[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-domitalia-tafaruci-2019":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":156},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":151,"matched_pages":152,"match_count":153,"two_pages":154,"show_text":155},8628,"Tafaruci 2019","domitalia-tafaruci-2019","\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F32\u002Fea6cbc5219501ef7c7911aca879195.pdf","Domitalia",788,"domitalia","5.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149],{"image":7,"text":15,"number":16},"CATALOGUE\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.3.png","2\nModerno, come il \nmobile della collezione \nModerno di Tafaruci, \nche viene progettato \ne si riferisce al nostro \ntempo o a tempi più vicini \na noi, che è peculiare \ndel nostro tempo. I \nmobili ed i complementi \nd’arredamento della \ncollezione sono \nespressione di gusto e \nsensibilità attuali. \nCon i modelli Moby, \nOblò, la Tafaruci ha \nvoluto riprendere \nlinee e forme che \nriportano ad un passato \nglorioso del mobile, \ncontestualizzandolo e \nrendendolo attuale con \nmateriali e lavorazioni \nche sfidano il tempo. \nNel design della Tafaruci \nmoderno è quello \ncon il quale si indica \ncorrentemente l’indirizzo \ndella progettazione \nsoprattutto a partire \ndalla fine della prima \nguerra mondiale ed \nè a queste linee ed a \nquesta espressione del \ndesign del passato che \nla Tafaruci ha voluto \nispirarsi. L’architettura \ned il design moderno \nhanno subito l’influenza \ndel movimento di cui \nsono stati principali \nesponenti A. Aalto nei \npaesi scandinavi, Le \nCorbusier in Francia, \nW. Gropius con la \nscuola del Bauhaus in \nGermania, F. L. Wright \nnegli Stati Uniti, G. \nTerragni, E. Persico e G. \nPagano nell’ambito delle \ntendenze funzionaliste e \nrazionaliste in Italia. La \nproduzione del mobile \ndella collezione Moderno \ndella Tafaruci viene \ninfluenzata da questi \nmassimi esponenti del \ndesign mondiale, fonti \ndi ispirazione e linfa per \nla progettazione. La \nrazionalità delle forme \ndella linea Moderno è \nconseguenza di esigenze \nobiettive e si riflette \nanche sugli oggetti di uso \ncomune. Contemporaneo \ncome il mobile o il \ncomplemento d’arredo \ndella Tafaruci, che viene \nprogettato e realizzato \nin base alle mode ad alle \ninfluenze di avvenimenti \ncontemporanei e si \nriferisce alle esigenze \ndell’immediato. Il modello \nYume rispecchia la \nforma di leggerezza e \ndi morbidezza tipica \ndegli ultimi anni. Un \nritorno al retrò infatti \ncontraddistingue la \nnostra nuova collezione, \nma ovviamente per \nesigenze contingenti \nbisogna avere sempre \nuna predisposizione \nal futuro ed alla \nsperimentazione \ndelle forme e dei \ntessuti. Inserire dei \ntessuti assolutamente \ntecnologici ed innovativi \nsu forme avveniristiche \ngarantisce una vera e \npropria corrente di \npensiero ed un Mood \nassolutamente nuovo ed \nunico nel suo genere. La \nTafaruci con la collezione \nContemporaneo\nsicuramente lascerà \nil segno in quanto \nqueste ultime sono \ndelle vere e proprie \nespressioni stilistiche. \nLa Tafaruci oggi si \navvale di alta tecnologia \ne di innovazione ma \nconserva l’artigianalità \nche affonda le radici \nnel passato. Sempre \nattenta all’innovazione \ne all’artigianalità la \nTafaruci ha voluto \ncontinuare il percorso \nintrapreso da oltre 10 \nanni inserendo nella \npropria produzione le \ndue collezioni Moderno \n+ Contemporaneo. La \ncollezione Moderno \nè stata affidata ad \nun team di architetti \nche, nonostante i \nbackgrounds differenti, \nhanno seguito un \ncomune filo conduttore, \ndando vita ad una \ncollezione organica \ne omogenea. Essi \nhanno realizzato mobili \ne complementi che \nnascono dalla stessa \nfilosofia d’immagine e \ndi prodotto. Il motivo \ndella collezione è \nsobrio, raffinato e viene \nrafforzato dalla scelta di \ntessuti e di complementi \ndavvero unici nel loro \ngenere, i velluti preziosi  \ne gli abbinamenti unici. \nNella collezione \nContemporaneo \nla Tafaruci si è \ncontraddistinta per la \nsperimentazione delle \nforme, più morbide \ned avveniristiche. \nContemporaneo \nè l’essenza stessa \ndella Tafaruci che si \narricchisce di anno \nin anno di elementi \noriginali ed inediti fino \na raggiungere nuovi \nequilibri di forme e di \nvolumi. Alcuni must di \nquesta collezione sono \nstati rivisitati come la \npoltrona Samsara che è \nstata rivestita con velluti \ne lini preziosi. \nLa libreria Oblò e il \ndivano Moby completano \nla collezione, in linea con \nla filosofia dell’Azienda \ndi presentare mobili di \ndesign con uno sguardo \nal futuro.