[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-moroso-at-home-2":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":633},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":628,"matched_pages":629,"match_count":630,"two_pages":631,"show_text":632},18327,"At Home 2","moroso-at-home-2","\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fd8\u002F1f70e0119e65d66f0800093c3f872e-28928b1519.pdf","Moroso",1342,"moroso","30.6 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453,457,461,465,469,473,477,481,485,489,493,497,501,505,509,513,517,521,525,529,533,537,541,545,549,553,557,561,565,569,573,577,581,585,589,593,597,601,605,609,613,617,621,625],{"image":7,"text":15,"number":16},"N. 02\nANNO 2014\nMOROSO\nITALY\nat home\nwww.moroso.it\nmoroso\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.2.png","www.moroso.it\nN. 02\n-\nAT\nHOME\nAnno\n-\n2014\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.3.png","004\n-\nGentry\n009\n-\nFjord\n012\n-\nFishbone\n020\n-\nGentry\n030\n-\nByobu\n038\n-\nNet Tables\n042\n-\nBiknit\n054\n-\nImpossible Wood\n058\n-\nTerreria\n064\n-\nTake A Line For A Walk\n068\n-\nLittle Albert\n071\n-\nBull\n074\n-\nMoon Chair\n089\n-\nBanjooli\n092\n-\nShadowy\n098\n-\nMisfits\n100\n-\nWitch Chair\n107\n-\n3 Nuns\n110\n-\nZ-Shelf\n116\n-\nMemory\n124\n-\nBikini Island\n130\n-\nTake A Line For A Walk\n139\n-\nTalma\n144\n-\nHeel\n153\n-\nMathilda\n158\n-\nWood Bikini\n172\n-\nM.A.S.S.A.S.\n188\n-\nPanna Chair\n195\n-\nCloud\n198\n-\nAnomaly\n203\n-\nBlur\n208\n-\nTv-Chair\n212\n-\nCoat\n218\n-\nSaruyama Island\n229\n-\nHighlands\n230\n-\nTropicalia\n238\n-\nLowland\n246\n-\nTia Maria\n256\n-\nMafalda\n264\n-\nOasis\n277\n-\nPaper planes\n283\n-\nTechnical Pages\n299\n-\nContacts & Credits\nAt Home\n-\nINDEX\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.4.png","GENTRY\n-\nby Patricia Urquiola\nGentilezza promossa a canone progettuale: un progetto nato dalla ricerca di una \ncomodità misurata, contenitiva ma con un accenno di deformazione.\nFinesse becomes part of the design canon: a project whose origins lie in the search for \nwell-balanced comfort, restrained yet with a nod to exaggeration.\n-\nFabrics:\nGE0626-GE0627: People for Gentry 1 A5621 - 115 \u002F Tokyo 652 A1067\nGE0599: People for Gentry 4 A5225 - 115\nGE00D3: People for Gentry 4 A5224 - 115\nGE0C51: People for Gentry 4 A5222 - 115\nGE0626\nGE00D3\nGE0627\nGE0C51\nGE0599\n4\n5\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.5.png","6\n7\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.6.png","FJORD\n-\nby Patricia Urquiola\nLa forma spezzata, da concetto astratto, si trasforma in oggetto di \ndesign.\nIts broken form and abstract concept together become an\nobject of design.\n-\nFabrics:\nFJ03K: Oil Ciré Leather B0211, African fabric \u002F Dark Brown Leather B0251, African fabric\nFJ017: Dark Brown Leather B0251, African fabric \u002F Oil Ciré Leather B0211, African fabric\nFJ214: Blush Ciré Leather B0218, Matrix 252 A7514 \u002F Magic 831 A4883, Grass Ciré Leather \nB0216 \u002F Chartreuse Ciré Leather B0214, Matrix 522 A7519\nFJ03K\nFJ077\nFJ017\nFJ214\n8\n9\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.7.png","10\n11\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.8.png","FISHBONE\n-\nby Patricia Urquiola\nFishbone interpreta in chiave contemporanea la tecnica \ndell’intarsio, esaltando le diverse finiture ed i diversi colori di \nuna resina acrilica decorativa.\nFishbone gives a modern reading to inlay technique that\nenhances the various finishes and colours of the decorative\nacrylic resin chosen.\nFB0T37\nFB0T40\nFB0T39\nFB0T38\n12\n13\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.9.png","14\n15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.10.png","At Home\n-\nwww.moroso.it\n16\n17\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.11.png","18\n19\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.12.png","GENTRY\n-\nby Patricia Urquiola\nGentilezza promossa a canone progettuale: un progetto nato dalla ricerca di una \ncomodità misurata, contenitiva ma con un accenno di deformazione.\nFinesse becomes part of the design canon: a project whose origins lie in the search for \nwell-balanced comfort, restrained yet with a nod to exaggeration.