[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-la-ebanisteria-bauhaus":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":129},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":124,"matched_pages":125,"match_count":126,"two_pages":127,"show_text":128},17866,"Bauhaus","la-ebanisteria-bauhaus","\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F93\u002F72989a4d8e7a2a2131c389d4d89d42-288ac11014.pdf","La Ebanisteria",1273,"la-ebanisteria","3.1 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121],{"image":7,"text":15,"number":16},"Collection\nBauhaus\nbe at home, since 1968\nwww.laebanisteria.com\nJULIO 2010\nbe at home, since 1968\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.2.png","The name Bauhaus, like many compound names, is derived from the union of the German “Bau”, \nmeaning building and “Haus”, house, but ironically, despite its name and the fact that its founder \nwas an architect, the original Bauhaus had no architectural department in the initial years of its \nexistence. Their proposals and mission statements professed the idea that a complete change \nin artistic teachings was sorely needed to achieve a transformation of society at the time, in line \nwith the ideology of its founder. The fi rst phase (1919-1923) was idealist and romantic; the second \n(1923-1925) much more rationalistic; and the third (1925-1929) achieved the greatest recognition, \ncoinciding with its transfer from the city of Weimar to Dessau. In 1930, under the direction of Mies \nvan der Rohe, it moved to Berlin, where it completely changed directions in its teaching programme.\nEl nombre Bauhaus deriva de la unión de las palabras en alemán Bau, “de la construcción”, y Haus, \n“casa”; irónicamente, a pesar de su nombre y del hecho de que su fundador fue un arquitecto, la \nBauhaus no tuvo un departamento de arquitectura en los primeros años de su existencia.\nSus propuestas y declaraciones de intenciones participaban de la idea de una necesaria reforma \nde las enseñanzas artísticas como base para una consiguiente transformación de la sociedad de \nla época, de acuerdo con la ideología de su fundador. La primera fase (1919-1923) fue idealista y \nromántica, la segunda (1923-1925) mucho más racionalista y en la tercera (1925-1929) alcanzó su \nmayor reconocimiento, coincidiendo con su traslado de Weimar a Dessau. En 1930, bajo la dirección \nde Mies van der Rohe, se trasladó a Berlín donde cambió por completo la orientación de su programa \nde enseñanza.\nIl nome “Bauhaus” deriva dall’unione delle parole tedesche “Bau” (della costruzione), e “Haus” (casa); \ncuriosamente, a prescindere dal suo nome e dal fatto che il fondatore fosse un architetto, nei suoi \nprimi anni di attività il Bauhaus non aveva un dipartimento di architettura. Le sue proposte e le dichia-\nrazioni di intenti, in linea con l’ideologia del suo fondatore, convergevano sull’idea di una necessaria \ninnovazione dell’insegnamento artistico come base per una conseguente trasformazione della società \ndell’epoca. La sua prima fase (1919-1923) fu idealista e romantica, la seconda (1923-1925) molto \npiù razionalista, mentre la terza (1925-1929), che coincise con il trasferimento della sede da Weimar \na Dessau, lo portò a raggiungere il suo massimo riconoscimento. Nel 1930, sotto la direzione di Mies \nvan der Rohe, il Bauhaus fu trasferito a Berlino, dove cambiò completamente l’orientamento del suo \nprogramma di insegnamento.