[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-infiniti-design-almost-icons-2022":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":1292},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":1287,"matched_pages":1288,"match_count":1289,"two_pages":1290,"show_text":1291},13314,"Almost Icons 2022","infiniti-design-almost-icons-2022","\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fed\u002Fa278b28e8795b38e5395611e862054-274121d2c0.pdf","Infiniti Design",1260,"infiniti-design","49.0 MB",[14,17,21,25,28,32,35,39,43,47,51,55,59,63,67,71,75,79,83,87,91,95,99,103,107,111,114,118,122,126,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453,457,461,465,469,473,477,481,485,489,493,497,501,505,509,513,517,521,525,529,533,537,541,545,549,553,557,561,565,569,573,577,581,585,589,593,597,601,605,609,613,617,621,625,629,633,637,641,645,649,653,657,661,665,669,673,677,681,685,689,693,697,701,705,709,713,717,721,725,729,733,737,741,745,749,753,757,761,765,769,773,777,781,785,789,793,797,801,805,809,813,817,821,825,829,833,837,841,845,849,853,857,861,865,869,873,877,881,885,889,893,897,901,905,909,913,917,921,925,929,933,937,941,945,949,953,957,961,965,969,973,977,981,985,989,993,997,1001,1005,1009,1013,1017,1021,1025,1029,1033,1037,1041,1045,1049,1053,1057,1061,1065,1069,1073,1077,1080,1084,1088,1092,1096,1100,1104,1108,1112,1116,1120,1124,1128,1132,1136,1140,1144,1148,1152,1156,1160,1164,1168,1172,1176,1180,1184,1188,1192,1196,1200,1204,1208,1212,1216,1220,1224,1228,1232,1236,1240,1244,1248,1252,1256,1260,1263,1266,1269,1272,1275,1278,1281,1284],{"image":7,"text":15,"number":16},"Almost Icons \nCatalogue 2022\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.3.png"," \ninfiniti is a “teenager” brand, born in 2008, \nwhich offers furnishing designed to work, \nrelax and socialize. Creativity, technological \ninnovation, design-thinking: these are the key \nconcepts for understanding the philosophy of \ninfiniti, which proposes furnishing accessories \n– chairs, stools, tables, sofas – created for \nthe needs of contemporary life. From the first \nsteps, infiniti believed that design should \nbe a value to be shared in good company, a \nconcept extended to the urban, public and \nprofessional community with a recognizable, \npractical and elegant touch.\ninfiniti always believed that communicating \nis also an important part of every brand, \nand every picture taken from infiniti around \nthe world wanted to communicate: irony  - \nneeded more and more in nowadays world, \nculture - root of every man in the earth, \ninternationalization – since we are all part \nof the human melting pot, mental openness \n- fundamental pillar for understanding each \nother, multiethnicity – because a bunch of \nflower is always better when mixed, and finally \nan understandable strong connection to the \nItalian design heritage.\n",3,{"image":26,"text":19,"number":27},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.4.png",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.5.png","Landing 270\nVersable 274\nNext Table 278\nRecord Living 282\nRecord Meeting 286\nRecord Contract 290\nRami 294\nDiapason 298\nRuelle Table 302\nFeluca Table 306\nFlink Table 310\nBrogliatoTraverso\nClaus Breinholt\nFavaretto&Partners\nThomas Pedersen\nAndreas Ostwald\nmC.dsg\nQuaglio Simonelli\nMarc Sadler\nMarcello Ziliani\nOleg Pugachev\nFabrizio Batoni\nPhilippe Tabet \nKlaus Nolting\nRobin Rizzini\nDorigo Design\nKai Stania\nRadice Orlandini\nTables\nDesigners\nSeating Solutions\nFreya 32\nRound&Round 38\nCanova 44\nFeluca 52\nRuelle 58\nTondina POP 64\nSicla 74\nRelief 80\nPure Loop Mono 84\nPure Loop Binuance 90\nPure Loop Maxi 96\nPure Loop Lounge 100\nLoop Mono 106\nLoop 3D Wood 112\nCookie 118\nNext 124\nEastwood 130\nSettesusette 136\nPorta Venezia 142\nEkki 148\nHarmo 154\nWoodstock 160\nSeame 164\nBi 170\nÚti 176\nFiorellina 180\nDrop 186\nKram 192\nBomBom 198\nPeb 204\nDemoiselle 208\nCallita 214\nPinUp 220\nKlejn 226\nFlink 232\nFlink Wood 238\nPure Loop Mini 242\nPicapau 248\nBobo 254\nRecord Bench 260\nSys 264\n",5,{"image":33,"text":19,"number":34},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.6.png",6,{"image":36,"text":37,"number":38},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.7.png","[dəˈzaɪnərz]\n",7,{"image":40,"text":41,"number":42},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.8.png","DESIGNERS\nBrogliatoTraverso\nBoth graduated at I.U.A.V. \nof Venice, after several \nexperiences ranging \nfrom the art of glass in \nMurano to the traditional \nceramics in Japan, they \nfounded BrogliatoTraverso \ndesign studio in 2012. \nThe research of a “quiet \nelegance” is the link \nthrough their products, \nallowing to apply \ninnovative characters \nin a natural way without \naesthetic forcing. This \nvision and the constant \npassion for research and \ninnovation have allowed \nBrogliatoTraverso to \nwin some of the most \nprestigious international \nawards, such as Red \nDot Design Award, Good \nDesign Award, iF Design \nAward and Young&Design.\nSettesusette\n2016\nHarmo\n2017\nPeb\n2018\nLanding\n2018 \nFeluca\n2019\n8\n",8,{"image":44,"text":45,"number":46},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.9.png","INFINITI DESIGNERS\nDESIGNERS\nClaus Breinholt\nClaus Breinholt was born \nin a small town in rural \nwestern Denmark. As the \nson of a furniture dealer \nwith a preference for \nDanish design, he grew \nup surrounded by classic \npieces by Hans J. Wegner, \nArne Jacobsen and Ole \nWanscher.\nDuring his studies in \nGraphic Design, Breinholt \nsoon found that his \npassion laid in designing \nfurniture. Already during \nhis second semester \nstudying furniture design \nat the School of Design \nat the Royal Danish \nAcademy in Copenhagen \nhe won a scholarship for \nhis innovative approach \nto the design process. In \n2003 he opened his studio \nbased in Copenaghen, \nwhere he operates in \nthe fields of industrial \ndesign and furnishing \ndesign for the contract \nand home sectors. He has \nwon numerous national \nand international awards \nincluding FORBO Design \nCompetition and the \nDanish Woodworking \nand Furniture Industries \nCompetition. His products \nwere exhibited from \n2000 to 2006 at the \nScandinavian Furniture \nFair in Copenhagen, in \n2001 at the Satellite Show \nin Milan, in 2001 and \n2003 at the International \nFurniture Fair in Stockholm \nand at Interzum in \nCologne, in conjunction \nwith Reholz GmBH.\nLoop 3D Wood\n2008\nPure Loop Mini\n2014\nPure Loop Binuance\n2014\nPure Loop Mono\n2017\nCanova\n2018\nSicla\n2019\nLoop Mono\n2020\nFreya \n2020\n9\n",9,{"image":48,"text":49,"number":50},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.10.png","DESIGNERS\nFavaretto&Partners\nCuriosity, tenacity and \npassion for research have \ncharacterized our work \nfor more than 40 years \nat our Design Studio of \nindustrial design and \ninterior architecture \nfounded in 1973 in Padua \nby Paolo Favaretto. \nBack in the 1980s, the \nStudio was one of the \nfirst in Italy to engage in \nbusiness relationships \nabroad, collaborating with \nprestigious companies in \nNorth America, Europe \nand Asia. In 2009, with \nthe entry of the young \nFrancesco Favaretto, the \nactivities of the Studio \nhave extended even \nfurther and now cover \nvarious areas of design, \nfrom industrial design to \ncommunication, and from \ntangible to digital matter. \nThe product design sector \nranges from telephones \nto furniture (seating, \nlighting, upholstered \nfurniture), from medical to \nhome decor. Our Studio \nis particularly specialized \nin the design, prototyping \nand industrialization office \nfurniture, technical seating \n(executive armchairs, \noperational chairs) as well \nas community seating. \nFavaretto&Partners \nsupports and practices the \nprinciples of Design for All, \na declaration accepted by \nthe European Commission \nand promoted by the IIDD \n(Italian Institute Design \nDisability, today known as \nDFA Italy), which is in favor \nof good design practices \nthat aim to ensure the \naccessibility of places \nand objects to the widest \nrange of users.\nTondina\n2015\nBomBom\n2019\nRelief\n2019\nDiapason\n2019\n10\n",10,{"image":52,"text":53,"number":54},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.11.png","INFINITI DESIGNERS\nThomas Pedersen’s \ndesign displays typically \nDanish characteristics, \nwith a clear emphasis on \nsimplicity. He combines \nclassic organic lines \nwith innovative ideas \nand details. Much of his \nfascination for furniture \ndesign comes from the \nfact that it is possible to \nbuild full-scale models \nof the concepts he has \nin his head. He is firmly \nconvinced that it is only by \ndoing this that it is possible \nto test the qualities of his \nproducts with his own \nbody, to assess their \ndurability and thus make \ncertain that the results live \nup to expectations.\nThomas’s role models \ninclude Charles and \nRay Eames, whose \nfurniture design work \nwas always focused on \nergonomics and comfort, \naccommodating the \nhuman body.\nOver the years Thomas \nPedersen has won a \nnumber of awards for his \ndesigns. He is best known \nfor his StingRay chair, \nwhich he designed as \nhis graduation project in \nAarhus.\nKlejn\n2018\nFlink\n2018\nKram\n2018\nFlink Table\n2019\nDESIGNERS\nThomas Pedersen\n11\n",11,{"image":56,"text":57,"number":58},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.12.png","DESIGNERS\nAndreas Ostwald\nAndreas Ostwald was \nborn in Germany in 1964. \nAfter an apprenticeship \nas a ceramic modeller and \nhaving studied Industrial \nDesign in Kiel, in 1996 \nhe started up his own \nbusiness, giving life to \nOstwalddesign studio. \nFrom 1996 to 2006 he \ntaught design at the \n“Muthesius Hochschule” \nof Kiel, and since 2005 he \nis professor at the HFK \nUniversity of Bremen. \nIn his of product and \ninterior design research, \nOstwald is always looking \nfor complete uniqueness, \nleading to the creation \nof exclusive products \nand spaces. Core of his \nphilosophy is the ambition \nfor aesthetic perfection, \nattainable only through \nabsolute proportions. To \nOstwald, an appealing \ndesign must be in \nharmonious relationship \nnot only with its details, but \nalso with the environment: \nto design products being \nrespectful of man and \nthe environment means \nresearching innovative \ninteraction with the new \ntechnological and physical \npossibilities.\nCallita\n2012\nNext \n2013\nNext Table\n2016\nEastwod\n2019\n12\n",12,{"image":60,"text":61,"number":62},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.13.png","DESIGNERS\nmC.dsg\nmC.dsg is an Italian design \nstudio founded by Matteo \nCoracin in 2017.The studio \ntakes inspiration mainly \nfrom the simple lines, the \nnature and the emotions \nthat only the cured objects \ngive. Concepts that arise \nfrom the “emptiness idea”: \nproducts designed first \nof all to create emotions \nin their essentiality. “All \nyou need is less” is the \nphilosophy of our design. \nObjects designed with \npassion that take their \ncue from tradition, but \nare faced with a modern \napproach, even thinking \nabout the smallest details.\nÚti\n2018\nRecord Living\n2018\nRecord Bench\n2018\nRecord Contract\n2018\nEkki\n2019\nRecord Meeting\n2019\nSys\n2020\n",13,{"image":64,"text":65,"number":66},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.14.png","DESIGNERS\nQuaglio Simonelli\nQuaglio Simonelli is the \ncreation of two dynamic \ntalents Andrea Quaglio \nand Manuela Simonelli \n, both graduates of the \nUniversità del Progetto, in \nReggio Emilia. Their studio \nis based in Paris. After \ntheir debut and and their \ntwo years collaboration \nwith Philippe Starck, \nthey founded their own \ndesign studio dedicated \nto provide design services \nto several sectors of the \nmarketplace, beliving \nthat diversity is a source \nof creative richness. \nThey design technology \nproducts, create furniture \nand decorative objects, \nconceive the visual \nidentity and product \ndesign for beauty brands, \nalternating industrial \nlogic and artisanal \napproach. The result of \nthe meeting between \ntwo complementary \nsensibilities has been \nnourished by their history, \nby their creative gaze \nthey direct on the world \nthat surrounds them \nand by the mutation \nthey love to induce \non it. In this way, they \ndesign objects that look \nfamiliar, yet contaminated \nwith unexpected and \npoetic elements. They \nhave received several \ninternational awards for \ntheir designs: Red Dot \nProduct Design Award IF \nProduct Design Award \nCES Innovation Award \nHKDA Award, Kapok Prize \nÉtoile de l’Observeur \nJanus de l’Industrie \nSeveral products they \ndesigned are now part \nof the collection of the \nNational Foundation for \nContemporary Art at the \nCentre Georges Pompidou, \nParis.