\n-\nFabrics:\nGE0626-GE0627: Tokyo 652 A1067\nGE0599: People for Gentry 4 A5225 - 115\nGE0626\nGE00D3\nGE0627\nGE0C51\nGE0599\n20\n21\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.13.png","22\n23\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.14.png","24\n25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.15.png","At Home\n-\nwww.moroso.it\n26\n27\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.16.png","28\n29\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.17.png","BYOBU\n-\nby Nendo\nUn tavolino tondo ed uno rettangolare i cui piani sono \nsostenuti da un telaio quadrato che si piega come un \nparavento giapponese, un byobu appunto.\nOne round table, and one rectangular table whose surfaces are \nsupported by a square frame that bends like a “byobu”\nJapanese screen.\nBY0T34\nBY0T35\n30\n31\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.18.png","32\n33\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.19.png","34\n35\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.20.png","36\n37\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.21.png","NET TABLES\n-\nby  Benjamin Hubert\nA seconda del punto di vista, lascia passare oppure blocca lo \nsguardo, appare leggero o massiccio, si confonde o si stacca\ndal contesto.\nDepending on the observer’s perspective it can either block the gaze \nor let it through, seem light or solid, blend into its surroundings or \nstand out.\nNE106I\nNE106U\n38\n39\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.22.png","40\n41\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.23.png","BIKNIT\n-\nby Patricia Urquiola\nUn’estetica dilatata e intensa che trasforma l’intreccio in un \nsegno visibile e spettacolare.\nExaggerated aesthetic which renders the knitted stitch  \nspectacularly visible.\n-\nFabrics:\nBG0698: Ash \u002F Shine\nBG0001: Blur White-Yellow A7186 , Yellow Turquoise\nBG0698\nBG0001\n42\n43\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.24.png","44\n45\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.25.png","At Home\n-\nwww.moroso.it\n46\n47\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.26.png","48\n49\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.27.png","50\n51\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.28.png","52\n53\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.29.png","IM00FV\nIM00FU\n54\n55\nIMPOSSIBLE WOOD\n-\nby Nipa Doshi & Jonathan Levien\nUn processo di re-invenzione concettuale, una struttura in \nlegno curvato irrealizzabile  se non tramite stampaggio a \niniezione in plastica.\nA process of conceptual reinvention, a curved wooden frame\nwhich would be impossible to produce if not through a elastic \ninjection moulding.\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.30.png","At Home\n-\nwww.moroso.it\n56\n57\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.31.png","TERRERIA\n-\nby Archea Associati\nLa libreria è il raccoglitore della memoria: solitamente di legno, di metallo, di vetro, \nmai di terra. Terreria rende uno spazio contemporaneamente nuovo e antico, urbano \ne campestre. Un sistema aperto che, attraverso la flessibilità combinatoria dei moduli \npermette di ottenere un disegno e un’immagine sempre diversa.\nThe bookcase is the holder of our memories and is most commonly made in wood, metal, or \nglass but never clay. Terreria creates a space which can be simultaneously new and old, urban \nand rustic. It is an open system, and the flexibility to assemble different combinations means \nthat no single design or look is ever quite the same.\n58\n59\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.32.png","60\n61\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.33.png","62\n63\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.34.png","TAKE A LINE FOR A WALK\n-\nby Alfredo Häberli\nUn guscio avvolgente, comodo e protettivo, per appoggiare il \ncapo, riposare o isolarsi dall’ambiente circostante.\nA wraparound shell, which comforts and protects, a place to relax, \nrest your head, cut yourself off from the outside world.\n-\nFabrics:\nTK00V6: Magia Ruggine Leather B0193\nTK0389: Talma Edgy Graphite A4366, Divina MD 343 A5861 \u002F Canvas 244 A7279, \nWaterborn 753 A0994 \u002F Plot 853 A5680, Highfield 634 A7544 \u002F Field 642 A7221, Divina \nMD 653 A5856 \u002F Plot 423 A5660, Waterborn 363 A1020\nTK00V6\nTK0389 + TK0340\n64\n65\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.35.png","66\n67\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.36.png","LITTLE  ALBERT\n-\nby Ron Arad\nUn movimento di continuità collega il divano Victoria & Albert \nalla poltroncina, segnando l’inizio di una nuova dimensione nel \ncontatto inedito con la matericità della plastica.