[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-desalto-paper":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":93},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":88,"matched_pages":89,"match_count":90,"two_pages":91,"show_text":92},9111,"Paper","desalto-paper","\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F1e\u002F6ad419225316f357e5840d96d59641.pdf","Desalto",1167,"desalto","2.9 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85],{"image":7,"text":15,"number":16},"Paper\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.2.png","desalto collections\ndesign Cristian Gori\nPaper\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.3.png","desalto collections\npp. 02\u002F03\n \nabout Paper\n \nit — Nell’arte dell’origami \nla carta, materiale \napparentemente umile e fragile, \nprende corpo in configurazioni \nche aspirano alla permanenza. \nIspirazione, tecnica e tempo \nsono gli ingredienti necessari \nper dare vita a un nuovo \nmodello, per tradurre l’idea \niniziale in una forma capace \ndi esprimere l’essenza di un \noggetto. Le possibilità creative \nsono infinite: il solo limite, \ncome dichiarava il maestro \nAkira Yoshizawa, è dato \ndall’immaginazione. Come un \norigami composito, la sedia \nprogettata da Cristian Gori, \nunisce una forma morbida \n– schienale e braccioli che \nsembrano nati dall’impronta \navvolgente di tre morbidi petali \n– con la geometrica varietà \ndelle strutture di sostegno. \nIl risultato è un equilibrato \nrapporto di pieno e vuoto \nadatto per diverse concezioni \ndel vivere, abitare, lavorare, in \ninterni ed esterni.\n \nen — In the art of origami, \nthe apparently humble and \nfragile material that is paper is \nshaped into forms that aspire \nto permanence. Inspiration, \nskill and time are the necessary \ningredients to create a new \nmodel, translating an initial idea \ninto the likeness of an object, a \nrepresentation of its essence. \nThe creative possibilities are \nendless: the only limit, as \norigami master Akira Yoshizawa \ntaught us, is your imagination. \nLike a composite origami, the \nchair designed by Cristian Gori \ncombines a soft shape – back \nand armrests reminiscent of \nthree soft, enveloping petals \n– with the geometric variety \nof the bases. The result is a \nbalanced blend of solids and \nspaces, suitable for a range of \napproaches to habitats, living \nand working spaces, both \nindoors and out. \n \nde — In der Origamikunst \nnimmt Papier, dieses \nscheinbar so anspruchslose \nund empfindliche Material, \neine feste Gestalt an, die den \nAnspruch auf Dauerhaftigkeit \nerhebt. Inspiration, Technik und \nZeit sind die Komponenten, die \nnötig sind, einem neuen Modell \nLeben einzuhauchen und eine \nanfängliche Idee in eine Form \nzu bringen, die das Wesen \neines Gegenstands ausdrückt. \nDie kreativen Möglichkeiten \nsind unendlich: Das einzige \nLimit, wie der Origami-Meister \nAkira Yoshizawa erklärt, \nsetzt die Fantasie. Wie ein \nvielschichtiges Origami, \nverbindet der von Cristian \nGori entworfene Stuhl eine \nweiche Form – Rückenlehne \nund Armlehnen erinnern \nan drei zarte Blütenblätter, \ndie sich öffnen – mit den \ngeometrischen Linien der \nGestelle. Das ergibt ein \nharmonisches Verhältnis \nzwischen vollen und leeren \nVolumen, geeignet für \nunterschiedliche Lebens-, \nWohn- und Arbeitskonzepte, \nin Innen- und Außenräumen.