[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-gebruder-thonet-vienna-collection-2020":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":1183},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":1178,"matched_pages":1179,"match_count":1180,"two_pages":1181,"show_text":1182},8706,"Collection 2020","gebruder-thonet-vienna-collection-2020","\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F3d\u002F6e1814dfae6ccb48bf825ae6a260fd.pdf","Gebrüder Thonet Vienna",1865,"gebruder-thonet-vienna","22.6 MB",[14,17,21,24,28,31,35,39,43,47,51,55,59,63,67,71,75,79,83,87,91,95,99,103,107,111,115,119,123,127,131,135,139,143,147,151,155,159,163,167,171,175,179,183,187,191,195,199,203,207,211,215,219,223,227,231,235,239,243,247,251,255,259,263,267,271,275,279,283,287,291,295,299,303,307,311,315,319,323,327,331,335,339,343,347,351,355,359,363,367,371,375,379,383,387,391,395,399,403,407,411,415,419,423,427,431,435,439,443,447,451,455,459,463,467,471,475,479,483,487,491,495,499,503,507,511,515,519,523,527,531,535,539,543,547,551,555,559,563,567,571,575,579,583,587,591,595,599,603,607,611,615,619,623,627,631,635,639,643,647,651,655,659,663,667,671,675,679,683,687,691,695,699,703,707,711,715,719,723,727,731,735,739,743,747,751,755,759,763,767,771,775,779,783,787,791,795,799,803,807,811,815,819,823,827,831,835,839,843,847,851,855,859,863,867,871,875,879,883,887,891,895,899,903,907,911,915,919,923,927,931,935,939,943,947,951,955,959,963,967,971,975,979,983,987,991,995,999,1003,1007,1011,1015,1019,1023,1027,1031,1035,1039,1043,1047,1051,1055,1059,1063,1067,1071,1075,1079,1083,1087,1091,1095,1099,1103,1107,1111,1115,1119,1123,1127,1131,1135,1139,1143,1147,1151,1155,1159,1163,1167,1171,1175],{"image":7,"text":15,"number":16},"I\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.2.png","",2,{"image":22,"text":19,"number":23},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.3.png",3,{"image":25,"text":26,"number":27},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.4.png","2\n",4,{"image":29,"text":19,"number":30},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.5.png",5,{"image":32,"text":33,"number":34},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.6.png","4\nINDEX\nHistory 13\nHeritage 29\nFriedberg Thonet Museum 30\nA Nobel Prize Chair 32 \nContract 33 \nProducts 49\nAbacus 249\n",6,{"image":36,"text":37,"number":38},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.7.png","5\nBistrotstuhl \n52\nBodystuhl \n56\nBrezel \n60\nCzech \n64\nCaféstuhl \n62\nGarten \n70\nLoos Café Museum \n74\nGustav \n72\nMagistretti 0301 \n76\nMalit \n78\nMorris \n82\nN. 0 \n84\nN. 14 \n90\nN. 1 \n88\nN. 18 \n92\nN. 811 \n96\nChairS & \nArmchairS\n",7,{"image":40,"text":41,"number":42},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.8.png","6\nPince \n100\nN. 811 \n96\nPost Mundus \n104\nPostsparkasse \n106\nSuu & Ann \n114\nRadetzky \n110\nVienna 144 \n118\nWiener Stuhl \n120\nVienna 144 \n118\nCirque \n125\nCirque \n125\nN. 18 Barstool \n92\nN. 811 Barstool \n96\nPostsparkasse \n106\nSingle Curve Stools \n132\nSTOOLS\n",8,{"image":44,"text":45,"number":46},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.9.png","7\nTrio \n138\nVienna 144 Barhocker \n140\nCoat Rack Bench \n131\nMos \n128\nSchaukelstuhl \n172\nRuhering \n130\nSuzenne \n174\nChignon \n142\nHideout \n146\nHold On \n150\nLehnstuhl \n152\nN. 200 \n162\nLoïe \n158\nBENCHES\nLOUNGE \nchairs\n& SOFAS\n",9,{"image":48,"text":49,"number":50},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.10.png","8\nPromenade \n166\nSingle Curve Dining \n132\nRehbeintisch \n210\nTarga \n178\nOttoW \n184\nYvette \n192\nRue \n188\nArch Dining Table \n194\nRing Dining Table \n206\nMagistretti 0302 \n76\nCaryllon Dining Tables \n196\nHEADBOARDS\nDINING\nTABLES\n",10,{"image":52,"text":53,"number":54},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.11.png","9\nCognac \n212\nPorto \n216\nPastis \n214\nSherry \n218\nVermouth \n220\nWiener Box \n226\nCoffee\nTABLES\nBISTROT\nTABLES\nArch Coffee Table \n222\nCaryllon Low Tables \n196\nDuet \n224\nHold On \n150\nSingle Curve Low Tables \n132\nAllegory Desk \n228\nDESK\n",11,{"image":56,"text":57,"number":58},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.12.png","10\nArch Clothes Valet \n241\nEyeshine Mirrors \n231\nCloud \n230\nFuria \n232\nEyeshine Mirrors \n231\nKleiderständer \n234\nKleiderständer P29 \n235\nLadder \n238\nKolo Moser \n236\nMajordomo \n240\nStocksessel \n242\nWagasa by Servomuto \n244\nWaltz \n246\nACCESSORIES\n",12,{"image":60,"text":61,"number":62},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.13.png","11\n“Creativity does not \nlie in finding \nnew territories,\nbut rather in seeing \nthrough new eyes.”\n(Marcel Proust)\n",13,{"image":64,"text":65,"number":66},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.14.png","12\n",14,{"image":68,"text":69,"number":70},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.15.png","[en] Michael Thonet (1796-1871) and \nhis five children were the most suc-\ncessful manufacturers of furniture \nin the Industrial Age. Having been \ninvited to develop a patent in Austria \nby Chancellor Metternich, who had \nseen his products at the Exhibition \nheld by the society of friends of arts \nin Koblenz, in 1842, Michael Thonet \nleft Boppard in Germany, to settle in \nVienna, where in 1853 he founded \nthe company “Gebrüder Thonet” \nby involving his five sons. In the \nHapsburg capital, Michael Thonet \nabandoned the more traditional \ntechnique of glued lamellar wood in \nfavour of the industrial chemical - \nmechanical steam bent process. This \ninnovation led him to begin produc-\ning wooden furniture, presenting a \ncollection of elegant, yet practical \ndesigns that could be manufactured \non a larger scale. He immediately \nsupported this with a distribution \nand sales network that was capable \nof penetrating any market. It was dur-\ning this time that products such as \nchair No. 1 designed for the famous \nViennese Palais Schwarzenberg made \ntheir début, gaining fame as ‘typi-\ncally’ Thonet, and from which many \nother models were then designed, up \nto and including the classic chair No. \n14. The company’s use of high tech-\nnology and production techniques, \ntogether with widespread fame and a \n[de] Michael Thonet (1796-1871) und \nseine fünf Söhne waren die erfolgreichsten \nMöbelhersteller des Industriezeitalters. Auf \nEinladung des österreichischen Kanzlers \nMetternich, der seine Produkte auf der \nAusstellung des Vereins der Kunstfreunde \nKoblenz gesehen hatte und ihm vor-\nschlug, sein Patent in Österreich zu \nentwickeln, verließ Michael Thonet im \nJahre 1842 das in Deutschland gelegene \nBoppard, um sich in Wien niederzulassen. \n1853 gründete er gemeinsam mit seinen \nfünf Söhnen das Unternehmen „Gebrüder \nThonet“. In der Hauptstadt des habsbur-\ngischen Reiches ging Michael Thonet von \nder Technik des geleimten Lamellenholzes \nzu der des unter Dampf gebogenen \nRundholzes über, d.h. zu einem che-\nmisch-mechanischen Verfahren industriel-\nler Natur. Dank dieser Innovation begann \ner, Holzmöbel herzustellen, indem er eine \nKollektion mit vier gleichermaßen elegan-\nten und rationalen Formen schuf. Zugleich \nerlaubte ihm das dabei angewandte \nVerfahren die Herstellung großer Mengen. \nDazu gesellte sich sofort ein Vertriebs- und \nVerkaufssystem, das in der Lage war, in \njeden beliebigen Markt vorzudringen. In \njener Zeit entstanden Produkte wie der \nStuhl „Nr. 1“, der für das berühmte Palais \nSchwarzenberg in Wien entworfen wurde. \nEr gilt als der „typische“ Thonetstuhl, von \ndem später die unzähligen Modelle bis \nhin zum Stuhl „Nr. 14“ abgeleitet wurden. \nDer Einsatz modernster Technologien und \nHerstellungsverfahren, die Verbreitung \n13\nHISTORY\n",15,{"image":72,"text":73,"number":74},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.16.png","HENRI DE TOULOUSE-LAUTREC. FASHIONABLE PEOPLE AT LES AMBASSADEURS (AUX AMBASSADEURS: GENS CHIC). \nDated: 1893. Dimensions: overall: 84.3 x 65.5 cm (33 3\u002F16 x 25 13\u002F16 in.). Oil l’essence over black chalk on wove paper, mounted on cardboard. \nWashington DC, National Gallery of Art. © 2018. Album\u002FScala, Firenze\n14\n",16,{"image":76,"text":77,"number":78},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.17.png","growing reputation, encouraged the \nmost important Viennese architects \nto design new products. Otto Wagner \ncommissioned the furnishing of the \nPost Sparkasse. Adolf Loos designed \nthe chair for the Café Museum, in \n1895 writing: “When I was in America, \nI realised that the Thonet chair was \nthe most modern seating available”. \nIn 1911, the Gebrüder Thonet cata-\nlogue boasted 980 different models. \nBy the end of the second world war, \nindependent production plants had \nbeen set up in various different coun-\ntries and developed into separate \nbusinesses. \nIn Austria, the home market of \nGebrüder Thonet, the business was \nrebuilt by descendants of Michael \nThonet, including his great-grand-\nson Fritz Jakob Thonet as well as Fritz \nJakob’s children Evamarie Thonet \nand Richard Thonet. After the war, \nthey had to start from scratch, with \nlittle more than their experience and \nder Produkte und die zunehmende \nBekanntheit des Unternehmens veranlass-\nten die bedeutendsten Wiener Architekten \ndazu, neue Produkte zu entwerfen. \nOtto Wagner ließ die Einrichtung für die \nPostsparkasse herstellen. Adolf Loos \nentwarf den Stuhl für das Café Museum \nund schrieb 1895: „Als ich in Amerika \nwar, begriff ich, dass der Thonetstuhl der \nmodernste Stuhl ist, den es gibt.“ Im Jahre \n1911 zählte der Katalog der Gebrüder \nThonet 980 verschiedene Modelle. Am \nEnde des Zweiten Weltkriegs entstan-\nden in verschiedenen Ländern unab-\nhängige Produktionseinheiten, die sich \nin getrennte Unternehmen entwickelten. \nIn Österreich, dem Heimatmarkt von \nGebrüder Thonet, wurde das Geschäft \nvon Michael Thonets Nachfahren wieder-\naufgebaut, darunter sein Urgroßenkel \nFritz Jakob Thonet sowie dessen Kindern \nEvamarie Thonet und Richard Thonet. \nNach dem Krieg mussten sie ganz von \nvorn anfangen, mit kaum mehr als ihrer \nErfahrung und Leidenschaft für Möbel. \n15\n",17,{"image":80,"text":81,"number":82},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.18.png","passion for furniture. They recom-\nmenced their business in one of \nGebrüder Thonet’s former ware-\nhouses in Vienna. From 1948 on they \nrented a production site in Rohrau, \nSteiermark, before they finally built \ntheir own production site in Friedberg \nin 1962. In 1976 the Austrian business \nchanged its name from Gebrüder \nThonet to its current name Gebrüder \nThonet Vienna. More recently, \nGebrüder Thonet Vienna GmbH (GTV) \nhas develop edits work in a successful \nblend of the traditional and the mod-\nern, of continuity and renewal, with a \nnew production program that begins \nby re-editing a series of Gebrüder \nThonet classics. At the same time, GTV \nstands for contemporary furnishing. \nAdvanced production techniques are \napplied to innovative designs and \nuses of materials, to create highly \nUnmittelbar nach dem Krieg nahmen sie \nin einem ehemaligen Wiener Warenlager \nvon Gebrüder Thonet die Geschäftstätigkeit \nwieder auf. Von 1948 an pachteten sie \neine Fabrik in Rohrau, Steiermark, bevor \nsie 1962 schließlich ihre eigene Fabrik in \nFriedberg eröffneten. 1976 änderten sie den \nNamen von Gebrüder Thonet in den heu-\ntigen Namen Gebrüder Thonet Vienna. In \njüngster Zeit entwickelte Gebrüder Thonet \nVienna GmbH (GTV) ihre Tätigkeit zwischen \nTradition und Innovation, Kontinuität \nund Erneuerung und rief ein geglieder-\ntes Produktionsprogramm ins Leben, das \nsich in erster Linie zum Ziel setzt, eine \nReihe historischer, von Gebrüder Thonet \ngeschaffener Gegenstände in Form einer \nNeuausgabe anzubieten. Zugleich reprä-\nsentiert GTV die Vorstellung von zeitge-\nnössischer Einrichtung. Durch den Einsatz \nfortschrittlicher Produktionstechniken \nwerden Design und Materialverwendung \nClaudia Cardinale and Alberto Sordi in “A girl in Australia” (Ronald Grant Archive \u002F Mary Evans )\n16\n",18,{"image":84,"text":85,"number":86},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.19.png","DEGAS, EDGAR (1834-1917): MADAME ALEXIS ROUART ET SES ENFANTS. \n1905. Parigi, Musee du Petit Palais. peinture, cm. 160 x 141© 2018. Photo Josse\u002FScala, Firenze\n17\n",19,{"image":88,"text":89,"number":90},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.20.png","Winston Churchill (CPT TANNER - No 2 Army Film and \u002FAFP\u002FGetty Images)\n18\n",20,{"image":92,"text":93,"number":94},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.21.png","sought-after, multipurpose furnishing \nitems. Truly original, up-to-date solu-\ntions that integrate well with the more \nclassic products of its catalogue, now \nreworked. Items such as chair No. 14, \nof which more than 50 million were \nmade between 1850 and 1930, have \ngone down in history for their fine \ndesign and manufacturing quality, and \nyet still today excite and attract new \ngenerations. GTV always succeeds \nin finding the perfect combination of \ntradition and innovation, assisted by \ncontinuous research into new, clear-\ncut, versatile designs. GTV is open \nand looking to the future, without, \nhowever, leaving the values and expe-\nrience of the past behind. This collec-\ntion is a true reflection of the evolu-\ntion of our times.\nweiterentwickelt, um sehr begehrte, vielfäl-\ntig einsetzbare Einrichtungsgegenstände zu \nschaffen. Es handelt sich um innovative und \nzeitgemäße Lösungen, die sich nahtlos in \ndie klassischen Stücke des Produktkatalogs \neinreihen. Die aufgrund von Form und \nVerarbeitungsqualität in die Geschichte \neingegangenen Stücke, wie der Stuhl Nr. \n14, der zwischen 1850 und 1930 mehr \nals 50 Millionen mal hergestellt wurde, \nkönnen noch heute Emotionen hervor-\nrufen und neue Generationen faszinieren. \nGTV gelingt es, Tradition und Innovation \nperfekt miteinander zu kombinieren und \ndabei stets nach neuen, klaren und vielsei-\ntigen Formen zu streben. GTV ist offen und \nzukunftsgewandt, ohne dabei die Werte \nund Erfahrungen aus der Vergangenheit \naufzugeben. Diese Kollektion spiegelt die \nEvolution unserer Zeit wider.\n19\n\"Form ever \nfollows function.\"\n(Louis Sullivan)\n",21,{"image":96,"text":97,"number":98},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.22.png","Rita Hayworth and Gene Kelly (Ned Scott\u002FJohn Kobal Foundation\u002FGetty Images)\n20\n",22,{"image":100,"text":101,"number":102},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.23.png","Walter Chiari in the backstage 1954, Rome (Mondadori Portfolio Premium\u002FGetty Images)\n21\n",23,{"image":104,"text":105,"number":106},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.24.png","Toulouse Lautrec, Henri de (1864-1901): At the Moulin Rouge, digitale (1) 1892\u002F95. Oil on canvas, 123 x 141 cm. Helen - Birch Bartlett Memorial Collection, 1928.610.