\nThe chair, related to Victoria & Albert in the continuous movement \nof its lines, marks the dawn of new modes of interaction in the \ninnovative physicality of the plastic.\nVA161\n68\n69\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.37.png","BULL\n-\nby Tomek Rygalik\nBull è uno sgabello di forte carattere; realizzato in acciaio \nverniciato, ha due gambe e un elemento di intersezione che \nfunge sia da poggiapiedi che da supporto posteriore.\nBull is a stool with resolute character. Built in painted steel, it has \ntwo legs and an intersecting element that serves both as footrest \nand provides support for the back.\nBU1020\n70\n71\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.38.png","At Home\n-\nwww.moroso.it\n72\n73\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.39.png","MOON CHAIR\n-\nby Tokujin Yoshioka\nIl linguaggio universale della bellezza: linee fluide \nrestituiscono al profilo un’evanescenza materica che assorbe e \ndiffonde una luce tenue e rarefatta.\nThe universal language of beauty: flowing lines give the chair a \nprofile which seems evanescent rather than solid, absorbing and \ndiffusing a faint, refined glow. \nMU0042\n74\n75\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.40.png","76\n77\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.41.png","78\n79\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.42.png","80\n81\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.43.png","At Home\n-\nwww.moroso.it\n82\n83\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.44.png","84\n85\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.45.png","86\n87\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.46.png","BANJOOLI\n-\nby Sebastian Herkner\nLa forma della sedia, è ispirata alla danza nuziale che il \nmaschio dello struzzo – banjooli in lingua wolof – esegue per \ncorteggiare la femmina, allargando le ali per esaltarne\nla bellezza. \nThe shape of the chair is inspired by the mating dance of male \nostriches –banjooli in the Wolof language- who stretch out their \nwings to show off their beauty to the female.   \nBJ0001\nBJ0061\n88\n89\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.47.png","90\n91\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.48.png","SHADOWY\n-\nby Tord Boontje\nLe sedute da spiaggia anni ’20, tipiche del mare del nord \nEuropa, sono rese contemporanee dai pattern colorati, \ndigitalizzati  e realizzati da maestri artigiani africani, \nintrecciando coloratissimi fili di plastica.\n1920s northern European seaside chairs brought up to date with \ndigitally designed colour patterns woven by master craftsmen in \nAfrica using brightly coloured plastic yarns.\nSW001\n92\n93\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.49.png","At Home\n-\nwww.moroso.it\n94\n95\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.50.png","96\n97\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.51.png","MISFITS\n-\nby Ron Arad\nIl designer modella, scava, taglia, si sostituisce alla forza della natura. L’intenzione è \nquella di creare un insieme di sedute componibili; la condotta però è libera.\nOgni singolo modulo è indipendente; nell’accostamento, deliberatamente, non c’è \nricercata la corrispondenza.\nThe designer models, hollows, and cuts, doing all Nature’s work. The intention is to create \na modular seating system, but free choice is allowed. Each piece can stand alone or in \ncombinations; any matching effect achieved is unintended.\n-\nFabrics:\nMF270-271-272-273-274-275: Divina 3 623 A0867 - 111\nMF275\nMF272\nMF271\nMF270\nMF274\nMF273\n98\n99\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.52.png","WITCH CHAIR\n-\nby  Tord Boontje\nTord Boontje mette in scena una fiaba gotica vittoriana, un \nsogno delicato e inquietante al tempo stesso, intervenendo \ncome un mago, creando un mondo dalle atmosfere ammalianti \ne noir.\nTord Boontje stages a gothic Victorian fairytale, a delicate yet \nunsettling dream, manipulating the scene like a wizard, create a \ndark world with an enchanting atmosphere.