[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-louis-poulsen-city-landscapes":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":302},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":297,"matched_pages":298,"match_count":299,"two_pages":300,"show_text":301},7900,"City Landscapes","louis-poulsen-city-landscapes","\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F68\u002F2fb10b56ee63fb225121a6dce13884.pdf","Louis Poulsen",291,"louis-poulsen","13.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,144,148,152,156,160,164,168,172,176,180,184,188,192,196,200,204,207,211,215,219,223,227,231,235,239,243,247,251,255,259,263,267,271,275,279,283,287,291,294],{"image":7,"text":15,"number":16},"City- &\nLandscapes\nOutdoor lighting\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.2.png","Albertslund & Toldbod Post. Christianshavn, Copenhagen, Denmark.\nPhoto: Torben Petersen.\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.3.png","Outdoor lighting in sync  \nwith its environment\nLouis Poulsen’s every solution for shaping light outdoors is rooted \nin a deep knowledge of the demands of city- and landscape  \nillumination – and an understanding of the combination of  \ndesign and technology that results in optimal human experiences \noutdoors. \nThe way we shape light can be traced back to Poul Henningsen \nand his views on the dualities of light and design: darkness and \nillumination, form and function, modern and classic. In our con-\ntinued work with lighting innovation, we strive to achieve the ideal \nbalance among these elements.\nOutdoor lighting is about more than safety. It needs to create an \ninviting space within the larger surroundings and interplay with \narchitecture and landscape. We devote considerable attention to \nevery aspect of every design, working with reflection, refraction \nand effects to create the best lighting experiences. \n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.4.png","Flindt Wall. Set Location, Den Blå Planet, Copenhagen, Denmark.\nPhoto: Wichmann+Bendtsen.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.5.png","At Louis Poulsen, we shape light. We \nstrive to create an atmosphere where \npeople feel comfortable, welcome and \nrelaxed. Every design decision is based \non the illumination each shape creates, \nwith every single surface and curve  \nworking to create precisely the right  \nambience. Form follows function,  \nresulting in unforgettable luminaires  \nthat humanise spaces.\nFor us, shaping light means creating \nan atmosphere that helps people feel \ngood, wherever they are. To that end, our \noutdoor product portfolio combines high \nand low lighting and offers solutions that \nenter into harmonious dialogue with any \noutdoor environment.\n Design to Shape Light\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.6.png","Every space  \nin its right light\nWe use and navigate the city in many different ways: we \ndrive, walk, bike and skate. The new mixed industrial- \nrecreational areas such as harbour front lead to new ways \nof designing and combining different lighting.  \nBoth the purposes and functions of an urban space need \nto be considered when planning the lighting in an area.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.7.png","City Centres\nPiers\nParks,  \npathway &  \nlandscapes\nBuildings and \narchitectural \nspaces\nResidential  \n& local roads\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.8.png","City centres\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.9.png","Flindt Bollard. Larvik Torv, Larvik, Norway.\nPhoto: Frank Jørstad.\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.10.png","Albertslund Post. Set location, Nordhavn, Copenhagen, Denmark.\nPhoto: Wichmann+Bendtsen Photography.