\nChicago (IL), Art Institute of Chicago. © 2018. The Art Institute of Chicago \u002F Art - Resource, NY\u002F Scala, Firenze\n22\n",24,{"image":108,"text":109,"number":110},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.25.png","[it] Michael Thonet (1796-1871) e i \nsuoi cinque figli furono i produttori \ndi mobili di maggior successo dell’era \nindustriale. Invitato dal cancelliere \naustriaco Metternich, che aveva \nvisto i suoi prodotti all’Esposizione \ndella Società degli Amici delle Arti \ndi Coblenza, a sviluppare il proprio \nbrevetto in Austria, nel 1842 Michael \nThonet lasciò Boppard, in Germania, \nper stabilirsi a Vienna, dove nel1853 \nfondò l’azienda “Gebrüder Thonet” \ncoinvolgendo i suoi cinque figli. Nella \ncapitale dell’impero asburgico, Michael \nThonet passò dalla tecnica del legno \nlamellare incollato a quella del tondino \nincurvato a vapore, cioè a un processo \nchimico e meccanico di tipo indu-\nstriale. Grazie a questa innovazione \niniziò a produrre mobili in legno pro-\nponendo una collezione di forme ele-\nganti e insieme razionali, con un proce-\ndimento che consentiva la produzione \nin grande serie. A questo si aggiunse \nsubito, un sistema di distribuzione \ne di vendita in grado di penetrare \nqualsiasi mercato. In quel periodo \nnacquero prodotti come la sedia \n“N.1” progettata per il famoso palazzo \nSchwarzenberg di Vienna, considerata \nla sedia “tipo” Thonet, da cui deriva-\nrono poi innumerevoli modelli fino alla \nsedia ”N.14”. Conoscenze tecnologiche \ne produttive di alto livello, diffusione \ndei prodotti e notorietà dell’azienda \nspinsero i più importanti architetti \n[fr] Michael Thonet (1796-1871) et ses \ncinq fils ont été les producteurs de meubles \nayant obtenu le plus grand succès de \nl’ère industrielle. Invité par le chancelier \nautrichien Metternich, qui avait vu ses \nproduits à l’Exposition de la Société des \nAmis des Arts de Coblence, à développer \nson brevet en Autriche, en 1842 Michael \nThonet laisse Boppart en Allemagne pour \ns’établir à Vienne, où en 1853 il fonde la \nsociété «Gebrüder Thonet » en impliquant \nses cinq fils. Dans la capitale de l’empire \nhabsbourgeois, Michael Thonet passe de \nla technique du bois lamellé collé à celle du \nbois de section ronde courbé à la vapeur, \nc’est-à-dire à un processus chimique et \nmécanique de type industriel. Grâce à \ncette innovation, il commence à produire \ndes meubles en bois en proposant une \ncollection de formes à la fois élégantes \net rationnelles, avec une technique qui \npermet de produire en grande quantité. À \ncela s’ajoute très rapidement un système \nde distribution et de vente en mesure de \npénétrer tout type de marché. Au cours \nde cette période, naissent des produits \ntels que la chaise “N. 1” conçue pour le \ncélèbre Palais Schwarzenberg de Vienne, \nconsidérée comme étant la chaise “type” \nThonet, d’où dérivent par la suite de nom-\nbreux modèles jusqu’à la chaise “N. 14”. \nDes connaissances technologiques et de \nproduction de haut niveau, la diffusion \ndes modèles et la notoriété de l’entre-\nprise poussent les plus grands architectes \nviennois à réaliser de nouveaux produits. \n23\n",25,{"image":112,"text":113,"number":114},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.26.png","24\n",26,{"image":116,"text":117,"number":118},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.27.png","viennesi a progettare nuovi prodotti. \nOtto Wagner fece realizzare gli arredi \nper la Postsparkasse, Adolf Loos \ndisegnò la sedia per il Café Museum \ne scrisse nel 1895: “Quando ero in \nAmerica compresi che la sedia Thonet \nè la sedia più moderna che ci sia”. \nNel 1911 il catalogo Gebrüder Thonet \ncontava 980 modelli diversi. Al ter-\nmine della seconda guerra mondiale \nnacquero unità di produzione indi-\npendenti in varie nazioni che svilup-\nparono imprese differenti. In Austria, \npatria di Gebrüder Thonet, l’attività \nfu ricostituita da alcuni discendenti di \nMichael Thonet, compreso il suo bisni-\npote Fritz Jakob Thonet e i suoi figli \nEvamarie Thonet e Richard Thonet. \nDopo la guerra, dovettero ricominciare \ndal nulla, con poco più che passione \ne conoscenza per i mobili. L’attività \nriprese a Vienna presso uno dei vec-\nchi magazzini di Gebrüder Thonet. \nA partire dal 1948 Frizjacob, Richard \ne Evamarie affittarono uno stabili-\nmento a Rohrau, Steiermark, prima \ndi realizzare il loro sito produttivo a \nFriedberg in 1962. Nel 1976 la società \ncambiò nome in Gebrüder Thonet \nVienna. Recentemente Gebrüder \nThonet Vienna GmbH (GTV) ha svilup-\npato la propria attività fra tradizione \ne innovazione, continuità e rinnova-\nmento, dando vita ad un programma \ndi produzione articolato, che si pro-\npone in primo luogo di recuperare in \nOtto Wagner fait réaliser les décora-\ntions pour la Postsparkasse, Adolf Loos \ndessine la chaise pour le Café Museum \net en 1895 il écrit: “Lorsque j’étais en \nAmérique, j’ai compris que la chaise \nThonet est la chaise la plus moderne qui \nsoit”. En 1911, le catalogue Gebrüder \nThonet compte 980 modèles différents. \nÀ la fin de la seconde guerre mondiale, \ndes unités de production indépendantes, \nqui ont développé différentes entre-\nprises, naissent dans différents pays. En \nAutriche, la patrie de Gebrüder Thonet, \nl’activité a été reconstitué par certains \ndescendants de Michael Thonet, dont \nson arrièr-petit-fils Fritz Jakob Thonet \net ses fils Evamarie Thonet et Richard \nThonet. Après la guerre, ils ont dû \nrepartir de zéro, avec un peu plus que \nla passion et les connaissances pour le \nmobilier. Les activités ont repris à Vienne \nà l’un des anciens entrepôts de Gebrüder \nThonet. Depuis 1948 Frizjacob, Richard \net Evamarie loué une usine à Rohrau, \nSteiermark, avant de faire leur site de \nproduction à Friedberg en 1962. En \n1976 le nom de la société a changé en \nGebrüder Thonet Vienna. Récemment, \nGebrüder Thonet Vienna GmbH (GTV) a \nrelancé sa vocation pour l’ameublement \nde caractère, en développant son activité \nentre tradition et innovation, continuité \net renouvellement, en faisant naître un \nprogramme de production articulé qui \nse propose, en premier lieu, de récupé-\nrer sous forme de rééditions, une série \n25\n",27,{"image":120,"text":121,"number":122},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.28.png","forma di riedizioni una serie di oggetti \nstorici creati dalla Gebrüder Thonet. Il \nnome GTV rappresenta l’idea stessa \ndell’arredamento contemporaneo. \nMolteplicità delle funzioni d’uso, uti-\nlizzo di tecniche produttive avanzate \ne funzionali alla realizzazione di pro-\ndotti unici, innovazione nelle forme \ne nell’uso dei materiali, uniti ad un \ndesign ricercato, sono il fil rouge dei \nnuovi progetti della GTV, capace di \nproporre soluzioni innovative attuali \nben integrate e coerenti con le riedi-\nzioni più classiche del suo catalogo. \nPezzi mitici per forma e per qualità di \nlavorazione, come la sedia N.14, pro-\ndotta in oltre 50 milioni di esemplari \ntra il 1850 e il 1930, riescono ancora \noggi ad emozionare ed attrarre nuove \ngenerazioni. GTV è in grado di coniu-\ngare sempre tradizione e innovazione, \nricerca continua di nuove forme e \nd’alto contenuto di design, sobrietà e \nversatilità d’uso. GTV è dunque un’a-\nzienda aperta al futuro, che trae dal \npassato i valori e le esperienze per \nesprimere una collezione che riflette \nl’evoluzione del nostro tempo.\nd’objets historiques créés par Gebrüder \nThonet. Le nom de GTV représente l’idée \nmême de l’ameublement contemporain. \nLa multiplicité des fonctions d’utilisation, \nl’emploi de techniques de production \navancées et fonctionnelles jusqu’à la réa-\nlisation de produits uniques, l’innovation \ndans les formes et dans les matériaux, \nainsi qu’un design recherché, repré-\nsentent le fil rouge des nouveaux projets \nde GTV, capable de proposer des solutions \ninnovantes, actuelles, bien intégrées et \ncohérentes avec les rééditions les plus clas-\nsiques de son catalogue historique. Des \npièces mythiques pour la forme et pour \nla qualité d’élaboration, comme la chaise \n“N. 14”, produite en plus de 50 millions \nd’exemplaires entre 1850 et 1930, réus-\nsissent encore aujourd’hui à émouvoir et \nà attirer de nouvelles générations. GTV \nest toujours en mesure de conjuguer tra-\ndition et innovation, recherche constante \nde nouvelles formes et haut contenu en \ndesign, sobriété et flexibilité d’utilisation. \nGTV est donc une entreprise ouverte vers \nle futur, qui tire du passé les valeurs et les \nexpériences pour exprimer une collection \nreflétant l’évolution de notre époque.\n26\n",28,{"image":124,"text":125,"number":126},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.29.png","Actress Anita Ekberg Posing on Chair (Corbis Historical\u002FGetty Images)\n27\n",29,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.30.png","28\n“I had three chairs \nin my house; \none for solitude, \ntwo for friendship, \nthree for society.”\n(Henry David Thoreau)\n",30,{"image":132,"text":133,"number":134},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.31.png","[it] L’intrinseco valore, materiale e \nimmateriale, della collezione GTV è \nespresso nel marchio Wiener GTV \nDesign, inciso su una moneta inca-\nstonata nella struttura di ogni singolo \npezzo: un dettaglio prezioso che ne \nattesta l’autenticità, in equilibrio stabile \nfra industria ed alto artigianato.\n[en] The intrinsic importance, mate-\nrial and not material, of GTV collection \nis expressed by the brand Wiener GTV \nDesign, engraved on a coin embed-\nded in the structure of each individual \npiece: a precious detail that attests to \nthe authenticity, in stable equilibrium \nbetween industry and craftsmanship.\n[fr] La valeur intrinsèque, matérielle \net immatérielle, de la collection GTV est \nexprimée dans la marque Wiener GTV \nDesign, gravée sur une monnaie enchâs-\nsée dans la structure de chaque pièce: un \ndétail précieux qui en atteste l‘authenticité, \nen équilibre stable entre l‘industrie et l‘arti-\nsanat de haut niveau.\n[de] Der materielle und immaterielle \ninnere Wert der Kollektionen von GTV wird \ndurch die Marke Wiener GTV Design aus-\ngedrückt, die auf gravierten Münzen in \njedes einzelne Stück eingebettet wird: ein \nwertvolles Detail, das die Echtheit in einem \nstabilen Gleichgewicht zwischen Industrie \nund hoher Handwerkskunst bestätigt.\n29\nHERITAGE\n",31,{"image":136,"text":137,"number":138},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.32.png","30\nFRIEDBERG THONET MUSEUM\n",32,{"image":140,"text":141,"number":142},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.33.png","[it] A Friedberg, nella Stiria (Austria), \nil museo „Thonet“ di proprietà di GTV, \nsi pone come punto di riferimento per \nla storia della società, dove trovano la \ngiusta collocazione le testimonianze, le \ncuriosità e i pezzi originali più rappre-\nsentativi dell‘azienda. Una realtà affa-\nscinante che attraverso queste icone \ndi stile racconta la profonda passione \naziendale per il legno massello curvato.\n[en] In Friedberg, Styria (Austria), the \n„Thonet“ museum, owned by GTV, is \na benchmark for its history, where \ntestimonies, curiosities and the most \nrepresentative original parts of the \ncompany find the place to be. A fasci-\nnating reality that through these icons \nof style tells the company’s deep pas-\nsion for the solid bent wood.\n[fr] À Friedberg, en Styrie (Austrie) , le \nmusée «Thonet» est un point de référence \npour l‘histoire de la société, racontée au \ntravers des témoignages, curiosités et \npièces originales les plus représentatifs \nde la compagnie. Une fascinant realitè \nqui, grâce à ces icônes de style, raconte \nla passion profonde de la société pour le \nbois massif courbé.\n[de] In Friedberg in der Steiermark \n(Österreich) stellt das Museum „Thonet“, \nim Besitz von GTV, einen Referenzpunkt \nfür die Geschichte der Marke dar, wo sich \nZeugnisse, Kuriositäten und die für die \nProduktion der Firma repräsentativsten \nOriginalstücke befinden. Eine faszinierende \nRealität, in der durch diese Stilikonen die \ngroße Leidenschaft des Unternehmens für \nsolide Bugholzmöbel erzählt wird.\n31\n",33,{"image":144,"text":145,"number":146},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.34.png","[it] La Loos Café Museum, proget-\ntata da Adolf Loos nel 1898, è la sedia \ndei Nobel: ogni premiato la autografa \nper l’esclusiva collezione del bistrot \ndel Museo Nobel, ospitato in uno \ndei palazzi settecenteschi più belli di \nStoccolma. Con il suo inconfondibile \nprofilo, la sedia rimanda all’atmosfera \ndegli storici caffè viennesi.\n[en] The Loos Café Museum chair, \ndesigned by Adolf Loos in 1898, is the \nchair for Nobel prize winners: every \nprize winner has autographed one for \nthe exclusive collection at the Nobel \nMuseum bistro, which is housed in \none of the most beautiful 18th Century \nbuildings in Stockholm. With his unmis-\ntakable profile, the chair recalls the \natmosphere of historic Viennese cafés. \n[fr] Le chaise Loos Café Museum, conçu \npar Adolf Loos en 1898, est la chaise des \nprix Nobel: chaque vainqueur y appose \nson autographe pour la collection exclu-\nsive du bistrot du Musée Nobel qui est \nhébergé dans un des palais du dix-hui-\ntième siècle les plus beaux de Stockholm. \nAvec son profil unique, la chaise évoque \nl’atmosphère des vieux cafés viennois. \n[de] Loos Café Museum, entworfen \nvon Adolf Loos 1898, ist der Stuhl der \nNobelpreisträger: Jeder Preisträger signiert \neinen für die exklusive Sammlung des Bistro \nNobel im Nobelmuseum, das sich in einem \nder schönsten Gebäude Stockholms aus \ndem 18. Jahrhundert befindet. Mit seinem \nunverwechselbaren Profil, erinnert der Stuhl \nan die Atmosphäre der historischen Wiener \nKaffeehäuser. \n32\nNobel Prize-winning author Mario Vargas Llosa\nA NOBEL PRIZE CHAIR\n",34,{"image":148,"text":149,"number":150},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.35.png","33\nCONTRACT\n",35,{"image":152,"text":153,"number":154},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.36.png","1. B.B., LE RESTAURANT, Paris (France) \u002F\u002F Project by: Toro et Liautard & (designer ) \u002F\u002F Jean Imbert (Chief) \u002F\u002FPhoto by: Lenny Guetta.\n1\n34\n",36,{"image":156,"text":157,"number":158},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.37.png","2. HARLAN + HOLDEN RESTAURANT, The Glasshouse, Manila (Filippine) \u002F\u002F Project by GamFratesi - Photo by Patrick Diokno \n3. RISTORANTE TERMINUS - Porto Pojana, Lugano (Switzerland) \u002F\u002F Project by GPT Associati - Photo by Franco Mattei\n4. FARZI CAFE - Restaurant, Dubai (UAE) \u002F\u002F Project by: Eng. Sarah Al Rashed www.sarahalrashed.com \u002F\u002F Photo by: Omar Al Majed \n\u002F\u002F Contractor: Eng. Abdul Muhsin Al Nassar \u002F\u002F Sourcing by: House O’ Luv, www.houseoluv.com\n5. THE BYRON AT BYRON RESORT AND SPA - Byron Bay (Australia) \u002F\u002F Project by Luchetti Krelle - Photo by Michael Wee\n2\n3\n4\n5\n35\n",37,{"image":160,"text":161,"number":162},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.38.png","6. TEATRO POLITEAMA, Tolentino (Italy) \u002F\u002F Project by Michele De Lucchi - Photo by Santi Caleca\n7. TEATRO POLITEAMA, Tolentino (Italy) \u002F\u002F Project by Michele De Lucchi - Photo by Santi Caleca\n8. CAFÉ DU TROCADÉRO, Paris (France) \u002F\u002F Project by Maison HAND - Photo by Guillaume Grasset\n6\n7\n8\n36\n",38,{"image":164,"text":165,"number":166},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.39.png","9. TEATRO POLITEAMA, Tolentino (Italy) \u002F\u002F Project by Michele De Lucchi - Photo by Santi Caleca\n10. EF Education First Zürich Office, Zürich (Switzerland) \u002F\u002F Project by: EF Architecture & Design Team \n\u002F\u002F Photo by: Michael DePasquale \u002F\u002F Furniture Supply: Zingg Lamprecht AG, Zürich\n9\n10\n37\n",39,{"image":168,"text":169,"number":170},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.40.png","11. EDUSA RESTAURANT, Nice (France)\u002F\u002F Project by Bleu Gris agence - Photo by Pierre Turtaut\n12. ASTEMIA PENTITA - cantina e wine shop \u002F Località Cannubi - Barolo (CN) (Italy)\n\u002F\u002F Photo by Delfino Sisto Legnani e Marco Cappelletti\n11\n12\n38\n",40,{"image":172,"text":173,"number":174},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.41.png","13. RESTAURANT LA MAISON DE MARIE, Nice (France) \u002F\u002F Project by STUDIO ASAI \u002F\u002F photo by Anthony Lanneretonne\n14. FLORA DANICA - MAISON DU DANEMARK, Paris (France) \u002F\u002F Project by GamFratesi - Photo by Heidi Lerkenfeld\n15. FLORA DANICA - MAISON DU DANEMARK, Paris (France) \u002F\u002F Project by GamFratesi - Photo by Heidi Lerkenfeld\n13\n14\n15\n39\n",41,{"image":176,"text":177,"number":178},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.42.png","16. CAFFÈ MELETTI - Ascoli Piceno (Italy) \u002F\u002F Photo by Ignacio Maria Coccia\n17. VÒCE - GALLERIE D’ITALIA - Milano (Italy) \u002F\u002F Project by: arch. Michele De Lucchi (studio AMDL) \n\u002F\u002F Client: Aimo e Nadia con Stefania Moroni, Fabio Pisani e Alessandro Negrini \u002F\u002F photo by: lodoclick.\n18. CAFÈ SACHER - Wien (Austria)\n16\n17\n18\n40\n",42,{"image":180,"text":181,"number":182},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.43.png","19. THE ESPRESSO LAB - Dubai (UAE) \u002F\u002F Project by Studio M, Mr. Abboud Malak - Photo by Maha Nasra Edde\n20. RESTAURANT GALIA, Nice (France) \u002F\u002F Project by: Agence Bleu Gris \u002F\u002F Photo by: Pierre Turtaut\n21. GRETEL Cafè, Moscow (Russia) \u002F\u002F Project by: architectural bureau Archpoint, Valeriy Lisunov, Ekaterina Ageeva, Anastasia Malisheva \u002F\u002F Photo by: Olga Melekestseva \u002F\u002F Client: Oksana Malashkina\n22. RISTORANTE SANT’ANDREA, Roma (Italy)\n19\n20\n21\n22\n41\n",43,{"image":184,"text":185,"number":186},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.44.png","23. A.D. 1768 BOUTIQUE HOTEL, Ragusa Ibla - Sicily (Italy) \u002F\u002FDesign, Concept, Realisation & Hosting by Evols S.r.l (www.evols.it) \u002F\u002F Photo by: Gianfranco Guccione (www.airworks.it)\n24. ROYAL BOX, Słužewiec Racetrack (Poland) \u002F\u002F Project by NAP Studio - Photo by Budzik Studio\n25. HYSSINGEN CAFÉ, Bergen (Norway) \u002F\u002F Design by Janne Bruarøy - Photo by Truls Bakken\n26. LA FORÊT NOIRE, Chaponost (France) \u002F\u002F Project by Studio Claude Cartier Décoration - Photo by Erick Saillet and Guillaume Grasset.\n23\n24\n25\n26\n42\n",44,{"image":188,"text":189,"number":190},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.45.png","27. LA FORÊT NOIRE, Chaponost (France) \u002F\u002F Project by Studio Claude Cartier Décoration - Photo by Erick Saillet and Guillaume Grasset.\n28. LA FORÊT NOIRE, Chaponost (France) \u002F\u002F Project by Studio Claude Cartier Décoration - Photo by Erick Saillet and Guillaume Grasset.