[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-living-divani-whitebook-2024":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":985},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":980,"matched_pages":981,"match_count":982,"two_pages":983,"show_text":984},22204,"Whitebook 2024","living-divani-whitebook-2024","\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F58\u002F4ab0ca32a1dd3f809ab0f396b0266f-28e2791e13.pdf","Living Divani",1291,"living-divani","18.3 MB",[14,17,20,24,27,31,35,39,43,47,51,55,59,63,67,71,75,79,83,87,91,95,99,103,107,111,115,119,123,127,131,135,139,143,147,151,155,159,163,167,171,175,179,183,187,191,195,199,203,207,211,215,219,223,227,231,235,239,243,247,251,255,259,263,267,271,275,279,283,287,291,295,299,303,307,311,315,319,323,327,331,335,339,343,347,351,355,359,363,367,371,375,379,382,386,390,394,398,402,406,410,414,418,422,426,430,434,438,442,446,450,454,458,462,466,470,474,478,482,486,490,494,498,502,506,510,514,518,522,526,530,534,538,542,546,550,554,558,562,566,570,574,578,582,586,590,594,598,602,606,610,614,618,622,626,630,634,638,642,646,650,654,658,662,666,670,674,678,682,686,690,694,698,702,706,710,714,718,722,726,730,734,738,742,746,750,754,758,762,766,770,774,778,782,786,790,794,798,802,806,810,814,818,822,826,830,834,838,842,846,850,854,858,862,866,870,874,878,882,886,890,894,898,902,906,910,914,918,922,926,930,934,938,942,946,950,954,958,962,966,970,974,978],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.3.png","02\nP e r f e z i o n e ,  a r m o n i a  n e l l e  p r o p o r z i o n i  e  s a p o r e  d i  l u s s o \nu n d e r s t a t e d  s o n o  i l  s e g n o  d i  r i c o n o s c i m e n t o  d i  L i v i n g  D i v a n i , \nd i n a m i c a  e  v i v a c e  a z i e n d a  a  c o n d u z i o n e  f a m i l i a r e  c h e  h a  f a t t o \nd e l l ’ i m b o t t i t o  i l  s u o  t r a d e m a r k  s v i l u p p a n d o  n e g l i  a n n i \nu n ’ a r t i c o l a t a  o f f e r t a  d i  d i v a n i ,  p o l t r o n e ,  l e t t i  e  c o m p l e m e n t i ; \nu n  g r a d u a l e  p r o c e s s o  c r e a t i v o  e  p r o d u t t i v o ,  p e r  a r r i v a r e  a d  u n \na m b i e n t e  l i v i n g  c o m p l e t o ,  c h e  r u o t a  i n t o r n o  a l  s i s t e m a  i m b o t t i t o , \ns i a  e s s o  d a  i n d o o r  o  o u t d o o r ,  d a l l e  f o r m e  e  v o l u m e t r i e  d i s c r e t e , \ni n t o r n o  a  c u i  s o n o  p r o p o s t i  d e i  c o m p l e m e n t i  d a l  s e g n o  p i ù  f o r t e \n-  s e d i e ,  p o l t r o n c i n e ,  t a v o l i ,  t a v o l i n i ,  l i b r e r i e ,  c o n t e n i t o r i  e \nt a p p e t i  -  c h e  s i  a d a t t a n o  e  d e f i n i s c o n o  o g n i  a m b i e n t e ,  d a  q u e l l i \np i ù  e s s e n z i a l i  e  r i g o r o s i  a  q u e l l i  p i ù  e c l e t t i c i  e  d e c o r a t i v i .\n \nP e r f e c t ,  h a r m o n i o u s  p r o p o r t i o n s  a n d  a  f e e l i n g  o f  u n d e r s t a t e d \nl u x u r y :  t h e s e  a r e  t h e  d i s t i n g u i s h i n g  f e a t u r e s  o f  L i v i n g  D i v a n i , \nt h e  d y n a m i c  a n d  v i b r a n t  f a m i l y - o w n e d  C o m p a n y ,  t h a t  h a s  m a d e \ni t s  t r a d e m a r k  o f  u p h o l s t e r y ,  d e v e l o p i n g  a  v a s t  a n d  v a r i e d  o f f e r \no f  s o f a s ,  a r m c h a i r s ,  b e d s  a n d  c o m p l e m e n t s :  a  g r a d u a l  p r o c e s s \no f  c r e a t i o n  o f  a  c o m p l e t e  l i v i n g  e n v i r o n m e n t ,  w h i c h  r e v o l v e s \na r o u n d  t h e  u p h o l s t e r y  s y s t e m ,  b o t h  f o r  i n d o o r  a n d  o u t d o o r , \nw i t h  i t s  s u b t l e  s h a p e s  a n d  p r o p o r t i o n s ,  t o  c o m b i n e  w i t h \nc h a r a c t e r f u l  c o m p l e m e n t s  -  s e a t s ,  s m a l l  a r m c h a i r s ,  t a b l e s , \nb o o k c a s e s ,  s t o r a g e  u n i t  a n d  c a r p e t s  -  t h a t  w i l l  s u i t  a n d  d e f i n e \na n y  s e t t i n g ,  f r o m  t h e  e s s e n t i a l  a n d  r i g o r o u s  t o  t h e  m u l t i f a r i o u s \na n d  e c l e c t i c  d é c o r .\n",3,{"image":25,"text":15,"number":26},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.4.png",4,{"image":28,"text":29,"number":30},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.5.png","07\nN a t a  a l l a  f i n e  d e g l i  a n n i  6 0 ,  l ’ a z i e n d a  h a  t r a c c i a t o  n e l  t e m p o \nu n  p e r c o r s o  p r e c i s o ,  i n s t a u r a n d o  u n  i n t e n s o  d i a l o g o  c o n \nl a  c o n t e m p o r a n e i t à  e  d i v e n t a n d o  u n o  d e i  p u n t i  d i  r i f e r i m e n t o \nn e l  p a n o r a m a  d e l  d e s i g n .  S t r a t e g i c a  è  l a  c o l l a b o r a z i o n e  c o n \nP i e r o  L i s s o n i  c h e  d a l  1 9 8 8 ,  n e l  d u p l i c e  r u o l o  d i  a r t  d i r e c t o r \ne  d e s i g n e r ,  n e  o r c h e s t r a  l o  s t i l e  u n i c o ,  e  c h e  n e g l i  a n n i \nè  s t a t o  a f f i a n c a t o  s i a  d a  d e s i g n e r  d a l  c a l i b r o  i n t e r n a z i o n a l e , \nc h e  c o n  l ’ a z i e n d a  c o n d i v i d o n o  i l  t r a t t o  e  l ’ a p p r o c c i o  p r o g e t t u a l e , \nc o s ì  c o m e  s o n o  s t a t i  i n s e r i t i  a  c o l l e z i o n e  p r o g e t t i  d i  g i o v a n i \nt a l e n t i  s c o p e r t i  a t t r a v e r s o  u n  p u n t u a l e  l a v o r o  d i  t a l e n t  s c o u t i n g \nt r a  l e  n u o v e  l e v e  d e l  d e s i g n .  I m p o r t a n t e  r i c o n o s c i m e n t o \nd e l  p e r c o r s o  d i  e c c e l l e n z a  d i  L i v i n g  D i v a n i  l a  p a r t e c i p a z i o n e \na d  A l t a g a m m a ,  f o n d a z i o n e  c h e  r i u n i s c e  l e  i m p r e s e  i t a l i a n e \nd i  r e p u t a z i o n e  i n t e r n a z i o n a l e  c h e  o p e r a n o  n e l l a  f a s c i a  p i ù  a l t a  d i \nm e r c a t o .  D a  s e t t e m b r e  2 0 2 0 ,  L i v i n g  D i v a n i  G a l l e r y  c o s t i t u i s c e\nl ’ a v a m p o s t o  m i l a n e s e  d e l  m a r c h i o ,  p r o g e t t a t a  d a  P i e r o  L i s s o n i \nc o m e  u n o  s t a g e  t e a t r a l e  d o v e  r a p p r e s e n t a r e  l e  i n f i n i t e \ns f a c c e t t a t u r e  d e l l o  s t i l e  d e l  b r a n d  e  c h e  n e l  2 0 2 1  s i  a m p l i a \nc o n  n u o v e  a r e e  e s p o s i t i v e  c h e  s i  s v i l u p p a n o  i n  c o n t i n u i t à \ni n  u n  s o r p r e n d e n t e  m i x  s t i l i s t i c o  c a p a c e  d i  i n c a n t a r e  p e r \nl a  p e r f e t t a  a r m o n i a .\nB o r n  i n  t h e  l a t e  1 9 6 0 s ,  t h e  C o m p a n y  h a s  f o l l o w e d  a  c l e a r  p a t h , \nm a i n t a i n i n g  a n  i n t e n s i v e  d i a l o g u e  w i t h  t h e  c o n t e m p o r a r y  w o r l d \na n d  b e c o m i n g  o n e  o f  t h e  l a n d m a r k s  i n  t h e  d e s i g n  l a n d s c a p e . \nS t r a t e g i c  i s  t h e  a l l i a n c e  w i t h  P i e r o  L i s s o n i  w h o ,  s i n c e  1 9 8 8 , \nh a s  l e d  t h e  f i r m ’ s  u n i q u e  s t y l e  i n  h i s  d u a l  r o l e  a s  a r t  d i r e c t o r \na n d  d e s i g n e r .  T o g e t h e r  w i t h  t h e  a r c h i t e c t ,  L i v i n g  D i v a n i  h a s \ng r a d u a l l y  i n v o l v e d  b o t h  d e s i g n e r s  o f  i n t e r n a t i o n a l  c a l i b r e ,  w h o \na l l  s h a r e  t h e  C o m p a n y ’ s  s t y l e  a n d  a p p r o a c h  t o  d e s i g n ,  a s  w e l l \na s  p r o j e c t s  o f  y o u n g  t a l e n t s ,  d i s c o v e r e d  t h r o u g h  a  w o r k  o f  t a l e n t \ns c o u t i n g  a m o n g  t h e  n e w  g e n e r a t i o n  o f  d e s i g n . \nS i g n i f i c a n t  a c k n o w l e d g e m e n t  o f  t h e  p a t h  o f  e x c e l l e n c e  o f  L i v i n g \nD i v a n i  i s  t h e  e n t r y  i n  A l t a g a m m a ,  t h e  f o u n d a t i o n  t h a t  g a t h e r s \nI t a l i a n  c o m p a n i e s  o f  i n t e r n a t i o n a l  r e p u t e ,  w h i c h  o p e r a t e  a t  t h e \nt o p  e n d  o f  t h e  m a r k e t .  S i n c e  S e p t e m b e r  2 0 2 0 ,  L i v i n g  D i v a n i\nG a l l e r y  i s  t h e  b r a n d ’ s  M i l a n e s e  o u t p o s t ,  d e s i g n e d  b y  P i e r o\nL i s s o n i  a s  a  t h e a t r i c a l  s t a g e  w h e r e  t o  r e p r e s e n t  t h e  t h o u s a n d \nf a c e t s  o f  L i v i n g  D i v a n i ’  s t y l e ,  w h i c h  f u r t h e r  e x p a n d e d  i n  2 0 2 1 \nf e a t u r i n g  n e w  e x h i b i t i o n  a r e a s  t h a t  d e v e l o p  i n  c o n t i n u i t y  w h i l e \ne x p e r i m e n t i n g  w i t h  n e w  l a n g u a g e s ,  i n  a  s u r p r i s i n g  s t y l i s t i c  m i x \nc a p a b l e  o f  e n c h a n t i n g  f o r  t h e  p e r f e c t  h a r m o n y .\n",5,{"image":32,"text":33,"number":34},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.6.png","DIVANI\nSOFAS\nB O X  \u002F  P .  L i s s o n i\nB U B B L E  R O C K  \u002F  P .  L i s s o n i\nC H E M I S E  \u002F  P .  L i s s o n i\nC H E M I S E  S O F A  B E D  \u002F  P .  L i s s o n i\nC H E M I S E  X L  \u002F  P .  L i s s o n i\nC L A N  \u002F  P .  L i s s o n i\nD U M A S  \u002F  P .  L i s s o n i\nE A S Y  L I P P  \u002F  P .  L i s s o n i\nE R A  S E T T E E  \u002F  D .  L o p e z  Q u i n c o c e s\nE R A  S O F A  \u002F  D .  L o p e z  Q u i n c o c e s\nE X T R A  W A L L  \u002F  P .  L i s s o n i\nE X T R A S O F T  \u002F  P .  L i s s o n i\nF A M I L Y  L O U N G E  \u002F  P .  L i s s o n i\nF L O Y D  \u002F  P .  L i s s o n i\nF L O Y D - H I  \u002F  P .  L i s s o n i\nF L O Y D - H I  2  \u002F  P .  L i s s o n i\nF L O Y D - H I  2  S Y S T E M  \u002F  P .  L i s s o n i\nG R E E N E  \u002F  D .  L o p e z  Q u i n c o c e s\nG R E E N E  S Y S T E M  \u002F  D .  L o p e z  Q u i n c o c e s\nI L E  \u002F  P .  L i s s o n i\nI L E  C L U B  \u002F  P .  L i s s o n i\nL I P P  \u002F  P .  L i s s o n i\nL I P P  D O R M E U S E  \u002F  P .  L i s s o n i\nM E T R O 2 \u002F  P .  L i s s o n i\nN E O W A L L  \u002F  P .  L i s s o n i\nN E O W A L L  S O F A  B E D  \u002F  P .  L i s s o n i\nP A S T I C C A  \u002F  P .  L i s s o n i\nR O D  \u002F  P .  L i s s o n i\nR O D  B E A N  \u002F  P .  L i s s o n i\nR O D  S Y S T E M  \u002F  P .  L i s s o n i\nR O D  X L  \u002F  P .  L i s s o n i\nS O F T W A L L  \u002F  P .  L i s s o n i\nS U M O  \u002F  P .  L i s s o n i\nW A L L  \u002F  P .  L i s s o n i\nW A L L  S O F A  B E D  \u002F  P .  L i s s o n i\n455\n428\n407, 434\n456, 458\n436\n30, 33, 35\n172, 175\n309, 310, 312\n393\n382\n358, 446\n70, 73, 74, 76, 78, 81, 318, 321, 462, 464\n259\n371, 374\n377, 378, 381\n134, 139, 214, 217\n134, 137\n204, 210\n50, 52, 54, 58\n283, 451\n256, 330, 449\n268, 270\n164\n20, 22, 25, 272, 274\n67, 246, 248, 401, 403 \n188, 191, 192\n438\n238, 242\n146, 148\n150, 153, 154\n236\n254, 326\n106, 108, 110, 116, 124, 129\n63, 338, 340, 453\n468\n410\n20, 22, 25, 27, 28\n363\n361\n414\n350\n342\n295, 401, 420\n436\n60, 63, 64, 67, 69\n230, 404, 407\n408\n44, 46\n198, 200\n310, 315\n161, 162, 232\n393\n186\n220\n334, 345, 346, 358\n346\n403, 412\n52, 57, 206\n427\n130, 132\n316\n166\n82, 86, 88\n422, 424\n245\n175, 178\n464, 466\n106\n171\n453\nPOLTRONE \nARMCHAIRS\nA B C  \u002F  P .  L i s s o n i\nA R K  \u002F  D .  L o p e z  Q u i n c o c e s\nB L O O M  \u002F  P . C a z z a n i g a\nB O X  \u002F  P .  L i s s o n i\nC A B R I O  \u002F  P .  L i s s o n i\nC A F È  \u002F  P .  L i s s o n i\nC A R B O N  F R O G  \u002F  P .  L i s s o n i\nC H A U F F E U S E  \u002F  P .  L i s s o n i\nC H E M I S E  X L  \u002F  P .  L i s s o n i\nC L A N  \u002F  P .  L i s s o n i\nC O N F I D E N T  \u002F  P .  L i s s o n i\nC O N F I D E N T  ‘ R A T T A N ’  \u002F  P .  L i s s o n i\nC O N F I D E N T  ‘ W O O D ’  \u002F  P .  L i s s o n i\nD U M A S  \u002F  P .  L i s s o n i\nE A S Y  L I P P  \u002F  P .  L i s s o n i\nE R A  A R M C H A I R  \u002F  D .  L o p e z  Q u i n c o c e s\nE R A  E A S Y C H A I R  \u002F  D .  L o p e z  Q u i n c o c e s\nF L O W  \u002F  S h i b u l e r u\nF L O Y D - H I  2  \u002F  P .  L i s s o n i\nF R O G  \u002F  P .  L i s s o n i\nF R O G  L O U N G E  \u002F  P .  L i s s o n i\nG R A Y  \u002F  P .  L i s s o n i\nG R E E N E  \u002F  D .  L o p e z  Q u i n c o c e s\nJ E L L Y  \u002F  P .  L i s s o n i\nL E M N I  \u002F  M .  L a v i t\nL I P P  \u002F  P .  L i s s o n i\nL I P P  ‘ R A T T A N ’  \u002F  P .  L i s s o n i\nO O L O N G  \u002F  P .  L i s s o n i\nR E A D E R  \u002F  P .  &  M .  C a z z a n i g a\nR O D  \u002F  P .  L i s s o n i\nS A R T O R .  C  \u002F  P .  L i s s o n i\nS D R A I O  \u002F  P .  L i s s o n i\nS U M O  \u002F  P .  L i s s o n i\nT O M B O L O  \u002F  P .  L i s s o n i  -  r e a d y  m a d e\nb y  S t u d i o  U N  p i z z o\nT W I N  \u002F  P .  L i s s o n i\n",6,{"image":36,"text":37,"number":38},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.7.png","TAVOLI SEDIE E SGABELLI\nTABLES CHAIRS AND STOOLS\nB R A S I L I A  \u002F  D .  L o p e z  Q u i n c o c e s\nE R A  C H A I R  \u002F  D .  L o p e z  Q u i n c o c e s\nF A M I L Y  C H A I R  \u002F  J .  I s h i g a m i\nG E O R G E ’ S  \u002F  D .  L o p e z  Q u i n c o c e s\nG R A C E  \u002F  G i o p a t o  &  C o o m b e s\nG R A F T  \u002F  D .  L o p e z  Q u i n c o c e s\nH I N G E  \u002F  F .  R o t a\nJ E L L Y  T A B L E  \u002F  P .  L i s s o n i\nL A Z Y  S U S A N  \u002F  C . R . S .\nM A J A  D  \u002F  P .  L i s s o n i\nM I N I  C A F È  \u002F  P .  L i s s o n i\nM I N I  J E L L Y  \u002F  P .  L i s s o n i\nM I N I  T O M B O L O  \u002F  P .  L i s s o n i  -  r e a d y  m a d e \nb y  S t u d i o  U N  p i z z o\nN I N A  \u002F  D .  L o p e z  Q u i n c o c e s\nN O T E S  \u002F  M .  M a r i a n i\nR I V U L E T  \u002F  J .  &  I .  T a m a k i\nT I C I N O  \u002F  S h i b u l e r u\nW E D G E  \u002F  A .  L e v y\nTAVOLINI\nCOFFEE TABLES\nB 2  \u002F  V .  V a s i l e v\nE R A  T A B L E  \u002F  D .  L o p e z  Q u i n c o c e s\nF A M I L Y  L O U N G E  T A B L E  \u002F  P .  L i s s o n i\nF L A P  \u002F  S t u d i o  K l a s s\nF L O Y D  T A B L E  \u002F  P .  L i s s o n i\nF L O Y D - H I  T A B L E  \u002F  P .  L i s s o n i\nG R E K  \u002F  O .  &  G .  B u r a t t i\nI L E  T A B L E  \u002F  P .  L i s s o n i\nI S L A N D S  L O W  T A B L E  \u002F  S .  B u r k s\nK I W I  \u002F  K .  T a k e u c h i\nM E N H I R  \u002F  P .  L i s s o n i\nM E T R O  T A B L E  \u002F  P .  