[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-molteni-dining-2024":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":728},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":723,"matched_pages":724,"match_count":725,"two_pages":726,"show_text":727},15469,"Dining 2024","molteni-dining-2024","\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F6a\u002Fdf32a8dd111fbcfb2d470c017cc924-285cf12841.pdf","Molteni",1338,"molteni","21.5 MB",[14,17,20,24,28,32,36,40,44,48,52,56,60,64,68,72,76,80,84,88,92,96,100,104,108,112,116,120,124,128,132,136,140,144,148,152,156,160,164,168,172,176,180,184,188,192,196,200,204,208,212,216,220,224,228,232,236,240,244,248,252,256,260,264,268,272,276,280,284,288,292,296,300,304,308,312,316,320,324,328,332,336,340,344,348,352,356,360,364,368,372,376,380,384,388,392,396,400,404,408,412,416,420,424,428,432,436,440,444,448,452,456,460,464,468,472,476,480,484,488,492,496,500,504,508,512,516,520,524,528,532,536,540,544,548,552,556,560,564,568,572,576,580,584,588,592,596,600,604,608,612,616,620,624,628,632,636,640,644,648,652,656,660,664,668,672,676,680,684,688,692,696,700,704,708,712,716,720],{"image":7,"text":15,"number":16},"Dining\n2024\n",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.3.png","Chairs\npp 140-209\nCarpet \ncollection\npp 288-317\nTables\npp 12-115\nHome office\npp 116-139\nMirrors\npp 284-287\nSingle furniture \nand bookcases\npp 210-283\nCONTENT\n",3,{"image":25,"text":26,"number":27},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.4.png"," 4  5\nOVERVIEW\nTABLES\nHOME OFFICE\nAsterias Patricia Urquiola - p. 84\nFiligree Rodolfo Dordoni - p. 92\nGatwick Rodolfo Dordoni - p. 78\nHalf a Square Michael Anastassiades - p. 54\nAva Table Foster + Partners - p. 74\nBlevio Ignazio Gardella - p. 42\nScriba Patricia Urquiola - p. 132\nD.859.1 Gio Ponti - p. 66\nTouch Down Unit Studio Klass - p. 122\nDiamond Patricia Urquiola - p. 108\nArc  Foster + Partners - p. 100\nMateo Vincent Van Duysen - p. 14\nOld Ford Rodolfo Dordoni - p. 34\nLessLess Jean Nouvel - p. 136\nNote Matteo Nunziati - p. 128\nD.847.1  Gio Ponti - p. 118\n",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.5.png"," 6  7\nCHAIRS\nOVERVIEW\nWoody Francesco Meda - p. 170\nPorta Volta Herzog & de Meuron - p. 142\nTea Jasper Morrison - p. 160\nOutline  Arik Levy - p. 202\n1 2 3 Michael Anastassiades - p. 154\nBarbican Rodolfo Dordoni - p. 174\nChelsea Rodolfo Dordoni - p. 190\nDevon Gio Ponti - p. 164\nD.235.1 Montecatini Gio Ponti - p. 180\nAlfa  Hannes Wettstein - p. 206\nGlove \u002F Glove-Up Patricia Urquiola - p. 196 \u002F p. 200\nJanet Vincent Van Duysen - p. 150\nMHC.3 Miss Tobia Scarpa - p. 184\n",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.6.png"," 8  9\nBOOKCASES\nMIRRORS\nOVERVIEW\nSINGLE UNITS\nMHC.1 Werner Blaser - p. 252\nD.950.1 Gio Ponti - p. 284\nHector Mirror Vincent Van Duysen - p. 286\nTeorema Ron Gilad - p. 242\nArchway Rodolfo Dordoni - p. 228\nD.355.1 D.355.2 Gio Ponti - p. 260\nCarteggio Aldo Rossi - p. 246\nD.357.1 D.357.2 Gio Ponti - p. 256\nAdrien  Vincent Van Duysen - p. 236\nCard  Michael Anastassiades - p. 268\nD.655.1 D.655.2 Gio Ponti - p. 248\nGraduate Jean Nouvel - p. 274\nHorizons Dante Bonuccelli - p. 234\nMHC.2 Yasuhiko Itoh - p. 264\nLiving Box Vincent Van Duysen - p. 212\nPiroscafo Aldo Rossi, Luca Meda - p. 280\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.7.png"," 10  11\nOVERVIEW\nCARPET COLLECTION\nAtalante \nby Ruckstuhl - Nicola Gallizia - p. 292\nSonoro \nNicola Gallizia - p. 310\nRandom\nby Altai- Patricia Urquiola - p. 308\nStripe\nVincent Van Duysen - p. 312 \nTelaro\nby Amini - Marta FerrI - p. 314\nAura\nNicola Gallizia - p. 294\nVibrazioni\nMarta FerrI - p. 316\nD.754.1\nGio Ponti - Heritage Collection - p. 290\n \nDedalo \nby Pierre Frey - Marta Ferri - p. 296\nDuna\nNicola Gallizia - p. 298\nEdge\nNicola Gallizia - p. 300\nEone\nNicola Gallizia - p. 302\nHem\nby G.T.Design - Patricia Urquiola - p. 304 \nPalette\nNicola Gallizia - p. 306\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.8.png"," 12  13\nMOLTENI MAKE FURNITURE BY \nBUILDING ON TRADITION, ADDING \nEXPERIENCE TO EXPERIENCE. BY \nAPPLYING TECHNICAL INNOVATION \nTO TIME-HONOURED SKILLS THEY \nACHIEVE UNEXPECTED, INGENIOUS \nADVANCES. THE DURABILITY OF \nFURNITURE DEPENDS ON GOOD \nWORKMANSHIP BUT ALSO ON THE \nCOMPLETENESS AND SUITABILITY \nOF THE FORMS. MATERIALS HAVE \nTO BE “GOOD” MATERIALS, BUT ARE \nONLY SUCH IF USED IN KEEPING \nWITH THEIR POTENTIAL, THEIR \nHISTORY AND THEIR PURPOSE.\nMOLTENI COSTRUISCE MOBILI SVILUPPANDO LA TRADIZIONE. AD ESPERIENZA AGGIUNGE ESPERIENZA. \nL’INNOVAZIONE TECNICA CONSENTE DI SVILUPPARE IN DIREZIONI IMPREVISTE I RISULTATI SEDIMENTATI \nDAL TEMPO. LA DURATA DEI MOBILI È LEGATA ALLA BUONA FATTURA, MA ANCHE ALLA COMPIUTEZZA \nE ALL’ADEGUATEZZA DELLE FORME. I MATERIALI DEVONO ESSERE “BUONI” MATERIALI, MA DIVENTANO \nTALI SE SONO COERENTI CON LE LORO POSSIBILITÀ, CON LA LORO STORIA E IL LORO USO.\ntables\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.9.png","MATEO \nVINCENT VAN DUYSEN\nThe Mateo table introduces fresh possibilities in \n2024. Featuring a characteristic central base with \na conical shape, vertically grooved at the base, \nthis table is enriched with new compositional \noptions. Available in both dining and lounge \nversions, the Mateo table offers a range of sizes \nto accommodate various settings. The dining \nversion includes round tops in sizes 140, 160, \n180 and 200 cm, as well as oval tops in 220 \nand 250 cm, supplemented by a new version \nwith two bases and oval top in marble in 300, \n350 and 400 cm version, perfect for larger \nspaces and social gatherings. The distinctive \nconical base is now offered with a polished \nsteel finish, in addition to classic options such \nas coffee oak, sunrise oak, glossy lacquers, \nand burnished metal. Representing a modern \napproach to dining, this table boasts scalable \nproportions and sleek lines, designed to elevate \nthe art of entertaining.\nIl tavolo Mateo, dotato di un caratteristico \nbasamento centrale dalla forma conica solcata \nin due nella verticale alla base, si arrichisce \nnel 2024 di nuove possibilità compositive. Il \ntavolo Mateo resta disponibile in due versioni: \ndining e lounge. Nella versione dining, al \npiano tondo nelle dimensioni 140, 160, 180, \n200 cm e a quello ovale in 220 e 250 cm, si \naggiungere la nuova versione a due basamenti \ndella versione ovale, disponibile solo in marmo \nper le dimensioni da 300, 350, 400 e adatta \nper arricchire gli spazi più ampi e ospitare \nmomenti di convivialità. La caratteristica \nbase conica si arrichisce di una finitura in \nacciaio lucido in aggiunta a quelle classiche \nin rovere caffè, rovere sunrise, nell’intera \ngamma dei laccati lucidi e in metallo brunito. \nUn moderno concetto di dining: un tavolo \ndalle proporzioni scalabili e dalle linee pulite, \npensato per l’arte del ricevere.\n 14  15\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.10.png","OVAL DINING TABLE—\nALMOND WHITE\nGLOSSY LACQUER\nBASE AND TOP\nJANET CHAIRS—\n505 UP SIDEBOARD—\nEDGE CARPET—\nTAVOLO DINING OVALE—\nBASAMENTO E PIANO\nLACCATO LUCIDO\nALMOND WHITE\nSEDIE JANET—\n505 UP SIDEBOARD—\nTAPPETO EDGE—\nMATEO —\n 16  17\n 16  17\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.11.png","OVAL DINING TABLE—\nCOFFEE OAK\nBASE AND TOP\nJANET CHAIRS—\nATALANTE CARPET—\nTAVOLO DINING OVALE—\nBASAMENTO E PIANO\nROVERE CAFFÈ\nSEDIE JANET—\nTAPPETO ATALANTE—\nMATEO —\n 18  19\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.12.png","ROUND DINING TABLE\nWITH LAZY SUSAN—\nBURNISHED MATT\nLACQUER BASE,\nCALACATTA MARBLE TOP\nPORTA VOLTA CHAIRS—\nSTRIPE CARPET—\nTAVOLO DINING ROTONDO\nCON LAZY SUSAN—\nBASAMENTO\nLACCATO OPACO BRUNITO,\nPIANO MARMO CALACATTA\nSEDIE PORTA VOLTA—\nTAPPETO STRIPE—\nMATEO —\n 20  21\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.13.png","OVAL DINING TABLE—\nPEWTER GLOSSY LACQUER\nBASE AND TOP\nJANET CHAIRS—\nAURA CARPET—\nTAVOLO DINING OVALE—\nBASAMENTO E PIANO\nLACCATO LUCIDO PELTRO\nSEDIE JANET—\nTAPPETO AURA—\nMATEO —\n 22  23\n 22  23\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.14.png","ROUND DINING TABLE—\nPINE GREEN GLOSSY LACQUER\nBASE AND TOP\nJANET CHAIRS—\nPALETTE CARPET—\nROUND DINING TABLE—\nSUNRISE OAK BASE,\nCALACATTA MARBLE TOP\nTAVOLO DINING ROTONDO—\nBASAMENTO E PIANO\nLACCATO LUCIDO PINE GREEN\nSEDIE JANET—\nTAPPETO PALETTE—\nTAVOLO DINING ROTONDO—\nBASAMENTO ROVERE SUNRISE,\nPIANO MARMO CALACATTA\nMATEO —\n 24  25\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.15.png","ROUND DINING TABLE—\nBURGUNDY GLOSSY LACQUER\nBASE AND TOP\nDUNA CARPET—\nTAVOLO DINING ROTONDO—\nBASAMENTO E PIANO\nLACCATO LUCIDO BORGOGNA\nTAPPETO DUNA—\nMATEO —\n 26  27\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.16.png","ROUND LOUNGE TABLE—\nCOFFEE OAK\nBASE AND TOP\nPORTA VOLTA CHAIRS—\nTAVOLO LOUNGE ROTONDO—\nBASAMENTO E PIANO\nROVERE CAFFÈ\nSEDIE PORTA VOLTA—\nMATEO —\n 28  29\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.17.png","ROUND LOUNGE TABLE\nWITH LAZY SUSAN—\nBURNISHED MATT\nLACQUER BASE,\nCALACATTA MARBLE TOP\nPORTA VOLTA CHAIRS—\nATALANTE CARPET—\nTAVOLO LOUNGE ROTONDO\nCON LAZY SUSAN—\nBASAMENTO\nLACCATO OPACO BRUNITO,\nPIANO MARMO CALACATTA\nSEDIE PORTA VOLTA—\nTAPPETO ATALANTE—\nMATEO —\n 30  31\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.18.png","ROUND LOUNGE TABLE—\nBURNISHED MATT\nLACQUER BASE,\nCALACATTA MARBLE TOP\nPORTA VOLTA CHAIR—\nATALANTE CARPET—\nTAVOLO LOUNGE ROTONDO—\nBASAMENTO\nLACCATO OPACO BRUNITO,\nPIANO MARMO CALACATTA\nSEDIA PORTA VOLTA—\nTAPPETO ATALANTE—\nMATEO —\n 32  33\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.19.png","OLD FORD \nRODOLFO DORDONI\nThe Old Ford table by the Italian designer \nRodolfo Dordoni is a perfect embodiment of \na commitment by Molteni&C in combining \naesthetics, functionality, and technical \ninnovation. The table is composed of a rounded, \nlozenge-shaped top that curves downward on \nthe underside to meet four glossy lacquered \nlegs connected by an H-shaped beam. The \nfinely worked top  is available with the choice \nof  coffee oak wood finish,  and in emperador \ndark, calacatta and sahara noir marble in in matt \nand glossy polyester version, giving it a warm \nand inviting appearance. The table under-top \nresembles a shell composed of soft lines. The \ncontrasting-coloured legs are available in three \nglossy lacquered finishes, burgundy, pine green, \nand black nickel. The table’s supportive frame \nis made using hydroforming, a sophisticated \nprocess commonly used in the automotive \nindustry that uses water pressure to give shape \nto the material. This process allows the table \nto be lightweight yet strong and structurally \nrigid, ensuring that it can withstand the test \nof time. The oval shape also allows the table \nto fit into various room layouts, making it a \nversatile option for any home.\nIl tavolo Old Ford del designer italiano Rodolfo \nDordoni incarna perfettamente l’impegno di \nMolteni&C nel coniugare estetica, funzionalità \ne innovazione tecnica. Il tavolo è composto \nda un piano arrotondato e sinuoso, con una \nsezione raccordata agli estremi che incontra \nun solido basamento lucido caratterizzato dal \ncollegamento delle gambe ad una struttura ad H. \nIl top finemente lavorato è disponibile nelle finiture \nrovere caffè e marmo emperador dark, calacatta, \nsahara noir in versione opaca e poliestere \nlucida che gli conferiscono un aspetto caldo \ne invitante. Il corpo inferiore del tavolo ricorda \nun guscio, caratterizzato da linee morbide. Le \ngambe, a contrasto, sono disponibili in tre finiture \nlaccate lucide in pine green, rosso borgogna e \nnickel nero. La struttura portante del tavolo è \nrealizzata mediante la tecnica dell’idroformatura, \nun sofisticato processo comunemente utilizzato \nnel settore industriale della mobilità, che sfrutta \nla pressione dell’acqua per plasmare la materia. \nQuesto processo consente al tavolo di essere \nleggero ma strutturalmente rigido, garantendo \nla resistenza nel tempo. La forma ovale consente \ninoltre al tavolo di adattarsi a svariati layout \nd’interni, rendendolo un’opzione versatile per \nqualsiasi casa.\n 34  35\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.20.png","TABLE—\nGLOSSY BLACK NICKEL\nSTRUCTURE,\nCOFFEE OAK TOP\nPORTA VOLTA CHAIR—\nARCHWAY SIDEBOARD—\nEDGE CARPET—\nTAVOLO—\nSTRUTTURA\nNICKEL NERO LUCIDO,\nPIANO ROVERE CAFFÈ\nSEDIA PORTA VOLTA—\nMADIA ARCHWAY—\nTAPPETO EDGE—\nOLD FORD —\n 36  37\n 36  37\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.21.png","TABLE—\nGLOSSY PINE GREEN\nSTRUCTURE,\nCALACATTA MARBLE TOP\nPORTA VOLTA CHAIRS—\nARCHWAY SIDEBOARD—\nAURA CARPET—\nTAVOLO—\nSTRUTTURA\nPINE GREEN LUCIDO,\nPIANO MARMO CALACATTA\nSEDIE PORTA VOLTA—\nTAPPETO AURA—\nOLD FORD —\n 38  39\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.22.png","OLD FORD —\n 40  41\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.23.png","BLEVIO \nIGNAZIO GARDELLA\nIgnazio Gardella’s Blevio table joins Molteni&C’s \nHeritage Collection, inaugurating a partnership with \nthe Gardella Historical Archive: the first episode of \na relationship based on research and exchange, \ndestined to develop over the years to come. Elegant \nand geometrically linear, the Blevio table is rich in \ndesign, in details that reveal themselves to the attentive \neye. It is a project that focuses on the essential and \non the removal of decoration for decoration’s sake. \nThe refined and unusual play of counter curves is \nalso a structural stabilizing element: the geometric \ncenter of the semicircular extremities of the table top \ncoincides with that of the vertical supports.\nIl tavolo Blevio di Ignazio Gardella entra a far parte \ndell’Heritage Collection di Molteni&C, inaugurando la \ncollaborazione con l’Archivio Storico Gardella: primo \nepisodio di una relazione di ricerca e di scambio, \ndestinata a svilupparsi nei prossimi anni. Elegante e \ndalla geometricità lineare, il tavolo Blevio è ricco di \ndisegno, di dettagli che si svelano a un’osservazione \nattenta. È un progetto che si concentra sull’essenziale \ne sull’abbandono del decoro fine a se stesso. Il gioco \ndi controcurve, raffinato e inedito, è anche un elemento \ndi stabilizzazione strutturale: il centro geometrico \ndelle estremità semicircolari del piano coincide con \nquello dei sostegni verticali. \n 42  43\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.24.png","TABLE—\nECLIPSE STRUCTURE AND TOP\n505 UP SYSTEM—\n505 UP SIDEBOARD— \nJANET CHAIR— \nSTRIPE CARPET—\nTAVOLO—\nSTRUTTURA E PIANO ECLIPSE\n505 UP SYSTEM—\n505 UP SIDEBOARD— \nSEDIA JANET— \nTAPPETO STRIPE—\nBLEVIO —\n 44  45\n 44  45\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.25.png","TABLE—\nECLIPSE STRUCTURE AND TOP\nSTRIPE CARPET—\nTAVOLO—\nSTRUTTURA E PIANO ECLIPSE \nTAPPETO STRIPE—\nBLEVIO —\n 46  47\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.26.png"," 48  49\n 48  49\n",26,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.27.png","TABLE—\nECLIPSE STRUCTURE \nBRECCIA CAPRAIA TOP\nTAVOLO—\nSTRUTTURA ECLIPSE\nPIANO BRECCIA CAPRAIA\nBLEVIO —\n 50  51\n",27,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.28.png","TABLE—\nECLIPSE STRUCTURE \nBRECCIA CAPRAIA TOP\nJANET CHAIRS—\nTAVOLO—\nSTRUTTURA ECLIPSE\nPIANO BRECCIA CAPRAIA\nSEDIE JANET—\nBLEVIO —\n 52  53\n",28,{"image":125,"text":126,"number":127},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.29.png"," 54  55\nHalf a Square, a set of modern rectangular and \nsquare tables, designed by Michael Anastassiades, \na Cypriot by birth who has made London his home. \nHis project is distinctly minimalist in design but rich \nin his choice of materials, such as aluminium, marble \nand reflective glass. The frame, made of brushed \naluminium and painted pewter colour and green, \nis assembled by means of the strong pressure die \ncast legs. The joint between the parts determines a \ndecorative triangular-shape finished in brass which \nenhances the solidity of the frame and characterizes \nthe elegance of the design. The table tops are made \nof green alpine, silver wave, sahara noir, calacatta \nmarble and reflective graphene glass. They come \nin different sizes, rectangular and square. A design \nwhere Anastassiades’ engineering training almost \nprevailed over his skills as a designer to offer us a \nunique and intriguing object.\nHalf a Square, una serie di tavoli dal design moderno, \nrettangolari e quadrati, progettati da Michael \nAnastassiades, cipriota di nascita ma che ha fatto di \nLondra la sua città d’adozione. Il progetto è fortemente \nminimalista nel disegno ma ricco nei materiali utilizzati \ncome alluminio, marmo e vetro riflettente. Il telaio \nstrutturale, realizzato con estrusi di alluminio satinati e \nverniciati color peltro e verde, è assemblato mediante \nle robuste gambe pressofuse. La giunzione tra le parti, \ndetermina una geometria triangolare in finitura ottone \nche riassume la particolarità estetica, caratterizzandone \nl’eleganza e il design. I piani sono in marmo verde Alpi,  \nsilver wave, sahara noir, calacatta e in vetro riflettente \ngrafene. Proposto in diverse dimensioni rettangolari e \nquadrati. Un progetto dove la formazione ingegneristica\ndi Anastassiades, prende quasi il sopravvento su quella \ndi designer per regalarci un oggetto unico ed intrigante.\nHALF A SQUARE\nMICHAEL ANASTASSIADES\n",29,{"image":129,"text":130,"number":131},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.30.png","TABLE—\nPEWTER STRUCTURE\nGREEN ALPINE MARBLE TOP\nTEA CHAIRS—\nTAVOLO—\nSTRUTTURA PELTRO,\nPIANO IN MARMO VERDE ALPI\nSEDIE TEA—\nHALF A SQUARE —\n 56  57\n 56  57\n",30,{"image":133,"text":134,"number":135},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.31.png"," 58  59\n",31,{"image":137,"text":138,"number":139},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.32.png","TABLE—\nSATIN GREEN STRUCTURE FINISH,\nGREEN ALPINE MARBLE TOP\nBARBICAN CHAIRS—\nEUCALYPTUS BASE,\nL216 LEATHER\nPALETTE CARPET—\nTAVOLO—\nSTRUTTURA VERDE SATINATO,\nPIANO MARMO VERDE ALPI\nSEDIE BARBICAN—\nBASAMENTO EUCALIPTO,\nPELLE L216\nTAPPETO PALETTE—\nHALF A SQUARE —\n 60  61\n 60  61\n",32,{"image":141,"text":142,"number":143},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.33.png"," 62  63\nTABLE—\nPEWTER COLOUR SATIN \nFINISH STRUCTURE,\nREFLECTIVE GRAPHENE GLASS TOP\nDEVON CHAIRS—\nBLACK OAK BASE, EXTRA L162 LEATHER\nVIBRAZIONI CARPET\nTAVOLO—\nSTRUTTURA PELTRO SATINATO,\nPIANO VETRO RIFLETTENTE GRAFENE\nSEDIE DEVON—\nBASAMENTO ROVERE NERO,\nPELLE L162\nTAPPETO VIBRAZIONI—\nHALF A SQUARE —\n",33,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.34.png","TABLE—\nCHALK WHITE TOP \nAND STRUCTURE—\nDEVON CHAIRS—\nBLACK OAK BASE,\nKAOS K08CS\nAURA CARPET—\nTAVOLO—\nSTRUTTURA E TOP\nBIANCO CALCE—\nSEDIE DEVON—\nBASAMENTO ROVERE NERO,\nKAOS K08CS\nTAPPETO AURA—\nHALF A SQUARE —\n 64  65\n",34,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.35.png"," 66  67\nIn 1958 Gio Ponti was enlisted to design the auditorium \nfor the Time&Life Building at 1271 Avenue of the \nAmericas in New York. The building housed the \nheadquarters of Time Inc., publisher of influential, \nhistorical magazines such as Time, Life, Fortune, \nPeople, and Sports Illustrated. This was Ponti’s \nmost prestigious project in New York. The D.859.1 \ntable, designed primarily as a meeting table for up \nto ten people, stands out among the auditorium \nfurnishings not only for its impressive size—over \n3,60 meters long—but especially for its simple \nyet refined design. The legs are notable for their \nfine-membered modernity, creating a trapezoidal \nsingle-span bridge upon which the large tapered \ntop conveys the idea of aerodynamics. Originally \nmade of solid ash with bronze ferrules, it is now \nalso available in a darker-toned wood such as Black \nStained Ash. In addition to its original dimensions, \nthe D.859.1 is available in two smaller version that \nfaithfully reproduce the harmony and proportions \nof the original design.