[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-foscarini-ambienti":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":482},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":477,"matched_pages":478,"match_count":479,"two_pages":480,"show_text":481},15376,"Ambienti","foscarini-ambienti","\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F8a\u002Fc859c5f17bb68b1296033219fca1b6-2854bc05ea.pdf","Foscarini",90,"foscarini","18.4 MB",[14,17,20,24,28,32,36,40,44,48,52,56,60,64,68,72,76,80,84,88,92,96,100,104,108,112,116,120,124,128,132,136,140,144,148,152,156,160,164,168,172,176,180,184,188,192,196,200,204,208,212,216,220,224,228,232,236,240,244,248,252,256,260,264,268,272,276,280,284,288,292,296,300,304,308,312,316,320,324,328,332,336,340,344,348,352,356,360,364,368,371,375,379,383,387,391,395,399,403,407,411,415,419,423,427,431,435,439,443,447,451,455,459,463,467,471,475],{"image":7,"text":15,"number":16},"",1,{"image":18,"text":15,"number":19},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.2.png",2,{"image":21,"text":22,"number":23},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.3.png","Ambienti\n003\n       —\nProgettare significa \nscegliere, e scegliere \nuna lampada significa \nmettere in scena \nla giusta luce. \nLe lampade Foscarini \nsono al servizio \ndi chi progetta, \nper aiutarlo a \ntradurre idee di luce \nin spazi “illuminati”.\n      — \nDesigning means \nchoosing, and \nchoosing a lamp \nmeans staging \nthe right light. \nFoscarini lamps \nare ready to help \ndesigners translate \nideas of light into \n“enlightened” spaces.\nAmbienti\n",3,{"image":25,"text":26,"number":27},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.4.png","Indice dei prodotti — Product index\nInfo tecniche — Technical info\np. 209\nIndice dei luoghi — Places index\n \nHotels — Hotels\n021 \nFairmont Pacifi c Rim \n \nHotel, Vancouver, \n \nCanada\n026 - 027\n \nHotel Intercontinental \n \nDavos, Davos Dorf, \n \nSwitzerland\n029 \nHotel Hilton South \n \nWharf, Melbourne, \n \nAustralia\n030 \nW Retreat & Spa, \n \nVieques Island, USA\n040 - 041\n \nHotel Holiday Inn Paris \n \nGare de l’Est, Paris, \n \nFrance\n049 \nHotel Adagio, Moscow,\n \nRussia\n052, 067\n \nHotel Mandarin \n \nOriental, Barcelona, \n \nSpain\n054 - 055\n \nAl Khan Resort, Sharjah,\n \nUAE\n056 \nGran Hotel Havana, \n \nBarcelona, Spain\n063 \nHotel La Monnaie Art &\n \nSpa, La Rochelle, France\n066 \nMotel One, Lounge \n \narea, Dresden, Germany\n069 \nThe Park Hotel, \n \nBangalore, India\n070 \nHipotels Barrosa Palace\n \n & Spa, Cádiz, Spain\n082- 083\n \nHotel Hipotels Said, \n \nMallorca, Spain \n091 \nBig Box hotel, Kempten,\n \nGermany\n122 \nStairwell, Hotel Ohla, \n \nBarcelona, Spain\n123 \nHotel Le Val Thorens, \n \nVal Thorens, France\n143 \nHotel Christopher’s, \n \nLondra, UK\n146 - 147\n \nDelta Hotel & Resort, \n \nToronto, Canada\n148 \nHotel Okko, Nantes, \n \nFrance\n178 - 179\n \nHotel Innside New York\n \nNoMad, NY, USA\n183, 204\n \nHotel Nira Montana,\n \nLa Thuile, Aosta, Italy\n202 \nHotel Hermitage, Luzern,\n \nSwitzerland\n \nBar e ristoranti — Bar \n \nand restaurants\n008 - 009\n \nTaizu Restaurant, \n \nTel Aviv, Israele\n018 \nMaze Restaurant, \n \nMelbourne, Australia\n024 \nLe Bombarde Restaurant, \n \nVenice, Arsenale, Italy\n031 \nPlantage cafe & restaurant, \n \nAmsterdam, NL\n035 \nQ Music Restaurant, \n \nAmsterdam, NL\n038 \nKokoro Restaurant, Rovigo, Italy\n039 \nArt Restaurant, Arte Fiera Art \n \nFirst, Bologna, Italy\n062 \nRestaurant Jumeirah at Etihad \n \nTowers Rosewater, \n \nAbu Dhabi, UAE\n064 - 065\n \nTea Room, Paris, France\n068 \nGaribaldi Italian Restaurant \n \nand Bar, Singapore\n086, 094\n \nRestaurant Eisfeld, Luzern, \n \nSwitzerland\n090, 092\n \nRestaurant Le Notre Paris, \n \nAmman, Jordan\n098 - 099\n \nGaijin Restaurant, Helsinki, \n \nFinland\n100, 104\n \nBar Decumanus Cafè, \n \nFirenze, Italy\n101 \nProbka Restaurant, \n \nMoscow, Russia\n102 - 103\n \nPier Zero bar, \n \nHelsinki airport, Finland\n119 \nRestaurant Le Bombarde \n \nArsenale, Venice, Italy\n130 - 139\n \nTopolopompo Restaurant, \n \nTel Aviv, Israel\n152 \nSutton Club, Barcelona, Spain\n153 \nRestaurant Le Bombarde \n \nArsenale, Venice, Italy\n154 - 155\n \nRestaurant F12 Stockholm,\n \nSweden\n164 - 165\n \nBar, La Biennale, Arsenale, \n \nVenice, Italy\n166 \nRestaurant Le Bombarde \n \nArsenale, Venice, Italy\n174 - 175\n \nA Riccione Bistrot, Milan, Italy\n190 \nRestaurant, Berlin, Germany\n193 \nRestaurant Cascina Langa, \n \nAlba, Italy\n194 - 195 \n \nRestaurant Don Café, Flughafen \n \nWien Schwechat,  Austria\n197 \nFour Seasons Restaurant, \n \nDuesseldorf, Germany\n203 \nItalian Bar La Farfalla, Belgium\n207 \nDa Guido Restaurant, Agenzia \n \ndi Pollenzo, Cuneo, Italy\n \nSpazi commerciali — Retail\n019 \nPringle of Scotland Store, \n \nShanghai, China\n 025 \nTalchà Shop, São Paulo, Brazil\n034 \nFood Shop Dinzler, \n \nIschenberg, Germany\n078 - 079\n \nMegion group, Business \n \nCenter Galleon, Voronezh, \n \nRussia\n081 \nSerli store, Trieste, Italy\n121 \nShowroom, A Coruña, Spain\n126 - 127\n \nMinotti Showroom, \n \nShanghai, China\n149, 172\n \nShowroom Seoul, Korea\n156 \nShowroom MVM, \n \nLuzern, Switzerland\n157 \nOttica Ximenes,\n \nBarcelona, Spain\n176 \nCesar - Flagship store, \n \nMilan, Italy\n182 \nShowroom, Seoul, Korea\n205 \nCarroll Store, Paris, France\n \nMusei e centri culturali — \n \nMuseums and cultural spaces\n022 - 023\n \nInternational Red Cross and\n \nRed Crescent Museum, \n \nGeneve, Switzerland\n048 \nLounge, Bookshop at \n \nArsenale, Venice, Italy\n053 \nThe Pavilion, Downtown \n \nDubai, Dubai, UAE\n108 - 115 \n \nMuseo Poldi Pezzoli, Terrazza\n \nPollaiolo, Caff etteria, Milan, \n \nItaly\n196 \nInstallation at Museum fur \n \nAngewandte Kunst, Frankfurt, \n \nGermany\n \nUffi  ci — Offi  ces\n020 \nPinnacle Tower, Amsterdam, NL\n050 - 051\n \nA W Experience showroom,\n \nSão Paulo, Brazil\n057, 074\n \nCBC HQ, Guatemala\n058 - 059\n \nBDO e CTAC HQ, \n \n's Hertogenbosch, NL\n093, 196 - 197\n \nOffi  ce Lobby Park 80 West, \n \nSaddle Brook, NJ, USA\n095 \nShaw Centre Singapore\n076 \nHP Norge offi  ce, Oslo, Norway\n088 - 089\n \nRabobank Offi  ce, NL\n116 \nMr.Wash, Düsseldorf, Germany\n118 - 120 \n \nEntrance hall Holman Fenwick\n \nWillan, London City, UK\n124 \nGroupe Ortec HQ, \n \nMarseille, France\n125 \nOffi  ce Matmut Assurances, \n \nRouen, France\n167 \nBusiness building outdoor, \n \nAntwerp, Belgium\n200 \nUni Flair Spa offi  ce, reception, \n \nPadua, Italy\n206 \nConference room,\n \nSidney, Australia\n \nAbitazioni — Private houses\n028 \nPrivate house, Seaside Villa, \n \nIzmir, Turkey\n046 - 047\n \nIpês House, São Paulo, Brazil\n071 \nCurved House, Springfi eld, \n \nMissouri, USA\n075 \nHouse, Laguna Beach, \n \nCalifornia, USA\n080 \nButterfl y House, \n \nSan Francisco, USA\n087 \nA House, Sofi a, Bulgaria\n105 \nP House, São Paulo, Brazil\n117 \nLoft, Chelsea NY, USA\n144 \nPrivate house, Duesseldorf, \n \nGermany\n158 \nPrivate house, Udine, Italy\n168 \nPrivate house stairwell,\n \nNew York, USA\n169 \nTransformation of an \n \napartment in Frankfurt, Germany\n187 \nPrivate house, Milan, Italy\n \nInstallazioni — Installations\n036 - 037\n \nCesar installation at Salone \n \ndel Mobile, Milan, Italy\n042 \nInstallation, Florence, Italy\n043 \nInstallation, CDW, London, UK\n077 \nInstallation, Biennale Bookshop \n \nat Arsenale, Venice, Italy\n140 - 141\n \nInstallation, Milan, Italy\n142 \nInstallation, London, UK\n145 \nInstallation, Biennale \n \nBookshop at Arsenale, \n \nVenice, Italy\n162 - 163\n \nOutdoor installation, \n \nLa Biennale, Arsenale, \n \nVenice, Italy\n173, 177\n \nInstallation, Koln, Germany\n184 - 185\n \nInstallation, Stockholm,\n \nSweden\n186 \nInstallation, The Armory \n \nShow, NY, USA\n191 \nOutdoor installation, \n \nLa Biennale, Giardini, \n \nVenice, Italy\n192 \nInstallation, Milan, Italy \n201 \nInstallation, Biennale \n \nBookshop at Arsenale, \n \nVenice, Italy\n004\n005\nAllegro\n+ Allegretto\nLe Soleil\nTwiggy\nCaboche\nBig Bang\nTress\nAplomb\nGregg\nPlass\nUto\nHavana  \nSpokes\nRituals\nMiscellaneous\n006\n032\n044\n060\n072\n084\n096\n106\n128\n150\n160\n170\n180\n188\n",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.5.png","007\nLampada a sospensione — Suspension lamp\n     La luce è danza e musica con Allegro \ne Allegretto, lampade nate dalla \nmagia del suono che diffondono lieve \ndalle loro aste metalliche se sfiorate. \nPossono esibirsi in un assolo, e ognuna \nsostenere la scena, o moltiplicarsi \nin serie, ed è un’orchestra di linee \nleggere, o comporsi liberamente \nnel loro repertorio di forme, colori e \ndimensioni. Comunque sia, animano \nl’ambiente di luce scintillante, \nproiezioni filiformi, vere e proprie \ncoreografie nello spazio.\n     Light becomes dance and music \nwith Allegro and Allegretto, lamps \ngenerated by the magic of sound \nthat softly spreads from their rods \nwhen touched. They take the stage as \nsoloists or ensembles, in a symphony \nof slender lines, or freely arranged in \ntheir range of forms, colours and sizes. \nIn any solution, they bring spaces alive \nwith their sparkling glow and thread-\nlike shadows, in captivating spatial \nchoreographies.\nAllegro + Allegretto\nAtelier Oi, 2007\n",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.6.png","Restaurant, \nTel Aviv, Israel\nAllegro + Allegretto\n009\nAmbienti\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.7.png","011\nRestaurant \nTel Aviv, Israel\nAllegro + Allegretto\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.8.png","013\nUn magistrale accostamento quello\nimmaginato per il concept restaurant\nTaizu, a Tel Aviv, firmato dall’architetto \nPitsou Kedem e condotto dallo chef Yuval \nBen Neria in una personale e raffinata \ninterpretazione dello street food del \nSudest asiatico. Qui Allegro accorda i \nsuoi registri con un Leitmotiv grafico – \nvenature stilizzate di foglie di banano \n– che “avvolge” i commensali e li nutre \nanche scenograficamente delle tradizioni \nculinarie cui il luogo è dedicato.\nA masterful combination, envisioned \nfor the Taizu concept restaurant in \nTel Aviv, designed by the architect \nPitsou Kedem and run by the chef \nYuval Ben Neria with a refined personal \ninterpretation of Southeast Asian street \nfood. Here Allegro gets in tune with a \ngraphic Leitmotiv – stylized banana \nleaf veins – that “wraps” diners to also \noffer visual nourishment, referencing the \nculinary traditions behind the venue.\nAllegro + Allegretto\n1\n2\n3\n4\n5\n6\n7\n8\n9\n10\n11\n12\n13\n14\n15\n16\nTaizu Restaurant\nTel Aviv → Israel\nDesign: Pitsou Kedem & Baranowitz – Amit Design Studio\nDesign team architects: Pitsou Kedem, Hila Sela, Irene Goldberg, \nSigal Baranowitz, Gali Amit\nLighting design: Orly Avron Alkabes\nPhotography: Amit Geron\nBanana leaf\ntexture\nStudio analitico — Case study\nBanana leaf\ninspiration\nAmbienti\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.9.png","015\nAllegro + Allegretto\nStudio analitico — Case study\nTaizu si compone di diversi ambienti\ne tutti parlano di Asia: dalla lounge area \nispirata alla convivialità istantanea del \ncibo di strada, alla chef room dalle pareti \nin blocchi di bamboo, alla sala principale, \nbaricentro più formale ma bilanciato dalla \npresenza dinamica del bar e dell’open \nkitchen che vi si affaccia, delimitata da \nalti pannelli pivotanti attraverso i quali \nAllegro riverbera col resto degli spazi.\nTaizu is composed of different \nspaces, all of which speak of Asia: from \nthe lounge area focused on the instant \nconviviality of street food, to the chef \nroom with walls in white bamboo blocks, \nand the main dining room, a more formal \ncentre of gravity, balanced by the \ndynamic bar and adjacent open kitchen \nbordered by tall pivoting panels, through \nwhich Allegro reverberates with the rest \nof the spaces.\nSection AA\nSection BB\nPlan ↗\n01 — Entrance\n02 — Outdoor seating area\n03 — Lounge\n04 — Dining hall\n05 — Bar\n06 — Chef room\n07 — Open kitchen\n08 — Restrooms\n09 — Kitchen\nTaizu Restaurant\nTel Aviv → Israel\nAmbienti\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.10.png","Studio analitico — Case study\n017\nAllegro + Allegretto\nBanana pattern\nwood pivots\nTaizu Restaurant\nTel Aviv → Israel\nAllegro è capace d’inusitati\naccoppiamenti – resi ancor più versatili\ndalla collezione “in scala minore”\nAllegretto – e può librarsi sullo sfondo \nneutro di un ambiente minimale, in un \ncontrappunto “assai ritmico e vivace”, \no entrare in risonanza (non c’è parola \npiù opportuna) con spazi, come questi,\n più inclini alle finezze della decorazione: \ncomunque arricchendoli di una \n“musicalità” che renderebbe un po’ \nmagico qualsiasi ambiente contract \ne non solo. \nAllegro is ready for unusual \ncombinations – made even more versatile\nby the Allegretto collection “in a minor\nkey” – and takes flight against the neutral \nbackdrop of a minimal setting, in a \nrhythmical and “vivace” counterpoint, \nor enters into resonance (no term could \nbe more apt) with spaces like these, with \na greater focus on decorative refinement: \nin any case, it enhances rooms with \nits musical character, making contract \nsettings and all other contexts a bit \nmore magical. \nBanana pattern\nwood pivots\nAmbienti\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.11.png","← Restaurant  \nMelbourne, Australia\nRetail\nShanghai, China\nAllegro + Allegretto\n019\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.12.png","Office \nAmsterdam, The Netherlands\nHotel →\nVancouver, Canada\nAllegro + Allegretto\n021\nAmbienti\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.13.png","023\nMuseum\nGenève, Switzerland\nAllegro + Allegretto\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.14.png","← Restaurant\nVenice, Italy\nRetail\nSão Paulo, Brazil \nAllegro + Allegretto\n025\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.15.png","027\nRestaurant\nDavos, Switzerland\nAllegro + Allegretto\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.16.png","Private house\nIzmir, Turkey\nHotel →\nMelbourne, Australia\nAllegro + Allegretto\n029\nAmbienti\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.17.png","← Hotel\nVieques Island, USA\nRestaurant\nAmsterdam, The Netherlands\n031\nAllegro + Allegretto\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.18.png","033\nLampada a sospensione — Suspension lamp\n     Un astro luminoso avvolto da \nbande schermanti che tracciano orbite \nirregolarmente sovrapposte e dosano \nla luce: diretta verso il basso a \nilluminare decisa le superfici, riflessa \nlungo i bordi a diffondersi morbida \nnell’ambiente. È un corpo celeste – \no meglio bianco, rosso e acquamarina \n– che solitario attrae come l’epicentro \ndi un sistema solare, e moltiplicato in \ncostellazioni o in ordinati allineamenti \ncrea secondo il colore spazi eterei e \nraffinati, intensi, giocosi, comunque \nsorprendenti.