\nIT\nIT\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.4.png","4\nModern, like the piece in \nthe Moderno collection \nof Tafaruci, which is \ndesigned and refers to \nour own time or times \ncloser to us, which is \npeculiar to our time. \nThe furniture and the \ncollection of furnishing \naccessories are an \nexpression of taste and \ncurrent sensitivity. \nWith models like Moby, \nOblò, Tafaruci wanted \nto resume lines and \nshapes that remind the \nglorious history of the \nfurniture, contextualizing \nit and making it real with \nmaterials and processes \nthat defy time. Among \nTafaruci design, Moderno \nis one with which you \ncurrently indicates \nthe design evolution \nespecially after World \nWar I and these lines \nand this expression of \ndesign is what inspired \nTafaruci. The architecture \nand modern design have \nundergone the influence \nof the movement whose \nmain exponents were A. \nAalto in the Scandinavian \ncountries, Le Corbusier \nin France, W. Gropius \nwith the Bauhaus school \nin Germany, F.L. Wright \nin the US, G. Terragni, E. \nPersico and Pagano G. \nwithin the functionalist \nand rationalist \ntendencies in Italy. The \nproduction of the cabinet \nof the Tafaruci Moderno \ncollection is influenced \nby these leading \nfigures of world design, \nsources of inspiration \nand nourishment for \ndesign. The rationality \nof the forms of the \nModerno line is a result \nof objective needs and \nis also reflected on \neveryday objects. \nContemporary as \nthe furnitures or \naccessories of Tafaruci, \nwhich are designed \nand manufactured \naccording to the current \nstyle and influenced \nby the contemporary \nevents and refers to \nimmediate needs. Model \nlike Yume, reflect the \nshape of lightness and \nsoftness typical of \nthese years. A return to \nretro distinguishes our \nnew collection but, for \ncontingent requirements, \nwe must always have an \neye open to the future \nand experimentation \nof shapes and fabrics. \nUsing absolutely \ntechnological and \ninnovative fabrics \non futuristic shapes, \nguarantees a Mood \nabsolutely new and \nunique. With the \nContemporary collection \nTafaruci will surely leave \nits mark as the these are \nreal stylistic expressions. \nThe Tafaruci today makes \nuse of high technology \nTafaruci today makes use \nof high technology and \ninnovation but preserves \nthe craftsmanship that \nhas its roots in the \npast. With its focus \non innovation and \ncraftsmanship,  \nthe Tafaruci wanted to \ncontinue on the path \ntaken over 10 years \nago including in its \nproduction the two \nModern + Contemporary \ncollections. The \nModern collection was \nentrusted to a team of \narchitects that despite \ndifferent backgrounds, \nhave followed a \ncommon thread, \ncreating an organic and \nhomogeneous collection. \nThey made furniture \nand accessories from \nthe same philosophy \nof image and product. \nTafaruci 2016 collection \nis sober, refined and \nis reinforced by a \nselection of fabrics and \naccessories that are \ntruly unique in their kind, \nprecious velvets and \nunique combinations of \nmaterials. Contemporary \ncollection of Tafaruci \nis notable for the \nexperimentation of \nforms, softer and \nfuturistic. Contemporary \nis the very essence \nof Tafaruci that is \nenriched from year to \nyear of original and new \nelements to reach a new \nequilibrium of shapes \nand volumes. Some of \nthis collection must have \nbeen revisited like the \nSamsara chair that was \nupholstered with velvet \nand precious linens. \nThe chairs Antia and \nAntia Lounge, from the \n2016 collection, were \nembellished with specific \nfinishing and pillows.\nThe library Oblò and the \nMoby sofa complete the \ncollection, in line with the \ncompany’s philosophy \nof presenting designer \nfurniture with an eye to \nthe future.