L i s s o n i\nM O O N  C O F F E E  T A B L E  \u002F  M i s t - o\nPEBBLE LOW TABLE \u002F Lanzavecchia + Wai\nP L A N E  \u002F  M .  M a r i a n i\nRABBIT & THE TORTOISE COLLECTION \u002F \ns t u d i o  J u j u\nS T A R S K Y  \u002F  D .  L o p e z  Q u i n c o c e s\nS U M O  T A B L E  \u002F  P .  L i s s o n i\nT E T H Y S  \u002F  O .  &  G .  B u r a t t i\nCOMPLEMENTI\nCOMPLEMENTARY FURNITURE \nA E R O  \u002F  S h i b u l e r u\nA E R O  B  \u002F  S h i b u l e r u\nA E R O  D  \u002F  S h i b u l e r u\nA E R O  V  \u002F  S h i b u l e r u\nA L V E A  \u002F  M .  L a v i t\nA N I N  \u002F  D .  L o p e z  Q u i n c o c e s\nB U K V A  \u002F  V .  V a s i l e v\nC E I B A  \u002F  L .  A r r i v i l l a g a\nC E I B A  S C R E E N  \u002F  L .  A r r i v i l l a g a\nE R A  C O M O D I N O  \u002F  D .  L o p e z  Q u i n c o c e s\nE R A  S C R I T T O I O  \u002F  D .  L o p e z  Q u i n c o c e s\nE X T R A S O F T  C O N T E N I T O R I  \u002F  P .  L i s s o n i\nG A L I L E O  \u002F  M .  F e r r a r i n i\nG R E K  B O X  \u002F  O .  &  G .  B u r a t t i\nI N A R I  \u002F  M i s t - o\nI S L A N D S  \u002F  S .  B u r k s\nK I G I  \u002F  J .  &  I .  T a m a k i\nL I G H T  W I T H  A  T A B L E  \u002F  K .  T a k e u c h i\nL I P P  \u002F  P .  L i s s o n i\nM A T E  \u002F  ( a + b )  d o m i n o n i ,  q u a q u a r o\nM A T E R I C A  \u002F  L .  T a l a r i c o\nM O O N  \u002F  M i s t - o\nO F F  C U T  \u002F  N .  Y o n g\nP A R A D I G M A  \u002F  M .  L a v i t\nPEBBLE \u002F Lanzavecchia + Wai\nRAILWAY \u002F G. Moor\nS A I L O R  \u002F  D .  L o p e z  Q u i n c o c e s\nS T I L T  \u002F  M .  G u a z z i n i\nS U M O  P A N C A  \u002F  P .  L i s s o n i\nT O N B O  \u002F  J .  &  I .  T a m a k i\nT R A C K  \u002F  D .  L o p e z  Q u i n c o c e s\nU P L A N D  \u002F  M .  M a r i a n i\nV I Z I O  \u002F  L .  T a l a r i c o\nLETTI\nBEDS\nA V A L O N  B E D  \u002F  E .  K o i v i s t o\nC H E M I S E  B E D  \u002F  P .  L i s s o n i\nE X T R A  W A L L  B E D  \u002F  P .  L i s s o n i\nE X T R A S O F T  B E D  \u002F  P .  L i s s o n i\nF L O Y D - H I  B E D  \u002F  P .  L i s s o n i\nL I P P  B E D  \u002F  P .  L i s s o n i\nN E O W A L L  B E D  \u002F  P .  L i s s o n i\nR O D  B E D  \u002F  P .  L i s s o n i\nS O F T W A L L  B E D  \u002F  P .  L i s s o n i\nS U M O  B E D  \u002F  P .  L i s s o n i\nTAPPETI \nCARPETS\nA R A B I A N  G E O M E T R I C  \u002F  H .  P a u l\nC E C I N ’ E S T  P A S  UN  B A R O Q UE  \u002F  H .  P a u l\nK U M O  C O L L E C T I O N  –  K I R I S A M E  \u002F  M i s t - o\nK U M O  C O L L E C T I O N  –  M I N A M O  \u002F  M i s t - o\nK U M O  C O L L E C T I O N  –  M I S O R E  \u002F  M i s t - o\nS I N  T I T U L O  3  \u002F  H .  P a u l\nS I N  T I T U L O  2 8  \u002F  H .  P a u l\nW I R E D  \u002F  H .  P a u l\n184, 322\n156, 158, 224\n440, 442\n322, 324\n290, 292\n90, 92, 95, 99\n250\n352, 427\n224, 226\n99, 176, 184, 444\n352\n298\n171\n102, 143, 333, 388, 391\n14, 158, 176, 224, 226\n14, 367, 369\n90, 92, 95, 96\n333, 367, 444\n238, 240, 245, 340\n20, 22, 25, 33, 38, 44, 50, 52, 63, 82, 134, 146, 148, 164, 186, \n191, 192, 371, 378, 386, 393\n272, 318, 321\n30, 33, 204, 206, 208\n58, 261, 371, 373, 374\n58, 134, 214, 371\n154\n67, 69, 256, 430, 449, 451\n139, 141\n25, 64, 67, 204, 378, 382, 384\n20, 22, 25, 254, 453\n276\n116, 119, 120, 122\n57, 64, 76, 78, 85, 110, 116, 124, 134, 210, 214, 217, 218, 220, \n230\n270, 284\n69, 150, 153, 171, 172, 178, 242, 253, 287, 295, 304, 310, 312, \n326, 328, 330, 334, 350, 358, 456, 458\n194, 268, 278, 310, 315, 340, 361\n106, 113, 114\n58, 214, 374\n180\n230\n102\n261, 262\n40, 42\n283, 340\n416\n169\n164\n394\n143\n73, 74, 76, 78, 81\n162\n188\n348\n224, 229\n101\n232\n278\n296\n143, 229\n300, 302, 356\n334, 337\n40, 42, 46\n388, 391\n14, 17, 18\n124, 127, 210, 212, 220, 222\n356\n38, 106, 113\n397\n101, 220, 287, 288\n270, 280, 310\n198\n430\n300\n265\n197\n261\n354, 356\n194\n304, 394\n82, 85\n36, 38\n236, 356, 472\n236, 259, 401, 472\n30, 33, 101, 220, 474\n172, 334, 340, 474\n175, 476\n476\n20, 22, 25, 44, 52, 57, 58, 67, 73, 74, 76, 78, 106, 110, 116, \n124, 134, 150, 191, 192, 194, 204, 206, 210, 214, 230, 261, \n268, 270, 280, 284, 300, 310, 312, 358, 371, 374, 478\n309, 326, 363, 478\n",7,{"image":40,"text":41,"number":42},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.8.png","13\nF A B U L O U S\nF I A B E S C O\nO m b r e  s c u r e  e  d e f i n i t e ,  r i f l e s s i  a v v o l g e n t i  e  s f u m a t u r e  l e g g e r e \nc o n v i v o n o  c o n  l a  p u r e z z a  d e g l i  o g g e t t i ,  i n t r e c c i a n d o s i  p e r f e t t a m e n t e \ne  c o l m a n d o s i  l ’ u n  l ’ a l t r o .  B i a n c o  e  n e r o ,  p i e n o  e  v u o t o ,  p a s s a t o \ne  p r e s e n t e ,  e n t i t à  c h e  c o e s i s t o n o  n e l l o  s t e s s o  s p a z i o  d a n d o  v o c e \na  u n  c o r o  u n i c o ,  i l  c a n t o  d i  u n  l u o g o  d ’ a r t e  s e n z a  t e m p o .  I l  f a s c i n o \nd i  o g n i  s i n g o l a  f o r m a  c r e a t i v a  è  u n i c o ,  a l l ’ i n t e r n o  d i  u n a  d u a l e \nr i v a l i t à  s e c o l a r e  e  f i a b e s c a ,  c o n s e r v a n d o  s e m p r e  l ’ a u r e a  d i  u n a  s t o r i a \nr o m a n t i c a  e  i n d i m e n t i c a b i l e . \nD a r k  a n d  d e f i n e d  s h a d o w s ,  e n v e l o p i n g  r e f l e c t i o n s  a n d  l i g h t  n u a n c e s \nc o e x i s t  w i t h  t h e  p u r i t y  o f  t h e  o b j e c t s ,  w e a v i n g  p e r f e c t l y  a n d  f i l l i n g \ne a c h  o t h e r .  B l a c k  a n d  w h i t e ,  f u l l  a n d  e m p t y ,  p a s t  a n d  p r e s e n t , \ne n t i t i e s  t h a t  c o h a b i t  i n  t h e  s a m e  s p a c e  g i v i n g  v o i c e  t o  a  d i s t i n c t i v e \ns o u n d :  t h e  c h a n t  o f  a  t i m e l e s s  a r t  p l a c e .  T h e  c h a r m  o f  e a c h  i n d i v i d u a l \nc r e a t i v e  s h a p e  i s  u n i q u e ,  w i t h i n  a  d u a l  s e c u l a r  a n d  f a i r y - t a l e  r i v a l r y , \na l w a y s  p r e s e r v i n g  t h e  a u r a  o f  a  r o m a n t i c  a n d  u n f o r g e t t a b l e  s t o r y .\n",8,{"image":44,"text":45,"number":46},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.9.png","15\n14\nN O T E S  \u002F  R A I L W A Y  \u002F  R I V U L E T  \u002F\nRailway è un mobile contenitore \nche alterna parti a giorno a vani chiusi. \nLa sintesi formale e l’essenzialità \nnascondono soluzioni tecniche \nper garantire il perfetto parallelismo \ntra le mensole e mostrare il particolare \nincontro tra montanti e traversi.\nRailway is a storage unit that \nalternates open parts with closed \ncompartments. The formal synthesis \nand essentiality conceal technical \nsolutions to ensure the perfect \nparallelism between the shelves \nand to show the encounter between \nuprights and beams. \n",9,{"image":48,"text":49,"number":50},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.10.png","17\nR A I L W A Y  \u002F\n",10,{"image":52,"text":53,"number":54},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.11.png","18\nR A I L W A Y  \u002F\n",11,{"image":56,"text":57,"number":58},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.12.png","20\nEspressione della bellezza di un \nmateriale vivo e naturale come il \nlegno, la poltrona Ark è definita da un \ntratto semplice e puro, che incanta per \nla sua forte personalità.\nExpression of the beauty of a living \nand natural material such as wood, \nthe Ark armchair is defined by a simple \nand pure line, that enchants for its \nstrong personality.\nA R K  \u002F  M E T R O 2 \u002F  M E N H I R  \u002F  \nE R A  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F\n",12,{"image":60,"text":61,"number":62},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.13.png","22\nA R K  \u002F  M E T R O 2 \u002F  M E N H I R  \u002F  \nE R A  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F\n22\n",13,{"image":64,"text":65,"number":66},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.14.png","25\nA R K  \u002F  K I W I  \u002F  M E T R O 2 \u002F  M E N H I R  \u002F  \nE R A  T A B L E  \u002F   S I N  T I T U L O  2 8  \u002F\n",14,{"image":68,"text":69,"number":70},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.15.png","26\nA R K  \u002F \n27\n",15,{"image":72,"text":73,"number":74},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.16.png","28\nIl legno, veicolo di espressività, \nviene lavorato e curvato per dar vita \nalla poltrona Ark: una seduta dinamica \ne al contempo armonica, dal fascino \nsenza tempo, che gioca a contrasto netto \ncon le gambe in tondino metallico. \nWood, a vehicle of expressiveness, \nis worked and curved to shape the Ark \narmchair: a dynamic yet harmonious \nseat with timeless charm, that plays \nin contrast with the metal rod legs.\nA R K  \u002F\n",16,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.17.png","31\nClan è un divano che si distingue \nper lo schienale alto, dalla linea \ncurva pura e rigorosa, che abbraccia \nle persone in un dialogo conviviale, \ngarantendone la riservatezza. \nClan is a sofa defined by a high \nbackrest, with rounded line, \npure and rigorous, which embraces \npeople in a convivial dialogue, \nensuring their intimacy.\n30\nC L A N  \u002F  F L A P  \u002F  K I R I S A M E  \u002F\n",17,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.18.png","32\nC L A N  \u002F  F L A P  \u002F \nE R A  T A B L E  \u002F  K I R I S A M E  \u002F\n33\n",18,{"image":84,"text":85,"number":86},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.19.png","34\nC L A N  \u002F \n35\n",19,{"image":88,"text":89,"number":90},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.20.png","36\nS U M O  B E D  \u002F \nLa collezione Sumo si amplia con \nil letto e una nuova panca fondo letto: \nelementi che rispondono ad un’idea \ndi comfort sempre più allargata, volta \nad interpretare le attitudini e i rituali \ndel corpo e della mente.\nThe Sumo collection enlarges with \na bed and a new bed bench: elements \nthat respond to an ever-expanding \nidea of comfort, that interprets the \nattitudes and rituals of body and mind.\n",20,{"image":92,"text":93,"number":94},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.21.png","38\n38\nS U M O  B E D  \u002F  S U M O  P A N C A  \u002F  E R A  T A B L E  \u002F\n",21,{"image":96,"text":97,"number":98},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.22.png","41\n40\nA L V E A  \u002F  P A R A D I G M A  \u002F\n",22,{"image":100,"text":101,"number":102},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.23.png","43\n42\nAlvea è una consolle triangolare \nche sublima la lavorazione del legno; \nla bellezza del materiale, dalla venatura \ncontinua dei fianchi inclinati, \nsi contrappone alla superficie \nin carabottino, dove l'essenza \ndel legno assume una matericità nuova. \nAlvea is a triangular console that \nsublimates woodworking; the beauty \nof the material, characterized by \nthe continuous grain of the sloping \nsides, is in contrast with the \n“carabottino” surface, where the wood \nessence embraces a new materiality. \nA L V E A  \u002F  P A R A D I G M A  \u002F\n",23,{"image":104,"text":105,"number":106},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.24.png","44\nC O N F I D E N T  \" W O O D \"  \u002F \nE R A  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F\n44\n",24,{"image":108,"text":109,"number":110},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.25.png","47\n46\nLe linee arrotondate e avvolgenti \ndella poltrona Confident accolgono \nuna nuova preziosa scocca in legno, \nper la versione ‘Wood’.\nThe rounded and welcoming shapes \nof the Confident armchair welcome \na new precious wooden shell \nfor the ‘Wood’ version.\nC O N F I D E N T  ‘ W O O D ’  \u002F \nP A R A D I G M A  \u002F\n",25,{"image":112,"text":113,"number":114},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.26.png","49\nB R I G H T\nL U M I N O S O\nU n o  s p a z i o  c h e  h a  t u t t a  l a  b e l l e z z a  d e l  l u o g o  a p p e n a  n a t o ,  a p e r t o \ne  p i e n o  d i  f u t u r o .  G l i  a r r e d i  v i  s t a n n o  c o m e  p i c c o l e  a p p a r i z i o n i , \no g g e t t i  a r r i v a t i  p e r  c a s o  e  p e r  g i o c o ,  p r o n t i  a l  t e a t r o  d e l l a  v i t a  n u o v a . \nE p p u r e  h a n n o  l ’ a r i a  d i  e s s e r e  s e m p r e  s t a t i  l ì ,  c o n  q u e l l ’ a s p e t t o \nfam i l i are  e  u n p o ’ m i s te r i os o de lle  cos e  ch e  a ppa r te n g on o pe r  e le z i on e . \nS o n o  s p a z i  f a t t i  p e r  f e l i c i  i n c o n t r i ,  c o n v e r s a z i o n i  a v v e n t u r o s e , \no z i  d o m e s t i c i ,  p r a n z i  a p p a r e c c h i a t i  d a i  d i s e g n i  d e l  c a s o  e  r e s i  n i t i d i \nd a l l a  c h i a r a  p r e s e n z a  d e l l a  l u c e . \nA  s p a c e  t h a t  o w n s  a l l  t h e  b e a u t y  o f  a  n e w - b o r n  p l a c e ,  o p e n  a n d  f u l l \no f  f u t u r e .  F u r n i s h i n g s  b e l o n g  t h e r e  l i k e  s m a l l  a p p a r i t i o n s ,  o b j e c t s \na r r i v e d  b y  c h a n c e  a n d  p l a y ,  r e a d y  f o r  t h e  t h e a t r e  o f  n e w  l i f e . \nY e t  t h e y  a c t  a s  o f  h a v i n g  a l w a y s  b e e n  t h e r e ,  w i t h  t h a t  f a m i l i a r  a n d \ns o m e w h a t  m y s t e r i o u s  a s p e c t  o f  t h i n g s  t h a t  b e l o n g  t h e r e  b y  c h o i c e . \nT h e y  a r e  p l a c e s  m a d e  f o r  c h e e r f u l  e n c o u n t e r s ,  a d v e n t u r o u s \nc o n v e r s a t i o n s ,  d o m e s t i c  l e i s u r e ,  l u n c h e s  s e t  b y  t h e  d e s i g n  o f  f a t e \na n d  e n h a n c e d  b y  t h e  c l e a r  p r e s e n c e  o f  l i g h t .\n",26,{"image":116,"text":117,"number":118},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.27.png","50\nG R E E N E  S Y S T E M  \u002F  E R A  T A B L E  \u002F\n50\n",27,{"image":120,"text":121,"number":122},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.28.png","52\nG R E E N E  S Y S T E M  \u002F  G R E E N E  \u002F  E R A  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F\n",28,{"image":124,"text":125,"number":126},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.29.png","55\n54\nG R E E N E  S Y S T E M  \u002F\n",29,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.30.png","57\nRialzata su un sottile piedino, \nla poltrona Greene presenta \nuna morbida scocca esterna \nche accoglie ampie cuscinature.