\n     A luminous star wrapped by \nsheltering strips that form irregular \noverlapping orbits to control the flow \nof light: directly downward, for vivid \nlighting of surfaces, and reflected along \nthe edges to spread softly in space. \nA heavenly body – in white, red and \naquamarine – with the magnetism \nof the solitary centre of a solar system, \nor can be multiplied in constellations \nor orderly alignments, creating ethereal \nand refined, intense and playful, always \nsurprising spaces, depending on the \ncolour.\nLe Soleil\nVicente Garcia Jimenez, 2009\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.19.png","Retail\nIschenberg, Germany\nRestaurant →\nAmsterdam, The Netherlands\nLe Soleil\n035\nAmbienti\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.20.png","037\nInstallation\nMilan, Italy\nLe Soleil\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.21.png","← Restaurant\nRovigo, Italy\nRestaurant\nBologna, Italy\nLe Soleil\n039\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.22.png","041\nHotel\nParis, France\nLe Soleil\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.23.png","Installation\nFlorence, Italy\nInstallation →\nLondon, UK\n043\nLe Soleil\nAmbienti\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.24.png","045\nLampada da terra, sospensione e soffitto —\nFloor, suspension and ceiling lamp\n     Una compagnia garbata e colta, \nintrisa di sapere e di ricerca che con \nnaturalezza non ostenta, diretta e \npuntuale come la luce che emana \nmentre curiosamente ci osserva, \nelegantemente ricurva, da dietro \nle spalle. Anche da sola, Twiggy \npuò risolvere uno spazio, che vuole \ngeneroso, regalando humour e \nanimandolo con la sua presenza \nesile e flessibile, ma importante, \ndi un’elegante sottigliezza di stile. \nInsieme ad altre può essere una festa, \nanche di colori.\n     A tactful, erudite companion, versed \nin knowledge and research without \ndisplaying it, direct and punctual like \nthe light she emits while curiously \nobserving us, elegantly poised behind \nour backs. Even on her own, Twiggy can \nresolve a space, hopefully a generous \none, bringing good cheer and vivacity \nwith her slender, flexible yet forceful \npresence, with an elegant subtlety \nof style. Together with others, it’s \na party – also of colours.\nTwiggy\nMarc Sadler, 2006\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.25.png","Twiggy\n047\nPrivate house\nSão Paulo, Brazil\n",25,{"image":113,"text":114,"number":115},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.26.png","049\n← Lounge\nVenice, Italy\nHotel\nMoscow, Russia\nTwiggy\n",26,{"image":117,"text":118,"number":119},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.27.png","Twiggy\n051\nOffice\nSão Paulo, Brazil\n",27,{"image":121,"text":122,"number":123},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.28.png","053\nHotel\nBarcelona, Spain\nMuseum →\nDubai, UAE\nTwiggy\nAmbienti\n",28,{"image":125,"text":126,"number":127},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.29.png","Twiggy\n055\nHotel\nSharjah, UAE\n",29,{"image":129,"text":130,"number":131},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.30.png","057\n← Hotel\nBarcelona, Spain\nOffice\nGuatemala\nTwiggy\n",30,{"image":133,"text":134,"number":135},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.31.png","059\nTwiggy\nOffice\ns’Hertogenbosch, The Netherlands\n",31,{"image":137,"text":138,"number":139},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.32.png","061\nLampada da sospensione, parete e soffitto —\nSuspension, wall and ceiling lamp\n     Caboche infonde una sofisticata \ned elegante effervescenza allo spazio, \nmoltiplicandolo in un caleidoscopio \ndi luci e immagini riflesse nelle sue \nsfere trasparenti o giallo oro. Sotto la \nluce diffusa da uno schermo di vetro \nsoffiato satinato bianco, queste ne \nfanno un oggetto prezioso che rimanda \na fasti classici, ma attualizzato nella \nforma e nelle proporzioni da renderlo \nestremamente versatile, un accessorio \nd’epoca fuori scala, un “gioiello” \nutilizzabile anche con dovuta ironia.\n     Caboche brings sophisticated \nand elegant effervescence to space, \nmultiplying it in a kaleidoscope of lights \nand images reflected in its transparent \nor golden yellow spheres. Under the \nlight diffused by a white satin-finish \nblown glass screen, the spheres make it \na precious object that suggests classic \nsplendour, but updated in terms of form \nand proportions to achieve extreme \nversatility. An off-scale period piece, \na “jewel” that can also be used with \nappropriate irony.\nCaboche\nPatricia Urquiola con Eliana Gerotto, 2005\n",32,{"image":141,"text":142,"number":143},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.33.png","063\nRestaurant\nAbu Dhabi, UAE\nHotel →\nLa Rochelle, France\nCaboche\nAmbienti\n",33,{"image":145,"text":146,"number":147},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.34.png","065\nBar\nParis, France\nCaboche\n",34,{"image":149,"text":150,"number":151},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.35.png","067\n← Hotel\nDresden, Germany\nHotel\nBarcelona, Spain\nCaboche\n",35,{"image":153,"text":154,"number":155},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.36.png","069\n← Restaurant\nSingapore\nHotel\nBangalore, India\nCaboche\n",36,{"image":157,"text":158,"number":159},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.37.png","Hotel\nCádiz, Spain\nPrivate house →\nSpringfield, Missouri, USA\n071\nCaboche\nAmbienti\n",37,{"image":161,"text":162,"number":163},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.38.png","073\nLampada a sospensione — Suspension lamp\n     I mille piani di una controllata \ndeflagrazione della forma, la loro \napparente casualità, la luminosità \ndiffusa in chiaroscuro e senza abbagli \ne una luce ben diretta verso il basso \nsu “bersagli” ad hoc, danno a Big Bang \nun carattere esuberante e insieme \ncapace di eleganti equilibri. In verticale \nsu grandi altezze è uno spettacolo \ndi geometrie, in libere composizioni \nnello spazio è una nuvola astratta che \nregala agli ambienti in cui è immersa \ninaspettati gradi di libertà.\n     The thousand plateaus of a \ncontrolled explosion of form, their \napparent random arrangement, \nthe diffuse chiaroscuro glow, without \nglare, a light directed downward \nto particular “targets”, give Big Bang \nan exuberant character that is also \ncapable of achieving an elegant \nbalance. Placed vertically at great \nheights, it is a geometric spectacle, \nwhile in free compositions in space \nit becomes an abstract cloud that \ngrants unexpected degrees of freedom \nto spaces. \nBig Bang\nEnrico Franzolini con Vicente Garcia Jimenez, 2005\n",38,{"image":165,"text":166,"number":167},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.39.png","075\n← Office\nGuatemala\nHouse\nLaguna Beach, CA, USA\nBig Bang\n",39,{"image":169,"text":170,"number":171},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.40.png","Office\nOslo, Norway\nInstallation →\nVenice, Italy\n077\nBig Bang\nAmbienti\n",40,{"image":173,"text":174,"number":175},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.41.png","Big Bang\nOffice\nVoronezh, Russia\n079\n",41,{"image":177,"text":178,"number":179},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.42.png","081\nBig Bang\nPrivate house\nSan Francisco, USA\nRetail →\nTrieste, Italy\nAmbienti\n",42,{"image":181,"text":182,"number":183},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.43.png","Big Bang\nHotel\nMallorca, Spain\n083\n",43,{"image":185,"text":186,"number":187},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.44.png","085\nLampada a sospensione — Suspension lamp\n     Nata da un’appassionata ricerca \nsui materiali compositi, è un nido di \nluce fatto di trame e intrecci che sono \nstruttura e decoro insieme, e che \nproducono seducenti giochi luminosi: \nombre e bagliori diffusi da maglie di \nfibra di vetro laccato e luce diretta \ndalle estremità. Un’intera famiglia di \nlampade che vivono con versatilità in \nspazi ampi o raccolti e, anche quando \nspente, li tessono e li ridisegnano \nscandendo le diverse aree con piccoli e \ngrandi totem contemporanei.\n     The result of intense research on \ncomposite materials, a nest of light \nmade of weaves and braids that \nare both structure and decoration, \nproducing seductive luminous effects: \nshadows and glows spread by lacquered \nfiberglass mesh, with direct light at the \nextremities. An entire family of versatile \nlamps for large or small spaces. \nEven when they are off, they bring \ntexture and character to rooms, \ndefining different areas with small \nand large contemporary totems.\nTress\nMarc Sadler, 2008\n",44,{"image":189,"text":190,"number":191},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.45.png","← Restaurant\nLuzern, Switzerland\nHouse\nSofia, Bulgaria\n087\nTress\n",45,{"image":193,"text":194,"number":195},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.46.png","089\nTress\nOffice\nThe Netherlands\n",46,{"image":197,"text":198,"number":199},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.47.png","← Restaurant\nAmmam, Jordan\nHotel\nKempten, Germany\nTress\n091\n",47,{"image":201,"text":202,"number":203},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.48.png","Tress\n093\nRestaurant\nAmmam, Jordan\nOffice →\nSaddle Brook, New Jersey, USA\nAmbienti\n",48,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.49.png","Restaurant\nLuzern, Switzerland\nOffice →\nSingapore\nTress\n095\nAmbienti\n",49,{"image":209,"text":210,"number":211},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.50.png","097\nLampada a sospensione — Suspension lamp\n     Talvolta l’eureka di un progetto \npassa per una semplice punteggiatura \ndello spazio, purché condotta con \nequilibrio e una certa disinvoltura. \nCome dire: con aplomb. E così questa \nlampada: un filo (a piombo) e un peso, \nun cono di luce diretta, protetta da \nuna piccola architettura brut, fatta di \nun levigato cemento speciale. Un salto \ndi scala che dà ritmo allo spazio con \ninserti liberi e puntuali, traducendo \nlinguaggi e materiali inattesi in nuove e \nleggere arie metropolitane.\n     Sometimes the “eureka moment” \nof a project is triggered by a simple \npunctuation of space, if it happens with \nbalance, and a certain nonchalance. \nWith aplomb, so to speak. As in this \nlamp, for example: a cable (a plumb \nline) and a weight, a cone of direct \nlight, protected by a small work of \nbrut architecture made of special \npolished cement. A leap of scale that \nadds rhythm to the space with free, \npunctual inserts, translating unexpected \nmaterials and languages into new, \nlight metropolitan arias.\nAplomb\nLucidi e Pevere, 2010\n",50,{"image":213,"text":214,"number":215},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.51.png","Aplomb\nRestaurant\nHelsinki, Finland\n099\n",51,{"image":217,"text":218,"number":219},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.52.png","Aplomb\n0101\n101\n← Bar\nFirenze, Italy\nRestaurant\nMoscow, Russia \n",52,{"image":221,"text":222,"number":223},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.53.png","Aplomb\nBar\nHelsinki airport, Finland\n103\n",53,{"image":225,"text":226,"number":227},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.54.png","105\nAplomb\nBar\nFlorence, Italy \nPrivate house →\nSão Paulo, Brazil\nAmbienti\n",54,{"image":229,"text":230,"number":231},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.55.png","107\nLampada a sospensione, outdoor, terra e parete — Suspension,\noutdoor, floor and wall lamp\n     Asimmetrica, dai raccordi eleganti, \nmutevole col punto di vista, Gregg \nè un oggetto universale. Gioca con \nle geometrie ineffabili della natura, \ncol sapere del vetro soffiato, con \nrimandi alla cultura più alta, ma fugge \nle catalogazioni, i codici stilistici, il \nprevisto e il predisposto. Sa stare da \nsola, ma dà il meglio in compagnia, \ndiffondendo la sua luce calda con \ninsiemi enigmatici ma familiari, capaci \ndi dialogo con qualsiasi ambiente: \nqualsiasi davvero, perché può inserirsi \novunque.