\nENG\nENG\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.5.png","Ceo Tafaruci Design\nElvis Tafaruci\nL’Azienda nasce nel 2002 e si \nsviluppa dal lavoro delle abili e \npazienti mani degli artigiani che \nplasmavano il legno, pezzo dopo \npezzo; nell’aria il profumo della \nmateria prima appena lavorata \nricordava e ricorda ancora quello \ndelle falegnamerie di un tempo. \nQuesta è l’atmosfera che si \nrespira negli stabilimenti Táfaruci. \nL’Azienda, nata come produttrice \ndi sedie per la casa ed in seguito \naffermatasi nelle forniture \nalberghiere, ha collaborato \ncon le più prestigiose catene \ninternazionali dando nuovo respiro \nalla tradizione artigiana di San \nVito Al Torre, una piccola località \nFriulana situata tra Udine e Trieste. \nLa formazione delle qualificate \nmaestranze dell’Azienda, infatti, \nnasce dalla cultura artigianale \nnel settore dell’arredamento e \ndella lavorazione del legno e \nda una prestigiosa scuola della \nsedia che forgiava falegnami \nspecializzati. Il viaggio dell’Azienda \nprosegue grazie all’innata \ncapacità imprenditoriale di \nElvis Táfaruci, che unisce alla \nsapiente lavorazione del legno, \nl’innovazione e l’acquisizione di \nuna potenza nella realizzazione \nartigianale dell’acciaio e dei suoi \nderivati; questo nuovo canale \nproduttivo ha ispirato innumerevoli \ncollaborazioni e ha determinato in \nmaniera esponenziale lo sviluppo \ne la crescita dell’Azienda. La \nsperimentazione di nuove forme \ne materiali risente di influenze \nderivanti dal design finlandese, \ndando luogo ad oggetti dalle \nsinuosità accattivanti dove curve di \nmorbida sensualità si raccordano \ncon profili armonici e forti allo \nstesso tempo. Táfaruci Design \nè un’azienda unica nel campo \ndell’interior design grazie alla \nsua capacità di creare prodotti \nin acciaio e legno dal design \nessenziale che si unisce alle \ngeometrie industriali forti come \nl’acciaio appena forgiato. Negli \nanni Elvis Táfaruci ha lavorato con \ngrinta e tenacia al suo progetto di \ncrescita e di innovazione per unire \nle proprie inclinazioni intellettuali \nalla tradizione manuale della sua \nazienda. Gli innovativi macchinari \nutilizzati nella produzione delle \ncollezioni Táfaruci Design \nconsentono di dare forma alle \nidee e di modellare le essenze \nlignee ed i manufatti in ferro \nrispettandone la loro natura, così \ncome garantiscono un’assoluta \nprecisione nella realizzazione \ndei dettagli. A questi si aggiunge \nl’insostituibile lavoro dei maestri \nartigiani in grado di conferire ai \nprogetti Táfaruci Design quel buon \nsenso artigiano di una volta dei \npezzi unici realizzati con sapiente \nmaestria a mano. In ultima analisi, \nperché investire ed acquistare \nprodotti di eccellenza della \nTáfaruci Design? Perché Táfaruci \nDesign è un’azienda giovane che \nvanta già molti successi nel campo \nimprenditoriale e vuole avere una \nstoria lunga dove i mobili non sono \nsemplici manufatti ma arredi che \ndiventeranno delle vere icone del \nVentesimo Secolo.\nThe Company was born in 2002 \nand developed from the work of \nskilled and patient hands of the \ncraftsmen who carved the wood, \npiece by piece; in the air the scent \nof the raw material still remembers \nthe smell of the carpenters of \nthe past. This is the atmosphere \nthat reigns in the Táfaruci \nplants. The company, founded \nas a manufacturer of chairs for \nhome and later asserted in hotel \nsupplies, has collaborated with \nthe most prestigious international \nchains giving new breath to \nthe artisan tradition of San Vito \nAl Torre, a small town located \nbetween Udine and Trieste. The \ntraining of qualified company \nworkers, in fact, is born from the \ncraftsmanship in the furniture \nindustry and the wood processing \nand a prestigious school of chair-\nmaking who forged specialized \ncarpenters. The company’s \njourney continues through the \ninnate entrepreneurial ability of \nElvis Táfaruci, combining the wise \nwoodworking, innovation and \nthe acquisition of a power in the \nhandicraft realization of steel and \nits derivatives; this new production \nchannel has inspired countless \ncollaborations and has resulted \nin an exponential growth of the \nCompany.The experimentation \nwith new forms and materials is \naffected by influences arising from \nthe Finnish design, resulting in \nobjects with eye-catching sinuous \ncurves where the soft sensuality \nare connected with harmonic and \nstring profiles. Táfaruci Design is \na unique interior design company, \nbecause of its ability to create \nproducts of metal, fiberglass and \nwood with an essential design \ncombined with strong industrial \ngeometries such as newly forged \nsteel. Over the years Elvis Táfaruci \nworked with determination and \ntenacity on his project of