\n-\nFabrics:\nTB132: Black Magic Class Leather B0250, Divina 3 623 A0867 - 111\nTB132\n100\n101\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.53.png","102\n103\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.54.png","At Home\n-\nwww.moroso.it\n104\n105\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.55.png","3 NUNS\n-\nby  Ron Arad\nSemplici ed essenziali bande in acciaio temprato, fissate \ntra loro con dei bulloni a farfalla, sfruttano l’elasticità e la \nnaturale plasticità del metallo per conferire resistenza e \nflessibilità alla seduta.\nSimple, unadorned strips of tempered steel fixed together using \nwing bolts exploit the elasticity and malleability of metal to create \na resilient and flexible stool.\nNU0020\n106\n107\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.56.png","108\n109\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.57.png","Z-SHELF\n-\nby  Ron Arad\nUn foglio di metallo tagliato e piegato, essenziale, privo \ndi qualunque elemento decorativo. Il valore è nella \ncomposizione, nella libertà di accostamento. L’esito è \nuna griglia interrotta, spezzata da continui tagli che ne \nallegeriscono la percezione.\nA cut and folded sheet of metal, bare, free from decoration.\nIt distinguishes itself in composition, in the freedom of combination. \nThe result is an incomplete grille, broken up by cuts which lighten \nthe perception.\nZF002S\nZF002T\n110\n111\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.58.png","112\n113\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.59.png","114\n115\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.60.png","MEMORY\n-\nby Tokujin Yoshioka\nUn oggetto delicato e alterabile, dotato di un’estetica flessibile \ne mutante, dove l’importanza del gesto costruttivo istituisce \nun legame fisico nel momento stesso dell’uso.\nAn object which is delicate and can be changed, and whose \nappearance is flexible and shifting. The creative act thus forms a \nphysical connection with the moment of use.\nMM0061\n116\n117\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.61.png","At Home\n-\nwww.moroso.it\n118\n119\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.62.png","120\n121\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.63.png","122\n123\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.64.png","BIKINI ISLAND\n-\nby Werner Aisslinger\nProgettare le relazioni, disegnare traiettorie per appropriarsi \ndegli spazi che l’attualità dispone. Bikini è un paesaggio \nfiglio del tempo e della società che lo esprime. Aree d’attesa, \nambiente domestico, flessibilità componitiva.\nDesigning interactions, trajectories to take over the space available. \nBikini is a landscape which is a child of its times and the society \nit represents. Whether used in waiting areas or homes, the seating \nsystem is absolutely flexible.\nDAYBED MODULE\nSEATING MODULE\nSEATING MODULE\nDAYBED MODULE\nSINGLE TABLE\nSINGLE SEATING MODULE\nSEATING MODULE\nSCREEN MODULE\nSEATING MODULE\nSTORAGE COVERED MODULE\nPLANT BOX\nSTORAGE COVERED MODULE\nSHELF\nSEATING MODULE\nBACKREST MODULE\n124\n125\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.65.png","126\n127\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.66.png","128\n129\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.67.png","TAKE A LINE FOR A WALK\n-\nby Alfredo Häberli\nUn guscio avvolgente, comodo e protettivo, per appoggiare il \ncapo, riposare o isolarsi dall’ambiente circostante.\nA wraparound shell, which comforts and protects, a place to relax, \nrest your head, cut yourself off from the outside world.\n-\nFabrics:\nTK00V6: Magia Ruggine Leather B0193\nTK0389: Talma Edgy Graphite A4366, Divina MD 343 A5861 \u002F Canvas 244 A7279, \nWaterborn 753 A0994 \u002F Plot 853 A5680, Highfield 634 A7544 \u002F Field 642 A7221, Divina \nMD 653 A5856 \u002F Plot 423 A5660, Waterborn 363 A1020\nTK00V6\nTK0389 + TK0340\n130\n131\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.68.png","132\n133\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.69.png","134\n135\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.70.png","136\n137\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.71.png","TALMA\n-\nby Benjamin Hubert\nL’idea è semplice: avvolgere una struttura metallica con un \nmantello imbottito e trasformarla in qualcosa d’altro.\nIl rivestimento diventa abito.\nThe idea is simple: cover a metal frame with a padded overcoat and \nturn it into something else. The upholstery becomes clothing.