[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-lema-in-habit-vol1-2019":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":299},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":294,"matched_pages":295,"match_count":296,"two_pages":297,"show_text":298},17923,"In Habit Vol.1 2019","lema-in-habit-vol1-2019","\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F51\u002F146d1e5922b76d4e9307aae69a3233-288b5adf09.pdf","Lema",2187,"lema","4.4 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,164,168,172,176,180,184,188,192,196,200,204,208,212,216,220,224,228,232,236,240,244,248,252,256,260,264,268,272,276,280,284,288,291],{"image":7,"text":15,"number":16},"In’Habit\nVol. 1\nThe Lema guide\nto good living\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.3.png","IN’HABIT\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.4.png","In’Habit\nVolume 1\nIn’Habit\nVol. 1\nThe Lema guide\nto good living\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.5.png","Volume 1\nIn’Habit\n5\n4\n1.\n2.\n3.\n4.\n5.\n6.\n7.\nIntroduction — 6\nHistory of the house — 12\nThe Hill House — 14\nLiving c1, c2, c3 — 16, 32, 38\nDining c1, c2 — 58, 70\n \nNight c1 — 80\nAssemblages — 56\nFloor plans — 98\nPortrait — 102\nTechnical sheet — 110\nTHE INGREDIENTS\nVolume 1\nIn’Habit\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.6.png","6\n7\nIn’Habit\nCi sono storie che partono da lontano. Lo si intuisce dalla capa-\ncità di instaurare un dialogo tra cose e luoghi, dall’atmosfera che riescono\na ricreare, dalla ricchezza dei dettagli, soprattutto quelli discreti. In’Habit \nracconta proprio una di queste storie. Quella di Lema, ovvero di un progetto \ndell’abitare che si fa filosofia di vita, per la sua capacità di germogliare, con\nla stessa potenza di significato, in luoghi diversi, di varie latitudini, al mare\no in montagna, in città come in campagna. Al di là della tipologia della casa.\nIn’Habit racconta concetti inattesi del vivere quotidiano, ben pronunciati, \nfrutto di scelte intime di chi li ha studiati per condividerli, grazie a una comu-\nne sensibilità e alla stessa visione di un preciso modo di essere e di abitare. \nÈ il linguaggio di Lema con la sua grammatica elegante e con il suo tratto se-\nmantico fortemente riconoscibile e ricco di senso, lo stesso che si deve dare \nanche alle piccole cose.\nThere are stories that start from afar. This can be sensed from \nthe ability to establish a dialogue between things and places, from the at-\nmosphere they manage to recreate, and from the rich and often discreet \ndetailing. In’Habit tells one of these stories in particular. That of Lema, or \na project for good living that becomes a philosophy of life in its ability to \ngerminate with the same strength of meaning in diverse locations and in \nvarious climes, by the sea or in the mountains, in cities as in the country. \nIndependently of the type of home. In’Habit recounts unexpected and well \npronounced concepts of everyday life, the result of heartfelt choices of those \nwho have studied and shared them, thanks to a common sensitivity and the \nsame vision of a particular way of being and living.\nIntroduction\n1.\nINTRODUCTION\nIn’Habit racconta una storia che viene \nda lontano. È la storia di Lema, ovvero\ndi un progetto dell’abitare che si fa fi lo-\nsofi a di vita, per la sua capacità di ger-\nmogliare, con la stessa potenza di signi-\nfi cato, in tanti luoghi differenti fra loro.\nIn’Habit tells a story that \ncomes from afar. It is the \nstory of Lema, or rather\na project for good living, \nthat becomes a philosophy \nof life in its ability to \ngerminate in a wide variety \nof places with the same \nstrength of meaning. \n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.7.png","In’Habit\n9\n8\nHistory of the house\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.8.png","In’Habit\n11\n10\nHistory of the house\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.9.png","13\nPosta sul crinale di una collina che \nregala allo sguardo una fuga di vigneti, The Hill \nHouse è una villa italiana dalla felice posizione, \nnella campagna pavese. Vecchi volumi, solidi \ne massicci allo sguardo, dialogano con nuove \ngeometrie leggere e apparentemente fragili, \nin un gioco di cemento e vetri il cui contrasto\nregala armonie di forme. Il risultato è una casa \ndai grandi spazi, slanciata su tre livelli, dalla \nstruttura chiara, caratterizzata dall’assemblage \ndi ambienti interni resi all’esterno come volumi\nsingoli. Ma il vero fascino di The Hill House \nrisiede nella sua trasparenza che stabilisce un \nprezioso contatto con lo svolgere delle stagioni \ne quindi con la natura circostante, fino a quando,\nin estate, aprendosi su terrazze rivolte al pae-\nsaggio, la casa quasi raddoppia la sua superficie \ndi pianta. Governando così un continuo e corro-\nborante dialogo tra dentro e fuori.\nLocated on the ridge of a hill that \noffers a glimpse of vineyards, the Hill House is \nan Italian villa located in the idyllic countryside \nsurrounding Pavia. Ancient volumes, solid and \nrobust to the eye, dialogue with new, light and \napparently fragile geometries in a play of con-\ncrete and glass, whose contrasts create harmon-\nic forms. The result is a house with large spaces, \nextending on three levels, with a clear structure \nand characterized by an assembly of indoor \nspaces rendered as single volumes from the \noutside. But the real charm of The Hill House \nlies in its transparency that establishes an exqui-\nsite connection with the changing seasons and \ntherefore with the surrounding nature until the \nsummer when the house opens out onto terrac-\nes overlooking the landscape, almost doubling \nits surface area. Thus establishing a continuous \nand invigorating dialogue between inside and \noutside.\n12\nHistory of the house\n2.\nHISTORY OF THE HOUSE\nTra i vigneti – la Casa in Collina affascina per \nla sua struttura leggera.\nIn’Habit\nAmong the vineyards - the \nHill House enchants through \nits light structure. \n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.10.png","15\nTHE HILL HOUSE\nAtmosfere da Oltrepò Pavese\n3.\nAtmospheres from\nOltrepò Pavese \nLatitudine, Latitude \n44° 59’ 24’’36 N\nLongitudine, Longitude \n09° 17’ 49’’92 E \nAltitudine, Altitude\n199 m. slm\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.11.png","17\n16\nIt is the dawn of a new day:\na cup of coffee marks the start \nof the daily ritual. Collecting \nideas, ordering thoughts.\nGetting organized.\nc1.\nLIVING\nÈ l’inizio di un nuovo giorno: una tazza\ndi caffè segna l’incipit della ritualità \nquotidiana. Raccogliere idee, ordinare \npensieri. Organizzarsi.