\nNel 1958 viene affidato a Gio Ponti l’incarico di progettare \nl’auditorium annesso al Time&Life building, al 1271 di \nAvenue of the Americas a New York, sede della Time \nInc., casa editrice di storiche e influentissime testate \ncome Time, Life, Fortune, People e Sports Illustrated. \nÈ l’incarico più importante per Ponti a New York. Il \ntavolo D.859.1, utilizzato principalmente come grande \ntavolo per conferenze, fino a dieci posti, spicca tra gli \narredi dell’auditorium non solo per le sue imponenti \ndimensioni, oltre 3,60 mt di lunghezza, ma soprattutto \nper il disegno raffinato ed essenziale. La base trapezoidale \nsi impone per la sua leggerezza e modernità. Un vero \ne proprio ponte a campata unica, su cui poggia un \npiano di grandi dimensioni dalla forma affusolata che \nne accentua l’aerodinamicità. Realizzato al tempo in \nfrassino massello con puntali in ottone, viene riproposto \nsia in versione originale che in un legno dalle tonalità \nscure come il frassino tinto nero. Oltre alle dimensioni \noriginali, D.859.1 è disponibile in due dimensioni più \ncontenute che rispettano fedelmente l’armonia e le \nproporzioni del progetto originale.\nD.859.1 \nGIO PONTI\n",35,{"image":153,"text":154,"number":155},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.36.png","TABLE—\nASH WOOD STAINED BLACK,\nSATIN BRASS FEET\nMHC.3 MISS CHAIRS—\nBLACK ASH,\nL200 LEATHER\nPALETTE CARPET—\nTAVOLO—\nFRASSINO TINTO NERO,\nPIEDI OTTONE SATINATO\nSEDIE MHC.3 MISS—\nFRASSINO NERO,\nPELLE L200\nTAPPETO PALETTE—\n 68  69\nD.859.1 —\n",36,{"image":157,"text":158,"number":159},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.37.png"," 70  71\nTABLE—\nASH WOOD IN NATURAL COLOUR,\nSATIN BRASS FEET\nMHC.3 MISS CHAIR—\nNATURAL ASH,\nPAPER CORD ECRU COLOUR \nEDGE CARPET—\nTAVOLO—\nFRASSINO NATURALE,\nPIEDI OTTONE SATINATO\nSEDIA MHC.3 MISS—\nFRASSINO NATURALE,\nCORDA COLORE ECRÙ \nTAPPETO EDGE—\nD.859.1 —\n",37,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.38.png","TABLE—\nASH WOOD IN NATURAL COLOUR\nD.655.1 CHEST OF DRAWERS—\nELM, ITALIAN WALNUT,\nMAHOGANY, ROSEWOOD,\nWHITE HAND-PAINTED,\nSATIN BRASS\nMHC.3 MISS CHAIR—\nNATURAL ASH,\nPAPER CORD ECRU COLOUR \nEDGE CARPET—\nTAVOLO—\nFRASSINO NATURALE\nCASSETTONE D.655.1—\nOLMO, NOCE NAZIONALE,\nMOGANO, PALISSANDRO,\nVERNICIATO A MANO BIANCO,\nOTTONE SATINATO\nSEDIA MHC.3 MISS—\nFRASSINO NATURALE,\nCORDA COLORE ECRÙ \nTAPPETO EDGE—\nD.859.1 —\n 72  73\n 72  73\n",38,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.39.png"," 74  75\nTrue to their policy of designing eco-friendly buildings \nand furnishings, Foster + Partners have come up \nwith a set of tables for contemporary settings. Made \nentirely of wood, the natural material par excellence, \nthe Ava Table responds to the ever-increasing \nneed for designer furniture to meet the demand \nfor ecosustainability without forgoing the need to \nrepresent the space that every piece of furniture \ndeserves. With its characteristic T-shaped legs, \nplaced in a rear position with respect to the top \nso as to maximise its useful capacity, the table is \nall-one with the top, giving rise to an object that is \nat once compact but light in form. The skillful use \nof materials, combined with refined construction \ndetails, underlines the style dear to Foster+ Partners: \nfurniture defined by its stunning formal lightness. \nThe table comes in various sizes and the external \nfinishes are all strictly made of quality wood veneers.\nFedele alla filosofia volta a progettare edifici e arredi \nrispettosi dell’ambiente, Foster + Partners progettano \nuna serie di tavoli per ambienti contemporanei. \nMonomaterico, realizzato interamente in legno, materiale \nnaturale per eccellenza e molto facilmente reciclabile, \nil tavolo Ava Table dà risposta al bisogno sempre più\npresente, nell’ambito dell’arredo di design, di soddisfare \nesigenze di eco sostenibilità non sacrificando il bisogno \ndi rappresentazione dello spazio che ogni arredo deve \nmeritarsi. Il tavolo con la sua caratteristica gamba a T \nsvasata e posta in posizione arretrata rispetto al piano \nper massimizzare la sua capacità ricettiva, si raccorda\nsenza soluzione di continuità al piano dando luogo \nad un elemento compatto ma leggero nella forma. \nSapiente uso dei materiali abbinati a raffinati dettagli \ncostruttivi evidenziano il segno stilistico caro allo \nstudio Foster + Partners al fine di ottenere arredi \ndotati di grande leggerezza formale. Diverse le misure \ndisponibili e i rivestimenti esterni tutti rigorosamente \nin pregiata essenza.\nAVA TABLE\nFOSTER + PARTNERS\n",39,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.40.png"," 76  77\nAVA TABLE—\nWALNUT STRUCTURE AND TOP\nBARBICAN CHAIRS—\nEUCAPYPTUS STRUCTURE\nUNIQUE UE134 LEATHER SHELL\nWILUNA WF536 SEAT\nPASS-WORD EVOLUTION—\nMOKA MATT LACQUER STRUCTURE\nPEWTER FEET\nSTRIPE CARPET—\nTAVOLO AVA TABLE—\nSTRUTTURA E PIANO NOCE\nSEDIE BARBICAN—\nSTRUTTURA EUCALIPTO\nSCOCCA PELLE UNIQUE UE134\nSEDUTA WILUNA WF536\nPASS-WORD EVOLUTION—\nSTRUTTURA LACCATO MOKA OPACO\nPIEDINI PELTRO\nTAPPETO STRIPE—\nAVA TABLE —\n",40,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.41.png"," 78  79\nThis table, designed by Milanese architect Rodolfo\nDordoni, takes the name of London’s Gatwick \nairport, one of the busiest in the world. A hub where \ncosmopolitan travellers meet every hour of the day \nand night on their way in or out of the U.K. capital, \nmuch like a table where people meet for dinner. It \nis the particular structure of twisted and criss-cross \nsteel recalling an airplane propeller or a helicopter \nblade that inspired the name. The aluminium frame \nin several contemporary finishes, such as black \nnickel, pewter colour (satin finish) and iris (satin \nfinish), supports elegant oval tops of different sizes \nenriched with wood or marble, selected from the \nMolteni&C collection.\nQuesto progetto di tavolo, dell’architetto milanese \nRodolfo Dordoni, prende il nome da uno degli \naeroporti londinesi più trafficati al mondo. Un Hub \ndove viaggiatori cosmopoliti si incontrano ogni \nora del giorno e della notte diretti verso la capitale \ndel Regno Unito o per partirvi, similarmente ad un \ntavolo dove ci si incontra per cenare. È la particolare \nstruttura in alluminio ritorta e incrociata a ricordare \nun’elica o una pala d’elicottero che ne ha inspirato \nil nome. La struttura in alluminio, in diverse finiture \ncontemporanee come il nickel nero, il peltro (satinato) \ne l’iris (satinato), sostiene eleganti piani ovali di diverse \ndimensioni impreziosite dalla presenza di essenza o \nmarmo, tratti dalla collezione Molteni&C.\nGATWICK\nRODOLFO DORDONI\n",41,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.42.png","TABLE—\nPEWTER COLOUR STRUCTURE \nEUCALYPTUS TOP\nTEA CHAIRS— \nPASS-WORD EVOLUTION— \nSTRIPE CARPET—\nTAVOLO—\nSTRUTTURA PELTRO \nPIANO EUCALIPTO\nSEDIE TEA—\nPASS-WORD EVOLUTION— \nTAPPETO STRIPE—\nGATWICK —\n 80  81\n",42,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.43.png","GATWICK TABLE—\nPEWTER FINISH STRUCTURE,\nSAHARA NOIR MARBLE TOP\nWOODY CHAIRS—\nASH WOOD STAINED BLACK\nTAVOLO GATWICK—\nSTRUTTURA PELTRO,\nPIANO MARMO SAHARA NOIR\nSEDIE WOODY—\nFRASSINO TINTO NERO\nGATWICK —\n 82  83\n",43,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.44.png","ASTERIAS \nPATRICIA URQUIOLA\n 84  85\nAsterias a generously-sized round table, featuring \na central base reminiscent of the cactus from \nwhich it takes its name. It consists of six curved, \nwedge-shaped, wooden panels, applied protruding \nover the central plinth. The panels are 3D printed. \nThe top (160 or 180 cm) features a rounded \nedge sub-divided, into four wedges that give \nrise to an interesting geometric pattern. Asterias \ncan also be fitted with a practical accessory: a \ncentral Lazy Susan turntable, very popular in \nAsian countries. The table is available in wood, \ngraphite Oak, Sunrise Oak and Eucalyptus. \nAsterias, un tavolo rotondo dalle dimensioni generose, \ncaratterizzato da una base centrale che ricorda il cactus \nda cui prende il nome. È, infatti, composta da sei pannelli \nin legno curvato, a forma di spicchio, applicati a sbalzo \nsul plinto centrale. I pannelli sono realizzati con la \nparticolare tecnica dello stampaggio 3D. Il piano (160 o \n180 cm), dal bordo arrotondato, è suddiviso in quattro \nspicchi che danno luogo a un interessante disegno \ngeometrico. Asterias dispone inoltre di un pratico \naccessorio: un piatto girevole centrale (Lazy Susan), \nmolto apprezzato nei paesi asiatici. Il tavolo è disponibile \nin essenza, Rovere grafite, Rovere Sunrise e Eucalipto. \n",44,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.45.png","TABLE—\nGRAPHITE OAK \nTOP, BASE AND\nLAZY SUSAN\nGLOVE-UP CHAIRS—\nSAVANA S9322 LEATHER\nTAVOLO—\nPIANO, BASAMENTO, \nPIATTO GIREVOLE\nROVERE GRAFITE\nSEDIE GLOVE-UP—\nPELLE SAVANA S9322\n 86  87\nASTERIAS —\n",45,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.46.png","TABLE—\nGRAPHITE OAK \nTOP, BASE AND\nLAZY SUSAN\nGLOVE-UP CHAIRS—\nSAVANA S9322 LEATHER\nTAVOLO—\nPIANO, BASAMENTO, \nPIATTO GIREVOLE\nROVERE GRAFITE\nSEDIE GLOVE-UP—\nPELLE SAVANA S9322\nASTERIAS —\n 88  89\n 88  89\n",46,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.47.png","TABLE—\nEUCALYPTUS\nBASE AND TOP\nMHC.3 MISS CHAIR—\nHEM CARPET—\nTABLE WITH\nCENTRAL TURNTABLE—\nSUNRISE OAK\nBASE AND TOP\nTAVOLO—\nBASAMENTO E PIANO\nEUCALIPTO\nSEDIA MHC.3 MISS—\nTAPPETO HEM—\nTAVOLO CON\nPIATTO GIREVOLE—\nBASAMENTO E PIANO\nROVERE SUNRISE\n 90  91\nASTERIAS —\n",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.48.png"," 92  93\nFILIGREE \nRODOLFO DORDONI\nFiligree is a range of fixed size and extendable tables. \nDiecast aluminium frames underpin tops enhanced \nby a wide range of finishes. The technological devices \nadopted play a key role with telescopic extension systems, \nthin reinforced tops and dedicated surface treatments \nfor each type of material used. Fixed size rectangular \nand one extendable rectangular version enhance the \ndesign with functional features. \nFiligree è una serie di tavoli fissi ed allungabili. Strutture \nin alluminio pressofuso si sposano con piani in diverse \nfiniture. La tecnologia impiegata è protagonista \ndiscreta, con sistemi di allungamento telescopico, \npiani rinforzati a spessore ridotto, trattamenti delle \nsuperfici specifici per ogni tipo di materiale impiegato. \nPresenti versioni fisse, rettangolari e una versione \nallungabile rettangolare.\n",48,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.49.png","TABLE—\nBLACK NICKEL STRUCTURE,\nWHITE CARRARA MARBLE TOP\nCHELSEA CHAIRS—\nGRAPHITE OAK, \nHEM CARPET—\nTAVOLO—\nSTRUTTURA NICKEL NERO,\nPIANO MARMO BIANCO CARRARA\nSEDIE CHELSEA—\nROVERE GRAFITE,\nTAPPETO HEM—\nFILIGREE —\n 94  95\n 94  95\n",49,{"image":209,"text":210,"number":211},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.50.png","TABLE—\nEUCALYPTUS STRUCTURE,\nEMPERADOR DARK MARBLE TOP\nCHELSEA CHAIRS— \nTAVOLO—\nSTRUTTURA EUCALIPTO,\nPIANO MARMO EMPERADOR DARK\nSEDIE CHELSEA—\nFILIGREE —\n 96  97\n",50,{"image":213,"text":214,"number":215},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.51.png","TABLE—\nEUCALYPTUS STRUCTURE,\nEMPERADOR DARK MARBLE TOP \nSTRUCTURE, BLACK NICKEL\nWHITE CARRARA MARBLE TOP\nSTRUCTURE,\nTOP\n \nTAVOLO—\nSTRUTTURA EUCALIPTO,\nPIANO MARMO EMPERADOR DARK\nSTRUTTURA, NICKEL NERO\nPIANO MARMO BIANCO CARRARA\nSTRUTTURA,\nPIANO\n 98  99\nFILIGREE —\n",51,{"image":217,"text":218,"number":219},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.52.png"," 100  101\nARC \nFOSTER + PARTNERS\nA sculptural table, inspired by the technostructures. \nThe table Arc embodies the innovative concepts \nwhich distinguish it. The base shape is inspired by the \ntechnostructures currently used in modern building: a \nnew “light” cement which mixes colour and a special \nfibrous material obtaining resistant structures with a \nlow specific weight. Arc is available with round and \noval tops which come in glass or in marble. \nUn tavolo scultura che ripropone le forme delle \ntensostrutture. Il tavolo Arc incorpora diversi concetti \ninnovativi che lo distinguono. La forma del basamento \nsi ispira alle tecnostrutture spesso utilizzate nei moderni \nedifici, il materiale utilizzato: un nuovo cemento \n“leggero” che nel suo impasto incorpora, il colore ed \nuno speciale materiale fibroso che permette di ottenere \nstrutture resistenti caratterizzate da un basso peso \nspecifico. Arc è disponibile con piani rotondi e ovali \nin vetro o in marmo.\n",52,{"image":221,"text":222,"number":223},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.53.png"," 102  103\nTABLE—\nWHITE BASE,\nEXTRALIGHT GLASS TOP\nTABLE—\nBRICK RED CONCRETE BASE,\nEXTRALIGHT GLASS TOP\nBARBICAN CHAIR WITH ARMS—\nEUCALYPTUS BASE,\nNATURAL BONDED HIDE LEATHER—\nTAVOLO—\nBASAMENTO BIANCO,\nPIANO VETRO EXTRACHIARO\nTAVOLO—\nBASAMENTO CEMENTO MATTONE,\nPIANO VETRO EXTRACHIARO\nSEDIA CON BRACCIOLI BARBICAN—\nBASAMENTO EUCALIPTO,\nCUOIO RIGENERATO NATURALE—\nARC —\n",53,{"image":225,"text":226,"number":227},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.54.png","TABLE—\nBLACK BASE,\nBLACK MARQUINA MARBLE TOP\nOUTLINE CHAIRS—\nSIRIA S1291 LEATHER\nGRADUATE BOOKCASE—\nSUPPORTING TOP-SHELF AND SHELVES\nBLACK ALUMINIUM \nTAVOLO—\nBASAMENTO NERO,\nPIANO MARMO NERO MARQUINA\nSEDIE OUTLINE—\nPELLE SIRIA S1291\nLIBRERIA GRADUATE—\nPIANO DI SOSTEGNO E RIPIANI\nALLUMINIO NERO\n 104  105\nARC —\n",54,{"image":229,"text":230,"number":231},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.55.png","OVAL TABLE—\nBRONZE BASE,\nEXTRALIGHT GLASS TOP\nJANET CHAIRS—\nEUCALYPTUS STRUCTURE\nSIRIA S1230 LEATHER\nLOGOS SYSTEM—\nSTRIPE CARPET—\nTAVOLO OVALE—\nBASAMENTO BRONZO,\nPIANO VETRO EXTRACHIARO\nSEDIE JANET—\nSTRUTTURA EUCALIPTO\nPELLE SIRIA S1230\nSISTEMA LOGOS—\nTAPPETO STRIPE—\n 106  107\nARC —\n",55,{"image":233,"text":234,"number":235},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.56.png"," 108  109\nDIAMOND \nPATRICIA URQUIOLA\nA range of tables with wrapped and folded feet like a \ndelicate origami. The square or rectangular tops are \navailable in glass or marble, the support structure \nis either shiny aluminium, matt or glossy lacquered \n(pewter colour and copper excluded), copper or \npewter colour (metallic finishes). \nUna serie di tavoli dalla gamba piegata e incartata come \nun delicato origami. I piani, quadrati o rettangolari, \nsono disponibili in vetro o marmo, da comporre \ncon strutture di sostegno in alluminio lucido, laccato \nopaco o lucido (esclusi peltro e rame), rame o peltro \n(finiture metalliche).\n",56,{"image":237,"text":238,"number":239},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.57.png","TABLE—\nPEWTER STRUCTURE,\nGRAPHENE GLASS TOP\nTEA CHAIRS—\nBLACK OAK BASE\nKYLE KG696\nSTRIPE CARPET—\nTAVOLO—\nSTRUTTURA PELTRO,\nPIANO VETRO GRAFENE\nSEDIE TEA—\nBASAMENTO ROVERE NERO\nKYLE KG696\nTAPPETO STRIPE—\n 110  111\nDIAMOND —\n",57,{"image":241,"text":242,"number":243},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.58.png","TABLE—\nCOPPER STRUCTURE,\nSAHARA NOIR MARBLE TOP\nGLOVE-UP CHAIRS—\nTAVOLO—\nSTRUTTURA RAME,\nPIANO MARMO SAHARA NOIR\nSEDIE GLOVE-UP—\nDIAMOND —\n 112  113\n 112  113\n",58,{"image":245,"text":246,"number":247},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.59.png","TABLE—\nPEWTER STRUCTURE,\nSAHARA NOIR MARBLE TOP\nGLOVE CHAIRS—\nPAGLIA Z64PS FABRIC\nTAVOLO—\nSTRUTTURA PELTRO,\nPIANO MARMO SAHARA NOIR\nSEDIE GLOVE—\nTESSUTO PAGLIA Z64PS\nDIAMOND —\n 114  115\n",59,{"image":249,"text":250,"number":251},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.60.png"," 116  117\nWORK IS NOT PLAY, PLAY IS NOT\nWORK, NOT EVERYTHING CAN\nBE FORESEEN IN THE LIFE OF A\nHOME OR THE REQUIREMENTS OF\nITS INHABITANTS. BUT TODAY\nTHE TOOLS OF PLAY AND THOSE\nOF WORK, THOSE THAT INFORM\nAND THOSE THAT COMMUNICATE,\nARE ONE AND THE SAME. NOT\nEVERYTHING CAN BE FORESEEN IN\nTHE LIFE OF FURNITURE, BUT GOOD\nFURNITURE WILL ACCOMMODATE\nDIFFERENT OBJECTS AND\nINSTRUMENTS AND WILL ADAPT TO\nTHE MATERIAL PROBLEMS AND THE\nSPIRIT OF THE HOME’S INHABITANTS.\nIL LAVORO NON È UN GIOCO, IL GIOCO NON È UN LAVORO, NON TUTTO PUÒ ESSERE PREVISTO\nNELLA VITA DELLE CASE E NELLE ESIGENZE DELLE PERSONE. MA OGGI ACCADE CHE GLI STRUMENTI\nDEL GIOCO E QUELLI DEL LAVORO, QUELLI PER INFORMARSI E QUELLI PER COMUNICARE,\nSI IDENTIFICHINO E CONFONDANO. NON TUTTO PUÒ ESSERE PREVISTO NELLA VITA DI UN MOBILE,\nMA UN BUON MOBILE DEVE POTER ACCOGLIERE OGGETTI E STRUMENTI DIVERSI, DEVE POTERSI\nADATTARE AI PROBLEMI MATERIALI E ALLO SPIRITO DI CHI ABITA LA CASA.\nhome\n    office\n",60,{"image":253,"text":254,"number":255},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.61.png","D.847.1\nGIO PONTI\nMore than 70 years after its original design, the D.847.1\nconsole table is reborn thanks to the Heritage Collection \nreissue project by Molteni&C, in collaboration with \nthe Gio Ponti Archives. As with all the projects in the \nHeritage Collection, careful study of drawings, photos \nand period materials has made it possible to faithfully\nreproduce the D.847.1 desk in all its details, bringing \nback to life a masterpiece, inspired by the high level \nof craftsmanship in solid wood processing.\nDopo oltre 70 anni dal progetto originale, la consolle \nD.847.1 rinasce grazie al progetto di riedizioni Heritage \nCollection di Molteni&C, in collaborazione con i Gio \nPonti Archives. Come per tutti i progetti della collezione\nHeritage, lo studio attento di disegni, foto e materiali \nd’epoca ha permesso di riprodurre fedelmente lo \nscrittoio D.847.1 in tutti i dettagli, riportando alla luce \nun capolavoro, dettato dall’alta artigianalità della \nlavorazione del massello.\n 118  119\n",61,{"image":257,"text":258,"number":259},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.62.png","WRITING DESK—\nHONEY STAINED ASH \nWOOD STRUCTURE,\nSATIN BRASS FEET\nSCRITTOIO—\nSTRUTTURA\nFRASSINO TINTO MIELE,\nPIEDI OTTONE SATINATO\nD.847.1—\n 120  121\n",62,{"image":261,"text":262,"number":263},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.63.png","TOUCH DOWN UNIT\nSTUDIO KLASS\nTouch Down Unit, an innovative workstation designed \nby Studio Klass and originally thought for advanced \nwork environments and produced by UniFor (a Molteni \nGroup company), has become part of the Molteni&C \ncollection in its new home version. TDU, enhanced \nby a series of new and more homely finishes, has \nbeen reinterpreted and conceived as an autonomous, \ndiscreet workstation. A safe place where to leave the \nnecessary equipment to carry out your activity, may \nit be just sending an email or checking your schedule, \nthus becoming an object designed to meet individual \nrequirements which changes and comes to life as a \nspace for your personal items. The Touch Down Unit \nis discreet, autonomous and multitasking, allowing you \nto work from a chair, sofa, stool, or from a standing \nposition, thus ensuring your physical wellbeing and \nadapting to any space.\nTouch Down Unit l’innovativa workstation, design Studio \nKlass, pensata in origine per ambienti di lavoro evoluti \ne prodotto da UniFor (azienda del Gruppo Molteni), \nnella nuova versione home entra a far parte della \ncollezione Molteni&C. TDU arricchito anche da una \nserie di nuove finiture più vicine al mondo della casa,\nviene riletto e pensato come una postazione intima, \npersonale, un nido dove lasciare e ritrovare i propri \nstrumenti per svolgere un certo tipo di attività, dal \nmandare una mail al consultare la propria agenda, \ndiventando quindi un oggetto cucito sulla persona,\nmutando e prendendo vita insieme ai suoi oggetti ed \neffetti personali. Touch Down Unit è discreto, autonomo \ne multitasking, permette di lavorare da sedia, divano,\nsgabello, oppure stando in piedi garantendo cosi il \nbenessere fisico e adattandosi ad ogni spazio.