranzi \noverturns \nthe concept of collection, \nclassically interpreted as a \ncommon theme, both technical \nand decorative, and declines \nit in several elements: Pupa, \nKorall and Guru. His objects \nfor Qeeboo take different \ndirections, both regarding their \nidentity and the manufacturing \nprocess. However when placed \ntogether in a domestic interior \nthey create a lifelike scenario.\nKORALL&\nGURU\nvase&lamp \nby Andrea Branzi\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.25.png","48\n49\nCHERRY\nby Nika Zupanc\nHanging from the ceiling, the \nlamp blinks at the concept \nof desire: its attractive and \nplumpy shapes, the ability to \nreflect what’s around in the \nglam version\u002Fgold. It suggest \nthe instinct of a natural \ngesture: to pick the fruit from \nthe tree.\nNika Zupanc\nCHERRY\nlamp \nby Nika Zupanc\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.26.png","50\n51\n50\nDAISY\nby Nika Zupanc\nPlanted \none \nday \nby \na \nflirtatious fairy, Daisy turns its \nmost radiant love-awakening \nspotlight on you. \nThe “loves me, loves me not” \nrendezvous is now transformed \ninto an egalitarian highlighter \nputting the sparkle back in the \ncrowd’s covetous eye. Coming \nin six different shades of glossy \npastels its adåjustable petal \nallows you to stream the light \ndirectly on the true object of \nyour affection. Let the love \nshine through!\nNika Zupanc\nDAISY\nlamp \nby Nika Zupanc\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.27.png","52\n53\n52\nGOBLETS\nby Stefano Giovannoni\nGoblets are inspired by the \nclassic crystal glass. Taking the \nglass out from its original scale \nit becomes a table lamp in \nthree different shapes similar \nto a champagne flute, goblet \nor chalice. The same glasses, \nin a reversed position and \nwith elements fixed on the top, \nbecome ceiling lamps.\nGOBLETS\nlamp&decor \nby Stefano Giovannoni\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.28.png","54\n55\nPITAGORA\nby Richard Hutten\nRichard Hotten has a strong \nfascination for geometry.\nThere are only 5 regular \nshapes with equal faces, such \nas the cube and the triangular \npyramid. For the Pitagora \nseries of lamps, named after the \nfamous greek mathematician \nPitagora, Hutten used these \nregular shapes to create the \niconic Pitagora family of \nlight. In each side of a regular \ndodecahedron Hutten placed \na round reflector. The result is \nan intriguing 3D object which \nchanges from each angle you \nlook at it. A rich object which \ngives a lot of atmosphere to \na space. Both in a hanging \nversion as well as in a floor \nstanding version.