\nDemoiselle\n2017\n14\n",14,{"image":68,"text":69,"number":70},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.15.png","INFINITI DESIGNERS\nDESIGNERS\nMarc Sadler\nMarc Sadler is a designer \nand citizen of the world. \nBorn in Austria, he has \nlived and worked in France, \nthe United States, Asia \nand Italy. He currently \nlives in Milan, working as a \nconsultant for companies \nin the fields of home \nfurnishings, household \nappliances, lighting \nand sports. Constant \nexperimentation with \nplastics, inspired by a \npassion for challenges \nand a strong curiosity, \nhas always been at the \ncentre of his research. \nAt the beginning of the \nseventies, he perfect the \nfirst ski-boot in thermo \nplastic material completely \nrecyclable, subsequently \ncommercialised by the \nItalian firm Caber (later \nknown as Lotto). Working \nin this sector, provided \nthe experience to enable \nhim to bring innovation \nto more traditional areas \nwhere is set a concept of \ndesign as pure aesthetic \nshape. Awarded 4 times \nwith the Compasso d’Oro \nADI (Industrial Design \nassociation) for the lamps \nDrop (Flos, 1994), Tite \nand Mite (Foscarini, 2001), \nthe bookshelf Big(Caimi \nBrevetti, 2008) and \nthe gelato display case \nBellevue with Panorama \ntechnology (IFI, 2014), \nhis work has won many \ninternational design \nawards over the years. \nDespite his reputation as \na technical designer, Marc \nSadler has a strong feeling \nfor painting and drawing, \nfinding it so emotionally \nabsorbing as to consider it \nhis real passion.\nBi\n2014\n15\n",15,{"image":72,"text":73,"number":74},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.16.png","DESIGNERS\nMarcello Ziliani\nMarcello Ziliani was born in \nBrescia in 1963 under the \nsign of Pisces.\nIn 1988 he graduated in \narchitecture at Politecnico \ndi Milano with Achille \nCastiglioni as a speaker.\nAfter three years abroad, \nhe returned to Italy \nand devoted himself \nmainly to developing \nprojects for the design \nof furniture, complement, \nlighting, bathroom, \noffice, objects and early \nchildhood, working in \naddition to exhibitions, \ntheatrical choreography, \nart direction, design \ncoordination, graphics and \ncommunication.\nHe doesn’t like the \nabsolutism and the \nindestructible certainties, \nhe loves to look at things \nwith always different eyes \nto be in tune with them, \nhe prefers to speak softly \nand, above all, listen.\nHe believes that any \nproject is, after all, a \ndesire, a hope of flight.\nHe believes that, despite \nthe great run you can \ndo waving  your arms \nuselessly, sooner or later \nyou can have your ten \nmeters of gliding.\nLike all the designers, \nmore or less, he put aside \nthe minimum necessary \nequipment  of prizes and \nawards, he has given \nlectures, workshops, he \nserved on juries and so on. \nSince 2011 he’s a professor \nof product design at the \nUniversity of San Marino \u002F \nIUAV.\nPin-Up\n2010\nCookie\n2013\n16\n",16,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.17.png","INFINITI DESIGNERS\nDESIGNERS\nOleg Pugachev\nBorn in Russia, Oleg \nPugachev has called \nBerlin his home for more \nthan half of his life. Here \nhe graduated from the \nWeissensee School \nof Art and Design in \n2013. While working for \ninternationally active \ndesign and architecture \noffices, he has been \npursuing his own projects \nwith a focus on furniture \never since. Balancing of \nmeans and ends in terms \nof functionality, technology \nand aesthetics, a quest \nfor (never banal) simplicity \nand coherence reflecting \nthe complexity of the \ndesign process, following \n(and questioning) one’s \nintuition, a passion for \nthe history of design, art \nand architecture are the \nguiding principles of his \napproach.\nRound&Round\n2020\n17\n",17,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.18.png","DESIGNERS\nFabrizio Batoni\nFabrizio Batoni: sensitive, \ncurious, careful, always \nready to undertake new \nchallenges. Its personal \nand professional life \nmirrors its way to be. \n“Always on”, that is his \nmotto, to be always \nturned on, always tuned \nin for succeeding in \nunderstanding and to \nidentifing ideas and \nneeds of who is around. It \ngraduates in architecture \nin the Florence University, \nand after various \nexperiences in the world \nof design and architecture, \nin 1997 he opens his study \nin Colle di Val d’Elsa, \ncity of the crystal and \nnative country of Arnolfo \nDi Cambio, among the \nsplendid Chianti hills. He \nbegins the first important \ncollaborations in the \nworld of design and the \nfirst jobs of architecture. \nToday, after having \nacquired experience \nand methodology during \nthe years, different \ncompetences, that space \nfrom the design of the \nproduct, to the interior up \nto the architecture, find \nspace in his projects. The \nhauling motor of its activity \nis the desire to compare \nand continually risk, always \nholding an eye aimed to \nthe demands of the man \nand the environment that \nsurrounds him. He has \ndesigned for Blumarine, \nFlou, Brandoni, Domitalia, \nInfiniti by Omp group and \nZazzeri.\nFiorellina\n2013\nBobo\n2013\n18\n",18,{"image":84,"text":85,"number":86},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.19.png","INFINITI DESIGNERS\nDESIGNERS\nPhilippe Tabet\nPhilippe Tabet is a product \ndesigner from Versailles \n(France), based in Milan \n(Italy). He created in \n2013 his own studio, his \nmultidisciplinary practice \noffers a wide range of \nservices , ranging from \nfurniture to electronic \ndesign. In 2014 Tabet took \npart to Infiniti De-Contest \nand won with its project \n“Ruelle”, that today is one \nof the main products of \nour Chairs Collection. \n“Design for me is an \nensemble of elements. \nWhen I was a kid, I used to \ndraw characters, objects, \nshapes, a bit like I do \ntoday. The difference, \nhowever, is that when I \ndraw an object today, I \nthink immediately to its \nmaterial, to its production \nprocess or to its function. \nFor example two simple \nwood layers  glued \ntogether give birth to an \nobject  in volume: this is \nalso the starting point  \nof the Ruelle chair.”  My \nchallenge in this case has \nbeen to make the union \nof these two materials \nas much harmonious as \npossible, as the union \nbetween technique and \ndrawing.\nRuelle\n2018\nRuelle Table\n2020\n19\n",19,{"image":88,"text":89,"number":90},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.20.png","DESIGNERS\nKlaus Nolting\nBorn in Switzerland \nin 1964, Klaus Nolting \nstudied industrial \ndesign at Kiel University \nin Germany. Having \nobtained his degree in \n1992, he began working \nfor various architecture \nand design firms until, in \n2006, he founded ON3D, \na firm that specialises in \nplanning and designing \nproducts for modern living, \ndeveloping new concepts \nand design products with \nclean, soft lines. Since \n2009 he has lectured on \nTheory of Design, Product \nTechnology and Concept \nat Germany’s Mainz \nUniversity. Since 2010 he \nhas also been a member \nof the Architectural \nAssociation of Hamburg. \nNumerous awards have \nbeen presented for the \nwork done by Klaus \nNolting, from “Light of the \nfuture ” in 2001, to the \nHamburger Designpreis, \nas well as the iF product \ndesign award, which he \nwon in both 2011 and 2014.\nSeame\n2014\n20\n",20,{"image":92,"text":93,"number":94},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.21.png","INFINITI DESIGNERS\nDESIGNERS\nRobin Rizzini\nDesigner Italo-Britannico, \nnasce a Genova nel \n1973. Dopo una lunga \nesperienza nello studio di \nAntonio Citterio a Milano, \napre il suo primo studio di \nprogettazione nel 2006. \nQualche anno dopo co-\nfonda ed è Design Partner \ndello studio Metrica a \nMilano. Dal 2019 torna \nad essere Designer \nindipendente. Ha lavorato \ncon diverse aziende \ndell’arredamento in Italia \ne all’estero lavorando \nsu progetti destinati al \nmercato residenziale, \ncontract e ufficio. \nCondensa il linguaggio \ntecnico-industriale e \nquello decorativo con \nequilibrio, con l’obbiettivo \ndi progettare oggetti e \narredi essenziali, funzionali \ned espressivi. Svolge \nda diversi anni attività di \ninsegnamento presso \nla Scuola Politecnica di \nDesign. Nel 2014 è stato \npremiato con il premio \nCompasso d’Oro.\nVersable\n2020\n21\n",21,{"image":96,"text":97,"number":98},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.22.png","DESIGNERS\nDorigo Design\nFiorenzo Dorigo was born \nin the province of Treviso \nin 1953. Since 1975, while \nattending art studies, he \nhas collaborated with \ncompanies in the furniture \nsector, taking care of \ntheir design and image. \nSince 1977 he has been \nattending the Signomega \nstudio and joins Bruno \nMaria Fracarossi in the \n“total design” experience \nof the “Seabuggy” \nprojects (selected for \nthe Compasso d’Oro \nin 1979) and “Quartz” \n(kitchen covered in \ntempered glass: 1982).\nEnrolled in ADI, IDD (Italian \nInstitute for Design and \nDisability) and freelance \nsince 1987, he gained \nsignificant experience \nin the field of ecological, \nplayful, pedagogical \ndesign; of teaching and \nsystems and types in the \nfurnishing contest for the \nhome, appliances, office, \ncommunity, cinema and \ntheater, in Europe, the \nUnited States, the Far \nEast. In 2002 and 2003 he \nheld seminars on applied \ndesign at the University \nof Padua at the Institute \nfor the Wood Industry. \nHe currently designs for \ncompanies in the home, \noffice and community \ndesign sector. He works \nin Italy in his own studio in \nConegliano Veneto.\nPorta Venezia\n2012\n22\n",22,{"image":100,"text":101,"number":102},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.23.png","INFINITI DESIGNERS\nDESIGNERS\nKai Stania\nIn the perfect symbiosis \nbetween aesthetic and \nfunctionality lies the \nstrength of the Viennese \nDesigner Kai Stania. The \nproof how perfect he \nunderstands his craft \nis a row of national and \ninternational design \nawards he receives \nalready in young years \nlike the nomination of the \nGerman Design Award, \nthe IF Design Award, the \nRed Dot Award or the \nselection of the 10 best \nAustrian furniture pieces. \nHis furniture for example \nwas used to furnish the \nMI6 office of “M” in the \nlatest James Bond. His \nspectrum ranges from a \npen for HUGO BOSS till \nArchitecture all scales of \ndesign.\nKai Stania was born 1965 \nin Salzburg  and starts his \nArchitecture studies 1987 \non the Technical University \nof Vienna. Parallel to \nhis architecture studies \nhe starts 1990 at the \nUniversity of Applied Arts \nin Vienna his studies of \nindustrial design. Already \n1993 he moves to London \nto take project leadership \nin Ron Arad Studio. 1996 \nhe finishes his architecture \nstudies with distinction \nand becomes Assistant \nProfessor at the Technical \nUniversity of Vienna. \nAfter one year working as \nan Architect he founds his \noffice „kai stania I product \ndesign“ and works for \ndesign brands like Team7, \nBene, Rolf Benz, Durlet \nand fashion accessories \nfor brands like  Hugo Boss, \nCerruti, Ungaro, Nina Ricci \nand Cacharel. \nThe designer lives \ntogether with his family \nin his awarded house in \nVienna, were he combines \nliving and working.\nWoodstock\n2017\n23\n",23,{"image":104,"text":105,"number":106},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.24.png","One is Milanese, born in \n’79, the other is Tuscan, \nborn in ’72. Both graduated \nfrom the Politecnico di \nMilano, the first in industrial \ndesign, the second in \narchitecture; they met \nin LUCCIORLANDINI \nstudio after various work \nexperiences and in 2008 \nthey began to work on \ndifferent projects. Andrea \nis curious, he loves sport \nand culture, he is always \nlooking for new and \ninteresting stimuli. \nFolco, a lover of Man, of \nhis infinite potential and \nof life in all its forms and \nexpressions, says he is \nstimulated by the pulsating \nmetropolitan heartbeat, \nwhich gives rise to his \nunbridled passion for the \nvisual arts. Both defend \ntrue design, the one that \ncreates emotions, the one \nthat makes you stay up at \nnight, the one that gets \nyour hands dirty in the \nlaboratory, the one that, \nsynthesizing function and \naesthetics, manages to \nlast over time.\nDrop\n2011\nPicapau\n2013\nDESIGNERS\nRadice Orlandini\n24\n",24,{"image":108,"text":109,"number":110},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.25.png","INFINITI DESIGNERS\n25\n",25,{"image":112,"text":19,"number":113},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.26.png",26,{"image":115,"text":116,"number":117},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.27.png","[ˈsɪt əˈraʊnd ðə ˈwɝːld]\n",27,{"image":119,"text":120,"number":121},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.28.png","Travelling with \nimagination and \nhaving fun is part of \nour nature: an infiniti \nchair is a trip without \nhaving to move, among \ncolours, shapes, and \nmaterials that evoke \nplaces, scents and \nsounds of different \nand marvellous \nworlds.