\n 122  123\n",63,{"image":265,"text":266,"number":267},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.64.png","WORKSTATION—\nAMERICAN WALNUT TOP\nAND EXTERNAL SHELL BRONZE \nLACQUER CENTRAL BODY\nARMCHAIRS—\nWALTER\nCHAIRS—\nBARBICAN\nPOSTAZIONE DA LAVORO—\nTOP NOCE CANALETTO CORPO \nCENTRALE VERNICIATO BRONZO\nFINITURA UNIFOR\nPOLTRONE—\nWALTER\nSEDIE—\nBARBICAN\nTOUCH DOWN UNIT —\n 124  125\n 124  125\n",64,{"image":269,"text":270,"number":271},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.65.png","TDU—\nSHELL AND WORKTOP IN UNIFOR \nAMERICAN WALNUT FINISH\nCENTRAL BODY PAINTED BRONZE\nBARBICAN—\nPAINTED PEWTER COLOUR FINISH BASE\nMUD GREEN BONDED HIDE \nLEATHER  SHELL\nTDU—\nGUSCIO E TOP NOCE CANALETTO \nFINITURA UNIFOR\nCORPO CENTRALE VERNICIATO BRONZO\nBARBICAN—\nBASAMENTO VERNICIATO \nPELTRO\nSCOCCA CUOIO VERDE FANGO\nTOUCH DOWN UNIT —\n 126  127\n",65,{"image":273,"text":274,"number":275},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.66.png","NOTE \nMATTEO NUNZIATI\nThis desk is the result of the desire to create a \ncontemporary product with essential characteristics \nand very refined aesthetic and technical details \nthat demonstrate the woodworking expertise that \nMolteni&C. is devoted to maintaining. The top, positioned \nasymmetrically on the structure, has two trays carved \ninto its wood surface, and the central tray is covered \nin saddle leather. The wood on the rear is made with a \npronounced curved shape that allows it to hold small \ndrawers, which are also covered in saddle leather. \nThe legs are made with a complex three-dimensional \nwoodworking technique in which grooves are carved \ninto three sides of the piece. The resulting product \nshows a good balance of essential style and elegance, \nsimultaneously modern and linear while also refined \nand rich in expert cabinet-making details.\nIl progetto nasce dalla volontà di creare un prodotto \ncontemporaneo ma essenziale, molto ricercato nei \ndettagli estetici e tecnici, che esaltano tutta la maestria \ndella lavorazione del legno tanto cara a Molteni&C. \nIl piano di scrittura, posizionato assimetricamente, \nrispetto alla struttura, è dotato di due vassoi scavati \ndirettamente nel piano stessi, di cui quello centrale \nha un rivestimento in cuoio. La parte posteriore è \ncaratterizzata da un pronunciata curvatura del legno \nche permette l’alloggiamento di piccoli cassetti rivestiti \nanch’essi in cuoio. Le gambe, realizzate grazie ad una \ncomplessa tecnica di lavorazione tridimensionale del \nlegno, sono scavate su tre lati. Il risultato è un prodotto \nin equilibrio tra essenzialità ed eleganza, un prodotto \nmoderno e lineare ma allo stesso tempo raffinato e \nricco di dettagli di alta ebanisteria.\n 128  129\n",66,{"image":277,"text":278,"number":279},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.67.png","WRITING DESK—\nAMERICAN WALNUT\nSTRUCTURE AND TOP,\nDARK BROWN BONDED HIDE LEATHER\nMHC.3 MISS CHAIR—\nBLACK ASH,\nL200 LEATHER\nSCRITTOIO—\nSTRUTTURA E PIANO\nNOCE CANALETTO,\nCUOIO RIGENERATO TESTA DI MORO\nSEDIA MHC.3 MISS—\nFRASSINO NERO,\nPELLE L200\n 130  131\nNOTE —\n",67,{"image":281,"text":282,"number":283},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.68.png","SCRIBA \nPATRICIA URQUIOLA\nA writing desk with very clean lines and a decoratively \nperforated top support element that conveys a sense \nof lightness. Wood tops, a practical side drawer and \na clever bookshelf support element in lacquered \nsheet metal complete the desk.\nUno scrittoio dalle nitide linee dove, l’elemento di \nsostegno del piano di scrittura, si caratterizza per la \nleggerezza data dal decoro traforato. Piani in legno, \nun pratico cassetto laterale e un ingegnoso supporto \nreggilibri in lamiera laccata completano lo scrittoio.\n 132  133\n",68,{"image":285,"text":286,"number":287},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.69.png"," 134  135\nWRITING DESK—\nEUCALYPTUS,\nDOLOMITE GREY MATT LACQUER\nMHC.3 MISS CHAIR—\nBLACK ASH, L209 LEATHER\nHEM CARPET—\nSCRITTOIO—\nEUCALIPTO,\nLACCATO OPACO DOLOMITE\nSEDIA MHC.3 MISS—\nFRASSINO NERO, PELLE L209\nTAPPETO HEM—\nSCRIBA —\n 134  135\n",69,{"image":289,"text":290,"number":291},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.70.png","LESSLESS \nJEAN NOUVEL\nLessLess is a complete range of tables, rectangular and \nsquare, lacquered in different colours. An aluminium \nstructure the strength of which lies in a play on corners \nand folds. The external outline of the horizontal table \ntop is very thin and stiffness and it is obtained by \nbending the aluminium sheet along inclined planes. \nDesigned originally for the Fondation Cartier in Paris, \nthe LessLess tables stand out for intrinsic elegance \nand light lines in every environment. \nLessLess è una famiglia completa di tavoli, rettangolari \ne quadrati, laccati in diversi colori. Una struttura in \nalluminio, la cui resistenza è tutta affidata ad un gioco di \nspigoli e pieghe. Il profilo esterno del piano orizzontale \nè sottilissimo e la rigidità è ottenuta piegando la \nlamiera di alluminio secondo piani inclinati. Disegnati \noriginariamente per la Fondation Cartier a Parigi, i \ntavoli LessLess rivelano la loro estrema eleganza e \nleggerezza in ogni ambiente.\n 136  137\n",70,{"image":293,"text":294,"number":295},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.71.png","TABLE—\nCHALK WHITE MATT LACQUER\nMONTECATINI D.235.1 CHAIR—\nPOLISHED ALUMINIUM\nTAVOLO—\nLACCATO OPACO BIANCO CALCE\nSEDIA MONTECATINI D.235.1—\nALLUMINIO LUCIDATO\n 138  139\nLESSLESS —\n",71,{"image":297,"text":298,"number":299},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.72.png","SITTING ROUND A TABLE IS A RITUAL, \nAN EVERYDAY WAY OF COMING \nTOGETHER. TABLES AND CHAIRS \nPROVIDE THE BEATING HEART OF A \nHOME AROUND WHICH FURNITURE \nAND STORAGE UNITS, PLUS THEIR \nCONTENTS, ARE ARRANGED. \nCHAIRS ARE AWKWARD: THEY \nHAVE TO SUPPORT BODYWEIGHT \nWHILE TAKING SIZE, MOVEMENTS \nAND POSTURE INTO ACCOUNT. \nIT FOLLOWS THAT NOT ALL ITEMS  \nOF FURNITURE CAN MATCH IN  \nSHAPE OR STYLE BECAUSE THEY  \nHAVE TO SATISFY A VARIETY OF USES.\nSEDERSI ATTORNO AD UN TAVOLO È UN ATTO RITUALE, PICCOLA CERIMONIA QUOTIDIANA DELL’INCONTRO. \nTAVOLO E SEDIA SONO IL NUCLEO GENERATORE DELLA CASA ATTORNO AL QUALE SI DISPONGONO MOBILI  \nE CONTENITORI IN CUI RACCOGLIERE ORDINATAMENTE GLI OGGETTI E GLI STRUMENTI DI OGNI GIORNO.  \nLA SEDIA È UN OGGETTO DIFFICILE: DEVE REGGERE IL PESO DEL CORPO TENENDO CONTO DELLE SUE FORME,  \nDEI MOVIMENTI, DELLE POSTURE. PER QUESTO I MOBILI NON POSSONO OBBEDIRE A UNA SCELTA UNIVOCA  \nDI FORMA O DI STILE, MA DEVONO CORRISPONDERE A TANTE POSSIBILITÀ DI IMPIEGO.\nchairs\n 140  141\n",72,{"image":301,"text":302,"number":303},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.73.png","PORTA VOLTA \nHERZOG & DE MEURON\nThe Porta Volta Chair by Herzog & de Meuron \nmarks a new chapter of collaboration between \nthe historic brand Molteni&C and the renowned \ninternational architectural firm, long-term \npartners of the Molteni Group. The Porta Volta \nChair highlights the relationship between the \nupholstered seat and the solid timber back, the \ndefining element of the design. The floating \nbackrest extends around the perimeter of the \nseat in a U-shape, extending forward to create \nthe armrests, and resting on 3 intersecting \nwooden U-frames that feature a special curved \nbent “finger joint” detail at their rounded corners. \nThe structure is crafted from high-quality solid \nwoods - Eucalyptus, black Oak, Sunrise Oak, \ngraphite Oak or American walnut - ensuring \nexceptional durability and longevity. The \nthick padded seat, carefully rendered for the \nutmost comfort, is available in a wide range \nof fabrics, leather and in a special selection of \nMohair velvet. The exclusive fabric collection is \ncomposed of 4 special custom-made colours: \na bright sunflower yellow, a playful daisy pink, \na deep royal blue and a silver grey. The chair \nhas been imagined in two different sizes to \nallow for flexibility and a wider scope of use. \nThe first is suited for dining – with a height of \n71 cm, while the second, referred to as a low \nchair, is shorter at 66 cm and is intended for \na living or a sitting room. One of the standout \nfeatures of Porta Volta is the optional padding \non the backrest, a rectangular-shaped element \nthat latches onto the wooden beam, which is \nalso available in a range of fabrics and leathers.\nLa sedia Porta Volta by Herzog & de Meuron \nsegna un nuovo capitolo nella collaborazione \ntra lo storico brand Molteni&C e lo studio di \narchitettura di fama internazionale, partner di \nlunga data del Gruppo Molteni. La sedia Porta \nVolta evidenzia il rapporto tra la seduta imbottita \ne lo schienale rigido, elemento principale del \ndesign. Lo schienale segue il perimetro della \nseduta a formare una U, spingendosi in avanti \nper creare i braccioli, mentre una giunzione \na pettine, formata da tre elementi a forma di \nU intrecciati, lo collega al telaio sottostante e \nalle gambe. La struttura è realizzata con legno \nmassello di alta qualità: eucalipto, rovere nero, \nrovere sunrise, rovere grafite e noce canaletto, \nper una durata e una resistenza eccezionali. La \ngenerosa imbottitura della seduta, appositamente \nstudiata per regalare il massimo comfort, è \ndisponibile in una vasta gamma di tessuti, \npelli e una speciale selezione di velluto mohair. \nSono 4 gli speciali colori su misura che vanno \na comporre l’esclusiva collezione di tessuti: un \nvivace giallo girasole, un allegro rosa margherita, \nun intenso blu reale e un grigio argentato. La \nsedia è stata concepita in due diverse misure \nper una maggiore flessibilità e una più ampia \ndestinazione d’uso. La prima versione, alta 71 \ncm, è adatta agli ambienti dining, mentre la \nseconda, ribattezzata “low chair”, è pensata per il \nsoggiorno o lo studio, essendo leggermente più \nbassa (66 cm). Su richiesta, la sedia Porta Volta \npuò essere realizzata anche con lo schienale \nimbottito: alla fascia in legno si applica un \napposito elemento rettangolare, disponibile \nanch’esso in una serie di tessuti e pelli.\n 142  143\n",73,{"image":305,"text":306,"number":307},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.74.png"," 144  145\nCHAIR—\nBLACK OAK STRUCTURE,\nSUNFLOWER YELLOW\nMOHAIR VELVET\nOLD FORD TABLE—\nARCHWAY SIDEBOARD—\nEDGE CARPET—\nSEDIA—\nSTRUTTURA ROVERE NERO,\nVELLUTO MOHAIR\nSUNFLOWER YELLOW\nTAVOLO OLD FORD—\nMADIA ARCHWAY—\nTAPPETO EDGE—\nPORTA VOLTA —\n",74,{"image":309,"text":310,"number":311},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.75.png","LOW CHAIRS—\nSUNRISE OAK STRUCTURE,\nWEB W6243 FABRIC\nATALANTE CARPET—\nSEDIE LOW—\nSTRUTTURA ROVERE SUNRISE,\nTESSUTO WEB W6243\nTAPPETO ATALANTE—\nPORTA VOLTA —\n 146  147\n",75,{"image":313,"text":314,"number":315},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.76.png","CHAIRS—\nBLACK OAK STRUCTURE\nZARA ZI724 FABRIC\nDIAMOND TABLE—\nPEWTER STRUCTURE,\nGREEN ALPINE MARBLE TOP\nSTRIPE CARPET—\nSEDIE—\nSTRUTTURA ROVERE NERO\nTESSUTO ZAARA ZI724\nTAVOLO DIAMOND—\nSTRUTTURA PELTRO,\nPIANO MARMO VERDE ALPI\nTAPPETO STRIPE—\nPORTA VOLTA —\n 148  149\n",76,{"image":317,"text":318,"number":319},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.77.png","JANET\nVINCENT VAN DUYSEN\nFeaturing clean and delicate lines, Janet is the latest \ndesign by creative director Vincent Van Duysen \nto join Molteni&C’s rich collection of chairs. Janet \nis a chair with or without arms featuring a solid \nwood stained frame Eucalyptus, black Oak, Sunrise \nOak and coffee Oak. Smart and sturdy, it gives a \ncertain presence around a host of different tables. \nIts constituent parts are carefully and precisely \nrounded to create a harmonious whole. The frame, \nprinted and made ergonomic by a thin layer of \nsuperior polyurethane, is hooked onto the two \nstructure’s crossbars, top and bottom. The result \nis an exceptionally comfortable integrated system \nof chair and back that develops seamlessly. Janet \ncomes with textile or leather upholstery from the \nMolteni&C range.\nDalle linee pulite e delicate, Janet è il nuovo progetto \ndel direttore creativo Vincent Van Duysen che si inserisce \nnella ricca proposta di sedute Molteni&C. Janet è una \nsedia con e senza bracciolo, la cui struttura in legno \nmassello tinto Eucalipto, Rovere nero, Rovere Sunrise \ne Rovere caffé è solida e conferisce presenza a un \noggetto che può accompagnarsi a una moltitudine di \ntavoli diversi. Gli elementi che costituiscono la struttura \nsono arrotondati grazie a una lavorazione del legno \nattenta e precisa che crea un tutt’uno armonico. La \nscocca, stampata e resa ergonomica da un sottile strato \ndi poliuretano superiore, si aggancia alle due traverse, \ninferiore e superiore, della struttura. Il risultato è un \nsistema integrato di seduta e schienale che si sviluppa \nsenza soluzione di continuità e dal comfort eccezionale. \nJanet è proposta con rivestimenti in tessuto o pelle \nnella gamma Molteni&C.\n 150  151\n",77,{"image":321,"text":322,"number":323},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.78.png"," 152  153\nCHAIRS— \nEUCALYPTUS STRUCTURE \nKIWI KH520 FABRIC \nSEDIE—\nSTRUTTURA EUCALIPTO \nTESSUTO KIWI KH520\nJANET —\n",78,{"image":325,"text":326,"number":327},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.79.png","1 2 3 \nMICHAEL ANASTASSIADES\nIts name whimsically reflects the process \nof finding the ideal balance in the number \nof vertical slats adorning the backrest. After \nthoughtful consideration and testing, three \nslats were chosen, resulting in a structure that \nexudes elegance and lightness, embodying \na refined synthesis of design principles. “I’ve \nalways been drawn to chairs with open backs,” \nexplains Michael Anastassiades, shedding light \non the inspiration behind his creation. The \nabsence of material in such chairs imbues them \nwith visual lightness and a distinctive, iconic \nidentity. This guiding concept led the designer \non a journey of exploration, culminating in the \nselection of three precisely arranged vertical \nslats within a solid beech frame. Crafted and \nlacquered with care, the chair showcases \nseamless joinery techniques, enhancing its \nminimalist aesthetic. The 1 2 3 chair emerges \nas a versatile addition, enriching any setting \nwith its distinctive presence, characterized \nby geometric purity and graceful lightness.\nUn nome giocoso che sintetizza perfettamente \nl’esercizio di addizione nel trovare un numero \nminimo ed ottimale di listelli verticali nello \nschienale. Uno era troppo poco e due ancora \ntroppo preziosi, la scelta finale opta per tre, \ngiungendo alla sua struttura elegantemente \nrigorosa e leggera, che riflette una ponderata \nsintesi di concetti. “Ho sempre trovato più \nattraenti le sedie con lo schienale vuoto.” Michael \nAnastassiades esprime l’ispirazione alla base \ndi questo design, l’assenza di materiale nelle \nsedie con schienali vuoti conferisce loro una \nleggerezza visiva, un’identità iconica distintiva e \nattraente. Questo concetto ha guidato il processo \ncreativo del designer attraverso una ricerca di \nforma e intuizione fino alla scelta definitiva di \ntre listelli verticali, disposti con precisione netta \nall’interno di una struttura in massello di faggio. \nIl legno magistralmente raccordato dalle mani \nartigianali e impeccabilmente laccato senza \ngiunture visibili, infonde un pregio unico della \ntecnica della lacca, squisitamente in bilanciamento \ncon il minimalismo della forma. La sedia 1 2 3 si \nconfigura così come un elemento trasversale, \ncapace di arricchire qualsiasi spazio con la sua \npresenza distintiva caratterizzata dalla pulizia \ngeometrica ed elegante leggerezza.\n 154  155\n",79,{"image":329,"text":330,"number":331},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.80.png","1 2 3 —\n 156  157\nCHAIRS—\nGLOSSY BURGUNDY\nSTRUCTURE WITH\nL211 EXTRA LEATHER SEAT,\nGLOSSY BLACK STRUCTURE\nWITH L200 EXTRA LEATHER SEAT,\nARC TABLE—\nBLACK BASE,\nEXTRALIGHT GLASS TOP\nEONE CARPET—\nSEDIE—\nSTRUTTURA\nROSSO BORGOGNA LUCIDO\nCON SEDUTA PELLE EXTRA L211,\nSTRUTTURA NERO LUCIDO\nCON SEDUTA PELLE EXTRA L200\nTAVOLO ARC—\nBASAMENTO NERO,\nPIANO VETRO EXTRACHIARO\nTAPPETO EONE—\n",80,{"image":333,"text":334,"number":335},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.81.png","1 2 3 —\n 158  159\nCHAIRS—\nGLOSSY BLACK STRUCTURE\nWITH L200 EXTRA LEATHER SEAT\nARC TABLE—\nEONE CARPET—\nCHAIR—\nGLOSSY PETROLEUM BLE STRUCTURE\nWITH UL188 UTOPIA LEATHER SEAT\nSEDIE—\nSTRUTTURA NERO LUCIDO\nCON SEDUTA PELLE EXTRA L200\nTAVOLO ARC—\nTAPPETO EONE—\nSEDIA—\nSTRUTTURA PETROLIO LUCIDO\nCON SEDUTA PELLE UTOPIA UL188\n",81,{"image":337,"text":338,"number":339},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.82.png","TEA\nJASPER MORRISON\nThe Tea chair is a tribute to lightness. The structure, \ncompletely made of solid wood, outlines and reveals \nthe profile of the chair in its entirety. With Tea, the \nLondon designer redefines the concept of seating \nin a contemporary way, adapting it to all types \nof furniture, with stability and practicality being \nof primary importance. Its lines blend elegance \nand ergonomics in complete harmony to create \ncomfortable yet sophisticated seating. The seat and \nbackrest are available in the entire Molteni&C textile \nand leather collection.\nLa sedia Tea è un omaggio alla leggerezza. La struttura, \ncompletamente in massello, delinea e lascia percepire il \nprofilo della sedia nella sua totalità. Con Tea, il designer \nlondinese ridefinisce il concetto di seduta in modo \ncontemporaneo, adattandola a tutte le tipologie di \narredo, dove la robustezza e la praticità d’uso sono \ndi primaria importanza. Le linee di Tea si fondono in \ncompleta armonia fra eleganza ed ergonomia, al fine \ndi ricreare delle sedute confortevoli e allo stesso tempo \nsofisticate. Il sedile e lo schienale si declinano in tutta la\nCollezione tessile e pelle di Molteni&C.\n 160  161\n",82,{"image":341,"text":342,"number":343},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.83.png"," 162  163\nCHAIRS—\nBLACK OAK BASE,\nUE121 LEATHER\nHALF A SQUARE TABLE—\nATALANTE CARPET—\nSEDIE—\nBASE ROVERE NERO,\nPELLE UE121\nTAVOLO HALF A SQUARE—\nTAPPETO ATALANTE\nTEA —\n",83,{"image":345,"text":346,"number":347},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.84.png","DEVON\nRODOLFO DORDONI\nThe Milanese designer Rodolfo Dordoni, also a master \nof trendy contemporary furnishings, has designed \na collection of chairs suitable for any space and \ncircumstance. Four chairs, two bucket armchairs, \none bar stool with backrest and another without, \nthese are the components of the Devon collection. \nAll the frames are made of solid wood stained \nEucalyptus, graphite Oak, black Oak, Sunrise Oak, \ncoffee Oakveneers. Seats and backrests upholstered \nin fabric or leather chosen from the Molteni&C range. \nThe strong feature of the solid wooden frame balances \nthe fluid line of the backrests, blending ergonomics \nand elegance to create refined and comfortable chairs. \nEach element of the Devon collection expresses the \nvalue of craftsmanship, which is manifest in the way \nthe top quality materials are processed, with details \nexpressed with dedication and passion.\nRodolfo Dordoni, designer milanese, maestro dell’arredo \ncontemporaneo di tendenza, disegna una collezione \ndi sedute adatte ad ogni spazio e circostanza. Quattro \nsedie, due poltroncine a pozzetto, uno sgabello bar con \nsupporto lombare e uno senza, sono gli elementi che \ncompongono la collezione Devon. Tutte le strutture \nsono in massello tinto in essenza Eucalipto, Rovere \ngrafite, Rovere nero, Rovere Sunrise, Rovere caffé. \nSedute e schienale imbottite in tessuto o pelle scelti \ntra la gamma Molteni&C. Il segno forte della struttura \nin massello bilancia la linea fluida degli schienali \nfondendo ergonomia ed eleganza per dare vita a \nsedute confortevoli e raffinate. Ogni singolo elemento \ndella collezione Devon esprime il valore della maestria \nartigianale che trova evidenza nella lavorazione di \nmaterie prime di assoluta qualità con dettagli eseguiti \ncon cura e passione.\n 164  165\n",84,{"image":349,"text":350,"number":351},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.85.png","DEVON CHAIRS—\nBLACK OAK BASE,\nEXTRA L162 LEATHER\nVIBRAZIONI CARPET—\nSEDIE DEVON—\nBASAMENTO ROVERE NERO,\nPELLE EXTRA L162\nTAPPETO VIBRAZIONI—\nDEVON —\n 166  167\n",85,{"image":353,"text":354,"number":355},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.86.png"," 168  169\nDEVON—\nWONDER WG447 COVER\nBLACK OAK BASE\nVIBRAZIONI CARPET—\nDEVON—\nRIVESTIMENTO WONDER WG447\nBASAMENTO ROVERE NERO\nTAPPETO VIBRAZIONI—\nDEVON —\n",86,{"image":357,"text":358,"number":359},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.87.png","WOODY \nFRANCESCO MEDA\nThis solid wooden chair made of two finishes, Natural \nAsh and Black Stained Ash, features harmoniously \nlinked lines onto which the seat and backrest, both \nalso made of wood or covered with bonded hide \nleather, are placed. The totally and seamlessly jointed, \nscrew-free construction produces a lightweight, \norganic effect. Manual glueing with high tenacity \nglue. Plastic floor pads with kit of glides for different \nflooring types. The upholstery of the bonded hide \nleather version is not removable. The careful ergonomic \nstudy makes Woody comfortable, respecting the \ncorrect posture of the body.