\nPITAGORA\nlamp \nby Richard Hutten\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.29.png","56\n57\nRABBIT CHAIR\nby Stefano Giovannoni \nMaterial: PE-Polyethylene\nDimensions: 68,8 x 39,5 x h. 80 cm\nSeat Height: 45cm\nWeight: 5.5 Kg\n90002LB  \nlight blue\n90002WH \nwhite\n90002GE \nbalsam green\n90002VI \nviolet\n90002LG\nlight grey\n90002BL  \nblack\n90002PI\npink\n90002GY\ngrey\n90002RD \nred\n90002OR  \norange\n90002DG  \ndove grey\nPE\nRABBIT CHAIR BABY\nby Stefano Giovannoni \nMaterial: PE-Polyethylene\nDimensions: 45 x 26 x h. 53 cm \nSeat Height: 30cm\nWeight: 2.0 Kg\n90001LB  \nlight blue\n90001WH \nwhite\n90001GE \nbalsam green\n90001VI \nviolet\n90001LG\nlight grey\n90001BL \nblack\n90001PI\npink\n90001GY\ngrey\n90001RD\nred\n90001OR  \norange\n90001DG  \ndove grey\nCHAIRS\nRabbit. Ribbon. XChair. \nLoopChair. KChair. B.B.Chair.\n90004BR-S\ngold\n90004CO-S\ncopper\n90004ST-S\nsteel\n90004TI-S  \nTitanium\n90004BL-S \nBlack pearl\n90003SI\nsilver\n90003BR-S\ngold\n90003BSI\nsilver\n90003CO-S\ncopper\n90003ST-S\nsteel\n90003TI-S  \nTitanium\n90003BL-S \nBlack pearl\nRABBIT CHAIR\nby Stefano Giovannoni \nMaterial: PE-Polyethylene metallized\nDimensions: 68,8 x 39,5 x h. 80 cm\nSeat Height: 45cm\nWeight: 5.5 Kg\nRABBIT CHAIR BABY\nby Stefano Giovannoni \nMaterial: PE-Polyethylene metallized\nDimensions: 45 x 26 x h. 53 cm \nSeat Height: 30cm\nWeight: 2.0 Kg\nPE\nPE\nPE\nPE\nPE\nMEXICO \nSTOOL& SIDETABLE\nby Studio Job\nMaterial: PE Polyethylene\nDimensions:  38,2 x 53 x h. 45 cm \nSeat Height: 45cm\nWeight: 3.5 Kg\n70001TE \nterracotta\n70001GE\nbalsam green\n70001BL\nblack\n70001AV\nIvory\nMEXICO METAL \nSTOOL& SIDETABLE\nby Studio Job\nMaterial:  PE-Polyethylene metallized\nDimensions:  38,2 x 53 x h. 45 cm \nSeat Height: 45cm\nWeight: 3.5 Kg\n70003GO-M \ngold\n70003SI-M \nsilver\n70003TI-M\ntitanium\nRIBBON CHAIR & \nRIBBON CHAIR METAL\nby Nika Zupanc\n \nMaterial: PP-Matte coated Polypropylene\nDimensions: 45,5 x 49,5 x h. 83,5 cm\nSeat Height: 45cm\nWeight: 4 Kg\n80001BL-OS\nblack\n80001BL-O\nblack\n80002GO-S\ngold\n80002GO\ngold\n80001PI-O\npink\n80002PG\npink gold\n8000PI-OS\npink\n80001WH-OS\nwhite\n80001WH-O\nwhite\n80002PG-S\npink gold\n80002SI-S\nsilver\n80002SI\nsilver\nLOOP \nby Front\nMaterial: PP-Matte coated Polypropylene\nDimensions: 52 x 56 x h. 84 cm\nSeat Height: 47cm\nWeight: 5.5 Kg\n30001BL\nblack\n30002BL\nblack\nWITH ECO-LEATHER-\nCUSHION\nWITHOUT \nCUSHION\nSINGLE PACK\nSET OF TWO\nSET OF TWO\nSET OF TWO\nSINGLE PACK\nSINGLE PACK\n30001GY\nbeige\n30002GY\nbeige\n30001WH\nwhite\n30002WH\nwhite\n30001GE\nsage green\n30002GE\nsage green\nX CHAIR\nby Nika Zupanc \nMaterial: PP-Matte coated Polypropylene \u002F Velvet \u002F Wood\nDimensions: 46,8 x 47,8 x h.83 cm\nSeat Height: 45cm\nWeight: 5.0 Kg\n16002FL\nroses \neco-leather \nwith flower \npattern \n16001BW\nblack wood\n16003DG\nvelvet dove \ngrey \n16003GM  \nvelvet green \nmustard\nPP\nPP\nPP\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.30.png","58\n59\n58\nBRASS FINISHED BASE\nINDOOR\nCHROME FINISHED BASE\nINDOOR\nGREY POWDER COATED \nBASE OUTDOOR\nK CHAIR\nby Stefano Giovannoni \nMaterial: PP-Polypropylene\nDimensions: 40 x 49 x h. 78 cm\nSeat Height: 45cm\nWeight: 4.5 Kg\n14001BL  \nblack\n18001BL\nblack\n18002BL \nblack\n18002GO \ngold\n14001BE\nbeige\n18001WH\nwhite\n18002WH\nwhite\n18002SI\nsilver\n14001WH\nwhite\nB.B. CHAIR\nby