\nCape Town\nSan Francisco\nVaranasi\nIstanbul\n28\n",28,{"image":123,"text":124,"number":125},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.29.png","Mexico City\nVenice\nLisbon\nMoscow\nLondon\nNew York\n29\n",29,{"image":127,"text":19,"number":128},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.30.png",30,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.31.png","[ˈsi:tɪŋ səˈluːʃənz]\n",31,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.32.png","CLAUS BREINHOLT\n2020\n[ˈfreɪə]\nFreya is the highest expression of a pure and linear \ndesign, in which shape and functionality have always \nbeen going hand in hand. Innovation is fully expressed \nthrough the design and the concept of the chair: for \nthe first time, a monobloc chair in recycled plastic with \nan upholstered internal shell is presented. The gentle \ncurvature of the injection-molded frame embraces \nand accommodates a soft upholstered front panel, \ncreating continuity among the various elements of the \nseat and giving an extreme comfort.\n32\n",32,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.33.png","FREYA\n33\n",33,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.34.png","Cello\nThe cellos are a critical part of orchestral music; all symphonic works \ninvolve the cello section, and many pieces require cello soli or solos. \nMuch of the time, cellos provide part of the low-register harmony for \nthe orchestra. Often, the cello section plays the melody for a brief \nperiod, before returning to the harmony role. There are also cello \nconcertos, which are orchestral pieces that feature a solo cellist \naccompanied by an entire orchestra.\n34\n",34,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.35.png","FREYA\n35\n",35,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.36.png","The upholstered seat \nis the distinctive \nfeature of this \noriginal, comfortable \nand sinuous model, \nwhich can be \nconfigured in a range \nof different fabrics, \nwhich can be easily \ncombined with the \nfinish of the shell.\n36\n",36,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.37.png","FREYA\n37\n",37,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.38.png","OLEG PUGACHEV\n2020\n[raʊnd ənd ˈraʊnd]\nAt a first glance, Round&Round appears to be a \nclassic stool, composed of a delicate structure \nwith four legs in painted steel. But the simplicity of \nthe shapes hides a peculiarity: the seat in recycled \nplastic or wood, which can be upholstered for greater \ncomfort, spins around the central axis, thanks to a \nrefined and invisible technical solution. Therefore, \nRound&Round is an essential and delicate piece of \nfurniture, suitable for any context.\n38\n",38,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.39.png","ROUND&ROUND\n39\n",39,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.40.png","40\n",40,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.41.png","ROUND&ROUND\nTapas\nTapas are an integral part of the Spanish \nculture, as they combine delicious food \nand spending time with friends into one. \nTapas are essentially small plates of food \nserved with a drinklike beer or sangria. They \nbring people together and have always \nplayed an important role within the social \nlife of Madrileños; for this reason, Madrid \nhas endless tapas bars! Every bar has \nits specialty which stands out among the \nothers. It is very common among locals to \nwalk around the city and go from bar to bar. \nIf locals are planning on visiting more than \none tapas bar during the evening, this is \nsometimes referred to as ir de tapas.\n41\n",41,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.42.png","The geometric \nperfection of \nthe seat is \nframed by the \ndelicate yet \nrobust frame, \naccompanying \nit in games \nof match \nor unusual \ncombinations. \n42\n",42,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.43.png","ROUND&ROUND\n43\n",43,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.44.png","CLAUS BREINHOLT\n2018\n[kaˈnovə]\nCanova is a chair with a classic clean design. Soft \ncolours and round shapes enhance the framework \nmaterial. It’s a monobloc chair in polypropylene with \nan upholstered seat cushion for indoor or outdoor, \nreminding of a vintage wooden chair, but realised with \na fresh and contemporary touch.\n44\n",44,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.45.png","CANOVA\n45\n",45,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.46.png","Piazza San Marco\n55°45'47\"N 12°35'57\"E\nPiazza San Marco is the principal public \nsquare of Venice. All other urban spaces \nin the city (except the Piazzetta and the \nPiazzale Roma) are called campi (“fields”). \nA remark usually attributed (though without \nproof) to Napoleon calls the Piazza San \nMarco “the drawing room of Europe”.\n46\n",46,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.47.png","CANOVA\n47\n",47,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.48.png","Canova wants to elevate plastic \nmaterial from the way in which \nit’s traditionally perceived.\n48\n",48,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.49.png","CANOVA\nThe warmth and materiality \nof wood lend a cosy and \ntraditional touch to a chair that \nrevisits the past. \n49\n",49,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.50.png","The Skovshoved Petrol \nStation\n55°45'47\"N 12°35'57\"E\nThe Skovshoved Petrol Station \n(Danish: Skovshoved Tankstation) \nis a historic, still-operating filling \nstation in Skovshoved at the northern \noutskirts of Copenhagen, Denmark. \nFirst opened in 1936, it was designed \nby Arne Jacobsen and is an example \nof the functionalist style typical of \nthe time.\n50\n",50,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.51.png","CANOVA\nNyhavn\n55°45'47\"N 12°35'57\"E\nNyhavn was constructed by King Christian V from \n1670 to 1675, dug by Swedish prisoners of war from \nthe Dano-Swedish War 1658-1660. It is a gateway \nfrom the sea to the old inner city at Kongens Nytorv \n(King’s Square), where ships handled cargo and \nfishermens’ catch. It was notorious for beer, sailors, \nand prostitution. Danish author Hans Christian \nAndersen lived at Nyhavn for some 18 years. \n51\n",51,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.52.png","BROGLIATOTRAVERSO\n2019\n[ˈfeluːkə]\nThe feluca (“becorn hat” in English) is an ancient \nheadgear used in the eighteenth century and \ncharacterized by two downward curved extremities. It \nis no coincidence if BrogliatoTraverso has chosen this \nname for this new chair, since its backrest has a shape \nthat strongly reminds of it. This particular design gives \na sense of movement to its profile, erasing any rigidity \nand enhancing harmony and refinement.\n52\n",52,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.53.png","FELUCA\n53\n",53,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.54.png","Montmartre\n48°53'7.79\"N 2°20'16.80\"E\nMontmartre is a large hill in Paris's 18th \narrondissement. It is 130 m high and gives \nits name to the surrounding district, part of \nthe Right Bank in the northern section of \nthe city. Montmartre is primarily known for \nits artistic history, the white-domed Basilica \nof the Sacré-Cœur on its summit, and as a \nnightclub district.\n54\n",54,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.55.png","FELUCA\n55\n",55,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.56.png","Feluca has this \nparticular design  \nthat gives a sense \nof movement,  \nerasing any \nrigidity and \nenhancing \nharmony and \nrefinement.\n56\n",56,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.57.png","FELUCA\nIn Feluca Pop, wood gives \nway to polypropylene, which \ncombined with the elliptical \nmetal frame creates vivid \ncontrasts.\n57\n",57,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.58.png","PHILIPPE TABET\n2018\n[ˌruːˈel]\nIn the small alleyways of the small French country \nvillages (the so-called “ruelles”) is typical having a \nseat on the traditional bistrot and brasserie chairs, \nwhich have been revisited by Philippe Tabet in a \ncontemporary way. Ruelle won the fourth edition of \nthe infiniti Design Context. It is a chair with a die-cast \nalluminium structure and extruded alluminium legs. \nThanks to its shape and its features, Ruelle can be \nused for bars and restaurants, and also in outdoor \ncontexts.\n58\n",58,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.59.png","RUELLE\n59\n",59,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.60.png","Mexico City\nN 19° 25' 42\" E 99° 07' 39\"\nThe Zócalo (Spanish pronunciation: [‘so.ka.lo]) is the common name of \nthe main square in central Mexico City. Prior to the colonial period, it \nwas the main ceremonial center in the Aztec city of Tenochtitlan. \n60\n",60,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.61.png","RUELLE\n61\n",61,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.62.png","Lightness and \nwarmth collide \nin this indoor \nversion, which \ncomes also \nupholstered \nfor increased \ncomfort. \n62\n",62,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.63.png","RUELLE\n63\n",63,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.64.png","FAVARETTO&PARTNERS\n2015\n[ton’dina]\nInspired by Nordic design, but with a design reminiscent \nof soft, delicate forms, the Tondina family consists of a \nrounded seat and backrest supported by a slim frame. \nThere is no place where it does not fit in, and the wide \nrange of versions available makes it a passe par tout for \nany interior context.\n64\n",64,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.65.png","TONDINA\n65\n",65,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.66.png","66\n",66,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.67.png","TONDINA\nMabu Vinyl\n33°55'32\"S  18°25'23\"E \nBased in Cape Town since 2000. We buy, \nsell, and trade most kinds of vinyl – vintage \nand new. Also CD’s, tapes, comics, and \nmusic-related DVD's and books.\n67\n",67,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.68.png","Tondina Pop has \nseat and back in \na wide range of \npolypropylene \ncolors, which can be \neasily matched with \nmany frame finishes. \nThe result will \nalways be a versatile \nand elegant chair, \nsuitable for bar, \nrestaurants, bistrots \nor dining rooms. \n68\n",68,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.69.png","TONDINA\nTondina Slim is the latest \naddition to the Tondina \nfamily is distinguished by \nan unmistakable openwork \ntexture, which recalls the \ntraditional weave of the \n1950s reinterpreted in a more \ncontemporary version.\n69\n",69,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.70.png","70\n",70,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.71.png","TONDINA\nVaranasi\n25.3176° N, 82.9739° E\nVaranasi, also called Benares, Banaras, or \nKashi City, is located on the left bank of the \nGanges River and is one of the seven sacred \ncities of Hinduism. It is one of the oldest \ncontinuously inhabited cities in the world. \n71\n",71,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.72.png","72\n",72,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.73.png","TONDINA\nDelicate and irregular wood \ngrains characterise the Tondina \ncollection in plywood, the first \nborn of the family. Stools, \nchairs and the Lounge armchair \nadd a touch of cosy elegance to \nthe room. \n73\n",73,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.74.png","CLAUS BREINHOLT\n2019\n[ ̍sikla]\nFormal neatness, several basis available and great \nlightness: this is Sicla, a chair made of a lightweight \nand comfortable monocoque. A rib inserted on the \nback of the chair provides extreme stability to the \nbackrest. The seat can be entirely upholstered or only \nprovided with a seat panel.\n74\n",74,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.75.png","SICLA\n75\n",75,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.76.png","Nove\n45°44′N 11°41′E\nNove is a town in the province of Vicenza in the region of Veneto, \nnorth-eastern Italy, with just over 5,000 inhabitants. It is located on \nthe Brenta river, near Marostica and Bassano del Grappa. The town \nis home of a local network of ceramic industries. The name of the \ntown comes from the antique Italian nove, in the meaning of \"new\". As \nmatter of fact, the lands where the town is located were considered \nnew because of the lowering of the level of the Brenta. The lowering \nof the river revealed soft lands rich of clay. The first artisans of the \narea started using the clay for the production of pottery.