\nLiving\nIn’Habit\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.12.png","18\n19\nIn’Habit\nLiving\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.13.png","20\n21\nIn’Habit\nEquilibrismi di figure geo-\nmetriche e fughe di linee, in \norizzontale e verso l’alto: il \ndivano Neil crea un rapporto \nperpendicolare con la libreria \nSelecta creando un’atmosfera\ndi elegante simmetria nel \nliving dove fili immaginari\ncostruiscono relazioni\ne intrecci di pensieri. Qui si \nlegge, si medita, si discute, \nsi progettano giorni futuri.\nAn equilibrium of geometric\nshapes and lines, both hori-\nzontal and vertical: the Neil \nsofa establishes a perpen-\ndicular correlation with the\nSelecta bookcase, creating \nan atmosphere of elegant \nsymmetry in the living area \nwhere imaginary threads \nbuild associations of inter-\nwoven thoughts. A place \nfor reading, reflection and \ndiscussion; a place to plan \nour futures. \nLiving\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.14.png","22\n23\nIn’Habit\nLiving\nDivano Neil rivestito con tessuto Fenice, base in metallo \nverniciato bronzo.\nNeil sofa upholstered in Fenice fabric, base in bronze \npainted metal. Design Francesco Rota\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.15.png","24\n25\nIn’Habit\nIl buon inizio in un unico sem-\nplice gesto, quello di sorseg-\ngiare il caffé, la cui presenza \nè essenzialmente olfattiva. \nSeduti, sul comodo divano \nNeil, rilassati per accogliere \nil giorno, pronti per iniziare \nun nuovo progetto.\nA good start in a single simple\ngesture, that of sipping \ncoffee, with its distinctive \naromatic presence. Seated \non the comfortable Neil sofa, \nrelaxing to welcome the day, \nready to start a new venture.\nLiving\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.16.png","26\n27\nIn’Habit\nTavolini Oydo, base metallo verniciato bronzo, top tondo\nin marmo Portoro, top rettangolare in rovere termotrattato. \nThe Oydo coffee tables, bronze painted metal base, round \ntop in Portoro marble, rectangular top in thermo-treated oak. \nDesign Francesco Rota\nLiving\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.17.png","28\n29\nIn’Habit\nLiving\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.18.png","30\n31\nIn’Habit\nLibreria Selecta con struttura rovere Carbone, fondali laccati\nLct verde Petrolio, ante battenti vetro trasparente con profilo\nmetallo anodizzato nero. \nSelecta bookcase with Carbone oak structure, Petrol green \nLct lacquered back panels, transparent glass hinged doors \nwith black anodized metal profile. Design Officinadesign Lema\nLiving\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.19.png","32\n33\nIn’Habit\nLiving\nc2.\nLIVING\nUn angolo speciale dove far vagare lo \nsguardo verso infi niti spazi. Seduti e il \npensiero rivolto altrove.\nA special corner where the gaze\nwanders towards boundless \nspaces. Seated and thoughts \nturn elsewhere.\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.20.png","34\n35\nIn’Habit\nLiving\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.21.png","36\n37\nIn’Habit\nPoltroncina Alton, struttura realizzata con cordino in cuoio \nnaturale riavvolto a mano. I cuscini di seduta e schienale \nsono rivestiti con tessuto Cassiopea. \nAlton armchair, structure made with a natural, hand-twisted \nleather cord. The seat and back cushions are upholstered \nwith Cassiopea fabric. Design David Lopez Quincoces\nLiving\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.22.png","38\n39\nIn’Habit\nLiving\nc3.\nLIVING\nA tarda mattina, affascinati dagli spunti \ninsoliti ci rifugiamo accanto alla libreria. \nÈ qui che le storie prendono forma e ci \nconquistano.\nLate in the morning, absorbed \nby surprising ideas, we take \nrefuge beside the bookcase.\nIt is here that stories take shape\nand win us over.\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.23.png","40\n41\nIn’Habit\nCataloghi d’arte, romanzi,\noggetti provenienti da lontano,\nricordi di avventure passate:\ntutto è riposto con il piglio \ndel collezionista sui ripiani \ndella libreria Selecta.  \nAccanto, le due poltrone \nTaiki sulle quali accucciarsi, \nmagari avvolti in un impalpa-\nbile plaid, per immergersi in \nletture e pensieri. La rifles-\nsione e il dialogo sono azioni \npromosse dalle circostanze \ndel luogo poeticamente \nconcepito.\nArt catalogues, novels, objects\nfrom afar, memories of past \nadventures: everything\nis positioned in the manner\nof the collector on the shelves\nof the Selecta bookcase.\nBeside, the two Taiki arm-\nchairs to curl up on, perhaps \nwith a light plaid, and \nimmerse oneself in reading \nand thought. Reflection \nand dialogue are activities \nstimulated by the context \nof the poetically conceived \nenvironment.\nLiving\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.24.png","42\n43\nIn’Habit\nPoltroncina Taiki, struttura in frassino tinto rovere termo-\ntrattato, rivestimento seduta e schienale in tessuto Zaniah.\nTaiki armchair, structure in thermo-treated oak stained ash,\nseat and backrest upholstered in Zaniah fabric.\nDesign Chiara Andreatti\nLiving\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.25.png","44\n45\nIn’Habit\nDi fronte alla versatile libreria \nSelecta, vi è un elemento \nspeciale, quasi un allesti-\nmento insolito di uno spazio \ncentrale: è l’isola Faroe, per \nsua natura polifunzionale, \nperché combina il concetto \ndi un coffee table con quello \ndi una seduta, sulla quale \nrilassarsi. Aperta a diverse \nfunzioni, Faroe arriva ad\nessere essa stessa un luogo.\nThe versatile Selecta book-\ncase embodies a special \nelement, a rather uncommon \nway of furnishing a central \nspace: the Faroe island, with \nits multi-functional nature, \ncombining the concept of \na coffee table with that of \na seat for relaxing. With its \nrange of functions, Faroe \nbecomes a place in itself.\nLiving\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.26.png","46\n47\nIn’Habit\nCaratterizzata da simmetrie \ne rigore, si riduce, si amplia, \nassorbe le misure dello \nspazio al quale è destinata: \nla generosità della libreria \nSelecta è direttamente pro-\nporzionale alla sua capacità \ndi ospitare oggetti  da colle-\nzione, libri di famiglia, foto \nd’autore, ricordi di viaggi.\nCharacterized by symmetry \nand stringency, it can be \nreduced and enlarged, it \nassimilates to the dimensions \nof the space it occupies: the \ngenerosity of the Selecta\nbookcase is directly propor-\ntional to its capacity to hold \ncollectibles, family books, \nart photography, travel \nsouvenirs.