Marcel Wanders \nMaterial: PC-Polycarbonate base - Upholstered seating\nDimensions: 48 x 56 x h. 90 cm\nSeat Height: 48cm\nWeight: 6 Kg\n15001CO\nmoibibi color\n15001BL\ntriangular\nPUPA ARMCHAIR\nby Andrea Branzi\nMaterial: PE-Polyethylene – Brass Base and metal base\nDimensions: 87 x 78 x h. 84 cm\nSeat Height: 37cm\nWeight: 17.6 kg\nSQUARE\nby  Stefano Giovannoni\nMaterial: PP-Polypropylene – Metal base\nDimensions: ⌀ 56 x h. 86cm\nWeight: 6 kg\nNAIL\nby Stefano Giovannoni\nMaterial: PP-Polypropylene – Metal base\nDimensions: ⌀ 56 cm h. 86cm\nWeight: 5 kg\n60001BL-BR\nblack\n60001GE-BR\nbalsam green\n60001WH-BR\nwhite\n60001BL-CR\nblack\n60001BL-PC\nblack\n60001GE-CR\nbalsam green\n60001GE-PC\nbalsam green\n60001WH-CR\nwhite\n60001WH-PC\nwhite\nPP\nPP\nPP\nPP\nCHAIRS\nRabbit. Ribbon. XChair. \nLoopChair. Pupa. Square. Nail. KChair. B.B.Chair.\nPE\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.31.png","CHERRY LAMP\nby Nika Zupanc \nMaterial: PE-Polyethylene\nDimensions: 62,5 x 27,2 x h. 61,3 cm.\nWeight: 2.1 Kg\nCable length: 150cm\n20001RE-O\nred\n20001BL-O\nblack\n20001PI-O\npink\n20001SI\nsilver\n20001WH-O\nwhite\n20001GO\ngold\nPE\nPE\nPE\nPE\n13001\nblackbody\nGOBLETS TABLE LAMPS\nby Stefano Giovannoni\nMaterial: PC-Polycarbonate\nWeight: Medium \u002F Small \u002F Big\nDiameter and Height:Medium ⌀30 x h.55.5cm \u002F small ⌀23.5 x h.67 \u002F big ⌀37 x h.53 \nCable length: 20+180cm\nLight: LED\n21002SG-T\nsmoke \n21002SG-C\nsmoke \n21001SG-T\nsmoke \n21001SG-C\nsmoke \n21003SG-T\nsmoke \n21003SG-C\nsmoke \n21002TR-T\ntransparent\n21002TR-C\ntransparent\n21001TR-T\ntransparent\n21001TR-C\ntransparent\n21003TR-T\ntransparent\n70003TR-C\ntransparent\nGOBLETS CEILING LAMPS\nby Stefano Giovannoni\nMaterial:PC-Polycarbonate\nWeight: Medium \u002F Small \u002F Big 4\nDiameter and Height: Medium ⌀30 x h28.5cm \u002F Small ⌀28 x h35 \u002F Big ⌀41.5 x h 24 \nCable length: 180cm\nLight: LED\nPITAGORA CEILING LAMP\nby Richard Hutten\nMaterial: PC-Polycarbonate\nDimensions: 48,7 x 45,7 x h. 48,3 cm\nWeight: 4.5 Kg\nCable length: 190 cm\n23001WH-S\ntransparent\nPC\nPC\n60\n61\nMEXICO\nSTOOL & SIDETABLE\nINDOOR PLUG\nby Studio Job \n \nMaterial: PE-Polyethylene\nDimensions: 38,2 x 53 x h. 45 cm \nLight emission: Diffused \nWeight: 3.5 kg\nCable lenght: 70+180cm\nLight: white light E27 4000\u002F5000K\nRABBIT LAMP\nINDOOR PLUG\nby Stefano Giovannoni \nMaterial: PE-Polyethylene\nDimensions: 68,8 x 39,5 x h. 80 cm\nLight emission: Diffused\nWeight: 5.5 kg\nCable lenght: 70+180cm\nLight: white light\nRABBIT LAMP SMALL\nINDOOR PLUG\nby Stefano Giovannoni \nMaterial: PE-Polyethylene\nDimensions: 45,3 x 26,2 x h. 52,7 cm\nLight emission: Diffused\nWeight: 2.0 kg\nCable lenght: 70+180cm\nLight: white light\n90005LA\nwhite body\n90006LA\nwhite body\n70005PLUG\nwhite body\nDAISY LAMP\nby Nika Zupanc\nMaterial: PC-Polycarbonate\nDimensions: 14.2 x 12 x h. 19.5 cm\nWeight: 600g\nCable length: 100+90 cm\n50001YE\nyellow\n50001BL\nblack\n50001GE\nbalsam green\n50001GY\ngrey\n50001PI\nred\n50001PI\npink\nPC\nIN-DOOR LIGHTS\nMing. Cherry. Mexico. Rabbit. \nGoblets. Guru. Daisy. Pitagora.