\nCollection\nBauhaus\nbe at home, since 1968\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.3.png","The Bauhaus Museum in Berlin is a construction \nbased on the drawings of Walter Gropius. The \nhistory of this building reflects the controversies \nexperienced by Bauhaus artists and designers. \nThe reason for this, without going into too much \ndetail, is that the movement arose in Weimar in \n1919, moved to Dessau in 1929, and was then \nclosed down in 1932 by the Nationalist Party, only \nto re-emerge in Berlin later on. \nMuseo Bauhaus en Berlín, construcción basada \nen los dibujos de Walter Gropius.\nLa historia del edifi cio indica las controversias que \nsufrieron los artistas y diseñadores de la Bauhaus. \nYa que –y describiéndolo sin tanto detalle- el mo-\nvimiento surgió en Weimar en 1919, mudándose \na Dessau en 1929 para luego ser clausurado en \n1932 por el partido Nacionalista como resultado \nreestableciéndose en la ciudad de Berlín.\nMuseo Bauhaus a Berlino, costruzione realizzata \nsulla base dei progetti di Walter Gropius. La storia \ndell’edificio rispecchia le controversie che dovettero \naffrontare gli artisti e i progettisti del Bauhaus. \nSenza scendere nei dettagli, ricordiamo che il \nmovimento nacque a Weimar nel 1919, si trasferì \na Dessau nel 1929 e, nel 1932, fu fatto concludere \ndal partito Nazionalista. A seguito di questi eventi, \nil Bauhaus fu poi ristabilito nella città di Berlino.\nComposition Z 108\nSize: 345 cm\nFinish: Walnut 2 and Cappuccino \nComposición Z 108 \nMedida: 345 cm\nAcabado: Nogal 2 y Cappuccino\nComposizione Z 108\nMisure: 345 cm\nRifi nitura: Noce 2 e Cappuccino \nLa Ebanisteria    Bauhaus_3\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.4.png","Composition N66\nComposition size: 326 cm\nLibrary unit size: \n150 x  75 x \n25 cm\nFinish: Walnut 4 and Graphite  \nComposición N66\nMedida composición: 326 cm\nMedida elemento biblioteca: \n150 x  75 x \n25 cm\nAcabado: Nogal 4 y Grafi to\nComposizione N66\nMisure composición: 326 cm\nMisure elemento biblioteca: \n150 x  75 x \n25 cm\nRifi nitura: Noce 4 e Grafi te\nWardrobe 2 doors Z914 \nSize: \n150 x  68 x \n38 cm\nFinish: Walnut 4 and Graphite  \nAparador 2 puertas Z914\nMedida: \n150 x  68 x \n38 cm\nAcabado: Nogal 4 y Grafi to\nCredenza 2 ante Z914\nMisure: \n150 x  68 x \n38 cm\nRifi nitura: Noce 4 e Grafi te\nLa Ebanisteria    Bauhaus_5\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.5.png","Bauhaus set the standards \nand patterns for what we \nknow today as industrial and \ngraphic design. \nLa Bauhaus sentó las bases normativas y patrones de \nlo que hoy conocemos como diseño industrial y gráfi co.\nIl Bauhaus gettò le basi normative e stabilì i modelli di \nquelli che oggi conosciamo come “industrial design” e \n“graphic design”.\nLa Ebanisteria    Bauhaus_7\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.6.png","Modular library  Z146\nSize: 500 cm\nFinish: Walnut and Graphite  \nBiblioteca modular Z146\nMedida: 500 cm\nAcabado: Nogal y Grafi to\nBiblioteca modulare Z146\nMisure: 500 cm\nRifi nitura: Noce e Grafi te\nLa Ebanisteria    Bauhaus_9\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.7.png","La Ebanisteria    Bauhaus_11\nComposition Z130\nSize: 350 cm\nFinish: Walnut 3 and Black Piano   \nComposición Z130\nMedida: 350 cm\nAcabado: Nogal 3 y Negro Piano\nComposizione Z130\nMisure: 350 cm\nRifi nitura: Noce 3 e Nero Piano \nBauhaus coffee table\nSize: 100 x 100 cm\nFinish: Walnut 3 and Black Piano   \n(Available in other sizes) \nMesa de centro Bauhaus\nMedida: 100 x 100 cm\nAcabado: Nogal 3 y Negro Piano\n(Disponible en otras medidas)\nTavolino basso Bauahus \nMisure: 100 x 100 cm\nRifi niture: Noce 3 e Nero Piano \n(Disponibile in altre misure)\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.8.png","The Bauhaus school laid the \nacademic foundations for one \nof the most predominant trends \nof the new modern architecture.