growth \nand innovation, combining \nintellectual inclinations and manual \ntradition of his company. Innovative \nmachinery used in the production \nof Táfaruci Design’ collections give \nform to ideas and shape wood and \nmetal respecting their nature, as \nwell as ensure absolute precision \nwith high details. Added to these is \nthe irreplaceable work of master \ncraftsmen able to give Táfaruci \nDesign projects that feel of unique \npieces made by hands with great \nskill. Ultimately, why invest and \nbuy the Táfaruci Design high-\nquality products? Because Táfaruci \nDesign is a young company that \nhas already achieved important \ngoals in business and wants to \nhave a long history where the his \npieces are not simple products, but \ntrue icons of the twentieth century.\nIT\nENG\nL’AZIENDA\nTHE COMPANY\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.6.png","INDICE \u002F INDEX\nMODELLO \u002F MODEL\nCATEGORIA \u002F CATEGORY\nPAGINA \u002F PAGE\nHOHTO\nJIELLA\nSAMSARA\nYUME\nMOBY\nQUEEN\nOBLÒ\nSPECIFICHE TECNICHE \nTECHNICAL INFORMATIONS\nFINITURE \nFINISHES\nSEDIA \u002F CHAIR\nPOLTRONA \u002F ARMCHAIR  \nPOLTRONA \u002F ARMCHAIR\nDIVANO \u002F SOFA\nDIVANO \u002F SOFA\nPOLTRONA \u002F ARMCHAIR\nLIBRERIA \u002F BOOKSHELF\n10\n16\n22\n28\n34\n40\n46\n54\n56\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.7.png","10\nLa sedia Hohto, tipica espressione di design nordico si caratterizza per la \nparticolare forma ergonomica che sapientemente modellata crea una seduta \noriginale. La straordinaria realizzazione (unico elemento in multistrato di betulla \ncurvato) conferiscono alla sedia Hohto la particolare forma tridimensionale. \nLa sedia è realizzata con una struttura in legno di betulla, le finiture possono \nessere: faggio o noce canaletto, la seduta internamente è imbottita ed è rivestita \ncon tessuti pregiati. Il telaio della seduta può essere in metallo cromato o \nverniciato.\nThe chair Hohto, typical example of Nordic design is characterized by the \nergonomic shape that, skillfully modeled, creates an original seat. The \nextraordinary realization (one single element in bent birch plywood) give the \nchair Hohto the special three-dimensional shape.\nThe chair is made with birch wood structure, finishes can be: beech or walnut, \nthe seat inside is padded and lined with fine fabrics. The seat frame can be \nchromed or painted metal.\nHOHTO\ndesign\nSamuli Naamanka\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.8.png","12\nHOTHO\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.9.png","14\nFINISHES\nFINITURE\nIgnifugo\nFlame-retardant\nM104\nM617\nM130\nTA622\nM16\nSK01\nM104\nM104\nPC\nLV616\nM105\nTA28\nM18\nSK03\nM104\nM104\nPTM\nLV20\nM24\nTA17\nM14\nSK06\nM104\nM104\nPN\nLV28\nM15\nTA19\nM90\nSK10\nM104\nM104\nPB\nLV100\nM56\nM26\nSK12\nM104\nM104\nLV130\nM17\nM100\nSK13\nM104\nM104\nLV11\nM19\nM21\nSK20\nM104\nM104\nLV204\nM23\nM07\nSK25\nM104\nM104\nM615\nM10\nSK25\nM80\nM2100\nSK45\nM616\nM13\nSK46\nM205\nSeduta \u002F Seat\nTessuto \u002F Fabric  MIRAGLIO\nGambe \u002F Legs\nAcciaio \u002F Steel - Cromato \u002F Chromed\nGambe \u002F Legs\nAcciaio \u002F Steel - Verniciato \u002F Lacquered\nStruttura seduta \u002F Seat structure\nLegno \u002F Wood - Impiallacciato \u002F Veneered\nTessuto \u002F Fabric  TARANTINO\nTessuto \u002F Fabric  LAS VEGAS\nTessuto \u002F Fabric  SAKE\nPelle \u002F Leather\nEcopelle \u002F Imitation Leather  ALCE\nLana \u002F Wool NORDIC\nTA20\nAS\nFRS\nRU\nAN\nRC2\nAZ\nSA\nLNO\nBI\nTO\nLBO\nNCA\nNE\nC\nLV622\nSK01\nPS\nM104\nM104\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.10.png","16\nLa Jiella è una poltrona sospesa dalle geometrie sferiche.  \nLa struttura è composta da diversi elementi curvati realizzati con le antiche \ntecniche di curvatura del legno. Gli strati interni sono in betulla, mentre \nl’essenza esterna con la quale viene realizzata l’impiallacciatura può essere in \nfrassino, noce, ebano, rovere o faggio. Samuli Naamanka ha progettato la Jiella \nsfruttando la formidabile resistenza del cuoio. La struttura portante posteriore \n“in cuoio” è sapientemente calibrata, per garantire la giusta inclinazione. Le \ncinghie hanno nelle parti terminali ganci e fibbie in acciaio temperato per \ngarantire una maggiore e perfetta tenuta.