\n \nfr — Dans l’art de \nl’origami, le papier, matériau \napparemment humble et \nfragile, prend corps dans des \nconfigurations qui aspirent à \nla permanence. Inspiration, \ntechnique et temps sont les \ningrédients nécessaires pour \ndonner vie à un nouveau \nmodèle, pour traduire l’idée \ninitiale en une forme capable \nd’exprimer l’essence d’un \nobjet. Les possibilités créatives \nsont infinies : la seule limite, \ncomme le déclarait le maître \nAkira Yoshizawa, est donnée \npar l’imagination. Comme un \norigami composite, la chaise \ndessinée par Cristian Gori \nunit une forme douce – un \ndossier et des accoudoirs qui \nsemblent nés de l’empreinte \nenveloppante de trois pétales \ndélicats – et la variété \ngéométrique des structures \nde support. Le résultat est un \nrapport équilibré entre le vide \net le plein, adapté à différentes \nconceptions de vie, d’habitat, \nde travail, à l’intérieur et à \nl’extérieur.\n \nes — En el arte del \norigami, el papel, un material \naparentemente humilde y frágil, \ntoma forma en configuraciones \nque aspiran a la durabilidad. \nInspiración, técnica y \ntiempo son los ingredientes \nnecesarios para crear un nuevo \nmodelo, para traducir la idea \ninicial en una forma capaz \nde expresar la esencia de \nun objeto. Las posibilidades \ncreativas son infinitas: el único \nlímite, según lo declarado por \nel maestro Akira Yoshizawa, \nestá dado por la imaginación.\nComo un origami compuesto, la \nsilla diseñada por Cristian Gori \ncombina una forma delicada \n-respaldo y reposabrazos que \nparecen llegar de la huella \nenvolvente de tres pétalos \nsuaves- con la variedad \ngeométrica de las estructuras \nde soporte. El resultado es una \nrelación equilibrada de lleno y \nvacío adecuada para diferentes \nconceptos de vivir, habitar \ny trabajar, dentro y fuera de \ncasa.\nPaper\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.4.png","pp. 04\u002F05\ndesalto collections\npersonal\n Dedicarsi un’isola, \nabbracciare una \ndivagazione dal ritmo \nquotidiano.\n Granting yourself \nan island, embracing \na departure from your \ndaily routine.\nPaper 541 \u002F 4 steel \ntube elliptical legs: grafite \n\u002F seat: black\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.5.png","desalto collections\npp. 06\u002F07\nconsistent\nPaper 541 \u002F 4 steel \ntube elliptical legs: grafite \n\u002F seat: black\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.6.png","desalto collections\npp. 08\u002F09\ninformal\nHelsinki 35 outdoor \u002F table\ndesign Caronni + Bonanomi\n1995\nPaper 548 outdoor \u002F 4 legs \nwith round tubular steel: \nbungee brown \u002F seat: moss \ngreen\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.7.png","pp. 10\u002F11\ngreen\nPaper 548 outdoor \u002F 4 legs \nwith round tubular steel: \nbungee brown \u002F seat: moss \ngreen\nHelsinki 35 outdoor \u002F table\ndesign Caronni + Bonanomi\n1995\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.8.png","pp. 12\u002F13\nconfident\n Il piacere di un \nincontro: preparare \nla scena, prendere \nposto, iniziare \nun viaggio insieme.\n The pleasure of \na meeting: preparing \nthe stage, taking the \nseats, starting the \njourney together.\ndesalto collections\nPaper 542 \u002F 4 legs in \nsolid oak wood: natural oak \n\u002F seat: bungee brown\nIblea \u002F table\ndesign Gordon Guillaumier\n2007\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.9.png","desalto collections\npp. 14\u002F15\nneat\nPaper 542 \u002F 4 legs in \nsolid oak wood: natural oak \n\u002F seat: bungee brown\nPaper 543 \u002F swivelling central \nupright with 4 star base: white \n\u002F seat: white\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.10.png","pp. 16\u002F17\nbalanced\nPaper 543 \u002F swivelling central \nupright with 4 star base: white \n\u002F seat: white\nClay \u002F table\ndesign Marc Krusin\n2016\n Contemplare \nl’equilibrio \ndelle proporzioni, \nnell’atmosfera \nrarefatta \ndi un paesaggio \nmetafisico.\n   \ndesalto collections\n Contemplating \nthe balance of \nproportions, \nin the rarefied \natmosphere \nof a metaphysical \nlandscape. \n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.11.png","pp. 18\u002F19\nrigorous\nHelsinki 35 office \u002F table\ndesign Caronni + Bonanomi\n1995\n Girare attorno \na un’idea, inseguirla, \nancora una volta. \nInfine, darle corpo \ncon precisa levità.