[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-golran-collection-2016-17":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":180},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":175,"matched_pages":176,"match_count":177,"two_pages":178,"show_text":179},3325,"Collection 2016-17","golran-collection-2016-17","\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fb7\u002Fab1b4b38fa9ac749dda0f855e5d16d.pdf","Golran",1830,"golran","6.3 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.2.png","TABLE OF \nCONTENTS\nGOLRAN \nThe company, a family history  \n4 \nKnow How and manufacture  \n9 \nProjects  \n14\nCustom made  \n16 \nCOLLECTIONS \nParalleli  \n20\nMeteo \n30\nLake \n36 \nTriangles \n42\nMemories \n48\nShadows  \n56\nCarpet Reloaded \n62 \nTraditional \n70\nCONTACTS\n1\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.3.png","GOLRAN\nEDITORIAL \nAn instinctive feel for skilled Persian craftsmanship, a \nnatural eye for beauty, a flair for innovation, assiduous \nvisits to the production sites and the respect garnered \nby carpet merchants in the East since ancient times \nhave all ensured that the business passed down to the \nfourth generation of the Golran family has evolved \nthrough a combination of well-informed passion and \na desire for contemporaneity. Created from original \ndesigns by some of the most sensitive international \ndesigners (Isabella Sodi, Bertjan Pot, Raw Edges, Inga \nSempè and Dimore Studio, to mention just the first, \nnow consolidated partnerships) led by Francesca \nAvossa’s art direction team and manufactured by \nexpert Nepalese, Indian, Turkish and Persian knotters \nand weavers, with the very finest raw materials and \nethical awareness. Equally, determined not to lose \nsight of their precious heritage, they have continued \nto deploy their skills, sourcing and acquiring unique \nantique pieces dating from the 19th and early 20th \ncentury for their Traditional “Antique” collections. In \nautumn 2016, the range went on sale in the brand’s \nfirst flagship store in Milan, where you can touch \nand feel the substance of the connection and ties \nbetween the stories, places, traditions, cultures and \nemotions that breathe life into the coveted composite \nharmony of a Golran carpet. The store was conceived \nby the Storage Associati architectural practice with \nart direction by the Francesca Avossa Studio.\nEDITORIALE\nL’acquisizione istintiva per la raffinatezza tecnica \ndell’impostazione persiana, i sensi allenati naturalmente \nal \nbello, \nla \npredisposizione \nall’innovazione, \nla \nfrequentazione assidua dei siti produttivi, il rispetto che \nfin dall’antichità in Oriente implica la figura del mercante \ndi tappeti, hanno fatto sì che per la quarta generazione \nGolran, l’eredità centenaria si sia trasformata nell’unione \ndi una passione consapevole con il desiderio di \ncontemporaneità. Sviluppate su disegni originali di \nalcuni fra i più sensibili progettisti internazionali, guidati \ndall’art direction dello studio Francesca Avossa, le nuove \nlinee dell’oggi sono realizzate da annodatori e tessitori \nnepalesi, indiani, turchi e persiani, con materie prime di \naltissima qualità, valenza tecnica, precisione artigianale e \nattenzione etica. Parallelamente, con la determinazione \ndi non abbandonare una così preziosa tradizione \nfamiliare, originaria della Persia, è rimasta salda la \nperizia nello scegliere pezzi unici di antiquariato databili \ndall’800 ai primi del ’900 per alimentare le collezioni \nTraditional “Antichi”. Presentate insieme in questo \ncatalogo tutte le linee del brand approdano nell’autunno \n2016 anche nel primo flagship store milanese, concepito \ndallo studio di architettura Storage Associati con la \ndirezione artistica dello studio Francesca Avossa, dove \nè possibile toccare con mano, l’essenza del legame e \ndelle relazioni tra storie, luoghi, tradizioni, culture ed \nemozioni, che animano la pregiata composita armonia \ndi un tappeto Golran.\n2\n3\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.4.png","THE COMPANY, \nA FAMILY HISTORY \nTheir nomadic story began in 1898 in Mashad, \nPersia, with the trading and manufacture of carpets, \nemulating to some extent the destiny of the objects \nthey produce: headquarters in Milan since 1968, \nproduction in Nepal from early 2000, art direction \nin Paris as of 2010, global marketing right from \nthe outset. The business Eliahu, Elia, Nathan and \nBenjamin inherited from their great grandfather \nHajizadeh Golran, then handed down by their \nfathers, Nemat and Ruben, along with the teachings \nof the great master knotters in Persia, Turkey and \nIndia form the precious cultural background, now \naccessible to the design world and tailored to \nthe technological evolution. With unfailing skill, \nreliability and passion, the company identity is \nshaped by the desire to keep past skills alive and \na feel for innovation, channelled by meticulous \nattention to the creative artisan processes and the \ninfluences of artistic and design expression of every \ntime and place. The organisation, of the Nepalese \nproduction sites in particular, means that even the \nmost diverse demands for personalized products \ncan be accommodated, which, along with Golran’s \ntraditional and contemporary collections, make it an \nirrefutable point of reference for the antiques and \ncontemporary markets. \nCONTEMPORARY\nCOLLECTIONS\nFaithful to the brand’s Persian cultural roots, Golran \nhas consolidated its editorial status over the last \nfew years, with a dedicated range harnessing \nluxury craftsmanship and decorative merit in a \ncontemporary key. This has paved the way for \ncontemporary carpets, no longer simply vehicles for \nfashion and taste, and for the technical refinement \nand great aesthetic comfort dictated by increasingly \nsophisticated decorative schemes. Since the launch \nof its Carpet Reloaded collection in 2008, featuring \nan innovative process of decolouring and re-dyeing \nvintage carpets, Golran has brought out its own \ncontemporary collections, informed by creative \ninterior design and design figures coordinated by \nFrancesca Avossa’s art direction studio.