\n76\n",76,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.77.png","SICLA\n77\n",77,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.78.png","The colours of the polypropylene \nshell create a subtle play of light \nand shadow with the rib and \narmrests, showing all its stability \nin its lightness. \n78\n",78,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.79.png","SICLA\n79\n",79,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.80.png","FAVARETTO&PARTNERS\n2019\n[rəˈliːf]\nRelief is a polypropylene monocoque chair collection, \ncharacterized by soft and comfortable lines. The shell \nhas two high reliefs in different finishes, that recall \nvirtual cushions on the seat and on the backrest, \nemphasizing the minimal but not trivial form. From this \ntechnical detail derives the name Relief. \n80\n",80,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.81.png","RELIEF\n81\n",81,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.82.png","The chair has a \npolypropylene shell, \nwhich is assembled \non different bases. \nThree versions are \navailable: plastic, \nwith upholstered \nseat or fully \nupholstered.\n82\n",82,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.83.png","RELIEF\nThe ergonomics of the shell \nmake Relief perfect as a work, \nmeeting or conference chair.\n83\n",83,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.84.png","CLAUS BREINHOLT\n2017\n[ˈpjʊr ˈluːp ˈmoʊnoʊ]\nThe latest evolution of the Pure Loop series, ‘Mono’ \nis a shell that and can be matched with any existing \nframe or base of the family. The shell is a coloured, \nrecycled polypropylene monocoque which can be \ndefined as extremely versatile. The painted steel \nframes make it ideal for furnishing environments \nincluding outdoor areas.\n84\n",84,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.85.png","PURE LOOP MONO\n85\n",85,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.86.png","Amsterdam  \n52°22′42″N 4°54′0″E\nAmsterdam, capital of the \nNetherlands, has more than 100 \nkilometers (62 mi) of grachten \n(canals), about 90 islands and \n1,500 bridges. The three main \ncanals (Herengracht, Prinsengracht \nand Keizersgracht), dug in the \n17th century during the Dutch \nGolden Age, form concentric belts \naround the city, known as the \nGrachtengordel. Alongside the \nmain canals are 1550 monumental \nbuildings. \n86\n",86,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.87.png","PURE LOOP MONO\nRialto Market\n45.4380°N 12.3360°E\nNear the base of the landmark Rialto Bridge, the \nhistoric Rialto Market is well worth a wander. Seek \nit out in the early morning when it provides an \nauthentic local experience (and awesome social-\nmedia ops), with fishmongers hawking their fresh \nseafood catches and local produce merchants \nsetting out seasonal fruits and vegetables\n87\n",87,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.88.png","The simple \nshapes of the \nshell and frame \nemphasise \nthe Nordic \ninspiration \nof Pure Loop \nMono, while \nretaining \ncomfort and \na sense of \ncosiness.\n88\n",88,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.89.png","PURE LOOP MONO\nPure Loop Mono's ideal \nproportions mean that \nit can be used in any \ncontext, without ever \nlooking out of place. \n89\n",89,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.90.png","CLAUS BREINHOLT\n2014\n[ˈpjʊr ˈluːp ˈbəˈnuæns]\nThe Binuance develops colours, material and \ntechnology of the Pure Loop family. The sophisticated \ntwo-colour shell is obtained from a single \npolypropylene injection and it is available in seven \ntone-on-tone versions.\n90\n",90,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.91.png","PURE LOOP BINUANCE\n91\n",91,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.92.png","Mexico City\nN19°25'42\" E99°07'39\"\nThe population of Greater Mexico City is \n21,804,515, which makes it the sixth-largest \nmetropolitan area in the world, the second-\nlargest urban agglomeration in the Western \nHemisphere and the largest Spanish-\nspeaking city in the World.\n92\n",92,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.93.png","PURE LOOP BINUANCE\n93\n",93,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.94.png","The contrast of the two colours \nof the shell can be emphasised \nby the wooden leg frame, or by \nthe retro frame.\n94\n",94,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.95.png","PURE LOOP BINUANCE\n95\n",95,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.96.png","CLAUS BREINHOLT\n2017\n[ˈpjʊr ˈluːp ˈmæksi]\nThe Pure Loop family introduces a new “Maxi” version: \nan enlarged shell upholstered in leather or fabric. \n96\n",96,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.97.png","PURE LOOP MAxI\n97\n",97,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.98.png","98\n",98,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.99.png","PURE LOOP MAxI\nThe simplicity of the shapes \nand the friendly form \ndemonstrate the formal purity \nof the design from which it took \nits inspiration. \n99\n",99,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.100.png","CLAUS BREINHOLT\n2015\n[ˈpjʊr ˈluːp ˈlaʊndʒ]\nPure Loop Lounge is an armchair with a cozy and \nergonomic shape, with a poluyrethane padded seat \npanel, and it's completely upholstered. Funcionality \nand comfort are guaranteed. \n100\n",100,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.101.png","PURE LOOP LOUNGE\n101\n",101,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.102.png","The 4-star base is perfect for \noffices, lounges and waiting \nareas. \n102\n",102,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.103.png","PURE LOOP LOUNGE\n103\n",103,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.104.png","Sādhu and Sādhvī \nLiterally, it means one who practises \na ″sadhana″ or keenly follows a path \nof spiritual discipline. The sādhu is \nsolely dedicated to achieving mokşa \n(liberation from the cycle of death \nand rebirth), through meditation and \ncontemplation of Brahman. \n104\n",104,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.105.png","PURE LOOP LOUNGE\nThe Sanskrit terms sādhu (\"good man\") and sādhvī \n(\"good woman\") refer to renouncers who have \nchosen to live lives apart from or on the edges of \nsociety to focus on their own spiritual practices.\n105\n",105,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.106.png","CLAUS BREINHOLT\n2020\n[ˈluːp ˈmoʊnoʊ]\nBorn ten years ago, and it has immediately become \none of the Infiniti best sellers, Loop is a sinuous icon \ncapable of making any public or private environment \nelegant. The polycarbonate shell gives now way to a \nrecycled polypropylene version, made even thinner \nand lighter than before. \n106\n",106,{"image":434,"text":435,"number":436},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.107.png","Loop Mono\n107\n",107,{"image":438,"text":439,"number":440},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.108.png","Johannesburg\n26°12′16″S 28°2′44″E\nJohannesburg, informally known as Jozi, Joburg, or \"The City of Gold\", \nis the largest city in South Africa, classified as a megacity, and is one \nof the 100 largest urban areas in the world.\n108\n",108,{"image":442,"text":443,"number":444},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.109.png","New York City\n40°42′46″n 74°0′22″W\nnew York, often called new York City (nYC) to \ndistinguish it from the state of new York, is the most \npopulous city in the United States. new York City is \nalso the most densely populated major city in the \nUnited States. Located at the southern tip of the \nstate of new York, the city is the center of the new \nYork metropolitan area, the largest metropolitan \narea in the world by urban area.\nLoop Mono\n109\n",109,{"image":446,"text":447,"number":448},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.110.png","The ergonomic \narmrests have a new \nsize, but maintaining \nthe typical curvature, \nwhich has made this \nchair unique for its \nkind. Loop Mono \nin polypropylene, \nwhich is added to \nthe classic wooden \nversion, takes on \na pop, fresh and \nmodern connotation.\n110\n",110,{"image":450,"text":451,"number":452},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.111.png","Loop Mono\n111\n",111,{"image":454,"text":455,"number":456},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.112.png","CLAUS BREINHOLT\n2008\n[ˈluːp ˈwʊd]\nThe first legendary family created by Claus Breinholt \nand the first one-piece shell in the world with arms \nin 3D curved wood. Loop Wood can be said to be \nthe predecessor of a large extended family, which \nincludes the polypropylene version, the \"pure\" \nversion, with the shell without armrests, and the \n\"Mini\" version, with the shell reduced to a minimalist \nversion. This piece of art, with its unique shape, can be \nrecognised everywhere by its design, which remains \ncontemporary even with the passage of time.\n112\n",112,{"image":458,"text":459,"number":460},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.113.png","Loop 3D WooD\n113\n",113,{"image":462,"text":463,"number":464},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.114.png","Berlin\n52°31′12″n 13°24′18″E\nBerlin is the capital and largest city of \nGermany by both area and population. \nIts 3.7 million inhabitants make it the \nEuropean Union's most populous city, \naccording to population within city limits. \none of Germany's sixteen constituent \nstates, Berlin is surrounded by the State of \nBrandenburg and contiguous with potsdam, \nBrandenburg's capital. Berlin's urban area, \nwhich has a population of around 4.5 million, \nis the second most populous urban area \nin Germany after the Ruhr. The Berlin-\nBrandenburg capital region has around \n6.2 million inhabitants and is Germany's \nthird-largest metropolitan region after the \nRhine-Ruhr and Rhine-Main regions. There \nhas been an unsuccessful attempt to unify \nboth states in 1996 and the states cooperate \non many matters to this day.\n114\n",114,{"image":466,"text":467,"number":468},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.115.png","Loop 3D WooD\n115\n",115,{"image":470,"text":471,"number":472},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.116.png","The wooden \nshell can be \ncombined with \nnumerous \nbases,  and \nwill furnish \nthe room with \npersonality and \ncharacter.   \n116\n",116,{"image":474,"text":475,"number":476},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.117.png","Loop 3D WooD\n117\n",117,{"image":478,"text":479,"number":480},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.118.png","MARCELLO ZILIANI\n2013\n[ˈkʊki]\nCookie is a comfortable and refined chair, composed \nof a polypropylene shell combined with different \nbases, to be chosen according to one's needs. The \nintriguing, sinuous and essential design of the shell \nis unmistakable, and the ergonomic shape gives a \nwelcoming feeling. \n118\n",118,{"image":482,"text":483,"number":484},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.119.png","CookIE\n119\n",119,{"image":486,"text":487,"number":488},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.120.png","Shakespeare and Company\nn 48°51'15\" E 2°20'83\"\nShakespeare and Company is an iconic \nEnglish-language bookstore opened in \n1951 by George Whitman, located on \nparis's Left Bank. The store was named \nafter Sylvia Beach's bookstore of the same \nname founded in 1919 on the Left Bank, \nwhich closed in 1941. Whitman adopted \nthe \"Shakespeare and Company\" name \nfor his store in 1964. The bookstore is \nsituated at 37 rue de la Bûcherie, in the \n5th arrondissement. opened in 1951 by \nAmerican George Whitman, it was originally \ncalled \"Le Mistral\", but was renamed to \n\"Shakespeare and Company\" in 1964 in \ntribute to Sylvia Beach's store and on the \n400th anniversary of William Shakespeare's \nbirth.\n120\n",120,{"image":490,"text":491,"number":492},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.121.png","CookIE\n121\n",121,{"image":494,"text":495,"number":496},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.122.png","122\n",122,{"image":498,"text":499,"number":500},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.123.png","The harmony of Cookie is \nreflected in the shape of the \nshell, which also incorporates \nthe armrests. comfort is \namplified in the upholstered \nversion, in fabric or leather.\nCookIE\n123\n",123,{"image":502,"text":503,"number":504},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.124.png","ANDREAS OSTWALD\n2013\n[ˈnekst]\nplastic, steel and wood: three materials in one \nsophisticated product, winner of the Good Design \nAward in 2014.  next finds its ideal place in a modern, \nminimalist environment. The solid Iroko wood structure \nand a perforated shell make it a robust chair, suitable \nalso for outdoor areas.