\n29. BISTROT DELLA SALA DORATA, Casinò di Sanremo, Sanremo (Italy) - Project by arch. Marco Romanelli - Photo by Gionata Xerra Studio\n27\n28\n29\n43\n",45,{"image":192,"text":193,"number":194},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.46.png","30. THE LIBRARY, São Paulo (Brazil) \u002F\u002F Project by: Pascali Semerdjian Architects \u002F\u002F Photo by: Ruy Teixeira\n31. CAFÉ MUSEUM VIENNA, Wien (Austria)\n30\n31\n44\n",46,{"image":196,"text":197,"number":198},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.47.png","32. BIBLOS BEACH RESORT ALAÇATI, Alçatı, Çe me, zmir ( Türkiye ) \u002F\u002F Project by: Together Interior Architecture \u002F\u002FPhoto by: Pelin Peker Babagi\n33. CAFE KRASNODAR, Krasnodar (Russia) \u002F\u002F Project by: Maximrymararchstudio \u002F\u002F Photo by: Nikolay Vladimirov\n34. THE SOUTH BEACH HOTEL, Singapore\n32\n33\n34\n45\n",47,{"image":200,"text":201,"number":202},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.48.png","35. VILLAVERDE A MERANO, Lagundo (BZ) (Italy) \u002F\u002F Project by: Studio Biquadra - Christina Biasi von Berg \u002F\u002F Photo by: Stefano Scatà\n36. LA TABLE DU MANOIR \u002F Le Manoir Hôtel, Le Touquet Paris Plage (France)\u002F\u002F Project by Stéphanie Cayet \u002F Photos by Christophe Lanoy\n37. GRETEL Cafè, Moscow (Russia) \u002F\u002F Project by: architectural bureau Archpoint, Valeriy Lisunov, Ekaterina Ageeva, Anastasia Malisheva \u002F\u002F Photo by: Olga Melekestseva \u002F\u002F Client: Oksana Malashkina\n38. Private Villa, Mantova (Italy) \u002F\u002F Project by: Gruppo Lithos Architettura (Arch. Sabrina Farneti, Arch. Fulgenzia Ravegnani, Arch. Enrico Pistocchi) \u002F\u002F Photo by: Arch. Enrico Pistocchi\n35\n36\n37\n38\n46\n",48,{"image":204,"text":205,"number":206},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.49.png","39. HOTEL VIÙ, Milano (Italy) \u002F\u002F Project by Nicola Gallizia - Photo by Tiziano Sartorio\n40. HARLAN + HOLDEN RESTAURANT, The Glasshouse, Manila (Filippine) \u002F\u002F Project by GamFratesi - Photo by Patrick Diokno\n41. THE WORKING CAPITOL ON ROBINSON, Singapore \u002F\u002F Source by SpaceFurniture Singapore - Photo by Nick Puah\n39\n40\n41\n47\n",49,{"image":208,"text":209,"number":210},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.50.png","42. CAFÉ COMERCIAL, Madrid (Spain) \u002F\u002F Project by Madrid in Love Studio - Photo by Lucia Marcano\n43. LA COURONNE Hotel Restaurant, Solothurn (Switzerland) www.lacouronne-solothurn.ch\n42\n43\n48\n",50,{"image":212,"text":213,"number":214},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.51.png","49\nPRODUCTS\n",51,{"image":216,"text":217,"number":218},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.52.png","50\n",52,{"image":220,"text":221,"number":222},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.53.png","51\n",53,{"image":224,"text":225,"number":226},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.54.png","52\nBistrotstuhl\nDESIGN NIGEL COATES, 2016\n",54,{"image":228,"text":229,"number":230},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.55.png","53\n",55,{"image":232,"text":233,"number":234},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.56.png","54\n",56,{"image":236,"text":237,"number":238},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.57.png","55\n",57,{"image":240,"text":241,"number":242},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.58.png","56\nBODYstuhl\nDESIGN NIGEL COATES, 2015\n",58,{"image":244,"text":245,"number":246},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.59.png","57\n",59,{"image":248,"text":249,"number":250},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.60.png","58\n",60,{"image":252,"text":253,"number":254},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.61.png","59\n",61,{"image":256,"text":257,"number":258},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.62.png","60\nBREZEL\nDESIGN LUCIDIPEVERE, 2014\n",62,{"image":260,"text":261,"number":262},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.63.png","61\n",63,{"image":264,"text":265,"number":266},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.64.png","62\ncaféstuhl\nDESIGN NIGEL COATES, 2016\n",64,{"image":268,"text":269,"number":270},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.65.png","63\n",65,{"image":272,"text":273,"number":274},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.66.png","64\nCZECH\nDESIGN HERMANN CZECH, 1994\n",66,{"image":276,"text":277,"number":278},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.67.png","65\n",67,{"image":280,"text":281,"number":282},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.68.png","66\n",68,{"image":284,"text":285,"number":286},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.69.png","67\n",69,{"image":288,"text":289,"number":290},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.70.png","68\n",70,{"image":292,"text":293,"number":294},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.71.png","69\n",71,{"image":296,"text":297,"number":298},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.72.png","70\nGARTEN\nDESIGN GEBRÜDER THONET, 1891\n",72,{"image":300,"text":301,"number":302},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.73.png","71\n“When fortune calls,\noffer her a chair.”\n(Ancient proverb)\n",73,{"image":304,"text":305,"number":306},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.74.png","72\nGUSTAV\nDESIGN GORDON GUILLAUMIER, 2014\n",74,{"image":308,"text":309,"number":310},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.75.png","73\n",75,{"image":312,"text":313,"number":314},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.76.png","74\nLoos café museum\nDESIGN ADOLF LOOS, 1898\n",76,{"image":316,"text":317,"number":318},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.77.png","75\n",77,{"image":320,"text":321,"number":322},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.78.png","76\nMAGISTRETTI\nDESIGN VICO MAGISTRETTI, 2003\n",78,{"image":324,"text":325,"number":326},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.79.png","77\n",79,{"image":328,"text":329,"number":330},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.80.png","78\nMALIT\nDESIGN GEBRÜDER THONET VIENNA GMBH (GTV), 2017\n",80,{"image":332,"text":333,"number":334},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.81.png","79\n",81,{"image":336,"text":337,"number":338},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.82.png","80\n",82,{"image":340,"text":341,"number":342},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.83.png","81\n",83,{"image":344,"text":345,"number":346},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.84.png","82\nMORRIS\nDESIGN GAMFRATESI, 2015\n",84,{"image":348,"text":349,"number":350},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.85.png","83\n",85,{"image":352,"text":353,"number":354},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.86.png","84\nN. 0\nDESIGN FRONT, 2017\n",86,{"image":356,"text":357,"number":358},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.87.png","85\n",87,{"image":360,"text":361,"number":362},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.88.png","86\n",88,{"image":364,"text":365,"number":366},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.89.png","87\n",89,{"image":368,"text":369,"number":370},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.90.png","88\nN. 1\nDESIGN MICHAEL THONET, 1850\n",90,{"image":372,"text":373,"number":374},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.91.png","89\n",91,{"image":376,"text":377,"number":378},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.92.png","90\nN. 14\nDESIGN MICHAEL THONET, 1860 \n",92,{"image":380,"text":381,"number":382},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.93.png","91\n",93,{"image":384,"text":385,"number":386},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.94.png","92\nN. 18\nDESIGN GEBRÜDER THONET, 1876\n",94,{"image":388,"text":389,"number":390},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.95.png","93\n",95,{"image":392,"text":393,"number":394},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.96.png","94\n",96,{"image":396,"text":397,"number":398},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.97.png","95\n",97,{"image":400,"text":401,"number":402},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.98.png","96\nN. 811\nDESIGN JOSEF HOFFMANN, 1930\n",98,{"image":404,"text":405,"number":406},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.99.png","97\n",99,{"image":408,"text":409,"number":410},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.100.png","98\n",100,{"image":412,"text":413,"number":414},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.101.png","99\n",101,{"image":416,"text":417,"number":418},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.102.png","100\nPINCE\nDESIGN LUCIDIPEVERE, 2017\n",102,{"image":420,"text":421,"number":422},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.103.png","101\n",103,{"image":424,"text":425,"number":426},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.104.png","102\n",104,{"image":428,"text":429,"number":430},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.105.png","103\n",105,{"image":432,"text":433,"number":434},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.106.png","104\nPOST MUNDUS\nDESIGN MARTINO GAMPER, 2012\n",106,{"image":436,"text":437,"number":438},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.107.png","105\n",107,{"image":440,"text":441,"number":442},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.108.png","106\nPostSparkasse\nDESIGN OTTO WAGNER, 1906\n",108,{"image":444,"text":445,"number":446},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.109.png","107\n",109,{"image":448,"text":449,"number":450},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.110.png","108\n",110,{"image":452,"text":453,"number":454},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.111.png","109\n",111,{"image":456,"text":457,"number":458},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.112.png","110\nRADETZKY\nDESIGN MICHELE DE LUCCHI, 2015\n",112,{"image":460,"text":461,"number":462},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.113.png","111\n",113,{"image":464,"text":465,"number":466},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.114.png","112\n",114,{"image":468,"text":469,"number":470},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.115.png","113\n",115,{"image":472,"text":473,"number":474},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.116.png","114\nSUU & ANN \nDESIGN OSCAR AND GABRIELE BURATTI, 2017\n",116,{"image":476,"text":477,"number":478},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.117.png","115\n",117,{"image":480,"text":481,"number":482},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.118.png","116\n",118,{"image":484,"text":485,"number":486},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.119.png","117\n",119,{"image":488,"text":489,"number":490},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.120.png","118\nVienna 144\nDESIGN GEBRÜDER THONET, 1908\n",120,{"image":492,"text":493,"number":494},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.121.png","119\n",121,{"image":496,"text":497,"number":498},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.122.png","120\nWIENER STUHL\nDESIGN GEBRÜDER THONET, 1904\n",122,{"image":500,"text":501,"number":502},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.123.png","121\n",123,{"image":504,"text":505,"number":506},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.124.png","122\n",124,{"image":508,"text":509,"number":510},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.125.png","123\n",125,{"image":512,"text":513,"number":514},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.126.png","124\n“Creativity \ntakes courage.”\n(Henri Matisse)\n",126,{"image":516,"text":517,"number":518},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.127.png","125\nCIRQUE\nDESIGN MARTINO GAMPER, 2015\n",127,{"image":520,"text":521,"number":522},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.128.png","126\n",128,{"image":524,"text":525,"number":526},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.129.png","127\n",129,{"image":528,"text":529,"number":530},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.130.png","128\nMOS\nDESIGN GAMFRATESI, 2019\n",130,{"image":532,"text":533,"number":534},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.131.png","129\n",131,{"image":536,"text":537,"number":538},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.132.png","130\nRuhering\nDESIGN FRANCO MELLO AND LEANDRO AGOSTINI, 2016\n",132,{"image":540,"text":541,"number":542},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.133.png","131\nCOAT RACK BENCH\nDESIGN FRONT, 2014\n",133,{"image":544,"text":545,"number":546},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.134.png","132\nSINGLE CURVE\nDESIGN NENDO, 2015\n",134,{"image":548,"text":549,"number":550},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.135.png","133\n",135,{"image":552,"text":553,"number":554},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.136.png","134\n",136,{"image":556,"text":557,"number":558},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.137.png","135\n",137,{"image":560,"text":561,"number":562},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.138.png","136\n",138,{"image":564,"text":565,"number":566},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.139.png","137\n",139,{"image":568,"text":569,"number":570},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.140.png","138\nTRIO\nDESIGN MARTINO GAMPER, 2015\n",140,{"image":572,"text":573,"number":574},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.141.png","139\n",141,{"image":576,"text":577,"number":578},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.142.png","140\nVIENNA 144 BARHOCKER\nDESIGN GEBRÜDER THONET, 1908\n",142,{"image":580,"text":581,"number":582},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.143.png","141\n“One idea that \nhas no place to sit \nis able to make \nthe revolution.”\n(Leo Longanesi)\n",143,{"image":584,"text":585,"number":586},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.144.png","142\nCHIGNON\nDESIGN LUCIDIPEVERE, 2017\n",144,{"image":588,"text":589,"number":590},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.145.png","143\n",145,{"image":592,"text":593,"number":594},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.146.png","144\n",146,{"image":596,"text":597,"number":598},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.147.png","145\n",147,{"image":600,"text":601,"number":602},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.148.png","146\nHIDEOUT\nDESIGN FRONT, 2015\n",148,{"image":604,"text":605,"number":606},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.149.png","147\n",149,{"image":608,"text":609,"number":610},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.150.png","148\n",150,{"image":612,"text":613,"number":614},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.151.png","149\n",151,{"image":616,"text":617,"number":618},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.152.png","150\nHOLD ON\nDESIGN NICOLA GALLIZIA, 2014\n",152,{"image":620,"text":621,"number":622},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.153.png","151\n",153,{"image":624,"text":625,"number":626},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.154.png","152\nLEHNSTuhl\nDESIGN NIGEL COATES, 2014\n",154,{"image":628,"text":629,"number":630},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.155.png","153\n",155,{"image":632,"text":633,"number":634},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.156.png","154\n",156,{"image":636,"text":637,"number":638},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.157.png","155\n",157,{"image":640,"text":641,"number":642},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.158.png","156\n",158,{"image":644,"text":645,"number":646},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.159.png","157\n",159,{"image":648,"text":649,"number":650},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.160.png","158\nLOÏE\nDESIGN CHIARA ANDREATTI, 2018 \n",160,{"image":652,"text":653,"number":654},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.161.png","159\n",161,{"image":656,"text":657,"number":658},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.162.png","160\n",162,{"image":660,"text":661,"number":662},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.163.png","161\n",163,{"image":664,"text":665,"number":666},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.164.png","162\nN. 200\nDESIGN MICHAEL ANASTASSIADES, 2019\n",164,{"image":668,"text":669,"number":670},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.165.png","163\n",165,{"image":672,"text":673,"number":674},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.166.png","164\n",166,{"image":676,"text":677,"number":678},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.167.png","165\n",167,{"image":680,"text":681,"number":682},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.168.png","166\nPROMENADE\nDESIGN PHILIPPE NIGRO, 