\n     Asymmetrical, with elegant joints, \nchanging depending on the vantage \npoint, Gregg is a universal object. \nIt plays with the ineffable geometries \nof nature, the know-how of blown glass, \nwith references to the highest culture, \nwhile eluding categories, stylistic codes, \npredictability. It enjoys independence, \nbut prefers company, spreading its \nwarm light in enigmatic but familiar \nensembles, ready for dialogue with any \nenvironment: truly any space, because \nit is at home everywhere.\nGregg\nLudovica e Roberto Palomba, 2007\n",55,{"image":233,"text":234,"number":235},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.56.png","Gregg\nMuseum\nMilan, Italy\n109\n",56,{"image":237,"text":238,"number":239},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.57.png","Museum\nMilan, Italy\nGregg\n111\nAmbienti\n",57,{"image":241,"text":242,"number":243},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.58.png","113\nLa Terrazza Pollaiolo risponde a una\nprecisa esigenza del Museo Poldi Pezzoli,\nche si aggiorna a luogo d’incontro e di\nconfortevole permanenza oltre che di \nsofisticato sapere. Ma è anche un colto \ninserimento in una raffinata casa-museo \nottocentesca: ovvero, un “salotto”, né \ninterno né esterno (o meglio entrambe \nle cose) che, come un passage, omaggia \nla modernità storica e la attualizza nel \nlinguaggio e nella tecnologia. \nThe Pollaiolo Terrace meets a\nprecise need of the Poldi Pezzoli Museum, \nas a gathering place of leisurely comfort \nas well as sophisticated knowledge. \nIt is also an erudite insertion in a refined \n19th-century house-museum: a “parlour”, \nneither inside or outside (or perhaps both), \nthat like a passage pays tribute to the \nmodernity of history, updating it in terms \nof language and technology. \nGregg\nStudio analitico — Case study\nTerrace\nexternal view\nRitratto \ndi giovane dama,\nAntonio del Pollaiolo \n(1472)\nPoldi Pezzoli Museum\nTerrazza Pollaiolo, Caffetteria\nMilan → Italy\nProject by: Luca Rolla e Alberto Bertini architects\nProject team: Anna Fuselli\nPhotography: Luca Rolla e Alberto Bertini (interiors), \nGianmarco Corradi (outdoor)\nAmbienti\nTerrace\nexternal view\n",58,{"image":245,"text":246,"number":247},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.59.png","115\nStudio analitico — Case study\nLuogo di sosta per il corpo \ne il pensiero lungo un denso percorso\nmuseale, la terrazza conserva col suo\ninvolucro vetrato il carattere di spazio\naperto. Uno spazio trasparente che \nsi offre a molteplici usi, con colori e \nmateriali discreti, inondato di luce diurna \ned esposto al cielo notturno: valore che \nun altro “cielo stellato” ben sottolinea, \nuna costellazione di lampade Gregg \nche riflesse nelle vetrate raddoppiano \nabilmente lo spazio, e sospese lo \nilluminano con scenari mutevoli, \ngiocosi e colti. \nA relaxing place for the body\nand mind along an intense museum\nitinerary, with its glass enclosure the \nterrace conserves the character of open \nspace. A transparent space that lends \nitself to multiple uses, with discreet \ncolours and materials, flooded with \ndaylight or open to the night sky: a virtue \nunderscored by another “starry sky”, \na constellation of Gregg lamps, reflected \nin the windows, nimbly doubling the space \nand lighting it, suspended, with mutable, \nplayful, refined scenarios.\nSection 1\nSection 3\nSection 2\nInternal view ↗\nPoldi Pezzoli Museum\nMilan → Italy\nGregg\nplayful, ref\ne in\ni ed scenar\nAmbienti\n",59,{"image":249,"text":250,"number":251},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.60.png","117\nGregg\n← Retail\nDüsseldorf Germany\nPrivate House\nNew York, USA\n",60,{"image":253,"text":254,"number":255},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.61.png","Gregg\n119\nEntrance hall\nLondon City, UK\nRestaurant →\nVenice, Italy \nAmbienti\n",61,{"image":257,"text":258,"number":259},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.62.png","121\nGregg\n← Entrance hall\nLondon City, UK\nOffice\nA Coruña, Spain\n",62,{"image":261,"text":262,"number":263},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.63.png","Hotel\nBarcelona, Spain\nHotel →\nVal Thorens, France\nGregg\n123\nAmbienti\n",63,{"image":265,"text":266,"number":267},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.64.png","125\nGregg\n← Office\nMarseille, France\nOffice\nFrance \n",64,{"image":269,"text":270,"number":271},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.65.png","Retail\nShanghai, China\nGregg\n127\nAmbienti\n",65,{"image":273,"text":274,"number":275},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.66.png","129\nLampada a sospensione — Suspension lamp\n     Omaggio alla tradizione delle perle \ndi vetro muranesi, questo grande \nsferoide è un salto concettuale, \nmateriale, percettivo che lega \nmemoria e creatività sperimentale. \nDallo stampaggio rotazionale del \npolicarbonato nasce la sua superficie \nsingolare, volutamente “imperfetta”, \nche vibra di luce dall’interno. Da \nspenta esalta i suoi colori, da accesa \nli stempera in una luminosità liquida, \nquasi lagunare. Predilige spazi ampi, \ncui sa infondere presenza e leggerezza \ninsieme. \n     A tribute to the tradition of glass \npearls made in Murano, this large \nspheroid is a conceptual, material \nand perceptive leap that links \nmemory and experimental creativity. \nThe rotomoulding of polycarbonate \ngenerates its singular, intentionally \n“imperfect” surface that vibrates with \nlight from the inside. When it is off, its \ncolours gain definition; when it is on, \nthey wane in liquid, almost lagoon-like \nluminosity. Plass likes ample spaces in \nwhich to spread presence and lightness \nat the same time. \nPlass\nLuca Nichetto, 2011\n",66,{"image":277,"text":278,"number":279},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.67.png","Plass\n131\nRestaurant \nTel Aviv, Israel\n \n",67,{"image":281,"text":282,"number":283},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.68.png","Restaurant \nTel Aviv, Israel\n \nPlass\n 133\nAmbienti\n",68,{"image":285,"text":286,"number":287},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.69.png","135\nÈ un ristorante-paesaggio, radicato\nin simbologie primordiali ma tradotte\ncon una ricca sensibilità contemporanea. \nFatto di pietra lavica e legno di bamboo, \nd’allegorie di mitologici draghi sotto \nforma di volute tessili avvolgenti, \nd’invenzioni come una parete di \ntradizionali recipienti per la cottura al \nvapore: tutto parla di fuoco, calore ed \nenergia naturale in questo ristorante dallo \nspazio stratificato. \nA restaurant-landscape, rooted in\nprimordial symbolism but translated with\nlush, contemporary sensibilities. Made \nof lava and bamboo, allegories of mythical \ndragons in the form of enveloping textile \ncoils, inventions like a wall of traditional \nvessels for steam cooking: everything \nspeaks of fire, heat, natural energy, \nin this restaurant in a stratified space. \nPlass\nStudio analitico — Case study\n↑ Sketch idea\nTopolopompo Restaurant\nTel Aviv → Israel\nTopolopompo Fire Kitchen\nProject by: Baranowitz Kronenberg Architecture, Tel Aviv, Israel\nClient\u002FManufacturer: Avi Conforti, Yael Arenstein-Uri, Anat Laufer, Tel Aviv, Israel\nPhotography: Amit Geron\nAmbienti\n",69,{"image":289,"text":290,"number":291},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.70.png","137\nUn classico paesaggio orientale è\nlo scenario cui si ispira il progetto: valli\nfertili, terrazze a risaia, rilievi e picchi\nmontuosi sono la matrice dello spazio \ninterno, dove le geometrie dei volumi \ns’intersecano accordandosi con le diverse \nfunzioni. Le sale aperte, una cucina a \nvista, l’area bar, una lounge si susseguono \nfluide su pendii e dislivelli, e generano \npercorsi fisici e visivi e diverse forme \ndi socializzazione tra gli ospiti. \nThe scenario behind the design is a\nclassic oriental landscape: fertile valleys,\nterraced rice paddies, hills and mountain\npeaks form the matrix of the interior, \nwhere the geometric volumes intersect, in \ntune with the various functions. The open \ndining rooms, the visible kitchen, the bar \narea and a lounge form a fluid sequence \non slopes and staggered levels, generating \nphysical and visual paths, and different \nforms of socializing among the guests. \nPlass\nStudio analitico — Case study\n↑ Gallery and main \nfloor plan\n← Gallery and main \nfloor plan\nTopolopompo Restaurant\nTel Aviv → Israel\nAmbienti\n",70,{"image":293,"text":294,"number":295},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.71.png","139\nLa luce è cruciale in quest’interno\nvibrante, richiama magie notturne\npuntiformi e la delicatezza soffusa delle\ntradizionali lanterne asiatiche. Così fonti \nluminose disseminate come “lucciole” \nilluminano un lungo tavolo lineare ben \ndisposto a vivaci convivi, mentre Plass \nentra elegantemente in scena sui più \nraccolti tavoli centrali, dando loro un \nsenso di speciale intimità con la luce \ndiretta sui piani, e arricchendo lo spazio \ndi riflessi diffusi e altre trasparenze.\nLight is crucial in this vibrant interior,\nevoking punctiform nocturnal magic,\nthe hazy delicacy of traditional Asian\nlanterns. Light sources scattered like \nfireflies brighten a long linear table ready \nto welcome lively conversations, while \nPlass makes an elegant entrance over \nthe cosier central tables, granting them \na sense of special intimacy with direct \nlight on their surfaces, while enhancing \nthe space with cast reflections and other \ntransparencies.\nPlass\nStudio analitico — Case study\nBar area →\n↑ Entrance\nTopolopompo Restaurant\nTel Aviv → Israel\nAmbienti\n",71,{"image":297,"text":298,"number":299},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.72.png","Plass\n141\nInstallation\nMilan, Italy\n",72,{"image":301,"text":302,"number":303},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.73.png","← Installation\nLondon, UK\nHotel\nLondon, UK\nPlass\n143\n",73,{"image":305,"text":306,"number":307},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.74.png","Plass\n145\nPrivate house\nDuesseldorf, Germany\nInstallation →\nVenice, Italy\nAmbienti\n",74,{"image":309,"text":310,"number":311},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.75.png","Plass\n147\nHotel\nToronto, Canada\n",75,{"image":313,"text":314,"number":315},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.76.png","Plass\n149\nHotel\nFrance \nRetail →\nSeoul, Korea \nAmbienti\n",76,{"image":317,"text":318,"number":319},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.77.png","151\nLampada a sospensione — Suspension lamp\n     Con Uto la luce si fa gioco: un gioco \nubiquo, mobile, trasferibile, colorato, \nmorbido e sempre disponibile alle \nvariazioni del momento. È flessibilità \nfatta lampada: la gomma siliconica \ndel suo corpo con il lungo filo che \nl’accompagna le permette di avvicinarci \novunque, insinuandosi morbida nello \nspazio tra le cose, producendosi in \nludiche circonvoluzioni, ma anche in \nverticali compostezze. Comunque sia, \nUto disegna forme nello spazio con \nduttilità, declinando gioco e misura \ninsieme.\n     With Uto, light becomes play: \na game of ubiquity, mobile, movable, \ncolourful, soft and always adaptable \nto the variations of the moment. \nIt is flexibility in the form of a lamp: \nthe silicone rubber of its body with the \nlong wire that accompanies it lets \nthe lamp go anywhere, softly winding \nits way between things, playfully \ntwisting, yet always with the proper \nvertical composure. In any case, Uto \ndraws ductile forms in space, combining \nplayfulness and a sense of measure.\nUto\nLagranja Design, 2005\n",77,{"image":321,"text":322,"number":323},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.78.png","Club\nBarcelona, Spain\nRestaurant → \nVenice, Italy \nUto\n153\nAmbienti\n",78,{"image":325,"text":326,"number":327},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.79.png","Uto\nRestaurant \nStockholm, Sweden\n",79,{"image":329,"text":330,"number":331},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.80.png","Uto\n157\n← Retail\nLuzern, Switzerland\nRetail \nBarcelona, Spain\n",80,{"image":333,"text":334,"number":335},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.81.png","Private house\nUdine, Italy  \nPrivate house → \nUdine, Italy \nUto\n159\nAmbienti\n",81,{"image":337,"text":338,"number":339},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.82.png","161\nLampada da terra e sospensione — Floor and suspension lamp\n     Un corpo affusolato che emana \nuna luce calda e diffusa, un involucro \nelegante di polietilene satinato che \nnon s’inserisce solo nello spazio, ma lo \ncrea: ne definisce i contorni, identifica \nle aree, segna i percorsi con freschezza \ndisciplinata, a terra presidia l’ambiente \ncon sicurezza e sospeso nell’aria \nviaggia leggero come un aerostato. \nUna forma evocativa che sa dare del \ntu all’architettura, anche quella del \nMoMA di New York, dove fa parte della \ncollezione permanente di design.