\n-\nFabrics:\nTA1061: Talma Edgy Graphite A4366 \u002F Talma Edgy Linen A4369\nTA1061\n138\n139\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.72.png","At Home\n-\nwww.moroso.it\n140\n141\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.73.png","142\n143\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.74.png","HEEL\n-\nby Nendo\nHeel mantiene la memoria di una rottura accettata, di una \nmanomissione nella continuità lineare del telaio.\nHeel carries the trace of an accepted fracture, an interruption of the \nframe’s continuous line.\nHE1475\n144\n145\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.75.png","146\n147\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.76.png","At Home\n-\nwww.moroso.it\n148\n149\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.77.png","150\n151\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.78.png","MATHILDA\n-\nby Patricia Urquiola\nUn oggetto d’uso quotidiano, una forma conosciuta acquisita \ndalla memoria collettiva, della quale porta l’aspetto familiare.\nAn everyday object, an easily recognized shape from our collective \nmemory, that is why it feels familiar.\nMA305T\n152\n153\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.79.png","At Home\n-\nwww.moroso.it\n154\n155\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.80.png","156\n157\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.81.png","WOOD BIKINI\n-\nby Werner Aisslinger\nUna sedia per il ristorante Bikini di Berlino che diventa anche \nla sedia per il tavolo da pranzo o per l’Home office.\nThis chair designed for Berlin’s Bikini restuarant fits equally well \nat your own dining table or home office.\n-\nFabrics:\nWB002A: Blur White-Black A7187 \u002F Divina MD 813 A5852\nWB002B\nWB002A\n158\n159\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.82.png","160\n161\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.83.png","162\n163\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.84.png","164\n165\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.85.png","At Home\n-\nwww.moroso.it\n166\n167\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.86.png","168\n169\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.87.png","170\n171\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.88.png","M.A.S.S.A.S.\n-\nby Patricia Urquiola\nMoroso Asymmetric Sofa System Adorably Stitched: \nun sistema componibile dove ogni elemento mantiene \nindipendente il carattere, per funzione e presenza scultorea, \ncome perfettamente descritto nell’acronimo del nome.\nThe Moroso Asymmetric Sofa System Adorably Stitched is a \nmodular system in which each component keeps its own distinctive \ncharacter in both use and sculptural feel, as is amply  described in \nthe acronym of the name.\n-\nFabrics:\nMA1A20: Canvas 614 A7296 - 117\nMA1A10: Remix 2 682 A5941 - 117\nMA1C30: Land 721 A7440\nMA1061: Units 3 Uniforms A7391 - 120\nMA1001: Units 3 Uniforms A7390 - 120\nMA1A20\nMA1A10\nMA1C30\nMA1061\nMA1001\n172\n173\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.89.png","174\n175\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.90.png","176\n177\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.91.png","178\n179\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.92.png","180\n181\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.93.png","182\n183\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.94.png","184\n185\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.95.png","At Home\n-\nwww.moroso.it\n186\n187\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.96.png","PANNA CHAIR\n-\nby Tokujin Yoshioka\nIl nome, il materiale, le cuciture, le goffrature, la morbidezza, \nlo spessore, il colore sono messaggi che comunicano l’anima \ndella poltrona, il senso appropriato che riesce a donare.\nThe name, material, stitching, embossing, softness, thickness and \ncolour all tell the soul of the armchair and the properly sense which \nit communicates.\n-\nFabrics:\nPC0001: People for Gentry 3 A5234 - 115 \u002F People for Gentry 3 A5231 - 115\nPC0001\n188\n189\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.97.png","190\n191\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.98.png","192\n193\n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.99.png","CLOUD\n-\nby Nendo\nL’ispirazione nasce dall’osservazione delle nuvole, dal \nloro rincorrersi e accavallarsi e dall’alternarsi della loro \nombra proiettata sulla terra. Tre tavoli da disporre in libere \ncomposizioni, da sovrapporre, accostare.