\nLiving\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.27.png","48\n49\nIn’Habit\nLibreria Selecta, noce Canaletto con speciale trattamento \ndi verniciatura.\nSelecta bookcase in Canaletto walnut with a special painting.\nDesign Officinadesign Lema\nLiving\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.28.png","50\nIn’Habit\nMobile freestanding Faroe. Struttura in metallo verniciato \ncolore Mango, mobili contenitori in rovere termotrattato, \nseduta rivestita in pelle Top, ripiano in vetro fumè. \nFaroe freestanding furniture. Structure in Mango-colored \npainted metal, containers in thermotreated-oak, seat up-\nholstered in Top leather, smoked glass top.\nDesign Gordon Guillaumier\nLiving\n51\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.29.png","52\n53\nIn’Habit\nCassetti come Wunderkam-\nmer, come scrigni di oggetti \npreziosi per la loro capacità\nevocativa. Da mostrare oppure\nda custodire. O ancora, da \nriporre in maniera ordinata\ncome conviene con le cose \nimportanti. \nDrawers like Wunderkam-\nmers, like treasure chests\nof precious objects with their \ncapacity to evoke emotions. \nTo display or to safeguard.\nOr to store tidily as befits \nimportant objects.\nLiving\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.30.png","54\n55\nIn’Habit\nPoltroncina Taiki, struttura in frassino tinto rovere termotrat-\ntato, rivestimento seduta e schienale in tessuto Zaniah.\nTaiki small armchair, structure in thermo-treated oak stained\nash, seat and backrest upholstered in Zaniah fabric.\nDesign Chiara Andreatti\nLiving\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.31.png","ASSEMBLAGES\nLegni, fi bre, pelli, imbottiture, colori: \ni materiali secondo Lema.\nWoods, fibers, leathers, \ncushioning, colors: the materials \naccording to Lema.\nIn’Habit\n56\n4.\nAssemblages\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.32.png","Velluti, rovere, metalli. Pietra, noce, marmo. E ancora pelle, \nbronzo, imbottiti. Un inventario di materiali la cui fisicità affascina la creativi-\ntà, promuove accostamenti e diversità. L’assemblage di Lema è un’operazione \ndi ricerca inclusiva che tende a sintetizzare l’eleganza con un effetto estetico \nmai scontato. Osare inediti accostamenti di materie prime per sperimentare \nnuove manifatture secondo un’idea  di progetto frutto della filosofia di Lema. \nVelvets, oak, metals.Stone, walnut, marble. And also leather, \nbronze, cushioning. An inventory of materials whose physicality attracts \ncreativity and fosters associations and diversity. The assemblage of Lema \nis an inclusive exploration that distils elegance with an always unexpected \naesthetic effect. Daring and original combinations of raw materials to ex-\nperiment with new manufacturing methods according to a design idea that \nsprings from Lema’s philosophy.\nASSEMBLAGES\nIl dialogo tra forma e materiali sta al \npiacere tattile come la cura certosina \ndei dettagli sta all’eleganza. Firmata \nLema.\nIn’Habit\nAssemblages\nThe dialogue between form \nand materials is to tactile \npleasure as the meticulous \ncare for detail is to elegance. \nDesigned by Lema.\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.33.png","Pietra grey opaco\nOpaque gray stone\nLiving c1+ c2\nRovere termotrattato\nThermo-treated oak\nMetallo verniciato bronzo M420 \nBronze painted metal M420\nFenice TDD 854\nCassiopea TDC 132\nVelluto Phobos TDC 455\nPhobos Velvet TDC 455\nLcl Ortica 235\nAssemblages\nIn’Habit\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.34.png","Noce L\nL walnut\nZaniah TDD 151\nMetallo verniciato, Mango 845\nPainted metal, Mango 845\nMarmo ricostruito, verde Malachite\nReconstituted marble, Malachite green\nLiving c3 + Dining c1\nAssemblages\nIn’Habit\nRovere termotrattato\nThermo-treated oak\nMetallo verniciato bronzo patinato M422\nPatinated bronze painted metal M422\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.35.png","Assemblages\nIn’Habit\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.36.png","Dining c2\nFenice TDD 852\nLct Assenzio 479\nNorma TDE 843\nMarmo ricostruito, nero Belgianblue\nReconstituted marble, black Belgianblue\nAssemblages\nIn’Habit\nRovere termotrattato\nThermo-treated oak\nMetallo verniciato bronzo patinato M422\nPatinated bronze painted metal M422\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.37.png","Night c1\nLcl Talpa 233\nOrione TDB 084\nPelle Top PT0012\nLeather Top PT0012\nSagitta TDD 224\nNoce Canaletto a doghe\nSlatted Canaletto walnut\nRovere Carbone\nCarbone oak\nAssemblages\nIn’Habit\n",37,{"image":162,"text":151,"number":163},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.38.png",38,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.39.png","Provare emozioni non significa \nsaperle raccontare. Dare un \ncolore, un aggettivo, un’imma-\ngine a ciò che sentiamo può \naiutarci a visualizzarlo e descri-\nverlo meglio. Lema crea costan-\ntemente strumenti per trasmet-\ntere emozioni.\nExperiencing emotions does \nnot mean knowing how to de-\nscribe them. Assigning a color, \nan adjective, an image to what \nwe feel can help us visualize\nit and describe it better. Lema \nstrives continously to create \ntools conveying emotions.\n57\n",39,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.40.png","59\n58\nDining\nc1.\nDINING\nL’avvicinarsi della sera con il suo bisogno\ndi indagare sui momenti salienti del \ngiorno trascorso.\nIn’Habit\nEvening approaches with the \ndesire to reflect on the salient \nevents of the past day.\n",40,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.41.png","60\n61\nIn’Habit\nDining\n",41,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.42.png","62\n63\nIn’Habit\nSembra in attesa di qualcosa, \ndi qualcuno: appare come \nun’opera dalla superficie \nperfetta che in tutta la sua \nleggerezza giace su un’ele-\ngante struttura metallica.\nIl tavolo Alamo sembra essere \ndestinato alle esperienze dei \nsuoi commensali speciali, con\nle loro storie che si articolano \nlungo tutto il perimetro di \nquesto sapiente rettangolo.\nIt seems to be waiting for \nsomething, for someone:\nit appears like a work with\na perfect surface that lies on \nan elegant metallic structure \nwith great delicacy.\nThe Alamo table seems made \nfor the experiences of its \nspecial guests, with their \nstories that take form around \nthe perimeter of this cultured \nrectangle.\nDining\n",42,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.43.png","64\n65\nIn’Habit\nTavolo Alamo struttura in metallo verniciato bronzo patinato, \npiano in marmo ricostruito verde Malachite. \nAlamo table, structure in bronze painted patinated metal, \ntop in reconstituted Malachite green marble.