\nUna solida struttura in legno massello in due varianti, \nFrassino Naturale e Frassino tinto nero, caratterizzata da \nlinee armoniosamente raccordate su cui sono posizionati \nsedile e schienale anch’essi di legno oppure rivestiti \nin cuoio rigenerato. La soluzione costruttiva senza \nalcuna vite realizzata interamente ad incastri produce \nun’immagine unitaria e leggera. Incollaggio manuale \ncon collanti ad alta tenacità. Appoggi a terra in materiale \nplastico con puntali in kit per le diverse pavimentazioni. \nNella versione in cuoio rigenerato il prodotto non è \nsfoderabile. L’attento studio ergonomico rende Woody \nconfortevole, rispettando la corretta postura del corpo.\n 170  171\n",87,{"image":361,"text":362,"number":363},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.88.png","CHAIRS—\nASH WOOD IN NATURAL COLOUR,\nSEAT AND BACKREST\nDOVE GREY BONDED HIDE LEATHER;\nASH WOOD STAINED BLACK,\nSEAT AND BACKREST\nBLACK BONDED HIDE LEATHER;\nASH WOOD IN NATURAL COLOUR;\nASH WOOD STAINED BLACK\nSEDIE—\nFRASSINO NATURALE,\nSEDILE E SCHIENALE\nCUOIO RIGENERATO TORTORA;\nFRASSINO TINTO NERO,\nSEDILE E SCHIENALE\nCUOIO RIGENERATO NERO;\nFRASSINO NATURALE;\nFRASSINO TINTO NERO\nWOODY —\n 172  173\n",88,{"image":365,"text":366,"number":367},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.89.png","BARBICAN \nRODOLFO DORDONI\nA series of comfortable chairs suitable for all sorts of \nsettings. The design is based on a built-in padded seat, \nopen or complete with armrests, the stiff polyurethane \nframe of which can be fully upholstered in textiles \nor leather, or alternatively the two materials that \nhighlight the wrap-around shape of the chair. The \nseat can have three types of bases made of different \nmaterials such as wood or metal in two versions, \nmaking Barbican perfect for use in diverse contexts. \nThe wooden base with linked curves is perfect for \nimportant tables. The metal base, with its modern \ndesign, is perfect both round a table and with home \noffice desks or console tables. The tubular version \nis light and airy, ideal for contract projects where \nruggedness and practicality are prime considerations. \nBarbican is a versatile design that redefines the chair \nin a contemporary style.\nUna serie di comode sedie adatte a tutte le tipologie \ndi arredo. Il progetto è basato sulla seduta imbottita \nintegrata, aperta o dotata di braccioli, la cui scocca, in \npoliuretano rigido, può essere rivestita in tessuto o pelle, \ntotalmente o utilizzando alternativamente i due materiali \nche ne evidenziano la forma avvolgente. Alla seduta è \npossibile abbinare tre tipi di basamenti composti da \nmateriali differenti come legno o metallo in due versioni, \nrendendo Barbican perfetta per l’utilizzo in contesti diversi. \nIl basamento di legno con curve raccordate è perfetto per \naccostarsi a tavoli importanti. Quello in metallo, moderno \nnel progetto, è perfetto sia attorno ad un tavolo che con \nscrivanie o consolle dedicate all’home office. Quello \ntubulare è leggero ed aereo, adattissimo a realizzazioni \ncontract dove la robustezza e la praticità d’uso sono di \nprimaria importanza. Barbican è un progetto poliedrico \nche ridefinisce la sedia in modo contemporaneo.\n 174  175\n",89,{"image":369,"text":370,"number":371},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.90.png","CHAIRS—\nBASE ALUMINIUM DIE-CAST\nPEWTER COLOUR PAINT,\nBACKREST SHELL\nUNIQUE UE130 LEATHER,\nSEAT SHELL—\nEUCALYPTUS STRUCTURE AND TOP\nSAFIRE FABRIC\nPALETTE CARPET—\nSEDIE—\nBASAMENTO ALLUMINIO PRESSOFUSO\nVERNICIATO PELTRO,\nSCOCCA SCHIENALE\nPELLE UNIQUE UE130,\nSCOCCA SEDILE—\nSTRUTTURA E PIANO EUCALIPTO\nTESSUTO SAFIRE\nTAPPETO PALETTE—\n 176  177\nBARBICAN —\n",90,{"image":373,"text":374,"number":375},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.91.png","BARBICAN —\nCHAIR—\nPEWTER COLOUR PAINT\nMETAL BASE,\nUNIQUE UE195 LEATHER\nBACKREST SHELL,\nSUNNIVA 2 ZE591 FABRIC\nSEAT SHELL\nCHAIR WITH ARMS—\nPEWTER COLOUR PAINT\nMETAL BASE,\nSUNNIVA 2 ZE591 FABRIC\nBACKREST SHELL AND\nSEAT SHELL\nSEDIA—\nBASAMENTO METALLICO\nVERNICIATO PELTRO,\nSCOCCA SCHIENALE\nPELLE UNIQUE UE195,\nSCOCCA SEDILE \nTESSUTO SUNNIVA 2 ZE591\nSEDIA CON BRACCIOLI—\nBASAMENTO METALLICO\nVERNICIATO PELTRO,\nSCOCCA SCHIENALE\nE SCOCCA SEDILE\nTESSUTO SUNNIVA 2 ZE591\n 178  179\n",91,{"image":377,"text":378,"number":379},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.92.png","D.235.1 MONTECATINI \nGIO PONTI\nChair designed originally in 1938 for the first Palazzo \nMontecatini in Milan. This re edition is produced based \non the original drawings from the Gio Ponti Archives. \nEntirely built from polished aluminium D.235.1.\nSedia disegnata originariamente nel 1938 per il primo \nPalazzo Montecatini di Milano. La riedizione è prodotta sulla \nbase dei disegni originali custoditi nei Gio Ponti Archives. \nRealizzata completamente in alluminio lucidato D.235.1.\n 180  181\n",92,{"image":381,"text":382,"number":383},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.93.png","CHAIR—\nPOLISHED ALUMINIUM \nTABLE—\nCHALK WHITE MATT LACQUER\nSEDIA —\nALLUMINIO LUCIDATO\nTAVOLO—\nLACCATO OPACO BIANCO CALCE\nD.235.1 MONTECATINI —\n 182  183\n",93,{"image":385,"text":386,"number":387},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.94.png","MHC.3 MISS \nTOBIA SCARPA\nThe form is linked to a system of soft, unbroken, linear \nrhythms. The legs are slim and divaricated, to ensure \nstability. The front ones are bent to form the armrests \nand continue into the curve of the backrest. The back \nlegs reach the backrest from behind, underpinning \nit. The seat is inserted between the lines and links \nthem. Tobia Scarpa has re-designed the armrest joint \nto make the chair comfier and more linear. Structure \nin natural or black tinted ash, seat in leather, fabric or \nhand woven, ecru or grey, paper cord. \nLa forma è riportata a un sistema di ritmi di linee, con \nun segno morbido e continuo. Le gambe sono sottili \ne divaricate, per acquistare stabilità. Quelle anteriori si \npiegano a formare i braccioli e proseguono nella curva \ndello schienale. Le posteriori raggiungono lo schienale \nda dietro, per puntellarlo. Il sedile si inserisce tra le linee \ne le raccorda. Tobia Scarpa ha ridisegnato il giunto \ndei braccioli, per renderla più lineare e confortevole. \nStruttura in frassino naturale o tinto nero, seduta in pelle, \ntessuto o in corda intrecciata nei colori ecrù e grigio.\n 184  185\n",94,{"image":389,"text":390,"number":391},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.95.png","CHAIRS—\nBLACK\nAND NATURAL ASH,\nPAPER CORD\nGREY AND ECRU COLOURS,\nL200, L209 LEATHERS \nSEDIE—\nFRASSINO\nNERO E NATURALE,\nCORDA\nCOLORI GRIGIO E ECRÙ,\nPELLI L200, L209\n 186  187\nMHC.3 MISS —\n",95,{"image":393,"text":394,"number":395},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.96.png","CHAIR—\nBLACK ASH,\nPAPER CORD GREY COLOUR\nHEM CARPET—\nCHAIR—\nBLACK ASH,\nL209 LEATHER \nSEDIA—\nFRASSINO NERO,\nCORDA COLOR GRIGIO\nTAPPETO HEM—\nSEDIA—\nFRASSINO NERO,\nPELLE L209\n 188  189\nMHC.3 MISS —\n",96,{"image":397,"text":398,"number":399},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.97.png","CHELSEA \nRODOLFO DORDONI\nThe value of handcraftsmanship is expressed in the \nmasterful use of high quality raw materials: wood, \nfabric and leather. Details were designed and applied \nwith passion and care, which underscores the versatile \nnature and appeal of these pieces. Available with \ncompletely removable cover, for both fabric and \nleather versions. Wood finishes: Eucalyptus,  Sunrise \nOak, coffee Oak, graphite Oak, black Oak; silica, moka \nand black glossy lacquered finishes.\nTutto il valore di una maestria artigianale si esprime \nnella lavorazione di materie prime di assoluta qualità, \ndal legno al tessuto alla pelle, con particolari fatti \ncon cura e passione che garantiscono il fascino a \nqueste sedute estremamente versatili. Prodotto \ncompletamente sfoderabile sia nelle versioni in \ntessuto che in pelle. Finiture essenza: Eucalipto, \nRovere Sunrise, Rovere caffé, Rovere grafite, Rovere \nnero; laccato lucido silice, moka e nero.\n 190  191\n",97,{"image":401,"text":402,"number":403},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.98.png","CHAIRS—\nGRAPHITE OAK,\nKUPIDO FABRIC\nFILIGREE TABLE—\nBLACK NICKEL STRUCTURE,\nWHITE CARRARA MARBLE TOP\nHEM CARPET—\nSEDIE—\nROVERE GRAFITE,\nTESSUTO KUPIDO\nTAVOLO FILIGREE—\nSTRUTTURA NICKEL NERO,\nPIANO MARMO BIANCO CARRARA\nTAPPETO HEM—\nCHELSEA —\n 192  193\n",98,{"image":405,"text":406,"number":407},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.99.png","CHAIRS—\nBLACK OAK,\nSAFIRE ZF613 FABRIC,\nSIRIA S1222 LEATHER \nSEDIE—\nROVERE NERO,\nTESSUTO SAFIRE ZF613,\nPELLE SIRIA S1222\n 194  195\nCHELSEA —\n",99,{"image":409,"text":410,"number":411},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.100.png","GLOVE \nPATRICIA URQUIOLA\nA whole range of unconventional seating solutions: \nflexible aerial surfaces at the service of comfort. \nGlove, a technological structure coupled with \nstrategic padding, won the Chicago Athenaeum \nGood Design Award in 2007. Leather or fabric: \nfluid shake and continuous profiles where the \ndetail of a curve creates a silhouette without any \nadditions or accessories.\nSedute anticonvenzionali, pensate come aeree \nsuperfici elastiche al servizio del comfort. Una \nstruttura tecnologica accoppiata a strategiche \nimbottiture, Glove ha vinto The Chicago Athenaeum \nGood Design Award 2007. Disponibile in pelle o \ntessuto, è caratterizzata da forme fluide e profili \ncontinui, dove il dettaglio di una curva genera il \ndisegno senza aggiunte o accessori.\n 196  197\n",100,{"image":413,"text":414,"number":415},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.101.png","CHAIRS—\nPAGLIA Z64PS FABRIC\nDIAMOND TABLE—\nBLACK MATT LACQUER STRUCTURE,\nSAHARA NOIR MARBLE TOP\nSEDIE—\nTESSUTO PAGLIA Z64PS\nTAVOLO DIAMOND—\nSTRUTTURA LACCATO OPACO NERO,\nPIANO MARMO SAHARA NOIR\nGLOVE —\n 198  199\n",101,{"image":417,"text":418,"number":419},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.102.png","GLOVE-UP \nPATRICIA URQUIOLA\nGlove-Up is the evolution of a rigorous design \ntheme, featuring sinuous, moulded and softly \nlinked lines. A balance of forms which, from the \nfluid line of the backrest, flows into the lightness \nof the legs. An inviting chair or small armchair, \nupholstered in fabric or leather, make Glove-\nUp fun and versatile, suitable for any classic or \ncontemporary setting.\nGlove-Up rappresenta l’evoluzione di un tema \nprogettuale rigoroso, caratterizzato da linee sinuose, \nplasmate e morbidamente raccordate. Un equilibrio di \nforme che, dalla linea fluida dello schienale, confluisce \nnella leggerezza delle gambe. Sedia o poltroncina \ndal comfort accattivante, rivestite in tessuto o pelle, \nrendono Glove-Up spiritosa e versatile, adatta ad ogni \nambiente classico o contemporaneo.\n 200  201\n",102,{"image":421,"text":422,"number":423},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.103.png","OUTLINE \nARIK LEVY\nOutline is the ideal companion for all tables due to the \nmultitude of available versions: in full fabric or leather, \nor fabric and leather with metal legs. With Outline, \ncomfort meets functionality over time, thanks to an \nergonomic seat and multiple upholstery options.\nOutline è la compagna ideale di tutti i tavoli grazie \nalla molteplicità delle versioni disponibili: totalmente \nin tessuto o pelle, in tessuto e pelle con gambe in \nmetallo. Outline è la comodità abbinata alla funzionalità \nnel tempo, grazie ad una seduta ergonomica e ai \nmolteplici rivestimenti.\n 202  203\n",103,{"image":425,"text":426,"number":427},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.104.png","CHAIR—\nLUXOR L1610 LEATHER\nSEDIA—\nPELLE LUXOR L1610\n 204  205\nOUTLINE —\n",104,{"image":429,"text":430,"number":431},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.105.png","ALFA \nHANNES WETTSTEIN\nAlfa was born from the union of just two pieces: one \nis the back, which continues into the rear legs; the \nother is the seat that extends into the front legs. \nBoth pieces are in composite of polyester and resin, \nfibre-glass reinforced. Alfa can be matt lacquered. \nAlfa nasce dall’accoppiamento di due soli pezzi: uno \nè lo schienale che prosegue nelle gambe posteriori; \nl’altro è la seduta che si prolunga nelle gambe anteriori. \nEntrambi i pezzi sono in composito di resine e poliestere \nrinforzato con fibra di vetro. Alfa viene realizzata \nverniciata opaca.\n 206  207\n",105,{"image":433,"text":434,"number":435},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.106.png","CHAIRS—\nANTHRACITE, CHALK\nWHITE MATT COLOURS\nCHAIRS—\nANTHRACITE MATT COLOUR\nARC TABLE—\nWHITE BASE,\nEXTRALIGHT GLASS TOP\nSEDIE—\nCOLORI OPACHI,\nANTRACITE, BIANCO CALCE\nSEDIE—\nCOLORE OPACO ANTRACITE\nTAVOLO ARC—\nBASAMENTO BIANCO,\nPIANO VETRO EXTRACHIARO\n 208  209\nALFA —\n",106,{"image":437,"text":438,"number":439},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.107.png","FURNITURE IS ROOTED IN THE GREAT,\nPOSITIVE, ARTISAN TRADITION\nAND YET, CONTINUITY, HISTORICAL\nREFERENCES AND MEMORY SIT\nUNEASILY WITH AN OPEN, INCLUSIVE,\nEXPERIMENTAL APPROACH THAT TRIES\nTO INCORPORATE NEW TECHNOLOGIES\nAND NEW SOLUTIONS. PROFILES\nBEVELS, JOINS, DIFFERENT MATERIALS\nALL MAKE UP THE INHERENT POETRY\nOF PERFECTION AND DETAIL. MUCH OF\nTHE BEAUTY OF FURNITURE LIE\nPRECISELY IN THIS PERFECTION.\nI MOBILI HANNO RADICI IN UNA GRANDE E POSITIVA TRADIZIONE ARTIGIANALE: E TUTTAVIA,CONTINUITÀ, \nRIFERIMENTO E MEMORIA CONVIVONO IN DIFFICILE EQUILIBRIO CON UN ATTEGGIAMENTO SPERIMENTALE\nE APERTO, INCLUSIVO, CHE PROVA AD INCORPORARE NUOVE TECNOLOGIE E NUOVE SOLUZIONI.\nSAGOME, SMUSSI, ATTACCHI, PASSAGGI DI MATERIE, COSTITUISCONO DALL’INTERNO UNA POETICA DELLA\nPERFEZIONE E DEL DETTAGLIO. IN QUESTA PERFEZIONE STA MOLTA DELLA BELLEZZA DEI MOBILI.\nsingle units\n  and bookcases\n",107,{"image":441,"text":442,"number":443},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.108.png","LIVING BOX\nVINCENT VAN DUYSEN\nLiving Box was conceived as an independent item of \nfurniture, usable in any room of the house, but mainly \nsuitable for the living room. Despite its reduced size, it \nretains the rigour and monumentality of the building \nit derives from, accentuating its details by means of \nquality materials. Living Box is a low, but large (230, \n280, 330, 380) doorless rectangular container, in which \nthe outside and inside contrast with each other via \nthe use of different materials. The top features marble \nand different woods, specially arranged to decorate \nthe surface. The whole is enclosed within an iris and \npewter frame, thread-like if seen from above, but forming \na thick profile surrounding the inside space if seen \nfrom the front. The top can be fitted and integrated \nwith trunking, useful for facilitating connections of \nany kind between multimedia equipment, TVs or \nlighting equipment. The rest of the top can be left \nfree or used to display artistic or personal ornaments. \nSuffused lighting is provided by Leds. The inside space \nis completely free and devoid of sharp corners thanks \nto special curved corner-covers. The space created \nin this way allows any type of object to be displayed \nat will. If this scenographic solution does not fit the \npurpose, one or more sober and elegant sets of \ndrawers can be added, with an iris and pewter, or a \nwood finish and featuring a sober and elegant design. \nThese occupy the free space, concealing what is useful \nbut preferably not visible.\nLiving Box è un contenitore rettangolare, basso, di \ngrandi dimensioni (230, 280, 330, 380) e privo di \nante, in cui esterno ed interno si contrappongono \nattraverso l’utilizzo di materiali diversi. L’esterno è \ncaratterizzato da una grande superficie d’appoggio, \ndove marmi ed essenze sono utilizzate per decorarne \nil piano tramite particolari disposizioni geometriche \ndei materiali impiegati. Il tutto è racchiuso in una \ncornice, in iris e peltro, all’apparenza filiforme se vista \ndall’alto, ma che vista di fronte si trasforma in un \nvero e proprio profilo a forte spessore che contorna \nil vano interno. Il piano può essere predisposto e \nintegrato con passacavi, utili a facilitare i collegamenti \ndi qualsiasi genere tra apparecchiature multimediali, \nTV o apparecchi di illuminazione. Il rimanente spazio \ndi appoggio può restare libero o essere utilizzato \nper appoggiare oggetti artistici o di affezione. La \nluce a Led lo illumina in modo soffuso. Lo spazio \ninterno è completamente libero e privo di angoli \nacuti grazie a speciali copri-angoli curvi. Lo spazio \ncosì creato è disponibile ad accogliere qualsiasi tipo \ndi oggetto che si voglia appoggiare e mostrare. Se \nquesta soluzione scenografica risultasse all’apparenza \nnon funzionale è possibile aggiungere una o più \ncassettiere, con finitura iris e peltro o in essenza, dal \ndisegno sobrio ed elegante che vanno a popolare \nlo spazio libero nascondendo ciò che è utile ma si \npreferisce non rivelare.\n 212  213\n",108,{"image":445,"text":446,"number":447},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.109.png","CUPBOARD—\nSUNRISE OAK STRUCTURE— \nBRECCIA CAPRAIA MARBLE \nTOP IRIS TOP FRAME\nDRAWERS—\nIRIS\nMADIA—\nSTRUTTURA ROVERE SUNRISE— \nTOP MARMO BRECCIA CAPRAIA \nCORNICE TOP IRIS\nCASSETTI—\nIRIS\nLIVING BOX —\n 214  215\n",109,{"image":449,"text":450,"number":451},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.110.png","CUPBOARD—\nSUNRISE OAK STRUCTURE AND TOP— \nPEWTER COLOUR TOP \nFRAME DRAWERS—\nPEWTER COLOUR\nMADIA—\nSTRUTTURA E TOP ROVERE SUNRISE— \nCORNICE TOP PELTRO\nCASSETTI—\nPELTRO\nLIVING BOX —\n 216  217\n",110,{"image":453,"text":454,"number":455},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.111.png","CUPBOARD—\nSUNRISE OAK STRUCTURE AND TOP\nPEWTER COLOUR TOP \nFRAME DRAWERS—\nPEWTER COLOUR\nMADIA—\nSTRUTTURA E TOP ROVERE SUNRISE— \nCORNICE TOP PELTRO\nCASSETTI—\nPELTRO\nLIVING BOX —\n 218  219\n",111,{"image":457,"text":458,"number":459},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.112.png","CUPBOARD—\nEUCALYPTUS STRUCTURE \nSAHARA NOIR TOP\nIRIS FRAME TOP DRAWERS—\nEUCALYPTUS IRIS PROFILE\nMADIA—\nSTRUTTURA EUCALIPTO\nTOP SAHARA NOIR CORNICE \nTOP IRIS CASSETTI—\nEUCALIPTO PROFILO IRIS\nLIVING BOX —\n 220  221\n",112,{"image":461,"text":462,"number":463},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.113.png","CUPBOARD—\nEUCALYPTUS STRUCTURE— \nSAHARA NOIR TOP\nIRIS FRAME TOP DRAWERS—\nEUCALYPTUS IRIS PROFILE\nMADIA—\nSTRUTTURA EUCALIPTO\nTOP SAHARA NOIR CORNICE \nTOP IRIS CASSETTI—\nEUCALIPTO PROFILO IRIS\nLIVING BOX —\n 222  223\n 222  223\n",113,{"image":465,"text":466,"number":467},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.114.png","CUPBOARD—\nEUCALYPTUS STRUCTURE AND TOP— \nPEWTER COLOUR FRAME \nTOP DRAWERS—\nPEWTER COLOUR\nMADIA—\nSTRUTTURA E TOP EUCALIPTO \nCORNICE TOP PELTRO\nCASSETTI—\nPELTRO\nLIVING BOX —\n 224  225\n",114,{"image":469,"text":470,"number":471},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.115.png","LIVING BOX—\nEUCALYPTUS STRUCTURE— \nEMPERADOR DARK TOP\nPEWTER FRAME TOP\nDRAWERS—\nEUCALYPTUS PEWTER COLOUR PROFILE\nLIVING BOX—\nSTRUTTURA EUCALIPTO\nTOP EMPERADOR DARK \nCORNICE TOP PELTRO \nCASSETTI—\nEUCALIPTO PROFILO PELTRO\nLIVING BOX —\n 226  227\n 226  227\n",115,{"image":473,"text":474,"number":475},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.116.png","ARCHWAY \nRODOLFO DORDONI\nArchway owes its striking form to its stylish \nand modern silhouette. The sideboard’s door \nis embellished with a slightly cantilevered \nmetal profile with respect to the top, which \ntraces the handle with a rigorous line. \nIn the centre, an open compartment with a \ndrawer provides a central volume, creating a \nsense of movement.  