\nL’AZIENDA, UNA STORIA \nDI FAMIGLIA\nAvviata nel 1898 a Mashad, in Persia, con il commercio \ne la produzione di tappeti, la storia di Golran è \nnomade: sede a Milano dal 1968, produzione in Nepal \ndai primi anni Duemila, direzione artistica a Parigi \ndal 2010, commercializzazione in tutto il mondo da \nsempre. Per Eliahu, Elia, Nathan e Benjamin, il lavoro \nereditato dal bisnonno, Hajizadeh Golran, attraverso i \nloro padri, Nemat e Ruben, insieme agli insegnamenti \ndei grandi maestri annodatori di Persia, Turchia e \nIndia, rappresentano il prezioso background culturale, \naperto oggi al design e adeguato all’evoluzione \ntecnologica. Con immutata competenza, affidabilità e \npassione, l’identità dell’azienda, si snoda fra tutela della \nmemoria e predisposizione all’innovazione, guidata \nda una rigorosa attenzione ai processi di creazione \nartigianale e alle influenze dell’espressione artistica e \nprogettuale di ogni tempo e luogo. L’organizzazione, \nin particolare dei siti produttivi nepalesi, rende \npossibile la valorizzazione delle esigenze più diverse \nper realizzare manufatti personalizzati che, insieme \nalle collezioni tradizionali e contemporanee, fanno di \nGolran un inalterabile punto di riferimento nel mercato \ndell’antiquariato e del contemporaneo.\nLE COLLEZIONI\nCONTEMPORANEE\nFedele alle radici della cultura persiana del marchio, \nGolran conferma da qualche anno il suo status di \neditore attraverso una linea editoriale tra artigianato \ndi lusso, dimensione decorativa e sensibilità \ncontemporanea. Una strada aperta al tappeto \ncontemporaneo, reso vettore non solo di mode e \ngusto, ma anche di raffinatezza tecnica ed elevato \ncomfort estetico dettato da decori sempre più \nsofisticati. Dal lancio della collezione Carpet Reloaded \nnel 2008, il cui processo innovante consiste nello \nstingere e ritingere tappeti vintage, Golran sviluppa le \nproprie collezioni contemporanee appoggiandosi alle \npersonalità creative dell’interior design e del design \ncoordinate dall’art direction dello studio Francesca \nAvossa. \n4\n5\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.5.png","6\n7\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.6.png","KNOW-HOW AND \nMANUFACTURE\nCarpets contain a multitude of secrets, which only \ntime can reveal. There is the raw material, on which the \nfinal, enduring result depends, and the levels of depth \nand stability of the colouring that only the requisite \nexperience can achieve. Then there are the many, \nconcentrated hours of work that go into each of the \nmany stages of the production process, from hand \nknotting to washing, drying and final checks, all of which \nrequire well-tested skills and abilities. Behind all this are \nthe hands of men and women, and ancient and modern \ntools whose use is passed down from generation to \ngeneration: from the vertical looms that ensure greater \nknotting precision and afford an opportunity to create \neven very large-scale products on demand, to the \ncomputerised encoded technical design maps on \nwhich the weavers and knotters focus constantly as they \ngo about their work. Lastly there are the smaller tools: \ncombs, scissors, hooks, spindles and brushes. Along \nwith the skills needed to create the desired pattern \nthat makes every Golran carpet different and unique, \nthe dedicated artistic sensitivity of the artisans leads to \nthe introduction of original variations of the different \ntraditional techniques, culminating in the precious, \nhappy marriage of centuries-old craftsmanship and \ncontemporary design.\nKNOW-HOW E \nFABBRICAZIONE  \nSono tanti i segreti custoditi in un tappeto, che solo \nil tempo svela. A cominciare dalla materia prima \nutilizzata, dalla quale dipendono risultato finale e \ndurata, passando per la colorazione che solo con \nla necessaria esperienza riesce a raggiungere livelli \napprezzabili di intensità e stabilità. E poi le numerose, \nintense ore di lavoro, per ognuna delle tante fasi del \nprocesso di lavorazione dall’annodatura a mano fino \nal lavaggio, all’asciugatura e al controllo finale, che \nrichiedono comprovate competenze e abilità. Dietro \nquesto c’è la mano di donne e uomini e strumenti \nantichi e moderni il cui uso viene tramandato di \ngenerazione in generazione: dai telai, verticali che \ngarantiscono maggior precisione nell’annodatura e la \npossibilità di creare manufatti, anche di grandissime \ndimensioni su richiesta, alla trascrizione codificata \ntramite computer del disegno tecnico sul quale \ntessitori e annodatori concentrano costantemente \nlo sguardo mentre il lavoro avanza. Fino agli utensili \npiù piccoli: pettini, forbici, uncinetti, fusi, spazzole. \nMa per realizzare il motivo decorativo voluto, che \nrende diverso e unico ogni tappeto Golran, alla perizia \ndell’uso, si aggiunge la motivata sensibilità artistica \ndegli artigiani che guida nell’introduzione di varianti \ninedite alle diverse tecniche tradizionali, realizzando \nil prezioso, felice connubio fra artigianato millenario e \ndesign contemporaneo. \n8\n9\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.7.png","10\n11\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.8.png","12\n13\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.9.png","PROJECTS\nAge-old expertise and high quality products have \nalso made Golran the ideal partner for production \nfor other brands from diverse industries: restaurants, \nhotels, fashion houses, offices, and shops. Over \nthe years, the company has established enduring \nproduction relationships as a supplier for brands \nsuch as:\nHotels: Mamilla Hotel in Jerusalem designed by \nPiero Lissoni, Conservatorium Hotel in Amsterdam, \nGrand Hotel Billia in Saint-Vincent, Casino de La \nValee in Saint-Vincent, W Retreat & Spa - Vieques \nIsland by Patricia Urquiola, Venice Palazzina Grassi \nby Philippe Stark, Westin Palace in Lima, Grand \nHotel et de Milan in Milan.\nRestaurants: Dsquared Dimore Restaurant in Milan, \nD & D Ahmed Khalil in London, Noura Printemps \nin Paris.\nFashion: Fendi, Roberto Cavalli, MaxMara, Marina \nRinaldi, Diesel, Mauro Grifoni, Jacob Cohen, Tods.\n������� ������� ��� �� ������� ������������ �������\nTechnogym SPA, Fossil Group Europe.