\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.11.png","A vision for modern cities\nFor millennia, town and city lights have enhanced our \nsafety, allowing us to navigate the outdoors at any time \nof day or night. Today, light plays an ever-more important \nand varied role in urban setting as we move between \nhome, work, shopping, and leisure activities – or simply \nexplore and enjoy our surroundings. Intelligent, aestheti-\ncally pleasing lighting systems are essential to helping us \nto feel our best. What’s more, they help strengthen our \nconnection to our natural and man-made surroundings. \nLighting in city centres can be as diverse as the areas \nthemselves. Numerous light sources – from post tops \nand bollards to various wall- and surface-mounted \nfixtures – create an inviting, unified flow through streets \nand squares, and draw our attention to urban elements of \nparticular beauty and importance.\nLouis Poulsen’s solutions for urban areas range from the \nclassic to the ultra-modern, allowing planners and design-\ners to speak to a city’s history while projecting its vision of \nthe future.\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.12.png","Waterfront Bollard. Fukuoka Sanno Hospital, Fukuoka, Japan. \nPhoto: Shinji Aratani.\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.13.png","Flindt Bollard. Johanneskirketrappen, Bergen, Norway. \nPhoto: Frank Jørstad.\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.14.png","LP Nest Post. Agder Energi, Kristiansand, Norway. \nPhoto: Jiri Havran.\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.15.png","Kipp Post. Bean Tower, Denver, USA. \nPhoto: Frank Ooms.\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.16.png","Parks\npathways\n& landscapes\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.17.png","LP Capsule Post. Recreation area Jørpelandsholmen, Norway. \nPhoto: Kristofer Ryde.\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.18.png","Albertslund Post. Sjølundsparken, Hellebæk, Denmark.\nPhoto: Kim Matthai Leland.\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.19.png","Guiding while delighting\nOutdoor landscapes – from public parks to university \ncampuses – can be transformed through thoughtfully \ndesigned lighting plans that balance aesthetics and  \nfunctionality. \nLandscape lighting is critical for making these spaces  \nuseful, not to mention safer, after dark. But it’s also \nessential that the lighting design highlights the identity \nof a place as well as its uses – and helps lend form and \nambience to the landscape architecture. When lighting is \nintegrated into landscape planning from a project’s earli-\nest phases, the overall impact of the completed space is \nalways dramatically enhanced.\nLight bollards, for instance, are discreet little helpers that \ncan illuminate steps, highlight walkways, and indicate \nlevel changes. They ensure visibility next to paths and \npassages so that we can be safe in the dark. Thanks to \ntheir low height, they create a comfortable and non-in-\ntrusive atmosphere and do not interrupt our view of our \nsurroundings. Post tops, on the other hand, focus less on \ncreating a sense of intimacy and more on broad illumi-\nnation that enhances our awareness of our location. And \nwall-mounted outdoor lights accentuate architectural \nelements – and show us to our destinations. All these \nlighting elements work in concert to create light layering \nthat addresses both our aesthetic and practical needs as \ndarkness falls.\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.20.png","",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.21.png","Toldbod Post. Nesodden Cemetery, Nesodden, Norway.\nPhoto: Jiri Havran. \n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.22.png","Flindt Bollard. Recreation area Frøylandsvatnet, Norway.\nPhoto: Kristofer Ryde.\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.23.png","Bysted Bollard. Christianshavn, Copenhagen, Denmark.\nPhoto: Torben Petersen.\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.24.png","Piers\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.25.png","Waterfront Bollard. Skovshoved Harbour, Denmark.\nPhoto: Torben Petersen.\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.26.png","Homann Park Post. Set Location, Sydhavn, Denmark.\nPhoto: Kim Matthai Leland.