[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-luceplan-new-landmarks-projects-references-2013":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":220},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":215,"matched_pages":216,"match_count":217,"two_pages":218,"show_text":219},17999,"New Landmarks Projects References 2013","luceplan-new-landmarks-projects-references-2013","\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F50\u002F5e1c381567d765504f230ae50d7283-288d886d61.pdf","Luceplan",146,"luceplan","8.2 MB",[14,17,20,24,28,32,36,40,44,48,52,56,60,64,68,72,76,80,84,88,92,96,100,104,108,112,116,120,124,128,132,136,140,144,148,152,156,160,164,168,172,176,180,184,188,192,196,200,204,208,212],{"image":7,"text":15,"number":16},"NEW LANDMARKS\n",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.3.png","PUBLIC SPACES  3\nFrac Bretagne  4\nHaagse Toren  8\nChurch of San Carlo Borromeo 10\nKarolinska Institutet  14\nOsgoode Hall Law School  18\n \nCOMMERCIAL SPACES  21\nEataly  22\nFabbrica Pelletterie Milano  26\nShowroom Hatico and Rich Friday  28\nHöfe am Brühl  30\nINDEX\nOFFICES  33\nGhost VFX  34\nBanca Prealpi Headquarters 38\nThor Specialties  44\nMsc Headquarters  50\nPalazzo Lombardia  56\nInterior project in Basilea  58\nCallant Headquarters  60\nProject Informatica  64\nImplement Consulting Group  68\n \nRESTAURANTS 73\nAl Gallione  74\nLa Bissascudlera  78\nPop Kafé  82\nHOSPITALITY  85\nRenaissance Barcelona Fira Hotel  86\nRESIDENTIAL  91\nWindemere West End  92\n4\n60\n56\n34\n22\n26\n14\n44\n10\n8\n58\nPhotos\nStefano Aiti (p. 38, 39, 40, 41, 42, 43)\nRoland Albe (p. 4, 5, 6, 7)\nTom Arban (p. 18, 19)\nPeter Berson (92, 93)\nIñigo Bujedo Aguirre (p. 86, 87, 88, 89)\nMario Carrieri (p. 58, 59)\nAlberto Ferrero (74, 75, 76, 77)\nMads Frederik (p. 68, 69, 70, 71)\nMarco Introini (p. 10, 11, 12, 13)\nSten Jansin (14, 15, 16, 17)\nLaurent Legile (82, 83)\nDelfino Sisto Legnani (p. 64, 65, 66, 67)\nMfi Ag  (p. 30, 31)\n©Modular Lighting Instruments (60, 61, 62, 63)\nPierandrea Monni (p. 56, 57)\nWerner Rohs (p. 28, 29)\nIvan Sarfatti (cover, p. 22, 23, 24, 25, 26, 27, 34, 35, 36, 37, \n44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 78, 79, 80, 81)\nMatthijs van Roon (p. 8, 9)\n© 2013 by Luceplan SpA, Milano. \nAll rights reserved\nProject Coordination\nPatrizia Vicenzi, Rosi Guadagno \nand Paola Balordi\nGraphic Design\nAlessandro Benini \nPrinted in Italy \nElpo Edizioni, Como\nOctober 2013\nPUBLIC\nSPACES\n≥\nCOMMERCIAL\nSPACES\n≥\n50\n30\nOFFICES\n≥\n64\n28\n68\n64\n74\n86\nRESTAURANTS\n≥\n78\nHOSPITALITY\n≥\n92\nRESIDENTIAL\n≥\n38\n18\nCREDITS\n82\n",3,{"image":25,"text":26,"number":27},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.4.png","2\n3\nPUBLIC SPACES\nSPAZI PUBBLICI \nÖFFENTLICHEN RAUM\nESPACES PUBLICS\nESPACIOS PÚBLICOS\n",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.5.png","4\n5\nFRAC Bretagne\nRennes, France\nProject: Odile Decq\ne04\ndesign Habits Studio\n",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.6.png","6\n7\nFor the lighting of the new FRAC – \nFonds Régional d’Art Contemporain \nin Rennes, the highly acclaimed French \narchitect Odile Decq has selected \nthe e04 fixtures from the Luceplan \ncollection, in the ceiling \nand suspension versions (with LED \nlight sources).  The elegant, essential \nsilhouette of the e04 fixtures and the \nCostanza lamps with black shades fit \nperfectly into this work of architecture \nthat features the typical colors of \nthe \"dame noire’\" of contemporary \narchitecture.\n“The whole project reinterprets the \napparently irreconcilable contrast – \nOdile Decq explains – between life \nin an urban reality and immaterial \nescape, between natural and \nartificial, heavy and light, shadow and \nbrightness”.\nPer l’illuminazione del nuovo FRAC – \nFonds Régional d’Art Contemporain di \nRennes, l’affermato architetto francese \nOdile Decq ha selezionato le lampade \ne04 della collezione Luceplan nelle \nversioni a sospensione e a soffitto \n(con sorgenti LED). Le silhouhette \nessenziali degli apparecchi e04 e le \nlampade Costanza con paralume \nnero si abbinano alla perfezione alle \nfiniture tipiche della ‘signora in nero’ \ndell’architettura contemporanea.