\nPITAGORA FLOOR LAMP\nby Richard Hutten \nMaterial: PC- Polycarbonate, structure in inox 304\nDimensions: 53,3 x 53,5 x h. 174.5 cm\nWeight: 6 Kg \nCable length: 170+80 cm\nGURU LAMP\nby Andrea Branzi \nMaterial: PC-Polycarbonate\nDimensions: 47 x 12.5 x h. 48.5 cm\nWeight: 1,2 Kg\nCable length: 80+90 cm\nLight: LED\n23001WH-FD\ntransparent dimmer version\n23001WH-F\ntransparent on\u002Foff version\nPC\nPC\nPC\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fce\u002F4d79b77d0a565dff4246275ccd2c73-273ea1de96.32.png","71001LED\nwhite body\nMING LED\nby Studio Job \nMaterial: PC-Polycarbonate\nDimensions: ⌀ 34.5 h. 61cm\nWeight: 3 kg\nMEXICO\nSTOOL & SIDETABLE\nOUTDOOR LED\nby Studio Job \n \nMaterial: PE Polyethylene\nDimensions: 38,2 x 53 x h. 45 cm\nLight: white light E27 4000\u002F5000K\nWeight: 3.5 kg\n70005PLUG\nwhite body\nPE\nPE\nPE\nPE\nPE\n62\n63\nBattery: rechargeable \nwith 6hrs autonomy\nLight: 8W 16 colors RGB\n remote controlled\nBattery: rechargeable \nwith 6hrs autonomy\nLight: 4W 16 colors RGB\n remote controlled\nBattery: rechargeable \nwith 6hrs autonomy\nLight: 16 colors RGB\n remote controlled\nBattery: rechargeable \nwith 6hrs autonomy\nLight: 8W 16 colors RGB\n remote controlled\nBattery: rechargeable \nwith 6hrs autonomy\nLight: 8W 16 colors RGB\n remote controlled\nBattery: rechargeable \nwith 6hrs autonomy\nLight: 8W 16 colors RGB\n remote controlled\n70009LED\nwhite body\nMEXICO\nPLANTER & CHAMPAGNE \nCOOLER\nOUTDOOR LED\nby Studio Job \n \nMaterial: PE-Polyethylene\nDimensions: 54 x39.5xh.46cm\nLight emission: Diffused\nWeight: 4.5 Kg\nRABBIT LED\nOUT-DOOR\nby Stefano Giovannoni \nDimensions: 69 x 39,5 x h. 80 \nMaterials: PE-Polyethylene\nLight emission: Diffused\nWeight: 5.5 Kg\nRABBIT LED SMALL\nOUT-DOOR\nby Stefano Giovannoni \nDimensions: 45 x 26 x h. 53  \nMaterials: PE-Polyethylene\nLight emission: Diffused\nWeight: 2Kg\nRABBIT LED XS\nOUT-DOOR\nby Stefano Giovannoni \nDimensions: 20 x 11 xh.22.5  \nMaterials: PE-Polyethylene\nLight emission: Diffused\nWeight: 0.25Kg\n90005LED\nwhite body\n90007LED\nwhite body\n90006LED\nwhite body\nOUT-DOOR LIGHTS\nRabbit. Mexico. Flash. Kong. Ming\nPE\n10001BL\nblack\nKONG\nSTANDING  ORIENTABLE LAMP\nby Stefano Giovannoni \nMaterial: PE-Polyethylene\nDimensions: 180 x 77 x h. 140 cm\nArm mobility: -45° to +75° (tot 120°)\nCable lenght: 400cm\nPAR38 LED lamp\nBattery: rechargeable \nwith 6hrs autonomy\nLight: 4W 16 colors RGB\n remote controlled\nFLASH\nOUTDOOR LED\nby Studio Job \n \nMaterial: PE-Polyethylene\nDimensions: 29 x 23 x h. 48 cm \nLight emission: Diffused\nWeight: 0.7 Kg\n11001AM\namber\n11003SI-M\nsilver\n11001WH\nwhite\n11001GE\ngreen\n11003TI-M\ntitanium\n11001BL\nblack\n11001RE\nred\n11001OR\norange\n11003GO-M\ngold\n11001VI\npurpole\nMing. 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