Archway is available in \ntwo lengths, 242 and 270 cm, while the plinth \nis 18 cm in height and hides an integrated \ndrawer, allowing for added versatility within \nthe design. Beautifully finished on both \nsides, it can be placed against a wall or in \nthe centre of a room as a dividing element. \nThe sideboard can be customised in all the \nglossy lacquered shades available in the \nMolteni&C catalogue, including the new pine \ngreen and almond white colours, allowing for \ninfinite possibilities to easily be combined with \nany interior palette. The top, in contrast with \nthe structure, is available in coffee oak wood \nor marble. The marble proposal ranges from \ncalacatta, sahara noir to black marquina in \nmatte or glossy polyester versions, offering a \nwide range of options to customise the aesthetic. \nThe integrated handles are the epitome \nof attention to detail: cut at a 45-degree \nangle, they give a unique and precious look. \nThe interior shelves are in smoked glass.\nThe versatile Archway is perfect for the dining \nor living area. \nLa struttura colpisce per un nuovo concetto \ncompositivo caratterizzato da una silhouette \nelegante e dal sapore moderno. L’anta è \nimpreziosita da un profilo metallico \nleggermente a sbalzo rispetto al top, per \ndeterminare, con un tratto rigoroso, la maniglia. \nAl centro un vano a giorno corredato da un \ncassetto, che fornisce un volume centrale \ncavo che conferisce movimento. Archway è \ndisponibile in due lunghezze, 242 cm e 270 \ncm ed è caratterizzata da una base di 18 cm di \naltezza, che nasconde al suo interno un pratico \ncassetto, consentendone maggiore versatilità.\nSplendidamente rifinita su entrambe i lati, \npuò essere posizionata contro una parete o al \ncentro di una stanza come elemento divisorio.\nLa madia è personalizzabile nelle tonalità \nlaccate lucide disponibili a catalogo, tra le quali i \nnuovi pine green e almond white, consentendo \ninfinite possibilità di caratterizzazione, per \nabbinarla con facilità ad ogni interno. Il piano, in \ncontrasto rispetto alla struttura, è disponibile in \nessenza rovere caffè o in marmo. La proposta \ndei marmi spazia tra il calacatta, il sahara \nnoir e il nero marquina in versione opaco o \npoliestere lucido, offrendo un’ampia gamma \ndi opzioni per personalizzarne l’estetica. \nLe gole delle ante rappresentano l’emblema \ndella cura al dettaglio: tagliate con un angolo \ndi 45 gradi, conferiscono un aspetto unico e \nprezioso. Le mensole interne sono in vetro fumé.\nLa madia Archway è perfetta per la zona \npranzo o per il soggiorno, grazie alla sua \nversatilità di utilizzo.\n 228  229\n",116,{"image":477,"text":478,"number":479},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.117.png","ARCHWAY —\n 230  231\n",117,{"image":481,"text":482,"number":483},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.118.png","SIDEBOARD—\nPINE GREEN\nGLOSSY LACQUER\nSTRUCTURE AND DOORS,\nCOFFEE OAK DRAWERS,\nCALACATTA MARBLE\nTOP AND OPEN COMPARTMENT\nMADIA—\nSTRUTTURA E ANTE\nLACCATO LUCIDO\nPINE GREEN,\nCASSETTI ROVERE CAFFÈ,\nTOP E VANO A GIORNO\nMARMO CALACATTA\nARCHWAY —\n 232  233\n",118,{"image":485,"text":486,"number":487},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.119.png","HORIZONS\nDANTE BONUCCELLI\nWith Horizons, a cupboard for the daytime area, Dante \nBonuccelli proposes a different way of storing, and at \nthe same time displaying muchloved objects. Two tip-up \ndoors, which, when closed, reveal the contents thanks \nto both the transparent stopsol glass and the internal \nLED lighting, and when open, folded back against the\nside of the piece for full access to the internal space, \ntransform the cupboard like a chameleon. Inside \nthe exquisitely detailed graphite Oak or coffee Oak \nstructure, the two suspended drawers and the top \nshelf, which re-divides the space, are enhanced with \ncalacatta marble or Sahara noir. The pewter colour \nframed and transparent stopsol glass doors are \navailable with or without the graphite Oak or coffee \nOak cross pieces. The former feature asymmetrically \nplaced horizontal profiles, reminiscent of a shed that \nonly partially reveals the inside, increasing curiosity \nabout its contents. Designed as a cupboard for the \ndining area, thanks also to useful accessories such as \nthe cutlery holder and the Eco Skin drawer bottom, \nor as a vitrine for precious objects.\nDante Bonuccelli con Horizons, mobile contenitore per \nl’area giorno, propone un diverso modo di contenere e \nnel contempo mostrare oggetti di affezione. Due ante \nbasculanti, che chiuse rivelano il contenuto grazie al \nvetro stopsol trasparente e alla illuminazione interna\nLED, o aperte, ripiegate e affiancate alla struttura laterale \nper un accesso totale allo spazio interno, danno vita \nad un oggetto che si trasforma “camaleonticamente”. \nAll’interno della struttura in Rovere grafite o Rovere \ncaffé, dettagli preziosi, i due cassetti sospesi e la \nmensola superiore che ridivide lo spazio, arricchiscono \nquesto prodotto gli schienali in marmo calacatta o \nSahara noir. Le ante nella sua cornice peltro e vetro \nstopsol trasparente, sono disponibili con e senza \ntraversini rivestiti in Rovere grafite o Rovere caffé. \nLe prime si connotano per i profili orizzontali posti \nassimetricamente, quasi a dar vita ad uno “shed” che \nmostra solo parzialmente l’interno, aumentando la \ncuriosità per il suo contenuto. Pensato come madia \nper la zona dining, grazie anche agli utili accessori \ncome porta posate e il fondo dei cassetti in Eco Skin, \noppure come contenitore vetrina per oggetti di pregio.\n 234  235\n",119,{"image":489,"text":490,"number":491},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.120.png","ADRIEN \nVINCENT VAN DUYSEN\nAdrien expresses a desire to present a new series \nof storage units, conceptually avantgarde both in \ntechnological and in aesthetic terms. Adrien is a \nfortunate combination of purity of form and exclusive \nmaterials and technologies, blended harmoniously \nand with a focus on key visual and tactile aspects. In \nAdrien the structural aluminium thickness is reduced \nto a minimum, allowing the Stopsol glass and the built-\nin LED lighting system of the shelves to enhance the \nappeal of the objects displayed. The back panel can \nbe made of wood or glass to highlight the complete \ntransparency of the object.\nAdrien nasce dalla volontà di presentare una nuova \nserie di madie concettualmente all’avanguardia sia \ntecnologicamente che sotto il profilo estetico. Adrien \nrappresenta una felice combinazione tra purezza delle \nforme, uso di materiali e tecnologie esclusive che si \ncompongono armoniosamente dove l’aspetto visivo e \ntattile riveste grande importanza. In Adrien si riduce al \nminimo lo spessore strutturale in alluminio, lasciando \nche il Vetro Stopsol e il sistema di illuminazione a LED \nintegrato nei ripiani, valorizzi al massimo gli oggetti \nesposti. Lo schienale può essere in essenza o vetro \nper dare la completa trasparenza all’oggetto.\n 236  237\n",120,{"image":493,"text":494,"number":495},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.121.png"," 238  239\nCUPBOARD—\nEUCALYPTUS,\nPEWTER FINISH GLASS\nDOOR FRAME,\nTRANSPARENT STOPSOL GLASS,\nLED LIGHTING BARS\nRANDOM CARPET—\nMADIA—\nEUCALIPTO,\nTELAIO ANTE VETRO\nPELTRO,\nVETRO STOPSOL TRASPARENTE,\nBARRE ILLUMINANTI A LED\nTAPPETO RANDOM—\nADRIEN —\n",121,{"image":497,"text":498,"number":499},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.122.png"," 240  241\nCUPBOARD—\nEUCALYPTUS,\nEMPERADOR DARK MARBLE TOP,\nPEWTER FINISH GLASS\nDOOR FRAME,\nTRANSPARENT STOPSOL GLASS,\nLED LIGHTING BARS\nMADIA—\nEUCALIPTO,\nTOP MARMO EMPERADOR DARK,\nTELAIO ANTE VETRO\nPELTRO,\nVETRO STOPSOL TRASPARENTE,\nBARRE ILLUMINANTI A LED\nADRIEN —\n",122,{"image":501,"text":502,"number":503},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.123.png"," 242  243\nTEOREMA \nRON GILAD\nA unit with open compartments or drawers \nused as a single unit or stacked in a linear or \noffset mode, to create night tables, chests of \ndrawers or modular systems for the living area. \nThe construction is a perfect fusion of precision \nmechanical working and artisanal skills in the \nfolding and gluing of the piece. \nElemento singolo o composto sovrapponendo \nvari elementi per dare vita a comodini, cassettiere, \ncomposizioni per la zona living lineari o disassate. La \nrealizzazione è il perfetto connubio tra la precisione \ncentesimale della lavorazione meccanica e la \nsapienza artigianale nella piegatura e nell’incollaggio \ndella struttura. \n",123,{"image":505,"text":506,"number":507},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.124.png"," 244  245\nDRAWER UNIT—\nSPIRAL COMPOSITION\nAMERICAN WALNUT,\nSHINY CHROME HANDLE\nCONTENITORE—\nCOMPOSIZIONE A SPIRALE\nNOCE CANALETTO,\nMANIGLIA CROMO LUCIDO\nTEOREMA —\n",124,{"image":509,"text":510,"number":511},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.125.png","CARTEGGIO \nALDO ROSSI\nA wood writing desk with drawers and pull out top \nprotected by a blind. To organize and rearrange \nour daytime. \nMobile secretaire a cassetti in essenza, con ripiano \nestraibile protetto da una tapparella scorrevole. Per \norganizzare e riordinare le nostre giornate.\n 246  247\n",125,{"image":513,"text":514,"number":515},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.126.png","D.655.1 D.655.2 \nGIO PONTI\nChest of drawers designed in several versions in the \nperiod from 1952 to 1955. This re edition is produced \nbased on the original drawings from the Gio Ponti \nArchives. Marked by hand-painted white drawer \nfronts with applied handles in various wood kinds \n(elm, italian walnut, mahogany and rosewood). The \nelmwood frame rests on satin brass feet. \nComò disegnato in diverse varianti tra il 1952 e il 1955. \nLa riedizione è prodotta sulla base dei disegni originali \ncustoditi nei Gio Ponti Archives. È caratterizzato dai \nfrontali dei cassetti verniciati a mano in colore bianco \ncon maniglie applicate di varie essenze (olmo, noce \nnazionale, mogano e palissandro). La struttura in \nessenza di olmo è sostenuta da piedi in ottone satinato.\n 248  249\n",126,{"image":517,"text":518,"number":519},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.127.png"," 250  251\nCHEST OF DRAWERS—\nELM, ITALIAN WALNUT,\nMAHOGANY, ROSEWOOD,\nWHITE HAND-PAINTED,\nSATIN BRASS\nD.153.1 ARMCHAIR—\nCASSETTONE—\nOLMO, NOCE NAZIONALE,\nMOGANO, PALISSANDRO,\nVERNICIATO A MANO BIANCO,\nOTTONE SATINATO\nPOLTRONA D.153.1—\nD.655.1 —\n",127,{"image":521,"text":522,"number":523},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.128.png","MHC.1 \nWERNER BLASER\nMHC.1 is a new edition of the prototype of the first \nmodern piece of furniture made by Molteni&C, the \nchest of drawers designed by Werner Blaser. Thought \nit was never produced industrially, in 1955 it won first \nprize at the Cantù “Prima mostra selettiva - Concorso \ninternazionale del mobile”, a competition designed to \nre-qualify the image of Italian furniture making. The \njury was made up of Gio Ponti, Alvar Alto, Romano \nBarocchi, Carlo de Carli and Finn Juhl. The unusual \njoinery features a simple three-fork joint. After issuing \na limited edition run of 100 numbered pieces, two new \nnon-numbered versions are available in the new finishes \nhoney stained pattern wood and black ash wood.\nMHC.1 è una riedizione del prototipo del primo mobile \nmoderno realizzato da Molteni&C, il cassettone \ndisegnato da Werner Blaser. Mai entrato in produzione, \nvince il primo premio al concorso internazionale di \nCantù del 1955 , la 1° Selettiva, indetto per riqualificare \nl’immagine produttiva italiana. La giuria è composta \nda Gio Ponti, Alvar Alto, Romano Barocchi, Carlo de \nCarli e Finn Juhl. Particolare il sistema costruttivo \nbasato sulla giunzione semplice a triplice forcella. \nDopo una prima riedizione limitata di 100 pezzi \nnumerati, è ora disponibile in due nuove versioni \nnon numerate nelle inedite finiture emien tinto miele \ne frassino tinto nero.\n 252  253\n",128,{"image":525,"text":526,"number":527},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.129.png"," 254  255\nCHEST OF DRAWERS—\nHONEY STAINED PATTERN WOOD\nCASSETTIERA—\nEMIEN TINTO MIELE\nMHC.1 —\n",129,{"image":529,"text":530,"number":531},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.130.png","D.357.1 D.357.2 \nGIO PONTI\nDesigned in 1956-1957, the bookcase is part of the \nfurniture of Gio Ponti’s private house in via Dezza \nin Milan. This re edition is produced based on the \noriginal drawings from the Gio Ponti Archives. Made \nfrom shaped multi-layered material with elm veneer, \npartly with natural transparent finish, partly hand-\npainted in white. Available in the versions with or \nwithout applied mirror. \nDisegnata tra il 1956 e il 1957, la libreria fa parte degli \narredi dell’abitazione privata di Gio Ponti in via Dezza a \nMilano. La riedizione è prodotta sulla base dei disegni \noriginali custoditi nei Gio Ponti Archives. Realizzata in \nmultistrato sagomato con rivestimento in olmo, in parte \ncon finitura trasparente naturale, in parte verniciato \na mano in colore bianco. È disponibile nella versione \ncon o senza specchiera applicata.\n 256  257\n",130,{"image":533,"text":534,"number":535},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.131.png"," 258  259\nBOOKCASE—\nELM,\nWHITE HAND-PAINTED\nD.154.2 ARMCHAIR—\nPANNA COTTA COFFEE TABLE—\nLIBRERIA—\nOLMO,\nVERNICIATO A MANO BIANCO\nPOLTRONA D.154.2—\nTAVOLINO PANNA COTTA—\nD.357.1 —\n",131,{"image":537,"text":538,"number":539},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.132.png","D.355.1 D.355.2 \nGIO PONTI\nAn object that the great Milanese architect was to \nre-design several times over the years, re-fashioned \nin the version for his via Dezza house in Milan, \nelmwood, hand-painted white, 240 or 195 cm long, \nwith two partitions. \nUn oggetto che il grande architetto milanese ridisegna \npiù volte nel corso degli anni, rieditato nella versione \nper la sua casa di via Dezza a Milano, finitura in olmo, \nverniciato bianco a mano, 240 o 195 cm di lunghezza, \ncon due divisori.\n 260  261\n",132,{"image":541,"text":542,"number":543},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.133.png"," 262  263\nSUSPENDED BOOKCASES—\nELM,\nWHITE HAND-PAINTED\nD.154.2 ARMCHAIRS—\nHEM CARPET—\nLIBRERIE SOSPESE—\nOLMO,\nVERNICIATO A MANO BIANCO\nPOLTRONE D.154.2—\nTAPPETO HEM—\nD.355.1 —\n",133,{"image":545,"text":546,"number":547},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.134.png","MHC.2 \nYASUHIKO ITOH\nMHC.2 is a re-edition of the bookcase prototype \ndesigned in 1959 by Yasuhiko Itoh. Made in curved \nwood, a complex process for that time period, it won an \naward at the 3rd edition of the Selettiva competition in \nCantù del 1959. This piece is both elegant and refined. \nAfter issuing a limited edition run of 100 numbered \npieces, this item is now available as a standard, non-\nnumbered piece in curved wood covered in walnut.\nMHC.2 è una riedizione del prototipo della libreria \ndisegnata nel 1959 da Yasuhiko Itoh. Realizzata in \nlegno curvato, lavorazione complessa per l’epoca, \nfu premiato alla 3° edizione della Selettiva di Cantù \ndel 1959. Il risultato è un pezzo elegante e raffinato. \nDopo una prima riedizione limitata di 100 pezzi \nnumerati, è ora disponibile in serie non numerata \nin legno curvato rivestito in noce.\n 264  265\n",134,{"image":549,"text":550,"number":551},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.135.png"," 266  267\nBOOKCASE—\nCURVED WOOD WITH\nAMERICAN\nWALNUT FINISH\nLIBRERIA—\nLEGNO CURVATO\nRIVESTITO\nDI NOCE CANALETTO\nMHC.2 —\n",135,{"image":553,"text":554,"number":555},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.136.png","CARD \nMICHAEL ANASTASSIADES\nCard marks a new chapter in the quest \nfor furniture that embodies the needs of \nmodern living while maintaining a high level \nof technological innovation. A testament to \nrigorous research and development, the Card \nbookcase focuses on intricate details, with \neach element crafted to perfection. Of fered \nin black oak, the freestanding structure houses \nauthentic technological marvels, including \nsatin brass finish joints that elegantly connect \nthe horizontal planes to the vertical uprights. \nMaterial juxtaposition is a hallmark of Michael \nAnastassiades’ design philosophy, evident in \nthe Card bookcase through the inclusion of \na Sahara noir marble shelf. Structurally, the \nbookcase offers four different compositional \npossibilities: high shelf, low shelf, console, \nbedside table.\nLa libreria Card rappresenta un nuovo \ncapitolo nella ricerca di prodotti concepiti \nper interpretare le esigenze dell’abitare \ncontemporaneo, mantenendo costantemente \nelevato il livello di sperimentazione tecnologica. \nL’impegno nella ricerca e sviluppo si concentra \nsui dettagli, elementi minutamente curati e \nsempre al centro dell’attenzione di Molteni&C. \nLa struttura freestanding è proposta in rovere \nnero e racchiude al suo interno autentici \ngioielli tecnologici, come i giunti in finitura \nottone satinato, distintivi e volutamente visibili, \nche collegano in modo ortogonale i piani \norizzontali ai montanti verticali. L’accostamento \ndei materiali è un aspetto attraverso il quale \nMichael Anastassiades esprime la sua poesia, \nnella libreria Card opta infatti per l’inserimento \ndi un ripiano in marmo Sahara noir, un tono su \ntono con il rovere nero contraddistinto dalla \ndiversità dei materiali, creando un’interessante \ncontrapposizione. Strutturalmente, si offrono in \ntotale quattro possibilità compositive proposte \na catalogo: libreria alta, libreria bassa, console \ne comodino.\n 268  269\n",136,{"image":557,"text":558,"number":559},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.137.png","CARD BOOKCASE—\nBLACK OAK STRUCTURE, \nBRASS JOINTS, SAHARA NOIR \nMARBLE SHELF, BRASS JOINTS\nPORTA VOLTA CHAIR—\nLESS LESS TABLE—\nLIBRERIA CARD—\nSTRUTTURA ROVERE NERO, \nGIUNTI OTTONE, MENSOLA \nMARMO SAHARA NOIR\nSEDIA PORTA VOLTA—\nTAVOLO LESS LESS—\n 270  271\nCARD —\n",137,{"image":561,"text":562,"number":563},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.138.png","CARD —\n 272  273\np. 270-271\nBOOKCASE—\nBLACK OAK STRUCTURE,\nBRASS JOINTS,\nSAHARA NOIR MARBLE SHELF\nLESSLESS TABLE—\nBLACK MATT LACQUER\nPORTA VOLTA CHAIR—\nEUCALYPTUS STRUCTURE\nWEB W6233 FABRIC\nVIBRAZIONI CARPET—\np. 270-271\nLIBRERIA—\nSTRUTTURA ROVERE NERO,\nGIUNTI OTTONE,\nMENSOLA MARMO SAHARA NOIR\nTAVOLO LESSLESS—\nLACCATO OPACO NERO\nSEDIA PORTA VOLTA—\nSTRUTTURA EUCALIPTO\nTESSUTO WEB W6233\nTAPPETO VIBRAZIONI—\n\u003C\n",138,{"image":565,"text":566,"number":567},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.139.png","GRADUATE \nJEAN NOUVEL\nJean Nouvel has designed a brilliant wall structure \nresolved in a single shelf anchored to the wall or to \nthe ceiling. Slender steel braces support adjustable \nshelves in wood and aluminium that seem to float \nin the air thanks to invisible support mechanisms. \nTransparency and lightness in space made up of air. \nJean Nouvel ha disegnato una virtuosistica struttura \nsospesa, risolta da un’unica mensola ancorata a parete \no a soffitto. Esili tiranti in acciaio reggono i ripiani \nregolabili in legno e alluminio, che paiono galleggiare \nnel vuoto grazie a invisibili meccanismi di sostegno. La \nleggerezza della trasparenza in un volume fatto di aria.\n 274  275\n",139,{"image":569,"text":570,"number":571},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.140.png"," 276  277\nBOOKCASE—\nBLACK ALUMINIUM SHELVES\nSTAINLESS STEEL TIE RODS\nMARGOU ARMCHAIRS—\nMARTEEN SEATING SYSTEMS—\nLIBRERIA—\nRIPIANI IN ALLUMINIO NERO\nTIRANTI IN ACCIAIO INOX\nPOLTRONE MARGOU—\nSISTEMA DI SEDUTE MARTEEN—\nGRADUATE —\n",140,{"image":573,"text":574,"number":575},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.141.png","BOOKCASE—\nSUPPORTING TOP-SHELF AND SHELVES\nNATURAL ALUMINIUM\nGLOVE CHAIR—\nSIRIA S1211 LEATHER\nDOMINO POUF—\nLIBRERIA—\nPIANO DI SOSTEGNO E RIPIANI\nALLUMINIO NATURALE\nSEDIA GLOVE—\nPELLE SIRIA S1211\nPOUF DOMINO—\nGRADUATE —\n 278  279\n",141,{"image":577,"text":578,"number":579},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.142.png","PIROSCAFO\nALDO ROSSI, LUCA MEDA\nAldo Rossi and Luca Meda have designed a piece \nof architecture; a large facade featuring regularly \nspaced windows and inspired by the Regione Umbria \nheadquarter’s facade in Perugia. A bookcase with glass \nfront and Eucalyptus wood or lacquered structure and \na metal front matt lacquered. Piroscafo is a versatile \nhome cupboard - a bookcase for the study, a display \ncabinet for the living room or a sideboard for the kitchen.