\n Circling around \nan idea, pursuing it,\nonce again. Finally, \nrealizing it with precise \nlightness.\ndesalto collections\nPaper 546 \u002F swivelling central\nupright adjustable height \nwith 5 star base with wheels: \nblack \u002F seat: black\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.12.png","pp. 20\u002F21\ncomfortable\nPaper 546 \u002F swivelling central\nupright adjustable height \nwith 5 star base with wheels: \nblack \u002F seat: black\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.13.png","desalto collections\npp. 22\u002F23\nabaco\nPaper — 541 \u002F steel frame elliptical legs\nPaper — 542 \u002F frame in solid oak wood\nPaper — 543 \u002F swivelling chair\nPaper — 546 \u002F swivelling chair adjustable height with wheels\nPaper — 547 \u002F steel frame round legs\nPaper — 548 \u002F steel frame round legs — outdoor\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.14.png","pp. 24\u002F25\nPaper — chair\n \nSedia in polipropilene caricato \ncon fibra di vetro e stabilizzato anti \nUV. Disponibile con imbottitura \nrealizzata tramite controscocca \ntermoformata in plastica rivestita.\n \nDisponibile nelle versioni:\n— \n4 gambe in tubo d’acciaio \n \na sezione ellittica\n— \n4 gambe in massello di rovere\n— \nPiantana centrale girevole \n \ncon base a 4 razze\n— \nPiantana centrale girevole \n \nad altezza variabile con base \n \na 5 razze dotate di ruote\n— \n4 gambe in tubolare d’acciaio \n \ntondo (adatta per utilizzo \n \noutdoor)\n \nChair in polypropylene molded \nwith fibre glass and stabilized \nanti-UV. Available also with padding \nrealized with a covered plastic \nthermoformed countershell .\n \nAvailable in the following versions:\n— \n4 steel tube elliptical legs\n— \n4 legs in solid oak wood\n— \nswivelling central upright with \n \n4 star base\n— \nswivelling central upright \n \nadjustable height with 5 star \n \nbase with wheels\n— \n4 legs with round tubular steel \n \n(available for outdoor)\n \nChaise avec coque en \npolypropylène chargé de fibre de \nverre et stabilisé anti-UV. Disponible \naussi avec un rembourrage réalisé \npar une contre-coque thermoformée \nen plastique revêtue \n \nDisponible dans les versions  \n \nsuivantes:\n— \nstructure 4 pieds en tube acier, \n \nà section elliptique\n— \n4 pieds en chêne massif\n— \npiètement centrale pivotant \n \nà 4 branches\n— \npiètement centrale pivotant \n \nà hauteur variable avec base \n \nà 5 branches sur roulettes\n— \nstructure 4 pieds en tubulaire \n \nd’acier, section ronde \n \n(apte aussi pour outdoor)\n \nStuhl aus glasfaserverstärktem \nPolypropylen geschützt mit UV \nStrahlen. Erhältlich auch mit \nPolsterkissen, dessen Kern aus \nthermogeformten Kunststoff \ngefertigt wird.\n \nVerfügbar in den folgenden  \n \nVersionen:\n— \n4 elliptische Beine aus Stahlrohr\n— \n4 Beine aus Eiche Massivholz\n— \nDrehbarerer Mittelständer \n \nmit 4 Kreuzfüsse\n— \nDrehbarerer Mittelständer \n \nhöhenverstellbar mit \n \n5 Kreuzfüsse ausgestattet \n \nmit Rollen\n— \n4 Beine aus rundem Stahlrohr \n \n(geeignet für Aussenbereich )\n \nSilla con casco en polipropileno \ncargado con fibra de vidrio y tratado \nanti-UV. Disponible también con \nacolchado realizado mediante un \ncontra-casco termoformado en \nplástico revestido.