[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-pianca-09-progetti-di-design":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":329},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":324,"matched_pages":325,"match_count":326,"two_pages":327,"show_text":328},19661,"09 Progetti di Design","pianca-09-progetti-di-design","\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fda\u002Fb7b7db7c58c2335b00272c06d6d0b3-28aac4dd14.pdf","Pianca",863,"pianca","10.2 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321],{"image":7,"text":15,"number":16}," — 1\n1 \nPROGETTI DI DESIGN 09\nPROGETTI DI DESIGN \n09\nDesign Pierluigi Frighetto, Luciano Marson, CRS Pianca\nMambo, Norma up, Siviglia \nmadie \u002F sideboards\nEnea up, Onda Indoor, Soffio up \ntavoli \u002F tables\nClelia\nsedia \u002F chair\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.2.png","PROGETTI DI DESIGN 09\nThinking, Loving, Living\nPier Luigi Frighetto\nMambo \nOnda Indoor\nClelia\nCalvi Brambilla\nSiviglia  \nLuciano Marson\nEnea up\nNorma up \nSoffio up \nInfo tecniche \u002F Technical info\nPROGETTI DI DESIGN \n09\n02 \n04\n12\n36\n46\n54\n62\n80\n88\n104\n126\n146\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.3.png"," — 3\n2 \nPROGETTI DI DESIGN 09\nThinking,\nLoving,\nLiving\nIT \nPianca crea sistemi e complementi \nd’arredo per il residenziale – zona notte e \ngiorno – e per il contract. Il nostro approc-\ncio al design è orientato alla personaliz-\nzazione dei prodotti e degli ambienti, così \nda soddisfare i bisogni di uno stile di vita \nimprontato alla flessibilità, alla mobilità \ne al cambiamento, ma con il desiderio di \n“sentirsi a proprio agio come a casa”.  \nIl rispetto per la storia e i valori identitari \ndel marchio – territorio, italianità, famiglia, \ningegno – e il perseguimento di una reale \nsostenibilità di prodotti e processi, ci \npermettono di valorizzare il lato umano \ndell’azienda: capace di sposare la sua \nparte razionale (thinking) con quella più \nemozionale ed empatica (loving).\nEN \nPianca creates furniture systems \nand occasional furniture for residential \ncontexts – bedrooms and living rooms \n– and for the contract market. Our ap-\nproach to design aims at customising \nproducts and places to meet the needs \nof people whose lifestyles are based on \nflexibility, mobility and change but who \nstill want to feel at home no matter what. \nOur respect for the history and founding \nvalues of our brand – our territory, our \nItalian culture, family and genius – and our \ndesire to make authentically sustainable \nproducts, make appreciating the human \naspects of our company second nature \nto us, resulting in our ability to blend our \nrational side (thinking) with our more \nemotional and empathic side (loving).\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.4.png"," — 5\n4 \nPROGETTI DI DESIGN 09\nIT \nLo stile di Pier Luigi Frighetto \nsi distingue per l’audace espressività \ndelle strutture e la robustezza dei volumi. \nUn’unione di estetica e matericità che \nevoca un ‘vigore’ architettonico, quasi \na voler scolpire lo spazio con decisione \ne carattere. Vicentino di origine, Frighetto \nè apprezzato a livello internazionale per \nil suo stile raffinato, capace di coniugare \ncon maestria elementi di modernità \ne tocchi di sofisticato classicismo. \nQuarant’anni di carriera, tra cui spiccano \ndue menzioni d’onore al Compasso d’Oro, \ntestimoniano il calibro del suo contributo \nal design. Linee pulite ed essenziali, tessuti \npregiati e ricercati, una palette di colori \nneutri e avvolgenti: sono questi gli elementi \ndistintivi del suo lavoro, capace di creare \natmosfere eleganti e rilassanti, dove ogni \ndettaglio è studiato per trasmettere una \nsensazione di armonia e benessere. \nPer Frighetto ogni spazio deve essere la \ntraduzione fisica della personalità e delle \nesigenze di chi lo vive, un luogo unico e \nirripetibile capace di raccontare una storia, \nun rifugio di stile pensato per essere \nvissuto appieno.\nPier Luigi \nFrighetto\nEN \nPier Luigi Frighetto’s distinctive style is marked by boldly expressive \nstructures and sturdy volumes. He combines aesthetics and textures in a way that \nevokes architectural “vigour”, as if trying to sculpt the space with determination \nand personality. Originally from Vicenza, Frighetto has won international acclaim for \nhis refined style, skilfully blending modern elements with touches of sophisticated \nclassicism. In a career spanning forty years he has received two honourable \nmentions at the Compasso d’Oro, a testimony to the calibre of his contribution to \ndesign. Clean, simple lines, luxurious, elegant fabrics, a warm, neutral colour palette: \nthese are the distinctive elements of his work, capable of creating elegant, relaxing \natmospheres, where every detail is designed to transmit a feeling of harmony \nand well-being. For Frighetto, every space must be the physical translation of the \npersonality and needs of its inhabitants, a unique, unrepeatable space capable of \ntelling a story, a stylish refuge designed to be experienced to the full.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.5.png"," — 7\n6 \nPROGETTI DI DESIGN 09\nDettagli\nche contano \n— Q&A\nUn tempo emblema di semplicità,\nla madia oggi si inserisce con\ndisinvoltura in ambienti sofisticati, \nfondendo funzionalità ed estetica in un \nequilibrio armonioso e contemporaneo.\nNella sua collaborazione con Pianca, \nPier Luigi Frighetto reinterpreta questa \ntipologia di arredo attraverso una visione \ninnovativa che arricchisce la collezione \naziendale e impone nuovi standard nel \ndesign d’interni. La madia Mambo, definita \nda superfici e linee che comunicano \nrobustezza ed eleganza, incarna la filosofia \nprogettuale di Frighetto, rinomata\nper l’attenzione meticolosa ai dettagli. \nIspirata alla serie di tavolini in MDF \nnero, la Mambo si distingue per un \nbordo perimetrale sollevato rispetto alla \nsuperficie, che restituisce un carattere \nvisivo distintivo e un’estetica solida\ne contemporanea. L’equilibrio tra eleganza \ne funzionalità si manifesta in spazi interni \nsapientemente nascosti e cassetti che, \nmentre offrono praticità, preservano\nintatta la bellezza del design. \n— Disegni ancora a mano? \nSì, disegno ancora a mano: la matita è lo \nstrumento che mi permette di catturare \nle emozioni e le intuizioni, che poi si \ntrasformano nei miei progetti. \n— Se dovessi comparare il tuo stile di \ndesign a un movimento artistico, quale \nsarebbe?