\nThe new façade lacquered in a warm Spice colour with \nEucalyptus interiors re-proposes a classic piece in a \ncontemporary version without betraying its origins \nas a rigorous but functional piece of furniture. The \ndimensions reflect current production.\nAldo Rossi e Luca Meda disegnano una vera e propria \narchitettura, una grande facciata scandita dal ritmo \nregolare delle finestre e ispirata alla facciata della \nsede della Regione Umbria a Perugia. Una libreria \nvetrata con struttura in Eucalipto o laccata e facciata \nmetallica laccata in colori opachi. Piroscafo è un \nversatile e raffinato magazzino domestico: libreria \nnello studio, vetrina in soggiorno, madia in cucina.\nLa nuova facciata laccata in un caldo colore Spice \ncon interni in Eucalipto ripropone un classico in una \nversione contemporanea senza tradire le sue origini \ndi arredo rigoroso ma funzionale. Le dimensioni \nrispecchiano la produzione corrente.\n 280  281\n",142,{"image":581,"text":582,"number":583},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.143.png"," 282  283\nBOOKCASE—\nCHALK WHITE FRONT,\nEUCALYPTUS STRUCTURE\nOVAL TABLE ARC—\nGREY BASE,\nEXTRALIGHT GLASS TOP\nMONTECATINI D.235.1 CHAIRS—\nPOLISHED ALUMINIUM \nLIBRERIA—\nFACCIATA BIANCO CALCE,\nSTRUTTURA EUCALIPTO\nTAVOLO OVALE ARC—\nBASAMENTO GRIGIO,\nPIANO VETRO EXTRACHIARO\nSEDIE MONTECATINI D.235.1—\nALLUMINIO LUCIDATO\nPIROSCAFO —\n",143,{"image":585,"text":586,"number":587},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.144.png","D.950.1 \nGIO PONTI\nFramed mirrors designed in 1950 in three several sizes. \nMade of white hand-painted solid wood. \nCornici con specchio disegnate nel 1950 in tre diverse \ndimensioni. Sono realizzate in massello verniciato a \nmano in colore bianco.\n 284  285\n",144,{"image":589,"text":590,"number":591},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.145.png","HECTOR MIRROR \nVINCENT VAN DUYSEN\nFrom the stylistic line of the Hector night system \ncomes Hector Mirror, a mirror dictated by extreme \nminimalism. Hector Mirror can be hung on the wall \nor placed on the floor, available in bronze and pewter \nfinishes with an aluminium frame. With its contemporary \ncharacter, it fits into any environment, from the living \nto the sleeping area.\n• Wall\u002Ffloor-mounted mirror: W 750 X H 1900 mm\n• Wall-mounted mirror: L 1200 X H 500 mm\nDalla linea stilistica del sistema notte Hector nasce \nHector Mirror, uno specchio dettato dal minimalismo \nestremo. Hector Mirror può essere appeso a parete \no appoggiato a terra, declinato nelle finiture bronzo \ne peltro con telaio in alluminio. Con il suo carattere \ncontemporaneo, si posiziona in ogni ambiente, dal \nliving alla zona notte.\n• Specchio a parete \u002F terra: L 750 X H 1900 mm\n• Specchio a parete: L 1200 X H 500 mm.\n 286  287\n",145,{"image":593,"text":594,"number":595},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.146.png"," 288  289\nATALANTE\n \nAURA\n \nD.754.1\n \nDEDALO\nDUNA\nEDGE\n \nEONE \nHEM\n \nPALETTE\n \nRANDOM \nSONORO \nSTRIPE\nTELARO\nVIBRAZIONI\ncarpet\ncollection\n",146,{"image":597,"text":598,"number":599},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.147.png","Rug of an unusual geometric form, designed in 1954, \nas a prototype, for the Ponti’s house on via Dezza in \nMilan. Made of “Pony” leather in four colours: white, \nbrown, black, beige.\nTappeto dall’insolita forma geometrica, disegnato nel \n1954 come prototipo per la casa Ponti di via Dezza a \nMilano. Realizzato in pelle di cavallino a quattro colori: \nbianco, marrone, nero, beige.\nD.754.1\nGIO PONTI\nDimensions \u002F Dimensioni\n240 x 245 cm \nPony leather\nPelle di cavallino\nBEIGE\nWHITE\nBROWN\nBLACK\n 290  291\n",147,{"image":601,"text":602,"number":603},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.148.png","Natural hemp fibres, hand woven according to ancient \ncarpet weaving techniques, feature geometric surfaces \nof simple and elegant modernity. Distinct backgrounds, \nmodulated like a musical score, become delightful \ndecorative motifs in the material and in the natural \ncolour combinations.\nLa fibra naturale di canapa, tessuta a mano secondo \nantiche tecniche del tappeto intrecciato, disegnano \nsuperfici geometriche di semplice ed elegante \nmodernità. Campiture nette, ritmate come una partitura \nmusicale, diventano motivo decorativo che trova la \nsua preziosità nella materia e nella naturalezza degli \nabbinamenti cromatici.\nDimensions \u002F Dimensioni\n300 x 200 cm\n300 x 300 cm\n400 x 300 cm\n500 x 400 cm\nHand-tufted\nHeight fleece 12 mm\n100% Hemp\nTaftato a mano\nSpessore 12 mm\n100% Canapa\nATALANTE by Ruckstuhl\nNICOLA GALLIZIA\nVULCANO\nDESERT\nLAVA\n 292  293\n",148,{"image":605,"text":606,"number":607},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.149.png","Aura, designed in Italy by Nicola Gallizia for Molteni&C. is \na rug produced in the Kathmandu valley in Nepal. The \nglossy and matt effects achieved by using vegetable silk \nand wool, which respond differently to the light, produce \na refined and subtle monochromatic finish. The border, \nskillfully finished with scissors, completes the rug and adds \na touch of elegance. The entire rug production process \nis performed by hand, from carding the raw materials \nto weaving right through to finishing.\nAura firmato da Nicola Gallizia per Molteni&C è un tappeto \ndisegnato in Italia e prodotto nella valle di Kathmandu, \nNepal. Gli effetti lucido ed opaco, dati dal contrasto seta \nvegetale e lana, restituiscono un comportamento diverso \nalla luce, che rende percepibile la raffinatezza del contrasto \nmonocromatico. La bordura maestralmente realizzata \na forbice in fase di finissaggio, completa il tappeto e \naggiunge un tocco  di eleganza. L’intero processo di \nproduzione del tappeto viene realizzato a mano.\nAURA\nNICOLA GALLIZIA\nDimensions \u002F Dimensioni\n300 x 100 cm\n300 x 250 cm\n400 x 300 cm\nØ 300 cm \nHand Loom\nHeight fleece 6 mm\nHeight border 3 mm\nNgari wool pile \nrug with a Tibetan wool \nand viscose  \n(or bamboo silk) twill\nTelaio a mano\nSpessore vello 6 mm\nSpessore bordura 3 mm\nVello in lana Ngari \ne un twill di lana \ntibetana e viscosa \n(o seta vegetale)\nPETROLEUM BLUE\nANTHRACITE\nJADE\nBORDEAUX\nSAGE\n 294  295\n",149,{"image":609,"text":610,"number":611},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.150.png","The Dedalo rug is characterised by a rigorous geometry \nand refined colours that are always the protagonists \nof the design, harmoniously integrating in the new \neveryday concept of the home. The project marks the \nfirst collaboration with the prestigious Maison Pierre \nFrey which, with over eighty years of experience, is a \nleader in the production of wonderful fabrics for curtains\nand upholstery. The exceptional know-how of Maison \nPierre Frey thus combines with Molteni&C’s obsession for \nquality and detail to create a project with an innovative \ndesign and strong visual impact.\nDedalo si caratterizza per una geometria rigorosa \ne da cromie ricercate e sempre protagoniste nel \nprogetto, in grado di integrarsi con armonia al nuovo \nconcetto quotidiano di casa. Il progetto segna una \nprima collaborazione con la prestigiosa Maison Pierre \nFrey che, con oltre ottanta anni di storia, è leader nella \nproduzione di meravigliosi tessuti per tendaggi e imbottiti. \nL’eccezionale know-how della Maison Pierre Frey si \nunisce così all’ossesione per la qualità e per i dettagli di \nMolteni&C nella creazione di un progetto innovativo nel \ndesign e dal forte impatto visivo.\nDimensions \u002F Dimensioni\n400 x 200 cm\n300 x 300 cm\n400 x 300 cm\n500 x 300 cm \nHand-tufted with carving\nHeight fleece 15 mm\n70% Tencel\n30% Wool\nTaftato a mano con carving\nSpessore 15 mm\n70% Tencel\n30% Lana\nDEDALO by Pierre Frey\nMARTA FERRI\nORANGE SPARK\nSOFT GREY\n 296  297\n",150,{"image":613,"text":614,"number":615},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.151.png","Inspired by the geometric impermanence of the \ndesert dunes, Duna is made of wool and bamboo \nplatted in various thicknesses to produce the effect \nof furrows of sand. Its modularity gives rise to an \nelegant and simple decorative effect. Handcrafted \nusing the manual tufting method, Duna is available \nin three versions of warm and natural colors: Ivory, \nTobacco and Anthracite.\nIspirato all’impermanenza geometrica delle dune del \ndeserto, Duna è realizzato in lana e bambù intrecciati in \nvari spessori per produrre l’effetto dei solchi di sabbia. \nLa ripartizione in moduli dà vita ad un effetto decorativo \nall’insegna dell’eleganza e della semplicità. Realizzato \nartigianalmente con metodo tufting manuale, Duna è \ndisponibile in tre versioni di colori naturali ed accoglienti: \nIvory, Tobacco e Anthracite.\nDimensions \u002F Dimensioni\n400 x 200 cm\n300 x 300 cm\n400 x 300 cm\n500 x 300 cm\nHand-tufted\nHeight fleece 12 mm\nDensity 5 kg\u002Fmq\n75% New Zeland Wool\n25% Bamboo\nTaftato a mano\nSpessore 12 mm\nPeso 5 kg\u002Fmq\n75% New Zeland Wool\n25% Bamboo\nDUNA\nNICOLA GALLIZIA\nANTHRACITE\nTOBACCO\nIVORY\n 298  299\n",151,{"image":617,"text":618,"number":619},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.152.png","Wool and linen, materials from the most sophisticated \ntradition of carpet manufacturing, mixed in a new way \nfor a new soft and bright feel. The conventional edge \nof the carpet, which frames the central field, reinvents \nthe decoration using the colours of our memory. It is \na return to simple and elegant chromatic lines. \nLana e lino, materia della più sofisticata tradizione del \ntappeto, mescolate in maniera nuova diventano una \ninedita superficie morbida e luminosa. Il tradizionale \nbordo del tappeto che riquadra la campitura centrale, \nreinventa la decorazione utilizzando colori della \nmemoria riportandola a segno grafico e cromatico \nsemplice ed elegante.\nEDGE\nNICOLA GALLIZIA\nDimensions \u002F Dimensioni\n300 x 300 cm\n400 x 300 cm\n500 x 300 cm\nØ 500 cm \nHand-tufted\nHeight fleece 18 mm\nGradient border 40 cm \n80% Mohair wool\n20% Linen\nTaftato a mano\nSpessore 18 mm\nGradiente bordo 40 cm\n80% Lana mohair \n20% Lino\nGREEN GRADIENT BORDER\nMOON GRADIENT BORDER\nROSE GRADIENT BORDER\nBLUE GRADIENT BORDER\nBROWN GRADIENT BORDER\n 300  301\n",152,{"image":621,"text":622,"number":623},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.153.png","EONE\nNICOLA GALLIZIA\nIVORY\nEBONY\nSAND\nBARK\nDimensions \u002F Dimensioni\n400 x 200 cm\n400 x 300 cm\n500 x 400 cm\nCustom \u002F Su misura \nHand-tufted\nHeight fleece 3 cm\nDensity 5,5 kg\u002Fmq \n100% Bamboo \nTaftato a mano\nSpessore 3 cm\nDensità 5,5 kg\u002Fmq \n100% Bamboo\nEone offers a luxurious long-pile rug that enchants \nwith its tactile allure and creates an irresistibly \ninviting ambiance. Crafted exclusively from 100% \nbamboo yarn, renowned for its refreshing qualities \nand minimal ecological footprint, Eone delivers a \nsensorial experience like no other. \nEone offre una raffinata opzione di tappeto a pelo lungo, \npiacevole al tatto in ogni stagione e apprezzato per \nl’irresistibile atmosfera di accoglienza che sa creare. \nLa sensoriale esperienza tattile di questo tappeto è \nresa possibile grazie al filato esclusivamente in bambù \nal 100%, una materia prima nota per le sue qualità di \nfreschezza e sempre più ricercata per il suo ridotto \nimpatto ecologico. \n 302  303\n",153,{"image":625,"text":626,"number":627},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.154.png","Dimensions \u002F Dimensioni\n300 x 250 cm\n400 x 300 cm\nØ 250 cm \nHand knotted\nHeight fleece 6 mm\nDensity  \n86.000 knots\u002Fmq \n100% Bamboo silk \nRealizzati a mano \nSpessore 6 mm\nDensità  \n86.000 nodi\u002Fmq \n100% Bamboo silk\nSAND\nSTONE\nHEM by G.T.Design\nPATRICIA URQUIOLA\nRugs return to their original purpose as islands or \nplaces where people sit down together and forget their \ndaily worries. Always different, they express a blend \nof the highest western creativity and ancient Asian \ncraft traditions. From the long-standing partnership \nbetween Molteni&C and Patricia Urquiola, a new family \nof products. This combination uses natural materials \nto create a harmonious rug collection.\nIl tappeto ritorna all’antica funzione di isola, dove ritrovarsi \ne dimenticare gli affanni quotidiani. Sempre diverso, \nperché frutto dell’incontro tra la più alta creatività \noccidentale e la millenaria artigianalità asiatica. La \nlunga collaborazione tra Molteni&C e Patricia Urquiola \nsi arricchisce di una nuova famiglia di prodotti. Ed è \nproprio questo incontro, unito a materiali naturali a \ndar vita a una collezione di tappeti di grande armonia.\n 304  305\n",154,{"image":629,"text":630,"number":631},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.155.png","A collection consisting of matter and colour, the \ndecorative peculiarity of these carpets is their essential \nelegance. The vibrato depth of colour creates a soft \nand enveloping effect that functions as ordering \nelement of space. \nÈ una collezione costruita di materia e colore, cifra \ndecorativa di questi tappeti eleganti proprio perché \nessenziali. Il vibrato del colore crea un effetto morbido e \navvolgente che accoglie e diventa elemento ordinatore \ndello spazio. \nPALETTE\nNICOLA GALLIZIA\nDimensions \u002F Dimensioni\n300 x 300 cm\n400 x 300 cm\n500 x 300 cm \nHand-tufted\nHeight fleece 18 mm\n100% Tencel\nTaftato a mano\nSpessore 18 mm\n100% Tencel\nPETROLEUM BLUE\nANTHRACITE\nTAUPE\nBORDEAUX\nCREAM\nDOVE GREY\n 306  307\n",155,{"image":633,"text":634,"number":635},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.156.png","The charm of an ancient rug, with its marked \nindividuality and well-worn look, is the source of \ninspiration for Random. The well-worn look is the \nkey feature, expressing itself in an original exaltation \nof the texture of the rug, created with an innovative \nhand-woven technique, which highlights the structure \nof the weave.\nIl fascino del tappeto antico con la sua spiccata individualità \ne il suo aspetto vissuto è la fonte di ispirazione che ha \nportato alla creazione di Random. Il vissuto a cui si ispira, \ndiventa l’elemento caratterizzante esprimendosi in una \noriginale esaltazione della trama del tappeto creata \nattraverso una innovativa tecnica di lavorazione a mano \nche mette in rilievo la struttura del tessuto. \nRANDOM by Altai\nPATRICIA URQUIOLA\nDimensions \u002F Dimensioni\n300 x 200 cm\n400 x 300 cm\nØ 300 cm\nHand knotted\nHeight fleece 12\u002F14 mm\nDensity  \n40.000 knots\u002Fmq\n80 % Bamboo silk, \n10 % Cotton, 10% Wool\nBacking: natural latex\nAnnodato a mano\nSpessore 12\u002F14 mm\nDensità  \n40.000 nodi\u002Fmq \n80% Bamboo silk, \n10% Cotone, 10% Lana \nAppoggio: lattice naturale\nARTIC\nPLATINUM\nPOWDER PINK\n 308  309\n",156,{"image":637,"text":638,"number":639},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.157.png","SONORO\nNICOLA GALLIZIA\nASH\nEBONY\nIVORY\nFashioned from wool yarn and cotton, it boasts \na luxuriously soft and inviting texture, perfectly \nsuited for a variety of indoor environments. Sonoro \ncaptivates with its intricate pattern of slender rectangles, \nreminiscent of gracefully dancing piano keys. In the \nmonochromatic rendition, the key illusion is heightened \nby the meticulous alignment and alternating knot \ndirections during the loom process, resulting in \nvaried pile heights and a mesmerizing interplay of \nlight and shadow. Meanwhile, the two-tone version \naccentuates the decorative allure through a harmonious \ncolor contrast.\nRealizzato in pregiato filato di lana e cotone, questo \ntappeto offre una mano morbida e avvolgente, risultando \nideale per svariate ambientazioni interne. Sonoro \nsi distingue per la sua caratteristica trama di sottili \nrettangoli sullo sfondo, evocando l’immagine di tasti \ndi pianoforte che danzano in armonia. Nella versione \nmonocromatica, la sensazione dei tasti è sottolineata \ndalla particolare inclinazione e cambio di direzione dei \nnodi durante la lavorazione su telaio, generando una \nvariazione di altezze del pelo e un affascinante gioco di \nriflessi alla luce. La versione bicolore, invece, enfatizza \nulteriormente l’effetto decorativo attraverso il contrasto \ncromatico scelto.\nDimensions \u002F Dimensioni\n300 x 200 cm\n400 x 300 cm\n400 x 400 cm\n500 x 400 cm\nCustom \u002F Su misura\nHand-woven on loom \nHeight fleece 0,6\u002F0,8 cm\nDensity 3 kg\u002Fmq \n80% Wool \n20% Cotton \nTessuto a mano su telaio\nSpessore 0,6\u002F0,8 cm\nPeso 3 kg\u002Fmq \n80% Lana \n20% Cotone\n 310  311\n",157,{"image":641,"text":642,"number":643},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.158.png","The sophisticated beauty of these soft surfaces is the \nresult of a deliberate contrast between the simplicity \nof the design and decorative detail and the richness \nof the material. Slender alternating stripes of wool \nand silk create geometric backgrounds in shades of \ntone-on-tone colours that delicately reflect the light. \nHarmonious balance between rigour and form.\nLa sofisticata bellezza di queste morbide superfici \nnasce dal voluto contrasto tra essenzialità del disegno \ne del dettaglio decorativo e la ricchezza della materia. \nSottili righe alternate di lana e seta creano campiture \ngeometriche in nuances di colori tono su tono che \nriflettono delicatamente  la luce. Armonioso equilibrio\n tra rigore e forma.\nSTRIPE\nVINCENT VAN DUYSEN\nDimensions \u002F Dimensioni\n500 x 400 cm\n400 x 300 cm\n300 x 300 cm\n400 x 200 cm\nHand-tufted\nHeight fleece 14 mm\n50% Wool, 50% Tencel \nTaftato a mano\nSpessore 14 mm\n50% Lana, 50% Tencel\nMINT  GREEN\nMILITARY GREEN\nCREAM GREY\n 312  313\n",158,{"image":645,"text":646,"number":647},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.159.png","Telaro is a rug featuring a geometric motif and a linear \npattern. A series of spaces arranged regularly with \neach other, featuring different sizes and orientations \nwhich thus define a contrasting grid. The precious \nsemi-combed wool rug features a woven surface \ndistinguished by a play of reliefs, achieved by means \nof skilled craftsmanship through hand loom. \nDal motivo geometrico e lineare nasce il tappeto Telaro. \nUn susseguirsi di spazi disposti regolarmente tra loro, \ncaratterizzati da diverse grandezze e orientamenti che \ndefiniscono così una griglia a contrasto. Il tappeto, in \npreziosa lana semi pettinata, presenta una superficie \nintrecciata e contraddistinta da un gioco di rilievi, ottenuti \nda un’abile tecnica artigianale: la realizzazione tramite \ntelaio manuale.\nTELARO by Amini\nMARTA FERRI\nDimensions \u002F Dimensioni\n400 x 200 cm\n300 x 300 cm\n400 x 300 cm\n500 x 300 cm\nHand loomed\nHeight fleece 6\u002F7 mm\nDensity  3,4 kg\u002Fmq \nSemi worsted wool\nIntelaiato a mano\nSpessore 6\u002F7 mm\nPeso 3,4 kg\u002Fmq\nLana semi pettinata\nNATURAL\nCOGNAC\nANTHRACITE\n 314  315\n",159,{"image":649,"text":650,"number":651},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.160.png","Constantly changing scenarios give rise to Vibrazioni.  \nA visual and tactile interplay, thanks to differing \nthicknesses and weaves on different levels that \ncharacterize the whole surface of the rug. Interplays \nof light and shade favoured by a glossy fibre such as \nrayon, skillfully combined dyes that vary according \nto the light.\nScenari in trasformazione in continuo cambiamento, \ndai quali nasce Vibrazioni. Un gioco optical visivo e \ntattile, grazie agli spessori e tra mature su diversi livelli \nche ne caratterizzano l’intera superficie del tappeto. \nGiochi di luci e ombre favoriti da una fibra lucente \nqual’è il rayon, poche tinte sapientemente ricercate \nche variano a seconda della luce.