[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-de-castelli-collection-2021":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":705},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":700,"matched_pages":701,"match_count":702,"two_pages":703,"show_text":704},14680,"Collection 2021","de-castelli-collection-2021","\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fa2\u002F16094a7b5d238226bb8fc46fa14d4d-281a71d7be.pdf","De Castelli",1928,"de-castelli","11.7 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181,185,189,193,197,201,205,209,213,217,221,225,229,233,237,241,245,249,253,257,261,265,269,273,277,281,285,289,293,297,301,305,309,313,317,321,325,329,333,337,341,345,349,353,357,361,365,369,373,377,381,385,389,393,397,401,405,409,413,417,421,425,429,433,437,441,445,449,453,457,461,465,469,473,477,481,485,489,493,497,501,505,509,513,517,521,525,529,533,537,541,545,549,553,557,561,565,569,573,577,581,585,589,593,597,601,605,609,613,617,621,625,629,633,637,641,645,649,653,657,661,665,669,673,677,681,685,689,693,697],{"image":7,"text":15,"number":16},"C O L L E C T I O N\n \n2021\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.2.png","C O L L E C T I O N  \n2 0 2 1\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.3.png","–\n“The eternity  \nof metal, the uniqueness  \nof the finishings”\nMATERIAL THINKING\n\t\nPiegare\til\tmetallo\tper\tvestire\tlo\tspazio\t\narchitettonico\trichiede\tconoscenza\te\tamore\tper\tla\tmateria\t\ne\tper\tle\tsue\tpotenzialità\tespressive,\toltre\tche\tgrande\t\ncreatività\te\tcontinua\tricerca\ttecnologica.\tIn\tDe\tCastelli,\t\npensiero\tprogettuale\te\tcapacità\tesecutiva\tdanno\tvita\t\na\trivestimenti\tdi\taltissima\tqualità\trealizzativa,\tcon\tesiti\t\nformali\tsorprendenti.\tLa\tcura\tminuziosa\tdei\tdettagli\t\t\ne\tl’esecuzione\tmanuale\tdi\ttutte\tle\toperazioni\tdi\tfinitura\t\nsono\tla\ttestimonianza\tdel\tsaper\tfare\tdi\tun’azienda\t\nche\ttrova\tnella\tsperimentazione\tsul\tmetallo,\tnelle\tsue\t\ndeclinazioni\te\tcontaminazioni,\tla\tpropria\tcifra\tidentitaria.\t\n\t\n\t\nFolding\tmetal\tto\tadorn\tarchitectural\tspace\t\nrequires\tknowledge\tand\tlove\tfor\tthe\tmaterial\tand\tits\t\nexpressive\tpotentialities,\tas\twell\tas\tgreat\tcreativity\t\t\nand\tcontinuous\ttechnological\tresearch.\tIn\tDe\tCastelli,\t\t\nour\tproject\tphilosophy\tand\texpertise\tin\texecution\tgive\t\nlife\tto\twall\tcoverings\tof\tthe\thighest\tmanufacturing\t\nquality\tand\tan\tastonishing\tarray\tof\tforms.\tThe\tmeticulous\t\nattention\tto\tdetails\tand\tthe\tmanual\texecution\tof\tall\t\nfinishing\toperations\ttestify\tto\tthe\texpertise\tof\ta\tcompany\t\nwhose\tvery\tidentity\tand\traison\td’être\tis\tto\texperiment\t\nwith\tmetal\tand\texplore\tthe\tfull\tpotential\tof\tits\tvariations\t\nand\tpermutations.\n2 — 3\nM A T E R I A L  T H I N K I N G\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.4.png","HARD COUTURE\n\t\nFedele\talla\tscelta\tdi\trestituire\tal\tmetallo\tun\truolo\t\nprivilegiato\tnella\tsperimentazione\tprogettuale,\tDe\tCastelli\t\ninnesta\tin\tprocessi\ttipicamente\tindustriali\tla\tmatrice\tdi\t\nun\tpensiero\te\tdi\tun\tfare\tartigianale\tche\tporta\tad\tesiti\tdel\t\ntutto\tinediti.\tL’incontro\tcon\til\tdesign\tsollecita\tun\tapproccio\t\nal\tmateriale\tfondato\tsul\trispetto\tdelle\tsue\tpossibilità,\t\nanche\tdi\tquelle\tpiù\tnascoste,\tche\temergono\tvia\tvia\tin\tuna\t\ncollezione\tdi\tprodotti\tseriali\te\tal\ttempo\tstesso\tunici.\tNon\t\nsolo\tperché\tunica\tè\tla\tmano\tche\tli\tcrea,\tma\tperché\tunico\t\nè\tanche\til\tpercorso\tculturale\tche\tmette\tal\tcentro\til\tvalore\t\nestetico,\toltre\tche\tfunzionale,\tdella\tmateria\tprimigenia\tcon\t\ncui\tDe\tCastelli\tplasma\tlo\tspazio\tabitativo.\tOgni\toggetto,\t\nanche\tnella\tripetizione\tdella\tforma,\tè\tun\tatto\tcreativo\t\nin\tsé,\tche\tincorpora\tun\tpatrimonio\tdi\tcompetenze\te\tdi\t\nricerca\tin\tcostante\tevoluzione.\tSi\tribalta\tcosì\tl’equazione\t\nche\tconfina\tla\tfreddezza\tdel\tmetallo\tai\tmargini\tdei\t\nprogetti\tdi\tarredo,\tper\triportare\tferro,\tottone\te\trame,\tnelle\t\nloro\tmolteplici\tvariazioni\te\tfiniture,\tal\tcentro\tdi\tuna\tscena\t\ncompletamente\trinnovata,\tdove\tsplendono\tfinalmente\tdi\t\nluce\tpropria.\n\t\n\t\nFaithful\tto\tits\tdecision\tto\treinstate\tthe\tspecial\t\nrole\tof\tmetal\tin\tdesign\tand\texperimentation,\tDe\tCastelli\t\ninfuses\tartisan\tideas\tand\tworkmanship\tinto\tindustrial\t\nprocesses,\tleading\tto\tentirely\toriginal\tresults.\tThe\t\nencounter\twith\tdesign\tinspires\tan\tapproach\tto\tmaterials\t\nfounded\tupon\trespect\tfor\ttheir\tpotential,\tbe\tit\thidden\t\nor\tobvious,\twhich\temerges\tslowly\tin\ta\tcollection\tof\t\npieces\tthat,\tdespite\tbeing\tpart\tof\ta\tseries,\tremain\tunique.\t\nUnique\tnot\tonly\tfor\tthe\thand\tthat\thas\tcreated\tthem,\tbut\t\nalso\tfor\tthe\tsingular\tcultural\tpath\tthat\tfocuses\ton\tthe\t\naesthetic\t(and\tnot\tjust\tpractical)\tvalue\tof\tthe\tprimordial\t\nmaterial\twith\twhich\tDe\tCastelli\tshapes\tliving\tspaces.\t\nEach\tobject,\teven\tin\tthe\trepetition\tof\tform,\tis\ta\tcreative\t\nact\tin\tand\tof\titself,\tone\tthat\tincorporates\ta\theritage\tof\t\nconstantly-evolving\texpertise\tand\tresearch.\tThe\tequation\t\nthat\trelegates\t‘cold’\tmetals\tto\tthe\tmargins\tof\tfurnishing\t\nprojects\tis\tthus\toverturned,\tbringing\tiron,\tbrass\tand\t\ncopper,\tin\ttheir\tinfinite\tvariations\tand\tfinishes,\tto\tthe\t\ncentre\tof\tan\tentirely\trenewed\tstage,\tallowing\tthem\tto\t\nfinally\tshine\twith\ttheir\town\tlight.\nC O L L E C T I O N\n4 — 5\nH A R D  C O U T U R E\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.5.png","A bespoke approach\n6 — 7\nH A R D  C O U T U R E\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.6.png","Unique Techniques\n8 — 9\nH A R D  C O U T U R E\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.7.png","1 0 — 1 1\nH A R D  C O U T U R E\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.8.png","COLLECTION\n\t\nAl\tcrocevia\ttra\talto\tartigianato,\ttecnologia\t\navanzata\te\tricerca\testetica,\tla\tcollezione\tinterpreta\t\t\nle\tpotenzialità\tdel\tmetallo\tcome\tmateria\tduttile\tche\t\ndiviene\tpresenza\tricorrente\tall’interno\tdella\tcasa.\t\t\nGrazie\talla\tcomplicità\tdei\tdesigner\tche\taffinano\ti\tprogetti\t\nnelle\tofficine\taziendali\tcon\tl’expertise\tinsostituibile\t\t\ndegli\tartigiani\taziendali\tDe\tCastelli,\tl’odierna\tproduzione\t\t\ndi\tarredi\tci\tconsegna\tuna\tnuova\tvisione\tdel\tpaesaggio\t\ndomestico,\tdove\tla\tlavorazione\tsapiente\te\tcertosina\t\t\ndel\tmetallo\tsi\ttraduce\tin\timprevedibile\tespressività\t\t\ndella\tmateria.\tGli\toggetti\tdi\tquesto\tcatalogo\tne\tmettono\t\na\tnudo\tl’anima\tpiù\tnobile\te\tprofonda,\trifiutando\togni\t\nsoluzione\tad\teffetto\te\tpuntando\tdritto\talla\tsostanza\t\t\ndi\tun\tmateriale\tche\tsi\tsvela,\tpagina\tdopo\tpagina,\t\nossidazione\tdopo\tossidazione,\tin\tinesauribili\tvarianti\t\t\ndi\tsé\tstesso.\n\t\n\t\nA\tcrossroads\tbetween\tfine\tcraftsmanship,\t\nadvanced\ttechnology\tand\taesthetic\tresearch,\tthe\t\ncollection\tinterprets\tthe\tpotential\tof\tmetal\tas\ta\tflexible\t\nmaterial\tthat\tbecomes\ta\trecurring\tpresence\twithin\tthe\t\nhome.\tThanks\tto\tthe\tinvolvement\tof\tdesigners\tthat\t\nrefine\ttheir\tprojects\tat\tour\tcompany\tworkshops\twith\tthe\t\nirreplaceable\texpertise\tof\tin-house\tDe\tCastelli\tcraftsmen,\t\nthe\tcurrent\tstate\tof\tfurniture\tproduction\toffers\tus\ta\tnew\t\nvision\tof\tthe\tresidential\tlandscape,\twhere\tthe\tskilful,\teven\t\npainstaking\tworking\tof\tmetal\tis\ttranslated\tinto\toriginal\t\nexpressions\tof\tthe\tmaterial.\tThe\tobjects\tin\tthis\tcatalogue\t\nreveal\ta\tnoble,\tdeep\tsoul,\trejecting\tflashy\tsolutions\twhile\t\naiming\tstraight\tfor\tthe\tvery\tsubstance\tof\ta\tmaterial,\t\nrevealed\tpage\tafter\tpage,\toxidation\tafter\toxidation,\t\t\nin\tendless\tvariations\tof\titself.\n1 2 — 1 3\nC O L L E C T I O N\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.9.png","36.\nDIVANI E POUF\nSOFAS AND POUFS\n250.\nSPECCHIERE\nMIRRORS\n52.\nCONTENITORI E LIBRERIE\nCABINETS AND BOOKCASES\n266.\nLUCI\nLIGHTING\n288.\nVASI\nPOTS\n168.\nTAVOLI E SEDIE\nTABLES AND CHAIRS\n312.\nLANDSCAPE\nLANDSCAPE\n329.\nABACO FINITURE\nFINISHES ABACUS \nIndice\n16.\nRAME AT HOME\nCOPPER AT HOME\nCONTENTS\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.10.png","Rame \nat home\nCOPPER AT HOME\nA\tcollection\tof\teveryday\tobjects\t\nthat\tinterprets\t\ta\tnew\tgesture\t\nand\tenhance\tthe\tantibacterial\t\nproperties\tof\tcopper.\nCollezione di oggetti \nquotidiani che interpretano \nuna nuova gestualità  \ne valorizzano le proprietà \nantibatteriche del rame.\n1 6 — 1 7\nC O P P E R  A T  H O M E\nC O L L E C T I O N\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.11.png","Un piccolo tavolo contenitore a base romboidale. \nLa forma semplice lo rende modulare: abbinandolo \ncon altri elementi uguali, traslati o ruotati, è possibile \ninfatti ottenere numerose configurazioni. \nLa “pelle” in rame naturale lavorato con tecnica \nDeErosion crea un pattern a righe diagonali che \nvalorizza le geometrie ed enfatizza l’effetto grafico.\nGrazie alle proporzioni misurate e alle possibilità \ncompositive, Alpha può inserirsi in tutti gli ambienti con \ndiverse funzionalità.\nL’assenza del protettivo trasparente preserva intatte le \nproprietà antibatteriche del rame.\nA\tsmall\trhomboid-shaped\ttable\twith\tstorage\tspace.\t\nIts\tsimple\tshape\trenders\tit\tmodular:\tby\tcombining\tit\twith\t\nother\tidentical\telements,\teither\tmoved\taround\tor\trotated,\t\nnumerous\tconfigurations\tcan\tbe\tobtained.\t\nThe\tnatural\tcopper\t“skin”\tworked\tusing\tthe\tDeErosion\t\ntechnique\tcreates\ta\tdiagonal\tstriped\tpattern\tthat\t\nenhances\tthe\tgeometric\tshape\tand\temphasises\tthe\t\ngraphic\teffect.\tThanks\tto\tthe\tmeasured\tproportions\tand\t\nthe\tcompositional\tpossibilities,\tAlpha\tcan\tfit\tinto\tany\t\nenvironment\tand\tcan\tbe\tused\tin\tmany\tdifferent\tways.\nThe\tabsence\tof\ttranparent\tvarnishing\tmeans\tthe\t\nantibacterial\tproperties\tof\tthe\tcopper\tare\tpreserved\tintact.\nA L P H A\nDesign Martinelli Venezia\n1 8 — 1 9\nC O L L E C T I O N\nC O P P E R  A T  H O M E\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.12.png","DeErosion H12 natural copper\nC O L L E C T I O N\n2 0 — 2 1\nC O P P E R  A T  H O M E\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.13.png","Barista è un mobile bar compatto e dal volume \nscultoreo definito da un canneté di tondini in rame \nnaturale, di diversi diametri, che creano una texture \nirregolare e danno vita ad un morbido gioco di luci. \nIl piano superiore, sempre in rame naturale,  \nè in posizione leggermente ribassata rispetto ai fianchi  \ne diventa così funzionale all’appoggio e al servizio.\nIl mobile si apre a libro: la perfetta apertura a 180° \nè resa possibile dalla soluzione progettuale che disegna \nuna sezione a “V” e permette quindi alle due metà \nsimmetriche di combaciare. Il movimento è facilitato  \nda piccole ruote integrate nella base.\nL’interno è completamente in acciaio inox con una \nspecifica finitura a specchio, per moltiplicare come  \nin un caleidoscopio i colori dei liquori e i riflessi dei  \nvetri di bottiglie e bicchieri, ricordando l’atmosfera  \ne gli eleganti interni di club e cafè. \nBarista\tis\ta\tcompact\tmobile\tbar\twith\ta\tsculptural\tvolume,\t\ncharacterised\tby\ta\tribbed\teffect\tcomprising\tnatural\t\ncopper\trods\tof\tdiffering\tdiameters\twhich\tcreate\tan\t\nirregular\ttexture\tand\tgive\tlife\tto\ta\tsoft\tplay\tof\tlight.\nThe\tupper\tsurface,\talso\tin\tnatural\tcopper,\tis\tslightly\tlower\t\nthan\tthe\tperimeter,\tthus\tmaking\tit\tuseful\tfor\tresting\t\t\nand\tserving\tdrinks.\nThe\tcabinet\tbar\topens\tlike\ta\tbook:\tthe\tperfect\t180°\t\nopening\taction\tis\tmade\tpossible\tby\tthe\tdesign\tsolution\t\nwhich\tincorporates\ta\t“V”\tshape,\tthus\tenabling\tthe\ttwo\t\nsymmetrical\thalves\tto\talign\tperfectly.\tThe\topening\taction\t\nis\thelped\tby\ttwo\tsmall\twheels\thoused\twithin\tthe\tbase.\nThe\tinterior\tis\tmade\tentirely\tof\tstainless\tsteel\twith\ta\t\nspecial\tmirrored\tfinish,\twhich\tmultiplies\tthe\tkaleidoscope\t\nof\tcolours\tof\tthe\tbeverages\tand\tthe\treflections\tfrom\t\nthe\tglass\tbottles\tand\tglasses,\tengendering\tan\telegant\t\natmosphere\treminiscent\tof\ta\tclub\tor\tcafé.\nB A R I S TA\nDesign Adriano Design\n2 2 — 2 3\nC O L L E C T I O N\nC O P P E R  A T  H O M E\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.14.png","Brushed natural copper \nC O L L E C T I O N\n2 4 — 2 5\nC O P P E R  A T  H O M E\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.15.png","C O L L E C T I O N\n2 6 — 2 7\nC O P P E R  A T  H O M E\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.16.png","Il tavolo da gioco, oggetto d’antan dall’allure \nricercata, assume un nuovo valore nel ritrovato \ntempo domestico. Il piano tondo in rame naturale è \ncaratterizzato dalla finitura DeErosion resa speciale \nincludendo in maniera giocosa i diversi semi delle \ncarte. Quattro piccoli vassoi di servizio possono \nessere estratti all’occorrenza dal sottopiano per \nappoggiare il proprio mazzo di carte o un bicchiere. \nIl tavolo è completato da quattro sgabelli dalla forma \norganica, con base in rame e seduta rivestita in velluto.\nThis\tgames\ttable\tis\ta\tthrowback\tto\tyesteryear\twith\t\t\na\trefined\tallure,\twhich\ttakes\ton\ta\twhole\tnew\tvalue\tas\t\t\nwe\tfind\tourselves\twith\tincreased\tleisure\ttime\tat\thome.\nThe\tround\ttable\ttop\tin\tnatural\tfire-treated\tcopper\t\nis\tcharacterised\tby\tthe\tdistinctive\tDeErosion\tfinish,\t\nmade\teven\tmore\tspecial\tby\tthe\tplayful\tinclusion\t\t\nof\tthe\tsuits\tof\tthe\tdifferent\tplaying\tcards.\tFour\tsmall\t\nserving\ttrays\tcan\tbe\textracted\tfrom\tbeneath\tthe\ttable\t\ntop\twhen\tneeded,\tfor\tplacing\tplaying\tcards\tor\ta\tglass.\nThe\ttable\tis\trounded\toff\twith\tfour\torganically-shaped\t\nstools,\tfeaturing\ta\tcopper\tbase\tand\tseat\twith\tvelvet\t\nupholstery.\nB U R R A C O\nDesign Zanellato\u002FBortotto\nC O L L E C T I O N\n2 8 — 2 9\nC O P P E R  A T  H O M E\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.17.png","Brushed natural copper \nC O L L E C T I O N\n3 0 — 3 1\nC O P P E R  A T  H O M E\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.18.png","Con le sue forme essenziali e il movimento lento  \ne sinuoso, Wave suggerisce una nuova e più attenta \nconsapevolezza nel rito d’ingresso. Il progetto \nreinterpreta un archetipo asiatico, la shoebench,  \nche da complemento di servizio viene nobilitato  \ne reso un elemento di benvenuto adatto anche \nagli interni più sofisticati. La micro architettura, \ndisegnata con gesti semplici e fluidi, è realizzata con \nrame naturale in spessore che gioca con le curve, \ni pieni e i vuoti. La parete verticale a onda in rame \ntraforato alleggerisce il volume e ingentilisce la \nforma scultorea, accompagnando il moto di entrata; \nil movimento sottolinea la presenza del piatto \n“svuotatasche” invitando a depositare  \ngli oggetti che portiamo da fuori.\nWith\tits\tessential\tshapes\tand\tgentle,\tsinuous\tsense\t\t\nof\tmovement,\tWave\tsuggests\ta\trenewed,\tmore\t\nconscious\tfocus\ton\tthe\tritual\tof\tarriving\thome.\t\t\nThe\tproject\treinterprets\ta\tquintessential\tpiece\tof\tAsian\t\nfurniture:\tthe\tshoe\tbench.\tIts\thumble\tfunction\tas\t\t\na\tfurnishing\tcomplement\tis\tennobled\tand\ttransformed\t\ninto\ta\twelcoming\telement,\tsuitable\tfor\tgracing\teven\t\n\tthe\tmost\tsophisticated\tof\tinteriors.\t\nThe\tmicro\tarchitecture,\tdesigned\twith\tsimple,\tflowing\t\nforms,\tis\tproduced\tusing\tsolid\tnatural\tcopper\twhich\t\nplays\twith\tcurves,\tsolids\tand\tvoids.\tThe\tvertical\twave-\nshaped\twall\tin\tperforated\tcopper\tlends\tlightness\t\t\nto\tthe\tvolume\tand\tadds\ta\ttouch\tof\trefinement\tto\tthe\t\nsculptural\tform,\taccompanying\tthose\twho\tenter;\t\t\nthe\twave\tform\tserves\tto\tunderline\tthe\tpresence\t\t\nof\tthe\t“pocket\temptier”\tplate,\tinviting\tus\tto\tempty\t\t\nour\tpockets\tas\twe\tcome\thome.\nWAV E\nDesign Lanzavecchia + Wai\n3 2 — 3 3\nC O L L E C T I O N\nC O P P E R  A T  H O M E\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.19.png","Brushed natural copper\nC O L L E C T I O N\n3 4 — 3 5\nC O P P E R  A T  H O M E\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.20.png","SOFAS AND POUFS\nNew\tmetal\tpoetry:\t\nupholstered\tfurniture\t\t\nby\tDe\tCastelli.\nDivani\ne Pouf\nPer una nuova poetica \ndel metallo: gli imbottiti \nsecondo De Castelli.\n3 6 — 3 7\nC O L L E C T I O N\nS O F A S  A N D  P O U F S\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.21.png","Divano modulare che esprime una sintesi armoniosa  \ntra il rigore del metallo e la morbidezza dell’imbottitura, \nin un dialogo dall’originale compostezza formale. \nIl profilo dell’imbottitura è tratteggiato dalla preziosa \ncucitura a “punto cavallo”, mentre la base è definita  \nda una geometria in metallo.\nLe preziose finiture De Castelli e la qualità sartoriale \ndella tappezzeria disegnano un volume ricercato,  \ndi ispirazione modernista, che arreda gli interior \ndomestici e contract con una presenza importante  \ne scultorea. Disponibile nelle varianti divano da due,  \ntre o quatto posti e poltrona. \nModular\tsofa\tthat\texpresses\ta\tharmonious\t\t\nsynthesis\tbetween\tthe\trigor\tof\tmetal\tand\tthe\tsoftness\t\t\nof\tthe\tupholstery,\twhich\tinteract\tin\tan\toriginal\tformal\t\ncomposure.\tThe\tprofile\tof\tthe\tpadding\tis\toutlined\t\t\nby\tthe\tprecious\t“horse\tstitch”\tstitching,\twhile\tthe\tbase\t\t\nis\tdefined\tby\ta\tmetal\tgeometry.\tThe\tprecious\tmetal\tfinish\t\nand\tthe\tsartorial\tquality\tof\tthe\tupholstery\tcreate\ta\trefined\t\nvolume,\tinspired\tby\tmodernism,\twhich\tfurnish\tdomestic\t\nand\tcontract\tinteriors\twith\tan\timportant\tand\tsculptural\t\npresence.\tAvailable\tin\ttwo,\tthree\tor\tfour\tseat\tsofa\t\t\nand\tin\tthe\tarmchair\tversion.\t\nC A R AVA N\nDesign Emilio Nanni\n3 8 — 3 9\nC O L L E C T I O N\nS O F A S  A N D  P O U F S\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.22.png","C O L L E C T I O N\n4 0 — 4 1\nS O F A S  A N D  P O U F S\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.23.png","Brushed copper\nLeather:\t\t\nTesta di moro (Acquario)\nC O L L E C T I O N\n4 2 — 4 3\nS O F A S  A N D  P O U F S\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.24.png","C O L L E C T I O N\n4 4 — 4 5\nS O F A S  A N D  P O U F S\nC O L L E C T I O N\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.25.png","La collezione Loom sfida l’apparente contraddizione \ntra la durezza risaputa del metallo e la morbidezza \nconfortevole dell’imbottito. Loom fa dell’ossimoro \nla propria ispirazione, appoggiando le sue forme \naccoglienti ad una graffa in ottone che nello stringerle \nle abbraccia, definendone la forma stessa. \nLoom rappresenta l’approccio di De Castelli al mondo \ndell’imbottito: il metallo resta protagonista, pur \nrispettando tutta la comodità della seduta generosa, \nmettendosi in luce nei supporti che si affacciano \ngentilmente sui lati.\nThe\tLoom\tcollection\tchallenges\tthe\tapparent\t\ncontradiction\tbetween\tthe\thardness\tof\tmetal\tand\tthe\t\t\nsoft\tcomfort\tof\tupholstery.\tLoom\tturns\tan\toxymoron\t\t\ninto\tinspiration,\tpositioning\ta\twelcoming,\tfamiliar\tform\t\natop\ta\tbrass\tclip\tthat\tembraces\tas\tit\tholds\tthe\tcushions\t\t\nin\tplace,\tdefining\tits\tvery\tshape.\tLoom\tembodies\tthe\t\t\nDe\tCastelli\tapproach\tto\tthe\tworld\tof\tupholstery:\twhile\t\nrespecting\tthe\tcomfort\tof\tthe\tample\tseat,\tmetal\tremains\t\nthe\tstar,\ttruly\tshining\tin\tits\trole\tas\tsupporting\tarms\tthat\t\ngently\trise\tup\tat\tthe\tsides.\nL O O M\nDesign Filippo Pisan\nBrushed brass\nFabric:\t\nAsolo col. 16\n4 6 — 4 7\nC O L L E C T I O N\nS O F A S  A N D  P O U F S\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.26.png","C O L L E C T I O N\n4 8 — 4 9\nS O F A S  A N D  P O U F S\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.27.png","C O L L E C T I O N\n5 0 — 5 1\nS O F A S  A N D  P O U F S\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.28.png","Contenitori  \ne Librerie\nContenitori scrigno, \nlibrerie sentimentali  \ne paesaggi fantastici  \nper ogni ambiente  \ndella casa.\nCABINETS AND BOOKCASES\nTreasure\tchests,\tsentimental\t\nbookcases\tand\tfantastic\t\nlandscapes\tfor\tevery\troom\t\t\nof\tthe\thouse.\nC A B I N E T S  A N D  B O O K C A S E S\n5 2 — 5 3\nC O L L E C T I O N\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.29.png","Celato è un richiamo a ciò che viene nascosto per \nmantenere integra la memoria, è un archetipo in cui  \nla bellezza viene svelata per gradi. L’apparenza monolitica \nrende il Celato un contemporaneo menhir; come  \nla leggenda che racconta di favolosi tesori custoditi sotto \nqueste pietre sacre, il Celato rivela una doppia anima,  \ncon molti spazi interni, nascosti, quasi segreti. In esso  \nsi uniscono vari tasselli per comporre un insieme: estetica, \nfunzionalità e grande abilità nel realizzare un oggetto unico, \nmai uguale a nessun altro, che si rivela senza sfrontatezza, \nall’avanguardia tra tradizione e modernità.\nCelato\tis\ta\treference\tto\twhat\tis\tconcealed\tto\tkeep\ta\tmemory\t\nintact;\tit’s\tan\tarchetype\tin\twhich\tbeauty\tis\trevealed\tin\tstages.\t\nA\tmonolithic\tappearance\tmakes\tCelato\ta\tcontemporary\t\nmenhir;\tlike\ta\tlegend\tthat\ttells\tof\tmagnificent\ttreasures\t\nsafeguarded\tbelow\tsacred\tstones,\tCelato\treveals\tits\tdual\tsoul,\t\nwith\tmany\tinternal,\thidden,\talmost\tsecret\tspaces.\tIt\tcombines\t\nseveral\ttesserae\tto\tform\ta\twhole:\taesthetics,\tfunction\tand\t\t\nan\tincredible\tability\tto\tmake\teach\tpiece\tunique,\tnever\t\nidentical\tto\tthe\tnext,\twhich\tis\trevealed\twithout\timpudence,\t\nwalking\tan\tavant-garde\tline\tbetween\ttradition\tand\tmodernity.\nC E L AT O\nDesign R&D De Castelli\nOrbitale DeLabré brass\n5 4 — 5 5\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.30.png","Left\tto\tright:\t\nOrbitale DeLabré brass \nDeLabré B stainless steel \nStriped DeLabré copper\nC O L L E C T I O N\n5 6 — 5 7\nC A B I N E T S  A N D  B O O K C A S E S\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.31.png","Striped DeLabré copper\nC O L L E C T I O N\n5 8 — 5 9\nC A B I N E T S  A N D  B O O K C A S E S\nC O L L E C T I O N\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.32.png","C O L L E C T I O N\n6 0 — 6 1\nC A B I N E T S  A N D  B O O K C A S E S\nOrbitale DeLabré copper\nOn\tthe\tright: \nOrbitale DeLabré brass\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.33.png","Left\tto\tright:\t\nOrbitale DeLabré brass \nDeLabré B stainless steel \nOrbitale DeLabré brass\nC O L L E C T I O N\n6 2 — 6 3\nC A B I N E T S  A N D  B O O K C A S E S\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.34.png","DeLabré brass\nC O L L E C T I O N\n6 4 — 6 5\nC A B I N E T S  A N D  B O O K C A S E S\n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.35.png","Striped DeLabré stainless steel \nOn\tthe\tright:\t\nStriped DeLabré copper\n6 6 — 6 7\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.36.png","È un mobile contenitore a cassetti che allude \nchiaramente alla forma archetipica del vaso. Come  \nun moderno forziere, si presta a contenere e dunque \na ‘nascondere’ qualunque cosa. Nelle diverse versioni \nda uno a sei cassetti, dimostra la sua versatilità \ntrasformandosi di volta in volta in tavolino contenitore, \ncomodino o cassettiera, giocando le proprie carte \nnegli ambienti più vari, dal bagno, alla camera, al living. \nOggetto misterioso e stupefacente, sa sorprendere \nquando svela i cassetti che scompaiono totalmente  \nalla vista quando chiusi. \nThis\tdrawer\tunit\talludes\tto\tthe\tarchetypal\tshape\t\t\nof\ta\tvase.