\n124\n",124,{"image":506,"text":507,"number":508},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.125.png","nExT\n125\n",125,{"image":510,"text":511,"number":512},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.126.png","Ring corner\nIn boxing, each fighter is given a corner of \nthe ring where he rests in between rounds \nfor 1 minute and where his trainers stand. \nTypically, three men stand in the corner \nbesides the boxer himself; these are the \ntrainer, the assistant trainer and the cutman. \nThe trainer and assistant typically give \nadvice to the boxer on what he is doing \nwrong as well as encouraging him if he is \nlosing. The cutman is a cutaneous doctor \nresponsible for keeping the boxer's face \nand eyes free of cuts, blood and excessive \nswelling. \n126\n",126,{"image":514,"text":515,"number":516},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.127.png","nExT\n127\n",127,{"image":518,"text":519,"number":520},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.128.png","128\n",128,{"image":522,"text":523,"number":524},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.129.png","The combination of three \nelements, so different yet \ncomplementary, creates plays \nof light that emphasise the \nuniqueness of a chair that \nknows how to stand out. \nnExT\n129\n",129,{"image":526,"text":527,"number":528},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.130.png","ANDREAS OSTWALD\n2019\n[ˈiːst ˈwʊd]\nIn the new Eastwood chair, a solid ash structure meets \nthe polypropylene, creating an intriguing intersection \nof sinuous lines. The slightly curved back panel rest \ngently on the frame, which is realised in natural or \nblack stained ash, maximizing the comfort. The color \npalette for the seat and backrest makes Eastwood \nmatchable to any classic and modern setting.\n130\n",130,{"image":530,"text":531,"number":532},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.131.png","EASTWooD\n131\n",131,{"image":534,"text":535,"number":536},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.132.png","Orecchiette\nBari's cuisine is based on three typical \nagricultural products found within the \nsurrounding region of Apulia, namely wheat, \nolive oil and wine. The local cuisine is also \nenriched by the wide variety of fruit and \nvegetables produced locally. Local flour \nis used in homemade bread and pasta \nproduction including, most notably, the \nfamous orecchiette ear-shaped pasta, \nrecchietelle or strascinate, chiancarelle \n(orecchiette of different sizes) and cavatelli.\n132\n",132,{"image":538,"text":539,"number":540},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.133.png","EASTWooD\n133\n",133,{"image":542,"text":543,"number":544},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.134.png","The colour of the seat and back \nis also present in the frame, \nwith an oval detail that does not \ngo unnoticed and adds a fun \ntouch to the chair.\n134\n",134,{"image":546,"text":547,"number":548},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.135.png","EASTWooD\n135\n",135,{"image":550,"text":551,"number":552},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.136.png","BROGLIATOTRAVERSO\n2016\n[ˈsɛtte ˈsu ˈsɛtte]\nThe strength and beauty of Settesusette is the \nformal continuity of the wood of the frame and the \npolypropylene of the backrest and seat. The elegant \nand harmonious composition of these two materials, \nso different yet so wonderfully united, let Settesusette \nbecome a must-have that fits perfectly into any \nexpressive style.\n136\n",136,{"image":554,"text":555,"number":556},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.137.png","SETTESUSETTE\n137\n",137,{"image":558,"text":559,"number":560},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.138.png","Holland Windmills\nWindmills are an iconic part of the Dutch \nlandscape, and a visit to one is a must for \nvisitors to the netherlands. And with eight \nwindmills located in and around Amsterdam, \nwindmill spotting is a great way to see the \ncity.\n138\n",138,{"image":562,"text":563,"number":564},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.139.png","SETTESUSETTE\n139\n",139,{"image":566,"text":567,"number":568},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.140.png","The chair has \na clean design, \nwhich can be fully \nappreciated on the \nback of the product. \nSettesusette is \nsuitable both \nfor domestic \nand for contract \nenvironments and \nthe sophisticated \ncombinations of \ncolours make it \nfitting properly in \ninteriors with a \nvintage style. \n140\n",140,{"image":570,"text":571,"number":572},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.141.png","SETTESUSETTE\n141\n",141,{"image":574,"text":575,"number":576},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.142.png","DORIGO DESIGN\n2012\n[ˈpɔrta veˈnɛttsja]\nThe combination of different materials, such as plastic \nand wood, creates porta Venezia, a collection of \nchairs and stools that suggests lightness and comfort. \nThe chromatic matches available give porta Venezia \na vibrant twist, giving it a place in kitchens with a \ncontemporary design, but also in bars and cafeterias \nthat are looking for an unconventional solution to \naccommodate their guests. \n142\n",142,{"image":578,"text":579,"number":580},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.143.png","poRTA VEnEzIA\n143\n",143,{"image":582,"text":583,"number":584},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.144.png","144\n",144,{"image":586,"text":587,"number":588},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.145.png","Sumo\nSumo is a form of competitive full-contact \nwrestling where a rikishi (wrestler) attempts \nto force his opponent out of a circular ring \n(dohyō) or into touching the ground with any \nbody part other than the soles of his feet \n(usually by throwing, shoving or pushing him \ndown).\npoRTA VEnEzIA\n145\n",145,{"image":590,"text":591,"number":592},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.146.png","The concept \nof this chair, \noriginally \ndesigned to be \nused in bars \nand cafes, has \nbeen revised to \nmake it fitting \nin dining rooms \nwith a pop \nstyle.\n146\n",146,{"image":594,"text":595,"number":596},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.147.png","poRTA VEnEzIA\n147\n",147,{"image":598,"text":599,"number":600},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.148.png","MC.DSG\n2019\n[ˈɛkki]\nmC.dsg wants to pay homage to the early Twentieth \ncentury designers with Ekki, a chair with a retrò \ndesign. It is enriched by contemporary elements, \nsuch as the metal beams placed on the back side of \nthe rectangular backrest, and the visible assembly \ncomponents.\n148\n",148,{"image":602,"text":603,"number":604},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.149.png","EkkI\n149\n",149,{"image":606,"text":607,"number":608},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.150.png","Paris Métro\nThe paris Métro is a rapid transit \nsystem in the paris metropolitan \narea, France. A symbol of the city, \nit is known for its density within the \ncapital's territorial limits, uniform \narchitecture and unique entrances \ninfluenced by Art nouveau. It is \nmostly underground and 225 \nkilometres long.\n150\n",150,{"image":610,"text":611,"number":612},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.151.png","Basilica of the Sacred Heart\n48°53′12″n 2°20′35″E\nThe Basilica of the Sacred Heart of paris is a \nRoman Catholic church and minor basilica in paris, \ndedicated to the Sacred Heart of Jesus. Sacré-\nCœur Basilica is located at the summit of the butte \nMontmartre, the highest point in the city. It is a \npopular landmark, and the second-most visited \nmonument in paris. The basilica was designed by \npaul Abadie: construction began in 1875 and was \ncompleted in 1914.\nEkkI\n151\n",151,{"image":614,"text":615,"number":616},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.152.png","The wooden \nseat and \nbackrest are \nwide and \nspacious, the \nframe is square \nbut harmonious. \nThe colour \ncontrast is \nreminiscent \nof chairs \nof the past, \nwith a gentle \nreference to \nthe Nordic \nmodels of the \n20th century. \n152\n",152,{"image":618,"text":619,"number":620},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.153.png","EkkI\n153\n",153,{"image":622,"text":623,"number":624},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.154.png","BROGLIATOTRAVERSO\n2017\n[ˈhɑːrmo]\nHarmo picks up on the tradition of wooden chairs, \nwhile retaining the comfort and conviviality provided \nby the chair's rounded shape. The massive yet \ndelicate profile seems to delicately support the \nbackrest and seat, and invites you to sit down. \n154\n",154,{"image":626,"text":627,"number":628},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.155.png","HARMo\n155\n",155,{"image":630,"text":631,"number":632},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.156.png","Great Wall of China\n40.68°n 117.23°E\nThe Great Wall of China is a series of \nfortifications that were built across the \nhistorical northern borders of ancient \nChinese states and Imperial China as \nprotection against various nomadic groups \nfrom the Eurasian Steppe. The best-known \nsections of the wall were built by the Ming \ndynasty (1368–1644). Apart from defense, \nother purposes of the Great Wall have \nincluded border controls, allowing the \nimposition of duties on goods transported \nalong the Silk Road, and the control of \nimmigration and emigration. \n156\n",156,{"image":634,"text":635,"number":636},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.157.png","HARMo\n157\n",157,{"image":638,"text":639,"number":640},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.158.png","158\n",158,{"image":642,"text":643,"number":644},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.159.png","The imperceptible joint between \nframe and backrest is an \nunmistakable design feature of \nBrogliatoTraverso. \nHARMo\n159\n",159,{"image":646,"text":647,"number":648},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.160.png","KAI STANIA\n2017\n[ˈwʊdˌstɑːk]\nWoodstock is a chair entirely realised in plywood \noak. It has a minimal design with a rock edge and it is \ndesigned to be easily stacked. perfect for a company \nuse, it can be provided with a linking device that \nallows to arrange it in rows: a fantastic solution for \nconference rooms.\n160\n",160,{"image":650,"text":651,"number":652},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.161.png","WooDSToCk\n161\n",161,{"image":654,"text":655,"number":656},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.162.png","Lightweight, comfortable, \nhighly stackable: Woodstock \nis designed to be used in \nenvironments where sharing is \na must. \n162\n",162,{"image":658,"text":659,"number":660},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.163.png","WooDSToCk\n163\n",163,{"image":662,"text":663,"number":664},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.164.png","KLAUS NOLTING\n2014\n[seˈame]\nLight as a feather, yet stable and with an unmistakable \ndesign: the Seame family concentrates all Infiniti's \nknow-how in woodworking. The body, made from \ndelicate yet distinctively grained wood panels, is \ncurvaceous and measured, and its contours at the \nback define the shape and elegantly shape it. \n164\n",164,{"image":666,"text":667,"number":668},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.165.png","SEAME\n165\n",165,{"image":670,"text":671,"number":672},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.166.png","166\n",166,{"image":674,"text":675,"number":676},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.167.png","Padrão dos Descobrimentos\n38°41′36.98″n 9°12′20.59″W\npadrão dos Descobrimentos is a monument \non the northern bank of the Tagus River \nestuary, in the civil parish of Santa Maria \nde Belém, Lisbon. Located along the river \nwhere ships departed to explore and trade \nwith India and the orient, the monument \ncelebrates the portuguese Age of Discovery \n(or \"Age of Exploration\") during the 15th and \n16th centuries.\nSEAME\n167\n",167,{"image":678,"text":679,"number":680},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.168.png","Seame is 100% \ngreen, it is perfect \nfor Scandinavian \nstyle environments \nwith modern \nneutral and cold \ntones. Designed for \nresidential settings, \nSeame is also \nsuitable for contract \nuse in libraries, \nreading areas and \npublic spaces.\n168\n",168,{"image":682,"text":683,"number":684},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.169.png","SEAME\n169\n",169,{"image":686,"text":687,"number":688},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.170.png","MARC SADLER\n2014\n[ˈbi]\nMarc Sadler, with this project, has developed a \n“platform” product, on which he has inserted an \nelement of discontinuity, providing this chair an \n“ironic character”. In this way, Bi suits into any kind of \nspace: residential spaces or waiting rooms, modern \nenviroments or urban settings. The comfortable, \nhigh-performance base has been paired with a light \npolycarbonate or wood backrest. Bi 20s is the latest \nstriking creation becoming part of the Bi family.\n170\n",170,{"image":690,"text":691,"number":692},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.171.png","BI\n171\n",171,{"image":694,"text":695,"number":696},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.172.png","172\n",172,{"image":698,"text":699,"number":700},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.173.png","Lisbon\n38°43′31″n 9°09′00″W\nLisbon is the capital and the largest city of \nportugal. The westernmost portions of its \nmetro area, the portuguese Riviera, form the \nwesternmost point of Continental Europe, \nculminating at Cabo da Roca. Lisbon is one \nof the oldest cities in the world, and the \nsecond-oldest European capital city (after \nAthens), predating other modern European \ncapitals by centuries.