\nIl mio stile non si rifà a un movimento \nartistico preciso, pur apprezzando la \nforza del Brutalismo e la perfezione del \nModerno. Preferisco seguire una mia \npersonale visione, che nasce da un mix di \nispirazioni diverse.  \n— Qual è la cosa più strana o inaspettata \nche ti ha ispirato per un progetto?\nNon c’è nulla di banale che mi abbia \nispirato.\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.6.png"," — 9\n8 \nPROGETTI DI DESIGN 09\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.7.png"," — 11\n10 \nPROGETTI DI DESIGN 09\nOnce an emblem of simplicity, nowadays \nthe sideboard stands boldly in \nsophisticated living spaces, fusing function \nand style in harmonious, contemporary \nequilibrium. In his collaboration with \nPianca, Pier Luigi Frighetto reinterprets \nthis furniture type with an innovative vision \nthat enhances the company collection and \nsets new standards in interior design. With \nsurfaces and lines that communicate solid \nbuild and elegance, the Mambo sideboard \nembodies Frighetto’s design philosophy, \nwith its trademark meticulous attention \nto detail. Inspired by the series of black \nMDF occasional tables, Mambo has a \ndistinctive raised perimeter standing above \nthe top surface, which creates a distinctive \nvisual identity and solid contemporary \nlook. The balance between elegance \nand functionality is apparent in cleverly \nconcealed interior spaces and drawers \nthat are both practical and at the same \ntime preserve the beauty of the design. \nDetails\nthat count  \n— Q&A\n— Do you still sketch by hand?\nYes, I still sketch by hand. A pencil is the \ntool that allows me to capture emotions \nand intuitions, which are then transformed \ninto my designs. \n— If you had to compare your design style \nto an art movement, what would it be?\nMy style does not refer to any specific \nartistic movement, despite appreciating \nthe power of Brutalism and the perfection \nof Modern art. I prefer to follow a personal \nvision of my own, which comes from a mix \nof different inspirations. \n— What is the strangest or most unusual \nthing that has inspired you for a design?\nThere is nothing banal that inspired me.\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.8.png"," — 13\n12 \nPROGETTI DI DESIGN 09\nMambo by Pier Luigi Frighetto\nMambo by Pier Luigi Frighetto\nIT \nEredita il nome dall’omonima famiglia di tavolini,\ncon la quale condivide l’ispirazione al design italiano degli \nanni ‘50 e una silhouette dai dettagli curvilinei. Fortemente \ncaratterizzante è la forma dell’anta, che svetta rispetto \nalla scocca contenitiva, andando a disegnare una sagoma \ndagli angoli dolcemente smussati, con profilo interno \na vista, rastremato e arrotondato. Vasta la gamma di \nvarianti dimensionali e di attrezzature interne opzionali, \ncome cassetti, portacalici e alloggio porta bottiglie, oltre \nall’illuminazione. Ampia possibilità di personalizzazione \nanche in termini di finiture e rivestimenti.\nEN \nIt takes its name from the homonymous family of occasional tables\nand shares the same inspiration derived from 1950s Italian design and the same \ncurved details in its silhouette. The boldly distinctive door front rises over the \nsideboard carcass tracing out softly rounded corners with an open tapered \nand rounded internal profile. There are plenty of sizes and interior options like \ndrawers, glass holder and bottle storage, as well as interior lighting. There is a \nwide range of custom options for finishes and coverings.\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.9.png"," — 15\n14 \nPROGETTI DI DESIGN 09\nMambo by Pier Luigi Frighetto\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.10.png"," — 17\n16 \nPROGETTI DI DESIGN 09\nMambo by Pier Luigi Frighetto\nIT \nIn questo set: madia Mambo, ante, fianchi\ne schiena Canaletto, basamento laccato lucido Moka. \nAccessori interni Canaletto. \nEN \nIn this setting: Mambo sideboard with \nCanaletto doors, sides and back. Metal legs in Moka \nhigh gloss lacquer. Canaletto internal accessories.\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.11.png"," — 19\n18 \nPROGETTI DI DESIGN 09\nMambo by Pier Luigi Frighetto\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.12.png"," — 21\n20 \nPROGETTI DI DESIGN 09\nMambo by Pier Luigi Frighetto\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.13.png"," — 23\n22 \nPROGETTI DI DESIGN 09\nMambo by Pier Luigi Frighetto\nIT \nIn questo set: madia Mambo, ante, fianchi\ne schiena laccato opaco Malva. Porta calici laccato \nopaco poro aperto Malva con bordi nero opaco.\nEN \nIn this setting: Mambo sideboard, with sides,\ndoors and back in Malva matt lacquer. Wine glass \nholder in Malva open pore matt lacquer and matt\nblack edges.\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.14.png"," — 25\n24 \nPROGETTI DI DESIGN 09\nMambo by Pier Luigi Frighetto\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.15.png"," — 27\n26 \nPROGETTI DI DESIGN 09\nMambo by Pier Luigi Frighetto\nIT \nIn questo set: madia Mambo, ante e fianchi\nlaccato opaco Moka, basamento laccato opaco Moka. \nAccessori interni laccato opaco Moka. \nEN \n In this setting: Mambo sideboard with Moka \nmatt lacquered doors and sides. moka matt lacquered \nmetal legs. moka matt lacquered internal accessories.\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.16.png"," — 29\n28 \nPROGETTI DI DESIGN 09\nMambo by Pier Luigi Frighetto\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.17.png"," — 31\n30 \nPROGETTI DI DESIGN 09\nMambo by Pier Luigi Frighetto\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.18.png"," — 33\n32 \nPROGETTI DI DESIGN 09\nMambo by Pier Luigi Frighetto\nIT \nIn questo set: madia Mambo, ante e fianchi\nlaccato opaco Mattone, basamento Titanio Opaco. \nInserto ante in tessuto Elisir 22. \nEN \nIn this setting: Mambo sideboard with Mattone \nmatt lacquered doors and sides. Matt Titanio metal \nlegs. Upholstered doors in Elisir 22 fabric.\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.19.png","PROGETTI DI DESIGN 09\nMambo by Pier Luigi Frighetto\n1. Canaletto \n2. Laccato Opaco Moka\n3. Laccato Lucido Polvere\n4. Laccato Opaco Indaco \n5. Titanio opaco \n6. Laccato Opaco Corda\n7. Frassino Miele\n8. Laccato Opaco Malva\n9. Laccato Opaco Moka \n10. Laccato Opaco Mattone \n11. Tessuto Elisir 22 \n1. \n3.