\tLike\ta\tmodern\ttreasure\tchest,\tPandora\twas\t\ncrafted\tto\tstore\t-\tand\tthus\t‘hide’\t-\tall\tkinds\tof\tobjects.\t\t\nIn\tits\tdifferent\tversions,\tfrom\tone\tto\tsix\tdrawers,\tthis\t\npiece\tis\tversatile\tenough\tto\tbe\ttransformed,\tas\tyou\tlike,\t\ninto\ta\tstorage\ttable,\tbedside\ttable\tor\tfull\tchest\t\t\nof\tdrawers,\tused\tin\tvaried\tspaces,\tfrom\tthe\tbathroom\t\t\nto\tthe\tbedroom\tor\tliving\troom.\tA\tmysterious,\timpressive\t\nobject,\tPandora\tsurprises\twhen\tthe\tdrawers,\tinvisible\t\nwhen\tclosed,\tare\trevealed.\t\nPA N D O R A\nDesign Martinelli Venezia\n6 8 — 6 9\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.37.png","Orbitale DeLabré brass\nC O L L E C T I O N\n7 0 — 7 1\nC A B I N E T S  A N D  B O O K C A S E S\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.38.png","Orbitale DeLabré stainless steel\nOn\tthe\tright:\t\nOrbitale DeLabré copper \nOrbitale DeLabré brass\nC O L L E C T I O N\n7 2 — 7 3\nC A B I N E T S  A N D  B O O K C A S E S\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.39.png","C O L L E C T I O N\n7 4 — 7 5\nC A B I N E T S  A N D  B O O K C A S E S\nC O L L E C T I O N\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.40.png","Sulla pelle mutevole del metallo con cui sono  \ncomposte le forme rigorose di questi mobili contenitori,  \nsi disegnano una sull’altra le tracce del tempo.  \nCome la marea lascia il segno, onda dopo onda,  \nanche qui la mano dell’artigiano ha lasciato la sua \ntraccia, ossidazione dopo ossidazione, fino ad ottenere \nun effetto pittorico che somiglia all’erosione dell’acqua \nsul materiale. A metà tra oggetto di design e opera \nd’arte, ogni pezzo della collezione, composta da \ncassettiera, madia e cabinet, rappresenta un unicum \ngrazie ad una finitura ottenuta completamente a mano \nche sembra trasformare la superficie metallica  \nin delicato acquerello.\nThe\ttraces\tof\ttime\tare\tdrawn\tone\ton\ttop\tof\tanother,\t\ninfused\tinto\tthe\tchanging\tskin\tof\tthe\trigorous\tmetal\t\nforms\tthat\tdefine\tthese\tcabinets\tand\tchests.\tLike\tthe\t\ntide\t(marea\tin\tItalian)\tleaves\tits\tmark,\twave\tafter\twave,\t\neven\there\tthe\thand\tof\tthe\tcraftsman\thas\tleft\tits\tsign,\t\noxidation\tafter\toxidation,\tcreating\ta\tpainterly\teffect\tthat\t\nresembles\twater’s\terosion\tof\tthe\tmaterial.\tSomewhere\t\nbetween\tdesign\tobject\tand\twork\tof\tart,\teach\tpiece\tin\tthe\t\ncollection,\tcomposed\tof\ta\tchest\tof\tdrawers,\tlow\tcredenza\t\nand\tcabinet,\tis\tunique\tthanks\tto\tan\tentirely\thand-crafted\t\nfinish\tthat\ttransforms\tthe\tmetal\tsurface\tinto\ta\tdelicate\t\nwatercolour.\nM A R E A\nDesign Zanellato\u002FBortotto\nDeMarea brass \nDeMarea stainless steel\nC O L L E C T I O N\n7 6 — 7 7\nC A B I N E T S  A N D  B O O K C A S E S\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.41.png","DeMarea brass\nC O L L E C T I O N\n7 8 — 7 9\nC A B I N E T S  A N D  B O O K C A S E S\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.42.png","DeMarea copper\nOn\tthe\tright:\t\nDeMarea brass\n8 0 — 8 1\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.43.png","DeMarea brass\nC O L L E C T I O N\n8 2 — 8 3\nC A B I N E T S  A N D  B O O K C A S E S\n",43,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.44.png","C O L L E C T I O N\n8 4 — 8 5\nC A B I N E T S  A N D  B O O K C A S E S\n",44,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.45.png","Tracce, solchi, segni filiformi rigano la superficie  \ndel metallo raccontandone il passato attraverso  \nil disegno di intrecci casuali: dalla suggestione  \ndel graffio, abituale indicatore di utilizzo intensivo  \ndi un oggetto, nasce l’idea di incidere nuove trame \ncome metafora di vita vissuta. Le imperfezioni \ndiventano memoria, esaltando l’essenza della materia. \nDepositate per sempre sulle ante della madia, sono \nl’anticipazione di una storia ancora da condividere. \nLines,\tengravings,\twiry\tsigns\tmark\tmetal\tsurfaces\t\t\nto\ttell\tabout\told\tstories.\tScratching\tnot\tonly\tdefines\t\t\nthe\tuse\tof\tan\tobject,\tbut\tit\tbecomes\ta\tway\tof\tmaterially\t\nfixing\tthe\tmetaphors\tof\tlife.\tImperfections\tbecome\t\nmemories,\tenhancing\tthe\tpure\tessence\tof\tmaterials.\t\t\nOn\tcabinet\tdoors,\tthe\tpreview\tof\ta\tstory\tthat\thas\t\t\nnot\tbeen\trevealed\tyet.\nG R A F F I O\nDesign Paolo Benevelli\nC O L L E C T I O N\n8 6 — 8 7\nC A B I N E T S  A N D  B O O K C A S E S\n",45,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.46.png","DeErosion H10 on copper\nC O L L E C T I O N\n8 8 — 8 9\nC A B I N E T S  A N D  B O O K C A S E S\n",46,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.47.png","Come le lamine in duro metallo identificano le corazze \ndei samurai, così le scaglie sulla pelle di questo mobile \ncontenitore ne connotano fortemente l’aspetto. Una forma \ndinamica, che riprende la forza evocativa di un arredo  \nDéco, gioca tra l’essenzialità dell’ellisse e la ripetizione  \ndel modulo, in equilibrio tra minimalismo e meraviglia.  \nCon struttura in rovere naturale e rivestimento nei metalli \nDe Castelli, il secretaire si apre in modo inatteso: nasconde \nun ampio cassetto, ne cela altri due con apertura inclinata  \ne sui lati due ante dalla forma ricurva. \nLike\tthe\thard\tmetal\tsheets\tthat\tidentify\tthe\tarmour\t\t\nof\ta\tsamurai,\tthe\tscales\ton\tthe\tskin\tof\tthis\tpiece\tdefine\t\t\nits\tappearance.\tA\tdynamic\tshape,\ttaking\ton\tthe\tevocative\t\nstrength\tof\tArt\tDeco\tfurnishings,\tplays\twith\tthe\tessentialism\t\nof\tan\tellipse\tand\tmodular\trepetition,\tbalanced\tbetween\t\nminimalism\tand\tmarvel.\tWith\ta\tnatural\toak\tframe\tcovered\t\t\nin\tDe\tCastelli\tmetal,\tthis\tsecretaire\topens\tunexpectedly:\t\t\nit\tconceals\ta\troomy\tdrawer,\ttwo\tmore,\twhile\tthe\tsides\t\t\ncontain\tcurved\tdoors.\t\nYO R O I\nDesign Alessandro Masturzo\n9 0 — 9 1\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",47,{"image":202,"text":203,"number":204},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.48.png","C O L L E C T I O N\n9 2 — 9 3\nC A B I N E T S  A N D  B O O K C A S E S\n",48,{"image":206,"text":207,"number":208},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.49.png","Orbitale DeLabré brass \nOn\tthe\tright:\t\nOrbitale DeLabré stainless steel\nC O L L E C T I O N\n9 4 — 9 5\nC A B I N E T S  A N D  B O O K C A S E S\n",49,{"image":210,"text":211,"number":212},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.50.png","Orbitale DeLabré brass\nOrbitale DeLabré iron\nC O L L E C T I O N\n9 6 — 9 7\nC A B I N E T S  A N D  B O O K C A S E S\n",50,{"image":214,"text":215,"number":216},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.51.png","Ispirata all’omonimo tavolo, Convivium consolle \nsi appoggia alla parete con movenze sinuose  \ned eleganti. Completamente realizzata in ottone  \nsi caratterizza per la finitura DeErosion del top  \ne dal movimento fluido della curvatura delicata  \ndelle gambe.      \nInspired\tby\tthe\ttable\tof\tthe\tsame\tname,\tConvivium\t\nconsolle\tleans\tagainst\tthe\twall\twith\tcurvy\tand\t\ngraceful\tattitude.\tEntirely\tmade\tin\tbrass,\tthis\tpiece\t\nstands\tout\tfor\tthe\tDeErosion\tfinishing\tof\tthe\ttop\t\t\nand\tthe\tflowing\tmovement\tof\tits\tcurved\tlegs.\nC O N V I V I U M  C O N S O L L E\nDesign Nikita Bettoni\n9 8 — 9 9\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",51,{"image":218,"text":219,"number":220},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.52.png","C O L L E C T I O N\n1 0 0 — 1 0 1\nC A B I N E T S  A N D  B O O K C A S E S\n",52,{"image":222,"text":223,"number":224},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.53.png","Quasi fosse una ballerina sulle punte, Elizabeth dispiega  \ncon grazia il suo abito luminoso come un tessuto plissettato. \nLa caratteristica piegatura del metallo conferisce \nmovimento alla lastra che forma la superficie della  \nmadia, trasformando ogni riflesso in luce. In un gioco  \nfra leggerezza e tensione, fra elasticità e rigore, il metallo \nvibra al ritmo delle sue pieghe. Declinata in acciaio, ottone \ne rame, Elizabeth dà corpo ad una nuova visione dell’arredo \nin metallo di segno dichiaratamente femminile.\nLike\ta\tballerina\ton\ther\ttoes,\tElizabeth\tgracefully\tunfurls\t\t\nher\tluminous\tdress,\tas\tif\tmade\tof\tpleated\tfabric.\t\t\nThe\tcharacteristic\tfolds\tadd\tmovement\tto\tthe\tmetal\tsheet\t\nalong\tthe\tsurface\tof\tthe\tcabinet,\ttransforming\teach\treflection\t\ninto\tlight.\tIn\tan\tinterplay\tof\tairiness\tand\ttension,\telasticity\t\nand\trigour,\tthe\tmetal\tvibrates\twith\tthe\trhythm\tof\tits\tpleats.\t\nAvailable\tin\tsteel,\tbrass\tor\tcopper,\tElizabeth\tgives\tshape\t\t\nto\ta\tnew\tway\tof\timagining\tunambiguously\tfeminine\t\t\nmetal\tfurniture.\nE L I Z A B E T H\nDesign Nathalie Dewez\n“Tracing Identity” Limited Edition\n1 0 2 — 1 0 3\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",53,{"image":226,"text":227,"number":228},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.54.png","Polished copper\n1 0 4 — 1 0 5\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",54,{"image":230,"text":231,"number":232},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.55.png","Polished stainless steel\nOn\tthe\tright:\t\t\nPolished brass\nC O L L E C T I O N\n1 0 6 — 1 07\nC A B I N E T S  A N D  B O O K C A S E S\n",55,{"image":234,"text":235,"number":236},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.56.png","C O L L E C T I O N\n1 0 8 — 1 0 9\nC A B I N E T S  A N D  B O O K C A S E S\n",56,{"image":238,"text":239,"number":240},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.57.png","Volumi puliti per una consolle dalla linea molto \nsemplice, che enfatizza la nobiltà dei metalli con cui \nsono rivestiti i grandi frontali dei cassetti. Disponibile \nsia nella versione sospesa che in quella a terra, Tako \nrievoca nel grafismo leggero provocato dalla finitura \nDeErosion l’ispirazione vagamente giapponese  \ndi un pattern che filtra la luce modulandone i riflessi.\nClean\tvolumes\tfor\ta\tconsole\twith\tquite\tsimple\tlines,\t\nemphasising\tthe\tnobility\tof\tthe\tmetals\tthat\tclad\tthe\t\nlarge\tfaces\tof\tthe\tdrawers.\tAvailable\tboth\tin\ta\thanging\t\nand\tfree-standing\tversion,\tTako\tevokes\tthe\tdelicate\t\ndecoration\tanointed\tby\tthe\tDeErosion\tfinish,\tfor\t\t\na\tvaguely-Japanese\tinspired\tpattern\tthat\tfilters\tlight,\t\nmodulating\tits\treflections.\nTA K O\nDesign Filippo Pisan\nC O L L E C T I O N\n1 1 0 — 1 1 1\nC A B I N E T S  A N D  B O O K C A S E S\n",57,{"image":242,"text":243,"number":244},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.58.png","Structure:\tDeLabré B stainless steel\t\nDrawer:\tDeErosion H4 brass\nC O L L E C T I O N\n1 1 2 — 1 1 3\nC A B I N E T S  A N D  B O O K C A S E S\n",58,{"image":246,"text":247,"number":248},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.59.png","Structure\tand\tdrawers:\t\t\nDeLabré B stainless steel\nC O L L E C T I O N\n1 1 4 — 1 1 5\nC A B I N E T S  A N D  B O O K C A S E S\n",59,{"image":250,"text":251,"number":252},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.60.png","Structure:\tDeLabré B stainless steel\t\nDrawers:\tDeLabré brass\nC O L L E C T I O N\n1 1 6 — 1 1 7\nC A B I N E T S  A N D  B O O K C A S E S\n",60,{"image":254,"text":255,"number":256},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.61.png","C O L L E C T I O N\n1 1 8 — 1 1 9\nC A B I N E T S  A N D  B O O K C A S E S\n",61,{"image":258,"text":259,"number":260},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.62.png","Il mitico ciclope, in equilibrio su esili gambe, invade  \nlo spazio domestico e reinventa la madia di casa.  \nIl suo grande occhio diviene maniglia e il corpo robusto \nsi contrappone alla leggerezza delle gambe  \nin un eccentrico sbilanciamento visivo. Di certo  \nè un contenitore scenico che non passa inosservato: \ncomposto da una solida struttura lignea è riccamente \nvestito con abito di rame caratterizzato da incisioni \nornamentali che ne ritmano la superficie.\nBalanced\ton\tslender\tlegs,\tthe\tlegendary\tcyclops\tinvades\t\ndomestic\tspaces\tto\treinvent\thome\tcabinetry.\t\t\nIts\tlarge\teye\tbecomes\ta\thandle\tand\tthe\trobust\tbody\t\ncontrasts\twith\tthe\tlightness\tof\tthe\tlegs\tin\teccentric\tvisual\t\nimbalance.\tWithout\ta\tdoubt,\tit\tis\ta\tscenic\tcontainer\tsure\t\nto\tget\tnoticed:\tthe\tsolid\twood\tstructure\tis\trichly\tcovered\t\t\nin\ta\tcopper\tdress\tfeaturing\tornamental\tincisions,\t\nrhythmically\tmarking\tits\tsurface.\nP O L I F E M O\nDesign Elena Salmistraro\n“Tracing Identity” Limited Edition\nC O L L E C T I O N\n1 2 0 — 1 2 1\nC A B I N E T S  A N D  B O O K C A S E S\n",62,{"image":262,"text":263,"number":264},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.63.png","1 2 2 — 1 2 3\nC A B I N E T S  A N D  B O O K C A S E S\nC O L L E C T I O N\n",63,{"image":266,"text":267,"number":268},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.64.png","Il cabinet dei desideri. Un mobile dalla forma iconica \ne potente caratterizzata da piccoli scompartimenti, \nognuno con la propria chiave, che tengono nascosti \ndesideri e segreti. Il progetto è anche un riferimento \ncontemporaneo alla credenza, un mobile largamente \ndimenticato e caratterizzato proprio da un lucchetto \ne una chiave che serviva a tenere biscotti e dolci fuori \ndalla portata dei bambini. La diversità di ogni desiderio \nche il cabinet esprime viene resa elegantemente dalle \ndiverse finiture su rame che rappresentano l’essenza di \nDe Castelli e la sua dedizione al materiale.\nComposed\tby\tsmall\tsquared\tcompartments,\tthis\t\ncabinet\tof\twishes\tmakes\ta\tclear\tand\tcurrent\treference\t\nto\told\tsideboards\twhere\tbiscuits\tand\tcandies\twhere\t\nusually\tkept\taway\tfrom\tchildren\tand\tlocked\tup.\tA\tkey\t\nfor\teach\tcompartment.\tAn\ticonic\tpiece\tof\tfurniture.\t\nThe\tcabinet\texpresses\tthe\tpeculiarities\tof\twishes\tthrough\t\nthe\tselection\tof\tDe\tCastelli\tcopper\tfinishes:\tfor\teach\t\ncompartment\ta\tunique\tfinishing\tthat\tenhances\tthe\t\ncompany\tknow-how\tand\tits\tdedication\tto\tthis\tprecious\t\nmaterial.\nL O N G I N G  C A B I N E T\nDesign Nika Zupanc\nC A B I N E T S  A N D  B O O K C A S E S\nC O L L E C T I O N\n1 2 2 — 1 2 5\n",64,{"image":270,"text":271,"number":272},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.65.png","C O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\nBrushed copper \nPolished copper \nOrbitale DeLabré copper\nC O L L E C T I O N\n1 2 6 — 1 2 7\n",65,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.66.png","Definito da materiali come acciaio, rame e ottone, \nnobilitato nelle finiture De Castelli, Mida è un cerchio \nperfetto che nasconde un cabinet dove raccogliere, \ncontenere, ordinare, nascondere. Fissato a parete alla \nmaniera di un quadro astratto, si apre grazie a guide \ntelescopiche che permettono di far scivolare l’anta \nfrontale a destra o a sinistra, quasi come un corpo \nceleste che scorre silenzioso secondo la propria orbita \nin un’immaginaria eclisse. \nDefined\tby\tmaterials\tsuch\tas\tstainless\tsteel,\tcopper\tand\t\nbrass,\tennobled\tby\tDe\tCastelli\tfinishes,\tMida\tis\ta\tperfect\t\ncircle\tthat\tconceals\ta\tcabinet,\tto\tcollect,\tcontain,\torganize\t\nand\thide\tobjects\tat\twill.\tWall-mounted\tlike\tan\tabstract\t\npainting,\tit\topens\tthanks\tto\ttelescopic\tarms\tthat\tslide\t\t\nthe\tsingle\tdoor\teither\tright\tor\tleft,\tbecoming\ta\tcelestial\t\nbody\tthat\tsilently\torbits\tin\tan\timaginary\teclipse.\nM I D A\nDesign Martinelli Venezia\nDeOpale copper\n1 2 8 — 1 2 9\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",66,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.67.png","From\tthe\tleft:\t\t\nDeOpale copper  \nDeOpale brass\nC O L L E C T I O N\n1 3 0 — 1 3 1\nC A B I N E T S  A N D  B O O K C A S E S\n",67,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.68.png","Libreria modulare caratterizzata da un andamento \nsinuoso che la rende anche un separè self-standing, \nposizionabile a centro stanza per configurare gli spazi.\nNella composizione a “C” Nami avvolge come un \nabbraccio, mentre in quella a “S” disegna un profilo \nritmato ed equilibrato di pieni e vuoti.\nLa struttura in acciaio inox DeLabré striato è arricchita \ndalla fascia decorativa, disponibile nelle preziose \nfiniture De Castelli (su acciaio, ottone e rame) per \narredare l’ambiente con personalità e carattere.\nModular\tbookcase\tcharacterized\tby\ta\tsinuous\tcourse\tthat\t\nalso\tmakes\tit\ta\tseparate\tself-standing,\tif\tpositioned\tin\tthe\t\ncenter\tof\tthe\troom\tto\tconfigure\tthe\tspaces.\nIn\tthe\t\t“C“\tcomposition,\tNami\tembraces\tlike\ta\thug,\twhile\t\nin\tthe\t“S”\tcomposition\tit\tdraws\ta\trhythmic\tand\tbalanced\t\nprofile\tof\tsolids\tand\tvoids.\nStriped\tDeLabré\tstainless\tsteel\tstructure\tis\tenriched\tby\t\nthe\tdecorative\tband,\tavailable\tin\tprecious\tDe\tCastelli\t\nfinishes\ton\tsteel,\tbrass\tand\tcopper,\tto\tfurnish\tthe\troom\t\nwith\tpersonality.\t\nN A M I\nDesign Andrea Parisio\n1 3 2 — 1 3 3\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",68,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.69.png","Striped DeLabré stainless steel\nStriped DeLabré brass\nC O L L E C T I O N\n1 3 4 — 1 3 5\nC A B I N E T S  A N D  B O O K C A S E S\n",69,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.70.png","Striped DeLabré stainless steel\nStriped DeLabré copper\nOn\tthe\tright: \nStriped DeLabré stainless steel\nC O L L E C T I O N\n1 3 6 — 1 3 7\nC A B I N E T S  A N D  B O O K C A S E S\n",70,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.71.png","L’aspirazione ad un sapere superiore trova la sua \nrappresentazione plastica nella verticalità spiccata \ndi questa libreria spogliata di ogni elemento non \nessenziale. L’asciutta struttura modulare, disponibile  \nin due diverse dimensioni e nelle varianti da centro \nstanza o a parete, è visivamente ispirata alla \nleggendaria rappresentazione di Athanasius Kircher \ndella Torre di Babele, e concettualmente legata \nall’omonima gigantesca “Biblioteca” descritta  \nnel racconto di J.L. Borges.\nAspirations\tof\thigher\tknowledge\tfind\tthree-dimensional\t\nrepresentation\tin\tthe\tstriking\tverticality\tof\tthis\ttower\t\nbookcase,\tstripped\tof\tall\tnon-essential\telements.\t\t\nThe\tsvelte\tmodular\tstructure,\tavailable\tin\ttwo\tdiameters\t\nand\tin\tfree-standing\tor\twall-mounted\tversions,\twas\t\ninspired\tby\tAthanasius\tKircher’s\tlegendary\tdepiction\t\t\nof\tthe\tTower\tof\tBabel,\talso\tconceptually\tlinked\t\t\nto\tthe\tgiant\tlibrary\tof\tthe\tsame\tname\tdescribed\t\t\nin\tthe\tstory\tby\tJ.L.\tBorges.\nB A B E L E\nDesign Martinelli Venezia\n1 3 8 — 1 3 9\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",71,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.72.png","Babele\t36\t\t\nStructure:\tDeLabré B iron\t\nShelves:\tOrbitale DeLabré copper\nBabele\t28\t\t\nStructure:\tDeLabré B iron\t\nShelves:\tOrbitale DeLabré brass\nC O L L E C T I O N\n1 4 0 — 1 4 1\nC A B I N E T S  A N D  B O O K C A S E S\n",72,{"image":302,"text":303,"number":304},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.73.png","1 4 2 — 1 4 3\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",73,{"image":306,"text":307,"number":308},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.74.png","“Perché mai le librerie devono essere sempre dritte \nlunghe verticali piane ortogonali per mettere sempre tutti \ni libri belli dritti e composti? […] E non è vero che tra i libri \nci piace tenere qualche piccolo oggetto, qualche ricordo, \nqualche inutile reperto di fondamentali fasi della nostra \nesistenza?” Declinata sia nella versione totem che a parete, \nExistence nasce come sovrapposizione di piccole scatole \ntutte diverse, come le esperienze e le letture di una vita: \nuna libreria totem concepita per contenere libri e oggetti \nin un unico spazio costruito intorno a moduli simili che  \nsi ripetono mai uguali a sé stessi.\n“Why\tshould\tbookcases\talways\tbe\tstraight,\tlong,\tvertical,\t\nright-angle\tplanes\tto\tkeep\tnothing\tbut\tbooks\tperfectly\t\nstraight\tand\tcomposed?\t[...]\tAnd\tdon’t\twe\tlike\tto\tkeep\t\t\na\tfew\tsmall\tobjects,\tkeepsakes,\tsome\tuseless\tartefacts\t\nfrom\tfundamental\tphases\tof\tour\texistence,\tamong\tthe\t\nbooks?”\tAvailable\tin\tfree-standing\tand\twall-mounted\t\nversions,\tExistence\tarose\tas\tan\toverlapping\tof\tsmall,\t\t\nvaried\tboxes,\tlike\tthe\texperiences\tand\tkeys\tto\tone’s\tlife:\t\t\na\ttotem-bookshelf\tdesigned\tto\tcontain\tbooks\tand\tobjects\t\nin\ta\tsingle\tspace,\tbuilt\taround\tsimilar\tmodules\tthat\trepeat,\t\nthough\tthe\tsame\tform\tnever\tappears\ttwice.\nE X I S T E N C E\nDesign Michele De Lucchi\nWaxed Corten\n1 4 4 — 1 4 5\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",74,{"image":310,"text":311,"number":312},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.75.png","Bronzed DeMaistral stainless steel\nOn\tthe\tleft:\t\nOrbitale DeLabré brass\n1 4 6 — 1 4 7\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",75,{"image":314,"text":315,"number":316},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.76.png","Orbitale DeLabré brass\nOn\tthe\tleft:\t\nDeLabré B stainless steel\nC O L L E C T I O N\n1 4 8 — 1 4 9\nC A B I N E T S  A N D  B O O K C A S E S\n",76,{"image":318,"text":319,"number":320},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.77.png","Sottili supporti perpendicolari si sviluppano a caduta \ndal soffitto e si ancorano alla parete in curve delicate. \nCome liane rampicanti, creano nuove architetture \npensili. Ogni ramo diventa il supporto per uno o più \nripiani in una composizione completamente modulare \ndi chiara ispirazione botanica. Lo sguardo rimbalza \nfra le scure cromie dell’Ebano Gabon delle mensole \ne la luminosità dei supporti in ottone, rame o acciaio \nnobilitati dalle finiture De Castelli.\nThin\tperpendicular\tsupports\tfall\tfrom\tthe\tceiling\tto\tbe\t\nanchored\tto\tthe\twall\tin\tdelicate\tcurves.\tLike\tclimbing\t\nvines,\tthey\tcreate\ta\tnew\tkind\tof\tsuspended\tarchitecture.\t\nEach\tbranch\tbecomes\ta\tsupport\tfor\tone\tor\tmore\t\nshelves\tin\ta\tmodular\tcomposition\twith\tclear\tbotanical\t\ninspiration.\tThe\tgaze\tbounces\tbetween\tthe\tdark\thues\tof\t\nthe\tGabon\tEbony\tshelves\tand\tthe\tluminous\tsupports\tin\t\nbrass,\tcopper\tand\tstainless\tsteel,\tennobled\tby\tDe\tCastelli\t\nfinishes.\nTA L E A\nDesign LucidiPevere\n1 5 0 — 1 5 1\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",77,{"image":322,"text":323,"number":324},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.78.png","Bands:\t\nOrbitale DeLabré copper\nShelves:\t\nEbony gabon\nC O L L E C T I O N\n1 5 2 — 1 5 3\nC A B I N E T S  A N D  B O O K C A S E S\n",78,{"image":326,"text":327,"number":328},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.79.png","Orbitale DeLabré stainless steel\nC O L L E C T I O N\n1 5 4 — 1 5 5\nC A B I N E T S  A N D  B O O K C A S E S\n",79,{"image":330,"text":331,"number":332},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.80.png","1 5 6 — 1 5 7\nC A B I N E T S  A N D  B O O K C A S E S\nC O L L E C T I O N\n",80,{"image":334,"text":335,"number":336},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.81.png","Nippon è un’ “oggetteria”, complemento d’arredo \npensato per ospitare libri, oggetti, accessori.  \nA seconda delle necessità dello spazio nel quale viene \nutilizzata, diviene vetrina, bacheca, cristalliera, modulo \nespositivo, contenitore, libreria. Le diverse profondità \ninvitano a scoprire il posto più adatto per ogni cosa  \ne l’invisibile sistema di incastri permette di arredare  \nin modo impeccabile grandi superfici.\nNippon\tis\ta\t‘display\tcase’,\ta\tpiece\tof\tfurniture\tdesigned\t\nto\thold\tbooks,\tobjects\tand\taccessories.\tAccording\tto\tthe\t\nneeds\tof\tthe\tspace\twhere\tit\twill\tbe\tused,\tit\tcan\tbecome\t\na\tbookcase,\tdisplay\tcabinet,\ta\tnotice\tboard,\texhibition\t\nmodule\tor\tcontainer.\tIts\tvaried\tdepths\tinvite\tyou\tto\t\ndiscover\tthe\tmost\tsuitable\tplace\tfor\teach\titem.\tThe\t\ninvisible\tjoining\tsystem\tmakes\tit\tpossible\tto\timpeccably\t\nand\tseamlessly\tfurnish\teven\tlarge\tsurfaces.\nN I P P O N\nDesign Alberto Nason\n1 5 8 — 1 5 9\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",81,{"image":338,"text":339,"number":340},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.82.png","Waxed natural black iron\nC O L L E C T I O N\n1 6 0 — 1 6 1\nC A B I N E T S  A N D  B O O K C A S E S\n",82,{"image":342,"text":343,"number":344},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.83.png","Un paravento di grandi dimensioni pensato come \nuna quinta teatrale che rappresenta su ciascun lato \npaesaggi naturali immaginari, un cielo notturno  \ne un profilo collinare. Le variazioni cromatiche ottenute \ngrazie alle diverse ossidazioni sui materiali sono \nparagonabili ai colori di un pittore su una tela:  \nil risultato è un dipinto che diventa scenografia.  \nIl rame spazzolato e l’ottone DeLabré delineano le \nsagome di uno spazio lontano, mentre il nero materico \ndella lamiera si contrappone all’aereo verderame nella \ncostruzione fantastica di un paesaggio cangiante.\nA\tlarge\tscreen\tdesigned\tas\ta\ttheatre\tcurtain\trepresents\t\nimaginary\tnatural\tlandscapes\ton\tboth\tsides:\ta\tnight\t\nsky\tand\tthe\toutline\tof\ta\tseries\tof\thills.\tThe\tchromatic\t\nvariations\tobtained\tthanks\tto\tthe\tdifferent\tsurface\t\noxidations\tresemble\tthe\tcolours\tof\ta\tpainting\ton\tcanvas,\t\nwith\tthe\tresulting\timage\tbecoming\ta\tstage\tbackdrop.\t\nBrushed\tcopper\tand\tDeLabré\tbrass\tshape\tthe\toutlines\t\nof\ta\tdistant\tspace,\twhile\tthe\ttextural\tblack\tof\tthe\tsheet\t\nmetal\tjuxtaposes\twith\tthe\tairy\tverdigris\tin\tthe\timaginative\t\nconstruction\tof\ta\tchanging\tlandscape.\nPA I N T I N G\nDesign Alessandra Baldereschi\n“Tracing Identity” Limited Edition\nC O L L E C T I O N\n1 6 2 — 1 6 3\nC A B I N E T S  A N D  B O O K C A S E S\n",83,{"image":346,"text":347,"number":348},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.84.png","C O L L E C T I O N\n1 6 4 — 1 6 5\nC A B I N E T S  A N D  B O O K C A S E S\n",84,{"image":350,"text":351,"number":352},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.85.png","1 6 6 — 1 6 7\nC O L L E C T I O N\nC A B I N E T S  A N D  B O O K C A S E S\n",85,{"image":354,"text":355,"number":356},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.86.png","Tavoli\ne Sedie\nIncisioni, ossidazioni  \ne finiture manuali \nriscrivono la materia.\nTABLES AND CHAIRS\nEngravings,\toxidations\t\t\nand\tmanual\tfinishes\t\t\nrewrite\tmaterials.\n1 6 8 — 1 6 9\nC O L L E C T I O N\nT A B L E S  A N D  C H A I R S\n",86,{"image":358,"text":359,"number":360},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.87.png","Il tavolo interpreta la forma tonda e capiente  \ndel braciere, di cui richiama con evidenza i volumi. \nUn simbolo di condivisione e di comunione, che \nrimanda alla ritualità del convivio e dello stare insieme. \nIl top dalle dimensioni generose e la lente inferiore  \nsi fondono in un unico pezzo, nel quale si innestano  \ntre gambe. La personalità di questo tavolo scultura  \nè data dalla finitura cangiante del piano, memoria  \ndi braci sempre accese, e dalla luminosità dei piedini  \nin rame su cui poggiano le gambe, che  \nne alleggeriscono la percezione. \nA\ttable\tthat\tinterprets\tthe\tround,\tspacious\tform\t\nof\ta\tbrazier,\twhich\techoes\tin\tits\tsize\tand\tvolume.\t\t\nA\tsymbol\tof\tsharing\tand\tcommunion\tthat\treferences\t\t\nthe\tritual\tof\tconviviality\tand\tspending\ttime\ttogether.\t\t\nThe\ttop,\tin\tgenerous\tproportions,\tand\tthe\tlower\t‘lens’\t\nfuse\tinto\ta\tsingle\tpiece,\tinto\twhich\tthree\tlegs\tare\tinserted.\t\nThe\tpersonality\tof\tthis\tsculpture-table\tarrives\tvia\tthe\t\niridescent\tfinish\tof\tthe\ttop,\tthe\tmemory\tof\talways-\nglowing\tembers,\tand\tthe\tluminosity\tof\tthe\tcopper\tfeet\t\nupon\twhich\tthe\tlegs\trest,\tlightening\tour\tperception\t\t\nof\tthe\twhole.\t\nR O M A \nDesign Minelli Fossati\nC O L L E C T I O N\n1 7 0 — 1 7 1\nT A B L E S  A N D  C H A I R S\n",87,{"image":362,"text":363,"number":364},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.88.png","C O L L E C T I O N\n1 7 2 — 1 7 3\nT A B L E S  A N D  C H A I R S\n",88,{"image":366,"text":367,"number":368},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.89.png","C O L L E C T I O N\n1 7 4 — 1 7 5\nT A B L E S  A N D  C H A I R S\n",89,{"image":370,"text":371,"number":372},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.90.png","Si ispira agli anni Sessanta la seduta Via Veneto, che \nrichiama le atmosfere della “dolce vita” romana.\nLa doppia struttura tubolare simmetrica in acciaio inox \nverniciato disegna i piedini e i braccioli, che sostengono \nil morbido sedile imbottito in pelle e il piccolo poggia \nschiena in metallo sagomato.\nNe risulta una poltroncina avvolgente dalle proporzioni \nattentamente studiate, che trasmette un’immagine \nelegante e sofisticata.\nThe\tVia\tVeneto\tseat\tis\tinspired\tby\tthe\t1960s\tand\trecalls\t\nthe\tatmosphere\tof\tthe\tRoman\t“dolce\tvita”.\nThe\tdouble\tsymmetrical\ttubular\tstructure\tin\tpainted\t\t\nstainless\tsteel\tdesigns\tthe\tfeet\tand\tarmrests,\twhich\t\nsupport\tthe\tsoft\tleather\tupholstered\tseat\tand\tthe\tsmall\t\nshaped\tmetal\tbackrest.\nThe\tresult\tis\tan\tenveloping\tarmchair\twith\tcarefully\t\nstudied\tproportions,\twhich\tconveys\tan\telegant\tand\t\nsophisticated\timage.\nV I A  V E N E T O \nDesign Minelli Fossati\nC O L L E C T I O N\n1 7 6 — 1 7 7\nT A B L E S  A N D  C H A I R S\n",90,{"image":374,"text":375,"number":376},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.91.png","Leather:\t\nDoge Orione \nBack:\t\nOrbitale DeLabrè brass\nC O L L E C T I O N\n1 7 8 — 1 7 9\nT A B L E S  A N D  C H A I R S\n",91,{"image":378,"text":379,"number":380},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.92.png","Prezioso come un gioiello, Convivium è un tavolo \nscultura che si impone sulla scena ammantandosi  \ndi luce. L’ottone è l’unico materiale che lo compone, \nmodellato per assicurare stabilità e robustezza, grazie \nalle cordonature di vaga ispirazione art nouveau.  \nCome una foglia, si piega ai bordi con grazia, per offrire \nun ampio piano scavato dalle erosioni che formano  \nun disegno di fitte nervature, imitando con arte la \nmateria scalfita e corrosa dal tempo. La sua linea \nfluida e continua lascia scorrere lo sguardo al denso \npaesaggio di segni del piano, senza pause o esitazioni. \nPrecious\tas\ta\tjewel,\tConvivium\tis\ta\tsculptural\ttable\tthat\t\nsteals\tcentre\tstage\tby\tstudding\titself\twith\tlight.\t\t\nMade\tentirely\tof\tbrass,\tit\tis\tshaped\tto\tensure\tstability\t\t\nand\tresilience,\tthanks\tto\tthe\tdiscreetly\tArt\tNouveau\t\ncreases.\tLike\ta\tleaf,\tit\tfolds\tat\tthe\tedges\tgracefully\t\t\nto\toffer\tan\tample\ttable\ttop\tmarked\tby\terosions\tthat\tform\t\ndense\tveining,\tartfully\timitating\ta\tmaterial\tthat\thas\tbeen\t\netched\tand\tcorroded\tover\ttime.\tIts\tflowing,\tcontinuous\t\nshape\tlets\tthe\teye\twander\tover\tthe\tdense\tlandscape\tof\t\nmarkings\tcovering\tthe\ttop,\twithout\tpause\tor\thesitation.\t\nC O N V I V I U M\nDesign Nikita Bettoni\nC O L L E C T I O N\n1 8 0 — 1 8 1\nT A B L E S  A N D  C H A I R S\n",92,{"image":382,"text":383,"number":384},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.93.png","DeErosion H3 brass\nC O L L E C T I O N\n1 8 2 — 1 8 3\nT A B L E S  A N D  C H A I R S\n",93,{"image":386,"text":387,"number":388},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.94.png","C O L L E C T I O N\n1 8 4 — 1 8 5\nT A B L E S  A N D  C H A I R S\n",94,{"image":390,"text":391,"number":392},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.95.png","Una collezione di tavoli e sedie dal disegno minimale \ne geometrico, facilmente adattabili ad ogni ambiente. \nQuel che li rende unici è la matericità delle superfici, \nche appare evidente in primo piano. A contrasto con  \ni sottili spessori in acciaio brunito della struttura, i piani \nsi vestono di ottone o rame DeLabré, lasciando spazio  \na variazioni sorprendenti della materia, che si mostra  \nin tutte le sue potenzialità. Arredi che si fanno \ntavolozza, dove la mano dell’artigiano disegna  \nle molteplici facce del metallo.\nWhat\tmakes\tthis\tcollection\tof\tminimal,\tgeometric\ttables\t\nand\tchairs\t(easily\tadapted\tto\tany\tspace)\ttruly\tunique\t\nis\tthe\ttexture\tof\ttheir\tsurfaces,\tquite\tevident\twhen\t\nseen\tclose\tup.\tContrasting\twith\tthe\tslenderness\tof\tthe\t\nburnished\tsteel\tframe,\tthe\tplanar\tsurfaces\tare\tcovered\t\nin\tbrass\tor\tDeLabré\tcopper,\tleaving\troom\tfor\tsurprising\t\nvariations\tof\tthe\tmaterial,\twhich\treveals\tits\tfull\tpotential.\t\nFurniture\tbecomes\ta\tpalette,\twhere\tthe\thand\tof\tthe\t\ncraftsman\tdraws\tthe\tmany\tfaces\tof\tmetal.\nR I V I E R A\nDesign Aldo Cibic\n1 8 6 — 1 8 7\nC O L L E C T I O N\nT A B L E S  A N D  C H A I R S\n",95,{"image":394,"text":395,"number":396},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.96.png","Top:\t\t\nDeErosion H8 on brass\nLegs:\t\t\nDeLabré B stainless steel\nC O L L E C T I O N\n1 8 8 — 1 8 9\nT A B L E S  A N D  C H A I R S\n",96,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.97.png","Grande tavolo caratterizzato dalla forma organica, \nispirata al paesaggio della laguna veneta: le infinite \nvariazioni date dalle onde e delle correnti prendono vita \nnelle suggestive declinazioni della finitura DeNuance \nlaguna, con le sue molteplici sfumature di azzurro e \nverde. La base, formata da due elementi cilindrici in \nrame, sostiene il grade piano dalla linea sinuosa.\nNe risulta un tavolo scultoreo, un oggetto iconico \nche diventa protagonista dell’ambiente: Baia è quasi \nun’opera d’arte, che sprigiona la forza e la bellezza della \nnatura. \nLarge\ttable\tcharacterized\tby\tan\torganic\tshape,\tinspired\t\nby\tthe\tlandscapes\tof\tthe\tVenetian\tlagoon\tsea:\tthe\tinfinite\t\nvariations\tgiven\tby\tthe\twaves\tand\tthe\tcurrents\tcome\tto\t\nlife\tin\tthe\tevocative\tdeclinations\tof\tthe\tDeNuance\tlagoon\t\nfinish,\twith\tits\tmany\tshades\tof\tlight\tblue\tand\tgreen.\nThe\tbase,\tformed\tby\ttwo\tcylindrical\tcopper\telements,\t\nsupports\tthe\tlarge\ttop\twith\tthe\tsinuous\tline.\nThe\tresult\tis\ta\tsculptural\ttable,\tan\ticonic\tobject\tthat\t\nbecomes\tthe\tprotagonist\tof\tthe\tenvironment:\tBaia\tis\t\nalmost\ta\tpiece\tof\tart,\tthe\tpower\tand\tbeauty\tof\tnature.\nB A I A\nDesign Zanellato\u002FBortotto\nC O L L E C T I O N\n1 9 0 — 1 9 1\nT A B L E S  A N D  C H A I R S\n",97,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.98.png","1 9 2 — 1 9 3\nC O L L E C T I O N\nT A B L E S  A N D  C H A I R S\n",98,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.99.png","Una famiglia di tavolini in tre diverse misure ispirati \nalle forme inaspettate e irregolari delle gocce d’acqua \nsu una superficie. Dietro alle linee morbide e familiari \ndei tavolini Drops si cela il sapiente lavoro e know \nhow artigianale di De Castelli che recupera la tecnica \ntradizionale della battitura e formatura manuale \ndel rame. Uno sguardo quindi alla tradizione che, \nreinterpretata in chiave contemporanea, plasma \nprodotti capaci di integrarsi armoniosamente in un \ncontesto quotidiano. La nuova finitura DeNuance di \nDe Castelli valorizza i top in rame che conferiscono \nall’oggetto un aspetto organico e naturale grazie \nall’azione combinata di fuoco, ossidazione e pigmenti.  \nDeNuance e Verderame danno vita a una combinazione \ninedita di tonalità ispirate all’acqua e ai suoi movimenti. \nI metalli di De Castelli si manifestano ora in una veste \nnuova, carica di profondità e infinite nuances.\nDrops\tis\ta\tfamily\tof\tcoffee\ttables\tin\tthree\tdifferent\t\nsizes,\tinspired\tby\tthe\tunexpected,\tirregular\tshapes\tof\t\nwater\tdroplets\ton\ta\tsurface.\tTheir\tsoft,\tfamiliar\tlines\t\nembody\tthe\tskilled\tcraftsmanship\tand\tartisan\tknow-\nhow\tof\tDe\tCastelli,\twhich\thas\trevived\tthe\ttraditional\t\ntechnique\tof\tmanually\thammering\tand\tshaping\tcopper.\t\nThe\ttables\tare\tthus\ta\tnod\tto\ta\ttradition\tthat,\tgiven\ta\t\ncontemporary\tinterpretation,\tis\tmanifested\tin\tproducts\t\nthat\tharmoniously\tintegrate\twith\teveryday\tsettings.\t\nThe\tnew\tDeNuance\tfinish\tfrom\tDe\tCastelli\tfurther\t\nenhances\tthe\tcopper\ttops,\tgiving\teach\tpiece\tan\torganic,\t\nnatural\tlook\tthrough\tthe\tcombination\tof\tfire,\toxidation\t\nand\tpigments.\t\tDeNuance\tand\tVerderame\tbreathe\tlife\t\ninto\ta\tfresh\tcombination\tof\ttones\tinspired\tby\twater\tand\t\nthe\tway\tit\tmoves.\tDe\tCastelli\tmetals\tnow\thave\ta\tnew\tlook,\t\nrich\tin\tdepth\tand\tan\tinfinite\trange\tof\thues.\nD R O P S\nDesign Zanellato\u002FBortotto\n1 9 4 — 1 9 5\nC O L L E C T I O N\nT A B L E S  A N D  C H A I R S\n",99,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.100.png","Base:\t\nBrushed copper\nTop:\t\t\nOcean DeNuance copper \nForest DeNuance copper\nC O L L E C T I O N\n1 9 6 — 1 9 7\nT A B L E S  A N D  C H A I R S\n",100,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.101.png","C O L L E C T I O N\n1 9 8 — 1 9 9\nT A B L E S  A N D  C H A I R S\n",101,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.102.png","Due tavolini, come grandi soli, enfatizzano  \nle caratteristiche materiche e cromatiche del rame  \ne dell’ottone. A contrasto con il ferro DeLabré della \nbase, il piano è nobilitato dalla finitura realizzata \ncompletamente a mano; qui il materiale si manifesta  \nin tutta la sua purezza, sfumando da un centro luminoso \nverso tonalità gradualmente più ossidate, grazie  \nad una controllata e graduale lavorazione.  \nLe diverse proporzioni dei due tavolini suggeriscono  \ni due momenti del giorno in cui la luce si fa più \nintrigante, quando il sole sorge grande nel cielo  \ne tramonta più piccolo all’orizzonte.\nTwo\tside\ttables,\tlike\tlarge\tsuns,\temphasize\tthe\ttextural\t\nand\tchromatic\tcharacteristics\tof\tcopper\tand\tbrass.\t\nContrasting\twith\tthe\tDeLabré\tiron\tof\tthe\tbase,\tthe\ttop\t\nis\tennobled\tby\ta\thand-crafted\tfinish.\tHere\tthe\tmaterial\t\ntakes\tshape\tin\tall\tits\tpurity,\tfading\tfrom\ta\tluminous\tcentre\t\ntowards\tgradually\toxidised\ttones,\tthanks\tto\ta\tcontrolled,\t\nmeasured\ttreatment.\tThe\tvarious\tproportions\tof\tthe\t\ncomplementary\ttables\tsuggest\tthe\ttwo\tmoments\tof\tthe\t\nday\twhen\tthe\tlight\tis\tmost\tintriguing,\twhen\tthe\tsun\trises,\t\nlarge\tin\tthe\tsky,\tand\twhen\tit\tsets,\tsmaller,\ton\tthe\thorizon.\nS U N R I S E  &  S U N S E T\nDesign Artefatto\nC O L L E C T I O N\n200 —201\nT A B L E S  A N D  C H A I R S\n",102,{"image":422,"text":423,"number":424},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.103.png","C O L L E C T I O N\n202—203\nT A B L E S  A N D  C H A I R S\n",103,{"image":426,"text":427,"number":428},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.104.png","Sunset\t\nTop:\tGradual oxidized copper\t\nBase:\tDeLabré iron\nC O L L E C T I O N\n204—205\nT A B L E S  A N D  C H A I R S\n",104,{"image":430,"text":431,"number":432},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.105.png","L’alchimia è un sapere antico il cui fine primo \nera quello di trasmutare i metalli vili in metalli preziosi, \navvalendosi di un linguaggio esoterico che conferiva \nal materiale una dimensione metafisica. La collezione \nAlchemy trae ispirazione da questa scienza magica \nper creare composizioni mutevoli di tavolini che, \ncombinandosi insieme per immediata intesa formale, \ndanno luogo a variazioni cromatiche ed enfatizzano \nl’espressività del materiale. La forma concava delle  \nbasi rifrange la luminosità dell’acciaio inossidabile a cui  \nsi contrappone la geometria tattile dei top in rame,  \nottone e acciaio DeLabré. \nAlchemy\tis\tan\tancient\tart\twhose\tmain\tgoal\twas\t\t\nto\tconvert\thumble\tmetals\tto\tprecious\tones,\tusing\t\t\nan\tesoteric\tlanguage\tto\tgive\tmaterials\ta\tmetaphysical\t\nquality.\tAlchemy\tcollection\twas\tinspired\tby\tthis\tmagic\t\nscience,\tresulting\tin\tchangeable\tcompositions\t\t\nof\ttables\tthat\tcome\ttogether\tin\timmediate\tformal\t\nchemistry.\tChromatic\tvariations\temphasise\tthe\t\nexpressivity\tof\tmaterials\tand\tthe\tconcave\tshape\t\t\nof\tthe\tbases\trefracts\tthe\tluminosity\tof\tstainless\tsteel,\t\ncontrasting\twith\tthe\ttextural\tgeometries\tof\tcopper,\t\t\nbrass\tand\tDeLabré\tstainless\tsteel\ttops.\nA L C H E M Y\nDesign Stormo\n206—207\nC O L L E C T I O N\nT A B L E S  A N D  C H A I R S\n",105,{"image":434,"text":435,"number":436},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.106.png","Top:\t\t\nDeLabré brass, stainless steel, copper\nBase:\t\t\nPolished stainless steel\nC O L L E C T I O N\n208—209\nT A B L E S  A N D  C H A I R S\n",106,{"image":438,"text":439,"number":440},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.107.png","2 1 0 — 2 1 1\nT A B L E S  A N D  C H A I R S\nC O L L E C T I O N\n",107,{"image":442,"text":443,"number":444},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.108.png","È un trittico di piccoli tavoli dalla forma organica, \nsostenuti da un’esile struttura in tondino e caratterizzati \nda grafismi incisi sulla lamiera. È una combinazione \ndi forme fluide, segni quasi primitivi, accostamenti \nmaterici, variazioni cromatiche: acciaio, ottone e rame,  \nsi mescolano ripetutamente con forme ispirate ai cerchi \nche si diramano nell’acqua, al flusso della corrente  \ne all’increspatura delle onde. I traversi di collegamento \ndella struttura, posizionati alla stessa altezza da terra, \nformano un intreccio naturale, come rami di un’unica \npianta, in una composizione fluida ed equilibrata.\nIn\torganic\tshapes,\tthis\ttriptych\tof\tsmall\ttables\tis\t\nsupported\tby\ta\tslender\trebar\tstructure\tand\tcharacterized\t\nby\tgeometric\tshapes\tetched\ton\tmetal\ttops.\tFlowing\t\nforms,\talmost\tprimitive\tmarkings,\tmaterial\tcombinations\t\nand\tchromatic\tvariations\tcombine:\tstainless\tsteel,\tbrass\t\nand\tcopper\tare\tmixed\trepeatedly\twith\tshapes\tinspired\t\nby\tcircles\tthat\tbranch\tout\tinto\tthe\twater,\tinto\tthe\tflowing\t\ncurrent\tand\tthe\trippling\twaves.\tThe\tconnecting\tbars\t\nof\tthe\tframe,\tpositioned\tat\tthe\tsame\theight\tfrom\tthe\t\nground,\tform\ta\tnatural\tweave,\tlike\tbranches\tof\tthe\tsame\t\nplant,\tin\ta\tfluid,\tbalanced\tcomposition.\t\nS Y R O\nDesign Emilio Nanni\n2 1 2 — 2 1 3\nC O L L E C T I O N\nT A B L E S  A N D  C H A I R S\n",108,{"image":446,"text":447,"number":448},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.109.png","Orbitale DeLabré brass  \nOrbitale DeLabré stainless steel\nC O L L E C T I O N\n2 1 4 — 2 1 5\nT A B L E S  A N D  C H A I R S\n",109,{"image":450,"text":451,"number":452},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.110.png","On\tthe\tleft:\t\nOrbitale DeLabré copper \nC O L L E C T I O N\n2 1 6 — 2 1 7\nT A B L E S  A N D  C H A I R S\n",110,{"image":454,"text":455,"number":456},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.111.png","Versione oversize dei tavolini Syro, è caratterizzata \ndalla finitura DeErosion che ne contraddistingue il top. \nLe erosioni profonde nel metallo disegnano paesaggi \niscritti nella dimensione generosa della forma, \nche ne valorizza il tratto e la ricercata imperfezione \ndella lavorazione manuale.\nAn\toversize\tversion\tof\tthe\tSyro\tside\ttables,\tSyro\tXL\t\nis\tcharacterized\tby\tthe\tDeErosion\tfinish\tthat\tdefines\t\nthe\ttop.\tDeep\terosions\tin\tthe\tmetal\tcreate\tlandscapes\t\nalong\tthe\tform’s\tgenerous\tproportions,\tenhancing\tits\t\nfeatures\tand\tthe\telegant\timperfection\tof\thand-worked\t\ncraftsmanship.\nS Y R O  X L\nDesign Emilio Nanni\nC O L L E C T I O N\n2 1 8 — 2 1 9\nT A B L E S  A N D  C H A I R S\n",111,{"image":458,"text":459,"number":460},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.112.png","Syro\tXL\t98\t:\t\t\nDeErosion H6 on copper\nSyro\tXL88:\t\t\nDeErosion H7 on brass \nSyro\tXL\t120:\t\t\nDeErosion H3 on stainless steel  \nC O L L E C T I O N\n2 2 0 —2 2 1\nT A B L E S  A N D  C H A I R S\n",112,{"image":462,"text":463,"number":464},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.113.png","C O L L E C T I O N\n2 2 2—2 23\nT A B L E S  A N D  C H A I R S\n",113,{"image":466,"text":467,"number":468},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.114.png","Tre spicchi, o tre petali, si schiudono per offrire un \npiano d’appoggio circolare, tenuto insieme dalla \nstruttura di sostegno delle gambe. Un disegno semplice \ned efficace mette in risalto il segno grafico del progetto \nevidenziando l’espressività del materiale nobilitato dalla \nfinitura DeLabré. Facilmente accostabili, giocano sulla \nripetizione del modulo e sulla solidità della struttura \nche ne assicura la stabilità, garantita da forti gambe in \nferro DeLabré poggiate su piedini in fusione d’ottone.\nThree\twedges,\tor\tthree\tpetals,\topen\tto\tcreate\ta\tcircular\t\ntable\ttop,\theld\ttogether\tby\tthe\tsupporting\tframe\t\nof\tthe\tlegs.\tSimple\tyet\teffective\tdesign\temphasizes\t\nthe\tgeometric\tnature\tof\tthe\tdesign,\thighlighting\tthe\t\nexpressivity\tof\tthe\tmaterial,\tennobled\tby\tthe\tDeLabré\t\nfinish.\tEasily\tassembled,\tthey\tplay\tupon\tmodular\t\nrepetition\tand\tthe\tsolidity\tof\tthe\tframe,\twhich\tbrings\t\nstability,\tguaranteed\tby\tstrong\tDeLabré\tiron\tlegs\tresting\t\non\tcast\tbrass\tfeet.\nP L A C A S\nDesign LucidiPevere\nC O L L E C T I O N\n2 24 —2 25\nT A B L E S  A N D  C H A I R S\n",114,{"image":470,"text":471,"number":472},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.115.png","DeLabré stainless steel    \nDeLabré brass  \nDeLabré copper\nC O L L E C T I O N\n2 26 —2 27\nT A B L E S  A N D  C H A I R S\n",115,{"image":474,"text":475,"number":476},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.116.png","228 —229\nC O L L E C T I O N\nT A B L E S  A N D  C H A I R S\n",116,{"image":478,"text":479,"number":480},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.117.png","Segni essenziali come le curve dolci tracciate  \nda un pennello calligrafico o le linee nitide e sinuose  \ndi un pennarello sono la metafora della malleabilità  \ndei metalli quando la mano che li forgia ne conosce \ntutti i segreti. L’intento è rendere “morbida’’ l’algida \neleganza del metallo, conferendogli carattere, colore \ne un appeal più femminile. Questi segni s’inseguono \nquasi come in una danza, diventando tavolini e piani \nd’appoggio pronti a disegnare un nuovo alfabeto \ndomestico e a scrivere nuove storie di convivialità.