\n \nDisponible en les versiones  \n \nsiguientes:\n— \nestructura de 4 patas en tubo \n \nde acero con sección elíptica\n— \n4 patas en roble macizo\n— \nbase central giratoria con \n \n4 radios\n— \nbase central giratoria con altura \n \nvariable y 5 radios con ruedas\n— \n4 patas en tubo de acero \n \nredondo (utilizable también para \n \nuso externo) \ndesign Cristian Gori\nPaper — 547\n4 gambe in tubolare d’acciaio tondo\n\u002F 4 legs with round tubular steel \nPaper — 548 outdoor\n4 gambe in tubolare d’acciaio tondo\n\u002F 4 legs with round tubular steel \nScocche \u002F Seat\nF18 bianco \u002F white\nF37 curry\nF38 tortora\nF39 nero \u002F black\nF46 petrolio\nF71 ruggine\nF73 marrone bungee \u002F bungee brown\nF77 grafite\nF78 verde moss \u002F moss green\n541 — Struttura \u002F Frame\nStessi colori della scocca\n\u002F Lacquered in the same colors \nas the seat\nB84 grigio umbro \u002F umbro grey\n542 — Struttura \u002F Frame\nEssenze \u002F Wood\nC68 rovere moro \u002F moro oak\nC76 rovere grafite \u002F grafite oak\nC88 rovere naturale \u002F natural oak \n543 — Struttura \u002F Frame\nStessi colori della scocca\n\u002F Lacquered in the same colors \nas the seat\nB84 grigio umbro \u002F umbro grey\nA08 alluminio lucido\n546 — Struttura \u002F Frame\nStessi colori della scocca\n\u002F Lacquered in the same colors \nas the seat\nB84 grigio umbro \u002F umbro grey\nA08 alluminio lucido\n547 — Struttura \u002F Frame\nStessi colori della scocca\n\u002F Lacquered in the same colors \nas the seat\nB84 grigio umbro \u002F umbro grey\n548 — Struttura \u002F Frame\nStessi colori della scocca\n\u002F Lacquered in the same colors \nas the seat\nFiniture \u002F Finishes\n59\n55\n78\n45\n59\n55\n78\n45\nPaper — 543\nPiantana centrale girevole con base \na 4 razze \u002F Swivelling central upright \nwith 4 star base\nPaper — 546\nPiantana centrale girevole ad altezza \nvariabile con base a 5 razze dotate di ruote\n\u002F Swivelling central upright adjustable \nheight with 5 star base with wheels\nPaper — 542\n4 gambe in massello di rovere\n\u002F 4 legs in solid oak wood\nPaper — 541\n4 gambe in tubo d’acciaio a sezione \nellittica \u002F 4 steel tube elliptical legs\n61\n61\n78\n45\n59\n55\n78\n45\n67\n64\n78 \u002F 86\n45 \u002F 53\n59\n55\n78\n45\nabaco\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.15.png","desalto collections\nPaper 548 — outdoor\n4 legs with round tubular steel: \nbungee brown \u002F seat: moss green\nPaper 541 \n4 steel tube elliptical legs: grafite \n\u002F seat: tortora\n 548 \n 541 \n 542 \n 543 \n 546 \nPaper 542 \n4 legs in solid oak wood: natural \noak \u002F seat: bungee brown\nPaper 543 \nswivelling central upright with \n4 star base: white \u002F seat: white\nPaper 546 \nswivelling central upright \nadjustable height with 5 star base \nwith wheels: black \u002F seat: black\npp. 26\u002F27\nabaco\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.16.png","pp. 28\u002F29\ndesalto collections\nfinishes\nF39 nero \n\u002F black\nF46 petrolio\nF71 ruggine\nF73 marrone bungee \n\u002F bungee brown\nF77 grafite\nF78 verde moss \n\u002F moss green\nF18 bianco \n\u002F white\nF37 curry\nF38 tortora\nA08 alluminio lucido\n\u002F polished aluminium\nB84 laccato grigio umbro\n\u002F umbro grey lacquer\nC68 rovere moro\n\u002F moro oak\nC76 rovere grafite\n\u002F grafite oak \nC88 rovere naturale\n\u002F natural oak \nPaper — chair\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.17.png","pp. 30\u002F31\ndesigner\n \nCristian Gori\n \nit — Nato nel 1977, \ndopo aver conseguito il \ndiploma all’Istituto d’Arte \ndi Siena, si inserisce nel \nmondo dell’arredo partendo \ndall’azienda di ferro battuto \ndel padre. Nel 1996 inizia il \nsuo percorso come designer \ndi prodotto e viene premiato \nnel 1997 e nel 2001 al \nconcorso Young&Design \ndurante il Salone del \nMobile di Milano. Vanta una \ncollaborazione ventennale \ncon lo studio Pocci + Dondoli \ncon il quale ha sviluppato \nnumerosi progetti soprattutto \nnell’ambito delle sedute. \nIl suo lavoro si sviluppa su \npiù fronti, che vanno dalla \nconsulenza sul prodotto alla \nprogettazione di allestimenti \nper la moda, ma il focus \nprincipale rimane il product \ndesign. “Mi piace vedermi \ncome un disegnatore di sedie, \nper le quali ho una passione \nsmodata e delle quali ho una \nbella collezione.”