\nInspiration is drawn from the clouds, from the way they chase and \novertake one another, their shadows following one after the other on \nthe ground. Three tables to be arranged as you please, next to or on \ntop of one another.\nCL0T62\nCL0T61\nCL0T60\n194\n195\n",99,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.100.png","196\n197\n",100,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.101.png","ANOMALY\n-\nby Front\nCreature dall’identità delicatamente inquietante, docili \ne innocue. Presenze domestiche amabili quanto inattese, \ntrasfigurazione fantastica di un mondo fiabesco, talvolta \nsurreale, che riunisce in un solo oggetto la funzione pratica e \nquella emotiva del gioco.\nCreatures which are slightly unsettling yet docile and harmless. \nHousehold creatures which are as lovable as they are surprising, \na transfiguration from a fairytale, almost surreal, world which \ncombines in one object practicality and playful excitement.\nAN1017\n198\n199\n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.102.png","200\n201\n",102,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.103.png","BLUR\n-\nby Marc Thorpe\nBlur è uno studio sull’invisibilità architettonica. \nUn’alterazione della densità che rende incerta la percezione \ndelle reali dimensioni di scala, strategia dell’invisibilità resa \npossibile grazie all’utilizzo di una particolare tecnica\ndi tessitura.\nBlur is a study in architectural invisibility. By using a change \nin density the observer’s perception of the true size of the piece \nbecomes uncertain, a device for invisibility made possible by a \nparticular fabric production technique.\n-\nFabrics:\nBL1001: Blur White-Yellow A7186\nBL1018: Blur White-Black A7187\nBL1001\nBL1018\n202\n203\n",103,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.104.png","At Home\n-\nwww.moroso.it\n204\n205\n",104,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.105.png","206\n207\n",105,{"image":434,"text":435,"number":436},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.106.png","TV-CHAIR\n-\nby Marc Newson\nIl nome rievoca un passato non ancora remoto; Il mondo non \nsi osserva dalla sedia, ma attraverso di essa, come fosse essa \nstessa un monitor.\nThe name evokes a not yet remote past. The world is not observed \nfrom the chair but through it, as if it were a screen.\n-\nFabrics:\nTW0050: Blur White-Yellow A7186 \u002F Blur White-Black A7187 \u002F Divina 3 922 A0872\nTW0050\n208\n209\n",106,{"image":438,"text":439,"number":440},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.107.png","210\n211\n",107,{"image":442,"text":443,"number":444},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.108.png","COAT\n-\nby Sebastian Herkner\nPoltrone pratiche e prive di sostegni, poggiate saldamente a terra; \nl’imbottitura è manto rimovibile soffice che avvolge e veste la seduta.\nPractical chairs without feet that sit firmly on the floor; the padded upholstery \nis a soft removable coat that envelops and clothes the seat.\n-\nFabrics:\nCO0001: Remix 823 A4140, Hallingdal 166 A5639 \u002F Steelcut Trio 515 A5542, Willow 542 A4014 - 116\nCO0001\n212\n213\n",108,{"image":446,"text":447,"number":448},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.109.png","214\n215\n",109,{"image":450,"text":451,"number":452},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.110.png","At Home\n-\nwww.moroso.it\n216\n217\n",110,{"image":454,"text":455,"number":456},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.111.png","SARUYAMA\nISLAND\n-\nby Toshiyuki Kita\nSaruyama Islands, mini-strutture abitabili che ampliano \nl’orizzonte delle sue possibili configurazioni spaziali.\nUn arcipelago di isole colorate e indipendenti composto da \npiccole sedute e chaise longue.\nSaruyama Islands: mini-structures fit for habitation that expand \nthe horizon of the spatial configurations possible.\nAn archipelago of colourful separate islands composed of small seats \nand chaise longue.