\nDesign David Lopez Quincoces  \nDining\n",43,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.44.png","66\n67\nIn’Habit\nUna scultura funzionale,\nun parallelepipedo severo\nma con un’anima nascosta. \nSi presenta con il suo piglio \nrigoroso la madia Cases, \nesternamente essenziale \ne lineare ma che al suo interno\nracchiude l’invito alla convi-\nvialità del bere e del sorseg-\ngiare insieme, grazie al suo \nvano bar. \nA functional sculpture, an \naustere parallelepiped with\na hidden soul. The Cases \ncabinet presents an exacting \nlook, externally essential \nand linear while the inside \ncontains an invitation to\nthe conviviality of enjoying\na drinking together, thanks\nto its bar component.\nDining\n",44,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.45.png","68\nIn’Habit\n69\nMadia Cases base in metallo verniciato Titanio, struttura\nin rovere termotrattato.\nMadia Cases base in Titanium painted metal, structure\nin thermo-treated oak. Design Francesco Rota\nDining\n",45,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.46.png","70\n71\nIn’Habit\nDining\nc2.\nDINING\nConvivialità e confronto. Il momento\ndella cena e quello del racconto. \nConviviality and discussion.\nThe time for dinner and story-\ntelling.\n",46,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.47.png","72\n73\nIn’Habit\nÈ una delle zone della casa \ndove storia, tradizione e \nricerca si mescolano in un \nequilibrio di forme, sostanza\ne fascino. Sintesi di tali \nelementi è il tavolo Bulè, vero \nfulcro della stanza, che con \nla sua magnifica rotondità \navvolge i commensali in un \nabbraccio di sguardi e di \nconvivialità, enfatizzato dalle \naccoglienti poltroncine Bea.\nDalla tattilità del piano del \ntavolo in marmo impastato al \nrigore geometrico del mobile \nda parete Court Yard, il per-\ncorso è naturale.\nIt is one of the areas of the \nhouse where history, tradition \nand research mingle together \nin a balance of forms, sub-\nstance and charm. The Bulè \ntable is the synthesis of these \nelements, the true fulcrum\nof the room, its magnificent\nrotundity enveloping the \nguests in an embrace of gazes\nand conviviality, emphasized\nby the welcoming Bea arm-\nchairs. The path from the \ntactility of the marble table-\ntop to the geometric precision\nof the Court Yard wall unit is \nnatural and instinctive.\nDining\n",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.48.png","74\n75\nIn’Habit\nTavolo Bulè in marmo ricostruito nero Belgianblue, con \nmodanature in metallo bronzo patinato. Lazy Susan laccato \nnero Lavagna. \nBulè table in black Belgianblue reconstituted marble, with \npatinated bronze metal moldings. Lazy Susan lacquered \nLavagna black. Design Chiara Andreatti\nDining\n",48,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.49.png","76\n77\nIn’Habit\nSulla ricerca e sulla storia \ndegli oggetti si gioca l’imma-\nginazione di chi guarda: ogni\ncosa è ben in vista nelle \nvetrine Galerist, si offre allo \nsguardo, catturandolo con \nuna brezza che strappa un\nricordo e accende un pensiero.  \nThe imagination of the on-\nlooker plays on the exploration \nand the history of the objects:\neverything is visible in the \nGalerist display cabinet, \ninviting attention, capturing \nwith a flurry that kindles a \nmemory and ignites a thought.\nDining\n",49,{"image":209,"text":210,"number":211},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.50.png","78\n79\nIn’Habit\nDining\nVetrina Galerist in metallo verniciato bronzo patinato brunito\ne vetro trasparente. Opzionale la cassettiera da appoggio \nin noce Canaletto. \nDisplay cabinet Galerist in patinated and burnished bronze \npainted metal with clear glass. Optional freestanding drawer\nunit in Canaletto walnut. Designer Christophe Pillet \n",50,{"image":213,"text":214,"number":215},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.51.png","80\n81\nIn’Habit\nNight\nc1.\nNIGHT\nIl buio delimita l’orizzonte, il ritmo\nrallenta e dilata la percezione tra il reale \ne il sogno.\nThe darkness marks the hori-\nzon, the rhythm slows and the \nperception of the real and the \ndream expands.\n",51,{"image":217,"text":218,"number":219},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.52.png","82\n83\nIn’Habit\nSiamo in uno luogo denso,\ndove la centralità del letto \nVictoriano, con la sua con-\ntemporanea classicità, lascia\nal campo largo e alla vista \npanoramica il picco di esplo-\nsione spaziale. Il fuori fa da\ncornice ma è il letto che \ncalamita l’attenzione e la vita. \nQui risiede l’unità di apparte-\nnenza.\nWe are in a condensed place, \nwhere the centrality of the \nVictoriano bed, with its con-\ntemporary classicism, leaves \nopen a wide field and pano-\nramic view of the culmination \nof a spatial explosion.\nThe outside forms the frame \nbut it is the bed that draws \nattention and life. Here resides\nthe unit of affinity.\nNight\n",52,{"image":221,"text":222,"number":223},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.53.png","84\n85\nIn’Habit\nGli angoli arrotondati, le linee\nsnelle, quel gusto che vira \nverso il classico e la fragranza\nlignea che sostiene le morbi-\ndezze tattili: Victoriano\nè il luogo del riposo e della\nrelazione, dell’abbandono\ne dell’amicizia. Leggero per \nproprensione estetica lo\nè anche per predisposizione \nalla vita. \nThe rounded corners, the \nslender lines, that taste that \nveers towards the classic \nand the notes of wood that \nsupport the tactile softness: \nVictoriano is the place of rest \nand relations, of abandonment\nand of friendship. It is light-\nweight in its aesthetic voca-\ntion and also its disposition \nto life.\nNight\n",53,{"image":225,"text":226,"number":227},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.54.png","86\n87\nIn’Habit\nAccanto a Victoriano, come \ndue alfieri su un’ideale scac-\nchiera, ecco i due comodini \nVic, pronti a svolgere il ruolo\ndi servizio. Su di loro pog-\ngiano letture formative, tazze \ndi tisane consumate con \ndovizia di ritualità, fogli di \nappunti, gioielli riposti per \nuna notte. Tra Victoriano\ne i Vic il dialogo è costante \ne la collaborazione di lungo \ncorso.\nNext to Victoriano, like two \nbishops on an imaginary \nchessboard, here are the two \nVic bedside tables, ready\nto serve. Interesting readings \nabound, cups of herbal teas \nwith their accompanying \nrituals, sheets of notes, \njewelry put aside for the night.\nThe dialogue between \nVictoriano and Vic is constant \nand the partnership long-\nstanding.