\n5.\n10.\n11.\n8.\n7.\n2.\n4.\n6.\n9.\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.20.png"," — 37\n36 \nPROGETTI DI DESIGN 09\nOnda Indoor by Pier Luigi Frighetto\nIT \nUna presenza che sa ritagliarsi un ruolo da \nprotagonista nella zona giorno, per la spiccata \npersonalità del suo design e dei connubi materici.  \nOnda Indoor, fratello gemello dell’omonimo tavolo \nper esterni, esprime la sua indole dirompente anche  \nin questa versione. Fortemente scultoreo, il basamento \nè caratterizzato da volumi plastici e dinamici, che \nevocano la fluidità del mare sospinto dal vento. Alla \nsolida tridimensionalità della base fa da contrappunto \nl’apparente leggerezza del piano: un impatto estetico \nche suggerisce un gioco di contrasti. Due le varianti \ndimensionali disponibili, ampiamente personalizzabili \nnelle finiture, per combinazioni adatte ad ogni stile, \ndall’elegante al pop. La laccatura del basamento ne \naccentua ombre e riflessi, assicurando ancora più \nvivacità alle onde che lo compongono.\nEN \nA striking presence in the living area, with its bold design and material \ncombinations. Onda Indoor, twin brother of the eponymous outdoor table reveals \nits sensational nature in this version. The heavily sculpted base features carefully \ncrafted, dynamic volumes, evoking the rippling of the sea whipped by the wind. \nThe solid three-dimensional base structure balances with the apparent lightness \nof the top, visual impact deriving from contrasts. It is available in two sizes \nwith many custom options for the finishes, creating combinations to suit every \nstyle, from elegant to pop. The lacquered base emphasises the shadows and \nreflections, making the wave effects more visually striking.\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.21.png"," — 39\n38 \nPROGETTI DI DESIGN 09\nOnda Indoor by Pier Luigi Frighetto \n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.22.png"," — 41\n40 \nPROGETTI DI DESIGN 09\nOnda Indoor by Pier Luigi Frighetto \nIT \nIn questo set: tavolo Onda Indoor, base\ne sottopiano laccato lucido Malva, Piano marmo opaco \nFior di Pesco. \nEN \nIn this setting: Onda Indoor table. Malva high \ngloss lacquered base and undertop, matt Fior di Pesco \nmarble top.\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.23.png"," — 43\n42 \nPROGETTI DI DESIGN 09\nOnda Indoor by Pier Luigi Frighetto \nIT \nIn questo set: Tavolo Onda Indoor, base laccato \nopaco Crema, piano Canaletto. \nEN \nIn this setting: Onda Indoor table. Crema matt \nlacquered base, Canaletto top.\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.24.png","PROGETTI DI DESIGN 09\nOnda Indoor by Pier Luigi Frighetto \n1. Laccato Opaco Crema\n2. Canaletto \n3. Laccato Lucido Malva\n4. Marmo opaco Fior di Pesco\n4. \n2. \n3. \n1. \n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.25.png"," — 47\n46 \nPROGETTI DI DESIGN 09\nClelia by Pier Luigi Frighetto\nIT \nForme slanciate e volumi morbidi delineano un \ndesign confortevole ed elegante. Coniugando lessico \nclassico e contemporaneo, Clelia presenta uno stile \nmolto fresco e versatile, con richiami all’abbondanza \ndelle bergère tradizionali. Schienale e seduta si fondono \nin un unico elemento, leggermente inclinato nella parte \nposteriore per offrire il massimo comfort. La struttura è \ncompletamente nascosta da una generosa imbottitura, \nimpreziosita da una bordatura in Gros Grain. Eclettico \nil basamento, costituito da quattro gambe affusolate, \nspiccatamente inclinate verso l’esterno, geometria \naccentuata e valorizzata da puntali cromati.\nEN \nSleek shapes and soft volumes define a comfortable, elegant design. \nCombining classic and contemporary influences, Clelia has a fresh, versatile look, \nwith a nod to the generous form of traditional bergère chairs. The back and seat \nare created from a single element, tilted gently backwards for maximum comfort. \nThe structure is completely concealed by the generous padding, embellished with \na Gros Grain border. The eclectic base has four tapered legs, spreading decisively \noutwards, its geometry accentuated and enhanced by chrome shoes.\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.26.png"," — 49\n48 \nPROGETTI DI DESIGN 09\nClelia by Pier Luigi Frighetto \n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.27.png"," — 51\n50 \nPROGETTI DI DESIGN 09\nClelia by Pier Luigi Frighetto \nIT \nIn questo set: sedia Clelia, rivestimento in \ntessuto Swing 06 con piping in Gros Grain 88. \nEN \nIn this setting: Clelia chair, upholstery in\nSwing 06 fabric with piping in Gros Grain 88.\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.28.png","PROGETTI DI DESIGN 09\nClelia by Pier Luigi Frighetto \n1. Swing 06\n2. Elisir 01 \n3. Erica 74\n4. Velours 60\n5. Polo 14 \n6. Nero opaco\n7. Cromo Lucido\n1. \n2. \n6. \n7. \n3. \n4. \n5. \n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.29.png"," — 55\n54 \nPROGETTI DI DESIGN 09\nIT \nL’immaginazione e il rigore \nrappresentano i pilastri fondamentali\ndel loro metodo progettuale. Insieme\ndal 2006 nello studio che fonde i loro \nnomi, Fabio Calvi e Paolo Brambilla hanno \nsaputo coniugare precisione intellettuale\ne fantasia creativa per creare un \nlinguaggio distintivo che rappresenta\nla sintesi di due visioni personali talvolta \nopposte. L’immaginazione, intesa come \nabilità di vedere oltre il visibile, permette \nloro di anticipare le tendenze e di proporre \nsoluzioni inedite e funzionalmente \nefficaci. Il rigore, invece, nasce da una \nformazione tecnica e scientifica – \nentrambi hanno un solido background \nnell’ambito dell’architettura e del design \n– ed è lo strumento che permette loro di \nconcretizzare le idee in realtà tangibili. \nIn un equilibrio perfetto tra questi due \nelementi, gli oggetti disegnati da Calvi \nBrambilla sono immediatamente leggibili \ne caratterizzati da accenti di sottile ironia, \nche arricchiscono la vita quotidiana, \ninteragendo armoniosamente con lo \nspazio che li circonda.