\nLa escuela Bauhaus estableció \nlos fundamentos académicos \nsobre los cuales se basaría en \ngran medida una de las tenden-\ncias más predominantes de la \nnueva Arquitectura Moderna.\nLa scuola Bauhaus fondò i prin-\ncipi accademici sui quali si sa-\nrebbe basata, in larga misura, \nuna delle tendenze predomi-\nnanti della nuova Architettura \nModerna.\nComposition N53\nSize: 326 cm\nFinish: Walnut 2 and Cappuccino \nComposición N53\nMedida: 326 cm\nAcabado: Nogal 2 y Cappuccino\nComposizione N53\nMisure: 326 cm\nRifi nitura: Noce 2 e Cappuccino \nLa Ebanisteria    Bauhaus_13\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.9.png","Library Z137\nSize: 300 cm\nFinish: White Piano\nBiblioteca Z137\nMedida: 300 cm\nAcabado: Blanco Piano\nBiblioteca Z137\nMisure: 300 cm\nRifi nitura: Bianco Piano\nLa Ebanisteria    Bauhaus_15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.10.png","Tv table N917\nSize: \n176 x  67 x \n41 cm\nFinish: Walnut 3 and White Piano\nMesa TV N917\nMedida: \n176 x  67 x \n41 cm\nAcabado: Nogal 3 y Blanco Piano\nTavolo TV N917\nMisure: \n176 x  67 x \n41 cm\nRifi nitura: Noce 3 e Bianco Piano\nThe first Bauhaus period lasted from 1919 to 1924-25, with Walter Gropius as its leader, and the second \nperiod ran from 1925-30, when the school moved to Dessau.\nLa primera etapa de la Bauhaus se desarrolló entre los años 1919 y 1924-25, siendo Walter Gropius su \ndirector, la segunda comprende entre 1925-30, momento en que la escuela se trasladó a Dessau.\nLa prima tappa del Bauhaus, sotto la direzione di Walter Gropius, ebbe luogo tra gli anni 1919 e 1924-1925; la secon-\nda tappa risale al periodo che va dal 1925 al 1930, e corrisponde al momento in cui la scuola si trasferì a Dessau.\nLa Ebanisteria    Bauhaus_17\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.11.png","Bauhaus works in Weimar \nand Dessau entered the lists \nof UNESCO World Heritage \nsites in 1996.\nLas obras de La Bauhaus en Weimar\ny Dessau fueron declaradas como Patrimonio de la \nHumanidad por la Unesco en el año 1996.\nNel 1996 le opere del Bauhaus a Weimar e\nDessau furono dichiarate Patrimonio dell’Umanità \ndall’Unesco.\nWardrobe 2 doors N914\nSize: \n156 x  90 x \n41 cm\nFinish: Walnut 4 and Graphite  \nAparador 2 puertas N914\nMedida: \n156 x  90 x \n41 cm\nAcabado: Nogal 4 y Grafi to\nCredenza 2 ante N914\nMisure: \n156 x  90 x \n41 cm\nRifi nitura: Noce 4 e Grafi te\nLa Ebanisteria    Bauhaus_19\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.12.png","Close-up of wiring ducts\nDetalle de regleta con pasacables\nDettaglio di presa multipla con canalina passacavi\nLa Ebanisteria    Bauhaus_21\nComposition Z108\nSize: 345 cm\nFinish: Walnut 3 and White Piano\nComposición Z108\nMedida: 345 cm\nAcabado: Nogal 3 y Blanco Piano\nComposizione Z108\nMisure: 345 cm\nRifi nitura: Noce 3 e Bianco Piano\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.13.png","Bauhaus was also a re-\nmarkable life experience for \na community of approxi-\nmately 1,400 young people \nwho, in the wake of the \nbreakdown of the “old or-\nder” and the traumatic ex-\nperience of the First World \nWar, enthusiastically be-\ngan building a new social \nutopia, with new ways of \nunderstanding human rela-\ntionships.