\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.27.png","Beacons of light\nIn these multi-purpose waterfront zones, which often \ninvite recreational use, the ideal atmosphere is created \nthrough a pairing of soft lighting installed close to build-\nings and numerous posts and bollards that define the \nparameters of the space while guiding passers-by. \nPlacing the right bollards close to the waterfront is par-\nticularly important, as they not only help people navigate \non the pier but also ensure that the light does not disturb \nmaritime traffic.\nThe Louis Poulsen outdoor collection offers a wide range \nof lighting concepts that facilitate the process of safe \nplacemaking, helping planners and designers maximise \nthe appeal of waterfront spaces at all hours.\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.28.png","Albertslund Post. Christianshavn, Copenhagen, Denmark.\nPhoto: Torben Petersen.\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.29.png","Kipp Post. Miami Yacht Club, Miami, USA.\nPhoto: Carlos Domenech.\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.30.png","Waterfront Bollard. Skovshoved Harbour, Skovshoved, Denmark.\nPhoto: Lars Kaslov.\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.31.png","Rubbie Bollard. OS Sjöfront, Os, Norway.\nPhoto: Frank Jørstad.\nBysted Bollard. Smedsvig Landskap, Bergen, Norway.\nPhoto: Frank Jørstad.\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.32.png","Buildings &\narchitectural\nspaces\n",32,{"image":142,"text":27,"number":143},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.33.png",33,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.34.png","Flindt Bollard, Toldbod 220\u002F290 Wall, Radiis 109.  \nGlasgow Fort, Glasgow, Scotland.\nLighting Designer: LDPI.\n",34,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.35.png","Lighting that deﬁnes  \nour experience of architecture\nThe process of illuminating architecture must address \nquite a few considerations. How and when are the build-\nings used? Are they residential or public? Places of work \nor leisure? And, essentially: how can they be made more \naccessible, more beautiful, and more in sync with their \nsurroundings through outdoor lighting? \nLouis Poulsen’s outdoor product portfolio offers solutions \nto complement and enhance spaces around building from \nthe thoroughly classic to the ultra-modern. They accen-\ntuate our sense of a place’s history and context, and give \nus a new perspective on structures we might overlook in \nthe daytime. At the same time, our wall, bollard, post and \nother outdoor designs address the many areas outside \na building that require thoughtful illumination to ensure \nthe desired overall experience and flow, from courtyards, \npathways and entryways to the buildings themselves.\n",35,{"image":153,"text":154,"number":155},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.36.png","Radiis. Cinecittà World, Via Tuscolana, Italy.\nPhoto: Germano Borrelli.\n",36,{"image":157,"text":158,"number":159},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.37.png","AL 600. Tunnel below highway, Sønderborg, Denmark.\nPhoto: Jens Thybo.\n",37,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.38.png","PH Wall. Christianshavn, Copenhagen, Denmark.\nPhoto: Torben Petersen.\nAlbertslund Wall. Christianshavn, Copenhagen, Denmark.\nPhoto: Torben Petersen.\n",38,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.39.png","Skot Wall. Ordrup Station, Ordrup, Denmark.\nPhoto: Jacob Termansen.\n",39,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.40.png","Nyhavn Wall. The Prime Minister’s office, Copenhagen, Denmark. \nPhoto: Kaslov Studio.\n",40,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.41.png","Flindt Bollard. Johanneskirketrappen, Bergen, Norway. \nP. Frank Jørstad\nAJ 50 Wall. Taishi Town Hall, Taishi-Cho, Japan. \nPhoto: Azumi Takahashi.\nKipp Wall. Theis Vine, Charlottenlund, Denmark. \nPhoto: Kim Matthai Leland.\n",41,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.42.png","Residential \n& local roads\n",42,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.43.png","LP Icon Post. Christianshavn, Copenhagen, Denmark.\nPhoto: Torben Petersen.