\n“Tutto il progetto – spiega Odile \nDecq – reinterpreta il contrasto \napparentemente inconciliabile tra \nla vita in un contesto urbano e la \nfuga immateriale, tra il naturale \ne l’artificiale, la pesantezza e la \nleggerezza, l’ombra e la luce”\nCostanza\ndesign Paolo Rizzatto\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.7.png","8\n9\nArchetype\ndesign Goodmorning Technology\nThe Hague Tower in Den Haag \nis located in a building that \ncontains cafes, restaurants, \na conference center and \nmeeting rooms, as well as flex \nworkspaces, apartments and \na nightclub. Archetype lamps \naccent the alignment of the \nflex work zones, providing \ncomfortable lighting and very \nlow energy consumption.\nLa Hague Tower nella città \ndi Den Haag è un edificio che \nraccoglie caffé, ristoranti, \ncentri di incontro e sale riunioni, \nspazi di lavoro temporaneo, \nappartamenti e night club.\nLe lampade Archetype \nscandiscono gli allineamenti \ndelle zone adibite ai posti di \nlavoro a rotazione e forniscono \nuna illuminazione confortevole \na bassissimo consumo.\nHaagse Toren\nThe Hague, Nederlands \nProject: Studio Linse (Amsterdam)\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.8.png","10\n11\ne04\ndesign Habits Studio\nChurch of San Carlo Borromeo\nRome, Italy\nProject: Monestiroli Architetti Associati with Massimo Ferrari and Claudia Tinazzi\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.9.png","12\n13\ne04\ndesign Habits Studio\nBuilt at the gates of the city of Rome, \nthe project includes the creation \nof a new church, a tower, parish \nannexes and a rectory. Inside the \nchurch, the installation flexibility \nof Luceplan fixtures makes it possible \nto vary the height of the lamps from \nthe floor, creating a sense of a limited \nzone with respect to the vast size \nof the hall.\nRealizzato alle porte della città di \nRoma, il progetto comprende la \nrealizzazione di una nuova aula \nliturgica, una torre, degli spazi \nparrocchiali annessi e della relativa \ncasa canonica. All’interno della \nchiesa, la flessibilità di installazione \ndegli apparecchi Luceplan ha \nconsentito di  variare l'altezza \ndegli elementi da terra creando \nun ambiente di dimensioni ridotte \nrispetto alla vastità dell’aula.\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.10.png","14\n15\nKarolinska Institutet\nStockholm, Sweden\nInterior Architect: Tengbom Studio\nArchetype\ndesign Goodmorning Technology\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.11.png","16\n17\nThe Karolinska Institutet, a medical \nuniversity and research center in \nSweden, is investing heavily in new \nbuildings and modernized premises \nto better meet the needs of research \nand education in the future. The new \nHuddinge Department of Medicine \nprovides flexible and dynamic \nspaces for students and researchers, \nfeaturing the Archetype suspension \nlamps. Behind their classic colors \nand shapes connected with the \nScandinavian design tradition, the \nArchetype lamps conceal the most \nadvanced LED technology.\nIl Karolinska Institutet, centro \ndi ricerca medicale e campus \nuniversitario in Svezia, ha \nrecentemente fatto importanti \ninvestimenti nella costruzione e \nmodernizzazione dei propri edifici, \nper adeguarsi alle esigenze future. \nNel nuovo Dipartimento di Medicina \nHuddinge, ricco di spazi dinamici e \nflessibili per studenti e ricercatori, \nsono state utilizzate le lampade \nArchetype. Con una silhouette che \nsi ispira nella forma e nei colori  alla \ntradizione scandinava, le lampade \nArchetype racchiudono la più \navanzata tecnologia LED.\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.12.png","18\n19\nCostanzina\ndesign Paolo Rizzatto\nOsgoode Hall Law School \nToronto, Canada\nProject: Innovant\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.13.png","21\nCOMMERCIAL SPACES \nSPAZI COMMERCIALI \nGEWERBEFLÄCHEN\nESPACES COMMERCIAUX\nESPACIOS COMERCIALES\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.14.png","22\n23\nSituato nell'ex Terminal \nOstiense, Eataly Roma è \nun megastore dedicato \nall'eccellenza agroalimentare \nitaliana: il diciannovesimo, ed \nanche il più grande, della catena \ndi punti vendita aperti\nnel mondo dall'imprenditore \nOscar Farinetti.\nEataly Roma ospita, su una \nsuperficie complessiva di circa \n17mila metri quadrati articolata \nsu quattro piani, 23 punti \nristoro e degustazione, negozi, \nlaboratori gastronomici e un \nauditorium di 300 posti.\nSotto il profilo dell'illuminazione, \nla scelta si è orientata \nsull'integrazione delle \nsoluzioni ad alta efficienza e \nfunzionalità fornite da Philips \ncon gli apparecchi siglati \ndall'inconfondibile design del \nmarchio Luceplan, entrambi \nall'avanguardia sul fronte della \nsostenibilità, grazie all'impiego \ndella tecnologia LED a basso \nconsumo energetico.