\nLa Bauhaus fue también un \ngran experimento vital de \nuna pequeña comunidad \nde jóvenes (1.400 aproxi-\nmadamente) que, tras la \nquiebra del viejo orden y la \ntraumática experiencia de \nla recién acabada Primera \nGuerra Mundial, se lanzó \nllena de entusiasmo a la \nconstrucción de una utopía \nsocial, de nuevas formas \nde convivencia.\nIl Bauhaus fu anche un \ngrande esperimento vitale \ndi una piccola comuni-\ntà di giovani (1.400 circa) \nche, dopo il fallimento del \nvecchio ordine e la trau-\nmatica \nesperienza \ndella \nPrima Guerra Mondiale, \nconclusasi da poco tempo, \nsi dedicò con fervente en-\ntusiasmo alla costruzione \ndi un’utopia sociale e di \nnuove forme di convivenza.\nDouble Walnut dining table\nSize: 130 x 130 cm (extensible up to 190 x 130 cm)\n(Available in other sizes) \nFinish: Walnut 4 and Graphite\nMesa de comedor Double Walnut\nMedida: 130 x 130 cm (extensible a 190 x 130 cm)\n(Disponible en otras medidas)\nAcabado: Nogal 4 y Grafi to\nTavolo da pranzo Doppio Walnut\nMisure: 130 x 130 cm (extensible a 190 x 130 cm)\n(Disponibile in altre misure)\nRifi nitura: Noce 4 e Grafi te\nClose-up of open table\nDetalle de mesa abierta\nDettaglio di tavolo aperto\nFlops Chair\nFinish: Walnut 4\nSilla Flops\nAcabado: Nogal 4\nSedia Flops\nRifi nitura: Noce 4\nSkate chair\nFinish: Walnut 4\nSilla Skate\nAcabado: Nogal 4\nSedia Skate\nRifi nitura: Noce 4\nLa Ebanisteria    Bauhaus_23\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.14.png","Composition Z117\nSize: 325 cm\nFinish: Walnut 3 and White Piano\nComposición Z117\nMedida: 325 cm\nAcabado: Nogal 3 y Blanco Piano\nComposizione Z117\nMisure: 325 cm\nRifi nitura: Noce 3 e Bianco Piano\nDouble Walnut coffee table\nSize: 100 x 100 cm\n(Available in other sizes) \nFinish: Walnut 3 and White Piano\nMesa de centro double Walnut\nMedida: 100 x 100 cm\n(Disponible en otras medidas)\nAcabado: Nogal 3 y Blanco Piano\nTavolino basso Doppio Walnut\nMisure: 100 x 100 cm\n(Disponibile in altre misure)\nRifi nitura: Noce 3 e Bianco Piano\nThe predominance of form over function \nPredominio de la función sobre la forma.    \u002F    Predominio della forma sulla funzione\nLa Ebanisteria    Bauhaus_25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.15.png","Architrave architecture based on the three-dimensional \ncomposition of the straight line over a plane. Buildings \nas an aim in and of themselves. And within all this, an \nincredibly creative construction process.\nArquitectura arquitrabada basada en la composición tridi-\nmensional de la recta sobre un plano.\nLos edifi cios como objetivo fi nal; dentro de ello todo un \nenorme proceso de construcción creativa\nArchitettura con architravi basata sulla composizione tridi-\nmensionale della retta su un piano. Gli edifici come obiettivo \nfinale; il tutto caratterizzato da un immenso processo di \ncostruzione creativa.