\nCalvi \nBrambilla\nEN \nImagination and rigour are the pillars underpinning their design method. \nPartners since 2006 in the studio that takes both their names, Fabio Calvi \nand Paolo Brambilla have managed to combine intellectual precision and creative \nfantasy to create a distinctive language representing the synthesis of two at times \ncontrasting personal visions. Imagination, as in the ability to see beyond what is \nvisible, allows them to anticipate trends and propose original, functionally effective \nsolutions. Rigour stems from their technical and scientific training – both have a \nsolid background in architecture and design – and it is the tool with which allows \nthem to turn ideas into tangible reality. A perfect balance of these two elements, the \nobjects designed by Calvi Brambilla are instantly recognizable, with hints of subtle \nirony, which enhance everyday life, interacting harmoniously with the surrounding \nspace.\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.30.png"," — 57\n56 \nPROGETTI DI DESIGN 09\nEchi del \npassato \n— Q&A\n— Disegnate ancora a mano? \nIl disegno a mano è un modo per fissare \nle idee sul foglio. Ben presto, però, dalla \ncarta passiamo allo schermo. Il digitale è \nmolto efficace per tenere sotto controllo \nmolte variabili e sperimentare decine di \nvarianti in poco tempo.\n— Se doveste comparare il vostro stile di \ndesign a un movimento artistico, quale \nsarebbe?\nSiamo vicini all’arte contemporanea,\nche non ha uno stile definito. Nel mondo \ndi oggi, iperconnesso e velocissimo, non \npuò più esistere uno stile unico che lo \nrappresenti, come accadeva un tempo. \nEcco perché ogni progetto che facciamo \nè diverso dall’altro. \n— Qual è la cosa più strana o inaspettata \nche vi ha ispirato per un progetto?\nAbbiamo disegnato un pezzo unico per \nuna nobile residenza storica dove tutto \nera perfettamente conservato come due \nsecoli fa ma dove mancava il letto della \ncamera padronale. È stata una sfida \ntrovare il tono giusto con cui confrontarsi \ncon il passato senza esserne sopraffatti.\nLo studio milanese ha un approccio creativo \nunico che esplora in maniera personale il \ndialogo tra modernità e l’eredità storica del \nNovecento. Lavorando con una mescolanza \naffascinante di materiali, forme e tecnologie, \nlo studio ambisce a creare oggetti che \narricchiscono la quotidianità e risuonano \ncon il passato, pur restando saldamente \nradicati nel presente. “Ogni progetto è \nun’occasione per sperimentare un processo \ncreativo nuovo: un oggetto può nascere \nda una necessità specifica, oppure dalla \nsperimentazione delle opportunità offerte \nda un materiale, o magari da un semplice \ngesto. Talvolta, come nel caso della serie \nSiviglia di Pianca, rielaboriamo elementi\ndel passato per ottenere qualcosa di \ninedito”. La serie Siviglia è nata dalla \nvolontà di rendere molto tridimensionali\nle ante dei mobili contenitori e degli armadi \ndella camera da letto, come accadeva prima \ndell’avvento del design industriale.\nC’è quindi un richiamo al mobile della \ntradizione, ma al tempo stesso la serie\ndi moduli ripetuti in sequenza è frutto\ndi un metodo combinatorio moderno.\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.31.png"," — 59\n58 \nPROGETTI DI DESIGN 09\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.32.png"," — 61\n60 \nPROGETTI DI DESIGN 09\nThe creative approach of the Milanese \ndesign studio explores the dialogue \nbetween the modern era and the historic \nlegacy of the twentieth century. Working \nwith a fascinating mix of materials, forms \nand technologies, the studio aims to create \nobjects to enhance everyday life and \nresonate with the past, while remaining \nfirmly rooted in the present. “Every project\nis a chance to try out a new creative \nprocess: an object can be created from \nthe response to a specific need or from \nexperimenting with opportunities offered\nby a material, or maybe by a simple gesture. \nSometimes, as with the Pianca Siviglia \nseries, we rework elements of the past\nto obtain something new and original”.\nThe Siviglia series came about from the \ndesire to give cabinet furniture and bedroom \nwardrobe doors a boldly three-dimensional \nlook, the way furniture was created before \nthe adventof industrial design. There is thus \na reference to traditional furniture, but at the \nsame time the series of modules repeated \nin a sequence is the result of a modern \ncombinatorial method.\nEchoes of \nthe past  \n— Q&A\n— Do you still sketch by hand?\nSketching by hand is a way of putting ideas \ndown on paper. Very early on, though, \nwe shift from paper to screen. Digital is \nvery effective in keeping control of many \nvariables and experimenting with dozens \nof variants in a short window of time.\n— If you had to compare your design style \nto an art movement, what would it be?\nWe’re close to contemporary art, which \ndoes not have a defined style. In today’s \nhyper-connected, ultra-fast world, a single \nstyle to reflect it can no longer exist, as \nhappened in the past. This is why every \nproject we work on is different from the \nnext.\n— What is the strangest or most unusual \nthing that has inspired you for a design?\nWe designed a unique piece of furniture \nfor a historic aristocratic residence where \neverything was perfectly preserved as \nit was two centuries ago, but for some \nreason, there was no bed in the master \nbedroom. It was a challenge to find the \nright tone to engage with the past without \nbeing overwhelmed by it.\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.33.png"," — 63\n62 \nPROGETTI DI DESIGN 09\nSiviglia by Calvi Brambilla\nIT \nElemento caratterizzante della collezione Siviglia \nsono i contrasti, espressi da un design articolato, \ne da abbinamenti materici personalizzabili ed eclettici. \nA scandire le ante è un gioco di sovrapposizioni \ne di intervalli, che afferma una spiccata tridimensionalità \ndell’estetica, una presenza fisica prima ancora che \ndecorativa. L’effetto plastico è dato dalla ripetizione \ndi listelli verticali intagliati e disposti secondo un motivo \norganico variegato. Come nei bassorilievi, la superficie\ndi questo canneto segue un andamento dinamico, \nche sale e scende, rendendo unica ogni anta.