\nStanding on slender feet, \nGreene armchair features \na structured yet soft perimeter \nthat welcomes ample cushions.\nG R E E N E  \u002F  P E B B L E  L O W  T A B L E  \u002F \nS I N  T I T U L O  2 8  \u002F\n",30,{"image":132,"text":133,"number":134},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.31.png","58\n58\nG R E E N E  S Y S T E M  \u002F  F L O Y D  T A B L E  \u002F  F L O Y D - H I  T A B L E  \u002F \nT E T H Y S  \u002F  S I N  T I T U L O  2 8  \u002F\n",31,{"image":136,"text":137,"number":138},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.32.png","60\nC L A N  A L T A ,  B A S S A ,  G R A N D E  &  P I C C O L A  \u002F\n60\n",32,{"image":140,"text":141,"number":142},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.33.png","63\nNella variante Bassa la poltrona Clan \noffre una risposta concreta ad ogni \nesigenza, tanto nel residenziale quanto \nnegli spazi dedicati al contract.\nIn the Bassa variant, the Clan armchair \nis conceived to offer a versatile answer \nto every need, both in residential \nand contract spaces.\nC L A N  B A S S A  \u002F  W A L L  \u002F  E R A  T A B L E  \u002F \n",33,{"image":144,"text":145,"number":146},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.34.png","64\nC L A N  A L T A  \u002F  K I W I  \u002F  P E B B L E  L O W  T A B L E  \u002F\n64\n",34,{"image":148,"text":149,"number":150},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.35.png","66\nC L A N  P I C C O L A  \u002F  N E O W A L L  \u002F  I L E  T A B L E  \u002F \nK I W I  \u002F  S I N  T I T U L O  2 8  \u002F\n67\n",35,{"image":152,"text":153,"number":154},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.36.png","69\nLa stessa idea di comodità delimitata \nda linee squadrate, pure e rigorose, \ncontraddistinguono le poltrone Clan \nGrande e Piccola.\nThe same idea of comfort defined \nby squared lines, pure and rigorous, \ndistinguishes the Clan Grande and \nPiccola armchairs.\nC L A N  G R A N D E  \u002F  C L A N  P I C C O L A  \u002F  I L E  T A B L E  \u002F \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F \n",36,{"image":156,"text":157,"number":158},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.37.png","71\n70\nE X T R A S O F T  \u002F\n",37,{"image":160,"text":161,"number":162},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.38.png","72\nE X T R A S O F T  \u002F  E X T R A S O F T  C O N T E N I T O R I  \u002F  \nS I N  T I T U L O  2 8  \u002F\n73\n",38,{"image":164,"text":165,"number":166},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.39.png","74\nE X T R A S O F T  \u002F  E X T R A S O F T  C O N T E N I T O R I  \u002F  \nS I N  T I T U L O  2 8  \u002F\n74\n",39,{"image":168,"text":169,"number":170},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.40.png","77\n76\nI contenitori Extrasoft sono moduli \nin legno che seguono il passo, \nmodificano il ritmo e moltiplicano \nla funzionalità dell'omonimo divano.\nThe Extrasoft Contenitori \nare wooden modules that follow \nthe modularity, modify the rhythm \nand multiply the functionality \nof the homonymous sofa. \nE X T R A S O F T  \u002F  E X T R A S O F T  C O N T E N I T O R I  \u002F \nP E B B L E  L O W  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F\n",40,{"image":172,"text":173,"number":174},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.41.png","78\nE X T R A S O F T  \u002F  E X T R A S O F T  C O N T E N I T O R I  \u002F \nP E B B L E  L O W  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F\n78\n",41,{"image":176,"text":177,"number":178},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.42.png","81\nE X T R A S O F T  \u002F  E X T R A S O F T  C O N T E N I T O R I  \u002F\n",42,{"image":180,"text":181,"number":182},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.43.png","82\n82\nO O L O N G  \u002F  S O F T W A L L  B E D  \u002F  E R A  T A B L E  \u002F\n",43,{"image":184,"text":185,"number":186},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.44.png","85\n84\nLa superficie di Softwall Bed è una \ntavola ampia e pulita: un perimetro \nmorbido corre tutto intorno allo \nspazio del riposo, facendone un’isola.\nThe surface of Softwall Bed is\na large clear surface: a soft perimeter \ncompletely surrounds the sleeping \nspace, turning it into an island.\nS O F T W A L L  B E D  \u002F  P E B B L E  L O W  T A B L E  \u002F\n",44,{"image":188,"text":189,"number":190},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.45.png","87\n86\nO O L O N G  \u002F\nCon la sua forma piena addolcita \ndai contorni arrotondati, Oolong \navvolge il corpo con sicurezza \ne lo accompagna nel movimento.\nWith its full shape softened by \nrounded contours, Oolong safely \nwraps the body and accompanies \nit in movement.\n",45,{"image":192,"text":193,"number":194},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.46.png","88\nO O L O N G  \u002F\nDal look senza tempo e dalla struttura \nmisuratamente organica la wing chair \nOolong di Piero Lissoni è un rifugio \nintimo e sofisticato dove la sensazione \ntattile e materica è centrale.\nWith its timeless look and measuredly \norganic structure, the Oolong wing \nchair by Piero Lissoni is an intimate \nand sophisticated refuge where the \ntactile and material feeling is central.\n",46,{"image":196,"text":197,"number":198},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.47.png","90\nG R A F T  \u002F  T I C I N O  \u002F \n90\n",47,{"image":200,"text":201,"number":202},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.48.png","92\nT I C I N O  \u002F  G R A F T  \u002F \n",48,{"image":204,"text":205,"number":206},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.49.png","95\nG R A F T  \u002F  T I C I N O  \u002F \n",49,{"image":208,"text":209,"number":210},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.50.png","97\n96\nTicino è una sedia compatta \ne impilabile dal profilo aerodinamico, \ndisponibile in diverse declinazioni \nmateriche.\nTicino is a compact, stackable \nchair with an aerodynamic profile, \navailable in its various material \ncombinations.\nT I C I N O  \u002F \n",50,{"image":212,"text":213,"number":214},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.51.png","98\nG R A F T  \u002F  M A J A  D  \u002F\n99\n",51,{"image":216,"text":217,"number":218},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.52.png","101\nL o rem ip sum\nX X X X X X\n100\nL'accessorio Kigi conquista \nl’attenzione per la forma \nanticonvenzionale in grado \ndi valorizzare le peculiarità \ndi ogni singolo materiale.\nKigi wins the attention for \nits unconventional shape able \nto enhance the peculiarities \nof each material.\n101\nK I G I  \u002F  T R A C K  \u002F  K I R I S A M E  \u002F\n",52,{"image":220,"text":221,"number":222},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.53.png","103\n102\nAero D è un scrittoio per fetto \nper l'home - of fice che reinterpreta \nin maniera lineare le esigenze \ndell’abitare contemporaneo.\nAero D is a desk per fect for \nthe home - of fice that reinterprets \nin a linear way the needs \nof contemporar y living.\nA E R O  D  \u002F  N I N A  \u002F\n",53,{"image":224,"text":225,"number":226},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.54.png","R A F F I N A T O\nR E F I N E D\nS i  d i r e b b e  c h e  q u i  l ’ e l e g a n z a  a b b i a  r i p e n s a t o  s e  s t e s s a ,  c e d e n d o \na l  f a s c i n o  e  a l  p i a c e r e  d i  m u o v e r s i  i n  s p a z i  c o m o d i ,  a m p i , \np r o g e t t a t i  i n  b a s e  a  u n a  e s t e t i c a  c h e  n o n  t r a d i s c e  p r o t a g o n i s m i , \ne  i n  c u i  t u t t o  i l  l u s s o  s t a  n e l l a  f a c i l i t à  c o n  c u i  s i  f a n n o  a b i t a r e . \nA m b i e n t i  d o v e  l a  b e l l e z z a  t r a l u c e  d a  u n  i n f i s s o ,  d a l l a  q u a l i t à \nd i  u n a  b o i s e r i e ,  d a l l a  p e r f e z i o n e  d i  u n  p a v i m e n t o ,  d a l l a  l o n g e v i t à \nd i  u n  m a t e r i a l e .  G l i  o g g e t t i  c h e  v i  s i  i n c o n t r a n o  s o n o  p r e s e n z e \ne s e m p l a r i  e  s i l e n z i o s e ,  d i  n a t u r a  n o b i l e ,  c o n t r a s s e g n a t e  d a  l i n e e \np u r e ,  q u a s i  c l a s s i c h e . \nO n e  w o u l d  s a y  t h a t  h e r e  e l e g a n c e  h a s  r e t h o u g h t  i t s e l f ,  y i e l d i n g \nt o  t h e  c h a r m  a n d  p l e a s u r e  o f  m o v i n g  a r o u n d  i n  c o m f o r t a b l e ,  w i d e \ns p a c e s ,  d e s i g n e d  a c c o r d i n g  t o  a n  a e s t h e t i c  t h a t  d o e s  n o t  b e t r a y \np r o m i n e n c e ,  a n d  i n  w h i c h  a l l  t h e  i n d u l g e n c e  l i e s  i n  t h e  e a s e  w i t h \nw h i c h  t h e y  c a n  b e  l i v e d  i n .  A t m o s p h e r e  w h e r e  b e a u t y  s h i n e s  f r o m \na  w i n d o w  f r a m e ,  f r o m  t h e  q u a l i t y  o f  a  w a i n s c o t i n g ,  f r o m  t h e  p e r -\nf e c t i o n  o f  a  f l o o r ,  t h e  l o n g e v i t y  o f  a  m a t e r i a l .  T h e  o b j e c t s  o n e \ne n c o u n t e r s  a r e  e x e m p l a r y  a n d  s i l e n t  p r e s e n c e s ,  o f  a  n o b l e  n a t u r e , \nd e f i n e d  b y  p u r e ,  a l m o s t  c l a s s i c a l  l i n e s .\n",54,{"image":228,"text":229,"number":230},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.55.png","106\nS U M O  \u002F  S U M O  P A N C A  \u002F  S U M O  T A B L E  \u002F \nS I N  T I T U L O  2 8  \u002F\n106\n",55,{"image":232,"text":233,"number":234},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.56.png","109\n108\nSumo sfoggia un pianale in legno, \nsegno perfettamente orizzontale, \noffrendo la possibilità di aggiungere \nun meccanismo poggiatesta \nregolabile su varie posizioni.\nSumo features a wooden base, \na perfectly horizontal sign, as well \nas an headrest mechanism \nthat makes the backrest reclinable \nin different positions.\nS U M O  \u002F\n",56,{"image":236,"text":237,"number":238},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.57.png","110\nS U M O  \u002F  P E B B L E  L O W  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F\n110\n",57,{"image":240,"text":241,"number":242},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.58.png","112\nS U M O  P A N C A  \u002F  S U M O  T A B L E  \u002F \n113\n",58,{"image":244,"text":245,"number":246},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.59.png","115\n114\nIl tavolino Sumo disponibile con piano \nin legno, in marmo o laccato, permette\ndi riscoprire il piacere della matericità \nattraverso raffinati giochi di accostamenti.\nThe Sumo Table, available with a \nwooden, marble or lacquered top, \nallows to rediscover the pleasure \nof materiality through sophisticated \nplays of combinations.\nS U M O  T A B L E  \u002F\n",59,{"image":248,"text":249,"number":250},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.60.png","117\n116\nS U M O  \u002F  M O O N  C O F F E E  T A B L E  \u002F\nP E B B L E  L O W  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F\nIl pianale in legno del divano Sumo \naccoglie volumi imbottiti squadrati e \noversize, in forte contrasto con la linea \nrarefatta dei piedini a staffa.\nThe wooden platform of the Sumo \nsofa welcomes squared and oversized \npadded volumes, in contrast with the \nrarefied silhouette of the bracket.\n",60,{"image":252,"text":253,"number":254},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.61.png","119\nLa forma pura in legno curvato, \nche si apre per rivelare vani \ncontenitori, è caratterizzante \nnei tavolini Moon Coffee Table.\nThe pure shape in curved wood, \nwhich opens to reveal storage \ncompartments, characterizes \nin the Moon Coffee Table.\nM O O N  C O F F E E  T A B L E  \u002F\n",61,{"image":256,"text":257,"number":258},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.62.png","121\n120\nFull Moon è un volume basso \ncon apertura battente superiore che \nrivela un vano contenitore tripartito, \nadatto a soddisfare numerose \npossibilità di utilizzo.\nFull Moon is a low volume with \nan upper hinged opening that reveals \na tripartite compartment, suitable \nfor accomplishing different uses.\nF U L L  M O O N  \u002F  M O O N  E C L I P S E  \u002F\n",62,{"image":260,"text":261,"number":262},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.63.png","123\n122\nAccessorio multifunzione su ruote, \nMoon Satellite si apre a scrigno \nper svelare due pratici vani contenitori \ndi altezze e capienze differenti.\nVersatile accessory on wheels, \nMoon Satellite consists of two side \nby side half circles that reveal two \npractical storage compartments \nof different heights and capacities.\nM O O N  S A T E L L I T E  \u002F  M O O N  C O F F E E  T A B L E  \u002F\n",63,{"image":264,"text":265,"number":266},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.64.png","124\nS U M O  \u002F  S A I L O R  \u002F  P E B B L E  L O W  T A B L E  \u002F\nS I N  T I T U L O  2 8  \u002F\nLa forma affusolata ed essenziale \ndel telaio, piacevolmente concavo \ne rialzato su piedini metallici, \nsi contrappone alla parte imbottita, \nampia ed accogliente del divano Sumo.\nThe tapered and essential shape \nof the frame, pleasantly concave \nand raised on metal feet, is opposed \nto the large and welcoming padded \nelements of Sumo sofa.\n",64,{"image":268,"text":269,"number":270},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.65.png","127\nS A I L O R  \u002F\nAlternando liberamente mensole \ne vani contenitori, Sailor disegna \nlo spazio con leggerezza e misura.\nFreely alternating shelves and storage \nunits, Sailor characterizes the space \nwith lightness and balance.\n",65,{"image":272,"text":273,"number":274},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.66.png","129\nS U M O  \u002F \nSumo, declinato a divano e dormeuse, \nè abbinabile a tavolini accessori che \nne arricchiscono l’utilità e la fruibilità \ntipica del vivere quotidiano.\nSumo, available as sofa or dormeuse, \nis combinable with coffee tables \nthat enrich its versatility typical \nof the everyday life.\n",66,{"image":276,"text":277,"number":278},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.67.png","130\nL E M N I  \u002F\nUn po’ arredo un po’ scultura, \nosservatorio intimo e chic sul mondo, \nLemni racconta la voglia di liberarsi \ndai pesi superflui e librare nell’aria, \nincantando con la sua vitalità grafica.\nSomewhat furniture, somewhat \nsculpture, intimate and chic \nobservatory on the world, Lemni \nreveals the desire to ease from \nsuperfluous weights and soar in \nthe air, enchanting with its graphic \nvitality.