\nComposition Z104\nSize: 320 cm\nFinish: Walnut 4 and Graphite\nComposición Z104\nMedida: 320 cm\nAcabado: Nogal 4 y Grafi to\nComposizione Z104\nMisure: 320 cm\nRifi nitura: Noce 4 e Grafi te\nWardrobe 2 doors N914\nSize: \n156 x  90 x \n41 cm\nFinish:  Walnut 4 and Graphite  \nAparador  2 puertas N914\nMedida: \n156 x  90 x \n41 cm\nAcabado: Nogal 4 y Grafi to\nCredenza  2 cassetti N914\nMisure: \n156 x  90 x \n41 cm\nRifi nitura: Noce 4 e Grafi te\nLa Ebanisteria    Bauhaus_27\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.16.png","Composition Z103\nSize: 320 cm\nFinish: Walnut 2 and Cappuccino \nComposición Z103\nMedida: 320 cm\nAcabado: Nogal 2 y Cappuccino\nComposizione Z103\nMisure: 320 cm\nRifi nitura: Noce 2 e Cappuccino \nLa Ebanisteria    Bauhaus_29\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.17.png","Wardrobe 4 doors, 2 inner drawers  Z907\nSize: \n170 x  111 x \n38 cm\nFinish: Walnut 2 and White Piano\nAparador 4 puertas 2 cajones interiores Z907\nMedida: \n170 x  111 x \n38 cm\nAcabado: Nogal 2 y Blanco Piano\nCredenza 4 ante 2 cassetti interni Z907\nMisure: \n170 x  111 x \n38 cm\nRifi nitura: Noce 2 e Bianco Piano\nContainer 2 doors N901\nSize: \n126 x  152 x \n41 cm\nFinish: Walnut 2 and White Piano\nContenedor 2 puertas N901\nMedida: \n126 x  152 x \n41 cm\nAcabado: Nogal 2 y Blanco Piano\nContenitore 2 ante  N901\nMisure: \n126 x  152 x \n41 cm\nRifi nitura: Noce 2 e Bianco Piano\nLa Ebanisteria    Bauhaus_31\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.18.png","el valor de lo naturalBus et facilitatur? Cations equidis eos ut dolupid erfero maio miliaerit dolupta \nssecaec aborepuda doluptam ilit omnihictota a ditium siti veliqui cum vel eveles exSandit, santem \nsum am as ni consendus magnatem ne volorum nati que nos cum quiae simus el valor de lo natu-\nralBus et facilitatur? Cations equidis eos ut dolupid erfero maio miliaerit dolupta ssecaec aborepu-\nda doluptam ilit omnihictota a ditium siti veliqui cum vel eveles exSandit, santem sum am\nComposition N67\nSize: 356 cm\nFinish: Walnut 3 and White Piano\nComposición N67\nMedida: 356 cm\nAcabado: Nogal 3 y Blanco Piano\nComposizione N67\nMisure: 356 cm\nRifi nitura: Noce 3 e Bianco Piano\nNew modern architecture, incorporating \nnew aesthetics\nLa nueva Arquitectura Moderna, incorporando una nueva estética\nLa nuova Architettura Moderna, con l’aggiunta di una nuova estetica\nLa Ebanisteria    Bauhaus_33\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.19.png","Container 2 doors Z901\nFour doors with 2 inner drawers.\nContenedor 2 puertas Z901\nCuatro puertas con dos cajones interiores.\nContenitore 2 ante Z901\nQuattro ante con due cassetti interni.\nContainer 2 doors N901\nFour doors with 2 inner drawers.\nContenedor 2 puertas N901\nCuatro puertas con dos cajones interiores.\nContenitore 2 ante  N901\nQuattro ante con due cassetti interni.\nSkate chair\nPure\nSilla Skate\nPure\nSedia Skate\nPure\nSkate chair\nCappuccino\nSilla Skate\nCappuccino\nSedia Skate\nCappuccino\nSkate chair\nBrownie\nSilla Skate\nBrownie\nSedia Skate\nBrownie\nLa Ebanisteria    Bauhaus_35\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.20.png","Wardrobe 4 doors, 2 inner drawers N907\nSize: \n176 x  132 x \n41 cm\nFinish: Walnut 2 and Black Piano\nAparador 4 puertas 2 cajones interiores N907\nMedida: \n176 x  132 x \n41 cm\nAcabado: Nogal 2 y Negro Piano\nCredenza 4 ante 2 cassetti interni  N907\nMisure: \n176 x  132 x \n41 cm\nRifi nitura: Noce 2 e Nero Piano\nLibrary N906\nSize: \n176 x  162 x \n41 cm\nFinish: Walnut 2 and Black Piano\nBiblioteca N906\nMedida: \n176 x  162 x \n41 cm\nAcabado: Nogal 2 y Negro Piano\nBiblioteca N906\nMisure: \n176 x  162 x \n41 cm\nRifi nitura: Noce 2 e Nero Piano\nInner drawers detail.