\nPROJECTS\nLa qualità dei pezzi prodotti ed il loro assodato know-\nhow hanno reso Golran anche il partner ideale di \nproduzione per altri brand di diversi settori: ristoranti, \nalberghi, case di moda, uffici e negozi. Negli anni \nl’azienda ha quindi instaurato dei duraturi rapporti di \nproduzione come fornitore per marchi come:\nHotel: Mamilla Hotel a Jerusalem designed by Piero \nLissoni, Conservatorium Hotel ad Amsterdam, Grand \nHotel Billia a Saint-Vincent, Casino de La Valee a \nSaint-Vincent, W Retreat & Spa – Vieques Island by \nPatricia Urquiola, Venezia Palazzina Grassi by Philippe \nStark, Westin Palace a Lima, Grand Hotel et de Milan \na Milano.\nRistoranti: Dsquared Dimore Ristorante a Milano, \nD&D Ahmed Khalil a Londra, Noura Printemps a \nParigi.\nModa: Fendi, Roberto Cavalli, MaxMara, Marina \nRinaldi, Diesel, Mauro Grifoni, Jacob Cohen, Tods.\n������ ������� ��� �� ������� ������������ ��������\nTechnogym SPA, Fossil Group Europe.\nConservatorium Hotel, \ninterior architecture by Piero Lissoni\n14\n15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.10.png","CUSTOM MADE\nThe custom made service is aimed at architects, \ninterior designers, and design firms that operate \nwithin both the sphere of private homes and that of \ncontracted work.\nThe carpets are custom created with exact \nspecifications for yarn type, shape, size, and color. \nThe materials used are the most luxurious: silk, \ncotton, wool, angora, hemp, mohair, linen, and \ncashmere. The choice of colors is almost endless \nwith a palette of over 1,000 different shades and \nhues. Extremely versatile options allow the possibility \nto adapt, in shape and size, to any environment and \nspace.\nCUSTOM MADE\nQuesto servizio custom made si rivolge agli architetti, \ninterior designer e agli studi di progettazione che \noperano sia nell’ambito delle abitazioni private che del \ncontract.\nIl servizio permette di rispondere anche alle richieste \ndella clientela più esigente, in cerca di prodotti \npersonalizzati e di elevata qualità.\nI tappeti sono, infatti, creati e prodotti ad hoc con ogni \ntipo di filato, forma, dimensione e colore. I materiali \nutilizzati sono i più pregiati: seta, cotone, lana, angora, \ncanapa, mohair, lino e cashmere. La scelta dei colori \nè quasi infinita con una palette di oltre 1.000 diverse \nsfumature e tonalità. Estremamente flessibile è anche \nla possibilità di adattarsi, per forma e dimensioni, a \nqualsiasi ambiente e spazio.\nL’azienda offre quindi gli strumenti per rispondere ad \nogni richiesta puntando sulla disponibilità, sulla qualità \ne sulla fattura d’eccellenza.\n16\n17\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.11.png","COLLECTIONS\n18\n19\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.12.png","PARALLELI\nDESIGN DIMORE STUDIO\n20\n21\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.13.png","PARALLELI \nCOLLECTION \nDESIGN DIMORE STUDIO\nThe collection reflects DIMORE STUDIO’s custom \nof bringing together different materials and eras \nwhile using the rug’s texture to express them in a \nnew way. Baroque allusions of embroidery, edgings, \nframes and ornamental motifs and personalized \nrevisitations of Persian and Indian patterns contrast \nwith the simplicity of exquisite monochrome and \ncontemporary-art inserts. Geometric shapes and \nlines reference minimalism and American post-\npictorial abstractionism. The weave features metallic \ninserts, like scoring; thick, visible seams to stitch these \ndifferent worlds together. The collection is available \nin three versions according to colour scheme and \nfinishing details.\nDIMORE STUDIO BIOGRAPHY\nEmiliano Salci and Britt Moran pooled the skills acquired in their careers and work in design, the \narts and fashion and in 2003 they founded DIMORE STUDIO.\nFrom that moment on, each project has been conceived and developed in a personal, \nrecognizable way. Objects by Masters of Design co-exist with salvaged items and others \ncustom-designed to create a specific atmosphere.\nA timeless visual and emotive course. Research so rich in details as to make every sign, every \nidea, every suggestion, innovation and reference, simple and, ipso facto, sophisticated.\nA language formed by an emotive chemistry of errors, reutilizations, inventions, enhancements \nof prints, lights, lacquering and oxidations. A censureless aesthetic wherein each selected \nelement has an expressive energy and citizenship because it is a feature of a whole.\nCOLLEZIONE PARALLELI\nDESIGN DIMORE STUDIO\nLa collezione riassume in sé la tendenza, da sempre \ninsita in DIMORE STUDIO, di accostare tra loro \nmateriali ed epoche differenti, ma esprimendoli in \nchiave nuova, attraverso la matericità che viene data \nal tappeto.\nEvocazioni barocche di ricami, bordature, cornici, \nmotivi ornamentali, rivisitazioni in chiave personale \ndi disegni persiani e indiani, contrastano l’essenzialità \ndi preziosi inserti monocromatici e di richiami all’arte \ncontemporanea.\nForme e linee geometriche rimandano al minimalismo \ne all’astrattismo postpittorico americano.\nA cucire tra loro questi diversi mondi, sul tessuto \nrisaltano inserti metallici, come graffature, spesse \ncuciture a vista. La collezione sarà presentata in tre \ndiverse varianti per accostamenti cromatici e finiture.\nBIOGRAFIA \nDIMORE STUDIO\nEmiliano Salci e Britt Moran mettono a frutto i loro \npersonali percorsi dI lavoro e di approfondimento nel \nDesign, nell’Arte e nella Moda e nel 2003 fondano \nDIMORE STUDIO.\nA partire da quel momento ogni progetto è stato ideato \ne sviluppato in maniera personale e riconoscibile: \noggetti dei Maestri del Design vivono insieme a \noggetti di recupero e ad altri disegnati “su misura” per \nmeglio creare e plasmare una precisa atmosfera.\nUn percorso visivo ed emotivo senza tempo. Una \nricerca ricca di dettagli tali da rendere semplice, e \nper ciò stesso sofisticata, ogni realizzazione, ogni \nsegno, ogni proposta, ogni suggestione, innovazione \ne citazione.\nUn linguaggio costruito dall’insieme di alchimie \nemotive fatte di sbagli, recuperi, invenzioni, \nvalorizzazioni di stampe, luci, laccature e ossidature. \nUn’ estetica senza censure dove ogni elemento \nselezionato ha energia e cittadinanza espressiva, \nperché racconta da protagonista una parte dell’insieme. \nDIMORE STUDIO interpreta ricordi e realizza sogni. \nDIMORE STUDIO si muove tra design e arte, tra \narchitettura e moda.