\n",43,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.44.png","LP Icon Post. Eastside Cannery Hotel & Casino, Las Vegas, USA.\nPhoto: Saari & Forrai Photography.\n",44,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.45.png","Thoughtful, efﬁcient light  \nfor our roads\nToday, architects, municipalities and installers working \non outdoor illumination are asked to meet a wide range \nof requirements and expectations – all while selecting \nlighting that provides a sense of security, is robust, and \ncarries the right aesthetic expression. At the same time, \nthe designs are expected to deliver efficient illumination \nthat exploits the full potential of LED technology. \nLouis Poulsen’s post top designs consider requirements, \naesthetics, and optimal human comfort and safety on \nlocal and residential roads. The designs incorporate our \nwell-known principles for pleasant atmospheric illumina-\ntion and maximise the impact of LED technology. Efficient \nample illumination with a sculptural, human feel: this is \nour vision for the roads of the future.\n",45,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.46.png","LP Xperi Post. Set location,  \nSkjoldagervej, Gentofte, Denmark.\nPhoto: Kim Matthäi Leland.\n",46,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.47.png","LP Xperi Post. Set Location. Marmorvej, Nordhavn, Denmark.\nPhoto: Torben Petersen.\n",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.48.png","Product  \noffering \nPost tops\nBollards\nCeiling fixtures\nWall fixtures\nAccent lighting\n",48,{"image":205,"text":27,"number":206},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.49.png",49,{"image":208,"text":209,"number":210},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.50.png","Post tops – Reflected light\nAlbertslund Mini\nDesigner: Jens Møller-Jensen \nPiers\nParks, pathways, & landscapes\nCity centres\nBuildings & architectural spaces\nOptions\nStandard colours: \nAlu. colour textured, Graphite grey textured, Grey \nWattage: 34\nKelvin: 3000K, 4000K\nClasses: IP66, IK10\nLight technique: Symmetric\nDimming: Night time, CLO, DALI\nPerformance example*\nWattage Initial\n34\nLumen\n2800\nLm\u002FWatt\n82\nAlbertslund Maxi\nDesigner: Jens Møller-Jensen \nPiers\nParks, pathways, & landscapes\nCity centres\nBuildings & architectural spaces\nOptions\nStandard colours: \nAlu. colour textured, Graphite grey textured, Grey \nWattage: 55\nKelvin: 3000K, 4000K\nClasses: IP66, IK10\nLight technique: Symmetric\nDimming: Night time, CLO, DALI\nPerformance example*\nWattage Initial\n55\nLumen\n4500\nLm\u002FWatt\n82\nPole height 3m\nPole distance 19 - 20m\nPath width 3m\nParks & Pathway\nP3 - P5\nPole height 4m\nPole distance 25 - 27m\nPath width 4m\nParks & Pathway\nP3 - P5\nPlease refer to our website for latest data\n",50,{"image":212,"text":213,"number":214},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.51.png","Pole height 3m\nPole distance 19 - 21m\nPath width 3m\nParks & Pathway\nP2 - P5\nPole height 3m\nPole distance 16 - 17m\nPath width 3m\nParks & Pathway\nP3 - P5\nKipp\nDesigner: Alfred Homann \nPiers\nParks, pathways, & landscapes\nCity centres\nBuildings & architectural spaces\nOptions \nStandard colours: \nAlu. colour textured, Graphite grey textured \nWattage: 30, 66\nKelvin: 3000K, 4000K\nClasses: IP66, IK10\nLight technique: Symmetric\nDimming: Night time, CLO, DALI\nPerformance example*\nWattage Initial\n30\n66\nLumen\n3000\n6200\nLm\u002FWatt\n100\n93\nNest\nDesigner: Bystrup Architects\nPiers\nParks, pathways, & landscapes\nCity centres\nBuildings & architectural spaces\nOptions\nStandard colours: \nAlu. colour textured, Graphite grey textured, Grey \nWattage: 53\nKelvin: 3000K, 4000K\nClasses: IP66, IK09\nLight technique: Symmetric\nDimming: Night time, CLO, DALI\nPerformance example*\nWattage Initial\n53\nLumen\n3400\nLm\u002FWatt\n63\n*All performance examples are based on 3000K, Alu. colour textured\n",51,{"image":216,"text":217,"number":218},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.52.png","Pole height 7m\nPole distance 35m\nRoad width 7m\nLocal & residential roads\nP3 - P5\nPole