\nDetalle de cajones interiores\nCassetti interni \nLa Ebanisteria    Bauhaus_37\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.21.png","Bauhaus dining table\nSize: 130 x 130 cm (extensible to up 190 x 130 cm)\n(Available in other sizes) \nFinish: Walnut 2 and Black Piano\nMesa de comedor Bauhaus\nMedida: 130 x 130 cm (extensible 190 x 130 cm)\n(Disponible en otras medidas)\nAcabado: Nogal 2 y Negro Piano\nTavolo da pranzo Doppio Walnut\nMisure: 130 x 130 cm (extensible 190 x 130 cm)\n(Disponibile in altre misure)\nRifi nitura: Noce 2 e Nero Piano\nGiulietta chair\nFinish: Black Piano\nSilla Giulietta\nAcabado: Negro Piano\nSedia Giulietta\nRifi nitura: Nero Piano\nLa Ebanisteria    Bauhaus_39\nClose-up of open table\nDetalle de mesa abierta\nDettaglio di tavolo aperto\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.22.png","Ruptura de lo tradicional y con los estilos preestablecidos.\nRottura con la tradizione e con gli stili precostituiti.\nComposition Z107\nComposition size: 350 cm\nLibrary unit size: \n150 x  75 x \n25 cm\nFinish: Walnut 2 and Cappuccino \nComposición Z107\nMedida composición: 350 cm\nMedida elemento biblioteca: \n150 x  75 x \n25 cm\nAcabado: Nogal 2 y Cappuccino\nComposizione Z107\nMisure composición: 350 cm\nMisure elemento biblioteca: \n150 x  75 x \n25 cm\nRifi nitura: Noce 2 e Cappuccino \nA break with    tradition and pre-established styles.\nLa Ebanisteria    Bauhaus_41\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.23.png","Library Z140\nSize: 375 cm\nFinish: Walnut 2 and Cappuccino \nBiblioteca Z140\nMedidas: 375 cm\nAcabado: Nogal 2 y Cappuccino\nBiblioteca Z140\nMisures: 375 cm\nRifi nitura: Noce 2 e Cappuccino \nThe Bauhaus theory on teaching design included an \nartist and an engineer in every classroom. In this way, \nstudents were able to use their creativity freely, while \nsimultaneously learning technique.\nLa teoría de la Bauhaus sobre la enseñanza del diseño \nincluía un artista y un técnico en cada estudio de clase. De \nesta manera, los alumnos usaban su creatividad de forma \nlibre y, simultáneamente aprendían la técnica.\nLa teoría La teoria del Bauhaus sull’insegnamento del \ndesign comprendeva la presenza di un artista e un tecnico \nin tutti gli studi che ospitavano una classe. In questo \nmodo, gli alunni usavano la loro creatività in modo libero e, \ncontemporaneamente, acquisivano la tecnica. \nWardrobe 4 doors N915\nSize: \n206 x  90 x \n41 cm\nFinish: Walnut 2 and Cappuccino \nAparador 4 puertas N915\nMedidas: \n206 x  90 x \n41 cm\nAcabado: Nogal 2 y Cappuccino\nCredenza  4 ante N915\nMisures: \n206 x  90 x \n41 cm\nRifi nitura: Noce 2 e Cappuccino \nLa Ebanisteria    Bauhaus_43\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.24.png","Forms follows function and us-\nhers in the urban life style\nLa forma sigue a la función y abre el ritmo de la vida urbana.\nLa forma segue la funzione e crea il ritmo della vita urbana.\nBauhaus coffee table\nSize: 100 x 100 cm\n(Available in other sizes) \nFinish: Walnut 3 and White Piano\nMesa de centro Bauhaus\nMedida: 100 x 100 cm\n(Disponible en otras medidas)\nAcabado: Nogal 3 y Blanco Piano\nTavolino basso Bauhaus\nMisure: 100 x 100 cm\n(Disponibile in altre misure)\nRifi nitura: Noce 3 e Bianco Piano\nComposition Z104\nSize: 320 cm\nFinish: Walnut 3 and White Piano\n \n \nComposición Z104\nMedida: 320 cm\nAcabado: Nogal 3 y Blanco Piano\nComposizione Z104\nMisure: 320 cm\nRifi nitura: Noce 3 e Bianco Piano\nLa Ebanisteria    Bauhaus_45\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.25.png","The main objective of Bauhaus, the Building School, was the \nrenewal of architecture, of urban furniture and design. Its main \nrepresentatives were architects Walter Gropius and Mies\nvan der Rohe.