\n     A tapered body that emits warm, \ndiffuse lighting. An elegant satin-finish \npolyethylene wrapper that does not \njust insert itself in space, but creates \nit: defining its contours, identifying \nareas, marking paths with rigorous \nfreshness. On the floor, it presides \nover the environment with confidence. \nSuspended in the air, it floats lightly, \nlike an airship. An evocative form on \na first-name basis with architecture, \neven that of the MoMA in New York, \nwhere it is part of the permanent \ndesign collection.\nHavana\nJozeph Forakis, 1993\u002F2005\n",82,{"image":341,"text":342,"number":343},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.83.png","Installation\nVenice, Italy\nInstallation →\nVenice, Italy\nHavana\n163\nAmbienti\n",83,{"image":345,"text":346,"number":347},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.84.png","Bar \nVenice, Italy\n165\nHavana\n",84,{"image":349,"text":350,"number":351},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.85.png","167\n← Restaurant\nVenice, Italy\nOffice\nAntwerp, Belgium\nHavana\n",85,{"image":353,"text":354,"number":355},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.86.png","Private house\nNY, USA\nPrivate house →\nFrankfurt, Germany\nHavana\n169\nAmbienti\n",86,{"image":357,"text":358,"number":359},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.87.png","171\n     Una ruota di bicicletta è il suo ready-\nmade “rettificato”, i suoi raggi ricurvi in \ntondino metallico formano un volume \nleggero che vela appena lo spazio, e \nne preserva la continuità con diafane \nsovrapposizioni. Spokes è una presenza \neterea che regala efflorescenze di luce. \nMa anche di ombre, grazie ai due LED \nche custodisce come una voliera: uno, \ninfatti, è rivolto verso il basso per una \nfunzionale luce diretta; l’altro proietta \ndecori volatili, e anima l’ambiente come \nuna lanterna magica. \n     A bicycle wheel and its “rectified” \nready-made. The curved spokes in metal \nrod form a light volume that barely \nveils space, preserving its continuity \nwith diaphanous overlays. Spokes \nis an ethereal presence that brings \nefflorescence of light. But also shadow, \nthanks to the two LEDs it protects, as \nin a birdcage: one points downward \nfor functional direct lighting; the other \ncasts airborne decorative patterns, \nbringing space alive like a magic \nlantern. \nSpokes\n",87,{"image":361,"text":362,"number":363},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.88.png","Retail\nSeoul, Korea\nInstallation →\nKoln, Germany\nSpokes\n173\nAmbienti\n",88,{"image":365,"text":366,"number":367},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.89.png","175\nRestaurant\nMilan, Italy\nSpokes\n",89,{"image":369,"text":370,"number":10},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.90.png","177\nSpokes\n← Retail\nMilan, Italy\nInstallation \nKoln, Germany\n",{"image":372,"text":373,"number":374},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.91.png","Hotel\nNew York, USA\nHotel →\nNew York, USA\nSpokes\nAmbienti\n179\n",91,{"image":376,"text":377,"number":378},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.92.png","181\n     Applicare fattori culturali compositi \na un progetto industriale porta sempre \nqualcosa di nuovo, e Rituals fa parte \ndel nuovo così inteso: ispirata alle \ntradizionali lanterne orientali, ne \ninterpreta le qualità sensoriali in \nun raffinato processo produttivo, \nottenendo diffusori di vetro dalla \ntexture speciale che emanano una luce \ndi tattile ritualità. Una famiglia di figure \ndiverse per forma, misure e disposizioni \nd’uso, ma aggregabili in singolarità \nmultiformi, che diffondono calme e \nintime atmosfere.\n     The application of composite \ncultural factors to an industrial \nproject always leads to something \nnew. And Rituals is part of that novelty: \nbased on traditional oriental lanterns, \nit interprets their sensory qualities in \na refined production process, obtaining \nglass diffusers with a special texture \nto emit a light of tactile ritual character. \nA family of figures differing in form, \nsize and arrangement for use, ready for \ngrouping in polymorphic individualities, \nto spread a calm, intimate atmosphere.\nRituals\n",92,{"image":380,"text":381,"number":382},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.93.png","183\nRituals\n← Retail\nSeoul, Korea\nHotel\nLa Thuile, Italy\n",93,{"image":384,"text":385,"number":386},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.94.png","185\nInstallation\nStockholm, Sweden\nRituals\n",94,{"image":388,"text":389,"number":390},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.95.png","Installation\nNY, USA\nPrivate house →\nMilan, Italy\nRituals\n187\nAmbienti\n",95,{"image":392,"text":393,"number":394},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.96.png","189\n     Ogni lampada Foscarini nasce da \nun gesto d’autore, ed è portatrice di \nun preciso temperamento. Ne risulta \nun catalogo di oggetti dalla forte \npersonalità, emancipati da un’unica \nmatrice stilistica, ma capaci anche \ndi dialogare tra loro apertamente \nsenza perdere smalto. Per questo \nle lampade Foscarini si propongono \ncome strumenti versatili e in grado di \nrispondere, sotto la libera regia del \nprogettista, a idee e valori diversi dello \nspazio, ma sempre facendo di ogni \nambiente un’emozione di luce.\n     Every Foscarini lamp comes from \nthe gesture of an author, conveying \na precise temperament. The result \nis a catalogue of objects with strong \npersonalities, freed from a single \nstylistic matrix, but capable of \nestablishing an open dialogue with \neach other, losing none of their original \nverve. This makes Foscarini lamps \nversatile tools to achieve – under the \nfree aegis of the designer – different \nideas and values of space, always \nfilling it with the emotion of light.\nMiscellaneous\n",96,{"image":396,"text":397,"number":398},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.97.png","O-Space\nRestaurant\nBerlin, Germany\nSolar outdoor\nInstallation →\nVenice, Italy\nMiscellaneous \n191\nAmbienti\n",97,{"image":400,"text":401,"number":402},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.98.png","193\nMiscellaneous \n← Fields, Tress\nInstallation \nMilan, Italy\nSupernova\nRestaurant \nAlba, Italy\n \n",98,{"image":404,"text":405,"number":406},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.99.png","195\nTite, Behive\nRestaurant\nFlughafen Wien Schwechat, Austria\nMiscellaneous \n",99,{"image":408,"text":409,"number":410},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.100.png","Tropico\nMuseum\nFrankfurt, Germany\nChouchin →\nRestaurant\nDuesseldorf, Germany\nMiscellaneous \n197\nAmbienti\n",100,{"image":412,"text":413,"number":414},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.101.png","199\nMiscellaneous \nFields\nOffice \nSaddle Brook, New Jersey, USA\n",101,{"image":416,"text":417,"number":418},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.102.png","Lumiere\nOffice\nPadua, Italy\nTuareg  →\nInstallation\nVenice, Italy\nMiscellaneous \n201\nAmbienti\n",102,{"image":420,"text":421,"number":422},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.103.png","203\nMiscellaneous \n← Tite\nHotel\nLuzern, Switzerland\nChouchin\nBar\nBelgium\n",103,{"image":424,"text":425,"number":426},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.104.png","Birdie\nHotel\nLa Thuile, Italy\nChouchin →\nRetail\nParis, France\nMiscellaneous \n205\nAmbienti\n",104,{"image":428,"text":429,"number":430},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.105.png","207\nMiscellaneous \n← Lumiere\nOffice\nSidney, Australia\nTite\nRestaurant\nCuneo, Italy\n",105,{"image":432,"text":433,"number":434},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.106.png","208\n209\nAllegro Assai\nØ 136 × h 136 cm\nØ 53 1\u002F2” × h 53 1\u002F2” \nAllegro Vivace\nØ 64 × h 98 cm\nØ 25 3\u002F16” × h 38 9\u002F16”\nAllegro Ritmico\nØ 75 × h 81 cm\nØ 29 1\u002F2” × h 12 3\u002F8\" 7\u002F8”\nAlluminio verniciato \ne metallo cromato.\nVarnished aluminium \nand metal.\nLED 220\u002F240V: 63W 3000°K \n5000 Im\nLED 120V: 51W 3000°K \n4266 lm\nLED included and dimmable\nEnergy class A+\n220\u002F240V: halo 1×100W E27\n+ halo 1×230W R7s  \n120V: halo 1×75W E26\n+ halo 1×200W RSC\nEnergy class C\n (halo)\nLED\nAllegretto Assai\nØ 76 × h 87 cm\nØ 29 7\u002F8\" × h 34 3\u002F32\"\nAllegretto Vivace\nØ 50 × h 70 cm\nØ 19 7\u002F8” × h 27 13\u002F32” \nAllegretto Ritmico\nØ 51 × h 58 cm\nØ 20 1\u002F8\" × h 22 11\u002F16\"\nAlluminio verniciato \ne metallo cromato.\nVarnished aluminium \nand metal.\n220\u002F240V: LED retrofi t\u002Ffl uo \n2×12W E27, halo 2×100W E27\n120V: LED retrofi t\u002Ffl uo \n2×12W E26, halo 2×75W E26\nEnergy class A, C\nLED\nretrofi t\nØ 62 × h 43 cm\nØ 24 7\u002F32” × h 17”\nPolicarbonato stampato \nad iniezione e metallo \nverniciato.\nInjection moulded \npolycarbonate and coated \nmetal.\n220\u002F240V: halo 3×60W G9 \n+ halo 1×75W GU10,\nfl uo 1×42W GX24q-4\n120V: halo 3×75W G9 \n+ halo 1×75W GU10,\nfl uo 1×42W GX24q-4\nEnergy class A+, A, C\n (halo)\nl 170 \u002F 200 × h 195\u002F280 cm\nl 67” \u002F 79” × h 85” \u002F 110”\nMateriale composito \nsu base di fi bra \ndi vetro laccato, PMMA, \npolicarbonato, metallo \nverniciato e alluminio (LED).\nCoated fi breglassbased \ncomposite material, PMMA, \npolycarbonate, varnished \nmetal and aluminium (LED).\nLED 220\u002F240V\u002F120V: 33W \n3000° K 2920 lm included\nEnergy class A+\n220\u002F240V: halo 3×77W E27\n120V: halo 3×100W E26\nEnergy class C\nDimmer incluso\nDimmer included\n (halo)\nLED\nAllegro\nAtelier Oï, 2007\n→ p. 006 - 031\nAllegretto\nAtelier Oï, 2009\n→ p. 008, 010 - 011, 020, \n025, 026 - 027, 028\nLe Soleil\nVicente Garcia\nJimenez, 2009\n→ p. 032 - 043\nTwiggy\nMarc Sadler, 2006\n→ p. 044 - 059\nIndice alfabetico — Alphabetical index\n006 Allegro\n008\n009\n010\n018\n021\n022\n024\n028\n030\n031\n019 Allegretto\n025\n027\n028\n029\n098 Aplomb susp\n100\n101\n102\n104\n105\n195 \nBehive table\n074 Big Bang susp.\n075\n076\n077\n078\n080\n081\n082\n204 Birdie wall - table\n069 Caboche ceiling\n070\n062 Caboche susp.\n063\n064\n066\n068\n071\n067 Caboche wall\n197 \nChouchin\n203\n205 Chouchin reverse\n207\n192 \nFields\n198\n090 Gregg fl oor\n104\n108 Gregg susp.\n110\n111\n116\n117\n118\n120\n123\n124\n125\n122 \nGregg wall\n121 \nGregg outdoor fl oor\n119 \nGregg outdoor susp.\n167 \nHavana susp.\n168\n169\n162 \nHavana outdoor fl oor\n163\n164\n166 Havana outdoor susp.\n200 Lumiere\n206\n034 Le Soleil susp.\n035\n036\n038\n039\n040\n042\n043\n190 O-Space\n130 Plass grande\n132\n133\n140\n142\n144\n145\n146\n148\n143 Plass media\n149\n206\n182 \nRituals susp.\n183\n184\n185\n187\n186 Rituals XL susp.\n183 \nRituals table\n185\n191 \nSolar outdoor\n170 \nSpokes\n171\n172\n173\n174\n175\n176\n177\n178\n179\n193 \nSupernova\n194 Tite\n202\n207\n094 Tress fl oor\n190\n086 Tress susp.\n087\n088\n090\n091\n092\n093\n095\n196 Tropico\n201 Tuareg \n046 Twiggy fl oor\n048\n052\n053\n054\n056\n057\n058\n050 Twiggy ceiling\n049 Twiggy susp.\n152 \nUto \n153\n154\n156\n157\n158\n159\nAmbienti\n",106,{"image":436,"text":437,"number":438},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.107.png","211\n210\nAmbienti\nTwiggy soffitto\nMarc Sadler, 2007\n→ p. 050\nCaboche sospensione\nPatricia Urquiola con\nEliana Gerotto, 2005\n→ p. 060 - 071\nCaboche parete\nPatricia Urquiola con\nEliana Gerotto, 2006\n→ p. 063\nCaboche soffitto\nPatricia Urquiola con\nEliana Gerotto, 2006\n→ p. 069, 070\nBig Bang\nEnrico Franzolini con Vicente \nGarcia Jimenez, 2005\n→ p. 072 - 083\nTress terra\nMarc Sadler, 2008\n→ p. 094, 192\nTress grande\nMarc Sadler,2009\n→ p. 086, 088, 091, 092\nTress media + piccola\nMarc Sadler, 2009\n→ p. 087, 090, 091,\n093, 095\nØ 46 × p 170\u002F180 × h 29 \nØ 18 1\u002F8” × d 67\u002F71” h 11 7\u002F16”\nMateriale composito su base \ndi fi bra di vetro verniciato, \npolicarbonato, PMMA e \nmetallo verniciato.\nCompound material on \nlaquered glass fi bre base, \nPMMA and laquered metal.\n220\u002F240V: LED retrofi t\u002Ffl uo \n3×20W E27, halo 3×77W E27\n120V: LED retrofi t\u002Ffl uo \n3×20W E26\nhalo 3×100W E26\nEnergy class A+, A, B, C\nDimmer incluso\nDimmer included\nCaboche grande:\nØ 70 × h 28 cm\nØ 29 1\u002F2\" × h 11\"\nCaboche media: \nØ 50 × h 20 cm\nØ 19 3\u002F4\" × h 7 7\u002F8\"\nPolimetilmetacrilato, vetro \nsoffi  ato, metallo cromato \ne alluminio (LED).\nPMMA, blown glass, chromed \nmetal and aluminium (LED).\nCaboche grande\n220\u002F240V: \nLED included and dimmable\n46W 3000°K 4330 lm\n120V: \nLED included and dimmable\n54W 3000°K, 5051 lm\nEnergy class A+\n220\u002F240V: halo 1×230W R7s\n120V: halo 1×200W RSC\nEnergy class C\nCaboche media\nLED included and dimmable \n35W 3000°K 3062 lm\nEnergy class A+\n220 \u002F 240V: halo 1×160W R7s\n120V: halo 1×150W RSC\nEnergy class C\n (halo)\nLED\nCaboche media\n50 × h 24,5\n19 3\u002F4” × h 7 3\u002F5”\nCaboche piccola \n31 × h 18 cm\n12 1\u002F5” × h 7 3\u002F5”\nPolimetilmetacrilato, vetro \nsoffi  ato e metallo cromato.\nPMMA, blown glass and \nchromed metal.\n220\u002F240V: halo 1×120 R7s\n120V: halo 1×100W RSC\nEnergy class C\n  \n50 × h 19 cm\n19 3\u002F4\" × h 7 1\u002F2\"\nPolimetilmetacrilato, vetro \nsoffi  ato e metallo cromato.\nPMMA, blown glass and \nchromed metal.\n220\u002F240V: halo 1×120 R7s \n120V: halo 1×100W RSC\nEnergy class C\n \nBig Bang\nl 96 × h 66 cm\nl 37 3\u002F4” × h 23 2\u002F3”\nBig Bang XL \nl 192 × h 132 cm\nl 75 1\u002F6” × h 51 3\u002F32”\nMetacrilato e alluminio \nverniciato.\nMethacrylate and coated \naluminium.