\n22\n23\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.14.png","24\n25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.15.png","B3\nB1\n26\n27\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.16.png","PARALLELI\nTECHNIQUE\nHand knotted \nCOMPOSITION\nB1: 70% wool, 20% silk, 10% metal \nB3: 70% wool, 15% silk, 15% metal \nB4: 60% wool, 36% silk, 4% metal\nHandmade in Nepal\nCustom size on request\nSIZES \n300 x 250\n350 x 260\n400 x 300\nB4\nB4\nB1\nB3\n28\n29\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.17.png","METEO\nDESIGN INGA SEMPÉ\n30\n31\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.18.png","TUMULTE RED\nMIRAGE BLUE\n32\n33\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.19.png","METEO\nTECHNIQUE\nHand knotted \nCOMPOSITION\nTUMULTE AND MIRAGE\nWool (75 %), \nSilk (25%)\nHALO\nWool (60 %), \nSilk (40%)\nHandmade in Nepal\nCustom size on request\nSIZES \n300 x 200\n300 x 260\n350 x 260\n400 x 300\nTUMULTE DARK BLUE\nMIRAGE BLUE\nTUMULTE PURPLE\nMIRAGE GREEN\nHALO LIGHT\nTUMULTE RED\nHALO DARK\nMETEO COLLECTION \nDESIGN INGA SEMPÉ\nMeteo, designed by the French designer Inga Sempé, is a collection which, as the Art Director \nFrancesca Avossa emphasizes, reinterprets in a contemporary key the classical Persian carpet: \n“The constant interest of Inga Sempé for the textile and material dimension of projects, but also \nher ability to make a distanced re-reading, made me think that she could be a good person for \nreinterpreting the artisan and decorative dimension of the Persian roots of Golran.\nMeteo preserves the gentle, sensitive traits of Inga, but also the more direct and contemporary \nones, eternally balanced between synthetic and artisan forms, able to transform everyday objects \nby making them gentle, making them poetic and giving them a characterizing hint of humour. “\nThe faded effect of the weft, which makes it possible to obtain a geometric design through \nblurred lines, is obtained thanks to the skillful artisan technique from Nepal which can give a \nresult similar to that of pointillism, that uses individual coloured threads of wool and silk for each \npoint of the design, as if each knot was the single piece of a mosaic.\nThe Meteo collection presents three models with three different designs, each available in \ndifferent variations of colour: Halo, Mirage and Tumulte.\nINGA SEMPÉ BIOGRAPHY\nA French designer who graduated in 1993 from the ENSCI-Les Ateliers (École Nationale \nSupérieure de Création Industrielle, Paris), and then opened her personal practice in 2000. She \nstarted to collaborate with the Italian companies Cappellini and Edra. She specializes in interior \ndesign, lights, objects and fabrics.\nCurrently Inga Sempé works mainly for French companies such as Ligne Roset, Moustache, \nDomestic, Baccarat, Italian companies such as LucePlan and Cassina and Scandinavian \ncompanies such as Hay, David Design, Hjelle and Almedahl’s and American companies such \nas Artecnica.\nIn 2003 she was awarded the Grand Prix de la Création en design de la ville de Paris, and again in \nthe same year held a personal exhibition at the Musée des Arts décoratifs in Paris.\nCOLLEZIONE METEO\nDESIGN INGA SEMPÉ\nMeteo, disegnata dalla designer francese Inga \nSempé, è una collezione che, come sottolinea \nl’Art Director Francesca Avossa, reinterpreta in \nchiave contemporanea il tappeto persiano classico: \n“l’interesse costante di Inga Sempé per la dimensione \ntessile e materica dei progetti, ma anche la sua \ncapacità di rilettura distanziata, mi hanno fatto pensare \nche potesse essere una buona interlocutrice a cui far \nreinterpretare la dimensione artigianale e decorativa \ndelle radici persiane di Golran. Meteo conserva i tratti \ndolci e sensibili di Inga, ma anche quelli più diretti e \ncontemporanei, eternamente in equilibrio tra forme \nsintetiche e artigianali, capaci di trasformare gli oggetti \ndel quotidiano addolcendoli, rendendoli poetici e \ndotandoli di una caratterizzante punta di humor.” \nL’effetto sfumato della trama, che permette di ottenere \nun disegno geometrico attraverso delle linee sfuocate, \nè ottenuto grazie alla sapiente tecnica artigianale \nnepalese in grado di restituire un risultato simile a \nquello del puntinismo, che utilizza i singoli fili colorati \ndi lana e seta per ciascun punto del disegno, come se \nogni nodo fosse la singola tessera di un mosaico. La \ncollezione Meteo presenta tre modelli con tre disegni \ndifferenti, disponibili ognuno in diverse varianti di \ncolore: Halo, Mirage e Tumulte.\nBIOGRAFIA INGA SEMPÉ\nDesigner francese nata a Parigi, Inga Sempé si \nlaurea nel 1993 presso la ENSCI Les Ateliers (Ecole \nNationale Supérieure de Création Industrielle, \nParigi). lavora successivamente in vari studi di design \ne architettura d’interni per poi aprire il suo studio \npersonale nel 2000, sempre a Parigi. dal 2000 al 2001 \nsviluppa i suoi primi progetti personali presso Villa \nMedici a Roma (accademia di Francia), prodotti\nsuccessivamente da Edra e Cappellini. Nel 2011 è \npremiata con agli EDIDA (Elle Deco International \nDesign Award). L’anno successivo è l’ospite d’onore \nalla Stockholm Furniture & light Fair. Sempé collabora \nattualmente con il brand francese Ligne Roset e con \naziende internazionali come luceplan, Wästberg, \nMoustache, Alessi, Roros, Hay, Svenkst Tenn e \nCassina. Recentemente ha vinto il premio “form + \n1”alla Stockholm Furniture & light Fair per la lampada \n“w153”, prodotta dall’azienda svedese Wästberg.\n34\n35\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.20.png","LAKE\nDESIGN RAW EDGES\n36\n37\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.21.png","RED\nGREEN\n38\n39\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.22.png","COLLEZIONE LAKE \nDESIGN RAW EDGES\nLa collezione, pensata come rilettura del tappeto \npersiano, s’ispira all’arte lenticolare dell’artista israeliano \nYaacov Agam che, al pari di Victor Vasarely, ha \nrivoluzionato il mondo della percezione ottica nell’arte.