\nEssential\tsigns,\tlike\tthe\tundulating\tcurves\tdrawn\tby\t\t\na\tcalligraphy\tpen,\tor\tthe\tclean,\tsinuous\tlines\tof\ta\tmarker,\t\nare\ta\tmetaphor\tfor\tthe\tmalleability\tof\tmetals\twhen\tthe\t\nhand\tthat\tforges\tthem\tknows\tall\ttheir\tsecrets.\t\t\nThe\tcold\telegance\tof\tmetal\tis\tthereby\tsoftened,\tgiving\t\nit\tcharacter,\tcolour\tand\tfeminine\tappeal.\tThese\tsymbols\t\nand\tcharacters\tchase\teach\tother\talmost\tas\tif\tdancing,\t\nmanifesting\tas\tside\ttables\tand\tsurfaces\tready\tto\tinvent\t\t\na\tnew\tdomestic\talphabet\tand\twrite\tnew\tstories\t\t\nof\tconviviality.\nS C R I B B L E\nDesign Francesca Lanzavecchia\n“Tracing Identity” Limited Edition\nBracket:\t\t\nStriped DeLabré brass \nAccent:\t\t\nOrbitale DeLabré brass \n2 3 0 —2 3 1\nC O L L E C T I O N\nT A B L E S  A N D  C H A I R S\n",117,{"image":482,"text":483,"number":484},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.118.png","C O L L E C T I O N\n232—23 3\nT A B L E S  A N D  C H A I R S\n",118,{"image":486,"text":487,"number":488},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.119.png","ANTIGA\t\nsostituire\tcon\talta\nANTIGA\t\nsostituire\tcon\talta\n234—235\nC O L L E C T I O N\nT A B L E S  A N D  C H A I R S\n",119,{"image":490,"text":491,"number":492},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.120.png","Il set di tavolini Band compone un insieme di micro \narchitetture il cui tratto più evidente è la leggerezza. \nGambe lunghe e affilate sostengono dei piani sottili  \ndi forma circolare dove vibrano le sfumature del \nmetallo. In acciaio, ottone, rame, sono oggetti \npoliedrici, in grado di portare con grazia e discrezione  \nle sofisticate sfumature dei metalli De Castelli.  \nProposti in altezze diverse, formano un gruppo  \ndi arredi complementari ed armonici destinati  \na durare nel tempo.\nThe\tBand\tcoffee\ttable\tset\tcreates\t‘micro\tarchitecture’\t\nwhose\tmost\tdistinctive\ttrait\tis\tlightness.\tLong,\tslender\t\nlegs\tsupport\tthin\tcircular\ttable\ttops,\twhere\tmetal\t\nnuances\tvibrate.\tIn\tstainless\tsteel,\tbrass\tand\tcopper,\t\nthese\tmultifaceted\tobjects\tgracefully\tand\tdiscreetly\twear\t\t\nthe\tsophisticated\tshades\tof\tDe\tCastelli\tmetals.\t\t\nIn\tdifferent\theights,\tthey\tform\ta\tgroup\tof\tcomplementary,\t\nharmonious\tpieces\tdestined\tto\tlast\tover\ttime.\nB A N D\nDesign Baldessari e Baldessari\nC O L L E C T I O N\n236 —237\nT A B L E S  A N D  C H A I R S\n",120,{"image":494,"text":495,"number":496},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.121.png","Band\t55:\t\t\nDeLabré\tcopper\nBand\t60:\t\t\nDeLabré brass\nBand\t65:\t\t\nDeLabré stainless steel \nC O L L E C T I O N\n238 —239\nT A B L E S  A N D  C H A I R S\n",121,{"image":498,"text":499,"number":500},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.122.png","Geometrie decise per un tavolino caratterizzato dalla \nsovrapposizione di tre elementi in apparente contrasto. \nL’importante base a croce àncora a terra la struttura \nmentre il sottile piano rotondo poggia su un esile stelo, \nquasi come una foglia delicata che germoglia da radici \nprofonde. La base e lo stelo sono in ferro DeLabré \nmentre il top viene valorizzato dalla preziosità  \ndei diversi metalli e finiture De Castelli.\nDecisive\tgeometries\tfor\ta\ttable\tcharacterized\tby\t\nthe\tsuperimposition\tof\tthree\tapparently-contrasting\t\nelements.\tThe\trobust\tcross-shaped\tbase\tanchors\tthe\t\nstructure\tto\tthe\tground\twhile\tthe\tthin\tround\ttop\trests\t\non\ta\tslender\tstem,\tlike\ta\tdelicate\tleaf\tthat\temerges\tfrom\t\ndeep\troots.\tThe\tbase\tand\tthe\tstem\tare\tin\tDeLabré\tiron\t\nwhile\tthe\ttop\tis\tenhanced\tby\tdifferent\trefined\tmetals\t\t\nand\tDe\tCastelli\tfinishes.\nN I C O L A\nDesign Ivdesign\nNicola\t45:\t\t\nDeOpale copper\nNicola\t50:\t\t\nDeOpale stainless steel\nNicola\t55:\t\t\nDeOpale brass\nC O L L E C T I O N\n24 0 —241\nT A B L E S  A N D  C H A I R S\n",122,{"image":502,"text":503,"number":504},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.123.png","La collezione di tavolini Parsec è caratterizzata \ndall’intreccio della struttura tubolare che forma la base; \nle gambe disegnano diagonali connesse da un giunto \ncentrale su cui convergono le linee di forza. Ad esso \nsono fissati il piano e il centrotavola, che diventa perno \ndi tutta la struttura. Disponibile con o senza accessorio \ncentrale, il top di Parsec esalta le finiture DeLabré e \nDeOpale su acciaio, ottone e rame in contrasto con la \nstruttura brunita. Parsec è un oggetto che fa del rigore \nformale il proprio DNA.\nThe\tParsec\tcollection\tof\tcoffee\ttables\tis\tcharacterized\t\t\nby\tthe\tinterwoven\ttube\tstructure\twhich\tforms\tthe\tbase.\t\nThe\tlegs\tcreate\tdiagonals\tconnected\tby\ta\tcentral\tjoint\t\nupon\twhich\tthe\tforce\tlines\tconverge.\tAttached\tto\tit\tare\t\nthe\ttop\tand\tcentrepiece,\twhich\tbecomes\ta\tlinchpin\tfor\t\nthe\tentire\tstructure.\tAvailable\twith\tor\twithout\tthe\tcentral\t\naccessory,\tParsec\ttop\tennobles\tDeLabré\tand\tDeOpale\t\nfinishes\ton\tstainless\tsteel,\tbrass\tand\tcopper\tin\tcontrast\t\nwith\tthe\tburnished\tstainless\tsteel\tframe.\tParsec\tis\tan\titem\t\ndefined\tby\tformal\trigour.\nPA R S E C\nDesign Emilio Nanni\nC O L L E C T I O N\n242—243\nT A B L E S  A N D  C H A I R S\n",123,{"image":506,"text":507,"number":508},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.124.png","DeOpale stainless steel \nDeOpale brass\nC O L L E C T I O N\n244—245\nT A B L E S  A N D  C H A I R S\n",124,{"image":510,"text":511,"number":512},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.125.png","Pensando ad Acapulco, rappresenta un omaggio alla \nmitica Acapulco Chair degli anni ’50 ed elabora un \nnuovo concetto di seduta a partire da lastre metalliche \ncompletamente modellate a mano, piega dopo piega. \nLe tre gambe in ferro sorreggono la seduta formata \nda altrettanti spicchi in rame, acciaio o ottone lucido, \nravvivati dalla rifrazione della luce su ogni faccetta \nscolpita sulla superficie. Nata dal virtuosismo del sapere \nartigiano di De Castelli, la seduta sfida la resistenza  \ndel metallo e si offre accogliente, trasformando anche  \nil ferro nel più flessibile dei materiali.\nPensando\tad\tAcapulco\t(Thinking\tof\tAcapulco)\t\t\nis\ta\ttribute\tto\tthe\ticonic\tAcapulco\tChair\tof\tthe\tFifties.\t\t\nIt\tgives\tshape\tto\ta\tnew\tunderstanding\tof\twhat\ta\tchair\t\t\nis,\tstarting\tfrom\tsheet\tmetal\tshaped\tentirely\tby\thand,\t\t\nfold\tafter\tfold.\tThree\tiron\tlegs\tsupport\tthe\tseat,\tformed\t\nby\tthree\tsections\tin\tshiny\tcopper,\tsteel\tor\tbrass,\t\nenlivened\tby\tthe\trefraction\tof\tlight\ton\teach\tfacet\tsculpted\t\non\tits\tsurface.\tThe\tproduct\tof\tDe\tCastelli\tcraftsmanship,\t\nexpertise\tand\tvirtuosity,\tthis\tchair\tchallenges\tdurable\t\nmetal\tto\tbecome\twelcoming,\teven\ttransforming\tiron\t\t\ninto\tthe\tmost\tflexible\tof\tmaterials.\nP E N S A N D O  A D  A C A P U L C O\nDesign IvDesign\n246 —247\nC O L L E C T I O N\nT A B L E S  A N D  C H A I R S\n",125,{"image":514,"text":515,"number":516},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.126.png","Polished copper\nOn\tthe\tright;\t\nPolished brass\nC O L L E C T I O N\n248—249\nT A B L E S  A N D  C H A I R S\n",126,{"image":518,"text":519,"number":520},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.127.png","Specchiere\nAccessori  \ndi carattere  \nper nuovi scenari \ndomestici.\nMIRRORS\nDistinctive\taccessories\t\t\nfor\tnew\tdomestic\tsettings.\nC O L L E C T I O N\n2 5 0 —2 5 1\nM I R R O R S\n",127,{"image":522,"text":523,"number":524},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.128.png","Frame è uno specchio racchiuso in una cornice  \nin metallo molto profonda. Inevitabile per chi si \nspecchia è avvicinarsi al vetro riflettente, per \nosservare l’immagine più da vicino. \nFrame è un oggetto provocatorio, che non permette  \na chi si guarda di accontentarsi della superficie, \nconsigliando in un certo modo introspezione e \nconsapevolezza. Viene fissato a parete in posizione \ninclinata, quasi a voler comunicare la provvisorietà  \ndell’immagine riflessa.\nFrame\tis\ta\tmirror\twrapped\tin\ta\tdeep\tmetal\tbezel.\t\nDrawing\tclose\tis\tunavoidable\tfor\tthose\twho\tlook\tin\tthe\t\nmirror,\tenabling\tthem\tto\tobserve\ttheir\timage\tfrom\tcloser\t\nup.\tEver\tthe\tprovocateur,\tFrame\tdoesn’t\tallow\tus\tto\tsettle\t\nfor\tthe\tsurface,\tadvising,\tin\tsome\tway,\tintrospection\t\t\nand\tawareness.\tAlmost\tas\tif\tto\tconvey\tthe\timpermanence\t\nof\tthe\timage\treflected,\tthis\tobject\tis\tmeant\tto\tbe\taffixed\t\nto\tthe\twall\tin\tan\tinclined\tposition.\nF R A M E\nDesign Antonella Tesei\n\t\nOrbitale DeLabré brass\nC O L L E C T I O N\n2 52—2 5 3\nM I R R O R S\n",128,{"image":526,"text":527,"number":528},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.129.png","DeLabré B stainless steel\n25 4—255\nC O L L E C T I O N\nM I R R O R S\n",129,{"image":530,"text":531,"number":532},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.130.png","Una collezione di specchi da parete che celebra la virtù \ndella semplicità. Caratterizzata dalla forma elementare \ne compiuta del cerchio, si distingue per le spesse  \ncornici di ottone e acciaio che delimitano le superfici \nriflettenti, disegnando anelli di diverse dimensioni  \nda appendere soli o in gruppo. Sono accessori d’arredo \nche combinano la ricchezza delle finiture De Castelli \ncon l’essenzialità estrema delle forme, pezzi versatili \nperfettamente calati nella contemporaneità  \ndel vivere domestico.\nA\tcollection\tof\twall-mounted\tmirrors\tthat\tcelebrates\t\nthe\tvirtues\tof\tsimplicity.\tCharacterized\tby\tthe\tessential,\t\ncomplete\tform\tof\tthe\tcircle,\tRiflesso\tis\tdistinguished\tby\t\nthe\tthick\tbrass\tand\tstainless\tsteel\tframes\tthat\toutline\tits\t\nreflective\tsurfaces,\tdelimiting\trings\tof\tdifferent\tsizes\tto\t\nhang\talone\tor\tin\tgroups.\tVersatile\tpieces\tperfectly\tsuited\t\nto\tthe\tcontemporary\tnature\tof\tdomestic\tliving,\tthese\t\ndecorative\titems\tcombine\tthe\trichness\tof\tDe\tCastelli\t\nfinishes\twith\tthe\textreme\tessentialism\tof\tits\tshapes.\nR I F L E S S O\nDesign R&D De Castelli\nC O L L E C T I O N\n256 —257\nM I R R O R S\n",130,{"image":534,"text":535,"number":536},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.131.png","Riflesso\t90\u002F70:\t\nOrbitale DeLabré brass\nRiflesso\t45:\t\nOrbitale DeLabré stainless steel \nC O L L E C T I O N\n258 —259\nM I R R O R S\n",131,{"image":538,"text":539,"number":540},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.132.png","ANTIGA\t\nsostituire\tcon\talta\nC O L L E C T I O N\n2 6 0 —2 6 1\nM I R R O R S\n",132,{"image":542,"text":543,"number":544},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.133.png","Syro Mirror riprende le forme organiche della collezione \nomonima e le traduce in superfici specchianti che, \ninserite nelle cornici in acciaio e ottone di forte \nspessore, mimano le sagome naturali dei petali. Tratti \ncaratterizzanti sono il mix di effetti cromatici ottenuti \ndai vari trattamenti del metallo e la poliedricità delle \nforme, collocabili a piacimento da sole o una vicina \nall’altra: l’insieme amplifica l’organicità della collezione \nsvelando molteplici possibilità di combinazione  \na parete con sorprendenti effetti scenografici. \nSyro\tMirror\techoes\tthe\torganic\tsilhouettes\tof\tthe\t\nentire\tSyro\tcollection,\ttranslating\tthem\tinto\tmirrored\t\nsurfaces\tthat,\tsurrounded\tby\tthick\tstainless\tsteel\tand\t\nbrass\tframes,\tmimic\tthe\tnatural\toutlines\tof\tpetals.\tIn\ta\t\nmix\tof\tchromatic\teffects\tobtained\tfrom\tvarious\tmetal\t\ntreatments,\tthese\tmultifaceted\tshapes\tcan\tbe\tarranged\t\nas\tdesired,\ton\ttheir\town\tor\tone\tnext\tto\tanother.\t\nThe\torganic\tnature\tof\tthe\tcollection\tis\tthus\tamplified,\t\nrevealing\tthe\tmultiple\tways\tthey\tcan\tbe\tcombined\ton\tthe\t\nwall,\tto\tsurprisingly\tdramatic\tresults.\t\nS Y R O  M I R R O R\nDesign Emilio Nanni\n262—263\nC O L L E C T I O N\nM I R R O R S\n",133,{"image":546,"text":547,"number":548},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.134.png","\t\nOrbitale DeLabré brass \nOrbitale DeLabré stainless steel \nC O L L E C T I O N\n264—265\nM I R R O R S\n",134,{"image":550,"text":551,"number":552},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.135.png","Luci\nLa luminosità  \ndel metallo si piega  \nal servizio della luce.\nLIGHTING \nThe\tradiance\tof\tmetal\t\t\nbends\tfor\tlight.\n266 —267\nC O L L E C T I O N\nL I G H T I N G\n",135,{"image":554,"text":555,"number":556},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.136.png","Un cono in ottone o ferro forma una raggiera che \ndelimita ed espande la luce, definendone la consistenza, \nesplorando un nuovo confine formale. Luce Solida  \nè una lampada leggera, costruita intorno a un diffusore \nrealizzato con piccoli tondini metallici affiancati, che \ndecostruisce la struttura con una serie di vuoti e pieni. \nRigorosa nel segno grafico ed innovativa per l’uso \n“elementare” dei materiali utilizzati, illumina in maniera \ndiretta lo spazio e amplifica l’effetto luminoso grazie \nall’evanescenza del diffusore.\nAn\tiron\tand\tbrass\tcone\tforms\ta\tsunburst\tto\toutline\t\t\nand\texpand\tlight,\tdefining\tits\tconsistency,\texploring\t\t\nnew\tformal\tboundaries.\tLuce\tSolida\tis\ta\tlightweight\tlamp,\t\nbuilt\taround\ta\t‘shade’\tmade\tof\tsmall\tmetal\trods\tplaced\t\nside\tby\tside,\tdematerializing\tits\tstructure\tinto\ta\tseries\t\nof\tpositive\tand\tnegative\tspaces.\tRigorous\tin\tits\tgraphic\t\nmark\tand\tinnovative\tfor\tthe\t‘elementary’\tuse\tof\tmaterials,\t\nLuce\tSolida\tdirectly\tilluminates\tspace\tand\tamplifies\tits\t\nluminosity\tthanks\tto\tits\tairy\tdiffusor.\nL U C E  S O L I D A\nDesign Gumdesign\nC O L L E C T I O N\n268—269\nL I G H T I N G\n",136,{"image":558,"text":559,"number":560},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.137.png","Luce\tSolida\t42:\t\nDeLabré brass \nOn\tthe\tright:\nLuce\tSolida\t88:\t\nDeLabré iron\nC O L L E C T I O N\n2 7 0 —2 7 1\nL I G H T I N G\n",137,{"image":562,"text":563,"number":564},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.138.png","C O L L E C T I O N\n27 2 —27 3\nL I G H T I N G\n",138,{"image":566,"text":567,"number":568},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.139.png","La gola di Aare, in Svizzera, testimonia l’erosione \nnaturale, conseguenza dell’ultima glaciazione.  \nQui, un torrente originatosi dallo scioglimento  \ndei ghiacciai ha inciso profondamente la roccia, \ntagliandola nel vivo; così nelle sue fessure si insinua \na poco a poco la luce, tra millenarie stratificazioni \ncalcaree. La tecnica di erosione manuale applicata  \nalle lame in metallo trattiene questa suggestione, \nricreando in superficie l’aspetto naturale assunto  \ndalla roccia. Grazie al taglio centrale, le appliques  \nsi mostrano nella forma archetipica della natura scavata \ndal ghiaccio, replicandone la preistorica bellezza,  \ncome fossero state forgiate secoli fa.\nThe\tAare\tGorge\tin\tSwitzerland\tis\ttestimony\tto\tnatural\t\nerosion,\tshaped\tby\tthe\tlast\tice\tage.\tHere,\ta\triver\t\noriginating\tfrom\tmelting\tglaciers\tonce\tcarved\tdeep\tinto\t\nthe\trock,\tcutting\tto\tits\tcore.\tThus,\tlittle\tby\tlittle,\tlight\t\nbegan\tworking\tits\tway\tinto\tthe\tcracks,\tamid\tancient\t\nlimestone\tstratifications.\tThe\tmanual\terosion\ttechnique\t\nused\ton\tthe\tmetal\tsheet\tof\tAare\tis\tits\tmodern\techo,\t\nrecreating\tthe\tnatural\tlook\tof\tthe\trock\talong\tits\tsurfaces.\t\nThanks\tto\ta\tcentre\tslit,\tthese\twall\tsconces\ttake\ton\tthe\t\narchetypical\tform\tof\tearthly\tgeography\tsculpted\tby\tice,\t\nreproducing\tits\tprehistoric\tbeauty,\tas\tif\tthey\ttoo\twere\t\nforged\tcenturies\tago.\nA A R E\nDesign Alexander Purcell Rodrigues\n\t\nDeErosion H8 brass\n274 —275\nC O L L E C T I O N\nL I G H T I N G\n",139,{"image":570,"text":571,"number":572},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.140.png"," \nDeLabré brass  \nDeLabré copper \nOn\tthe\tleft:\t\nDeErosion H8 brass\nC O L L E C T I O N\n276 —27 7\nL I G H T I N G\n",140,{"image":574,"text":575,"number":576},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.141.png","278 —279\nL I G H T I N G\n",141,{"image":578,"text":579,"number":580},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.142.png","Una presenza fluida, sensibile, delicatamente posata \nin equilibrio. Un oggetto-scultura composto da un \ndiffusore in ottone martellato a mano, dove il metallo \nsembra ancora irradiare energia ai tocchi dello \nstrumento che lo ha plasmato. La luce prodotta  \nda una sorgente a led si rifrange come fosse liquida; \nogni riflesso evoca il movimento dell’acqua, mentre \nl’intera composizione sembra vibrare luminosa  \nnello spazio.\nA\tflowing,\tsensible\tpresence,\tdelicately\tbalanced.\t\t\nA\tsculptural\tobject\tcomposed\tof\ta\thand-hammered\tbrass\t\ndiffuser,\tmetal\tthat\tstill\tseems\tto\tradiate\tthe\tenergy\tof\tthe\t\ntool\tthat\tshaped\tit.\tLight,\toriginating\tfrom\ta\tLED\tsource,\t\nis\treflected\tas\tif\tit\twas\tliquid.\tEach\treflection\tevokes\tthe\t\nmovement\tof\twater\twhile\tthe\tentire\tcomposition\tseems\t\nto\tvibrate\tbrightly\tin\tspace.\nR I B O T\nDesign Alessandro Mason\nC O L L E C T I O N\n2 8 0 —2 8 1\nL I G H T I N G\n",142,{"image":582,"text":583,"number":584},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.143.png","C O L L E C T I O N\n282—28 3\nL I G H T I N G\n",143,{"image":586,"text":587,"number":588},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.144.png","Divisorio, lampada o fioriera, è un oggetto luminoso \nche arreda l’interior e l’outdoor. Tre diverse funzioni che \nsi compenetrano in un unico elemento caratterizzato \ndal deciso pattern grafico che definisce la superficie \ne incide sulla luce. Alla base solida e compatta, che \npuò essere fissata a terra, si contrappone una sezione \nsuperiore dove il disegno si rincorre e alleggerisce  \nla struttura, permettendo la diffusione della luce  \ne accogliendo la sua anima verde.\nPartition,\tlamp\tor\tplanter,\tthese\tbright\tobjects\t\ncan\tdecorate\tindoor\tand\toutdoor\tspaces.\tThree\t\ndifferent\tfunctions\tcome\ttogether\tin\ta\tsingle\telement\t\ncharacterized\tby\ta\trefined\tgeometric\tpattern,\tfiltering\t\nlight.\tThe\tsolid,\tcompact\tbase,\twhich\tcan\tbe\tsecured\t\t\nto\tthe\tground,\tis\tjuxtaposed\twith\tan\tupper\tsection\t\t\nwhere\ta\tpattern\tcovers\tand\tlightens\tthe\tstructure,\t\ndiffusing\tlight\tand\twelcoming\tits\tgreen\tsoul.\nD A F N E  &  D E M E T R A\nDesign Ludovica+Roberto Palomba\n284—285\nC O L L E C T I O N\nL I G H T I N G\n",144,{"image":590,"text":591,"number":592},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.145.png","Laquered RAL 9010\nOn\tthe\tright:\t\nDeLabré B stainless steel \n28 6 —287\nC O L L E C T I O N\nL I G H T I N G\n",145,{"image":594,"text":595,"number":596},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.146.png","Vasi\nIl metallo ritorna  \nalla natura. \nPOTS \nMetal\treturns\t\t\nto\tnature.\t\n288—289\nC O L L E C T I O N\nP O T S\n",146,{"image":598,"text":599,"number":600},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.147.png","Dall’incontro tra l’acciaio DeLabré e l’acciaio \nlucido nasce Phil, una serie di cachepot dalle \nlinee estremamente semplici, rese complesse \ndall’abbinamento di materiali e finiture contrastanti, \nche mettono in evidenza la sensorialità delle superfici. \nIn una rincorsa tra lucido e opaco, luminoso e oscuro, \nPhil si offre un’unica proporzione e tre varianti, \ncaratterizzate dal prevalere di uno o dell’altro metallo. \nArising\tfrom\tthe\tunion\tof\tDeLabré\tand\tpolished\tstainless\t\nsteel,\tPhil\tis\ta\tseries\tof\tcachepots\twith\tsimple\tlines\t\nrendered\tcomplex\tthanks\tto\tits\tunique\tcombination\t\nof\tcontrasting\tmaterials\tand\tfinishes.\tHighlighting\tthe\t\nsensory\tnature\tof\tits\tsurfaces\tin\tan\tinterplay\tof\tshiny\tand\t\nmatt,\tlight\tand\tdark,\tPhil\tcomes\tin\tone\tsingle\tproportion\t\nand\tthree\tvariations,\tcharacterized\tby\tthe\ttriumph\tof\tone\t\nmetal\tor\tthe\tother.\t\nP H I L\nDesign Johannes Klein\nPolished stainless steel \nDeLabré B stainless steel \nC O L L E C T I O N\n2 9 0 —2 9 1\nP O T S\n",147,{"image":602,"text":603,"number":604},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.148.png","ANTIGA\t\nsostituire\tcon\talta\n292—293\nP O T S\nC O L L E C T I O N\n",148,{"image":606,"text":607,"number":608},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.149.png","La forma pura del cilindro viene declinata nei metalli \ne nelle finiture De Castelli per una serie di cachepot di \ngrande presenza scenica. Nella loro lineare semplicità, \nsono oggetti che divengono landmark di un paesaggio \ndomestico, non solo accessori ma punti cardinali che \norientano lo spazio. Di diverse altezze e diametri, \nvivono da soli o compongono insiemi sfaccettati.\nA\tpure\tcylindrical\tshape\tcomes\tin\tDe\tCastelli\tmetals\t\t\nand\tfinishes\tfor\ta\tseries\tof\tcachepots\twith\tabounding\t\nstage\tpresence.\tIn\ttheir\tlinear\tsimplicity,\tthese\tobjects\t\nbecome\tlandmarks\tfor\tthe\thome,\tnot\tjust\taccessories\t\nbut\talso\tcardinal\tpoints\tthat\torient\tthe\tspace.\tIn\tdifferent\t\nheights\tand\tdiameters,\tthey\tstand\talone\tor\tmake\tup\t\nmulti-faceted\tsets.\nC O H I B A\nDesign R&D De Castelli\nPolished stainless steel\nOn\tthe\tright:\t\nCorten \nBrushed DeMaistral stainless steel\nC O L L E C T I O N\n294—295\nP O T S\n",149,{"image":610,"text":611,"number":612},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.150.png","attesa nuovi scatti\nUn cachepot declinato ad altezze scalari, ma con un unico \ndiametro. Cinque diverse proporzioni per esplorare  \nuna forma tipicamente associata al vaso da fiori,  \nda posizionare liberamente o da fissare a terra. La linea \nsvettante si impone naturalmente nelle grandi dimensioni, \nun’architettura nell’architettura, definendo lo spazio  \ne i percorsi. Destinato sia all’indoor che all’outdoor,  \npuò portare nello spazio domestico le inconfondibili \nfiniture De Castelli o mimetizzarsi con l’ambiente  \nnella versione laccata.\nA\tcachepot\tin\tascending\theights,\tall\twith\tone\tsingle\t\ndiameter.\tFive\tdifferent\tproportions\tto\texplore\ta\tshape\t\ngenerally\tassociated\twith\tvases,\tto\tbe\tpositioned\tfreely\tor\t\naffixed\tto\tthe\tground.\tThe\ttowering\tlines\tof\tthe\tlarge-scale\t\nversions\tare\tnaturally\timposing,\tbecoming\ta\tbuilding\twithin\t\na\tbuilding,\tdefining\tthe\tspace\tand\tits\tpaths.\tDestined\tboth\t\nfor\tindoor\tand\toutdoor\tuse,\tNarnya\tbrings\tunmistakeable\t\nDe\tCastelli\tfinishes\tto\tdomestic\tspaces\tor,\tin\tthe\tlacquered\t\nversion,\tblends\tin\twith\tits\tsurroundings.\nN A R N YA\nDesign R&D De Castelli\nPolished stainless steel\n296 —297\nC O L L E C T I O N\nP O T S\n",150,{"image":614,"text":615,"number":616},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.151.png","“Sono sempre stato attratto dalla natura che manifesta \nla sua forza in contesti inaspettati”; così Aldo Cibic \ncostruisce un paesaggio in miniatura, lavorando  \nsu una poetica fatta di strutture, contenitori e oggetti  \nin cui alloggiare piccoli giardini, pensati per l’interno  \ne per l’esterno.