\nEN \nContrasts are the key feature of the collection, expressed in detailed \ndesign and eclectic customized texture matches. The door front design motif \nfeatures layering effects and intervals, which creates a bold three-dimensional \neffect, a physical rather than simply decorative presence. The movement comes \nfrom a repeated series of vertical slats applied in an organic variegated design. \nAs with relief work, the rising and falling dynamic motion on the reeded surface \nmakes each door front unique. \n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.34.png"," — 65\n64 \nPROGETTI DI DESIGN 09\nSiviglia by Calvi Brambilla\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.35.png"," — 67\n66 \nPROGETTI DI DESIGN 09\nSiviglia by Calvi Brambilla\nIT \nIn questo set: madia Siviglia, modulo attrezzato \ncon cassettiera, ripiani e asta appendiabiti. Struttura, \nfondo ante e interno laccato opaco Seta, listelli \nFrassino Antracite.  \nEN \nIn this setting: Siviglia sideboard, module \nequipped with drawer unit, shelves and hanging rod. \nStructure, door panel and interior in Seta matt lacquer, \nwooden inserts in Frassino Antracite.\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.36.png"," — 69\n68 \nPROGETTI DI DESIGN 09\nSiviglia by Calvi Brambilla\nIT \nIn questo set: madia Siviglia, modulo attrezzato \ncon portacalici e portabottiglie. Struttura, ante, \naccessori interni Borgogna. Listelli Frassino tinto \nBorgogna. \nEN \nIn this setting: Siviglia sideboard, module \nequipped with wine glass and bottle holders. Structure, \ndoors and internal accessories in Borgogna. Wooden \ninserts in Borgogna stained ash. \n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.37.png"," — 71\n70 \nPROGETTI DI DESIGN 09\nSiviglia by Calvi Brambilla\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.38.png"," — 73\n72 \nPROGETTI DI DESIGN 09\nSiviglia by Calvi Brambilla\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.39.png"," — 75\n74 \nPROGETTI DI DESIGN 09\nSiviglia by Calvi Brambilla\nIT \nIn questo set: madia Siviglia, struttura, fondo \nante e interno laccato opaco Corda, listelli Frassino \nLino, top marmo opaco Fior di Pesco. \nSchiena retrofinita con listelli Frassino Lino per utilizzo \ncentro stanza.  \nEN \nIn this setting: Siviglia sideboard, with Corda \nmatt lacquered structure, door panels and interior, \nFrassino Lino wooden inserts, matt Fior di Pesco \nmarble top. Back panel finished with Frassino Lino \nwooden inserts for center-of-room use. \n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.40.png"," — 77\n76 \nPROGETTI DI DESIGN 09\nSiviglia by Calvi Brambilla\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.41.png","PROGETTI DI DESIGN 09\nSiviglia by Calvi Brambilla\n1. Frassino Antracite\n2. Laccato Opaco Seta \n3. Borgogna\n4. Canaletto\n5. Laccato Opaco \n    poro aperto Ecrù \n6. Frassino Lino \n7. Laccato Opaco Bianco\n8. Terrazzo Arlecchino \n9. Laccato Opaco Corda\n10. Marmo Opaco Fior\n     di Pesco \n1. \n3. \n9. \n5. \n6. \n2. \n7. \n8. \n4. \n10. \n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.42.png"," — 81\n80 \nPROGETTI DI DESIGN 09\nIT \nLuciano Marson è un imprenditore \ncon una carriera eclettica nel mondo \ndel design e dell’industria del mobile. \nFondamentale nel suo percorso \nprofessionale è stata la collaborazione \ncon De Padova, che gli ha lasciato \nun’eredità di sensibilità estetica\ne la capacità di giocare con contrasti \ndi vuoti e pieni, elementi freddi e caldi, \nmorbidi e secchi, per creare insiemi \narmonici e di classe. Fondatore delle \naziende Horm e Pieces of Venice,\nMarson ha sempre privilegiato il \ncambiamento, riflettendo un impegno \ncostante verso una creatività sostenibile \nattraverso l’uso di materiali di recupero. \nL’amore di Marson per Venezia, una città \ntanto fragile quanto preziosa, è parte \nessenziale del suo spirito imprenditoriale. \nCon Pianca, ha instaurato una \ncollaborazione profonda, adottando\nun approccio che fonde innovazione\ne radicamento territoriale. Questo \nconnubio ha consentito di sviluppare \nprogetti con un forte impatto sociale,\nche, pur rispettando la tradizione, \nesplorano nuove frontiere del design.\nLuciano\nMarson\nEN \nLuciano Marson is an entrepreneur with an eclectic career in the world \nof design and the furniture industry. Fundamental to his career trajectory was his \ncollaboration with De Padova, which left him with a legacy of aesthetic sensitivity \nand the ability to experiment with empty and solid spaces, cold and warm, and soft \nand dry elements to create harmonious, classy pieces. Founder of the Horm and \nPieces of Venice companies, Marson has always focused on change, reflecting \nunwavering commitment to sustainable creativity via the use of reclaimed materials. \nMarson’s love for Venice, a city that is both fragile and precious, is an essential part \nof his entrepreneurial spirit. With Pianca, he established a profound collaboration, \nadopting an approach that fused innovation and territorial roots. This combination \nhelped him develop projects with strong social impact that probed new frontiers\nof design while respecting tradition.\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.43.png"," — 83\n82 \nPROGETTI DI DESIGN 09\nLinee di \ntorsione \n— Q&A\n— Disegni ancora a mano? \nNon disegno mai a mano. Negli ultimi tre \nanni, ho iniziato a lavorare con giovani \ndesigner al computer, diventando insieme \na loro la ‘matita’ che non ho mai usato da \nsolo. In passato, quando mi dedicavo al \ndesign, realizzavo direttamente i modelli, \nprima in scala ridotta e poi in grandezza \nnaturale.\n— Se dovessi comparare il tuo stile di \ndesign a un movimento artistico, quale \nsarebbe?\nÈ difficile sceglierne uno solo.\nHo attraversato periodi diversi, dal \ncubismo all’arte cinetica. In Pianca,\nil mio lavoro si esprime in un neoclassico \ncontemporaneo, in sintonia con i valori \nidentitari dell’azienda.\n— Qual è la cosa più strana o inaspettata \nche ti ha ispirato per un progetto?\nUn raggio di sole al tramonto ha \nilluminato un dettaglio di un progetto, \npermettendomi di vederlo letteralmente \nsotto un’altra luce, in una veste diversa. \nRealizzare quel progetto mi ha portato \na vincere, con Toyo Ito, il mio secondo \nCompasso d’Oro.\nIl tavolo Enea rappresenta appieno \nil dinamismo progettuale di Luciano \nMarson, con un focus sull’idea di torsione \nche caratterizza le gambe del tavolo. \nQuesto elemento richiama il movimento \nperpetuo di un’elica, trasformando lo \nstatico in dinamico grazie all’uso del legno \nmassello. L’ispirazione per questa proposta \ncreativa trae origine da un episodio della \nsua infanzia: “Ero un bambino quando, \ngiocando con uno stecco di gelato, \nconcepii per la prima volta l’idea della \ntorsione dell’elica”, ricorda Marson.