\nBI\n173\n",173,{"image":702,"text":703,"number":704},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.174.png","Circles and square lines take \ncentre stage, the softness of \nthe seat and back can be felt, \nthe elegance is undeniable. \n174\n",174,{"image":706,"text":707,"number":708},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.175.png","BI\n175\n",175,{"image":710,"text":711,"number":712},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.176.png","MC.DSG\n2018\n[ˈuti]\n“Úti” is the Icelandic word that expresses the French \nconcept of “en plein air”. With this chair, infiniti gives \na new, nordic and minimal direction to the outdoor \nfurniture, overcoming the common Mediterranean-\ninspired dehors concept. Úti is a chair with a structure \nmanufactured in painted steel rod, available with or \nwithout arms. \n176\n",176,{"image":714,"text":715,"number":716},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.177.png","ÚTI\n177\n",177,{"image":718,"text":719,"number":720},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.178.png","Ideal for \noutdoor use, it \nis also possible \nto add an \nupholstered \npanel to the \nseat for added \ncomfort. \n178\n",178,{"image":722,"text":723,"number":724},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.179.png","ÚTI\n179\n",179,{"image":726,"text":727,"number":728},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.180.png","FABRIZIO BATONI\n2013\n[fjorelˈlina]\nLightweight and practical, this chair is characterised \nby a considerable manufacturing complexity. In fact, it \nis based on a technology that allows obtaining, from \na single mould, four different versions of the product: \nwith solid or with perforated backrest and, both \nversions, with or without arms. \n180\n",180,{"image":730,"text":731,"number":732},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.181.png","FIoRELLInA\n181\n",181,{"image":734,"text":735,"number":736},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.182.png","Napa St.Galilee Harbor \nSausalito, CA 94965,  \nStati Uniti\n37°51′33″n 122°29′07″W\nGalilee is a fishing village on point Judith \nwithin the town of narragansett, Rhode \nIsland, USA, and is notable for being home to \nthe largest fishing fleet in Rhode Island and \nfor being the site of the Block Island Ferry. \nThe village is directly across the harbor from \nJerusalem, Rhode Island. Galilee, Rhode \nIsland is named after the Biblical Galilee, \nwhich was the original home region of Jesus \nChrist, who grew up in nazareth, a village \nin the Galilee region of Israel on the Sea of \nGalilee. Four of Jesus' disciples, Andrew, \npeter, James and John, were fishermen from \nGalilee.\n182\n",182,{"image":738,"text":739,"number":740},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.183.png","FIoRELLInA\n183\n",183,{"image":742,"text":743,"number":744},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.184.png","184\n",184,{"image":746,"text":747,"number":748},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.185.png","Fiorellina suits well for contract \nuses, as well as for outdoor \nuses and summer settings ones.\nFIoRELLInA\n185\n",185,{"image":750,"text":751,"number":752},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.186.png","RADICE ORLANDINI\n2011\n[ˈdrɑːp]\nAwarded with the Good Design Award in 2011, Drop \nis a chair for contract settings, with a playful design \nand available in a wide range of colours. It is the ideal \nsynthesis of the dynamic and essential style of the \ninfiniti collection. It provides lightness and irony to \npublic spaces, like bars, pubs, and restaurants. This \ndesign product is 100% recyclable.\n186\n",186,{"image":754,"text":755,"number":756},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.187.png","DRop\n187\n",187,{"image":758,"text":759,"number":760},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.188.png","Miami\n25°47′16″n 80°13′27″W\nRomero Britto (born october 6, 1963) is a Brazilian artist, painter, \nserigrapher, and sculptor. He combines elements of cubism, pop art, \nand graffiti painting in his work, using vibrant colors and bold patterns \nas a visual expression of hope, dreams, and happiness.\n188\n",188,{"image":762,"text":763,"number":764},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.189.png","Surfing in Australia\nAustralia is renowned as one of the world's premier \nsurfing destinations. Surfing underpins an important \npart of the Australian coastal fabric. It forms part \nof a lifestyle in which millions participate and which \nmillions more have an interest. Surfing Australia \nis the national sporting body which guides and \npromotes the development of surfing.\nDRop\n189\n",189,{"image":766,"text":767,"number":768},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.190.png","Thanks to the hole in the \nseat, Drop is perfect for use \noutdoors and in the sun, easy to \ntransport and stackable. \n190\n",190,{"image":770,"text":771,"number":772},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.191.png","DRop\n191\n",191,{"image":774,"text":775,"number":776},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.192.png","THOMAS PEDERSEN\n2018\n[ˈkræm] \nInspired by an open seashell, kram is inviting and \nwelcoming the user to enjoying great comfort. It is a \nplywood lounge chair that rests on a steel or wooden \nthree-legged frame. For a fitting of unparalleled \nelegance, kram is also available upholstered. \n192\n",192,{"image":778,"text":779,"number":780},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.193.png","kRAM\n193\n",193,{"image":782,"text":783,"number":784},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.194.png","Aarhus\n56°09′n 10°13′E\nAarhus is the second-largest city in Denmark and \nthe seat of Aarhus municipality. The largest city \nin Jutland, Aarhus anchors the Central Denmark \nRegion. \n194\n",194,{"image":786,"text":787,"number":788},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.195.png","United States Capitol\n38°53′23″n 77°00′32″W\nThe United States Capitol, often called The Capitol \nor the Capitol Building, is the meeting place of \nthe United States Congress and the seat of the \nlegislative branch of the U.S. federal government. It \nis located on Capitol Hill at the eastern end of the \nnational Mall in Washington, D.C. Though no longer \nat the geographic center of the federal district, the \nCapitol forms the origin point for the district's street-\nnumbering system and the district's four quadrants.\nkRAM\n195\n",195,{"image":790,"text":791,"number":792},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.196.png","The minimalist frame \nwith strong lines \nsupports curves \nand waves, and the \nwarmth of veined \nwood. The structure \nof Kram invites you \nto sit down and relax.\n196\n",196,{"image":794,"text":795,"number":796},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.197.png","kRAM\n197\n",197,{"image":798,"text":799,"number":800},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.198.png","FAVARETTO&PARTNERS\n2019\n[ˈbɒmbɒm]\nIts name evokes only good feelings: softness, \nsmoothness, fluffiness. These are the features that \neveryone expects from an armchair and that BomBom \nis able to provide. The enveloping frame provides \nBomBom stability and elegance.\n198\n",198,{"image":802,"text":803,"number":804},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.199.png","BoMBoM\n199\n",199,{"image":806,"text":807,"number":808},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.200.png","the soft cold foam padding \ncan be upholstered in two \ncolours, for inside and outside. \nThe choice of combinations \nwill bring out the uniqueness \nof BomBom in waiting rooms, \nexecutive lounges and hotels. \n200\n",200,{"image":810,"text":811,"number":812},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.201.png","BoMBoM\n201\n",201,{"image":814,"text":815,"number":816},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.202.png","Pigalle Duperré\n48°52′55.8″n 2°20′14.2″E\nThe pigalle Duperré is sandwiched into a \nrow of buildings in the 9th arrondissement \nof paris. Ill-Studio and pigalle have returned \nto a basketball court they previously \noverhauled with bold patterns, replacing \nprimary colours with gradients of blue, pink, \npurple and orange. The pigalle Duperré is \nsandwiched into a row of buildings in the 9th \narrondissement of paris.\n202\n",202,{"image":818,"text":819,"number":820},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.203.png","BoMBoM\n203\n",203,{"image":822,"text":823,"number":824},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.204.png","204\nBROGLIATOTRAVERSO\n2018\n[ˈpeb]\nPeb is an armchair that can be transformed and \nadapted to numerous contexts, thanks to the \npossibility of combining it with wooden legs or a \nmetal frame, of choosing between two backrest \nheights and of upholstering it in different colours. The \nresult will always be unique, and Peb will be able to \naccommodate you with all its rounded softness. \n",204,{"image":826,"text":827,"number":828},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.205.png","205\nPeb\n",205,{"image":830,"text":831,"number":832},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.206.png","206\nDesigned to give \npersonality to \ncontract areas, \nwaiting rooms \nand meeting \nrooms, Peb \nplays with the \ninterpenetration \nof rounded \nelements, \nreminiscent of \nan embrace.\n",206,{"image":834,"text":835,"number":836},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.207.png","207\nPeb\n",207,{"image":838,"text":839,"number":840},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.208.png","208\nQUAGLIO SIMONELLI\n2017\n[demwɑːˈzel]\nQuaglio Simonelli designers present an elegant \narmchair characterised by soft lines and a structure \ncovered with double ton-on-ton upholstery, tied with a \nsophisticated leather belt. The comfort is ensured by \na deep seat and a large cushion. \n",208,{"image":842,"text":843,"number":844},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.209.png","209\nDemoiSelle\n",209,{"image":846,"text":847,"number":848},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.210.png","210\n",210,{"image":850,"text":851,"number":852},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.211.png","211\nRickshaw\nA rickshaw originally denoted a two- or \nthree-wheeled passenger cart, now known \nas a pulled rickshaw, which is generally \npulled by one person carrying one \npassenger. The first known use of the term \nwas in 1879.Pulled rickshaws created a \npopular form of transportation, and a source \nof employment for male labourers, within \nAsian cities in the 19th century. \nDemoiSelle\n",211,{"image":854,"text":855,"number":856},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.212.png","212\n",212,{"image":858,"text":859,"number":860},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.213.png","213\nThe structure is in expanded \npolyurethane and the seat and \nthe cushion are in cold-foamed \npolyurethane, upholstered in \nleather, eco-leather or fabric. \nDemoiselle stands on four matt \npainted steel legs. The choice \nof outdoor upholstery makes \nthis sofa a product suitable for \nany context.\nDemoiSelle\n",213,{"image":862,"text":863,"number":864},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.214.png","214\nANDREAS OSTWALD\n2012\n[kalˈlita]\nA classic from infiniti: Callita. it is a chair with a \ndesign that recalls the sinuous lines of the Japanese \ncalligraphy ideograms. The uniqueness of its forms \ngives it a minimalist and modern touch, but always \nwith an eye on the ancient art from which it draws its \ninspiration.\n",214,{"image":866,"text":867,"number":868},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.215.png","215\nCAlliTA\n",215,{"image":870,"text":871,"number":872},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.216.png","216\nMachiya\nmachiya are traditional wooden townhouses found \nthroughout Japan and typified in the historical \ncapital of Kyoto. machiya (townhouses) and nōka \n(farm dwellings) constitute the two categories of \nJapanese vernacular architecture known as minka \n(folk dwellings). \n",216,{"image":874,"text":875,"number":876},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.217.png","217\nShodō\nJapanese calligraphy is a form of calligraphy, or \nartistic writing, of the Japanese language. For a \nlong time, the most esteemed calligrapher in Japan \nhad been Wang Xizhi, a Chinese calligrapher from \nthe 4th century, but after the invention of Hiragana \nand Katakana, the Japanese unique syllabaries, the \ndistinctive Japanese writing system developed and \ncalligraphers produced styles intrinsic to Japan.