\nThe Jiella is a suspended armchair of spherical geometries. The structure \nconsists of several curved elements made with the ancient techniques of \nbending wood. The layers are built in birchwood, the external essence for the \nveneer could be ash, walnut, ebony, oak or beech. Samuli Naamanka designed \nthe Jiella exploiting the formidable resistance of leather. The load-bearing leather  \nstructure is expertly calibrated to ensure the right angle. Leather straps have \nhooks and buckles made of hardened steel for greater and perfect seal.\nJIELLA\ndesign\nSamuli Naamanka\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.11.png","18\nJIELLA\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.12.png","20\nFINISHES\nFINITURE\nStruttura seduta \u002F Seat structure\nLegno \u002F Wood - Impiallacciato \u002F Veneered\nFRS\nRC2\nLNO\nLBO\nNCA\nIgnifugo\nFlame-retardant\nM104\nM617\nM130\nTA622\nM16\nSK01\nM104\nM104\nPC\nLV616\nM105\nTA28\nM18\nSK03\nM104\nM104\nPTM\nLV20\nM24\nTA17\nM14\nSK06\nM104\nM104\nPN\nLV28\nM15\nTA19\nM90\nSK10\nM104\nM104\nPB\nLV100\nM56\nM26\nSK12\nM104\nM104\nLV130\nM17\nM100\nSK13\nM104\nM104\nLV11\nM19\nM21\nSK20\nM104\nM104\nLV204\nM23\nM07\nSK25\nM104\nM104\nM615\nM10\nSK25\nM80\nM2100\nSK45\nM616\nM13\nSK46\nM205\nSeduta \u002F Seat\nTessuto \u002F Fabric  MIRAGLIO\nTessuto \u002F Fabric  TARANTINO\nTessuto \u002F Fabric  LAS VEGAS\nTessuto \u002F Fabric  SAKE\nPelle \u002F Leather\nEcopelle \u002F Imitation Leather  ALCE\nLana \u002F Wool NORDIC\nTA20\nLV622\nSK01\nPS\nM104\nM104\nCintura \u002F Belt\nPelle \u002F Leather\nP1\nP2\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.13.png","22\nLa poltrona Samsara è un gioco di linee e colori che creano un volume leggero, \ndinamico e stabile. La comoda imbottitura in poliuretano espanso è avvolta \nda un rivestimento in tessuto prezioso, realizzabile in molteplici tonalità o \nsorprendentemente bicolore.\nThe Samsara armchair plays with lines and colours that create a light volume, \nthat’s dynamic yet also solid. The comfortable filling in expanded polyurethane \nis covered by stretchy upholstery fabric that’s realized in multiple shades or a \nsurprising two colour.\nSAMSARA\ndesign\nTafaruci Design\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.14.png","24\nSAMSARA\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.15.png","26\nSAMSARA TWO-COLORS\nFINITURE \u002F FINISHES\nIgnifugo\nFlame-retardant\nM104\nM617\nM130\nTA622\nM16\nSK01\nM104\nM104\nPC\nLV616\nM105\nTA28\nM18\nSK03\nM104\nM104\nPTM\nLV20\nM24\nTA17\nM14\nSK06\nM104\nM104\nPN\nLV28\nM15\nTA19\nM90\nSK10\nM104\nM104\nPB\nLV100\nM56\nM26\nSK12\nM104\nM104\nLV130\nM17\nM100\nSK13\nM104\nM104\nLV11\nM19\nM21\nSK20\nM104\nM104\nLV204\nM23\nM07\nSK25\nM104\nM104\nM615\nM10\nSK25\nM80\nM2100\nSK45\nM616\nM13\nSK46\nM205\nSeduta \u002F Seat\nTessuto \u002F Fabric  MIRAGLIO\nTessuto \u002F Fabric  TARANTINO\nTessuto \u002F Fabric  LAS VEGAS\nTessuto \u002F Fabric  SAKE\nPelle \u002F Leather\nEcopelle \u002F Imitation Leather  ALCE\nLana \u002F Wool NORDIC\nTA20\nLV622\nSK01\nPS\nM104\nM104\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.16.png","28\nIl divano Yume nasce dallo studio dei materiali compositi e dal desiderio di \ncreare un’emozione nello spazio domestico, design allo stato puro. La forma \norganica del divano Yume lo rendono leggero e poco ingombrante.\nLa sua forma fluidamente curva, confortevole, morbida ed attraente,\npuò essere avvolta da un tessuto stretching, disponibile in diversi colori o in \ntessuti preziosi.\nThe sofa Yume comes from the study of composite materials and the desire \nto create an emotion in the domestic space, design in its purest form. The \naerodynamic shape of the sofa make Yume light and compact. Its shape is \nsmoothly curved, comfortable, soft and attractive, It could be wrapped by a \nstretching fabric, available in different colors or luxurious fabrics.\nYUME\ndesign\nDaniel Rode\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.17.png","30\nYUME\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.18.png","32\nYUME\nFINITURE \u002F FINISHES\nIgnifugo\nFlame-retardant\nM104\nM617\nM130\nTA622\nM16\nSK01\nM104\nM104\nPC\nLV616\nM105\nTA28\nM18\nSK03\nM104\nM104\nPTM\nLV20\nM24\nTA17\nM14\nSK06\nM104\nM104\nPN\nLV28\nM15\nTA19\nM90\nSK10\nM104\nM104\nPB\nLV100\nM56\nM26\nSK12\nM104\nM104\nLV130\nM17\nM100\nSK13\nM104\nM104\nLV11\nM19\nM21\nSK20\nM104\nM104\nLV204\nM23\nM07\nSK25\nM104\nM104\nM615\nM10\nSK25\nM80\nM2100\nSK45\nM616\nM13\nSK46\nM205\nSeduta \u002F Seat\nTessuto \u002F Fabric  MIRAGLIO\nTessuto \u002F Fabric  TARANTINO\nTessuto \u002F Fabric  LAS VEGAS\nTessuto \u002F Fabric  SAKE\nPelle \u002F Leather\nEcopelle \u002F Imitation Leather  ALCE\nLana \u002F Wool NORDIC\nTA20\nLV622\nSK01\nPS\nM104\nM104\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.19.png","34\nUn divano unico nel suo genere morbido ed accogliente dalle forme soffici, \nmodulare e componibile. Moby è adatto ad ogni tipo di arredo, I multipli 45cm \nper 45 formano una geometria perfetta adatta ad ogni esigenza. Il divano è \nrealizzato rispettando le antiche tecniche di produzione e con materiali nobili.