\nMinimo e semplice il disegno, sottili gli spessori della \nstruttura che quasi sparisce: la leggerezza delle linee \nconfluisce nell’esaltazione dell’espressività dei metalli  \ne dalla sensorialità delle superfici.\n“I’ve\talways\tbeen\tdrawn\tto\tnature\tas\tit\tmanifests\tits\t\nstrength\tin\tunexpected\tcontexts”.\tWith\tthis,\tAldo\tCibic\t\nbuilt\ta\tminiature\tnatural\tlandscape,\tpoetically\tmade\t\nof\tstructures,\tcontainers\tand\tobjects\tto\thouse\tsmall\t\ngardens,\tboth\tindoors\tand\toutdoors.\nWith\ta\tminimal,\tsimple\tdesign\tand\ta\tthin,\tbarely-there\t\nframe,\tthe\tlightness\tof\tthe\tlines\tconverges\tto\texalt\tthe\t\nezxpressiveness\tof\tthe\tmetals\tand\tthe\tsensory\tnature\t\t\nof\ttheir\tsurfaces.\nR I V I E R A  P O T S\nDesign Aldo Cibic\n298—299\nC O L L E C T I O N\nP O T S\n",151,{"image":618,"text":619,"number":620},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.152.png","Riviera\t1\tflower\t90:\t\t\nRAL9010 laquered\nOthers:\t\nBronzed DeMaistral stainless steel \nC O L L E C T I O N\n300 —301\nP O T S\n",152,{"image":622,"text":623,"number":624},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.153.png","Screen-Pot è la rivisitazione in chiave contemporanea \ndella classica fioriera con griglia per piante rampicanti. \nIl disegno si ispira alle forme della natura: come una \nfoglia tra le foglie, la griglia si richiude morbidamente \nsu sé stessa per accogliere il verde. Può assolvere  \nanche la funzione di divisorio e creare schermature \nvegetali mobili, separé naturali che offrono privacy  \ne proteggono dal vento.\nScreen-Pot\tis\ta\tcontemporary\ttake\ton\tthe\tclassic\tflower\t\npot\twith\ta\ttrellis\tfor\tclimbing\tvines.\tIts\tdesign\twas\t\ninspired\tby\tthe\tshapes\tof\tnature\titself:\tlike\ta\tleaf\tamong\t\nleaves,\tthe\ttrellis\tsoftly\tcloses\tin\ton\titself\tto\tembrace\tthe\t\nplant.\tIt\tcan\talso\tact\tas\ta\tpartition\tto\tcreate\tmobile\tplant\t\ndividers,\tnatural\tscreens\tthat\toffer\tprivacy\tand\tprotection\t\nfrom\tthe\twind.\nS C R E E N - P O T\nDesign Francois Clerc\n1\tplant:\t\t\nWaxed corten\n2\tplants:\t\t\nBronzed DeMaistral stainless steel \nC O L L E C T I O N\n302—303\nP O T S\n",153,{"image":626,"text":627,"number":628},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.154.png","Destinazione India: questi vasi decorativi  \ndi immediato sapore orientale sono elementi \nscultorei, dalle forme generose ed esili al tempo \nstesso. Oltre alle finiture più classiche, come  \nil corten e l’acciaio DeMaistral brunito, si offrono \nsontuosi nella spettacolare finitura a foglia d’oro, \ncome recipienti meravigliosi degni delle più belle \ndimore dei maharaja.\nNext\tstop,\tIndia:\tthese\toriental-style\tdecorative\t\nvases\tare\tsculptural\telements\twith\tgenerous\tyet\t\nsimultaneously\tslim\tshapes.\tIn\taddition\tto\tclassic\t\nfinishes,\tlike\tcorten\tand\tburnished\tsteel,\tthey\t\t\nare\tsumptuous\tin\ta\tspectacular\tgold\tleaf\tfinish,\t\t\nlike\twonderful\tvessels\tworthy\tof\ta\tMaharaja’s\t\t\nbeautiful\thome.\nS H I M L A  &  J A I P U R\nDesign Stefano Dussin\nShimla:\t\nGolden leaf\nJaipur:\t\t\nBronzed DeMaistral stainless steel\nC O L L E C T I O N\n304—305\nP O T S\n",154,{"image":630,"text":631,"number":632},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.155.png","Il metallo trova la sua affermazione più completa \nin queste grandi sculture sinuose le cui forme \ncomplementari sono enfatizzate dalle singolari \ncromie e dalla preziosa foglia d’oro applicata  \nin superficie. In un gioco di pieni e vuoti, le due \nfigure si stagliano in forme antropomorfe delineate \ndalla luce e dall’ombra, dove la finitura enfatizza \nl’ispirazione etnica ed evoca l’arte antica  \ndi ere passate.\nMetal\tis\tunabashedly\tconfirmed\tin\tthese\tlarge,\tsinuous\t\nsculptures.\tComplementary\tforms\tare\temphasized\t\t\nby\tunique\thues\tand\tthe\tprecious\tgold\tleaf\tapplied\t\t\nto\ttheir\tsurfaces.\tIn\tan\tinterplay\tof\tpositive\tand\t\nnegative\tspace,\tthe\ttwo\tfigures\tstand\tout\tin\t\nanthropomorphic\tshapes\tdefined\tby\tlight\tand\tshadow,\t\nwhere\tthe\tfinish\temphasizes\tfar-away\tinspirations\t\t\nand\tevokes\tthe\tancient\tarts\tof\tpast\teras.\nT R I S TA N  &  I S O T T E\nDesign Stefano Dussin\nBronzed DeMaistral stainless steel\n306—307\nC O L L E C T I O N\nP O T S\n",155,{"image":634,"text":635,"number":636},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.156.png","Espressioni sculturali della nobiltà del metallo  \nin tutte le sue declinazioni, Rocco e Lolita sono \nelementi decorativi caratterizzati dalla grande purezza \ndelle forme e dall’essenzialità delle linee. Le loro \nsagome sfaccettate ampliano il gioco dei chiaroscuri \ne aprono alle possibilità offerte dalla rifrazione della \nluce sulla superficie. Le diverse silhouette disegnano \nsinuose curve nello spazio secondo un andamento \ncomplementare e armonico, in un ideale equilibrio  \ndi volumi.\nClear\texamples\tof\tthe\tpreciousness\tof\tmetal\tin\tall\t\t\nits\tvariations,\tRocco\tand\tLolita\tare\tdecorative\telements\t\ncharacterized\tby\tpure\tand\tessential\tlines.\tTwo\tstructures\t\nthat\tplay\twith\tlight\tand\tshadow,\tcreating\tunexpected\t\neffects\ton\tsurfaces.\tTheir\tsilhouettes\tdraw\telegant\t\t\ncurves\tin\ta\tcomplementary\tand\tharmonious\tensemble,\t\ncreating\tan\tideal\tbalance.\nR O C C O  &  L O L I TA\nDesign Stefano Dussin\n308—309\nC O L L E C T I O N\nP O T S\n",156,{"image":638,"text":639,"number":640},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.157.png","Orbitale DeLabré brass \nOrbitale DeLabré stainless steel\nC O L L E C T I O N\n3 1 0 — 3 1 1\nP O T S\n",157,{"image":642,"text":643,"number":644},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.158.png","Landscape\nOggetti reinventati \nridefiniscono l’outdoor.\nLANDSCAPE \nReinvented\tobjects\t\t\nto\tredefine\tthe\toutdoors.\n3 1 2 — 3 1 3\nL A N D S C A P E\nC O L L E C T I O N\n",158,{"image":646,"text":647,"number":648},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.159.png","Una rivisitazione della classica casetta-ripostiglio  \nda giardino, che enfatizza le caratteristiche dei materiali \ncostruttivi, sottolineate dal disegno minimale. Una “corazza” \nesterna in acciaio corten incornicia le facciate in legno  \ndi abete naturale, creando uno spazio multifunzionale  \nche si trasforma in capanna balneare, mini garage  \nper le due ruote, nicchia pensatoio per fughe meditative,  \nmicro officina per il fai-da-te. Accessoriata con un \ndispositivo di illuminazione automatica che si attiva \nall’apertura della porta, è provvista di un sistema  \ndi aerazione interna, grazie al pavimento rialzato  \nin doghe in legno e ai forellini ricavati sulla parete. \nIn\ta\trevisitation\tof\tthe\tclassic\tgarden\tshed\tthat\temphasizes\t\nthe\tcharacteristics\tof\tits\tmaterials,\tunderlined\tby\tminimalist\t\ndesign,\tan\texternal\tcorten\tsteel\t‘suit\tof\tarmour’\tframes\tnatural\t\nspruce\tfacades.\tThe\tresult\tis\ta\tmultifunctional\tspace\tthat\t\t\ncan\tbe\ttransformed\tinto\ta\tbeachside\thut,\tmini\tgarage\tfor\t\t\ntwo-wheeled\tmodes\tof\ttransport,\ta\tnook\tfor\tmeditative\t\ngetaways,\tor\ta\tmicro-workshop\tfor\tDIY\tprojects.\tAccessorized\t\nwith\tan\tautomatic\tlighting\tsystem\tthat\tactivates\tonce\tthe\tdoor\t\nopens,\tCottage\tn.\t1\talso\tcomes\twith\tan\tinternal\tventilation\t\nsystem\tthanks\tto\tthe\traised\twooden\tslatted\tfloor\tand\tthe\tsmall\t\nperforations\tin\tthe\twall.\t\nC O T TA G E  N . 1\nDesign Filippo Pisan\nC O L L E C T I O N\nL A N D S C A P E\n3 1 4 — 3 1 5\n",159,{"image":650,"text":651,"number":652},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.160.png","Dog House n°1 reinventa la casa degli amici a quattro \nzampe: nata come declinazione del Cottage n°1, \npropone una rivisitazione concettuale della tradizionale \ncuccia, concentrandosi sulle caratteristiche intrinseche \ndei materiali costruttivi, di cui emerge non solo  \nla funzionalità, ma anche la piacevolezza estetica  \nda condividere con i nostri migliori amici.\nDog\tHouse\tn°1\treinvents\thomes\tfor\tour\tfurry\tfriends.\t\nCreated\tas\ta\tversion\tof\tCottage\tn°1,\tit\toffers\ta\tconceptual\t\nrevisitation\tof\ttraditional\tkennels,\tfocusing\ton\tthe\tintrinsic\t\ncharacteristics\tof\tthe\tbuilding\tmaterials,\twhich\tlend\t\nfunctionality\tand\talso\tpleasing\taesthetics\tto\tbe\tshared\t\nwith\tman’s\tbest\tfriend.\nD O G  H O U S E  N . 1\nDesign Filippo Pisan\nC O L L E C T I O N\nL A N D S C A P E\n3 1 6 — 3 1 7\n",160,{"image":654,"text":655,"number":656},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.161.png","L’attenzione per l’ambiente circostante passa anche \ndalla cura dedicata ai piccoli amici del mondo animale. \nNe è protagonista la casetta per gli uccelli, che diventa \narchitettura volante e solida, nido e rifugio, porto \nsegreto da appendere tra gli alberi o ai muri esterni \ndella casa. Svegliarsi al cinguettio mattutino non  \nè mai stato così piacevole.\nOur\tcare\tfor\tthe\tenvironment\taround\tus\tcan\talso\tbe\tseen\t\nin\tthe\tattention\tpaid\tto\tour\tsmall\tfriends\tin\tthe\tanimal\t\nkingdom.\tA\tsmall\tbirdhouse\tcan\tset\tthe\tstage,\twith\t\t\na\tstructure\tthat’s\tboth\tsoaring\tand\tsolid,\tnest\tand\trefuge\t\n-\ta\tsecret\tport\tto\thang\tamong\tthe\ttrees\tor\tthe\toutside\t\nwalls\tof\ta\thouse.\tWaking\tup\tto\tnature’s\tmorning\tchorus\t\nhas\tnever\tbeen\tbetter.\nN E S T  N . 1\nDesign Filippo Pisan\nCorten \nSatin stainless steel\nC O L L E C T I O N\nL A N D S C A P E\n3 1 8 — 3 1 9\n",161,{"image":658,"text":659,"number":660},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.162.png","In Conique il metallo mima la roccia vulcanica  \nper farne uscire formazioni vegetali e sostituire alla \nforza distruttrice del magma la forza creatrice della \nnatura. Concepiti per indoor ed outdoor, i cachepot  \nsi caratterizzano per il forte contrasto dimensionale \ndella collezione: il diametro dell’ampia base, infatti, \nrimane inalterato in tutte e tre le altezze in cui sono \nproposti, permettendo un coreografico gioco  \ndi abbinamenti e composizioni.\nWith\tConique,\tmetal\timitates\tvolcanic\trock\tto\terupt\t\t\nwith\tplant\tformations\tand\treplace\tthe\tdestructive\tpower\t\nof\tmagma\twith\tthe\tcreative\tforce\tof\tflora.\tDesigned\t\t\nfor\tindoor\tand\toutdoor\tuse,\tthese\tcachepots\tare\tdefined\t\nby\tthe\tcollection’s\tcontrasting\tdimensions:\tthe\tdiameter\t\nof\tthe\tample\tbase\tis\tthe\tsame\tin\tall\tthree\theights,\t\ncreating\ta\tchoreographed\tdance\tof\tcombinations\t\t\nand\tcompositions.\nC O N I Q U E\nDesign Filippo Pisan\nC O L L E C T I O N\nL A N D S C A P E\n3 2 0 — 3 2 1\n",162,{"image":662,"text":663,"number":664},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.163.png","Il comune vaso di terracotta diviene una preziosa \ncreazione in metallo di grandi proporzioni,  \nprotagonista dello spazio con evidente personalità. \nPerfettamente funzionali all’alloggiamento del verde, \ngrazie al contenitore in plastica e al sottovaso di cui \nsono provvisti, i modelli della serie Delta e Omega  \nsi prestano per molteplici combinazioni sia di cromie \nche di dimensioni. \nEssential\tterracotta\tvases\tbecome\tprecious\tcreations\tin\t\nmetal\twith\tlarge-scale\tproportions,\tthe\tstar\tof\tany\tspace\t\nwith\tclear\tpersonality.\tPerfectly\tfunctional\tfor\tgreenery,\t\nthanks\tto\tthe\tplastic\tcontainer\tand\tthe\tincluded\tsaucer,\t\nmodels\tin\tthe\tDelta\tand\tOmega\tseries\tare\tsuitable\tfor\t\nmultiple\tcombinations\tin\tterms\tof\tcolours\tand\tsizes.\t\nD E LTA  &  O M E G A\nDesign Albino Celato\nC O L L E C T I O N\nL A N D S C A P E\n32 2—323\n",163,{"image":666,"text":667,"number":668},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.164.png","Semplice non significa facile. Solo dalla rigorosa  \nricerca della semplicità si generano forme in grado  \ndi fondersi con il vegetale in armonia con il paesaggio: \nA-Modulo propone fioriere che arredano giardini, \nparchi e terrazze, che si trasformano in elementi \ndivisori facilmente posizionabili, che decorano \nimpeccabilmente gli ambienti esterni grazie all’attento \nstudio delle proporzioni e la particolare attenzione ai \nmateriali.\nSimple\tdoesn’t\tmean\teasy.\tOnly\trigorous\tstudies\t\t\nin\tsimplicity\tresult\tin\tshapes\table\tto\tfuse\twith\tplants,\t\t\nin\tharmony\twith\tthe\tlandscape.\tA-Modulo\tplanter\tboxes\t\nfurnish\tgardens,\tparks\tand\tterraces,\ttransforming\tinto\t\neasily-positioned\tdividers,\timpeccably\tdecorating\t\nexternal\tspaces\tthanks\tto\tcarefully-designed\tproportions\t\nand\tselect\tmaterials.\nA - M O D U L O\nDesign R&D De Castelli\nC O L L E C T I O N\nL A N D S C A P E\n324 —325\n",164,{"image":670,"text":671,"number":672},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.165.png","Cube è una linea di contenitori di assoluta sobrietà \nformale, dove alla proporzione compiuta del cubo  \nsi abbinano diverse tipologie di finitura dalla grande \npersonalità. Rigore e slancio creativo si fondono \nin una composizione senza tempo che si fonde  \ncon lo spazio aperto in cui viene collocata.\nCube\tis\ta\tline\tof\tcontainers\twith\tabsolute\tformal\t\nsobriety,\twhere\tthe\tcompleteness\tof\tthe\tcube\t\t\nis\tcombined\twith\tdifferent\tfinishes\tabounding\t\t\nin\tpersonality.\tRigor\tand\tcreative\timpetus\tfuse\t\nin\ta\ttimeless\tcomposition\tthat\tblends\twith\t\t\nthe\topen\tspace\taround\tit.\nC U B E\nDesign R&D De Castelli\nC O L L E C T I O N\nL A N D S C A P E\n326 —327\n",165,{"image":674,"text":675,"number":676},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.166.png","Abaco \nMateriali  \ne Finiture\nMaterials and Finishes Abacus\nA B A C O  M A T E R I A L I  E  F I N I T U R E\n",166,{"image":678,"text":679,"number":680},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.167.png","M6\t\nOttone DeMarea  \nDeMarea brass\nM7\t\nOttone DeSalt \nDeSalt brass\nM3\t\nOttone DeOpale \nDeOpale brass\nG8\t\nOttone martellato \nlucido\nHammered polished \nbrass\nO T T O N E \nB R A S S\nG6\t\t\nRame DeLabré striato \nStriped DeLabré \ncopper\nG5\t\t\nRame DeLabré \nDeLabré copper\nM2\t\t\nRame DeOpale \nDeOpale copper\nR A M E \nC O P P E R\nM9\t\nOttone spazzolato\nBrushed brass\nE13\t\t\nOttone lucido\nPolished brass\nM10\t\u002F\tM10N\t\nRame spazzolato \nBrushed copper\nF2\nOttone DeLabré  \nDeLabré brass \nG7\t\nOttone DeLabré \nstriato  \nStriped DeLabré brass\nG4\t\t\nRame DeLabré \norbitale \nOrbitale DeLabré \ncopper\nM5\t\t\nRame DeMarea  \nDeMarea copper\nF8\t\t\nRame DeMaistral \nbrunito  \nBronzed DeMaistral \ncopper\nN1\t\nDeNuance foresta \nForest DeNuance\nN2\t\t\nDeNuance oceano\nOcean DeNuance\nN3\t\t\nDeNuance verderame \nVerdigris DeNuance\nN4\t\nDeNuance laguna\nLagoon DeNuance\nG11\t\t\nRame rubino \nRuby copper\nG3\t\nOttone DeLabré \norbitale  \nOrbitale DeLabré brass\nD8\t\t\nRal 9010  \nRal 9010  \nM4\t\t\nAcciaio inox DeMarea \nDeMarea stainless steel \nE6\t \nAcciaio inox DeLabré \nstriato  \nStriped DeLabré \nstainless steel \nD9\t\t\nFoglia oro \nGolden leaf\nG2\t\t\nAcciaio inox DeLabré \norbitale \nOrbitale DeLabré \nstainless steel \nE5\t\t\nAcciaio inox DeLabré B \nDeLabré stainless steel B\nE11\t\t\nAcciaio inox DeLabré  \nDeLabré stainless steel\nF E R R O \nI R O N\nG1\t\t\nLamiera nera DeLabré \nDeLabré black iron\nE3\t\t\nLamiera nera  \nNatural black iron\nE8\t\t\nNoir Sablé\nNoir Sablé\nE9\t\t\nMaron Sablé\nMaron Sablé\nD6\t\t\nCorten \nCorten\nD7\t\t\nCorten cerato  \nWaxed corten\nM0\t\t\nAcciaio inox DeOpale  \nDeOpale stainless steel\nM13\t\t\nFinitura rame lucido \nPolished copper finish\nM14\t\t\nFinitura ottone lucido \nPolished brass finish\nD2\t\t\nAcciaio inox lucido \nPolished stainless steel\nM11\t\nAcciaio inox spazzolato\nBrushed stainless steel\nD3\t\t\nAcciaio inox \nDeMaistral brunito \nBronzed DeMaistral\nD1\t\t\nAcciaio inox satinato \nSatin stainless steel\nA C C I A I O  I N O X \nS T A I N L E S S  S T E E L\nC O L L E C T I O N\nM A T E R I A L S  A N D  F I N I S H E S  A B A C U S\n3 3 0 —3 3 1\n",167,{"image":682,"text":683,"number":684},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.168.png","H3\t\t\nDeErosion su ottone \nDeErosion on brass\nH5\t\t\nDeErosion su ottone \nDeErosion on brass\nH2\t\t\nDeErosion su rame \nDeErosion on copper\nH6\t\t\nDeErosion su rame \nDeErosion on copper\nH3\t\t\nDeErosion su rame \nDeErosion on copper\nH5\t\t\nDeErosion su rame \nDeErosion on copper\nH2\t\t\nDeErosion su ottone \nDeErosion on brass\nH6\t\t\nDeErosion su ottone \nDeErosion on brass\nH4\t\t\nDeErosion su rame \nDeErosion on copper\nH4\t\nDeErosion su ottone \nDeErosion on brass\nD E E R O S I O N  H 2\nD E E R O S I O N  H 3\nD E E R O S I O N  H 4\nD E E R O S I O N  H 5\nD E E R O S I O N  H 6\nH7\t\t\nDeErosion su ottone \nDeErosion on brass\nH8\t\t\nDeErosion su rame \nDeErosion on copper\nH10\t\t\nDeErosion su rame \nDeErosion on copper\nH12\u002FH12N\t\t\nDeErosion su rame \nDeErosion on copper\nH7\t\t\nDeErosion su rame \nDeErosion on copper\nH8\t\nDeErosion su ottone \nDeErosion on brass\nH10\t\nDeErosion su ottone \nDeErosion on brass\nH8\t\t\nDeErosion su acciaio inox \nDeErosion on stainless steel\nD E E R O S I O N  H 7\nD E E R O S I O N  H 8\nD E E R O S I O N  H 1 0\nD E E R O S I O N  H 1 2 \u002F H 1 2 N\nL E G N O \nW O O D\nA LT R I  M A T E R I A L I \nO T H E R  M A T E R I A L S\nP E L L E  E  T E S S U T I \nL E A T H E R  A N D  F A B R I C\nRovere naturale \nNatural oak\nEbano gabon \nEbony gabon\nPelle\u002FLeather\t\nAcquario, T. Moro\nDani\nPelle\u002FLeather\t\nAlfa, 4190 \nDani\nPelle\u002FLeather\t\nDoge, Orione \nDani\nBetulla naturale\nNatural birch\nRovere titanio \nTitanium oak\nTessuto\u002FTextile\t\nAsolo, col. 16 \nC O L L E C T I O N\nM A T E R I A L S  A N D  F I N I S H E S  A B A C U S\n332—333\n",168,{"image":686,"text":687,"number":688},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.169.png"," \n \n \n \n \nG1 \nLAMIERA NERA DELABRÉ  \nDELABRÉ\tNATURAL\tBLACK\tIRON\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nsolo\tper\tindoor.\tConsiste\tnell’ossidazione\tmanuale\tdel-\nla\tlamiera\tnera,\tin\tgrado\tdi\tconferire\tparticolari\teffetti\t\ncromatici\tdalle\tdiverse\ttonalità,\tsuccessivamente\tverni-\nciata\tcon\tun\tprotettivo\ttrasparente.\tDifferenze\trispetto\t\nal\tcampione\tin\tvisione\tsono\tda\tconsiderarsi\tnon\tcome\t\ndifetto,\tma\tcome\tcaratteristica\tdella\tlavorazione\tman-\nuale\tche\tpuò\tessere\tsuscettibile\ta\tvariazioni\tdi\ttonalità\t\ne\tomogeneità.\tPer\tla\tpulizia\ted\til\tmantenimento\tutiliz-\nzare\t solo\t un\t panno\t di\t cotone\t inumidito\t con\t acqua\t o\t\nappositi\t prodotti\t neutri\t per\t superfici\t verniciate.\t Non\t\nusare\tpanni\tabrasivi,\tsolventi,\talcool\to\tdetergenti\tag-\ngressivi.\tAsciugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristag-\nno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nuse only. Natural black iron undergoes manual oxida-\ntion treatment to obtain particular chromatic effects. \nSubsequently it is lacquered with a protective, trans-\nparent varnish. Differences compared to the sample \nprovided are not to be considered as a manufacturing \ndefect, but as a feature of the manual processing, that \nmay be susceptible to variances in color and homoge-\nneity. For cleaning and maintenance only use a cotton \ncloth dampened with water or specific neutral prod-\nucts for varnished surfaces. Do not use abrasive cloths, \nsolvents, alcohol or strong detergents. Dry the surface \nthoroughly in case of standing water.\n \nE3\t\nLAMIERA NERA  \nNATURAL\tBLACK\tIRON\nLa\tlamiera\tnera\tè\tun\tmateriale\tcaratterizzato\tda\tparti-\ncolari\teffetti\tcromatici\tnero-bluastri,\tgrazie\talla\tpresen-\nza\tdi\tcalamina\tnella\tsuperficie.\tDe\tCastelli,\ta\tfronte\tdi\t\nuna\tselezione\tdel\tmateriale\te\tdi\tun\trigido\tcontrollo\tdi\t\nqualità,\timpiega\tla\tlamiera\tnera\tper\trivestimenti,\tpavi-\nmenti\te\taccessori\tper\tl’arredo.\tSolo\tper\tindoor,\tè\tfornita\t\nal\tnaturale\tse\tapplicata\ta\tpavimenti\te\tpiani\tdi\tlavoro\to\t\ncon\tuna\tvernice\ttrasparente\tse\tutilizzata\tper\taccessori.\t\nSe\t lasciata\t al\t naturale,\t è\t fortemente\t consigliato\t trat-\ntare\tla\tlamiera\tnera\tcon\tuna\tcera\tstabilizzante.\tPer\tla\t\npulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\t\ncotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\t\nper\tsuperfici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsol-\nventi,\talcool\to\tdetergenti\taggressivi.\tAsciugare\tbene\tla\t\nsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nNatural black iron sheet with calamine, giving distinctive \ncolor effects. De Castelli, after selecting the material \nand after a strict quality control, uses the natural black \nsheets for coverings, floors and furniture accessories. \nSuitable for indoor use only, it is provided natural if \napplied to floors or to table tops, or with a protective, \ntransparent varnish if applied on accessories. If natural, \nit is highly recommended to treat the natural black iron \nwith a stabilizing wax. For cleaning and maintenance \nonly use a cotton cloth dampened with water or specif-\nic neutral products for varnished surfaces. Do not use \nabrasive cloths, solvents, alcohol or strong detergents. \nDry the surface thoroughly in case of standing water.\n \nD9\t\nFOGLIA ORO \nGOLDEN\tLEAF\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nche\tconsiste\tnell’applicazione\tmanuale\tsu\tferro\tdi\tfoglia\t\noro\tin\tfogli\t8x8\tcm,\tsuccessivamente\tverniciata\tcon\tun\t\nprotettivo\t trasparente\t lucido.\t Idonea\t solo\t per\t indoor.\t\nDifferenze\trispetto\tal\tcampione\tin\tvisione\tsono\tda\tcon-\nsiderarsi\tnon\tcome\tdifetto,\tma\tcome\tcaratteristica\tdella\t\nlavorazione\t manuale.\t Per\t la\t pulizia\t e\t il\t mantenimento\t\nutilizzare\tsolo\tun\tpanno\tdi\tcotone\tinumidito\tcon\tacqua\t\no\tappositi\tprodotti\tneutri\tper\tsuperfici\tverniciate.\tNon\t\nusare\t panni\t abrasivi,\t solventi,\t alcool\t o\t detergenti\t ag-\ngressivi.\tAsciugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristag-\nno\td’acqua.\nHandcraft finishing created by De Castelli which con-\nsists in the application of gold leaf on iron, in 8x8 cm \nsheets, lacquered with a glossy, protective, transparent \nvarnish. Suitable for indoor use only. Differences com-\npared to the sample provided are not to be considered \nas a manufacturing defect, but as a feature of the man-\nual processing, that may be susceptible to variances in \ncolor and homogeneity. For cleaning and maintenance \nonly use a cotton cloth dampened with water or specif-\nic neutral products for varnished surfaces. Do not use \nabrasive cloths, solvents, alcohol or strong detergents. \nDry the surface thoroughly in case of standing water.\n \n \n \n \n \nD1 \nACCIAIO INOX SATINATO \nSATIN\tSTAINLESS\tSTEEL\nFinitura\tartigianale\trealizzata\tda\tDe\tCastelli\tper\tindoor\t\ne\t outdoor.\t Prevede\t la\t satinatura\t manuale\t dell’acciaio\t\nAISI\t304\tcon\tScotch-Brite.\tSe\tutilizzato\tall’esterno,\tla\t\nsuperficie\tsatinata\tpotrebbe\tessere\tintaccata\tda\tmac-\nchie\to\tpunti\tdi\truggine,\ta\tcausa\tdi\tagenti\testerni\tpre-\nsenti\tnell’aria\to\tnell’ambiente.