\nNight\n",54,{"image":229,"text":230,"number":231},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.55.png","88\n89\nIn’Habit\nLetto Victoriano base in rovere termotrattato, testata e giro-\nletto rivestita in tessuto Orione. Comodino Vic, struttura in \nrovere termotrattato, piano con cassetto in laccato lucido \ncolor Talpa.\nVictoriano bed in thermo-treated oak, headboard and bed-\nframe upholstered with Orione fabric. Vic bedside table, \nstructure in thermo-treated oak, top with drawer gloss-lac-\nquered in the color Talpa. Design Roberto Lazzeroni \nNight\n",55,{"image":233,"text":234,"number":235},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.56.png","90\n91\nIn’Habit\nNight\n",56,{"image":237,"text":238,"number":239},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.57.png","92\n93\nIn’Habit\nLetto Victoriano base in rovere termotrattato, testata e giro-\nletto rivestita in tessuto Orione.\nVictoriano bed in thermo-treated oak, headboard and bed-\nframe upholstered with Orione fabric. \nDesign Roberto Lazzeroni\n \nDay bed Yard in pelle Top, base in metallo verniciato bronzo.\nYard daybed in Top leather, base in bronze painted metal. \nDesign Francesco Rota\nNight\n",57,{"image":241,"text":242,"number":243},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.58.png","94\n95\nIn’Habit\nOrdinare e organizzare,\nazione e vita: si cela un mondo\ndi idee, di gusto, di sensibilità\ndietro alle importanti ante\nin noce Canaletto a doghe\ndell’armadio Seryasse. \nChe conquista al primo \nsguardo per la sua ricchezza\ne perfezione, sintesi di\nmaestria e senso del contem-\nporaneo. Su misura, esteti-\ncamente potente, efficiente \ncome un vero progetto. \nIn perfetto connubio, il day \nbed Yard bello e necessario. \nComodo e funzionale. Sem-\nplice eppure scenografico.  \nTidying and organizing, \nmovement and life: the \nSeryasse wardrobe conceals \na world of ideas, taste and \nsensitivity behind imposing \ndoors in slatted Canaletto \nwalnut. It impresses with\nits richness and perfection, \na synthesis of craftmanship \nand a sense of the con-\ntemporary. Custom-made, \naesthetically powerful and \nfunctional, like true design. \nIn perfect union, the beautiful\nand indispensable Yard day-\nbed. Comfortable and func-\ntional. Simple yet spectacular.\nNight\n",58,{"image":245,"text":246,"number":247},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.59.png","96\n97\nIn’Habit\nArmadio Seryasse, in noce Canaletto a doghe. \nSeryasse wardrobe, in slatted Canaletto walnut. \nDesign David Lopez Quincoces\nNight\n",59,{"image":249,"text":250,"number":251},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.60.png","100\n98\n99\n100\nLiving c2+c3, Dining c2\nNight c1\nDining c2\nLiving c3\nNight c1\nLiving c2\nEach floor of the building\nis a house in itself, or rather\na house within the house.\nBookcases, tables, sofas and \nchairs live their own life while \nmaintaining a dialogue, shar-\ning the same mark of Lema \nelegance.\nNulla è dato alla casualità, \nproporzioni e distanze ridi-\nsegnano lo spazio e tutti gli \nelementi della grammatica\ndi Lema rispecchiano la ver-\nsatilità del progetto abitativo. \nNothing is left to chance, \nproportions and distances \nredesign the space and each \nelement of Lema’s grammar \nreflects the versatility of the \nproject for the home.\nFloor plans\n5.\nFLOOR PLANS\nOgni piano dell’edifi cio è una casa a sè, \nanzi una casa nella casa. Librerie, tavoli,\ndivani, sedute vivono di vita propria ma \nnello stesso tempo dialogano, condivi-\ndendo lo stesso segno dell’eleganza Lema.\nIn’Habit\n",60,{"image":253,"text":254,"number":255},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.61.png","101\nVolume 1\nIn’Habit\nIn’Habit\n101\nLiving c1+Dining c1\nLiving c1 + Dining c1\n103\n102\nFerruccio Laviani architect \nand designer but also a lover \nof the culture of living.\nPortrait\n6.\nPORTRAIT\nFerruccio Laviani, un architetto, un de-\nsigner ma anche un amante della cultura \ndell’abitare.\nIn’Habit\n",61,{"image":257,"text":258,"number":259},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.62.png","In’Habit\nVersatile e dotato di una \nspeciale ironia, la stessa che riesce\nad infondere nelle sue creazioni,\nFerruccio Laviani è uno dei rappre-\nsentanti più significativi del design \nitaliano contemporaneo, nonché \ncollaboratore di lungo corso di Lema.\nNon a caso, ha deciso di caratteriz-\nzare prorio con lo stile e la filosofia \ndel brand un intero appartamento in \nSvizzera. “In genere, non è mai facile \nmetter mano al progetto di un altro \narchitetto sopratutto se si chiama \nTobia Scarpa” racconta Laviani spie-\ngando la genesi dell’operazione che \negli stesso ha definito di “riaggior-\nnamento piuttosto che di ristruttura- \nzione” di un grande appartamento \ndi oltre 600 metri quadrati che si \nsviluppa su tre livelli, con un enorme \ngiardino e una dependance, il tutto \naffacciato sul lago di Lugano. \n“Mantenendo l’impianto\noriginario ho cercato di dare un ordine\ne una contemporaneità all’apparta-\nmento, eliminando una serie di sovra-\nstrutture tipiche degli anni Ottanta,\nriportando gli spazi alla semplicità \ndefinita dalla struttura architettonica.\nCercando di far colloquiare colori e \nfiniture nuove con quelle precedenti,\novvero con stucco veneziano, marmo,\nmetallo brunito, seminato e mogano. \nCon questo progetto ho creato un \ntrait d’union tra il passato ed il pre-\nsente attraverso un linguaggio che \nregalasse il giusto equilibrio tra tutti \ni diversi elementi per una visione\ncontemporanea del vivere quotidiano\nesplicitata anche attraverso l’arredo\ne le opere d’arte contemporanea\ndei nuovi proprietari”, conclude\nl’architetto Laviani.\nBoth versatile and gifted \nwith a special irony, the same that \nhe is able to inject into his creations, \nFerruccio Lavani is one of the most \nimportant figures of Italian contem-\nporary design, in addition to being\na long-term collaborator with Lema. \nIt is no coincidence that he has de-\ncided to denote an entire apartment \nin Switzerland with the brand’s style \nand philosophy. “Generally speaking,\nit is never easy to work with the de-\nsign of another architect, especially \nif his name is Tobia Scarpa” says \nLaviani, explaining the origin of the \nproject that he himself has defined \nas “the updating rather than the ren-\novation” of a large apartment of over \n600 square metres that extends over \nthree levels, with extensive gardens \nand outbuildings, all overlooking \nLake Lugano.