\nUna collezione cangiante, capace di passare dai colori \nvividi del giorno ai dei toni serali più spenti, proprio \ncome muta di riflesso lo specchio d’acqua di un lago, \n“agam” in ebraico. \nCome dicono i designers: “immaginate un tappeto \nche appare vivace e coloratissimo nel momento in \ncui uscite di casa, ma che sembrerà più rilassante e \nrasserenante quando tornerete dal lavoro. È come \navere due approcci diversi verso una cosa, due diversi \nmodi di guardare. Eppure, se ci si mette nel posto \ngiusto, è possibile avere una visione complessiva. \nPotrebbe sembrare un’illusione che crea confusione, \nma effettivamente il tutto si basa su una tecnica ottica \nlenticolare che, grazie a Golran e ai suoi artigiani \nnepalesi, è stata trasferita nella meravigliosa arte della \ntessitura dei tappeti. La grafica della prima serie si basa \nsul kilim tradizionale, in diverse varianti di altezza del \npelo.”\nBIOGRAFIA RAW EDGES\nLa collaborazione ufficiale tra Yael Mer e Shay Alkalay \nebbe inizio molti anni fa, con la condivisione di vita, \npensieri e idee. Il principale obiettivo di Yael consiste \nnel trasformare materiali bidimensionali in funzionali \nforme curve, mentre Shay è affascinato dal modo in \ncui gli oggetti si muovono, funzionano e reagiscono. \nFin dai tempi della laurea al Royal College of Art nel \n2006, hanno ricevuto diversi riconoscimenti prestigiosi \ntra cui The British Council Talented Award, iF Gold \nAward, Dutch Design Award, Wallpaper* Design \nAward 2009 e Elle Decoration International Design \nAward per il migliore articolo d’arredamento del \n2008_09. Sono stati inoltre premiati come Designer \nof the Future per il 2009 da Design Miami\u002F Basel. \nLe loro opere sono state esposte in tutto il mondo e \nfanno parte della collezione permanente del MoMA \na New York e di altri musei. Tra i loro clienti troviamo \nCappellini, Established & Sons, Moroso, Kvadrat, \nStella McCartney, Arco, Mutina, Lema. Inoltre, Yael & \nShay producono di tanto in tanto pezzi di design unici \nin edizione limitata e installazioni presso il loro studio \ndi Londra. Il loro lavoro è apparso sulle principali riviste \ndi design e sui giornali di tutto il mondo.\nLAKE COLLECTION \nDESIGN RAW EDGES\nThe collection, conceived as second reading of the persian rug, takes its inspiration from the \nlenticular Israeli artist Yaacov Agam who, together with Victor Vasarely, revolutionized the world \nof optic perception in art. An iridescent collection, capable of moving from the vivid colours of \ndaytime to the less bright shades of the evening, just like the mirror of water of a lake, “agam” in \nHebrew, changes its reflection.\nAs the designers explain: “Imagine a rug that looks very vivid and colourful when you leave home, \nbut the very same rug will appear more relaxing and calming when coming back from work. It is \nlike having two approaches for one thing, two different ways to look at it but then when standing \nat the right place, you could actually see the whole picture. This may sound like illusion confusion \nbut it is all based on existing op-art lenticular technique that thanks to Golran, and their craftsmen \nin Nepal, has been translated into marvelous rug making. The graphic of the first series is based \non traditional kilim, but here in varying heights of pile technique”.\nRAW EDGES BIOGRAPHY\nThis official collaboration between Yael Mer & Shay Alkalay started after many years of sharing \nlife, thoughts and ideas. Yael’s main focus includes turning two dimensional sheet materials into \ncurvaceous functional forms, whereas Shay is fascinated by how things move, function and react. \nSince their graduation show at the Royal College of Art in 2006, they have received several highly \nrespected awards including The British Council Talented Award, iF Gold Award, Dutch Design \nAward, Wallpaper* Design Award 2009 and the Elle Decoration International Design Award for \nbest furniture of 2008_09 and awarded as the Designer of the Future for 2009 from Design Miami\u002F \nBasel. Their works have been exhibited internationally and can be found within the permanent \ncollection of the MoMA New- York and other museums. They for clients including Cappellini, \nEstablished & Sons, Moroso, Kvadrat, Stella McCartney, Arco, Mutina, Lema and in addition, Yael \n& Shay produce from time to time unique and limited-edition designs and installations within \ntheir own studio in London. Their work has been featured in many major design publications and \nnewspapers worldwide.\nLAKE\nGREY\nRED\nGREEN\nBLUE\nTECHNIQUE\nLenticular, Hand knotted\nCOMPOSITION\nWool (75 %), \nBamboo silk (25%)\nHandmade in Nepal\nCustom size on request\nSIZES \n300 x 200\n300 x 260\n380 x 280\n40\n41\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.23.png","TRIANGLES\nDESIGN BERTJAN POT\n42\n43\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.24.png","DIAMOND MEDALLION BLUE GREEN\nTRIANGLEHEX SWEET PINK\n44\n45\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.25.png","TRIANGLEHEX  \nSWEET GREEN\nDIAMOND \nSTRAWBERRY\nDIAMOND \nAPPLE GREEN\nDIAMOND \nBLACK\nDIAMOND MEDALLION\nBLUE GREEN\nDIAMOND \nBLACK&CREAM\nTRIANGLEHEX \n GOLD\nTRIANGLEHEX  \nSWEET PINK\nDIAMOND MEDALLION\nBLACK&CREAM\nCOLLEZIONE TRIANGLES \nDESIGN BERTJAN POT\nLa collezione si compone di tre diversi disegni di tappeti realizzati con la tecnica di lavorazione \ndel KILIM, alcuni dei quali disponibili in diverse varianti di colori, riprodotti con un nuovo spirito \nattraverso tecniche antiche proposte in chiave moderna, utilizzando lane preziose, sete e materiali \nnaturali. Tutti i modelli partono dallo studio della tecnica d’intreccio del kilim per poi enfatizzarne \nle caratteristiche linee diagonali e orizzontali. Tutta la collezione si basa sulla forma geometrica del\ntriangolo, estesa a formare una griglia di pattern diversi e ulteriormente accentuata formando \nrombi ed esagoni. Le cromie, accostate in modo più o meno contrastante, creano dei \ncaleidoscopici pavimenti intrecciati in cui il sapore antico della storia si fonde in perfetta sintonia \ncon una ricerca cromatica e contenutistica contemporanea. A sottolineare le geometrie ed i giochi \ndi colore, il designer ha disegnato dei pouf di diverse forme geometriche da abbinare a contrasto \nsui tappeti per un total look vicino ad alcune espressioni di arte contemporanea. \nBIOGRAFIA BERTJAN POT\nBertjan Pot nasce nel 1975 a Nieuwleusem, Olanda. Dopo la laurea alla Design Academy nel 1988 ha \niniziato il suo lavoro di designer, insieme a Daniel Withe, con lo pseudonimo di “The Monkey Boys”. \nDal 2003 ha aperto il suo studio, con sede a Schiedam. Il suo lavoro si concentra per la maggior \nparte sulla creazione di mobili e complementi di arredo. Compie in particolare ricerche tecnologiche \nsui materiali, le trame dei tessuti, i pattern e le palette di colori. La ricerca sui materiali, rappresenta \nquasi sempre il punto di partenza per ogni suo progetto. La ricerca tecnica e la creatività sono gli \nelementi che lo spingono oltre i limiti della produzione industriale, con i suoi progetti autoprodotti. \nAccanto a questi un gran numero di collaborazioni con aziende e istituzioni come : Moooi, Arco, \nGoods, Montis, Feld, Gelderland, Established & Sons, Alturo Alvarez, Richard Lampert, Domestic, \nMoustache, Museum Boijmans van Beuningen and the AUDAX Textielmuseum Tilburg.