\nBuilt in the former Ostiense \nTerminal, Eataly Roma is a \nmegastore for Italian excellence \nin foods and beverages: the 19th \nand also the largest of the chain \nopened around the world by the \nentrepreneur Oscar Farinetti.\nEataly Roma has an overall \narea of about 17,000 m2, on four \nlevels, to contain 23 dining and \ntasting points, shops, cooking \nworkshops and a 300-seat \nauditorium.\nWhere the lighting is concerned, \nthe facility combines the high \nefficiency of functional solutions \nsupplied by Philips with the \noutstanding design of fixtures \nby Luceplan, both on the front \nline of sustainability thanks \nto the use of LED technology \nfor very low levels of energy \nconsumption.\nEataly\nRome, Italy\nLighting project: Luceplan and Philips\nHope\ndesign Francisco Gomez Paz \u002F Paolo Rizzatto\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.15.png","24\n25\nQueen Titania\ndesign Alberto Meda \u002F Paolo Rizzatto\nCostanzina\ndesign Paolo Rizzatto\nArchetype\ndesign Goodmorning Technology\nMini Mini\ndesign Habits Studio\nPétale\ndesign Odile Decq\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.16.png","26\nFabbrica Pelletterie Milano \nMilan, Italy\nHoneycomb\ndesign Habits Studio\nFPM is an Italian brand of leather \ngoods, specializing in luggage with \nan accent on fine design. For its first \nexclusive store, FPM chose Luceplan \nto light the interiors and the shop \nwindows on one of the city’s busiest \nshopping thoroughfares. Flexibility, \nlightness, good looks and functional \nquality are the basic tenets of both \ncompanies, which through different \nproducts share the same philosophy \nof innovation and modernity.\nFPM è un brand di pelletteria italiano, \nspecializzato nel business della \nvaligeria e fortemente orientato \nal mondo del design. Per il primo \nmonomarca, FPM ha scelto Luceplan \nper illuminare gli spazi interni e \nle vetrine che affacciano su una \ndelle vie dello shopping piu vivaci \ndella città. Flessibilità, leggerezza, \nestetica e funzionalità sono i principi \nalla base delle due aziende che, \nseppur attraverso prodotti diversi, \ncondividono la stessa filosofia di \ninnovazione e modernità.\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.17.png","28\n29\nShowroom Hatico \nand Rich Friday\nDüsseldorf, Germany\nProject: Werner Rohs + Isabelle Lidl\nIn the Düsseldorf store of the \nGerman garment brands Hatico \nand Rich Friday, reflecting \nchrome surfaces form a \ncontrast with the decorative \ntransparency of Hope. \nThe functional lights offer \nuniform illumination of the \ndisplay areas, where the \nHope suspension lamps \nplay a leading role.\nNello showroom di Düsseldorf \ndei marchi tedeschi di \nabbigliamento Hatico e Rich \nFriday, la prevalenza \ndi superfici cromate riflettenti \nsi contrappone alla trasparenza \ndecorativa di Hope. \nLe luci funzionali illuminano \nomogeneamente le superfici \nespositive, lasciando alle \nsospensioni Hope il ruolo \ndi protagoniste.\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.18.png","30\n31\nHöfe am Brühl\nLeipzig, Germany\nLighting Design: Sekles Planungsbuero, Berlin\nHope\ndesign Francisco Gomez Paz \u002F Paolo Rizzatto\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.19.png","32\n33\nOFFICES\nUFFICI\nBÜROS\nBUREAUX\nOFICINAS\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.20.png","35\n35\n34\nGhost VFX\nCopenhagen, Denmark\nProject: Group Architects\nHope\ndesign Francisco Gomez Paz \u002F Paolo Rizzatto\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.21.png","36\n37\nGhost VFX supplies world-class \npost production and visual effects \nfor many international clients in the \ntelevision and film industries, from \nits headquarters in Copenhagen. \nThe facility is organized in an open \nspace of 1300 m2, in a recently \nrestored building in the city center. \nThe Hope lamps, together with \nthe other architectural features, \ncontribute to generate the greatest \npossible comfort for staff, shedding \nlight on their creative ideas.   \n \nGhost VFX è un’azienda leader in \nservizi di post-produzione ed effetti \nvisivi che serve moltissimi clienti \ninternazionali dell’industria televisiva \ne cinematografica dal suo quartier \ngenerale di Copenaghen. Il quartier \ngenerale è situato in un open space \ndi 1300 m2 all’interno di un edificio \nrecentemente ristrutturato nel \ncuore di Copenaghen. Le lampade \nHope, assieme ad altri elementi \ndell’architettura, contribuiscon a \ngenerare il massimo comfort per i \ncollaboratori, dando luce alle loro idee \ncreative.