\n",67,{"image":280,"text":281,"number":282},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.68.png","132\nL E M N I  \u002F\n132\n",68,{"image":284,"text":285,"number":286},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.69.png","134\nF L O Y D - H I  2  \u002F  F L O Y D - H I  2  S Y S T E M  \u002F  E R A  T A B L E  \u002F \nF L O Y D - H I  T A B L E  \u002F  P E B B L E  L O W  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F\n134\n",69,{"image":288,"text":289,"number":290},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.70.png","136\nF L O Y D - H I  2  S Y S T E M  \u002F\n137\n",70,{"image":292,"text":293,"number":294},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.71.png","139\nF L O Y D - H I  2  \u002F  I S L A N D S  L O W  T A B L E  \u002F\nIslands Low Table: oggetti che decorano \ngli spazi della casa o del contract \nall’insegna di un lusso che parla di tempi \nlontani, rivelandosi attualissimo.\nIslands Low Table: objects that decorate \nboth residential and contract spaces \nin the name of a luxury that speaks \nof the past, proving to be contemporary.\n",71,{"image":296,"text":297,"number":298},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.72.png","141\nI S L A N D S  L O W  T A B L E  \u002F\n",72,{"image":300,"text":301,"number":302},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.73.png","143\nE R A  S C R I T T O I O  \u002F  M A T E R I C A  \u002F  N I N A  \u002F \nEra Scrittoio dalle linee grafiche \ne dalle studiate combinazioni materiche \ne cromatiche; un’immagine precisa \nche ha il suo focus nell’essenziale, \nsenza rinunciare a piccoli vezzi.\nEra Scrittoio is a desk with graphic \nlines and sophisticated material \nand chromatic combinations; a precise \nimage that has its focus in the essentiality, \nwithout giving up small charms.\n",73,{"image":304,"text":305,"number":306},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.74.png","R A Z I O N A L E\nR A T I O N A L\nS p a z i o  c o m e  r a c c o n t o  d e l  v u o t o ,  d e l l a  m a t e r i a  d a  c u i  s i  g e n e r a .\nS u p e r f i c i ,  t a g l i ,  a n g o l i ,  a p e r t u r e ,  s b r e c c i a t u r e ,  o m b r e  s o n o \nl a  g r a m m a t i c a  c h e  l o  d e f i n i s c e .  U n  a l f a b e t o  p r i m a r i o ,  p u r o ,  f a t t o \nd i  s u o n i ,  s i l e n z i ,  p a u s e ,  s t a c c h i .  G l i  o g g e t t i  s o n o  l e  p a r o l e  c h e \nl o  a t t r a v e r s a n o :  p o c h e ,  e s a t t e ,  n e c e s s a r i e .  D o t a t e  d i  u n  s e n s o \ni n f a l l i b i l e  d e l l a  m i s u r a  e  d e l l e  p r o p o r z i o n i .  S a n n o  v i v e r e  e  r e s p i r a r e \nn e l l ’ a m p i e z z a  e  n e l l a  l i b e r t à .  N e l l o  s p a z i o  l o r o  a s s e g n a t o ,  t r o v a n o \ns e n s o  e  r i s a l t o . \nS p a c e  a s  a  n a r r a t i v e  o f  t h e  v o i d ,  o f  t h e  s u b s t a n c e  t h a t  g e n e r a t e s  i t . \nS u r f a c e s ,  c u t s ,  c o r n e r s ,  o p e n i n g s ,  n i c k s ,  a n d  s h a d o w s  a r e \nt h e  g r a m m a r  t h a t  d e f i n e s  i t .  A  p r i m e  a l p h a b e t ,  p u r e ,  c o m p r i s e d \no f  s o u n d s ,  s i l e n c e s ,  p a u s e s ,  a n d  i n t e r v a l s .  O b j e c t s  a r e  t h e  w o r d s \nc r o s s i n g  t h r o u g h  t h e  s p a c e :  f e w ,  e x a c t ,  e s s e n t i a l .  E n d o w e d  w i t h \na n  u n e r r i n g  s e n s e  o f  m e a s u r e  a n d  p r o p o r t i o n .  T h e y  k n o w  h o w \nt o  l i v e  a n d  b r e a t h e  i n  v a s t n e s s  a n d  i n  f r e e d o m .  T h e y  f i n d  m e a n i n g \na n d  e m p h a s i s  i n  t h e  s p a c e  a s s i g n e d  t o  t h e m .\n",74,{"image":308,"text":309,"number":310},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.75.png","R O D  B E A N  \u002F  E R A  T A B L E  \u002F\n146\n",75,{"image":312,"text":313,"number":314},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.76.png","148\nR O D  B E A N  \u002F  E R A  T A B L E  \u002F\n",76,{"image":316,"text":317,"number":318},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.77.png","150\nR O D  S Y S T E M  \u002F \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F  S I N  T I T U L O  2 8  \u002F\nUna scocca leggera ed aerea su cui \npoggiano invitanti cuscini arricchiti \ndal dettaglio di trapuntatura e dai \nbottoni a vista.\nA slender back and a light, airy shell, \nlined with inviting cushions embelli-\nshed with quilted details and buttons.\n",77,{"image":320,"text":321,"number":322},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.78.png","153\nR O D  S Y S T E M  \u002F \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F \n153\n",78,{"image":324,"text":325,"number":326},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.79.png","154\nG R E K  \u002F  R O D  S Y S T E M  \u002F\nDallo sguardo maschile e dall’estetica \nfortemente industriale, Grek crea \nun imponente piano d’appoggio solcato \nda una fessura centrale che può fungere \nda portariviste o contenitore per oggetti. \nWith a manly look and strong industrial \naesthetic, Grek offers a table top cut \nthrough by a central crevice that \nserves as a magazine holder or container \nfor objects.\n",79,{"image":328,"text":329,"number":330},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.80.png","E R A  C H A I R  \u002F\n156\n",80,{"image":332,"text":333,"number":334},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.81.png","158\nE R A  C H A I R  \u002F  N O T E S  \u002F\nIspirazione vintage, gioco di pieni e di vuoti, \nleggerezza visiva contraddistinguono le \nsedie Era con struttura verniciata canna \ndi fucile e fascia poggiaschiena e seduta \nimbottite, per osare con i colori. \nNote rarefatte da disseminare liberamente \nin casa, omaggio al grande design del passato. \nA vintage inspiration, a balance of empty \nand full spaces and a visual lightness \ncharacterize Era chair with frame in gunmetal \npainted steel, padded backrest and seat, \nto dive with colors. Rarefied notes to be \nfreely dispersed around in the house, \nhomage to a great masters of the past.\n",81,{"image":336,"text":337,"number":338},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.82.png","E R A  A R M C H A I R  \u002F\n161\n",82,{"image":340,"text":341,"number":342},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.83.png","162\nE R A  A R M C H A I R  \u002F \nG A L I L E O  \u002F\nDosa geometria e movimento \nlo specchio Galileo: oggetto in costante \nequilibrio come una sorta di pendolo.\nGeometry and movement are combined \nin the mirror Galileo; an object \nin constant balance like a Pendulum.\n",83,{"image":344,"text":345,"number":346},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.84.png","L I P P  D O R M E U S E  \u002F  C E I B A  S C R E E N  \u002F \nE R A  T A B L E  \u002F\n164\n",84,{"image":348,"text":349,"number":350},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.85.png","166\nL I P P  ‘ R A T T A N ’  \u002F\nUn raffinato guscio in rattan riveste \nla poltrona Lipp, che racchiude la \npersona in un rivestimento trapuntato \na rombi.\nAn elegant external rattan covers \nthe Lipp armchair, which encloses \nthe user in diamond-shaped quilting.\n",85,{"image":352,"text":353,"number":354},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.86.png","169\nC E I B A  \u002F\n",86,{"image":356,"text":357,"number":358},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.87.png","171\nT O M B O L O  \u002F  M I N I  T O M B O L O  \u002F\nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F  \nTombolo, versione ready made della \npoltroncina Cafè progettata da\nPiero Lissoni nel 1999, emana una\nfemminilità ricercata nei dettagli. \nTombolo, ready made version of\nthe Cafè armchair, designed by\nPiero Lissoni in 1999, emanates\nelegant femininity from its carefully\nembroidered details. \n",87,{"image":360,"text":361,"number":362},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.88.png","172\nD U M A S  \u002F  \nR A B B I T  &  T O R T O I S E  C O L L E C T I O N  \u002F  M I N A M O  \u002F\n",88,{"image":364,"text":365,"number":366},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.89.png","175\nD U M A S  \u002F  \nS A R T O R . C  \u002F  M I S O R E  \u002F\n",89,{"image":368,"text":369,"number":370},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.90.png","176\nN O T E S  \u002F  M A J A  D  \u002F\n",90,{"image":372,"text":373,"number":374},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.91.png","178\nS A R T O R . C  \u002F  \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F\n",91,{"image":376,"text":377,"number":378},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.92.png","180\nA E R O  \u002F\n",92,{"image":380,"text":15,"number":381},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.93.png",93,{"image":383,"text":384,"number":385},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.94.png","184\nB R A S I L I A  \u002F  M A J A  D  \u002F\n",94,{"image":387,"text":388,"number":389},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.95.png","Accoglie il corpo accompagnandolo \nnel relax, in casa così come all’aperto, \nla sedia a dondolo Flow.\nThe Flow rocking chair receives \nthe body and accompanies your relaxa-\ntion at home, as well as at the open air.\n186\nF L O W  \u002F  E R A  T A B L E  \u002F\n",95,{"image":391,"text":392,"number":393},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.96.png","188\nDisegnato dal rigore di sottili fogli in \nlamiera d’alluminio Grek Box nasce \ndalla diversa aggregazione di un \nunico modulo base, che può essere \naffiancato, sovrapposto, disposto \nad angolo o bifacciale.\nDictated by the rigor of slender \naluminum sheet, Grek Box whereby \ncreates various combinations with \na single basic unit, either placed \nside by side, overlapped, at an angle \nor two-faced.\nG R E K  B O X  \u002F \nN E O W A L L  S O F A  B E D  \u002F\n",96,{"image":395,"text":396,"number":397},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.97.png","191\nN E O W A L L  S O F A  B E D  \u002F \nE R A  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F\n",97,{"image":399,"text":400,"number":401},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.98.png","N E O W A L L  S O F A  B E D  \u002F \nE R A  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F\n192\n",98,{"image":403,"text":404,"number":405},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.99.png","194\nN E O W A L L  B E D  \u002F  S T A R S K Y  \u002F \nS I N  T I T U L O  2 8  \u002F\nContemporaneità, intimità e \naccoglienza perfetta: il rito del sonno \ntrova un nuovo interprete in Neowall \nBed, una sequenza di volumi geometrici \ncompatti, impeccabili nelle proporzioni, \nper una nuova armonica definizione \ndello spazio letto.\nContemporary, coziness and perfect \nwelcoming: the sleeping ritual finds \na new interpreter in Neowall Bed, \na sequence of compact geometric \nvolumes, impeccable in proportions, \nfor a new harmonious definition \nof the bedroom.\n",99,{"image":407,"text":408,"number":409},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.100.png","E X T R A S O F T  B E D  \u002F \n197\n",100,{"image":411,"text":412,"number":413},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.101.png","198\nV I Z I O  \u002F  D U M A S  \u002F\n",101,{"image":415,"text":416,"number":417},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.102.png","200\nD U M A S  \u002F\nLa poltrona Dumas si caratterizza \nper lo schienale basso, da cui emerge \nun morbido cuscino che si raccorda \nal bracciolo dolcemente curvato, \nnel segno dell’assoluta semplicità.\nThe Dumas armchair features \na low backrest, with its soft cushion, \nthat is connected, in a gesture \nof absolute simplicity, to the gently \ncurving armrest.\n",102,{"image":419,"text":420,"number":421},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.103.png","S O F I S T I C A T O\nS O P H I S T I C A T E D\nS p a z i  a n i m a t i  d a  p r e s e n z e  e  s u g g e s t i o n i .  A t m o s f e r e  d e n s e ,  a m b i e n t i \ni n  c u i  l o  s t i l e  c o i n c i d e  c o n  i  p e n s i e r i  e  i  g e s t i  d i  c h i  l o  a b i t a . \nG l i  o g g e t t i  d i v e n t a n o  v e r i  e  p r o p r i  p e r s o n a g g i ,  h a n n o  i d e n t i t à , \nr a c c o n t a n o  s t o r i e .  C o m e  i n  u n  r o m a n z o  o  i n  u n  f i l m .  O g n i  d e t t a g l i o , \no g n i  f o r m a ,  o g n i  m a t e r i a l e  è  p a r t e  d i  u n  d i s e g n o  p i ù  g r a n d e , \ni n  c u i  s i  m e s c o l a n o  i l  c a s o  e  l a  n e c e s s i t à .  L a  r e g i a ,  i s t a n t e  d o p o \ni s t a n t e ,  è  q u e l l a  d e l l a  v i t a  c h e  s c o r r e :  l a  b e l l e z z a  d e l l e  c o s e  v o l u t e , \nc a p i t a t e ,  d e s i d e r a t e ,  t u t t e  m e s c o l a t e  i n s i e m e . \nS p a c e s  a n i m a t e d  b y  p r e s e n c e s  a n d  s u g g e s t i o n s .  D e n s e  a t m o s p h e r e s , \ne n v i r o n m e n t s  w h e r e  s t y l e  c o i n c i d e s  w i t h  t h e  t h o u g h t s  a n d  a c t s \no f  i t s  i n h a b i t a n t s .  O b j e c t s  b e c o m e  b o n a  f i d e  c h a r a c t e r s . \nT h e y  h a v e  a n  i d e n t i t y ;  t h e y  t e l l  s t o r i e s ,  l i k e  i n  a  n o v e l  o r  a  m o v i e . \nE v e r y  d e t a i l ,  e v e r y  s h a p e ,  e v e r y  m a t e r i a l  i s  p a r t  o f  a  g r e a t e r \np i c t u r e ,  w h e r e  f a t e  a n d  n e c e s s i t y  a r e  m i x e d .  M o m e n t  a f t e r  m o m e n t , \nt h e  d i r e c t i o n  i s  t h a t  o f  l i f e  f l o w i n g :  t h e  b e a u t y  o f  t h i n g s  w a n t e d , \nh a p p e n e d ,  a n d  d e s i r e d ,  a l l  m i x e d  t o g e t h e r . \n",103,{"image":423,"text":424,"number":425},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.104.png","204\nG R E E N E  \u002F  F L A P  \u002F  K I W I  \u002F \nS I N  T I T U L O  2 8  \u002F\nIl divano Greene presenta una scocca \nesterna strutturata ma morbida \npensata per accogliere ampie \ncuscinature.\nGreene sofa shows a structured, \nyet soft perimeter designed for \nwelcoming ample cushions.\n",104,{"image":427,"text":428,"number":429},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.105.png","206\nI tavolini contenitori Flap, \nsi identificano per la fascia laccata \nche accoglie il piano-coperchio\nin essenza che si apre grazie ad \nun pistone, giocando sulle relazioni \nsempre diverse tra uomo e prodotto.\nThe new Flap tables, are defined by \na lacquered structure which welcomes \na wooden top that opens thanks to \na piston, enjoying always different \nrelationships between humans and \nproducts.