\n“While maintaining the \noriginal structure, I sought to bring \norder and contemporaneity  to the \napartment, eliminating a series of \nsuperfluous elements typical of the\nEighties, bringing the spaces back\nto the simplicity defined by the ar-\nchitectonic structure, and creating \na dialogue between the new colours \nand finishes and those from former \ntimes, namely Venetian stucco, mar-\nble, burnished steel, terrazzo and \nmahogany. I forged a trait d’union\nbetween the past and the present \nthrough a language that establishes\nthe correct balance between all\nthe different elements to generate\na contemporary vision of everyday \nliving that is also expressed through \nthe furnishing and the contemporary \nartworks of the new owners”, con-\ncludes the architect Laviani.\nText\nAntonella Matarrese\nPhoto\nThomas Pagani\n(pag.106-109)\n105\n104\nPortrait\nIn’Habit\nArchitect and designer, \nFerruccio Laviani was born in Crem-\nona in 1960. He graduated from the \nArchitecture faculty of the Polytech-\nnic University of Milan, also receiving\na diploma from the SPD Scuola Po-\nlitecnica di Design in 1984. In 1983 \nhe began working for Michele De \nLucchi, becoming partner in 1986. \nIn 1991 he established his own studio,\nconcentrating on product design, \ninterior design, art direction and \ngraphics, in addition to developing \nconcepts for retail spaces and fit-outs.\nHe works with leading companies \nin the furnishing and fashion sector, \nincluding Kartell, Flos, Foscarini, \nHennessy, Dolce&Gabbana, Missoni, \nMoroso, Zuhair Murad, Martini&Rossi,\nVeuve Cliquot, Bisazza. He curates \nand designs exhibitions and collec-\ntions for institutions such as Memphis,\nCosmit, Forum-Triton, Brasile.\nFerruccio Laviani nasce \na Cremona nel 1960. Architetto\ne designer. Frequenta la facoltà di\nArchitettura del Politecnico di Milano \ndove si laurea nel 1986. Contempora-\nneamente, nel 1984, si diploma alla\nScuola Politecnica di Design di Milano.\nNel 1983 inizia a lavorare per Michele\nDe Lucchi e ne diventa socio nel 1986.\nNel 1991 fonda il proprio studio.\nIl suo lavoro si concentra su product \ndesign, interior design, art direction \ne grafica, oltre allo sviluppo di concept\nper spazi retail ed allestimenti. \nCollabora con aziende leader nell’ar-\nredamento e nella moda tra cui \nKartell, Flos, Foscarini, Hennessy, \nDolce&Gabbana, Missoni, Moroso, \nZuhair Murad, Martini&Rossi, Veuve \nCliquot, Bisazza. Cura e progetta \nmostre e collezioni per realtà come \nMemphis, Cosmit, Forum-Triton, \nBrasile. \n",62,{"image":261,"text":262,"number":263},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.63.png","In’Habit\n107\n106\nPortrait\nIn’Habit\nA destra: zona giorno, divano \nYard rivestito con tessuto Boote\ne poltrona Felix in velluto Chara.\nA sinistra: dettaglio divano Yard.\nRight: living area, Yard sofa \nupholstered in Boote fabric and\nFelix armchair in Chara velvet. \nLeft: Yard sofa detail.\n",63,{"image":265,"text":266,"number":267},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.64.png","108\n109\nNeque comnimi litatus \nalitium rae nessit lam \nillacestia sin coratur saperem \nporerspis molesciet quam ad \neteat etur? Ecatium quibus \nea nihil molor magnat. \nLorem ipsum, eatur alitate \npre quamus placeptat que \nsanis magnia nus, nos nimilet \nlitasse ditassi mporibus, \naut hicit, ut andus ius ium \nsumeosaperis cus visseq \nuuntes aut aboraere niet \nesrehendit ad quas sequiata \ndolorestrum autt repudan \ndisciur alistius. \nCat aut est, atur, solor \nsuntibus, ualitium rae nessit \nlam illacestia sin corast \naciendem aut aditio el \nipsapero tempos sam rentis \nsitsi mporibus, aut hicit, ut \nandus ius ium sumeosaperis \ncus visseq uuntes aut \naboraere niet esrehendit ad \nquas sequiata dolorestrum \nautt repudan disciur alistius. \nCat aut est, atur, solntibus, \nualitium rae nessit lam \nillacestia sin corast aciendem \naolor suitium rae nessit lam \n(cum se nimus nonsequi \nnullabo). \nIn’Habit\n109\n108\nPortrait\nIn’Habit\nIn alto: poltroncina Tabby\nin tessuto Zaniah.\nA sinistra: dettaglio della scala \ncon poltrona Lennox in velluto \nChara.\nAbove: Tabby small armchair \nin Zaniah fabric.\nLeft: detail of the staircase \nwith Lennox armchair in Chara \nvelvet.\n",64,{"image":269,"text":270,"number":271},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.65.png","In’Habit\n111\n110\nTechnical sheet\nIn’Habit\nTECHNICAL SHEET\nTables + Coffee tables—112\nArmchairs + Chairs—113, 114\nSofas—114\nContainer units—115, 116\nBeds + Side tables—116\n \nModular system—117\nArmadio al centimetro—117\n7.\n",65,{"image":273,"text":274,"number":275},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.66.png","112\n113\nIn’Habit\nArmchairs + Chairs\nBai Lu\nAlton\nIl tavolo Bulè si distingue per il vas-\nsoio girevole appoggiato sul piano, \ndisponibile nei colori laccati della \ncartella Lemacolortrend ed è carat-\nterizzato dal piano e dalla base \ncentrale strutturale nella nuova\nfinitura materica nero Belgianblue. \nLa base è arricchita da modanature\nin metallo verniciato bronzo patinato.  \nThe Bulè table is characterized by \nthe swivel tray placed on the top, \navailable in any of the lacquered \ncolors of the Lemacolortrend range,\nand is distinguished by the top\nand the central structural base\nin the new materic finish of black \nBelgianblue. The base is enhanced \nwith bronze painted metal moldings. \nIl tavolo Alamo ha struttura in \nmetallo verniciato bronzo patinato \ncon piano ad effetto seminato. \nRealizzato in stratificato di alluminio, \nè caratterizzato dalla finitura in \npolvere di marmo pigmentata \ne scaglie di metalli nobili come \nottone e bronzo proposta in tre \nversioni ispirate a preziose pietre \nnaturali: blu Lapislazzuli, verde \nMalachite, nero Belgianblue. \nThe Alamo table has a structure \nin bronze painted metal with a \nterrazzo effect top. Made of lam-\ninated aluminum, Alamo is distin-\nguished by the finish in pigmented \nmarble powder and shavings\nof precious metals such as brass \nand bronze. It is proposed in three \nversions inspired by exquisite nat-\nural stones: blue Lapis lazuli, green \nMalachite, black Belgianblue. \nAlamo\nL. 2400   H. 710   P. 980\nW. 94½”   H. 28”   D. 38½”\n \nL. 3100   H. 710   P. 980\nW. 122”   H. 28”   D. 38½”\n \nL. 3400   H. 710   P. 980\nW. 133¾”   H. 28”   D. 38½”\nTables + Coffee tables\nBulè\nL. 1600 - 1800 - 2000   H. 735   \nW. 63” - 70¾” - 78¾”   H. 29” \nLazy Susan \nL. 700 - 900   H. 25   \nW. 27½” - 35½”   H. 1”\nIl tavolino Oydo si presenta in \nversione rettangolare o tonda, \ncon struttura in metallo verniciato\nbronzo ed essenziali piani in rovere\ntermotrattato, pietra Grey, marmo \nPortoro, argilla, laccato lucido o \nopaco.