\nVIBRAZIONI Frammenti Collection\nMARTA FERRI\nDimensions \u002F Dimensioni\n300 x 300 cm\n400 x 200 cm\n400 x 300 cm\n500 x 400 cm\nHand-tufted\nHeight fleece 16\u002F22 mm\n100% Bamboo\nTaftato a mano\nSpessore 16\u002F22 mm\n100% Bamboo\nICE\nGRANITE\nCLAY\nOBSIDIAN\nGEM\nEARTH\n 316  317\n",160,{"image":653,"text":654,"number":655},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.161.png"," 318  319\nThe “finishes guideline” document aims to guide the user through the \navailable finishes for the main living and night systems and all the available \nfinishes in real sample. We strongly suggest to build your projects looking \nto the dedicated price lists for living and night systems. \nIl documento “finishes guideline” si propone come una guida esemplificativa \ndelle finiture disponibili per i principali sistemi giorno e notte e per tutte \nle finiture prodotte in campione reale. Per tutti i dettagli in merito alla \nstrutturazione del progetto, consigliamo la consultazione del corrispettivo \nlistino giorno o notte.\nPhysical sample available and ready to order\n \nCampione fisico disponibile e ordinabile\n \nSAMPLE AVAILABLE\nCAMPIONE DISPONIBILE\nMolteni&C \nFinishes guideline \n",161,{"image":657,"text":658,"number":659},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.162.png"," 320  321\nINDOOR FINISHES OVERVIEW*\nOVERVIEW FINITURE INDOOR*\nNO SAMPLES AVAILABLE\nSAMPLE AVAILABLE\nOverlay etched or transparent glass sample onto any laquer sample to get the effect of the corresponding coloured etched or coloured glass.\nSovrapporre un campione di vetro trasparente o acidato su qualsiasi campione laccato per ottenere l’effetto del corrispondente vetro colorato acidato o vetro colorato.\nMATT\nLACQUER\nGLOSSY\nLACQUER\nCOLOURED\nGLASS\nETCHED COLOURED\nGLASS\n*NEW 2024\nBURGUNDY\nBG\nMOKA \nMK\nSPECIAL LACQUER \nONLY  Cleo\nGALAXY\nGY\nMUSTARD\nSE\nSPICE \nSP\nSTARDUST \nSU\nMOONLIGHT \nML\nLIGHT BLUE GREY\nCZ\nPETROLEUM BLUE\nPR\nPEWTER\nPX\nANTHRACITE \nAT\nPINE GREEN \nPG\nBLACK\nNE\nONLY Hector\nSLATE\nLA\nONLY 505, Gliss Master\nGLAZE\nGBX\nONLY Blevio\nECLIPSE\nLEC\n3D ALL THE COLOURS OF \nMOLTENI THE RANGE\nSample ONLY \n3D Copper\nThe document aims to show all the finishes produced, highlighting if the real sample is available or not. \nFor every detail and usage of each finish you must look at the dedicated price list. \nColors are to be considered as purely indicative.\nIl documento è una guida a tutte le finiture prodotte con l’indicazione della presenza o meno del campione reale. \nPer ogni dettaglio relativo all’applicazione delle finiture su vari prodotti, bisogna fare riferimento esclusivamente ai listini.\nI colori sono puramente indicativi.\n* kitchen and outdoor collections excluded\n* collezioni cucine e outdoor escluse\nCHALK WHITE\nBC\nALMOND WHITE \nAW\nPEARL\nPE\nSILICA\nSI\nSAND\nSA\nDOVE GREY\nTO\nPLATINUM\nPL\nLONDON SKY \nLS\nDUNE\nDN\nCLAY\nAL\nDOLOMITE  GREY\nDO\nCOPPER\nRX\nRUBY\nRU\nWHITE\nLO01\nONLY Arial\nIRIS\nIX\nCAPPUCCINO\nCP\nLEAD\nLO63\nONLY Arial\nLIGHT GREY \nLO06\nONLY Arial\nNO SAMPLES AVAILABLE\nMATT\nLACQUER\nGLOSSY\nLACQUER\nCOLOURED\nGLASS\nETCHED COLOURED\nGLASS\n",162,{"image":661,"text":662,"number":663},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.163.png"," 322  323\nEucalyptus\nEU\nAmerican Walnut\nCN \nGraphite oak\nRF\nBlack Oak\nRN\nWalnut\nNO\nSunrise oak\nRS\nAsh Wood In \nNatural Colour\nFNA\nWOODS\nAsh wood \nstained black\nFTN\nThermo oak\nRT\nBlack Nickel\nNN\nPewter colour\nPT\nShiny aluminium\nAU\nGreen\nVD\nCopper\nRM\nMETAL PARTS\nBronze\nBZ\nSunrise oak rays\nRRS\nEucalyptus rays\nREU\nGraphite oak rays\nRRF\nIris\nIR\nThermo oak rays\nRRT\nCoffee oak\nRC\nSand metal\nOnly Paula\nSB\nPolished Brass\nOnly Aster\nOT\nPatinated \nblack brass\nOnly Aster\nOP\nShiny steel\nOnly Mateo \nbasement\nAK\nCoffee oak rays\nRRC\nSAMPLE AVAILABLE\n*NEW 2024\nINDOOR FINISHES OVERVIEW*\nOVERVIEW FINITURE INDOOR*\nThe document aims to show all the finishes produced, highlighting if the real sample is available or not. \nFor every detail and usage of each finish you must look at the dedicated price list. \nColors are to be considered as purely indicative.\nIl documento è una guida a tutte le finiture prodotte con l’indicazione della presenza o meno del campione reale. \nPer ogni dettaglio relativo all’applicazione delle finiture su vari prodotti, bisogna fare riferimento esclusivamente ai listini.\nI colori sono puramente indicativi.\n* kitchen and outdoor collections excluded\n* collezioni cucine e outdoor escluse\nWhite Carrara\nMBC\nEmperador Dark\nMED\nBlack Marquina\nMNM \nOrient Grey\nMGO \nSahara Noir\nMSN\nCalacatta\nMCA \nSilver Wave\nMSW\nGreen Alpine\nMVA\nMARBLES\nBrick red\nCMT\nAsh\nCGC\nCEMENT  ARC\nMink\nESVI\nDark brown \nESTM\nIvory\nESAV\nGrey\nESGR\nHemp\nESCA\nECO SKIN\nEarth\nESTE\nTaupe\nESTA\nArtic\nESAC\nWhite\nCBN\nBreccia Capraia\nMBR\nLepanto red\nMLR\nCERAMIC \nCalacatta Vena \nVecchia\nHCA\nOnly Harry’s Bar \n505 Up System \nback panels\nBlack\nCNE\nBronze\nCBR\nWhite\nCBI\nGrey\nCGR\nCEMENT  LOUISA\nLAVA STONE\nMatt finish\nOnly Regent\nGlossy \npolyester finish\nOnly Regent\nBrick red\nCMT\n*\n",163,{"image":665,"text":666,"number":667},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.164.png"," 324  325\nPiqué\nXQ\nLarix dark\nYM\nSilver cembran \nYA\nWax white\nWW\nGrey Tatami\nQG\nIvory Tatami\nQA\nLight Chestnut\nQC\nDark Chestnut\nQS\nFine grain\nFG1\nSAMPLE AVAILABLE\nCartapaglia white\nKB\nSilk Silica\nZS\nCartapaglia anthracite\nKA\nSilk Chalk White\nZB\nCartapaglia silica\nKS\nSilk Dove Grey\nZT\nBatik Slate\nXA\nBatik Ecru\nXE\nGrey Saffiano\nLunar\nJLU\nEcrù Saffiano\n*NEW 2024\nMELAMINE\nGLASSES\nINDOOR FINISHES OVERVIEW*\nOVERVIEW FINITURE INDOOR*\nThe document aims to show all the finishes produced, highlighting if the real sample is available or not. \nFor every detail and usage of each finish you must look at the dedicated price list. \nColors are to be considered as purely indicative.\nIl documento è una guida a tutte le finiture prodotte con l’indicazione della presenza o meno del campione reale. \nPer ogni dettaglio relativo all’applicazione delle finiture su vari prodotti, bisogna fare riferimento esclusivamente ai listini.\nI colori sono puramente indicativi.\n* kitchen and outdoor collections excluded\n* collezioni cucine e outdoor escluse\nBronze mirror\nSPB\nTransparent\nVTR\nTransparent stopsol\nVTSR\nStopsol etched\nVTST\nGraphene reflective\nOnly Half A Square\u002F\nDiamond\nVTRR\nFumè \u002F Smoked\nVTFU\nEtched glass\nVA\nStopsol Net\nVTSN\n3D etched bronze\nV3BZ\nStopsol Bronze \nVTSB\nStopsol Silver\nVTSS\nTextured green\nOnly Aster\nVRVE\nTextured smoked\nOnly Aster\nVRFU\nBronze\nVBO\nVanilla\nTEVA\nOlive Green\nTEOG\nMoss Green\nTEMG\nOxide Orange\nTEOO\nBark Brown\nTEBB\nBLEND COLLECTION \n(Only Gliss Master Blend Door \nand Logos Living System)\n",164,{"image":669,"text":670,"number":671},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.165.png"," 326  327\nTECHNICAL DRAWINGS\nDISEGNI TECNICI\n",165,{"image":673,"text":674,"number":675},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.166.png","ARC FOSTER + PARTNERS\nØ 130\nØ 51 1\u002F8”\n220\n86 5\u002F8”\n140\n55 1\u002F8”\nØ 140\nØ 55 1\u002F8”\nØ 150\nØ 59”\nØ 160\nØ 63”\n73\n28 3\u002F4”\n73\n28 3\u002F4”\n73\n28 3\u002F4”\n73\n28 3\u002F4”\n73\n28 3\u002F4”\nROUND TABLES\nTAVOLI ROTONDI\nOVAL TABLES\nTAVOLI OVALI\n200\n78 3\u002F4”\n130\n51 1\u002F8”\n73\n28 3\u002F4”\n260\n102 3\u002F8”\n140\n55 1\u002F8”\n73\n28 3\u002F4”\n300\n118 1\u002F8”\n140\n55 1\u002F8”\n73\n28 3\u002F4”\n180\n70 7\u002F8”\n120\n47 1\u002F4”\n73\n28 3\u002F4”\nTABLES —   TAVOLI\nASTERIAS PATRICIA URQUIOLA\nROUND TABLES\nTAVOLI ROTONDI\nROUND TABLES WITH LAZY SUSAN ø  33 1\u002F2”\nTAVOLI ROTONDI CON PIATTO GIREVOLE ø 85\nØ 160\nØ 63”\nØ 160\nØ 63”\nØ 180\nØ 70 7\u002F8”\nØ 180\nØ 70 7\u002F8”\n74\n29 1\u002F8”\n74\n29 1\u002F8”\n74\n29 1\u002F8”\n74\n29 1\u002F8”\n360\n141 3\u002F4”\n75\n29 1\u002F2”\n82,5\n321\u002F2”\n75\n29 1\u002F2”\n320\n126”\n75\n29 1\u002F2”\n280\n110 1\u002F4”\nmax 112\n44 1\u002F8”\nmax 112\n44 1\u002F8”\nmax 100\n39 3\u002F8”\nD.859.1 GIO PONTI\nTABLE\nTAVOLO\nTABLE\nTAVOLO\nTABLE\nTAVOLO\n82,5\n321\u002F2”\n82,5\n321\u002F2”\nBLEVIO IGNAZIO GARDELLA\nTABLE\nTAVOLO\nTABLE\nTAVOLO\nTABLE\nTAVOLO\n240\n94 1\u002F2”\n74\n29 1\u002F8”\n105\n41 3\u002F8”\n280\n110 1\u002F4”\n74\n29 1\u002F8”\n105\n41 3\u002F8”\n320\n126”\n74\n29 1\u002F8”\n105\n41 3\u002F8”\nAVA TABLE FOSTER + PARTNERS\nRECTANGULAR  TABLES\nTAVOLI RETTANGOLARI\n74\n29 1\u002F8”\n290\n114  1\u002F8”\n110\n43  1\u002F4”\n74\n29 1\u002F8”\n340\n133 7\u002F8”\n110\n43  1\u002F4”\n74\n29 1\u002F8”\n380\n149 5\u002F8”\n110\n43 1\u002F4”\n 328  329\n",166,{"image":677,"text":678,"number":679},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.167.png","DIAMOND PATRICIA URQUIOLA\n200\n78 3\u002F4”\n140\n55 1\u002F8”\n160\n63”\n250\n98 3\u002F8”\n280\n110 1\u002F4”\n100\n39 3\u002F8”\n110\n43 1\u002F4”\n100\n39 3\u002F8”\n74\n29 1\u002F8”\n74\n29 1\u002F8”\n74\n29 1\u002F8”\n74\n29 1\u002F8”\n74\n29 1\u002F8”\nRECTANGULAR TABLES\nTAVOLI RETTANGOLARI\nSQUARE TABLES\nTAVOLI QUADRATI\n140\n55 1\u002F8”\n160\n63”\nFILIGREE RODOLFO DORDONI\n180\n70 7\u002F8”\n229\n90 1\u002F8”\n278\n109 1\u002F2”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n180\n70 7\u002F8”\n240\n94 1\u002F2”\n98\n38 5\u002F8”\n98\n38 5\u002F8”\n298\n117 3\u002F8”\n120\n47 1\u002F4”\n74\n29 1\u002F8”\n74\n29 1\u002F8”\n74\n29 1\u002F8”\n74\n29 1\u002F8”\n74\n29 1\u002F8”\n74\n29 1\u002F8”\nRECTANGULAR EXTENDABLE TABLE\nTAVOLO RETTANGOLARE ALLUNGABILE\npartly open\nparzialmente aperto\nfully open\ncompletamente aperto\nFIXED RECTANGULAR TABLES\nTAVOLI RETTANGOLARI FISSI \n210\n82 3\u002F4”\n98\n38 5\u002F8”\n74\n29 1\u002F8”\nTABLES —   TAVOLI\n210\n82 5\u002F8”\n105\n41  3\u002F8”\n240\n94 1\u002F2”\n120\n47 1\u002F4”\n280 \u002F 278\n110 1\u002F4” \u002F 109 1\u002F2”\n130 \u002F 128\n51 1\u002F8” \u002F 50 3\u002F8”\n74\n29  1\u002F8”\n74\n29  1\u002F8”\n74\n29  1\u002F8”\nGATWICK RODOLFO DORDONI\nOVAL TABLE\nTAVOLO OVALE\nOVAL TABLES\nTAVOLI OVALI\nHALF A SQUARE MICHAEL ANASTASSIADES\nSQUARE TABLE\nTAVOLO QUADRATO\nRECTANGULAR TABLES\nTAVOLI RETTANGOLARI\n138\n54  3\u002F8”\n198\n78”\n98\n38  5\u002F8”\n74\n29  1\u002F8”\n138\n54 3\u002F8”\n74\n29  1\u002F8”\n238\n93  3\u002F4”\n74\n29  1\u002F8”\n98\n38  5\u002F8”\n278\n109 1\u002F2”\n74\n29  1\u002F8”\n108\n42  1\u002F2”\n 330  331\n",167,{"image":681,"text":682,"number":683},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.168.png","TABLES —   TAVOLI\nOLD FORD RODOLFO DORDONI\nWOODEN TABLES\nTAVOLI ESSENZA\nMARBLE TABLES\nTAVOLI MARMO\nMARBLE TABLE\nTAVOLO MARMO\n250\n98 3\u002F8”\n252\n99 1\u002F4”\n342\n134 5\u002F8”\n292\n115”\n290\n114 1\u002F8”\n120\n47 1\u002F4”\n122\n48”\n132\n52”\n132\n52”\n130\n51 1\u002F8”\n74\n29  1\u002F8”\n74\n29  1\u002F8”\n74\n29  1\u002F8”\n74\n29  1\u002F8”\n74\n29  1\u002F8”\nMATEO VINCENT VAN DUYSEN\nROUND DINING TABLES\nTAVOLI DINING ROTONDI\nROUND DINING TABLES\nTAVOLI DINING ROTONDI\nOVAL DINING TABLES\nTAVOLI DINING OVALI\nOVAL DINING TABLES  WITH DOUBLE BASE\nTAVOLI DINING OVALI CON DOPPIA BASE\nROUND LOUNGE TABLES H 64\nTAVOLI LOUNGE ROTONDI H 64\nROUND LOUNGE TABLE H 74\nTAVOLO LOUNGE ROTONDO H 74\nØ 120\nØ 47 1\u002F4”\nØ 140\nØ 55 1\u002F8”\nØ 180\nØ 70 7\u002F8”\nØ 160\nØ 63”\n74\n29  1\u002F8”\n74\n29  1\u002F8”\n74\n29  1\u002F8”\n74\n29  1\u002F8”\n74\n29  1\u002F8”\n74\n29  1\u002F8”\n74\n29  1\u002F8”\nØ 200\nØ 78 3\u002F4”\n220\n86 5\u002F8”\n250\n98 3\u002F8”\n125\n49 1\u002F4”\n125\n49 1\u002F4”\n74\n29  1\u002F8”\nØ 250\nØ 98 3\u002F8”\n \n64\n25 1\u002F4”\n64\n25 1\u002F4”\n64\n25 1\u002F4”\nØ 105\nØ 41 3\u002F8”\nØ 120\nØ 47 1\u002F4”\nØ 140\nØ 55 1\u002F8”\n74\n29 1\u002F8”\n300\n118 1\u002F8”\n125\n49 1\u002F4”\n125\n49 1\u002F4”\nØ 62\nØ 24 3\u002F8”\n74\n29 1\u002F8”\n350\n137 3\u002F4”\n125\n49 1\u002F4”\n125\n49 1\u002F4”\nØ 62\nØ 24 3\u002F8”\n74\n29 1\u002F8”\n400\n157 1\u002F2”\n125\n49 1\u002F4”\n125\n49 1\u002F4”\nØ 62\nØ 24 3\u002F8”\n 332  333\n",168,{"image":685,"text":686,"number":687},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.169.png","LESSLESS JEAN NOUVEL\n190\n74 3\u002F4”\n230\n90 1\u002F2”\n160\n63”\n140\n55 1\u002F8”\n100\n39 3\u002F8”\n140\n55 1\u002F8”\n100\n39 3\u002F8”\n140\n55 1\u002F8”\n100\n39 3\u002F8”\n160\n63”\n160\n63”\n90\n35 3\u002F8”\n100\n39 3\u002F8”\n80\n31 1\u002F2”\n140\n55 1\u002F8”\n100\n39 3\u002F8”\n80\n31 1\u002F2”\n50\n19 3\u002F4”\n72\n28 3\u002F8”\n72\n28 3\u002F8”\n35\n13 3\u002F4”\n35\n13 3\u002F4”\n35\n13 3\u002F4”\n72\n28 3\u002F8”\n72\n28 3\u002F8”\n72\n28 3\u002F8”\n72\n28 3\u002F8”\nTABLES\nTAVOLI\n130\n51 1\u002F8”\n69,5\n27 3\u002F8”\n80\n31 1\u002F2”\nNOTE MATTEO NUNZIATI\nWRITING DESK\nSCRITTOIO\nSCRIBA PATRICIA URQUIOLA\n150\n59”\n184\n72 1\u002F2”\n50\n19 3\u002F4”\n50\n19 3\u002F4”\n71,8\n28 1\u002F4”\n71,8\n28 1\u002F4”\nWRITING DESKS\nSCRITTOI\nTOUCH DOWN UNIT STUDIO KLASS\nMOBILE STATION\nPOSTAZIONE MOBILE\n74\u002F104\n29 1\u002F8”\u002F41”\n86,2\n33 7\u002F8”\n52,4\n20 5\u002F8”\nD.847.1 GIO PONTI\nWRITING DESK \nSCRITTOIO\n78,5\n30 7\u002F8”\n134\n52 3\u002F4”\n40\n15 3\u002F4”\n61,5\n24 1\u002F4”\nHOME OFFICE\nALFA HANNES WETTSTEIN\n49\n19 1\u002F4”\n50\n19 3\u002F4”\n80\n31 1\u002F2”\nCHAIR\nSEDIA\nCHELSEA RODOLFO DORDONI\n54\n21 1\u002F4”\n62 \n24 3\u002F8”\n62 \n24 3\u002F8”\n62 \n24 3\u002F8”\n62 \n24 3\u002F8”\n62 \n24 3\u002F8”\n84\n33 1\u002F8”\n84\n33 1\u002F8”\n94\n37”\nCHAIRS\nSEDIE\nBARBICAN RODOLFO DORDONI\nCHAIRS\nSEDIE\n81\n31 7\u002F8”\n55\n21 5\u002F8”\n57\n22 1\u002F2”\n48\n18 7\u002F8”\n55\n21 5\u002F8”\nCHAIRS WITH ARMS\nSEDIE CON BRACCIOLI\nbase aluminium die-cast\nbasamento \nalluminio pressofuso\nbase aluminium die-cast\nbasamento \nalluminio pressofuso\n81\n31 7\u002F8”\n48\n18 7\u002F8”\n55\n21 5\u002F8”\nwood base\nbasamento legno\n81\n31 7\u002F8”\n81\n31 7\u002F8”\n55\n21 5\u002F8”\n57\n22 1\u002F2”\nwood base\nbasamento legno\n81\n31 7\u002F8”\n48\n18 7\u002F8”\n55\n21 5\u002F8”\n81\n31 7\u002F8”\n55\n21 5\u002F8”\n57\n22 1\u002F2”\n4-star swivel base\nbasamento \ngirevole a 4 razze\n4-star swivel base\nbasamento \ngirevole a 4 razze\nDEVON RODOLFO DORDONI\nCHAIR\nSEDIA\n55\n21 5\u002F8”\n61\n24”\n83\n325\u002F8”\n83\n32  5\u002F8”\n61\n24”\n59\n23 1\u002F4”\n76\n29  7\u002F8”\n69\n27  1\u002F8”\n53\n20 7\u002F8”\n49\n19 1\u002F4”\n84\n33 1\u002F8”\n55\n21 5\u002F8”\n61\n24”\n61\n24”\n59\n23 1\u002F4”\n76\n29  7\u002F8”\n44\n17 3\u002F8”\n44\n17 3\u002F8”\nCHAIR\nSEDIA\nSMALL ARMCHAIR\nPOLTRONCINA\nSMALL ARMCHAIR\nPOLTRONCINA\nSTOOL\nSGABELLO\nSTOOL\nSGABELLO\nCHAIR WITH ARMS\nSEDIA CON BRACCIOLI\nCHAIR WITH ARMS\nSEDIA CON BRACCIOLI\n82\n32 1\u002F4”\n60\n23 5\u002F8”\n61\n24”\n82\n32 1\u002F4”\n60\n23 5\u002F8”\n61\n24”\nCHAIRS —   SEDIE\n 334  335\n",169,{"image":689,"text":690,"number":691},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.170.png"," \nCHAIRS —   SEDIE\nD.235.1 GIO PONTI\n50,7\n20”\n51,6\n20 3\u002F8”\n86,6\n34 1\u002F8”\nD.235.1 MONTECATINI CHAIR\nSEDIA D.235.1 MONTECATINI\nGLOVE PATRICIA URQUIOLA\n52\n20 1\u002F2”\n51\n20”\n79\n31 1\u002F8”\nCHAIR\nSEDIA\nGLOVE-UP PATRICIA URQUIOLA\nCHAIR\nSEDIA\n81,6\n32 1\u002F8”\n51,5\n20 1\u002F4”\n55,6\n21 7\u002F8”\nJANET VINCENT VAN DUYSEN\nCHAIR\nSEDIA\nMHC.3 MISS TOBIA SCARPA\n74\n29 1\u002F8”\nCHAIR\nSEDIA\n59\n23 1\u002F4”\n52\n201\u002F2”\nCHAIR WITH ARMS\nSEDIA CON BRACCIOLI\n49,5\n19 1\u002F2”\n53,5\n21 1\u002F8”\n60\n23 5\u002F8”\n60\n23 5\u002F8”\n81\n31 7\u002F8”\n81\n31 7\u002F8”\nOUTLINE ARIK LEVY\nPORTA VOLTA HERZOG & DE MEURON\n51\n20 1\u002F8”\n54\n21 1\u002F4”\n63,5\n25”\n54\n21 1\u002F4”\n63,5\n25”\n56\n22”\n84\n33 1\u002F8”\n71\n28”\n66\n26”\nCHAIRS\nSEDIE\nDINING CHAIR\nSEDIA DINING\nLOW CHAIR\nSEDIA LOW CHAIR\n \nD.655.1 D.655.2 GIO PONTI\n89,9\n35 3\u002F8”\n79,9\n31 1\u002F2”\n185\n72 7\u002F8”\n102\n40 1\u002F8”\n52\n20 1\u002F2”\n52\n20 1\u002F2”\nCHEST OF DRAWERS\nCASSETTONI\nCARTEGGIO ALDO ROSSI\n46\n18 1\u002F8”\n48\n18 7\u002F8”\n160\n63”\nUNIT WITH DRAWERS\nMOBILE A CASSETTI\n199,8\n78 5\u002F8”\n52,7\u002F53,7\n20 3\u002F4”\u002F 21 1\u002F8”  \n87\u002F88\n34 1\u002F4”\u002F 34 5\u002F8”  \n265,4\n104 1\u002F2”\n52,7\u002F53,7\n20 3\u002F4”\u002F 21 1\u002F8”  \n87\u002F88\n34 1\u002F4”\u002F 34 5\u002F8”  \nADRIEN VINCENT VAN DUYSEN\nCUPBOARDS\nMADIE\n77,5\n301\u002F2”\n77,5\n301\u002F2”\n56,5\n22 1\u002F4”\n56,5\n22 1\u002F4”\n242\n95 1\u002F4”\n270\n106 1\u002F4”\nARCHWAY RODOLFO DORDONI\nCUPBOARDS\nMADIE\nSINGLE UNITS —   MOBILI\nCHAIR\nSEDIA\nCHAIRS\nSEDIE\nWOODY FRANCESCO MEDA\n79,5\n31 1\u002F4”\n41,5\n16 3\u002F8”\n48,2\n19”\n70\n27 1\u002F2”\n41,5\n16 3\u002F8”\n41\n16 1\u002F8”\nCHAIR\nSEDIA\nSTOOL\nSGABELLO\nTEA JASPER MORRISON\n1 2 3 MICHAEL ANASTASSIADES\n80\n31 1\u002F2”\n46\n18 1\u002F8”\n50\n19 5\u002F8”\n44\n17 3\u002F8”\n51,5\n20 1\u002F4”\n79,5\n31 1\u002F4”\n 336  337\n",170,{"image":693,"text":694,"number":695},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.171.png","SINGLE UNITS —   MOBILI\nMHC.1 WERNER BLASER\nCHEST OF DRAWERS\nCASSETTIERA\n100\n39 3\u002F8”\n45\n17 3\u002F4”\n75\n29 1\u002F2”\nHORIZONS DANTE BONUCCELLI\nCUPBOARDS\nMADIE\n130\n51 1\u002F8”\n155\n61”\n59,5\n23 3\u002F8”\n130\n51 1\u002F8”\n155\n61”\n59,5\n23 3\u002F8”\nLIVING BOX VINCENT VAN DUYSEN\nBOX\nBOX\nBOX\nBOX\nDRAWER MODULES\nMODULI CASSETTO\nTAPE MODULES\nMODULI TAPE\n230 \n90 1\u002F2”\n280 \n110 1\u002F4”\n330\n129 7\u002F8”\n380\n149 5\u002F8”\n61 \n24”\n61 \n24”\n61 \n24”\n61 \n24”\n61 \n24”\n61 \n24”\n61 \n24”\n61 \n24”\n67,5\n26 5\u002F8”\n67,5\n26 5\u002F8”\n110\n43 1\u002F4”\n110\n43 1\u002F4”\n46\n18 1\u002F8”\n46\n18 1\u002F8”\n46\n18 1\u002F8”\n46\n18 1\u002F8”\n26\n10 1\u002F4”\n26\n10 1\u002F4”\n26\n10 1\u002F4”\n26\n10 1\u002F4”\nSINGLE UNITS —   MOBILI\nTEOREMA RON GILAD\nUNITS WITH DRAWERS OR OPEN COMPARTMENT\nCONTENITORI A CASSETTO O A GIORNO\nVERTICAL COMPOSITIONS H 18 1\u002F2”\nCOMPOSIZIONI VERTICALI H 47\nVERTICAL COMPOSITIONS H 30 3\u002F8”\nCOMPOSIZIONI VERTICALI H 77\nVERTICAL COMPOSITIONS H 48”\nCOMPOSIZIONI VERTICALI H 122\nHORIZONTAL COMPOSITION H 12 5\u002F8”\nCOMPOSIZIONE ORIZZONTALE H 32\nHORIZONTAL COMPOSITIONS H 24 3\u002F8”\nCOMPOSIZIONI ORIZZONTALI H 62\nVERTICAL COMPOSITIONS H 36 1\u002F4”\nCOMPOSIZIONI VERTICALI H 92\nVERTICAL COMPOSITION H 42 1\u002F8”\nCOMPOSIZIONE VERTICALE H 107\nVERTICAL COMPOSITIONS H 24 3\u002F8”\nCOMPOSIZIONI VERTICALI H 62\n50\n19 5\u002F8”\n50\n19 5\u002F8”\n50\n19 5\u002F8”\n50\n19 5\u002F8”\n50\n19 5\u002F8”\n50\n19 5\u002F8”\n50\n19 5\u002F8”\n50\n19 5\u002F8”\n50\n19 5\u002F8”\n50\n19 5\u002F8”\n50\n19 5\u002F8”\n50\n19 5\u002F8”\n17\n6 3\u002F4”\n32\n12 5\u002F8”\n32\n12 5\u002F8”\n15\n5 7\u002F8”\n30\n11 3\u002F4”\n30\n11 3\u002F4”\n 338  339\n",171,{"image":697,"text":698,"number":699},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.172.png","GRADUATE JEAN NOUVEL\n100\n39 3\u002F8”\n200\n78 3\u002F4”\n300\n118 1\u002F8”\n35\n13 3\u002F4”\n203\n79 7\u002F8”\n100\n39 3\u002F8”\n100\n39 3\u002F8”\n200\n78 3\u002F4”\n200\n78 3\u002F4”\n300\n118 1\u002F8”\n300\n118 1\u002F8”\n35\n13 3\u002F4”\n35\n13 3\u002F4”\n126,2\n49 3\u002F8”\n164,6\n64 3\u002F4”\nBOOKCASES\nLIBRERIE\nPIROSCAFO, 30TH ANNIVERSARY ALDO ROSSI, LUCA MEDA\n121\n47 5\u002F8”\n121\n47 5\u002F8”\n121\n47 5\u002F8”\n181\n71 1\u002F4”\n181\n71 1\u002F4”\n181\n71 1\u002F4”\n241\n94 7\u002F8”\n241\n94 7\u002F8”\n241\n94 7\u002F8”\n50\n19 3\u002F4”\n50\n19 3\u002F4”\n50\n19 3\u002F4”\n157\n61 7\u002F8”\n224\n88 1\u002F4”\n224\n88 1\u002F4”\nBOOKCASES\nLIBRERIE\nMHC.2 YASUHIKO ITOH\nBOOKCASES\nLIBRERIE\n68,5\n27”\n68,5\n27”\n28,2\n11 1\u002F8”\n28,2\n11 1\u002F8”\n108,3\n42 5\u002F8”\n138,9\n54 5\u002F8”\nBOOKCASES —   LIBRERIE\nCARD MICHAEL ANASTASSIADES\nBOOKCASES\nLIBRERIE\nD.357.1 D.357.2 GIO PONTI\n124,7\n49 1\u002F8”\n100,5\n39 5\u002F8”\n29,5\n11 5\u002F8”\n21,2\n8 3\u002F8”\n250\n98 3\u002F8”\n130,5\n51 3\u002F8”\nBOOKCASES\nLIBRERIE\nD.355.1 D.355.2 GIO PONTI\n240\n94 1\u002F2”\n195\n76 3\u002F4”\n29,5\n11 5\u002F8”\n29,5\n11 5\u002F8”\n35\n13 3\u002F4”\n35\n13 3\u002F4”\nSUSPENDED BOOKCASES\nLIBRERIE SOSPESE\n73,5\n28 7\u002F8”\n193,5\n76 1\u002F8”\n193,5\n76 1\u002F8”\n193,5\n76 1\u002F8”\n48,5\n19 1\u002F8”\n48,5\n19 1\u002F8”\n48,5\n19 1\u002F8”\n48,5\n19 1\u002F8”\n45,5\n17 7\u002F8”\n45,5\n17 7\u002F8”\n86\n33 7\u002F8”\n126\n49 5\u002F8”\n 340  341\n",172,{"image":701,"text":702,"number":703},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.173.png","MIRRORS —  SPECCHI\nD.950.1 GIO PONTI\n24,8\n9 3\u002F4”\n24,8\n9 3\u002F4”\n24,8\n9 3\u002F4”\n8\n3 1\u002F8”\n8\n3 1\u002F8”\n8\n3 1\u002F8”\n17,7\n6”\n35,4\n13 7\u002F8”\n53,1\n20 7\u002F8”\nFRAMED MIRRORS\nCORNICI CON SPECCHIO\nMIRRORS\nSPECCHIERE\nHECTOR MIRROR VINCENT VAN DUYSEN\n190\n74 3\u002F4”\n75\n29 1\u002F2”\n4\n1 5\u002F8”\n120\n47 1\u002F4”\n50\n19 