\tSu\trichiesta,\tDe\tCastelli\t\nlavora\tcon\tacciaio\tinox\tAISI\t316,\tparticolarmente\tindica-\nto\tin\tzone\tfronte\tmare\te\tin\tluoghi\tcon\televata\tpresenza\t\ndi\tnebbie\tsaline\to\tsituazioni\tambientali\tparticolarmente\t\naggressive.\tDifferenze\trispetto\tal\tcampione\tin\tvisione\t\nsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\tcome\tcar-\natteristica\t della\t lavorazione\t manuale\t che\t può\t essere\t\nsuscettibile\t a\t variazioni\t di\t tonalità\t e\t omogeneità.\t Per\t\nla\tpulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\t\ndi\tcotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tper\t\nacciaio\tinox.\tNon\tusare\tpanni\tabrasivi,\tsolventi,\talcool\t\no\tdetergenti\taggressivi.\tAsciugare\tbene\tla\tsuperficie\tin\t\ncaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nand outdoor use. Satin stainless steel AISI 304 is ob-\ntained manually by using Scotch-Brite. If used outdoors, \nthe satin surface may be affected by marks or rust \nspots, due to external agents found in the air or in the \nsurrounding environment. For use in seafront areas or \nother particularly harsh environmental situations, satin \nstainless steel AISI 316 is available on request, resistant \nto saline fog. Differences compared to the sample pro-\nvided are not to be considered as a manufacturing de-\nfect, but as a feature of the manual processing, that may \nbe susceptible to variances in color and homogeneity. \nFor cleaning and maintenance only use a cotton cloth \ndampened with water or specific products for stainless \nsteel. Do not use abrasive cloths, solvents, alcohol or \nstrong detergents. Dry the surface thoroughly in case \nof standing water.\n \nM11\t\t\nACCIAIO INOX SPAZZOLATO \nBRUSHED\tSTAINLESS\tSTEEL\nFinitura\tartigianale\trealizzata\tda\tDe\tCastelli\tper\tindoor\t\ne\toutdoor.\tPrevede\tla\tspazzolatura\tmanuale\tdell’acciaio\t\nAISI\t304\tcon\tScotch-Brite.\tSe\tutilizzato\tall’esterno,\tla\t\nsuperficie\tsatinata\tpotrebbe\tessere\tintaccata\tda\tmac-\nchie\to\tpunti\tdi\truggine,\ta\tcausa\tdi\tagenti\testerni\tpre-\nsenti\tnell’aria\to\tnell’ambiente.\tSu\trichiesta,\tDe\tCastelli\t\nlavora\tcon\tacciaio\tinox\tAISI\t316,\tparticolarmente\tindica-\nto\tin\tzone\tfronte\tmare\te\tin\tluoghi\tcon\televata\tpresenza\t\ndi\tnebbie\tsaline\to\tsituazioni\tambientali\tparticolarmente\t\naggressive.\tDifferenze\trispetto\tal\tcampione\tin\tvisione\t\nsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\tcome\tcar-\natteristica\t della\t lavorazione\t manuale\t che\t può\t essere\t\nsuscettibile\t a\t variazioni\t di\t tonalità\t e\t omogeneità.\t Per\t\nla\tpulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\t\ndi\tcotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tper\t\nacciaio\tinox.\tNon\tusare\tpanni\tabrasivi,\tsolventi,\talcool\t\no\tdetergenti\taggressivi.\tAsciugare\tbene\tla\tsuperficie\tin\t\ncaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nand outdoor use. Satin stainless steel AISI 304 is ob-\ntained manually by using Scotch-Brite. If used outdoors, \nthe satin surface may be affected by marks or rust \nspots, due to external agents found in the air or in the \nsurrounding environment. For use in seafront areas or \nother particularly harsh environmental situations, satin \nstainless steel AISI 316 is available on request, resistant \nto saline fog. Differences compared to the sample pro-\nvided are not to be considered as a manufacturing de-\nfect, but as a feature of the manual processing, that may \nbe susceptible to variances in color and homogeneity. \nFor cleaning and maintenance only use a cotton cloth \ndampened with water or specific products for stainless \nsteel. Do not use abrasive cloths, solvents, alcohol or \nstrong detergents. Dry the surface thoroughly in case \nof standing water.\n \nD2\t\t\nACCIAIO INOX LUCIDO \nPOLISHED\tSTAINLESS\tSTEEL\nAcciaio\tinox\tAISI\t304\tlucido\tper\tindoor\te\toutdoor.\tSe\t\nutilizzato\t all’esterno,\t la\t superficie\t potrebbe\t essere\t in-\ntaccata\tda\tmacchie\to\tpunti\tdi\truggine,\ta\tcausa\tdi\tagenti\t\nesterni\t presenti\t nell’aria\t o\t nell’ambiente.\t Su\t richiesta,\t\nDe\tCastelli\tlavora\tcon\tacciaio\tinox\tAISI\t316,\tparticolar-\nmente\tindicato\tin\tzone\tfronte\tmare\te\tin\tluoghi\tcon\tel-\nevata\tpresenza\tdi\tnebbie\tsaline\to\tsituazioni\tambientali\t\nparticolarmente\taggressive.\tPer\tla\tpulizia\ted\til\tmanteni-\nmento\tutilizzare\tsolo\tun\tpanno\tdi\tcotone\tinumidito\tcon\t\nacqua\to\tappositi\tprodotti\tper\tacciaio\tinox.\tNon\tusare\t\npanni\tabrasivi,\tsolventi,\talcool\to\tdetergenti\taggressivi.\t\nAsciugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\td’ac-\nqua.\nPolished stainless steel AISI 304 for indoor and outdoor \nuse. If used outdoors, the surface may be affected by \nmarks or rust spots, due to external agents found in the \nair or in the surrounding environment. For use in sea-\nfront areas or other particularly harsh environmental sit-\nuations, polished stainless steel AISI 316 is available on \nrequest, resistant to saline fog. For cleaning and mainte-\nnance only use a cotton cloth dampened with water or \nspecific products for stainless steel. Do not use abrasive \ncloths, solvents, alcohol or strong detergents. Dry the \nsurface thoroughly in case of standing water.\n \nE11\t\nACCIAIO INOX DELABRÉ \nDELABRÉ\tSTAINLESS\tSTEEL\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castel-\nli\t solo\t per\t indoor.\t Consiste\t nell’ossidazione\t manuale\t\ndell’acciaio\tinox,\tin\tgrado\tdi\tconferire\tparticolari\teffet-\nti\t cromatici\t grazie\t alla\t formazione\t di\t nuvolature\t dalle\t\ndiverse\ttonalità,\tche\tviene\tsuccessivamente\tverniciato\t\ncon\t un\t protettivo\t trasparente.\t Differenze\t rispetto\t al\t\ncampione\t in\t visione\t sono\t da\t considerarsi\t non\t come\t\ndifetto,\tma\tcome\tcaratteristica\tdella\tlavorazione\tmanu-\nale\tche\tpuò\tessere\tsuscettibile\ta\tvariazioni\tdi\ttonalità\te\t\nomogeneità.\tPer\tla\tpulizia\ted\til\tmantenimento\tutilizzare\t\nsolo\tun\tpanno\tdi\tcotone\tinumidito\tcon\tacqua\to\tappositi\t\nprodotti\tneutri\tper\tsuperfici\tverniciate.\tNon\tusare\tpanni\t\nabrasivi,\tsolventi,\talcool\to\tdetergenti\taggressivi.\tAsci-\nugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor use \nonly. Stainless steel undergoes manual oxidation treat-\nment to obtain particular chromatic cloud effects. Sub-\nsequently it is lacquered with a protective, transparent \nvarnish. Differences compared to the sample provided \nare not to be considered as a manufacturing defect, \nbut as a feature of the manual processing, that may \nbe susceptible to variances in color and homogeneity. \nFor cleaning and maintenance only use a cotton cloth \ndampened with water or specific neutral products for \nvarnished surfaces. Do not use abrasive cloths, solvents, \nalcohol or strong detergents. Dry the surface thorough-\nly in case of standing water.\n \nE5\t\nACCIAIO INOX DELABRÉ B \nDELABRÉ\tSTAINLESS\tSTEEL\tB\nFinitura\t \t artigianale\t ideata\t e\t realizzata\t da\t De\t Castel-\nli\t solo\t per\t indoor.\t Consiste\t nell’ossidazione\t manuale\t\ndell’acciaio,\tin\tgrado\tdi\tconferire\tal\tmetallo\tuna\ttonalità\t\nomogenea\tche\tvaria\tsui\ttoni\tdel\tgrigio\te\tdel\tmarrone,\t\nche\tviene\tsuccessivamente\tverniciato\tcon\tun\tprotettivo\t\ntrasparente.\tDifferenze\trispetto\tal\tcampione\tin\tvisione\t\nsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\tcome\tcar-\natteristica\t della\t lavorazione\t manuale\t che\t può\t essere\t\nsuscettibile\t a\t variazioni\t di\t tonalità\t e\t omogeneità.\t Per\t\nla\tpulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\t\ncotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\t\nper\tsuperfici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsol-\nventi,\talcool\to\tdetergenti\taggressivi.\tAsciugare\tbene\tla\t\nsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nuse only. Stainless steel undergoes manual oxidation \ntreatment to obtain a homogeneous shade that goes \nfrom gray to brown. Subsequently it is lacquered with \na protective, transparent varnish. Differences compared \nto the sample provided are not to be considered as a \nmanufacturing defect, but as a feature of the manual \nprocessing, that may be susceptible to variances in color \nand homogeneity. For cleaning and maintenance only \nuse a cotton cloth dampened with water or specific neu-\ntral products for varnished surfaces. Do not use abrasive \ncloths, solvents, alcohol or strong detergents. Dry the \nsurface thoroughly in case of standing water.\n\t\nG2\t\nACCIAIO INOX DELABRÉ ORBITALE \nORBITALE\tDELABRÉ\tSTAINLESS\tSTEEL\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nsolo\t per\t indoor.\t La\t sua\t realizzazione\t prevede\t diverse\t\nfasi:\t ossidazione\t dell’acciaio,\t spazzolatura\t manuale\t\nper\tcreare\tl’effetto\t“graffiato”,\tverniciatura\ttrasparente\t\nprotettiva.\t Differenze\t rispetto\t al\t campione\t in\t visione\t\nsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\tcome\tcar-\natteristica\t della\t lavorazione\t manuale\t che\t può\t essere\t\nsuscettibile\t a\t variazioni\t di\t tonalità\t e\t omogeneità.\t Per\t\nla\tpulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\t\ncotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\t\nper\tsuperfici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsol-\nventi,\talcool\to\tdetergenti\taggressivi.\tAsciugare\tbene\tla\t\nsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft  finishing created by De Castelli for indoor \nF E R R O \nI R O N\nuse only. It consists in several manual phases: stainless \nsteel oxidation, manual brushing to get the ”scratched” \neffect and application of a protective, transparent var-\nnish. Differences compared to the sample provided \nare not to be considered as a manufacturing defect, \nbut as a feature of the manual processing, that may be \nsusceptible to variances in color and homogeneity. If \nplaced outside, the finishes can experience dissimilar \ncolor alteration, which should not be considered faults. \nFor cleaning and maintenance only use a cotton cloth \ndampened with water or specific neutral products for \nvarnished surfaces. Do not use abrasive cloths, solvents, \nalcohol or strong detergents. Dry the surface thorough-\nly in case of standing water.\n \nE6\t\nACCIAIO INOX DELABRÉ STRIATO \nSTRIPED\tDELABRÉ\tSTAINLESS\tSTEEL\nFinitura\t \t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nsolo\t per\t indoor.\t La\t sua\t realizzazione\t prevede\t diverse\t\nfasi:\t ossidazione\t dell’acciaio,\t spazzolatura\t manuale\t\nper\t creare\t l’effetto\t “striato”,\t verniciatura\t trasparente\t\nprotettiva.\t Differenze\t rispetto\t al\t campione\t in\t visione\t\nsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\tcome\tcar-\natteristica\t della\t lavorazione\t manuale\t che\t può\t essere\t\nsuscettibile\t a\t variazioni\t di\t tonalità\t e\t omogeneità.\t Per\t\nla\tpulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\t\ncotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\t\nper\tsuperfici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsol-\nventi,\talcool\to\tdetergenti\taggressivi.\tAsciugare\tbene\tla\t\nsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft  finishing created by De Castelli for indoor \nuse only. It consists in several manual phases: stainless \nsteel oxidation, manual brushing with Scotch-Brite to \nget the ”striped” effect and the application of a protec-\ntive, transparent varnish. Differences compared to the \nsample provided are not to be considered as a manu-\nfacturing defect, but as a feature of the manual process-\ning, that may be susceptible to variances in color and \nhomogeneity. For cleaning and maintenance only use a \ncotton cloth dampened with water or specific neutral \nproducts for varnished surfaces. Do not use abrasive \ncloths, solvents, alcohol or strong detergents. Dry the \nsurface thoroughly in case of standing water. \n \nM0\t\nACCIAIO INOX DEOPALE \nDEOPALE\tSTAINLESS\tSTEEL\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castel-\nli\t solo\t per\t indoor.\t Consiste\t nell’ossidazione\t manuale\t\ndell’acciaio\tinox\tche\tacquista\tparticolari\teffetti\tcromat-\nici\tsimili\tai\tgiochi\tdi\tluce\tdell’opale\tnero.\tÈ\tcaratterizzato\t\nda\t uno\t sfondo\t grigio\t con\t riflessi\t che\t possono\t essere\t\nparticolarmente\tvivi\te\tbrillanti,\tvariando\tin\ttoni\tirides-\ncenti\tdal\tblu\tal\tverde.\tSuccessivamente\tviene\tvernici-\nato\t con\t un\t protettivo\t trasparente.\t Differenze\t rispetto\t\nal\tcampione\tin\tvisione\tsono\tda\tconsiderarsi\tnon\tcome\t\ndifetto,\tma\tcome\tcaratteristica\tdella\tlavorazione\tmanu-\nale\tche\tpuò\tessere\tsuscettibile\ta\tvariazioni\tdi\ttonalità\te\t\nomogeneità.\tPer\tla\tpulizia\te\til\tmantenimento\tutilizzare\t\nsolo\tun\tpanno\tdi\tcotone\tinumidito\tcon\tacqua\to\tappositi\t\nprodotti\tneutri\tper\tsuperfici\tverniciate.\tNon\tusare\tpanni\t\nabrasivi,\tsolventi,\talcool\to\tdetergenti\taggressivi.\tAsci-\nugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor use \nonly. The manual oxidation of stainless steel giving its \nparticular chromatic effects, such as the light games of \nthe black opal, characterized by a dark grey background \nwith reflections that can be particularly vivid and bright, \nchanging in iridescent tones from blue to green. Sub-\nsequently it is lacquered with a protective, transparent \nvarnish. Differences compared to the sample provided \nare not to be considered as a manufacturing defect, but \nas a feature of the manual process, that may be suscep-\ntible to variances in color and homogeneity. For clean-\ning and maintenance only use a cotton cloth dampened \nwith water or specific neutral products for varnished \nsurfaces. Do not use abrasive cloths, solvents, alcohol \nor strong detergents. Dry the surface thoroughly in case \nof standing water.\n \nM4\t\nACCIAIO INOX\tDEMAREA\t\nDEMAREA\tSTAINLESS\tSTEEL\nFinitura\t \t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nsolo\tper\tindoor.\tOssidazioni\tmanuali\tsovrapposte\tappli-\ncate\tall’acciaio\tcreano\teffetti\t“acquerellati”,\ttrasmetten-\ndo\tsensazioni\tfortemente\tmateriche\te\tsuggestioni\tche\t\nrimandano\t al\t passaggio\t delle\t onde.\t Successivamente\t\nverniciata\tcon\tun\tprotettivo\ttrasparente.\tDifferenze\tris-\npetto\tal\tcampione\tin\tvisione\tsono\tda\tconsiderarsi\tnon\t\ncome\tdifetto,\tma\tcome\tcaratteristica\tdella\tlavorazione\t\nmanuale\tche\tpuò\tessere\tsuscettibile\ta\tvariazioni\tdi\tto-\nnalità\te\tomogeneità.\tPer\tla\tpulizia\ted\til\tmantenimento\t\nutilizzare\tsolo\tun\tpanno\tdi\tcotone\tinumidito\tcon\tacqua\t\no\tappositi\tprodotti\tneutri\tper\tsuperfici\tverniciate.\tNon\t\nusare\t panni\t abrasivi,\t solventi,\t alcool\t o\t detergenti\t ag-\ngressivi.\tAsciugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\t\nd’acqua.\nHandcraft  finishing created by De Castelli for indoor \nuse only. Overlapping manual oxidations applied on \nstainless steel create watercolors stratified effects that \nremind us of the waves that string on the shore. Sub-\nsequently it is lacquered with a protective, transparent \nvarnish. Differences compared to the sample provided \nare not to be considered as a manufacturing defect, \nbut as a feature of the manual processing, that may \nbe susceptible to variances in color and homogeneity. \nFor cleaning and maintenance only use a cotton cloth \ndampened with water or specific neutral products for \nvarnished surfaces. Do not use abrasive cloths, solvents, \nalcohol or strong detergents. Dry the surface thorough-\nly in case of standing water.\n \nD3\t\nACCIAIO INOX DEMAISTRAL BRUNITO \nBRONZED DEMAISTRAL\tSTAINLESS\tSTEEL\nFinitura\t\tartigianale\tideata\te\trealizzata\tda\tDe\tCastelli\tsia\t\nper\t indoor\t che\t outdoor.\t Consiste\t nella\t colorazione\t in\t\ndiverse\tfasi:\tverniciatura\tbrunita,\tspazzolatura\tmanuale\t\nper\tcreare\tl’effetto\t“graffiato”,\tverniciatura\ttrasparente\t\nprotettiva.\tPuò\tessere\tutilizzata\tper\tarredi,\trivestimenti\t\ne\taccessori\tdi\tvario\tgenere.\tSi\tsconsiglia\tl’applicazione\t\ndi\t questa\t finitura\t su\t superfici\t altamente\t usurabili\t (es.\t\npiani\tdi\tlavoro\te\u002Fo\tpavimentazioni).\tDifferenze\trispetto\t\nal\tcampione\tin\tvisione\tsono\tda\tconsiderarsi\tnon\tcome\t\ndifetto,\tma\tcome\tcaratteristica\tdella\tlavorazione\tman-\nuale\tche\tpuò\tessere\tsuscettibile\tdi\tvariazioni\tdi\ttonalità\t\ne\tomogeneità.\tPer\tla\tpulizia\te\til\tmantenimento\tutilizzare\t\nsolo\tun\tpanno\tdi\tcotone\tinumidito\tcon\tacqua\to\tappositi\t\nprodotti\tneutri\tper\tsuperfici\tverniciate.\tNon\tusare\tpanni\t\nabrasivi,\tsolventi,\talcool\to\tdetergenti\taggressivi.\tAsci-\nugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli both for in-\ndoor and outdoor. It consists in coloring involving sev-\neral phases: burnishing, manual brushing to get the \n”scratched” effect and application of a transparent var-\nnish. It can be used for furniture, coverings and accesso-\nries. It is not advisable the application of this finishing on \nsurfaces, subject to daily wear and tear (ex: table tops \nand\u002For floors). Differences compared to the sample \nprovided are not to be considered as a manufacturing \ndefect, but as a feature of the manual processing, that \nmay be susceptible to variances in color and homoge-\nneity. For cleaning and maintenance only use a cotton \ncloth dampened with water or specific neutral prod-\nucts for varnished surfaces. Do not use abrasive cloths, \nsolvents, alcohol or strong detergents. Dry the surface \nthoroughly in case of standing water.\n \nD7 \u002F D6\t\nCORTEN \nCORTEN\nIl\tcorten\tè\tun\ttipo\tdi\tacciaio\tcaratterizzato\tda\tuna\tele-\nvata\tresistenza\tmeccanica\te\tresistenza\talla\tcorrosione.\t\nSe\tesposto\tagli\tagenti\tatmosferici,\tinfatti,\tsulla\tsuperfi-\ncie\tsi\tforma\tuna\tpatina\tsimil-ruggine,\tdi\tcolore\tmarrone\t\nscuro,\tche\timpedisce\tl’estendersi\tdella\tcorrosione.\tPer\t\nuso\testerno,\tDe\tCastelli\tfornisce\til\tmateriale\tin\tuno\tstato\t\navanzato\t di\t ossidazione.\t La\t stabilizzazione\t dell’ossi-\ndazione\tavviene\tnell’arco\tdi\t10-16\tmesi\te\tdurante\tques-\nto\tperiodo\tpotrebbe\tverificarsi\til\trilascio\tdi\tparticelle\tdi\t\nruggine\tche\tpossono\tmacchiare\tle\tsuperfici\tpiù\tchiare\te\t\npermeabili.\tPer\tuso\tinterno,\til\tcorten\tviene\ttrattato\tcon\t\nuna\t cera\t stabilizzante\t per\t poter\t rendere\t la\t superficie\t\npiù\tgradevole\tal\ttatto\te\tper\tevitare\til\trilascio\tdi\timpu-\nrità,\ttipico\tdi\tquesto\tmateriale.\tSu\trichiesta\tè\tdisponibile\t\nun\tkit\tcera\tper\tla\tmanutenzione\tdella\tsuperficie.\tPer\tla\t\npulizia\tdel\tcorten\tsuggeriamo\tdi\tprocedere\tcon\tun\tsem-\nplice\t spolvero\t della\t superficie\t senza\t utilizzare\t nessun\t\ntipo\tdi\tdetergente\to\tacqua.\nCorten is a type of steel characterized by a high corro-\nsion resistance and mechanical resistance. Exposed to \nthe weather conditions, it forms a stable rust-like ap-\npearance coating of dark brown color, which inhibits \ndeeper penetration. For outdoor use, corten is supplied \nnaturally oxidized, without further treatment. The oxida-\ntion will stabilize over a period of 10-16 months. During \nthis period, rust particles may come off, leading to a risk \nof staining on light and permeable surfaces. For indoor \nuse, corten is supplied pre-treated with wax. A wax kit \nis available on request. For cleaning we suggest to pro-\nceed with a simple pouncing on the surface without us-\ning any detergent or water.\n \nE8\t\nNOIR SABLÉ \nNOIR\tSABLÉ\nFinitura\t \t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nche\tconsiste\tin\tuna\tverniciatura\tgoffrata\ta\tpolvere\tsu\t\nlamiera.\tPuò\tessere\tusata\tsia\tper\tindoor\tche\toutdoor.\t\nLa\tverniciatura\ta\tpolvere\tè\tun\tprocesso\tche\tsi\tavvale\tdi\t\nun\tsistema\telettrostatico\tche\tsi\tarticola\tin\tdiverse\tfasi,\t\nalla\tfine\tdelle\tquali\tl’oggetto\tpassa\tin\tun\tapposito\tfor-\nno\tdi\tcottura\tad\tuna\ttemperatura\tmedia\tdi\t180°,\tdove\t\nla\tpolvere\tprima\tsi\tfonde\te\tpoi\tpolimerizza,\tricoprendo\t\nl’oggetto\tdi\tun\tsottile\tma\tresistente\te\tomogeneo\tstrato\t\ndi\tvernice.\tGrazie\talla\tsua\tresistenza\te\ttenuta,\tla\tfinitu-\nra\t “sablé”\t è\t particolarmente\t consigliata\t per\t gli\t arredi\t\nda\testerno.\tPer\tla\tpulizia\ted\til\tmantenimento\tutilizzare\t\nsolo\tun\tpanno\tdi\tcotone\tinumidito\tcon\tacqua\to\tappositi\t\nprodotti\tneutri\tper\tsuperfici\tverniciate.\tNon\tusare\tpanni\t\nabrasivi,\tsolventi,\talcool\to\tdetergenti\taggressivi.\tAsci-\nugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft  finishing created by De Castelli which con-\nsists in embossed powder coating on stainless steel AISI \n304. It may be used for indoor and outdoor. The pow-\nder coating is applied electrostatically. The process is \ndivided in different phases, ending with the object that \ngoes through a furnace at 180°, where the powder melts \nand polymerizes, covering the object with a thin but re-\nsistant and homogeneous coat of paint. The finishing \n“sablé” is recommended for outdoor furnishing because \nit is particularly resistant. For cleaning only use a cot-\nton cloth dampened with water or specific products for \nvarnished surfaces. Do not use abrasive cloths, solvents, \ngeneral purpose cleaners or strong detergents. Dry the \nsurface thoroughly in case of standing water.\n \nE9 \nMARRON SABLÉ \nMARRON\tSABLÉ\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nche\tconsiste\tin\tuna\tverniciatura\tgoffrata\ta\tpolvere\tsu\t\nlamiera.\tLa\tpossibilità\tdi\tapplicazione\tsia\tsu\tferro\tche\t\nsu\tacciaio\tinox,\tfa\tsì\tche\tgli\toggetti\tverniciati\tpossano\t\nessere\tutilizzati\tsia\tper\tindoor\tche\toutdoor.\tLa\tvernicia-\ntura\ta\tpolvere\tè\tun\tprocesso\tche\tsi\tavvale\tdi\tun\tsistema\t\nelettrostatico\tche\tsi\tarticola\tin\tdiverse\tfasi,\talla\tfine\tdelle\t\nquali\tl’oggetto\tpassa\tin\tun\tapposito\tforno\tdi\tcottura\tad\t\nuna\ttemperatura\tmedia\tdi\t180°,\tdove\tla\tpolvere\tprima\tsi\t\nfonde\te\tpoi\tpolimerizza,\tricoprendo\tl’oggetto\tdi\tun\tsot-\ntile\tma\tresistente\te\tomogeneo\tstrato\tdi\tvernice.\tGrazie\t\nalla\tsua\tresistenza\te\ttenuta,\tla\tfinitura\t“sablé”\tè\tparti-\ncolarmente\tconsigliata\tper\tgli\tarredi\tda\testerno.\tPer\tla\t\npulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\t\ncotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\t\nper\tsuperfici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsol-\nventi,\talcool\to\tdetergenti\taggressivi.\tAsciugare\tbene\tla\t\nsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli which con-\nsists in embossed powder coating on stainless steel AISI \n304. As the coating may be applied on iron and stainless \nsteel, the lacquered objects may be used for indoor and \noutdoor. The powder coating is applied electrostatically. \nThe process is divided in different phases, ending with \nthe object that goes through a furnace at 180°, where \nthe powder melts and polymerizes, covering the object \nwith a thin but resistant and homogeneous coat of paint. \nThe finishing “sablé” is recommended for outdoor fur-\nnishing because it is particularly resistant. For cleaning \nand maintenance only use a cotton cloth dampened \nwith water or specific neutral products for varnished \nsurfaces. Do not use abrasive cloths, solvents, alcohol \nor strong detergents. Dry the surface thoroughly in case \nof standing water.