\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.22.png","38\n39\nBanca Prealpi Headquarters\nTarzo, Italy\nProject: Artufficio\nSky\ndesign Alfredo Häberli\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.23.png","40\n41\nLady Costanza\ndesign Paolo Rizzatto\nCarrara\ndesign Alfredo Häberli\nOtto Watt\ndesign Alberto Meda \u002F Paolo Rizzatto\nThe new office complex of Banca di \nCredito Cooperativo Prealpi in Tarzo \nincludes about 4000 square meters \nof office space, a 380-seat auditorium \nand sophisticated photovoltaic and \ngeothermal systems capable of \nproducing over half of the required \nclimate control. The complex is \ndivided into three architectural \nvolumes (offices and auditorium), \nand a garden that welcomes a small \nraised square with seat that have \nan organic form. \nTo light this wide range of different \nfunctional spaces, the lighting design \napproaches the project in a complete \nway, to guarantee an ideal solution \nfor multiple technical lighting needs. \nThe choice of products has also been \ndictated by the need to develop a \nlighting design that would be totally \nintegrated with the architectural \nimage. The result is variegated but \nharmonious, deploying both technical \nand decorative products, standard \nand custom systems, all run by a \nsystem of digital control.\nIl nuovo centro direzionale della \nBanca di Credito Cooperativo Prealpi \na Tarzo, comprende circa 4.000 metri \nquadri di uffici, un auditorium da 380 \nposti e sofisticati impianti fotovoltaico \ne geotermico capaci di produrre più \ndella metà del fabbisogno termico.\nIl complesso si articola in tre volumi \narchitettonici (uffici e auditorium) e \nun giardino che accoglie una piazzetta \nrialzata con sedute di forma organica.\nIlluminare tutti gli spazi con funzioni \ncosì diverse tra loro, ha portato \na pensare alla “luce” in maniera \ncompleta per garantire la soluzione \nideale alle molteplici esigenze \nilluminotecniche. \nLa scelta dei prodotti è stata dettata \nanche in funzione di poter sviluppare \nun progetto d’illuminazione che \ns’integrasse totalmente a quello \narchitettonico.\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.24.png","42\n43\nE04 ceiling\ndesign Habits Studio\nHope\ndesign Francisco Gomez Paz \u002F Paolo Rizzatto\nE04 wall\ndesign Habits Studio\ne01\ndesign Habits Studio\nAny\ndesign Habits Studio \u002F Format Design Studio\nD7\ndesign Sandro Colbertaldo \u002F Paolo Rizzatto\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.25.png","44\n45\ne04\ndesign Habits Studio\nThor Specialties\nVarese, Italy\nProject: Alberico & Giachetti Architetti Associati\nSKY\ndesign Alfredo H äberli\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.26.png","46\n47\nHope\ndesign Francisco Gomez Paz \u002F Paolo Rizzatto\ne07\ndesign abits Studio\ne04\ndesign Habits Studio\n",26,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.27.png","48\n49\ne03\ndesign Habits Studio\nThe building of the multinational \nchemical corporation Thor \nSpecialties breaks up the usual \ncompositional monotony of this \ntype of facility, by organizing \nthree volumes separated by \ntall wings, but connected and \njoined by a central glazed unit. \nAll around, to link the elements \nof the complex, a reflecting pool \nadds aesthetic appeal to the \nfunction of providing a water \nsupply in case of fire. \nThe interiors feature solid \nwalls finished in natural \nhues, alternating with the \ntransparency of full-height \nmonoglass walls for the offices, \nconnected from level to level \nby a glass staircase.\nThe technical lighting design \nreflects and enhances the \nconcept of the division between \nthe various spaces developed \nby the architects. Light plays a \nfundamental role in the project, \nadapting to the three sections \nin different ways.\nL’edificio della multinazionale \ndella chimica Thor Specialties \nè realizzato in modo da \nspezzare la classica monotonia \ncompositiva di questo tipo di \ninterventi, progettando di fatto \ntre volumi separati da alte \nquinte ma incernierati ed uniti \nda un corpo centrale vetrato. \nTutt’intorno, a legare in maniera \nunivoca il complesso, uno \nspecchio d’acqua rende estetica \nla funzione di riserva d’acqua ai \nfini antincendio \nGli interni giocano su pareti \npiene finite con cromatismi \nlegati a a colori naturali alternati \nalle trasparenze delle pareti \nmonovetro a tutt’altezza degli \nuffici collegati tra loro ai vari \npiani da una scala in cristallo.