\nLa capacità innovativa di Marson si\nriflette nell’approccio alla progettazione\ndel tavolo Enea, dove ogni dettaglio\nviene considerato per creare qualcosa\ndi essenziale, ma tecnicamente sofisticato. \nLe gambe di Enea, costruite con una \ntorsione che crea un effetto visivo e \nstrutturale unico, esprimono con precisione \nla combinazione di competenza artigianale \ne innovazione che definisce lo spirito di \nPianca. Questa sintesi rappresenta l’unione \ntra la passione di Marson per il design e \nl’abilità dell’azienda nel realizzare progetti \ncomplessi e all’avanguardia. \n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.44.png"," — 85\n84 \nPROGETTI DI DESIGN 09\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.45.png"," — 87\n86 \nPROGETTI DI DESIGN 09\nThe Enea table fully represents\nLuciano Marson’s dynamic design style, \nfocussing on the idea of twisting which \nfeatures in the table legs. This element \nrecalls the perpetual movement of a helix, \ntransforming static into dynamic using \nsolid wood. This creation was inspired\nby an episode from his childhood.\n“I was just a boy when I first had the \nidea of a twisting helix, whilst playing \nwith an ice cream”, recalls Marson. \nMarson’s ability for innovation is reflected \nin his approach to designing the Enea \ntable, where every detail is considered \nin order to create something simple, \nyet technically sophisticated. The legs \nof Enea, constructed with a twisting \nmovement that creates a unique visual \nand structural effect, express with \nprecision the combination of skilled \ncraftsmanship and innovation that\ndefines the Pianca spirit.\nThis synthesis represents the union \nbetween Marson’s passion for design\nand the company’s skill in producing \ncomplex, futuristic designs.\nTwisting \nlines  \n— Q&A\n— Do you still sketch by hand?\nI never sketch by hand. In the past three \nyears, I have started working with young \ndesigners on the computer, becoming with \nthem the ‘pencil’ that I have never used\non its own. In the past, when I was involved \nin design, I made models directly, first\non a smaller scale and then natural size. \n— If you had to compare your design style \nto an art movement, what would it be?\nIt is difficult to choose just one. I went \nthrough different periods, from Cubism to \nKinetic Art. In Pianca, my work has a neo-\nclassical contemporary style, aligned with \nthe company’s identifying values.\n— What is the strangest or most unusual \nthing that has inspired you for a design?\nA shaft of sunlight at dusk illuminated a \ndetail on a design, allowing me to literally \nsee it in another light, with a different \nappearance. Creating that design led to \nme winning my second Compasso d’Oro \nwith Toyo Ito.\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.46.png"," — 89\n88 \nPROGETTI DI DESIGN 09\nEnea up by Luciano Marson\nIT \nDinamismo e tensione trovano una dimensione di \narmoniosa complicità. Il tavolo Enea up si distingue \nper le sue particolari geometrie che valorizzano la \nmateria sia sul piano estetico che tecnico. Le gambe si \ninnestano al piano avvolgendo dolcemente lo spigolo \ne ritagliandosi un ruolo da protagoniste. Realizzate a \npartire da un massello di legno lavorato e sagomato, \ndisegnano nello spazio un movimento fluido e articolato. \nIl risultato è un design iconico e caratterizzante, \nevidenziato dalle venature lignee.\nEN \nDynamism and tension achieve a dimension of harmonious complicity. \nThe Enea up table has distinctive geometric forms that highlight both the style \nand technical qualities of the material. The legs attach to the top gently wrapping \naround the edge, carving a role as the key feature. Produced from one solid piece \nof machined and shaped wood, they create fluid, articulated movement within the \nspace. The result is a distinctive iconic design, enhanced by wood veining.\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.47.png"," — 91\n90 \nPROGETTI DI DESIGN 09\nEnea up by Luciano Marson\nIT \nIn questo set: Tavolo Enea Frassino Nero.  \nEN \nIn this setting: Enea table in Frassino Nero.\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.48.png"," — 93\n92 \nPROGETTI DI DESIGN 09\nEnea up by Luciano Marson\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.49.png"," — 95\n94 \nPROGETTI DI DESIGN 09\nEnea up by Luciano Marson\nIT \nIn questo set: Tavolo Enea Canaletto.  \nEN \nIn this setting: Enea table in Canaletto.\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.50.png"," — 97\n96 \nPROGETTI DI DESIGN 09\nEnea up by Luciano Marson\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.51.png"," — 99\n98 \nPROGETTI DI DESIGN 09\nEnea up by Luciano Marson\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.52.png"," — 101\n100 \nPROGETTI DI DESIGN 09\nEnea up by Luciano Marson\nIT \nIn questo set: Tavolo Enea\nlaccato opaco Polvere.  \nEN \nIn this setting: Enea table in \nPolvere matt lacquer.\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.53.png","PROGETTI DI DESIGN 09\nEnea up by Luciano Marson\n1. Frassino Nero \n2. Canaletto  \n3. Laccato Opaco Polvere\n1. \n2. \n3. \n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.54.png"," — 105\n104 \nPROGETTI DI DESIGN 09\nNorma up by CRS Pianca\nIT \nRiprende l’eleganza e la veste strutturale della madia \nNorma, configurandosi a tutti gli effetti come un sistema \ngiorno. Norma up è straordinariamente personalizzabile \nin ogni aspetto, dimensionale, estetico e funzionale. \nInnumerevoli le combinazioni,  grazie alla possibilità \ndi inserire moduli a giorno e cassetti a vista, oltre ai \nclassici vani contenitivi con anta battente o a ribalta. \nConsiderevole la varietà di sostegni: quattro piedini, \nzoccolo, basamento metallico tubolare, sospensione\na parete per composizioni pensili, o il classico \nbasamento della collezione Norma, con piedini sagomati. \nAmpia anche la scelta di maniglie, in cuoio, incassate, \nfino al sistema push pull. Illuminazione perimetrale e \nkit bar sono inoltre disponibili per attrezzare gli interni, \nrealizzabili con finitura uguale a quella esterna.