\nTRIANGLES \nCOLLECTION \nDESIGN BERTJAN POT\nThe collection consists in three different models of \ncarpets made with the kilim technique, some of which \nare available in a variety of colors, all created with a \nnew spirit incorporating ancient techniques into \nmodern styles, and using the finest wools, silks, and \nnatural materials. All styles start with an investigation \ninto the weaving technique of the kilim in order to then \nemphasize the diagonal lines and horizontal features.\nTRIANGLES collection: The Triangles collection \npresents three different designs, each available in \ndifferent variations of colour: Diamond, Diamond \nMedallion and Trianglehex.\nBERTJAN POT \nBIOGRAPHY\nBertjan Pot was born in 1975 in Nieuwleusem, \nNetherlands. After graduating from the Design \nAcademy in 1988, he began his career as a designer \nalongside Daniel Withe, under the alias «The Monkey \nBoys». In 2003 he opened his own studio in Schiedam. \nHis work centers on the creation of furniture and \nfurnishings, intensely focused on the technological \nresearch of materials, patterns, color palettes, and the \ntextures of fabrics. Material research is the general \nstarting point for almost every project. Technical \nresearch and creativity are the elements that break \nthe boundaries of industrial production, as with his \nself produced projects. In addition to these, he has \ncollaborated with a large number of companies and \ninstitutions such as Moooi, Arco, Goods, Montis, \nFeld, Gelderland, Established & Sons, Alturo \nAlvarez, Richard Lampert, Domestic, Moustache, \nMuseum Boijmans van Beuningen, and the AU DAX \nTextielmuseum Tilburg.\nTRIANGLES\nTECHNIQUE \nHand knotted\nCOMPOSITION\n70% wool, 15% silk,\n15% cactus fibers\nHandmade in Nepal\nCustom size on request\nSIZES \n240 x 160\n300 x 200\n300 x 240\n350 x 260\n410 x 310\n46\n47\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.26.png","MEMORIES\nDESIGN ISABELLA SODI\n48\n49\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.27.png","50\n51\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.28.png","FIRUZABAD ALUMINIO\nMARIE ANTOINETTE BRILLANT\n52\n53\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.29.png","COLLEZIONE \nMEMORIES \nDESIGN ISABELLA SODI\nUna collezione originale e unica disegnata per Golran \ndall’artista e designer fiorentina Isabella Sodi che \ntrasferisce il suo prezioso bagaglio estetico-culturale, \na cavallo tra interior design e l’alta moda, nella sua \npersonale interpretazione del tappeto. La collezione è \ncostituita da pezzi dal forte impatto emotivo sospesi fra \npassato e futuro. Fortemente ancorata alla tradizione, \niniziando dal luogo di realizzazione - il Nepal - dove lo \nstrumento di lavoro più all’avanguardia è l’esperienza, \ndove mani dalla sapienza antica si muovono con \nmaestria su vecchi telai, dove si tingono a mano con \neffetti irripetibili i filati più nobili, andando a trarre \nispirazione nei disegni più classici. La collezione di tappeti \nMemories raccoglie tutte le sfumature e le suggestioni \ndella natura, bilanciate con eleganza, colori mai \n“sfacciati” ma quasi sussurrati: trasparenti e opalescenti \nnella brillantezza della seta, del bamboo e della soia; \nopachi e profondi nella lana e nel lino; naturalmente \nimperfetti nelle lane-non-tinte e volutamente imperfetti \nnegli abbrash eseguiti manualmente. L’utilizzo dei colori \nè molto personale, fatto di sfumature lievi che vibrano \ntra la lucentezza della seta e la patina “polverosa” della \nlana. Un mix di fibre e tessiture dove i sapienti tocchi di \nlieve imperfezione sono dosati ad arte per dell’istinto e \ndella manualità.\nBIOGRAFIA\nISABELLA SODI \nIsabella Sodi vanta una lunga esperienza nei settori \ndella moda e del design. Fiorentina, inizia a lavorare \ncome interior designer per allestimenti, case e negozi.\nApproda quindi a Milano, per dedicarsi al fashion \ndesign e poi a Roma dove lavora con passione nell’alta \nmoda. Torna nuovamente a Milano, dove oggi vive, \noccupandosi di arredamento e decorazione.\nCOLLECTION MEMORIES \nDESIGN  ISABELLA SODI\nA unique original collection designed for Golran by artist and designer Isabella Sodi from \nFlorence. She transmits her precious aesthetic and cultural know-how of interior design and \nhaute couture through her personal interpretation of the carpet. The collection includes items \ncharged with a powerful emotional impact, suspended between  past and future. It is firmly \nanchored to tradition, starting from the production site -  Nepal - where the most important \n“carpet making tool” is experience.  The result is a collection that, with great sensitivity, delves \ninto the precious art of carpet weaving, focusing in particular on the ancient Oriental techniques. \nThe use of colors is very personal, made of light variations that vibrate between the sheen of silk \nand the “dusty” patina of wool. A mix of fibers and textures imbued with clever touches of slight \nimperfections that are incorporated on purpose in order to create rugs that speak to the allure of \ninstinct and handcraft. The collection, which each year adds new colors, is available in the basic \nversion in linen, wool, silk, and natural fibers, and in cashmere in the top of the range.\nISABELLA SODI BIOGRAPHY\nFlorence native Isabella Sodi began her extensive career in the fields of fashion and design as an \ninterior designer for exhibitions, homes, and shops. She moved to Milan to focus on fashion design \nand then to Rome, where she worked passionately on haute couture. She has since returned to \nMilan, where she now lives, and is much appreciated in the field of furnishings and interiors.