\nIl progetto illuminotecnico ha \ncercato di seguire ed esaltare \nil concetto di divisione tra i \ndiversi ambienti studiato dagli \narchitetti. La luce ha un ruolo \nfondamentale nel progetto ed \nè stata adattata ai tre ambiti in \nmaniera differente.\ne07\ndesign Habits Studio\n",27,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.28.png","50\nMSC Headquarters\nGeneva, Switzerland\ne03\ndesign Habits Studio\n",28,{"image":125,"text":126,"number":127},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.29.png","52\n53\nStarglass\ndesign Paolo Rizzatto\nLady Costanza\ndesign Paolo Rizzatto\nMSC Cruises is the market-\nleading cruise company in the \nMediterranean, South Africa \nand Brazil. In 2013 the 12 ships \nin its ultra-modern fleet are \nexpected to carry over \n1.6 million travelers. \nThe project by Luceplan for \nMCS headquarters in Geneva \nprovides a wide range of lighting \nsolutions to adapt to the \ndifferent activities carried out \ninside the facility. Functional \nquality, image and energy \nsavings are the criteria for the \nselection of the fixtures, to \ncreate both general and specific \nlighting scenarios. \nMSC Crociere è una compagnia \nleader nei mercati crocieristici \ndel Mediterraneo, Sud Africa \ne Brasile. Le dodici navi di \ncui si compone la moderna \nflotta saranno in grado di \ntrasportare nel 2013 più di 1.6 \nmilioni di passeggeri. Il progetto \nilluminotecnico di Luceplan per \nil quartier generale di Ginevra \nha fornito una vasta gamma \ndi apparecchi che rispondono \nalle diverse necessità e attività \nscolte all’interno dell’edificio. \nFunzionalità, estetica e \nrisparmio energetico, sono \ni criteri con cui sono stati \nselezionati i corpi illuminanti \nper tutte le necessità \nilluminotecniche.\n",29,{"image":129,"text":130,"number":131},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.30.png","54\n55\ne01\ndesign Habits Studio\ne03\ndesign Habits Studio\n",30,{"image":133,"text":134,"number":135},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.31.png","56\nCarrara\ndesign Alfredo Haberli\nPalazzo Lombardia is complex \nof buildings including a \n39-storey, 161.3.meter \nskyscraper. It is the main seat \nof the regional government \nof Lombardy. Luceplan has \nprovided the lamps for the \ndepartmental offices, upper \nmanagement areas and \nexecutive offices. Classic models \nfrom the collection contribute \nto the authoritative image of the \nfacility.\nPalazzo Lombardia è un \ncomplesso unitario di edifici, \ntra cui un grattacielo alto 161,3 \nmetri, in cui ha sede la giunta \nregionale della Lombardia. \nLuceplan ha illuminato gli uffici \ndegli assessorati, le aree della \nalta direzione e gli uffici della \npresidenza con alcuni grandi \nclassici della propria collezione, \ncontribuendo a sottolineare il \nmood autorevole del luogo.\nPalazzo Lombardia \nMilan, Italy\nInterior design and layout: Tatiana Milone\nCostanza\ndesign Paolo Rizzatto\n",31,{"image":137,"text":138,"number":139},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.32.png","58\n59\nInside a pilot pharmaceutical \nresearch facility in Basel, the \nHope lamps have been used \nto boost environmental quality \nin the meeting areas. \nTheir festive, elegant image \ncontributes to generate an \nessential setting devoted \nto scientific research. \nAll’interno di una struttura \ndi ricerca pilota nel campo \nfarmaceutico a Basaliea, \nle lampade Hope sono state \nutilizzate per definire la qualità \nambientale degli spazi di \nincontro. \nIl loro aspetto festoso \ned elegante contribuisce \na connotare un ambiente \nessenziale votato alla ricerca \nscientifica.\nHope\ndesign Francisco Gomez Paz \u002F Paolo Rizzatto\nInterior project in Basel\nBasel, Switzerland\nProject: Studio Cerri Associati Engineering\nPierluigi Cerri Alessandro Colombo architetti\n",32,{"image":141,"text":142,"number":143},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.33.png","60\n61\nCallant Headquarters \nOostkamp, Belgium\nInterior architect: Inge Hoorne \nLighting Design: Lichtpunt Gistel & Modular Lighting Instruments\n",33,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.34.png","62\n63\nHope\ndesign Francisco Gomez Paz \u002F Paolo Rizzatto\nThe CALLANT insurance \ncompany has chosen a \nrenovated castle in Oostkamp, \nBelgium, as its new head \noffice. In the interiors of the \nDomein De Cellen, Luceplan \nchandeliers correctly interpret \nthe relationship between work, \nimage and lighting, creating a \nwelcoming, elegant atmosphere. \nThese luminaires are very \nstriking, yet also blend in \nperfectly with the rest of the \ndecor. \nLa compagnia di assicurazione \nCALLANT ha scelto un antico \ncastello ristrutturato ad \nOostkamp in Belgio per il \nproprio nuovo quartier generale. \nAll'interno del \"Domein De Cellen\", \nle lampade Hope di Luceplan \ninterpretano correttamente \nil rapporto tra lavoro, spazi di \nrappresentanza e illuminazione \ndiffondendo un'atmosfera \nelegante ed accogliente. \nPur essendo fortemente iconici, \nquesti apparecchi luminosi si \naccordano perfettamente con \nl'arredamento interno.