5\u002F8”\n4\n1 5\u002F8”\nD.754.1 GIO PONTI\n240\n94 1\u002F2”\n245\n96 1\u002F2”\nCARPET\nTAPPETO\nATALANTE by Ruckstuhl NICOLA GALLIZIA\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n500\n196 7\u002F8”\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n300\n118 1\u002F8”\nCARPETS\nTAPPETI\n300\n118 1\u002F8”\n200\n78 3\u002F4”\nCARPETS —   TAPPETI\nDEDALO by Pierre Frey MARTA FERRI\nCARPETS\nTAPPETI\n300\n118 1\u002F8”\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n200\n78 3\u002F4”\n400\n157 1\u002F2”\n300\n118 1\u002F8”\n500\n196 7\u002F8”\n300\n118 1\u002F8”\n 342  343\n",173,{"image":705,"text":706,"number":707},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.174.png","DUNA NICOLA GALLIZIA\nCARPETS\nTAPPETI\n300\n118 1\u002F8”\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n200\n78 3\u002F4”\n400\n157 1\u002F2”\n300\n118 1\u002F8”\n500\n196 7\u002F8”\n300\n118 1\u002F8”\nHEM by G.T.Design PATRICIA URQUIOLA\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n300\n118 1\u002F8”\n250\n98 3\u002F8”\nCARPETS\nTAPPETI\nø 250\nø 98 3\u002F8”\nEDGE NICOLA GALLIZIA\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n500\n196 7\u002F8”\n300\n118 1\u002F8”\n300\n118 1\u002F8”\n300\n118 1\u002F8”\nCARPETS\nTAPPETI\nø 500\nø 196 7\u002F8”\nCARPETS —   TAPPETI\nPALETTE NICOLA GALLIZIA\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n500\n196 7\u002F8”\n300\n118 1\u002F8”\n300\n118 1\u002F8”\n300\n118 1\u002F8”\nCARPETS\nTAPPETI\nRANDOM by Altai PATRICIA URQUIOLA\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n300\n118 1\u002F8”\n200\n78 3\u002F4”\nCARPETS\nTAPPETI\nø 300\nø 118 1\u002F8”\nSTRIPE VINCENT VAN DUYSEN\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n500\n196 7\u002F8”\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n300\n118 1\u002F8”\nCARPETS\nTAPPETI\n400\n157 1\u002F2”\n200\n78 3\u002F4”\n 344  345\n",174,{"image":709,"text":710,"number":711},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.175.png","TELARO by Amini MARTA FERRI\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n500\n196 7\u002F8”\n300\n118 1\u002F8”\n300\n118 1\u002F8”\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n200\n78 3\u002F4”\nCARPETS\nTAPPETI\n129 1\u002F8” with fringes \n328 con frange\n168 1\u002F2” with fringes\n428 con frange\n207 7\u002F8” with fringes\n528 con frange\n168 1\u002F2” with fringes\n428 con frange\nVIBRAZIONI MARTA FERRI\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n500\n196 7\u002F8”\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n300\n118 1\u002F8”\nCARPETS\nTAPPETI\n400\n157 1\u002F2”\n200\n78 3\u002F4”\nAURA NICOLA GALLIZIA\n400\n157 1\u002F2”\n300\n118 1\u002F8”\nCARPETS\nTAPPETI\n300\n118 1\u002F8”\n250\n98 3\u002F8”\nø 300\nø 118 1\u002F8”\n300\n118 1\u002F8”\n100\n39 3\u002F8”\nCARPETS —   TAPPETI\nEONE NICOLA GALLIZIA\nCARPETS\nTAPPETI\n400\n157 1\u002F2”\n400\n157 1\u002F2”\n200\n78 3\u002F4”\n200\n78 3\u002F4”\n400\n157 1\u002F2”\n400\n157 1\u002F2”\n300\n118 1\u002F8”\n300\n118 1\u002F8”\n500\n196 7\u002F8”\n500\n196 7\u002F8”\n400\n157 1\u002F2”\n400\n157 1\u002F2”\nSONORO NICOLA GALLIZIA\nCARPETS\nTAPPETI\n300\n118 1\u002F8”\n400\n157 1\u002F2”\n300\n118 1\u002F8”\n200\n78 3\u002F4”\n400\n157 1\u002F2”\n400\n157 1\u002F2”\n500\n196 7\u002F8”\n400\n157 1\u002F2”\n 346  347\n",175,{"image":713,"text":714,"number":715},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.176.png","PREMI COMPASSO D’ORO ADI\nCOMPASSO D’ORO ADI XVII EDIZIONE,\n1994 PREMIO ALLA CARRIERA\n2024 CAREER AWARD FOR PRODUCTS D.154.2  \nDESIGN BY GIO PONTI\nMENZIONI D’ONORE\nCOMPASSO D’ORO ADI\nCOMPASSO D’ORO ADI XIV, EDIZIONE\n1987, LES BEAUX JOURS (LUCA MEDA)\nCOMPASSO D’ORO ADI XXII, EDIZIONE\n2011, SEQUENCE (PATRICIA URQUIOLA)\nCOMPASSO D’ORO ADI, EDIZIONE XXIII, 2014,\nQALLAM, (F. MOLTENI; C. COLLI; P.HEFTI)\n2020 ADI COMPASSO D’ORO\nPREMI ADI INNOVAZIONE\nPREMIO NAZIONALE INNOVAZIONE\nADI, 2012, QALLAM\nPREMIO DEI PREMI,\nPRESIDENZA REPUBBLICA ITALIANA,\nEDIZIONE 2012 QALLAM\nAD\nVINCENT VAN DUYSEN\nSTYLING\nALESSANDRO PASINELLI STUDIO\nELISA OSSINO STUDIO\nPHOTO\nMAX ROMMEL\nTIZIANO SARTORIO\nFILIPPO PIANTANIDA\nMAX ZAMBELLI\nARMANDO BERTACCHI \nVITTORIO DOZIO\nANDREA ANSALONE\nmoltenigroup.com\nmoltenimuseum.com\n#MolteniGroup\n#MolteniMuseum\nPHOTO 2022\u002F24 THANKS TO\nALFREDO RAPETTI MOGOL\nJOEL DENOT\u002F MODESTIPERDRIOLLE GALLERY\nKALPA ART LIVING GALLERIES\nMARCO SOLZI PAINTINGS\nYASMIN BRANDOLINI D’ADDA\nPLH\nMOTTURA\nMARAZZI\n1+1 GALLERY\nALBA GALLIZIA\nARTEK\nARTEMIDE\nASTEP\nBRUNELLO CUCINELLI\nCARLO MORETTI\nCTO LIGHTING\nEDIZIONI DESIGN\nENRICO DONADELLO\nESTILUZ\nFEDERICA BUBANI\nGALLERIA AFRICA CURIO\nGALLERIA GIUSTINI \u002F STAGETTI, ROMA\nGALLERIA MICHELA CATTAI\nKLASSIK STUDIO\nKRISTINA DAM\nLUCEPLAN\nLUMINA\nMICHELE REGINALDI\nNEMO LIGHTING\nNILUFAR GALLERY\nOLUCE\nONOFRIO ACONE\nRINA MENARDI\nRIVIERE\nSALVATORE FERRAGAMO\nSANTA&COLE\nSEASE\nUMBERTO UGHI\n@MolteniandC\n@MolteniandC\nMolteni&C\n@MolteniandC\nMolteniandC\nMolteniC\nMolteni&C\nMolteniandC\nONLINE STORE for US market\nMolteni&C selected pieces \navailable also at shop.molteni.it\n",176,{"image":717,"text":718,"number":719},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.177.png","",177,{"image":721,"text":722,"number":723},"\u002Fmedia\u002Fimages\u002Fd8\u002F6e4671bb632b430c5a1a350d0ee350-285cf212fd.178.png","Dining\n",178,[],0,false,true,{"success":727,"data":729,"meta":937,"count":938,"next":939,"previous":940,"results":972,"brand_chips":1033},[730,743,752,761,770,779,788,798,808,819,831,844,853,866,878,888,898,907,916,928],{"id":731,"title":732,"slug":733,"image":734,"source":735,"brand_name":736,"brand":737,"brand_slug":738,"file_size":739,"pages":740,"pages_count":741,"matched_pages":742,"match_count":725,"two_pages":726,"show_text":727},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 MB",[],1218,[],{"id":744,"title":745,"slug":746,"image":747,"source":748,"brand_name":736,"brand":737,"brand_slug":738,"file_size":749,"pages":750,"pages_count":287,"matched_pages":751,"match_count":725,"two_pages":726,"show_text":727},26606,"Architectural Systems  2024","leds-c4-architectural-systems-2024","\u002Fmedia\u002Fimages\u002F51\u002F09aeb60ab959f350ec981e0505723e-29704a6b8a.1.png","\u002Fprivate\u002Ffiles\u002F83\u002F262b965f0abfc6d48b82d634f2e274-29704a691b.pdf","18.2 MB",[],[],{"id":753,"title":754,"slug":755,"image":756,"source":757,"brand_name":736,"brand":737,"brand_slug":738,"file_size":758,"pages":759,"pages_count":259,"matched_pages":760,"match_count":725,"two_pages":726,"show_text":727},26605,"Retail lighting 2022","leds-c4-retail-lighting-2022","\u002Fmedia\u002Fimages\u002Ff3\u002Fc24fa5a9058975063fe2d2d796e342-29704a6938.1.png","\u002Fprivate\u002Ffiles\u002F16\u002F6eb9b9377eb47e68ed8020f49667e4-29704a6761.pdf","11.3 MB",[],[],{"id":762,"title":763,"slug":764,"image":765,"source":766,"brand_name":736,"brand":737,"brand_slug":738,"file_size":767,"pages":768,"pages_count":283,"matched_pages":769,"match_count":725,"two_pages":726,"show_text":727},26603,"News 2026","leds-c4-news-2026","\u002Fmedia\u002Fimages\u002Ffd\u002F08ef85e9ab5f20b8e36d39db23903e-29704a66c9.1.png","\u002Fprivate\u002Ffiles\u002F14\u002F3d18f95b3c5bf1476f17e79ade1c39-29704a6417.pdf","9.7 MB",[],[],{"id":771,"title":772,"slug":773,"image":774,"source":775,"brand_name":736,"brand":737,"brand_slug":738,"file_size":776,"pages":777,"pages_count":143,"matched_pages":778,"match_count":725,"two_pages":726,"show_text":727},26604,"Play Super Comfort","leds-c4-play-super-comfort","\u002Fmedia\u002Fimages\u002Fb0\u002Fca782a57ca8c5561108856c084a962-29704a677d.1.png","\u002Fprivate\u002Ffiles\u002F98\u002F33f678484c91d595e9119acf1423df-29704a66ac.pdf","16.3 MB",[],[],{"id":780,"title":781,"slug":782,"image":783,"source":784,"brand_name":736,"brand":737,"brand_slug":738,"file_size":785,"pages":786,"pages_count":451,"matched_pages":787,"match_count":725,"two_pages":726,"show_text":727},26602,"New offices","leds-c4-new-offices","\u002Fmedia\u002Fimages\u002F9a\u002F46aad607ed8b7215cb0b320b2ef927-29704a5a00.1.png","\u002Fprivate\u002Ffiles\u002Fc5\u002F29e40b9906e7faa25be87c0ea8b1f2-29704a59e1.pdf","45.7 MB",[],[],{"id":789,"title":790,"slug":791,"image":792,"source":793,"brand_name":736,"brand":737,"brand_slug":738,"file_size":794,"pages":795,"pages_count":796,"matched_pages":797,"match_count":725,"two_pages":726,"show_text":727},26600,"Architectural Outdoor 2026","leds-c4-architectural-outdoor-2026","\u002Fmedia\u002Fimages\u002Ff2\u002Fcfbdb393ada4c94d6166515df0f816-29704a2b35.1.png","\u002Fprivate\u002Ffiles\u002F08\u002Fb85660b3a873b3edddf6e44c5dbab0-29704a2b01.pdf","45.4 MB",[],772,[],{"id":799,"title":800,"slug":801,"image":802,"source":803,"brand_name":736,"brand":737,"brand_slug":738,"file_size":804,"pages":805,"pages_count":806,"matched_pages":807,"match_count":725,"two_pages":726,"show_text":727},26601,"Decorative Fans 2026","leds-c4-decorative-fans-2026","\u002Fmedia\u002Fimages\u002F1a\u002Fc77cfd6dbd7c92c0df3eb82941c547-29704a2b2b.1.png","\u002Fprivate\u002Ffiles\u002F93\u002F11c88fe4138c754832a3484128207f-29704a2b01.pdf","41.5 MB",[],450,[],{"id":809,"title":763,"slug":810,"image":811,"source":812,"brand_name":813,"brand":814,"brand_slug":815,"file_size":816,"pages":817,"pages_count":411,"matched_pages":818,"match_count":725,"two_pages":726,"show_text":727},26599,"porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 MB",[],[],{"id":820,"title":821,"slug":822,"image":823,"source":824,"brand_name":825,"brand":826,"brand_slug":827,"file_size":828,"pages":829,"pages_count":199,"matched_pages":830,"match_count":725,"two_pages":726,"show_text":727},26598,"Second Life Contract 2026","slide-second-life-contract-2026","\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.1.png","\u002Fprivate\u002Ffiles\u002F60\u002F2ed17461507e1c6defb90fc3af7f6b-296dd67b81.pdf","Slide",401,"slide","8.0 MB",[],[],{"id":832,"title":833,"slug":834,"image":835,"source":836,"brand_name":837,"brand":838,"brand_slug":839,"file_size":840,"pages":841,"pages_count":842,"matched_pages":843,"match_count":725,"two_pages":726,"show_text":727},26597,"General 2025","edition-bougainville-general-2025","\u002Fmedia\u002Fimages\u002F20\u002F9482f96b2ff16c3751dc0bf38106ee-296be38596.1.png","\u002Fprivate\u002Ffiles\u002Fc0\u002Fa8bc3710f63d3f9c918648acc349bf-296be38521.pdf","Edition Bougainville",2197,"edition-bougainville","1337.1 MB",[],326,[],{"id":845,"title":846,"slug":847,"image":848,"source":849,"brand_name":837,"brand":838,"brand_slug":839,"file_size":850,"pages":851,"pages_count":447,"matched_pages":852,"match_count":725,"two_pages":726,"show_text":727},26596,"General new 2026","edition-bougainville-general-new-2026","\u002Fmedia\u002Fimages\u002F70\u002Fd61873e1175db61f2e03ca6c34fbef-296be3853e.1.png","\u002Fprivate\u002Ffiles\u002Fe3\u002F31e29b6f8f4e9d6bf34b5e02b7af8b-296be38521.pdf","14.6 MB",[],[],{"id":854,"title":855,"slug":856,"image":857,"source":858,"brand_name":859,"brand":860,"brand_slug":861,"file_size":862,"pages":863,"pages_count":864,"matched_pages":865,"match_count":725,"two_pages":726,"show_text":727},26595,"Outdoor Decor 2026","ethimo-outdoor-decor-2026","\u002Fmedia\u002Fimages\u002F06\u002Fe01cc9faac107000b2d52f32269655-296bd1e75f.1.png","\u002Fprivate\u002Ffiles\u002F55\u002Fb1013d3410d0dab58c0b01c63c83d2-296bd1e759.pdf","Ethimo",1796,"ethimo","56.9 MB",[],324,[],{"id":867,"title":868,"slug":869,"image":870,"source":871,"brand_name":872,"brand":873,"brand_slug":874,"file_size":875,"pages":876,"pages_count":263,"matched_pages":877,"match_count":725,"two_pages":726,"show_text":727},26576,"Francesco Balzano 2026","giobagnara-francesco-balzano-2026","\u002Fmedia\u002Fimages\u002Fa3\u002F4b32a3ff2d18cecd6a14375150eeea-292d0fd09a.1.png","\u002Fprivate\u002Ffiles\u002F57\u002Fcfa9eaed024c0b9900e8fe56aad231-292d0f5b38.pdf","GioBagnara",2329,"giobagnara","40.4 MB",[],[],{"id":879,"title":880,"slug":881,"image":882,"source":883,"brand_name":872,"brand":873,"brand_slug":874,"file_size":884,"pages":885,"pages_count":886,"matched_pages":887,"match_count":725,"two_pages":726,"show_text":727},26577,"Rabitti1969 2026","giobagnara-rabitti1969-2026","\u002Fmedia\u002Fimages\u002Fc5\u002F704db07c2e74d60a1833dd93dc3967-292d146463.1.png","\u002Fprivate\u002Ffiles\u002Fcc\u002F74a628f430699a1576927d6a5c43f0-292d121a8c.pdf","106.6 MB",[],182,[],{"id":889,"title":890,"slug":891,"image":892,"source":893,"brand_name":872,"brand":873,"brand_slug":874,"file_size":894,"pages":895,"pages_count":896,"matched_pages":897,"match_count":725,"two_pages":726,"show_text":727},26578,"Stephane Parmentier 2026","giobagnara-stephane-parmentier-2026","\u002Fmedia\u002Fimages\u002Faa\u002F75a74fb0948097cf84e6c5693fc962-292d13ef2c.1.png","\u002Fprivate\u002Ffiles\u002Fb1\u002Fcc1cbee33e9c8c6513a907bd065ac5-292d121a97.pdf","191.0 MB",[],207,[],{"id":899,"title":900,"slug":901,"image":902,"source":903,"brand_name":872,"brand":873,"brand_slug":874,"file_size":904,"pages":905,"pages_count":183,"matched_pages":906,"match_count":725,"two_pages":726,"show_text":727},26579,"Kelly Wearstler 2026","giobagnara-kelly-wearstler-2026","\u002Fmedia\u002Fimages\u002F64\u002Fa1d46bc2d33136e7f1f59853d5b272-292d137a16.1.png","\u002Fprivate\u002Ffiles\u002F50\u002Ffbc23bd4891257c38e3a49f93fd0c6-292d121aaa.pdf","27.8 MB",[],[],{"id":908,"title":909,"slug":910,"image":911,"source":912,"brand_name":872,"brand":873,"brand_slug":874,"file_size":913,"pages":914,"pages_count":595,"matched_pages":915,"match_count":725,"two_pages":726,"show_text":727},26580,"Glenn Sestig 2026","giobagnara-glenn-sestig-2026","\u002Fmedia\u002Fimages\u002Fd3\u002F130de4d10ed29d4fd25cb84db70291-292d1304b6.1.png","\u002Fprivate\u002Ffiles\u002Fb9\u002Fc5c7c0b5ffb8e2ea735f61cd5fbdf6-292d121aae.pdf","91.8 MB",[],[],{"id":917,"title":918,"slug":919,"image":920,"source":921,"brand_name":922,"brand":923,"brand_slug":924,"file_size":925,"pages":926,"pages_count":79,"matched_pages":927,"match_count":725,"two_pages":726,"show_text":727},26581,"Inspiring Excellence 2025","roberto-giovannini-inspiring-excellence-2025","\u002Fmedia\u002Fimages\u002F71\u002F318a1f5e60ccc5acfdcc1ae5be5060-292d128f9c.1.png","\u002Fprivate\u002Ffiles\u002F87\u002F5e0b076f595f5160ca7a5f7458849b-292d121abb.pdf","Roberto Giovannini",1388,"roberto-giovannini","8.1 MB",[],[],{"id":929,"title":930,"slug":931,"image":932,"source":933,"brand_name":872,"brand":873,"brand_slug":874,"file_size":934,"pages":935,"pages_count":415,"matched_pages":936,"match_count":725,"two_pages":726,"show_text":727},26582,"Elie Saab 2026","giobagnara-elie-saab-2026","\u002Fmedia\u002Fimages\u002F6b\u002F81da6c9cdf7b4edff952a62ef7b9ca-292d16ae2e.1.png","\u002Fprivate\u002Ffiles\u002F79\u002Fcb5cd133e6f07379794938ed005de3-292d14d9af.pdf","58.4 MB",[],[],{"count":938,"next":939,"previous":940,"brand_chips":941},14125,"\u002Fapi\u002Fv1\u002Fcatalogs\u002F?page=2",null,[942,945,948,951,954,957,960,963,966,969],{"title":943,"slug":944,"count":379},"SICIS","sicis",{"title":946,"slug":947,"count":319},"La Fabbrica AVA","la-fabbrica-ava",{"title":949,"slug":950,"count":319},"Terratinta","terratinta",{"title":952,"slug":953,"count":319},"Magis","magis",{"title":955,"slug":956,"count":267},"True Design","true-design",{"title":958,"slug":959,"count":255},"Covet House","covet-house",{"title":961,"slug":962,"count":243},"Ares Line","ares-line",{"title":964,"slug":965,"count":243},"Poltrona Frau","poltrona-frau",{"title":967,"slug":968,"count":235},"Karpenter","karpenter",{"title":970,"slug":971,"count":235},"Visionnaire","visionnaire",[973,976,979,982,985,988,991,994,997,1000,1003,1006,1009,1012,1015,1018,1021,1024,1027,1030],{"id":731,"title":732,"slug":733,"image":734,"source":735,"brand_name":736,"brand":737,"brand_slug":738,"file_size":739,"pages":974,"pages_count":741,"matched_pages":975,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":744,"title":745,"slug":746,"image":747,"source":748,"brand_name":736,"brand":737,"brand_slug":738,"file_size":749,"pages":977,"pages_count":287,"matched_pages":978,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":753,"title":754,"slug":755,"image":756,"source":757,"brand_name":736,"brand":737,"brand_slug":738,"file_size":758,"pages":980,"pages_count":259,"matched_pages":981,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":762,"title":763,"slug":764,"image":765,"source":766,"brand_name":736,"brand":737,"brand_slug":738,"file_size":767,"pages":983,"pages_count":283,"matched_pages":984,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":771,"title":772,"slug":773,"image":774,"source":775,"brand_name":736,"brand":737,"brand_slug":738,"file_size":776,"pages":986,"pages_count":143,"matched_pages":987,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":780,"title":781,"slug":782,"image":783,"source":784,"brand_name":736,"brand":737,"brand_slug":738,"file_size":785,"pages":989,"pages_count":451,"matched_pages":990,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":789,"title":790,"slug":791,"image":792,"source":793,"brand_name":736,"brand":737,"brand_slug":738,"file_size":794,"pages":992,"pages_count":796,"matched_pages":993,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":799,"title":800,"slug":801,"image":802,"source":803,"brand_name":736,"brand":737,"brand_slug":738,"file_size":804,"pages":995,"pages_count":806,"matched_pages":996,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":809,"title":763,"slug":810,"image":811,"source":812,"brand_name":813,"brand":814,"brand_slug":815,"file_size":816,"pages":998,"pages_count":411,"matched_pages":999,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":820,"title":821,"slug":822,"image":823,"source":824,"brand_name":825,"brand":826,"brand_slug":827,"file_size":828,"pages":1001,"pages_count":199,"matched_pages":1002,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":832,"title":833,"slug":834,"image":835,"source":836,"brand_name":837,"brand":838,"brand_slug":839,"file_size":840,"pages":1004,"pages_count":842,"matched_pages":1005,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":845,"title":846,"slug":847,"image":848,"source":849,"brand_name":837,"brand":838,"brand_slug":839,"file_size":850,"pages":1007,"pages_count":447,"matched_pages":1008,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":854,"title":855,"slug":856,"image":857,"source":858,"brand_name":859,"brand":860,"brand_slug":861,"file_size":862,"pages":1010,"pages_count":864,"matched_pages":1011,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":867,"title":868,"slug":869,"image":870,"source":871,"brand_name":872,"brand":873,"brand_slug":874,"file_size":875,"pages":1013,"pages_count":263,"matched_pages":1014,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":879,"title":880,"slug":881,"image":882,"source":883,"brand_name":872,"brand":873,"brand_slug":874,"file_size":884,"pages":1016,"pages_count":886,"matched_pages":1017,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":889,"title":890,"slug":891,"image":892,"source":893,"brand_name":872,"brand":873,"brand_slug":874,"file_size":894,"pages":1019,"pages_count":896,"matched_pages":1020,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":899,"title":900,"slug":901,"image":902,"source":903,"brand_name":872,"brand":873,"brand_slug":874,"file_size":904,"pages":1022,"pages_count":183,"matched_pages":1023,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":908,"title":909,"slug":910,"image":911,"source":912,"brand_name":872,"brand":873,"brand_slug":874,"file_size":913,"pages":1025,"pages_count":595,"matched_pages":1026,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":917,"title":918,"slug":919,"image":920,"source":921,"brand_name":922,"brand":923,"brand_slug":924,"file_size":925,"pages":1028,"pages_count":79,"matched_pages":1029,"match_count":725,"two_pages":726,"show_text":727},[],[],{"id":929,"title":930,"slug":931,"image":932,"source":933,"brand_name":872,"brand":873,"brand_slug":874,"file_size":934,"pages":1031,"pages_count":415,"matched_pages":1032,"match_count":725,"two_pages":726,"show_text":727},[],[],[1034,1035,1036,1037,1038,1039,1040,1041,1042,1043],{"title":943,"slug":944,"count":379},{"title":946,"slug":947,"count":319},{"title":949,"slug":950,"count":319},{"title":952,"slug":953,"count":319},{"title":955,"slug":956,"count":267},{"title":958,"slug":959,"count":255},{"title":961,"slug":962,"count":243},{"title":964,"slug":965,"count":243},{"title":967,"slug":968,"count":235},{"title":970,"slug":971,"count":235}]