\nEl principal objetivo de la Bauhaus, la Casa de la Construcción, era \nla renovación de la arquitectura, del mobiliario urbano y del diseño. \nSus principales representantes serán los arquitectos Walter Gropius y \nMies van der Rohe. \nIl principale obiettivo del Bauhaus, la “Casa della costruzione”, era il \nrinnovamento dell’architettura, dell’arredamento urbano e del design. \nI suoi principali rappresentanti furono gli architetti Walter Gropius e \nMies van der Rohe. \nComposition Z131\nSize: 350 cm\nFinish: Walnut 2 and Cappuccino \nComposición Z131\nMedida: 350 cm\nAcabado: Nogal 2 y Cappuccino\nComposizione Z131\nMisure: 350 cm\nRifi nitura: Noce 2 e Cappuccino \nLa Ebanisteria    Bauhaus_47\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.26.png","La Ebanisteria    Bauhaus_49\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.27.png","Bauhaus taught students \nto create. Manual work \nwas the basis for art.\nEn Bauhaus se enseñaba a crear.\nEl trabajo manual era la base del artista.\nNel Bauhaus si insegnava a creare.\nIl lavoro manuale costituiva la base dell’artista.\nComposition Z132\nComposition size: 420 cm\nLibrary unit size: \n150 x  75 x \n25 cm\nFinish: Walnut 4 y Graphite\nComposición Z132\nMedida composición: 420 cm\nMedida elemento biblioteca: \n150 x  75 x \n25 cm\nAcabado: Nogal 4 y Grafi to\nComposizione Z132\nMisure composizione: 420 cm\nMisure elemento biblioteca: \n150 x  75 x \n25 cm\nRifi nitura: Noce 4 e Grafi te\nLa Ebanisteria    Bauhaus_51\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F34\u002F6959eeae278f933f50a4b588f3de10-288ac26fd6.28.png","Effective planning\nbe at home, since 1968\nUna efectiva planifi cación; be at home, since 1968\nUn’effi cace pianifi cazione. ; be at home, since 1968\nDiseño y desarrollo del producto:\nLa ebanisteria\nFotografía:\nGRUPO GRÁFICO\nDiseño de catálogo, fotomecánica e impresión:\nGRUPO GRÁFICO\nColours and shades as shown in the photographs of this catalogue are for indication \nonly.  The manufacturer reserves the right to modify any model shown in this \ncatalogue without prior notice.\nLos tonos y colores de las fotografía de éste catálogo son una referencia a los \nmodelos reales. La ebanisteria se reserva el derecho a modifi car cualquier modelo \nde éste catálogo sin previo aviso.\nLe tonalità e i colori delle fotografi e del presente catalogo fanno riferimento ai \nmodelli reali. L’ebanisteria si riserva il diritto di modifi care qualsiasi modello del \ncatalogo senza previo avviso.\nbe at home, since 1968\n",28,[],0,false,true,{"success":128,"data":130,"meta":350,"count":351,"next":352,"previous":353,"results":391,"brand_chips":452},[131,144,154,164,174,184,194,204,214,226,239,252,262,275,288,298,308,318,328,340],{"id":132,"title":133,"slug":134,"image":135,"source":136,"brand_name":137,"brand":138,"brand_slug":139,"file_size":140,"pages":141,"pages_count":142,"matched_pages":143,"match_count":126,"two_pages":127,"show_text":128},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 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