2017\n",168,{"image":684,"text":685,"number":686},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.169.png","167\n",169,{"image":688,"text":689,"number":690},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.170.png","168\n",170,{"image":692,"text":693,"number":694},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.171.png","169\n",171,{"image":696,"text":697,"number":698},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.172.png","170\n",172,{"image":700,"text":701,"number":702},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.173.png","171\n",173,{"image":704,"text":705,"number":706},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.174.png","172\nSchaukelstuhl\nDESIGN GEBRÜDER THONET, 1885\n",174,{"image":708,"text":709,"number":710},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.175.png","173\n",175,{"image":712,"text":713,"number":714},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.176.png","174\nSUZENNE\nDESIGN CHIARA ANDREATTI, 2019\n",176,{"image":716,"text":717,"number":718},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.177.png","175\n",177,{"image":720,"text":721,"number":722},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.178.png","176\n",178,{"image":724,"text":725,"number":726},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.179.png","177\n",179,{"image":728,"text":729,"number":730},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.180.png","178\nTARGA\nDESIGN GAMFRATESI, 2015\n",180,{"image":732,"text":733,"number":734},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.181.png","179\n",181,{"image":736,"text":737,"number":738},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.182.png","180\n",182,{"image":740,"text":741,"number":742},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.183.png","181\n",183,{"image":744,"text":745,"number":746},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.184.png","182\n",184,{"image":748,"text":749,"number":750},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.185.png","183\n",185,{"image":752,"text":753,"number":754},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.186.png","184\nOTTOW\nDESIGN STORAGEMILANO, 2019\n",186,{"image":756,"text":757,"number":758},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.187.png","185\n",187,{"image":760,"text":761,"number":762},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.188.png","186\n",188,{"image":764,"text":765,"number":766},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.189.png","187\n",189,{"image":768,"text":769,"number":770},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.190.png","188\nRUE\nDESIGN GAMFRATESI, 2019\n",190,{"image":772,"text":773,"number":774},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.191.png","189\n",191,{"image":776,"text":777,"number":778},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.192.png","190\n",192,{"image":780,"text":781,"number":782},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.193.png","191\n",193,{"image":784,"text":785,"number":786},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.194.png","192\nYVETTE\nDESIGN CHIARA ANDREATTI, 2019\n",194,{"image":788,"text":789,"number":790},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.195.png","193\n",195,{"image":792,"text":793,"number":794},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.196.png","194\nARCH DINING TABLE\nDESIGN FRONT, 2014\n",196,{"image":796,"text":797,"number":798},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.197.png","195\n",197,{"image":800,"text":801,"number":802},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.198.png","196\nCARYLLON\nDESIGN CRISTINA CELESTINO, 2018\n",198,{"image":804,"text":805,"number":806},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.199.png","197\n",199,{"image":808,"text":809,"number":810},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.200.png","198\n",200,{"image":812,"text":813,"number":814},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.201.png","199\n",201,{"image":816,"text":817,"number":818},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.202.png","200\nTAVOLO RETTANGOLARE BICOLOR \n(FOTO ORIZZONTALE) \n",202,{"image":820,"text":821,"number":822},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.203.png","201\nTAVOLO RETTANGOLARE BICOLOR \n(FOTO ORIZZONTALE) \n",203,{"image":824,"text":825,"number":826},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.204.png","202\n",204,{"image":828,"text":829,"number":830},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.205.png","203\n",205,{"image":832,"text":833,"number":834},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.206.png","204\n",206,{"image":836,"text":837,"number":838},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.207.png","205\n",207,{"image":840,"text":841,"number":842},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.208.png","206\nRING DINING TABLE\nDESIGN GEBRÜDER THONET VIENNA GMBH (GTV), 2015\n",208,{"image":844,"text":845,"number":846},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.209.png","207\n",209,{"image":848,"text":849,"number":850},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.210.png","208\n",210,{"image":852,"text":853,"number":854},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.211.png","209\n",211,{"image":856,"text":857,"number":858},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.212.png","210\nREHBEINTISCH\nDESIGN GEBRÜDER THONET, 1888\n",212,{"image":860,"text":861,"number":862},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.213.png","211\n",213,{"image":864,"text":865,"number":866},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.214.png","212\nCOGNAC\nDESIGN GEBRÜDER THONET VIENNA GMBH (GTV), 2018\n",214,{"image":868,"text":869,"number":870},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.215.png","213\n",215,{"image":872,"text":873,"number":874},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.216.png","214\nPASTIS\nDESIGN GEBRÜDER THONET VIENNA GMBH (GTV), 2014\n",216,{"image":876,"text":877,"number":878},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.217.png","215\n",217,{"image":880,"text":881,"number":882},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.218.png","216\nPORTO\nDESIGN GEBRÜDER THONET VIENNA GMBH (GTV), 2014\n",218,{"image":884,"text":885,"number":886},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.219.png","217\n",219,{"image":888,"text":889,"number":890},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.220.png","218\nSHERRY\nDESIGN GEBRÜDER THONET VIENNA GMBH (GTV), 2018\n",220,{"image":892,"text":893,"number":894},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.221.png","219\n",221,{"image":896,"text":897,"number":898},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.222.png","220\nVERMOUTH\nDESIGN GEBRÜDER THONET VIENNA GMBH (GTV), 2014\n",222,{"image":900,"text":901,"number":902},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.223.png","221\n",223,{"image":904,"text":905,"number":906},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.224.png","222\nARCH COFFEE TABLE\nDESIGN FRONT, 2014\n",224,{"image":908,"text":909,"number":910},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.225.png","223\n",225,{"image":912,"text":913,"number":914},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.226.png","224\nDUET\nDESIGN CRISTIAN MOHADED, 2017\n",226,{"image":916,"text":917,"number":918},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.227.png","225\n",227,{"image":920,"text":921,"number":922},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.228.png","226\nWIENER BOX\nDESIGN CRISTIAN MOHADED, 2018\n",228,{"image":924,"text":925,"number":926},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.229.png","227\n",229,{"image":928,"text":929,"number":930},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.230.png","228\nALLEGORY DESK\nDESIGN GAMFRATESI, 2015\n",230,{"image":932,"text":933,"number":934},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.231.png","229\n",231,{"image":936,"text":937,"number":938},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.232.png","230\nCLOUD\nDESIGN GEBRÜDER THONET, 1890\n",232,{"image":940,"text":941,"number":942},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.233.png","231\nEYESHINE MIRRORS\nDESIGN ANKI GNEIB, 2015\n",233,{"image":944,"text":945,"number":946},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.234.png","232\nFuria\nDESIGN FRONT, 2016\n",234,{"image":948,"text":949,"number":950},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.235.png","233\n",235,{"image":952,"text":953,"number":954},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.236.png","234\nKLEIDERSTÄNDER\nDESIGN GEBRÜDER THONET, 1905\n",236,{"image":956,"text":957,"number":958},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.237.png","235\nKLEIDERSTÄNDER P29\nDESIGN GEBRÜDER THONET, 1929\n",237,{"image":960,"text":961,"number":962},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.238.png","236\nKOLO MOSER\nDESIGN KOLOMAN MOSER, 1905\n",238,{"image":964,"text":965,"number":966},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.239.png","237\n",239,{"image":968,"text":969,"number":970},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.240.png","238\nLADDER\nDESIGN CHARLIE STYRBJÖRN NILSSON, 2014\n",240,{"image":972,"text":973,"number":974},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.241.png","239\n",241,{"image":976,"text":977,"number":978},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.242.png","240\nMAJORDOMO\nDESIGN NATHAN YONG, 2016\n",242,{"image":980,"text":981,"number":982},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.243.png","241\nArch Clothes Valet\nDESIGN FRONT, 2014\n",243,{"image":984,"text":985,"number":986},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.244.png","242\nStocksessel\nDESIGN GEBRÜDER THONET, 1866\n",244,{"image":988,"text":989,"number":990},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.245.png","243\n",245,{"image":992,"text":993,"number":994},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.246.png","244\nWAGASA by SERVOMUTO\nDESIGN GEBRÜDER THONET VIENNA GMBH (GTV), 2017\n",246,{"image":996,"text":997,"number":998},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.247.png","245\n",247,{"image":1000,"text":1001,"number":1002},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.248.png","246\nWALTZ\nDESIGN GAMFRATESI, 2016\n",248,{"image":1004,"text":1005,"number":1006},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.249.png","247\n",249,{"image":1008,"text":1009,"number":1010},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.250.png","248\n",250,{"image":1012,"text":1013,"number":1014},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.251.png","249\nABACUS\n",251,{"image":1016,"text":1017,"number":1018},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.252.png","250\nTECHNICAL SHEET\nKey to Dimensions: \nH Height\n \nHöhe\n \nAltezza\n \nHauteur\nW Width\n \nBreite\n \nLarghezza\n \nLargeur\nD Depth\n \nTiefe\n \nProfondità\n \nProfondeur \nSH Seat Height\n \nSitzhöhe\n \nAltezza Seduta\n \nHauteur Assise\nAH Arm Height\n \nHöhe Armlehne\n \nAltezza Bracciolo\n \nHauteur Accoudoir\nAsh-wood is open pore painted\nEschenholz ist offenporig lackiert\nL’essenza frassino è verniciata a poro aperto\nLe bois de cendre est verni à pores ouverts\nTH Top Height\n \nHöhe Platte\n \nAltezza Top\n \nHauteur Top\nW\nD\nW\nD\nSH\nSH\nAH\nH\nH\nTH\n",252,{"image":1020,"text":1021,"number":1022},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.253.png","Version 1\nBlaue Posamenterie mit orangefarbener Einfassung \nBezugsstoff Kvadrat Reflex 449\nPassamaneria Blu con bordino arancione \nTessuto Kvadrat Reflex 449 \nBlue trimming with orange edge band \nKvadrat Reflex 449 fabric\nPassementerie bleue avec bordure orange \nTissu Kvadrat Reflex 449\nVersion 2\nBlaue Posamenterie mit schwarzer Einfassung\nBezugsstoff Kvadrat Fuse col 631\nPassamaneria Blu con bordino nero \nTessuto Kvadrat Fuse col 631\nBlue trimming with black edge band\nKvadrat Fuse 631 fabric\nPassementerie bleue avec bordure noire\nTissu Kvadrat Fuse col 631\nVersion 3\nOrangefarbene Posamenterie mit schwarzer Einfassung\nBezugsstoff Kvadrat Fuse col 351\nPassamaneria Arancione con bordino nero \nTessuto Kvadrat Fuse col 351\nOrange trimming with black edge band\nKvadrat Fuse 351 fabric\nPassementerie Orange avec bordure noire\nTissu Kvadrat Fuse col 351\nVersion 4\nOrangefarbene Posamenterie mit schwarzer Einfassung\nBezugsstoff Kvadrat Fuse col 981\nPassamaneria Arancione con bordino nero \nTessuto Kvadrat Fuse col 981\nOrange trimming with black edge band\nKvadrat Fuse 981 fabric\nPassementerie Orange avec bordure noire\nTissu Kvadrat Fuse col 981\nLampshades (Wagasa)\n251\nD01 - RAL 1013 PEARL WHITE \nD21 - S1510 Y80R POWDER PINK\nD22 - S1515 R90B LIGHT BLUE\nD15 - RAL 5020 OCEAN BLUE\nD02 - RAL 7047 TELEGREY 4 \nD20 - S2570 Y60R ORANGE\nD11- RAL 7000 SQUIRREL GREY\nD24 - S2070 Y10R YELLOW OCRE\nD03 - RAL 7030 STONE GREY\nD10 - RAL 3000 FLAME RED\nD12 - RAL 7031 BLUE GREY\nD07 - RAL 1027 CURRY YELLOW \nD19 - S7502 G DARK GREY\nD14- RAL 3005 WINE RED\nD25- RAL 5011 STEEL BLUE\nD23 - S6020 G10Y DARK GREEN\nContemporary Lacquer\nC01 - RAL 9005 BLACK\nC02 - RAL 9010 PURE WHITE\nClassic Lacquer\nB03 DARK WALNUT\nB04 WENGÈ\nB05 BEECH GLOSS 0\nStains\nWOOD & FINISHES\nA01 ACACIA\nB01 BEECH\nB06 CANALETTO WALNUT\nB07 ASH\nSolid Wood\nInlay Tops (Caryllon)\nPAMA\nSYCOMORE FRISÈ\nCALEIDOLEGNO\nBOLIVAR\nCALEIDOLEGNO\n*Ash wood is open-pore painted\n*Ash wood is open-pore painted\n",253,{"image":1024,"text":1025,"number":1026},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.254.png","252\nFINISHES: \nB01, Classic\nPTCAFETES \nDimensions mm.\n H 770 | W 580 | D 500 | SH 450 | AH 640\nPTCAFELGN \nDimensions mm.\n H 770 | W 580 | D 500 | SH 450 | AH 640\nBISTROTSTUHL\nArmstuhl aus Buchenbugholz. Sitz \naus Schichtholz oder gepolstert.\nPoltroncina in faggio curvato. \nSeduta in multistrato o imbottita.\nBent beech-wood armchair. \nUpholstered or plywood seat.\nPetit fauteuil en hêtre cintré. Assise \nen contreplaqué ou rembourrée.\nCHAIRS & ARMCHAIRS\nFINISHES: \nClassic\nSDLEHNTES\nDimensions mm.\n H 800 | W 580 | D 580 | SH 470\nSDLEHNPGL\nDimensions mm.\n H 800 | W 580 | D 580 | SH 470 \nSDLEHNTE2\nDimensions mm.\n H 800 | W 580 | D 580 | SH 470\nBODYSTUHL \nStuhl aus Buchenbugholz. 3 Versionen: \nSitz und Rückenlehne aus Wiener \nGeflecht, gepolsterter Sitz und \nRückenlehne aus Wiener Geflecht, ge-\npolsterte Sitz und Rückenlehne. \nSedia in faggio curvato. 3 versioni: \nseduta e schienale in paglia di \nVienna, seduta imbottita e schie-\nnale in paglia di Vienna, seduta e \nschienale imbottiti.\nBent beech-wood chair. 3 versions: \nwoven cane seat and backrest, \nupholstered seat and woven cane \nbackrest, upholstered seat and \nbackrest.\nChaise en hêtre cintré. 3 versions: \nassise et dossier en paille de \nVienne, assise rembourrée et dos-\nsier en paille de Vienne, assise et \ndossier rembourrés.\nFINISHES: \nClassic, Contemporary\nPLBREZTE1 \nDimensions mm. \nH 770 | W 560 | D 540 | SH 480 |AH 720\nBREZEL\nStuhl aus Buchenbugholz mit gepols-\ntertem Sitz.\nPoltroncina in faggio curvato con \nseduta imbottita.\nBent beech-wood armchair with up-\nholstered seat.\nPetit fauteuil en hêtre cintré avec \nassise rembourrée.\n",254,{"image":1028,"text":1029,"number":1030},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.255.png","253\nFINISHES: \nB01, Classic\nSDCAFETES\nDimensions mm. \nH 840 | W 560 | D 510| SH 460\nSDCAFELGN\nDimensions mm. \nH 840 | W 560 | D 510| SH 460\nCAFéSTUHL\nStuhl aus Buchenbugholz mit Sitz aus \nSchichtholz oder gepolstert.\nSedia in faggio curvato, con seduta \nin multistrato o imbottita.\nBent beech-wood chair with uphol-\nstered or plywood seat.\nChaise en hêtre cintré avec assise en \ncontreplaqué ou rembourrée.\nCHAIRS & ARMCHAIRS\nCZECH\nStuhl aus Buchenbugholz mit oder \nohne Armlehnen. Sitz aus Schichtholz \noder gepolstert. In der lackierten \nAusführung mit oder ohne Füße in \nBuche Natur verfügbar. \nSedia e poltroncina in faggio cur-\nvato, con seduta in multistrato o \nimbottita. La versione laccata è di-\nsponibile con o senza gambaletto in \nfaggio naturale.\nBent beech-wood chair and arm-\nchair, with plywood or upholstered \nseat. The lacquered version is \navailable with or without natural \nbeech feet.\nChaise et petit fauteuil en hêtre \ncintré, avec assise en contreplaqué \nou rembourrée; la version laquée \nest disponible avec ou sans les \npieds en hêtre naturel.\nPTCZECTES\nDimensions mm.\nH 850 | W 550 | D 510 | SH 450 | AH 680\nPTCZECLGN\nDimensions mm.\nH 850 | W 550 | D 510 | SH 450 | AH 680\nSDCZECTES\nDimensions mm.\nH 850 | W 420 | D 510 | SH 450\nSDCZECLGN \nDimensions mm.\nH 850 | W 420 | D 510 | SH 450\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\n",255,{"image":1032,"text":1033,"number":1034},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.256.png","254\nCHAIRS & ARMCHAIRS\nFINISHES: \nA01\nSDGARTLGN\nDimensions mm. \nH 840 | W 430 | D 530 | SH 460\nGARTENSTUHL\nGartenstuhl aus Akazie mit charakte-\nristischem Knotengestell. \nSedia da esterno in legno d’acacia \nrealizzata con la tipica struttura \na nodi.