\n \nM14\t\nFINITURA OTTONE LUCIDO \nPOLISHED\tBRASS\tFINISH\nFinitura\tottone\tlucido\tsu\tbase\tacciaio\tinox\tper\tindoor.\t\nDifferenze\t rispetto\t al\t campione\t in\t visione\t sono\t da\t\nconsiderarsi\tnon\tcome\tdifetto,\tma\tcome\tcaratteristica\t\ndella\tlavorazione\tmanuale\tche\tpuò\tessere\tsuscettibile\t\na\tvariazioni\tdi\ttonalità\te\tomogeneità.\tPer\tla\tpulizia\ted\t\nil\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\tcotone\tinu-\nmidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\tper\tsuperf-\nici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsolventi,\talcool\t\no\tdetergenti\taggressivi.\tAsciugare\tbene\tla\tsuperficie\tin\t\ncaso\tdi\tristagno\td’acqua.\nPolished brass with protective, transparent varnish for \nindoor use. Differences compared to the sample pro-\nvided are not to be considered as a manufacturing de-\nfect, but as a feature of the manual process, that may \nbe susceptible to variances in color and homogeneity. \nFor cleaning and maintenance only use a cotton cloth \ndampened with water or specific neutral products for \nvarnished surfaces. Do not use abrasive cloths, solvents, \nalcohol or strong detergents. Dry the surface thorough-\nly in case of standing water.\nA C C I A I O  I N O X \nS T A I N L E S S  S T E E L\nC O L L E C T I O N\nM A T E R I A L S  A N D  F I N I S H E S  A B A C U S\n334—335\n",169,{"image":690,"text":691,"number":692},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.170.png","M13\t\nFINITURA RAME LUCIDO \nPOLISHED\tCOPPER\tFINISH\nFinitura\t rame\t lucido\t su\t base\t acciaio\t inox\t per\t indoor.\t\nDifferenze\t rispetto\t al\t campione\t in\t visione\t sono\t da\t\nconsiderarsi\tnon\tcome\tdifetto,\tma\tcome\tcaratteristica\t\ndella\tlavorazione\tmanuale\tche\tpuò\tessere\tsuscettibile\t\na\tvariazioni\tdi\ttonalità\te\tomogeneità.Per\tla\tpulizia\ted\til\t\nmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\tcotone\tinu-\nmidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\tper\tsuperf-\nici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsolventi,\talcool\t\no\tdetergenti\taggressivi.\tAsciugare\tbene\tla\tsuperficie\tin\t\ncaso\tdi\tristagno\td’acqua.\nPolished copper finishing on stainless steel for indoor. \nDifferences compared to the sample provided are not \nto be considered as a manufacturing defect, but as a \nfeature of the manual process, that may be susceptible \nto variances in color and homogeneity. For cleaning and \nmaintenance only use a cotton cloth dampened with \nwater or specific neutral products for varnished sur-\nfaces. Do not use abrasive cloths, solvents, alcohol or \nstrong detergents. Dry the surface thoroughly in case \nof standing water.\n \nD8\t\t\nLACCATO RAL 9010 \n9010\tRAL\tLACQUERED\nVerniciatura\tlucida\ta\tpolveri\tdella\tlamiera\tcon\tcolori\tRal.\t\nLa\tpossibilità\tdi\tapplicazione\tsia\tsu\tferro\tche\tsu\tacciaio\t\ninox,\tfa\tsì\tche\tgli\toggetti\tverniciati\tpossano\tessere\tuti-\nlizzati\tsia\tper\tl’interno\te\tche\tper\tl’esterno.\tLa\tvernicia-\ntura\ta\tpolvere\tè\tun\tprocesso\tche\tsi\tavvale\tdi\tun\tsistema\t\nelettrostatico\tche\tsi\tarticola\tin\tdiverse\tfasi,\talla\tfine\tdelle\t\nquali\tl’oggetto\tpassa\tin\tun\tapposito\tforno\tdi\tcottura\tad\t\nuna\ttemperatura\tmedia\tdi\t180°,\tdove\tla\tpolvere\tprima\t\nsi\tfonde\te\tpoi\tpolimerizza,\tricoprendo\tl’oggetto\tdi\tun\t\nsottile\tma\tresistente\te\tomogeneo\tstrato\tdi\tvernice.\tSu\t\nrichiesta\tè\tdisponibile\tanche\tla\tlaccatura\topaca.\tPer\tla\t\npulizia\tutilizzare\tsolo\tun\tpanno\tdi\tcotone\tinumidito\tcon\t\nacqua\to\tappositi\tprodotti\tper\tsuperfici\tverniciate.\tNon\t\nusare\tpanni\tabrasivi,\tsolventi,\tdetersivi\tgenerici\to\tdeter-\ngenti\taggressivi.\tAsciugare\tbene\tla\tsuperficie\tin\tcaso\tdi\t\nristagno\td’acqua.\nGlossy powder coating with RAL colour. As the coat-\ning may be applied on iron and stainless steel, the lac-\nquered objects may be used for indoor and outdoor. \nThe powder coating is applied electrostatically. The \nprocess is divided in different phases, ending with the \nobject that goes through a furnace at 180°, where the \npowder melt and polimeryze, covering the object with \na thin but resistant and homogeneous coat of paint. \nOn demand matt powder coating is available too. For \ncleaning only use a cotton cloth dampened with water \nor specific products for varnished surfaces. Do not use \nabrasive cloths, solvents, general purpose cleaners or \nstrong detergents. Dry the surface thoroughly in case \nof standing water.\n \n \nM9\t\nOTTONE SPAZZOLATO \nBRUSHED\tBRASS\nFinitura\tartigianale\trealizzata\tda\tDe\tCastelli\tper\tindoor\t\ne\toutdoor,\tprevede\tla\tspazzolatura\tmanuale\tdell’ottone\t\n(con\tScotch-Brite),\tsuccessivamente\tverniciato\tcon\tun\t\nprotettivo\ttrasparente.\tDifferenze\trispetto\tal\tcampione\t\nin\tvisione\tsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\t\ncome\tcaratteristica\tdella\tlavorazione\tmanuale\tche\tpuò\t\nessere\tsuscettibile\ta\tvariazioni\tdi\ttonalità\te\tomogenei-\ntà.\t Se\t utilizzato\t all’esterno\t è\t possibile\t una\t moderata\t\nvariazione\t della\t tonalità\t con\t conseguente\t variazione\t\ncromatica\t non\t omogenea\t e\t non\t controllabile.\t Per\t la\t\npulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\t\ncotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\t\nper\tsuperfici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsol-\nventi,\talcool\to\tdetergenti\taggressivi.\tAsciugare\tbene\tla\t\nsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nand outdoor use. Brushed brass is obtained manually \nwith Scotch-Brite, than protected with a transparent \nvarnish. Differences compared to the sample provided \nare not to be considered as a manufacturing defect, \nbut as a feature of the manual processing, that may be \nsusceptible to variances in color and homogeneity. If \nplaced outside, the finishes can experience dissimilar \ncolor alteration, which should not be considered faults. \nFor cleaning and maintenance only use a cotton cloth \ndampened with water or specific neutral products for \nvarnished surfaces. Do not use abrasive cloths, sol-\nvents, alcohol or strong detergents. Dry the surface \nthoroughly in case of standing water.\nE13\t\nOTTONE LUCIDO \nPOLISHED\tBRASS\nOttone\t lucido\t verniciato\t con\t protettivo\t trasparente\t\nper\tindoor.\tPer\tla\tpulizia\ted\til\tmantenimento\tutilizzare\t\nsolo\tun\tpanno\tdi\tcotone\tinumidito\tcon\tacqua\to\tappositi\t\nprodotti\tneutri\tper\tsuperfici\tverniciate.\tNon\tusare\tpanni\t\nabrasivi,\tsolventi,\talcool\to\tdetergenti\taggressivi.\tAsci-\nugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nPolished brass with protective, transparent varnish for \nindoor use. For cleaning and maintenance only use a \ncotton cloth dampened with water or specific neutral \nproducts for varnished surfaces. Do not use abrasive \ncloths, solvents, alcohol or strong detergents. Dry the \nsurface thoroughly in case of standing water.\n \nF2\t\nOTTONE DELABRÉ \nDELABRÉ\tBRASS\nFinitura\tartigianale\tideata\te\trealizzata\tda\tDe\tCastelli\tper\t\nindoor\t e\t outdoor.\t Consiste\t nell’ossidazione\t manuale\t\ndell’ottone,\tin\tgrado\tdi\tconferire\tparticolari\teffetti\tcro-\nmatici\tgrazie\talla\tformazione\tdi\tnuvolature\tdalle\tdiverse\t\ntonalità,\tche\tviene\tsuccessivamente\tverniciato\tcon\tun\t\nprotettivo\ttrasparente.\tDifferenze\trispetto\tal\tcampione\t\nin\t visione\t sono\t da\t considerarsi\t non\t come\t difetto,\t ma\t\ncome\tcaratteristica\tdella\tlavorazione\tmanuale\tche\tpuò\t\nessere\tsuscettibile\ta\tvariazioni\tdi\ttonalità\te\tomogenei-\ntà.\t Se\t utilizzato\t all’esterno\t è\t possibile\t una\t moderata\t\nvariazione\t della\t tonalità\t con\t conseguente\t variazione\t\ncromatica\t non\t omogenea\t e\t non\t controllabile.\t Per\t la\t\npulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\t\ncotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\t\nper\tsuperfici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsol-\nventi,\talcool\to\tdetergenti\taggressivi.\tAsciugare\tbene\tla\t\nsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nand outdoor use. Brass undergoes manual oxidation \ntreatment to obtain particular chromatic cloud effects. \nSubsequently it is lacquered with a protective, trans-\nparent varnish. Differences compared to the sample \nprovided are not to be considered as a manufactur-\ning defect, but as a feature of the manual processing, \nthat may be susceptible to variances in color and ho-\nmogeneity. If placed outside, the finishes can experi-\nence dissimilar color alteration, which should not be \nconsidered faults. For cleaning and maintenance only \nuse a cotton cloth dampened with water or specific \nneutral products for varnished surfaces. Do not use \nabrasive cloths, solvents, alcohol or strong detergents. \nDry the surface thoroughly in case of standing water. \nG3\t\nOTTONE DELABRÉ ORBITALE \nORBITALE\tDELABRÉ\tBRASS\nFinitura\tartigianale\tideata\te\trealizzata\tda\tDe\tCastelli\tper\t\nindoor\te\toutdoor.\tLa\tsua\trealizzazione\tprevede\tdiverse\t\nfasi:\tossidazione\tdell’ottone,\tspazzolatura\tmanuale\tper\t\ncreare\tl’effetto\t“graffiato”,\tverniciatura\ttrasparente\tpro-\ntettiva.\tDifferenze\trispetto\tal\tcampione\tin\tvisione\tsono\t\nda\tconsiderarsi\tnon\tcome\tdifetto,\tma\tcome\tcaratteris-\ntica\tdella\tlavorazione\tmanuale\tche\tpuò\tessere\tsuscetti-\nbile\ta\tvariazioni\tdi\ttonalità\te\tomogeneità.\tSe\tutilizzato\t\nall’esterno\t è\t possibile\t una\t moderata\t variazione\t della\t\ntonalità\t con\t conseguente\t variazione\t cromatica\t non\t\nomogenea\te\tnon\tcontrollabile.\tPer\tla\tpulizia\ted\til\tman-\ntenimento\tutilizzare\tsolo\tun\tpanno\tdi\tcotone\tinumidito\t\ncon\tacqua\to\tappositi\tprodotti\tneutri\tper\tsuperfici\tver-\nniciate.\tNon\tusare\tpanni\tabrasivi,\tsolventi,\talcool\to\tde-\ntergenti\taggressivi.\tAsciugare\tbene\tla\tsuperficie\tin\tcaso\t\ndi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor and \noutdoor use. It consists in several phases: brass oxida-\ntion, manual brushing to get the ”scratched” effect and \napplication of a protective, transparent varnish. Differ-\nences compared to the sample provided are not to be \nconsidered as a manufacturing defect, but as a feature \nof the manual processing, that may be susceptible to \nvariances in color and homogeneity. If placed outside, \nthe finishes can experience dissimilar color alteration, \nwhich should not be considered faults. For cleaning and \nmaintenance only use a cotton cloth dampened with \nwater or specific neutral products for varnished sur-\nfaces. Do not use abrasive cloths, solvents, alcohol or \nstrong detergents. Dry the surface thoroughly in case \nof standing water.\n \nG7\t\nOTTONE DELABRÉ STRIATO \nSTRIPED\tDELABRÉ\tBRASS\nFinitura\tartigianale\tideata\te\trealizzata\tda\tDe\tCastelli\tper\t\nindoor\te\toutdoor.\tLa\tsua\trealizzazione\tprevede\tdiverse\t\nfasi:\tossidazione\tdell’ottone,\tspazzolatura\tmanuale\tper\t\ncreare\t l’effetto\t “striato”,\t verniciatura\t trasparente\t pro-\ntettiva.\tDifferenze\trispetto\tal\tcampione\tin\tvisione\tsono\t\nda\tconsiderarsi\tnon\tcome\tdifetto,\tma\tcome\tcaratteris-\ntica\tdella\tlavorazione\tmanuale\tche\tpuò\tessere\tsuscetti-\nbile\ta\tvariazioni\tdi\ttonalità\te\tomogeneità.\tSe\tutilizzato\t\nall’esterno\t è\t possibile\t una\t moderata\t variazione\t della\t\ntonalità\t con\t conseguente\t variazione\t cromatica\t non\t\nomogenea\te\tnon\tcontrollabile.\tPer\tla\tpulizia\ted\til\tman-\ntenimento\tutilizzare\tsolo\tun\tpanno\tdi\tcotone\tinumidito\t\ncon\tacqua\to\tappositi\tprodotti\tneutri\tper\tsuperfici\tver-\nniciate.\tNon\tusare\tpanni\tabrasivi,\tsolventi,\talcool\to\tde-\ntergenti\taggressivi.\tAsciugare\tbene\tla\tsuperficie\tin\tcaso\t\ndi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nand outdoor use. It consists in several manual phases: \nbrass oxidation, manual brushing with Scotch-Brite to \nget the ”striped” effect and the application of a protec-\ntive, transparent varnish. Differences compared to the \nsample provided are not to be considered as a manufac-\nturing defect, but as a feature of the manual processing, \nthat may be susceptible to variances in color and homo-\ngeneity. If placed outside, the finishes can experience \ndissimilar color alteration, which should not be consid-\nered faults. For cleaning and maintenance only use a \ncotton cloth dampened with water or specific neutral \nproducts for varnished surfaces. Do not use abrasive \ncloths, solvents, alcohol or strong detergents. Dry the \nsurface thoroughly in case of standing water.\n \nM3\t\nOTTONE DEOPALE \nDEOPALE\tBRASS\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nper\tindoor\te\toutdoor.\tConsiste\tnell’ossidazione\tmanu-\nale\tdell’ottone\tche\tacquista\tparticolari\teffetti\tcromatici\t\nsimili\tai\tgiochi\tdi\tluce\tdell’opale\tdi\tfuoco.\tSi\tcaratteriz-\nza\tda\tuno\tsfondo\tgiallo\tcon\triflessi\tche\tpossono\tessere\t\nparticolarmente\tvivi\te\tbrillanti,\tvariando\tin\ttoni\tirides-\ncenti\tdal\trosso\tall’arancione,\tsuccessivamente\tvernici-\nato\t con\t un\t protettivo\t trasparente.\t Differenze\t rispetto\t\nal\tcampione\tin\tvisione\tsono\tda\tconsiderarsi\tnon\tcome\t\ndifetto,\tma\tcome\tcaratteristica\tdella\tlavorazione\tman-\nuale\tche\tpuò\tessere\tsuscettibile\ta\tvariazioni\tdi\ttonalità\t\ne\tomogeneità.\tSe\tutilizzato\tall’esterno\tè\tpossibile\tuna\t\nmoderata\t variazione\t della\t tonalità\t con\t conseguente\t\nvariazione\t cromatica\t non\t omogenea\t e\t non\t controlla-\nbile.\tPer\tla\tpulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\t\npanno\t di\t cotone\t inumidito\t con\t acqua\t o\t appositi\t pro-\ndotti\t neutri\t per\t superfici\t verniciate.\t Non\t usare\t panni\t\nabrasivi,\tsolventi,\talcool\to\tdetergenti\taggressivi.\tAsci-\nugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nand outdoor. The manual oxidation of brass giving its \nparticular chromatic effects, such as the light games \nof the fire opal, characterized by a yellow background \nwith reflections that can be particularly vivid and bright, \nchanging in iridescent tones from red to orange. Sub-\nsequently it is lacquered with a protective, transparent \nvarnish. Differences compared to the sample provided \nare not to be considered as a manufacturing defect, \nbut as a feature of the manual processing, that may be \nsusceptible to variances in color and homogeneity. If \nplaced outside, the finishes can experience dissimilar \ncolor alteration, which should not be considered faults. \nFor cleaning and maintenance only use a cotton cloth \ndampened with water or specific neutral products for \nvarnished surfaces. Do not use abrasive cloths, solvents, \nalcohol or strong detergents. Dry the surface thorough-\nly in case of standing water.\n \nM6\t\nOTTONE DEMAREA \nDEMAREA\tBRASS\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nper\t indoor\t e\t outdoor.\t Ossidazioni\t manuali\t sovrap-\nposte\tapplicate\tall’ottone\tcreano\teffetti\t“acquerellati”,\t\ntrasmettendo\tsensazioni\tfortemente\tmateriche\te\tsug-\ngestioni\tche\trimandano\tal\tpassaggio\tdelle\tonde,\tsuc-\ncessivamente\t viene\t applicata\t una\t vernice\t protettiva\t\ntrasparente.\tDifferenze\trispetto\tal\tcampione\tin\tvisione\t\nsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\tcome\tcar-\natteristica\t della\t lavorazione\t manuale\t che\t può\t essere\t\nsuscettibile\ta\tvariazioni\tdi\ttonalità\te\tomogeneità.\tSe\tuti-\nlizzato\tall’esterno\tè\tpossibile\tuna\tmoderata\tvariazione\t\ndella\t tonalità\t con\t conseguente\t variazione\t cromatica\t\nnon\tomogenea\te\tnon\tcontrollabile.\tPer\tla\tpulizia\ted\til\t\nmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\tcotone\tinu-\nmidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\tper\tsuperf-\nici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsolventi,\talcool\t\no\tdetergenti\taggressivi.\tAsciugare\tbene\tla\tsuperficie\tin\t\ncaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nand outdoor use. Overlapping manual oxidations ap-\nplied on brass create watercolors stratified effects \nthat remind us of the waves that string on the shore. \nSubsequently it is lacquered with a protective, trans-\nparent varnish. Differences compared to the sample \nprovided are not to be considered as a manufactur-\ning defect, but as a feature of the manual processing, \nthat may be susceptible to variances in color and ho-\nmogeneity. If placed outside, the finishes can experi-\nence dissimilar color alteration, which should not be \nconsidered faults. For cleaning and maintenance only \nuse a cotton cloth dampened with water or specific \nneutral products for varnished surfaces. Do not use \nabrasive cloths, solvents, alcohol or strong detergents. \nDry the surface thoroughly in case of standing water. \n \nM7\t\nOTTONE DESALT \nDESALT\tBRASS\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nper\tindoor\te\toutdoor.\tConsiste\tnell’ossidazione\tmanu-\nale\tdell’ottone\ttramite\tsoluzione\tsalina\tla\tquale,\tlasciata\t\nagire\ta\tdiretto\tcontatto\tcon\tl’ottone\tper\ttempi\tpresta-\nbiliti,\tconferisce\tparticolari\teffetti\tcromatici\tgrazie\talla\t\nformazione\t di\t aree\t dalle\t diverse\t tonalità,\t successiva-\nmente\tverniciato\tcon\tun\tprotettivo\ttrasparente.\tDiffer-\nenze\t rispetto\t al\t campione\t in\t visione\t sono\t da\t consid-\nerarsi\t non\t come\t difetto,\t ma\t come\t caratteristica\t della\t\nlavorazione\t manuale\t che\t può\t essere\t suscettibile\t di\t\nvariazioni\tdi\ttonalità\te\tomogeneità.\tSe\tutilizzato\tall’es-\nterno\tè\tpossibile\tuna\tmoderata\tvariazione\tdella\ttonalità\t\ncon\tconseguente\tvariazione\tcromatica\tnon\tomogenea\t\ne\tnon\tcontrollabile.\tPer\tla\tpulizia\te\til\tmantenimento\tuti-\nlizzare\tsolo\tun\tpanno\tdi\tcotone\tinumidito\tcon\tacqua\to\t\nappositi\t prodotti\t neutri\t per\t superfici\t verniciate.\t Non\t\nusare\t panni\t abrasivi,\t solventi,\t alcool\t o\t detergenti\t ag-\ngressivi.\tAsciugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\t\nd’acqua.\nHandcraft finishing created by De Castelli for indoor and \noutdoor use. Brass undergoes manual oxidation treat-\nment through a saline solution that, left in direct contact \nwith brass for pre-established times, gives particular \nchromatic effects. Subsequently it is lacquered with a \nprotective, transparent varnish. Differences compared \nto the sample provided are not to be considered as a \nmanufacturing defect, but as a feature of the manu-\nal processing, that may be susceptible to variances in \ncolor and homogeneity. If placed outside, the finishing \ncan experience dissimilar color alteration, which should \nnot be considered faults. For cleaning and maintenance \nonly use a cotton cloth dampened with water or specif-\nic neutral products for varnished surfaces. Do not use \nabrasive cloths, solvents, alcohol or strong detergents. \nDry the surface thoroughly in case of standing water.\n\t\nG8\t\nOTTONE MARTELLATO LUCIDO \nHAMMERED\tPOLISHED\tBRASS\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nsolo\t per\t indoor.\t Consiste\t nella\t martellatura\t manuale\t\ndell’ottone,\tche\tviene\tsuccessivamente\tlucidato\te\tver-\nniciato\tcon\tun\tprotettivo\ttrasparente\tlucido.\tDifferenze\t\nrispetto\t al\t campione\t in\t visione\t sono\t da\t considerarsi\t\nnon\tcome\tdifetto,\tma\tcome\tcaratteristica\tdella\tlavorazi-\none\tmanuale\tche\tpuò\tessere\tsuscettibile\ta\tvariazioni\tdi\t\ntonalità\te\tomogeneità.\tPer\tla\tpulizia\ted\til\tmantenimento\t\nutilizzare\tsolo\tun\tpanno\tdi\tcotone\tinumidito\tcon\tacqua\t\no\tappositi\tprodotti\tneutri\tper\tsuperfici\tverniciate.\tNon\t\nusare\t panni\t abrasivi,\t solventi,\t alcool\t o\t detergenti\t ag-\ngressivi.\tAsciugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\t\nd’acqua.\nHandcraft finishing created by De Castelli for indoor use \nonly. Brass is handmade hammered, subsequently it is \npolished and lacquered with a glossy, protective, trans-\nparent varnish. Differences compared to the sample \nprovided are not to be considered as a manufacturing \ndefect, but as a feature of the manual processing, that \nmay be susceptible to variances in color and homoge-\nneity. For cleaning and maintenance only use a cotton \ncloth dampened with water or specific neutral prod-\nucts for varnished surfaces. Do not use abrasive cloths, \nsolvents, alcohol or strong detergents. Dry the surface \nthoroughly in case of standing water.\n \n \nM10\t\nRAME SPAZZOLATO \nBRUSHED\tCOPPER\nFinitura\tartigianale\trealizzata\tda\tDe\tCastelli\tper\tindoor\t\ne\toutdoor,\tprevede\tla\tspazzolatura\tmanuale\tdel\trame\t\n(con\tScotch-Brite),\tsuccessivamente\tverniciato\tcon\tun\t\nprotettivo\ttrasparente.\tDifferenze\trispetto\tal\tcampione\t\nin\t visione\t sono\t da\t considerarsi\t non\t come\t difetto,\t ma\t\ncome\tcaratteristica\tdella\tlavorazione\tmanuale\tche\tpuò\t\nessere\tsuscettibile\ta\tvariazioni\tdi\ttonalità\te\tomogenei-\ntà.\t Se\t utilizzato\t all’esterno\t è\t possibile\t una\t moderata\t\nvariazione\t della\t tonalità\t con\t conseguente\t variazione\t\ncromatica\t non\t omogenea\t e\t non\t controllabile.\t Per\t la\t\npulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\t\ncotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\t\nper\tsuperfici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsol-\nventi,\talcool\to\tdetergenti\taggressivi.\tAsciugare\tbene\tla\t\nsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor and \noutdoor use. Brushed copper is obtained manually with \nScotch-Brite, than protected with a transparent varnish. \nDifferences compared to the sample provided are not to \nbe considered as a manufacturing defect, but as a fea-\nture of the manual processing, that may be susceptible \nto variances in color and homogeneity. If placed outside, \nthe finishes can experience dissimilar color alteration, \nwhich should not be considered faults. For cleaning and \nmaintenance only use a cotton cloth dampened with \nwater or specific neutral products for varnished sur-\nfaces. Do not use abrasive cloths, solvents, alcohol or \nstrong detergents. Dry the surface thoroughly in case \nof standing water.\n \nM10N  \nRAME SPAZZOLATO NATURALE \nBRUSHED\tNATURALCOPPER\nFinitura\tartigianale\trealizzata\tda\tDe\tCastelli\tper\tindoor\t\nche\t prevede\t la\t spazzolatura\t manuale\t del\t rame\t (con\t\nScotch-Brite).\t Il\t rame\t naturale,\t privo\t di\t trattamenti\t\nsuperficiali\tprotettivi,\tpreserva\tintatte\tle\tsue\tproprietà\t\nantibatteriche\tintrinseche.\tIl\tmateriale\tè\tvivo\te\tcambia\t\nnel\ttempo\tacquisendo\tsfumature\tdi\tossidazioni\tdiverse.\t\nLo\tstato\toriginale\tpuò\tessere\tripristinato\tattraverso\tris-\npazzolatura\tmanuale\tdelicata\te\tpulizia\tcon\tpanno\tin\tmi-\ncrofibra\tinumidito.\tDifferenze\trispetto\tal\tcampione\tin\tvi-\nsione\tsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\tcome\t\ncaratteristica\tdella\tlavorazione\tmanuale\tche\tpuò\tessere\t\nsuscettibile\ta\tvariazioni\tdi\ttonalità\te\tomogeneità.\tPer\tla\t\npulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\tin\t\nmicrofibra\tinumidito\tcon\tacqua\to\tcera.