\nA unique sofa characterized by soft and welcoming shapes.Moby is suitable for \nevery kind of furniture, made by modular elements (45cm x 45cm) that create \na perfect geometry suitable for every need. The sofa is handcrafted using fine \nmaterials and traditional production techniques.\nMOBY\ndesign\nNunzio Sgobio\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.20.png","36\nMOBY\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.21.png","38\nMOBY\nFINITURE \u002F FINISHES\nIgnifugo\nFlame-retardant\nM104\nM617\nM130\nTA622\nM16\nSK01\nM104\nM104\nPC\nLV616\nM105\nTA28\nM18\nSK03\nM104\nM104\nPTM\nLV20\nM24\nTA17\nM14\nSK06\nM104\nM104\nPN\nLV28\nM15\nTA19\nM90\nSK10\nM104\nM104\nPB\nLV100\nM56\nM26\nSK12\nM104\nM104\nLV130\nM17\nM100\nSK13\nM104\nM104\nLV11\nM19\nM21\nSK20\nM104\nM104\nLV204\nM23\nM07\nSK25\nM104\nM104\nM615\nM10\nSK25\nM80\nM2100\nSK45\nM616\nM13\nSK46\nM205\nSeduta \u002F Seat\nTessuto \u002F Fabric  MIRAGLIO\nTessuto \u002F Fabric  TARANTINO\nTessuto \u002F Fabric  LAS VEGAS\nTessuto \u002F Fabric  SAKE\nPelle \u002F Leather\nEcopelle \u002F Imitation Leather  ALCE\nLana \u002F Wool NORDIC\nTA20\nLV622\nSK01\nPS\nM104\nM104\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.22.png","40\nLa poltrona-bergère Qeen è un oasi di pace all’interno di una stanza, infatti la \nforma e le misure dello schienale creano per chi ama rilassarsi un vero e proprio \nriparo dal mondo esterno. la Queen poltrona imbottita con materiali di prima \nqualità ha la struttura in legno di faggio.\nThe Queen bergère chair is an oasis of peace in a room, the shape and backrest \nmeasures create, for those who like to relax, a true sanctuary from the outside \nworld. Queen chair,upholstered with top quality materials, has the structure in \nbeech wood.\nQUEEN\ndesign\nSamuli Naamanka\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.23.png","42\nQUEEN FOR TWO\nQUEEN FOR THREE\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.24.png","44\nFINITURE \u002F FINISHES\nIgnifugo\nFlame-retardant\nM104\nM617\nM130\nTA622\nM16\nSK01\nM104\nM104\nPC\nLV616\nM105\nTA28\nM18\nSK03\nM104\nM104\nPTM\nLV20\nM24\nTA17\nM14\nSK06\nM104\nM104\nPN\nLV28\nM15\nTA19\nM90\nSK10\nM104\nM104\nPB\nLV100\nM56\nM26\nSK12\nM104\nM104\nLV130\nM17\nM100\nSK13\nM104\nM104\nLV11\nM19\nM21\nSK20\nM104\nM104\nLV204\nM23\nM07\nSK25\nM104\nM104\nM615\nM10\nSK25\nM80\nM2100\nSK45\nM616\nM13\nSK46\nM205\nSeduta \u002F Seat\nTessuto \u002F Fabric  MIRAGLIO\nTessuto \u002F Fabric  TARANTINO\nTessuto \u002F Fabric  LAS VEGAS\nTessuto \u002F Fabric  SAKE\nPelle \u002F Leather\nEcopelle \u002F Imitation Leather  ALCE\nLana \u002F Wool NORDIC\nTA20\nLV622\nSK01\nPS\nM104\nM104\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.25.png","46\nLa libreria modulare e portante “Oblò” è composta da elementi ovali in noce \ncanaletto. La struttura è legno, i frontali degli elementi ovali in noce possono \nessere della stessa essenza. La libreria modulare leggera e grintosa, ricorda  \ndelle ipotetiche finestre.\nThe modular bookshelf “Oblò” is made of oval elements in American walnut.\nThe structure is made of wood, the front of the oval walnut elements can be of \nthe same essence . The lightweight modular bookcase is  gritty, reminiscent of \nhypothetical windows.\nOBLÒ\ndesign\nNunzio Sgobio\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.26.png","48\nOBLÒ\nFINITURE \u002F FINITURE\nStruttura seduta \u002F Seat structure\nLegno \u002F Wood - Impiallacciato \u002F Veneered\nFRS\nRC2\nLNO\nLBO\nNCA\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.27.png","50\nSPECIFICHE TECNICHE\nTECHNICAL INFORMATIONS\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.28.png","misure\ndimensions\n \nL\u002FW \nP\u002FD \nH \nHS\ncm \n60 \n55 \n83 \n47\nin \n23,6 \n21,6 \n32,6 \n18,5\nSedia in multistrato di betulla, \nseduta in tessuto imbottito  \ne telaio in metallo cromato.