\nMEMORIES\nTECHNIQUE \nHand knotted\nCOMPOSITION\nWool & silk \nHandmade in Nepal\nCustom size on request\nSIZES \n300 x 200\n305 x 245\n360 x 250\n400 x 300\nFIRUZABAD Aluminio\nFIRUZABAD Camel\nFIRUZABAD Dark\nFIRUZABAD Gold\nFIRUZABAD Emerald\nFIRUZABAD Rame\nFIRUZABAD Cream\nTOPKAPJ Gold\nMARIE ANTOINETTE\nAgata\nTAJ MAHAL\nHERMITAGE Revisited\nTOPKAPJ Lapis\nMARIE ANTOINETTE\nBrillant  \nGRAND PALAIS\nHERMITAGE\nTOPKAPJ Moon blue\nMARIE ANTOINETTE\nDark Blue\n  \nJARDIN D’HIVER\nTOPKAPJ Moon\nMARIE ANTOINETTE\nEmerald  \nTOPKAPJ Terracotta\n54\n55\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.30.png","SHADOWS\nDESIGN ISABELLA SODI\n56\n57\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.31.png","LAPIS\nGOLD\n58\n59\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.32.png","COLLEZIONE \nSHADOWS \nDESIGN ISABELLA SODI\nLa collezione Shadows, utilizza le diverse antiche \ntecniche di annodamento degli artigiani orientali \nper creare dei tappeti monocromatici risolutamente \ncontemporanei. Disegnata da Isabella Sodi, la \ncollezione si compone di diversi tappeti, realizzati in \nlana e seta, capaci di illuminarsi e scurirsi, a seconda \ndel verso della fibra di lettura del tappeto. La collezione, \ngrazie al procedimento di realizzazione artigianale, \ns’impreziosisce di riflessi e toni che ne animano la \nsemplicità apparente, sottolineando la ricercata \nsofisticatezza di ogni singolo pezzo. La collezione, \ndisponibile in diverse tonalità monocromatiche, è in \ngrado di adattarsi perfettamente sia agli ambienti \npiù classici che a quelli più contemporanei grazie alla \nmonocromia dei pezzi arricchita dalle lucenti nuances \ndella seta.\nBIOGRAFIA\nISABELLA SODI\nIsabella Sodi vanta una lunga esperienza nei settori \ndella moda e del design. Fiorentina, inizia a lavorare \ncome interior designer per allestimenti, case e negozi. \nApproda quindi a Milano, per dedicarsi al fashion \ndesign e poi a Roma dove lavora con passione nell’alta \nmoda. Torna nuovamente a Milano, dove oggi vive, \noccupandosi di arredamento e decorazione.\nSHADOWS COLLECTION\nDESIGN ISABELLA SODI\nThe Shadows collection reinterprets three different ancient knotting techniques of oriental \ncraftsmen in a modern key. The collection includes all the colors and suggestions from the natural \nworld, merged into a sophisticated balance. Colors are never “gaudy” but barely whispered: clear \nand opalescent in the brilliance of silk, bamboo and soy; with the depth conveyed by a matt finish \non wool; naturally imperfect in undyed wools and intentionally imperfect in the handcrafted abrash \neffect. Colors, which are chosen with a highly personal approach, center on slight nuances that \nvibrate amidst the sheen of silk and the “dusty” finish of wool and linen. In this blend of fibers and \nweaves, the artful touches of slight imperfections are expertly measured to create carpets that also \nenhance the allure of instinct and skilled craftsmanship.\nDesigned by Isabella Sodi, the collection includes four carpets made of wool and silk that seem \nto brighten and darken depending on the direction of the carpet’s main fiber twist. The manual \nproduction process enriches the collection with reflections and tones that enliven its apparent \nsimplicity.\nISABELLA SODI BIOGRAPHY\nFlorence native Isabella Sodi began her extensive career in the fields of fashion and design as an \ninterior designer for exhibitions, homes, and shops. She moved to Milan to focus on fashion design \nand then to Rome, where she worked passionately on haute couture. She has since returned to \nMilan, where she now lives, and is much appreciated in the field of furnishings and interiors.\nRAME\nALUMINIO\nSILVER BROWN\nBROWN\nBEIGE\nLIGHT BROWN\nGOLD\nSWEET PINK\nAGATA\nLAPIS\nWHITE\nSHADOWS\nTECHNIQUE\nHand knotted\nCOMPOSITION\nWool (50 %), \nBamboo silk (50%)\nHandmade in Nepal\nCustom size on request\nSIZES \n300 x 200\n305 x 265\n360 x 250\n400 x 300\n60\n61\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.33.png","CARPET RELOADED\nDESIGN GOLRAN\n62\n63\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.34.png","DM 8430 \n64\n65\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.35.png","D 7404\nDPW 8919\n66\n67\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.36.png","D 5810\nD 7043\nD 7404\nD 7475\nD 7814\nDM 8430\nDM 7600\nDPW 8738\nDPWR 8536\nDPW 8387\nDPWR 8536\nDM 8447\nDPW 8919\nDPWR 8536\nDM 8469\nDPW 8948\nDPWR 8536\nCARPET RELOADED\nCOLLECTION\nWith this collection Golran combines its long-\nstanding experience and know-how with creative \nflair and experimentation, thus anticipating a trend or, \nrather, channeling it into a new one. Carpet Reloaded \nrevisits and reinterprets oriental carpets produced \nthroughout the 1900s with new cutting edge \ntechniques. The past, with its materials and traditional\nweaving techniques, is projected into the present \nthrough decoloration processes and subsequent \nmonochromatic re-dyeing that endows carpets with \na new identity. The unique and original results of \nthis process are precious, entirely handmade items. \nDespite the similar workmanship and mood, no two \ncarpets are identical.\nFabrication: Hand Knotted Wool Vintage Rugs.\nCOLLEZIONE  \nCARPET RELOADED\nCon questa collezione Golran mette insieme l’esperienza \nmaturata negli anni e il know-how dell’azienda, con \nla creatività e la sperimentazione anticipando così la \ntendenza vintage ed anzi incanalandola in un nuovo \ntrend. Carpet Reloaded rielabora e reinterpreta i tappeti \norientali della prima e della seconda metà del ‘900 \ncon tecniche nuove e d’avanguardia. Il passato, con \ni suoi materiali e le tecniche tradizionali di tessitura, \nè proiettato nel presente attraverso processi di \ndecolorazione e successive ritinture monocromatiche \nche danno ai tappeti una nuova identità. Il risultato, \nunico e originale, sono preziosi manufatti, tutti realizzati \na mano, simili per tipo di lavorazione e mood ma tutti \ndiversi l’uno dall’altro. La collezione Carpet Reloaded ha \ndato vita, grazie alle linee di tappeti classici Decolorized \ne Patchwork, decolorati e ritinti, ad una nuova tendenza \ndell’abitare. \nFabbricazione: tappeti vintage in lana annodati a mano.\nTECHNIQUE\nHand knotted\nCOMPOSITION\nWool (90%)\nCotton (10%)\nHandmade in Turkey\nCustom size on request on \npatchwork collection\nCARPET \nRELOADED\nEach rug of the Carpet Reloaded  collection is a unique vintage piece.