\nEN \nIt reprises the elegance and structural style of the Norma sideboard with\nthe configuration of a day system. Norma up has an extraordinary choice of options \nin every aspect, size, style and function. You can create countless combinations \nby adding open modules and drawers, as well as classic storage compartments \nwith hinged or flap doors. There’s an impressive variety of support bases: four feet, \nplinth, metal tube base, wall-mount for cabinet arrangements, or the classic Norma \ncollection base with shaped feet. There an equally wide choice of handles in leather, \nrecessed and even a push-pull system. Perimeter lighting and bar kits are available \nfor the interiors, which can be created with the same finish as the exterior.\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.55.png"," — 107\n106 \nPROGETTI DI DESIGN 09\nNorma up by CRS Pianca\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.56.png"," — 109\n108 \nPROGETTI DI DESIGN 09\nNorma up by CRS Pianca\nIT \nIn questo set: madia Norma up, struttura, \nfrontali e maniglia Cuoio Hermes, basamento\nTitanio Opaco \nEN \nIn this setting: Norma up sideboard, structure, \nfronts and handle in Hermes hard leather, matt Titanio \nmetal legs.\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.57.png"," — 111\n110 \nPROGETTI DI DESIGN 09\nNorma up by CRS Pianca\nIT \nIn questo set: madia Norma up, struttura, \nfrontali e maniglia laccato opaco Senape.\nEN \nIn this setting: Norma up sideboard, structure, \nfronts and handle in Senape matt lacquer.\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.58.png"," — 113\n112 \nPROGETTI DI DESIGN 09\nNorma up by CRS Pianca\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.59.png"," — 115\n114 \nPROGETTI DI DESIGN 09\nNorma up by CRS Pianca\nIT \nIn questo set: madia Norma up, struttura e \nfrontali laccato metallico Bosco, maniglia Salvia opaco, \nbasamento Champagne Opaco.\nEN \nIn this setting: Norma up sideboard, Bosco \nmetallic lacquered structure and fronts, Salvia matt \nlacquered handle, matt Champagne metal legs.\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.60.png"," — 117\n116 \nPROGETTI DI DESIGN 09\nNorma up by CRS Pianca\nIT \nIn questo set: madia Norma up sospesa con \napertura push-pull, frontali e moduli a giorno laccato \nopaco Indaco. Struttura e interno Canaletto.\nEN \nIn this setting: Norma up hanging sideboard \nwith push pull opening, Indaco matt lacquered fronts \nand open modules, Canaletto structure and interior.\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.61.png"," — 119\n118 \nPROGETTI DI DESIGN 09\nNorma up by CRS Pianca\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.62.png"," — 121\n120 \nPROGETTI DI DESIGN 09\nNorma up by CRS Pianca\nIT \nIn questo set: madia Norma up, struttura, \nfrontali e interno laccato opaco Seta.\nEN \nIn this setting: Norma up sideboard, Seta matt \nlacquered structure, fronts and interior.\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.63.png"," — 123\n122 \nPROGETTI DI DESIGN 09\nNorma up by CRS Pianca\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.64.png","PROGETTI DI DESIGN 09\nNorma up by CRS Pianca\n1. Cuoio Hermes\n2. Titanio Opaco \n3. Laccato Opaco Indaco\n4. Canaletto \n5. Laccato Opaco Senape \n6. Metallico Bosco\n7. Laccato Opaco Salvia\n8. Champagne Opaco  \n9. Laccato Opaco Seta \n10. Borgogna\n11. Laccato Opaco Moka\n12. Cuoio Moro \n13. Laccato Opaco Malva\n14. Laccato Opaco Cipria \n15. Laccato Lucido Cipria \n14. Laccato Opaco Cannella \n1. \n5. \n9. \n13. \n14. \n15. \n16. \n6. \n2. \n3. \n7. \n8. \n11. \n12. \n4. \n10. \n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.65.png"," — 127\n126 \nPROGETTI DI DESIGN 09\nSoffio up by CRS Pianca\nIT \nCombina essenzialità e funzionalità\nincarnando l’archetipo del tavolo. Frutto di\nun’accurata progettazione, Soffio up è un oggetto\ndal design asciutto e minimale, espressione di\nsofisticata leggerezza. La struttura è caratterizzata\nda volumi affusolati e sinuosi, scanditi da profili \nleggermente arcuati, particolarmente apprezzabili \nnell’incontro tra piano e gambe. Disponibile in\nversione fissa e allungabile, il tavolo presenta\nun’ampia modularità, capace di incontrare ogni\nesigenza. Ampiamente personalizzabile anche nelle \nfiniture, Soffio up sintetizza con grande efficacia \nversatilità e praticità.\nEN \nSimplicity combines with functionality to create the archetypal table.\nThe product of precision design, Soffio up is an object with sleek, minimal design, \nexpression of sophisticated lightness. The structure has tapered, sinuous volumes, \ntraced out with slightly curved profiles, particularly evident where the top meets \nthe legs. Available in fixed and extendable versions, the table is extremely modular, \ncapable of meeting every requirement. With a wide range of options also for \nfinishes, Soffio Up effectively sums up versatility and practicality.\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.66.png"," — 129\n128 \nPROGETTI DI DESIGN 09\nSoffio up by CRS Pianca\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.67.png"," — 131\n130 \nPROGETTI DI DESIGN 09\nSoffio up by CRS Pianca\nIT \nIn questo set: tavolo Soffio up, struttura e gambe \nlaccato metallico Cognac, piano laccato opaco Polvere.\nEN \nIn this setting: Soffio up table, Cognac metallic \nlacquered structure and legs, Polvere matt lacquered top.\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.68.png"," — 133\n132 \nPROGETTI DI DESIGN 09\nSoffio up by CRS Pianca\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.69.png"," — 135\n134 \nPROGETTI DI DESIGN 09\nSoffio up by CRS Pianca\nIT \nIn questo set: tavolo Soffio up, struttura \ne gambe Frassino Lino, piano Gres Naturale. \nEN \nIn this setting: Soffio up table, Frassino Lino \nstructure and legs, Gres Naturale top.\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.70.png","PROGETTI DI DESIGN 09\nSoffio up by CRS Pianca\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.71.png"," — 139\n138 \nPROGETTI DI DESIGN 09\nSoffio up by CRS Pianca\nIT \nIn questo set: tavolo Soffio up, struttura \ne gambe laccato opaco Ecrù, piano vetro laccato \nmetallico Bronzo. \nEN \nIn this setting: Soffio up table, soffio up table, \nEcrù matt lacquered structure and legs, top in Bronzo \nmetallic lacquered glass.