[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-la-murrina-l-amour-2019":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":364},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":359,"matched_pages":360,"match_count":361,"two_pages":362,"show_text":363},4028,"L Amour 2019","la-murrina-l-amour-2019","\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F2d\u002F31aa32737e61a576fe49719df12701.pdf","La Murrina",134,"la-murrina","12.1 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,312,316,320,324,328,332,336,340,344,348,351,354,357],{"image":7,"text":15,"number":16},"L ’Amour\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.3.png","1\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.4.png","2\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.5.png","L ’Amour\nL’amour n’est pas un sentiment, c’est un art.\nPaul Morand\nA new way of perceiving Murano glass and its true essence of being decorative, evocative, \nprecious. More than any other material, glass bestows emotion, allusions.\nla murrina is proud to present L’Amour, the new collection dedicated to love and to passion for\nbeautiful, timeless creations.\nHence the inspisration for the first two items of the collection, snippets of Made in Italy where\nthe Murano master glass blowers have captured the magic which for time immemorial has \ndistinguished their craft: the Ballroom series, designed by Samuele Mazza evokes the \natmosphere created by antique candelabras; the Jardin de Verre line by Alessandro La Spada\nfeatures dreamlike pieces blending design with art to tell their unique tale now enhanced with\nthe new hummingbirds decoration and embellished by LED light source. The Sicily collection by\nRoberto Serio takes its name from the Italian Island cradle of multiethnic cultures and histories.\nThe Python line by Alessandro La Spada signs again the originality of his mind, a combination of\nconcentric circular modules to create your own chandelier.\nBallroom, Jardin de Verre with its new decoration, Sicily, Belle Époque, Eva and Python\nare the continuity of the new design adventure spacing beyond lighting, L’Amour by la murrina\nwill explore different areas and diverse types of creations ranging from furniture to jewelry, ac-\ncessories and distinctive display solutions.\nMurano glass is, of course, the one and only protagonist.\nChapter Three\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.6.png","4\nJardin de Verre\ndesign Alessandro La Spada\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.7.png","5\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.8.png","6\nJardin de Verre\ndesign Alessandro La Spada\nThe Jardin de Verre collection by Alessandro La Spada, a love story between man and nature, the\ntale of a nineteenth century English Doctor, Nathaniel B. Ward, who was passionate about\nbotany. Observing the metamorphosis of a chrysalis closed in a jar with a handful of earth, Ward\ndiscovered that seeds and spores not only germinate but survive for years.\nHis observation led to the so called “Wardian cases”, true ecosystems which allowed transporta-\ntion of plants and flowers from one continent to another and became decorative features in\nhouses of the time.\nThe chandelier, as well as the wall lamps, bases and table lamps in the Jardin de Verre collection\nreproduce the most beautiful bell shape of Wardian cases and enclose three different items made\nfrom glass. The complexity and sheer beauty of the glass objects are a declaration of the skill and\nart of the Murano Masters: the cactus with curved leaves; the delicate, graceful butterflies sitting\non fine branches; the notched cup of the bell and its precious clapper.\nThe client can compose and alternate the three subjects to obtain a totally customized object.\nAn overall embellishing touch is given by cartridge shaped arms to support the bell.\nThe arms are crafted with spiral streaks which can only be executed by exceptionally talented\nglass Masters.\nThe unusual delicate, subtle colour palette – amethyst, honey, periwinkle blue and crystal \ncombined with the bright gold of the metal elements – lend a decidedly dreamlike atmosphere to\nthe collection.\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.9.png","7\nJardin de Verre\nChandelier S18\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.10.png","8\nJardin de Verre\nChandelier S18\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.11.png","9\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.12.png","10\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.13.png","11\nJardin de Verre\nChandelier S18\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.14.png","12\nJardin de Verre\nApplique\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.15.png","13\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.16.png","14\nJardin de Verre\nChandelier S6\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.17.png","15\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.18.png","16\nJardin de Verre\nChandelier S18  Led lighting\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.19.png","17\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.20.png","18\nJardin de Verre\nFloorLamp\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.21.png","19\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.22.png","20\nJardin de Verre\nPendant Papillons\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.23.png","21\nJardin de Verre\nPendant Rivière\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.24.png","Jardin de Verre\nPendant Papillons\n22\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.25.png","23\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.26.png","24\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.27.png","Cloche\nPapillons\nRivière\n25\nJardin de Verre\nTable Lamp\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.28.png","26\nSicily\ndesign Roberto Serio\nSicily is the first collection signed by Roberto Serio in cooperation with la murrina.\nSicily, a cradle of heterogeneous cultures, a land rich with contradictions, inspires the whole\ncollection. The two colour variants, red-gold or black-gold, depict Mount Etna’s shades of lava,\nrecalling the stages of eruption and consolidation. An important detail is represented by velvet,\nwhich covers the central body, softening the shapes of the blown-glass elements, modelled by\nmaster glass-makers in Murano.