height 3m\nPole distance 10m\nPath width 3m\nParks & Pathway\nP3 - P5\nPost tops – Reflected light\nToldbod 290\nDesigner: Louis Poulsen A\u002FS \nPiers\nParks, pathways, & landscapes\nCity centres\nBuildings & architectural spaces\nOptions\nStandard colours: \nAlu. colour textured, Black textured\nWattage: 20\nKelvin: 3000K, 4000K\nClasses: IP65, IK08\nLight technique: Symmetric\nDimming: Night time, CLO, DALI\nPerformance example*\nWattage Initial\n20\nLumen\n1950\nLm\u002FWatt\n96\nLP Icon\nDesigner: Mads Odgård\nLocal roads\nResidential roads\nOptions\nStandard colours: \nAlu. colour textured\nWattage: 35, 47\nKelvin: 3000K, 4000K\nClasses: IP66, IK06\nLight technique: Asymmetric, Symmetric\nDimming: Night time, CLO, DALI\nPerformance example*\nWattage Initial\n35\n47**\nLumen\n3200\n4650\nLm\u002FWatt\n90\n99\n**For variant with polish reflector\nPlease refer to our website for latest data\n",52,{"image":220,"text":221,"number":222},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.53.png","Pole height 4m\nPole distance 23 - 24m\nPath width 4m\nParks & Pathway\nP2 - P5\nPole height 4m\nPole distance 24m\nPath width 4m\nParks & Pathway\nP2 - P5\n*All performance examples are based on 3000K, CLO, Alu. colour textured\nLP Capsule\nDesigner: Carsten Fischer\u002FHenning Larsen\nPiers\nParks, pathways, & landscapes\nCity centres\nBuildings & architectural spaces\nOptions\nStandard colours:  \nAlu. colour textured\nWattage: 17, 32\nKelvin: 3000K, 4000K\nClasses: IP66, IK08\nLight technique: Asymmetric, Symmetric\nDimming: Night time, CLO, DALI\nPerformance example*\nWattage Initial\n17**\n32**\nLumen\n1700\n3100\nLm\u002FWatt\n99**\n96\n**For asymmetric light distribution variant\nHomann Park\nDesigner: Alfred Homann\nPiers\nParks, pathways, & landscapes\nCity centres\nBuildings & architectural spaces\nOptions\nStandard colours: \nAlu. colour textured\nWattage: 17, 33\nKelvin: 3000K, 4000K\nClasses: IP66, IK10\nLight technique: Asymmetric, Symmetric\nDimming: Night time, CLO, DALI\nPerformance example*\nWattage Initial\n17\n33\nLumen\n1750\n3150\nLm\u002FWatt\n103\n95\nPost tops – Direct LED\n",53,{"image":224,"text":225,"number":226},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.54.png","LP Xperi\nDesigner: Christian Flindt\nLocal roads\nResidential roads\nOptions\nStandard colours: \nAlu. colour textured\nWattage: 33, 66\nKelvin: 3000K, 4000K\nClasses: IP66, IK10\nLight technique: Asymmetric\nDimming: Night time, CLO, DALI\nPerformance example*\nWattage Initial\n33**\n66**\nLumen\n3500\n6400\nLm\u002FWatt\n106\n97\n**For ASY3 variant\nPole height 7m\nPole distance 32m\nRoad width 7m\nLocal & residential roads\nP2 - P5, M5\nBysted\nDesigner: Peter Bysted\nPiers\nParks, pathways, & landscapes\nCity centres\nBuildings & architectural spaces\nOptions\nStandard colours: \nCorten steel\nWattage: 24\nKelvin: 3000K\nClasses: IP65, IK09\nDimming: CLO, DALI\nPerformance example\nWattage Initial\n24\nLumen\n700\nLm\u002FWatt\n29\nPost tops – Direct LED\nBollards\nPlease refer to our website for latest data\n",54,{"image":228,"text":229,"number":230},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.55.png","Flindt\nDesigner: Christian Flindt\nPiers\nParks, pathways, & landscapes\nCity centres\nBuildings & architectural spaces\nOptions\nStandard colours: Alu. colour textured,\n Corten coloured textured\nWattage: 14\nKelvin: 3000K, 4000K\nClasses: IP65, IK10\nDimensions: 800mm, 1100mm\nDimming: Night time\nPerformance example*\nWattage Initial\n14\nLumen\n600\nLm\u002FWatt\n41\n*All performance examples are based on 3000K, CLO, Alu. colour textured\nKipp\nDesigner: Alfred Homann\nPiers\nParks, pathways, & landscapes\nCity centres\nBuildings & architectural spaces\nOptions\nStandard colours: \nAlu. colour textured, Graphite grey\nWattage: 28\nKelvin: 3000K, 4000K\nClasses: IP55, IK10\nDimming: Night time, CLO, DALI\nPerformance example*\nWattage Initial\n28\nLumen\n1450\nLm\u002FWatt\n52\n",55,{"image":232,"text":233,"number":234},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.56.png","Waterfront\nDesigner: Dan Borgen Hasløv\nPiers\nParks, pathways, & landscapes\nCity