\nThe Oydo coffee table is available \nin a rectangular or circular version,\nwith a bronze painted metal \nstructure and elemental tops in \nthermo-treated oak, Grey stone, \nPortoro marble, clay, glossy or \nmatt lacquered.\nOydo\nL. 1600   H. 280   P. 860\nW. 63”   H. 11”   D. 33¾”\nØ 900   H. 370\nØ 35½”   H. 14½”\nSerie di tavolini, quadrati, tondi\no rettangolari, composti da struttura\nin metallo color Titanio e piano\nin vetro retrolaccato a scelta tra\nla gamma di colori offerti da Lema.\nSeries of square, round or rectan-\ngular tables, consisting of metal \nstructure in Titanium colour and \ntop in rear-lacquered glass, chosen \namong the range of colours of-\nfered by Lema. \nCruise\nL. 900 - 1200   H. 204   P. 900 - 1200\nW. 35½” - 47½”   H. 8”   D. 35½” - 47½”\nØ 900 - 1200   H. 204\nØ 35½” - 47½”   H. 8”\nL. 1400   H. 204   P. 700\nW. 55”   H. 8”   D. 27½”\nLa poltrona Alton si caratterizza \nper la struttura in metallo verniciato \nantracite che ne definisce la forma \na semicerchio con la particolare \nlavorazione sartoriale in corda \ndi cuoio riavvolta a mano, nelle \nversioni naturale invecchiato e \ntesta di moro. La versione testa di \nmoro è realizzata in cotone cerato. \nIl rivestimento della seduta e dello \nschienale è realizzabile in tessuto \no in pelle.\nThe Alton armchair is characterized\nby the anthracite painted metal \nstructure which defines its semi-\ncircular shape and the particular \nsartorial workmanship of the hand-\nwound leather cording. It is availa-\nble in two versions: naturally aged \nor a dark brown variant in waxed \ncotton. The seat and back can \nupholstered in fabric or in leather.\nL. 1030   H. 635   P. 785\nW. 40½”   H. 25”   D. 31”\n \nL. 510   H. 740   P. 525\nW. 20”   H. 29¼”   D. 20¾”\n \nSedia in legno con seduta e schie-\nnale laccato, disponibile nella gam-\nma dei colori Lct di Lema o rivesti-\nta in pelle. La struttura è in frassino \nlaccato nero a poro aperto.\nChair in wood with lacquered seat\nand back, available in all colours \nin the Lct Lema range or covered \nin leather. The structure is in open \npore black-stained ash.\nLa poltroncina pranzo Bea si\ndistingue per l’anima asciutta\ne raffinata dalle forme avvolgenti \ndello schienale a guscio. \nCon rivestimento in tessuto o\nin pelle, si caratterizza per la lieve \nstruttura in metallo bronzato.\nThe Bea dining chair stands out \nfor its clean and refined body and \nthe enveloping forms of the shell \nbackrest. With its leather or fabric \nupholstery, it is distinguished by \nthe light, bronzed metal structure.\nL ’elegante poltrona Fantino, \ndalle forme compatte, richiama \nvagamente la forma di una sella \nda cavallo montata sulla base in \nfrassino tinto rovere termotrattato. \nL’imbottitura morbida ma asciutta \nriduce il volume complessivo \nsottolineata dalla profilatura in gros \ngrain che corre lungo la cucitura \ndel rivestimento disponibile in \ntessuto o in pelle.\nThe elegant Fantino armchair with \nits compact outlines makes veiled \nreference to the shape of a saddle \nand is mounted on a base in ther-\nmo-treated oak stained ash. \nThe soft but firm padding reduces \nthe overall volume and is high-\nlighted by the gros grain profiling \nthat runs along the stitching of \nthe upholstery available in fabric \nor leather.\nBea\nFantino\nL. 555   H. 755   P. 525\nW. 21¾”   H. 29¾”   D. 20¾”\nL. 700   H. 830   P. 790\nW. 27½”   H. 32¾”   D. 31”\nTechnical sheet\n",66,{"image":277,"text":278,"number":279},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.67.png","114\n115\nIn’Habit\nL. 960   H. 700   P. 870 \nW. 37¾”   H. 27½”   D. 34¼”\nArmchairs + Chairs\nReinterpreta le forme classiche in \nuna veste contemporanea. Dotata \ndi accogliente imbottitura che invita \nal relax con chiaro rimando a linee \ne proporzioni lecorbusiane.\nLa struttura è in frassino tinto \nrovere termotrattato e, la comoda \nseduta ed il morbido schienale \npossono essere rivestiti sia in tes-\nsuto che in pelle.\nTaiki is an armchair that reinter-\nprets classic forms in a contem-\nporary guise. Endowed with com-\nfortable padding that encourages \nrepose, with clear references to \nCorbusian lines and proportions. \nThe structure is in thermo-treated \noak stained ash and the comforta-\nble seat and soft backrest can\nbe covered in fabric or leather.\nTaiki\nSofas\nL. 2050   H. 800   P. 950 \nW. 80¾”   H. 31½”   D. 37½” \nL. 3000   H. 700   P. 950 \nW. 116”   H. 27½”   D. 37½” \nNeil\nDivano modulare che si distingue\nper la seduta bassa, le forme \ngenerose e le linee squadrate \ndi schienale e braccioli. L’intero \nsistema ruota attorno ad una piat-\ntaforma per accogliere, in diverse \nposizioni, lo schienale e i braccioli \nproposti in due altezze diverse che \nmovimenta la linea del divano ren-\ndendolo adatto a diverse tipologie \ndi utilizzo.\nModular sofa distinguished by its \nlow seat, generous forms and the \nsquared lines of the back and arm-\nrests. The entire system revolves \naround a platform to accommodate \nthe backrest and armrests in dif-\nferent positions; proposed in two \ndifferent heights that exalt the line \nof the sofa making it suitable for\na variety of uses.\nL. 2434   H. 690   P. 480\nW. 95¾”   H. 27¼”   D. 19”\nL. 2434   H. 690   P. 480\nW. 95¾”   H. 27¼”   D. 19”\nL. 2434   H. 690   P. 480\nW. 95¾”   H. 27¼”   D. 19”\nL. 1834   H. 920   P. 480\nW. 72¼”   H. 36¼”   D. 19”\nLa madia Cases è proposta in più \nversioni. La base è in metallo \nbronzo, la struttura sia esterna che \ninterna è in rovere termotrattato,\nrifinita da eleganti cerniere in \nmetallo bronzo a vista. Proposta in \ndue dimensioni sia in larghezza che \nin altezza, è dotata di una serie\ndi accessori, come la teca in vetro\no il piano in cristallo sagomato\nper il vano bar, che impreziosiscono \nquesto elegante pezzo.\nThe Cases sideboard is proposed \nin several versions. The base is \nin bronze metal, the external and \ninternal structure in thermo-treated \noak, and is finished with elegant \nvisible hinges in bronze metal. \nAvailable in two sizes both in width\nand height, it is equipped with \na range of accessories, such as \nthe glass display cabinet or the \ncontoured glass top for the bar \ncompartment that embellish this \nelegant piece.\nCases\nContainer units\nArticolato progetto che dà vita\nad una collezione di contenitori\ne sedute freestanding. Faroe è \npensata come isola che arreda\nla cabina armadio o una zona living.