\tNon\tusare\tpanni\t\nabrasivi,\tsolventi,\talcool\to\tdetergenti\taggressivi.\tAsci-\nugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\t\nHandcraft finishing created by De Castelli for indoor \nuse. Brushed copper is obtained manually with Scotch-\nBrite.Natural copper, without protective surface treat-\nments, preserves its intrinsic antibacterial properties \nintact. The material is alive and changes over time, \nacquiring shades of different oxidations. The original \nstate can be restored through gentle manual brushing \nand cleaning with dampened microfiber cloth. Differ-\nences compared to the sample provided are not to be \nconsidered as a manufacturing defect, but as a feature \nof the manual processing, that may be susceptible to \nvariances in color and homogeneity. For cleaning and \nmaintenance only use a microfiber cloth dampened with \nwater or wax. Do not use abrasive cloths, solvents, alco-\nhol or strong detergents. Dry the surface thoroughly in \ncase of standing\nwater.  \n \nE14\t\nRAME LUCIDO \nPOLISHED\tCOPPER\nRame\tlucido\tverniciato\tcon\tprotettivo\ttrasparente\tper\t\nindoor.\tPer\tla\tpulizia\ted\til\tmantenimento\tutilizzare\tsolo\t\nun\tpanno\tdi\tcotone\tinumidito\tcon\tacqua\to\tappositi\tpro-\ndotti\t neutri\t per\t superfici\t verniciate.\t Non\t usare\t panni\t\nabrasivi,\tsolventi,\talcool\to\tdetergenti\taggressivi.\tAsci-\nugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nPolished copper with protective, transparent varnish \nfor indoor use. For cleaning and maintenance only use \na cotton cloth dampened with water or specific neutral \nproducts for varnished surfaces. Do not use abrasive \ncloths, solvents, alcohol or strong detergents. Dry the \nsurface thoroughly in case of standing water. \n \nG5\t\nRAME DELABRÉ \nDELABRÉ\tCOPPER\nFinitura\tartigianale\tideata\te\trealizzata\tda\tDe\tCastelli\tper\t\nindoor\te\toutdoor.\tConsiste\tnell’ossidazione\tmanuale\tdel\t\nrame,\tin\tgrado\tdi\tconferire\tparticolari\teffetti\tcromatici\t\ngrazie\t alla\t formazione\t di\t nuvolature\t dalle\t diverse\t to-\nnalità,\t che\t viene\t successivamente\t verniciato\t con\t un\t\nprotettivo\ttrasparente.\tDifferenze\trispetto\tal\tcampione\t\nin\t visione\t sono\t da\t considerarsi\t non\t come\t difetto,\t ma\t\ncome\tcaratteristica\tdella\tlavorazione\tmanuale\tche\tpuò\t\nessere\tsuscettibile\ta\tvariazioni\tdi\ttonalità\te\tomogenei-\ntà.\t Se\t utilizzato\t all’esterno\t è\t possibile\t una\t moderata\t\nvariazione\t della\t tonalità\t con\t conseguente\t variazione\t\ncromatica\t non\t omogenea\t e\t non\t controllabile.\t Per\t la\t\npulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\t\ncotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\t\nper\tsuperfici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsol-\nventi,\talcool\to\tdetergenti\taggressivi.\tAsciugare\tbene\tla\t\nsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nand outdoor use. Copper undergoes manual oxidation \ntreatment to obtain particular chromatic cloud effects. \nSubsequently it is lacquered with a protective trans-\nparent varnish. Differences compared to the sample \nprovided are not to be considered as a manufacturing \ndefect, but as a feature of the manual processing, that \nmay be susceptible to variances in color and homoge-\nneity. If placed outside, the finishing can experience \ndissimilar color alteration, which should not be consid-\nered faults. For cleaning and maintenance only use a \ncotton cloth dampened with water or specific neutral \nproducts for varnished surfaces. Do not use abrasive \ncloths, solvents, alcohol or strong detergents. Dry the \nsurface thoroughly in case of standing water.\n \nG4\t\nRAME DELABRÉ ORBITALE \nORBITALE\tDELABRÉ\tCOPPER\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nper\tindoor\te\toutdoor.\tLa\tsua\trealizzazione\tprevede\tdi-\nverse\tfasi:\tossidazione\tdel\trame,\tspazzolatura\tmanuale\t\nper\tcreare\tl’effetto\t“graffiato”,\tverniciatura\ttrasparente\t\nprotettiva.\t Differenze\t rispetto\t al\t campione\t in\t visione\t\nsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\tcome\tcar-\natteristica\t della\t lavorazione\t manuale\t che\t può\t essere\t\nsuscettibile\t a\t variazioni\t di\t tonalità\t e\t omogeneità.\t Se\t\nutilizzato\tall’esterno\tè\tpossibile\tuna\tmoderata\tvariazi-\none\tdella\ttonalità\tcon\tconseguente\tvariazione\tcromat-\nica\tnon\tomogenea\te\tnon\tcontrollabile.\tPer\tla\tpulizia\ted\t\nil\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\tcotone\tinu-\nmidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\tper\tsuperf-\nici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsolventi,\talcool\t\no\tdetergenti\taggressivi.\tAsciugare\tbene\tla\tsuperficie\tin\t\ncaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De CastelIi for indoor \nand outdoor use. It consists in several phases: copper \noxidation, manual brushing to get the ”scratched” ef-\nfect and application of a protective, transparent var-\nnish. Differences compared to the sample provided \nare not to be considered as a manufacturing defect, \nbut as a feature of the manual processing, that may be \nsusceptible to variances in color and homogeneity. If \nplaced outside, the finishing can experience dissimilar \ncolor alteration, which should not be considered faults. \nFor cleaning and maintenance only use a cotton cloth \ndampened with water or specific neutral products for \nvarnished surfaces. Do not use abrasive cloths, sol-\nvents, alcohol or strong detergents. Dry the surface \nthoroughly in case of standing water.\n \nG6\t\nRAME DELABRÉ STRIATO \nSTRIPED\tDELABRÉ\tCOPPER\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castel-\nli\tper\tindoor\te\toutdoor.\tLa\tsua\trealizzazione\tprevede\t\ndiverse\t fasi:\t ossidazione\t dell’ottone,\t spazzolatura\t\nmanuale\t per\t creare\t l’effetto\t “striato”,\t verniciatura\t\ntrasparente\tprotettiva.\tDifferenze\trispetto\tal\tcampione\t\nin\tvisione\tsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\t\ncome\tcaratteristica\tdella\tlavorazione\tmanuale\tche\tpuò\t\nessere\tsuscettibile\ta\tvariazioni\tdi\ttonalità\te\tomogenei-\ntà.\t Se\t utilizzato\t all’esterno\t è\t possibile\t una\t moderata\t\nvariazione\t della\t tonalità\t con\t conseguente\t variazione\t\ncromatica\t non\t omogenea\t e\t non\t controllabile.\t Per\t la\t\npulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\t\ncotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\t\nper\tsuperfici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsol-\nventi,\talcool\to\tdetergenti\taggressivi.\tAsciugare\tbene\tla\t\nsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nand outdoor use. It consists in several manual phases: \ncopper oxidation, several passages with Scotch-Brite \nto get the ”striped” effect and the application of a \nprotective, transparent varnish. Differences compared \nto the sample provided are not to be considered as a \nmanufacturing defect, but as a feature of the manual \nprocessing, that may be susceptible to variances in \ncolor and homogeneity. If placed outside, the finishing \ncan experience dissimilar color alteration, which should \nnot be considered faults. For cleaning and maintenance \nonly use a cotton cloth dampened with water or specif-\nic neutral products for varnished surfaces. Do not use \nabrasive cloths, solvents, alcohol or strong detergents. \nDry the surface thoroughly in case of standing water.\n \nM2\t\nRAME DEOPALE \nDEOPALE\tCOPPER\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nper\t indoor\t e\t outdoor.\t Consiste\t nell’ossidazione\t man-\nuale\tdel\trame\tche\tacquista\tparticolari\teffetti\tcromatici\t\nsimili\tai\tgiochi\tdi\tluce\tdell’opale\tdi\tfuoco.\tSi\tcaratterizza\t\nda\t uno\t sfondo\t rosso\t con\t riflessi\t che\t possono\t essere\t\nO T T O N E \nB R A S S\nR A M E \nC O P P E R\nC O L L E C T I O N\nM A T E R I A L S  A N D  F I N I S H E S  A B A C U S\n336—337\n",170,{"image":694,"text":695,"number":696},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.171.png","particolarmente\tvivi\te\tbrillanti,\tvariando\tin\ttoni\tirides-\ncenti\tdal\trosso\tall’arancione,\tsuccessivamente\tvernici-\nato\tcon\tun\tprotettivo\ttrasparente.\tDifferenze\trispetto\t\nal\tcampione\tin\tvisione\tsono\tda\tconsiderarsi\tnon\tcome\t\ndifetto,\tma\tcome\tcaratteristica\tdella\tlavorazione\tman-\nuale\tche\tpuò\tessere\tsuscettibile\ta\tvariazioni\tdi\ttonalità\t\ne\tomogeneità.\tSe\tutilizzato\tall’esterno\tè\tpossibile\tuna\t\nmoderata\t variazione\t della\t tonalità\t con\t conseguente\t\nvariazione\tcromatica\tnon\tomogenea\te\tnon\tcontrolla-\nbile.\tPer\tla\tpulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\t\npanno\tdi\tcotone\tinumidito\tcon\tacqua\to\tappositi\tpro-\ndotti\t neutri\t per\t superfici\t verniciate.\t Non\t usare\t panni\t\nabrasivi,\tsolventi,\talcool\to\tdetergenti\taggressivi.\tAsci-\nugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nand outdoor use. The oxidation of copper giving its \nparticular chromatic effects, such as the light games of \nthe fire opal, characterized by a red background with \nreflections that can be particularly vivid and bright, \nchanging in iridescent tones from red to orange. Sub-\nsequently it is lacquered with a protective, transparent \nvarnish. Differences compared to the sample provided \nare not to be considered as a manufacturing defect, \nbut as a feature of the manual processing, that may be \nsusceptible to variances in color and homogeneity. If \nplaced outside, the finishes can experience dissimilar \ncolor alteration, which should not be considered faults. \nFor cleaning and maintenance only use a cotton cloth \ndampened with water or specific neutral products for \nvarnished surfaces. Do not use abrasive cloths, sol-\nvents, alcohol or strong detergents. Dry the surface \nthoroughly in case of standing water.\n \nM5\t\nRAME DEMAREA \nDEMAREA\tCOPPER\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nper\t indoor\t e\t outdoor.\t Ossidazioni\t manuali\t sovrap-\nposte\t applicate\t al\t rame\t creano\t effetti\t “acquerellati”,\t\ntrasmettendo\tsensazioni\tfortemente\tmateriche\te\tsug-\ngestioni\tche\trimandano\tal\tpassaggio\tdelle\tonde,\tsuc-\ncessivamente\t viene\t applicata\t una\t vernice\t protettiva\t\ntrasparente.\tDifferenze\trispetto\tal\tcampione\tin\tvisione\t\nsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\tcome\tcar-\natteristica\t della\t lavorazione\t manuale\t che\t può\t essere\t\nsuscettibile\t a\t variazioni\t di\t tonalità\t e\t omogeneità.\t Se\t\nutilizzato\tall’esterno\tè\tpossibile\tuna\tmoderata\tvariazi-\none\tdella\ttonalità\tcon\tconseguente\tvariazione\tcromat-\nica\tnon\tomogenea\te\tnon\tcontrollabile.\tPer\tla\tpulizia\ted\t\nil\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\tcotone\tinu-\nmidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\tper\tsuperf-\nici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsolventi,\talcool\t\no\tdetergenti\taggressivi.\tAsciugare\tbene\tla\tsuperficie\tin\t\ncaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nand outdoor use. Overlapping manual oxidations ap-\nplied on copper create watercolors stratified effects \nthat remind us of the waves that string on the shore. \nSubsequently it is lacquered with a protective, trans-\nparent varnish. Differences compared to the sample \nprovided are not to be considered as a manufacturing \ndefect, but as a feature of the manual processing, that \nmay be susceptible to variances in color and homoge-\nneity. If placed outside, the finishes can experience dis-\nsimilar color alteration, which should not be considered \nfaults. For cleaning and maintenance only use a cotton \ncloth dampened with water or specific neutral prod-\nucts for varnished surfaces. Do not use abrasive cloths, \nsolvents, alcohol or strong detergents. Dry the surface \nthoroughly in case of standing water.\n \nF8\t\nRAME DEMAISTRAL BRUNITO \nBRONZED DEMAISTRAL\tCOPPER\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nper\t indoor\t e\t outdoor.\t Consiste\t nella\t colorazione\t del\t\nrame\tin\tdiverse\tfasi:\tverniciatura\tbrunita,\tspazzolatu-\nra\tmanuale\tper\tcreare\tl’effetto\t“graffiato”,\tverniciatura\t\ntrasparente\t protettiva.\t Si\t sconsiglia\t l’applicazione\t di\t\nquesta\tfinitura\tsu\tsuperfici\taltamente\tusurabili\t(es.\tpi-\nani\t di\t lavoro\t e\u002Fo\t pavimentazioni).\t Differenze\t rispetto\t\nal\tcampione\tin\tvisione\tsono\tda\tconsiderarsi\tnon\tcome\t\ndifetto,\tma\tcome\tcaratteristica\tdella\tlavorazione\tman-\nuale\tche\tpuò\tessere\tsuscettibile\ta\tvariazioni\tdi\ttonalità\t\ne\tomogeneità.\tSe\tutilizzato\tall’esterno\tè\tpossibile\tuna\t\nmoderata\t variazione\t della\t tonalità\t con\t conseguente\t\nvariazione\tcromatica\tnon\tomogenea\te\tnon\tcontrolla-\nbile.\tPer\tla\tpulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\t\npanno\tdi\tcotone\tinumidito\tcon\tacqua\to\tappositi\tpro-\ndotti\t neutri\t per\t superfici\t verniciate.\t Non\t usare\t panni\t\nabrasivi,\tsolventi,\talcool\to\tdetergenti\taggressivi.\tAsci-\nugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nand outdoor use. It consists in coloring copper, involv-\ning several phases: burnishing, manual brushing to get \nthe ”scratched” effect and application of a protective, \ntransparent varnish. The application of this finishing is \nnot advisable on surfaces subject to daily wear and tear \n(ex: table tops and\u002For floors). Differences compared \nto the sample provided are not to be considered as a \nmanufacturing defect, but as a feature of the manual \nprocessing, that may be susceptible to variances in \ncolor and homogeneity. If placed outside, the finishing \ncan experience dissimilar color alteration, which should \nnot be considered faults. For cleaning and maintenance \nonly use a cotton cloth dampened with water or specif-\nic neutral products for varnished surfaces. Do not use \nabrasive cloths, solvents, alcohol or strong detergents. \nDry the surface thoroughly in case of standing water.\n \nG11\t\nRAME RUBINO \nRUBY\tCOPPER\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nper\t indoor\t e\t outdoor.\t Consiste\t nell’ossidazione\t man-\nuale\t del\t rame\t precedentemente\t satinato\t in\t grado\t di\t\nconferire\t particolari\t effetti\t cromatici\t sulle\t tonalità\t ti-\npiche\t del\t rubino,\t successivamente\t verniciato\t con\t un\t\nprotettivo\ttrasparente.\tDifferenze\trispetto\tal\tcampione\t\nin\tvisione\tsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\t\ncome\tcaratteristica\tdella\tlavorazione\tmanuale\tche\tpuò\t\nessere\tsuscettibile\ta\tvariazioni\tdi\ttonalità\te\tomogenei-\ntà.\t Se\t utilizzato\t all’esterno\t è\t possibile\t una\t moderata\t\nvariazione\t della\t tonalità\t con\t conseguente\t variazione\t\ncromatica\t non\t omogenea\t e\t non\t controllabile.\t Per\t la\t\npulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\t\ncotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\t\nper\tsuperfici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsol-\nventi,\talcool\to\tdetergenti\taggressivi.\tAsciugare\tbene\tla\t\nsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcraft finishing created by De Castelli for indoor \nand outdoor use. Satin copper undergoes manual oxi-\ndation treatment to obtain particular chromatic effects \nsimilar to ruby color. Subsequently it is lacquered with \na protective transparent varnish. Differences compared \nto the sample provided are not to be considered as a \nmanufacturing defect, but as a feature of the manual \nprocessing, that may be susceptible to variances in \ncolor and homogeneity. If placed outside, the finishing \ncan experience dissimilar color alteration, which should \nnot be considered faults. For cleaning and maintenance \nonly use a cotton cloth dampened with water or specif-\nic neutral products for varnished surfaces. Do not use \nabrasive cloths, solvents, alcohol or strong detergents. \nDry the surface thoroughly in case of standing water.\n \nF7\t\nVERDERAME  \nVERDIGRIS\nFinitura\t artigianale\t ideata\t e\t realizzata\t da\t De\t Castelli\t\nsolo\t per\t indoor.\t La\t caratteristica\t colorazione\t verder-\name\tderiva\tdalla\tlunga\tesposizione\tnaturale\tall’atmos-\nfera\tdel\trame.\tDe\tCastelli\taccelera\tquesto\tprocesso\tper\t\noffrire\tal\tcliente\tun\tprodotto\tcon\tun\tgrado\tdi\tossidazi-\none\t già\t maturo,\t successivamente\t verniciato\t con\t un\t\nprotettivo\ttrasparente.\tDifferenze\trispetto\tal\tcampione\t\nin\tvisione\tsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\t\ncome\tcaratteristica\tdella\tlavorazione\tmanuale\tche\tpuò\t\nessere\tsuscettibile\tdi\tvariazioni\tdi\ttonalità\te\tomogenei-\ntà.\t Per\t la\t pulizia\t e\t il\t mantenimento\t utilizzare\t solo\t un\t\npanno\tdi\tcotone\tinumidito\tcon\tacqua\to\tappositi\tpro-\ndotti\t neutri\t per\t superfici\t verniciate.\t Non\t usare\t panni\t\nabrasivi,\tsolventi,\talcool\to\tdetergenti\taggressivi.\tAsci-\nugare\tbene\tla\tsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\nHandcrafted finishing created by De Castelli for indoor \nuse only. The characteristic color of this material is due \nto the long exposition of copper outside. De Castelli ac-\ncelerates this process in order to offer a product with a \nmature oxidation. Once stabilized, it is protected with a \ntransparent varnish. Differences compared to the sam-\nple provided are not to be considered as a manufactur-\ning defect, but as a feature of the manual processing, \nthat may be susceptible to variances in color and homo-\ngeneity. Indoor use only. For cleaning and maintenance \nonly use a cotton cloth dampened with water or specif-\nic neutral products for varnished surfaces. Do not use \nabrasive cloths, solvents, alcohol or strong detergents. \nDry the surface thoroughly in case of standing water.\n \n \nH2-H3-HA-H5-H6-H7-H8-H10-H12 \n \nUna\tspeciale\ttecnica\tdi\terosione\tcontrollata\tideata\te\t\nrealizzata\tda\tDe\tCastelli\tper\tindoor\te\toutdoor\tcrea\t\ntexture\tdall’aspetto\tnaturale,\tispirate\tall’azione\tdel\t\ntempo.\tUna\tlavorazione\testremamente\tversatile\t\napplicabile\tsu\tferro,\trame\te\tottone\tche\tamplifica\tle\t\nvibrazioni\tdel\tmetallo\tesaltandone\tl’unicità,\tcon\teffetti\t\nstraordinariamente\ttridimensionali,\tsuccessivamente\t\nviene\tossidato\tmanualmente\te\tverniciato\tcon\tun\tpro-\ntettivo\ttrasparente.\tDifferenze\trispetto\tal\tcampione\t\nin\tvisione\tsono\tda\tconsiderarsi\tnon\tcome\tdifetto,\tma\t\ncome\tcaratteristica\tdella\tlavorazione\tmanuale\tche\tpuò\t\nessere\tsuscettibile\ta\tvariazioni\tdi\ttonalità\te\tomogenei-\ntà.\tSe\tutilizzato\tall’esterno\tè\tpossibile\tuna\tmoderata\t\nvariazione\tdella\ttonalità\tcon\tconseguente\tvariazione\t\ncromatica\tnon\tomogenea\te\tnon\tcontrollabile.\tPer\tla\t\npulizia\ted\til\tmantenimento\tutilizzare\tsolo\tun\tpanno\tdi\t\ncotone\tinumidito\tcon\tacqua\to\tappositi\tprodotti\tneutri\t\nper\tsuperfici\tverniciate.\tNon\tusare\tpanni\tabrasivi,\tsol-\nventi,\talcool\to\tdetergenti\taggressivi.\tAsciugare\tbene\t\nla\tsuperficie\tin\tcaso\tdi\tristagno\td’acqua.\t\nA precise technique designed and made by De Castel-\nli for indoor and outdoor use, that involves monitored \nerosion of metal and creates irregular textures that re-\nmind us of the passing of time. An extremely precise \nbut versatile manufacture applicable on iron, copper \nand brass that enhances metal vibes and uniqueness \nthrough three-dimensional effects. Subsequently it \nis manually oxidized, and lacquered with a protective, \ntransparent varnish. Differences compared to the sam-\nple provided are not to be considered as a manufac-\nturing defect, but as a feature of the manual process-\ning, that may be susceptible to variances in colour and \nhomogeneity. If placed outside, the finishes can expe-\nrience dissimilar color alteration, which should not be \nconsidered faults. For cleaning and maintenance only \nuse a cotton cloth dampened with water or specific \nneutral products for varnished surfaces. Do not use \nabrasive cloths, solvents, alcohol or strong detergents. \nDry the surface thoroughly in case of standing water.\nH12N \nRAME NATURALE DEEROSION  \nDEEROSION\tH12N\tNATURAL\tCOPPER\nUna\t speciale\t tecnica\t di\t erosione\t controllata\t ideata\t e\t\nrealizzata\tda\tDe\tCastelli\tsolo\tper\tindoor\tcrea\ttexture\t\ndall’aspetto\tnaturale,\tispirate\tall’azione\tdel\ttempo\tche\t\namplifica\tle\tvibrazioni\tdel\tmetallo\tesaltandone\tl’unicità,\t\ncon\teffetti\tstraordinariamente\ttridimensionali.\tIl\trame\t\nnaturale,\t privo\t di\t trattamenti\t superficiali\t protettivi,\t\npreserva\tintatte\tle\tsue\tproprietà\tantibatteriche\tintrin-\nseche.\tIl\tmateriale\tè\tvivo\te\tcambia\tnel\ttempo\tacquisen-\ndo\tsfumature\tdi\tossidazioni\tdiverse.\tLo\tstato\toriginale\t\npuò\tessere\tripristinato\tattraverso\trispazzolatura\tman-\nuale\tdelicata\te\tpulizia\tcon\tpanno\tin\tmicrofibra.\tDiffer-\nenze\trispetto\tal\tcampione\tin\tvisione\tsono\tda\tconsid-\nerarsi\tnon\tcome\tdifetto,\tma\tcome\tcaratteristica\tdella\t\nlavorazione\tmanuale\tche\tpuò\tessere\tsuscettibile\ta\tvari-\nazioni\tdi\ttonalità\te\tomogeneità.\tPer\tla\tpulizia\ted\til\tman-\ntenimento\t utilizzare\t solo\t un\t panno\t in\t microfibra\t inu-\nmidito\to\tcera.\tNon\tusare\tpanni\tabrasivi,\tsolventi,\talcool\t\no\tdetergenti\taggressivi.\tAsciugare\tbene\tla\tsuperficie\tin\t\ncaso\tdi\tristagno\td’acqua.\t\nA precise technique designed and made by De Castel-\nli for indoor use only, that involves monitored erosion \nof metal and creates irregular textures that remind us \nof the passing of time and enhances metal vibes and \nuniqueness through three-dimensional effects. Nat-\nural copper, without protective surface treatments, \npreserves its intrinsic antibacterial properties intact. \nThe material is alive and changes over time, acquiring \nshades of different oxidations. The original state can be \nrestored through gentle manual brushing and cleaning \nwith a dampened microfiber cloth. Differences com-\npared to the sample provided are not to be considered \nas a manufacturing defect, but as a feature of the man-\nual processing, that may be susceptible to variances \nin colour and homogeneity. For cleaning and mainte-\nnance only use a microfiber cloth dampened with water \nor wax. Do not use abrasive cloths, solvents, alcohol or \nstrong detergents. Dry the surface thoroughly in case \nof standing water. \nD E E R O S I O N \nD E E R O S I O N\nC O L L E C T I O N\n",171,{"image":698,"text":699,"number":700},"\u002Fmedia\u002Fimages\u002F91\u002F845c19d0c48d6f253f537e6e03d772-281a74217a.172.png","Made\tand\tprinted\tin\tItaly\tby\t\nGrafiche Antiga\nPhotographer\t\nAlberto Parise\nThanks\tto\nAstep\t\t\nFederica\tBubani\t\t\nFlos\t\t\nForma\t&\tCemento\t\t\nFrancesca\tVerardo\t\nIllulian\t\t\nLuceplan\t\t\nLucie\tKaas\t\t\nMamate\t\nMani\tCeramics\tdi\tBritta\tHermann\t\nMason\tEditions\t\t\nSalvatori\t\t\nZilio\tAldo\nDe Castelli Srl \nVia\tdelle\tIndustrie,\t10\t\n31035\tCrocetta\tdel\tMontello\t\nTV,\tItalia\t\n+39\t0423\t638218\nShowroom Milano \nVia\tUberto\tVisconti\tdi\tModrone,\t20 \n20122\tMilano\tMI,\tItalia\n+39\t02\t76006999\ninfo@decastelli.com \ndecastelli.com\nDe Castelli \nCollection Catalogue\nGraphics\t&\tArt\tDirection\t   \nHangar Design Group\nSet\tImages\nPhotographer\t\nMatteo Imbriani \nStyling \nVeronica 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