\nOutdoor chair in acacia wood made \nwith typical knot-structure.\nChaise d’extérieur en bois d’acacia \nréalisée avec la structure à noeuds \ntypique.\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nSDGUSTTES\nDimensions mm.\nH 780 | W 590 | D 520 | SH 460 | AH 600\nSDGUSTLGN\nDimensions mm.\nH 780 | W 590 | D 520 | SH 460 | AH 600\nStapelbar (Max. 4)\nImpilabile (Max. 4)\nStackable (Max. 4)\nEmpilable (Max. 4)\nGUSTAV\nStuhl aus Buchenbugholz, stapelbar \n(Max. 4). Sitz aus Schichtholz oder \ngepolstert. \nSedia in faggio curvato, impilabile \n(Max. 4). Seduta in multistrato o \nimbottita.\nBent beech-wood stackable chair \n(max. 4). Plywood or upholstered \nseat.\nChaise en hêtre cintré, empilable \n(Max. 4). Assise en contreplaqué ou \nrembourrée.\nFINISHES: \nB01, B03, B04, B05, Classic\nSDLOOSPGL\nDimensions mm.\nH 870 | W 440 | D 530 | SH 470\nSDLOOSLGN \nDimensions mm.\nH 870 | W 440 | D 530 | SH 470\nSDLOOSTES\nDimensions mm.\nH 870 | W 440 | D 530 | SH 470\nLOOS CAFÉ MUSEUM\nStuhl aus Buchenbugholz mit el-\nliptischem Schnitt. Sitz aus Wiener \nGeflecht, Schichtholz oder gepolstert. \nSedia in faggio curvato a sezione el-\nlittica. Seduta in paglia di Vienna, in \nmultistrato o imbottita.\nBent beech-wood chair with ellip-\ntical section. Woven cane, plywood \nor upholstered seat.\nChaise en hêtre cintré à section à el-\nlipse. Assise en paille de Vienne, en \ncontreplaqué ou rembourrée.\n",256,{"image":1036,"text":1037,"number":1038},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.257.png","255\nCHAIRS & ARMCHAIRS\nSDMAGITES\nDimensions mm.\nH 780 | W 600 | D 600 | SH 450 | AH 610\nSDMAGILGN\nDimensions mm.\nH 780 | W 600 | D 600 | SH 450 | AH 610\nMAGISTRETTI 0301 \nStuhl aus Buchenbugholz. Sitzschale \naus Buchenschichtholz, erhältlich \nauch mit Lederbezug in den Farben \nder Kollektion. \nPoltroncina in faggio curvato. \nScocca in multistrato di faggio di-\nsponibile con rivestimento in cuoio \nnei colori di collezione.\nBent beech-wood armchair. Beech \nplywood shell, also available with \nsaddle leather covering.\nPetit fauteuil en hêtre cintré. Coque \nen hêtre contreplaqué disponible \naussi avec un revêtement en cuir \naux couleurs de la collection. \nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nSDMORBTES\nDimensions mm.\nH 840 | W 420 | D 490 | SH 450\nSDMORATES\nDimensions mm.\nH 1120 | W 420 | D 530 | SH 450\nMORRIS\nSedia in faggio curvato. Seduta \nimbottita e schienale in paglia di \nVienna, disponibile in due altezze.\nStuhl aus Buchenbugholz. Sitz ge-\npolstert, Rückenlehne aus Wiener \nGeflecht, verfügbar in zwei Höhen. \n \nChaise en hêtre cintré. Assise rem-\nbourrée et dossier en paille de \nVienne disponible en deux hauteurs.\nBent beech-wood chair. \nUpholstered seat and woven cane \nbackrest. Available in two heights.\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nPTMALATES\nDimensions mm. \nH 830 | W 540 | D 540 | SH 450 | AH 680\nMALIT \nSessel in Monocoque-Struktur und \nPolsterung aus flexiblem, kalt-ge-\nschäumtem Polyurethan. Fuß aus \nBuchenbugholz.\nPoltroncina con struttura mono-\nscocca imbottita in poliuretano fles-\nsibile schiumato a freddo. Base in \nlegno di faggio curvato. \nArmchair with padded structure in \nflexible cold-foam polyurethane. \nBase in bent beech-wood.\nFauteuil à structure monocoque \nrembourrée en polyurethane \nflexible écumé à froid. Base en bois \nde hêtre cintré. \nFINISHES: \nB01, B03, B04, B05, Classic\n",257,{"image":1040,"text":1041,"number":1042},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.258.png","256\nCHAIRS & ARMCHAIRS\nSDZEROTEX\nDimensions mm.\nH 870 | W 525 | D 515 | SH 470 | AH 650\nSDZEROTES\nDimensions mm.\nH 870 | W 480 | D 515 | SH 470 \nN. 0\nStuhl mit einer Armlehne aus \nBuchenbugholz. Gepolsterter Sitz und \nRückenlehne aus Wiener Geflecht oder \ntechnischem Netz. Auch erhältlich mit \n2 Armlehnen oder ohne Armlehnen.\nSedia con un bracciolo in faggio \ncurvato. Sedile imbottito e schie-\nnale in paglia di Vienna o in rete \ntecnica. Disponibile anche con 2 \nbraccioli o senza. \nBent beech-wood chair with one \narmrest. Upholstered seat and back \nin woven cane or technical net. Also \navailable with 2 armrests or without \narmrests.\nChaise avec un accoudoir en hêtre \ncintré. Assise rembourrée et dos-\nsier en paille de Vienne ou en \nrésille technique. Également dis-\nponible avec 2 accoudoirs ou sans \naccoudoirs.\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nSDN001PGL\nDimensions mm.\nH 920 | W 420 | D 490 | SH 470\nN. 1\nStuhl aus Buchenbugholz. Sitz aus \nWiener Geflecht. \nSedia in faggio curvato. Seduta in \npaglia di Vienna.\nBent beech-wood chair. Woven \ncane seat.\nChaise en hêtre cintré. Assise en \npaille de Vienne.\nFINISHES: \nB01, B03, B04, B05, Classic\nSDN014LGF\nDimensions mm. \nH 900 | W 410 | D 490 | SH 450\nSDN014LGN \nDimensions mm. \nH 900 | W 410 | D 490 | SH 450\nSDN014PGL \nDimensions mm. \nH 900 | W 410 | D 490 | SH 450\nN. 14\nStuhl aus Buchenbugholz. Sitz aus \nWiener Geflecht, Schichtholz auch \nmit Lochmuster oder gepolstert. \nSedia in faggio curvato. Seduta \nin paglia di Vienna, in multistrato \nanche traforato o imbottita.\nBent beech-wood chair. Woven \ncane, plywood, perforated plywood \nor upholstered seat. \nChaise en hêtre cintré. Assise en \npaille de Vienne, en contreplaqué \naussi ajouré, ou rembourrée.\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\n",258,{"image":1044,"text":1045,"number":1046},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.259.png","257\nCHAIRS & ARMCHAIRS\nSDN018TES\nDimensions mm.\nH 890 | W 440 | D 490 | SH 470\nSDN018LGN\nDimensions mm.\nH 890 | W 440 | D 490 | SH 470\nN. 18\nStuhl aus Buchenbugholz. Sitz aus \nSchichtholz oder gepolstert. \nSedia in faggio curvato. Seduta in \nmultistrato o imbottita.\nBent beech-wood chair. Plywood or \nupholstered seat available.\nChaise en hêtre cintré. Assise en \ncontreplaqué ou rembourrée.\nFINISHES: \n B01, B03, B04, B05, Classic, Contemporary\nSDN014ANN\nDimensions mm. \nH 900 | W 410 | D 490 | SH 450\nSDN014TES \nDimensions mm. \nH 900 | W 410 | D 490 | SH 450\n¬ N. 14\nSD0811TES\nDimensions mm.\nH 820 | W 450 | D 480 | SH 490\nSD0811PGL\nDimensions mm.\nH 820 | W 450 | D 480 | SH 490\nSD0811TE2\nDimensions mm.\nH 820 | W 450 | D 480 | SH 490\nN. 811\nStuhl mit oder ohne Armlehnen \naus Buchenbugholz. Erhältlich in 3 \nVersionen: Sitz und Rückenlehne aus \nWiener Geflecht, gepolsterter Sitz und \nRückenlehne aus Wiener Geflecht, ge-\npolsterte Sitz und Rückenlehne.\nSedia e poltroncina in faggio cur-\nvato. Disponibili in 3 versioni: se-\nduta e schienale in paglia di Vienna, \nseduta imbottita e schienale in \npaglia di Vienna, seduta e schienale \nimbottiti.\nBent beech-wood chair and arm-\nchair. Available in 3 versions: woven \ncane seat and backrest, upholstered \nseat and woven cane backrest, up-\nholstered seat and backrest. \nChaise et petit fauteuil en hêtre \ncintré. Disponibles en 3 versions: \nassise et dossier en paille de \nVienne, assise rembourrée et dos-\nsier en paille de Vienne, assise et \ndossier rembourrés.\nFINISHES: \n B01, B03, B04, B05, Classic, Contemporary\n",259,{"image":1048,"text":1049,"number":1050},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.260.png","258\nCHAIRS & ARMCHAIRS\nPT0811TES\nDimensions mm.\nH 820 | W 510 | D 510 | SH 490 | AH 700\nPT0811TE2\nDimensions mm.\nH 820 | W 510 | D 510 | SH 490 | AH 700\nPT0811PGL\nDimensions mm.\nH 820 | W 510 | D 510 | SH 490 | AH 700\n¬ N. 811\nPTPINCTES\nDimensions mm.\nH 780 | W 560 | D 530 | SH 450 | AH 660\nPINCE\nSessel in Monocoque-Struktur \nmit Stahleinlage und Polsterung \naus flexiblem, kalt-geschäumtem \nPolyurethan. Beine und Rückenlehne \naus Eschenbugholz.\nPoltroncina con struttura mono-\nscocca con inserto in acciaio e imbot-\ntitura in poliuretano flessibile schiu-\nmato a freddo. Gambe e schienale in \nlegno di frassino curvato. \nArmchair with padded structure \nand steel insert in flexible coldfoam \npolyurethane. Legs and back in bent \nash-wood.\nFauteuil à structure monocoque \ndoté de parties en acier et rem-\nbourré en polyuréthane flexible \nécumé à froid. Pieds et dossier en \nbois de frêne cintré. \nFINISHES: \nB03, B04, B07, Classic\nSDPMUNTES\nDimensions mm.\nH 850 | W 480 | D 540 | SH 460\nSDPMUNLGN\nDimensions mm.\nH 850 | W 480 | D 540 | SH 460\nPOST MUNDUS\nStuhl aus Buchenbugholz. Sitz aus \nSchichtholz oder gepolstert. \nSedia in faggio curvato. La seduta è \ndisponibile in multistrato o imbottita.\nBent beech-wood chair. Plywood or \nupholstered seat available.\nChaise en hêtre cintré. L’assise est \ndisponible en contreplaqué ou \nrembourrée.\nFINISHES: \nB01, Classic\n",260,{"image":1052,"text":1053,"number":1054},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.261.png","259\nCHAIRS & ARMCHAIRS\nPTPSTKLGA\nWith aluminum details\nDimensions mm.\nH 790 | W 560 | D 590 | SH 470 | AH 790\nPTPSTKLGR\nWith copper details\nPTPSTKLGN\nDimensions mm.\nH 790 | W 560 | D 590 | SH 470 | AH 790\nPTPSTKTES\nDimensions mm.\nH 790 | W 560 | D 590 | SH 470 | AH 790\nPOSTSPARKASSE\nArmstuhl aus Buchenbugholz. Sitz \naus Schichtholz mit Lochmuster \noder gepolstert. Mit oder ohne \nAluminium- oder Kupferbeschläge. \nPoltroncina in faggio curvato. La se-\nduta è disponibile in multistrato tra-\nforato o imbottita. Disponibile con o \nsenza dettagli in alluminio o rame.\nBent beech-wood armchair. With \nperforated plywood or upholstered \nseat. Available with or without alu-\nminum or copper details.\nPetit fauteuil en hêtre cintré. Assise \nen contreplaqué ajouré ou rem-\nbourrée. Disponible avec ou sans \nles détails en aluminium ou cuivre .\nFINISHES: \nB01, B03, B04, B05, Classic\nPTPSTKTEA\nWith aluminium details\nDimensions mm.\nH 790 | W 560 | D 590 | SH 470 | AH 790\nPTPSTKTER\nWith copper details\nSDRADETES\nDimensions mm.\nH 800 | W 520 | D 500 | SH 450\nSDRADELGN\nDimensions mm.\nH 800 | W 520 | D 500 | SH 450\nRadetzky\nStuhl aus Buchenbugholz mit Sitz aus \nSchichtholz oder gepolstert.\nSedia in faggio curvato con seduta \nin multistrato oppure imbottita.\nBent beech-wood chair with uphol-\nstered or plywood seat.\nChaise en hêtre cintré avec assise en \ncontreplaqué ou rembourrée.\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\n",261,{"image":1056,"text":1057,"number":1058},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.262.png","260\nCHAIRS & ARMCHAIRS\nSUU & ANN\nStapelbarer (max.10) Stuhl \naus Buchenbugholz. Sitz und \nRückenlehne aus Buchenschichtholz, \nmit Stoff oder Leder bezogen.\nSedia impilabile (max.10) in faggio \ncurvato. Seduta e schienale in mul-\ntistrato di faggio, rivestiti in tessuto \no pelle. \nBent beech-wood stackable chair \n(max.10). Seat and back in beech \nplywood, covered in fabric or \nleather.\nChaise empilable (max.10) en hêtre \ncintré. Assise et dossier en hêtre \ncontreplaqué, recouverts de tissu \nou de cuir. \nStapelbar (Max. 10)\nImpilabile (Max. 10)\nStackable (Max. 10)\nEmpilable (Max. 10)\nStapelbar (Max. 10)\nImpilabile (Max. 10)\nStackable (Max. 10)\nEmpilable (Max. 10)\nSDBANNTES\nDimensions mm.\nH 820 | W 480 | D 550 | SH 450\nSDBSUUTES\nDimensions mm.\nH 740 | W 480 | D 550 | SH 450\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nSDV144PGL\nDimensions mm.\nH 940 | W 380 | D 550 | SH 450\nSDV144LGN\nDimensions mm.\nH 940 | W 380 | D 550 | SH 450\nSDV144TES\nDimensions mm.\nH 940 | W 380 | D 550 | SH 450\nVIENNA 144\nStuhl aus Buchenbugholz mit oder \nohne Armlehnen. Sitz aus Wiener \nGeflecht oder Schichtholz mit Relief. \nErhältlich auch mit gepolsterter \nRückenlehne und gepolstertem Sitz. \n \nSedia e poltroncina in faggio cur-\nvato. Seduta in paglia di Vienna o \nin multistrato stampato a rilievo. \nDisponibile anche con schienale e \nseduta imbottiti.\nBent beech-wood chair and arm-\nchair. Woven cane or with stripe \npattern plywood seat. Also available \nwith upholstered backrest and seat.\nChaise et petit fauteuil en hêtre \ncintré. Assise en paille de Vienne ou \ncontreplaqué avec impression en \nrelief. Disponible également avec le \ndossier et l’assise rembourrés.\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\n",262,{"image":1060,"text":1061,"number":1062},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.263.png","261\nCHAIRS & ARMCHAIRS\nPTV144TES\nDimensions mm.\nH 940 | W 550 | D 600 | SH 450 | AH 650\nPTV144PGL\nDimensions mm.\nH 940 | W 550 | D 600 | SH 450 | AH 650\nPTV144LGN\nDimensions mm.\nH 940 | W 550 | D 600 | SH 450 | AH 650\nSDV144TE2\nDimensions mm.\nH 940 | W 380 | D 550 | SH 450\nPTV144TE2\nDimensions mm.\nH 940 | W 550 | D 600 | SH 450 | AH 650\n¬ VIENNA 144\nWIENER STUHL \nArmstuhl aus Buchenbugholz. Sitz \naus Wiener Geflecht, gebogenem \nSchichtholz (auch mit Lochmuster) \noder gepolstert. Gestell auch in zwei-\nfarbiger Ausführung (Hinterbeinen in \nBuche Natur und lackierte Struktur in \nden Farben der Kollektion). \nPoltroncina in faggio curvato. La \nseduta è disponibile in paglia di \nVienna, in multistrato curvato anche \ntraforato o imbottita. La struttura è \ndisponibile anche bi-color (gambe \nposteriori in faggio naturale e strut-\ntura laccata nei colori di collezione).\nBent beech-wood armchair. Woven \ncane, plywood, perforated plywood \nor upholstered seat available. The \nframe is also available in two tones \n(rear legs in natural beech and lac-\nquered structure as per standard \ncollection colors). \nPetit fauteuil en hêtre cintré. L’assise \nest disponible en paille de Vienne, \nen contreplaqué cintré et même \najouré, ou encore rembourrée. La \nstructure est aussi disponible bi-\ncolore (jambes arrières en hêtre \nnaturel et structure laquée dans les \ncouleurs de la collection).\nPTWIESTES\nDimensions mm.\nH 800 | W 520 | D 570 | SH 470 | AH 710\nPTWIESPGL\nDimensions mm.\nH 800 | W 520 | D 570 | SH 470 | AH 710\nPTWIESLGF\nDimensions mm.\nH 800 | W 520 | D 570 | SH 470 | AH 710\nPTWIESLGN\nDimensions mm.\nH 800 | W 520 | D 570 | SH 470 | AH 710\nFINISHES: \nONE TONE: B01, B03, B04, B05, Classic, Contemporary\nTWO TONE: Rear Legs: B01\n Front legs and frame: Classic, Contemporary\n \n",263,{"image":1064,"text":1065,"number":1066},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.264.png","262\nSTOOLS\nSGCIRLTES\nDimensions mm.\nH 970 | W 440 | D 440 | SH 780 | AH 970\nSGCIRLTEA (Brushed brass-finish metal rings)\nSGCIRLLGN\nDimensions mm.\nH 970 | W 440 | D 440 | SH 780 | AH 970\nSGCIRLLGA (Brushed brass-finish metal rings)\nSGCIRMLGN\nDimensions mm.\nH 780 | W 440 | D 440 \nSGCIRMLGA (Brushed brass-finish metal rings)\nCIRQUE\nHocker aus Buchenbugholz in zwei \nHöhen erhältlich. Barhocker auch \nmit Rueckenlehne erhältlich. Sitz aus \nSchichtholz oder gepolstert. Erhältlich \nauch mit Ringen aus Metall, Messing \nmatt.\nSgabello in faggio curvato disponi-\nbile in due altezze. Lo sgabello alto \nè disponibile anche con schienale. \nSeduta imbottita oppure in mul-\ntistrato. Disponibile versione con \ncerchi in metallo, finitura ottone \nsatinato.\nBent beech-wood stool in two \nheights. Barstool version also with \nbackrest. Upholstered or plywood \nseat available. Also with brushed \nbrass-finish metal rings.\nTabouret en hêtre cintré disponibles \nen deux hauteurs. Le tabouret \nbar est également disponible \navec un dossier. Assise disponible \nrembourrée ou en contreplaqué. \nVersion disponible avec anneaux en \nmétal, finition laiton satiné.\nSGCIRSTES\nDimensions mm.\nH 470 | W 410 | D 410\nSGCIRSTEA (Brushed brass-finish metal rings)\nSGCIRSLGN\nDimensions mm.\nH 470 | W 410 | D 410\nSGCIRSLGA (Brushed brass-finish metal rings)\nSGCIRMTES\nDimensions mm.\nH 780 | W 440 | D 440\nSGCIRMTEA (Brushed brass-finish metal rings)\nFINISHES: \nONE TONE: B01, B03, B04, B05, Classic, Contemporary\nTWO TONE: C01\u002FC02 , B01\u002FB03\nBRASS RING: B01, B03, Classic\nSAN018TES\nDimensions mm.\nH 1110 | W 415 | D 500 | SH 760\nSAN018LGN\nDimensions mm.\nH 1110 | W 415 | D 500 | SH 760\nN. 18 BARSTOOL\nBarhocker aus Buchenbugholz. Sitz \naus Schichtholz oder gepolstert.\nSgabello da bar in faggio curvato. \nSeduta in multistrato o imbottita.\nBent beech-wood barstool. Plywood \nor upholstered seat available.\nTabouret bar en hêtre cintré. Assise \nen contreplaqué ou rembourrée.\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\n",264,{"image":1068,"text":1069,"number":1070},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.265.png","263\nSTOOLS\nSA0811TES\nDimensions mm.\nH 1085 | W 410 | D 500 | SH 750\nSA0811PGL\nDimensions mm.\nH 1085 | W 410 | D 500 | SH 750\nSA0811TE2\nDimensions mm.\nH 1085 | W 410 | D 500 | SH 750\nN. 811 BARSTOOL\nBarhocker aus Buchenbugholz. \nErhältlich in 3 Versionen: Sitz und \nRückenlehne aus Wiener Geflecht, \ngepolsterter Sitz und Rückenlehne \naus Wiener Geflecht, gepolsterte Sitz \nund Rückenlehne.\nSgabello da bar in faggio curvato. \nDisponibili in 3 versioni: seduta e \nschienale in paglia di Vienna, seduta \nimbottita e schienale in paglia di \nVienna, seduta e schienale imbottiti.\nBent beech-wood barstool. \nAvailable in 3 versions: woven cane \nseat and backrest, upholstered seat \nand woven cane backrest, uphol-\nstered seat and backrest.