\nSi caratterizza per la leggera\ncornice sospesa in metallo laccato\na scelta tra rosso Mango o bronzo \nche accoglie e sostiene le parti \nin essenza proposte in rovere \ntermotrattato e quelle imbottite \nrealizzabili in pelle. Il top in vetro \ntemperato è utile per collocare \noggetti preziosi.\nA structured project involving\na collection of freestanding \ncontainers and seats, Faroe is \ndesigned as an island to furnish\na walk-in closet or a living area. \nIt is distinguished by the light \nhanging frame in lacquered metal \nin either Mango red or bronze \nwhich accommodates and supports\nthe elements in thermo-treated \noak and those with leather uphol-\nstery. The tempered glass top is \nperfect for displaying treasured \nobjects.\nL. 1792   H. 630   P. 1292\nW. 70½”   H. 24¾”   D. 50¾”\nL. 1792   H. 630   P. 1292\nW. 70½”   H. 24¾”   D. 50¾”\nL. 1292   H. 520   P. 1292\nW. 50¾”   H. 20½”   D. 50¾”\nL. 1292   H. 410   P. 1292\nW. 50¾”   H. 16¼”   D. 50¾”\nFaroe\nTechnical sheet\n",67,{"image":281,"text":282,"number":283},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.68.png","116\n117\nIn’Habit\nContainer units\nGalerist\nCourt Yard\nL. 1130   H. 1720   P. 560\nW. 44½”   H. 67¾”   D. 22”\nL. 1600   H. 870   P. 320\nW. 63”   H. 34½”   D. 12½”\n \nL. 1600   H. 870   P. 320\nW. 63”   H. 34½”   D. 12½”\n \nSelecta\nL. 4507   H. 2498   P. 346\nW. 177½”   H. 98¼”   D. 13½”\nBeds + Side tables\nLetto tessile con struttura in mas-\nsello di frassino tinto rovere termo-\ntrattato ed alta testata leggermente \ncurvata ai lati, impreziosita dalla \ncucitura centrale impunturata.\nUn segno morbido e continuo\nla raccorda al giroletto.\nFabric upholstered bed with\nstructure in solid, oak-stained and \nthermo-treated ash with tall head-\nboard curved slightly at the sides \nand embellished with center stitch-\ning. A soft and continuous gesture \nconnects it to the bed frame.\nVictoriano\nL. 1740   H. 1130   P. 2240\nW. 68½”   H. 44½”   D. 88¼”\nL. 1840   H. 1130   P. 2240\nW. 72½”   H. 44½”   D. 88¼”\nL. 1940   H. 1130   P. 2240\nW. 76½”   H. 44½”   D. 88¼”\nIl comodino ripropone forme \nclassiche rilette in chiave moderna. \nConnotato da un’agile struttura in \nlegno massello frassino tinto rove-\nre termotrattato, è proposto nelle \ndue varianti, con e senza cassetto, \nla prima in laccato opaco o lucido, \nla seconda anche con piano in \nmarmo Portoro o pietra Grey,\na sottile spessore.\nThe bedside table proposes classic \nforms reinterpreted in a modern \nkey. Characterized by a sleek oak-\nstained and thermo-treated solid \nash structure, it is available in two \nversions, with or without a drawer, \nthe first matt or gloss lacquered, \nthe second with a thin Portoro \nmarble or Grey stone top.\nVic\nL. 510   H. 470   P. 420\nW. 20”   H. 18½”   D. 16½”\nL. 510   H. 525   P. 420\nW. 20”   H. 20¾”   D. 16½”\nElegante vetrina composta da \nstruttura in metallo bronzo patinato \nbrunito con cerniere in acciaio e \nvetri trasparenti extralight. Arreda \nl’interno della vetrina la cassettiera \nin appoggio in noce Canaletto, \ndisponibile come optional.\nAn elegant display case incor-\nporating a burnished patinated \nbronze metal structure with steel \nhinges and extralight transparent \nglass. The inside of the display \ncabinet contains a freestanding \ndrawer unit in Canaletto walnut, \navailable as an optional.\nSerie di mobiletti a parete in rovere\ntermotrattato con sostegni in \nmetallo color bronzo, caratterizzati \nda vani aperti o chiusi con anta \nscorrevole e maniglia in metallo.\nSeries of pieces of wall furniture in \nthermo-treated oak with supports \nin bronze colour metal, characteri-\nsed by open or closed compart-\nments with sliding panel and metal \nhandle.\nLibreria per eccellenza, Selecta\nè stato il primo prodotto ad unire \ni dettagli del lavoro manuale sul \nlegno ad una serie di innovazioni \ntecniche che ad oggi lo rendono \nuno dei più versatili dal punto\ndi vista della composizioni, delle \nfiniture e degli usi assimilandolo \nad un vero e proprio prodotto ad \nhoc per ciascuna casa che sfrutta \nappieno la contemporaneità della \nmeccanizzazione dei processi \naziendali.\nBookcase par excellence, Selecta \nwas the first product to combine \nthe details of manual workmanship \non wood with a series of technical \ninnovations that today make it one\nof the most versatile in terms of \ncompositions, finishes and uses,\nmarking it as a truly ad hoc product\nfor every home that fully exploits \nthe modernity of mechanized \nproduction processes.\nModular system\nL. 3312   H. 2626   P. 346\nW. 130½”   H. 103½”   D. 13½”\nL. 1921   H. 2626   P. 346\nW. 75¾”   H. 103½”   D. 13½”\nTechnical sheet\nL. 600   H. 300   P. 380\nW. 23½”   H. 11¾”   D. 15”\n3\nL. 5080   H. 2624   P. 613\nW. 200”   H. 103¼”   D. 24¼”\nSeryasse è un armadio con anta \na battente dall’estetica ricca. \nUn progetto che si definisce nel \nmassello di noce Canaletto scelto \nper le ante ed esaltata dalla parti-\ncolare lavorazione a micro doghe \nche ne ha definito anche il nome. \nFortemente materica al tatto, l’anta \nsi caratterizza per il telaio verticale \nperimetrale e l’essenziale maniglia \nin metallo verniciato bronzo.\nSeryasse is a wardrobe with hinged\ndoors and a rich aesthetic quality. \nA design that is defined in the \nsolid Canaletto walnut chosen\nfor the doors and enhanced by the \nspecial working of micro-slats that \nalso gave it the name. Strongly \nmateric to the touch, the door \nis characterized by the vertical \nperimeter frame and the essential \nbronze painted metal handle.\nArmadio al centimetro\nSeryasse\n",68,{"image":285,"text":286,"number":287},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.69.png","Ad+Design \nPhoto\nStyling\nText\nTranslation\nRepro\nPrint\nGraph.X\nSanti Caleca\nStudio Salaris\nAntonella Matarrese\nRichard Peace\nA. De Pedrini\nOgm, 2019\nIT\nEN\n",69,{"image":289,"text":19,"number":290},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.70.png",70,{"image":292,"text":293,"number":294},"\u002Fmedia\u002Fimages\u002F17\u002F4d11646c5463d81ca43e81c885fbfb-288b5c3ea2.71.png","Lema S.p.a.\n22040 Alzate Brianza\nComo — Italia\nStrada Statale \nBriantea n° 2\nT +39 031 630 990\nlemamobili.com\n",71,[],0,false,true,{"success":298,"data":300,"meta":513,"count":514,"next":515,"previous":516,"results":550,"brand_chips":611},[301,314,323,332,341,350,360,370,380,392,404,417,427,440,452,462,472,481,491,503],{"id":302,"title":303,"slug":304,"image":305,"source":306,"brand_name":307,"brand":308,"brand_slug":309,"file_size":310,"pages":311,"pages_count":312,"matched_pages":313,"match_count":296,"two_pages":297,"show_text":298},26607,"Working 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