\n-\nFabrics:\nS40078: Divina 3 676 A0933\nS40001: Divina 3 826 A0875 \u002F Divina 3 793 A0913\nS40214-S40076: Divina 3 793 A0913\nS40078\nS40001\nS40214\nS40076\n218\n219\n",111,{"image":458,"text":459,"number":460},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.112.png","220\n221\n",112,{"image":462,"text":463,"number":464},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.113.png","At Home\n-\nwww.moroso.it\n222\n223\n",113,{"image":466,"text":467,"number":468},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.114.png","224\n225\n",114,{"image":470,"text":471,"number":472},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.115.png","226\n227\n",115,{"image":474,"text":475,"number":476},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.116.png","HIGHLANDS\n-\nby Patricia Urquiola\nL’elemento centrale di Highlands è il movimento, la possibile \nverticalità connaturata alle caratteristiche dei braccioli e degli \nschienali. Due possibili posizioni, un movimento sinuoso.\nThe central theme of Highlands is movement, the innate potential \nfor verticality of the backrest and armrests. Two possible positions, \nmovement which is never mechanical.\n-\nFabrics:\nHL0013-HL0012 :  People for Gentry 4 A5226 - 115\nHL0013\nHL0012\n228\n229\n",116,{"image":478,"text":479,"number":480},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.117.png","TROPICALIA\n-\nby Patricia Urquiola\nLa struttura è in tubolare di acciaio; l’intreccio è giocoso con \nla plastica dei cordoncini lavorata a due o tre colori, raffinato \nse monocromatico, elegante con il cuoio.\nThe structure is in stainless steel tube; the weave of the strings in \ntwo or three colours is playful; the single-colour look is refined; \nelegance is added by leather.\nTR0459\nTR0461\n230\n231\n",117,{"image":482,"text":483,"number":484},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.118.png","232\n233\n",118,{"image":486,"text":487,"number":488},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.119.png","At Home\n-\nwww.moroso.it\n234\n235\n",119,{"image":490,"text":491,"number":492},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.120.png","236\n237\n",120,{"image":494,"text":495,"number":496},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.121.png","LOWLAND\n-\nby Patricia Urquiola\nUn divano, un paesaggio variabile costituito da forme \nelementari in rapporto dinamico l’una con l’altra; \ncomponibilità con prospettiva orizzontale. \nA sofa, a changing landscape made from elemental shapes\nwhich dynamically interact with one another;\nflexible horizontal compositions.\n-\nFabrics:\nLL0CA3: Hot 542 A3937\nLL0CA3\n238\n239\n",121,{"image":498,"text":499,"number":500},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.122.png","240\n241\n",122,{"image":502,"text":503,"number":504},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.123.png","At Home\n-\nwww.moroso.it\n242\n243\n",123,{"image":506,"text":507,"number":508},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.124.png","244\n245\n",124,{"image":510,"text":511,"number":512},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.125.png","TIA MARIA\n-\nby Enrico Franzolini\nIl nome, citazione di un liquore caraibico a base di caffè e \nrhum, svela la doppia identità, l’allusione al gioco dei contrari. \nPostura formale e informale, simmetria e asimmetria dei \nbraccioli, linearità e sinuosità del telaio.\nThe name, taken from the Caribbean liqueur made from coffee and \nrum, is about double identity, an allusion to a game of opposites. \nPosture which is both formal and informal, the symmetry and \nasymmetry of the armrests, the angularity and curvaceousness of \nthe frame.\n-\nFabrics:\nTI00FA: Reserve Cioccolato Leather B0275\nTI00FC: Reserve Cioccolato Leather B0275 \u002F Blush Ciré Leather B0218\nTI00FC\nTI00FA\nSIDETABLE\nLOWTABLE\n246\n247\n",125,{"image":514,"text":515,"number":516},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.126.png","248\n249\n",126,{"image":518,"text":519,"number":520},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.127.png","250\n251\n",127,{"image":522,"text":523,"number":524},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.128.png","At Home\n-\nwww.moroso.it\n252\n253\n",128,{"image":526,"text":527,"number":528},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.129.png","254\n255\n",129,{"image":530,"text":531,"number":532},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.130.png","MAFALDA\n-\nby Patricia Urquiola\nMafalda reinterpreta la morfologia delle sedute in legno con \nuna nuova visione dell’imbottito che, in contrasto con la \ngeometria del legno, da vita ad una scocca dal design\nmorbido e “ondulato”.\nMafalda re-reads the shape of the wooden chair and takes a new \nlook at upholstery, which in juxtaposition with the geometry of the \nwood enlivens the frame with a gently curving design.