\nBig Bang \nLED included and dimmable \n37,7 W 3000° K 3260 lm \nEnergy class A+\n220\u002F240V: halo 1×160W R7c,\nfl uo 1×26W GX24q-3\n120V: halo 1×200W RSC,\nfl uo 1×26W GX24q-3\nEnergy class A+, A, C\nBig Bang XL \n220\u002F240V: halo 1×160W R7s\n120V: halo 1×200W RSC\nEnergy class C\n (halo)\nLED\nTress grande\nl 25 × h 195 cm\nl 9 27\u002F32’’ × h 76 25\u002F32’’\nMateriale composito \nsu base di fi bra di vetro \nlaccato, metallo verniciato \ne alluminio.\nCompound material \non lacquered fi bre base, \nvarnished metal and \naluminium.\nTress grande\n220\u002F240V: \nLED included\n56W 3000° K, 3721 lm\n120V: LED included\n46,4W 3000° K , 3193 lm\nEnergy class A+\n220\u002F240V: halo 1×100W E27 \n+ halo 1×230W R7s \n120V: halo 1×50W E26 \n+ halo 1×200W RSC\nEnergy class C\nDimmer incluso, doppia \naccensione — Dimmer \nincluded, double switch\n (halo)\nLED\nTress grande\nØ 48 × h 41 cm\nØ 19 1\u002F16’’ × h 15 15\u002F16’’\nMateriale composito su base \ndi fi bra di vetro verniciato \ne metallo cromato.\nCoated fi breglass-based \ncomposite material, chromed \nmetasl and aluminium.\nTress grande\nLED included and dimmable  \n35W 3000° K 3062 lm \nEnergy class A+\n220 \u002F 240V: halo 1×160W R7s \n120V: halo 1×200W RSC \nEnergy class C\n (halo)\nLED\nTress media\nØ 24 × h 110 cm\nØ 9 7\u002F16’’ × h 45 5\u002F16’’\nTress piccola\nØ 23 × h 61 cm\nØ 9 7\u002F32’’ × h 24 1\u002F32’’\nMateriale composito su base \ndi fi bra di vetro verniciato e \nmetallo cromato.\nCoated fi breglass based \ncomposite material and \nchromed metal.\nTress media \u002F piccola\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×12W E27\nhalo 1×100W E27\n120V: LED retrofi t\u002Ffl uo 1×26W \nE26 + halo 1×75W E26\nEnergy class A+, A, B, C\n  \nLED\nretrofi t\n",107,{"image":440,"text":441,"number":442},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.108.png","213\n212\nAmbienti\nGregg terra\nL+R Palomba, 2007\n→ p. 123\nAplomb\nPaolo Lucidi \ne Luca Pevere, 2010\n→ p. 096 -105\nGregg tavolo\nL+R Palomba, 2007\n→ p. 121\nGregg parete\nL+R Palomba, 2007\n→ p. 122, 123\nGregg outdoor terra\nL+R Palomba, 2011\n→ p. 121\nGregg outdoor\nsospensione\nL+R Palomba, 2011\n→ p. 119\nGregg sospensione\nL+R Palomba, 2007\n→ p. 106 - 125\nPlass grande\nLuca Nichetto, 2011\n→ p. 128 - 149\nGregg grande\nl 47 × p 40 × h 185 cm\nl 18 1\u002F2’’ × d 15 3\u002F4’’ \n× h 72 53\u002F64’’\nGregg media\nl 31 × p 25 × h 168 cm\nl 12 3\u002F16’’ × d 10 1\u002F4 ’’ \n× h 66 1\u002F2’’\nVetro soffi  ato acidato \ne metallo verniciato.\nBlown acid-etched glass \nand coated metal.\n220 \u002F 240V: halo 1×205W E27 \n120V:  halo 1×150W E26 \nEnergy class C\nDimmer incluso\nDimmer included\nØ 17 × h 40 cm\nØ 6 1\u002F2’’ × h 16’’\nCemento e alluminio.\nConcrete and aluminium.\n220\u002F240V: LED retrofi t 1×8W \nhalo 1×60W G9\n120V: LED retrofi t 1×9W \nhalo 1×60W G9\nEnergy class A+, A, C\n (GU10)\nLED\nretrofi t\nGregg grande\nl 47 × p 40 × h 40 cm\nl 18 1\u002F2’’ × d 15 3\u002F4’’ × h 15 3\u002F4’’\nGregg media\nl 31 × p 26 × h 26 cm\nl 12 3\u002F16’’ × d 10 1\u002F4’’ × h 10 1\u002F4’’’\nGregg piccola\nl 13 × p 11 × h 11 cm\nl 5 1\u002F8’’ × d 4 5\u002F16’’ × h 4 5\u002F16’’\nVetro soffi  ato acidato \ne metallo verniciato.\nBlown acid-etched glass \nand coated metal.\nGregg grande\n220 \u002F 240V: LED retrofi t\u002Ffl uo \n1×25W E27, halo 1×205W E27\n120V: LED retrofi t\u002Ffl uo \n1×25W E26, halo 1×150W E26\nGregg media\n220 \u002F 240V: LED retrofi t\u002Ffl uo \n1×20W E27, halo 1×150W E27\n120V: LED retrofi t\u002Ffl uo \n1×20W E26, halo 1×100W E26 \nGregg piccola\n220 \u002F 240V: halo 1×20W G9\n120V: halo 1×25W G9\nEnergy class A+, A, B, C\nDimmer incluso\nDimmer included\n (grande \u002F media)\nLED\nretrofi t\nGregg media\n27 × p 31 × h 26 cm\n10 5\u002F8\" × 10 1\u002F4\" × h 12 3 \u002F16\"\nGregg piccola\n12 × p 13 × h 11 cm\n4 3\u002F4\" × h 5 1\u002F8\" × h 4 5\u002F16\"\nVetro soffi  ato satinato \ne metallo verniciato.\nBlown acid-etched glass \nand coated metal. \nGregg media \n220\u002F240V: LED retrofi t\u002Ffl uo \n1×25W E27, halo 1×150W E27\n120V: LED retrofi t\u002Ffl uo \n1×26W E26\nGregg piccola\n220\u002F240V: halo 1×20W E27\n120V: halo 1×25 G9\nGregg XL\n59 × p 51 × h 51 cm\n23 1\u002F2\" × d 20\" × h 20\"\nGregg grande \n47 × p 40 × h 40 cm\n18 1\u002F2\" × 15 3\u002F4\" × h 15 3\u002F4\"\nGregg media\n31 × p 27 × h 27 cm\n12 3\u002F16\" × d 10 1\u002F2\" × h 10 1\u002F2\"\nPolietilene stampato in \nrotazionale e metallo \nverniciato.\nRotational moulded \npolyethylene and coated \nmetal.\nGregg XL - grande\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×25W E27 \n120V: LED retrofi t\u002Ffl uo \n1×26W E26\nGregg media\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×15W E27  \n120V: LED retrofi t\u002Ffl uo \n1×15W E26\nSuitable for wet locations\nGregg XL\n53 × d 60 × h 50 cm\n23 7\u002F16” × d 23 7\u002F16” × \nh 19 3\u002F4”\nGregg grande \n41 × p 46 × h 39 cm\n18 5\u002F16” × d 16 5\u002F16” × \nh 15 7\u002F16”\nGregg media \n26 × p 31 × h 26 cm\n12 1\u002F8 × d 10 5\u002F16”x h 10 1\u002F4” \nPolietilene stampato in \nrotazionale e metallo \nverniciato.\nRotational moulded \npolyethylene and coated \nmetal.\nGregg XL - grande \n220\u002F240V: LED retrofi t\u002Ffl uo \n1×25W E27\n120: LED Retrofi t\u002Ffl uo \n1×26W E26\nGregg media \n220\u002F240V: LED retrofi t\u002Ffl uo \n1×15W E27\n120V: LED retrofi t\u002Ffl uo 1×15W \nE26\nSuitable for wet locations\nGregg grande\nl 47 × p 40 × h 40 cm\nl 18 1\u002F2’’ × d 15 7\u002F8’’ × h 15 3\u002F4’’\nGregg media\nl 31 × p 26 × h 26 cm\nl 12 3\u002F8’’ × d 10 1\u002F4’’ × h 10 1\u002F4’’’\nGregg piccola\nl 13 × p 11 × h 11 cm\nl 5 1\u002F8’’ × d 4 5\u002F16’’ × h 4 5\u002F16’’\nVetro soffi  ato acidato.\nBlown acid-etched glass.\nGregg grande\n220 \u002F 240V: halo 1×205W E27\nLED retrofi t\u002Ffl uo 1×30W E27\n120V: halo 1×150W E26\nLED retrofi t\u002Ffl uo 1×36W E26\nEnergy class A+, A, B, C\nGregg media\n220 \u002F 240V: halo 1×150W E27\nLED retrofi t\u002Ffl uo 1×25W E27\n120V: halo 1×100W E26\nLED retrofi t\u002Ffl uo 1×26W E26\nEnergy class A+, A, B, C\nGregg piccola\n220 \u002F 240V: halo 1×33W G9\n120V: halo 1×40W G9\nEnergy class C\n (grande \u002F media)\nLED\nretrofi t\nØ 75 × h 115 cm\nØ 29 1\u002F2” × h 45”\nPolicarbonato stampato \nin rotazionale e acciaio.\nRotational moulded \npolycarbonate and steel.\nLED included 30W 3000°K \n2500 lm + 1×12W E27\u002FE26 \nPAR 30\nEnergy class A+, A\n220\u002F240V: \nhalo 6×60W G9 + 1×100W E27\n120V: halo 6×60W G9 \n+ 1×100W E26\nEnergy class C\n220\u002F240V: halo 6×60W G9 \n+ 1×100W E27\n120V: halo 6×60W G9 \n+ 1×100W E26\nEnergy class C\nLED\n",108,{"image":444,"text":445,"number":446},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.109.png","215\n214\nAmbienti\nPlass media\nLuca Nichetto, 2015\n→ p. 144, 148\nUto\nLagranja Design, 2005\n→ p. 150 - 159\nLumiere\nRodolfo Dordoni, 1990\n→ p. 200, 206\nHavana terra\nJozeph Forakis, 1993\n→ p. 160 - 169\nØ 34 × h 50 cm \nØ 13 1\u002F4” × h 19 1\u002F2”\nPolicarbonato stampato \nin rotazionale e acciaio.\nRotational moulded \npolycarbonate and steel.\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×20W E27 + 1×8W GU10\nhalo 1×116W E27 \n120V: LED retrofi t\u002Ffl uo \n1×26W E26 + 1×8W GU10\nhalo 1×100W E26 \n+ 1×50W GU10 \nEnergy class A+, A, B, C\nØ 20 × h 64 cm\nØ 7 7\u002F8’’ × h 23 5\u002F8’’\nElastomero termoplastico \ne policarbonato.\nThermoplastic elastomer \nand polycarbonate.\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×15W E27 \n120V: LED retrofi t\u002Ffl uo \n1×13W E26\nEnergy class A+, A\nSuitable for damp locations\nLED\nretrofi t\nLumiere grande\nØ 26 × h 45 cm\nØ 10 1\u002F4” × h 17 3\u002F4”\nLumiere piccola\nØ 20 × h 35 cm\nØ 7 7\u002F8” × 13 3\u002F4”\nVetro soffi  ato e alluminio \nlucido verniciato.\nBlown glass and polished \nor varnished aluminium.\nLumiere grande\n220\u002F240V: halo 2x48W G9\n120V: halo 2×40W G9\nLumiere piccola\n220\u002F240V:halo 1×40W G9\n120V: halo 1×40W G9\n (piccola)\nØ 23 × h 172 cm\nØ 9 1\u002F16’’ × h 66 7\u002F8’’\nPolietilene stampato \nad iniezione e metallo \nverniciato o cromato.\nInjection moulded \npolyethylene and coated \nor chromed metal.\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×25W E27\nhalo 1×116W E27\n120V: LED retrofi t\u002Ffl uo \n1×26W E26\nhalo 1×150W E26\nEnergy class A+, A, B, C\nLED\nretrofi t\nHavana sospensione\nJozeph Forakis, 1993\n→ p. 167, 168, 169\nØ 23 × h 130 cm\nØ 9 1\u002F16’’ × h 51 1\u002F8’’\nPolietilene stampato \nad iniezione e metallo \nverniciato.\nInjection moulded \npolyethylene and coated \nmetal.\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×25W E27\nhalo 1×105W E27\n120V: LED retrofi t\u002Ffl uo \n1×26W E26\ninc 1×100W E26\nEnergy class A+, A, B, C\nLED\nretrofi t\nHavana outdoor terra\nJozeph Forakis, 2005\n→ p. 162, 163, 164 - 165\nHavana outdoor sospensione\nJozeph Forakis, 2005\n→ p. 166\nØ 23 × h 170\u002F143 cm\nØ 9 1\u002F16’’ × h 67” \u002F 56 1\u002F2”\nPolietilene stampato \nin rotazionale e metallo \nverniciato.\nRotational moulded \npolyethylene and coated \nmetal.\n220\u002F240V: halo 1×46W E27,\nLED retrofi t\u002Ffl uo 1×15W E27\n120V: LED retrofi t\u002Ffl uo \n1×13W E26 \ninc 1×60W E26\nEnergy class A+, A, B, C\nSuitable for wet locations\nLED\nretrofi t\nØ 23 × h 130 cm\nØ 9 1\u002F16’’ × h 51 1\u002F8”\nPolietilene stampato \nin rotazionale e metallo \nverniciato.\nRotational moulded \npolyethylene and \ncoated metal.\n220\u002F240V: halo 1×46W E27,\nfl uo 1×15W E27\n120V: LED retrofi t\u002Ffl uo \n1×13W E26 \ninc 1×60W E26\nEnergy class A+, A, B, C\nSuitable for wet locations\nLED\nretrofi t\nChouchin\nIonna Vautrin, 2011\n→ p. 197, 203, 205\nChouchin 1\nØ 40 × h 31 cm\nØ 15 7\u002F8’’ × h 12 3\u002F8’’\nChouchin 2\nØ 22 × h 43 cm\nØ 8 7\u002F8’’ × h 17’’\nChouchin 3\nØ 30 × h 25 cm\nØ 12’’ × h 9 7\u002F8’’\nVetro soffi  ato verniciato.\nLacquered blown glass.\nChouchin 1 - 2 - 3\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×25W E27\nhalo 1×100W E27 PAR 30\nhalo 1×150W E27\n120V: LED retrofi t\u002Ffl uo \n1×26W E26\nhalo 1×75W E26 PAR 30\nhalo 1×150W E26\nEnergy class A+, A, B, C\nLED\nretrofi t\n",109,{"image":448,"text":449,"number":450},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.110.png","217\n216\nAmbienti\nBehive\nWerner Aisslinger, 2011\n→ p. 195\nSpokes\nGarcia Cumini, 2015\n→ p. 170 - 179\nRituals sospensione\nL+R Palomba, 2013\n→ p. 180 - 187\nRituals tavolo\nL+R Palomba, 2013\n→ p. 183, 184 - 185\nØ 39,5 × h 40 cm\nØ 15 1\u002F2’’ × h 15 3\u002F4’’\nABS masterizzato, \npolicarbonato e \nmetallo verniciato.\nBatch-dyed ABS, \npolycarbonate \nand coated metal.\n220\u002F240V: halo 1×150W E27\n120V: halo 1×150W E26\nEnergy class C\nDimmer incluso\nDimmer included\nSpokes 1\nØ 32,5 × h 71 cm\nØ 12 3\u002F4’’ × h 28’’\nSpokes 2\nØ 52 × h 52,5 cm\nØ 20 1\u002F2’’ × h 20 5\u002F8’’\nAlluminio e acciaio verniciati.\nVarnished steel and \naluminium.\nLED included and dimmable \n38,5W 2700°K 2780 lm\nEnergy class A\nLED\nRituals 1\nl 24 × h 34 cm\nl 9 5\u002F8’’ × h 13 1\u002F2”\nRituals 2\nl 34 × h 19 cm\nl 13 3\u002F8’’ × h 7 3\u002F8”\nRituals 3\nl 19 × h 21 cm\nl 7 1\u002F2’’ × h 8 1\u002F8”\nVetro soffi  ato satinato inciso \ne metallo verniciato.\nBlown engraved satin glass \nand laquered metal.\nRituals 1 - 2 - 3\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×15W E27, halo 1×70W E27,\nhalo 1×60W G9\n120V: LED retrofi t\u002Ffl uo \n1×15 E26, halo 1×60W E26,\nhalo 1×60W G9\nEnergy class A+, A, B, C\n (G9)\nLED\nretrofi t\nRituals 1 \nØ 24 × H 40 cm\nØ 9 1\u002F2” × h 15 3\u002F4\"\nRituals 2\nØ 34 × h 25 cm\nØ 13 1\u002F4” × h 10\"\nRituals 3\nØ 20 × h 27 cm\nØ 8” × 10 1\u002F2”\nVetro soffi  ato satinato inciso \ne metallo verniciato.\nBlown engraved satin glass \nand coated metal.\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×15W E27,\nhalo 1×105W E27,\nhalo 1×60W G9 (con dimmer)\n120V: LED retrofi t\u002Ffl uo \n1×15W E26,\nhalo 1×100W E26,\nhalo 1×40W G9 (with dimmer)\n  — \n (G9)\nTuareg\nFerruccio Laviani, 2013\n→ p. 201 \n112 × p 78 × h 209 cm\n44 1\u002F8\" × 30 45\u002F64\" × h 82 \n9\u002F32\"\nAlluminio verniciato \ne policarbonato.\nVarnished aluminium \nand polycarbonate.\n220\u002F240\u002F120V: \nLED included and dimmable \n54W 3000°K, 4050 lm\nBirdie terra\nL+R Palomba, 2011\n→ p. 204\nBirdie parete\nL+R Palomba, 2012\n→ p. 204\nØ 17 × p 24 × h 20 cm\nØ 6 3\u002F4” × 9 1\u002F2” × h 16 3\u002F4”\nPolicarbonato, acciaio \ne metallo verniciato.\nPolycarbonate, coated steel \nand metal.\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×25W E27\n120V: LED retrofi t\u002Ffl uo \n1×20W E26\nhalo 1×60W E26\nBirdie touch dimmer \n220\u002F240V: halo 1×70W E27\nEnergy class A+, A, B, C\nØ 30 × h 150 cm\nØ 11 3\u002F4” × h 59”\nPolicarbonato, acciaio e \nmetallo verniciati.\nPolycarbonate, coated steel \nand metal.\nBirdie lettura on-off \n220\u002F240V: LED retrofi t\u002Ffl uo \n1×25W E27\nhalo 1×150W E27\nBirdie lettura touch dimmer\n220\u002F240V: halo 1×150W E27\n120V: halo 1×150W E26\nEnergy class A+, A, B, C\nBirdie tavolo\nL+R Palomba, 2012\n→ p. 204\nØ 25 × h 70 cm\nØ 9 7\u002F8” × h 11 1\u002F2”\nBirdie piccola\nØ 17 × 49 cm\nØ6 3\u002F4” × h 19 1\u002F4”\nPolicarbonato, acciaio e \nmetallo verniciati.\nPolycarbonate, varnished \nsteel and metal.