\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.29.png","27\nSicily\nChandelier S18+12+8\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.30.png","28\nSicily\nChandelier S18+12\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.31.png","29\nSicily\nChandelier S18\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.32.png","30\nSicily\nChandelier S12+8\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.33.png","31\nSicily\nAplique \n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.34.png","32\nBallroom\ndesign Samuele Mazza\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.35.png","33\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.36.png","34\nBallroom\ndesign Samuele Mazza\nWhether it is black or whether it is white, “no colour” (the sum of all colours or the lack of\ncolours) is the distinguishing feature which gives an unmistakable contemporary look to the new\nSamuele Mazza chandelier for la murrina: the unique look of opulent anti-minimalism, dreams\nand contamination has always been the stylistic hallmark of the designer.\nThe decidedly evocative chandelier, worthy of the most magnificent Gattopardo settings – the\nnovel set in the island of Sicily where the designer was born – also mixes touches and contamina-\ntion of Florence, another city which strongly influenced the course of the designer.\nThe name Ballroom is a tribute to the magical ballrooms of times gone by: from the magnificence\nand opulence of the Palazzo Valguarnera-Gangi (featured in Luchino Visconti’s film adaptation of\nIl Gattopardo), to the Reggia di Caserta and other examples of Italian architectural excellence of\nthe 700s.\nThe Ballroom collection perfectly recreates the atmosphere of antique candelabras and is com-\npleted by wall, floor and table lights.\nThe collection pays homage to an area of the World which no longer exists in modern political \ngeography; the adjective form perfectly fits the mood which Mazza defines as “byzantine” with\nthe up and coming middle bourgeoisie aiming at possessing “fragments of Made In Italy”.\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.37.png","35\nBallroom\nChandelier S4+2\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.38.png","36\nBallroom\nApplique\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.39.png","37\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.40.png","38\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.41.png","39\nBallroom\nChandelier S4+2\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.42.png","40\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.43.png","41\nBallroom\nTable Lamp\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.44.png","42\nBallroom\nChandelier S6\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.45.png","43\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.46.png","44\nBallroom\nChandelier S6\nFloor Lamp\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.47.png","45\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.48.png","46\nBallroom\nChandelier S4+4\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.49.png","47\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.50.png","48\nBallroom\nChandelier S4+4\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.51.png","49\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.52.png","50\nBelle Époque\ndesign Adriana Lohmann\nA period of great vitality, full of innovations and positivity, in which a brilliant and artistically in-\ntense life was led. This is the Belle Époque, the inspiring principle that gives the name to the col-\nlection designed by Adriana Lohmann for la murrina.\nBut Belle Époque is not a static product anchored in history: it is a transversal game between dif-\nferent eras and environments, between design and fashion, with vintage references but with a\ncontemporary and minimalist design.\nEclecticism is the key word of this collection of chandeliers with infinite variations of possible\nshapes and sizes, which comes to life by combining a basic module made of Murano glass.\nA square and a rectangle, softened by rounded corners and a relief pattern, come together and\nmultiply through a jeweled bracelet, in hammered metal. Essential but at the same time refined\nbasic elements, they generate a chandelier that compares nineteenth-century flavors with the de-\nmands of modernity, in a luxury without compromise of form and materials.\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.53.png","51\nBelle Époque\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.54.png","52\nBelle Époque\nS330\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.55.png","53\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.56.png","54\nBelle Époque\nR200\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.57.png","55\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.58.png","56\nBelle Époque\nS60\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.59.png","57\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.60.png","58\nBelle Époque\nModulinear\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.61.png","59\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.62.png","60\nBelle Époque\nModulinear\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.63.png","61\nBelle Époque\nSeparè\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.64.png","62\nEva\ndesign Federico Visani\nThe flower born of a tear.\nAccording to an ancient legend, the Calla flower, known for its beauty and whiteness, originated\nin the Garden of Eden. The tears of the disobedient Eve, expelled from Paradise, fell to the\nground and from them the elegant flower was born.\nFor this collection, Federico Visani draws inspiration from the movement of a falling tear of the\nfirst woman, Eva and from the first color of the world: green.\nElegant and sinuous lines trace the path by drawing moving drops that become stems. From each\nof them comes a calla, which turns towards the sky, in search of the lost light. This tension is re-\ninforced by the graphic sign of the hyperbola, from which all the elements of Eve originate. A\ntrait that always tends to infinity by its nature, without ever reaching it.\nThus a chandelier and a floor lamp are born, which thanks to the skill of its master glassmakers,\nla murrina transforms into a masterpiece of elegance and purity.