\nG R E E N E  \u002F  F L A P  \u002F \nS I N  T I T U L O  2 8  \u002F\n",105,{"image":431,"text":432,"number":433},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.106.png","208\nF L A P  \u002F\n",106,{"image":435,"text":436,"number":437},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.107.png","G R E E N E  \u002F  P E B B L E  L O W  T A B L E  \u002F \nS A I L O R  \u002F  S I N  T I T U L O  2 8  \u002F\n210\n",107,{"image":439,"text":440,"number":441},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.108.png","212\nS A I L O R  \u002F\nLinee pulite e semplici che si \nintersecano contraddistinguono \nla libreria Sailor.\nClean and simple intersecting \nlines define the Sailor bookshelf.\n",108,{"image":443,"text":444,"number":445},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.109.png","214\nF L O Y D - H I  2  \u002F  F L O Y D - H I  T A B L E  \u002F  P E B B L E  L O W  T A B L E  \u002F \nT E T H Y S  \u002F  S I N  T I T U L O  2 8  \u002F\n",109,{"image":447,"text":448,"number":449},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.110.png","217\nF L O Y D - H I  2  \u002F  P E B B L E  L O W  T A B L E  \u002F\nCon il piedino singolo, Floyd-Hi 2 \narreda in maniera discreta ogni \ninterno, senza dominarlo.\nWith its single foot, Floyd-Hi 2 \ndiscreetly furnishes every interior, \nwithout dominating it.\n",110,{"image":451,"text":452,"number":453},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.111.png","218\n219\nP E B B L E  L O W  T A B L E  \u002F\nI tavolini Pebble privilegiano ora uno \nsviluppo tondeggiante, ora allungato, \nper arredi dalla sofisticata unicità.\nPebble low tables privilege now a \nrounded layout, now an elongated one, \nfor sophisticatedly unique furnishings.\n",111,{"image":455,"text":456,"number":457},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.112.png","220\nF L O Y D - H I  2  \u002F  T R A C K  \u002F  P E B B L E  L O W  T A B L E  \u002F \nS A I L O R  \u002F  K I R I S A M E  \u002F\n",112,{"image":459,"text":460,"number":461},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.113.png","222\nS A I L O R  \u002F\nSailor è presentata con un palo a sezione\nesagonale, su cui poggiano mensole che  \nraccontano in modo suggestivo l’eleganza \nlineare e lo spirito sartoriale che \ncontraddistinguono Living Divani.\nSailor is presented with a hexagonal iron \npole, that supports shelves evoking the \nlinear elegance and sartorial spirit that \ndefine Living Divani.\n",113,{"image":463,"text":464,"number":465},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.114.png","224\nN O T E S  +  L A Z Y  S U S A N  \u002F \nE R A  C H A I R  \u002F  I S L A N D S  \u002F \n",114,{"image":467,"text":468,"number":469},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.115.png","226\nN O T E S  +  L A Z Y  S U S A N  \u002F\nSofisticata bellezza per i tavoli Notes, \ncon rigorosa struttura metallica a \ntre gambe e finitura tinto carbone \ndel materico piano in essenza.\nSophisticated beauty of Notes tables \nwith a rigid metallic structure of three \nslender legs whose appeal is enhanced \nby the charcoal-dyed colour of the wood \ntabletop.\n",115,{"image":471,"text":472,"number":473},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.116.png","I S L A N D S  \u002F  M A T E R I C A  \u002F \n229\nOg get to scultur a che c at tur a \nun’ intuizione f ug ace, Mate ric a è \nil fr ut to di un’espressivit à lib e r a .\nS culpture - like obje c t which c atches \na f le eting intuition , Mate ric a is the \nnatur al outcome of a fre e creativit y.\n",116,{"image":475,"text":476,"number":477},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.117.png","230\nA E R O  B  \u002F  C O N F I D E N T  \u002F \nP E B B L E  L O W  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F\nScenografica presenza, il mobile bar\nAero B cela uno spazio contenitore \nchiuso da ante che scorrono lungo \ntutto il perimetro.\nScenographic presence, the bar \ncabinet Aero B conceals a container\nthrough shutter doors that slide\nalong the perimeter.\n",117,{"image":479,"text":480,"number":481},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.118.png","232\nL I G H T  W I T H  A  T A B L E  \u002F  E R A  A R M C H A I R  \u002F\nLa lampada-tavolino “Light with \na table” coglie la suggestione di\nun lampione urbano e la trasforma \nin una scultura domestica multiuso.\n“Light with a table” takes inspiration \nfrom a street lamp and transforms it \ninto a multipurpose home sculpture.\n",118,{"image":483,"text":484,"number":485},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.119.png","234\n",119,{"image":487,"text":488,"number":489},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.120.png","236\nR O D  X L  \u002F  A R A B I A N  G E O M E T R I C  \u002F \nC E C I  N ’ E S T  P A S  U N  B A R O Q U E  \u002F\n",120,{"image":491,"text":492,"number":493},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.121.png","238\nR O D  \u002F  B 2  \u002F\nRo d:  un a f amig lia d i imb ottiti \nraffinati e  d i e cce lle n te  comf ort, \nart ic olata in  p oltr on a, d ivan o \ne pan ca. \nRo d:  a f amily of  re f in e d  up h olste r e d \nfurniture  p r ovid in g e x ce lle n t \nc o m for t, in clud in g ar mch air , sof as \nand b e n ch . \n",121,{"image":495,"text":496,"number":497},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.122.png","240\nB 2  \u002F\nComposto da quattro piani di dimensioni \ne altezze diverse, il tavolino B2, con \nstruttura in lamiera di acciaio, ricorda \nun’architettura in miniatura.\nComposed of four table tops displaying \ndifferent sizes and heights, the B2 low \ntable is like an architectural miniature \nwith its structure in steel sheet.\n",122,{"image":499,"text":500,"number":501},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.123.png","R O D  \u002F \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F\n242\n",123,{"image":503,"text":504,"number":505},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.124.png","R O D  \u002F  B 2  \u002F \n245\n",124,{"image":507,"text":508,"number":509},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.125.png","N E O W A L L  \u002F \n246\n",125,{"image":511,"text":512,"number":513},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.126.png","248\nNeo Wall in  ve r sion e  con  p ie d in o \nin ac ciaio: e le g an za, r ig ore , \nbel l a p r e se n za.  \nNeo Wall in  its ve r sion  w ith \ns t a i n l e s s  s t e e l  f e e t :  e l e g a n c e , \nrigo ur  an d  b e auty.\nN E O W A L L  \u002F\n",126,{"image":515,"text":516,"number":517},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.127.png","250\nH I N G E  \u002F \nS em plicità, p r aticità e  g ran d e \nm isura p e r H in g e , sgab e llo \ndispon ib ile  in  d ue  alte zze . \nS im plicity, p racticality, an d  gre at \nbal ance  f or H in g e , a stool availab le \nin t wo d if f e r e n t h e igh ts.\n",127,{"image":519,"text":520,"number":521},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.128.png","R A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F\n253\nR ab b i t  &  t h e T o rt o i s e Co l l ec t i o n \nè un a es t ro s a f am i gl i a d i  t avo l i n i , \ngi o c at a s u f o rm e s t i l i zzat e d i  an i m al i \ne i s p i rat a al  m o n d o  d el l ’ i n f an zi a \ne d ei  c art o n i  an i m at i . \nR ab b i t  &  t h e T o rt o i s e Co l l ec t i o n \ni s  a wh i m s i c al  f am i l y  o f  c o f f ee t ab l es \nt h a t  p l a y s  o n  s t y l i s e d  a n i m a l \nf o rm s  an d  i s  i n s p i red  b y  t h e wo rl d \no f  c h i l d h o o d  an d  c art o o n s . \n",128,{"image":523,"text":524,"number":525},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.129.png","254\nS O F T W A L L  \u002F  M E N H I R  \u002F\n",129,{"image":527,"text":528,"number":529},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.130.png","I L E  C L U B  \u002F  I L E  T A B L E  \u002F\n256\n",130,{"image":531,"text":532,"number":533},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.131.png","F A M I L Y  L O U N G E  \u002F \nC E C I  N ’ E S T  P A S  U N  B A R O Q U E  \u002F\n259\n",131,{"image":535,"text":536,"number":537},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.132.png","261\nF L O Y D - H I  B E D  \u002F  A E R O  V  \u002F \nF L O Y D  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F \nI  c us c i n i  d el  l et t o  Fl o y d - H i  B ed  s i \nap p o ggi an o  s ul l a t es t at a, c rean d o  un \np i ac evo l e gi o c o  d i  i n c as t ri , n el  s egn o \nd el l a p urezza d el l e l i n ee.\nT h e h ead res t  c us h i o n s  o f  Fl o y d - H i  B ed  l ay \no n  t h e h ead b o ard , c reat i n g a p l eas an t  p l ay \no f  j ux t ap o s i t i o n s , i n  t h e n am e o f  p uri t y \no f  l i n es .\n",132,{"image":539,"text":540,"number":541},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.133.png","262\nA E R O  V  \u002F \nAero V, valet stand dall’eleganza basica, \nè un oggetto che dona stile preciso \ne funzionalità agli spazi di ingresso \ne attesa.\nAero V, with its basic elegance, \ngives precise style and functionality \nto welcoming and waiting areas.\n",133,{"image":543,"text":544,"number":545},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.134.png","E X T R A  W A L L  B E D  \u002F\n265\n",134,{"image":547,"text":548,"number":549},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.135.png","A S T R A T T O\nA B S T R A C T\nI m m a g i n a r e  l a  c a s a  c o m e  u n o  s p a z i o  d o v e  s i  r e a l i z z a  l ’ i n a t t e s o . \nO g n i  o g g e t t o  è  u n a  p r e s e n z a  e  u n  i n c o n t r o .  C i  s i  m u o v e  d a  u n\na m b i e n t e  a l l ’ a l t r o  c o m e  d e n t r o  u n  p a e s a g g i o  v i t a l e . \nU n  d i v a n o  c h i a c c h i e r a ,  u n a  p o l t r o n a  s i  r i p o s a ,  u n a  p a n c a  a t t e n d e . \nS u  u n  t a v o l i n o  a p p o g g i a n o  c o n v e r s a z i o n i .  U n a  l i b r e r i a  c o n s i g l i a \nl e t t u r e .  U n  t a v o l o  s u g g e r i s c e  u n a  s e r a t a  f r a  a m i c i .  D u e  s e d i e \ns i  s c a m b i a n o  p e t t e g o l e z z i .  U n  l e t t o  o s s e r v a  i l  c h i a r o  d i  l u n a . \nE  g l i  a b i t a n t i ?  G l i  a b i t a n t i  s o r r i d o n o . \nI m a g i n i n g  t h e  h o u s e  a s  a  s p a c e  w h e r e  t h e  u n e x p e c t e d  o c c u r s . \nE v e r y  o b j e c t  i s  a  p r e s e n c e  a n d  a n  e n c o u n t e r .  Y o u  m o v e  f r o m \no n e  r o o m  t o  t h e  n e x t  a s  t h r o u g h  a  d y n a m i c  l a n d s c a p e . \nA  s o f a  c h a t s ,  a n  a r m c h a i r  r e s t s ,  a n d  a  b e n c h  w a i t s . \nC o n v e r s a t i o n s  l a y  o n  a  c o f f e e  t a b l e .  A  b o o k c a s e  r e c o m m e n d s \nr e a d i n g s .  A  t a b l e  s u g g e s t  a n  e v e n i n g  w i t h  f r i e n d s .  T w o  c h a i r s \ne x c h a n g e  t i d b i t s  o f  g o s s i p .  A  b e d  g a z e s  o u t  a t  t h e  m o o n l i g h t . \nW h a t  a b o u t  t h e  i n h a b i t a n t s ?  T h e y  s m i l e . \n",135,{"image":551,"text":552,"number":553},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.136.png","268\nL I P P  \u002F  S T A R S K Y  \u002F\nS I N  T I T U L O  2 8  \u002F\n",136,{"image":555,"text":556,"number":557},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.137.png","L I P P  \u002F  P L A N E  \u002F \nU P L A N D  \u002F  S I N  T I T U L O  2 8  \u002F\n270\n",137,{"image":559,"text":560,"number":561},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.138.png","272\nM E T R O 2 \u002F\nF A M I L Y  L O U N G E  T A B L E  \u002F\n",138,{"image":563,"text":564,"number":565},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.139.png","274\nOriginale e chic: Metro 2 ha il giusto \nappeal p e r ch i ama la socialità \ne l a mon d an ità. \nO r i g i n a l  a n d  c h i c :  M e t r o 2 h a s \nt he ri gh t ap p e al f or  th ose  w h o \nl o ve social lif e  an d  sop h istication .\nM E T R O 2 \u002F\n",139,{"image":567,"text":568,"number":569},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.140.png","M E T R O  T A B L E  \u002F\n276\n",140,{"image":571,"text":572,"number":573},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.141.png","S t arsky è  un  se t d i tr e  tavolin i \nim pil ab ili: accostate , le  d ive rse \nessenze  d e i p ian i cr e an o in e d iti \ngio c h i cr omatici.\nS t arsky is a se t of  th re e  stackab le \nt abl e s: se t alon gsid e  e ach  oth e r, \nt he d if f e re n t e sse n ce s of  th e  tab le \nt o ps cr e ate  un iq ue  ch romatic sce n e s.\nS T A R S K Y  \u002F  L I P P  \u002F\n278\n",141,{"image":575,"text":576,"number":577},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.142.png","Upl an d  of f re  p ian i d i se d uta n on \nc o nve n zion ali, p e n sati p e r  f avor ir e \nl a so cialità. \nUpl an d  of f e r s un con ve n tion al \nseat s, d e sign e d  to p romote  social \nint eraction .\nU P L A N D  \u002F  S I N  T I T U L O  2 8  \u002F\n280\n",142,{"image":579,"text":580,"number":581},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.143.png","I L E  \u002F  A N I N  \u002F\n283\n",143,{"image":583,"text":584,"number":585},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.144.png","284\nP L A N E  \u002F  S I N  T I T U L O  2 8  \u002F\n284\n",144,{"image":587,"text":588,"number":589},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.145.png","287\nT R A C K  \u002F \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F\nT rac k  è un  p an c a d i  s o b ri a el egan za, \ncon struttura in acciaio e rivestimento \nt rap un t at o , ad at t a a o gn i  s p azi o , \np ri vat o  e p ub b l i c o .\nT rac k  i s  a s o b erl y  el egan t  b en c h , \nwi t h  a s t eel  s t ruc t ure an d \nup h o l s t ered  c o veri n g, s ui t ed  t o \nevery  en vi ro n m en t , b o t h  p ri vat e \nan d  p ub l i c .\n",145,{"image":591,"text":592,"number":593},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.146.png","T R A C K  \u002F\n288\nL a l in e a rig orosa d i T rack \nè am morb id ita d al p re zioso d e ttaglio \nhand mad e  d e lle  imp un ture . \nThe rig orous lin e s of  T rack are \nso ft ene d  b y th e  p r e cious h an d - mad e \ndet ai l of  th e  stitch in g . \n",146,{"image":595,"text":596,"number":597},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.147.png","G R A C E  \u002F\n290\n",147,{"image":599,"text":600,"number":601},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.148.png","Grac e è  un a colle zion e  d i q uattro \npo l t ron cin e  isp ir ata all’alta \nsart or ia, p e r i r ice rcati r ive stime n ti \nperson alizzati.