\nBirdie grande on-off \n220\u002F240V: LED retrofi t\u002Ffl uo \n1×25W E27\nhalo 1×150W E27\n120V: LED retrofi t\u002Ffl uo \n1×26W E26\nhalo 1×150W E26\nBirdie grande touch dimmer\n220\u002F240V: halo 1×150W E27\n120V: halo 1×150W E26\nEnergy class A+, A, B, C\nBirdie piccola on\u002Foff \n220\u002F240V: LED retrofi t\u002Ffl uo \n1×20W E27\nhalo 1×70W E27\n120V: LED retrofi t\u002Ffl uo \n1×20W E26\nhalo 1×70W E26\nBirdie piccola touch dimmer\n220\u002F240V: halo 1×70W E27\n120V: halo 1×70W E26\nEnergy class A+, A, B, C\n",110,{"image":452,"text":453,"number":454},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.111.png","219\n218\nAmbienti\nRituals XL sospensione\nL+R Palomba, 2015\n→ p. 186\nFields\nVicente Garcia \nJimenez, 2007\n→ p. 192, 198\nSupernova\nFerruccio Laviani, 2000\n→ p. 193\nO-Space\nLuca Nichetto e \nGianpietro Gai, 2003\n→ p. 190\nTropico\nGiulio Iacchetti, 2008\n→ p. 196\nTite\nMarc Sadler, 2000\n→ p. 194, 202, 207\nSolar outdoor\nJean Marie Massaud, 2011\n→ p. 191\nl 40 × h 41 cm\nl 15 15\u002F16’’ × h 15 3\u002F4”\nVetro soffi  ato satinato inciso \ne metallo verniciato.\nBlown engraved satin glass \nand laquered metal.\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×25W E27, halo 1×150W E27\n120V: LED retrofi t\u002Ffl uo \n1×26 E26, halo 1×100W E26\nEnergy class A+, A, B, C\nLED\nretrofi t\nFields 1\nl 170 × p 9 × h 15 cm\nl 66 15\u002F16’’ × d 3 1\u002F2’’ × h 5 7\u002F8’’\nFields\nl 178 × p 24 × h 95 cm\nl 70’’ × d 9 1\u002F2’’ × h 37 3\u002F8’’\nMetacrilato, alluminio \nverniciato e policarbonato.\nMethacrylate, coated \naluminium and polycarbonate.\nFields 1\n220\u002F240\u002F120V: fl uo 1×80W G5\nEnergy class A+, A\nFields\n220\u002F240\u002F120V: fl uo 1×80W G5 \n+ 1×54W G5 + 1×39W G5\nEnergy class A+, A\n \n (Fields 1)\nSupernova\nØ 50 × p 57 × h 60 cm\nØ 19 3\u002F4” × d 22 1\u002F2” \n× h 23 3\u002F4”\nSupernova XL\nØ 75 × p 86 × h 90 cm\nØ 33 3\u002F32” × d 33 3\u002F32” \n× h 35 3\u002F64”\nAlluminio verniciato.\nLacquered aluminium.\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×23W E27,\n120V: LED retrofi t\u002Ffl uo \n1×20W E26,\ninc 1×100W E26\nEnergy class A+, A, B, C\nLED\nretrofi t\nl 56 × p 43 × h 29 cm\nl 22’’ × d 17’’ × h 11 3\u002F8’’\nPoliuretano espanso e \nmetallo cromato.\nExpanded polyurethane \nand chrome metal.\n220\u002F240V: halo 1×120W R7s\n120V: halo 1×150W RSC\nEnergy class C\nTropico Vertical\nØ 30 × h 144 cm\nØ 11 5\u002F6’’ × h 56 11\u002F16’’\nTropico Sphera\nØ 60 × h 56 cm\nØ 23 3\u002F4’’ × h 22’’\nPolicarbonato stampato a \niniezione e metallo cromato.\nInjection moulded \npolycarbonate and chromed \nmetal.\nTropico Vertical\n220\u002F240V: fl uo 1×40W 2G11\n120V: fl uo 1×36W 2G11\nEnergy class A+, A\nTropico Sphera\n220\u002F240V\u002F120V: \nfl uo 1×42W GX24q-4\nEnergy class A+, A\nTite 1\nØ 21 × h 115 cm\nØ 8 1\u002F4’’ × h 45 1\u002F4’’\nTite 2\nØ 21 × h 55 cm\nØ 8 1\u002F4’’ × h 21 3\u002F4’’\nTessuto di vetro, fi bra di \ncarbonio e acciaio nichelato.\nFiber glass fabric with \ncarbonium thread and \nnickel-plated steel.\n220\u002F240V: halo 1×116W E27,\nLED retrofi t\u002Ffl uo 1×25W E27\n120V: LED retrofi t\u002Ffl uo \n1×26W E26,\ninc 1×100W E26\nEnergy class A+, A, B, C\nLED\nretrofi t\nØ 80 × h 26\u002F38 cm\nØ 31 3\u002F8’’ × h 10 1\u002F4’’ - 14 3\u002F4’’\nPolietilene stampato \na rotazione, gres \ne metallo verniciato.\nRotational moulded \npolyethylene, porcelaine \nstoneware top shelf.\n220\u002F240V: LED retrofi t\u002Ffl uo \n1×25W E27\n120V: LED retrofi t\u002Ffl uo \n1×26W E26\nEnergy class A+, A\nSuitable for wet locations\nInclinabile fi no a 15°. \nReclinable up to 15°.\nLED\nretrofi t\n15°\n",111,{"image":456,"text":457,"number":458},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.112.png","220\nAppendice — Appendix\nA proposito dei luoghi — About the places\nAllegro + Allegretto\nTaizu Restaurant, \nTel Aviv, Israel\nDesign: Pitsou Kedem \n& Baranowitz - Amit \nDesign Studio\nDesign team architects: \nPitsou Kedem, Hila Sela, \nIrene Goldberg, Sigal \nBaranowitz, Gali Amit\nLighting design: Orly \nAvron Alkabes\nPhotography: Amit Geron\n→ p. 008, 009, 013\nMaze Restaurant, \nMelbourne, Australia\nPhotography: Marcel Aucar\nCourtesy Space Furniture\n→ p. 018\nPringle of Scotland Store, \nShanghai, China\nInterior design project \nby: Atelier Oï\n© Courtesy Pringle \nof Scotland\n→ p. 019\nPinnacle Tower, \nAmsterdam, NL\nInterior design: Tank \nInterior Design Amsterdam\nLighting design: Studio Brink\nPhotography: Teo Krijgsman\nCourtesy Brink Light\n→ p. 020\nFairmont Pacifi c Rim Hotel, \nVancouver, Canada\nPhotography: Heather Merenda\nCourtesy Lightform\n→ p. 021\nInternational Red Cross \nand Red Crescent Museum,\nGenève, Switzerland\nProject: Atelier Oï\nPhotography: © MICR \nphoto Alain Germond\n→ p. 022, 023\nLe Bombarde Restaurant, \nVenice, Arsenale, Italy\nPhotography: \nAlessandro Paderni\n→ p. 024\nTalchà Shop, São Paulo, Brazil\nArchitecture: studio mk27 \n- Marcio Kogan + Luciana \nAntunes + Diana Radomysler\nPhotography: Rômulo Fialdini\n→ p. 025\nHotel Intercontinental Davos, \nDavos Dorf, Switzerland\nProject: Architect Oikios \u002F \nBaulink\nInterior design: Living Design \nDetailed design: CM Design\nLighting design: Licht01 \n→ p. 026, 027\nPrivate house, Seaside Villa, \nIzmir, Turkey\nProject and interior \ndesign: IM Lab\nPhotography: IM Lab \nand See4real\n→ p. 028\nHotel Hilton South Wharf, \nMelbourne, Australia\nProject: Joint Venture \nArchitects Woods Bagot \nand NH Architecture\nPhotography: Trevor Mein\nCourtesy Space Furniture\n→ p. 029\nW Retreat & Spa, \nVieques Island, USA\nProject: Patricia Urquiola\nPhotography: Ruy Teixeira \n→ p. 030\nPlantage cafe & restaurant, \nAmsterdam, The Netherlands\nProject: Studio Linse\nPhotography: Ewout Huibers\nCourtesy Mobilia\n→ p. 031\nLe Soleil\nFood Shop Dinzler, \nIschenberg, Germany\n→ p. 034\nQ Music Restaurant, \nAmsterdam, The Netherlands\nPhotography: Product Margje\n→ p. 035\nCesar installation at Salone \ndel Mobile, Milan, Italy\nProject: Garcia Cumini \nCourtesy Stand Cesar - \nEurocucina 2014\n→ p. 036, 037\nKokoro Restaurant, \nRovigo, Italy\nProject: Nicola Azzi Architect\nPhotography: Fancy Grafi ca\n→ p. 038\nArt Restaurant, Arte Fiera \nArt First, Bologna, Italy\nPhotography: Immaginopoli\n→ p. 039\nHotel Holiday Inn Paris \nGare de l’Est, Paris, France\nProject: entirely redesigned \nby Axel Schoenert \nArchitectes and \nZsofi a Varnagy\nPhotography: © Luc Boegly \nCourtesy AS architects\n→ p. 040, 041\nInstallation, Florence, Italy\nCourtesy Marini Pandolfi \n→ p. 042\nInstallation, CDW, \nLondon, UK\nPhotography: Philip Vile\n→ p. 043\nTwiggy \nIpês House, \nSão Paulo, Brazil\nArchitect: studio mk27 - \nMarcio Kogan + Lair Reis\nInteriors: Diana Radomysler\nPhotography: FG+SG, \nFernando Guerra, \nSergio Guerra\n→ p. 046, 047\nLounge, Bookshop \nat Arsenale, Venice, Italy\nPhotography: \nAlessandro Paderni \n→ p. 048\nHotel Adagio, Moscow, Russia\nProject: On\u002FOff  Systems\n→ p. 049\nA W Experience showroom, \nSão Paulo, Brazil\nCourtesy Lumini\n→ p. 050, 051\nHotel Mandarin Oriental, \nBarcelona, Spain\nInterior design project: \nPatricia Urquiola \n→ p. 052\nThe Pavilion, Downtown \nDubai, Dubai, UAE\nProject: Studio M, Interior \nArchitecture by \nAbboud Malak\nPhotography: Maha Nasra \nEdde, 8th Street Studios\n→ p. 053\nAl Khan Resort, Sharjah, UAE\nProject: Studio M, Interior \nArchitecture by \nAbboud Malak\nPhotography: Maha Nasra \nEdde, 8th Street Studios\n→ p. 054, 055\nGran Hotel Havana, \nBarcelona, Spain\nProject: Beatriz Cosials - \nTaller de Interiorismo\nLighting design dealer: \nLumen’s Boulevard\nPhotography: Meritxell \nArjalaguer\n→ p. 056\nCBC HQ, Guatemala \nArchitectural project: Carol \nDe Saravia - Alfredo Saravia\nInterior design project: Carol \nDe Saravia - Alfredo Saravia, \nAlex Titus, Cristina Erazo \nand Crista Saravia\nPhotography: Andres Asturias\n→ p. 057\nBDO e CTAC HQ, \n’s Hertogenbosch, NL\nProject: M+R interior \narchitecture\nPhotography: \nStudio de Winter\n→ p. 058, 059\nCaboche\nRestaurant Jumeirah at \nEtihad Towers Rosewater, \nAbu Dhabi, UAE\nPhotography: Jumeirah \nInternational LLC\n→ p. 062\nHôtel La Monnaie Art & Spa, \nLa Rochelle, France\nProject: Atelier Solo - \nPhilippe Lucazeau, \nNantes, France\n→ p. 063\nTea Room, Paris, France\n→ p. 064, 065\nMotel One, Lounge area, \nDresden, Germany\n→ p. 066\nHotel Mandarin Oriental, \nBarcelona, Spain\nInterior design project: \nPatricia Urquiola \n→ p. 067\nGaribaldi Italian Restaurant \nand Bar, Singapore\n→ p. 068\nThe Park Hotel, \nBangalore, India\nArchitectural project: \nConran & Partners\nPhotography: Amit Pasricha \nand Bharat Sikka\n→ p. 069\nHipotels Barrosa Palace \n& Spa, Cádiz, Spain\nArchitectural project: \nAntonio Fernandez\nInterior design project: \nGuillermo Comte\nCourtesy Hipotels\n→ p. 070\nCurved House, Springfi eld, \nMissouri, USA\nProject by Huff t Projects\nPhotography: Mike Sinclair\n→ p. 071\nBig Bang\nCBC HQ, Guatemala\nArchitectural project: Carol \nDe Saravia - Alfredo Saravia\nInterior design project: Carol \nDe Saravia - Alfredo Saravia, \nAlex Titus, Cristina Erazo \nand Crista Saravia\nPhotography: Andres Asturias\n→ p. 074\nHouse, Laguna Beach, \nCalifornia, USA\nArchitect: Horst Architects\nInterior design: Aria\nDesign Inc\n→ p. 075\nHP Norge offi  ce, \nOslo, Norway\nPhotography: \nGatis Rozenfelds\nCourtesy Scenario \nInteriorarkitekter\n→ p. 076\nBig Bang Evolution \nInstallation, Biennale \nBookshop at Arsenale, \nVenice, Italy\nPhotography: \nAlessandro Paderni\n→ p. 077\nMegion group, \nBusiness Center Galleon, \nVoronezh, Russia\nProject: Aleksandra Soboleva\nPhotography: Aleksandra \nSoboleva\n→ p. 078, 079\nButterfl y House, \nSan Francisco, USA\nInterior design: \nFeldman Architecture\nLighting design: Kim Cladas \nLighting Design\nPhotography: Joe Fletcher \n→ p. 080\nSerli store, Trieste, Italy\nPhotography: Marco Covi\n→ p. 081\nHotel Hipotels Said,\nMallorca, Spain \nProject and interior design: \nJuan Morro\nCourtesy Hipotels\n→ p. 082, 083\nTress\nRestaurant Eisfeld, \nLuzern, Switzerland\n→ p. 086\nA House, Sofi a, Bulgaria\nProject: LP Group\n→ p. 087\nRabobank Offi  ce, \nThe Netherlands\n→ p. 088, 089\nRestaurant Le Notre Paris, \nAmman, Jordan\nPhotography: Exclusive \nHomes\n→ p. 090\nRestaurant Hotel Igeretxe, \nGetxo, Spain\nProject: Susaeta\nCourtesy Susaeta\n→ p. 091\nRestaurant Le Notre Paris, \nAmman, Jordan\nPhotography: Exclusive \nHomes\n→ p. 092\nOffi  ce Lobby Park 80 West, \nSaddle Brook, \nNew Jersey, USA\nProject: Gensler\nPhotography: Park 80 West \n- L&L Holdings photography, \n© Gensler\n→ p. 093\nRestaurant Eisfeld, \nLuzern, Switzerland\n→ p. 094\nShaw Centre Singapore\nProject: DPA Architects\n→ p. 095\n221\nAmbienti\n",112,{"image":460,"text":461,"number":462},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.113.png","222\nAplomb\n \nGaijin Restaurant, \nHelsinki, Finland\nArchitect: Futudesign Oy\n→ p. 098, 099\nBar Decumanus Cafè, \nFlorence, Italy\nProject and interior design: \nMimesi62 Architetti Associati\nCourtesy Comet\u002FMarini \nPandolfi   Firenze\nPhotography: Arch. \nL. Liverani - Arch. S. Testi\n→ p. 100\nProbka Restaurant, \nMoscow, Russia\nInterior design: Albina \nNazimova\n→ p. 101\nPier Zero bar, \nHelsinki airport, Finland\nProject: Detail Design GmbH\nInterior design: Roger James \nCopeland, owner of Detail \nDesign GmbH\n→ p. 102, 103\nBar Decumanus Cafè, \nFlorence, Italy\nProject and interior design: \nMimesi62 Architetti Associati\nCourtesy Comet\u002FMarini \nPandolfi   Firenze\nPhotography: Arch. L. \nLiverani - Arch. S. Testi\n→ p. 104\nP House, São Paulo, Brazil\nArchitect: studio mk27 - \nMarcio Kogan + Lair Reis\nInteriors: Diana Radomysler\nPhotography: FG+SG, \nFernando Guerra, \nSergio Guerra\n→ p. 105\nGregg\nPoldi Pezzoli Museum,\nTerrazza Pollaiolo, \nCaff etteria, Milan, Italy\nProject: Luca Rolla e Alberto \nBertini architects\nProject team: Anna Fuselli\nPhotography: Luca Rolla \ne Alberto Bertini (interiors), \nGianmarco Corradi (outdoor)\n→ p. 108, 109, 110, 111, 112, \n113, 114, 115\nMr.Wash, Düsseldorf Germany\nProject: d.sign Werbeagentur, \nMülheim\u002FRuhr\n→ p. 116\nLoft, Chelsea NY, USA\nProject: Thomas R Devanney \nArchitect LLC\nInterior design: Lisa Kohler\nPhotography: Chris Cooper\n→ p. 117\nLe Bombarde Restaurant, \nArsenale, Venice, Italy\nPhotography: \nAlessandro Paderni\n→ p. 119\nEntrance hall Holman Fenwick \nWillan, London City, UK\nProject: TP Bennett\nCourtesy: Chelsea Lighting\n→ p. 118, 120\nShowroom, A Coruña, Spain\nCourtesy Halo Iluminaciòn\n→ p. 121\nStairwell, Hotel Ohla, \nBarcelona, Spain\nCourtesy: Halo Iluminaciòn\n→ p. 122\nHotel Le Val Thorens, \nVal Thorens, France\nProject: agence d’architecture \nd’intérieur ID. Associés \n→ p. 123\nGroupe Ortec HQ, \nMarseille, France\nProject: Virginie Romeo \n& Stéphane Long\nCourtesy PBA\n→ p. 124\nOffi  ce Matmut Assurances, \nRouen, France\nProject: Artefact Architecte\nCourtesy Eclipse Diff usion\n→ p. 125\nMinotti Showroom, \nShanghai, China\nPhotography: Suisicong\n→ p. 126, 127\nPlass\nTopolopompo Restaurant,\nTel Aviv, Israel\nArchitects: Baranowitz \nKronenberg Architecture Ltd\nPhotography: Amit Geron\n→ p. 130, 131, 132, 133, 134, \n135, 136, 137, 138, 139\nInstallation, Milan, Italy\nPhotography: Enrico Rizzato\n→ p. 140, 141\nInstallation, London, UK\nPhotography: Philip Vile\n→ p. 142\nHotel Christopher’s, London, UK\nProject by: De Matos Ryan\nPhotography: Hufton + Crow \n→ p. 143\nPrivate house, \nDuesseldorf, Germany\nProject by: \nAnderswohneninderstadt.de\nzentralbau GmbH\nLighting design: Horst \u002F \nDüsseldorf\n→ p. 144\nInstallation, Biennale