\nTabouret bar en hêtre cintré. \nDisponibles en 3 versions: assise et \ndossier en paille de Vienne, assise \nrembourrée et dossier en paille de \nVienne, assise et dossier rembourrés.\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nSGPSTKLGN\nDimensions mm.\nH 480 | W 420 | D 420\nPOSTSPARKASSE HOCKER\nHocker aus Buchenbugholz. Sitz aus \nSchichtholz. Mit Zierbeschlägen aus \nMetall.\nSgabello in faggio curvato. Seduta in \nmultistrato. Dettagli metallici a vista.\nBent beech-wood stool. Plywood \nseat. Visible metal details.\nTabouret en hêtre cintré. Assise en \ncontreplaqué. Détails apparents en \nmétal.\nFINISHES: \nB01, B03, B04, B05, Classic\nSANSTOPGL\nDimensions mm.\nH 870 | W 540 | D 420 | SH 740 | AH 870\nSINGLE CURVE BARSTOOL\nBarhocker aus Buchenbugholz. \nSitz aus Wiener Geflecht oder \nSchichtholz. Fußstütze mit Messing \nbeschichtet.\nSgabello da bar in faggio curvato. \nLa seduta è disponibile in paglia di \nVienna o in multistrato. Barra pog-\ngiapiedi rivestita in ottone.\nBent beech-wood barstool. Woven \ncane or plywood seat available. \nBrass covered footrest.\nTabouret bar en hêtre cintré. L’assise \nest disponible en paille de Vienne ou \nen contreplaqué. Barre repose-pied \nrecouverte de laiton. \nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nSANSTOLGN \nDimensions mm.\nH 870 | W 540 | D 420 | SH 740 | AH 870\n",265,{"image":1072,"text":1073,"number":1074},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.266.png","264\nSTOOLS\nSMNSTOLGN \nDimensions mm.\nH 780 | W 540 | D 420 | SH 650 | AH 780\nSINGLE CURVE COUNTER\nCounter Hocker aus Buchenbugholz. \nSitz aus Wiener Geflecht oder \nSchichtholz. Fußstütze mit Messing \nbeschichtet.\nSgabello counter in faggio curvato. \nLa seduta è disponibile in paglia di \nVienna o in multistrato. Barra pog-\ngiapiedi rivestita in ottone.\nBent beech-wood counter stool. \nWoven cane or plywood seat avail-\nable. Brass covered footrest.\nTabouret bar en hêtre cintré, assise \nh 65 cm. L’assise est disponible en \npaille de Vienne ou en contreplaqué. \nBarre repose-pied recouverte de \nlaiton. \nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nSMNSTOPGL\nDimensions mm.\nH 780 | W 540 | D 420 | SH 650 | AH 780\nSBNSTOPGL\nDimensions mm.\nH 690 | W 480 | D 430 | SH 480 | AH 690\nSINGLE CURVE STOOL\nDreibeiniger Hocker aus \nBuchenbugholz. Sitz aus Wiener \nGeflecht oder Schichtholz.\nSgabello a tre gambe. La seduta è in \npaglia di Vienna o in multistrato.\nBent beech-wood three-leg stool. \nWoven cane or plywood seat .\nTabouret à trois pieds en hêtre cintré. \nAssise en paille de Vienne ou en \ncontreplaqué.\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nSBNSTOLGN\nDimensions mm.\nH 690 | W 480 | D 430 | SH 480 | AH 690\nSATRIOLGN\nDimensions mm.\nH 770 | W 440 | D 440\nTRIO\nHocker aus Buchenbugholz in drei \nHöhen erhältlich: Bar, Counter \noder klein. Sitz gepolstert oder aus \nSchichtholz.\nSgabello in faggio curvato dispo-\nnibile in tre altezze: bar, counter \ne basso. Seduta imbottita o in \nmultistrato.\nBent beech-wood stool in three \nheights: bar, counter and low. \nUpholstered or plywood seat.\nTabourets en hêtre cintré disponibles \nen trois hauteurs: assise h.77 cm ou \nh. 65 cm ou bas. Assise rembourrée \nou en contreplaqué. \nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nSATRIOTES\nDimensions mm.\nH 770 | W 440 | D 440\nSMTRIOLGN\nDimensions mm.\nH 650 | W 440 | D 440\n",266,{"image":1076,"text":1077,"number":1078},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.267.png","265\nSBTRIOLGN\nDimensions mm.\nH 460 | W 400 | D 380\nSMTRIOTES\nDimensions mm.\nH 650 | W 440 | D 440\nSTOOLS\nSBTRIOTES\nDimensions mm.\nH 460 | W 400 | D 380\n¬ TRIO\nSAV144LGN\nDimensions mm.\nH 850 | W 460 | D 460\nVIENNA 144 BARHOCKER AND HOCKER\nHocker aus Buchenbugholz in zwei \nHöhen. Sitz aus Wiener Geflecht, \nSchichtholz mit Relief oder gepols-\ntert. Nur für höhere Version mit ver-\nchromtem Metallring als Fußstütze.\nSgabello in faggio curvato, in due \naltezze. La seduta è disponibile \nin paglia di Vienna, in multistrato \nstampato a rilievo o imbottita. Solo \nper la versione alta, poggiapiedi co-\nstituito da un elemento ad anello in \nmetallo cromato.\nBent beech-wood stool, available \nin two heights. Woven cane, with \nstripe pattern plywood or uphol-\nstered seat available. Only for the \nhigher version, footrest comprising \na chromed metal ring-shaped \nelement.\nTabouret en hêtre cintré, en deux hau-\nteurs. L’assise est disponible en paille \nde Vienne, en contreplaqué imprimé \nen relief ou rembourrée. Uniquement \npour la version la plus haute, re-\npose-pieds constitué d’un élément en \nforme d’anneau en métal chromé.\nSBV144PGL\nDimensions mm.\nH 450 | W 350 | D 350\nSBV144LGN\nDimensions mm.\nH 450 | W 350 | D 350\nSAV144TES\nDimensions mm.\nH 850 | W 460 | D 460\nSAV144PGL\nDimensions mm.\nH 850 | W 460 | D 460\nSBV144TES\nDimensions mm.\nH 450 | W 350 | D 350\nFINISHES: \n B01, B03, B04, B05, Classic, Contemporary\n",267,{"image":1080,"text":1081,"number":1082},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.268.png","266\nBENCHES\nPCCOATPGL\nDimensions mm.\nH 1880 | W 1360 | D 590 | SH 440\nCOAT RACK BENCH\nBank mit Kleiderständer. Gestell aus \nBuchenbugholz mit Sitz aus Wiener \nGeflecht. \nPanca appendiabiti con struttura \nin faggio curvato e seduta in paglia \ndi Vienna.\nCoat rack bench with bent beech-\nwood frame and woven cane seat.\nBanc porte-manteaux avec struc-\nture en hêtre cintré et assise en \npaille de Vienne.\nFINISHES: \nClassic\nPCMOSGTEP\nDimensions mm.\nH 440 | W 1360 | D 430 | SH 370\nPCMOSGTEP + PWMOSGTE2\nDimensions mm.\nH 440 | W 1360 | D 430 | SH 440\nPCMOSGTEP + PWMOSGTES\nDimensions mm.\nH 440 | W 1360 | D 430 | SH 440\nMOS \nSitzbank mit Buchenbugholzgestell \nund eingesetztem Wiener Geflecht. \nRegale aus offenporigem, lackiertem \nEschefurnier. Kurzer oder langer ge-\npolsterter Sitz mit abnehmbarem \nBezug. Der Bezug aus Leder ist nicht \nabnehmbar. Messing-Füßen. \nPanca con struttura in faggio cur-\nvato e inserti in paglia di Vienna. \nRipiani in impiallacciato frassino \nverniciato a poro aperto. Seduta \ncorta o lunga imbottita sfoderabile. \nIl rivestimento in pelle non è sfode-\nrabile. Puntali in ottone. \nBench with bent beech-wood frame \nand woven cane inserts. Open pore \npainted shelves in ash veneer. Short \nor long upholstered seat with re-\nmovable cover. The cover in leather \nis not removable. Brass feet.\nBanc avec structure en hêtre cintré \net inserts en paille de Vienne. \nÉtagères en plaqué frêne teinté à \npores ouverts. Assise courte ou \nlongue rembourrée déhoussable. \nLe rembourrage en cuir n’est pas \ndéhoussable. Pieds en laiton. \nFINISHES: \nFrame: B01, C01\nShelves: B07, C01\nMSRU22TES\nDimensions mm.\nH 1850 | W 1350 | D 1350 | SH 450\nRUHERING\nSitzmöbel mit zentraler Kleiderablage. \nGestell aus Metall und Buchenbugholz \nmit gepolsterte Sitzflächen.\nMultiseduta con appendiabiti cen-\ntrale. Struttura in metallo e faggio \ncurvato con sedute imbottite.\nMultiple seating solution with central \ncoat rack. Metal and bent beech-\nwood frame with upholstered seats.\nAssise multiple avec porte-manteaux \ncentral. Structure en métal et hêtre \ncintré avec assises rembourrées.\nFINISHES: \nClassic\n",268,{"image":1084,"text":1085,"number":1086},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.269.png","267\nLOUNGE CHAIRS AND SOFAS\nPTCHIGTES\nDimensions mm.\nH 740 | W 920 | D 820 | SH 450\nCHIGNON \nLoungesessel mit Gestell aus \nBuchenbugholz. Sitz und Rückenlehne \naus Polyurethan Schaumstoff unter-\nschiedlicher Dichte und Polyesterfaser.\nPoltrona lounge con struttura in \nfaggio curvato. Seduta e schienale \nin poliuretano espanso a densità \ndifferenziate e fibra poliestere.\nLounge chair with bent beech-wood \nframe. Seat and back in polyure-\nthane foam of different densities \nand polyester fiber.\nFauteuil lounge avec structure en \nhêtre cintré. Assise et dossier en \npolyurethane expansé à densité dif-\nférenciée et fibre de polyester. \nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nLOVESEAT, 2018\nDBHIDETES\nDimensions mm.\nH 1170 | W 1460 | D 830 | SH 390\nLOUNGE, 2015\nPLHIDETES\nDimensions mm.\nH 1170 | W 740 | D 740 | SH 390\nHIDEOUT\nLoungesessel und Zweisitzer-Sofa \naus Buche. Sitz und Rückenlehne \nmit Polsterung aus Schaumstoff mit \nunterschiedlichen Härtegraden, \nSeitenelemente aus Wiener Geflecht.\nPoltrona lounge e divano a due \nposti in faggio curvato. Seduta e \nschienale imbottiti in poliuretano \nespanso a densità differenziata con \nelementi laterali in paglia di Vienna.\nBent beech-wood lounge chair and \ntwo-seater sofa. Upholstered seat \nand backrest with different density \npolyurethane foam filling and side \nelements in woven cane.\nFauteil lounge et canapé deux \nplaces en hêtre cintré. Assise et dos-\nsier rembourrés en polyurethane à \ndensité différenciée avec éléments \nlatéraux en paille de Vienne.\nFINISHES: \nClassic\nDBHOLDTES\nDimensions mm.\nH 620 | W 1820 | D 820 | SH 300 | AH 620\nPLHOLDTES\nDimensions mm.\nH 660 | W 730 | D 840 | SH 300 | AH 660\nHOLD ON\nDaybed und Lounge-Sessel mit \nGestell aus Eschenholz. Mit gesteppter \nSitzpolsterung und Rückenrolle als \nLehne. Polsterung aus PU-Schaumstoff \nmit unterschiedlichen Härtegraden, \nBezug aus Acrylfaser. \nDaybed e poltrona lounge carat-\nterizzati da struttura portante in \nfrassino. Cuscino di seduta trapun-\ntato e cuscino di schienale a rullo. \nImbottitura in poliuretano espanso \na densità differenziata, rivestito con \nfalde di fibre acriliche.\nDaybed and lounge chair with a \nload-bearing ash-wood frame. \nQuilted seat cushion and backrest \nbolster cushion. Different density \npolyurethane foam filling, covered \nwith acrylic fiber layers. \nMéridienne et fauteuil lounge carac-\ntérisés par une structure portante en \nfrêne. Coussin de l’assise matelassé \net coussin du dossier cylindrique. \nRembourrage en mousse de polyuré-\nthane à densité différenciée, recou-\nvert de bandes de fibres acryliques. \nFINISHES: \nB03, B04, B07 \n",269,{"image":1088,"text":1089,"number":1090},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.270.png","268\nLOUNGE CHAIRS AND SOFAS\nLEHNSTUHL \nLehnstuhl aus Buchenbugholz. \nErhältlich in drei Versionen: Sitz und \nRückenlehne aus weitmaschigem \nWiener Geflecht, gepolsterter \nSitz und Rückenlehne aus weit-\nmaschigem Wiener Geflecht oder \nbeide gepolstert. Fußstütze aus \nBuchenbugholz und weitmaschigem \nWiener Geflecht oder gepolstert. \nLounge chair in faggio curvato. \nDisponibile in tre versioni: seduta \ne schienale in paglia di Vienna a ma-\nglia larga, seduta imbottita e schie-\nnale in paglia di Vienna a maglia \nlarga o tutta imbottita. Poggiapiedi \nin faggio curvato con paglia di \nVienna a maglia larga o imbottito.\nBent beech-wood lounge chair. \nAvailable in three versions: large \nmesh woven cane seat and back-\nrest, upholstered seat and large \nmesh woven cane backrest or fully \nupholstered. Bent beech-wood \nfootrest with wide mesh woven \ncane or upholstered. \nFauteuil lounge en hêtre cintré. \nDisponible en trois versions: assise \net dossier en paille de Vienne à \nmaille large, assise rembourrée et \ndossier en paille de Vienne à maille \nlarge, assise et dossier rembourrés. \nRepose-pied en hêtre cintré avec \npaille de Vienne à maille large ou \nrembourré. \nPPLEHNPGL\nDimensions mm.\nH 420 | W 590 | D 410\nPLLEHNTSS\nDimensions mm.\nH 840 | W 740 | D 830 | SH 410 | AH 570\nPLLEHNTES\nDimensions mm.\nH 840 | W 740 | D 830 | SH 410 | AH 570\nPLLEHNPGL\nDimensions mm.\nH 840 | W 740 | D 830 | SH 410 | AH 570\nPPLEHNTES\nDimensions mm.\nH 420 | W 590 | D 410\nFINISHES: \nClassic\nPLLOIETEX\nDimensions mm.\nH 940 | W 700 | D 740 | SH 420\nPLLOIETES\nDimensions mm.\nH 940 | W 700 | D 740 | SH 420\nLoïe \nArmsessel mit Rückenlehne aus \nWiener Geflecht oder technischem \nNetz. Struktur aus gebogenem \nEschenholz und Metallsockel. \nGepolsterter Sitz. \nPoltroncina con schienale in paglia \ndi Vienna o in rete tecnica, struttura \nin frassino curvato e base in me-\ntallo. Seduta imbottita.\nArmchair with backrest in woven \ncane or technical net, bent ash-\nwood structure and metal base. \nUpholstered seat.\nFauteuil avec dossier en paille de \nVienne ou en résille technique, \nstructure en frêne cintré et base en \nmétal. Assise rembourrée.\nFINISHES: \nB03, B07, C01\n",270,{"image":1092,"text":1093,"number":1094},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.271.png","269\nLOUNGE CHAIRS AND SOFAS\nPLN200TES\nDimensions mm.\nH 730 | W 630 | D 775 | SH 425| AH 615\nPLN200PGL\nDimensions mm.\nH 730 | W 630 | D 775 | SH 425| AH 615\nN. 200\nLoungesessel aus Buchenbugholz. \nSitz und Rückenlehne aus Wiener \nGeflecht oder gepolstert. \nPoltrona lounge in faggio curvato. \nSeduta e schienale in paglia di \nVienna o imbottiti.\nBent beech-wood lounge chair. \nWoven cane or upholstered seat \nand backrest.\nFauteuil lounge en hêtre cintré. \nAssise et dossier en paille de Vienne \nou rembourrés.\nFINISHES: \nB01, C01\nPROMENADE\nKollektion an Polstermöbeln mit \nherausnehmbaren Polsterzeug \nund einer Struktur aus Canaletto \nWalnuss. Profile mit quadratischem \nQuerschnitt. Rückenpartien mit Stoff \nbezogen, auch mit einer Umrandung \naus Wiener Geflecht im oberen \nBereich erhältlich. Polsterung aus \naufgeschäumten Polyurethan unter-\nschiedlicher Dicke und Gänsedaunen.\nCollezione di imbottiti sfoderabili \ncon struttura in noce canaletto, \nprofili a sezione quadrata. Pannelli \nschienale rivestiti in tessuto, di-\nsponibili anche con inserto in \npaglia di Vienna nella fascia supe-\nriore. Imbottitura in poliuretano \nespanso a densità differenziata e \npiuma d’oca.\nCollection of upholstered items with \nremovable covers, canaletto walnut \nframes with square section profiles. \nBackrest panels covered with fabric, \nalso available with a woven cane \ntrim on the upper part. Upholstered \nin differentiated-density polyure-\nthane foam and goose down.\nCollection d’articles rembourrés \ndéhoussables avec une structure \nen noyer canaletto, profiles section \ncarrée. Panneaux dossier tapissés, \négalement disponibles avec une \nbordure en paille de Vienne au \nniveau de la bande supérieure. \nRembourrage en mousse polyuré-\nthane à densité différenciée et en \nduvet d’oie.\nDLPROMTES\nDimensions mm.\nH 840 | W 2300 | D 900 | SH 400 | AH 690\nDBPROMTES\nDimensions mm.\nH 840 | W 1800 | D 900 | SH 400 | AH 690\nFINISHES: \nB06\n",271,{"image":1096,"text":1097,"number":1098},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.272.png","270\nDLPROMTDX - DLPROMTSX\nDimensions mm.\nH 840 | W 1850 | D 900 | SH 400 | AH 690\nDCPROMTDX - DCPROMTSX\nDimensions mm.\nH 840 | W 1700 | D 900 | SH 400 | AH 690\nPLPROMTES\nDimensions mm.\nH 680 | W 800 | D 800 | SH 400 | AH 690\n¬ PROMENADE\nDNSCHAPGL\nDimensions mm.\nH 1040 | W 520 | D 1040 | SH 490\nSCHAUKELSTUHL\nSchaukelstuhl aus Buchenbugholz. Sitz\nund Rückenlehne aus Wiener Geflecht.\nDondolo in faggio curvato. Seduta e \nschienale in paglia di Vienna.\nBent beech-wood rocking chair. \nWoven cane seat and backrest.\nChaise à bascule en hêtre cintré. \nAssise et dossier en paille de Vienne.\nFINISHES: \nB01, B03, B04, B05, Classic\nPLSUZETES\nDimensions mm.\nH 820 | W 850 | D 780 | SH 430 \nSUZENNE\nLounge chair con struttura in faggio \ncurvato e inserti in paglia di Vienna. \nSeduta e schienale imbottiti. \nFauteuil lounge avec structure en \nhêtre cintré et inserts en paille de \nVienne. Assise et dossier rembourrés.\nFINISHES: \nC01\nLoungesessel aus Buchenbugholz \nund eingesetztem Wiener Geflecht. \nSitz und Rückenlehne gepolstert.\nLounge chair with bent beech-wood \nframe and woven cane inserts. \nUpholstered seat and backrest.\nLOUNGE CHAIRS AND SOFAS\n",272,{"image":1100,"text":1101,"number":1102},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.273.png","271\nLOUNGE CHAIRS AND SOFAS\nTARGA\nKollektion von gepolsterten pro-\ndukte mit Bugholzgestell aus Buche \nund Dekoelementen aus Wiener \nGeflecht. Polsterung von Sitz und \nRückenlehne aus PU-Schaumstoff \nmit unterschiedlichen Härtegraden, \nBezug aus Acrylfaser. Erhältlich auch \nmit Messing-Füßen.\nCollezione di imbottiti con struttura \nin faggio curvato ed elementi deco-\nrativi in paglia di Vienna. Seduta e \nschienale imbottiti in poliuretano \nespanso a densità differenziata, ri-\nvestito con falde di fibre acriliche. \nDisponibile anche con piedini in \nottone. \nCollection of upholstered items with \nbent beech-wood frame and woven \ncane decorative elements. Seat and \nbackrest with different density poly-\nurethane foam filling, covered with \nacrylic fiber layers. Also available \nwith brass feet. \nCollection de produits rembourrés \navec structure en hêtre cintré et élé-\nments décoratifs en paille de Vienne. \nAssise et dossier rembourrés en \nmousse de polyurethane à densité \ndifférenciée, recouvert de bandes de \nfibres acryliques. Également dispo-\nnible avec pieds en laiton.\nDBTARGTES\nDimensions mm.\nH 760 | W 1600 | D 840 | SH 400\n \nDBTARGTEP\nWith brass feet\nDimensions mm.