\nCAlliTA\n",217,{"image":878,"text":879,"number":880},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.218.png","218\nCallita looks like a \nmonobloc, born from \nthe sketch of a pen \nthat created games \nof curves, of full and \nempty, of suspension \nand attachment. \n",218,{"image":882,"text":883,"number":884},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.219.png","219\nCAlliTA\n",219,{"image":886,"text":887,"number":888},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.220.png","220\nMARCELLO ZILIANI\n2010\n[pɪn ˈʌp]\nPin Up is one of infiniti's iconic chairs, and its shape \nis inspired by the Pin Ups of the 1950s. The futuristic \npolyurethane or upholstered shell shapes float around \na base, leaving a mark and an aura of sensuality. \n",220,{"image":890,"text":891,"number":892},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.221.png","221\nPinUP\n",221,{"image":894,"text":895,"number":896},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.222.png","222\nLa Défense Paris\n48°51′24″n 2°21′08″e\nla Défense  is a major business district \nlocated three kilometres west of the \ncity limits of Paris. it is part of the Paris \nmetropolitan area in the Île-de-France \nregion, located in the department of Hauts-\nde-Seine in the communes of Courbevoie, la \nGarenne-Colombes, nanterre, and Puteaux.\n",222,{"image":898,"text":899,"number":900},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.223.png","223\nPinUP\n",223,{"image":902,"text":903,"number":904},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.224.png","224\n",224,{"image":906,"text":907,"number":908},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.225.png","225\nThe curved shape intensifies \nthe comfort of the seat, which \nfollows the lines of the body \nthat sits on it. \nPinUP\n",225,{"image":910,"text":911,"number":912},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.226.png","226\nTHOMAS PEDERSEN\n2018\n[ˈkleɪn]\nKlejn has been created with lightness and simplicity: \na minimal design stool, inspired by structures such as \ncranes and ships of the seaport surrounding Aarhus. \nit is a slim and light stool in rod steel, equipped with \na polypropylene seat available in three heights. its \nstructure can be painted, which makes Klejn suiting \nwell for outdoors environments.\n",226,{"image":914,"text":915,"number":916},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.227.png","227\nKleJn\n",227,{"image":918,"text":919,"number":920},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.228.png","228\n",228,{"image":922,"text":923,"number":924},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.229.png","229\nGrisk Devil Ink Tattoo\n56°09′23″n 10°12′35″e\nGallery Grisk derives from the creative \ncommunity Grisk, founded by artist Peter \nbirk. His idea for Grisk was to start a place \nwhere creativity could flourish and where \nany expression of creativity was welcome: \nyou can find street artist, designer, tatoo \nartist, photographer and videomaker that \nwork toghether.\nKleJn\n",229,{"image":926,"text":927,"number":928},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.230.png","230\nWith its plastic \nseat, Klejn is \ncolourful and \ncontemporary; \nits minimalism \nadds a pop \nnuance and \nwill add a point \nof light to the \nroom.\n",230,{"image":930,"text":931,"number":932},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.231.png","231\nKleJn\n",231,{"image":934,"text":935,"number":936},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.232.png","232\nTHOMAS PEDERSEN\n2018\n[ˈflɪŋk]\nA soft and futuristic stool, inspired by the stones \nfound at the beach, which over time have been slowly \npolished and transformed into pebbles with rounded \n“friendly” shapes. For this reason, the stool is called \nFlink, a word that in Danish means “Friendly”. Flink \nconsists of a structure with a round steel base, an \naluminum support, and a seat upholstered with a wide \nchoice of fabrics.\n",232,{"image":938,"text":939,"number":940},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.233.png","233\nFlinK\n",233,{"image":942,"text":943,"number":944},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.234.png","234\nThe Iceberg\n55°45'47\"n 12°35'57\"e\nisbjerget (lit.: The iceberg) is a residential building in the Aarhus \nDocklands neigh- borhood in Aarhus, Denmark. it is situated on the \nwaterfront on mariane Thomsens Gade and was finished in 2013 \nafter three years of development. The building was designed by four \narchitectural firms, the Danish CebRA and JDS Architects, French \nlouis Paillard and Dutch SeARCH, and was funded by the Danish \npension fund PensionDanmark.\n",234,{"image":946,"text":947,"number":948},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.235.png","235\nFlinK\n",235,{"image":950,"text":951,"number":952},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.236.png","236\nIn the bar or \nkitchen version, \nthe footrest \nbecomes a \ncomfortable \nsupport and \nincreases \ncomfort; in the \nLow version, \nFlink is an \nintelligent and \nspace-saving \nchoice for bars \nand restaurants \nthat want to \nmake the best \nuse of space. \n",236,{"image":954,"text":955,"number":956},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.237.png","237\nFlinK\n",237,{"image":958,"text":959,"number":960},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.238.png","238\nTHOMAS PEDERSEN\n2018\n[ˈflɪŋk ˈwʊd]\nThe iconic infiniti stool, which reminds of the smooth \nstones of the beaches of the northern europe, \nadds to the range of products a new version with \na solid wood seat in black or natural stained ash, \nwhich guarantees formal cleanliness and a distinctly \nScandinavian style. it is available in three different \nheights.\n",238,{"image":962,"text":963,"number":964},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.239.png","239\nFlinK WooD\n",239,{"image":966,"text":967,"number":968},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.240.png","240\nThe wooden seat, \ncurved and polished \nfor greater comfort, \nennobles the \nminimalist structure \nand accentuates the \nNordic design of the \nstructure. \n",240,{"image":970,"text":971,"number":972},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.241.png","241\nFlinK WooD\n",241,{"image":974,"text":975,"number":976},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.242.png","242\nCLAUS BREINHOLT\n2014\n[ˈpjʊr ˈluːp ˈmɪni]\nThe “Pure loop” shell becomes “mini”, assembled on \ndifferent types of stool frames. All versions feature a \npolypropylene shell, which, combined with a painted \nsteel frame, is ideal for outdoor areas. Pure loop mini \nis an intelligent solution for combining sophistication \nand ergonomics.\n",242,{"image":978,"text":979,"number":980},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.243.png","243\nPURe looP mini\n",243,{"image":982,"text":983,"number":984},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.244.png","244\n",244,{"image":986,"text":987,"number":988},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.245.png","245\nYogis Barbershop Cape Town\n33°55′31″S 18°25′26″e\nYogi is the 4th generation of his family to cut Capetonians hair; he \neven has a photo in his shop of an elderly gentleman who has had \nhis haircut by 3 of those generations. \"back then the barber shop \nwas the perfect place to catch up on gossip, now its all about making \nconnections and networking.\" - Yogi\nPURe looP mini\n",245,{"image":990,"text":991,"number":992},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.246.png","246\nThe curvaceousness of the Mini \nshell is enhanced by the Dandy \nframe, which, while maintaining \nsimple and essential lines, adds \ncharacter to this stool.\n",246,{"image":994,"text":995,"number":996},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.247.png","247\nPURe looP mini\n",247,{"image":998,"text":999,"number":1000},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.248.png","248\nRADICE ORLANDINI\n2013\n[ˈpaɪkəpɒu]\nTriangular, colourful, unconventional; Picapau breaks \nthe mould and stands out from the crowd. it is a \nstool with a polypropylene seat and footrest, resting \non solid beech legs. Available in three heights and \nvarious colours, it is the perfect choice for contract \nenvironments. \n",248,{"image":1002,"text":1003,"number":1004},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.249.png","249\nPiCAPAU\n",249,{"image":1006,"text":1007,"number":1008},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.250.png","250\n",250,{"image":1010,"text":1011,"number":1012},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.251.png","251\nCable car \nThe San Francisco cable car system is \nthe world's last manually operated cable \ncar system and an icon of the city of \nSan Francisco. The system forms part of \nthe intermodal urban transport network \noperated by the San Francisco municipal \nRailway. They are among the most significant \ntourist attractions in the city, along with \nAlcatraz island, the Golden Gate bridge, and \nFisherman's Wharf. San Francisco's cable \ncars are listed on the national Register of \nHistoric Places and are designated as a \nnational Historic landmark.\nPiCAPAU\n",251,{"image":1014,"text":1015,"number":1016},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.252.png","252\nFor classic settings, \na solution with a \nseat and legs in the \nsame colour can be \nchosen, while the \ncontrasting solution \nis well suited to \nyoung and dynamic \nlocations.\n",252,{"image":1018,"text":1019,"number":1020},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.253.png","253\nPiCAPAU\n",253,{"image":1022,"text":1023,"number":1024},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.254.png","254\nFABRIZIO BATONI\n2013\n[ˈboboʊ]\nbobo is a stool composed of a polypropylene seat \nand a steel frame, which can be chromium-plated \nor embossed of the same colour of the seat. it is \navailable in kitchen and bar heights. it can be used \nas a complement in a modern living room or as a \nfunctional element in sophisticated rustic interior: \nbobo gives character to any environment, as it \ncombines simplicity and ergonomics.\n",254,{"image":1026,"text":1027,"number":1028},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.255.png","255\nbobo\n",255,{"image":1030,"text":1031,"number":1032},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.256.png","256\nAcademic Theatre of Castelfranco Veneto\n45°40′n 11°56′e\nDesigned in 1746 by the architect Francesco maria Preti of \nCastelfranco Veneto (1701-1774), commissioned by the Society of the \nAcademicians and, in particular, by Jacopo and Giordano Riccati, it \nwas built, according to Preti's project, between 1754 and 1780, with \nthe exception of the façade and the atrium, added between 1853 \nand 1858 to designs by the engineer Antonio barea of Castelfranco. \nThe architectural originality of the theatre lies in its dual function as a \ntheatre hall for shows and musical performances at night and as a hall \nfor daytime meetings of the Academicians.\n",256,{"image":1034,"text":1035,"number":1036},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.257.png","257\nbobo\n",257,{"image":1038,"text":1039,"number":1040},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.258.png","258\n",258,{"image":1042,"text":1043,"number":1044},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.259.png","259\nWith its vaguely industrial \nlook, Bobo is well suited to \nany interior design project. \nDespite its generous shape, \nit is a lightweight stool with a \nversatile design. \nbobo\n",259,{"image":1046,"text":1047,"number":1048},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.260.png","260\nMC.DSG\n2018\n[rəˈkɔːrd ˈbentʃ]\nRecord bench, like the rest of the Record family, \nwas born from the idea that are the crossed lines \nthemselves that support the top of the bench. The \nbench is made up of a simple structure in painted \nsteel, which can be realised in different materials, both \nfor an outdoor and an indoor use. \n",260,{"image":1050,"text":1051,"number":1052},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.261.png","261\nReCoRD benCH\n",261,{"image":1054,"text":1055,"number":1056},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.262.png","262\nThe simplicity \nand harmony of \nthe shapes that \ncharacterise it \nmake Record \nBench an \nextremely \nversatile piece \nof furniture.\n",262,{"image":1058,"text":1059,"number":1060},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.263.png","263\nReCoRD benCH\n",263,{"image":1062,"text":1063,"number":1064},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.264.png","264\nMC.DSG\n2020\n[ˈsɛs]\nSys was born as a sofa full of configurations, which \ngives the possibility of creating modular systems, \nthat fit well in contexts such as waiting rooms, work \nspaces, museums, restaurants, schools, shops and \nmeeting and sharing areas. Thanks to an extremely \nquick and intuitive fastening system, it is possible \nto disassemble, move and reconfigure your sofa, \naccording to the needs of that moment. \n",264,{"image":1066,"text":1067,"number":1068},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.265.png","265\nSYS\n",265,{"image":1070,"text":1071,"number":1072},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.266.png","266\nSys is made up of a painted \nsteel frame, which creates an \nhousing for the modules to be \ninserted.