\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.65.png","63\nEva\nS16\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.66.png","64\nEva\nFloor lamp T3\nS16\nApplique A2\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.67.png","65\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.68.png","66\nEuphoria\ndesign La Murrina\nRounded colored glass shapes, glass surface decorations imprinted fascinate with their elegance,\nmovement of light effects and reflections in a  beutifull waterfall that mixes space and light.\nThe result is an extraordinary “Euphoria”, evoked by the mix and intensity of the colors of the\nglass that together with the presence of golden metal elements reflect the light. The contrast of\nthe different geometric shapes between elements of glass and metal, create a “bijoux” effect to\nbeing inserted in luxury interiors.\n“Euphoria” unique and unrepeatable is the warm element of glass, combined with the structural\nrhythm of the shapes, the dynamism of the elements and the authenticity of the la murrina\nMurano tradition.\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.69.png","67\nEuphoria\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.70.png","68\nEuphoria\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.71.png","69\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.72.png","70\nPython\ndesign Alessandro La Spada\nAlessandro La Spada signs the original Python collection, characterized by replicable tubular glass\nelements. Each blown-glass element presents a bulging central part, covered with golden\nsputtering. This shape recalls the deadliest snake in the world, caught in the act of swallowing its\nprey. The combination of concentric circular modules creates an original chandelier, which\ncombines together classical and contemporary appeal.\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.73.png","71\nPython\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.74.png","72\nPython\n",74,{"image":310,"text":19,"number":311},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.75.png",75,{"image":313,"text":314,"number":315},"\u002Fmedia\u002Fimages\u002F2d\u002Ff1f3084dadfe6980a043e4fcf6e295.76.png","34\nBALLROOM\nS 4+4\n130\n51\n \n \n130\n51\n50\n20\n40\nG9\n20\n21\n46,2\nOO gold\n2L\npolish.\ngold\nS 4+2\n130\n51\n \n \n130\nx\n90\n51\nx\n35\n50\n20\n30\nG9\n20\n17\n33,4\nSS silver\n3L\npolish.\nsilver\nS 6\nRound\n88\n35\n \n \n98\n39\n50\n20\n30\nG9\n20\n15\n33\nDD white\nS 5\n88\n35\n \n \n98\n39\n50\n20\n25\nG9\n20\n13\n28,6\nPP 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Designer of a line of products which quickly rose to\ninternational acclaim, Visionnaire, for IPE srl and art director of the\ncompany until 2010. The line takes inspiration from theatrically\ndecorated houses, from the self representation, dotted with traces,\nliterary tributes built around the rare, precious catalysts of memory\nlike art and photography, which scatter the walls of dwellings to\nshape the private throbbing heart.\nBorn in Reggio Calabria to parents of Sicilian origin. Always\nfascinated emotional-looking objects. He transfer to Milan where he\nobtained a diploma in interior design at the Interior Design Institute.\nHe works as a designer and art director with several companies.\nHis most significant projects are represented by the consolidated\npartnership with IPE Group in the collections Visionnaire.\nIt ‘was a lecturer in furniture design at the Domus Academy in Milan\nand the Interior Design Institute. He loves to work closely with the\nmatter especially to the metal.\nHe calls himself a self-taught artist with the enthusiasm of the\ncraftsman.\nAdriana Lohmann\nAdriana Lohmann is a Lighting Designer and producer of glamorous,\neco-sustainable chandeliers. A “dressmaker” of light, born from the\nfashion industry, bio-design and reuse of materials. Born in Porto Alegre\n(Brazil), her atelier is located in Italy.Researching shapes and raw matter,\nambiance balance and Feng Shui principles, she crafts chandeliers with\nbold visual effect, made with exclusive materials: produces numerous\ncollections of handcrafted lamps, in crystal, metallic, plastic, textile,\nhigh-tech materials and unusual ones. Her creations are made to give\nemotions, are iconic and tend to the jewel. Often works with Architects\nand interior designers. She crafts twelve collections, for domestic\npurpose as well as bespoke creations in special shapes, suited for\nhospitality project or scenographic purposes. Her chandeliers decorates\ncharming homes and luxurious hotels worldwide.\nShe also collaborates as a designer for some prestigious brands and\n-from year 2013- started a fruitful research relationship with Verbatim,\nthat makes possible to blend the environmental sustainability of LED\nsources, with lavishness and poetry.\nRoberto Serio\nRoberto Serio is a designer voted an irrepressible to search for new\ninnovative materials and a creative genius that make that the artist\ncan work at 360° in the world of fashion, industrial and interior\ndesign. Born in 1966 in Palermo city rich in art, history and stands\nas a child in artistic design, in Milan attended the school the School\nof fashion designer. Consecutively meeting with the industrial design,\nthe designer collaborate with several companies of high quality\nnational and international. His interests are varied, of course, but is\nparticularly attracted by the aspects that relate to artistic expression\nand communication with the spirit that things will get better only with\nthe utmost passion and determination.\nFederico Visani\nFederico Visani was born in Florence in 1973 where he graduated in\ndesign and furniture at the Istituito Statale D’arte. He was early able\nto collaborate with prestigious interior studios from Florence as a\ndesigner. For instance, he worked at KOUROS studio of Tapinassi\nand Lipparini until 2001. Then, he joined the newly STUDIOMEMO\nof Maurizio Manzoni and Roberto Tapinassi where he was involved\nin all aspects of the creative process. It is a topical collaboration.\nVisani focuses on a functionalist project approach including poetic\ntouches so that the result is not common but “a creative problem\nsolver” (T. Maldonado). 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