\nH 810 | W 1600 | D 840 | SH 450\nDLTARGTES\nDimensions mm.\nH 760 | W 2000 | D 840 | SH 400\n \nDLTARGTEP\nWith brass feet\nDimensions mm.\nH 810 | W 2000 | D 840 | SH 450\nPLTARGTES\nDimensions mm.\nH 760 | W 930 | D 840 | SH 400 \nPLTARGTEP\nWith brass feet\nDimensions mm.\nH 810 | W 930 | D 840 | SH 450 \nFINISHES: \nB01, C01\nCORNER UNIT, 2018\nDMTARGTAN\nDimensions mm.\nH 760 | W 750 | D 750 | SH 400\nDMTARGPAN\nWith brass feet\nDimensions mm.\nH 810 | W 750 | D 750 | SH 450\nLEFT END UNIT, 2018\nDMTARGTSX\nDimensions mm.\nH 760 | W 1000 | D 780 | SH 400\nDMTARGPSX\nWith brass feet\nDimensions mm.\nH 810 | W 1000 | D 780 | SH 450\nCENTRAL UNIT, 2018\nDMTARGTCE\nDimensions mm.\nH 760 | W 1000 | D 780 | SH 400\nDMTARGPCE\nWith brass feet\nDimensions mm.\nH 810 | W 1000 | D 780 | SH 450\nRIGHT END UNIT, 2018\nDMTARGTDX\nDimensions mm.\nH 760 | W 1000 | D 780 | SH 400\nDMTARGPDX\nWith brass feet\nDimensions mm.\nH 810 | W 1000 | D 780 | SH 450\nPOTARGTES\nDimensions mm.\nH 390 | W 700 | D 700\nPOTARGTEP\nWith brass feet\nDimensions mm.\nH 440 | W 700 | D 700 \n",273,{"image":1104,"text":1105,"number":1106},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.274.png","272\nHEADBOARDS\nHBOTTOPGL\nDimensions mm.\nH 1300 | W 2420 | D 60\nOTTOW\nKopfteilstruktur aus Buchenbugholz \nund Dekoration aus Wiener Geflecht. \nZentralelement in perforiertem Holz. \nMessingdetails in schwarz lackierter \nAusführung. Kupferdetails in Natur ge-\nbeizter Ausführung. \nTestiera con struttura in faggio cur-\nvato e decoro in paglia di Vienna. \nElemento centrale in legno tra-\nforato. Particolari in ottone nella \nversione laccata nera e in rame in \nquella tinto naturale.\nHeadboard with bent beech-wood \nand woven cane decoration. Central \nelement in perforated wood. Brass \ndetails in the black lacquered ver-\nsion. Copper details in the natural \nstained version.\nTête de lit avec structure en hêtre \ncintré et décor en paille de Vienne. \nÉlément central en bois perforé. \nDétails en laiton dans la version la-\nquée noire et en cuivre dans la ver-\nsion teintée naturelle.\nFINISHES: \nB01, C01\nHBYVETTES\nDimensions mm.\nH 1210 | W 2100 | D 110\nYVETTE\nKopfteilstruktur aus Buchenbugholz \nund Metallrohr, Dekoration mit Wiener \nGeflecht. Gepolstertes Zentralelement \nmit abnehmbarem Bezug. Der Bezug \naus Leder ist nicht abnehmbar. \nTestiera con struttura in faggio cur-\nvato e tubolare metallico, decoro in \npaglia di Vienna. Elemento centrale \ncon imbottitura sfoderabile. Il rive-\nstimento in pelle non è sfoderabile. \nHeadboard with bent beech-wood \nand metal tubular frame. Woven \ncane decoration. Upholstered central \nelement with removable cover. The \ncover in leather is not removable. \nTête de lit avec structure en hêtre \ncintré et tubulaire en métal, décor \nen paille de Vienne. Élément cen-\ntral rembourré déhoussable. Le \nrembourrage en cuir n’est pas \ndéhoussable. \nFINISHES: \nB03, C01\nHBRUEGTES\nDimensions mm.\nH 730 | W 2500 | D 130\nRUE\nKopfteilstruktur aus Buchenbugholz \nund Dekoration aus Wiener Geflecht. \nZentralelement aus Wiener Geflecht \noder mit abnehmbarem Bezug. Der \nBezug aus Leder ist nicht abnehmbar. \nTestiera con struttura in faggio cur-\nvato e decoro in paglia di Vienna. \nElemento centrale in paglia di \nVienna o con imbottitura sfodera-\nbile. Il rivestimento in pelle non è \nsfoderabile.\nHeadboard with bent beech-wood \nand woven cane decoration. Central \nelement in woven cane or uphol-\nstered with removable cover. The \ncover in leather is not removable. \nTête de lit avec structure en hêtre\ncintré et décor en paille de Vienne.\nÉlément central en paille de Vienne\nou rembourré déhoussable.\nLe rembourrage en cuir n’est pas \ndéhoussable.\nFINISHES: \n B01, C01, D03\nHBRUEGPGL\nDimensions mm.\nH 730 | W 2500 | D 130\nUpon request it is available the bed base with removable fabric and wooden slats,\ndimensions mm H 320 |W 1600 | D 2000\n",274,{"image":1108,"text":1109,"number":1110},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.275.png","273\nTABLES\nTVDT22LGN\nDimensions mm.\nH 740 | W 2200 | D 1000\nARCH DINING TABLE\nTisch mit Gestell aus Buchenbugholz \nund Tischplatte aus offenporig la-\nckierter furnierter Esche. In zwei \nGrößen verfügbar.\nTavolo con struttura in faggio \ncurvato e piano impiallacciato in \nfrassino verniciato a poro aperto. \nDisponibile in due dimensioni.\nTable with bent beech-wood frame \nand open pore painted ash-wood \nveneer top. Available in two sizes.\nTable avec structure en hêtre cintré \net plateau en plaqué frêne verni à \npores ouverts. Disponible en deux \ndimensions.\nFINISHES: \nTWO TONE | VERSION 1: \nAsh-Wood Top: C01\nBeech-Wood Legs: B03\nBeech-Wood Arches: C01\nTWO TONE | VERSION 2: \nAsh-Wood Top: C02\nBeech-Wood Legs: B01\nBeech-Wood Arches: C02\nONE TONE: \nAsh-Wood Top And Beech-Wood Frame: \nB01, B03, B04, B05, B07, Classic, Contemporary\nTVDT18LGN\nDimensions mm.\nH 740 | W 1800 | D 1000\n",275,{"image":1112,"text":1113,"number":1114},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.276.png","274\nTABLES\nTVCARDLGN\nDimensions mm.\nH 760 | W 2200 | D 1100\nTVCARDLG2\nWith lacquered top\nCARYLLON DINING TABLES\nRunder oder rechteckiger Tisch mit \nStruktur aus Buchenbugholz und Platte \naus hölzernen Einlegearbeiten oder \nlackiert.\nTavolo rotondo o rettangolare con \nstruttura in faggio curvato e piano \nin legno intarsiato o laccato. \nRound or rectangular table with \nbent beech-wood structure and in-\nlaid wooden or lacquered top . \nTable rectangulaire ou ronde, avec \nstructure en hêtre cintré et plateau \nen bois incrusté ou laqué. \nFINISHES: \nCARYLLON DINING TABLE - Rectangular with inlaid top (TVCARDLGN)\nA. C01 (base) + bolivar (top)\nB. D14 (base) + red caleidolegno (top)\nCARYLLON DINING TABLE - Rectangular and two-tone lacquered (TVCARDLG2)\nA. C01 (base) + D03 (top)\nB. D12 (base) + D11 (top)\nC. D03 (base) + D24 (top)\nCARYLLON DINING TABLE- Rectangular and one-tone lacquered (TVCARDLG2)\nClassic, Contemporary\nCARYLLON DINING TABLE - Round with inlaid top (TVCAROLGN) \nA. D25 (base) + blue caleidolegno (top)\nCARYLLON DINING TABLE - Round and two-tone lacquered (TVCAROLG2)\nA. C01 (base) + D03 (top)\nB. D12 (base) + D11 (top)\nC. D03 (base) + D24 (top)\nCARYLLON DINING TABLE - Round and one-tone lacquered (TVCAROLG2)\nClassic, Contemporary\nTVCAROLGN\nDimensions mm. \nH 760 | W 1600 | D 1600\nTVCAROLG2\nWith lacquered top\n",276,{"image":1116,"text":1117,"number":1118},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.277.png","275\nTABLES\nFINISHES: \nBASE: B01, B03, B04, B05, Classic, Contemporary \nTOP: Extra Clear Glass \nTVMAGILGV\nDimensions mm.\nH 740 | W 1200 | D 1200\nMAGISTRETTI 0302\nTisch mit Gestell aus Buchenbugholz. \nTischplatte aus transparentem, ex-\ntra-klarem Glas.\nTavolo con struttura in faggio cur-\nvato. Piano in vetro trasparente \nextra chiaro.\nTable with bent beech-wood frame. \nExtra clear transparent glass top.\nTable avec structure en hêtre \ncintré. Plateau en verre transparent \nextra-clair.\nFINISHES: \nB01, B03, B04, B05 Classic, Contemporary\nTVRINDLGN\nDimensions mm.\nH 750 | W 2100 | D 900\nRING DINING TABLE\nTisch mit Gestell aus Buchenbugholz \nund Tischplatte aus furnierter Buche.\nTavolo con struttura in faggio cur-\nvato e piano impiallacciato in faggio.\nTable with bent beech-wood frame \nand beech-wood veneer top.\nTable avec structure en hêtre cintré \net plateau en hêtre plaqué.\nFINISHES: \nBASE: B01, C01 \nTOP: Glass\nTVNDINLGV\nDimensions mm.\nH 740 | W 2200 | D 950\nSINGLE CURVE DINING\nTisch mit Gestell aus Buchenbugholz \nund Tischplatte aus Glas.\nTavolo con struttura in faggio cur-\nvato e piano in vetro.\nTable with bent beech-wood frame \nand glass top.\nTable avec structure en hêtre cintré \net plateau en verre.\n",277,{"image":1120,"text":1121,"number":1122},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.278.png","276\nTABLES\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary, \nTVRH41LGN\nDimensions mm.\nH 740 | W 900 | D 900\nTVRH31LGN\nDimensions mm.\nH 740 | W 700 | D 700\nTVRH42LGN\nDimensions mm.\nH 740 | W 1200 | D 1200\nREHBEINTISCH\nTisch mit Gestell aus Buchenbugholz. \nKratzfeste Tischplatte aus furnierter \nBuchenholz mit Einfassung aus \nMassivholz. In 3 Größen verfügbar. \nTavolo in faggio con struttura in \nlegno curvato e piano impiallacciato \nin faggio verniciato antigraffio con \nbordatura in massello. Disponibile \nin 3 dimensioni.\nBeech-wood table with bent wood \nframe and scratch-resistant beech-\nwood veneer top with solid wood \nborder. Available in 3 sizes.\nTable en hêtre avec structure en \nbois cintré et plateau en bois plaqué \ninrayable avec bord en bois plein. \nDisponible en 3 dimensions. \nTBCOGNBAR\nDimensions mm.\nH 760 | W 700 | D 700\nTACOGNBAR\nDimensions mm.\nH 1140 | W 700 | D 700\nTVPASTBAR\nDimensions mm.\nH 760 | W 700 | D 700\nCOGNAC\nPASTIS\nKaffeetisch in zwei verschiedenen \nHöhen mit runder Metallbasis in \nBronze, Kupfer oder Messing. Fuß aus \ngebeiztem oder lackiertem Massivholz \noder aus Schwarz pulverbeschich-\ntetem Metall. Runde Tischplatte aus \nMarmor, Laminat oder furniert Eiche \nNatur\u002Fgebeizt, auch verfügbar mit glei-\ncher Umrandung wie Basis.\nKaffeetisch mit quadratischem Pfeiler, \nFuß und quadratischer Tischplatte. \nAus Schwarz lackiertem Metall oder \nin bronzefarbener Ausführung. Platte \nüberzogen mit Laminat oder furniert \nEiche Natur\u002Fgebeizt, auch verfügbar \nmit bronzefarbenerUmrandung.\nTavolo da bar disponibile in due \naltezze con base rotonda in metallo \nnelle finiture bronzo, rame, ottone. \nStelo in massello di legno tinto, lac-\ncato o in metallo verniciato nero a \npolvere epossidica. Top rotondo in \nmarmo, laminato o impiallacciato \nrovere naturale o tinto, disponibile \nanche con ghiera perimetrale in fi-\nnitura coordinata alla base.\nTavolo da bar con montante, piano e \nbase quadrati. In metallo verniciato \nnero o con finitura bronzata. Top ri-\nvestito in laminato o impiallacciato \nrovere naturale o tinto, disponibile \nanche con ghiera perimetrale in fini-\ntura bronzata.\nBar table available in two heights \nwith round metal base in bronze, \ncopper or brass finishes. Post in \nstained or painted solid wood or in \nblack epoxy powder painted metal. \nRound top in marble, laminate or \nnatural\u002Fstained oak veneer, also \navailable with edge ring in a finish \nto match the base.\nBar table with square post, top and \nbase. In black painted metal or with \nbronze finish. Top covered in lami-\nnate or natural\u002F stained oak veneer, \nalso available with an edge ring \nwith bronze finish. \nTable de bar disponible en deux \nhauteurs avec base ronde en métal \npour les finitions en bronze, cuivre \nou laiton. Pied central en bois massif \nteinté, laqué ou en métal peint en noir \nen poudre. Plateau rond en marbre, \nrecouvert de laminé ou plaqué chêne \nnaturel ou teinté, également dispo-\nnible avec un rebord périmétral en \nfinition coordonnée à la base.\nTable de bar avec pied central, base \net plateau carrés. En métal peint en \nnoir ou avec finition bronzée. Plateau \nrecouvert de laminé ou plaqué chêne \nnaturel ou teinté, également dispo-\nnible avec un rebord périmétral en \nfinition bronzée.\n",278,{"image":1124,"text":1125,"number":1126},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.279.png","277\nTABLES\nSHERRY\nKaffeetisch in zwei verschiedenen \nHöhen mit quadratischer Metallbasis \nin Bronze, Kupfer oder Messing. \nFuß aus gebeiztem oder lackiertem \nMassivholz oder aus schwarz pulver-\nbeschichtetem Metall. Quadratische \nTischplatte aus Marmor, Laminat oder \nfurniert Eiche Natur\u002Fgebeizt, auch \nverfügbar mit gleicher Umrandung \nwie Basis.\nTavolo da bar disponibile in due al-\ntezze con base quadrata in metallo \nnelle finiture bronzo, rame, ottone. \nStelo in massello di legno tinto, lac-\ncato o in metallo verniciato nero a \npolvere epossidica. Top quadrato \nin marmo, laminato o impiallacciato \nrovere naturale o tinto, disponibile \nanche con ghiera perimetrale in fi-\nnitura coordinata alla base.\nBar table available in two heights \nwith square metal base in bronze, \ncopper or brass finishes. Post in \nstained or painted solid wood or in \nblack epoxy powder painted metal. \nSquare top in marble, laminate or \nnatural\u002Fstained oak veneer, also \navailable with edge ring in a finish \nto match the base.\nTable de bar disponible en deux hau-\nteurs avec base carrée en métal pour \nles finitions en bronze, cuivre ou laiton. \nPied central en bois massif teinté, \nlaqué ou en métal peint en noir en \npoudre. Plateau carré en marbre, re-\ncouvert de laminé ou plaqué chêne na-\nturel ou teinté, également disponible \navec un rebord périmétral en finition \ncoordonnée à la base.\nTBSHERBAR\nDimensions mm.\nH 760 | W 700 | D 700\nTASHERBAR\nDimensions mm.\nH 1140 | W 700 | D 700\nTVPORTBAR\nDimensions mm.\nH 760 | W 700 | D 700\nPORTO\nKaffeetisch mit rundem Pfeiler, Fuß \nund runder Tischplatte. Aus schwarz \nlackiertem Metall oder in bronzefar-\nbener Ausführung. Platte überzogen \nmit Laminat oder furniert Eiche Natur\u002F \ngebeizt, auch verfügbar mit bronzefar-\nbener Umrandung.\nTavolo da bar con montante, piano \ne base rotondi. In metallo verniciato \nnero o con finitura bronzata. Top \nrivestito in laminato o impiallacciato \nrovere naturale o tinto, disponibile \nanche con ghiera perimetrale in fi-\nnitura bronzata.\nBar table with round post, top and \nbase. In black painted metal or with \nbronze finish. Top covered in lami-\nnate or natural\u002F stained oak veneer, \nalso available with an edge ring \nwith bronze finish.\nTable de bar avec pied central, base \net plateau ronds. En métal peint \nen noir ou avec finition bronzée. \nPlateau recouvert de laminé ou \nplaqué chêne naturel ou teinté, éga-\nlement disponible avec un rebord \npérimétral en finition bronzée.\n",279,{"image":1128,"text":1129,"number":1130},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.280.png","278\nTABLES\nTVVERMBAR\nDimensions mm.\nH 760 | W 700 | D 700\nVERMOUTH\nKaffeetisch mit gusseiserner Struktur, \nschwarz lackiert. \nRunde oder quadratische Tischplatte \nüberzogen mit Laminat oder furniert \nEiche Natur\u002Fgebeizt.\nTavolo da bar con struttura in fu-\nsione di ghisa verniciata nera. Top \nrotondo o quadrato rivestito in la-\nminato o impiallacciato rovere natu-\nrale o tinto.\nBar table in cast iron painted black. \nRound or square top covered in \nlaminate or natural\u002Fstained oak \nveneer.\nTable de bar avec structure en fu-\nsion de fonte peinte en noir. Plateau \nrond ou carré recouvert de laminé \nou plaque chêne naturel ou teinté. \nFINISHES: \nWOODEN TOP: B01, B03, B04, B05, Classic, Contemporary\nSTOPSOL GLASS TOP: Classic\nTVCOFFLGV\nDimensions mm.\nH 460 | W 730 | D 730\nARCH COFFEE TABLE\nKleiner Couchtisch aus \nBuchenbugholz. Tischplatte \naus furnierter Buchenholz oder \n„Stopsol“- Glas.\nTavolino in faggio curvato. Piano di-\nsponibile in faggio impiallacciato o \nin vetro “stopsol”.\nBent beech-wood coffee table. \nBeech-wood veneer or “stopsol” \nglass top.\nTable basse en hêtre cintré. Plateau\ndisponible en hêtre plaqué ou en\nverre “stopsol“.\nTVCOFFLGN\nDimensions mm.\nH 460 | W 730 | D 730\nFINISHES: \nBASE: C01, D21\nTACARCLGN\nDimensions mm.\nH 450 | W 1200 | D 1200\nCARYLLON LOW TABLES\nBlumenförmiger Kaffeetisch \nmit Struktur aus lackiertem \nBuchenbugholz und Platte aus höl-\nzernen Einlegearbeiten. In zwei \nHöhen erhältlich.\nTavolino a forma di fiore con \nstruttura in faggio curvato lac-\ncato e piano in legno intarsiato. \nDisponibile in due altezze.\nFlower shaped coffee table with lac-\nquered bent beech-wood structure \nand inlaid wooden top. Available in \n2 heights.\nTable basse en forme de fleur avec \nstructure en hêtre cintré laqué et \nplateau en bois incrusté. \nDisponible en deux hauteurs.\nTBCARCLGN\nDimensions mm.\nH 250 | W 1200 | D 1200\n",280,{"image":1132,"text":1133,"number":1134},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.281.png","279\nTABLES\nFINISHES: \nBASE: C01\nTOP: Black Tinted Glass Or Marble\nTVDUEALGV\nDimensions mm.\nH 500 | W 450 | D 500\nDUET\nKleiner Couchtisch aus \nMessing plattiertem Stahl- und \nBuchenbugholzgestell mit quad-\nratischem Querschnitt. Tischplatte \naus rauch-schwarzem Glas oder \n“Emperador Brown” Marmor.\nTavolino con struttura in acciaio ot-\ntonato e faggio curvato a sezione \nquadrata. Piano in vetro nero fumè \no marmo “Emperador Brown”. \nCoffee table with structure in brass-\nplated steel and bent beech-wood \nwith square sections. Top in black \ntinted glass or “Emperador Brown” \nmarble.\nTable basse avec structure en acier \nplaqué laiton et hêtre cintré à sec-\ntion carré. Plateau en verre noir \nfumé ou en marbre “Emperador \nBrown. \nTVDUEBLGM\nDimensions mm.\nH 350 | W 700 | D 550\nTVDUECLGM\nDimensions mm.\nH 300 | W 900 | D 700\nFINISHES: \nBASE: B01, C01\nTOP: Glass, Marble, Classic or Contemporary wood\nTVNLOCLGV\nDimensions mm.\nH 300 | W 800 | D 800\nSINGLE CURVE LOW TABLES\nKleine Tischkollektion mit Gestell \naus Buchenbugholz. Tischplatten aus \nGlas, Marmor, oder matt lackierten \nPlatten .