\n",34,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.35.png","64\n65\nHope\ndesign Francisco Gomez Paz \u002F Paolo Rizzatto\ne01\ndesign Habits Studio\nProject Informatica\nStezzano, Italy\nProject: AR.CH.IT Luca Cipelletti\n",35,{"image":153,"text":154,"number":155},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.36.png","66\n67\ne01\ndesign Habits Studio\nThe Project Informatica \ngroup turned to AR.CH.IT \nLuca Cipelletti for the design \nof display, recreation and \ncustomer relations areas in its \nItalian headquarters. Besides \ncreating a space of recognizable \ncharacter, the goal of the project \nwas to grant maximum visibility \nto the integrated technologies \ndeveloped and distributed by \nthe company. All the lighting \nchoices were made with the \nconsulting of LUCEPLAN, in a \nperspective of image unification, \ninteractive functioning and \nmaximum flexibility of control \nand regulation of light color and \nintensity. The lamps interact \nwith and enhance the selection \nof durable, innovative and \nhigh-tech materials, which \ndemonstrate the close ties \nbetween research and quality, \ndetermining the iconic character \nof the technology. The design \ngeometries are the result of \nin-depth study of the space, \nincluding different vantage \npoints and the relationships \nbetween the various rooms.\nIl gruppo Project Informatica \nsi è rivolto ad AR.CH.IT Luca \nCipelletti per la progettazione \ndelle aree espositive, ricreative \ne di relazione con i clienti \nall’interno della propria sede in \nItalia. Oltre a creare uno spazio \ncaratterizzato e fortemente \nriconoscibile, obiettivo di \nprogetto è stato quello di \ndare la massima visibilità \nalle tecnologie integrate che \nl’azienda sviluppa e distribuisce.\nTutte le scelte del sistema \ndi illuminazione sono state \nstudiate con il supporto di \nLUCEPLAN e realizzate in \nun’ottica unificante, interattiva \ne di un’elevata flessibilità di \ngestione e regolazione sia \nin termini cromatici che di \nintensità luminosa. Le luci \ninteragiscono e supportano \nla scelta di materiali durevoli, \ninnovativi ed altamente \ntecnologici che dimostrano lo \nstretto legame fra ricerca e \nqualità e definiscono il carattere \niconico della tecnologia.\nLe geometrie di progetto sono \nil risultato di un approfondito \nstudio sullo spazio, sui diversi \npunti di vista e sulle relazioni fra \ngli ambienti.\n",36,{"image":157,"text":158,"number":159},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.37.png","68\n69\nFortebraccio\ndesign Alberto Meda \u002F Paolo Rizzatto\nImplement Consulting Group\nCopenhagen, Denmark\nProject: Retail Design, Copenhagen\n",37,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.38.png","70\n71\nHope\ndesign Francisco Gomez Paz \u002F Paolo Rizzatto\nIn the headquarters of the \nImplement Consulting Group of \nCopenhagen, a leading strategic \nconsulting firm with offices in \nDenmark, Sweden and Norway \nand affiliates throughout \nEurope, Luceplan lighting \nfixtures fit perfectly into \nspaces designed with great \nfunctional rigor. \nThe Fortebraccio and \nCostanzina lamps with \ntable pivots provide discreet \nergonomic lighting for the \nworkstations, while the Hope \nlamps supply a striking, \ndramatic luminous presence in \nthe large common areas.\nNella sede della Implement \nConsulting Group di \nCopenhagen, importante \nsocietà di consulenza strategica \ncon sedi in Danimarca, Svezia \ne Norvegia e affiliate in tutta \nEuropa, gli apparecchi di \nilluminazione Luceplan si \ninseriscono alla perfezione \nnegli spazi progettati con \nrigore e funzionalità. \nLe lampade con perno tavolo \nFortebraccio e Costanzina \nforniscono un’illuminazione \nergonomica e discreta per le \npostazioni di lavoro, mentre le \nlampade Hope forniscono una \nluce sfarzosa e scenografica \nnegli ampi spazi comuni.