\nGrac e is a small colle ction  of  f our \narm c hair s f e aturin g  d e tails b or row e d \nfro m  th e  f ash ion  w or ld , w ith \nso phisticate d  customise d  cove rin g s.\nP O L O  G R A C E  \u002F  P I N - U P  G R A C E  \u002F \n292\n",148,{"image":603,"text":604,"number":605},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.149.png","C H A U F F E U S E  \u002F \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F\n295\nCh auf f eus e ri p ren d e l o  s t i l e \nd el l a c l as s i c a b ergère d al l e f o rm e \ngen ero s e e ac c o gl i en t i .\nCh auf f eus e revi ves  t h e gen ero us , \nwel c o m i n g f o rm s  o f  t h e c l as s i c \nb ergère.\n",149,{"image":607,"text":608,"number":609},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.150.png","Un po’ se rvo muto, un  p o’ scultur a, \nl ’essen ziale  struttura in  acciaio \ndi Mate  p r e n d e  vita se con d o il mod o \nin c ui la si utilizza.\nPart  cloth e s vale t, p ar t sculp tur e , \nt he l in e ar  ste e l f rame  of  M ate  come s \nto life according to the manner in which \nit  is use d .\nM A T E  \u002F\n296\n",150,{"image":611,"text":612,"number":613},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.151.png","M I N I  J E L L Y  \u002F \n298\n",151,{"image":615,"text":616,"number":617},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.152.png","300\nC H E M I S E  B E D  \u002F \nM O O N  \u002F  S I N  T I T U L O  2 8  \u002F\nEssenziale e confortevole, \nChemise Bed è una presenza discreta \nstudiata per il riposo.\nBasic and comfortable, Chemise Bed \nis a discrete presence designed \nfor resting.\n",152,{"image":619,"text":620,"number":621},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.153.png","302\nM O O N  \u002F\nL inee  curve  an n i Se ttan ta \nper il comod in o M oon , d otato \ndi c o mod i scomp ar ti in te r n i. \nCurv e d  lin e s f r om th e  Se ve n tie s \nf o r  M o o n  b e d s i d e  t a b l e ,  e q u i p p e d \nwith handy internal compartments.\n",153,{"image":623,"text":624,"number":625},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.154.png","R O D  B E D  \u002F \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F\n304\n",154,{"image":627,"text":628,"number":629},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.155.png","G E O M E T R I C O\nG E O M E T R I C S\nI n  u n o  s p a z i o  d o v e  d o m i n a  l a  g e o m e t r i a  o s a r e  u n ’ a c c e n s i o n e  d i \nc o l o r e ,  p r o f i l i  m o r b i d i ,  m a t e r i a l i  c h e  r i m a n d a n o  a  u n a  s e m p l i c i t à \nn a t u r a l e .  S o r p r e n d e r e  i l  n i t o r e  d i  l i n e e  e  s u p e r f i c i  c o n  o g g e t t i \nc h e  n e l l o  s p a z i o  o r d i n a t o  v i v o n o  c o m e  a c c o r d i  m u s i c a l i . \nS p e z z a r e  i  v o l u m i  r e g o l a r i  d i  p a r e t i ,  f i n e s t r e ,  c o l o n n e  c o n  p r e s e n z e \nd a n z a n t i ,  q u a s i  p i c c o l e  s c u l t u r e .  A  c h i a c c h i e r a r e  c o n  l a  b e l l e z z a \nr i g o r o s a  d e g l i  a m b i e n t i ,  p o r r e  o g g e t t i  p r e z i o s i  d a i  d e t t a g l i \ns q u i s i t i  c h e  s c a l d a n o  i l  p e n s i e r o . \nI n  a  s p a c e  d o m i n a t e d  b y  g e o m e t r y ,  d a r i n g  t o  p l a c e  b r i g h t  c o l o u r s , \ns o f t  p r o f i l e s ,  a n d  m a t e r i a l s  t h a t  e v o k e  n a t u r a l  s i m p l i c i t y . \nS u r p r i s i n g  t h e  c l a r i t y  o f  l i n e s  a n d  s u r f a c e s  w i t h  o b j e c t s  w h i c h \nl i v e  i n  o r d e r l y  s p a c e  l i k e  m u s i c  c h o r d s .  B r e a k i n g  u p  t h e  r e g u l a r \nv o l u m e s  o f  w a l l s ,  w i n d o w s ,  a n d  c o l u m n s  w i t h  d a n c i n g  p r e s e n c e s , \na l m o s t  l i k e  l i t t l e  s c u l p t u r e s .  P l a c i n g  p r e c i o u s  o b j e c t s  w i t h  e x q u i s i t e \nd e t a i l s  t o  d i a l o g u e  w i t h  t h e  r i g o r o u s  b e a u t y  o f  t h e  e n v i r o n m e n t s , \nw a r m i n g  u p  t h o u g h t s .\n",155,{"image":631,"text":632,"number":633},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.156.png","E A S Y  L I P P  \u002F  W I R E D  \u002F\n309\n",156,{"image":635,"text":636,"number":637},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.157.png","310\nE A S Y  L I P P  \u002F  U P L A N D  \u002F  S T A R S K Y  \u002F \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F  S I N  T I T U L O  2 8  \u002F  \n",157,{"image":639,"text":640,"number":641},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.158.png","312\nE A S Y  L I P P  \u002F  R A B B I T  &  T H E\nT O R T O I S E  C O L L E C T I O N  \u002F  S I N  T I T U L O  2 8  \u002F\nEasy  Lip p  è  un a f amiglia d i imb ottiti \ndai volumi le gge r i ad atta a cr e are \nam bien ti raccolti e  tran q uilli. \nEasy  Lip p  is a f amily of  up h olste r e d \nfurniture  w ith  ligh t volume s, \nperfect to cr e ate s cosy, p e ace f ul \nenv iron me n ts.\n",158,{"image":643,"text":644,"number":645},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.159.png","315\nE A S Y  L I P P  \u002F  S T A R S K Y  \u002F \nLe arm o n i c h e p ro p o rzi o n i \nd i  E as y  Li p p  d ec l i n at e i n  vers i o n e \np o l t ro n c i n a.\nT h e h arm o n i o us  p ro p o rt i o n s \no f  E as y  Li p p  i n  t h e arm c h ai r vers i o n .\n",159,{"image":647,"text":648,"number":649},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.160.png","316\nL I P P  \u002F \nNel l a p oltr on a Lip p  il p re g iato \ndet t aglio d e l cap iton n é , r ip r e so \nin c hi ave  con te mp or an e a, è  e saltato \ndal l e lin e e  auste r e . \nIn the Lipp armchair, the distinguished \nc apiton n é  d e tail, re vive d  in  a \nc o nt emp or ar y style , is e x alte d \nby  auste r e  lin e s.\n",160,{"image":651,"text":652,"number":653},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.161.png","318\nE X T R A S O F T  \u002F \nF A M I L Y  L O U N G E  T A B L E  \u002F\n",161,{"image":655,"text":656,"number":657},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.162.png","E X T R A S O F T  \u002F  F A M I L Y  L O U N G E  T A B L E\n321\n",162,{"image":659,"text":660,"number":661},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.163.png","322\nB R A S I L I A  \u002F  G E O R G E ’ S  \u002F\n",163,{"image":663,"text":664,"number":665},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.164.png","324\nG E O R G E ’ S  \u002F\nL a sedia G e orge ’s è  d isp on ib ile \nin version e  Lig h t, d alla sin uosa \nst rut tur a n ud a op p ure  con  sch ie n ale \nint recciato d al cald o sap or e \nart igian ale . \nThe G e orge ’s ch air  is availab le  in \na Light version, with its sinuous nude \nfram e , or  f e aturin g  a w ove n  b ackre st \nc reat in g  a w ar m artisan  f e e l.\n",164,{"image":667,"text":668,"number":669},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.165.png","326\nS O F T W A L L  \u002F \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F  W I R E D  \u002F\n",165,{"image":671,"text":672,"number":673},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.166.png","328\nRabbit & th e  T or toise  C olle ction \nè una f amig lia d i se tte  tavolin i d alle \ndel iz iose  f orme  ir re g olari e di misure \ndiverse, ideale per movimentare spazi \ninterni ed esterni.\nRabbit & th e  T or toise  C olle ction \nis a family of  se ve n  low  tab le s w ith \nc harmin g ir re g ular  f orms in  d if f e re n t \nsiz es, p e rf e ct to cr e ate  move me n t \nin indoor  an d  outd oor  sp ace s.\nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F \n",166,{"image":675,"text":676,"number":677},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.167.png","330\nI L E  C L U B  \u002F \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F \nL a c ar atte ristica d i Ile  C lub  sta n e lla \nl um inosa b ase  in  tub olar e  d i acciaio \nino x ch e  sostie n e  con  le g ge r e zza e \nsenz a sf orzo la p ar te  sup e rior e .\nThe c h ar acte r istic of  Ile  C lub  is its \nl um inous b ase  in  stain le ss ste e l th at \neffo rtle ssly sup p or ts th e  volumin ous \nand we lcomin g  se at.\n",167,{"image":679,"text":680,"number":681},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.168.png","333\nLo  s gab el l o  Ni n a s i  d i s t i n gue \np er l a s t rut t ura i n  t o n d o  d ’ ac c i ai o . \nNel l a vers i o n e i n  t es s ut o  i  p ro f i l i \ni n  gro s grai n  s o n o  un  p rezi o s o \nd et t agl i o  s art o ri al e.\nThe Nina stool stands out for its frame \ni n  ro un d ed  s t eel . I n  t h e f ab ri c \nvers i o n , t h e p ro f i l es  i n  gro s grai n \nare a p rec i o us  s art o ri al  d et ai l .\nN I N A  \u002F  W E D G E  \u002F\n",168,{"image":683,"text":684,"number":685},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.169.png","334\nF R O G  \u002F  O F F  C U T  \u002F  R A B B I T  &  T H E \nT O R T O I S E  C O L L E C T I O N  \u002F  M I N A M O  \u002F\nS t rut tura in  acciaio ve r n iciato grig io \nc anna d i f ucile  e  r ive stime n to in \npel l e tr ap un tato, p e r  q ue sta classica \ne seduce n te  ve rsion e  d i F rog.\nGunme tal g ray colour f rame  an d \nu p h o l s t e r e d  l e a t h e r  c o v e r i n g , \nfo r t h is classical an d  se d uctive \nv ersion  of  F rog.\n",169,{"image":687,"text":688,"number":689},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.170.png","O F F  C U T  \u002F\n337\nLa l i b reri a O f f  Cut  n as c e \nd al l ’ as s em b l aggi o  e d al l ’ i n c as t ro \nd i  l i s t el l i  d i  m as s el l o  d i  ro vere \no  n o c e.\nT h e O f f  Cut  b o o k c as e i s  c reat ed \nf ro m  as s em b l i n g an d  wed gi n g \nt o get h er wo o d en  b l o c k s  o f  s o l i d \no ak  o r wal n ut .\n",170,{"image":691,"text":692,"number":693},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.171.png","338\nW A L L  \u002F\n",171,{"image":695,"text":696,"number":697},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.172.png","340\nW A L L  \u002F  A N I N  \u002F  B 2  \u002F \nS T A R S K Y  \u002F  M I N A M O  \u002F\n",172,{"image":699,"text":700,"number":701},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.173.png","342\nC A R B O N  F R O G  \u002F\nUna pre se n za b r illan te , C ar b on  F r og \nper in te rn i e d  e ste r n i, q ui \nv al o rizzata al massimo d alla sce lta \nc ro m atica.\nA bright presence, Carbon Frog \nfo r o utd oor an d  in d oor use  is \ne n h a n c e d  t o  i t s  m a x i m u m  h e r e \nby  t h e  ch romatic ch oice . \n",173,{"image":703,"text":704,"number":705},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.174.png","345\nAdatta a tutte le collocazioni, Frog \nè una presenza che si distingue per \nleggerezza e freschezza.\nSuited to all locations, Frog is a \npresence that stands out with its \nlightness and freshness.\nF R O G  \u002F\n",174,{"image":707,"text":708,"number":709},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.175.png","346\nF R O G  \u002F  F R O G  L O U N G E  \u002F \n",175,{"image":711,"text":712,"number":713},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.176.png","348\nI N A R I  \u002F\nL a c o n solle  In ari, in  lamie ra \nd’ac c iaio, è  un a p re se n za armon iosa \nche si distingue per gli spessori sottili.\nThe console Inari, made in steel sheet, \nis a har mon ious p r e se n ce  w h ich \nst ands out w ith  its sle n d e r outlin e .\n",176,{"image":715,"text":716,"number":717},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.177.png","350\nC A F È  \u002F \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F\nContrasto raffinato per la poltroncina \nCafè ch e  allo sch ie n ale  con  in tr e ccio \nasso cia la g e n e rosa morb id e zza \nc o n d e i cuscin i.\nA refi n e d  con trast f or th e  C af è\narm c hair , w h ose  b ackre st w ith  h id e \nweav in g is mix e d  w ith  th e  g e n e rous \nso ft ne ss of  th e  cush ion s.\n",177,{"image":719,"text":720,"number":721},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.178.png","352\nM I N I  C A F È  \u002F  J E L L Y  T A B L E  \u002F\nS em plice  e  in can te vole : min i C af è \nc o n str uttura in  acciaio in ox  satin ato \nsc al d ata d allo sch ie n ale  in tre cciato \nin c uoio.\nS im ple  an d  e n ch an tin g : min i C af è \nwith a  f r a m e  i n  t u b u l a r  s t a i n l e s s \ns t e e l  w ith  a satin  f in ish  is w ar me d \nby  t h e  h id e  w ove n  b ackr e st. \n",178,{"image":723,"text":724,"number":725},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.179.png","La linearità contemporanea di Lipp Bed \ngio c a con  l’e le me n to p oggiate sta \ninserito n e lla te stata, r e alizzato con \nuna l avorazion e  cap iton n é  d i gusto \nneo c lassico. \nThe c on te mp or ar y lin e ar ity \no f  L i p p  B e d  p l a y s  w i t h  t h e  h e a d r e s t \nelement inserted into the headboard, \nm ade w ith  a cap iton n é  d e tail \nin a Ne oclassical style .\nL I P P  B E D  \u002F\n354\n",179,{"image":727,"text":728,"number":729},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.180.png","L I P P  B E D  \u002F  M O O N  \u002F \nS T I L T  \u002F  A R A B I A N  G E O M E T R I C  \u002F\n356\n",180,{"image":731,"text":732,"number":733},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.181.png","E X T R A  W A L L  \u002F  F R O G  \u002F  \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F \nS I N  T I T U L O  2 8  \u002F\n358\n",181,{"image":735,"text":736,"number":737},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.182.png","361\nB O X  \u002F  S T A R S K Y  \u002F\nCh i c  e c o n f o rt evo l i : d ue p o l t ro n c i n e \nB o x  i n  p el l e m arro n e. A c c an t o \nSt ars k y , s et  d i  t re t avo l i n i  i m p i l ab i l i \nc o n  s o f i s t i c at i  p i an i  a i n t ars i o  d i \nd i vers e es s en ze.\nCh i c  an d  c o m f o rt ab l e: t wo  B o x \narm c h ai rs  i n  l eat h er. A l o n gs i d e \nthem Starsky, a set of three stackable \ntables with sophisticated inlaid table \nt o p s  i n  d i f f eren t  es s en c es .\n",182,{"image":739,"text":740,"number":741},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.183.png","B L O O M  \u002F  W I R E D  \u002F \n363\nLa b as e i n  t ub o l are d ’ ac c i ai o \ns at i n at o  c i t a at m o s f ere \navven i ri s t i c h e e f a d i  B l o o m  un a \np res en za el egan t em en t e ec c en t ri c a.