\n",266,{"image":1074,"text":1075,"number":1076},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.267.png","267\nSYS\n",267,{"image":1078,"text":19,"number":1079},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.268.png",268,{"image":1081,"text":1082,"number":1083},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.269.png","[tei·blz] \n",269,{"image":1085,"text":1086,"number":1087},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.270.png","270\nBROGLIATOTRAVERSO\n2018\n[ˈlændɪŋ]\nAn iconic table: landing is the compositive synthesis \nbetween lightness and solidity. The horizontality of \nthe large top rests on the tip of the pyramidal base, in \na magical balance that makes it a unique piece of its \nkind. landing is a table with clean lines, that makes \npurity and semplicity the distinctive features of a \ntimeless design archetype. \n",270,{"image":1089,"text":1090,"number":1091},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.271.png","271\nlAnDinG\n",271,{"image":1093,"text":1094,"number":1095},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.272.png","272\nThe sculptural \npresence and the \nwide free space \nunder the top make \nLanding a unique \npiece in domestic \nenvironments, \nbusiness premises \nand meeting rooms.\n",272,{"image":1097,"text":1098,"number":1099},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.273.png","273\nlAnDinG\n",273,{"image":1101,"text":1102,"number":1103},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.274.png","274\nROBIN RIZZINI\n2020\n[ˈvɝːsabəl]\nA linear table, with clean and delicate shapes. Hence, \nthe idea of creating a versatile piece of furniture. The \nidea behind Versable was to design a table with a \nsimple and essential aesthetic, light and robust at the \nsame time, able to conceal the central function of the \ntable, but gradually revealing it. \n",274,{"image":1105,"text":1106,"number":1107},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.275.png","275\nVeRSAble\n",275,{"image":1109,"text":1110,"number":1111},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.276.png","276\n",276,{"image":1113,"text":1114,"number":1115},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.277.png","277\nThe Versable family includes \nfixed and extendable models, \navailable in several sizes, in \norder to allow a full answer to \nthe needs of the contemporary \nenvironments.\nVeRSAble\n",277,{"image":1117,"text":1118,"number":1119},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.278.png","278\nANDREAS OSTWALD\n2016\n[ˈnekst ˈteɪbəl]\nRound, square, maxi; the next table, in its simplicity, \nhas the ideal solution for every project. Created to \naccompany the chair of the same name, it also finds \nits expression when combined with other models, \nthanks to its simple and intuitive design. it is possible \nto have it all in solid oak, with a top in fenix or laminate. \n",278,{"image":1121,"text":1122,"number":1123},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.279.png","279\nneXT TAble\n",279,{"image":1125,"text":1126,"number":1127},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.280.png","280\n",280,{"image":1129,"text":1130,"number":1131},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.281.png","281\nThe ideal table as a desk, for \ndining rooms, or to create a \nlong coworking table: Next Maxi \nwill fulfil every requirement. \nneXT TAble\n",281,{"image":1133,"text":1134,"number":1135},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.282.png","282\nMC.DSG\n2018\n[rəˈkɔːrd ˈlɪvɪŋ]\nRecord is an innovative design table, which combines \nstyle and versatility through the combination of simple \nlines. legs and footrest intersect without screws, \ngiving an impressing and appealing touch to the \ndetails. The table top is available in a wide range of \ndimensions and finishes, that is why it fits well both in \ndomestic and in contract environments. \n",282,{"image":1137,"text":1138,"number":1139},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.283.png","283\nReCoRD liVinG\n",283,{"image":1141,"text":1142,"number":1143},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.284.png","284\nThe oval \nversion of \nRecord living \nshows all the \nelegance of \nits lines. The \nmonochrome \nversion, then, \nis chosen for a \nstriking look. \n",284,{"image":1145,"text":1146,"number":1147},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.285.png","285\nReCoRD liVinG\n",285,{"image":1149,"text":1150,"number":1151},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.286.png","286\nMC.DSG\n2019\n[rəˈkɔːrd ˈmiːtɪŋ]\nin addition to the more domestic version, there is also \na version for meetings, conferences and workplaces. \nRecord meeting is spacious, practical, light, and easy \nto combine with stools or chairs, and its generous \nshape is perfect for sharing.\n",286,{"image":1153,"text":1154,"number":1155},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.287.png","287\nReCoRD meeTinG\n",287,{"image":1157,"text":1158,"number":1159},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.288.png","288\n",288,{"image":1161,"text":1162,"number":1163},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.289.png","289\nRecord meeting is available \nin two lengths, and it is \npossible to choose the top in \ndifferent materials according to \nrequirements, without affecting \nusability. \nReCoRD meeTinG\n",289,{"image":1165,"text":1166,"number":1167},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.290.png","290\nMC.DSG\n2018\n[rəˈkɔːrd ˈkɑːnˌtrækt]\nRecord contract is the perfect coffee table for bars, \nrestaurants, cafeterias and meeting places. Thanks \nto the three heights and the numerous combinations \nof tops available, it is possible to have a table made \nto measure for the client, always characterised by the \ndesign that distinguishes the family. \n",290,{"image":1169,"text":1170,"number":1171},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.291.png","291\nReCoRD ConTRACT\n",291,{"image":1173,"text":1174,"number":1175},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.292.png","292\n",292,{"image":1177,"text":1178,"number":1179},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.293.png","293\nFor every type of chair or \narmchair, there is a Record \nContract table to suit: those \nwith the smallest height, \nfrom 45 cm, are the perfect \ncomplement for lounge chairs.\nReCoRD ConTRACT\n",293,{"image":1181,"text":1182,"number":1183},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.294.png","294\nMC.DSG\n2020\n[ˈrami]\nThe Rami trestles allow you to create a modular \nand customized table, tailored to the setting and the \nwishes of those who choose it. made of painted steel, \nthe trestles revisit the classic concept of the table \nbase in an original way, using clean and essential lines. \n",294,{"image":1185,"text":1186,"number":1187},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.295.png","295\nRAmi\n",295,{"image":1189,"text":1190,"number":1191},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.296.png","296\n",296,{"image":1193,"text":1194,"number":1195},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.297.png","297\nThe simple and \ngraphic design \nallows you to sit at \nthe end of the table \nwithout obstacles. \nDepending on the \nnumber of trestles \nused, from 1 to 4, \nit is possible to \ncombine Rami with \nnumerous table tops \nof different shapes \nand sizes.\nRAmi\n",297,{"image":1197,"text":1198,"number":1199},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.298.png","298\nFAVARETTO&PARTNERS\n2019\n[ˌdaɪəˈpeɪzən]\nDiapason is a simple and functional table, defined \nby a geometry that makes it fitting well into different \ncontexts. it has a round central base and a column \nthat recalls the acoustic instrument. The round top is \navailable in several dimensions and finishes.\n",298,{"image":1201,"text":1202,"number":1203},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.299.png","299\nDiAPASon\n",299,{"image":1205,"text":1206,"number":1207},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.300.png","300\n",300,{"image":1209,"text":1210,"number":1211},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.301.png","301\nDiapason is a sophisticated \ntable, but formed by simple, \nsymmetrical lines. it is capable \nof standing out in any context. \nDiAPASon\n",301,{"image":1213,"text":1214,"number":1215},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.302.png","302\nPHILIPPE TABET\n2020\n[ˌruːˈel ˈteɪbəl]\nTo complete the Ruelle chair family, inspired by the \nones layed outside the French bistros, infiniti presents \nthe homonymous coffee table, with a central system \nthat rests on a linear three-legged structure in die-\ncast aluminum. ideal for bars and outdoor contexts, \nRuelle tables have as an option the tip-up top, useful \nfor solving space needs.\n",302,{"image":1217,"text":1218,"number":1219},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.303.png","303\nRUelle TAble\n",303,{"image":1221,"text":1222,"number":1223},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.304.png","304\n",304,{"image":1225,"text":1226,"number":1227},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.305.png","305\nEven the base, which rests on \na stable tripod, is reminiscent \nof French brasserie tables and \ngives the structure a vintage \nfeel. \nRUelle TAble\n",305,{"image":1229,"text":1230,"number":1231},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.306.png","306\nBROGLIATOTRAVERSO\n2020\n[ˈfeluːkə ˈteɪbəl]\nin addition to the Feluca Family, a line of coffee tables \nwith a simple and practical design is introduced. it \nis available in two versions with 4 legs and round \ntop. They find their perfect location in any horeca \nenvironment. \n",306,{"image":1233,"text":1234,"number":1235},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.307.png","307\nFelUCA TAble\n",307,{"image":1237,"text":1238,"number":1239},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.308.png","308\n",308,{"image":1241,"text":1242,"number":1243},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.309.png","309\nFeluca Table takes up the \nstructure of the chair of the \nsame name; the base, in fact, \ntakes up the elliptical shape \npeculiar to this model. \nFelUCA TAble\n",309,{"image":1245,"text":1246,"number":1247},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.310.png","310\nTHOMAS PEDERSEN\n2019\n[ˈflɪŋkˈteɪbəl]\nThe minimalism of Flink finds the perfect expression \nin the new coffee table. Realised in painted steel, it \nis available in three heights, and it is perfect for bars, \nbistros and waiting areas. it is available also with an \noutdoor finish.\n",310,{"image":1249,"text":1250,"number":1251},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.311.png","311\nFlinK TAble\n",311,{"image":1253,"text":1254,"number":1255},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.312.png","312\n",312,{"image":1257,"text":1258,"number":1259},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.313.png","313\nThe solid, round base, like the \nmatching stool, means that the \nFlink table can seat several \npeople around it, without \nwasting space.\nFlinK TAble\n",313,{"image":1261,"text":19,"number":1262},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.314.png",314,{"image":1264,"text":19,"number":1265},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.315.png",315,{"image":1267,"text":19,"number":1268},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.316.png",316,{"image":1270,"text":19,"number":1271},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.317.png",317,{"image":1273,"text":19,"number":1274},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.318.png",318,{"image":1276,"text":19,"number":1277},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.319.png",319,{"image":1279,"text":19,"number":1280},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.320.png",320,{"image":1282,"text":19,"number":1283},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.321.png",321,{"image":1285,"text":1286,"number":1287},"\u002Fmedia\u002Fimages\u002F23\u002F17ea11a79a38331988e4613fce165d-274122481e.322.png","Colour separation  \nand Print \nkappadue arti grafiche\nkappadue.net\nVia Ca’ leoncino, 2 - 31030 \nCastello di Godego (TV) - italy\nT +39 0423 7616 \ninfinitidesign.it\ninfiniti reserves the right \nto introduce any changes \nto its own models, \nwithout prior notice. \nThe printing ink cannot \nextactly reproduce \nthe colours. 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