\nCostanzina\ndesign Paolo Rizzatto\n",38,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.39.png","72\n73\nRESTAURANTS\nRISTORANTI \nRESTAURANTS\nRESTAURANTS\nRESTAURANTES\n",39,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.40.png","74\n75\nHope\ndesign Francisco Gomez Paz \u002F Paolo Rizzatto\nAl Gallione\nBodio Lomnago, Varese, Italy\nProject: Interiors and exteriors by Arch. Paola Urbano - architectural lighting designer\n",40,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.41.png","76\n77\nThe design intervention of the \narchitect Paola Urbano comes from \nthe idea of making colors, materials, \nfinishes and lights interact to create \na harmonious, appealing atmosphere, \nin convivial spaces offering maximum \ncomfort. \nThe project has also been developed \nto generate an elegant environment, \nin tune with the place and the refined \ncuisine offered by the restaurant.\nFor the lighting, besides the accents \non certain particular zones done with \nminimal fixtures concealed from view, \nstriking solutions have been organized \nto enliven and add character to the \nvarious spaces. \nThe need to find elegant yet \nunobtrusive or visually “heavy” \nfixtures, offering a range of \ncoordinated solutions to respond to \nthe technical lighting requirements \nof the different areas, has led to the \nchoice of the Hope series by Luceplan.\nL'intervento progettuale \ndell'arch. Paola Urbano nasce \ndall'idea di far interloquire colori, \nmateriali, finiture e luci in modo \nda creare un risultato percettivo \narmonioso e gradevole, realizzando \ndegli spazi conviviali orientati al \nmassimo confort.  \nIl progetto è stato altresì sviluppato \ncon l'obiettivo di ottenere \nun'atmosfera attraente ed elegante, \nconsona al luogo e al menu raffinato \nche il ristorante propone.\nPer l'illuminazione, oltre agli effetti \nd’accento su alcune zone particolari \nrealizzati con apparecchi minimali \ncelati alla vista dall'osservatore, \nsono state individuate delle soluzioni \nscenografiche per ravvivare e \nconnotare i differenti ambienti.  \nL'esigenza di trovare degli apparecchi \neleganti ma nello stesso tempo \nnon invasivi o percettivamente \n\"pesanti\", oltre che caratterizzati da \nuna gamma di soluzioni coordinate \nin grado di soddisfare le esigenze \nilluminotecniche dei differenti spazi, \nè stata assolta utilizzando la serie \nHope di Luceplan.\n",41,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.42.png","78\n79\nGrande Costanza Open Air\ndesign Paolo Rizzatto\nLa Bissascudlera\nTravo di Rivergaro, Piacenza, Italy\nProject: Interiors, exteriors and architectural lighting design by Habits Studio.\ne04 suspension\ndesign Habits Studio\n",42,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.43.png","80\n81\nMini Mini\ndesign Habits Studio\nThe restaurant is immersed \nin greenery, facing the Trebbia \nRiver. The main objective of \nthe project was to conserve \nand enhance the geographical \ncharacteristics of the place, \nreducing the difference of \nperception between inside and \noutside, allowing nature to enter \nthe architecture as much as \npossible to take advantage of \nthe captivating natural setting.\nThe technical lighting design \nfollows the same criterion of \nspatial continuity, deploying \nprecise, discreet lighting for \nthe interiors using suspension \nlamps with narrow beams \n(e04 and mini mini) and outdoor \npole lamps that shift the \nindoor floor lamp archetype \ninto external spaces (Costanza \noutdoor).\nIl ristorante  è immerso in una \nfitta vegetazione e si affaccia \nsul fiume Trebbia. L’ obiettivo \nprimario del progetto è stato \npreservare ed enfatizzare le \ncaratteristiche geografiche del \nluogo riducendo la differenza \ndi percezione tra interno ed \nesterno , permettendo alla \nnatura di entrare il più possibile \nall’interno dell’architettura al \nfine di utilizzare l’incantevole \nscenario naturale come cornice \ndel locale.\nIl progetto illuminotecnico \nha seguito lo stesso criterio \ndi continuità degli spazi \norientandosi verso una luce \npuntuale e discreta per le sale \ninterne realizzate con lampade \na sospensione a fascio stretto \n(e04 e minimini) e delle piantane \nda esterno che richiamassero \nl’archetipo del salotto per \ngli spazi esterni (Costanza \noutdoor).