\nTo see more of the collection : visit www.golran.com.\n68\n69\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.37.png","TRADITIONAL\n70\n71\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.38.png","CINA PEKINO\nTABRIZ NARVANI\n72\n73\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.39.png","TRADITIONAL \nCOLLECTION \nANTIQUE\nWith over 100 years of experience and tradition in \nthe sector, and thanks to a well-established network \nof experts operating on the leading markets and \nat the most important auction houses, Golran has \ncreated a collection of precious antique carpets.It is \nthe fruit of meticulous selection to identify only the \nmost prized pieces.Dating from the nineteenth to \nthe early twentieth century and produced by famous \nmaster weavers, they are the highest expressions \nof Oriental and European carpets, of great value \nand sophistication,appropriate for furnishing and \nembellishing all settings.\nWith their decorations and motifs they are excellent \nexamples of a historical heritage and recount ancient \ntraditions that have been handed down through the \ngenerations until becoming authentic collector’s \npieces and antiques today.They bear witness to \nthe fact that the art of the carpet has always been a \nsymbol of the aspiration to beauty.\nEach region and each country has its own recognizable \nmotif, which reflects the style and culture of its place \nof provenance.Antique carpets carry their history and \ntheir origins with them, woven and embroidered.\nANTICHI\nForte di un’esperienza e una tradizione più che \ncentenaria nel settore, Golran, grazie ad una \nconsolidata rete d’esperti nei più importanti Mercati \ne Case d’Asta, ha creato una collezione di preziosi \ntappeti antichi. Risultato di un attento e serio lavoro \ndi selezione per individuare solo i manufatti pregiati. \nDatabili dall’800 ai primi del’900, e provenienti dai \nfamosi maestri tessitori, sono le più alte espressioni \ndel tappeto orientale ed europeo, di grande valore e \nraffinatezza. In grado di arredare e impreziosire ogni \nambiente.\nCon i loro decori e motivi diventano esempi eccellenti \ndi un patrimonio storico e raccontano di tradizioni \nantiche tramandate di generazione in generazione fino \na diventare oggi dei veri e propri pezzi da collezione e \nd’antiquariato. E testimoniano come l’arte del tappeto \nsia da sempre simbolo dell’aspirazione alla bellezza.\nOgni regione e ogni paese ha un proprio motivo \ndecorativo riconoscibile che rispecchia lo stile e la \ncultura del luogo di provenienza. Il tappeto antico porta \ncon se, tessuto e ricamato, la sua storia e le sue origini.\nCLASSIC\nANTIQUE\nTECHNIQUE \nHand knotted\nCOMPOSITION\nNatural wool \nSilk\nHandamade Iran, India, \nTurkey, China\nTECHNIQUE \nHand knotted\nCOMPOSITION\nNatural wool\nCotton\nHandamade Iran, India, \nTurkey, China\nKIRMAN LAVER TAFT\nTABRIZ EMAD\nFERAHAN\nQOM ABASSY\nCINA PEKINO\nISFAHAN NAGHSH\nCINA PEKINO\nNAIN HABIBIAN\nKASHAN MANCHESTER\nQOM REZA FANNI\nSERAPI\nTABRIZ NARVANI\nCOLLEZIONE \nTRADITIONAL\nCLASSIC\nA collection of precious carpets dating from the \nmid-twentieth century to the current day.They are \ninspired by original antique models, whose values they \nexpress, along with the honour of representing one of \nthe highest expressions of Oriental, and particularly \nPersian, art and culture.\nVaunting a tradition handed down for over three \ngenerations, Golran continues its fascinating search \nfor prized pieces, also selecting contemporary master \nknotters capable of freely interpreting the models of \nthe past without distorting them, but rendering them \nin a style more appropriate to today’s needs and \nlifestyles.The decorations and patterns are rich and \nelaborate, like the use of colours, embellished with \nelegant working techniques using precious yarns like \nwool and silk.\nLike their illustrious antique models, they not only \nexemplify the art of weaving, but are also capable of \ngiving rooms a strong, personal style. \nCLASSIC\nUna collezione di pregevoli tappeti databili dalla metà \ndel ‘900 fino ad oggi. Dai modelli originali antichi \nriprendono l’ispirazione e i valori, insieme all’onore di \nrappresentare una delle manifestazioni più alte della \ncultura e dell’arte orientale soprattutto persiana.\nGolran, con una tradizione che si tramanda da più di \ntre generazioni, continua la sua affascinante ricerca \ndi pezzi di pregio, selezionando anche dei maestri \nannodatori contemporanei capaci di interpretare \nliberamente i modelli del passato senza stravolgerli, \nma dandone una lettura più in linea con le esigenze \ne gli stili di vita attuali. Le decorazioni e le fantasie \nsono ricche ed elaborate così come l’utilizzo dei colori, \nimpreziositi dalle eleganti lavorazioni, con filati pregiati \ncome la lana e la seta.\nIn comune con i loro illustri modelli antichi, oltre all’arte \ndella tessitura, hanno la capacità di infondere agli \nambienti un’impronta decisa e personale.\nThe carpet presented on these pages are a sample of our collection.\nTo see more of the collection : visit www.golran.com.\nThe carpet presented on these pages are a sample of our collection.\nTo see more of the collection : visit www.golran.com.\n74\n75\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F30\u002Fb87be4e636c95d030d10bd67a326e0.40.png","EDITOR\nGolran 1898\nGLOBAL ART DIRECTION\nFrancesca Avossa Studio\nTEXTS \nEditorial, History,Know how: Porzia Bergamasco\nCollections: PS\nEnglish translation - editorial, history, know how: Bridget Mason\nPHOTOS \nCONCEPT \nFrancesca Avossa Studio\nPHOTOS\nStudio pictures: © Beppe Brancato\nNepal and designers reportages: © Philippe Servent\nPackshots: © Prina\nPortrait of Isabella Sodi: © Giulio Oriani\nConservatorium Hotel: © Amit Geron\nPRODUCTION (studio pictures)\nAlessandra Salaris \nSPECIAL THANKS FOR STUDIO PICTURES:\nBaxter\nCappellini\nDimore studio\nFlos\nGlas italia\nHenge\nLigne roset\nLabanto\nMoroso\nOluce\nRoll&hill \nCONTACTS\nFLAGSHIP STORE\nvia Pontaccio 8\u002F10\n20121 Milano\nflagshipmilano@golran.com\nHEADQUARTERS\nvia Panzeri 11\n20123 Milano\ninfo@golran.com\n+39 02 89 40 57 25\nWEBSITE\nwww.golran.com\nPRESS\npress@golran.com\n  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