centres\nBuildings & architectural spaces\nOptions\nStandard colours: \nAlu. colour textured, Graphite grey textured\nWattage: 28\nKelvin: 3000K, 4000K\nClasses: IP65, IK10\nPerformance example*\nWattage Initial\n28\nLumen\n670\nLm\u002FWatt\n24*\nPH 3-2 1\u002F2\nDesigner: Poul Henningsen\nParks, pathways, & landscapes\nBuildings & architectural spaces\nOptions\nStandard colours: \nBlack\nLight source: 1X60W E27\nClasses: IP44\nPlease refer to our website for latest data\n",56,{"image":236,"text":237,"number":238},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.57.png","Rubbie\nDesigner: Peter Bysted\nPiers\nParks, pathways, & landscapes\nCity centres\nBuildings & architectural spaces\nOptions\nStandard colours: \nBlack rubber\nWattage: 12\nKelvin: 3000K, 4000K\nClasses: IP65, IK10\nDimming: Switch-dim, DALI\nPerformance example*\nWattage Initial\n12\nLumen\n850\nLm\u002FWatt\n70\nToldbod 155\nDesigner: Louis Poulsen A\u002FS \nPiers\nParks, pathways, & landscapes\nCity centres\nBuildings & architectural spaces\nOptions\nStandard colours: \nAlu. colour textured, Black textured\nLight source: 1X40W E14\nClasses: IP44, IK05\n*All performance examples are based on 3000K, Alu. colour textured\n",57,{"image":240,"text":241,"number":242},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.58.png","Skot Wall\u002FCeiling\nDesigner: LK as\nBuildings & architectural spaces\nOptions\nStandard colours: \nAlu. colour, Graphite grey textured\nWattage: 8,5\nKelvin: 3000K, 4000K\nClasses: IP66, IK10\nShield\u002F diffuser:\nClear\nOpal\nPerformance example*\nWattage Initial\n8,5**\nLumen\n650\nLm\u002FWatt\n77\n**For variant with clear shield\u002Fdiffuser\nSkot\nDesigner: LK as\nCity centres\nParks, pathways, & landscapes\nPiers\nBuildings & architectural spaces\nOptions\nStandard colours: \nAlu. colour, Graphite grey textured\nWattage: 8,5\nKelvin: 3000K, 4000K\nClasses: IP66, IK10\nShield\u002Fdiffuser:\nClear\nOpal\nHalf-shaded clear\nHalf-shaded opal\n \nPerformance example*\nWattage Initial\n8,5**\nLumen\n650\nLm\u002FWatt\n77\n**For variant with clear shield\u002Fdiffuser in alu. colour\nCeiling ﬁxtures\nPlease refer to our website for latest data\n",58,{"image":244,"text":245,"number":246},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.59.png","AL 600 Ceiling\nDesigner: Mads Odgård\nBuildings & architectural spaces\nOptions\nStandard colours: \nAlu. colour textured \nWattage: 7,6 , 12\nKelvin: 3000K\nClasses: IP65, IK10\nPerformance example*\nWattage Initial\n7,6\n12\nLumen\n600\n800\nLm\u002FWatt\n77\n68\n*All performance examples are based on 3000K, Alu. colour textured\nWall ﬁxtures\nAJ 50 Wall\nDesigner: Arne Jacobsen\nBuildings & architectural spaces\nResidential houses\nOptions\nStandard colours:\nAlu. colour textured, Black textured, White textured\nWattage: 7,6\nKelvin: 3000K\nClasses: IP65, IK60\nPerformance example*\nInitial Wattage\n7,6\nLumen\n450\nLm\u002FWatt\n56\n",59,{"image":248,"text":249,"number":250},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.60.png","Toldbod 220\u002F290\nDesigner: Louis Poulsen A\u002FS\nBuildings & architectural spaces\nResidential houses\nOptions\nStandard colours: \nAlu coloured textured, Black\nLight source: 27W, 1X100W E27\nKelvin: 3000K, 4000K\nClasses: Ø220: IP43, IK09\n              Ø290: IP43, IK08\nPerformance example*\nWattage Initial\n27**\nLumen\n2000\nLm\u002FWatt\n74\n**Ø290\nToldbod 155\nDesigner: Louis Poulsen A\u002FS\nBuildings & architectural spaces\nResidential houses\nOptions\nStandard colours: \nAlu coloured textured, Black\nLight source: 1X40W E14\nClasses: IP44, IK05\nWall ﬁxtures\nPlease refer to our website for latest data\n",60,{"image":252,"text":253,"number":254},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.61.png","Icon\nDesigner: Mads Odgård\nBuildings & architectural spaces\nOptions\nStandard colours: \nAlu. colour textured\nWattage: 35, 47\nKelvin: 3000K, 4000K\nClasses: IP66, IK06\nLight technique: Asymmetric, Symmetric\nPerformance example*\nWattage Initial\n35**\n47**\nLumen\n3200\n3900\nLm\u002FWatt\n90\n83\n**With matt reflector\nKipp\nDesigner: Alfred Homann\nBuildings & architectural spaces\nOptions\nStandard colours: \nAlu. colour textured, Graphite grey\nWattage: 28\nKelvin: 3000K, 4000K\nClasses: IP55, IK10\nLight technique: Asymmetric, Symmetric\nPerformance example*\nWattage Initial\n28\nLumen\n1450\nLm\u002FWatt\n52\n*All performance examples are based on 3000K, Alu. colour textured\n",61,{"image":256,"text":257,"number":258},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.62.png","Albertslund Wall\nDesigner: Jens Møller-Jensen\nBuildings and architectural spaces\nResidential houses\nOptions\nStandard colours: \nGalvanised, Grey, White\nLight source: 1X100W E27, 1x180TC-TEL 6x24Q-2HF\nClasses: IP44, IK06\nShield\u002F diffuser:\nClear, Part frosted \nPH 3-2 1\u002F2\nDesigner: Poul Henningsen\nBuildings & architectural spaces\nResidential houses\nOptions\nStandard colours: \nBlack\nLight source: 1X60W E27\nClasses: IP44\nWall ﬁxtures\nPlease refer to our website for latest data\n",62,{"image":260,"text":261,"number":262},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.63.png","Nyhavn Wall\nDesigner: Alfred Homann & Ole V. Kjær\nBuildings and architectural spaces\nResidential houses\nOptions\nStandard colours: \nBrushed copper, White\nLight source: 1X100W E27\nClasses: IP44\nShield\u002F diffuser:\nClear \n*All performance examples are based on 3000K, Alu. colour \nSkot Wall\u002FCeiling\nDesigner: LK as\nBuildings & architectural spaces\nResidential houses\nOptions\nStandard colours:  \nAlu. colour, Graphite grey textured\nWattage: 8,5\nKelvin: 3000K, 4000K\nClasses: IP66, IK10\nPerformance example*\nWattage Initial\n8,5**\nLumen\n650\nLm\u002FWatt\n77*\n**For variant with clear diffuser\n",63,{"image":264,"text":265,"number":266},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.64.png","Flindt Wall\nDesigner: Christian Flindt\nBuildings & architectural spaces\nResidential houses\nOptions\nStandard colours: \nAlu coloured texture, White, Corten coloured textured\nWattage: 10, 16, 20\nKelvin: 2700K, 3000K\nClasses: IP65\nDimming: DALI, Phase dimming\nPerformance example*\nWattage Initial\n16**\nLumen\n500\nLm\u002FWatt\n32\n**Ø300\nAJ Eklipta\nDesigner: Arne Jacobsen\nBuildings & architectural spaces\nResidential houses\nOptions\nStandard colours: \nWhite\nWattage:\n1 X 60 W E27\n1 X 100 W E27\nClasses: IP44\nShield\u002F diffuser:\nWhite opal \n \nWall ﬁxtures\nPlease refer to our website for latest data\n",64,{"image":268,"text":269,"number":270},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.65.png","*All performance examples are based on 3000K, Alu. colour textured\nRadiis 109\nBuildings & architectural spaces\nOptions\nStandard colours: \nGlass stainless steel\nWattage: 11, 14\nKelvin: 3000K, 4000K\nClasses: IP66, IP67, IK10\nInsulation class: II\nReflector: \n \n \n            11°\n \n \n            11° HO \n \n \n            15-63° \n \n \n            18° HO \n \n \n            31°\n \n \n            40° HO\nBody: Gimbal, High output, Zoom\nPerformance example\nWattage Initial\n14**\nLumen\n750\nLm\u002FWatt\n53\n**For Class II variant with Reflector 15-63°, 3000K\nRadiis  210\nBuildings & architectural spaces\nOptions\nStandard colours: \nGlass stainless steel\nWattage: 14, 36\nKelvin: 3000K, 4000K\nClasses: IP66, IP67, IP69K, IK10\nInsulation class: II\nReflector: \n \n \n            106° X 66°\n \n \n            11-62° \n \n \n            28° \n \n \n            43° X 30°  \n \n \n            9°\n \n \n            \nBody: Gimbal, Wall washer, Zoom\nPerformance example\nWattage Initial\n14,5**\nLumen\n650\nLm\u002FWatt\n44\n**For Class II variant with Reflector 28°, Body:Gimbal, 3000K\nAccent lighting\n",65,{"image":272,"text":273,"number":274},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.66.png","The capability to develop and choose colours following \ntrends and application needs is one of our core compe-\ntencies. We offer one or more standard colours for each \nproduct. Besides that, products in our outdoor portfolio \nare available in 11 different colours. It is also possible  \nto order custom colours. Please contact us for  \nfurther information.