\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.72.png"," — 141\n140 \nPROGETTI DI DESIGN 09\nSoffio up by CRS Pianca\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.73.png"," — 143\n142 \nPROGETTI DI DESIGN 09\nSoffio up by CRS Pianca\nIT \nIn questo set: tavolo Soffio up allungabile, \nstruttura e gambe laccato opaco Moka, \npiano e allunga Frassino Castano. \nEN \nIn this setting: Soffio up extendable table,\nMoka matt lacquered structure and legs, Frassino \nCastano top and extension leaf.\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.74.png","PROGETTI DI DESIGN 09\nPROGETTI DI DESIGN 09\nSoffio up by CRS Pianca\n1. Metallico Cognac\n2. Laccato Opaco Polvere\n3. Metallico Bronzo\n4. Laccato Opaco Ecrù\n5. Gres Naturale \n6. Frassino Lino\n7. Frassino Castano\n8. Laccato Opaco Moka\n1. \n3. \n5. \n7. \n8. \n4. \n2. \n6. \n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.75.png","   \n — 147\n146 \nPROGETTI DI DESIGN 09\nInfo tecniche \u002F Technical info\nMambo\nL 111 cm \nH 126 - 146 - 166 cm \nP 35 - 45 - 55 cm\nL 161 - 201 cm \nH 44 - 46 - 66 - 86 cm \nP 35 - 45 - 55 cm\nL 241 cm\nH 44 - 46 - 86 cm \nP 35 - 45 - 55 cm\nBasamento \nH 12 cm \n*schiena retrofinita per \nutilizzo centrostanza\n*Back finished for \ncenterpiece use\nW 43.70” \nH 49.61” - 57.48” - 65.35”\nD 13.78” - 17.72” - 21.65” \nW 63.38” - 79.13” \nH 17.32” - 18.11” - 25.98”\n- 33.86”\nD 13.78” - 17.72” - 21.65”\nW 94.88” \nH 17.32” - 18.11” - 25.98”\nD 13.78” - 17.72” - 21.65”\nMadia\nSideboard\nBase\nH 4.72”\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.76.png"," — 149\n148 \nPROGETTI DI DESIGN 09\nSiviglia\nL 81 cm, H 129, P 49 cm \nL 162 cm \nH 43 - 74 - 89 - 130 cm \nP 49 cm\nL 184 cm\nH 43 - 74 - 89 cm \nP 49 cm\nL 243 - 265 cm\nH 43 - 74 cm \nP 49 cm\nL 81, H 184, P 57 cm\nW 31.89”, H 72.44”, D 22.44”\nW 31.89”, H 50.79”, D 19.29”\nW 63.78” \nH 16.93” - 29.13” - 35.04” - \n51.18” , D 19.29”\nW 72.44” \nH 16.93” - 29.13” - 35.04” \nD 19.29”\nW 95.67” - 104.33”\nH 16.93” - 29.13”\nD 19.29”\nMadia*\nMadia Accessoriata\nEquipped Sideboard\nSideboard*\nConfigurazioni interne\u002F\nInternal configurations\nNorma up\nL 102, H 121 cm\nP 35 - 45 - 55 cm\nL 122 cm\nH 110 - 121 - 141 cm\nP 35 - 45 - 55 cm\nL 162 cm,\nH 41 - 61 - 81 cm\nP 35 - 45 - 55 cm\nL 202 cm\nH 41 - 61 cm\nP 35 - 45 - 55 cm\nL 242 cm\nH 41 - 61 - 81 cm\nP 35 - 45 - 55 cm\nL 243 cm\nH 50 - 80 cm\nP 35 - 45 - 55 cm\nL 271 cm\nH 60 cm\nP 35 - 45 - 55 cm\nL 302 cm\nH 41 - 61 - 81 cm\nP 35 - 45 - 55 cm\nW 40.16”, H 47.64”\nD 13.78” - 17.72” - 21.65”\nW 48.03”\nH 43.31” - 47.64” - 55.51”\nD 13.78” - 17.72” - 21.65”\nL 63.78”\nH 16.14” - 24.01” - 31.89”\nD 13.78” - 17.72” - 21.65”\nW 79.53”\nH 16.14” - 24.01”\nD 13.78” - 17.72” - 21.65”\nW 95.27”\nH 16.14” - 24.01” - 31.89”\nD 13.78” - 17.72” - 21.65”\nW 95.67” \nH 19.68” - 31.50”\nD 13.78” - 17.72” - 21.65”\nW 106.69”\nH 23.62”\nD 13.78” - 17.72” - 21.65”\nW 118.90”,\nH 16.14” - 24.01” - 31.89”\nD 13.78” - 17.72” - 21.65”\nMadia\nSideboard\nBasamento NM 1\nH 11.3 - 21.3 - 31.3 cm \nBasamento BR 2\nH 10.5 - 20.5 - 30.5 - 40.5 cm\nNM Base 1\nH 4.45” - 8.39” - 12.32”\nBR Base 2\nH 4.13” - 8.07” - 12.00” - 15.94”\n*Schiena retrofinita per \nutilizzo centrostanza\ncon pannello liscio \nlaccato opaco\u002Fessenza\no listelli legno\n*Back finished for \ncenterpiece use with \na smooth panel in matt \nlacquer\u002Fwood or with \nwooden inserts\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.77.png"," — 151\n150 \nPROGETTI DI DESIGN 09\nEnea up\nOnda Indoor\nSoffio up\nClelia\nL 180 - 190 - 200 - 210 \n- 220 - 230 - 240 - 250\n- 260 - 270 - 280 - 290\n- 300 cm\nP 90 - 105 - 120 cm\nH 72 cm\nL 160, H 74, P 160 cm \nL 160, H 75, P 160 cm\nL 90 - 100 - 110 - 120\n- 130 - 140 - 150 - 160\n- 170 - 180 - 190 - 200\n- 210 - 220 - 230 - 240\n- 250 - 260 - 270 - 280\n- 290 - 300 cm\nP 80 - 90 - 100 - 120 cm\nH 76 cm\nL 55, H 82, P 60 cm\nL 110 - 120 - 130 - 140\n- 150 - 160 - 170 - 180\n- 190 - 200 - 210 - 220\n- 230 - 240 - 250 cm\nP 80 - 90 - 100 - 120 cm\nH 76 cm\nL60 cm \nW 70.87” - 74.80” - 78.74” - 82.67” \n- 86.61” - 90.55” - 94.48” - 98.42”\n- 102.36” - 106.30” - 110.24”- 114.17” \n- 118.11”\nD 35.43” - 41.34” - 47.24” \nH 28.34”\nW 62.93”, H 29.13”, D 62.93”\nW 62.93”, H 29.53”, D 62.93”\nW 35.43” - 39.37”- 43.31” - 47.24”\n- 51.18” - 55.12” - 59.05” - 62.99”\n- 66.93” - 70.87” - 74.80” - 78.74”\n- 82.68”- 86.61” - 90.55” - 94.49”\n- 98.42” - 102.36” - 106.30”\n- 110.24” - 114.17” - 118.11” cm\nD 31.50” - 35.43” - 39.37”- 47.24”\nH 29.92”\nW 21.65”, H 32.28”, D 23.62”\nW 43.31” - 47.24” - 51.18” - 55.12”\n- 59.05” - 62.99” - 66.93” - 70.87” \n- 74.80” - 78.74” - 82.68” - 86.61” \n- 90.55” - 94.49” - 98.42”\nD 31.50” - 35.43” - 39.37”- 47.24”\nH 29.92”\nW 23.62”\nTavolo\nTavolo\npiano legno\u002Flaccato \nTavolo piano marmo \nTavolo Fisso \nSedia imbottita\nTavolo Allungabile\nAllunga\nExtension\nTable\nTable marble top\nFixed Table\nUpholstered chair\nExtandable Table\nTable\nwooden\u002Flacquered top\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002Fa6\u002F1fbb95374d505ce37b6f52a3fd5523-28aac4dd28.78.png"," — 153\nVietata la riproduzione a qualsiasi scopo.\nCampione promozionale gratuito non destinato alla vendita.\nEscluso iva art.2 comma 3D.P.R. 633\u002F72\nEsonerato da documento di trasporto art.4 punto 6 d.p.r.627\u002F78\nReproduction prohibited for any purpose.\nFree promotional sample not for sale.\nExcluding VAT Article 2 paragraph 3D.P.R. 633\u002F72\nExempted from tansport document art.4 point 6 d.p.r.627\u002F78\nArt Direction and Styling \nstanza [97.]\nImage production\nNudesign\nPhotography \nEmozioni Studio \nSeparations \nLuce Srl\nCopy\nSilvia Perrini  \nGiulia Guzzini\nPrinted\nGrafiche Antiga \n© Pianca 2024\nThanks to: \nArtemide\nAstep\nMartinelli Luce\nMohebban\nPianca S.p.A\nVia dei Cappellari, 20\n31018 – Gaiarine, Treviso\nItaly\nT +39 0434 756911\nF +39 0434 75330\ninfo@pianca.com\npianca.com\np. iva IT01682580269\n",78,[],0,false,true,{"success":328,"data":330,"meta":545,"count":546,"next":547,"previous":548,"results":581,"brand_chips":642},[331,344,356,369,379,392,404,414,424,433,443,455,465,475,484,494,507,516,526,536],{"id":332,"title":333,"slug":334,"image":335,"source":336,"brand_name":337,"brand":338,"brand_slug":339,"file_size":340,"pages":341,"pages_count":342,"matched_pages":343,"match_count":326,"two_pages":327,"show_text":328},26599,"News 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