\nCollezione di tavolini con struttura \nin faggio curvato. Piano disponibile \nin vetro, in marmo, oppure laccato \nopaco.\nCoffee table collection with bent \nbeech-wood frame. Top available in \nglass, marble, or matt lacquered.\nCollection de tables basses avec \nstructure en hêtre cintré. Plateau \ndisponible en verre, en marbre, ou \nbien en laqué mat.\nTVNLOBLGM\nDimensions mm.\nH 350 | W 600 | D 600\nTVNLOALGN\nDimensions mm.\nH 500 | W 450 | D 450\nFINISHES: \nBASE: B03, B04, B07\nTOP: Glass, Marble\nTVHOLDLGM\nDimensions mm.\nH 520 | W 540 | D 540\nHOLD ON SIDE TABLE\nKleiner Klapptisch mit Gestell aus \nEschenholz und Tischplatte aus \n„Stopsol“-Glas oder „Emperador \nBrown“-Marmor.\nTavolino pieghevole con struttura in \nfrassino e piano in vetro “stopsol”o \nin marmo “Emperador Brown”.\nFolding coffee table with ash \nwood frame and “stopsol” glass or \n“Emperador Brown” marble.\nTable basse pliante avec struc-\nture en frêne et plateau en \nverre «stopsol» ou en marbre \n«Emperador Brown».\n",281,{"image":1136,"text":1137,"number":1138},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.282.png","280\nTABLES\nFINISHES: \nC01\nWIENER BOX\nKleine Tischkollektion mit einer \nMetallstruktur mit Messing Finish. \nOberteil und Fuß aus mattschwarz \nlackiertem Buchenholz. Seitenteile \naus Wiener Geflecht mit massivem \nBuchenholzrahmen. In zwei Größen \nerhältlich.\nCollezione di tavolini con struttura \nin metallo finitura ottone. Top e \nbase in legno laccato nero opaco. \nPannelli laterali in paglia di Vienna \ncon cornice in massello di faggio. \nDisponibili in due dimensioni.\nCollection of low tables with \nbrass-finished metal frames. Top \nand base in lacquered black mat \nwood. Woven cane side panels \nwith solid beech frame. Available \nin two sizes.\nCollection de tables basses avec struc-\nture en métal finition laiton. Plateau et \nbase en bois laqué noir mat. Panneaux \nlatéraux en paille de Vienne avec cadre \nen hêtre massif. Disponible en deux \ndimensions. \nTVBOXBLGN\nDimensions mm.\nH 330 | W 1070 | D 500\nTVBOXALGN\nDimensions mm.\nH 510 | W 570 | D 500\nFINISHES: \nASH-WOOD TOP: B07, Classic\nBEECH WOOD FRAME: B01, Classic\nDKALECPGL\nDimensions mm.\nH 1260 | W 1000 | D 660 | TH 750\nALLEGORY DESK \nSchreibtisch mit Gestell aus \nBuchenbugholz, Tischplatte aus of-\nfenporig lackierter furnierter Esche \nund rundem Dekoelement aus \nWiener Geflecht. Auch verfuegbar \nmit Schublade.\nScrittoio con struttura in faggio cur-\nvato e piano impiallacciato in frassino \nverniciato a poro aperto, disponibile \nanche con cassetto. Elemento deco-\nrativo circolare in paglia di Vienna.\nDesk with bent beech-wood frame \nand open pore painted ash-wood \nveneer top. Also available with \ndrawer. Woven cane circular deco-\nrative element.\nBureau avec structure en hêtre \ncintré et plateau en plaqué frêne \nteinté à pores ouverts. Disponible \naussi avec tiroir. Élément décoratif \ncirculaire en paille de Vienne.\nDKALEGPGL\nDimensions mm.\nH 1260 | W 1000 | D 660 | TH 750\n",282,{"image":1140,"text":1141,"number":1142},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.283.png","281\nACCESSORIES\nFINISHES: \nB01-C01 \u002F C01-B01\nCHVALELGN\nDimensions mm.\nH 1070 | W 460 | D 260\nArch Clothes Valet\nStummer Diener aus zweifarbigem \nBuchenbugholz: in Schwarz und \nBuche Natur.\nServo muto in faggio curvato bicolor: \nnero e faggio naturale.\nTwo-tone bent beech-wood clothes \nvalet: black and natural beech.\nValet en hêtre cintré bicolore: noir \net hêtre naturel.\nFINISHES: \nClassic and Natural Legs\nOMCLOULGN\nDimensions mm.\nH 740 | W 406 | D 406\nCLOUD\nSchirmständer aus Buchenbugholz. \nLackiert mit Füße in Buche Natur ver-\nfügbar. Schale neutral-durchsichtig. \nPortaombrelli in faggio curvato; di-\nsponibile laccato con gambaletto \nin faggio naturale. Vaschetta colore \nneutro trasparente.\nBent beech-wood umbrella stand, \navailable in lacquered with natural \nbeech feet. Transparent neutral \nreceptacle. \nPorte-parapluies en hêtre cintré; \ndisponible en laqué avec les pieds \nen hêtre naturel. Récipient couleur \nneutre transparent.\nFINISHES: \nB07, Classic, D03, D07\nSHEYESCC1\nDimensions mm.\nH 640 | W 640 | D 40\nSHEYESCC2\nDimensions mm.\nH 320 | W 320 | D 20\nEYESHINE MIRRORS\nSpiegel aus Eschenbugholz in drei \nVersionen erhältlich . Jede Version ist \nin zwei Größen erhältlich. \nSpecchi in frassino curvato disponi-\nbili in tre versioni. Ogni versione è \ndisponibile in due dimensioni.\nBent ash-wood mirrors available \nin three versions. Each versions is \navailable in two sizes.\nMiroirs en frêne cintré disponibles \nen trois versions. Chaque version \nest disponible en deux dimensions. \nSHEYESCO1\nDimensions mm.\nH 640 | W 640 | D 40\nSHEYESCO2\nDimensions mm.\nH 320 | W 320 | D 20\nSHEYES0C1\nDimensions mm.\nH 560 | W 730 | D 40\nSHEYES0C2\nDimensions mm.\nH 280 | W 360 | D 20\n",283,{"image":1144,"text":1145,"number":1146},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.284.png","282\nFINISHES: \nC01\nCAFURITES\nDimensions mm.\nH 690 | W 520 | D 710 | SH 450\nFURIA \nSchaukelpferd mit Gestell aus \nBuchenbugholz. Sitz und Details nur \naus Leder. \nCavallino a dondolo con struttura in \nfaggio curvato. Seduta e dettagli di-\nsponibili solo in pelle. \nRocking horse with bent beech-\nwood frame. Seat and details avail-\nable in leather only. \nPetit cheval à bascule avec structure \nen hêtre cintré. Assise et détails \ndisponibles uniquement en cuir \nsouple. \nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nAP2204LGN\nDimensions mm.\nH 1850 | W 520 | D 520\nKLEIDERSTÄNDER\nKleiderständer aus Buchenbugholz.\nAppendiabiti in faggio curvato.\nBent beech-wood coat stand.\nPorte-manteaux en hêtre cintré.\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nAPKL19LGN\nDimensions mm.\nH 1820 | W 620 | D 620\nKLEIDERSTÄNDER P. 29\nKleiderständer aus Buchenbugholz.\nAppendiabiti in faggio curvato.\nBent beech-wood coat stand.\nPorte-manteaux en hêtre cintré.\nACCESSORIES\n",284,{"image":1148,"text":1149,"number":1150},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.285.png","283\nACCESSORIES\nFINISHES: \nClassic\nAPKOLOLGN\nDimensions mm.\nH 1950 | W 700 | D 700\nKOLO MOSER\nKleiderständer aus Buchenbugholz.\nAppendiabiti in faggio curvato.\nBent beech-wood coat stand.\nPorte-manteaux en hêtre cintré.\nFINISHES: \nB07, Classic\nCML250LGN\nDimensions mm.\nH 2500 | W 450 | D 36\nCML200LGN\nDimensions mm.\nH 2000 | W 450 | D 36\nCML160LGN\nDimensions mm.\nH 1600 | W 450 | D 36\nLADDER\nDekoratives Element aus \nEschenbugholz, ideal als Stummer \nDiener. In 3 Größen verfügbar. \nElemento decorativo in frassino cur-\nvato, con funzione di servomuto. \nDisponibile in 3 dimensioni. \nBent ash-wood decorative element, \nuseful as a clothes valet. Available \nin 3 sizes. \nElément décoratif en frêne cintré \navec fonction de valet .\nDisponible en 3 dimensions.\nFINISHES: \nB01, Classic\nCAMAJOPGL\nDimensions mm.\nH 900 | W 610 | D 610 | SH 450 | AH 680\nMAJORDOMO\nStummer Diener aus Buche mit qua-\ndratischem Querschnitt mit Sitzfläche \nund Abdeckplatte aus Wiener \nGeflecht.\nServomuto in faggio a sezione qua-\ndrata con seduta e piano d’appoggio \nin paglia di Vienna.\nSquare-section beech-wood \nclothes valet with woven cane seat \nand shelf.\nValet en hêtre à section carrée avec \nassise et plan d’appui en paille de \nVienne.\n",285,{"image":1152,"text":1153,"number":1154},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.286.png","284\nFINISHES: \nB01, B03, B04, B05, Classic, Contemporary\nBSSTOKLGN\nDimensions mm.\nH 640 | W 230 | D 440 | SH 540\nSTOCKSESSEL\nSpazierstock und Klapphocker in \neinem. Sitz aus Wiener Geflecht. \nSgabello pieghevole e bastone da \npasseggio combinato. Sedile in pa-\nglia di Vienna.\nA folding seat and walking cane \ncombined. Woven cane seat.\nTabouret pliant et canne combinée. \nAssise en paille de Vienne.\nFINISHES: \nC01\nLPWAGATES\nDimensions mm.\nH 1720 | W 650 | D 650\nLSWAGATES\nDimensions mm.\nH 500 | W 650 | D 650\nWAGASA BY SERVOMUTO\nPendelleuchte und Stehlampe mit So-\nckel aus Carrara-Marmor und Stele \naus schwarz lackierter Buche. Lampen-\nschirm aus Gewebe mit Umrandung \naus Wiener Geflecht. Pergament-Licht-\ndiffusor nur in der Pendelversion.\nLampada a sospensione e da terra con \nbasamento in marmo Carrara e stelo in \nlegno di faggio laccato nero. Paralume \nin tessuto con inserti in paglia di \nVienna. Diffusore di luce in pergamena \nsolo nella versione a sospensione.\nSuspended and floor lamp with \nCarrara marble base and pole in \nblack lacquered beech wood. Fabric \nlampshade with woven cane trim. \nParchment light diffuser in the sus-\npended version.\nLampe à suspension et de plancher avec \nla base en marbre de Carrare et le tige \nen bois de hêtre laqué noir. Abat-jour en \ntissue avec bordure en paille de Vienne. \nDiffuseur de lumière en parchemin uni-\nquement dans la version à suspension.\nACCESSORIES\nFINISHES: \nB07, Classic\nCHWALZLGN\nDimensions mm.\nH 540 | W 930 | D 70\nWALTZ\nModular aufgebaute Wandgarderobe \naus Eschenbugholz.\nAppendiabiti modulare da parete in \nfrassino curvato.\nModular wall-mounted bent ash-\nwood coat rack.\nPorte-manteaux modulable mural \nen frêne cintré.\n",286,{"image":1156,"text":1157,"number":1158},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.287.png","285\nBistrotstuhl\np. 52 Kvadrat Divina 3 col. 956\n \nKvadrat Divina 3 col. 876\n \nKvadrat Divina 3 col. 936\np. 53 Kvadrat Divina 3 col. 956\np. 54, 55 Kvadrat Fuse col. 351\np. 204 Kvadrat Noise col. 222\nBodystuhl\np. 58 Dedar Adamo ed Eva col. 109 anice\nBrezel\np. 60 Out of collection\np. 61 Out of collection\n \nCaféstuhl\np. 63 Kvadrat Fuse col. 981\nCzech\np. 68, 69 Loro Piana Zelander Check col. 205\nGustav\np. 73 Kvadrat Divina 3 col. 584\nLoos Cafè Museum\np. 75 out of collection\nMagistretti 0301\np. 76 Cuoio\u002FLeather C01 002\nMalit \np. 78, 79 Kvadrat Divina MD col. 213\np. 80 Kvadrat Skye col. 951\np. 81 Kvadrat Divina MD col. 213\np. 195 Kvadrat Divina MD col. 213\np. 199 Kvadrat Divina 3 col. 191\np. 218 Kvadrat Skye col. 951\nMorris\np. 82 Kvadrat Skye col. 751\np. 83 Kvadrat Divina 3 col. 154 \nN.0\np. 84 Steyr B08 015\np. 85 Hallein A06 007\np. 86 Steyr B08 005 \nN.14\np. 90 Steyr B08 018\nN.18\np. 92, 93 Kvadrat Noise col. 972\np. 209 Kvadrat Noise col. 972\nN.811\np. 96 Eisenstadt A05 002\np. 220 Eisenstadt A05 002\nN.811 Barstool\np. 99 Eisenstadt A05 010 \n \np. 99 Eisenstadt A05 002\nPince\np. 100, 101, 102 Kvadrat Hallingdal 65 col. 166\np. 103 Kvadrat Remix col. 743\nPost Mundus\np. 104 Kvadrat Harald 3, col. 192\np. 105 Out of collection\nPostsparkasse\np. 106 Dedar Adamo ed Eva col. 117 Opera \nSuu & Ann\np. 114, 115 Pelle di Poltrona Frau P01 011 \np. 117 Liezen A04 016\nVienna 144 \np. 118 Out of collection\nWiener stuhl\np. 122 Kvadrat Coda 2 col. 100\np. 194 Liezen A04 025\nMos\np. 128 Kvadrat Noise 132\np. 163 Loro Piana Connemara col. 14 Cowes\np. 188 Kvadrat Noise 132\nRuhering \np. 130 Steyr B08 013\nTrio\np. 139 Steyr B08 005\nVienna 144 Barhocker\np. 140 Out of collection\nChignon\np. 142, 143, 144 Kvadrat Steelcut Trio 3 col. 124\np. 145 Eisenstadt A05 004\nHideout\np. 146, 147 Steyr B08 005\np. 148 Kvadrat Twill Weave col. 990\np. 149 Kvadrat Skye col. 451\nHold on\np. 150 Kvadrat Divina MD col. 213\np. 151 Liezen A04 020\nLehnstuhl\np. 152 Steyr B08 005\np. 154 Kvadrat Divina 3 col. 742\nLoie\np. 159 Kvadrat Twill Weave col. 570 \np. 160, 161 Loro Piana Altai Unito col. 39 Zenzero\np. 183 Kvadrat Raas col. 942\np. 202 Kvadrat Skye col. 751\np. 203 Kvadrat Raas col. 942\nN.200 \np. 163, 164 Loro Piana Connemara col. 14 Cowes\nPromenade\np. 166, 167 Eisenstadt A06 011 \np. 168, 169, 170 Steyr B08 016\np. 171 Dedar Adamo ed Eva Anice 109\np. 224 Steyr B08 016\nSuzenne\np. 174, 175 Out of collection\np. 176, 177 Kvadrat Coda col. 232\nTarga Lounge\np. 179 Kvadrat Divina 3 col. 584\np. 180 Kvadrat Divina 3 col. 856\np. 181 Steyr B04 004\nTarga Pouf\np. 149 Kvadrat Skye col. 431\np. 178, 179 Kvadrat Divina 3 col. 584\nTarga Sofa \np. 162 Kvadrat Remix 2 col. 123\np. 178, 179 Kvadrat Noise col. 562\np. 180 Kvadrat Divina 3 col. 856\np. 226 Kvadrat Raas col. 182\nTarga Modular\np. 182, 183 Kvadrat Steelcut Trio 3 col. 124\nRue\np. 188, 190 Loro Piana Connemara col. 10 Malachite\nYvette\np. 192, 193 Kvadrat Noise col. 222\nINDEX OF FABRICS SHOWN IN THE PICTURES\n",287,{"image":1160,"text":1161,"number":1162},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.288.png","Art Direction: \nR+W\nGraphic Project: \nCountry Lab | Gianfranco Martorella\nProject Coordination:\nCaterina Moiso\nPhoto: \nGionata Xerra Studio\nNeferstudio\nPaolo Meitre Libertini\nTullio Deorsola\nMargherita Borsano\nConcept e styling: \nSimona Silenzi Studio\nArtwork: \nPaolo Galetto\nHa collaborato: \nGaia Marchesini\nPhoto assistant: \nLeonardo Duggento\nPost produzione immagini: \nPierpaolo Mazzola\nThanks to: \nAlice in Wonderland - Studio Marcante Testa (UdA) \nBottega Baretti - www.bottegabaretti.com\nCaffè dei fratelli Fiorio\nCaffè Mulassano\nCasa Fulvia Moscheni - Fabio Fantolino Architetto\nCasa Sette - Fabio Fantolino Architetto\nCopernico Torino www.coperni.co\nDash Kitchen (To), Dopolavoro Bicocca Milano\nDuparc Contemporary Suites\nGrattacielo Intesa Sanpaolo\nIl Deposito Bistrot\nLo Stonnato www.stonnato.it\nNh Collection Piazza Carlina\nNotaio Giuseppe Volpe & Associati - Studio Marcante Testa (UdA)\nRistorante Il Bastimento\nAstep\nAm Living Studio \nAnother Country \nArtemide \nAYTM \nBitossi Home \nBloc Studios \nBosa Trade \nBudri Italian Marble Inlay - Ad Group \nFragile Milano \nCarpet Edition \nCC Tapis \nDavide Aquini \nFlos \nFontanaArte\nFrancesca Verardo Ceramics\nGalleria Nicola Quadri \nGolran \nGalleria Salvatore Lateri \nIl Coccio design edition \nIlaria Innocenti \nInterno Italiano \nKanz Architetti \nKnindustrie Presso Agape12 - Milano \nKundalini \nLindell&Co\nLittala \nLuceplan \nMani ceramiche \nMM Lampadari\nMmairo \nNahoor Limelight \nNemo Cassina \nNilufar Gallery \nNodus \nNude Glass \nOeuffice Design Studio \nOluce \nPulpo\nPasabahce (Garbo) \nPenta Light \nSambonet \nSanta & Cole \nSchola Testori\nSociety \nScandola Marmi \nStilnovo \nStip \nVanessa Mitrani \nZanellato Bortotto per Rubelli \nZanellato Bortotto per Fabrica.\nCredits: \nPALAZZO MADAMA\nMuseo Civico d’arte antica, Torino.\non kind concession from \nFondazione Torino Musei.\nIt is forbidden to further reproduce \nor duplicate by any means.\nPALAZZO REALE\nThanks to Palazzo Reale and \nCaffetteria Reale Di Torino, \non kind concession \nfrom Ministero dei Beni e delle \nAttività Culturali e del Turismo, \nDirezione Regionale per i Beni \nculturali e paesaggistici \ndel Piemonte.\nThanks to \nTEATRO REGIO TORINO \nfor the cooperation.\nThe Manufacturer reserves the right to modify products and accessories at any time without prior notice.\nDie Firma behält sich vor, Produkte und Zubehöre unabhängig vom Zeitpunkt und ohne jede Voranmeldung zu ändern.\nL’azienda si riserva il diritto in qualunque momento di apportare senza preavviso modifiche a prodotti e accessori.\nL’entreprise se réserve de modifier les articles et les accessoires en chaque moment et sans préavis.\nL’azienda si dichiara disponibile a riconoscere eventuali diritti per il materiale iconografico di cui non sia stato possibile individuare la fonte.\nThe manufacturer declares to be available to recognize possible rights for iconographic material, whose origin was not possible to be traced back.\n286\n",288,{"image":1164,"text":1165,"number":1166},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.289.png","287\nGebrüder Thonet Vienna GmbH\nPrinz Eugen Straße 42 - 1040 Wien, (AT) \nwww.gebruederthonetvienna.com\nOffices of the trademarks’ licensee\nProduction Furniture International S.p.A.\nVia Foggia, 23\u002FH - 10152 Torino (TO) Italy\nPhone: 0039 011 0133330\ninfo@gebruederthonetvienna.com\n",289,{"image":1168,"text":1169,"number":1170},"\u002Fmedia\u002Fimages\u002Fad\u002Fcacb70723403bc45d0642accc5be29.290.png","288\nWhen printing on paper, the shades of the colours of various ma-\nterials cannot be faithfully reproduced. Therefore it must only be \nconsidered indicative and cannot constitute a reason for dispute \nor for the return of the product.\nBei Papierdruck können die Farbtöne der verschiedenen Ma-\nterialien nicht originalgetreu wiedergegeben werden. Bei den \nAbbildungen sind daher Abweichungen möglich, die kein Recht \nauf Beanstandungen oder Rückgabe des Produkts begründen.\nNella stampa su carta, la tonalità dei colori dei vari materiali non \npuò essere riprodotta fedelmente. Pertanto deve considerarsi \nindicativa e non potrà costituire motivo di contestazione o di resa \ndel prodotto. \nLors de l’impression sur papier, la tonalité des couleurs des dif-\nférents matériaux ne peut pas être parfaitement reproduite. Les \ncouleurs ne sont donc qu’indicatives et ne pourront pas constituer \nun motif de contestation ou de retour du produit. \nPrint: AGT s.r.l. 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