\nChair in birch plywood,  \nseat upholstered fabric  \nand chromed metal frame.\nHOHTO\nmisure\ndimensions\n \nL\u002FW \nP\u002FD \nH \ncm \n122 \n98 \n108 \nin \n48 \n38,5 \n42,5\nPoltrona sospesa in multistrato \ndi frassino impiallacciato in \nvarie essenze, con cuscino in \ntessuto.\nSuspended chair in ash \nwood frame, veneered in \nvarious woods, and cushion.\nJIELLA\nmisure\ndimensions\n \nL\u002FW \nP\u002FD \nH \nHS \ncm \n89 \n72 \n81 \n40\nin \n35 \n28,3 \n31,9 \n15,7\nPoltrona in vetroresina \nimbottita.\nFiberglass upholstered \narmchair.\nSAMSARA\nmisure\ndimensions\n \nL\u002FW \nP\u002FD \nH \nHS \ncm \n275 \n125 \n100 \n35\nin \n108 \n49,2 \n39,3 \n13,5\nDivano in vetroresina imbottito \ncon un piede conico in metallo \ncromato o verniciato bianco.\nFiber glass upholstered \nsofa with chromed or white \nvarnished metal leg. \nYUME\nmisure\ndimensions\n \ncm\nin\nA\nL\u002FW \nP\u002FD \nH\n90 \n135 \n90\n35,4 \n53,1 \n35,4\nC\nL\u002FW \nP\u002FD \nH\n135 \n90 \n450\n53,1 \n35,4 \n17,7\nD\nL\u002FW \nP\u002FD \nH\n45 \n135 \n90\n17,7 \n53,1 \n35,4\nE\nL\u002FW \nP\u002FD \nH\n80 \n135 \n90\n31,4 \n53,1 \n35,4\nD+B\nL\u002FW \nP\u002FD \nH\n135 \n135 \n90\n53,1 \n53,1 \n35,4\nDivano in piuma (A, B) o in \nschiuma (C) con struttura in \nlegno.\nFeather (A, B) or foam (C) \nsofa with wooden frame. \nMOBY\nB\nE\nA\nD\nB\nC\nmisure\ndimensions\n \ncm\nin\nA\nL\u002FW \nP\u002FD \nH\n75 \n35 \n195\n29,5 \n13,7 \n76,7\nB\nL\u002FW \nP\u002FD \nH\n75 \n35 \n195\n29,5 \n13,7 \n76,7\nLibreria finitura noce o laccata, \ncon montanti in acciaio \nimpiallacciati in noce o laccati. \nI frontali della libreria possono \nessere in acciaio cromato o \nramato o in cuoio impunturato.\nSelf-bearing bookshelf, \nwalnut or lacquered finish. \nProfiles in walnut veneer or \nlacquered steel. Modules \nfinish can be chromed steel, \ncopper or leather.\nOBLÒ\nA\nB\nmisure\ndimensions\n \nL\u002FW \nP\u002FD \nH \nHS \ncm \n90 \n90 \n130 \n46\nin \n35,4 \n35,4 \n51,2 \n18\nmisure\ndimensions\n \nL\u002FW \nP\u002FD \nH \nHS \ncm \n90 \n90 \n130 \n46\nin \n35,4 \n35,4 \n51,2 \n18\nmisure\ndimensions\n \nL\u002FW \nP\u002FD \nH \nHS \ncm \n90 \n90 \n130 \n46\nin \n35,4 \n35,4 \n51,2 \n18\nBergere \nimbottita. \nUpholstered \nchair with \nwooden \nframe.\nDivano 2 posti \nimbottito.\nUpholstered \nsofa with \nwooden \nframe.\nDivano \n3 posti \nimbottito. \nUpholstered \nsofa with \nwooden \nframe.\nQUEEN\nQUEEN for two\nQUEEN for three\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.29.png","54\nFINITURE\nFINISHES\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.30.png","56\nLegni verniciati – Varnished woods \nNCA\nNoce canaletto su faggio o frassino\nBeechwood or ashwood tinted walnut canaletto\nNußbaum canaletto auf Buche oder Esche\nNoyer canaletto sur hêtre ou frêne\nHaya o fresno acabado nogal canaletto\nRC2\nRovere chiaro su frassino\nAshwood tinted light oak\nHell eiche auf Esche\nChêne clair sur frêne\nFresno acabado roble claro\nLAN\nAntracite poro aperto\nAnthracite open pore\nAnthrazit offen porig\nAnthracite pore ouvert\nAntracita poro abierto\nFRS\nFrassino sbiancato\nWhite ashwood\nEsche gekälkt\nFrêne blanchi\nFresno blanco\nLBO \nBianco poro aperto\nWhite open pore\nWeiß offen porig\nBlanc pore ouvert\nBlanco poro abierto\nPiani impiallacciati - Veneered top\nAcciaio – Steel – Stahl – Acier – Acero\nAS\nAlluminio satinato\nSatinated aluminium\nAlufarbig satiniert\nAluminium satiné\nAluminio satinado\nSA\nSabbia opaco\nSand matt\nSand matt\nSable mat\nArena mate\nAZ\nAzzurro opaco\nLight blue matt\nHellblau matt\nAzur mat\nAzul mate\nRU\nRuggine opaco\nRust matt\nRost matt\nRouille mat\nHerrumbre mate\nAN\nAntracite opaco\nAnthracite matt\nAnthrazit matt\nAnthracite mat\nGris oscuro mate\nNE\nNero opaco\nBlack matt\nSchwarz matt\nNoir mat\nNegro mate\nBI\nBianco opaco\nWhite matt\nWeiß matt\nBlanc mat\nBlanco mate\nC\nCromato\nChromed\nVerchromt\nChrome\nCromado\nTO\nTortora opaco\nTaupe matt\nTaubengrau matt\nTaupe mat\nTórtora mate\nChromato - Chromed\nVerniciato - Lacquered\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.31.png","58\nTessuto \u002F Fabric – Stoff – Tissu – Tejido\nMiraglio                                \nM104\nCrema\nCream\nCreme\nCrème\nCrema\nM17\nCarta da zucchero\nEgg blue\nBlassblau\nCarte de sucre\nCeleste\nM205\nFumo\nSmoke\nRauch\nFumé\nHumo\nM56\nCadetto\nSage