Bookshop, \nArsenale, Venice, Italy\nPhotography: \nAlessandro Paderni \n→ p. 145\nDelta Hotel & Resort, Toronto, \nCanada\nProject by: Champalimaud\nPhotography: Evan Dion\n→ p. 145, 147\nHotel Okko, Nantes, France\nProject by: Patrick Norguet\nPhotography: Jerrome Galland\nCourtesy: The Great \nHospitality\n→ p. 148\nShowroom, Seoul, Korea\nCourtesy: Barunson \n→ p. 149\nUto\nSutton Club, Barcelona, Spain\n→ p. 152\nRestaurant Le Bombarde, \nArsenale, Venice, Italy\nPhotography: \nAlessandro Paderni\n→ p. 153\nRestaurant F12, Stockholm, \nSweden\n→ p. 154, 155\nShowroom MVM, \nLuzern, Switzerland\nCourtesy: Sphinx Lichttechnik\n→ p. 156\nOttica Ximenes,\nBarcelona, Spain\nProject by: Xavier Martin\nPhotography: Jordi Miralles\n→ p. 157\nPrivate house, Udine, Italy\nPhotography: \nAlessandro Paderni\n→ p. 158\nPrivate house garden, \nUdine, Italy\nPhotography: \nAlessandro Paderni\n→ p. 159\nHavana\nOutdoor installation, La \nBiennale, Arsenale, Venice, Italy\nPhotography: \nAlessandro Paderni\n→ p. 162, 163\nBar, La Biennale, \nArsenale, Venice, Italy\nPhotography: \nAlessandro Paderni\n→ p. 164, 165\nRestaurant Le Bombarde, \nArsenale, Venice, Italy\nPhotography: \nAlessandro Paderni\n→ p. 166\nBusiness building outdoor, \nAntwerp, Belgium\n→ p. 167\nPrivate house stairwell, \nNew York, USA\n→ p. 168\nTransformation of \nan apartment in Frankfurt, \nGermany\nArchitect: Georg Riesenhuber\nPhotography: Martin Starl\n→ p. 169\nSpokes\nShowroom, Seoul, Korea \nCourtesy: Barunson \n→ p. 172\nInstallation, Koln, Germany\nCourtesy: FREIFRAU\n→ p. 173\nA Riccione Bistrot, Milan, Italy\nProject by: Studio FRI, \nFrancesca Poletti, Francesca \nVolterra Interior designer\n→ p. 174, 175\nCesar - Flagship Store,\nMilan, Italy\nProject by: \nGarcia Cumini Associati\nPhotography: Andrea Ferrari\n→ p. 176\nInstallation, Koln, Germany\nCourtesy: FREIFRAU\n→ p. 177\nHotel Innside New York \nNoMad, NY, USA\nProject and interior design \nby: Peter Poon Architects\n→ p. 181\nRituals\nShowroom, Seoul, Korea\nCourtesy: Barunson  \n→ p. 182\nHotel Nira Montana, \nLa Thuile, Italy\nProject by: Studio del Portico  \n→ p. 183\nOff ecct Showroom, \nStockholm, Sweden \nPhotography: Patrik Engquist \n→ p. 184, 185\nInstallation, The Armory \nShow, New York, USA\nPhotography: Teddy Wolff \n→ p. 186\nPrivate house, Milan, Italy \nPhotography: \nAlessandro Paderni\n→ p. 187\nMiscellaneous\nRestaurant, Berlin, Germany  \n→ p. 190\nOutdoor installation, \nLa Biennale, Giardini, \nVenice, Italy \nPhotography: \nAlessandro Paderni\n→ p. 191\nInstallation, Milan, Italy \n→ p. 192\nRestaurant Cascina Langa, \nAlba, Italy\nProject by: Davide Salvatico \nArchitect\nPhotography: Carlo Carossio\n→ p. 193\nRestaurant Don Café, \nFlughafen Wien Schwechat, \nAustria\nProject by: BEHF \nCorporate Architects\n→ p. 194, 195\nInstallation at Museum fur \nAngewandte Kunst, Frankfurt, \nGermany\n→ p. 196\nFour Seasons Restaurant, \nDuesseldorf, Germany\nInterior project by: Ralf Breuer\nCourtesy: Citizenoffi  ce\n→ p. 197\nOffi  ce Lobby Park 80 West, \nSaddle Brook, New Jersey, USA\nProject by: Gensler\nPhotoraphy: Park 80 West – \nL&L Holdings photography, \n©Gensler\n→ p. 198, 199\nUni Flair Spa offi  ce, reception, \nPadua, Italy\n→ p. 200\nInstallation, Biennale \nBookshop, Arsenale, Venice, \nItaly\nPhotography: \nAlessandro Paderni\n→ p. 201\nHotel Hermitage, Luzern, \nSwitzerland\nPhotography: Erika Peyer\n→ p. 202\nItalian Bar La Farfalla, Belgium\nConcept by: 1000Lux.be\n→ p. 203\nHotel Nira Montana, \nLa Thuile, Italy\nProject by: Studio del Portico\n→ p. 204\nCarroll Store, Paris, France\nCopyright: Didier Delmas\n→ p. 205\nConference room, \nSidney, Australia\n→ p. 206\nDa Guido Restaurant, Agenzia \ndi Pollenzo, Cuneo, Italy\n→ p. 207\n223\nAmbienti\nAppendice — Appendix\nA proposito dei luoghi — About the places\n",113,{"image":464,"text":465,"number":466},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.114.png","224\nLegenda — Key\nLED\nIdentifica i modelli con \nLED integrati e già inclusi, \nrisultato della progettazione \ned ingegnerizzazione \nFoscarini.\nIt marks the models with \nintegrated LED included in \nthe lamp, which is the result \nof Foscarini designing and \nengineering.\nLED Retrofit\nIdentifica la possibilità di \nutilizzare una lampadina \nLED retrofit standard \ncomunemente disponibile \nsul mercato.\nIt marks the possibility of \nusing a standard retrofit \nLED bulb available on the \nmarket.\nCSQ - IQNET\nMarchio valido in tutto \nil mondo, certifica che \nl’azienda Foscarini attua \nun sistema di gestione \ndella qualità conforme \nalla normativa UNI EN ISO \n9001:2008, per garantire \nun elevato standard \nqualitativo nella \nprogettazione, sviluppo, \nfabbricazione e \ncommercializzazione dei \npropri prodotti.\nThe CSQ-IQNET label \nis valid all over the world. \nIt certificates that Foscarini \nruns a quality management \nsystem which complies with \nthe UNI EN ISO 9001:2008 \nstandard, to guarantee \na high quality level for \nwhat concerns project, \ndevelopment, production \nand distribution of its \nproducts.\nCSQ ECO\nMarchio valido in tutto \nil mondo, certifica che \nl’azienda Foscarini attua \nun sistema di gestione \nambientale conforme alla \nnormativa UNI-EN ISO \n14001:2004 per garantire \nl’impegno dell’azienda \nad operare nel rispetto \ndell’ambiente e con \nl’obiettivo continuo di \nridurre l’impatto delle \nproprie attività.\nThis label is valid all over \nthe world. It certificates \nthat Foscarini runs an \nenvironmental management \nsystem which complies \nwith the UNI EN ISO \n14001:2004 standard \nin order to guarantee \ncompany’s commitment to \ncontinual improvement of its \nenviromental performances.\nENEC 15\nIl marchio ENEC \n(Certificazione Elettrica \nrelativa alle Norme \nEuropee) è un marchio \nvolontario rilasciato da \nenti terzi. Certifica che \nil prodotto è conforme e \nrispetta i requisiti proposti \ndalla norma EN 60598 ed \nè progettato e realizzato \nin aziende il cui sistema \ndi gestione della qualità \nsoddisfa i requisiti della \nnorma UNI EN ISO 9001.\nThe label ENEC (Electrical \nCertification concerning \nEuropean Standard) is a \nvoluntary label granted \nby third organizations. It \ncertifies that a product \ncomplies \nwith the EN 60598 standards \nand has been designed and \nmanufactured by companies \nwith an approved UNI EN \nISO 9000 quality control \nsystem.\nClasse I\nApparecchio in classe I°:\nè obbligatoria la \nconnessione ail conduttore \ndi protezione giallo\u002Fverde \n(messa a terra).\nClass I° luminaire: it’s \nnecessary to connect \nthe device to the yellow\u002F\ngreen protective conductor \n(earthing).\ncULus\nCertifica che il prodotto \nè conforme e rispetta \ni requisiti proposti dalle \nnormative nordamericane, \nviene rilasciato dall’UL,\norganizzazione \nindipendente leader nel \nsettore della certificazione \ndi sicurezza dei prodotti \ndestinati al mercato \nNordamericano.\nCertifies that the product \nis conform to the North \nAmerican standards, and is \nissued by UL, independent \norganisation leader in the \nfield of products safety \ncertification for the North \nAmerican market.\nLED\n225\nAmbienti\nLED\nretrofi t\n",114,{"image":468,"text":469,"number":470},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.115.png","Legenda — Key\nClasse II\nApparecchio in cui la \nprotezione contro la \nscossa elettrica si basa \nunicamente sul doppio \nisolamento e\u002Fo isolamento \nrinforzato in ogni parte e \nsenza dispositivo di messa \na terra.\nLight fittings whose safety \nis guaranteed only by the \ndouble and\u002For reinforced \ninsulation of all parts, with \nno earth.\nAppareil où la sécurité \nélectrique est garantie par \nun double niveau d’isolation \nde toutes les parties sans \ndispositif de mise à la terre.\nBei Leuchten der Klasse II \nist der Berührungsschutz \ndurch eine doppelte \nund \u002Foder verstärkte \nSchutzisolierung aller \nspannungführenden Teile \ngegeben, ohne Erdung.\nAparatos con protección \ncontra descargas \neléctricas basados en un \ndoble aislamiento o un \naislamiento reforzado, sin \ndispositivo \nde toma de tierra.\nCCC\nThe China Compulsory \nCertificate mark certifies \nthat the product is conform \nto the Chinese standards.\nThe China Compulsory \nCertificate mark certifies \nthat the product is conform \nto the Chinese standards.\nThe China Compulsory \nCertificate mark certifies \nthat the product is conform \nto the Chinese standards.\nThe China Compulsory \nCertificate mark certifies \nthat the product is conform \nto the Chinese standards.\nThe China Compulsory \nCertificate mark certifies \nthat the product is conform \nto the Chinese standards.\nAmericans Disability ACT\nSerie di normative che \nregolano l’arredo di edifici \npubblici a favore dei \nportatori di handicap.\nCertification that confirms \naccessibility to places of \npublic accommodation and \ncommercial facilities by \nindividuals with disabilities.\nUne série de normes \nconcernant la décoration \ndes collectivités en faveur \ndes handicapés.\nEine Reihe von Vorschriften \nfür öffentliche Gebäude \nzugunsten der Behinderten.\nLa Ley de Estadounidenses \ncon Discapacidades incluye\nuna serie de normas que \nregulan la decoración de \nlos edificios públicos a \nfavor de los minusválidos.\nIP Protection Degree\nIP20: apparecchio protetto \ncontro la penetrazione di \ncorpi solidi di dimensioni \nmaggiori a 12 mm e non \nprotetto nei confronti dei \nliquidi.\nIP44: apparecchio protetto \ncontro la penetrazione di \ncorpi solidi di dimensioni \nmaggiori a 1 mm e protetto \ncontro gli spruzzi d’acqua.\nIP65: apparecchio \ntotalmente protetto contro \nla polvere e protetto \ncontro i getti d’acqua.\nIP20: protected against the \npenetration of solid objects \ngreater than 12 mm and non \nprotected against liquids.\nIP44: protected against the \npenetration of solid objects \ngreater than 1 mm and \nprotected against splashing \nwater.\nIP65: dust-tight and \nprotected against water \njets.\nLe classi di efficienza \nenergetica degli apparecchi \nluminosi, definite dal \nreg. UE n.874\u002F2012, sono \ndeterminate in base \nall’Indice di Efficienza \nEnergetica (IEE) e spaziano \nin un intervallo compreso \ntra A++ (efficienza massima) \ned E (efficienza minima).\nThe energy efficiency \nclasses for light appliances \nset out by EU regulation no. \n874\u002F2012 are calculated \non the basis of the Energy \nEfficiency Index (EEI) \nand range between A++ \n(maximum efficiency) and \nE (minimum efficiency). \n226\n227\nAmbienti\nEnergy Efficiency\nClasses\n",115,{"image":472,"text":473,"number":474},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.116.png","Colophon\nFoscarini SpA\nvia delle Industrie 27\n30020 Marcon \u002F Venezia \u002FItaly\nT +39 041 595 3811\nF +39 041 595 3820\nfoscarini@foscarini.com\nFoscarini Inc\n17 Greene Street, New York \nNY \u002F10013 \u002F USA\nT +1 212 247 2218\nF +1 646 545 2564\nfoscarini.inc@foscarini.com\nFoscarini Spazio Brera\nvia Fiori Chiari 28 \u002F\nvia Pontaccio 19\n20121 \u002F Milano \u002F Italy\nT +39 02 870 71320\nspaziobrera@foscarini.com\nFoscarini Spazio Soho\n17 Greene Street, New York \nNY \u002F10013 \u002F USA\nT +1 212 257 4412\nspaziosoho@foscarini.com\nAzienda certificata \nUNI EN ISO 9001\nUNI EN ISO 14001\nedizione 04.2016\nConcept and graphic design: \nDesignwork\nart direction: Artemio Croatto\nart work: Erika Pittis \u002F Designwork\nPhoto post-production: \nMassimo Gardone \u002F Azimut\nTexts: \nMichele Calzavara\ncolour separation:\nLuce, Udine\nmade and printed in Italy\nby OGM, Padova\nfoscarini.com\nAmbienti\n",116,{"image":476,"text":15,"number":477},"\u002Fmedia\u002Fimages\u002F45\u002F3b8af4c51ae0bc7d400d5112a963da-2854bf3a1b.117.png",117,[],0,false,true,{"success":481,"data":483,"meta":692,"count":693,"next":694,"previous":695,"results":727,"brand_chips":788},[484,497,506,515,524,533,542,552,562,573,585,598,607,620,632,642,652,661,671,683],{"id":485,"title":486,"slug":487,"image":488,"source":489,"brand_name":490,"brand":491,"brand_slug":492,"file_size":493,"pages":494,"pages_count":495,"matched_pages":496,"match_count":479,"two_pages":480,"show_text":481},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 MB",[],1218,[],{"id":498,"title":499,"slug":500,"image":501,"source":502,"brand_name":490,"brand":491,"brand_slug":492,"file_size":503,"pages":504,"pages_count":287,"matched_pages":505,"match_count":479,"two_pages":480,"show_text":481},26606,"Architectural Systems  2024","leds-c4-architectural-systems-2024","\u002Fmedia\u002Fimages\u002F51\u002F09aeb60ab959f350ec981e0505723e-29704a6b8a.1.png","\u002Fprivate\u002Ffiles\u002F83\u002F262b965f0abfc6d48b82d634f2e274-29704a691b.pdf","18.2 MB",[],[],{"id":507,"title":508,"slug":509,"image":510,"source":511,"brand_name":490,"brand":491,"brand_slug":492,"file_size":512,"pages":513,"pages_count":259,"matched_pages":514,"match_count":479,"two_pages":480,"show_text":481},26605,"Retail lighting 2022","leds-c4-retail-lighting-2022","\u002Fmedia\u002Fimages\u002Ff3\u002Fc24fa5a9058975063fe2d2d796e342-29704a6938.1.png","\u002Fprivate\u002Ffiles\u002F16\u002F6eb9b9377eb47e68ed8020f49667e4-29704a6761.pdf","11.3 MB",[],[],{"id":516,"title":517,"slug":518,"image":519,"source":520,"brand_name":490,"brand":491,"brand_slug":492,"file_size":521,"pages":522,"pages_count":283,"matched_pages":523,"match_count":479,"two_pages":480,"show_text":481},26603,"News 