\n",43,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.44.png","82\n83\nMini Mini\ndesign Habits Studio\nPod Lens\ndesign Ross Lovegrove\nPop Kafé\nNancy, France\nArchitect: Jean Luc Hemmer\n",44,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.45.png","84\n85\nHOSPITALITY\nHOSPITALITY \nUNTERKUNFT\nHOSPITALITÉ\nRESIDENCIA\n",45,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.46.png","86\n87\nRenaissance Barcelona Fira Hotel\nBarcelona, Spain\nProject: Jean Nouvel\n",46,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.47.png","88\n89\nThe Renaissance Barcelona Fira \nhotel takes a modern approach \nto the tradition of inspiring \narchitecture in Barcelona. \nThe hotel's two stunning towers \nare connected by vertical \ngardens that rise through an \natrium that soars to a height \nof over 30 meters. \nThe hotel is capped with a \ntrue sky oasis, a gorgeous \noutdoor rooftop pool, cocktail \nlounge and restaurant offering \npanoramic views of Barcelona. \nThe 357 rooms are furnished \nwith contemporary materials \nand finishes, for a relaxing \natmosphere of wellbeing. \nThe unmistakably elegant \nsilhouettes of the Costanza \nlamps, featured in different \nversions, match the style of \nthe rooms perfectly, providing \nextreme lighting comfort.\nL’hotel Renaissance Barcelona \nFira affronta con un approccio \ncontemporaneo l’ispirazione \ndell’architettura tradizionale di \nBarcellona. \nL’edificio è costituito da due \ntorri svettanti collegate da un \ngiardino verticale che sale \nda un gigantesto atrio alto \npiù di 30 metri. \nL’hotel è completato da una \npiscina sul tetto con una \ncocktail lounge e un ristorante \ncon vista panoramica sulla città; \nuna vera e propria oasi nel cielo. \nLe 357 stanze sono state \narredate con finiture e \nmateriali contemporanei che \nrestituiscono agli ambienti relax \ne benessere. \nLe inconfondibili silhouettes \ndelle lampade Costanza, \nusate in differenti tipologie, si \nabbinano con eleganza allo \nstile delle stanze e diffondono \nuna luce estremamente \nconfortevole.\nCostanza\ndesign Paolo Rizzatto\n",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.48.png","90\n91\nRESIDENTIAL\nRESIDENZIALE \nRESIDENTIAL\nRÉSIDENTIEL\nRESIDENCIAL\n",48,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.49.png","92\n93\nWindermere West End\nNew York, USA\nProject: N-Plus Architecture - RSVP Architecture Studio\nHope\ndesign Francisco Gomez Paz \u002F Paolo Rizzatto\nThe Windermere West End \nin Manhattan is a newly \ntransformed prewar gem that \ncombines the sleek, stylish \ninteriors of a design showroom, \nthe indulgent amenities of a \nprivate club and the full-service \nconveniences of a five-star \nhotel. The sumptuous lobby of \nthe building is full of sparkling \nHope lamps in different \nversions and sizes.\nThe Windermere West End \na Manhattan è un edificio dei \nprimi decenni del novecento \ntrasformato in moderno \ncomplesso che racchiude \nshowroom di design, club \nprivati, appartamenti \ne un hotel a cinque stelle. \nIl sontuoso ingresso dell’edificio \nè ulteriormente arricchito dallo \nscintillio di numerose Hope in \ndifferenti misure e tipologie.\n",49,{"image":209,"text":210,"number":211},"\u002Fmedia\u002Fimages\u002F85\u002F7d958dbdb47098205aac1fcecb131e-288d88e2b3.50.png","LUCEPLAN HEADQUARTERS\nVia E.T. Moneta 40\n20161 Milano\nT +39 02 66 242 1\nF +39 02 66 203 400\nN. verde 800 800 169\ninfo@luceplan.com\nLUCEPLAN BELGIUM\nModular Lighting Instruments\nArmoedestraat 71\n8800 Roeselare\nT +32 (0) 51 26 56 56\nF +32 (0) 51 22 80 04\nwelcome@supermodular.com\nLUCEPLAN FRANCE\nModular Lighting Paris\nRue du Mail, 31\n75002 Paris\nT +33 1 45 42 24 25\nF +33 1 45 42 43 20\nbonjour@supermodular.com\nLUCEPLAN GERMANY\nPrenzlauer Allee 39\nD-10405 Berlin\nT +49 30 44 33 84 0\nF +49 30 44 33 84 22\nluceplan_de@luceplan.com\nLUCEPLAN NETHERLANDS\nModular Lighting Nederland\nBouwerij 54\n1185 XX Amstelveen\nT +31 (0) 20 347 30 47\nF +31 (0) 20 347 30 48\ninfo@modular.nl\nLUCEPLAN RUSSIA\nModular Lighting Instruments\n(Representation)\nMr. Rudy Van Hoof\nMoscow\nT +7 919 991 30 73\nrudy.vanhoof@supermodular.com\nLUCEPLAN SCANDINAVIA\nKlubiensvej 22\nPakhus 48 - Frihavnen\nDK-2150 Nordhavn\nT +45 36 13 21 00\nF +45 36 13 21 01\ninfodk@luceplan.com\nLUCEPLAN SWEDEN\nLjusgruppen\nStenyxegatan 17, Box 9134\n200 39 Malmö, Sweden\nT +46 40 22 41 00\nwww.luceplan.se\nwww.ljusgruppen.se\nLUCEPLAN USA\n600 Meadowsland Parkway\nSuite 265\nSecaucus, NJ 07094\nT +1 201 558 1800\nF +1 201 558 1802\ninfous@luceplan.com \nLUCEPLAN SHOWROOM\nMILANO\nCorso Monforte 7\n20122 Milano\nT+39 02 76 015 760\nF +39 02 78 4062\nluceplanstore@luceplan.com\nNEW YORK\n49 Greene Street\nNY 10013 New York\nTel. +1 212 966 1399\nFax +1 212 966 1799\nstoreus@luceplan.com\nCOPENHAGEN\nKlubiensvej 22\nPakhus 48 - Frihavnen\nDK-2150 Nordhavn\nT +45 36 13 21 00\nF +45 36 13 21 01\ninfodk@luceplan.com\nOSLO\nNedregata 7\nN-0551 Oslo  \nT +47 928 14 481\nSTOCKHOLM\nStudio B3\nBarnhusgatan 3\n111 23 Stockholm\nT +46 8 214 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