\nColour options\nAlu. colour, texture (162)\n",66,{"image":276,"text":277,"number":278},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.67.png","*Similiar til RAL colour definition.\nGrey Texture (231) RAL 7004*\nBlack effect fine texture (723) RAL 7021*\nCorten (954) RAL 9016*\nGrey texture (230) RAL 230*\nDark brown texture (647) RAL 8017*\nDark green texture (637) RAL 6005*\nBlack texture matt (734) RAL 9005*\nGraphite grey texture (163) RAL 7022*\nLight Grey texture (229) RAL 7004*\nWhite texture matt (044) RAL 9016*\n",67,{"image":280,"text":281,"number":282},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.68.png","Direct light vs. reﬂected light \nWhy choose ﬁxtures with direct LED?\n• High efficiency\n• Precise distribution of light\n• Selection of different light distributions  \n• Smaller light engine for slimmer design. \nContrast reducing elements\nIn LP Capsule there are three contrast reducing \nlayers between the LED and the dark night sky. \nReﬂector\nThe reflector redirects a small portion of the \nlight softening the shadows on the ground, but \nalso it creates a horizontal element with a lower \nluminance than the LEDs. This is the first step \nin the transition. \nDiffuser \nThe opal diffuser positioned on the outside of \nthe reflector catches some of the light creating \na soft glow with a low comfortable luminance\nThe top diffuser adds the final layer with  \na subtle glow defining the top of the fixture. \nReﬂected light\nDiffused light\nDirect light\nIn outdoor lighting it is important to ensure \ncontrast reducing elements.\nThe luminous intensity of the light source \nstands out in high contrast to the black sky  \nin the background. To ensure comfort and \nimprove a sense of safety it is important to \nreduce the contrast. \nWe work with different ways of reducing the \ncontrast and offer post tops with either  \nreflected light or direct light – depending on \nthe application needs.\nDirect light \nLP Capsule\n",68,{"image":284,"text":285,"number":286},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.69.png","Diffused light\nReﬂected light\n Why choose ﬁxtures with reﬂected light?\n• High proportion of vertical illumination\n• Combination of diffused and reflected light \n   for the highest comfort.  \n• High degree of ambience \nContrast reducing elements\nFor Kipp there are two contrast reducing layers \nbetween the LED and the dark night sky. \nDiffuser \nOn top of the LED a cone shaped diffusers \nsoftens the light and distributes it out in a \nhorisontal and downwards direction. The main \nproportion of light is distributed out close to \n45 degrees downwards providing a high level \nof vertical illumination. The cone shape of the \ndiffuser ensures the luminance is low. \nTop  \nThe top of the fixture functions as the main \nreflector providing a wide downward reflected \nlight while ensuring the contrast between the \ndark night sky and the light source is reduced. \nDiffused and reﬂected light \nKipp\n",69,{"image":288,"text":289,"number":290},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.70.png","Toldbod Post. Christianshavn, Copenhagen, Denmark.\nPhoto: Torben Petersen\n",70,{"image":292,"text":91,"number":293},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.71.png",71,{"image":295,"text":296,"number":297},"\u002Fmedia\u002Fimages\u002F0e\u002F613202c6aecf5cd430e179ce690a81.72.png","louispoulsen.com\n©Louis Poulsen. Concept\u002Fproduction: 2019. Reservations are made to print errors and changes occasioned by technical development or official regulations. \n",72,[],0,false,true,{"success":301,"data":303,"meta":516,"count":517,"next":518,"previous":519,"results":553,"brand_chips":614},[304,317,326,335,344,353,363,373,383,395,407,420,430,443,455,465,475,484,494,506],{"id":305,"title":306,"slug":307,"image":308,"source":309,"brand_name":310,"brand":311,"brand_slug":312,"file_size":313,"pages":314,"pages_count":315,"matched_pages":316,"match_count":299,"two_pages":300,"show_text":301},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 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