2026","leds-c4-news-2026","\u002Fmedia\u002Fimages\u002Ffd\u002F08ef85e9ab5f20b8e36d39db23903e-29704a66c9.1.png","\u002Fprivate\u002Ffiles\u002F14\u002F3d18f95b3c5bf1476f17e79ade1c39-29704a6417.pdf","9.7 MB",[],[],{"id":525,"title":526,"slug":527,"image":528,"source":529,"brand_name":490,"brand":491,"brand_slug":492,"file_size":530,"pages":531,"pages_count":143,"matched_pages":532,"match_count":479,"two_pages":480,"show_text":481},26604,"Play Super Comfort","leds-c4-play-super-comfort","\u002Fmedia\u002Fimages\u002Fb0\u002Fca782a57ca8c5561108856c084a962-29704a677d.1.png","\u002Fprivate\u002Ffiles\u002F98\u002F33f678484c91d595e9119acf1423df-29704a66ac.pdf","16.3 MB",[],[],{"id":534,"title":535,"slug":536,"image":537,"source":538,"brand_name":490,"brand":491,"brand_slug":492,"file_size":539,"pages":540,"pages_count":450,"matched_pages":541,"match_count":479,"two_pages":480,"show_text":481},26602,"New offices","leds-c4-new-offices","\u002Fmedia\u002Fimages\u002F9a\u002F46aad607ed8b7215cb0b320b2ef927-29704a5a00.1.png","\u002Fprivate\u002Ffiles\u002Fc5\u002F29e40b9906e7faa25be87c0ea8b1f2-29704a59e1.pdf","45.7 MB",[],[],{"id":543,"title":544,"slug":545,"image":546,"source":547,"brand_name":490,"brand":491,"brand_slug":492,"file_size":548,"pages":549,"pages_count":550,"matched_pages":551,"match_count":479,"two_pages":480,"show_text":481},26600,"Architectural Outdoor 2026","leds-c4-architectural-outdoor-2026","\u002Fmedia\u002Fimages\u002Ff2\u002Fcfbdb393ada4c94d6166515df0f816-29704a2b35.1.png","\u002Fprivate\u002Ffiles\u002F08\u002Fb85660b3a873b3edddf6e44c5dbab0-29704a2b01.pdf","45.4 MB",[],772,[],{"id":553,"title":554,"slug":555,"image":556,"source":557,"brand_name":490,"brand":491,"brand_slug":492,"file_size":558,"pages":559,"pages_count":560,"matched_pages":561,"match_count":479,"two_pages":480,"show_text":481},26601,"Decorative Fans 2026","leds-c4-decorative-fans-2026","\u002Fmedia\u002Fimages\u002F1a\u002Fc77cfd6dbd7c92c0df3eb82941c547-29704a2b2b.1.png","\u002Fprivate\u002Ffiles\u002F93\u002F11c88fe4138c754832a3484128207f-29704a2b01.pdf","41.5 MB",[],450,[],{"id":563,"title":517,"slug":564,"image":565,"source":566,"brand_name":567,"brand":568,"brand_slug":569,"file_size":570,"pages":571,"pages_count":410,"matched_pages":572,"match_count":479,"two_pages":480,"show_text":481},26599,"porada-news-2026","\u002Fmedia\u002Fimages\u002Fce\u002Fd99f531b06a46fd5bee10f83389e8c-296fcd1b7e.1.png","\u002Fprivate\u002Ffiles\u002Fc2\u002F62a24ea3de0c50ca2a88817e98c8e9-296fcd1b61.pdf","Porada",394,"porada","9.3 MB",[],[],{"id":574,"title":575,"slug":576,"image":577,"source":578,"brand_name":579,"brand":580,"brand_slug":581,"file_size":582,"pages":583,"pages_count":199,"matched_pages":584,"match_count":479,"two_pages":480,"show_text":481},26598,"Second Life Contract 2026","slide-second-life-contract-2026","\u002Fmedia\u002Fimages\u002Ff3\u002F13dd76d3e357545fc9c73d1730cc16-296dd67b83.1.png","\u002Fprivate\u002Ffiles\u002F60\u002F2ed17461507e1c6defb90fc3af7f6b-296dd67b81.pdf","Slide",401,"slide","8.0 MB",[],[],{"id":586,"title":587,"slug":588,"image":589,"source":590,"brand_name":591,"brand":592,"brand_slug":593,"file_size":594,"pages":595,"pages_count":596,"matched_pages":597,"match_count":479,"two_pages":480,"show_text":481},26597,"General 2025","edition-bougainville-general-2025","\u002Fmedia\u002Fimages\u002F20\u002F9482f96b2ff16c3751dc0bf38106ee-296be38596.1.png","\u002Fprivate\u002Ffiles\u002Fc0\u002Fa8bc3710f63d3f9c918648acc349bf-296be38521.pdf","Edition Bougainville",2197,"edition-bougainville","1337.1 MB",[],326,[],{"id":599,"title":600,"slug":601,"image":602,"source":603,"brand_name":591,"brand":592,"brand_slug":593,"file_size":604,"pages":605,"pages_count":446,"matched_pages":606,"match_count":479,"two_pages":480,"show_text":481},26596,"General new 2026","edition-bougainville-general-new-2026","\u002Fmedia\u002Fimages\u002F70\u002Fd61873e1175db61f2e03ca6c34fbef-296be3853e.1.png","\u002Fprivate\u002Ffiles\u002Fe3\u002F31e29b6f8f4e9d6bf34b5e02b7af8b-296be38521.pdf","14.6 MB",[],[],{"id":608,"title":609,"slug":610,"image":611,"source":612,"brand_name":613,"brand":614,"brand_slug":615,"file_size":616,"pages":617,"pages_count":618,"matched_pages":619,"match_count":479,"two_pages":480,"show_text":481},26595,"Outdoor Decor 2026","ethimo-outdoor-decor-2026","\u002Fmedia\u002Fimages\u002F06\u002Fe01cc9faac107000b2d52f32269655-296bd1e75f.1.png","\u002Fprivate\u002Ffiles\u002F55\u002Fb1013d3410d0dab58c0b01c63c83d2-296bd1e759.pdf","Ethimo",1796,"ethimo","56.9 MB",[],324,[],{"id":621,"title":622,"slug":623,"image":624,"source":625,"brand_name":626,"brand":627,"brand_slug":628,"file_size":629,"pages":630,"pages_count":263,"matched_pages":631,"match_count":479,"two_pages":480,"show_text":481},26576,"Francesco Balzano 2026","giobagnara-francesco-balzano-2026","\u002Fmedia\u002Fimages\u002Fa3\u002F4b32a3ff2d18cecd6a14375150eeea-292d0fd09a.1.png","\u002Fprivate\u002Ffiles\u002F57\u002Fcfa9eaed024c0b9900e8fe56aad231-292d0f5b38.pdf","GioBagnara",2329,"giobagnara","40.4 MB",[],[],{"id":633,"title":634,"slug":635,"image":636,"source":637,"brand_name":626,"brand":627,"brand_slug":628,"file_size":638,"pages":639,"pages_count":640,"matched_pages":641,"match_count":479,"two_pages":480,"show_text":481},26577,"Rabitti1969 2026","giobagnara-rabitti1969-2026","\u002Fmedia\u002Fimages\u002Fc5\u002F704db07c2e74d60a1833dd93dc3967-292d146463.1.png","\u002Fprivate\u002Ffiles\u002Fcc\u002F74a628f430699a1576927d6a5c43f0-292d121a8c.pdf","106.6 MB",[],182,[],{"id":643,"title":644,"slug":645,"image":646,"source":647,"brand_name":626,"brand":627,"brand_slug":628,"file_size":648,"pages":649,"pages_count":650,"matched_pages":651,"match_count":479,"two_pages":480,"show_text":481},26578,"Stephane Parmentier 2026","giobagnara-stephane-parmentier-2026","\u002Fmedia\u002Fimages\u002Faa\u002F75a74fb0948097cf84e6c5693fc962-292d13ef2c.1.png","\u002Fprivate\u002Ffiles\u002Fb1\u002Fcc1cbee33e9c8c6513a907bd065ac5-292d121a97.pdf","191.0 MB",[],207,[],{"id":653,"title":654,"slug":655,"image":656,"source":657,"brand_name":626,"brand":627,"brand_slug":628,"file_size":658,"pages":659,"pages_count":183,"matched_pages":660,"match_count":479,"two_pages":480,"show_text":481},26579,"Kelly Wearstler 2026","giobagnara-kelly-wearstler-2026","\u002Fmedia\u002Fimages\u002F64\u002Fa1d46bc2d33136e7f1f59853d5b272-292d137a16.1.png","\u002Fprivate\u002Ffiles\u002F50\u002Ffbc23bd4891257c38e3a49f93fd0c6-292d121aaa.pdf","27.8 MB",[],[],{"id":662,"title":663,"slug":664,"image":665,"source":666,"brand_name":626,"brand":627,"brand_slug":628,"file_size":667,"pages":668,"pages_count":669,"matched_pages":670,"match_count":479,"two_pages":480,"show_text":481},26580,"Glenn Sestig 2026","giobagnara-glenn-sestig-2026","\u002Fmedia\u002Fimages\u002Fd3\u002F130de4d10ed29d4fd25cb84db70291-292d1304b6.1.png","\u002Fprivate\u002Ffiles\u002Fb9\u002Fc5c7c0b5ffb8e2ea735f61cd5fbdf6-292d121aae.pdf","91.8 MB",[],146,[],{"id":672,"title":673,"slug":674,"image":675,"source":676,"brand_name":677,"brand":678,"brand_slug":679,"file_size":680,"pages":681,"pages_count":79,"matched_pages":682,"match_count":479,"two_pages":480,"show_text":481},26581,"Inspiring Excellence 2025","roberto-giovannini-inspiring-excellence-2025","\u002Fmedia\u002Fimages\u002F71\u002F318a1f5e60ccc5acfdcc1ae5be5060-292d128f9c.1.png","\u002Fprivate\u002Ffiles\u002F87\u002F5e0b076f595f5160ca7a5f7458849b-292d121abb.pdf","Roberto Giovannini",1388,"roberto-giovannini","8.1 MB",[],[],{"id":684,"title":685,"slug":686,"image":687,"source":688,"brand_name":626,"brand":627,"brand_slug":628,"file_size":689,"pages":690,"pages_count":414,"matched_pages":691,"match_count":479,"two_pages":480,"show_text":481},26582,"Elie Saab 2026","giobagnara-elie-saab-2026","\u002Fmedia\u002Fimages\u002F6b\u002F81da6c9cdf7b4edff952a62ef7b9ca-292d16ae2e.1.png","\u002Fprivate\u002Ffiles\u002F79\u002Fcb5cd133e6f07379794938ed005de3-292d14d9af.pdf","58.4 MB",[],[],{"count":693,"next":694,"previous":695,"brand_chips":696},14125,"\u002Fapi\u002Fv1\u002Fcatalogs\u002F?page=2",null,[697,700,703,706,709,712,715,718,721,724],{"title":698,"slug":699,"count":378},"SICIS","sicis",{"title":701,"slug":702,"count":319},"La Fabbrica AVA","la-fabbrica-ava",{"title":704,"slug":705,"count":319},"Terratinta","terratinta",{"title":707,"slug":708,"count":319},"Magis","magis",{"title":710,"slug":711,"count":267},"True Design","true-design",{"title":713,"slug":714,"count":255},"Covet House","covet-house",{"title":716,"slug":717,"count":243},"Ares Line","ares-line",{"title":719,"slug":720,"count":243},"Poltrona Frau","poltrona-frau",{"title":722,"slug":723,"count":235},"Karpenter","karpenter",{"title":725,"slug":726,"count":235},"Visionnaire","visionnaire",[728,731,734,737,740,743,746,749,752,755,758,761,764,767,770,773,776,779,782,785],{"id":485,"title":486,"slug":487,"image":488,"source":489,"brand_name":490,"brand":491,"brand_slug":492,"file_size":493,"pages":729,"pages_count":495,"matched_pages":730,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":498,"title":499,"slug":500,"image":501,"source":502,"brand_name":490,"brand":491,"brand_slug":492,"file_size":503,"pages":732,"pages_count":287,"matched_pages":733,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":507,"title":508,"slug":509,"image":510,"source":511,"brand_name":490,"brand":491,"brand_slug":492,"file_size":512,"pages":735,"pages_count":259,"matched_pages":736,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":516,"title":517,"slug":518,"image":519,"source":520,"brand_name":490,"brand":491,"brand_slug":492,"file_size":521,"pages":738,"pages_count":283,"matched_pages":739,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":525,"title":526,"slug":527,"image":528,"source":529,"brand_name":490,"brand":491,"brand_slug":492,"file_size":530,"pages":741,"pages_count":143,"matched_pages":742,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":534,"title":535,"slug":536,"image":537,"source":538,"brand_name":490,"brand":491,"brand_slug":492,"file_size":539,"pages":744,"pages_count":450,"matched_pages":745,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":543,"title":544,"slug":545,"image":546,"source":547,"brand_name":490,"brand":491,"brand_slug":492,"file_size":548,"pages":747,"pages_count":550,"matched_pages":748,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":553,"title":554,"slug":555,"image":556,"source":557,"brand_name":490,"brand":491,"brand_slug":492,"file_size":558,"pages":750,"pages_count":560,"matched_pages":751,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":563,"title":517,"slug":564,"image":565,"source":566,"brand_name":567,"brand":568,"brand_slug":569,"file_size":570,"pages":753,"pages_count":410,"matched_pages":754,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":574,"title":575,"slug":576,"image":577,"source":578,"brand_name":579,"brand":580,"brand_slug":581,"file_size":582,"pages":756,"pages_count":199,"matched_pages":757,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":586,"title":587,"slug":588,"image":589,"source":590,"brand_name":591,"brand":592,"brand_slug":593,"file_size":594,"pages":759,"pages_count":596,"matched_pages":760,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":599,"title":600,"slug":601,"image":602,"source":603,"brand_name":591,"brand":592,"brand_slug":593,"file_size":604,"pages":762,"pages_count":446,"matched_pages":763,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":608,"title":609,"slug":610,"image":611,"source":612,"brand_name":613,"brand":614,"brand_slug":615,"file_size":616,"pages":765,"pages_count":618,"matched_pages":766,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":621,"title":622,"slug":623,"image":624,"source":625,"brand_name":626,"brand":627,"brand_slug":628,"file_size":629,"pages":768,"pages_count":263,"matched_pages":769,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":633,"title":634,"slug":635,"image":636,"source":637,"brand_name":626,"brand":627,"brand_slug":628,"file_size":638,"pages":771,"pages_count":640,"matched_pages":772,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":643,"title":644,"slug":645,"image":646,"source":647,"brand_name":626,"brand":627,"brand_slug":628,"file_size":648,"pages":774,"pages_count":650,"matched_pages":775,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":653,"title":654,"slug":655,"image":656,"source":657,"brand_name":626,"brand":627,"brand_slug":628,"file_size":658,"pages":777,"pages_count":183,"matched_pages":778,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":662,"title":663,"slug":664,"image":665,"source":666,"brand_name":626,"brand":627,"brand_slug":628,"file_size":667,"pages":780,"pages_count":669,"matched_pages":781,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":672,"title":673,"slug":674,"image":675,"source":676,"brand_name":677,"brand":678,"brand_slug":679,"file_size":680,"pages":783,"pages_count":79,"matched_pages":784,"match_count":479,"two_pages":480,"show_text":481},[],[],{"id":684,"title":685,"slug":686,"image":687,"source":688,"brand_name":626,"brand":627,"brand_slug":628,"file_size":689,"pages":786,"pages_count":414,"matched_pages":787,"match_count":479,"two_pages":480,"show_text":481},[],[],[789,790,791,792,793,794,795,796,797,798],{"title":698,"slug":699,"count":378},{"title":701,"slug":702,"count":319},{"title":704,"slug":705,"count":319},{"title":707,"slug":708,"count":319},{"title":710,"slug":711,"count":267},{"title":713,"slug":714,"count":255},{"title":716,"slug":717,"count":243},{"title":719,"slug":720,"count":243},{"title":722,"slug":723,"count":235},{"title":725,"slug":726,"count":235}]