\nT h e b as e i n  t ub ul ar s t eel  wi t h \na s at i n  f i n i s h  al l ud es  t o  f ut uri s t i c \nat m o s p h eres  an d  m ak es  B l o o m \nan  el egan t l y  ec c en t ri c  p res en c e.\n",183,{"image":743,"text":744,"number":745},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.184.png","A R C H E T I P I C O\nA R C H E T Y P I C A L\nL o  s p a z i o  d e l  p e n s i e r o  e  q u e l l o  d e l l ’ a r c h i t e t t u r a . \nF o r m e  c h e  c o s t r u i s c o n o  l ’ a m b i e n t e  u m a n o  c o m e  d i m e n s i o n e  i d e a l e , \no r i z z o n t e  e s t e t i c o  s e n z a  t e m p o .  S u p e r f i c i  e  l i n e e  p e n s a t e  c o m e \nr a p p r e s e n t a z i o n e  d i  u n a  b e l l e z z a  p e r f e t t a :  a r c h i ,  b a l a u s t r e , \nc o l o n n e ,  s t a t u e ,  m o s a i c i .  L ’ i m m a g i n a r i o  p r e n d e  c o r p o ,  s i  i n c a r n a \ne  s p l e n d e  n e l l a  m a t e r i a .  G l i  o g g e t t i  d o m e s t i c i  p o p o l a n o  l e  s t a n z e \nd e l l ’ i n c a n t o  s i l e n z i o s a m e n t e ,  s e g n i  d e l  p r e s e n t e  c h e  g i o c a n o  c o n \nl a  l i m p i d e z z a  m i s t e r i o s a  d e l l a  c l a s s i c i t à .  L a  i n t e r r o g a n o ,  l a  d i l a t a n o , \ns i  f a n n o  s u o i  t e s t i m o n i ,  l a  p r o l u n g a n o  n e l  q u i  e  o r a . \nT h e  s p a c e  o f  t h i n k i n g  a n d  t h a t  o f  a r c h i t e c t u r e .  S i l h o u e t t e s  t h a t \nd e f i n e  t h e  h u m a n  e n v i r o n m e n t  a s  a n  i d e a l  d i m e n s i o n ,  a  t i m e l e s s \na e s t h e t i c  h o r i z o n .  S u r f a c e s  a n d  l i n e s  c o n c e i v e d  a s  t h e  p o r t r a y a l \no f  a  p e r f e c t  b e a u t y :  a r c h e s ,  b a l u s t r a d e s ,  c o l u m n s ,  s t a t u e s ,  m o s a i c s . \nT h e  i m a g i n a r y  t a k e s  s h a p e ,  i s  e m b o d i e d  a n d  s h i n e s  i n  s u b s t a n c e . \nT h e  d o m e s t i c  o b j e c t s  s i l e n t l y  i n h a b i t  t h e  e n c h a n t i n g  r o o m s , \nc o n t e m p o r a r y  s y m b o l s  t h a t  p l a y  w i t h  t h e  m y s t e r i o u s  c l e a r n e s s \no f  c l a s s i c i s m .  T h e y  q u e s t i o n  i t ,  t h e y  b r o a d e n  i t ,  t h e y  b e c o m e \ni t s  w i t n e s s e s ,  t h e y  k e e p  i t  i n  t h e  h e r e  a n d  n o w .\n",184,{"image":747,"text":748,"number":749},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.185.png","R I V U L E T  \u002F  W E D G E  \u002F\n367\nForte iconicità e un linguaggio aperto \nalle contaminazioni culturali contrad-\ndistinguono Rivulet.\nStrong iconicity and a language open \nto cultural contaminations distinguish \nRivulet.\n",185,{"image":751,"text":752,"number":753},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.186.png","R I V U L E T  \u002F\n369\n",186,{"image":755,"text":756,"number":757},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.187.png","F L O Y D  \u002F  E R A  T A B L E  \u002F  F L O Y D  T A B L E  \u002F \nF L O Y D - H I  T A B L E  \u002F  S I N  T I T U L O  2 8  \u002F  \n371\n",187,{"image":759,"text":760,"number":761},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.188.png","F L O Y D  T A B L E  \u002F\n373\nTavolino che può accompagnare, \no essere accolto, dall’omonimo \ndivano Floyd.\nCoffee table able to accompany \nor be welcomed by the homonymous \nFloyd sofa.\n",188,{"image":763,"text":764,"number":765},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.189.png","F L O Y D  \u002F  F L O Y D  T A B L E  \u002F \nT E T H Y S  \u002F  S I N  T I T U L O  2 8  \u002F\n374\n",189,{"image":767,"text":768,"number":769},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.190.png","F L O Y D - H I  \u002F\n377\n",190,{"image":771,"text":772,"number":773},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.191.png","F L O Y D - H I  \u002F  E R A  T A B L E  \u002F  K I W I  \u002F\n378\n",191,{"image":775,"text":776,"number":777},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.192.png","F L O Y D - H I  \u002F\n381\nFloyd–Hi nella variante ellittica \nrappresenta un comfort rassicurante, \nda vivere giorno per giorno, \nche non rinuncia ai dettagli di stile.\nFloyd–Hi in the elliptical version \nfeatures a reassuring comfort, \nto daily enjoy, that does not ignore \nthe details of style.\n",192,{"image":779,"text":780,"number":781},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.193.png","382\nL’esile struttura metallica di Era Sofa \nsorregge, come per magia, un volume \nimbottito pieno e soffice, che rivela \nla maestria nel coniugare pesi e misure.\nThe slender metal structure of Era \nSofa holds, as if by magic, a full \nand soft padded volume, which reveals \nthe mastery in combining weights \nand measures.\nE R A  S O F A  \u002F  K I W I  \u002F\n",193,{"image":783,"text":784,"number":785},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.194.png","384\nK I W I  \u002F\n",194,{"image":787,"text":788,"number":789},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.195.png","E R A  T A B L E  \u002F\n386\n",195,{"image":791,"text":792,"number":793},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.196.png","388\nP E B B L E  \u002F  N I N A  \u002F \nImpreziosito da dettagli sofisticati \ncome il rivestimento accurato in pelle \no in vetro a specchio, Pebble tradisce \nuno spirito surrealista e neo-décor, \nin bilico tra sogno e realtà.\nThe sophisticated details of Pebble \nsuch as the leather covering of the \nsurface or the mirrored glass top reveal \na surrealist and neo-décor spirit, poised \nbetween dreams and reality.\n",196,{"image":795,"text":796,"number":797},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.197.png","P E B B L E  \u002F  N I N A  \u002F \n391\n",197,{"image":799,"text":800,"number":801},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.198.png","393\nE R A  E A S Y C H A I R  \u002F \nE R A  S E T T E E  \u002F  E R A  T A B L E  \u002F\nOmaggio al grande design del passato \ned allo stesso tempo indiscutibilmente \ncontemporanea, la famiglia Era \nsi compone di elementi d’arredo dalle \nlinee così sottili da apparire audaci.\nA tribute to great design of the past \nand at the same time unquestionably \ncontemporary is the Era family, composed \nof furnishing elements with lines so subtle \nas to appear audacious.\n \n",198,{"image":803,"text":804,"number":805},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.199.png","E R A  C O M O D I N O  \u002F  R O D  B E D  \u002F\n394\nEra Comodino sfoggia gambe metalliche \nbicolori, top materico in legno e fronte \ne fianchi brillantemente laccati, che \nracchiudono il cassetto interno ripartito \nin sezioni per un ordine impeccabile.\nEra Bedside table features two-colored \nmetal legs, wood top and brightly \nlacquered front and sides, which enclose \nan internal drawer divided into \nsections for an impeccable order.\n",199,{"image":807,"text":808,"number":809},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.200.png","Tonbo si caratterizza per la forma \ncilindrica della base, che si oppone \nalla struttura in metallo, regalando \nnell’insieme un risultato armonico \nfatto di contrapposizioni estetiche.\nTonbo is distinguished by a cylindrical \nbase counterpoised to a slender metal \nstructure, making the whole a harmonic \nplay of aesthetic contrasts.\nT O N B O  \u002F\n397\n",200,{"image":811,"text":812,"number":813},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.201.png","P e r  c h i  a m a  i l  m i s t e r o ,  l o  s p a z i o  d i v e n t a  a l l u s i v o .  C o n v i v o n o  o g g e t t i \nc h e  r a c c o n t a n o  a t m o s f e r e ;  i l  p a s s a t o  s t a  a c c a n t o  a l  p r e s e n t e : \ne n t r a m b i  g u a r d a n o  a l  f u t u r o .  C ’ è  p o s t o  p e r  l ’ e c c e n t r i c i t à  e  p e r \nl ’ i r r e g o l a r i t à  d i  g u s t i  a n t i c o n f o r m i s t i ,  m a  m a i  g r i d a t i . \nN o n  c i  s i  s c o m p o n e  p e r  l ’ a d i a c e n z a  d i  s t i l i  d i v e r s i .  S i  g u a r d a  a \nt u t t o  c o n  c u r i o s i t à .  C h i  a b i t a  q u i  a m a  i  l u o g h i  a p e r t i  e  d i  p a s s a g g i o \nd o v e  l e  c o s e  c a m b i a n o ,  m a  h a n n o  s e m p r e  u n ’ a r i a  f a m i l i a r e , \nd i  u n  e s o t i s m o  a m i c h e v o l e . \nS p a c e  b e c o m e s  a l l u s i v e  f o r  l o v e r s  o f  m y s t e r y .  O b j e c t s  t h a t  n a r r a t e \nd i f f e r e n t  a t m o s p h e r e s  l i v e  h e r e  t o g e t h e r ;  t h e  p a s t  s t a n d s  b e s i d e \nt h e  p r e s e n t ,  w h i l e  b o t h  l o o k i n g  t o  t h e  f u t u r e .  T h e r e ’ s  r o o m \nf o r  e c c e n t r i c i t y  a n d  t h e  i r r e g u l a r i t y  o f  n o n - c o n f o r m i s t  s t y l e s  t h a t \na r e  n e v e r  l o u d .  D i f f e r e n t  s t y l e s  a l o n g s i d e  o n e  a n o t h e r  d o  n o t  c r e a t e \nd i s t u r b a n c e .  Y o u  l o o k  a t  e v e r y t h i n g  c u r i o u s l y .  T h o s e  w h o  l i v e \nh e r e  l o v e  o p e n ,  t r a n s i t  s p a c e s  w h e r e  t h i n g s  c h a n g e ,  b u t  a l w a y s \nh a v e  a  f a m i l i a r  m o o d ,  e x o t i c  i n  a  f r i e n d l y  w a y .\nM E T A F I S I C O\nM E T A P H Y S I C A L\n",201,{"image":815,"text":816,"number":817},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.202.png","401\nN E O W A L L  \u002F  C H A U F F E U S E  \u002F \nC E C I  N ’ E S T  P A S  U N  B A R O Q U E  \u002F\n",202,{"image":819,"text":820,"number":821},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.203.png","N E O W A L L  \u002F \nG R A Y  \u002F\n403\n",203,{"image":823,"text":824,"number":825},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.204.png","404\nC O N F I D E N T  \u002F \nRiel abor azion i in  ch iave \nc o nt e mp or an e a d i ar re d i classici \nper Con f id e n t, ch e  e voca un \npic c olo tron o.\nRedeve lop me n ts of  classical \nfurnis h in g s in  a con te mp or ar y ke y, \nCo nfid e n t e voke s a small th r on e . \n",204,{"image":827,"text":828,"number":829},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.205.png","C H E M I S E  \u002F  C O N F I D E N T  \u002F \n407\n",205,{"image":831,"text":832,"number":833},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.206.png","408\nMateriali naturali, sensazioni tattili, \nritorno all’hand-made per la \npoltroncina Confident nella versione \nin rattan dalle linee arrotondate ed \navvolgenti.\nNatural materials, tactile sensations, \na return to the hand-made for the \nrounded and enveloping Confident \narmchair with rattan.\nC O N F I D E N T  ‘ R A T T A N ’  \u002F\n",206,{"image":835,"text":836,"number":837},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.207.png","410\nA B C  \u002F\nUn ele gan te  g usto an n i T re n ta \nc o nnota la p oltr on cin a A BC . \nAn ele gan t style  f rom th e  T h irtie s \nc o nnote s ABC  armch air .\n",207,{"image":839,"text":840,"number":841},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.208.png","412\nG R A Y  \u002F \nFra sug ge stion i ar t d e co e  d e sig n \nn o r d i c o ,  G r a y  c o n c i l i a  p a s s a t o \ne c o nte mp or an e ità.\nBet wee n  A rt D e co sugge stion s \nand Nord ic d e sig n , G ray re con cile s \nt he past an d  th e  con te mp or ar y.\n",208,{"image":843,"text":844,"number":845},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.209.png","C A B R I O  \u002F\n414\n",209,{"image":847,"text":848,"number":849},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.210.png","416\nB U K V A  \u002F\nL a l ibre r ia Bukva, con n otata \nda un ’ e le g an te  struttura irre g olare , \nha un a p r e se n za scultore a.\nCharacte r ise d  b y its e le gan t \nirregular f rame , th e  Bukva b ookcase \nhas a sculp tural asp e ct.\n",210,{"image":851,"text":852,"number":853},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.211.png","418\n",211,{"image":855,"text":856,"number":857},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.212.png","420\nC H A U F F E U S E  \u002F \n",212,{"image":859,"text":860,"number":861},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.213.png","422\nR E A D E R  \u002F \nDi prop orzion i p e r f e tte , R e ad e r \nsa adattarsi con grazia a tutti gli spazi.\nWit h its p e rf e ct p rop ortion s, R e ad e r \nc an g race f ully ad ap t to all sp ace s.\n",213,{"image":863,"text":864,"number":865},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.214.png","424\nR E A D E R  \u002F\nReade r rip r e n d e  i mod i d i un a \nb e r g è r e ,  a d d o l c i t i  i n  f u n z i o n e \ndi un  comf or t assoluto. \nReade r re vive s th e  man n e rs \no f a b e rgè r e , sof te n e d  to give \nan ab solute  comf or t.\n",214,{"image":867,"text":868,"number":869},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.215.png","426\nJ E L L Y  \u002F  J E L L Y  T A B L E  \u002F\n427\n",215,{"image":871,"text":872,"number":873},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.216.png","428\nB U B B L E  R O C K  \u002F\nBubb le  R ock è  un a f amig lia d i se d ute \narm o niose  e  lie ve me n te  tr asg re ssive , \ndal l ’e le g an za scan zon ata. \nBubble Rock is a family of harmonious \nand sligh tly tran sg re ssive  se atin g s, \no f eas y- g oin g  e le g an ce .\n",216,{"image":875,"text":876,"number":877},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.217.png","430\nA V A L O N  B E D  \u002F  I L E  T A B L E  \u002F\nAvalon è un letto imbottito, con rete \na do g h e  e  b ase  in  acciaio satin ato, \ndal l a lin e a p ulita e  morb id a.\nAval on  is an  up h olste re d  b e d , w ith \na sl atte d  b ase  an d  stain le ss ste e l \nfram e  w ith  a satin  f in ish , d e sign e d \nwit h a cle an , sof t f or m.\n",217,{"image":879,"text":880,"number":881},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.218.png","D E C O R A T I V O\nD E C O R A T I V E\nI l  r e s p i r o  d e l  p a s s a t o  a p r e  a l  m o v i m e n t o  d e l  p r e s e n t e . \nL e  s t a n z e  s i  f a n n o  a m p i e ,  a r i o s e ,  a c c o g l i e n t i .  G l i  o g g e t t i  v i  a b i t a n o \nc o n  f a c i l i t à ,  s o t t o l i n e a n o  a r m o n i e ,  a n i m a n o  g l i  s p a z i  d i  c h i a r o s c u r i . \nL e  o m b r e  m o d e l l a n o  n i c c h i e  m o r b i d e  d i  i n t i m i t à .  L a  l u c e  è  u n a \nm a t e r i a  l i q u i d a ,  n a t u r a l e ,  d i f f u s a  c h e  g i o c a  s u  f o r m e  a n t i c h e \ne  c o n t e m p o r a n e e .  