\n \nen — Born in 1977, he \ngraduated from the Institute \nof Art in Siena and entered \nthe world of furnishing starting \nfrom his father’s wrought iron \ncompany. He began his career \nas product designer in 1996 \nand in 1997 and 2001 was \nawarded at the Young&Design \ncompetition during the Milan \nFurniture Fair. He boasts a \ntwenty-year collaboration \nwith Pocci + Dondoli Studio \nwith which he has developed \nnumerous projects, especially \nchairs. His work develops \non several areas, ranging \nfrom product consultancy \nto fashion settings design, \nhowever his main focus is \nproduct design. “I like to \nsee myself as a designer of \nchairs, for which I have an \nimmoderate passion and \nof which I have a beautiful \ncollection.”\n \nde — Geboren \n1977, schließt Gori die \nKunstschule von Siena mit \ndem Diplom ab und nutzt \nden Kunstschmiedebetrieb \nseines Vaters zum Einstieg \nin den Einrichtungssektor. \n1996 beginnt seine Karriere \nals Produktdesigner; \n1997 und 2001 wird er im \nBewerb Young&Design \nanlässlich der Mailänder \nMöbelmesse ausgezeichnet. \nIn seiner zwanzigjährigen \nZusammenarbeit mit dem \nStudio Pocci + Dondoli, \nentwarf Gori zahlreiche \nProdukte, vor allem im Bereich \nSitzmöbel. Seine Arbeit übt \ner auf mehreren Fronten aus, \nvon Produktberatung zum \nEntwurf von Arrangements \nim Modebereich, Kernpunkt \nseiner Arbeit bleibt aber \nProduktdesign. „Ich sehe \nmich gerne als Designer von \nStuehle und Sesseln, die \nmeine große Leidenschaft \nsind. Ich besitze eine schöne \nKollektion davon.“\n \nfr — Né en 1977, après \nson diplôme à l’Institut d’Art \nde Sienne, il entre dans le \nmonde de la décoration en \npartant de l’entreprise de fer \nforgé de son père. En 1996, \nil entreprend sa carrière \ncomme designer du produit \net a remporté un prix en \n1997 et en 2001 au concours \nYoung&Design lié au Salon \ndu Meuble de Milan. En vingt \nans de collaboration avec le \nStudio Pocci + Dondoli, \nil a mis au point de nombreux \nproduits surtout dans le \ndomaine des sièges. \nSon travail se développe sur \nplusieurs fronts, qui vont du \nconseil sur le produit à la \nconception d’aménagements \npour la mode, mais son cœur \nde métier reste le design \nde produit. « J’aime me voir \ncomme un dessinateur de \nchaises, pour lesquelles j’ai \nune passion démesurée et \ndont j’ai une belle collection ». \n \nes — Nacido en 1977, tras \nhaber conseguido el diploma \nen el Instituto de Arte de \nSiena, inicia su actividad en \nel mundo del interiorismo \npartiendo de la empresa de su \npadre que se dedica a labores \nen hierro forjado. Comenzó \nsu carrera como diseñador \nde producto en 1996 y fue \npremiado en 1997 y 2001 en \nel concurso Young&Design \nen el Salón del Mueble de \nMilán. Presume de veinte \naños de colaboración con \nel estudio Pocci + Dondoli \ncon el que ha desarrollado \nnumerosos productos, \nespecialmente en el ámbito de \nlos asientos. Su actividad se \nconcentra en varios frentes, \ndesde el asesoramiento \ndel producto hasta el \ndiseño de presentaciones \nen el sector de la moda, \naunque el enfoque principal \nsigue siendo el diseño de \nproductos. “Me gusta verme \ncomo un diseñador de sillas, \npor lo que siento una pasión \ndesmesurada y de las que \ntengo una hermosa colección”. \n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F62\u002F5c2a0c19d26206f480bd011dc65f92.18.png","Paper\nart direction\nStudio Gordon Guillaumier\ngraphic design\nDesignwork\nphotography\nGionata Xerra\nstyling\nGabriella Maria Zecca\ntexts\nMadSans studio\ncolour separation\nLucegroup.it\nprinted in Italy by\nGrafica Gioia\n02.2019 ©Desalto Spa\nthanks to\nAmini carpets\nCC-tapis\nFoscarini\nNemo\nDesalto Spa\nvia per Montesolaro \nC.P. 150 \n22063 Cantù — CO\nItaly\nt +39 031 7832211\nf +39 031 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