green\nGraugrün\nVert sauge\nSalvia\nM616\nCenere\nAsh\nAsche\nCendre\nCeniza\nM130\nCachi\nKhaki\nKhaki\nKaki\nCaqui\nM19\nPervinca\nPeriwinkle\nHellviolett\nPervenche\nVioleta\nM617\nArdesia\nSlate\nSchiefer\nArdoise\nPizarra\nM105\nMandarino\nTangerine\nMandarine\nMandarin\nMandarina\nM23\nRosa\nPink\nRose\nRose\nRosa\nM16\nAvio\nAir force blue\nBlau-grau\nBleu\nAvio\nM24\nOliva\nOlive\nOlive\nOlive\nAceituna\nM615\nSalmone\nSalmon\nLachs\nSaumon\nSalmón\nM18\nCarbone\nCharcoal\nKohle\nCharbon\nCarbón\nM15\nPetrolio\nPetrol\nErdoel\nPétrole\nPetróleo\nM80\nTerracotta\nBrick\nZiegel rot\nBrique\nLadrillo\nComposizione\nComposition:\n100% PL\nSolidità alla luce\nLight fastness:\n≥ 4\nResistenza all’abrasione\nAbrasion resistance:\nMartindale\n≥ 100.000 cicli \u002F cycls\nIdrorepellente  \nWater-repellent\nM14\nOltremare\nDeep sea\nTiefsee\nEau profonde\nAgua profunda\nM90\nAmaranto\nAmaranth\nAmaranto\nAmaranto\nAmaranto\nM26\nZafferano\nSaffron\nSafran\nSafran\nAzafrán\nM100\nTronco\nTrunk\nKofferraum\nCoffre\nTronco\nTessuto \u002F Fabric – Stoff – Tissu – Tejido\nM21\nTurchese\nTurquoise\nTürkis\nTurquoise\nTurquesa\nM07\nRuggine\nRust\nRost\nRouille\nHerrumbre\nM10\nScarlatto\nScarlet\nScharlach\nÉcarlate\nEscarlata\nM2100\nBistrot\nBistro\nBistro\nBistrot\nBistro\nM13\nFelce\nFern\nFarn\nFougère\nHelecho\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.32.png","60\nTarantino                                \nTA20\nSabbia\nSand\nSand\nSable\nArena\nTA622\nCastano\nChestnut\nKastanien braun\nChatain\nCastaño\nTA28\nZafferano\nSaffron\nSafran\nSafran\nAzafrán\nTA17\nCenere\nAsh\nAsche\nCendre\nCeniza\nTA19\nPerla\nPearl\nPerle\nPerle\nPerla\nComposizione\nComposition:\n12% VI - 88% PL\nSolidità alla luce\nLight fastness:\n≥ 4\nResistenza all’abrasione\nAbrasion resistance:\nMartindale\n≥ 100.000 cicli \u002F cycles\nTessuto \u002F Fabric – Stoff – Tissu – Tejido\nLas Vegas\nLV28  \nLimone\nLemon\nZitrone\nCitron\nLimòn\nLV11\nFango\nMud\nSchlamm\nBoue\nBarro\nLV204\nBosco\nWood\nHolz\nBois\nMadera\nLV130\nTortora\nTaupe\nBraungrau\nTaupe\nGris topo\nLV616\nOyster\nOyster\nAuster\nHuître\nOstra\nLV20\nLino\nLinen\nLeinen\nLin\nLino\nLV622\nTalpa\nDark taupe\nDunkles Taupe\nTaupe foncé\nMarrón oscuro\nLV100\nCenere\nAsh\nAsche\nCendre\nCeniza\nComposizione\nComposition:\n12% VI - 88% PL\nSolidità alla luce\nLight fastness:\n≥ 4\nResistenza all’abrasione\nAbrasion resistance:\nMartindale\n≥ 80.000 cicli \u002F cycles\nAntimacchia \nStain repellent\nA450\nCammello\nCamel\nKamel\nChameau\nCamel\nA001\nBianco\nWhite\nWeiß\nBlanc\nBlanco\nA750\nTortora\nTaupe\nTaubengrau\nTaupe\nTórtora\nA016\nNero\nBlack\nSchwarz\nNoir\nNegro\nA850\nAntracite\nAnthracite\nAnthrazit\nAnthracite\nGris oscuro\nA140\nMoka\nMoka\nMoka\nMoka\nMoka\nA950\nNoce\nWalnut\nNussbaum\nNoyer\nNuez\nA175\nCappuccino\nCappuccino\nCappuccino\nCappuccino\nCappuccino\nA240\nFango\nMud\nSchlammfarbe\nBoue\nBarro\nAlce\nComposizione\nComposition:\n30% CO, 2% PU, 68% PVC\nSolidità alla luce\nLight fastness:\n7\nResistenza all’abrasione\nAbrasion resistance:\nMartindale\n≥ 102.400 cicli \u002F cycles\nUNI 9175\u002FFA1 (1IM) - IMO - FTP BS 7176\u002FEN1021 \nPARTS 1 & 2 1994 CALIFORNIA 117, SECTION E\nIgnifugicità\nFlame-retardantt\nEcopelle   \nImitation leather – Kunstleder – Similicuir – Imitación piel\nPelle – Leather – Leder – Cuir – Piel\nPelle cintura – Belt leather\nPS\nSabbia\nSand\nSand\nSable\nArena\nP1\nTesta di moro\nDark brown\nDunkelbraun\nMarron\nMarrón\nPTM\nTesta di moro\nDark brown\nDunkelbraun\nMarron\nMarrón\nP2\nPelle naturale\nNatural leather\nNatürliches Leder\nCuir naturel\nCuero natural\nPC\nCaffé\nCoffee\nKaffee\nCafé\nCafé\nPN\nNero\nBlack\nSchwarz\nNoir\nNegro\nPB\nBianco\nWhite\nWeiß\nBlanc\nBlanco\nPelle \u002F Leather – Leder – Cuir – Piel\nComposizione\nComposition:\n100% Pelle naturale\nLeather\nSolidità alla luce\nLight fastness:\n8\nSolidità alla flessione \nripetuta \u002F\nRepeated flexural strength:\nMartindale\n≥ 50.000 cicli \u002F cycles\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002Fca\u002Fc94392d5cf2293e2039ac777e9b869.33.png","62\nTessuto \u002F Fabric – Stoff – Tissu – Tejido\nSake\nSK01\nCenere\nAsh\nAsche\nCendre\nCeniza\nSK13\nGrigio\nGrey\nGrau\nGris\nGris\nSK12\nCorda\nRope\nSeil\nCorde\nCuerda\nSK46\nRosa\nPink\nRose\nRose\nRosa\nSK02\nTortora\nTaupe\nBraungrau\nTaupe\nGris 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