P o c h e  p r e s e n z e ,  m a  s c e l t e  e  d a l  t o c c o  l i e v e , \nc h e  s a p p i a n o  a b i t a r e  g l i  a m b i e n t i  c o n  g e n t i l e z z a .  L ’ e l e g a n z a  r i c h i e d e \nd i s c r e z i o n e  e  s a p i e n z a .\nT h e  f l a i r  o f  t h e  p a s t  o p e n s  u p  t o  t h e  m o v e m e n t  o f  t h e  p r e s e n t . \nT h e  r o o m s  a r e  a m p l e ,  a i r y ,  a n d  w e l c o m i n g .  T h e  o b j e c t s  l i v e  t h e r e \nw i t h  e a s e ,  u n d e r l i n i n g  h a r m o n i e s  a n d  a n i m a t i n g  t h e  s p a c e s  w i t h \nl i g h t  a n d  d a r k  c o n t r a s t s .  T h e  s h a d o w s  m o u l d  s o f t  i n t i m a t e  n i c h e s . \nT h e  l i g h t  p l a y s  o n  o l d  a n d  c o n t e m p o r a r y  f o r m s  a s  a  l i q u i d ,  n a t u r a l , \nd i f f u s e d  e s s e n c e .  J u s t  a  f e w  p r e s e n c e s ,  s e l e c t e d  a n d  d e l i c a t e ,  a b l e \nt o  l i v e  g r a c e f u l l y  i n  t h e  a t m o s p h e r e s .  E l e g a n c e  r e q u i r e s  d i s c r e t i o n \na n d  e x p e r t i s e .\n",218,{"image":883,"text":884,"number":885},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.219.png","C H E M I S E  \u002F  \n434\n",219,{"image":887,"text":888,"number":889},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.220.png","C H E M I S E  X L  \u002F   \n436\n",220,{"image":891,"text":892,"number":893},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.221.png","438\nP A S T I C C A  \u002F \nS i c hiama P asticca e  grazie \nai suoi mod uli sf e r ici p uò d ar vita \na una se rie  in f in ita d i comp osizion i. \nThis i s calle d  P asticca an d , th an ks \nto its spherical modules, it can \ng i v e  l i f e  t o  a n  i n f i n i t e  s e r i e s \no f c o mp osition s.\n",221,{"image":895,"text":896,"number":897},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.222.png","440\nF A M I L Y  C H A I R  \u002F\n",222,{"image":899,"text":900,"number":901},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.223.png","442\nF A M I L Y  C H A I R  \u002F\nFam ily C h air è  un a e str osa f amiglia\ndi sedie  d allo str aor d in ario e f f e tto \no t t ic o, in  f ilo e  ton d in o d i acciaio, \ndispon ib ili p e r  in te r n i e d  e ste r n i. \nFam ily C h air is a w h imsical f amily \no f c hair s w ith  e x tr aor d in ary op tical \neffec ts, in  ste e l w ire  an d  rod , \nav ail ab le  f or in d oor  an d  outd oor .\n",223,{"image":903,"text":904,"number":905},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.224.png","444\nM A J A  D  \u002F  W E D G E  \u002F\nPer il segno ultraessenziale e la forte \nm at er icità ch e  lo con n ota W e d ge \nsi sposa a og n i tip o d i amb ie n te , \nper c on son an za o con trasto.\nThe ultr a- b asic mar k an d  stron g \nm at er ial n ature  of  W e d g e  me an s it \nm at c he s all typ e s of  e n vir on me n t, \nt hro ug h  similar ity or  con tr ast.\n",224,{"image":907,"text":908,"number":909},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.225.png","446\nE X T R A  W A L L  \u002F\n",225,{"image":911,"text":912,"number":913},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.226.png","I L E  C L U B  \u002F  I L E  T A B L E  \u002F\n449\n",226,{"image":915,"text":916,"number":917},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.227.png","I L E  \u002F  I L E  T A B L E  \u002F\n451\n",227,{"image":919,"text":920,"number":921},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.228.png","T W I N  \u002F  W A L L  \u002F  M E N H I R  \u002F \n453\n",228,{"image":923,"text":924,"number":925},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.229.png","B O X  \u002F\n455\n",229,{"image":927,"text":928,"number":929},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.230.png","C H E M I S E  S O F A  B E D  \u002F \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F\n456\n",230,{"image":931,"text":932,"number":933},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.231.png","458\nC H E M I S E  S O F A  B E D  \u002F \nR A B B I T  &  T H E  T O R T O I S E  C O L L E C T I O N  \u002F\nChemise  Sof a Be d  è  un  le tto \ndal  desig n  amich e vole , \nc he p un ta sulla morb id e zza \ne il  massimo comf ort.  \nChemise  Sof a Be d  h as a f r ie n d ly \ndesig n  w h ich  aims f or  sof tn e ss \nand max imum comf or t.\n",231,{"image":935,"text":936,"number":937},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.232.png","460\n",232,{"image":939,"text":940,"number":941},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.233.png","E X T R A S O F T  \u002F  \n462\n",233,{"image":943,"text":944,"number":945},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.234.png","464\nE X T R A S O F T  \u002F  S D R A I O  \u002F\n",234,{"image":947,"text":948,"number":949},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.235.png","466\nS D R A I O  \u002F\nUna poltron a d i le gn o e  cuoio p e r \nint erni. U n o sch e le tr o se mp licissimo, \nper un a se d uta d all’ar ia d isin volta e \ngl am our.\nAn ind oor ar mch air  mad e  of  w ood \nand l e ath e r. An  ultr a- simp le  f r ame \nfo r a se at ch aracte r ize d  b y a casual \nand glamorous look.\n",235,{"image":951,"text":952,"number":953},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.236.png","468\nW A L L  S O F A  B E D  \u002F\nWal l  Sof a Be d  ab ita lo sp azio d e l g ior n o \nc o n l a n atur ale zza d i un  d ivan o e le g an te . \nDi notte  si ap re  e  of f re  un  le tto \nconfortevole e di dimensioni generose. \nWal l  Sof a Be d  in h ab its th e  d aytime  sp ace \nwith the natural air of an elegant sofa. \nBy  ni g h t, it op e n s up  an d  of f e rs a \nc o m for tab le  b e d  w ith  ge n e rous size s.\n",236,{"image":955,"text":956,"number":957},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.237.png","I S O L E\nI S L A N D S\nN e l l o  s p a z i o  i l  r i g o r e  d e l  d e s i g n  v i v e  a c c a n t o  a l l a  c a n g i a n t e \np r e s e n z a  d i  g r a n d i  s u p e r f i c i  d e c o r a t i v e .  C o s t e l l a z i o n i  d i  s e g n i , \nv i b r a z i o n i  c r o m a t i c h e ,  a r m o n i e  f l o r e a l i ,  g e o m e t r i e  p o e t i c h e , \nf o r m e  o r g a n i c h e ,  t e x t u r e  e s o t i c h e .  O g n i  t a p p e t o  è  u n ’ i s o l a \nd i  b e l l e z z a ,  u n  p u n t o  d i  a p p r o d o  n e l  f l u s s o  d e l l a  q u o t i d i a n i t à . \nS e g n i  e  d i s e g n i  p r o g e t t a t i  d a  d e s i g n e r  e  i s p i r a t i  a  c u l t u r e  d i v e r s e ; \nl a n e ,  s e t e  e  c r o m i e  f i l a t e  e  c a r d a t e  i n  N e p a l ,  T i b e t ,  P a k i s t a n \nd a  a r t i g i a n i  t e s s i l i  d i  a n t i c a  t r a d i z i o n e .   \nI n  t h i s  s p a c e ,  t h e  r i g o r  o f  d e s i g n  e x i s t s  a l o n g s i d e  t h e  i r i d e s c e n t \np r e s e n c e  o f  l a r g e  d e c o r a t i v e  s u r f a c e s .  C o n s t e l l a t i o n s  o f  s i g n s , \nc h r o m a t i c  v i b r a t i o n s ,  f l o r a l  h a r m o n i e s ,  p o e t i c  g e o m e t r i e s ,  o r g a n i c \ns h a p e s ,  a n d  e x o t i c  t e x t u r e s .  E v e r y  r u g  i s  a n  i s l a n d  o f  b e a u t y , \na  l a n d i n g  s p o t  i n  t h e  f l o w  o f  e v e r y d a y  l i f e .  S i g n s  a n d  p a t t e r n s \nc r e a t e d  b y  d e s i g n e r s  a n d  i n s p i r e d  b y  d i f f e r e n t  c u l t u r e s :  w o o l , \ns i l k  a n d  s h a d e s  o f  c o l o u r  w o v e n  a n d  c a r d e d  i n  N e p a l ,  T i b e t , \na n d  P a k i s t a n  b y  t e x t i l e  a r t i s a n  w o r k e r s  w i t h  a n c i e n t  t r a d i t i o n s .\n",237,{"image":959,"text":960,"number":961},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.238.png","472\nA R A B I A N  G E O M E T R I C  \u002F \nC E C I  N ’ E S T  P A S  U N  B A R O Q U E  \u002F\nV.1\nV Stone washed\nARABIAN GEOMETRIC \ndesign Harry Paul \nHand-spun carded 100% fine wool, \nhand knotted quality, 100 knot\u002Finch. \nMade in Nepal.\nAvailable in 3 color versions.\nDimensions: 220x280 cm; 300x400 cm.\nAvailable also with customized sizes.\nTappeto 100% in lana filata e cardata a mano, \nqualità annodato a mano 100 nodi \u002F pollice. \nMade in Nepal. \nDisponibile in 3 varianti colore.\nDimensioni: 220x280 cm; 300x400 cm.\nDisponibile anche su misura.\nV.2\nV.3\nV Stone washed\nCECI N’EST PAS UN BAROQUE \ndesign Harry Paul\nHand-spun carded 70% fine wool and 30% natural silk, \nhand knotted quality, 100 knot\u002Finch. \nMade in Nepal.\nAvailable in 3 color versions.\nDimensions: 220x280 cm; 300x400 cm.\nAvailable also with customized sizes.\nTappeto 70% lana filata e cardata a mano e 30% seta \nnaturale, qualità annodato a mano 100 nodi\u002Fpollice. \nMade in Nepal.\nDisponibile in 3 varianti colore.\nDimensioni: 220x280 cm; 300x400 cm.\nDisponibile anche su misura.\nV.1\n",238,{"image":963,"text":964,"number":965},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.239.png","474\n2.  CHARCOAL BLACK\n1.  NEGATIVO SEPIA\nK I R I S A M E  \u002F \nM I N A M O  \u002F\nKUMO COLLECTION – KIRISAME \ndesign Mist-o\nHand- spun carded 70% fine wool and 30 % artificial silk,\nhand-woven quality with kilim and soumak technique.\nMade in Pakistan.\nAvailable in 3 color versions.  \nDimensions: 220x280 cm; 300x400 cm.\nAvailable also with customized sizes.\nTappeto 70% in lana filata e cardata a mano e 30 % seta art.,\nqualità tessuto a mano con tecnica mista kilim e soumak.\nMade in Pakistan.\nDisponibile in 3 varianti colore.\nDimensioni: 220x280 cm; 300x400 cm.\nDisponibile anche su misura.\n3.  CHARCOAL CREAM\n2.  WHITE POPLIN \n3.  CRIMSON\n1.  NEGATIVO SEPIA\nKUMO COLLECTION – MINAMO\ndesign Mist-o\nHand- spun carded 70% fine wool and 30 % artificial silk,\nhand-woven quality with kilim and soumak technique.\nMade in Pakistan.\nAvailable in 3 color versions.  \nDimensions: 220x280 cm; 300x400 cm.\nAvailable also with customized sizes.\nTappeto 70% in lana filata e cardata a mano e 30 % seta art.,\nqualità tessuto a mano con tecnica mista kilim e soumak.\nMade in Pakistan.\nDisponibile in 3 varianti colore.\nDimensioni: 220x280 cm; 300x400 cm.\nDisponibile anche su misura.\n",239,{"image":967,"text":968,"number":969},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.240.png","476\n2.  NEGATIVO SEPIA\n3.  STEEL\nM I S O R E  \u002F \nS I N  T I T U L O  3  \u002F\n1.  BLACK & WHITE\nKUMO COLLECTION – MISORE \ndesign Mist-o\nHand- spun carded 70% fine wool and 30 % artificial silk,\nhand-woven quality with kilim and soumak technique.\nMade in Pakistan.\nAvailable in 3 color versions.  \nDimensions: 220x280 cm; 300x400 cm.\nAvailable also with customized sizes.\nTappeto 70% in lana filata e cardata a mano e 30 % seta art.,\nqualità tessuto a mano con tecnica mista kilim e soumak.\nMade in Pakistan.\nDisponibile in 3 varianti colore.\nDimensioni: 220x280 cm; 300x400 cm.\nDisponibile anche su misura.\nSIN TITULO 3  \ndesign Harry Paul   \nHand-spun carded 85% fine wool and 15% natural silk, \nhand knotted quality, 100 knot\u002Finch.  \nMade in Nepal.\nAvailable in 3 colour versions.\nDimensions: 220x280 cm; 300x400 cm. \nAvailable also with customized sizes.\nTappeto 85% in lana filata e cardata a mano e 15% seta \nnaturale, qualità annodato a mano 100 nodi\u002Fpollice. \nMade in Nepal.\nDisponibile in 3 varianti colore. \nDimensioni: 220x280 cm; 300x400 cm. \nDisponibile anche su misura.\n3.  SEPIA INVERT\n2.  NEGATIVO SEPIA\n1.  BLU MAUVE\n",240,{"image":971,"text":972,"number":973},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.241.png","478\nHand-spun carded 85% fine wool and 15% natural silk, \nhand knotted quality, 100 knot\u002Finch.  \nMade in Nepal.\nAvailable in 4 colour versions.\nDimensions: 220x280 cm; 300x400 cm. \nAvailable also with customized sizes.\nSIN TITULO 28 \ndesign Harry Paul    \nTappeto 85% in lana filata e cardata a mano e 15% seta \nnaturale, qualità annodato a mano 100 nodi\u002Fpollice. \nMade in Nepal.\nDisponibile in 4 varianti colore.\nDimensioni: 220x280 cm; 300x400 cm.\nDisponibile anche su misura.\n1.  NEGATIVO SEPIA\n2.  ORIGINAL\n3.  WHITE POPLIN\n4.  BRUCIATI\nS I N  T I T U L O  2 8  \u002F\nW I R E D  \u002F\nWIRED  \ndesign Harry Paul  \nHand-spun carded 80% fine wool and 20% natural silk,\nhand knotted quality, 100 knot\u002Finch.\nMade in Nepal. \nAvailable in one colour version.\nDimensions: 220x280 cm; 300x400 cm.\nAvailable also with customized sizes.\nTappeto 80% in lana filata e cardata a mano e 20% seta \nnaturale, qualità annodato a mano 100 nodi\u002Fpollice. \nMade in Nepal.\nDisponibile in una variante colore.\nDimensioni: 220x280 cm; 300x400 cm. \nDisponibile anche su misura.\n",241,{"image":975,"text":976,"number":977},"\u002Fmedia\u002Fimages\u002F83\u002F5fe0e51fb2592b0fdeb68f01b2efea-28e27a7d83.242.png","a.d. Graph.X   foto T. Sartori   styling E. Ossino Studio \u002F C. Scheve   fotolito Cd Cromo   stampa Nava Press 2023 \nThanks to:\nAntichità San Marco\nArtemide\nAtelier Areti\nAxolight\nBeplushave\nBitossi\nBloc Studios\nBosa\nCini & Nils\nCovo\nDaniele De Batté (Artiva Design)\nDavide Giulio Aquini\nEdizioni Design\nElena Cutolo\nEsh Gallery\nEstiluz\nFlos\nFrandsen\nGianfranco Coltella\nGlas Italia\nHenry Timi\nIvan Lezin\nKostantia Manthou\nKristina Dam\nLambert&Fils\nLinda Weimann\nLorenzelli Arte\nI colori e le finiture, le illustrazioni e le descrizioni del presente \ncatalogo sono a titolo indicativo e non vincolante. \nLiving Divani si riserva il diritto di apportare, anche senza \npreavviso, modifiche di carattere tecnico e produttivo.\nThe colours, finishes, illustrations and descriptions \nin this catalogue are provided solely by way of example. \nLiving Divani reserves the right to make technical and design \nchanges without prior notice.\nLIVING DIVANI srl\nStrada del Cavolto - 22040 Anzano del Parco (CO) Italy\ntel. +39 031 630954 - fax +39 031 632590\ninfo@livingdivani.it  www.livingdivani.it\nLIVING DIVANI GALLERY\nCorso Monforte, 20 - 20122 Milano Italy\ntel.  +39 0287178662\ngallery@livingdivani.it\nMade and Printed in Italy\nmember of\nID Wechat - livingdivani\nLuceplan\nMarset\nMarsotto Edizioni\nMiniforms\nMM Lampadari\nNahoor\nNemo Lighting\nOfficine Saffi\nOluce\nPatricia Ribet\nPietre di Montillo\nPietro Russo\nRestart Milano\nSalvatori\nSara Ricciardi\nScandola Marmi\nSociety Limonta\nStudio Testo\nTato\nTom Dixon\nTsukasa Goto\nUp Group\nValentina Cameranesi\nValeria Vasi\nVano Alto\nVitra\nWhen Objects 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