\n-\nFabrics:\nMA2061: Europost Welded W40 4063 63072 A4414\nMA2050: Europost Welded W40 4063 62061\nMA2061\nMA2050\n256\n257\n",130,{"image":534,"text":535,"number":536},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.131.png","258\n259\n",131,{"image":538,"text":539,"number":540},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.132.png","At Home\n-\nwww.moroso.it\n260\n261\n",132,{"image":542,"text":543,"number":544},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.133.png","262\n263\n",133,{"image":546,"text":547,"number":548},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.134.png","OASIS\n-\nby Atelier Oï\nLa linea del telaio, come il tratto di una scrittura, rivela un \nesercizio concettuale che trasforma il gesto in ripetizione e \nun’idea di composizione in un sistema articolato e coerente.\nThe outline of the frame, like handwriting, reveals a  conceptual \nexercise where the penstroke is repeated and the notion of \ncomposition becomes a complete, coherent seating system.\n-\nFabrics:\nOA007B: Blur Acquatic\u002FOrange A7191\nOA007D: Blur Prune\u002FWalnut A7190\nOA007B\nOA007D\nOA007G\nOA007F\n264\n265\n",134,{"image":550,"text":551,"number":552},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.135.png","266\n267\n",135,{"image":554,"text":555,"number":556},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.136.png","268\n269\n",136,{"image":558,"text":559,"number":560},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.137.png","270\n271\n",137,{"image":562,"text":563,"number":564},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.138.png","At Home\n-\nwww.moroso.it\n272\n273\n",138,{"image":566,"text":567,"number":568},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.139.png","274\n275\n",139,{"image":570,"text":571,"number":572},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.140.png","PAPER PLANES\n-\nby Nipa Doshi & Jonathan Levien\nUna seduta da lettura avvolgente e confortevole, resistente ma \nnel contempo leggera, sospesa come a sconfiggere la gravità.\nComfortable and welcoming seating which is both durable and light, \nand seemingly gravity-defying.\n-\nFabrics:\nPP0368: Hallingdal 65-840 A5640, Tan Ciré Leather B0213 \u002F Hallingdal 65-407 A5630, \nBone White Leather B0212\nPP0366: Jacquard Coral Pink \u002F Jacquard Mauve\nPP0368\nPP0366\n276\n277\n",140,{"image":574,"text":575,"number":576},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.141.png","278\n279\n",141,{"image":578,"text":579,"number":580},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.142.png","280\n281\n",142,{"image":582,"text":583,"number":584},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.143.png","282\n283\nAt Home\n-\nTECHNICAL  INFO\n",143,{"image":586,"text":587,"number":588},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.144.png","285\n284\n3 Nuns\nAnomaly\nBanjooli\nBasks\nBikini Island\nBiknit\nBlur\nBull\nByobu\nCapitello\nCloud\nCoat\nDew\nFergana  \nFishbone\nFjord\nGentry\nHeel\nHighlands\nImpossible wood\nKub\nLowland\nM’Afrique collection\nMafalda\nMark table\nM.A.S.S.A.S.\nMathilda\nMemory\nMisfits\nMoon\nNet table\nOasis\nPanna chair\nPaper planes\nPhoenix\nRipple chair\nRoger\nSaruyama Island\nShanghai Tip \nSpring collection\nTake a line for a walk\nTalma\nTerreria\nTia Maria\nTropicalia\nTv chair\nVictoria and Albert\nWitch chair\nWood 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Home\n-\nCONTACTS & CREDITS\n299\n298\n",151,{"image":618,"text":619,"number":620},"\u002Fmedia\u002Fimages\u002Faa\u002F92b1f5558c1a5ca9187bd56d4edd07-28929770d0.152.png","Moroso spa\nvia Nazionale, 60\n33010 Cavalicco\u002FUdine\u002FItaly \nT +39 0432 577 111\nF +39 0432 570 761\ninfo@moroso.it \nwww.moroso.it\nMoroso Showroom Milano\nVia Pontaccio 8\u002F10\n20121 Milano\u002FItaly\nT +39  02 7201 6336\nF +39  02 7200 6684\nMoroso Usa\nand Showroom in New York\n146 Greene Street\nNew York\u002FNY 10012\u002FUSA\nT +1 800 7056 863\nF +1 212 334 7223\ninfo@morosousa.com\nwww.morosousa.com\nMoroso Ltd\nand Showroom in London\n7-15 Rosebery Avenue\nLondon  EC1R 4SP\nT +44 (0)20 3328 3560\nF +44 (0)20 7278 2944\ninfo@moroso.co.uk\nwww.moroso.co.uk\nMoroso Showroom in Köln\nDesign Post\nDeutz-Mülheimer-Straße 22A\nD-50679 Köln\u002FGermany\nT +49 221 690 650\nF +49 221 690 65 100\ninfo@designpostkoeln.de\nwww.designpostkoeln.de\nMoroso Showroom in Amsterdam\nCruquiusweg, 109 R\n1019 AG 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